Podcasts about venice art biennale

Yuko Mohri: Compose / Pavilion of Japan at Venice Art Biennale 2024. Venice (Italy), April 19, 2024. Official description: Known ...

Jingle Dance Program featuring dancers and singers from the Oklahoma Fancy Dancers and Colorado Inter-Tribal Dancers. Jeffrey Gibson: the space ...

On the occasion of the Venice Art Biennale 2024, the Fondazione Giorgio Cini in Venice (Italy) presents an exhibition of ...

Sandra Gamarra Heshiki: Migrant Art Gallery / Spanish Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024. Official ...

Massimo Bartolini: Due qui / To Hear. Italian Pavilion at Venice Art Biennale 2024. Venice (Italy), April 17, 2024.Official description: ...

Petticoat Government / Pavilion of Belgium at Venice Art Biennale 2024. Official description: Cross-mixing art, curating, architecture, typography and cartography, ...

The exhibitors are: Cercle d'Art des Travailleurs de Plantation Congolaise (CATPC): Djonga Bismar, Alphonse Bukumba, Irène Kanga, Muyaka Kapasa, Matthieu ...

Official description: For its pavilion at Biennale Arte 2024, Austria presents conceptual artist Anna Jermolaewa. In her work, the artist ...

Pavilion of Greece at Venice Art Biennale 2024: Dryland: Kostas Chaikalis, Thanasis Deligiannis, Elia Kalogianni, Yorgos Kyvernitis, Yannis Michalopoulos, Fotis ...

Running concurrently with the Venice Art Biennale 2024, the Pinault Collection presents a solo show created by the artist Pierre ...

Márton Nemes: Techno Zen / Hungarian Pavilion at Venice Art Biennale 2024. April 19, 204.Official description: Márton Nemes' work is ...

Archie Moore: kith and kin / Australian Pavilion at Venice Art Biennale 2024. April 19, 2024.Official description: First Nations peoples ...

Open Group (Yuriy Biley, Pavlo Kovach, Anton Varga): Repeat after Me II / Polish Pavilion at Venice Art Biennale 2024. ...

Julien Creuzet / French Pavilion at Venice Art Biennale 2024. Official description: The sight of the matoutou falaise is a ...

Coinciding with the Venice Art Biennale 2024, Roman Road presents a solo exhibition curated by Marisa Bellani dedicated to the ...

BC and Anton discuss the Freedom Monument Sculpture Park, the Venice Art Biennale, the African American Board Leadership Institute, and why Black solidarity is the only way forward for the global, Pan-African family. Ideas matter.

Kapwani Kiwanga: Trinket / Canadian Pavilion at the 60th International Art Exhibition – La Biennale di Venezia. Venice (Italy), April ...

Super Superior Civilizations is the title of Guerreiro do Divino Amor’s exhibition at the Swiss Pavilion in the Giardini. Official ...

John Akomfrah: Listening all Night to the Rain / British Pavilion at the 60th International Art Exhibition – La Biennale ...

Jeffrey Gibson: the space in which to place me / USA at the Venice Art Biennale 2024. April 19, 2024. ...

Taylor Swift returns with The Tortured Poets Department, a surprise double album that features 31 tracks that fans are saying is her most intimate and lyrically revealing yet. Joining Tom Sutcliffe to discuss the work are Times music writer Lisa Vericco and Satu Hameenho-Fox, whose new book Into The Taylor-Verse is out next month.The Intercity 125 train, the Kenwood mixer, the Morphy Richards iron, the Wilkinson triple razor, bus shelters, the black cab, and the Parker 25 pen all have one thing in common – they were designed by Sir Kenneth Grange. As a new book about his life and work comes out, we went to his house to meet him. Hettie Judah joins us fresh from the famous international cultural exhibition, the Venice Biennale, now in it's 60th year. She'll be reviewing the highs and lows.Presenter: Tom Sutcliffe Producer: Julian May

In this video, Vlatka Horvat, the artist representing Croatia at the Venice Art Biennale 2024, guides us through her exhibition. ...

A Toronto jury acquits Umar Zameer of first-degree murder charges - in the death of a police officer. Also: The historic hush money trial of Donald Trump is set to begin on Monday. We'll give you a preview of the opening arguments. Plus: The work of an artist from Hamilton, Ontario is on display at the Venice Art Biennale - illuminating history with brightly coloured beads.

Official description: Every moment is a threshold between the vanishing past and an unclear future. This uncertain, intermediate position of ...

Virtual Tour of the 60th International Art Exhibition – La Biennale di Venezia in the Giardini.Venice Art Biennale 2024: Foreigners ...

Virtual Tour of the 60th International Art Exhibition – La Biennale di Venezia in the Arsenale.Venice Art Biennale 2024: Foreigners ...

In this episode of Icelandic Art Center's podcast “Out There” Lukas Strolia (LT), who was assisting the Icelandic Art Center as a part of the Borderland Poetics exchange project between Rupert (LT) and CCA (EE), talks to his colleagues J.L. Murtaugh (US) and Erik Vojevodin (LT) about the artist-run space Autarkia, Vilnius. Autarkia is located in the former workers' canteen at the long-gone secret Soviet military factory in Vilnius, Lithuania. The group discusses what it takes to run a self-proclaimed Artist daycare centre, which is liquid enough to act as an artwork and the creative entity providing artistic services. They talk about its natural resistance to formality, its ambiguity, functionality, successes and struggles. ---- J.L. Murtaugh Liam is an artist, curator, writer, and consultant organizing projects under the alias of Syndicate since 2014. Currently, he is the artistic director of Autarkia, Vilnius, and was previously the director of Tenderpixel in London. Erik Vojevodin Erik is an artist and curator born and raised in Vilnius, Lithuania. He graduated in philosophy and art history at the University of Glasgow (dissertation on John Cage, George Maciunas, and Pure Being). Erik is interested in spaces and participatory formats with the potential for a living pure being. Lukas Strolia Lukas is an artist, curator, project/production manager, researcher, and art handler. He was co-running an artist-run space Autarkia, producing Gut Feeling, Lithuanian Pavilion at Venice Art Biennale 22'. Currently, he works in the commercial gallery Vartai. ---- Thanks to RadioVilnius for providing their infrastructure and Lubomir Grzelak, aka Lutto Lento, for letting to stream his sound piece. Created and produced by the Icelandic Art Center, Out There brings co-hosts Becky Forsythe and Þórhildur Tinna Sigurðardóttir in conversation with artists, curators and art professionals at the 101 radio studio.​​​​​​​​

The British artist — who won the top prize at the Venice Art Biennale this year — speaks with calm eloquence about the pros and cons of being the first Black British woman to win the Golden Lion at the Venice Biennale. Hosted on Acast. See acast.com/privacy for more information.

Tishan Hsu is one of the artists, curator Cecilia Alemani has chosen for the 59th International Art Exhibition “The Milk ...

Lavinia Schulz & Walter Holdt / Venice Art Biennale 2022 – The Milk of Dreams. Official description: “During the Weimar ...

Les Innombrables is an ephemeral artist collective founded in 1991 in Heidiland (Switzerland). Les Innombrables describe their artistic activity as ...

At the 59th International Art Exhibition – La Biennale di Venezia, Monira Al Qadiri presents a series of 3D-printed sculptures ...

For the 59th International Art Exhibition – La Biennale di Venezia, The Milk of Dreams (Il Latte dei Sogni), the ...

Mire Lee (born in 1988 in South Korea) is one of the artists who have been chosen to exhibit in ...

This year's Philippine Pavilion at the 59th Venice Art Biennale features a collaborative project titled Andi taku e sana, Amung taku di sana (All of us present, This is our gathering) by visual artist Gerardo Tan, ethnomusicologist Felicidad A. Prudente, and Ifugao weaver Sammy N. Buhle. In this B-Side episode, Philippine Pavilion curators Yael Buencamino Borromeo and Arvin Flores explain to BusinessWorld reporter Michelle Anne P. Soliman the process of translating sound into painting and textile design; and the value of participating in the Biennale, a cultural institution established in 1895. “It's really important for us to participate in exhibitions like this, because they provide artists and curators with a platform to engage with the international community. And it does provide people with a glimpse of what's going on in contemporary art,” Ms. Borromeo said. Recorded remotely on April 28, 2022. Produced by Earl R. Lagundino and Sam L. Marcelo.

Zsófia Keresztes is representing Hungary at the 59th International Art Exhibition – La Biennale di Venezia with an exhibition titled ...

Over a month into the Ukraine conflict, Anu Anand speaks to its artistic community and hears their personal stories. As ballet dancers join the front line, sculptors build road blocks and galleries protect their art, we hear from Darya Bassel, Film Producer and industry head at Kyiv's Docudays UA International Human Rights Documentary Film Festival about how filmmakers have been turning their lenses to the frontline. One of Ukraine's greatest writers Andrey Kurkov reflects on life in war-torn Ukraine. Like so many others he has had to leave his home with his family and Andrey has written a personal account for the BBC of what it means to become a refugee in his own homeland and of his new routine living in a country at war. Conceptual artist Pavlo Makov is representing Ukraine at this year's Venice Art Biennale. He explains how he got part of his work, The Fountain of Exhaustion, quickly got out of the country and how the piece, which started as a local idea, became a global statement about the exhaustion of humanity and a democratic world. And the story behind the viral violin orchestra video of the old Ukrainian folk song, Verbovaya Doschechka, that starts with a single player in his basement shelter. Illia Bondarenko tells us why it was important for him to be part of this project and how it was recorded between the bombing and the sirens. (Photo: Andrey Kurkov)

Filmmaker Jane Campion is the first woman to be nominated twice for the Oscar for Best Director and the first woman to win the Palme d'Or at the Cannes film festival. Known for her female-centred work such as The Piano, she tells Tom Sutcliffe why she decided to focus on toxic masculinity in The Power of the Dog, her first feature film in ten years. The acclaimed Ukrainian artist Pavlo Makov, who was due to be representing his country at next month's Venice Art Biennale, talks from Kharhiv, where he is sheltering from the bombing. JN Benjamin reviews the play Mugabe, My Dad & Me, a one man show from Tonderai Munyevu which charts the rise and fall of Robert Mugabe through the personal story of the playwright's family. Presenter: Tom Sutcliffe Producer: Julian May

“In a way, I've always been working on the edge of both a larger dominant society engagement and a deep engagement with my communities. My focus is really digging deep into blackness.” Andrea Fatona, 2021   Toronto-based curator and scholar Andrea Fatona has been addressing institutionalized racism on her own terms since the 1990s. Our conversations across time reveal the depth of her commitment to making visible the full spectrum of Black culture in Canada. Engaging with Black communities to build an online repository while addressing algorithmic injustice, she and her collaborators are illuminating the work of Black Canadian cultural producers on the global stage.   Sound Design: Anamnesis Audio  Special Audio: Hogan's Alley (1994), courtesy Vivo Media Arts, Andrea Fatona and Cornelia Wyngaarden and Whitewash (2016), Nadine Valcin, courtesy the artist   Related Episodes: The Awakening, New Point of View at the Venice Art Biennale   Related Links: The State of Blackness, Andrea Fatona/OCADU, Vivo Media Arts, Okui Enwezor, All the World's Futures/56th Venice Art Biennale, Cornelia Wyngaarden What is The State of Blackness? The State of Blackness website shares digital documentation of a 2014 conference that took place in Toronto, Canada. The State of Blackness: From Production to Presentation was a two-day, interdisciplinary event held at the Ontario College of Art and Design University and Harbourfront Centre for the Arts. Artists, curators, academics, students, and public participants gathered to engage in a dialogue that problematized the histories, current situation, and future state of Black diasporic artistic practice and representation in Canada. The site is now expanding to serve as a repository for information about ongoing research geared toward making visible the creative practice and dissemination of works by Black Canadian cultural producers from 1987 to present.    What is Algorithmic Injustice? Algorithms come into play when you do a search on the internet, taking keywords as input, searching related databases and returning results. Bias can enter into algorithmic systems as a result of pre-existing cultural, social, or institutional expectations; because of technical limitations of their design; or by being used in unanticipated contexts or by audiences who are not considered in the software's initial design.

This talk was given as part of the Oxford Transitional Justice Research (OTJR) Seminar Series. Art is a radical form of political participation in times of transition. Arising out of 11 months of fieldwork at the Constitutional Court of South Africa and the South Africa Pavilion at the Venice Art Biennale, which included 130 interviews with key decision makers, the book 'The Justice of Visual Art: Creative State-Building in Times of Transition' explores three important areas of transitional justice: the theoretical framing of justice and art; the visual jurisprudence of justice measures developed in transition; and, the cultural diplomacy practices of states emerging from conflict. In this seminar, we are joined by the author of the book, Dr Eliza Garnsey. Eliza Garnsey is a British Academy Postdoctoral Fellow in International Relations at the University of Cambridge and a Junior Research Fellow at Wolfson College Cambridge. She is currently in Australia as an Honorary Associate at the Centre for International Security Studies at the University of Sydney. Her research focuses on art and visual culture in international relations and world politics, particularly in relation to human rights, transitional justice, and conflict.

Today is January 27, 2021. One week ago, we inaugurated new leaders in the United States. Many hope that President Joseph. Biden and Vice-President Kamala Harris will cultivate an era of unity, democracy, and truth in this country.  Multiple flashpoints complicated the year 2020. The relentless coronavirus pandemic, accelerating discrimination against people of color, heightened climate emergencies, and the imploding global economy had a intense polarizing effect on the electorate. Kamala Harris, the first African-American and Asian American to become Vice President, is also the first woman to be given this tremendous opportunity. As she steps into a crucial role of responsibility, Harris inspires this episode.  What part can creativity play in such turbulent times?  We speak to six women artists and curators responding to the challenges of the past year with renewed resolve. Strengthening their engagement with vital issues and ideas, each one positions herself in service to social justice. Future episodes will reveal more about their individual awakenings. Sound Editor: Anamnesis Audio | Special Audio: When We Gather, courtesy Maria Magdalena Campos-Pons and collaborators; Whitewash, courtesy artist Nadine Valcin; Celaje, courtesy artist Sofía Gallisá Muriente; All water has a perfect memory, courtesy artist Bahar Behbahani; Drip in water tunnel, New York City, courtesy artist Mary Mattingly; "This Earth,” by Susan Griffin, courtesy Andrea Bowers and performance participants  Related Episodes: International Curators Champion Creative Resilience, Mapping Caribbean Cultural Ecologies, Where Art Meets Activism, Creative Time Summit Miami 2018, Bahar Behbahani on Politics and Persian Gardens, New Point of View at Venice Art Biennale, Mary Mattingly on the Art of Human Relationships, Andrea Bowers on Art and Activism Related Links: Bahar Behbahani, Andrea Bowers, This Earth, Maria Magdalena Campos-Pons, When We Gather, Mary Mattingly, Public Water, Andrea Fatona, The State of Blackness, Marina Reyes Franco, Museum of Contemporary Art of Puerto Rico, Sofía Gallisá Muriente Featured Voices in Order of Appearance   Born in Cuba and based in Nashville, Maria Magdalena Campos-Pons teaches at Vanderbilt University. A dream led her to invite collaborators to celebrate all that Kamala Harris represents. Performance and poetry in the new art film When We Gather embody their collective hope and imagination.   Dr. Andrea Fatona is a Toronto-based curator and scholar who teaches in the graduate program at Ontario College of Art and Design University. For decades, she has sought to remedy the absence of Black visual art from critical writing, art archives and other avenues of representation. Whitewash, Nadine Valcin’s performance video about the history of slavery in Canada, is featured on Fatona's website: The State of Blackness.   Born and based in San Juan, Marina Reyes Franco is curator at the Museum of Contemporary Art. She talks about the Museum’s powerful new partner and introduces the metaphoric exhibition she will present this spring. In 2020, Reyes Franco took the time to support artist friend Sofía Gallisá Muriente in her creation of a new film. Sited on the southwest coast of Puerto Rico, Celaje is an elegy to the death of the Puerto Rican colonial project and the sedimentation of disasters on the island.   Water channels, fountains, roses and pools are elemental to the legendary Persian garden. Iranian-American artist Bahar Behbahani has been investigating the garden’s histories for years. In 2019, she created her first garden-inspired public art project at Wave Hill in the Bronx. In 2021, the artist aims to break ground on a purposeful Persian garden in Manhattan.   New York-based artist Mary Mattingly has always been concerned with sustainability, creating lyric environments that meet the basic needs of water, food, and shelter. Her latest project concerns the invisible infrastructure of public water in the city she calls home. Mattingly is diving deep—her urban case study exposes inequities that limit access to clean drinking water everywhere.    Early 2020 found Los Angeles based artist Andrea Bowers joining other women to read and record the poem “This Earth,” by Susan Griffin. Studying the spiritual origins of eco-feminism was among her solitary pursuits last year. When the pandemic slowed her activist projects, Bowers turned to re-examine how and why she makes art. 

My guest today is the one and only, the inimitable, Christoph Niemann. If you're not familiar with his work, he's an amazing illustrator, artist, author and animator. I became familiar with his work from the covers of The New Yorker, National Geographic, and New York Times Magazine. Christoph's art has been subject to numerous museum retrospectives. And you might have seen him on the Netflix show Abstract where they did a 45 minute documentary on him that is just spectacular. Christoph has drawn live from the Venice Art Biennale, the Olympic Games in London, and he has sketched the New York City Marathon — while actually running it. He created The New Yorker’s first Augmented Reality Cover as well as a hand drawn 360 degree VR animation for the magazine’s US Open issue. Clients include Hermés, Google, LAMY, and The Museum of Modern Art. Suffice it to say, he is a legend. In this conversation get get into: how all the struggles we go through as creatives is so similar there is real power and support in sharing the solutions in our communities how to not be intimidated by trends and how to manage social media as a test ground but not getting attached to how many likes we get how being our harshest critic is required to making our best work and so much more. Enjoy!

Isa Genzken is one of the most popular artists living today. She represented Germany at the Venice Art Biennale 2007 ...

One of the biggest Covid-19 casualties in the art world is the postponement of the Venice Art Biennale from 2021 until 2022. Italy has been one of the country's hardest hit by the pandemic, forcing it to postpone both the Contemporary Art Biennale and the Architecture Biennale that was to open later this year. For some it could be a blessing having more time, for others a disappointment because of all the work that goes into representing your country. Yuki Kihara the multi disciplinary artist representing NZ at Venice talks about the implications for her; and Michael Moynahan (Arts Council Chair) says the postponement was a good call.

Today, we take you to meet three globally engaged, Miami-based contemporary art experts. Ombretta Agro Andruff, Tami Katz-Freiman and Kathryn Mikesell are here to help you navigate the city and enjoy the intense burst of international art that transfigures the cultural landscape every December. Miami Art Week brings together local and international art worlds. This is not only an opportunity for globally active galleries to present the best work of artists they represent. Miami art spaces, museums, community initiatives, individual artists and designers and collectives all rise to the occasion, too, to show their creative force to the world. Diverse participants have diverse agendas. Whether you’re a collector, a curator, a creator, or an aficionado, focus on your passion—what would you like to discover? Takeaways Plan your itinerary to focus on one art corridor— either the mainland or the beach Use the map guides offered at the venues you visit, mark your map - where you want to go and where you’ve been  Take water and snacks, wear comfortable shoes Do your homework, but be willing to improvise — follow your intuition! Of Special Interest in 2019 BEFORE THE FAIRS: Dec 1, Miami—Progressive Brunch with local galleries | Dec 2, Miami Beach—Faena Festival Dec 3-8 ART FAIRS Recommended: Art Basel Miami Beach, Design Miami, UNTITLED, NADA, PINTA and PRIZM  EXHIBITIONS—Openings: The new Rubell Museum and El Espacio 23 in the Allapattah district | Teresita Fernandez at Pérez Art Museum Miami | Yayoi Kusama and Sterling Ruby at the Institute of Contemporary Art | Trenton Doyle Hancock at Locust Projects | Haegue Yang, Mickelene Thomas and Lara Favaretto, at the Bass Museum | Cecilia Vicuña at North Miami Museum of Contemporary Art PUBLIC ART on Miami Beach—Collins Park, Lummus Park, on the beach and at the Convention Center Related Episodes and Guides: Miami Art Week 2018 Preview, Miami Art Week 2017 Preview, How to Seize the Art Week Moment Related Links: Art Basel Miami Beach, Rubell Museum, Pérez Art Museum Miami, Institute of Contemporary Art Miami, Museum of Contemporary Art North Miami, The Bass Museum, El Espacio 23 About Our Experts: From Italy, Ombretta Agró-Andruff, is an independent curator and founder of ARTSail residency and research initiative. The program connects artists and scientists to address the climate change specific to South Florida through creative projects. From Israel, independent curator, art historian and critic Tami Katz-Freiman remembers Miami before Art Basel. Katz-Freiman curated the Israeli Pavilion in the 57th Venice Art Biennale. From the U.S., Kathryn Mikesell is co-founder and executive director of Fountainhead Residencies and Studios. The Residency offers artists from around the world a shared creative space and an introduction to Miami’s art scene. Sound Editor: Anamnesis Audio

Philadelphia-based art historian Deborah Barkun talks about the pleasure and critical thinking that she discovers each time she explores the Venice Art Biennale and collateral events. Through her eyes, we understand that the venerated exhibition never fails to create a constellation of art encounters—always stimulating the senses and challenging the mind, always offering a glimpse into our contemporary psyche.  58th Venice Art Biennale: For the 2019 international art exhibition, London-based American curator Ralph Rugoff chose the title May You Live in Interesting Times. This is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse. The words ‘interesting times’ invoke periods of uncertainty, crisis and turmoil. Rugoff invited 79 artists from around the world who, in his words, “challenge existing habits of thought and open up our readings of objects and images, gestures and situations…entertaining multiple perspectives…holding in mind seemingly contradictory and incompatible notions, and juggling diverse ways of making sense of the world.” The 2019 exhibition includes 89 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city center of Venice. Four countries are participating for the first time: Dominican Republic, Ghana, Madagascar, Malaysia, and Pakistan. Twenty-one Collateral Events taking place across the city widen the diversity of voices that characterizes the Biennale. Read Deborah Barkun’s posts from the 58th Venice Art Biennale on instagram @freshartintl. Sound Editor: Anamnesis Audio | Special Audio recorded in Venice May-June 2019 Romani Embassy performance by Delaine Le Bass, Music by Santino Spinelli Related Episodes: Art Historian Playlist: Deborah Barkun Listens to Joana Choumali, Samson Young: Songs for Disaster Relief, Mark Bradford Connects Art with the Real World, Lisa Reihana on Reversing the Colonial Gaze, Monument to Decay: Israeli Pavilion in Venice Related Links: Venice Art Biennale  Related Images: Fresh VUE: 58th Venice Art Biennial, Fresh Vue: Venice Art Biennale 2017

This episode is part of our Playlist series. We’re inviting artists, curators, architects, filmmakers, cultural producers and other listeners to share favorites from the archive. Based in Lisbon, German born artist Regina Frank has shown her work in New York, London, Los Angeles and Tokyo, among other cities globally. In recent projects, she explored environmental issues in performative installations at the Museum of Art Architecture and Technology, Lisbon, and BioArt 2018, Seoul, South Korea. Here, Regina Frank introduces our conversation with renowned video and performance artist Joan Jonas, an episode first released on June 5, 2012. Revisiting this episode is a moment to celebrate the latest chapter in Joan Jonas’s remarkable career. She represented the United States at the 56th Venice Art Biennale. In 2019, Jonas returns to Venice with an immersive, multimedia installation. Moving Off the Land II is the first public project in Ocean Space, a new global oceanic center in the restored Church of San Lorenzo. Regina Frank writes: I have been listening to Fresh Art since Cathy Byrd launched the podcast in 2011. One episode that I love features Cathy’s conversation with artist Joan Jonas. In 1991, I met Joan Jonas for the first time. She gave a lecture at the University of the Arts in Berlin. What a wonderful artist! I am fascinated and inspired by her creative approach to combining video, performance and drawing. She saw my work and suggested that I speak to the new museum of contemporary art in New York. They gave me their window and the cover of their newsletter and catalogue a few months later, which marked the beginning of my own career, in 1992. While I was in Venice for the 58th Art Biennale, I spent hours exploring Joan Jonas’s great project in the Church of San Lorenzo. I watched every video from beginning to end. Sound Editor 2019 Anamnesis Audio | 2012 Leo Madriz Special Audio: Jason Moran, “He Takes His Coat and Leaves” Feature photo: Joan Jonas, Moving Off the Land II, Ocean Space, Venice, 2019, courtesy TBA21 Academy Related Episodes: Joan Jonas on The Shape, The Scent, The Feel of Things, Art with a Sense of Placed, Part One, Regina Frank on Performing at the Intersection of Art and Technology Related Links: Joan Jonas, Ocean Space  

Venice is proven as a top destination for international contemporary art. The 58th Venice Art Biennale opened on May 11, 2019, and will be on view for the next six months. Thank you to Philadelphia-based art historian Deborah Barkun for contributing views from Venice on Instagram. Follow her encounters @freshartintl. Today, we revisit a selection of sonic encounters at the 57th Venice Art Bienniale, when Italy was the first stop on a six-week Fresh Art International field expedition. In May 2017, preview days for the global exhibition presented an ephemeral opportunity to record the voices of curators, artists, and sounds of installations, performances and events. This episode features our experiences in the pavilions of France, Germany and Nigeria, and our walk through Egyptian artist Hassan Khan’s outdoor sound environment. Artist Carolee Schneemann (1939-2019) was honored with the Golden Lion for lifetime achievement at the 57th Art Biennale. In her memory, we share the conversation we recorded with Schneemann just days before we watched her accept the prestigious award at the opening ceremony. Sound Editor Guney Ozsan | Special Audio: French Pavilion—pianist Federico Tibone, vocalist Farrah el Dibany, experimental media artist duo My Cat is an Alien; German Pavilion—Vernissage TVfield recording,  Billy Bultheel's musical composition for Faust; Nigerian Pavilion—performance by choreographer and dancer Qudus Onikeku; Hassan Khan, Composition for a Park, ambient recordings by Andrew Russeth and Fresh Art International Related Episodes: Samson Young: Songs for Disaster Relief, Lisa Reihana on Reversing the Colonial Gaze, Monument to Decay: Israeli Pavilion in Venice, Mark Bradford Connects Art with the Real World Related Links: Venice Art Biennale, Fresh VUE 57th Venice Art Biennale About the 57the Venice Art Biennale: Christine Macel curated the main exhibition Viva Arte Viva, described as a “Biennale designed with artists, by artists and for artists.” Macel called it an Exhibition inspired by humanism. For her, direct encounters with the artists assumed a strategic role. Of the 120 invited artists, 103 were participating for the first time. About Carolee Schneemann: Starting as a painter in the 1950s, in the 1960s, the artist began using her own body as material in experiments with film, music, poetry, dance, and performance. Her fearless artmaking explored body, narrative, sexuality and gender, in ways that challenged cultural and political taboos.

Chinese artists Sun Yuan and Peng Yu have found an interesting new application for an industrial robot: squeegeeing blood.Yuan and Yu combined a Kuka robot, Cognex visual-recognition sensors and software to create "Can’t Help Myself", an examination of our increasingly automated global reality. The robot uses sensors to detect when the blood flows too far and then uses the end effector to shovel it back into place -- they literally call it a shovel.It's a bloodbath in that box as it leaves stains on the floor and spatter on the walls. According to the artists, the blood is actually cellulose ether, a rather complicated product made with wood or cotton fiber, combined with colored water.The art installation was originally commissioned by the Guggenheim Museum, but you can now check it out at the Venice Art Biennale 2019 in Italy. Titled 'May You Live in Interesting Times', the exhibit runs through November 24, 2019 and while you’re there you can also check out the fake indoor beach (sun & sea). Fake beach, real people, indoors.The pair is known for blending technology with are to create visceral installations and works meant to provoke startling and contemplative emotions. Like the “Angel" sculpture of a dead angel outfitted with large roasted chicken wings; and Old Persons Home, in which 13 life-sized sculptures modeled after aged world leaders ride 13 dynamoelectric wheelchairs and continue to slam into one-another.

Today’s conversation continues our Playlist series. We’re inviting artists, curators, architects, writers, filmmakers, cultural producers and other listeners to introduce episodes from our archive. Based in the United States, art historian and curator Deborah Barkun is Chair of the Department of Art and Art History and Director of Museum Studies at Ursinus College, outside Philadelphia. Her research centers on the social dynamics of artistic collaboration. Barkun is contributing to our stories from the 58th Venice Art Biennale. Here, she introduces our conversation with Ivorian artist Joana Choumali, first released on April 30, 2018. Deborah Barkun writes: I am excited to introduce this reprise of “Joana Choumali Embroiders Empathy.” I feel especially connected to this episode, as I was present for Cathy’s first interview with Choumali in the Ivory Coast Pavilion at the 57th Venice Biennale. Choumali spoke poignantly about African emigration and the emptiness it leaves in the hearts of loved ones left behind. Her hand-embroidered and collaged photographic diptychs depict this global migration. Loose threads left dangling from the works speak to a sense of ongoing longing. Sound Editor: Anamnesis Audio | Photography: Deborah Barkun Related Episodes: Joana Choumali Embroiders Empathy, Sounds of the 57th Venice Art Biennale, Samson Young: Songs for Disaster Relief, Lisa Reihana on Reversing the Colonial Gaze, Monument to Decay: Israeli Pavilion in Venice, Mark Bradford Connects Art with the Real World Related Links: Joana Choumali, Ivory Coast Pavilion, Venice Art Biennale, Dak’Art 2018

Today’s conversation is the first in our new Playlist series. We’re inviting artists, curators, architects, writers, filmmakers and cultural producers to introduce their favorite episodes from our archive. From the Netherlands, curator, writer and arts producer Sasha Dees works internationally. An advisor to numerous festivals and arts venues, she’s known for encouraging artists to experiment with classical art forms. Her practice centers on creating new dialogues and forging collaborations across cultures, traditions, genders and art disciplines. Here, she introduces my conversation with Remy Jungerman, first released on September 18, 2014. The Surinamese-Dutch artist talks about the influences of European modernism and Afro-religious aesthetics on his practice, and describes a public art he created in Morengo, his home town. A participating artist in Prospect.3, the 2014 international contemporary art exhibition in New Orleans, Jungerman showed his work a the Joan Mitchell Center from late October 2014, to January 2015. His art will be on view in the Dutch Pavilion at the 58th Venice Art Biennale. Sound Editor: Anamnesis Audio | Special Audio: Chris Quinlan, drum set and Evan Dyson, toad mating call Sasha Dees writes: There are many podcasts I have enjoyed over the years since I was introduced to Cathy Byrd by [artist] Amy Sherald in 2012, but the episodes she made during her residency in Amsterdam are dear to my heart. My choice from the archive is the episode with artist Remy Jungerman. Five years after the podcast, he is selected for the Dutch Pavilion in the Venice Biennale. It has been a lot of work in Europe for non-white artists to conquer their rightful space within the art field. I am extremely proud of Remy, who worked consistently with great determination and passion, who kept investing in his own practice, and never veered off the path of being a professional artist or wavered from his artistic urgency. In 2019, presenting his work in the Venice Biennale is well deserved. Related episodes: Franklin Sirmans on Prospect New Orleans, Remy Jungerman on European Modernism and Afro-Religious Aesthetics, Mapping Caribbean Cultural Ecologies, Sasha Dees on Miss T — My American Dream Related links: 58th Venice Art Biennale, Dutch Pavilion 2019

We meet Los Angeles based artist Mark Bradford—known for connecting art with the real world—when he represents the United States in the 57th Venice Art Biennale. While preparing for Tomorrow is Another Day, an exhibition of his signature layered abstractions, he launched a small business venture with members of the island city's hidden prison culture. His six-year collaboration with Venice social cooperative nonprofit Rio Terà dei Pensieri offers employment opportunities to men and women incarcerated in Venice. Prisoners create artisanal goods and other products to support their re-integration into society. Titled Process Collettivo, Bradford’s relationship with this marginalized community raises awareness of the penal system and introduces a new business model. The project reveals the artist's strength as a culture maker; he acts on his belief that contemporary artists have the power to reinvent our world. Tomorrow Is Another Day comes to the United States in September 2018, with an exhibition at the Baltimore Museum of Art and a project engaging with the city's Greenmount West Community Center. Sound Editing: Jonathan Pfeffer | Photos courtesy U.S. Pavilion in Venice 2017 Related Episodes: Monument to Decay: Israeli Pavilion in Venice; Lisa Reihana on Reversing the Gaze; Samson Young on Songs for Disaster Relief; Sounds of Venice Art Biennale Related Links: Mark Bradford: Venice 2017; Baltimore Museum of Art

Dr Richard Ashrowan is a moving image artist and film curator. He has been Creative Director of Alchemy Film and Moving Image Festival in Scotland since 2010 and was curator for Scotland + Venice at the Venice Art Biennale 2017. In this episode he talks about shooting on 16mm film, the joys of filming in an isolated landscape and his love for his love of Tarkovsky and Brakhage.

At the 57th Venice Art Biennale, Miami-based curator Tami Katz-Freiman guides us through the multi-media installation that artist Gal Weinstein created for the Israeli Pavilion. The artist used glue, mold, metal, and felt to transform the shining white cube into a monument to decay. As you listen the conversation we recorded in 2017, keep in mind the mounting tensions in the Middle East today. Consider the larger question of how nations choose to represent themselves in the context of a high profile international art biennial. Weinstein's project reveals the enduring power of art to serve as portent and marker of change. Sound Editor: Anamnesis Audio | Images: Courtesy Israeli Pavilion and Fresh Art International Related episodes: Sounds of the Venice Art Biennale 2017, Lisa Reihanna on Reversing the Colonial Gaze, Samson Young on Songs for Disaster Relief Related links: Israeli Pavilion at the 57th Venice Art Biennale, Gal Weinstein, Tami Katz-Freiman

American virtuoso Jason Moran is a genius jazz pianist known for performing experimental compositions in collaborative projects with visual artists—among them, Joan Jonas, Lorna Simpson, Glenn Ligon and Adrian Piper. For the 56th Venice Art Biennale, artistic director Okui Enwezor invited Jason to stage and animate two sound environments. The multi-faceted artist brings the full range of his creative practice into play for his first museum show at the Walker Art Center in Minneapolis this year. In our conversation, Jason Moran shares the discoveries he made while realizing recent collaborations with artists Julie Mehretu and Kara Walker. Sound Editor: Anamnesis Audio | Special Audio courtesy Jason Moran: Summon, Katastrof Karavan, Three Deuces, He Puts on His Coat and Leaves

Today, we take you to the Arsenale, a historic shipyard and main venue for the 57th Venice Art Biennale. In the New Zealand pavilion, we hear artist Lisa Reihana speak on reversing the colonial gaze in her work Emissaries. http://www.freshartinternational.com

On this radio program, we take you places where art intersects with cultural history. Listen to our encounters with artists Samson Young(Hong Kong) and Lisa Reihana (New Zealand) at the 57th Venice Art Biennale,. Then, join our tour of temporary public art projects designed for Münster, Germany’s Skulptur Projekte 2017.

Our sound experience of the 57th Venice Art Biennale features field recordings of conversations, sound art and performance from Egypt, France, Germany, Nigeria and the U.S.

French curator Jérôme Sans and Chinese artist Liu Xiaodong talk about Xiaodong's exhibition Painting as Shooting at the Fondazione Giorgio Cini in Venice, Italy. On view for three months during the 56th Venice Art Biennale, the show reveals how Xiaodong approaches his work with the eyes and the storyboard practice of a filmmaker. His daily diary entries, the photos he takes, and the people he meets come to life in his paintings—his subjects play lead roles in paintings that depict contemporary life in unsettled environments the world over.

Nigerian-born curator Okwui Enwezor, director of the 56th Venice Art Biennale, sparked this conversation about the expanded black presence in the global contemporary art scene. Recording in Venice, during preview days the international exhibition, Cathy Byrd connects with Canadian curators Camille Turner, Andrea Fatona, Sally Frater, and Pamela Edmonds to speak about this new development.  Sound Editor: Kris McConnachie

In conjunction with Tear-Sheet: The Daily Grind of Illustration, the Philip Feldman Gallery + Project Space presents a public conversation with Nicholas Blechman and Christoph Niemann. Nicholas Blechman, illustrator and Art Director of The New York Times Book Review will be in conversation with Berlin-based author and illustrator Christoph Niemann about the ups, the downs, current trends and gossip in illustration today. Feldman Gallery Lecture: Nicholas Blechman and Christoph Niemann In conjunction with Tear-Sheet: The daily grind of illustration., the Philip Feldman Gallery + Project Space presents a public conversation with Nicholas Blechman and Christoph Niemann. About Nicholas Blechman: Nicholas Blechman is an internationally recognized illustrator, designer and art director, based in New York. His award winning illustrations have appeared in GQ, Travel + Leisure, Wired, and The New Yorker. He is currently the Art Director of The New York Times Book Review. Since 1990, Blechman has published, edited, and designed the award winning political underground magazine NOZONE, featured in the Smithsonian Institution’s Design Triennial. He has taught design at School of Visual Arts and illustration at the Maryland Institute College of Art. Blechman co-authors a series of limited edition illustration books, One Hundred Percent, with Christoph Niemann. His latest project is the children’s book Night Light. About Christoph Niemann: Christoph Niemann is an illustrator, graphic designer, and author. His work has appeared on the covers The New Yorker, Time, Wired, The New York Times Magazine, and American Illustration, and has won awards from AIGA, the Art Directors Club, and The Lead Awards. Since July 2008, Niemann has been writing and illustrating the whimsical Abstract City, a New York Times blog, renamed Abstract Sunday in 2011, when the blog’s home became The New York Times Magazine. For his column he draws and writes essays about politics, the economy, art and modern life. He has drawn live from the Venice Art Biennale, the Olympic Games in London, The 2012 Republican Convention and he has drawn the New York City Marathon — while actually running it. Niemann is the author of many books, most recently Abstract City. Download