Podcasts about art architecture

There's been a lot of talk in the past few months about a range of important issues: the rule of law, checks and balances, free speech on campuses, whether people's jobs will continue to exist.You know what I haven't heard people talk about much? Oranges. I've heard precious little consideration of what you might whisper to an orange before you peel it.Admittedly, I wasn't thinking about that either when the basis of this episode got started. Last spring, I heard about a performance at the I Fell building in downtown Bloomington. It was called How to Preserve an Orange, and it was this ritual, participatory performance. I'd heard great things and decided to invite the artist, clay scofield, to do it again, this time at Redbud Books in Bloomington. Redbud is a community space as well as a bookstore.How to Preserve an Orange was strange and fun and it made me think about experimentation, being in tune with our senses, and play. clay and I sat down in the studio a couple weeks later to talk about the experience, about what it means to train our attention on something, why limiting possibility is important for people who want to amass power, how play can open up opportunities for transformation, and how, as a result, real, deep play can also be risky. Dangerous. Which is a little bit how I felt during How to Preserve an Orange, when clay asked us to ask our oranges to consent to being eaten.clay is a visiting assistant professor in digital art at the Eskenazi School of Art Architecture and Design in Art. They're on the board of directors of the School of Making Thinking, and they're a co-creator of the Deep Play Artist Residency. clay has MFAs in poetry AND in studio art.This episode includes excerpts from the performance of How to Preserve an Orange. If you want to try it at home, the full recording of the performance is also be available in the Inner States podcast feed. Let us know if you do! Email us at wfiuinnerstates@gmail.com.CreditsAssociate producer Dom Heyob put this episode together. Jillian Blackburn keeps our social media alive and well. Eoban Binder, LuAnn Johnson, Sam Schemenauer, Payton Whaley, and Kayte Young support the show behind the scenes. Eric Bolstridge digs us out of whatever holes we get stuck in.Our theme song is by Amy Oelsner and Justin Vollmar. We have additional music from the artists at Universal Production Music.

In this episode of The Larry Arnn Show, Hillsdale College President Larry P. Arnn interviews Sabin Howard, artist and sculptor of the new World War I memorial in Washington, D.C., and Julio Suarez, chairman and associate professor of art at Hillsdale College. The three discuss the power of representational art, whether hard work or artistic talent is more valuable, and how art should tell a story. This interview was conducted on October 4, 2024. Discover more at podcast.hillsdale.edu.See omnystudio.com/listener for privacy information.

In this episode of The Larry Arnn Show, Hillsdale College President Larry P. Arnn interviews Sabin Howard, artist and sculptor of the new World War I memorial in Washington, D.C., and Julio Suarez, chairman and associate professor of art at Hillsdale College. The three discuss the power of representational art, whether hard work or artistic talent is more valuable, and how art should tell a story. This interview was conducted on October 4, 2024. Discover more at podcast.hillsdale.edu.See omnystudio.com/listener for privacy information.

This is a pot-pourri episode, beginning with a look at Valletta's art scene: the National Art Gallery, 3 artists linked to the island and the oratory where the 2 most famous paintings are hidden away.  Next, some pointers on the city's architecture: typical design features and the three main periods, all of which are represented by buildings to look out for in Valletta today.  Lastly, a trip to the National Museum of Archaeology, where you can learn lots about the island's very distant past and pick up some tips to inform visits to the rest of the island. Reading Suggestion Seven Temples on Malta by Betsy Ross-Edison Links for this post The National Art Museum       The Grand Master's Palace     St John's Cathedral    The National Museum of Archaeology  

When an evil force seeks to destroy a culture, it destroys the imagery of that culture. Imagery makes present the soul of a culture, just as it does in the Catholic Church

Brandon Zech talks with Texas artist Paul Hester about his over 50-year career taking photographs. "There are photographs that I look at and say 'that just feels right,' but there are others that bug the hell out of me, and those are the ones that stick with me." See related readings here:https://glasstire.com/2024/04/21/art-dirt-talking-art-architecture-photography-with-paul-hester If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

Technically, FTP is on a production break, but we don't want you, our loyal listener, to go without great footy travel content, so we're bringing you episodes of other footy, travel, or footy-travel podcasts we think you'll enjoy. And we're starting with something very special…  …the entire 1st season of Counterspective. Counterspective is another Fyper Media podcast, and Season 1 was the precursor to the Footy Travelers Podcast. It was released in the summer of 2019, a year after Mike and Colin's third World Cup: Russia 2018. As you'll quickly learn, it goes well-beyond the in-stadium experiences they had, beyond the footy - although one of the episodes is focused on that topic specifically - and it dives deep into the details and nuances of traveling in a country most of us wouldn't dare to visit at the present moment. As the now monikered Footy Travelers met new people, tried new food, and tested their really poor Russian language skills, they explored Ruski culture through that footy travelers lens. This is Episode 5: Russia Beyond the World Cup - Art, Architecture, and Rap Foot(y)notes: Here's that rap battle between Oxxxymiron (RUS) and Dizaster (USA) this episode mentions   *RATE & REVIEW* Wherever you're listening, be sure to hit 'Follow' or 'Subscribe, leave us a star-rating, and if you're listening on Apple Podcasts, leave us a proper review to let others know what you think of the show!   *VISIT THE FOOTY TRAVELERS FAN SHOP* Head to our new fan shop to cop an exclusive Footy Travelers 'Away' jersey, or score a custom-designed supporters' scarf. Hurry though! Quantities are limited and supplies won't last long!   *SUPPORT OUR SPONSORS* Race2Adventure From the stunning scenery of Chile to the captivating allure of New Zealand – R2A invites you to join them on an exhilarating vacation around the world. Their 8-night adventures are tailor-made for fitness enthusiasts, explorers, and travel aficionados who crave more from their vacations. With R2A, you don't just visit a destination; you become a part of it.

Tobin Green is the founder and architect of AADMIXX design/build studio. AADMIXX is a Design+Build Studio specializing in custom residential projects for clients who appreciate the diverse architectural & cultural influences of urban life. AADMIXX style is Urban Progressive, defined as modern but not quite minimal or Miami. It's industrial but familiar & welcoming. Eclectic but precise & intentional. From their website: "Tobin & Bianca Green are a real life living working couple who founded AADMIXX in 2014 with a simple plan: Design modern homes that make recognizable statements in their communities & don't let mainstream trends or local design guidelines strangle the creative process. Timelessness over trendiness is the standard. New tech is embraced, modern materials harnessed, & worthy trends explored, but they never turn their backs on their passion for antiquities or a proven design technique." View more on https://www.aadmixx.com

I think we can all agree that THEE biggest flex is having your younger siblings on your podcast. We're so humbled and thrilled to have Angela Cauri, a rising star in Nairobi's creative space and a Freelane Virtual Reality Designer. You might have heard her on Capital FM talking about her most recent project, State of the Art 3.0 or perhaps seen her magnificent murals in Bwibo, Lavington. Angela shares with us the importance of self-exploration and how that has led her to take the path less trodden several times in her life which has led up to her incredible achievements today. We know you'll feel courageous and empowered at the end of this episode, and we'd love to know what you took away from this episode so do comment below or send us a DM. We also have the voicenote feature in the link below so leave us some feedback or share your story with us. Who knows, you might be on our next episode.Links:You can find Angela on LinkedIn, on Instagram and find her portfolio here.Remember to follow us on IG at @akenyansexperience & tag us on your instagram letting us know where you're listening in from.You can also reach out to us on email at: akenyansexperience@gmail.comMusic credits: Justin Vinylz and The Afrolution --- Send in a voice message: https://podcasters.spotify.com/pod/show/akenyansexperience/message

This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference.  Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference.  Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference.  Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference.  Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode of Randomly Selected, we sit down with Ann Lui and Craig Reschke of Future Firm! We talk about everything from their origin stories and their original intentions with starting The Future Firm all the way to the current days of helping reshape the design structure of Chicago and so much more! Future Firm is a Chicago-based architecture and design research office. Founded by Ann Lui and Craig Reschke in 2015, the architecture practice spans diverse scales: from exhibition spaces to residential and commercial buildings to urban and territorial speculations. We focus on using design to synthesize the aims and efforts of multiple stakeholders, catalyze transformation for individuals and groups, and create flexible space for diverse needs. We excel at working with clients who are changemakers in their own communities. Our work helps develop novel approaches towards community and belonging when multiple stakeholders come to the table. We use technical expertise and collaborative means to create spaces which bring together diverse agendas as more than the sum of their parts. Future Firm's work has been exhibited at Exhibit Columbus, Storefront for Art & Architecture, Shenzhen Hong Kong Bi-City Biennale of Architecture/Urbanism, New Museum's Ideas City, and the Chicago Architecture Center. The practice has been published in The Architect's Newspaper, Architect Magazine, and Wallpaper*. Future Firm also currently operates The Night Gallery, a nocturnal exhibition space on Chicago's South side, which features video and film works by artists and architects from sunset to sunrise. You don't want to miss this one!

architectural poster #blender #design #art #architecture

The latest episode is another lovely discussion with author, poet, and scholar Peter Mark Adams.  His latest work, "Hagia Sophia / Sanctum of Kronos: Spiritual Dissent in an Age of Tyranny," is a fascinating exploration of the pagan Mystery cults and their diverse survivals in later philosophical traditions, as well as a discussion of the ways in which the construction of the Hagia Sophia cathedral in Constantinople (present-day Istanbul) encapsulates the metaphysics of spiritual union taught within the Eleusinian tradition – all in the face of intense persecution and oppression. Diving into the nature of sacred art, symbolism, and religious 'survivals,' I really enjoyed the conversation and I hope you do as well!-- Peter's website: www.petermarkadams.com | Author Peter Mark Adams' Official Site -- Peter's profile on Scarlet Imprint - Peter Mark Adams | Scarlet Imprint -- Link to buy Hagia Sophia / Sanctum of Kronos: Spiritual Dissent in an Age of Tyranny | Scarlet Imprint -- Coffee and Divination's Website: http://www.coffeeanddivination.com-- Theme music: Come with Me by JoAnna Farrer. Also featuring Alasdair Fraser, Natalie Haas and Yann Falquet.

Director Kasi Lemmons discusses her new film, I Wanna Dance With Somebody, a biopic of the performer Whitney Houston, whose unmatched vocal power saw her become one of the best-selling musical artists of all time. She talks about exploring the darker sides of Whitney's life and working with British actor Naomi Ackie who stars in the title role. Hannah Khalil, writer-in-residence at Shakespeare's Globe theatre, tells Luke about her retelling of the classic 1001 Nights story cycle - Hakawatis: Women of the Arabian Nights, which reimagines Scheherazade's storytelling feat as a team writing effort. Plus, in the final week of the World Cup in Qatar, we look at the new art and architecture in the country: the huge public art programme featuring the work of over 100 artists, including Jeff Koons, Louise Bourgeois, and Olafur Eliasson, plus new galleries, museums, and stadiums. To discuss Qatar's cultural ambitions, and the question of culture washing in the face of rights concerns, Luke is joined by Hannah McGivern of The Art Newspaper, and Rowan Moore, architecture critic at The Observer. Presenter: Luke Jones Producer: Julian May

Episode 145: Landscape and Identity in Medieval Morocco  In this podcast, Dr. Abbey Stockstill asks the question why does Marrakesh look the way that it does? The 'Red City' is the topic of her forthcoming book, in which she discusses the medieval city's relationship with its founding dynasties, the local landscape, and Berber politics in the eleventh and twelfth centuries. As the notion of what it meant to be 'Berber' was being defined, the city of Marrakesh emerged as a metropolis that actively engaged the multivalent identities of Almoravids and Almohad dynasties. Rather than taking individual monuments in isolation, Dr. Stockstill's work looks at how those monuments worked with each other and the local landscape to create a stage for these identities to be expressed. What emerges is a city that is both paradigmatic in its structure, yet innovative in its social and historical context. Dr. Abbey Stockstill received her Ph.D. in the History of Art & Architecture from Harvard University (2018), and is currently an assistant professor of Islamic art and architecture at Southern Methodist University in Dallas, Texas. She has contributed essays to academic journals such as Muqarnas and Hésperis-Tamuda, as well as to a number of edited volumes. She is also an assistant editor for the International Journal of Islamic Architecture, and serves on various committees within the International Center for Medieval Art and the Historians of Islamic Art Association.  This episode was recorded on July 21st, 2022 at the Tangier American Legation Institute for Moroccan Studies (TALIM).  Posted by Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).

Graham guides us round the staggering collection of cars on display at Guggenheim Bilbao in a Norman Foster curated exhibition Motion Autos Art Architecture.For more:https://ukmotortalk.co.uk/2022/09/podcast-motion-autos-art-architecture-at-guggenheim-bilbao/ Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Graham guides us round the staggering collection of cars on display at Guggenheim Bilbao in a Norman Foster curated exhibition Motion Autos Art Architecture.For more:https://ukmotortalk.co.uk/2022/09/podcast-motion-autos-art-architecture-at-guggenheim-bilbao/ Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Rodrigo Guendelman conversó con Federico Sánchez, arquitecto, académico y conductor televisivo, radial y creador del programa Autobiografías.com, sobre autos, a propósito de esta muestra.

Well, as week's guest says, you've heard of #SciComm (Science Communication), now get ready for #BibComm (Bibliographic Communication)! Allie Alvis is the mastermind behind Book Historia. They currently work as a rare book cataloger at rare books dealer Type Punch Matrix, having worked at the Smithsonian Libraries and Archives Special Collections and the Royal Scottish Academy of Art & Architecture. She has multiple degrees in the history of the book and digital preservation from the University of Edinburgh and the University of Glasgow. You can say they know a thing or two about rare books. I loved chatting with Allie about books! We talk digital preservation, book detectives, licking books, charlatan linguists, old book vs old manuscript smell, poisonous books, kissing manuscripts, why rare books matter, and so, so much more.   Learn More! Colorado Antiquarian Book Seminar https://www.bookseminars.com  Douglas Cockerell & Sons https://en.wikipedia.org/wiki/Douglas_Cockerell Hunterian Psalter https://www.gla.ac.uk/myglasgow/library/files/special/exhibns/psalter/psalterindex.html Illuminated Manuscripts https://en.wikipedia.org/wiki/Illuminated_manuscript John Ruskin https://en.wikipedia.org/wiki/John_Ruskin Napoleon wallpaper https://www.amnh.org/explore/news-blogs/on-exhibit-posts/was-napoleon-poisoned Poison book project http://wiki.winterthur.org/wiki/Poison_Book_Project Poisonous books: analyses of four sixteenth and seventeenth century book bindings covered with arsenic rich green paint  https://heritagesciencejournal.springeropen.com/articles/10.1186/s40494-019-0334-2 Type Punch Matrix https://www.typepunchmatrix.com Vellum https://en.wikipedia.org/wiki/Vellum Virginia Rare Book School https://rarebookschool.org   Find Allie https://bookhistoria.com https://www.instagram.com/book_historia/ https://book-historia.tumblr.com/ https://twitter.com/book_historia https://www.youtube.com/channel/UCtNISxDL3_3VuLVk6sFinJg   Allie's favorite nonprofits The National Center for Transgender Equality The Center for Reproductive Rights The Voting Rights Alliance   Nonprofits supporting Ukraine and surrounding countries: Člověk v tísni, ops https://www.peopleinneed.net  International Federation of Red Cross and Red Crescent Societies https://www.ifrc.org  International Fund for Animal Welfare https://www.ifaw.org/eu  Mercy Corps https://www.mercycorps.org Nova Ukraine https://novaukraine.org Polish Center for International Aid https://pcpm.org.pl/en World Central Kitchen https://wck.org   Hang out with me at https://instagram.com/lovewhatyoulovepod or https://twitter.com/whatyoulovepod Need transcripts? Contact Emily White at The Wordary Emily@TheWordary.com Check out my books at https://juliekrose.com LWYL Music: Inspiring Hope by Pink-Sounds https://audiojungle.net/user/pink-sounds

One of Detroit's most impactful women was not only an artist and a chemist but she played a major role in the city's architecture too: Mary Chase Perry Stratton, the co-founder of Pewabic Pottery. On International Women's Day, WWJ's Zach Clark takes a look at the century long legacy of one of Michigan's finest artists.

Convergence Daaa - design, art & architecture associates. A DAAA Haus exclusive fine rug collection inspired by the paintings of James Vella Clark. Available from CamilleriParisMode, Rabat, Malta. Camilleriparismode since 1890.

Scott Johnson, founding partner of Johnson-Fain in Los Angeles, has lived with feet in both the world of art and of architecture. During the pandemic, holed up in his Ojai home, he wrote "Uncommon Ground: Notes on the Visual Arts + Architecture." Johnson is both a builder and visual artist and seeks common understandings between the two disciplines. He and wife Dr. Meg Bates, a prominent ob-gyn doctor, built their Ojai home as a retreat from the city's hurly-burly and found themselves spending a lot of time during the lockdown with friends and family. Scott took the opportunity to write the book, and build the Art Barn. His projecets will be featured in the Winter issue of Ojai Quarterly, coming out Thanksgiving. We talk about Fox Plaza, the towering structure in downtown LA that Johnson built in the 1980s, that was practically a character in itself for the blockbuster "Diehard" movie. We also talk about Le Corbusier, city planning, Ojai neighbors and the Ojai Music Festival. We did not talk about scream therapy, Sandy Koufax or the voyages of Thor Heyerdahl.

Pedro Gadanho is an architect, curator, and writer. PhD in architecture and mass media, Gadanho led a recognized architecture renovation practice until 2012, when he became the curator of contemporary architecture at the Museum of Modern Art, MoMA, New York. In 2015, Pedro Gadanho became the founding director of MAAT, the new Museum of Art Architecture and Technology, in Lisbon, working on projects with major multi-media artists such as Apichapong  Weerasethakul, Dominique Gonzalez-Foerster, Gary Hill, and others.Pedro Gadanho Interview Topics1. Cities - The Pinnacle of Civilization1.1 How do you see cities?1.2 Ecological cities1.3 Architecture and Arts in Cities2. As a curator of MoMA and MAAT2.1 Major achievements and takeaways2.2 Challenges and Lessons2.3 The role of the curators3. About your bookPedro Gadanho BiographyPedro Gadanho has kept a high profile in the architectural field at large, with a regular presence  in international conferences, juries and other consulting bodies. He was a consultant for the Rolex  Mentor-Protegé Arts Initiative 2013, the MacArthurs Fellows Program, and the Pew Fellowship Programs for 2014, among others.Profiles on his work and curatorial projects have been published in magazines and online sites such as  New York Times, New York; Architecture d'Aujourd'Hui, Paris; ICON, London; DAMNo, Brussels; IndabaDesign, Cape Town, etc. He is a Loeb Fellow from Harvard University. Currently, Gadanho is leading the Candidacy to European Capital of Culture 2027, for 19 towns in Portugal and Spain, at the border territory of Raia Central.About Dinis Guarda profile and Channelshttps://www.openbusinesscouncil.orghttps://www.intelligenthq.comhttps://www.hedgethink.com/https://www.citiesabc.com/More interviews and inspirational videos on Dinis Guarda YouTube

Pedro Gadanho is an architect, curator, and writer. PhD in architecture and mass media, Gadanho led a recognized architecture renovation practice until 2012, when he became the curator of contemporary architecture at the Museum of Modern Art, MoMA, New York. In 2015, Pedro Gadanho became the founding director of MAAT, the new Museum of Art Architecture and Technology, in Lisbon, working on projects with major multi-media artists such as Apichapong  Weerasethakul, Dominique Gonzalez-Foerster, Gary Hill, and others.Pedro Gadanho Interview Topics1. Education background -  From Portugal to the world, Education2.  As a Writer3. Science Fiction and its impact on our reality4. Architecture background - How do you see architecture now?5. Present state of architecture: evolution over digital platforms5. We are creating our own illusion of reality. How do you defend the blend?6. Challenges of the art world7. As a curator of MoMA and MAAT8. Major achievementsPedro Gadanho BiographyPedro Gadanho has kept a high profile in the architectural field at large, with a regular presence  in international conferences, juries and other consulting bodies. He was a consultant for the Rolex  Mentor-Protegé Arts Initiative 2013, the MacArthurs Fellows Program, and the Pew Fellowship Programs for 2014, among others.Profiles on his work and curatorial projects have been published in magazines and online sites such as  New York Times, New York; Architecture d'Aujourd'Hui, Paris; ICON, London; DAMNo, Brussels; IndabaDesign, Cape Town, etc. He is a Loeb Fellow from Harvard University. Currently, Gadanho is leading the Candidacy to European Capital of Culture 2027, for 19 towns in Portugal and Spain, at the border territory of Raia Central.About Dinis Guarda profile and Channelshttps://www.openbusinesscouncil.orghttps://www.intelligenthq.comhttps://www.hedgethink.com/https://www.citiesabc.com/More interviews and inspirational videos on Dinis Guarda YouTube

Justine Kelley is a designer and illustrator and a recent MFA grad from Tyler School of Art & Architecture for Graphic Design. She joins the show for a conversation about capturing the complexity of humans in small moments, archiving memories of the city through her work and the art of procrastination.

Where do the maker, the material and the dyslexic mind intersect? Gil explores the link between dyslexia and design with Bill Amberg (Bill Amberg Studio), Julian Ogiwara (Eric Parry Architects) and Sari Räthel (RÄTHEL & WOLF).

The work of Jason Bruges sits at the intersection of art, architecture and technology. Bruges designs art pieces at an architectural scale that respond to the movements of people around them. His work will soon be featured on a glass bridge connecting two buildings at CSU Spur campus! His hope is conversation and even urban myths will be spurred by this new piece of art that lives and breathes using technology.CSU Spur: CSUspur.orgTheme Music: "Work" by KetsaProduction: Peachislander.comConnect With Jason Bruges Here:Jason's WebsiteInstagramTwitterFacebook

"This week Kimberly spoke with Bel Falleiros, a Brazilian artist who lives and works in New York City. Bel's work explores the public space and its relationship to art, architecture and education. Throughout the conversation they talk about Bel's work as an educator and her work with public monuments. All images courtesy of the artist If you want to contribute to future bricks fill up the form: https://bitly.com/america-unknown 00:00 - Podcast Introduction 00:36 - Episode Introduction 01:02 - Heat Keeps Rising - Lea Thomas 02:05 - Interview with Bel Falleiros (pt 1) 20:29 - Mic Break 21:00 - How Would I Dream - Lea Thomas 22:32 - Interview with Bel Falleiros (pt 2) 36:34 - Outro 36:56 - Howl - Lea Thomas 42:00 - Finish "

The international network Cartooning for Peace is celebrating artists and press freedom on the African continent with exhibitions and roundtable events in Paris. Over in the Netherlands, the restoration of Rembrandt's "Night Watch" thanks to modern technologies has led to much rejoicing. 

Today we're back again for another installment of Golden Generation podcasts. We have the infamous Thando Phenyane (Mboma). Young Mboma is a UCT Architect graduate, a multi-disciplinary talented artist who specializes in illustration, architectural graphics, graphic prints, and architectural photography. He has recently been selected to be part of the Design Ndaba class of 2021, Mboma has also featured on between 10 and 5, May 2020 edition. He graciously blessed us with a wonderful discussion around architecture and art forms, telling us his story and his path into the arts and so much more !!! This episode is not to be missed !!! Available now on all audio streaming platforms Subscribe and turn on your notifications on  Apple, Spotify and Anchor channels to be alerted when new episodes come out.  Music by @trvsentre , you can find his music on Apple Music. Link in his bio to listen to more of his music. Follow @ateliermboma and @archimboma to take a look at his art, plus get updates on his latest art projects and enquirer about making purchases for his art pieces 

“So it becomes this dance of cameras where the whole goal of the Palestinian camera is to document a human rights violation, to take back some kind of power. And the goal of the Israeli camera is to block that power from being taken through vision.” — Liat BerdugoB’Tselem, an Israeli human rights organization, has been running its Camera Distribution Project since the early 2000s. The project distributes video camcorders to Palestinians, training them in documentation, and building an archive of citizen-recorded video. These videos cover a wide-range of topics, including settler violence, IDF night searches and demolitions.  How do visuals disrupt historical narratives of conflicts? What does it mean for someone to later on witness preserved traces of events? And in the context of Israel-Palestine, what impact does a camera actually have in the face of entrenched power dynamics? Producer Emily Bell interviews Liat Berdugo, author of the recently released book, The Weaponized Camera in the Middle East: Videography, Aesthetics, and Politics in Israel and Palestine.CREDITSUnsettled is produced by Emily Bell, Asaf Calderon, Max Freedman, and Ilana Levinson. Original music by Nat Rosenzweig. Additional music from Blue Dot Sessions. Video courtesy of the B’Tselem video archive.BIOLiat Berdugo is an artist and writer whose work investigates embodiment, labor, and militarization in relation to capitalism, technological utopianism, and the Middle East. Her work has been exhibited and screened at Yerba Buena Center for the Arts (San Francisco), MoMA PS1 (New York), Transmediale (Berlin), V2_Lab for the Unstable Media (Rotterdam), and The Wrong Biennale (online), among others. Her writing appears in Rhizome, Temporary Art Review, Real Life, Places, and The Institute for Network Cultures, among others, and her latest book, The Weaponized Camera in the Middle East, was released from Bloomsbury in 2021. She is one half of the art collective, Anxious to Make, and is the co-founder of the Living Room Light Exchange, a monthly new media art series. Berdugo received an MFA from RISD and a BA from Brown University. She is currently an assistant professor of Art + Architecture at the University of San Francisco. Berdugo lives and works in Oakland, CA.RESOURCESThe Weaponized Camera in the Middle East: Videography, Aesthetics and Politics in Israel and PalestineB’Tselem Camera Project ArchiveSpectral Power (Real Life, 8/22/17)Five Broken CamerasEyal Weizman

“So it becomes this dance of cameras where the whole goal of the Palestinian camera is to document a human rights violation, to take back some kind of power. And the goal of the Israeli camera is to block that power from being taken through vision.” — Liat BerdugoB’Tselem, an Israeli human rights organization, has been running its Camera Distribution Project since the early 2000s. The project distributes video camcorders to Palestinians, training them in documentation, and building an archive of citizen-recorded video. These videos cover a wide-range of topics, including settler violence, IDF night searches and demolitions.  How do visuals disrupt historical narratives of conflicts? What does it mean for someone to later on witness preserved traces of events? And in the context of Israel-Palestine, what impact does a camera actually have in the face of entrenched power dynamics? Producer Emily Bell interviews Liat Berdugo, author of the recently released book, The Weaponized Camera in the Middle East: Videography, Aesthetics, and Politics in Israel and Palestine.CREDITSUnsettled is produced by Emily Bell, Asaf Calderon, Max Freedman, and Ilana Levinson. Original music by Nat Rosenzweig. Additional music from Blue Dot Sessions. Video courtesy of the B’Tselem video archive.BIOLiat Berdugo is an artist and writer whose work investigates embodiment, labor, and militarization in relation to capitalism, technological utopianism, and the Middle East. Her work has been exhibited and screened at Yerba Buena Center for the Arts (San Francisco), MoMA PS1 (New York), Transmediale (Berlin), V2_Lab for the Unstable Media (Rotterdam), and The Wrong Biennale (online), among others. Her writing appears in Rhizome, Temporary Art Review, Real Life, Places, and The Institute for Network Cultures, among others, and her latest book, The Weaponized Camera in the Middle East, was released from Bloomsbury in 2021. She is one half of the art collective, Anxious to Make, and is the co-founder of the Living Room Light Exchange, a monthly new media art series. Berdugo received an MFA from RISD and a BA from Brown University. She is currently an assistant professor of Art + Architecture at the University of San Francisco. Berdugo lives and works in Oakland, CA.RESOURCESThe Weaponized Camera in the Middle East: Videography, Aesthetics and Politics in Israel and PalestineB’Tselem Camera Project ArchiveSpectral Power (Real Life, 8/22/17)Five Broken CamerasEyal Weizman

There are certain people who just make you say, "Holy shit, she makes that look incredibly easy" and Lizzi Connaughton is one of those people. Lizzi grew up loving art and as the years went by it became more and more apparent that she could make a career out of her creativity. She studied art and philosophy in undergrad before going on to pursue a Masters degree in Architecture and Urban Design. Her studies took her to internships around the globe, including stints in both London and Rome where she explored classical European architecture and urbanism. When she returned stateside she landed at an architecture firm before taking the leap and deciding to dive into her own artistic pursuits full time. She has since opened an online shop and regularly receives commissions for her work, with big plans to build a business around her broad knowledge base in painting, architecture, and even real estate development. We talked about everything in this episode from sketching nude models, to traveling with a paint set, to why strip malls are an abomination. Lizzi is INSANELY talented and if you want to keep up with what she's doing you can follow her on Instagram at @lizziconnaughton or buy some goodies on her website at lizziconnaughton.com. And if you're not already, you should be keeping up with us all over the internet... Twitter - @ry3dunn Instagram - @destinationdifferent SUBSCRIBE to the Strange Brains email newsletter. Sign up right here!

This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference.    Hosted and produced by Sam Kelly Mixed by Samantha Doyle  Soundtrack by Kristen Gallerneaux

Daniel Arsham is a contemporary artist based in New York City whose work exists in between art, architecture, and performance. His company, Snarkitecture, has truly pushed the boundaries of what’s possible with architectural design, some of which include designing the stores for streetwear brand Kith.His past collaborations include Merce Cunningham, Pharrell Williams, and Adidas, and most recently, he was named Creative Director of the Cleveland Cavaliers.During our conversation, we did a deep dive into Daniel’s upbringing and how he became interested in the arts, how he’s been able to build such a long and successful career as an artist, his thoughts on talent vs. hard work, how he feels about education and design schools, what has made the biggest impact on his work, the things he still hopes to achieve in the future, and much more.SUBSCRIBE TO OUR NEWSLETTER & STAY UPDATED > http://bit.ly/tfh-newsletterFOLLOW TFH ON INSTAGRAM > http://www.instagram.com/thefounderhourFOLLOW TFH ON TWITTER > http://www.twitter.com/thefounderhourINTERESTED IN BECOMING A SPONSOR? EMAIL US > partnerships@thefounderhour.com

Dr. William Crow, Director of the Lehigh University Art Galleries"Academic​ ​museums​ ​and​ ​galleries​ ​cannot​ ​be​ ​static,​ ​silent​ ​storage​ ​houses​ ​of​ ​the​ ​past.​ ​​​ They​ ​hold​ ​the​ ​potential​ ​to​ ​be​ ​catalysts for​ ​conversation,​ ​contributors​ ​to​ ​healthy​ ​and​ ​engaged​ ​communities,​ ​and​ ​platforms​ ​for​ ​the​ ​productive​ ​exploration​ ​of​ ​ideas.​ ​​​ In addition​ ​to​ ​producing​ ​dynamic​ ​exhibitions,​ ​they​ ​can,​ ​and​ ​must,​ ​stimulate​ ​community​ ​involvement,​ ​spark​ ​cross-disciplinary collaboration,​ ​and​ ​inspire​ ​new​ ​understandings​ ​of​ ​ourselves,​ ​one​ ​another,​ ​and​ ​our​ ​world." - Dr. William CrowHow are academic museums and galleries catalysts for conversation in communities and beyond? Maximizing the public value of art is the discussion at the virtual dinner table this week with William B. Crow, PhD, Director of the Lehigh University Art Galleries and Professor of Practice in the Department of Art, Architecture, and Design. Prior to his appointment at Lehigh, William Crow was the inaugural Educator in Charge of Teaching and Learning at the Metropolitan Museum of Art in New York, New York, where he oversaw programs serving over 500,000 visitors annually, including programs and resources for schools, educators, families, teens, college and universities, as well as pedagogy and training for all teaching that occurred in the Museum’s three sites. Dr. Crow has held academic appointments at New York University, Johns Hopkins University, and The New School for Social Research. He received the 2015 University Excellence in Teaching Award at Johns Hopkins, and in 2017 he was awarded a Fulbright Global Specialist Award to conduct professional development for museum staff in South America. Dr. Crow holds a B.A. in Romance Languages and Art from Wake Forest University, an M.F.A. in Painting from Hunter College of The City University of New York, an M.S.Ed. in Museum Education Leadership from Bank Street, and a Ph.D. in Cognitive Science from Columbia University. He is also an alumnus of the Getty Leadership Institute, Museum Leaders: The Next Generation Program (2006), the Columbia University School of Business Executive Leadership Program (2016) and the National Guild for Community Art Education Leadership Institute (2016). Dr. Crow’s current research interests include decision-making and evaluative judgments in the arts, epistemological development, and the cognitive benefits of sketching.

Fr. Daniel Scheidt talks about how his time in the sandbox as a kid prepared him to design a church, chapel, and rectory - with intentionality. Sponsor: https://bandidos.com https://www.saintv.org/121 Show notes: https://www.kyleheimann.com/show1001 More Flavor of the Week Episodes: https://www.kyleheimann.com/category/flavor Subscribe to the DAILY Podcast: Apple Podcasts | Android Podcast | Other Android Apps | SoundCloud | Stitcher | RSS | Spotify Subscribe to "Flavor of the Week" Apple Podcasts | Google Podcast | Other Android Apps | Stitcher | RSS | Spotify follow us on social media: Facebook, Twitter, Instagram, YouTube @KyleHeimannShow Facebook, Twitter, Instagram, YouTube @KyleHeimann -This show is a production of Redeemer Radio -Custom music written by Shawn Williams for The Kyle Heimann Show -Licensed via The Sound Cabin Inc.

We have the pleasure to hear from one of my former interior design professors and mentors from the University of Idaho Today's studio chat is with Dr. and Dean, Shauna Corry! Shauna, received her undergraduate degree in Interior Design at Utah State, her Master's degree, Interior Design & PhD, multi/disciplinary Studies; Architecture, Interior Design, Sociology, Anthropology at Washington State University. She share with us how what started as teaching one class after being asked to do so from her colleague, led to pursuing a terminal degree in Interior Design, and following a few years of teaching, she was paid to begin her PHD, these were just pieces of Shauna's journey that led her to becoming the Dean of the College of Art & Architecture at the University of Idaho @uidaho ! Shauna is a kind hearted human, who cares deeply about her students and has so much wisdom to offer! Another thing she shares with us what she hopes emerging designers know as they navigate during this pandemic! 

JS Institute of Design invites you to learn about the symbiotic amalgamation of art, architecture, and product with Priyanka Narula of Wicker story, a brainchild of the Pre-Lab Design Studio in Hyderabad Key Takeaways: • Parametric Application in contemporary Design Set-up • Sustainability in Product Design • Reviving Vernacular Techniques

This lecture was given at the University of Kansas on September 14, 2020. For more information on upcoming events, please visit our website: thomisticinstitute.org About the speaker: Denis McNamara is director of the Center for Beauty and Culture at Benedictine College in Atchison, Kansas. He holds a BA in the History of Art from Yale University and a PhD in Architectural History from the University of Virginia, where he concentrated his research on the study of ecclesiastical architecture of the nineteenth and twentieth centuries. He has served on the Art and Architecture Commission of the Archdiocese of Chicago and works frequently with architects and pastors all over the United States in church renovations and new design. Dr. McNamara is the author of Catholic Church Architecture and the Spirit of the Liturgy (Chicago: Hillenbrand Books, 2009), Heavenly City: The Architectural Tradition of Catholic Chicago (Liturgy Training Publications, 2005), and How to Read Churches: A Crash Course in Ecclesiastical Architecture (Rizzoli, 2011). He is also a voice on The Liturgy Guys podcast, which won best Catholic podcast in 2017.

In this episode, we sat down with Kirk Bianchi who is the owner of Bianchi Design and whose mission is to transform ordinary backyards into “waterscapes” or custom works of art. Bianchi’s design approach was inspired by a trip he took to Japan as a senior in high school. He was struck by how the Japanese architecture and landscape design integrated and blurred indoor/outdoor spaces in a simple, yet elegant way. It is this approach that makes him unique among conventional pool designers and landscape architects who do not integrate the elements of architecture, landscape, and pool design together. We love his approach of sculpting outdoor living spaces that encourage taking in the moment and quieting the noise.   During the episode, Kirk breaks down how he views the swimming pool design as if he were looking through a photographer’s lens. Taking into account every angle and framing up the pool as if it were the subject of the photo. His designs not only make you stop for a moment to take in the beauty but truly tell a story as you walk through the living art form. We have never heard anyone describe it as he did on the podcast. Whether you are a designer, builder, manufacturer, or service company, you will be inspired by the way Kirk describes what we do and what this industry provides for our clients. We promise, you will never view a swimming pool or outdoor space the same!   Bianchi Design Links:  If you enjoyed this episode, check out the photos, show notes, all the links referenced, and follow Bianchi Designs by going to the episode webpage: https://poolchasers.link/web-pwu-93  Sponsor Links:  Pentair: https://poolchasers.link/pentair-pwu-93  Lyon Financial: https://poolchasers.link/lyon-pwu-93  Merlin Industries: https://poolchasers.link/merlin-pwu-93  You can follow Pool Chasers below:    Website: https://poolchasers.website/about-pwu  Instagram: https://poolchasers.social/ig-pwu  Facebook: https://poolchasers.social/fb-pwu  FB Group: https://poolchasers.social/fb-group-pwu  Twitter: https://poolchasers.social/twitter-pwu  YouTube: https://poolchasers.social/youtube-pwu  Patreon: https://poolchasers.website/patreon-pwu 

Welcome back to the Glocal Citizens Podcast. We'll be spending the next two episodes with interdisciplinary artist, photographer, and architect--Asare Adjei. Asare is a Ghanaian-British living and working between London (UK) and Accra (Ghana). Asare’s work captures an essence of humanity and the duality of existence by the juxtaposing of various visual elements, materials and symbology to create a unique new style. He creates vibrant artworks by the blending, shaping and merging of myriad African visual textures with cosmology and architectural influences. He utilizes his art to explore his Ghanaian heritage and what it means for him to be an African; his work is a love letter to Africa and an appreciation for its movement towards the future. Asare studied Architecture at East London University and worked as an Architect for 12 years prior to pursuing his passion for Fine Art and Photography. He has worked most notably with the prestigious architect Sir David Adjaye. Asare has had his photography works published in The Guardian Newspaper, and has exhibited artworks in group exhibitions at Rebecca Hossack Gallery (Mayfair/UK), Level 39 (Canary Wharf/UK), The Black and White building (Shoreditch/UK) and MeWe360 (Soho/UK). He has also exhibited in a number of pop-up galleries in Accra (Ghana/Africa) and has been shortlisted for a variety of art awards including Art Gemini Prize, Creativepool Annual/etc. In Part 2, we talk global citizenship, migration and Asare's sonic inspirations. Links of Interest www.asareadjei.com (http://www.asareadjei.com/) @asareadjei (https://www.instagram.com/asareadjei/?hl=en) on IG Printful (https://www.printful.com/) Ghana at the Venice Biennale (https://ghanainvenice.org/) What the wahala (https://www.urbandictionary.com/define.php?term=Wahala)? What's Asare listening to? Michael Kiwanuka (https://www.michaelkiwanuka.com/) @IbeyiOfficial on Twitter (https://twitter.com/ibeyiofficial?lang=en) Solange (http://www.solangemusic.com/) Lianne La Havas (http://www.liannelahavas.com/) Lizzo Music (https://www.lizzomusic.com/goodashell/?ref=Typed/Bookmarked) Special Guest: Asare Adjei.

Welcome back to the Glocal Citizens Podcast. We'll be spending the next two episodes with interdisciplinary artist, photographer, and architect--Asare Adjei. Asare is a Ghanaian-British living and working between London (UK) and Accra (Ghana). Asare’s work captures an essence of humanity and the duality of existence by the juxtaposing of various visual elements, materials and symbology to create a unique new style. He creates vibrant artworks by the blending, shaping and merging of myriad African visual textures with cosmology and architectural influences. He utilizes his art to explore his Ghanaian heritage and what it means for him to be an African; his work is a love letter to Africa and an appreciation for its movement towards the future. Asare studied Architecture at East London University and worked as an Architect for 12 years prior to pursuing his passion for Fine Art and Photography. He has worked most notably with the prestigious architect Sir David Adjaye. Asare has had his photography works published in The Guardian Newspaper, and has exhibited artworks in group exhibitions at Rebecca Hossack Gallery (Mayfair/UK), Level 39 (Canary Wharf/UK), The Black and White building (Shoreditch/UK) and MeWe360 (Soho/UK). He has also exhibited in a number of pop-up galleries in Accra (Ghana/Africa) and has been shortlisted for a variety of art awards including Art Gemini Prize, Creativepool Annual/etc. In Part 2, we talk global citizenship, migration and Asare's sonic inspirations. Links of Interest www.asareadjei.com (http://www.asareadjei.com/) @asareadjei (https://www.instagram.com/asareadjei/?hl=en) on IG Printful (https://www.printful.com/) Ghana at the Venice Biennale (https://ghanainvenice.org/) What the wahala (https://www.urbandictionary.com/define.php?term=Wahala)? What's Asare listening to? Michael Kiwanuka (https://www.michaelkiwanuka.com/) @IbeyiOfficial on Twitter (https://twitter.com/ibeyiofficial?lang=en) Solange (http://www.solangemusic.com/) Lianne La Havas (http://www.liannelahavas.com/) Lizzo Music (https://www.lizzomusic.com/goodashell/?ref=Typed/Bookmarked) Special Guest: Asare Adjei.

We'll openly admit it. Visiting a country during the FIFA World Cup doesn't give you the most genuine view into what life is like in that country outside of the event. It can take effort to gain that perspective. So what do Colin and Mike do on non-match days? How did they gain a better understanding of Russian culture and its history? Find out in Episode 5 of Counterspective, the podcast that goes beyond the 'single stories' of the people, places, and things that inundate us through the lens of mass and social media.

Jenny Sabin is an architectural designer, a professor, a studio principal and MSR’s current Artist in Residence. Asta Roseway is a principal research designer, a “fusionist” and the co-founder of the Artist in Residence program at Microsoft Research. The two, along with a stellar multi-disciplinary team, recently completed the installation of Ada, the first interactive architectural pavilion powered by AI, in the heart of the Microsoft Research building in Redmond. On today’s podcast, Jenny and Asta talk about life at the intersection of art and science; tell us why the Artist in Residence program pushes the boundaries of technology in unexpected ways; and reveal their vision of the future of bio-inspired, human-centered, AI-infused architecture. https://www.microsoft.com/research

This episode is part of our Playlist series. We’re inviting artists, curators, architects, filmmakers, cultural producers and other listeners to share favorites from the archive. Based in Lisbon, German born artist Regina Frank has shown her work in New York, London, Los Angeles and Tokyo, among other cities globally. In recent projects, she explored environmental issues in performative installations at the Museum of Art Architecture and Technology, Lisbon, and BioArt 2018, Seoul, South Korea. Here, Regina Frank introduces our conversation with renowned video and performance artist Joan Jonas, an episode first released on June 5, 2012. Revisiting this episode is a moment to celebrate the latest chapter in Joan Jonas’s remarkable career. She represented the United States at the 56th Venice Art Biennale. In 2019, Jonas returns to Venice with an immersive, multimedia installation. Moving Off the Land II is the first public project in Ocean Space, a new global oceanic center in the restored Church of San Lorenzo. Regina Frank writes: I have been listening to Fresh Art since Cathy Byrd launched the podcast in 2011. One episode that I love features Cathy’s conversation with artist Joan Jonas. In 1991, I met Joan Jonas for the first time. She gave a lecture at the University of the Arts in Berlin. What a wonderful artist! I am fascinated and inspired by her creative approach to combining video, performance and drawing. She saw my work and suggested that I speak to the new museum of contemporary art in New York. They gave me their window and the cover of their newsletter and catalogue a few months later, which marked the beginning of my own career, in 1992. While I was in Venice for the 58th Art Biennale, I spent hours exploring Joan Jonas’s great project in the Church of San Lorenzo. I watched every video from beginning to end. Sound Editor 2019 Anamnesis Audio | 2012 Leo Madriz Special Audio: Jason Moran, “He Takes His Coat and Leaves” Feature photo: Joan Jonas, Moving Off the Land II, Ocean Space, Venice, 2019, courtesy TBA21 Academy Related Episodes: Joan Jonas on The Shape, The Scent, The Feel of Things, Art with a Sense of Placed, Part One, Regina Frank on Performing at the Intersection of Art and Technology Related Links: Joan Jonas, Ocean Space  

Architect Anthi Frangiadis is the owner of The Drawing Room in New Bedford, MA--an art and design shop that marries Anthi's identity and profession as an architect with a beautiful retail space--showcasing work from south coast artists as well as paint and wallpaper.  Anthi reflects on architecture as art, marrying art and design with retail, and more.  Join us!

Samya Arif - OCEÁ is an internationally featured illustrator and graphic designer who works in a variety of media. After graduating from the Indus Valley School of Art & Architecture in Communication Design in 2010, her focus has evolved towards visual art and illustration, widely pertaining to album cover art and varied illustration work. While creating artworks for various music acts, she has also been a part of the electronic music collective, Forever South, as artist, designer and DJ.

Springtime in Florida- and love is in the air. Or at least lovebugs. Any kind of road trip through the sunshine state this time of year is usually accompanied by the percussive splatter of lovebugs hitting the windshield. So where do lovebugs come from and what are they doing here? How do they fit into the ecosystem of Florida, and what’s the best – and worst- way to get them off your car? On this episode of Intersection we dive into the history of the bugs we love to hate with Dr. Denise DeBusk,  professor of horticulture at Valencia College West, University of Florida Entymology professor and director of the university’s Integrated Pest Management program Norman Leppla, and Matt Moreman, creator of ...

Joe Kourakis is a Cal Poly professor emeritus. On this month's Ears on Art episodes, Kourakis the conversation is about his architecture design concepts and his sculpture.

Archdiocese of Portland The post Episode 101: Sacred Art, Architecture & Iconography appeared first on Mater Dei Radio.

Meet The Art Collector Next Door, visit architectural marvel Columbus, Indiana, and more.

This year’s American Institute of Architects Gold Medal winner, Moshe Safdie, has devoted a lifetime to the issue of dense urbanism beginning with Habitat, his low-rise, high-density housing complex introduced at the 1967 Montreal World’s Fair. Today, megascale projects seem to defy human scale, but Safdie believes architects can create the conditions for a high quality of life in megacities and has done so in several enormous projects. Safdie will present his ideas, after which he and architecture critic Sarah Goldhagen will discuss the challenges posed by dense urbanism and the desire to humanize the megascale. Sponsored by Ann and Graham Gund.

David Burns and Sam Spurr, co-directors of N, moderate a conversation with special guest Urtzi Grau, Principal of Fake Industries Architectural Agonism, that considers the intersection of art, architecture and public art. N is a curatorial collective founded in 2010 by David Burns, Sam Spurr, and Adrian Lahoud. Recorded at Sherman Contemporary Art Foundation (SCAF), 16 September 2014, in association with SCAF Project 20, AR-MA: Trifolium.

Open Form is a concept formulated by Oskar Hansen (1922–2005), architect, artist and lecturer at the Academy of Fine Arts in Warsaw affiliated with the Team 10. Audio recording.

Leticia SooHoo talks with Academy of Art Architecture students about the history and future of Sustainable building designs and strategies.

Matthias Böttger studied architecture and urban planning. His academic career started at the Bauhaus Foundation Dessau, continued at University of Stuttgart and from 2007 - 2011 he tought "Art + Architecture" at the ETH Zürich. 2007/2008 he was Visiting Professor for Art and Public Space at the Academy of Fine Arts in Nuremburg. In 2008 he was commissioner and curator for the German contribution “Updating Germany—Projects for a Better Future” to the 11th International Architecture Exhibition in Venice. 2007-2009 he was a fellow at the Akademie Schloss Solitude in Stuttgart. 2010 he ran the exhibition space aut - Architektur und Tirol - in Innsbruck and curated the series aut.raumproduktion. Since July 2011 he is curator and artistic director of DAZ - Deutsches Architektur Zentrum - in Berlin. His Berlin-based think-tank “raumtaktik — office from a better future — deals with spatial intelligence and intervention in the present and the future

Molecular Aesthetics | Symposium Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT). Members of our species, Homo sapiens sapiens, have been occupying regions of the earth for at least 60,000 years but it is only around 10,000 years ago that permanent structures began to be built - reflecting the predominantly nomadic life-style of our ancestors before this time. Monumental constructions in stone, typified by the pyramids and other great structures scattered throughout the Middle East, remain to remind us of the mind-shift that accompanied this change. Since then, art, architecture and engineering have all flourished on the human (or macro) scale, frequently driven by both challenge and creativity. Dating from the beginnings of modern chemistry around two hundred years ago, when the nature of matter first begun to be understood in terms of atoms and molecules, it has been increasingly possible to undertake related creative activities at the molecular level - representing a further milestone in human history. This is especially true over the past three decades or so - reflecting the development of supramolecular chemistry, a sub-branch of chemistry that tends to mimic Nature's way of doing things. A focus of supramolecular chemistry is the use of single molecules and ions as 'building blocks' to construct larger assemblies exhibiting pre-designed shapes and properties. Using the tools of modern chemistry this is now often possible and supramolecular systems of significant subtlety, and also of very considerable aesthetic appeal, are being increasingly created on the nanometer scale. It is an area of contemporary chemistry where human creativity may be readily expressed. A range of structures from the supramolecular realm that bridge the boundaries between art and science will be presented. These include examples displaying artistic nuances that mimic structures found in the macro world as well as interwoven and other motifs showing both intricacy and beauty in their molecular forms. /// Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011 In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie. Der moderne Mensch (Homo sapiens sapiens) bewohnt seit mindestens 60.000 Jahren die Erde, begann aber erst vor ungefähr 10.000 Jahren, dauerhafte Bauwerke zu errichten. Bis zu diesem Zeitpunkt pflegten unsere Vorahnen eine vorwiegend nomadische Lebensweise. Steinbauten nach Art der Pyramiden und anderer Monumente, die über ganz Vorderasien verstreut sind, erinnern an den Geisteswandel, der diesen Entwicklungssprung begleitet haben muss. Kunst, Architektur und Technik florieren nach dieser Zäsur auf menschlicher (makroskopischer) Ebene, vielfach von unserer Erfindungskraft und neuen Herausforderungen angetrieben. Seit den Anfängen der modernen Chemie vor etwa 200 Jahren, als Atom und Molekül sich als Bausteine der Materie herauskristallisierten, rückte die Möglichkeit in immer größere Nähe, die genannten schöpferischen Tätigkeiten auch auf molekularer Ebene auszuführen - ein weiterer Meilenstein in der Geschichte der Menschheit. Dies gilt besonders für das Aufkommen der supramolekularen Chemie in den letzten drei Jahrzehnten. Diese Disziplin beschäftigt sich mit der Nachahmung von Naturprozessen und verwendet einzelne Moleküle und Ionen als „Bausteine“ zur Konstruktion übergeordneter Verbindungen, die spezifische Formen und Eigenschaften aufweisen. Die Werkzeuge der modernen Chemie machen es möglich, im Nano-Bereich relativ diffizile supramolekulare Systeme aufzubauen, die ästhetisch reizvoll sind. Der menschliche Erfindergeist kann sich in diesem Zweig der modernen Chemie frei entfalten. Eine Reihe supramolekularer Strukturen wird präsentiert, die eine Brücke zwischen Kunst und Wissenschaft schlagen. Einzelne Beispiele erinnern an Formen aus der Makrowelt, andere belegen die Schönheit und den Detailreichtum molekularer Konstellationen.

MARTA is more than a method of transportation, it is about connecting people, neighborhoods, promoting business, and conservation. And then of course there is the art, architecture and history. In essence, MARTA is integrally important to Atlanta. This month on Sidewalk Radio, host Gene Kansas invites in some special guests to talk about Atlanta's public transportation system from beyond the typical budget shortfalls and cancelled routes. Joining Gene this month are industrial designer Ted Freeman, architect Brian Bell, Senior Transportation Planner Heather Alhadeff, and newly appointed Manager of Streetcar Development with MARTA Paul Grether. This episode of Sidewalk Radio is brought to you by Perkins+Will.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. The built environment—whether individual buildings or city-wide projects that include arts districts and public spaces—affects livability and the cultural and social vitality of cities. Practitioners, civic leaders, and researchers discuss the ways in which arts and artists transform place, activate new cultural spaces, and regenerate cultural vitality. Scott Burnham, Creative Director and Strategist; Author, Finding the Truth in Systems: In Praise of Design Hacking Susan Chin, Assistant Commissioner, Capital Projects, New York City Department of Cultural Affairs Theaster Gates, Artist and Urban Planner; Creative Director and Founder, Rebuild Foundation; Director of Arts Program Development, Office of the Provost, University of Chicago Damon Rich, Designer and Artist; Founder, Center for Urban Pedagogy; Urban Designer and Waterfront Planner, City of Newark, New Jersey Moderated by Lee Bey, Executive Director, Chicago Central Area Committee; Writer, Photographer, and Architecture Critic

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. The built environment—whether individual buildings or city-wide projects that include arts districts and public spaces—affects livability and the cultural and social vitality of cities. Practitioners, civic leaders, and researchers discuss the ways in which arts and artists transform place, activate new cultural spaces, and regenerate cultural vitality. Scott Burnham, Creative Director and Strategist; Author, Finding the Truth in Systems: In Praise of Design Hacking Susan Chin, Assistant Commissioner, Capital Projects, New York City Department of Cultural Affairs Theaster Gates, Artist and Urban Planner; Creative Director and Founder, Rebuild Foundation; Director of Arts Program Development, Office of the Provost, University of Chicago Damon Rich, Designer and Artist; Founder, Center for Urban Pedagogy; Urban Designer and Waterfront Planner, City of Newark, New Jersey Moderated by Lee Bey, Executive Director, Chicago Central Area Committee; Writer, Photographer, and Architecture Critic

Srdjan Jovanovic Weiss born in1967, (Subotica) is an architect educated at Harvard University and Belgrade University. He recently collaborated with Herzog & de Meuron architects and is the founder of Normal Architecture Office as well as co-founder of School of Missing Studies, network for cultural and urban research. His recent book „Almost Architecture“, published by Merz&Solitude and kuda.nao explores the roles of architecture vis-à-vis democratic processes, abrupt political changes and architectural appearance of post-communist ideologies. He is an Assistant Professor at Tyler School of Art_Architecture at Temple University and lectures at Harvard GSD and at Penn School of Design. He is a PhD candidate at Goldsmiths College, University of London with a dissertation on the positive spatial aspects of Balkanization. He exhibited and lectured about his work at the universities and museums in Western Europe, North America and Japan and he published internationally. Andreas Rumpfhuber is Architect and Researcher with an office in Vienna, Austria. Andreas is member of the Researchers and Artists Collective roundtable.kein.org at the Centre for Research Architecture at Goldsmiths College in London, he was PhD-stipendiate (2005-2008) at the Center for Design Research at the Royal Danish Academy of Fine Arts, School of Architecture in Copenhagen. His PhD-dissertation „Architecture of Immaterial Labour“ will be published in fall 2010 at TURIA+KANT. Andreas was lecturing and teaching amongst others at TU Vienna, TU Graz, Academy of Fine Arts Vienna, Goldsmiths College, Royal Danish Academy of Fine Arts, he was curating a.o. „Schindler Lecture“ series (2004-2007) at the Austrian Society of Architecture (www.oegfa.at), the Conference „Politics of Designing“ at The Danish Doctoral Schools of Architecture & Design. He is regularly writing for the Vienna Street-Newspaper Augustin, as well as for divers international Architecture/Art magazines and journals such as: Springerin, Hefte für Gegenwartskunst, dérive, Zeitschrift für Stadtforschung, UmBau, Arkitekten, bauwelt.

Philippe Rahm, born in 1967 studied at the Federal Polytechnic Schools of Lausanne and Zurich. He obtained his architectural degree in 1993. He works currently in Paris (France) and Lausanne (Switzerland). In 2002, he was chosen to represent Switzerland at the 8th Architecture Biennale in Venice and is one of the 20 manifesto’s architects of the Aaron Betsky’s 2008 Architectural Venice Biennale. He is nominee in 2009 for the Ordos Prize in China and was in 2008 in the top ten ranking of the International Chernikov prize in Moscow. In 2007, he had a personal exhibition at the Canadian Centre for Architecture in Montreal. He has participated in a number of exhibitions worldwide (Archilab 2000, SF-MoMA 2001, CCA Kitakyushu 2004, Frac Centre, Orléans, Centre Pompidou, Beaubourg 2003-2006 and 2007, Manifesta 7, 2008, Louisiana museum, Denmark, 2009). Philippe Rahm was a resident at the Villa Medici in Rome (2000). He was Head-Master of Diploma Unit 13 at the AA School in London in 2005-2006, Visiting professor in Mendrisio Academy of Architecture in Switzerland in 2004 and 2005, at the ETH Lausanne in 2006 and 2007 and he is currently guest professor at the Royal School of Architecture of Copenhaguen. He is working on several private and public projects in France, Poland, England, Italy and Germany. He has lectured widely, including at Cooper Union NY, Harvard School of Design, UCLA and Princeton. Matthias Böttger, born 1974, studied architecture and urban planning in Karlsruhe and London. He heads the Berlin-based think-tank “raumtaktik — spatial intelligence and intervention”. 2007/2008 he was Visiting Professor for Art and Public Space at the Academy of Fine Arts in Nuremburg. In 2008 he was commissioner and curator for the German contribution “Updating Germany— Projects for a Better Future” to the 11th International Architecture Exhibition in Venice. 2009 was a fellow at the Akademie Schloss Solitude in Stuttgart. Currently he teaches „Art + Architecture“ at the ETH Zürich and 2010 he runs the exhibition space aut - Architektur und Tirol - in Innsbruck and curates the series aut.raumproduktion.

Nancy Berliner, Peabody Essex Museum

This week: Duncan talks to Amy Franceschini. Amy Franceschini is an artist and educator whose work has at its core cross-disciplinary research with a focus on how humans impact the world we inhabit. Her work encourages new formats of exchange and production, many times in collaboration with other practitioners. These works often provide a playful entry point and tools for an audience to gain insight into a deeper field of inquiry – not only to imagine, but to participate in and initiate change in the places we live.  Amy founded the artists’ collective and design studio, Futurefarmers, in 1995 and Free Soil in 2004. Her solo and collaborative work have been in international exhibitions at ZKM, Whitney Museum, the New York Museum of Modern Art and Yerba Buena Center for the Arts, San Francisco. She received her BFA from San Francisco State University, MFA from Stanford University, and is currently an Assistant Professor of Art + Architecture at University of San Francisco and visiting artist at California College of the Arts. She is the recipient of the Artadia, Cultural Innovation, Eureka Fellowship, Creative Capital and SFMOMA SECA Awards.