Podcasts about art museum miami

Ep.246 Kelly Sinnapah Mary (b. 1981, Saint-François, Guadeloupe) creates paintings, sculptures, and installations that draw upon the complex interrelationships between folklore, literature, inheritance, history, and the natural world. Sinnapah Mary's work is rooted both materially and narratively in the artist's immediate environment of the Caribbean archipelago of Guadeloupe, a French overseas department, and her own evolving understanding of her ancestral origins. Her work has been shown both in Guadeloupe and internationally at institutions including Kunstinstituut Melly, Rotterdam, Netherlands; Peréz Art Museum Miami, Miami, FL; Kiran Nadar Museum of Art, New Delhi, India; and the Osage Foundation, Hong Kong. Photo © Kelly Sinnapah Mary, 2025. Image courtesy of the artist and James Cohan, New York. Photo by Studio Zaigo Artist https://kellysinnapahmary.wixsite.com/kelly-sinnapah-mary James Cohan https://www.jamescohan.com/artists/kelly-sinnapah-mary Kadist https://kadist.org/program/the-plantation-plot/ Hyperallergic https://hyperallergic.com/997002/the-shapeshifting-paintings-of-kelly-sinnapah-mary/ Aicon https://www.aicon.art/exhibitions/kelly-sinnapah-mary Cultured Mag https://www.culturedmag.com/article/2025/03/06/artist-kelly-sinnapah-mary-painting ICI https://curatorsintl.org/about/collaborators/23413-kelly-sinnapah-mary Artnet News https://news.artnet.com/art-world/rising-artist-kelly-sinnapah-marys-spellbinding-works-take-center-stage-2616158 Foyer https://readfoyer.com/article/india-guadeloupe

Born in Miami to Cuban parents, José Parlá’s art reflects his upbringing between the U.S. and Puerto Rico, drawing on ...

For Art Basel Miami Beach Week 2024, Art&Newport presented Daniel Buren‘s “Voile/Toile–Toile/Voile” regatta at Pérez Art Museum Miami on December ...

Ep.226 Edra Soto (b. 1971) is a Puerto Rican-born artist, educator, and co-director of outdoor project space The Franklin. Soto instigates meaningful, relevant, and often difficult conversations surrounding socioeconomic and cultural oppression, erasure of history, and loss of cultural knowledge. Soto has presented recent solo exhibitions at Comfort Station, Chicago, IL (2024); Hyde Park Art Center, Chicago, IL (2023); Institute of Contemporary Art, San Diego, CA (2023); Museum of Contemporary Art, Chicago, IL (2018); Headlands Center for the Arts, Sausalito, CA (2017); The Arts Club of Chicago, IL (2017). Her work has been featured in notable recent group exhibitions including Widening the Lens: Photography, Ecology, and the Contemporary Landscape, Carnegie Museum of Art, Pittsburgh, PA (2024); Entre Horizontes, Museum of Contemporary Art Chicago, IL (2023); no existe un mundo poshuracán, Whitney Museum of American Art, New York, NY (2022); and Estamos Bien, La Trienal 20/21, El Museo del Barrio, New York, NY (2021). She has been awarded the Joan Mitchell Foundation Painters & Sculptors Grant; Bemis Center's Ree Kaneko Award; the US LatinX Art Forum Fellowship; and MacArthur Foundation International Connections Fund. Soto has received numerous public commissions, for Noor Riyadh, Saudi Arabia (2024); Now & There, Central Wharf Park, Boston, MA (2023); the Chicago Architecture Biennial, IL (2023); and Millenium Park in Chicago, IL (2019). Her work is in the collection of institutions including the Whitney Museum of American Art, New York; Pérez Art Museum Miami and Museum of Contemporary Art of Chicago. Photo Courtesy of Public Art Fund ~ Liz Ligon Artist https://edrasoto.com/home.html Public Art Fund https://www.publicartfund.org/exhibitions/view/edra-soto-graft/ MSU Broad Art Museum https://broadmuseum.msu.edu/events/artist-talk-edra-soto/ por la señal | by a signal at Morgan Lehman Gallery https://www.morganlehmangallery.com/exhibitions/edra-soto4 Lazos Terrenales at ICA at MECA&D Maine https://meca.edu/ica/lazos-terrenales-earthly-bonds/ La Casa de Todos at Comfort Station https://comfortstationlogansquare.org/calendar/2024/6/1/la-casa-de-todos John Michael Kohler Arts Center https://www.jmkac.org/artist/soto-edra/ Carnegie Museum of Art https://carnegieart.org/art/hillman-photography-initiative/cycle-4-widening-the-lens/ US Latinx Art Forum https://uslaf.org/member/edra-soto/ Noor Riyadh https://riyadhart.sa/en/artists/edra-soto/?_program=noor-riyadh CAB5 https://chicagoarchitecturebiennial.org/people/edra-soto/ Ree Kaneko Award https://www.e-flux.com/announcements/511285/edra-soto-winner-of-2022-ree-kaneko-award/#:~:text=Established%20in%202019%20at%205%2C000,support%20of%20its%20alumni%20community. The Art Newsletter https://www.theartnewspaper.com/2024/09/05/edra-soto-this-kind-of-architecture-lives-in-the-background TimeOut https://www.timeout.com/newyork/news/this-new-outdoor-sculpture-in-central-park-honors-the-puerto-rican-community-090624 Hyperallergic https://hyperallergic.com/946566/new-three-year-arts-series-will-center-nyc-latine-community-clemente/ El Nuevo Dia https://www.elnuevodia.com/entretenimiento/cultura/notas/el-arte-de-una-boricua-transforma-el-central-park-de-nueva-york-con-su-obra-de-rejas/ Newcity Art https://art.newcity.com/2024/08/26/central-park-state-of-mind-edra-soto-puts-the-home-in-public-art/ Chicago Reader https://chicagoreader.com/arts-culture/art-feature/everybodys-home-edra-soto/ Forbes https://www.forbes.com/sites/shelbyknick/2023/12/14/the-brilliance-of-noor-riyadh-a-city-wide-canvas-comes-to-life-again/?sh=400c0e4a6a23 New York Times https://www.nytimes.com/2023/11/28/arts/design/chicago-architecture-biennial.html Chicago Tribune https://www.chicagotribune.com/2023/11/14/3arts-awards-50k-unrestricted-grants-to-local-teaching-artists-with-next-level-awards/ Artforum https://www.artforum.com/events/susan-snodgrass-edra-soto-513802/

Away with the Tides is the first solo exhibition at a museum by artist Calida Rawles. In this exhibition, Rawles ...

Episode No. 682 is a holiday clips episode featuring artist Leslie Martinez. Martinez is included within "Shifting Landscapes," which is at the the Whitney Museum of American Art in New York until January 2026. The exhibition considers how evolving political, ecological, and social issues motivate artists as they address the world around them (which is to say US artists are addressing land and landscape as they have since the days of Ralph Waldo Emerson and Thomas Cole.) The show was curated by Jennie Goldstein, Marcela Guerrero, and Roxanne Smith, with Angelica Arbelaez. Seven previous MAN Podcast guests are in the exhibition, including Robert Adams (Episode No. 41,  227, 555), Teresita Fernández, LaToya Ruby Frazier, An-My Lê, Patrick Martinez, Amalia Mesa-Bains, and Alison Saar. Martinez was previously featured in solo shows at MoMA PS1 in Queens, and the Blaffer Art Museum, University of Houston. Their work is in the collection of museums such as the Dallas Museum of Art, the Pérez Art Museum Miami, and the High Museum of Art, Atlanta. For images, see Episode No. 635. Instagram: Leslie Martinez, Tyler Green.

Ep.222 José Parlá (b.1973) creates paintings and multidisciplinary works based on his interest in hybrid forms of abstraction. He draws inspiration from various mediums including music, calligraphy, dance, and the decay of urban architecture and advertisements. His works poetically challenge ideas about language, politics, identity, and how we define places and spaces. Parlá's relationship with mark-making is physical and textural, incorporating the body's gestures into a painterly stream of consciousness composed of areas of addition, erasure, and layering that challenge the status quo of visual culture. Parlá was born to Cuban parents in Miami, Florida, and lives and works out of Brooklyn, New York. He studied painting at Savannah College of Art & Design (SCAD) in Savannah, Georgia; the New World School of the Arts, Miami, Florida; and Miami Dade College, Miami, Florida. Solo exhibitions of Parlá's work have been organized at institutions such as The Bronx Museum, New York (2022); Gana Art Center, Seoul (2022); Istanbul'74, Istanbul (2019); Hong Kong Contemporary Art (HOCA) Foundation, Hong Kong (2019); Neuberger Museum of Art, New York (2018); SCAD Museum of Art, Savannah (2017); Brooklyn Academy of Music (BAM), New York (2017); Goss-Michael Foundation, Dallas (2016); High Museum of Art, Atlanta (2015); amongst others. Public arts projects include permanent large-scale commissions including Far Rockaway Writer's Library, a collaboration between Snøhetta and Parlá, New York (2023); University of Texas, Austin (2018); ONE World Trade Center, New York (2015); A collaboration with Snøhetta, Hunt Library at North Carolina State University, Raleigh (2013); Barclays Center, New York (2012); Brooklyn Academy of Music (BAM), New York (2012); Concord City Place, Toronto (2010). Select group exhibitions and biennials include The Culture: Hip Hop & Contemporary Art in the 21st Century, Baltimore Museum of Art, Baltimore (2023); Brooklyn Abstraction, Four Artists, Four Walls, Brooklyn Museum, New York (2022); Reflections, Gana Art, Seoul (2019); Glasstress, Fondazione Berengo Art Space, Venice (2019); Beyond the Streets, New York (2019); Yasiin bey: Negus, Brooklyn Museum, New York (2019); Victors for Art, University of Michigan Museum of Art, Ann Arbor (2017); Post No Bills: Public Walls as Studio and Source, Neuberger Museum of Art, New York (2016); Seeing, Saying, Images and Words, Van Every/Smith Galleries, Davidson College, North Carolina (2016); Wrinkles of the City: Havana Cuba: JR & José Parlá, the Havana Biennial, Havana (2012); amongst others. Parlá's work is in several public collections including the Brooklyn Museum, New York; The British Museum, London; Buffalo AKG Art Museum, New York; El Espacio, Miami; POLA Museum of Art, Japan; Pérez Art Museum Miami, Florida; The Gordon Parks Foundation, Pleasantville, NY; The Neuberger Museum of Art, New York; and The National Museum of Fine Arts, Havana. Parlá serves on the board of National YoungArts Foundation. Parlá has received numerous awards, including the Scholastic Art & Writing Awards, Alumni Achivement Award (2024) Gordon Parks Foundation Fellowship (2023), the Hirshhorn Museum Artist x Artist honoree (Hank Willis Thomas x José Parlá) (2023), National Young Arts Foundation Award (2022), Americans for the Arts National Art Award (2022), Americans for the Arts Public Art Network (2019), Miami Dade College Alumni Hall of Fame Award inductee (2016), Brooklyn Arts Council honoree (2014), Institute of Contemporary Arts(ICA) London – Grand Prize (2013), Heartland Film Festival - Best Documentary Short and Best U.S. Premiere for Wrinkles of the City, Havana (2013) Scholastic Art Award. Photographer James Chororos

Ep.220 Jake Troyli (b.1990, Boston, MA) received his BFA from Lincoln Memorial University, Harrogate, TN (2013), where he played Division 1 basketball, his MFA from the University of South Florida, Tampa(2019), and attended the Skowhegan School of Painting and Sculpture, ME (2019).Solo exhibitions include moniquemeloche. Chicago, IL (2024/2022); Tempus Projects, Tampa, FL (2018); and ArtsXchange, St. Petersburg, FL. (2018). Troyli's work has been featured in group exhibitions at Perrotin Gallery, New York, NY (2024); Galerie Droste, Düsseldorf, DE (2024);Milwaukee Art Museum, Milwaukee, WI (2023-24); Everson Museum, Syracuse, NY(2023); Galerie Droste, Paris, FR (2021); The Ringling Museum, Sarasota, FL(2021); Contemporary Art Museum, Tampa, FL (2019); San Francisco Art Institute, CA (2018). Troyli's work will be included in the group exhibition Get in the Game: Sports, Art, Culture, curated by Jennifer Dunlop Fletcher, Seph Rodney, and Katy Siegel, at SF MoMA, which travels to the Crystal Bridges Museum of American Art and the Pérez Art Museum Miami and will be accompanied by a scholarly publication. He will have his first solo museum exhibition at the Museum of Fine Arts, St. Petersburg, FL, in 2026. His work is in the permanent collections of the Tampa Art Museum, Tampa, FL; the Ringling Museum, Sarasota, FL; the Nerman Museum of Contemporary Art, Overland Park, KS; and Pierce and Hill Harper Arts Foundation, Detroit, MI. He is the recipient of the Provincetown Fine Arts Fellowship (2019 2020) and the Creative Pinellas Emerging Artist Grant, Largo, FL (2017). Troyli was a 2023 Visual Artist recipient of the Academy of Fine Arts x International City of Arts program in Paris, France. He is resident at Project for Empty Space in Newark, NJ. Photo courtesy of the artist and Monique Meloche Gallery. Photographer Raphael Lugassy Artist - https://www.jaketroyli.com/ moniquemeloche - https://www.moniquemeloche.com/artists/48-jake-troyli/biography/ Perrotin https://leaflet.perrotin.com/view/898/light-of-winter Galerie Droste https://www.galeriedroste.com/exhibitions/92-reading-the-language-of-images-jammie-holmes-andrew-schoultz-jake-troyli/overview/ Newcity https://art.newcity.com/2024/10/15/a-bloodline-through-the-histories-a-review-of-peter-and-jake-fagundo-at-m-leblanc/ NYTimes https://www.nytimes.com/2024/10/18/arts/sfmoma-exhibit-sports-art.html ARTnews https://www.artnews.com/art-news/news/for-freedoms-activates-art-installations-democratic-national-convention-chicago-1234714497/ WBEZ | NPR https://www.wbez.org/arts/2024/07/22/jake-troyli-artist-chicago-mural-dnc-democratic-national-convention-art Cité internationale des arts https://www.citedesartsparis.net/en/jake-troyli Chicago Sun Times https://chicago.suntimes.com/murals-mosaics/2024/07/26/chicago-murals-jake-troyli-dnc-democratic-national-convention-skyart-east-garfield-park Chicago Gallery News https://www.chicagogallerynews.com/news/2024/8/anticipating-a-season-of-art-five-to-talk-to-jake-troyli White House Magazine https://whitehotmagazine.com/articles/slow-clap-at-monique-meloche/5358It's Nice That https://www.itsnicethat.com/articles/jake-troyli-art-170222 Chicago Reader https://chicagoreader.com/arts-culture/jake-troyli-contains-multitudes/ Mana Contemporary https://www.manacontemporary.com/jake-troyli/ Kavi Gupta https://kavigupta.com/artworks/10328-jake-troyli-portrait-of-the-artist-with-hors-doeuvre-2020/ The Province Town Independenthttps://provincetownindependent.org/arts-minds/2020/03/12/show-and-tell-with-jake-troyli/ The TRiiBE https://thetriibe.com/2022/04/painter-jake-troyli-invites-us-into-the-spectacle-of-black-skin-at-expo-chicago/

Talk Art Live! We meet artist Studio Lenca (Jose Campos) within his recent solo exhibition 'Leave to Remain' at Carl Freedman Gallery in Margate. ‘Leave to Remain' is the official term used by the UK Home Office, meaning someone who is allowed to stay in the UK with restrictions and without permanent legal status. According to the latest data from the UNHCR, 70.8 million people around the world have been forced from their own homes. Among them are 25.9 million refugees, over half aged under 18. In this latest body of work, Studio Lenca continues to explore his own displaced experience whilst questioning universal themes of belonging, home and lost histories.Growing up as an illegal immigrant, Studio Lenca travelled illegally overland to the USA, growing up ‘without papers' in San Francisco. As a young adult the artist moved to the UK, settling in Margate where he is now based. In his ‘Los Historiantes' paintings Studio Lenca continues to play with the frames of history and identity. This new series depicts the folkloric dancers that theatrically re-enact stories of colonisation and the subjugation of indigenous peoples. The work playfully references a combination of biographical anecdotes, personal reflections and national iconography.Alongside his characteristically vivid paintings, Studio Lenca will collaborate with KRAN (Kent Refugee Action Network), turning Carl Freedman Gallery into a working studio. Young refugees and asylum seekers will work with Studio Lenca to build large sculptural works based on the volcanoes of El Salvador. These works will explore the ‘borderless' process of making and reference the artists own problematic encounters with a colonised education system.Leave to Remain, offers a critical window within the gallery and a space for discussion. The show asks us to address Margate as a border town and who is allowed to leave and to remain. Studio Lenca (b.1986 La Paz, El Salvador) is based at TKE Studios, Margate, UK. Studio Lenca is the working name of artist Jose Campos – ‘Studio' referring to a space for experimentation and making; ‘Lenca' referring to the Mesoamerican indigenous people of southwestern Honduras and eastern El Salvador.He works with performance, video, painting and sculpture. He received an MA from Goldsmiths University of London and his work is included in the permanent collection of the Pérez Art Museum Miami and the Parrish Art Museum in New York.Follow @StudioLencaVisit: https://carlfreedman.com/exhibitions/2024/studio-lenca/Special thanks to @CarlFreedmanGallery (where Talk Art's Robert Diament is Partner). Hosted on Acast. See acast.com/privacy for more information.

Pérez Art Museum Miami overlooks Biscayne Bay, where sea levels are rising fast. Learn more at https://www.yaleclimateconnections.org/ 

Portrait by Sandy Levy Diego Singh (b. 1982, Salta, Argentina) has exhibited his work at the de la Cruz Collection, Miami, FL; Museum of Contemporary Art San Diego, CA; Pérez Art Museum Miami, FL; Fondazione Malvina Menegaz, Castelbasso, Italy; Braverman Gallery, Tel-Aviv, Israel; Mendes Wood DM, São Paulo, Brazil; Palazzo Fruscione, Salerno, Italy; Tomio Koyama Gallery, Tokyo, Japan; Fredric Snitzer Gallery, Miami, FL; Various Small Fires, Los Angeles, CA; Luhring Augustine, New York; and the Museum of Contemporary Art North Miami, FL, among others. Singh was awarded the Knight Foundation award in 2019 and 2015. He lives and works in Miami Beach, FL. His work is on view at Luhring Augustin Tribeca in a two-person exhibition with Tomm El-Saieh through June 8, 2024. Singh was awarded the Knight Foundation award in 2019 and 2015. He lives and works in Miami Beach, FL. Diego Singh, Sin Nombre I, 2023-24 Oil and acrylic on linen 96 x 72 inches (243.8 x 182.9 cm). © Diego Singh; Courtesy of the artist, Luhring Augustine, New York, and CENTRAL FINE, Miami Beach. Photo: Farzad Owrang. Diego Singh, Sin Nombre IV, 2022-24 Oil and acrylic on linen 96 x 72 inches (243.8 x 182.9 cm). © Diego Singh; Courtesy of the artist, Luhring Augustine, New York, and CENTRAL FINE, Miami Beach. Photo: Farzad Owrang.   Diego Singh, Sin Nombre V, 2024 Oil and acrylic on linen 48 x 36 inches (121.9 x 91.4 cm). © Diego Singh; Courtesy of the artist, Luhring Augustine, New York, and CENTRAL FINE, Miami Beach. Photo: Farzad Owrang.

In this special episode of Bast Amron's The Practice Podcast, listen to the recorded panel Digital Burnout: Strategies for Managing the Customer Experience in the Age of Technology from our 6th Annual Business Advantage Forum. This panel was moderated by Dain de Souza and included Elliot Basner, VP and Associate General Counsel, Chewy.com, Abe Ng, President, CEO, CSO (Chief Sushi Officer), Sushi Maki and M. Thérèse (“Terry”) Vento, General Counsel / Senior Director of Legal and Government Affairs, Pérez Art Museum Miami.The all-star panel discussed how businesses have traditionally used technology to make things more efficient and reduce the workload for employees, aiming to benefit customers. However, as customer service evolves, there's a growing demand for human interaction. Customers now prioritize experience, seeking immersive and engaging ways to shop and use services, without undermining the importance of price and quality.They focused on the challenge of providing these immersive experiences, considering how digital-age communication changes affect customer relationships. They talked about using technology not just for efficiency but to enhance sales, marketing, and customer service in ways that create memorable experiences. The discussion also covered the importance of keeping a personal touch with customers despite technological advances and finding the right balance between fast-paced technological advancements and the more deliberate pace of consumer demands.If you enjoyed the show, please subscribe, share, and leave a review. Subscribing to the show and leaving a review will actually help others find the show. And it will help us grow, devote more time, and produce better content for you.Streaming now on  YouTube, Spotify, Google, Amazon Music, and Apple Podcasts. We are also in the top ten percent of listened-to podcasts globally.

Until July 28, 2024, the Pérez Art Museum Miami is showcasing the first solo exhibition of the Brazilian visual artist ...

Ep.183 features Leasho Johnson. Born in 1984, he is a visual artist working primarily in painting, installation, and sculpture. He was born in Montego Bay, Jamaica, and raised in Sheffield, a small town on the outskirts of Negril. Johnson uses his experience growing up Black, gay, and male to explore concepts around identity within the post-colonial condition. Working at the conjunction of painting and drawing, Leasho combines charcoal, homemade paints, and dyes straddling the line between fluidity and chance, as well as precision and improvisation. Johnson makes characters that live on the edge of perception, visible and invisible simultaneously. His work's intent is to disrupt historical, political, and social expectations of the Black queer experience. Leasho Johnson was a fellow of the Jamaica Art Society in 2022 and a Leslie Lohman Museum fellow in 2021. He was recipient of the New Artist Society Scholarship from the School of Art Institute Chicago (SAIC) 2018 - 2020. His recent residencies include Ruby Cruel in London, 2023 and Fountainhead Residency, Miami, 2022. Leasho has shown his work in his home country at several National Gallery of Jamaica exhibitions, including the Jamaica Biennial 2012, 2014, 2017, and 2022. His recent solo exhibitions include “Somewhere between the eyes and the heart”, Western Exhibitions, 2023 “The Love of Men and the Fear of Stones,” Harpers Gallery, New York, 2022 “A Deep Haunting,” TERN Gallery, Nassau Bahamas, 2022 Internationally, Leasho has exhibited in ‘Fragments of Epic Memory' at the Art Gallery of Ontario, Canada 2021, 'Resisting Paradise', Puerto Rico and Montreal, 2019, ‘Jamaican Pulse: Art and Politics from Jamaica and the Diaspora', Bristol, UK 2016, ‘Jamaican Routes', Oslo, Norway 2016, ‘Jamaica Jamaica', Philharmonie, Paris France and Brazil, 2017 and 2018. His work is in the Public Collections of the Pérez Art Museum Miami, the Art Gallery Ontario, and ON National Gallery of Jamaica, Kingston Jamaica Leasho is currently based in Chicago, where he works and Lectures at the School of Art Institute Chicago part-time. His work is also part of various notable private collectors, as well as museum permanent collections. Photo credit: TERN Gallery Bahamas Artist https://www.leashojohnson.com/ Western Exhibitions Somewhere between the eyes and the heart – Western Exhibitions Chicago Reader https://chicagoreader.com/arts-culture/unveiling-the-depths-leasho-johnson-western-exhibitio ns/ Frieze https://www.frieze.com/article/leasho-johnson-interview-2023 Tern Gallery https://www.terngallery.com/exhibitions/a-deep-haunting Vogue On The Importance Of Social Revolutions: How Three Black Creatives Are Straddling Culture And Craft | Vogue Italia AMFM http://www.amfm.life/?p=2288 Marsha Pearce http://marshapearce.com/qanda/anansi-as-the-path-home/ Contemporary Art Matters https://contemporaryartmatters.com/leasho-johnson/ Kavi Gupta https://kavigupta.com/artists/159-leasho-johnson/ Artist Alliance https://www.artistsallianceinc.org/leasho-johnson/ University of Chicago https://afterlives.hum.uchicago.edu/leasho-johnson/ Repeating Islands https://repeatingislands.com/2022/06/17/art-exhibition-leasho-johnsons-a-deep-haunting/ Art Plugged https://artplugged.co.uk/leasho-johnson-a-deep-haunting/ Anthurium https://anthurium.miami.edu/articles/10.33596/anth.496 AXA Art Prize https://www.axaartprize.com/johnson

Episode No. 635 of The Modern Art Notes Podcast features artist Leslie Martinez and curator Anthony Graham. MoMA PS1 in Queens is presenting "Leslie Martinez: The Fault of Formation," through April 8. The exhibition features paintings built with paint, folds, pools, and collaged materials such as rags and dried acrylics. Martinez's way of making paintings both mines the history of abstraction, but also a no-waste approach informed by methodologies of rasquachismo, a term coined by scholar Tomás Ybarra-Fausto to describe a Chicano "attitude rooted in resourcefulness yet mindful of stance and style." The show was curated by Elena Ketelsen González. Martinez was previously featured in a solo show at the Blaffer Art Museum, University of Houston. Their work is in the collection of museums such as the Dallas Museum of Art, the Pérez Art Museum Miami, and the High Museum of Art, Atlanta. The Speed Art Museum in Louisville is showing Martinez's work in "Current Speed: Angel Otero/Leslie Martinez" through March 24. The exhibition features works by the two artists that are new to the Speed's collection. The presentation was organized by Tyler Blackwell. On the second segment, a re-presentation of curator Anthony Graham on the Alexis Smith retrospective he organized at the Museum of Contemporary Art San Diego in 2022. Smith died earlier this week. She was 74. For images, see Episode No. 568.

Episode No. 633 is a holiday weekend clips episode featuring artist Gary Simmons. The Pérez Art Museum Miami is presenting “Gary Simmons: Public Enemy,” a survey of Simmons' 35-year career. The exhibition reveals how Simmons has addressed race, class and US history in ways that have remained persistently au courant. It was curated by René Morales and Jadine Collingwood, with Jack Schneider. It's on view in Miami through April 28, 2024. The exhibition originated at the Museum of Contemporary Art Chicago. The MCA and DelMonico Books have published an outstanding catalogue. Bookshop and Amazon offer it for $56-60. For images of artworks discussed on the program, see Episode No. 613. 

Lily Zlotover asks: "What advice or tips would you have for an Artist fresh in a new city?"

Ep 175~ The paintings of Calida Rawles (b. 1976, Wilmington, DE; lives and works in Los Angeles, CA) merge hyper-realism with poetic abstraction. Situating her subjects in dynamic spaces, her recent work employs water as a vital, organic, multifaceted material, and historically charged space. Ranging from buoyant and ebullient to submerged and mysterious, Black bodies float in exquisitely rendered submarine landscapes of bubbles, ripples, refracted light and expanses of blue. For Rawles, water signifies both physical and spiritual healing as well as historical trauma and racial exclusion. She uses this complicated duality as a means to envision a new space for Black healing, and to reimagine her subjects beyond racialized tropes. Enhancing the seductive nature of water, the work tempers heavier subjects with aquatic serenity and geographic and temporal ambiguities, inviting multiple readings. Embedded in her titles and topographical notations in the compositions, Rawles' canvases represent an expansive vision of strength and tranquility during today's turbulent times, while insisting on the triumph of humanity. Rawles received a B.A. from Spelman College, Atlanta, GA (1998) and an M.A. from New York University, New York, NY (2000). Solo exhibitions of her work have been organized at Lehmann Maupin, New York, NY (2021); Various Small Fires, Los Angeles, CA (2020); and Standard Vision, Los Angeles, CA (2020). Her work has been featured in numerous group exhibitions including Generation*. Jugend trotz(t) Krise, Kunsthalle Bremen, Bremen, Germany (2023); Rose in the Concrete, San Francisco Museum of Modern Art, San Francisco, CA (2023); 12th Berlin Biennale for Contemporary Art, Berlin, Germany (2022); Black American Portraits, Los Angeles County Museum of Art (LACMA), Los Angeles, CA (2021), Spelman College Museum of Fine Art, Atlanta, GA (2023); A Shared Body, FSU Museum of Fine Arts, Tallahassee, FL (2021); View From Here, Los Angeles County Museum of Art (LACMA), Los Angeles, CA (2020); Art Finds a Way, Norton Museum of Art, West Palm Beach, FL (2020); Visions in Light, Windows on the Wallis, Beverly Hills, CA (2020); Presence, Fullerton College Art Gallery, Fullerton, CA (2019); With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA (2017); Sanctuary City: With Liberty and Justice for Some, San Francisco Arts Commission, San Francisco, CA (2017); LACMA Inglewood + Film Lab, Inglewood, CA (2014); and Living off Experience, Rush Arts Gallery, New York, NY (2002). Rawles created the cover art for Ta-Nehisi Coates's debut novel, “The Water Dancer,” and her work is in numerous public and private collections, including Dallas Museum of Art, Dallas, TX; Los Angeles County Museum of Art (LACMA), Los Angeles, CA; Pérez Art Museum Miami, Miami, FL; Spelman College Museum of Fine Art, Atlanta, GA; and Studio Museum in Harlem, New York, NY. Photo credit: Marten Elder Artist https://www.lehmannmaupin.com/artists/calida-rawles/featured-works Lehmann Maupin https://www.lehmannmaupin.com/exhibitions/calida-rawles2 Various Small Fires https://www.vsf.la/exhibitions/35-calida-rawles-a-dream-for-my-lilith/overview/ Cultured Magazine https://www.culturedmag.com/article/2023/02/08/calida-rawles-painter-spelman-college-black-portraiture-exhibition Gagosian https://gagosian.com/quarterly/contributors/calida-rawles/ NYTimes https://www.nytimes.com/2021/04/09/t-magazine/calida-rawles-portrait.html The Cut https://www.thecut.com/2020/03/the-artist-whose-paintings-have-captivated-ta-nehisi-coates.html The Art Newspaper https://www.theartnewspaper.com/2022/02/19/calida-rawless-mural-makes-waves-at-new-inglewood-stadium This is Colossal https://www.thisiscolossal.com/2023/11/calida-rawles-a-certain-oblivion/ ARTnews https://www.artnews.com/art-news/artists/calida-rawles-water-paintings-lehmann-maupin-1234584059/

Episode No. 619 features artists Edra Soto and José Lerma. Soto and Lerma are among the 18 artists featured in "entre horizontes: Art and Activism Between Chicago and Puerto Rico" at the Museum of Contemporary Art Chicago. The exhibition examines the artistic genealogies and social justice movements that connect Puerto Rico with Chicago, which is home to third-largest mainland population of Puerto Ricans. "entre horizontes" was curated by Carla Acevedo-Yates with Iris Colburn. It is on view through May 5, 2024.  Edra Soto's sculpture and installations prompt viewers to reconsider cross-cultural dynamics, the legacy of colonialism, and personal responsibility. Her work has been exhibited at the Whitney Museum of American Art, New York, in the 2020-21 El Museo del Barrio, New York, triennial, at the Contemporary Art Museum St. Louis, the Bemis Center for Contemporary Arts, Omaha, the Pérez Art Museum Miami, and more. In 2023 Soto was awarded a US LatinX Art Forum fellowship. Soto also is the co-director of the outdoor project space The Franklin.  Lerma is a painter whose work blends the historical, autobiographical, art historical and mythological, often through portraits that suggest (or name) specific individuals while pointing to how much of their public personae are manufactured. Simultaneously riffing on European portraiture traditions and popular representation, his work is smart, funny, and always painterly. The Kemper Museum of Art in Kansas City, the Museum of Contemporary Art Detroit and the MCA Chicago have all presented solo exhibitions of his work. 

Episode No. 616 features artist Gary Simmons and curator Sarah L. Eckhardt. The Museum of Contemporary Art Chicago is presenting "Gary Simmons: Public Enemy," a survey of Simmons' 35-year career. The exhibition reveals how Simmons has addressed race, class and US history in ways that have remained persistently au courant. It was curated by René Morales and Jadine Collingwood, with Jack Schneider. After closing on October 1, the exhibition will be on view at the Pérez Art Museum Miami from December 5 through April 24, 2024. The MCA Chicago and DelMonico Books have published an outstanding catalogue. Bookshop and Amazon offer it for $56-60. Along with Drew Thompson, Eckhardt is the co-curator of "Benjamin Wigfall & Communications Village." It's at the Virginia Museum of Fine Arts in Richmond through September 10. The exhibition is a survey of Richmond-native Wigfall's work, and a historicization of Communications Village, the interdisciplinary artist-run project that Wigfall instigated while teaching at the State University of New York, New Paltz in the early 1970s, as the instigator of what we now call social practice. The excellent catalogue was published by the VMFA, which offers it for $40. Instagram: Gary Simmons, Tyler Green.

Hulda Guzman in the studio, 2023 Hulda Guzmán (b. 1984, Santo Domingo, Dominican Republic) depicts her tropical surroundings as she explores perspective and reality. Situated between Impressionistic landscape, psychological autobiography, Mexican muralism, Caribbean folk traditions, endearing comedy, and magical realism, Guzmán's work engenders an emphatic compassion for the united forces of the living, celebrated through the act of painting. Guzmán received a BA from Altos de Chavón School of Design in the Dominican Republic and went on to study photography and mural painting at the National School of Visual Arts, Mexico. Her work is included in the permanent collections of the Baltimore Museum of Art, MD; Dallas Museum of Art, TX; Denver Art Museum, CO; He Art Museum (HEM), Guangdong, CN; Institute of Contemporary Art, Miami, FL; Los Angeles County Museum of Art (LACMA), CA; Museu de Arte de São Paulo (MASP), São Paulo, Brazil; Pérez Art Museum Miami, FL; and San Francisco Museum of Modern Art (SFMOMA), CA, among others. Guzmán has been featured in the Dominican Republic's pavilion at the 58th International Art Exhibition at the Venice Biennale. Guzmán has shown with Stephen Friedman Gallery, London, UK; Alexander Berggruen, NY; Anat Ebgi, Los Angeles, CA; Dio Horia Gallery, Mykonos; Arte BA, Buenos Aires; Galería Machete, Mexico City; Gallery Ariane Paffrath Dusseldorf; and at institutions such as the Denver Art Museum, CO; Museo de Arte Moderno, Santo Domingo; the Pérez Art Museum Miami, FL; Museo de Arte de São Paulo, Brazil; Museo de Arte y Diseño Contemporáneo, Costa Rica; and Art Museum of the Americas, Washington, DC. The artist lives and works in Santo Domingo, Dominican Republic. Hulda Guzmán, Hojas de fuego, 2023, acrylic gouache on linen, triptych overall: 48 1/8 x 88 1/2 in. (122.2 x 224.8 cm.), each: 48 1/8 x 29 1/2 in. (122.2 x 74.9 cm.) Included in Hulda Guzmán: They come from water (May 24-July 5, 2023) at Alexander Berggruen, New York, NY. Copyright the artist. Courtesy of the artist; Alexander Berggruen, NY; and Stephen Friedman Gallery, London. Photo: Dario Lasagni Hulda Guzmán, Pets. Are they real?, 2023, acrylic gouache on linen, 48 x 29 5/8 in. (121.9 x 75.2 cm.) Included in Hulda Guzmán: They come from water (May 24-July 5, 2023) at Alexander Berggruen, New York, NY. Copyright the artist. Courtesy of the artist; Alexander Berggruen, NY; and Stephen Friedman Gallery, London. Photo: Dario Lasagni Hulda Guzmán, Eddy y Bo 1, 2023, acrylic gouache on linen, 60 x 37 in. (152.4 x 94 cm.) Included in Hulda Guzmán: They come from water (May 24-July 5, 2023) at Alexander Berggruen, New York, NY. Copyright the artist. Courtesy of the artist; Alexander Berggruen, NY; and Stephen Friedman Gallery, London. Photo: Dario Lasagni

Ben Luke talks to Gary Simmons about his influences—from musicians to writers, film-makers, and, of course, other artists—and the cultural experiences that have shaped his life and work. Simmons, born in New York in 1964 and based in Los Angeles, is a significant figure in a generation of politically engaged, artistically ambitious US artists that emerged in the early 1990s. Gary explores the complexities of race and class through media including drawings on chalkboards, sculpture, installation, architectural environments and painting. He draws on diverse references, including from pop culture like cartoons and sports, to create works that address systemic and enduring prejudice and the nature of memory. Gary's language is deeply personal and informed by his own experiences but also calls on imagery with collective, if unstable, meanings.Gary Simmons: Public Enemy, Museum of Contemporary Art, Chicago, 13 June-1 October, Pérez Art Museum Miami, 5 December-24 April 2024. Gary Simmons: This Must Be the Place, Hauser & Wirth, London, until 29 July. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Miami Guide podcast, we sit down with the renowned food and wine expert Lee Brian Schrager. Lee is the founder and director of both the Food Network South Beach and New York City Wine and Food Festivals, and has spent his career promoting culinary excellence and supporting local chefs and restaurants. Join us as we delve into Miami's vibrant food and wine scene with Lee, getting insider tips on this years festival in the city. This is an interview you won't want to miss!South Beach Wine and Food Festival runs from February 23 – through Sunday, February 26, and will once again host the top celebrity chefs and culinary personalities—from Rachel Ray to Geoffrey Zakarian and Guy Fieri, on the sands of South Beach for Miami's biggest and most famous annual food festival.Visit sobewff.org for tickets and more information about SOBEWFF.Interview Notes:Lee talks about what we can expect this year at SobewffSome of the new events to check out this yearLee shares his favorite part of the festivalHow SOBEWFF has changed over the past 20 yearsHow important the different Miami neighborhoods are for SobeWFFHe talks about what's next for him and his work with the South Beach Wine & Food FestivalWhat continues to motivate and inspire him to organize these eventsWhat people should remember most about the FestivalQuotes from the interview:"When you create something, you want to see it grow and that it grows into something greater and more impactful is an incredibly fulfilling experience.""Keeping it fresh and exciting motivates me""Our goal has always been to be diverse and inclusive long before it became a buzz word"Who is Lee Brian SchragerLee Brian Schrager is the Vice President of Corporate Communications & National Events for Southern Wine & Spirits of America, Inc.  He is widely recognized for his creation of both the Food Network South Beach and New York City Wine & Food Festivals and released the Food Network South Beach Wine & Food Festival Cookbook (Clarkson Potter) in November 2010.  His second cookbook, Fried & True (Clarkson Potter), in May.  He serves as the Chief Lifestyle Advisor for Gilt City and is a current member of the Board of Trustees for the Pérez Art Museum Miami and Board of Directors for the Food Bank For New York City.I loved this conversation with Lee, and I know you're going to love hearing his wisdom! If you loved this episode, please share it on Instagram along with your biggest takeaways. And make sure to tag SOBEWFF, @sobewffest and @themiamiguide. We'd love to hear what you got from the episode!Lastly, please subscribe to The Miami Guide over on the Apple Podcasts —leave us a rating and review to spread the message to even more people like you!Podcast show notes available here:https://themiamiguide.com/show27Follow Lee Brian Schrager and SOBEWFFhttps://www.instagram.com/leeschrager/https://www.instagram.com/sobewffest/https://sobewff.org/Follow The Miami Guide:https://themiamiguide.comhttps://instagram.com/themiamiguidehttps://twitter.com/themiamiguidehttps://facebook.com/themiamiguidehttps://themiamiguide.com/youtubehttps://themiamiguide.com/podcast/

Ep.137 features Hayv Kahraman. She was born in Baghdad, Iraq in 1981 and lives and works in Los Angeles. Recent solo exhibitions include Gut Feelings, The Mosaic Rooms, London (2022); Touch of Otherness, SCAD Museum of Art, Savannah (2022); Not Quite Human: Second Iteration, Pilar Corrias, London (2020); Shangri La Museum of Islamic Art, Culture, and Design, Honolulu, HI (2019); De La Warr Pavilion, Sussex, UK (2019); Pomona College Museum of Art, Claremont, California (2018); and Contemporary Art Museum St, Louis, St. Louis, Missouri (2017). Recent group exhibitions include Reflections: Contemporary Art of the Middle East and North Africa, British Museum, London (2021); Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum, Berkeley (2021); Henry Art Gallery, Seattle (2019); ICA Boston (2019); and MASS MoCA, North Adams, (2019). Kahraman's work is in several important international collections including the British Museum, London, UK; Museum of Contemporary Art, San Diego, California, US; Los Angeles County Museum of Art (LACMA), California, US; Birmingham Museum of Art, Alabama, US; The Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum of Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum of Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami, Miami, US. Photo ~ Courtesy the artist and Pilar Corrias, London Artist https://hayvkahraman.com/ Book https://www.rizzoliusa.com/book/9780847862627/ Pilar Corrias Gallery https://www.pilarcorrias.com/artists/hayv-kahraman/2/ Jack Shainman https://jackshainman.com/artists/hayv_kahraman Vielmetter https://vielmetter.com/artists/hayv-kahraman The Third Line https://thethirdline.com/ ICASF https://www.icasf.org/exhibitions/7-hayv-kahraman Hyperallergic https://hyperallergic.com/tag/hayv-kahraman/ Financial Times https://www.ft.com/content/ba61f731-e007-4c6c-922f-bc93dd4ad4c8 Perez Art Museum Miami https://www.pamm.org/en/artwork/2020.093/ Rubell Museum https://rubellmuseum.org/nml-hayv-kahraman Art Forum https://www.artforum.com/print/reviews/201909/hayv-kahraman-81120 SCAD https://www.scadmoa.org/exhibitions/the-touch-of-otherness NPR https://www.npr.org/2019/11/27/770452266/iraqi-american-artist-hayv-kahraman-is-building-an-army-of-fierce-women Art Review https://artreview.com/hayv-kahraman-gut-feelings-review/ The Guardian https://www.theguardian.com/artanddesign/2022/feb/21/hayv-kahraman-i-was-brainwashed-into-thinking-anything-euro-american-centric-is-the-ideal Wikipedia https://en.wikipedia.org/wiki/Hayv_Kahraman jdeed Magazine http://jdeedmagazine.com/hayv-kahraman-exhibits-gut-feelings-at-the-mosaic-rooms/ Mosiac Rooms https://mosaicrooms.org/event/hayv-kahraman/

Episode No. 583 features artist William Cordova and curator Michelle White. Cordova is featured in "Beyond the Surface: Collage, Mixed Media and Textile Works from the Collection" at the Nasher Museum of Art at Duke University. The exhibition is on view through May 14. Cordova's work uses a range of media to address and re-make historical narratives. His practice understands that present knowledge of history is always changing, and that artists are part of the process of revising our understandings of the past. Cordova has had solo shows at the Baltimore Museum of Art, the Pérez Art Museum Miami, the Yerba Buena Center for the Arts in San Francisco, and at LAXART in Los Angeles. In 2019 he was included in the Havana Biennial, previously he was included in -ennials at the Whitney Museum of American Art, New York, and in Prague, Venice, and New Orleans (Prospect). On the second segment, White discusses "Walter De Maria: Boxes for Meaningless Work," a survey of De Maria's career drawn mostly from the Menil Collection's outstanding de Maria collection. The exhibition is on view in Houston through April 23.

Episode No. 573 features artists Matthew Ronay and Jade Doskow. The Nasher Sculpture Center in Dallas is presenting "Matthew Ronay: The Crack, the Swell, an Earth, an Ode" through January 15, 2023. The exhibition features a nearly 24-foot-long sculpture that functions as both an introduction to Ronay's exploration of surrealism, abstraction, representation and art's history, and also as a summary of the last decade of his work. The exhibition was curated by Leigh Arnold and is accompanied by a catalogue published by the Nasher and Gregory R. Miller & Co. Indiebound and Amazon offer it for about $55. Ronay's work has been featured in solo shows at the Blaffer Art Gallery and at the Pérez Art Museum Miami. He has been included in group shows at the Dallas Museum of Art, the North Carolina Museum of Art, the Williams College Museum of Art, and more. The John Hartell Gallery at the Cornell University College of Architecture, Art, and Planning is presenting "A New Wilderness: Freshkills." The exhibition features photographs by Freshkills photographer-in-residence Jade Doskow and a series of soundscapes by Heather Campanelli. The work shows the evolution of Staten Island's Freshkills from a landfill -- the world's largest household garbage dump -- into a 2,200-acre city park. The exhibition is on view through November 4. Doskow's Freshkills work debuted in The New York Times. Black Dog London published a monograph of Doskow's "Lost Utopias" work in 2016. Instagram: Matthew Ronay, Jade Doskow, Tyler Green.

The next generation of culinary artisans are changing up the industry. These artisans have a whole new approach to reaching and satisfying the next generation consumer. In this podcast we will explore chefs and artisans from around the world diving into their story and passion. In this episode of Chef AF, Pepe talks with Executive Chef Jeremy Shelton of Verde, located at the Pérez Art Museum Miami, to discuss his early passion for comfort food, menu innovation, and a new recipe that is a fresh take on an old classic.When Pepe asks Shelton why he decided to cook for a living, he shares that cooking is important to him and it's something that he has always wanted to do. He talks about spending a lot of time as a child in the kitchen, watching the great cooks in his family preparing dishes and enjoying meals together. He says, “I think food has always been something that's been a value to me, that kind of helps to bring people together and I think that's incredibly important and it's just something that I was always drawn to.”Shelton talks about his Southern roots and growing up in Florida. He shares fond memories of comfort foods like Grandpa's pancakes on Sunday mornings, and a favorite stew, pinto beans and Ham Hocks served with butter and horseradish. He says, “For some reason it's like one of the most comforting things in the world to me. He adds that he still makes the dish from time to time, although not as often as he'd like to.Pepe and Shelton chat about his culinary training and experience. Shelton reveals that he actually started in the industry at 16 years old as a dishwasher and slowly worked his way up to line cook. After turning 18 and completing high school, Shelton tells Pepe that he moved to Miami and attended Johnson & Wales. He talks about the years following culinary school being filled with a wide range of opportunities, and working at several prominent restaurants in the Miami area. He talks about a short stint in DC, which he recalls was, “a nice chance of pace”, before returning to Florida, initially to Palm Beach, where he helped run several high volume operations and partnered in a fast casual concept before landing back in Miami, joining the Constellation Culinary team and running Verde at the Pérez Art Museum Miami.When asked about the menu offerings at Verde, Shelton talks about using seasonal ingredients and working with local farmers and distributors whenever possible. He shares that the restaurant recently decided to do what he calls, “a major overhaul of the menu”, by changing about 75% of the dishes. He says that while the new menu “took a more Mediterranean approach”, he is also quick to point out that the menu features treasured dishes from the previous menus as well. He says, “There are certain things that are on our menu that will never change based on, you know, the history of the restaurant and its relationship with the museum.” He adds, “There's certain things that are ‘the untouchables' so to speak. But those are all very, very good dishes. So, it's not really something that needs to change.”To hear Shelton talk about the importance of being able to pivot, solving labor shortages, and the positive change happening due to Covid, check out the episode of Chef AF “It's All Food” or you can listen at iTunes Now!

Talk Art series 13 continues!!! We meet British sculptor and contemporary visual artist Hew Locke. The artist shares the inspiration behind his decades of work and reflects on the process of making his new and exciting large-scale installation 2022 Tate Britain Commission, The Procession.A procession is part and parcel of the cycle of life; people gather and move together to celebrate, worship, protest, mourn, escape or even to better themselves. This is the heart of this ambitious new project. The Procession invites visitors to ‘reflect on the cycles of history, and the ebb and flow of cultures, people and finance and power.' Tate Britain's founder was art lover and sugar refining magnate Henry Tate. In the installation Locke says he ‘makes links with the historical after-effects of the sugar business, almost drawing out of the walls of the building,' also revisiting his artistic journey so far, including for example work with statues, share certificates, cardboard, rising sea levels, Carnival and the military.Throughout, visitors will see figures who travel through space and time. Here, they carry historical and cultural baggage, from evidence of global financial and violent colonial control embellished on their clothes and banners, alongside powerful images of some of the disappearing colonial architecture of Locke's childhood in Guyana.The installation takes inspiration from real events and histories but overall, the figures invite us to walk alongside them, into an enlarged vision of an imagined future."What I try to do in my work is mix ideas of attraction and ideas of discomfort – colourful and attractive, but strangely, scarily surreal at the same time." Hew Locke.Locke was born in Edinburgh, UK, in 1959; lived from 1966 to 1980 in Georgetown, Guyana; and is currently based in London. He obtained a B.A. Fine Art in Falmouth (1988) and an M.A. Sculpture at the Royal College of Art, London (1994). In 2000 he won both a Paul Hamlyn Award and an East International Award.His work is represented in many collections including those of the The Government Art Collection, The Pérez Art Museum Miami, The Tate Gallery, The Arts Council of England, The National Trust, The Metropolitan Museum of Art, New York, The Brooklyn Museum, New York, 21c, The New Art Gallery Walsall, The Victoria & Albert Museum, The Imperial War Museum, The British Museum and The Henry Moore Institute, Leeds.Follow @HewDJLocke on Instagram and visit his official website: http://www.hewlocke.net/Learn more about his new installation at Tate, it's free to visit until 22nd January 2023: https://www.tate.org.uk/whats-on/tate-britain/hew-locke See acast.com/privacy for privacy and opt-out information.

Lee Schrager is one of the nation's preeminent event planners and media relations experts and serves as the Senior Vice President, Communications & Corporate Social Responsibility at Southern Glazer's Wine and Spirits. He is is widely recognized for his creation of the Food Network & Cooking Channel, South Beach and New York City, Wine & Food Festivals presented by Capital One. Central to his business philosophy is the notion of giving back to the community. Both food festivals have raised more than $30 million and $13.5 million respectively. Lee studied at the Culinary Institute of America and at the School of Hospitality & Tourism Management at Florida International University. He is a regular contributor for Ocean Drive magazine, serves on the Board of Trustees for the Pérez Art Museum Miami and Board of Directors for Food Bank For New York City, as well as a judge for Forbes' annual 30 Under 30 list and Celebrated Living's annual Platinum List Awards.

Stephen Wozniak interviews seasoned New York-based curator, writer and artist Dan Cameron on the April 20, 2022 episode of Art World: The Whitehot Magazine of Contemporary Art podcast. They discuss Dan's critical early New Museum of Contemporary Art exhibition, Extended Sensibilities, about gay and lesbian identity, his senior curatorship at the Orange County Museum of Art and his work as a writer of monographs and catalog essays on such important contemporary artists as Nicole Eiseneman, Peter Saul, David Wojnarowicz, Faith Ringgold, Carolee Schneemann, William Kentridge, Peter Saul and Paul McCarthy. Dan also talks about his upcoming projects, including Leandro Erlich's comprehensive sculpture exhibition at the Pérez Art Museum Miami in December of 2022 and Dan's July 2022 solo collage exhibition at The Dime in Chicago. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/noah-becker4/support

Photo Courtesy Perrotin and the artist. Gabriel de la Mora, born in 1968 in Mexico City where he currently lives and works, is best known for constructing visual works from found, discarded, and obsolete objects. In an obsessive process of collecting and fragmenting materials - eggshells, shoe soles, speaker screens, feathers - the Mexican artist creates seemingly minimal and often monochrome-looking surfaces that belie great technical complexity, conceptual rigor, and embedded information. De la Mora has exhibited at the Drawing Center, New York, and the Museo Amparo, Puebla, Mexico. His work is part of collections including the Albright-Knox Art Gallery, Buffalo, New York; El Museo del Barrio, New York; Colección Jumex, Mexico City; the Museum of Contemporary Art, Los Angeles; the Museum of Fine Arts, Houston; and Pérez Art Museum Miami. Gabriel de la Mora 720 I - M.D, 2021 Mosaico de alas de mariposa Morpho didius sobre cartulina de museo / Morpho didius butterfly wings mosaic on museum cardboard. Framed Dimensions: 35 x 35 x 6 cm 13.78 x 13.78 x 2.36 inches. Image Dimensions: 30 x 30 x 2 cm 11.81 x 11.81 x .79 inches. Signed backwards and dated backwards firmada al reverso y fechada al reverso *The butterfly wings used in this new Lepidoptera series come from butterflies raised in butterfly farms in Peru, Indonesia and Madagascar, dying naturally when released, they are collected by local communities. Photo Courtesy Perrotin and the artist. Gabriel de la Mora 1,240 - H. L., 2021, Mosaico de alas de mariposa Hebomoia leucippe sobre cartulina de museo / Hebomoia leucippe butterfly wings mosaic on museum cardboard. Framed Dimensions: 35 x 35 x 6 cm 13.78 x 13.78 x 2.36 inches. Image Dimensions: 30 x 30 x 2 cm 11.81 x 11.81 x .79 inches.  *The butterfly wings used in this new Lepidoptera series come from butterflies raised in butterfly farms in Peru, Indonesia and Madagascar, dying naturally when released, they are collected by local communities. Photos Courtesy Perrotin and the artist.

Matthew Ronay Matthew Ronay (b. 1976, Louisville, KY) lives in New York. In 2016, his work was the subject of a solo-presentation at the Blaffer Art Museum in Houston, and the Pérez Art Museum Miami, with a fully-illustrated exhibition catalogue published on the occasion. He has exhibited extensively at major institutions worldwide, including: Crystal Bridges Museum of American Art, Bentonville, AK; Kentucky Museum of Art and Craft, Louisville; Kunstverein Lingen, Germany; University of Louisville, KY; Artspace, San Antonio; Serpentine Gallery, London; Sculpture Center, New York; Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, and Parasol Unit Foundation for Contemporary Art, London. Ronay participated in the 2013 Lyon Biennale, curated by Gunnar Kvaran, and the 2004 Whitney Biennial. His work is included in numerous major public collections, including: ARoS Aarhus Kunstmuseum, Denmark; Astrup Fearnley Muset for Moderne Kunste, Oslo; Crystal Bridges Museum of American Art, Bentonville, AK; Dallas Museum of Art; Henry Art Gallery, University of Washington, Seattle; Los Angeles County Museum of Art; Museum of Modern Art, New York; Pérez Art Museum Miami; Whitney Museum of American Art, New York, and Williams College Museum of Art, Williamstown, MA. The artist currently has a solo show at Casey Kaplan entitled Ligatures. Matthew Ronay Recursionizer, 2021 Basswood, dye, gouache, flocking, plastic, steel, epoxy 16.25 x 59 x 12"/ 41.28 x 149.86 x 30.48cm Courtesy the artist and Casey Kaplan, New York Matthew Ronay, Forces, 2020, Basswood, dye, gouache, flocking, plastic, steel14 x 11.5 x 9"/ 35.56 x 29.21 x 22.86cm, Courtesy the artist and Casey Kaplan, New York

In this episode of the Artmatcher podcast, Jay Mollica speaks with Michael Goodman about his unique position at the intersection of art and technology. They dive into technology's role in making the art world more accessible, and how tech-forward curation is revolutionizing the industry. Jay goes into more detail regarding how museums can begin to embrace digitization.About Jay MollicaJay Mollica is the director of digital engagement at the Pérez Art Museum Miami. Before joining PAMM in 2020, he worked as the creative technologist at the San Francisco Museum of Modern Art where he lead experiments in art and technology and modernized the museum's digital platforms. His work has been featured in the New York Times, The Today Show, and Fast Company. In 2018 he won the Webby Award for best app from a cultural institution for his project Send Me SFMOMA. Jay regularly writes about his work in museums, technology, design, and architecture. He holds a master's degree in Interactive Media Art from NYU and is currently a visiting fellow at the University of Miami's Institute for Data Science and Computing.Recommended LinksJay Mollica's websiteJay Mollica on LinkedInPérez Art Museum Miami (PAMM)Key Moments00::36 Getting to know Jay 7:40 How technology can shape accessibility in the art world 13:15 Tech-forward curation 20:45 Should we be creating digital spaces for art? 25:50 More on tech and accessibility 29:30 How Jay found himself at the intersection of the digital world and the art world 34:15 How museums can successfully embrace the digital

This week, as Art Basel in Miami Beach opens, we discuss a new book, The Art Fair Story: A Rollercoaster Ride, with its author Melanie Gerlis, art market columnist at the Financial Times and editor-at-large at The Art Newspaper. Melanie ponders the past, present and future of art fairs. A huge new show, Life Between Islands: Caribbean-British Art 1950s-Now has just opened at Tate Britain in London, and we talk to its curators, Alex Farquharson, the director of Tate Britain, and David A Bailey, the artistic director of the International Curators Forum and the organiser of numerous seminal exhibitions on diaspora and Black representation in art. And in this episode's Work of the Week, we're back in Miami—our deputy digital editor Aimee Dawson talks to the artist Marco Brambilla about Heaven's Gate, his new virtual reality work at the Pérez Art Museum.The Art Fair Story: A Rollercoaster Ride by Melanie Gerlis is published by Lund Humphries and priced £19.99 in the UK, $34.99 in the US and $46.99 in Canada.Life Between Islands: Caribbean-British Art, 1950s-Now is at Tate Britain until 3 April 2022. David A Bailey's book with Allison Thompson, Liberation Begins in the Imagination—an anthology of writings on Caribbean-British art and culture—is also published by Tate and priced £30.Marco Brambilla: Heaven's Gate is at the Pérez Art Museum Miami until 1 February next year. An in-depth review of Heaven's Gate by The Art Newspaper's XR Panel can be found at theartnewspaper.com or on our apps for iOS and Android. See acast.com/privacy for privacy and opt-out information.

Firelei Báez ​(b. 1981, Dominican Republic) ​is a celebrated painter and sculptor who received a M.F.A. from Hunter College, a B.F.A. from the Cooper Union’s School of Art, and studied at the Skowhegan School of Painting and Sculpture. In 2020, Báez was shortlisted for Artes Mundi 9, and will be the subject of a solo presentation at the ICA Watershed, Boston, MA this summer. Just this week, it was announced that she is the recipient of the 2021 Phillip Guston Rome Prize-- a highly competitive fellowship that supports advanced independent work and research in the arts and humanities. Baez has had solo exhibitions at the Mennello Museum of Art, Orlando, FL, the Witte de With Center for Contemporary Art, Rotterdam, the Netherlands, and the Modern Window at the Museum of Modern Art, New York. Her major 2015 solo exhibition Bloodlines was organized by the Pérez Art Museum Miami and travelled to the Andy Warhol Museum in Pittsburgh.

On this episode host, Maya Browne speaks with Franklin Sirmans, director of The Pérez Art Museum Miami, about a career-related challenge he faced, moving from NYC to Milan at a moment's notice.

In episode 152 UNP founder and curator Grant Scott is in his shed considering NFT's, photography, the digital art market and the importance of having fun. He also has some thoughts on recent events staged on Clubhouse to share. Plus this week photographer Mona Kuhn takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' Born in São Paulo, Brazil to parents of German ancestry, Mona Kuhn began taking photographs at age 12, when her parents gave her a Kodak camera for her birthday. She moved to the United States in 1992 to attend Ohio State University and then furthered her studies at the San Francisco Art Institute. Kuhn's first monograph titled Photographs was published by Steidl in 2004 which was followed by Evidence in 2007. Her next project, released in 2010, was a return to her homeland of Brazil, with a series titled Native and an accompanying monograph of the same name. In 2011, Kuhn released her Bordeaux Series, also with a monograph published by Steidl. Kuhn has released three monographs, including She Disappeared into Complete Silence and Bushes & Succulents . Her most recent book Works was published this month by Thames & Hudson. In addition to fine art photography, Kuhn has an extensive career with fashion and editorial work. She has collaborated with both Chanel and Dior and photographed for numerous publications, including Numéro, Le Monde, Harper's Bazaar, and W. Since 1998, she has been an independent scholar at the Getty Research Institute in Los Angeles. her work is held in several collections including the J. Paul Getty Museum, The Los Angeles County Museum of Art, the Hammer Museum and the Pérez Art Museum Miami. Mona Kuhn lives and works in that city. www.monakuhn.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021

Episode 51 features Guyanese-American artist Theresa Chromati (b. 1992). She has garnered critical and institutional attention for figurative paintings that are shaped by fragmented forms of desire and constant motion. Bursts of complex color, sensual protrusions, and texture deploy abstraction to explore various contemporary realities of black woman. These bodies are at once imaginative, bordering on grotesque, and celebratory as they convey a variety of emotional and spiritual states of being. Chromati was born and raised in Baltimore, attended the Pratt Institute, and is now based in New York City. Recently, her work was on view at The Baltimore Museum of Art, The Pérez Art Museum Miami, and The Moscow Museum of Modern Art. She has been featured in The New York Times, i-D, Interview Magazine, Juxtapoz, Architectural Digest, and Vogue. Photo credit: Elliott Jerome Brown Jr. https://www.theresachromati.black/ https://bmoreart.com/2020/06/stepping-out-to-step-in-theresa-chromati.html https://www.kravetswehbygallery.com/theresa-chromati https://www.nytimes.com/2019/08/07/t-magazine/theresa-chromati-artist.html https://www.documentjournal.com/2019/06/theresa-chromatis-technicolor-portraits-of-women-being-as-loud-as-they-want/ https://i-d.vice.com/en_uk/article/bv84zd/theresa-chromati-ive-been-going-back-and-forth-attempting-to-settle-on-a-thought-for-this-time https://www.architecturaldigest.com/story/this-museum-found-an-ingenious-way-to-open-an-exhibition-during-lockdown https://www.decontemporary.org/theresa-chromati

In today’s prologue to our Fall 2020 Student Edition, University of Miami senior Melissa Huberman tells the story of Art in the Time of Corona. She recorded with Fresh Art International founder Cathy Byrd, local artist Dana Musso, and team members from the Bass Museum of Art in Miami Beach, to find out how some artists, curators, and educators are responding to the impact of the global coronavirus pandemic. Listen to hear some of the ways they are creating and implementing meaningful art encounters for their communities.    The Story Behind The Story In 2020, hundreds of thousands of people across the United States and around the world have been sickened and forced into quarantine by the novel coronavirus, also known as COVID-19. The pandemic continues to affect us profoundly—both physically and economically. All of us have had to adjust how we live and work, teach and learn.    In January 2020, Fresh Art founder Cathy Byrd began to introduce a group of University of Miami students to podcasting in a course titled Once Upon a Time in Miami. With Byrd, a team of nine students explored cultural sites across the city to record and produce the Miami Moves Me podcast. Due to the pandemic, at mid-semester, field expeditions came to an abrupt halt and classes went online. A set of eighteen episodes represents the UM student team’s research, field recordings, and interviews. Art in the Time of Corona is the prologue to our Fall 2020 Student Edition.    Producers: Melissa Huberman/Miami Moves Me, Giselle Heraux and Jahné King/FreshArtINTL Sound Editor: Anamnesis Audio   Featured Voices: Cathy Byrd, Dana Musso, Leilani Lynch, Julia Rudo, Kylee Crook   Related Episodes: Miami Moves Me/Art in the Time of Corona, Fresh Voices Miami Related Links: Miami Moves Me, Fresh Art Distance Learning Resources, Fresh Art Student Edition, Institute of Contemporary Art Miami, Locust Projects, Pérez Art Museum Miami, Bass Museum of Art, Lowe Art Museum

Exploring Race and Femininity in Caribbean and Mexican Cultures with Perez Art Museum Miami’s Curator, María Elena Ortiz Click HERE to make sure that you get our upcoming episodes! What is it like being the only woman in the workplace? What is Classism vs. Racism like in Latin America? How does race impact art? Why should artists be funded by the government? What is it like being an Afro Latina in Mexico? How does surrounding yourself with a positive company affect you? What is it like to live in Mexico?In this interview with María Elena Ortiz, a curator at the Perez Art Museum Miami (PAMM), we learned so much about Afro Caribbean art and culture. She shared her adventures around the English speaking Caribbean; growing up in a progressive Puerto Rican household; living in Mexico and Miami, and what it’s like for her to be a Black Puerto Rican woman in the art world. This episode is sponsored by the Knight Foundation on behalf of PAMM’s Fund for African American Art. CLICK HERE to learn more.Please note that this episode was recorded prior to the Coronavirus pandemic and the current fight for valuing Black lives in America and the world. However, it is timely as we had a great discussion on the dynamics of race in the Caribbean and art.María Elena is originally from Puerto Rico, born in San Juan and raised in Catalina by her mother and father. She’s lived in Mexico City, Mexico and currently resides in Miami, FL, USA. María Elena has spent an extensive amount of time in the Caribbean Islands conducting research on Afro Caribbean Art for her book and PAMM exhibition both titled “The Other Side of Now”. CLICK HERE to read more and to get all of the links for Maria's recommendations.So, what is a question María Elena would ask other women? “How do you feel today?”How does María Elena define a woman?“To be powerful, and to own our power and use it.”Make a donation for Perez Art Museum Miami Fund for African American Art (All donations go towards an endowment for purchasing art from the African Diaspora):https://pamm.org/artfund Where to find Mariahttps://instagram.com/contemporarychica/Where to find Erica and Collective Drifthttps://collectivedrift.comhttps:/instagram.com/collectivedrift/https://youtube.com/collectivedriftClick HERE to make sure that you get our upcoming episodes! https://collectivedrift.com/stayintouchThe Collective Drift platform was created by Erica Knowles to celebrate all women, the beauty of their cultures, and international travel experiences.

Ade J. Omotosho is a writer living in Miami and the Miami editor-at-large for Burnaway. He has held curatorial positions at Pérez Art Museum Miami and the Museum of Fine Arts, Houston. For Burnaway, he has written on subjects including the photographic history of the Black male nude and the work of emerging artists in Miami, and his review of Paulo Nazareth’s 2019 solo exhibition at ICA Miami was included in Stranger, Harder, Brighter: The 2019 Burnaway Reader. https://burnaway.org/author/ade-j-omotosho/

The art world has been up in arms this week as Lawrence Abu Hamdan, Helen Cammock, Oscar Murillo and Tai Shani were all announced as the winner of the Turner Prize. We talk to Louisa Buck about the decision and how it might change the award in the future. Plus, we talk to the Miami-born artist Teresita Fernández about her homecoming show at Pérez Art Museum Miami. See acast.com/privacy for privacy and opt-out information.

Today, we take you to meet three globally engaged, Miami-based contemporary art experts. Ombretta Agro Andruff, Tami Katz-Freiman and Kathryn Mikesell are here to help you navigate the city and enjoy the intense burst of international art that transfigures the cultural landscape every December. Miami Art Week brings together local and international art worlds. This is not only an opportunity for globally active galleries to present the best work of artists they represent. Miami art spaces, museums, community initiatives, individual artists and designers and collectives all rise to the occasion, too, to show their creative force to the world. Diverse participants have diverse agendas. Whether you’re a collector, a curator, a creator, or an aficionado, focus on your passion—what would you like to discover? Takeaways Plan your itinerary to focus on one art corridor— either the mainland or the beach Use the map guides offered at the venues you visit, mark your map - where you want to go and where you’ve been  Take water and snacks, wear comfortable shoes Do your homework, but be willing to improvise — follow your intuition! Of Special Interest in 2019 BEFORE THE FAIRS: Dec 1, Miami—Progressive Brunch with local galleries | Dec 2, Miami Beach—Faena Festival Dec 3-8 ART FAIRS Recommended: Art Basel Miami Beach, Design Miami, UNTITLED, NADA, PINTA and PRIZM  EXHIBITIONS—Openings: The new Rubell Museum and El Espacio 23 in the Allapattah district | Teresita Fernandez at Pérez Art Museum Miami | Yayoi Kusama and Sterling Ruby at the Institute of Contemporary Art | Trenton Doyle Hancock at Locust Projects | Haegue Yang, Mickelene Thomas and Lara Favaretto, at the Bass Museum | Cecilia Vicuña at North Miami Museum of Contemporary Art PUBLIC ART on Miami Beach—Collins Park, Lummus Park, on the beach and at the Convention Center Related Episodes and Guides: Miami Art Week 2018 Preview, Miami Art Week 2017 Preview, How to Seize the Art Week Moment Related Links: Art Basel Miami Beach, Rubell Museum, Pérez Art Museum Miami, Institute of Contemporary Art Miami, Museum of Contemporary Art North Miami, The Bass Museum, El Espacio 23 About Our Experts: From Italy, Ombretta Agró-Andruff, is an independent curator and founder of ARTSail residency and research initiative. The program connects artists and scientists to address the climate change specific to South Florida through creative projects. From Israel, independent curator, art historian and critic Tami Katz-Freiman remembers Miami before Art Basel. Katz-Freiman curated the Israeli Pavilion in the 57th Venice Art Biennale. From the U.S., Kathryn Mikesell is co-founder and executive director of Fountainhead Residencies and Studios. The Residency offers artists from around the world a shared creative space and an introduction to Miami’s art scene. Sound Editor: Anamnesis Audio

Curator, cultural producer and super mom, María Elena Ortiz calls in this week to talk about public art, Miami and the exhibition “The Other Side of Now: Foresight in Contemporary Caribbean Art,” Opening at the Pérez Art Museum this week! “The Other Side of Now: Foresight in Contemporary Caribbean Art,” opens July 18 at the Pérez Art Museum Miami and is on view through June 2020.  You can follow María Elena Ortiz on Instagram @contemporarychica to stay up to date on her work and adventures!

Teresita Fernández defies expectations. For more than 20 years, the Miami-born, Brooklyn-based artist has pushed boundaries, literally and figuratively, through her large-scale sculptures, mixed-media works, and high-profile public installations, such as the seemingly illusory “Fata Morgana” in New York City’s Madison Square Park in 2015 and cocoon-like “Autumn (... Nothing Personal)” at Harvard University last year. Her highly evocative work, at its heart, explores the many complex layers embedded in things—an idea that’s inspired, in part, from the traditional East Asian garden concept of shakkei, or “borrowed landscape,” something she discusses in-depth with Spencer Bailey on this episode of Time Sensitive. Even if Fernández’s beautiful, affecting art can be enjoyed on the surface, to fully grasp her shrewd explorations of landscape and her exquisite experimentations with materials—from ceramics to charcoal to gold to graphite—viewers must look at them closely and read them deeply. If they do, they’re likely to come away with a greater, and certainly more real, understanding of the complicated colonial history of the Americas, as well as the sublime beauty inherent in so many of the natural wonders around us. In the lead up to her mid-career retrospective, “Teresita Fernández: Elemental”—perhaps her most ambitious exhibition yet, opening at the Pérez Art Museum Miami this fall (Oct. 18, 2019, to Feb. 9, 2020)—the 51-year-old artist recently came by The Slowdown’s New York City headquarters to share stories about her life and work, from being raised by hardworking Cuban exile parents in Miami to studying for her M.F.A. at Virginia Commonwealth University in a then largely Confederate-proud Richmond. As this interview makes clear, Fernández’s life is as wonderfully layered and complex as her art.

Introduction by Amy Rosenblum Martín, Independent Curator and Educator, Guggenheim DIS (est. 2010) is a New York-based collective composed of Lauren Boyle, Solomon Chase, Marco Roso, and David Toro. Its cultural interventions are manifest across a range of media and platforms, from site-specific museum and gallery exhibitions to ongoing online projects. In 2018 the collective transitioned platforms from an online magazine, dismagazine.com, to a video streaming edutainment platform, dis.art, narrowing in on the future of education and entertainment. DIS Magazine (2010-2017); DISimages (2013), DISown (2014), Curators of the 9th Berlin Biennale for Contemporary Art, The Present in Drag (2016); DIS.art (2018–); Exhibited and organized shows at the de Young Museum, San Francisco; La Casa Encendida, Madrid; Plug In Institute of Contemporary Art, Winnipeg; Baltimore Museum of Art; and Project Native Informant, London. DIS has also been included in group exhibitions at MoMA PS1, Museum of Modern Art, and the New Museum all in New York; and Musée d’Art Moderne de la Ville de Paris; ICA Boston; Museum of Contemporary Art Chicago; and Kunsthal Charlottenborg, Copenhagen, among others. The material presented by DIS today is the result of a change in attitude towards the present and aims to meet the demands of contemporary social, political, and economic complexity at eye level. Introducer Amy Rosenblum Martín is a bilingual (English/Spanish) curator of contemporary art, committed to equity and community engagement. Formerly a staff curator at the Pérez Art Museum Miami (when it was MAM) and The Bronx Museum, she has also organized exhibitions, written and/or lectured independently for la Colección Patricia Phelps de Cisneros, MoMA, The Metropolitan, MACBA in Barcelona, the Reina Sofía, and Kunsthaus Bregenz as well as the Sugar Hill Children’s Museum. Her 20 years of interdepartmental museum work include 10 years at the Guggenheim. Rosenblum Martín’s expertise is in Latin America, focusing on transhistorical connections among Buenos Aires, Montevideo, Rio de Janeiro, São Paulo, Caracas, Havana, Miami, and New York. She has worked with Janine Antoni, Lothar Baumgarten, Guy Ben-Ner, Janet Cardiff, Eloísa Cartonera, Consuelo Castañeda, Lygia Clark, Willie Cole, Jeannette Ehlers, Teresita Fernández, Naomi Fisher, Marlon Griffith, Lucio Fontana, Dara Friedman, Luis Gispert, Felix Gonzalez-Torres, Adler Guerrier, Ann Hamilton, Quisqueya Henríquez, Leslie Hewitt, Nadia Huggins, Deborah Jack, Seydou Keita, Gyula Kosice, Matthieu Laurette, Miguel Luciano, Gordon Matta-Clark, Ana Mendieta, Antoni Miralda, Marisa Morán Jahn, Glexis Novoa, Hélio Oiticica, Dennis Oppenheim, Nam June Paik, Manuel Piña, Miguel Angel Ríos, Bert Rodriguez, Marco Roso, Nancy Rubins, George Sánchez-Calderón, Beatriz Santiago Muñoz, Tomás Saraceno, Karin Schneider, Regina Silveira, Lorna Simpson, Valeska Soares, Javier Tellez, Joaquín Torres García, and Fred Wilson, among many other remarkable artists.

Polly Apfelbaum is an artist living and working in NYC. In 2018, Polly had solo exhibitions at the Belvedere 21 in Vienna, Austria and Ikon Gallery in Birmingham, UK, which travels to the Kemper Museum of Contemporary Art, Kansas City, MO, in 2019. She has exhibited widely since the 1980s, including one-person exhibitions at the National Museum of Women in the Arts, Washington, DC, the Otis College of Art and Design, Los Angeles, CA at Bepart in Waregem, Belgium, the Worcester Art Museum in Worcester, MA, the lumber room in Portland, OR and at the Mumbai Art Room, Mumbai, India. A major mid-career survey of her work opened in 2003 at the Institute for Contemporary Art in Philadelphia, PA, and traveled to the Kemper Museum of Contemporary Art, Kansas City, MO, and Contemporary Arts Center, Cincinnati, OH, both in 2004. Her work has been featured in numerous group exhibitions including Pattern and Decoration, Ornament as Promise, Ludwig Forum for Internationale Kunst in Aachen, Germany , An Irruption of the Rainbow at the Los Angeles County Museum of Art, Wall to Wall at MOCA Cleveland in Cleveland, OH, Pretty Raw: After and Around Helen Frankenthaler at the Rose Art Museum, , Three Graces at the Everson Museum of Art in Syracuse, NY,  Pathmakers: Women in Art, Craft and Design, Midcentury and Today at the Museum of Art and Design in New York , AMERICANA: Formalizing Craft at the Perez Art Museum in Miami, FL, Regarding Warhol: Sixty Artists, Fifty Years at the Metropolitan Museum of Art in New York, amongst many, many others. 

Polly’s work is in numerous permanent collections including the Albright-Knox Art Gallery, Buffalo, NY; Blanton Museum of Art, Austin, TX; Brooklyn Museum, New York; Carnegie Museum of Art, Pittsburgh; Dallas Museum of Art; Everson Museum of Art, Syracuse, NY; Los Angeles County Museum of Art; Museum of Contemporary Art Chicago; The Museum of Modern of Art, New York; Pennsylvania Academy of Fine Arts, Philadelphia, PA; Pérez Art Museum Miami; Philadelphia Museum of Art; Princeton University Art Museum, Princeton, NJ; Tang Teaching Museum, Saratoga Springs, NY; and Whitney Museum of American Art, New York. She was the recipient of a Pollock-Krasner Foundation Grant in 1987, a Guggenheim Fellowship in 1993, an Artist's Fellowship from the New York Foundation for the Arts in 1995, an Anonymous Was a Woman Award in 1998, a Richard Diebenkorn Fellowship in 1999, a Joan Mitchell Fellowship in 1999, an Academy Award from the American Academy of Arts and Letters in 2002, and the Rome Prize in 2012. Brian stopped by Polly’s loft in lower Manhattan where she’s lived and worked for the last 40 years for a talk about early influence, the Pennsylvania Dutch, Philadelphia funk, craft, design, endless drive and so much more.

Drew and Matt sit down with South Florida soccer insider Kartik Krishnaiyer to discuss The Miami FC 2, Miami United FC and the South Florida soccer marker. We were live from Pérez Art Museum Miami for Free Community Night: Summer Kick-Off. Join us, won't you?

On this episode, we’re taking a deep dive into the world of contemporary Cuban art—a topic int with questions of history and politics and culture, both on and off the island. We’re joined from Miami by art collector Jorge Pérez and chief curator of the Pérez Art Museum Miami, Tobias Ostrander, to discuss the institution’s show “On the Horizon” featuring more than 170 works of art.

ComNet17: Franklin Sirmans, Director of Pérez Art Museum Miami by The Communications Network

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