Podcasts about wishin

Wally Lamb is the author of six New York Times bestselling novels: I'll Take You There, We Are Water, Wishin' and Hopin', The Hour I First Believed, I Know This Much Is True, and She's Come Undone. He also edited Couldn't Keep It to Myself and I'll Fly Away, two volumes of essays from students in his writing workshop at York Correctional Institution, a women's prison in Connecticut, where he was a volunteer facilitator for twenty years. He's been on the show three times in the past. Those interviews can be found in our archives. The River is Waiting is his first novel in nine years. He joins Marrie Stone to talk about it. It's the first time Wally has put York Correctional Institution into his fiction. And he puts other parts of himself into this novel, as well. He talks about rendering real life experiences into fiction, how to weave politics and current events into your prose, making unsympathetic characters sympathetic to your reader, what writing in the present tense does to your prose, what Wally may have learned about writing and life from the inmates he's worked with, a little about the writing group he's been part of for 20 years, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on April 28, 2025) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Your weekly mixtape of Funk, Soul, Disco, House, and a few things in between. | For More Info:   https://linktr.ee/toolcrateradio | I Want To Thank You | Alicia MyersParadise | ChangeAin't Nobody (Dario Caminita Revibe) | Chaka Khan & RufusI'm Wishin' | JunktionBE YOUR GIRL(KAYTRANADA REMIX) | Teedra MosesWhere Do We Go? | Ten CityComin' Out (Nudisco Mix) | Block & CrownSweet Melody(Original Mix) | Stephane deschezeauxI Want Your Love (Nu Disco Mix) | Block & Crown,LissatWaterfall | Disclosure,RAYEAll We Need (Deep Inside) | AYYBOThe Weekend (Original 12 Inch Mix) | Michael GrayCan't Get Enough (Vocal Club Mix) | SoulsearcherTOO COOL TO BE CARELESS | PAWSADisco Gettin' Jacked (Original Mix) | DiscotronTruth or Dare | TylaBe Honest (feat. Burna Boy) | Jorja Smith,Burna BoyBelieve In Love (Phat Phili Mix) | Teddy Pendergrass

The Jazz Session No.407 from RaidersBroadcast.com as aired in Mar 2025, featuring a very cool live album from 2001, “Always Let Me Go”, from Keith Jarrett, with Gary Peacock and Jack DeJohnette. TRACK LISTING: Fortuna - Lewis Wright; Nodding Yellow - Mary Halvorson; The Other Woman - Nina Simone; Wishin' and Hopin' - Dusty Springfield, w. Burt Bacharach; Paradox - Keith Jarrett, Gary Peacock & Jack DeJohnette; Tsunami - Keith Jarrett, Gary Peacock & Jack DeJohnette; Song For My Father - The Horace Silver Quartet ; Carolyn - Hank Mobley; Versus Shapes - Mammal Hands; Clarity - Yaatri; Eleanor Rigby - Chick Corea & Gary Burton ; Rhythm-A-Ning - Thelonius Monk; Pawn Ticket - Billy May; Daddy-O - Billy Taylor & His Orchestra; Relay - Keith Jarrett, Gary Peacock & Jack DeJohnette; The River - Keith Jarrett, Gary Peacock & Jack DeJohnette; When I Look Up - Let Spin; Someday This Will All Be a Dream - Arun Ghosh; King Kong [live] - Frank Zappa & The Mothers; All White - Soft Machine.

Join us in a conversation all about hope. How is hope different than wishing? What does hope require of us? Is it passive or active. In this episode we talk about the foundation of hope and what it takes to live a hope-filled life.

Your weekly mixtape of Funk, Soul, Disco, House, and a few things in between.For More Info:   https://linktr.ee/toolcrateradio 1 | Remind Me | Patrice Rushen2 | Tom's Diner | Suzanne Vega, DNA3 | Return of the Mack | Mark Morrison4 | PUSH 2 START | Tyla5 | Water | Tyla6 | I'm Wishin' | Junktion7 | And the Beat Goes On | The Whispers8 | Cola (Mousse T.'s Glitterbox Mix) | CamelPhat, Elderbrook9 | Dance & Bounce (Nudisco Mix) | Block & Crown10 | Clap Your Hands (Sex Machine Mix) | Funk The Beat11 | Controversy | Prince12 | I Just Want To Be | Cameo13 | Dirty Cash (Money Talks) | PAWSA, Adventures Of Stevie V14 | Cocomotion (Single Version) | El Coco15 | Weekend (2014 Remix Edit) | Todd Terry Project16 | Players Ball (Edit) | Gettoblaster17 | Free Man | South Shore Commission18 | Space Cowboy (David Morales Mix) | Jamiroquai19 | Sumthin' Sumthin (LP Mix) | DJ Spen, Gary Hudgins, Brandon Yancey20 | What They Say (The Sound of Deep House Edit) | Maya Jane Coles21 | Music Sounds Better With You | Stardust22 | BE YOUR GIRL(KAYTRANADA REMIX) | Teedra Moses23 | Intimidated (feat. H.E.R.) | KAYTRANADA, H.E.R.24 | Mama Used To Say | Junior

Not to worry, listeners: Biz and Theresa and their families are safe from the Los Angeles wildfires. Tired and annoyed, but safe. We'll be back in two weeks.ONE BAD RERUN - Episode 484:Wishin' and hopin' and thinkin' and waitin' and waitin' and drivin' and waitin' and waitin' and waitin'. Biz sings the carline blues with A Very Special Guest for the final episode of 2022! Plus, Biz goes into the closet.Go to MaximumFun.org/join to support One Bad Mother in its final year!Share a personal or commercial message on the show! Details at MaximumFun.org/Jumbotron.Visit our Linktree for our website, merch, and more! https://linktr.ee/onebadmotherYou can suggest a topic or a guest for an upcoming show by sending an email to onebadmother@maximumfun.org.Show MusicSummon the Rawk, Kevin MacLeod (www.incompetech.com)Ones and Zeros, Awesome, Beehive SessionsMom Song, Adira Amram, Hot Jams For TeensTelephone, Awesome, Beehive SessionsMama Blues, Cornbread Ted and the ButterbeansMental Health Resources:Therapy for Black Girls – Therapyforblackgirls.comDr. Jessica Clemmens – https://www.askdrjess.comBLH Foundation – borislhensonfoundation.orgThe Postpartum Support International Warmline – 1-800-944-4773 (1-800-944-4PPD)The Substance Abuse and Mental Health Services Administration (SAMHSA) Helpline – 1-800-662-4357 (1-800-662-HELP)Suicide Prevention Hotline: Call or chat. They are here to help anyone in crisis. Dial 988 for https://suicidepreventionlifeline.org and there is a chat option on the website.Crisis Text Line: Text from anywhere in the USA (also Canada and the UK) to text with a trained counselor. A real human being.USA text 741741Canada text 686868UK text 85258Website: https://www.crisistextline.orgNational Sexual Assault: Call 800.656.HOPE (4673) to be connected with a trained staff member from a sexual assault service provider in your area.https://www.rainn.orgNational Domestic Violence Hotline:https://www.thehotline.org/help/Our advocates are available 24/7 at 1-800-799-SAFE (7233) in more than 200 languages. All calls are free and confidential.They suggest that if you are a victim and cannot seek help, ask a friend or family member to call for you.Teletherapy Search: https://www.psychologytoday.com/us/therapists/online-counseling

enjoy ur day world. and let us truly give thanks !!!

1/ STEP BROTHERS. Mums in the garage. feat Action Bronson. 2/ DILATED PEOPLES. Show me the way. feat aloe blacc. 3/ PRINCE AND OHNO. Machine Rages. 4/ PRHYME. Wishin. feat Common. 5/ DIAMOND DISTRICT. Say what you mean. 6/ COMMON. Kingdome. feat VINCE STAPLES. 7/ HOMEBOY SANDMAN. Bad meaning good. 8/ PHAROAHE MONCH. D.r.e.a.m. feat TALIB KWELI. 9/ RUN THE JEWELS. Oh my darling don't cry. 10/ APOLLO BROWN & RASS KASS. How to kill god. 11/ BLACK MILK. Scum. feat Random Axe. 12/ YOUR OLD DROOG. Loosey in the store with pennies. 14/ GHOSTFACE KILLAH. Blood in the streets. feat. AZ.Escuchar audio

https://ontargetpodcast.caIn a world where vinyl reigns supreme and the beat nev­er stops…On Tar­get: The Return of Mod Mar­tyFeel the rhythm. Expe­ri­ence the soul. Live the mag­ic.This isn't just any episode — it's a cel­e­bra­tion of music's most elec­tri­fy­ing moments, hand­picked by the Ace Face of radio him­self, Mod Mar­ty. Wit­ness the first glimpse at the enor­mous stack of wax pro­cured from Toron­to, Mon­tréal, and Ottawa! Get ready to move your body and let the music take con­trol.Tune in and turn up the vol­ume. The adven­ture begins now.-----------------------------------------------The playlist is:"Show Time"The Detroit Emeralds- Ric-Tic"Suzie Q"Lanny Hunt- Panorama"What'cha Gonna Do About Me"Jimmy Sweeney- Buckley"Goin' To The River"Bill & Will- Checker"Putting The Best On The Outside"Jean Wells- Calla"Don't Slam The Door On My Heart"Fay Simmons- Senca"Beef-Eater"Morty Jay & The Coney Island Brass- Kayden"You're Wishin' I Was Someone Else"Whatt Four- Mercury"Incense and Peppermints"A Little Bit Of Sound- Carole"(Sittin On The) Dock Of The Bay"The Da-Kars- Josie"Hey Joyce"Lou Courtney- Popside"Found A New Girl"Joe Cook- Top Top"Baby, I'm here Just To Love You"The Stagemasters- Slide"Sling Shot"Jackie Beavers- Checker"Honky Tonk Woman"Fabulous Playboys- Apollo"It's One Thing To Say"The Riddles- Mercury"Baldy Beat"The Deacons- Re-Car"Just One More Time"J.J. Barnes- Mickay's

 Your weekly mixtape of Funk, Soul, Disco, House, and a few things in between. | | 1 | Don't Wanna Fall in Love | Jane Child | 2 | My Prerogative | Bobby Brown | 3 | Woman | Doja Cat | 4 | Worth It. | RAYE | 5 | (If It) Hurts Just a Little (2014 Remaster) | Donna Summer | 6 | Love Sauce - Original Mix | Never Dull | 7 | I'm Wishin' | Junktion | 8 | Native Riddim | Coeo | 9 | Ya Just Need 2 Believe in Yaself | Folamour | 10 | Ring My Bell | Anita Ward | 11 | Car Wash (Long Version) | Rose Royce | 12 | Something Here for the Club - Vocal | Terrence Parker | 13 | A bit housy | Blackchild (ITA) | 14 | Oh Sheila | Ready For The World | 15 | Jungle Love | The Time | 16 | Temperature | Sean Paul | 17 | After Hours | Kehlani | 18 | Truth or Dare | Tyla | 19 | Be Real | Kolter | 20 | Beautiful People (Obskür Remix) | Barbara Tucker | 21 | Beautiful People (C.J.'S Club Mix) | Barbara Tucker For More Info:   https://linktr.ee/toolcrateradio

1965 est directement sous l'influence de l'intersection de trois mouvements musicaux différents, chacun d'entre eux étant important - l'influence des Beatles et, dans une moindre mesure, des autres groupes de Merseybeat, l'influence de Bob Dylan et du mouvement folk et protestataire, et les groupes de guitares R&B britanniques qui commence à ramener aux États-Unis leur interprétation du son de Chess Records qu'on appellera le british blues boom. Mais bien sûr, alors que ces groupes à guitares influençaient tout le monde, ils étaient également influencés par l'essor de la soul, et en particulier par la Motown, et les groupes de la Motown ont été parmi les rares groupes américains qui ont réussi à continuer à avoir des succès pendant la British Invasion. En effet, 1965 a été un pic créatif et commercial pour le label, tout comme pour les groupes à guitare blancs. Aujourd'hui, nous allons donc nous pencher sur les Supremes, sur la carrière du seul groupe noir à avoir sérieusement défié les Beatles pour dominer les hit-parades dans les années 60 et sur le début des rivalités entre groupes qui ont fini par les faire tomber. Nous allons examiner "I Hear a Symphony" des Supremes The Supremes, “I Hear a Symphony” Nella Dodds, “Come See About Me” The Supremes, “Stop! In the Name of Love” The Supremes, “Stop! In the Name of Love” Dusty Springfield et Martha Reeves, "Wishin' and Hopin'" The Supremes, "Nothing But Heartaches" The Toys, "A Lover's Concerto" The Supremes, "Stop ! In the Name of Love !" Junior Walker and the All-Stars, "(I'm a) Road Runner" The Supremes, "I Hear a Symphony" The Beach Boys, "Don't Hurt My Little Sister" The Supremes, "Things Are Changing For The Better" The Supremes, "Rock-A-Bye Your Baby With a Dixie Melody" The Supremes, "You're Nobody 'Til Somebody Loves You"

New dharma talk and meditation, requested by the community, on the difference between Metta (Loving-Kindness) and Karuna (Compassion). This was a lovely night with community on a topic that's so important. I hope you enjoy!

Rima and Court are back for yet another episode, just 3 weeks away from 100

SAMPLER & SANS REPROCHES (Radio Transmission)Playlist N° 1282 - Lundi 03 Avril 2023 - Horaire : 20:00 >> 22:00EBM - SYNTHWAVE - INDUSTRIAL & RELATED MUSICGALAXIE RADIO 95.3FM www.galaxieradio.fr------------------------------------------>[ S&SR Selection de la semaine... TORUL "End Less Dreams" (Infacted Recordings) ] Showcase Live : MAGNETIC RUST (Promo "REJEKT" New Album) TORUL "Next Generation" DIG LP: End Less Dreams (Infacted Recordings) MALE TEARS "Never Again" DIG LP: Krypt (Avant!) ESA "One Missed Call (EMPIRION Remix) DIG SGL: One Missed Call (Negative Gain Productions) STRIKKLAND "Demonic" DIG LP: Bodypop (Bullmatin Records) CERCEUIL "Silent passenger" DIG EP: Bad Posture (Clivage Music) DELACAVE "An Escape In Headlights" DIG LP: Every Night Is A Moon Rising (Teenage Menopause Records) LÒDZ "Fast Rewind" DIG LP: Moons and Hideaways (Crimson Productions Music) DEATH IN JUNE "A Nausea" DIG LP: Nada-Ized (New European Recordings) INCONSCIO VIOLA "Rabbit On Tuesday" DIG EP: Split EP (Synthicide) NGHTLY "Crisi Di Identità" DIG EP: Il Venerdì Dell'Arte (X-IMG) TORUL "The Only Way" DIG LP: End Less Dreams (Infacted Recordings) >>>>>>>>>> Showcase Live : MAGNETIC RUST MAGNETIC RUST "Télévision (Live Session Radio)" MAGNETIC RUST "Red Eyes (Live Session Radio)" MAGNETIC RUST "Massive Destruction (Live Session Radio)" MAGNETIC RUST "Violet (Live Session Radio)" MAGNETIC RUST "Blue (Live Session Radio)" MAGNETIC RUST "Intrusion (Live Session Radio)" MAGNETIC RUST "Violence (Live Session Radio)" MAGNETIC RUST "Killer Clown (Live Session Radio)" MAGNETIC RUST "Final Improvisation (Live Session Radio)" CHRISTINE "Maniac" DIG LP: Sam Was Here [Original Soundtrack] (Mouton Noir Records) DAVID LYNCH "Wishin' Well" DIG LP: The Big Dream (Sacred Bones Records) ARNAUD REBOTINI "Occhiali Neri" DIG LP: Occhiali Neri (Blackstrobe Records) PROMO THANKS TO / REMERCIEMENTS : INFACTED RECORDINGS (Torben Schmidt), AVANT! RECORDS (Andrea), CITIZEN RECORDS / CLIVAGE MUSIC (Elise Nicolas & Tiphaine Cassin), TEENAGE MENOPAUSE RECORDS (François Abdel & Alice Tixier), WHERE THE PROMO IS (Roger Wessier), MOUTON NOIR RECORDS (Nicolas Lerille), MAGNETIC RUST (Kévin Depoorter) + M.R. TECHNICAL SUPPORT (Alexandre Roubinowitz & William Des) ... PODCAST:YOUTUBE https://www.youtube.com/@SamplerEtSansReprochesYOUTUBE CHANNEL – NON STOP MUSIC -MIX ONLY + LIVE & INTERVIEWS REPORTS ITUNES :https://podcasts.apple.com/fr/podcast/sampler-sans-reproches/id1511413205 MIXCLOUD : https://www.mixcloud.com/SetSRradio/PODCLOUD :https://podcloud.fr/studio/podcasts/sampler-et-sans-reproches DEEZER :https://www.deezer.com/fr/show/1181282 GALAXIE RADIO http://galaxieradio.fr/ go to replay Sampler & Sans ReprochesAMAZON MUSIC https://music.amazon.fr/podcasts/9718c2fe-d841-4339-a3e5-82c31d018ed7/SAMPLER-SANS-REPROCHESHEARTHIS https://hearthis.at/sampler-sans-reproches/ ARCHIVE.ORG https://archive.org/download/s-sr-1282-ok-03.04.2023/S%26SR_1282OK_03.04.2023.mp3

Brother Ernie Glass, Clinton, AR, 2010

96, 10-6, SHOW NOTES & COPYRIGHTS, (Scheduled 3/23/2023) Today we are going to follow up on Dave's suggestion to read a specific poem. This poem has one of my favorite titles, Yesterday, Today and Tomorrowday. Sometimes I like to play with words and even make my own words. Yesterday, today and tomorrow are all days of our lives. And no, I have not watched this soap opera on tv. I'm not sure how clean I would be after watching an episode.Ok, enough, I'll get to reading. Our first poem is found in Living in God's Rhyme on page 157.YESTERDAY, TODAY AND TOMORROWDAYAs I write this it is today.I wrote the one for yesterdaySometime earlier today.You will read this tomorrowday.Yeah, it sounds nonsensical.Maybe it's like something from A long lost, thankfully, musicalWhose tunes you cannot hum.For some that is the total sumOf a week of days ever so weak;There was yesterday's yesterdayAnd then tomorrowday's tomorrowday.But we must remember the timesWhen writing of the week's rhymesThat spellcheck continues to tell us we that we are wrongerWith those red squiggly lines under words that are stronger.(Writers comment: Man versus machine, God always wins.)One day tomorrowday will be yesterday.We cannot worry about whatever dayWe find ourselves living inWhether we lose or we win.As we face each day we must pray,Pray aloud that God removes the cloudOf doubt so we may shoutFor the world to hear that we have no fear.Yes, we will have our coffee,We will have the lives we live,But these things become smallWhen we answer God's call.Yesterday I wrote, and today I writeAs I will tomorrowday write,“All I need today is a little Dr. PepperAnd a whole lot of Jesus”Pray that we mayStay with him always,That what we sayMay reflect the wayHe has saved us,God's Son, Jesus.Discussion:Not much to say. It's how my mind works. Crazy, I know; the voices in my head are constantly telling me so.Let's see what I wrote some other day. This is found on page 53 of Living In God's Rhyme.SUDDEN DAYThe first day of the week,We worship him in churchAs comfort in our lives we seekBefore out the doors we lurch.Tomorrow begins the weak days,Those days when we can easily forgetWhat on Sunday he did say.As we step in the puddles our feet are wet.It is meIn the mirrorI do see.In the morningThere is a warningIn the prayer saidThat all I needIs his word to heedAnd I will be ledMy soul will be fedAnd then I open the doorTo the world that wants more.Each and every day I seeA reflection in the mirror.But there are so many aboutAs our lives we live outThat have not heard Us speak of his word.We must care,We must share,Let them knowAs we sowThe seedsThat will feedMore than five thousand,More than loaves and fish,More than they could ever wishIn years beyond a thousand.We can lead them to eternity.Away from God's enmity,So that when it does arriveSudden Day they...

According to cognitive neuroscientists, we are conscious of only about 5 percent of our cognitive activity, so most of our decisions, actions, emotions, and behavior depends on the 95 percent of brain activity that goes beyond our conscious awareness. When it comes to retirement planning and wealth management, most people do not possess the necessary knowledge to make optimal savings and investment decisions on "hope" alone. To make informed and tactical decisions when it comes to your golden years, you need ditch the Hopin' Wishin' & Prayin' strategy and adopt a carefully planned, thought out and customized strategy in its place. Watch this week's Financial Strategies Podcast with Andrew and Daniel Agemy here to learn more! WHY INVESTINGIN MUTUAL FUNDSCOULD JEOPARDIZEYOUR RETIREMENTPLANS (PDF) https://bit.ly/3Jhi9Ff BUILDINGBLOCKS OFRETIREMENT (PDF) https://bit.ly/3mXstdS Follow us on Instagram! https://www.instagram.com/agemyfinancial/ Like us on Facebook! https://www.facebook.com/agemyfinancial/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/agemy/message

They're coming up with time for the moon, good thoughts are better for being productive, sleeping with a mask, and all the entertainment and music news you need! Show: https://www.podomatic.com/podcasts/stevek1700 Shop: https://thestevenkingshow.secure-decoration.com/?gld=1676867481 YouTube: https://www.youtube.com/channel/UCpU0r_7aHIe9broR-ptGE0Q

Love songs composer Burt Bacharach, passed away peacefully on February 8th, at age 94. Showcasing his great body of work, I created a top 20 of my favorites from his catalog. Theme Song: "Dance Track", composed by Jessica Ann CatenaPlaylist: https://open.spotify.com/playlist/1uCCtSmvv8Ee1DXHFq4UPR?si=2e4113bd446a4da1&pt=c569bb78ff92e150c6e48269fac0490220. “Do You Know the Way to San Jose?”19. “The Look of Love” 18. “I'll Never Fall In Love Again”17. “Baby It's You”16. “The Windows of the World”15. “Anyone Who Had a Heart”14. “Always Something There to Remind Me”13. “Wishin' And Hopin'”12. “Arthur's Theme (Best That You Can Do)”11. “This Guy's In Love With You”10. “Raindrops Keep Fallin' On My Head”9. “One Less Bell to Answer” 8. “What's New Pussycat?”7. “Walk On By”6. “A House Is Not a Home”5. “(They Long To Be) Close to You”4. “I Say A Little Prayer”3. “Alfie” 2. “That's What Friends Are For”1. “What the World Needs Now Is Love” Austin Powers movies: https://www.imdb.com/find/?q=Austin%20Powers%20&ref_=nv_sr_smMy Best Friend's Wedding: https://www.imdb.com/title/tt0119738/?ref_=nv_sr_srsg_0One Amazing Night (Live): https://open.spotify.com/album/4RTgzQcJRec7mjGumaGFDF?si=3Tgyy9EcQHCAJwdXPPRccARelated episodes: Ep. 71 -Secret Admirer's Countdown: https://www.spreaker.com/episode/45730281Ep. 104 - "No Time to Die" Movie Theme: https://www.spreaker.com/episode/46900797Ep. 144 - Yacht Rock - Boat Songs: https://www.spreaker.com/episode/50597561

There's always something there to remind us baseball season is on its way: Spring Training. These National League Town guys are in love with the Mets' chances on the cusp of 2023. What our world needs now is every player in camp focused on learning the new rules, but the WBC is a magnet that will pull some far away from home. Wishin' and hopin' and thinkin' and prayin' won't get us back all our arms until that tournament is over, so we say a little prayer for good Met health, because come October, we long to be close to a championship.

It's THAT episode. The Ellis one, where she says THAT line. That line that haunts Meredith forever. Callie and George have eloped, Addison is lusting over Alex and there's toxicity in the air coming from more than just the hospital relationships.Contact us at scalpelsandtequila@gmail.comInstagram  @scalpelsandtequilapodcast@missthayes and @ms_ayla_azurexTamzen  and Ayla Hosted by Tamzen Hayes and Ayla AzureThis podcast is recorded on stolen land of the Wurundjeri people. We also acknowledge that medical practices of the traditional owners of these lands were developed and used way before the  medical practices discussed in this show, they are also continued to be used today. Greys Anatomy CreditsCreated by Shonda RhimesStarring Ellen Pompeo - Meredith GreySandra Oh - Christina YangT. R. Knight - George O'MalleyJustin Chambers - Alex KarevKatherine Heigl - Izzie StevensChandra Wilson - Miranda BaileyJames Pickens Jr - Richard WebberPatrick Dempsy - Derek ( McDreamy ) ShepardIziah Washington - Preston BurkeKate Walsh - Addison ShepardSara Ramirez - Callie Torres Mark Sloan - Eric Dane 

Wishin' and hopin' and thinkin' and waitin' and waitin' and drivin' and waitin' and waitin' and waitin'. Biz sings the carline blues with A Very Special Guest for the final episode of 2022! Plus, Biz goes into the closet.Thank you to all our listeners who support the show as monthly members of MaximumFun.org. This week, we're sponsored by BetterHelp. Go to BetterHelp.com/BADMOTHER to get 10% off your first month.Be sure to tell us at the top of your message whether you're leaving a Genius moment, a Fail, or a Rant! Thanks!!Share a personal or commercial message on the show! Details at MaximumFun.org/Jumbotron.Visit our Linktree for our website, merch, and more! https://linktr.ee/onebadmotherYou can suggest a topic or a guest for an upcoming show by sending an email to onebadmother@maximumfun.org.Show MusicSummon the Rawk, Kevin MacLeod (www.incompetech.com)Ones and Zeros, Awesome, Beehive SessionsMom Song, Adira Amram, Hot Jams For TeensTelephone, Awesome, Beehive SessionsMama Blues, Cornbread Ted and the ButterbeansMental Health Resources:Therapy for Black Girls – Therapyforblackgirls.comDr. Jessica Clemmens – https://www.askdrjess.comBLH Foundation – borislhensonfoundation.orgThe Postpartum Support International Warmline - 1-800-944-4773 (1-800-944-4PPD)The Substance Abuse and Mental Health Services Administration (SAMHSA) Helpline - 1-800-662-4357 (1-800-662-HELP)Suicide Prevention Hotline: Call or chat. They are here to help anyone in crisis. Dial 988 for https://suicidepreventionlifeline.org and there is a chat option on the website.Crisis Text Line: Text from anywhere in the USA (also Canada and the UK) to text with a trained counselor. A real human being.USA text 741741Canada text 686868UK text 85258Website: https://www.crisistextline.orgNational Sexual Assault: Call 800.656.HOPE (4673) to be connected with a trained staff member from a sexual assault service provider in your area.https://www.rainn.orgNational Domestic Violence Hotline: https://www.thehotline.org/help/Our advocates are available 24/7 at 1-800-799-SAFE (7233) in more than 200 languages. All calls are free and confidential.They suggest that if you are a victim and cannot seek help, ask a friend or family member to call for you.Teletherapy Search: https://www.psychologytoday.com/us/therapists/online-counseling

Carmen and Kelcey finally get to see George defend his WIFE?!?! Also, listen in as the whole hospital gets poisoned... except Mark... Give this podcast a 5* review where ever you listen and share it to all your friends!Patreon: https://www.patreon.com/GreysacademypodSocial:@greysacademypod@carmen.gabriel.official@chaoticallykelcey*This podcast is not in any way connected with Grey's Anatomy or any of its affiliates. This is intended for comedic purposes only.*Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sintonía: "(Oh Baby) I Do Believe I´m Losing You" - Billy Hawks "Bustin´ Outta The Ghetto" - Carlos Malcolm; "Mary Jane" - Bobby Rush; "The Truth Shall Make You Free" - King Hannibal; "Peace, Love Not War" - Johnny King And The Fatback Band; "Starvin´" - Winfield Parker; "He Called Me Baby" - Spanky Wilson; "Seeds of Life" - East LA Car Pool; "Viva! (Viva Tirado)" - Jade; "I´ve Known Rivers" - Gary Bartz; "I´m Wishin´ " - Lorez Alexandria; "Feeling Good" - Pat Bowie with Charles McPherson; "You Gotta Believe" - Fatback (Compiled by Dean Rudland, BGP Records, 2002) Escuchar audio

DE SANDWICH ZONDAG 5 juni 2022 Uur 1 1.         Wish you were here – Eddie Fisher 2.         Dingen om nooit te vergeten – Tonny Huurdeman 3.         E solo guardando…. – Emanuele Tozzi 4.         Dreaming with a broken heart – John Mayer 5.         Somewhere down the crazy river – Robbie Robertson 6.         Peel me a grape – Lyle Lovett 7.         Quand il est mort le poète – Gilbert Becaud 8.         An mien veenster – Egbert Meijers 9.         Love's in need of love today – Stevie Wonder 10.       They won't go when I go – George Michael 11.       El plan maestro – Jorge Drexler 12.       De pont naar Noord – Jeroen Kramer 13.       Somewhere out there – Linda Ronstadt & James Ingram   Uur 2 1.         If not for you – Bob Dylan 2.         The end – Earl Grant 3.         Soldaat – THYRZA 4.         Marta's song – Deep Forest 5.         I've slipped her mind – Robert Cray Band 6.         Bang bang – Kovacs 7.         Fantastig toch – Eva de Roovere 8.         Me embala – Raquel Kurpershoek 9.         What the world needs now – Mahalia Jackson 10.       Wishin' and hopin' – Rita Coolidge 11.       One step ahead – Jack Johnson 12.       Bandje in de wolken – Henny Vrienten 13.       November lambada – Franz Josef Degenhardt 14.       That's the way love is – Marvin Gaye

Fortnightly Rave Sessions 003 and this week it's all about the Drum n Bass, Recorded live on my weekly show on Eruptionradio.UK - 1st June 2022 Tracklisting Ben E. King - I Who Have Nothing (Dexcell Bootleg) Nu:Tone - Feel It Datcyde - Social Skills feat. Ill - Esha DJ Zinc - Casino Royale PFM - For Caron (Are You Ready) Bladerunner - Feel For You MC Fats, L-Side - High Times Fleetwood Mac - The Chain (Adam M Bootleg) Dillinja - Gangsta (Serum Remix) Cut & Run - Outta Space Potential Badboy feat. Junior Dangerous - My Sound Shy FX - Roll The Dice (feat. Stamina MC & Lily Allen) goddard - Prospa (Whiney Remix) Bou - Gun Crime Jubei, dBridge - Show Me Dope Ammo, Rio Hellyer, Benny Page, Zero G 2020 - Wishin' On A Star Moby - Go (Fourward Remix) Jonny L - Hurt You So (Ed Solo & Dope Ammo Remix) Origin Unknown - Valley of the Shadows (Chase & Status Remix)

Genshiken ja sen jatkosarja Genshiken: Second Season kertovat yliopiston nörttikerhosta ja kuvaavat otakukulttuuria sekä 2000-luvun alussa että 2010-luvulla. Ajankohtaisina aiheina puhumme kahdesta Twitterissä keskustelua herättäneestä aiheesta: käännöksen ja julkaisulaadun kommentoimisesta manga-arvosteluissa sekä siitä, miten Seven Seas lisensoi Fumi Mikamin sarjan My Secret Affection. Lukujonossa tutustumme Scum's Wishin ja Kaguya-sama: Love is Warin tekijöiden yhteistyösarjaan Oshi no ko, jossa päähenkilö uudelleensyntyy suosikki-idolinsa lapseksi. --- Kommentoi | Twitter | Instagram --- 06:08 – GENSHIKEN: ESITTELY - Genshiken - Genshiken Kodansha Comicsin sivuilla - Genshiken: Second Season Kodansha Comicsin sivuilla 10:19 – GENSHIKEN: NÖRTTIKULTTUURIN KUVAUS - Wotakoi: Love Is Hard for Otaku - Densha Otoko - Otakumurhaaja Tsutomu Miyazaki - Vastakkainasettelua otakujen ja normojen välillä (kuva) - Kasukabekin osallistuu Sasaharan gyaru-pikkusiskolle naureskeluun (kuva) - Sarjan alussa Kasukabe suhtautuu Genshikenin nörtteihin ikävästi (kuva) - Petterin Genshiken-artikkeli Anime-lehdessä 6/2011 (kuva) - Petterin Genshiken-artikkeli Anime-lehdessä 7/2012 (kuva) - Doojinshikaupassa (kuva) - Robottipienoismallien rakentamista (kuva) - Pornopelien pelaamista (kuva) - Animefiguurien kasaamista (kuva) 20:01 – GENSHIKEN: TODENTUNTUISUUS JA REALISMI - Nörttikeskusteluja sarjan sisäisestä hittisarjasta Kujibiki Unbalance eli Kuji-un (kuva) - Comic Party - Sarja sijoittuu oikeaan yliopistoon, Chuuon yliopiston Taman kampukselle, ja nimenomaisesti tähän rakennukseen (Google Maps) - Valokuvia kerhorakennuksesta - Tyttöhahmot parittavat kerhon poikahahmoja toisilleen (kuva) 31:44 – GENSHIKEN: HAHMOKERRONTA JA RYTMITYS 33:39 – GENSHIKEN: HAHMOT - Sasaharan johdolla porukka tekee oman doojinshin Comiketiin (kuva) - Kasukabe katuu aiheuttamaansa harmia (kuva) - Kasukabella ja Kousakalla ei tunnu olevan juuri mitään yhteistä (kuva) - Jakso 63, jossa puhuimme siitä, miten Kousakan lailla myös Givenin päähenkilö Mafuyu on autismin kirjolla oleva hahmo, vaikka sitä ei suoraan sanotakaan - Madarame on aluksi rasittava (mutta älyttömän söpö) turbonörtti… (kuva) - …mutta ihastus Kasukabeen saa hänet näkymään haavoittuvaisemmassa valossa (kuva) - Kohta Hiranon näkemys siitä, mikä Genshikenissä on olennaista (kuva) - Genshiken Second Seasonin kansi 5 - Tanakalla ja Ohnolla synkkaa (kuva) - Kuchiki on mitä karsein tyyppi (kuva) - Ogiue väittää alkuun vihaavansa nörttejä ja on kaikin puolin hankala tyyppi (kuva), mutta ei saa itseään pidettyä erossa nörttiharrastamisesta (kuva) 51:30 – GENSHIKEN: ENSIMMÄISEN SARJAN SPOILERIOSIO - Ogiuen itseinho (kuva) - Kylläpäs kuumottaa (kuva) 01:00:52 – GENSHIKEN: SECOND SEASON - Yoshitake (kuva) - Yajima (kuva) - Sue (kuva) - Vaikka sarja jatkuu suoraan siitä mihin ensimmäinen sarja päättyi, eli vuodesta 2005, kuvaa sarja sekä tekniikan että otakukulttuurin puolesta enemmän tekoaikaansa 2010-lukua (kuva) - Niin miten monta vuotta sitten…? (kuva) 01:10:08 – GENSHIKEN: HATO - Haton sukupuolipresentoinnista tehdään numero (kuva) - Yajimaa ahdistaa se, että Hato suorittaa naiseutta paremmin, vaikkei ole “oikea nainen“ (kuva) - Kun Hato on poikamoodissa, hänen takanaan kummittelee hänen tyttöversionsa BL-ajatuksineen (kuva) 01:20:27 – GENSHIKEN: MADARAMEN HAAREMI - Madaramen haaremi (kuva) 01:26:55 – GENSHIKEN: SECOND SEASONIN SPOILERIOSIO - Homma menee sirkukseksi (kuva) 01:37:49 – GENSHIKEN: SPOTTED FLOWER - Spotted Flower - Rakuen Le Paradis -lehti, jossa sarja ilmestyy - Jakso 27, jossa puhuimme lukujonossa Maiden Railways -mangasta - Spotted Flowerin hahmot eivät ihan näytä Genshikenin vastineiltaan (kuva) - Ogiue Maniax -blogin kirjoitus Spotted Flowerin nelospokkarista - Jigopuri, Shimoku Kion toinen manga 01:50:31 – GENSHIKEN: TYYLI JA VISUAALINEN ILME - Yksityiskohtainen tavaranpaljous, jota aikalaiskeskustelussa kehuttiin realismista (kuva) 01:53:21 – GENSHIKEN: JULKAISUT - Joskus kääntäjä on vain heittänyt kädet pystyyn (kuva) - Kattavat kulttuuriselitykset auttavat pysymään perillä esimerkiksi hahmojen sarjamausta ja siitä, mihin sarjoihin hahmojen cosplay-asut viittaavat (kuva) - Viittaukset mainoksiin ja nettimeemeihin voisivat muuten mennä helposti ohi (kuva) - Kodanshan uusintapainoksessa alkuperäisestä sarjasta on välillä vääriin paikkoihin eksyneitä tekstejä ja muita huolimattomuusvirheitä (kuva) - Myös tekstejä on korvattu kömpelömmin (kuva) - Jakso 66, jossa puhuimme lukujonossa Summer Time Renderingistä ja sen käännösratkaisuista murrepuheen suhteen - Second Seasonin puolella käännös ilmentää selvemmin Kuchikin suureellista nörttipuhetapaa (kuva) 02:00:48 – GENSHIKEN: ANIMET - Mangaan otettiin retconina mukaan kohtaus, joka oli ollut vain animessa (kuva) - Hahmot muistelevat kylpyläreissua animeoriginaalista jaksosta (kuva) - Anime-lehden 6/2016 Kuvastin, jossa nostettiin esille Genshikenin popularisoima animaatiotyyli, jossa liikkumattomatkin irtoesineet on joskus piirretty “tarpeettomasti“ osaksi animaatiota eikä taustataidetta (kuva) 02:05:44 – GENSHIKEN: YHTEENVETO 02:10:39 – TWITTER-KOHU KÄÄNNÖSTEN ARVIOIMISESTA - Kääntäjä Katrina Leonoudakisin twiitti, jossa toivotaan julkaisulaadun huomioimista arvosteluissa - Jakso 22, jossa puhuimme julkaisulaadun huomioimisesta mangan arvioimisessa - Jakso 27, jossa puhuimme ajankohtaisosiossa ANN:n entisen päätoimittaja Zac Bertschyn kuolemasta - Mangasplaining-podcast - ANN:n toimitusjohtaja Christopher Macdonaldin vastaus (kuva), jonka viimeinen twiitti on sittemmin poistettu, koska se sai varsin aiheellista kritiikkiä - Jakso 62, jossa vertailimme Saiyukin kahta eri englantikäännöstä - Macdonaldin lausunto arvostelujen teknisestä puolesta myöhemmin - ANN:n päätoimittaja Lynzee Loveridgen vastauksia ketjuun (varmuuden vuoksi screenshot) - Petterin Twitter-keskustelu Zac Bertschyn kanssa julkaisujen kommentoimisesta arvosteluissa - Kommentteja siitä, miten käännöstä edes voi arvostella - Vielä lisää kommentteja siitä, miten käännöstä edes voi arvostella jos ei ole itsekin kääntäjä - Kommentteja siitä, millaista käännöksen kommentoiminen arvosteluissa voisi olla - Kommentteja siitä, että ei tätä kannattaisi näin vaikeasti ajatella - “Mikään media ei ole koskaan antanut mitään ohjeita siitä, mitä arvosteluun pitäisi sisältyä“ - “Ei arvostelun kuuluisikaan olla kodinkonevertailu“ - Esimerkkikommentti siitä, millaisia kommentteja kääntäjät nykyään Twitterissä saavat siitä, miten he vain turmelevat animea ja mangaa 02:34:56 – TWITTER-KOHU SEVEN SEASIN SARJALISENSSISTÄ - Seven Seasin sarjajulkistustwiitti, jolla on aika komea määrä paheksuvia quote-retweettejä - My Secret Affection Twitter-keskustelua: - Kritiikkiä siitä, että tällaisilla teoksilla ei pitäisi olla sijaa yhteiskunnassa (linkki ketjun viimeiseen twiittiin, koska välistä on poistettu twiittejä, mikä rikkoo ketjun) - Vastaavasta konseptista on tehty ainakin yksi länsimäinen lyhytelokuva, johon monet ovat kommenteissaan viitanneet - Kritiikkiä siitä, että sarjan asetelma voi kääntyä itseään vastaan - Vahvistamattomia oletuksia siitä, että mangakan twitter-kommentit olisivat johtaneet sarjan ennenaikaiseen lopettamiseen - Epätodennäköistä spekulaa siitä, että sarja on lisensoitu vain pakon edessä osana pakettidiiliä - Selitystä tekijän esseemangasta ja selvennystä misogynia-väitteistä - Misinformaatio levisi parissa tunnissa laajasti - Ihmiset ehtivät vaihtaa parin tunnin sisään useampaan kertaan kantaansa siitä, onko sarja tuomittava vai ei - Sarjan kääntäjän mielestä manga käsittelee aihettaan asiallisesti ja mielenkiintoisesti - Hatarake Kentauros - Jakso 13, jossa puhuimme Beastarsista 02:53:26 – HAMPAANKOLOSSA: RANSKAN MANGAMARKKINA - Jakso 66, jossa puhuimme ajankohtaisosiossa Ranskan mangamarkkinan tilasta 2021 02:56:05 – KUULIJAKOMMENTTI: ANIMUROT - Animurot-podcast Instagramissa, Apple Podcastsissa, Google Podcastsissa, Spotifyssa ja YouTubessa 02:59:17 – KUULIJAKOMMENTTI: ÄÄNIEFEKTIEN KÄÄNTÄMINEN - Jakso 66, jossa puhuimme mangan ääniefekteistä 03:04:42 – LUKUJONOSSA: OSHI NO KO - Oshi no ko - Oshi no ko Manga Plus -palvelussa - Kaguya-sama: Love Is War - Scum's Wish - Ai epäili aikoinaan, voiko olla idoli, jos ei tiedä mitä rakkaus on (kuva) - Sittemmin valehtelu tulee selkärangasta (kuva) - Kyynistä viihdemaailman kuvausta (kuva) 03:21:10 – LOPETUS

There's a reason kids in small towns listen to songs about getting out. If you roll up 59 North outside of Houston, past all the suburbs and the strip malls, you'll eventually hit Splendora, TX. It was in this blink-and-you'll-miss-it-town where Jeff Canada first picked up the guitar, playing alongside his Grandpa and Uncle. After sidelining his dream for ten years to raise a family, Canada picked his guitar back up and ventured into the Houston cover scene, quickly carving out a niche with his unapologetic stage antics, biting comedy, and unmatched work ethic.An audience of rabid regulars followed, but it wasn't until 2018 that he finally found the voice he'd been struggling to get out in all those years of covering other people. It was a hell of a year. His marriage ended, followed by the death of his mother, and something finally cracked in the 6'3” Splendora boys otherwise tough exterior. “I wan ted to write a real, honest record,” Canada says. “Every line on paper is a line on my face, things I've lived. I could not have written this album ten, or even five years ago.”Those songs would become Wishin' Well, his first solo LP, and the foundation for an entirely new iteration of Jeff Canada as both a performer and a human being. This version isn't running from anything. “I took a long hard look in the mirror and realized that it was mostly because of my own decisions,” he says. And that self-awareness explains why he can sin about the darkest moments in his life with a spark in his eye. It also explains why he's since shared the stage with Stoney Larue, Chad Prather, Shane Smith and the Saints, Kevin Fowler, Cody Canada, Kody West, and sold out the legendary Texas listening room, Dosey Doe on his solo first appearance.This is episode may or may not contain adult content such as strong language, references to smoking, alcohol, sex, drugs, and rock-n-roll. You'll just have to listen to find out. The statements and views of the musician do not necessarily reflect the views of Gotta Love Texas Music.This is where you can find Jeff and his music:https://jeffcanada.com/https://www.facebook.com/JeffCanadaMusic/https://open.spotify.com/artist/5wbr7AGbgW36quR6G513cWhttps://www.youtube.com/channel/UCH6XSbslfkIslUa8xTsbGBwhttps://music.apple.com/us/artist/jeff-canada/522563950https://www.instagram.com/jeffcanadamusic/?hl=en

Fred discusses the month of May, specifically its first day, or May Day, and its importance to the cause of workers rights. The eight hour work day was established on this day in 1917. www.rockysealemusic.com https://rockysealemusic.com/wow-i-didn-t-know-that-or-maybe-i-just-forgot https://www.facebook.com/150wordspodcast --- Send in a voice message: https://anchor.fm/rocky-seale7/message

From The Don Lee Studios in Los Angeles over the Mutual Network on February 22, 1941 this is Episode 46. David Rose Orchestra plays BARCARROLE. Years From Now and When You and I Were Young, Maggie. Maxine Gray sings Fishin' and Wishin'. Rafael Mendez, trumpeter with Flight of the Bumblebee. Maxine Gray sings Keep an Eye on Your Heart and Rose closes the program with Georgia On My Mind.

Hi beautiful people. Let's discuss hydration; talking about the sh** within ourselves and the difficulty of articulating it; Mercury retrograde; desire for change and self-control; letting go of resentment; exercise; physically stored emotions; and aggression. But why stop there?Jules and Meg also tuck into agile methodology; forgetting to take the bins to the curb; what we want and how to get there; being hard on ourselves; the exhaustion of pursuit; the cleaving of women; duality; holistic fulfillment; invisible labor (again); agency for a child or anyone; chrysalis; and Rumi.Then we read another advice column letter about a man behaving poorly and round it off with a sweet, safe caress of romance. You can change. The best in you will stay the same."How to let go of resentment” by Ola Radka from Start with Self"Wishin' and Hopin'" by Dusty SpringfieldRead along in Witness: Volume Ten – The Journals of Meghan McDonnellPlaylist on SpotifyFollow us on InstagramEmail us at thefeelingspodcast@gmail.comThe Feelings (buzzsprout.com)Music: “When it All Falls” by Ketsa* Names and identifying characteristics have been changed to protect identities. We have solely recorded our interpretations and opinions of all events. Certain place names have been changed.

First up to the mic we have Sosaa3x. Sosaa3x came through and chopped it up about the city on Jacksonville. The vibe coming out of Jacksonville. He also explains his writing process and how he lays down a track. Vibe up and listen to one of the next up out of Florida.  Follow Sosaa3X: SoundCloud: https://soundcloud.app.goo.gl/fgXHpCdscBLA5s2S7 Twitter: @Sosaa3XX IG: @Sosaa3X Youtube: https://www.youtube.com/channel/UC5dBKUkSvMSIxKDwHo6QDwQ/featured

Oftentimes, we are reactive instead of being proactive when we feel attacked, misunderstood or maybe even being the subject of untruths. Yet, before we can withstand 'affliction' in a manner pleasing to GOD, we should attempt to gain an 'understanding' of its origin and then pray for HOLY SPIRIT'S assistance accordingly.Tune in to the first of a four-part series as we delve into our topic...'UNDERSTANDING AFFLICTION'Part I - 'Affliction' Is Lain Upon Us By GODPrimary Scripture(s) - Isaiah 53:7; Acts 8:30-32Pastor Mark D. IngramSong of the Week: 'WISHIN' HEAVEN HAD A PHONE'P.S. - Desire to watch the broadcast version? Join us @ our Facebook page: https://www.facebook.com/thewordsoflifeshow

Por volta das 20h de 19 de fevereiro de 1994, Gloria Cecilia Ramirez, de 31 anos, deu entrada no Hospital Geral de Riverside. O atendimento inicial notou sintomas como palpitação cardíaca, dificuldade de respiração, pressão baixa e fala confusa. Embora Gloria tivesse um diagnóstico de câncer cervical, os sintomas eram incomuns para uma mulher na sua idade e condição. A equipe médica utilizou medicação sedativa e para o coração, além de ventilação mecânica. Como ela não estava respondendo, foi utilizado um desfibrilador para reanimá-la. Neste momento, alguns presentes perceberam que um brilho oleoso começou a aparecer pelo seu corpo, além dela exalar um cheiro de alho pela boca. Hoje, nossos investigadores Andrei Fernandes, Lucas Balaminut e Gabi Larocca convidam Belle Felix e falarão sobre caso de Gloria Ramirez que inspirou alguns episódios de séries: em Arquivo X, o episódio “The Erlenmeyer Flask” mostra um homem com sangue verde e gases saindo do corpo; e em Grey's Anatomy, no episódio “Wishin' and Hopin'”, uma paciente com câncer é internada no hospital e acaba deixando a equipe doente por causa do seu sangue tóxico, que na série é devido a uma reação entre um suplemento de ervas e a quimioterapia. Apesar de todas as investigações, até hoje não foi possível determinar o que aconteceu com Gloria Ramirez na sala de emergência naquela noite. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Por volta das 20h de 19 de fevereiro de 1994, Gloria Cecilia Ramirez, de 31 anos, deu entrada no Hospital Geral de Riverside. O atendimento inicial notou sintomas como palpitação cardíaca, dificuldade de respiração, pressão baixa e fala confusa. Embora Gloria tivesse um diagnóstico de câncer cervical, os sintomas eram incomuns para uma mulher na sua idade e condição. A equipe médica utilizou medicação sedativa e para o coração, além de ventilação mecânica. Como ela não estava respondendo, foi utilizado um desfibrilador para reanimá-la. Neste momento, alguns presentes perceberam que um brilho oleoso começou a aparecer pelo seu corpo, além dela exalar um cheiro de alho pela boca. Hoje, nossos investigadores Andrei Fernandes, Lucas Balaminut e Gabi Larocca convidam Belle Felix e falarão sobre caso de Gloria Ramirez que inspirou alguns episódios de séries: em Arquivo X, o episódio “The Erlenmeyer Flask” mostra um homem com sangue verde e gases saindo do corpo; e em Grey's Anatomy, no episódio “Wishin' and Hopin'”, uma paciente com câncer é internada no hospital e acaba deixando a equipe doente por causa do seu sangue tóxico, que na série é devido a uma reação entre um suplemento de ervas e a quimioterapia. Apesar de todas as investigações, até hoje não foi possível determinar o que aconteceu com Gloria Ramirez na sala de emergência naquela noite. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Merry Christmas! Hallmark Christmas movie producer and Synthetic Cinema International owner Andrew Gernhard chats with host Robert Peterpaul about the magic of making Christmas movies, starting his own production company, spreading kindness on film sets and much more. With a successful producing career spanning nearly two decades, Andrew has worked on a variety of projects, mostly through his Connecticut-based production company Synthetic Cinema International, including a series of successful feature horror films for NBCUniversal's Chiller Network, and the popular Christmas film Wishin' and Hopin' for the Lifetime Network. In recent years, Synthetic Cinema International has created strong working relationships with many prolific executive producers, major studios and networks such as Lionsgate, NBCUniversal, SyFy, Telemundo, Lifetime, Hallmark, BET, Netflix, Disney+ and others. Since it's Christmas time, we focus a lot on Andrew's holiday films, so get ready to be showered with tons of magic! Follow Synthetic Cinema: @syntheticcinema Follow us: @artofkindnesspod / @robpeterpaul Email us: artofkindnesspodcast@gmail.com Support us: Support the show (https://www.buymeacoffee.com/theaok) Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the "Wishin' and Hopin'" edition of the Bengals Booth Podcast with CBS Sports Kevin Harlan previewing the Week 7 matchup against the Ravens. Also, a one-on-one interview with running back Chris Evans, analysis from Dave Lapham and the "Know the Foe" segment with former Ravens and Bearcats linebacker Brad Jackson. See omnystudio.com/listener for privacy information.

It's the “Wishin' and Hopin'” edition of the #Bengals Booth Podcast as Cincinnati looks to climb into a first place tie with Baltimore in the AFC North. On this episode I'll talk to the immensely entertaining Kevin Harlan who will call this week's game on CBS. My 1-on-1 player interview is with rookie Chris Evans who had a huge game last week in the same stadium where he worked security two years earlier. He'll share his remarkable story. Dave Lapham joins me to discuss the latest Bengals news and share some keys to beating Baltimore. And finally, it's our Know the Foe segment with former Baltimore and UC Bearcats' linebacker Brad Jackson.

Wishin and Hopin' The sanctified churches in the south lent themselves to a Afro-Centric form of appreciation for their deity. The first modified drum kits were in the sanctified churches with sticks and tambourines and maybe even an electric guitar. The gospel hymns were infectious and spoke of celebration, hope and spirit. The preachers were often pugnacious and speaking to a congregation that wanted the truth, not the warmed over Anglo/Protestant messages coming from the other side of town. These preachers found places like Eufala, AL untenable and took their families to the Midwest where car companies and industry roared with commerce jobs and a hot bed of cross fertilized music. My guest today is a superstar soul singer. She has been striving for elevated consciousness and individualism since she broke on the scene over five decades ago. Born the daughter of a preacher man my guest was immersed in Detroit's Metropolitan church and choir. She was also privy to the hottest nightclub scene in America where jazz was being played in Soul clubs and Blues was being played in the jazz clubs or on the streets. There were no jazz schools and learning came in the form of the street, finding like minded singers and accompanists because it didn't matter what you wear just as long as you are there. My guest had been the undisputed truth of Motown. Her southern guy bucket approach was heavier and funkier then many of her contemporaries. Her songs had hooks rarely scene for the time that allowed audiences of all colors to hip sway in the night on TV shows, dances and studio demos. She became an instant sensation and the testament to her longevity is that her tunes are still recognizable today by a new generation of Americans. One that is less white, more multiethnic but maybe less sure of their roots. My guests roots were with Della Reese who's name she incorporated into her trio known as "The Vandellas." She learned how to project on the bandstand and entertain as well as swing. When Motown went west she stayed in Detroit and became a purveyor of social justice while continuing her performing career on RCA/Arista and Fantasy. Nowhere to run, Martha Reeves welcome to the JFS.

Episode one hundred and thirty-one of A History of Rock Music in Five Hundred Songs looks at “I Hear a Symphony” by the Supremes, and is the start of a three-episode look at Motown in 1965. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Rescue Me" by Fontella Bass. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as too many of the songs were by the Supremes. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. How Sweet It Is by Lamont Dozier and Scott B. Bomar is Dozier's autobiography, while Come and Get These Memories by Brian and Eddie Holland and Dave Thompson is the Holland brothers'. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 694 tracks released on Motown singles. Girl Groups by John Clemente contains potted biographies of many groups of the era. The Supremes biography I relied on most is The Supremes by Mark Ribowsky, which seems factually accurate but questionable in its judgments of people. I also used this omnibus edition of Mary Wilson's two volumes of autobiography. This box set contains everything you could want by the Supremes, but is extraordinarily expensive in physical form at the moment, though cheap as MP3s. This is a good budget substitute, though oddly doesn't contain “Stop in the Name of Love”. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Hi, this is Andrew. Between recording this episode and it going live, three great musicians, two of whom have been the subject of episodes of this podcast, sadly died. We lost Don Everly, Charlie Watts, and Tom T. Hall, and I just wanted to acknowledge them and their contributions to music before the episode starts. They'll all be missed. [theme music] Just a brief note before we start to say that this episode contains brief mentions of eating disorders, so if that might be a problem for you, check the transcript to make sure it's safe. Thanks. We've spent much of the last few months looking at the intersections of three different movements, each of which was important -- the influence of the Beatles and to a lesser extent the other Merseybeat bands, the influence of Bob Dylan and the folk and protest movement, and the British R&B guitar bands who were taking their interpretation of the sound of Chess Records back to the USA. But of course, while these guitar bands were all influencing everyone, they were also being influenced by the growth of soul, and in particular by Motown, and Motown's groups were among the few American acts who managed to keep having hits during the British Invasion. Indeed, 1965 was as much of a creative and commercial peak for the label as for the white guitar bands we've been looking at. So for the next few weeks we're going to move over to Detroit, and we're going to look at Motown. And this week and next week we're going to continue our look at the Holland-Dozier-Holland collaboration, and at the groups they were writing for. So today, we're going to look at the Supremes, at the career of the only Black act to seriously challenge the Beatles for chart dominance in the sixties and at the start of the inter-group rivalries that eventually took them down. We're going to look at "I Hear a Symphony” by the Supremes: [Excerpt: The Supremes, "I Hear a Symphony"] When we last looked at the Supremes, they had just had their second number one single. After having spent years being called "the no-hit Supremes" and recording third-rate material like "The Man With the Rock and Roll Banjo Band", they'd been taken on by Holland, Dozier, and Holland, Motown's new star songwriting team, and had recorded two songs written and produced by the team -- "Where Did Our Love Go?" and "Baby Love" -- both of which had reached number one. But there were already tensions in the group. Most notably, there was the tension between Florence Ballard and Diana Ross. Ballard had always considered herself the lead singer of the group, and almost everyone who knew the group at the time agreed that Ballard was the better singer. But Berry Gordy, the owner of Motown, thought that Ross was the member of the group who had actual star potential, and insisted that she be the lead vocalist on everything the Supremes cut. At first, this didn't matter too much -- after all, no matter who the lead singer on the records was, they were having the huge hits they'd always dreamed of -- but it inevitably led to friction within the group. But in late 1964, at least, everyone was on the same page. Berry Gordy, in particular, was delighted by the group's continued success -- they had been the *only* act other than the Beatles or Bobby Vinton to have more than one number one on the pop charts in 1964 -- and by the end of the year, they had released their third, "Come See About Me". "Come See About Me" actually got released only a month after "Baby Love", before the latter had even reached the top of the charts, and it seems like a ridiculous idea to release another single so close to that one. But it came out so early to make sure the Supremes had the hit with it. Because a soundalike had come out on Wand Records even before the Supremes' single came out. A fourteen-year-old girl called Nella Dodds had decided that she could sing quite a bit like Diana Ross, and since the Supremes were the biggest female group in the country at this point, she had a chance at being a star, too. She'd auditioned for Wand by singing along with the whole of the first Supremes album, and Wand Records had decided that she sounded enough like Ross that it was worth a shot putting out a single by her. They chose "Come See About Me", which had been released as an album track on that album, and put out this: [Excerpt: Nella Dodds, "Come See About Me"] Dodds' version of the track was cut to be a soundalike, and was so similar to the Supremes version that it's actually quite easy to cut between the two records. You can hear the joins, but they're *spookily* similar: [Excerpt: The Supremes and Nella Dodds, "Come See About Me", alternating phrases] That wasn't the only time a Holland-Dozier-Holland production would be copied wholesale -- we'll hear another, slightly less blatant, example later this episode. As Dodds' single started to rise up the charts, Berry Gordy got furious. If the record sounded good enough to be a hit single, his label was going to have the hit with it, and so the Supremes' version of "Come See About Me" was rush-released. It went to number one, and Nella Dodds vanished into obscurity. The group having three number one hits in a row focused everyone's minds, and Gordy held a meeting with Holland, Dozier, and Holland, and told them that from that point on the Supremes had to be their number one priority. They should drop everything they were doing and concentrate on making Supremes hits while the Supremes were having their moment of success. And so of course they did just that -- and in January 1965 they recorded the album which would contain the Supremes' fourth number one in a row: [Excerpt: The Supremes, "Stop! In the Name of Love"] The story of how "Stop! In the Name of Love" was conceived tells us a lot about the kind of life that the people at Motown were living, now they were all successful and making a great deal of money. The way Lamont Dozier tells the story, his marriage had fallen apart, and he was sleeping with multiple women, some of whom thought they were the only one. Dozier would regularly head to a motel near Hitsville for some of these assignations, and one day while he was there with one of his women, another one tracked him down. The woman he was with made her escape, and Dozier tried to make excuses, claiming he had just got very tired at work and booked a motel room to have a rest so he wouldn't have to go all the way home. His girlfriend didn't believe this rather transparent lie, and started throwing things at him. Dozier started yelling at her to stop it, and eventually mangled the phrase "Stop in the name of the law", shouting instead "Stop in the name of love!" Dozier immediately saw this line as the basis of a song, and his burst of inspiration amused the woman, who started laughing. It defused the situation, and led to a hit record. [Excerpt: The Supremes, "Stop! In the Name of Love"] Indeed, Dozier wasn't the only one whose experiences made up part of the lyrics for the song. All three of Holland, Dozier, and Holland were having complex love lives and going through the breakup of their first marriages. Eddie Holland has said that he used his own experiences in that regard in writing the lyrics to that song. All three men were having affairs with multiple women, but two of those affairs were important in their working lives -- Brian Holland was dating Diana Ross, while Lamont Dozier was seeing Mary Wilson. According to Eddie Holland, Florence seemed to think that this meant that the  remaining members of their respective trios should also pair up, but Holland didn't think that he should get involved, given Florence's mental fragility and his own promiscuous nature. Both Lamont and Brian later split up with their respective Supremes partners, but luckily everyone was professional enough that they were all able to continue working together. After "Stop! In the Name of Love" came "Back in Your Arms Again", making five number ones in a row for the combination of the Supremes and Holland-Dozier-Holland. On top of this, Holland-Dozier-Holland were busily making hits for the Four Tops, who we'll hear more about next week, and for the Isley Brothers, as well as writing odd songs for other artists like Marvin Gaye. To put this into perspective, at this point the *only* act ever to have had five number ones in a row on the US charts was Elvis, who had done it twice. The Beatles were about to hit their fifth, and would eventually get to six number ones in a row -- they had eleven in the UK, but many more Beatles singles were released in the US than in the UK, so there were more opportunities to break the streak. That was the company the Supremes were in. It's important to stress how big the Supremes, Motown, and Holland-Dozier-Holland were in 1965. There were twenty-seven Billboard number one singles that year, and six of them were from Motown -- compared to five from the Beatles and two from the Rolling Stones. Of those six number one Motown singles, five of them were Holland-Dozier-Holland productions, and four were by the Supremes. Of course, number one records are not the only measure of success in the music industry, but they are definitely a measure. By that measure, the Supremes were bigger than anyone except the Beatles, but this led to a certain amount of dissatisfaction among the rest of the Motown acts. They were being told that a rising tide would lift all boats, but the way they saw it, everyone who wasn't a Supreme was being ignored, unless they were named Smokey Robinson or Marvin Gaye. The Vandellas, for example, thought that records like "Dancing in the Street", which made number two in the charts, could have easily made number one had they been given the same kind of promotion as the Supremes. This was, to them, particularly evident when it came to the first British tour of the Motortown Revue, in March 1965. While the various Motown acts were on tour in the UK, the opportunity came up to do a TV special for Granada TV, presented by Dusty Springfield, who was the driving force behind the special. Springfield was particularly an admirer of Martha and the Vandellas, and got Martha to duet with her on her own hit "Wishin' and Hopin'": [Excerpt: Dusty Springfield and Martha Reeves, "Wishin' and Hopin'"] Yet while all the acts on the tour -- the Vandellas, Stevie Wonder, the Miracles, and the Temptations -- got their moments in the spotlight on the show, the Supremes did seem to dominate it, with more songs than any of the other acts. This was partly just good sense -- Motown was only just starting to have a presence in the UK, and to the extent it did the Supremes were almost the only Motown artists that had made any impression on the public consciousness at all at this point -- but it was also because Berry Gordy was becoming increasingly infatuated with Diana Ross, and they finally consummated their relationship in Paris at the end of the tour. Now, it is important to note here that this is always portrayed in every book about the group or Motown as "scheming Diana Ross used her feminine wiles to seduce hapless Berry Gordy, who was helplessly under her spell.” That's certainly one way to look at it. Another way to look at it is that Berry Gordy was a thirty-five-year-old married man sleeping with an employee of his who had only just turned twenty-one, and who had been his employee for several years. I wouldn't mention any of this at all -- I despise the gossiping nature of much music writing -- except that it is impossible to read anything at all about the Supremes without getting a take on the group's career from this point on that has Ross using her sexuality to manipulate Gordy in order to fulfil her own scheming ambition. I think there's no question at all that Ross was ambitious, but I think most of the narrative about her is rooted in misogyny, and a very deep misunderstanding of the power dynamics in her relationship with Gordy. But there is absolutely no question that Gordy saw the Supremes as the most important act on Motown -- and that he saw Diana Ross as the most important part of the Supremes. And decisions made for the benefit of Ross were not always decisions that would benefit her colleagues. For example, at this point in time, the fashion was for women to be very curvy, rather than thin. Ross was extremely thin, and so the group's outfits were padded. This wasn't such a problem for Mary, who had her own issues about a lack of curves, but for Florence, who was bigger than the other two, it was humiliating, because it made her look bigger than she was, and there was no question of the padding being removed from her clothes -- the decisions were being made on the basis of what made Diana look good. Of course, fashions change, and with the rise of the supermodel Twiggy, suddenly a more emaciated look became popular, so the group were able to drop the padding -- but that still left Florence as the unfashionable-looking one. She became deeply insecure about this, though she would hide it with humour -- after Twiggy became popular, there was a scripted bit of the show where Ross would say "thin is in", and Florence ad libbed "but fat is where it's at!", and her ad lib became part of the routine. After the Supremes' run of five number one singles, it might have seemed that they were invulnerable, but in September 1965, "Nothing But Heartaches" came out, and it only made number eleven: [Excerpt: The Supremes, “Nothing But Heartaches”] For any other act, this would be a major hit, but for an act that had had five number one hits in a row, it was a failure, and it was treated as such, even though it sold over a million copies. Berry Gordy actually sent out a memo to all Motown creative staff, saying "We will release nothing less than top ten product on any artist: and because the Supremes' world-wide acceptance is greater than the other artists, on them we will only release number-one records". Of course, that was easier said than done -- every songwriter and producer wanted only to be making number one records, after all, but it's a symptom of the attitudes that were showing up at Motown by this point -- a number eleven hit for a group that two years earlier had been laughed at for being the "no hit Supremes" was now regarded as a failure to be punished, while major successes were just to be considered the norm. But it's also a tribute to how successful Holland, Dozier, and Holland were by this point that the next Supremes single was, once again, another number one hit. The inspiration for "I Hear a Symphony" came from Dozier thinking about how characters in films often had musical motifs on the soundtrack, and how ridiculous it would be if people in real life walked around with their own musical accompaniments. But it might also be that the writing trio had something else in mind. In August, just over a month before the recording of "I Hear a Symphony", a girl group called The Toys had released a single called "A Lover's Concerto": [Excerpt: The Toys, "A Lover's Concerto"] That song had been based on a piece of music usually incorrectly attributed to Bach, but actually by the Baroque composer Christian Petzold, and had been written by Sandy Linzer and Denny Randell, two writers who usually wrote for the Four Seasons, whose four-on-the-floor style was very similar to that of Holland, Dozier, and Holland. Linzer and Randell had even put in a little nod to the Supremes in the song. Compare the intro of the Toys record: [Excerpt: The Toys, "A Lover's Concerto"] With the intro from "Stop! In the Name of Love!": [Excerpt: The Supremes, "Stop! In the Name of Love!"] The section from eight through sixteen seconds on the Toys record is so close to the section from eleven through nineteen seconds on the Supremes one that you can play them almost together -- I had to do a tiny splice five seconds in here because the musicians on the Toys record don't have the perfect timing of the Funk Brothers and drifted by 0.1 seconds, but I hope you can see just how close those two sections are: [Excerpt: The Supremes and The Toys together] See what I mean? The Toys' record reached number two on the charts -- not a number one, but better than the most recent Supremes record. So it might well be that Holland, Dozier, and Holland were also thinking about the Toys' record when they came to make their new one -- especially since it had contained a little nod to their own work. And the odd thing about that section is it's not integral to the Toys record at all -- it's just there, I think, as a nod and a wink to anyone listening for it. Certainly, Holland, Dozier, and Holland were aware of the Toys record -- they had the Supremes cut a cover version of it for the I Hear a Symphony album. That album also contained the Supremes' version of the Beatles' "Yesterday" -- another hit which had, of course, referenced classical music, with its string quartet backing. One hit record referencing classical music might be a fluke, but two was a pattern, and so whatever the writers' later claims about the inspiration, it's reasonable to suspect that at the very least they were paying close attention to this pattern. The lyrics to "I Hear a Symphony" were written in a rush. The original plan had been for the group to release a song called "Mother Dear" as their next single, but then Brian Holland and Lamont Dozier came up with the track and title for "I Hear a Symphony", and knew it would be a winner. There was one problem, though -- the single needed to be out relatively quickly, and the Supremes were travelling to the UK in two days' time. When the instrumental track had been cut, Brian Holland phoned his brother, waking him up, and telling him they needed a set of lyrics for the very next day. Holland was actually already a little burned out that day -- he'd just been working on "Road Runner" by Junior Walker and the All-Stars, which was intended as the follow-up to their big hit "Shotgun": [Excerpt: Junior Walker and the All-Stars, "(I'm a) Road Runner"] At least, Holland says that was what he was working on, though it came out five months later – but Motown often delayed releases by minor acts. "Road Runner" was not normal Holland-Dozier-Holland material, it had been difficult to write, and not only that they'd discovered that Walker couldn't play the saxophone part in the same keys that he could sing the song, so they'd had to varispeed the track in order to get both parts down. Holland had had a tiring day, and had just gone to sleep when the phone had rung. Brian Holland had a copy of the backing track couriered over to Eddie in the middle of the night, and Eddie stayed up all night writing the lyrics, eventually finishing them in the studio while he was teaching Diana Ross the song: [Excerpt: The Supremes, "I Hear a Symphony"] Because it had to be recorded in such a hurry, the Supremes were in London when the mixing was finalised -- as was Berry Gordy, who normally ran Motown's quality control meetings, the meetings in which the executives and producers all checked all the work that was going out to make sure it met the company's standards. Normally, if Gordy was out of town, Brian Holland would take over the meeting, but a new Supremes single was important enough to Gordy that he made an international phone call to the meeting and listened to the record over the phone. Gordy insisted that the vocal was too high in the mix, but Brian Holland pushed back, and Gordy eventually agreed to let the record go out as it was, despite his reservations. He agreed that he had been wrong when the record went to number one. It wouldn't start another streak of number ones, but the next eight singles would all go top ten, and the group would have another six number ones, including a streak of four in late 1966 and early 1967. There were other records, as well -- Christmas singles (which don't tend to get counted as "real singles", because Christmas records got put on their own special charts), and promotional efforts, like "Things Are Changing For The Better". That was a song that Brian Wilson and Mike Love of the Beach Boys had originally written for the Ronettes, under the title "Don't Hurt My Little Sister", but while Spector had cut a backing track, the song hadn't been considered worth the Ronettes adding their vocals, and the Beach Boys had cut their own version as an album track: [Excerpt: The Beach Boys, "Don't Hurt My Little Sister"] But a year later, the Advertising Council wanted a public information song, to promote the Civil Rights Act of 1964 and the subsequent Voting Rights Act of 1965, two landmark acts that between them meant that for the first time discrimination against Black people wasn't legal. They turned to Spector to come up with something, and Spector, not wanting to waste a hit on them, came up with some new lyrics for the unused backing track, using the various slogans the Advertising Council wanted. Spector got his assistant Jerry Riopelle to finish the track off, and three versions were cut with different vocals over the same backing track. Riopelle produced a version with the Blossoms on vocals, another version was performed by the white pop group Jay and the Americans, and finally Motown put out a version with the Supremes singing over Spector's track. It's not the greatest track ever recorded or anything, but it is the only collaboration between the three biggest American hit-makers of the early sixties -- the Beach Boys, Spector, and the Supremes -- even if they didn't actually work together on it, and so "Things Are Changing For The Better" is interesting as a capsule of American pop music in 1965: [Excerpt: The Supremes, "Things Are Changing For The Better"] But Gordy had plans for the Supremes that involved them moving away from being merely pop stars, and the title of “I Hear a Symphony” worked well for Gordy's plans. Like Sam Cooke before them, he wanted them to move into the more lucrative middle-class white market, and like Sam Cooke that meant playing the Copacabana. We talked a little about the Copacabana -- or the Copa as it was universally known -- in the episode on "A Change is Gonna Come", but it's hard to get across now what an important venue it was. It was a mob-controlled nightclub in New York, and while it was only a nightclub, not a huge-capacity venue, headlining there was considered a sign that an act had made it and become part of the elite. If you could headline at the Copacabana in the early sixties, you were no longer a transitory pop act who might be gone tomorrow, you were up there with Tony Bennett and Sammy Davis Jr and Martin and Lewis. Of course, that whole showbusiness world has largely gone now, and the entertainment industry was going through massive changes in the early sixties that would soon make whether an act had headlined at the Copa as irrelevant to their future prospects as where they had gone to school, but nobody at the time knew that the changes that were happening -- thanks in large part to labels like Motown -- were going to be lasting ones, rather than just fads. So Gordy decided that his flagship group were going to headline at the Copa -- even though he had to agree to a deal which meant that for their initial three-week residency  the group members only made sixty dollars a show each before expenses. And they were going to do a "classy" show. Yes, they would include a few of the hits, but most of the songs would be things like "Somewhere" from West Side Story, the Barbra Streisand song "People" -- which would be Florence's one lead vocal in the show -- the Guy Lombardo song "Enjoy Yourself, It's Later Than You Think", and of all things "Rock-a-bye Your Baby With a Dixie Melody": [Excerpt: The Supremes, "Rock-A-Bye Your Baby With a Dixie Melody"] The rest of the repertoire was show tunes, a gender-swapped version of "The Girl From Ipanema" retitled "The Boy From Ipanema", a parody of Roger Miller's "King of the Road" titled "Queen of the House", and a medley of Sam Cooke's hits. Other than the Cooke material and the brief run-throughs of their own number ones, the setlist was tailored entirely for the Copa's clientele, which barely overlapped at all with the Motown audience. The Copa residency was a triumph, and led to the Supremes making regular appearances at the venue for seven years, but it came at a great cost to the group members. Ross was so stressed she lost a stone of her already low weight, the first sign of the anorexia which she would deal with for many years to come. Meanwhile, Florence had to miss a chunk of the rehearsals as she became seriously ill with the flu, though she got herself well enough to make the opening night. And while it was what Berry Gordy had been working towards for years, it couldn't have come at a worse time for him personally -- his elder sister Loucye died suddenly of a brain haemorrhage shortly before the residency, and her funeral was actually the morning of the opening night. The opening night went exactly as Gordy had planned, except for one ad-lib -- during the song "You're Nobody 'Til Somebody Loves You", after Ross sang the line “But gold won't bring you happiness,” Florence interjected a joking line -- "Now wait a minute, honey. I don't know about all that." The audience loved her ad-lib -- Sammy Davis Jr., who was in the audience, yelled out "All right, girl! You tell it like it is!" -- and the line got added as a regular part of the performance: [Excerpt: The Supremes, “You're Nobody 'Til Somebody Loves You”] along with a rather less fun bit where Florence would mention "little old me", and Ross would snarkily respond "Little?" But even though it worked, Gordy was furious, partly just because he was understandably in a bad mood after his sister's funeral, partly because it was a deviation from the carefully-scripted performance, and partly because it was a moment in the spotlight for someone other than Diana Ross. As retaliation, a couple of days later he had Harvey Fuqua tell the group that they were dropping "People" -- Florence's only lead vocal -- from the set because there were too many show tunes. Then, a week or so later, "People" was added back to the set, but with Ross singing lead. (Mary Wilson had also asked to have her own lead vocal in the set, but Gordy had just looked at her sadly and said "Mary, you know you can't sing".) Florence was devastated. She was already drinking too much, but that escalated after the Copa engagement. Even though the group had never been as close as many groups are, they had all genuinely attempted to create a bond with each other, even all moving on to the same street. But now, that physical closeness just became an opportunity for the women to note the comings and goings at each other's houses and pass snarky comment on it. Ballard was fast becoming considered a liability by the powers that be at Motown, and even the existence of the Supremes was starting to be seen as something that was merely a hindrance for Diana Ross' career, rather than them being seen for what they were -- a massively successful group, not just a lead singer and her backing vocalists. Florence wasn't very long for the group, and when we next look at them, we'll no longer be looking at the Supremes, but at Diana Ross and the Supremes...

This episode we're joined by the amazing Taylor Swift (https://twitter.com/tayraeswift). Together we're spoofing the classic tale of a witch processing her grief in a hot mess of a universe. Follow us everywhere (https://linktr.ee/peterbutterandjeannie).

In this inaugural episode of Things That Seemed Important At The Time, Mark reminisces about the time he upset everyone by talking about the moral imperative of abandoning hope. Join him as he seeks some breakthroughs, and a few laughs, with guests Laura Reid, Andrew Buskell, and Quinn Gibson.Support the show

00:51 Amanda intro 10:07 How are you reaching beer-enthusiast-minorities?12:42 How do you juggle this side business and your day job?16:12 How do you handle nightmare situations?20:47 What are you some of your successes?24:04 What are your future plans for GPO?38:27 How do you acquire new members?

**Hi all Enjoy my last Radio-Mix-Show #Dj-Mix-Set SOULFUL GENERATION L'EMISSION To 2021 year On #HouseStationRadio www.housestationradio.com To the Friday March 19th 2021 Between 10 Pm -11:30 Pm (Paris - Italy) 9 Pm - 10:30 Pm (London) 4 Pm- 5:30 Pm (U.S.A) Available too on Soundcloud : https://soundcloud.com/djdssoulfulgeneration/soulful-generation-by-dj-ds-france-house-station-radio-march-19th-2021 Mixcloud: https://www.mixcloud.com/david-djds/soulful-generation-by-dj-ds-france-housestation-radio-march-19th-2021/ With this awesome play-list What i invited you to discover absolutely : The New Jersey Connection-Dance with you (Big Moses Remix)Merle Art Productions https://music.apple.com/gb/album/dance-with-you-big-moses-remix-single/1557835044 Dj Suff-Funky Intention(Original Mix)Mange Le Funk https://www.traxsource.com/track/8049784/funky-intention-original-mix Andrea Erre, Soul Groove, Venessa Jackson-Who Are You (Original Mix)Soul Mood Records https://www.traxsource.com/track/8441796/who-are-you-original-mix Expanded People-So fresh (Expanded Mix)Expanded Records https://soundcloud.com/expanded-records/expanded-people-so-fresh Maurice Joshua, Joyce Hurley, Oscar P-We Fall Down (Oscar P Connected Retouch)Heavy Records https://www.traxsource.com/track/8505114/we-fall-down-oscar-p-connected-retouch Craig C, Marc Cotterell-This Music (Marc Cotterell Refix)Craig C Recordings https://www.traxsource.com/track/8558656/this-music-marc-cotterell-refix Col Lawton, Da Funk Junkies, Alyson Joyce-Change Is Coming (Original Mix)King Street Sounds https://www.traxsource.com/track/8508257/change-is-coming-original-mix Ann Nesby-So Much (Original)Code Red Recordings https://www.traxsource.com/track/14057/so-much-joy-original DJ DS-Disco Bus (Club Mix)Veksler Records https://www.traxsource.com/track/6979961/disco-bus-club-mix DJ DS-Yeah (Stripped Down Mix)Craniality Sounds https://www.traxsource.com/track/7080397/yeah-stripped-down-mix Kelli Sae, Michael Gray-Good Love (Michael Gray Extended Mix)Reel People Music https://www.traxsource.com/track/7864507/good-love-michael-gray-extended-mix Gino Love-Funk Pie Veksler Records Lonnie Gordon -If You Really Love Me (Pumpin' Mix) Zonum,Becka,Rob Mitchell - Empathy Club Together Records Danny Clark, Jay Benham, SuSu Bobien-Wondrous (Danny Clark 2021 Relentless Funk Mix)Dallinghoo Recordings https://www.traxsource.com/track/8481256/wondrous-danny-clark-2021-relentless-funk-mix Papik feat. Frankie Lovecchio-Body to Body (Ricky Birickyno Classic Remix)Irma Dancefloor https://soundcloud.com/irma-dancefloor/body-to-body-ricky-birickyno Ken@Work - I'm Wishin' (Original Mix) (Mango Sounds) https://www.traxsource.com/track/8462737/im-wishin-original-mix Demarkus Lewis-You To Stay (Zetbee Remix) Moiss Music https://www.traxsource.com/track/8571030/you-to-stay-zetbee-remix Bananarama-Cruel Summer (Erick B Creepin' Mix) https://erickb.bandcamp.com/track/bananarama-cruel-summer-erick-b-creepin-mix Jerem A-Color Me (Rick Marshall Remix)Nu Monkey Records https://www.traxsource.com/track/7135534/color-me-rick-marshall-remix Next Rendez vous together On #HouseStationRadio www.housestationradio.com Friday March 26 th 2021 Between 10 Pm -11:30 Pm (Paris - Italy) 9 Pm - 10:30 Pm (London) 4 Pm- 5:30 Pm (U.S.A) Spread the word Greetings to France DJ DS ♥♥♪♫♪♫♪**

Wishin' everyone a Happy Thanksgiving! Discussed on this pod (11/29/20): - Offseason grade - new players, new contracts, Knicks direction - Randle & DSJ W. Abdul-Rauf thoughts - Thoughts on other teams' offseasons - Lakers, Hawks, and Clippers - Nate v Jake && Tyson v RJJ CHECK US OUT ON SPORTSCASTR

Wishin'...and hopin'....and thinkin'...and prayin'... These classic lyrics sung by Dionne Warwick come to mind as every Mets fan read the official statement released that Steve Cohen and Sterling Partners have agreed to a deal to sell him the Mets. Now, it is only a matter of the other MLB owners voting yes and the Mets are finally out of the Wilpons' hands. While analyzing the playoff chances that continue to dwindle after another disappointing weekend, we will look towards the future on tonight's A Metsian Podcast, dreaming of a world with a well operated baseball machine on the other side of the baseball city. Join us LIVE at 8pm ET for A Metsian Podcast!

We watched episode 35 of Mystic Knights. There was a wish. There was a whirlwind. There was not any plot progress. We discuss how bad Angus and Ivar are at being heroes, we try really hard to crack wish dynamics, Torq is the best informed person in all of Kells or Tamera and we think we understand how their morphing works. https://popculturefailure.podbean.com/   popculturefailure@gmail.com Show: @FailedPopCultur Jake: @mdwstlvaffr Sky: @sandwichsurplus

Broadcasters Dan Hoard and Dave Lapham break down the Week 11 game against the Oakland Raiders with postgame analysis, interviews and highlights. See omnystudio.com/listener for privacy information.

Originally aired on September 2, 2019.This week, I'm adding to the track I started back in Episode 208.   I think it will eventually be used as accompaniment for flying sequence music videos or a video game with a flying pixelart Logan:https://13thhr.wordpress.com/2019/09/02/the-thirteenth-hour-podcast-212-musical-interlude-chiptune-flying-track-2/For now, though, I've made a little pixelart still that I edited in Photoshop that will be the cover art for the track:A game is a long term project.  For now, I'll probably just be making the musical tracks.  In the episode, I also have a few updates on two other musical pieces I've been working on.Edit: a near final copy of the track is released here: https://joshuablum.bandcamp.com/track/a-dream-and-a-wishIn the meantime, this page formerly had what I affectionately dubbed a "starving artist" section on little side hustles you could do (mostly on the internet, often with a phone) to make a few bucks here and there, often in gift cards.  Well, now you can listen to this show (as well as other podcasts) and get paid to do so!  Check out https://www.podcoin.com/ to listen to the show and start earning points that you can redeem for gift cards (Amazon, Target, Starbucks, etc) or donations to a number of charities.  Use the code "Thirteen" when you sign up to get 300 extra points.  The Thirteen Hour Podcast is now on BONUS this week, so you can earn more than normal (1.5x).Speaking of music, if you haven't checked out "Arcade Days," the song and video Jeff Finley, Brent Simon, and I have been working on the past year, click on the link below to do so!https://www.youtube.com/watch?v=w6MD6UCYeQ4You can find more pictures and preview clips of "Arcade Days" on IG as well as this podcast's FB page.Between Two Worlds, the synth EP follow up to Long Ago Not So Far Away is now out for streaming on Bandcamp.  The bonus track, called "Flight of the Cloudrider" has a 80s movie mashup music video (see if you can identify all the movies!) which is available on youtube.   This app was largely created with the iphone app Auxy.Stay tuned.  Follow along on Spotify!  There is also a growing extended Thirteenth Hour playlist on Spotify with a growing number of retro 80s songs.Check it out!As always, thanks for listening!∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!

Apple's Worldwide Developers conference is next Monday. Jonathan Mosen introduces our expert panel who'll be part of The Blind Side Podcast 89 in which we'll provide post-WWDC analysis. And don't forget, if you're a Daily Fibre Premium subscriber, you can tune into a live stream of the recording of that episode. Become a Daily Fibre Premium subscriber today.Jonathan outlines his top 10 wish list for iOS 12. Read a text version of his thoughts here.We had a stunning number of responses to our question asking what you'd like to see in Apple's next operating system. We play a selection of 20 of the contributions we received. Thanks for all of them, it was amazing to get such an overwhelming response.We welcome your feedback. Send email to TheBlindSide at Mosen dot org or call the feedback line in the United States on (719) 270-5114.You can also join our online community to discuss the podcast with other listeners. Send a blank email to TheBlindSide+subscribe@groups.io