Podcasts about hamiltons

Vem kunde anat att racet på Monacos gator skulle bli tråkigt? Alla? ah okej, men resten av helgen var ju rätt kul i vilket fall! Vi konstaterar även i dagens avsnitt att Ricciardo Adami, Hamiltons race engineer, är en rookie. Trots att han har jobbat med det i 20 år... Vi snackar också om när George Russell försökte uppenbart fuska, och till slut hypear vi upp lite inför nästa stopp i triple headern, nämligen Spanien!Support the showSveriges Snabbaste Podcast!

Det går inte så bra för Lewis Hamilton längre, och det krisar faktiskt på flera olika plan för F1-stjärnan. Efter VM-titlar med McLaren och Mercedes bytte Hamilton inför den här säsongen till Ferrari där han inte alls fått den säsongsstart han hoppats på. Inte nog med det har även den hamburgerkedja han startat tillsammans med skådespelaren Leonardo DiCaprio gått i konkurs med en mångmiljonförlust, efter bara sex år i branschen. Hur illa är krisen i Ferrari? Varför är Hamilton så långt efter och borde han koncentrera sig på sportsliga framgångar istället för att gå på MET-galan? Med: Anna Andersson Programledare: Demir Lilja

Ķīnas GP sprinta nedēļas nogalē ppie pirmās sprinta uzvaras tika Luis Hamiltons, kamēr svētdienas Grand Prix sacīkstē triumfēja Oskars Piastri, saasinot situāciju arī kopvērtējumā.#ĶīnasGP #Piastri #Hamiltons

We had an interesting Chinese GP weekend that served up our 1st Sprint race of the new season. Hamilton scored a really surprising victory in Sprint highlighting a very controlled Sprint Qualifying, and race ! Ferrari had a tale of two half's, when after the race they ended having both cars disqualified , along with Gaslys Alpine for being underweight, and Hamiltons car having worn skid blocks. During the race Piastri had a fantastic victory for Mclaren, while Norris nursed brake issues to come 2nd , while Mercedes had another great weekend with Rusell, and Antonelli doing another solid job with finishing in 7th even though it was later found out he had floor damage.

This week on LadyGang, we're joined by one of reality TV's favorite couples—Lauren and Cameron Hamilton from Love is Blind Season 1! They're dishing on behind-the-scenes moments from the show that started it all, sharing stories you didn't see on camera and revealing what it was really like to fall in love sight unseen. The couple also opens up about their fertility journey, offering an honest look into this deeply personal chapter of their lives. Plus, they spill details on their hit show Hanging with the Hamiltons, where they continue to charm fans with their love, laughter, and everyday adventures. And if that's not exciting enough, Lauren and Cameron will be joining us at LADYWORLD this September! Get ready for a mix of romance, real talk, and, of course, plenty of LadyGang vibes! We have deals for you!! Good Wipes: Get your first pack of Good Wipes FOR FREE! Buy any package, text your receipt, and get reimbursed! More info at GoodWipes.com/ladygang Boll & Branch: Change the way you sleep! Get 15% off, plus free shipping on your first set of sheets at BollAndBranch.com/ladygang Nutrafol: Got thinning hair? Get $10 off your first month's subscription and free shipping at Nutrafol.com and use code LGPOD Quince: Give yourself the luxury you deserve! Go to Quince.com/lady for free shipping on your order and 365-day returns! Cover Girl: Superboost your lashes with NEW Lash Blast Supercloud Mascara! Only from Easy, Breezy, Beautiful COVERGIRL. http://bit.ly/3Ez5HC9 Progressive: Wanna save on car insurance? Visit Progressive.com to see how much you can save!

Do you want to get into real estate but fear you're too late to the party? This middle-aged, middle-class couple thought so, too. Instead, they discovered a strategy that helped them fast-track their financial goals, bringing them to six rental properties and over $75,000 in annual cash flow! Welcome back to the Real Estate Rookie podcast! Brianne and Doug Hamilton didn't want to rely on their W2 jobs for their financial security, so like many, they turned to real estate investing. In just a few years, they have scaled to six properties and built two real estate businesses. They're on the path to financial independence, even though they started in their late 30s. If they can do it, YOU can, too! As you're about to hear, Brianne and Doug have done it all. They've launched vacation rentals. They've bought properties with other people's money (OPM). They've even cohosted and managed properties for other investors. But their secret to snowballing one rental property into six? The BRRRR method (buy, rehab, rent, refinance, repeat). Stick around to learn more about this strategy and copy the Hamiltons' success, no matter what stage of life you're in! In This Episode We Cover: Snowballing to six properties and over $75,000 in annual cash flow Scaling with the BRRRR method (buy, rehab, rent, refinance, repeat) The power of networking when you're just starting your investing journey Choosing an investing strategy that aligns with your goals, skills, and passions How to buy a rental property using other people's money (OPM) Tips and tricks for increasing your short-term rental bookings And So Much More! Links from the Show Ashley's BiggerPockets Profile Tony's BiggerPockets Profile Join BiggerPockets for FREE Real Estate Rookie Facebook Group Real Estate Rookie YouTube Follow Real Estate Rookie on Instagram Ask Your Question for a Future Rookie Reply “Like” Real Estate Rookie on Facebook Brianne & Doug's Instagram Buy the Book “Buy, Rehab, Rent, Refinance, Repeat” Sign Up for the Real Estate Rookie Newsletter Find Investor-Friendly Lenders What Is the BRRRR Method & How to Use It to Invest in Real Estate Connect with Brianne (00:00) Intro (00:45) Why Real Estate Investing? (03:36) Buying the First Property (08:52) “Diversifying” with Vacation Rentals (16:31) Using Other People's Money (22:08) How to Increase Bookings (31:10) Brianne & Doug's Portfolio (34:35) Connect with Brianne & Doug! Check out more resources from this show on BiggerPockets.com and https://www.biggerpockets.com/blog/rookie-527 Interested in learning more about today's sponsors or becoming a BiggerPockets partner yourself? Email advertise@biggerpockets.com.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Click to Subscribe: https://bit.ly/Youtube-Subscribe-SoapDirt Beyond the Gates viewers are introduced to a new ensemble of characters, led by the powerful Dupree and Hawthorne families. Anita Dupree (Tamara Tunie) is the matriarch of the family, a former singer who sacrifices her career to support her husband, Vernon Dupree (Clifton Davis), a retired congressman and civil rights activist. Their youngest daughter, Danni Dupree (Karla Mosley), is a high school dropout turned model, managing her daughter's career while plotting revenge against her ex-husband on the CBS soap opera. BTG meets the Hawthorne family that includes Jacob Hawthorne (Jibre Hordges), a Maryland detective married to Naomi Hamilton Hawthorne (Arielle Prepetit), the oldest Dupree daughter. Naomi, a civil lawyer, is estranged from her father after he cheated on her mother with her best friend, Hayley Lawson (Marquita Goings). Beyond the Gates sees other key characters include Dr. Ted Richardson (Maurice Johnson), a successful plastic surgeon with a secretive past, and Martin Richardson (Brandon Claybon), who aims to be the first openly gay president. Martin's husband, Bradley Smith (Mike Manning), is a stay-at-home dad to their two adopted children. Check Out our Social Media... Twitter: https://twitter.com/SoapDirtTV Facebook: https://www.facebook.com/SoapDirt Pinterest: https://www.pinterest.com/soapdirt/ TikTok: https://www.tiktok.com/@soapdirt Instagram: https://www.instagram.com/soapdirt/

Ask Flora Funga Podcast anything OR Leave a ReviewThank you Magic Mind for your 45% off this January BundleIf you want to try Hamiltons Mushroom Products use this link Today we chat with Hamiltons Mushrooms a Medicinal Mushroom Nerd. Forager. Filmmaker and storyteller all on uncovering the secrets behind mushroom supplement industry as well as how to learn mushrooms quickly.All Resources Mentioned on www.florafungapodcast.com/147Wear FFP merch to support the show and impress your friends & family Zbiotics: "FLORA10"Drink ZBiotics before drinking alcohol-Alcohol produces acetaldehyde, a byproduct that your next dayMagic Mind "FLORAFUNGA20"The World's First Productivity Shot™ A matcha-based energy shot infused with nootropics and adaptogDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show***I am an affiliate with ENERGYBITS (your daily algae tablet packed with nutrients) go visit this link and use code FLORAFUNGA at checkout for 20% off***Get 20% off Sovereignty use code "KK20" Zbiotics: "FLORA10"Drink ZBiotics before drinking alcohol-Alcohol produces acetaldehyde, a byproduct that your next day SUPPORT THE SHOW: Join my Patreon for only $1/month [THATS only .03 cents a day!]Follow my other social media sites to interact and engage with me:Email me to be on the podcast or inperson Interview: floraandfungapodcast@gmail.com FacebookInstagramTwitterTikTokYouTubePatreon Help support my plant buying habit by "Buying me a Plant"a twist on buy me a coffee

Die Formel-1-Saison 2024 endet mit einem Knall!

Die Formel-1-Saison 2024 endet mit einem Knall!

I detta fartfyllda avsnitt har Christofer lösningarna på alla F1s problem, och Alex håller med alla utom en

Get in there, Lewis!Han fick vänta i 945 dagar - men till slut blev Lewis Hamilton en vinnare igen. Inför en extatisk hemmapublik på Silverstone slog han till med sin 104:e F1-seger i karriären och sin nionde i Storbritanniens Grand Prix. Vi kartlägger Sir Lewis väg till segern och tittar närmare på hur McLaren ännu en gång slarvade bort en trolig succé med båda bilarna. Sergio Perez hade ännu ett mardrömsrace och riskerar nu på allvar att bli av med sin Red Bull-sits. Vem kan tänkas ersätta? Håller en 19-årig fransman på att köra in sig i konversationen från oväntat håll? Det blir också Formel 3 och en tung, tung helg för Dino Beganovic. Desto muntrare var det för halvsvensken Arvid Lindblad som, inför sin faktiska hemmapublik i England, smällde till med dubbla segrar i juniorkategorin.Sist men inte minst recenserar vi premiärracet för Indycars nya hybridmotorer. Hör allt om svenskarnas äventyr på Mid-Ohio, och hur McLaren ändå till slut fick med sig en medalj av den ädlaste valören den här helgen. Hosted on Acast. See acast.com/privacy for more information.

Luiss Hamiltons emocionālā gaisotnē izcīna savu devīto uzvaru Silverstonas trasē! #Hamiltons #Silverstona #LielbritānijasGP

Founding Father, first Secretary of the Treasury and focus of one of the world's first political sex scandals - we couldn't do a series about Alexander Hamilton without touching on his personal life.Don is joined by Elizabeth Cobbs in this episode to explore the private lives of the Hamiltons. Who was Elizabeth Schuyler? Did her sister have an affair with her husband? And was the Reynolds affair an elaborate plot or an unhappy coincidence?Produced and edited by Sophie Gee. Senior Producer was Charlotte Long.Enjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Get a subscription for $1 per month for 3 months with code AMERICANHISTORY sign up at https://historyhit/subscription/ You can take part in our listener survey here.

Brother of Dontre Hamilton, Nate Hamilton, joins Wisconsin's Midday News to remember his brother 10 years after Dontre was shot and killed by Milwaukee Police Officer Christopher Manney. Nate, who is Chairman of the Community Collaborative Commission, discusses the state of the justice system and how he and the CCC have been able to work with Police Departments to help create a safer community. Dontre Hamilton's family will host community events this weekend starting with a showing of the documentary film "The Blood is at the Doorstep" which will take place at the Oriental Theatre tonight at 7PM. Tomorrow, the Hamiltons are hosting a community resource event. There will be housing and mental health resources for free. The event takes place at Red Arrow Park from 12 p.m. until 6 p.m.

“I believe that there is one story in the world, and only one. . . . Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. . . . There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?” Welcome back to another episode of Made You Think! In this episode, Nat, Neil and Adil dive into John Steinbeck's masterpiece, East of Eden. Following the lives of two families, the Trasks and the Hamiltons, this novel ultimately reflects on the timeless struggle between darkness and light within the human soul. We cover a wide range of topics including: The timeless battle between good and evil Why having a fixed worldview can lead to hurt Parallels between East of Eden and the story of Cain and Abel A glimpse into what life was like at the start of the Great War How parents' actions impact their children's lives And much more. Please enjoy, and make sure to follow Nat, Neil, and Adil on Twitter and share your thoughts on the episode. Links from the Episode: Mentioned in the Show: East of Eden movie (1:02:47) East of Eden Netflix series (1:03:21) Three-Body Problem series (1:03:46) Shantaram (TV series) (1:07:21) Harry Potter 20th Anniversary: Return to Hogwarts (1:10:41) Books Mentioned: East of Eden (Nat's Book Notes) Flowers for Algernon (0:02) (Book Episode) Grapes of Wrath (0:59) Infinite Jest (4:23) (Book Episode 1) (Book Episode 2) (Nat's Book Notes) The Three-Body Problem (6:32) (Book Episode) (Nat's Book Notes) Atlas Shrugged (7:52) (Book Episode) (Nat's Book Notes) Shantaram (1:06:46) Einstein's Dreams (1:32:12) The Moon is Down (1:33:20) Lying (1:47:43) The Fountainhead (1:57:59) Bad Therapy (2:00:04) People Mentioned: John Steinbeck John Gray (1:29:34) Ayn Rand (1:58:30) Show Topics: (0:00) Today, we're diving into John Steinbeck's East of Eden, a novel that stood as a pinnacle in Steinbeck's illustrious career. We kick off the episode by exploring Steinbeck's candidness as shown in his accompanying journal. (2:57) Nat, Neil, and Adil share their experience reading the book for the second time, each finding deeper connections to its major themes and characters this time around. (6:27) We draw parallels between East of Eden and The Three-Body Problem contrasting their narrative styles. While East of Eden is emotionally impactful with rich characters, The Three-Body Problem unfolds in a flatter, more plot-driven world. Check out our episode on The Three-Body Problem if you haven't already! (9:31) Discussing Steinbeck's immersive writing style, we explore how he vividly paints the environments and characters of the book, making us feel as though they are living within its pages. (13:43) We delve into the characters of the novel, particularly Cathy, and how she shaped the narrative. Cathy doesn't always see the good, and often fails to take reponsibility for the things that happen to her.  (16:04) The book follows two main families, the Trasks and the Hamiltons. There is a major parallel of "two sons" as Adam has two sons, Steinbeck has two sons, and Cain and Abel are two sons.  (21:06) It wasn't the plot that drew us into the book, but rather the characters, and how they demonstrate the lessons taught in the novel. One of those lessons is the power of choice, and how you must take responsibility for your choices.  (26:31) Listen in as we read an excerpt from Chapter 34 on the topic of good vs. evil, and how humans are caught in their lives, thoughts, ambitions. “Have I done well or ill?”  (34:07) Adam has two sons, Aron and Caleb. Though theoretically, could Caleb be Charles' son? We talk about the similarities between Charles and Caleb, and Adam and Aron.  (37:38) Examining the allegory of Cain and Abel within the novel, we discuss how Steinbeck portrays the struggle between good and evil. Steinbeck presents a compelling argument for the power of choice, demonstrating that no matter how many times you choose evil, you always have the power to choose good. It's your reponsibility to make that choice. (41:08) Nat, Neil, and Adil reflect on pivotal moments in the story, such as Cathy's final act of redemption and Caleb's sacrificial gesture for his father. (49:51) Lee's character, and how relatable he is. It's often the ones that are selflessly giving of themselves that are living the richest lives.  (53:31) There are many little instances of heartbreak throughout the book. East of Eden shows the clear impact that parents have on their kids, demonstrating that their actions have consequnces. (55:47) We talk about Adam and Charles' father, Cyrus, his interesting character, and more about the parallels in the book between the families and generations.  (1:02:46) The movie based off of East of Eden that came out in the 1950s and our thoughts on the Three-Body Problem TV series. (1:06:38) Books that turn into shows or movies can be very hit or miss. Neil gives an example of a show based on a book that didn't live up to his expectation.  (1:10:14) How much input does an author have over a movie or TV series based on their book? We talk about the Harry Potter movie series, and how the wardrobe, casting, and scenery evolved throughout the series.  (1:14:12) East of Eden serves not only as a compelling narrative, but also as a historical reflection of its time. From the impact of World War II to discussions on ice factories, Steinbeck weaves societal issues into the fabric of the story. (1:19:07) Because we polluted the land and water so much, milk pasteurization became very common. (1:22:18) Squatters rights, bankruptcy laws, and seeking asylum at the border. How does social media affect the visibility and knowledge on these topics? (1:25:37) When you have a very fixed view on what the world should look like, it opens the door for that to be shattered down the line. Steinbeck made the point that you really should be more realistic about how you see the world. (1:33:11) Steinbeck had a novel that flew under the radar around the time of WW2 where people had to distribute unauthorized copies throughout Europe. Plus, was Steinbeck an asset to the CIA during his time in Europe?  (1:36:32) It's possible that Cathy's character was based on Steinbeck's ex-wife, which adds more power and meaning behind the family dynamic in the story.  (1:39:54) Within the novel are moments of clarity, both sad and joyful. It reminds us that we all have those moments where it feels like we're waking up from something.  (1:43:05) We read an excerpt about Steinbeck's ex-wife who was the mother to his two boys. Was Cathy's character based on her, and could that be why we see so many parallels between the book and Steinbeck's life?  (1:50:53) Nat, Neil, and Adil read off some of their favorite lines from the book! Do you have any favorite Steinbeck lines? Send them to us! (1:59:58) That wraps up this episode! Next on the Made You Think Podcast, we'll be reading Bad Therapy by Abigail Shrier. Also, make sure to check out our new instagram page- @madeyouthinkpodcast! Give us a follow to stay up-to-date with what's to come on the show. If you enjoyed this episode, let us know by leaving a review on iTunes and tell a friend. As always, let us know if you have any book recommendations! You can say hi to us on Twitter @TheRealNeilS, @adilmajid, @nateliason and share your thoughts on this episode. You can now support Made You Think using the Value-for-Value feature of Podcasting 2.0. This means you can directly tip the co-hosts in BTC with minimal transaction fees. To get started, simply download a podcast app (like Fountain or Breez) that supports Value-for-Value and send some BTC to your in-app wallet. You can then use that to support shows who have opted-in, including Made You Think! We'll be going with this direct support model moving forward, rather than ads. Thanks for listening. See you next time!

Lewis Hamilton verlässt Mercedes und wechselt für 2025 zu Ferrari. Der Rekordweltmeister der Formel 1 wirbelt mit seinem Wechsel den Fahrermarkt durcheinander. Viele Piloten spekulieren nun auf einen Platz bei Mercedes in der Formel 1. Welche Fahrer kommen für das zweite Cockpit neben George Russell in Frage? Kommt vielleicht Sebastian Vettel zurück? Wie stehen die Chancen für Fernando Alonso? Oder bekommt sogar Supertalent Kimi Antonelli den F1-Platz von Mercedes? Michael Schmidt und Joel Lischka sprechen in einer neuen Folge Formel Schmidt über die Hintergründe des Hamilton-Wechsels zu Ferrari und wer für Mercedes infrage kommt. **[Hier geht es zum Formel-1-YouTube-Kanal von auto motor und sport.](https://www.youtube.com/@ams.f1)** Abonniert den Youtube-Channel und aktiviert die Glocke, um immer auf dem Laufenden zu bleiben oder abonniert gleich hier den Podcast Weitere Neuigkeiten findet ihr auch hier: Website: [https://www.auto-motor-und-sport.de/formel-1/](https://www.auto-motor-und-sport.de/formel-1/) Facebook: [https://www.facebook.com/automotorundsport/](https://www.facebook.com/automotorundsport/) Twitter: [https://twitter.com/amsonline](https://twitter.com/amsonline) Im TV: auto motor und sport channel

Mycket om Hamiltons övergång till ferrari men även lite esoteriska tankar, Ulf nya Gym och lite annat trams. Riva Comedy varje tisdag 19.00 @viktor_engberg @jensfalk_ https://www.patreon.com/falkengberg

Lewis Hamilton skifter fra Mercedes til Ferrari. Det åbner op for en større Formel 1-kabale, hvor danske Frederik Vesti måske kan snuppe et sæde i motorsportens kongeklasse. Men Hamiltons skifte er først om et år, og Frederik Vesti skal ikke køre Formel 2 i den kommende sæson. Spørgsmålet er derfor, om det over hovedet er realistisk at drømme om endnu en dansker i Formel 1. Det svarer ekspert Peter Nygaard på i dagens afsnit. Vært: Emil Schiønning.

The Spooktacular rolls on with the mid-aughts horror indie The Hamiltons, about a family of [SPOILER]s with domestic issues that go well beyond their predilection for… The post The Hamiltons (2006) appeared first on Too Many Thoughts.

The Spooktacular rolls on with the mid-aughts horror indie The Hamiltons, about a family of [SPOILER]s with domestic issues that go well beyond their predilection for murder. Is it fair of us to mock this micro-budgeted San Francisco production? Well, considering the filmmakers have dubbed themselves "The Butcher Brothers," we think it's all fair game. Chat with the TMT Community on Discord For More TMT Shenanigans: toomanythoughtsmedia.com Twitter: @TMT_Media, @tackyslacks, @NicoDeGregorio, @someadamhall E-mail: toomanythoughtsmedia@gmail.com Subscribe and Rate on Apple Podcasts!

The lads talk Hamiltons shock exit from the Qatar GP, the Lance Stroll DILEMMA and more. To watch & listen to the FULL podcast here: Listen on Spotify -  https://open.spotify.com/show/1H9KOhG8cBmI0WbL3ZQNdJ?si=d697634073a742c0 Tommo: https://youtube.com/c/TommoOnYoutube https://twitter.com/TwommoF1 Niran: https://www.youtube.com/user/FlyingNirangatang https://twitter.com/TheOfficialFNG JB: https://x.com/NotApplicableJB?t=REswc9FqO9hOxOksJUbiK g&s=09 Law: https://x.com/LawVSX?t=i5c_SoCKHAN6yJPC3GmdLA&s=09 James: https://x.com/JamesNS19?t=YkJpBc8GNgeY6EMBmVOI2g&s=09

Linnea Wikblad om att utnyttja patriarkatet till sig egen fördel. David Druid härmar en homosexuell man som behöver hjälp med bilen. Effie Karabuda om ID-tekniken Worldcoin. Det är Maggetorsdag och vi får ett populärkulturellt svep med bland annat Zara Larssons TikTok-fejd och Brittney Spears separation. Dessutom har hon med sig ett quiz till Linnea och David. P3 nyheter med Babs Drougge om Hamiltons knasiga judeuttalande & viral rutschbana gäckar forskare. OCH save the date 4 oktober!! Programledare: David Druid & Linnea Wikblad.

Sharon sits down with author and historical researcher, Bill Shaffer, to learn untold stories of a Hamilton descendant in his gripping book, “The Scandalous Hamiltons: A Gilded Age Grifter, a Founding Father's Disgraced Descendant, and a Trial at the Dawn of Tabloid Journalism. Today, if an author pitched a book proposal with as many twists and turns as this true story holds, it would likely be considered too far-fetched to be believable. Learn how curiosity from a fountain in Riverside park led to a deluge of court records, newspaper articles, and this turn-of-the-Century scandal.Host/Executive Producer: Sharon McMahonGuest: Bill ShafferAudio Producer: Jenny Snyder Hosted on Acast. See acast.com/privacy for more information.

Join the Leaders for Inclusive Change HEREWe were not prepared for this! What authority do two white lesbians have to discuss the Color of God? none...but here we are recapping season 1 episode 5.After the Camden's family friends "the Hamiltons" Church is burned down by Arsons in an act of Racism, they invite the family to stay with them. Conveniently almost every Camden kid has a Hamilton counterpart. Each character addresses and or learns about racism in this episode in a way only the 90's could do.If you're enjoying this podcast, we'd love it if you share it with a friend, leave us a five star review wherever you get your podcasts, and follow us on Instagram and TikTokSupport this podcast at — https://redcircle.com/7th-heaven-a-lesbian-recap/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Iain Dale takes your questions on all sorts of issues ranging from relationship advice, politics, sex addiction and much more besides. Smut level High.

Today on the Dads with Daughters Podcast, we bring you father and founder of Dad Academy, Jeff Hamilton.  Jeff and I talk about fatherhood and his own journey as a father as well as his own journey in helping dads to be better dads! Jeff Hamilton is a pastor, coach, and consultant. The role he loves the most is as a husband to Jayme and dad to Justin and Jordanne. The Hamiltons have had the privilege of serving families for over 30 years in pastoral ministry. Jeff is passionate about encouraging men and equipping people to live purposeful lives. If you've enjoyed today's episode of the Dads With Daughters podcast, we invite you to check out the Fatherhood Insider. The Fatherhood Insider is the essential resource for any dad that wants to be the best dad that he can be. We know that no child comes with an instruction manual, and most are figuring it out as they go along. The Fatherhood Insider is full of valuable resources and information that will up your game on fatherhood. Through our extensive course library, interactive forum, step-by-step roadmaps, and more you will engage and learn with experts but more importantly with dads like you. So check it out today!

True Crime Tuesday presents: The Scandalous Hamiltons: Grift, A Disgraced American Icon, & The Birth of Tabloid Journalism with Researcher/Author, Bill Shaffer! An Alexander Hamilton heir, a beautiful female con artist, an abandoned baby, and the shocking courtroom drama that was splashed across front pages from coast to coast—this is the fascinating true story behind one of the greatest scandals of the Gilded Age, and the story that gave rise to the sensational tabloid journalism still driving so much of the news cycle in the 21st century. Now, for just a little more added tease, throw in a knife, assorted deaths, secret marriages, prostitution, sordid affairs, and you would think we have a modern day tale on our hands... but would you believe it if we told you that this takes place just 15 years after the end of the Civil War?! Bill Shaffer, the author of this book joins TCT today to talk about our story, the players involved and the seediness of the time! Get Bill's book, "The Scandalous Hamiltons ..." here:  https://www.billshafferbooks.com/ PLUS AN ALL-NEW DUMB CRIMES/STUPID CRIMINALS WITH BEER CITY BRUISER! #crime #truecrime #truecrimepodcasts #truecrimetuesday #billshaffer #thescandaloushamiltons #agildedagegrifterafoundingfathersdisgraceddescendantandatrialatthedawnoftabloidjournalism #robertrayhamilton #evahamilton #evamann #joshuamann #annaswinton #maryanndonnelly #atrociousassault #knife #atlanticcity #narcissism #murder  #dumbcrimesstupidcriminals #TimDennis #beercitybruiser #ringofhonorwrestling #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes #420 #sexcrimes #threesome

True Crime Tuesday presents: The Scandalous Hamiltons: Grift, A Disgraced American Icon, & The Birth of Tabloid Journalism with Researcher/Author, Bill Shaffer! An Alexander Hamilton heir, a beautiful female con artist, an abandoned baby, and the shocking courtroom drama that was splashed across front pages from coast to coast—this is the fascinating true story behind one of the greatest scandals of the Gilded Age, and the story that gave rise to the sensational tabloid journalism still driving so much of the news cycle in the 21st century. Now, for just a little more added tease, throw in a knife, assorted deaths, secret marriages, prostitution, sordid affairs, and you would think we have a modern day tale on our hands... but would you believe it if we told you that this takes place just 15 years after the end of the Civil War?! Bill Shaffer, the author of this book joins TCT today to talk about our story, the players involved and the seediness of the time! Get Bill's book, "The Scandalous Hamiltons ..." here:  https://www.billshafferbooks.com/ PLUS AN ALL-NEW DUMB CRIMES/STUPID CRIMINALS WITH BEER CITY BRUISER! #crime #truecrime #truecrimepodcasts #truecrimetuesday #billshaffer #thescandaloushamiltons #agildedagegrifterafoundingfathersdisgraceddescendantandatrialatthedawnoftabloidjournalism #robertrayhamilton #evahamilton #evamann #joshuamann #annaswinton #maryanndonnelly #atrociousassault #knife #atlanticcity #narcissism #murder  #dumbcrimesstupidcriminals #TimDennis #beercitybruiser #ringofhonorwrestling #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes #420 #sexcrimes #threesome

Hello…this is Bo Kauffmann of Remax in Winnipeg, with your real estate news for…  Saturday, April 22nd, 2023…   Today is National Jelly Bean Day and International Earth Day   According to a new RateHub research, Canadians will need an annual income of $217,000 in Toronto to finance an average home.  That's a lot of jelly beans   Even though the city's average home price has dropped by more than $200,000, the income required is actually 6,250 more than was required a year ago.   According to RateHub co-CEO James Laird, Canadians now need to earn more money to buy a home due to rising interest rates and a 7.54 percent stress test rate.   According to the survey, homebuyers in nine of ten Canadian cities must earn between $5,650 and $21,360 more in annual income than they did last year in order to afford a home.  The only city where you can buy a home with less income than a year ago is Hamilton ONT, which requires nearly 5K LESS in annual income than a year ago.  Reason is that Hamiltons average home dropped around 20% in value, which more than makes up for the rise in interest rates.   Lets take a look at some of the cities in this report   The average Vancouver home dropped by $119,600 March over March, but the income required rose by 21K  to   221,220/year.    Calgary got the double whammy.  House prices went UP 5,600 on average  (the only city with an increase in property values).  Add the higher interest rates, and required income went from $91  to $110,000/year   The only 2 cities in the report with home values below $400K where Edmonton and Winnipeg. In Edmonton, you need an annual income of just shy of $82K, while in Winnipeg, $75,650 is enough to buy an ‘average home'..   Thinking of buying?  Call me right now to set up a free home buyer consultation, either in person or via zoom.   204-333-2202   Add us to your Daily Routine on Alexa.  Go here to add to Alexa in the Canadian Skill Store. Are you interested in more in-depth real estate information?  Check out our podcast, available on most podcast platforms. Do you have an Android Phone?  Add our Free Podcast App Here. Do you have an I-Phone?  Here is our iOS version of the podcast app.

Lewis Hamilton ist in Erklärungsnot. George Russell wird für ihn immer mehr zu einem echten Gegner. In Saudi Arabien war das Setup schuld. Generell liegt nach Hamiltons Geschmack das Cockpit im Mercedes zu weit vorne. Was wird in Australien passieren? Andreas Haupt berichtet dazu.

Tune in as Michael Jamin talks with his good friend, actor Rick Negron who plays King George in Hamilton. Discover what he has to say about being the first Latino King George, doing his first show in his home country of Puerto Rico alongside Lin-Manuel Miranda who was acting as Hamilton, and his overall Hamilton touring and acting career experience.Show NotesInstagram: https://www.instagram.com/rick_negron/?hl=enIMDB: https://www.imdb.com/name/nm0624508/?ref_=nmmi_mi_nmIBDB: https://www.ibdb.com/broadway-cast-staff/rick-negron-107348The Spokesman-Review: https://www.spokesman.com/stories/2022/apr/28/youll-be-back-in-playing-king-george-iii-in-hamilt/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated Transcript:Rick Negron (00:00:00):That's still the case nowadays for a lot of young dancers and, and musical theater types. They go to New York and they take dance classes and they take voice lessons, and they take acting classes, and they get that picture and resume ready, and they go to open calls. And if you're talented and you're lucky sometimes you, you get an equity show, a, a union show from an open call. It's tough. And you have to, you have to hit that pavement. And sometimes, you know, getting to know, being in the right place at the right time. I, I, I was mentioning to you before that I, I booked this H B O commercial and I met more a dancer on that show who said, Hey, you'd be right for the show. And one of the guys is leaving the show and they're having auditions at the theater, and you should go. And that's how I got my first Broadway show.Michael Jamin (00:00:50):You're listening to Screenwriters. Need to hear this with Michael Jamin.Michael Jamin (00:00:58):Hey everyone, it's Michael Jamin. Welcome to Screenwriters. Need to hear this. If you are an aspiring theatrical actor, I got a present for you and we're gonna unwrap him right now. And his name is Rick Negron. And he's been my buddy for many years. He's at my wedding. We go back, Rick. Now Rick is most famous for probably, he's done a ton of stuff though, but he's probably most famous for playing the role of king George in the touring company of Hamilton, which he's been doing for four years. But he's done a ton of Broadway stuff. We're gonna talk about him. He's also done voices. I didn't know this, but he was also he does vo he did some voices in Red Dead Redemption as well as grand Theft Auto, which I wanna know all about that as well. But mostly I wanna talk about his incredible theatrical acting career. Rick, thank you so much. Thank you so much for . ForRick Negron (00:01:47):What? Michael Jamin? I'm in the room. I'm, I'm in the room where it happens, man.Michael Jamin (00:01:52):, this is the room. This, what people don't realize is that I recorded some of this and I bone, I didn't, I didn't record, so, yeah. And this is, this is part two of our interview. I had a record over cuz I wasn't recording. StuffRick Negron (00:02:03):Happens. And you know what, Michael, you, you and I can talk till the cows come home. This is not a problem.Michael Jamin (00:02:09):This Rick's great guy, and he's gonna tell us all about. I, I, I had, so there's so much I wanted to get outta you, but first of all, what I, we were talking about is, you've been doing Hamilton, you've been King George and Hamilton, the first Latino King George, I might say, which is a big deal. And so yeah, you've been touring the country from city to city, and I kind of really wanted to talk to you about like, what is your, what is your day like when you go up on stage, you know, what are you doing before, what you're doing all before that, before you got on stage, because it's a, you've been done. How many performances have you said you're done? This,Rick Negron (00:02:44):I'm over 900 easily. I'm close to like nine 50. I, I, I don't count 'em, but every time the, the company management has like, oh, this is our 900th performance, I just kind of go, well, I've only missed maybe about between vacations and days that I've been sick. Maybe I've missed 30 at the most over a four year period. , that's, I've, I've done a lot of performancesMichael Jamin (00:03:11):And, and we were talking about this and your character, like I, I've, I hate to make you repeat it, but how do you get, like, how do you get psyched up before each show when you do that many shows? How are you, what's your process before you, you run on stage?Rick Negron (00:03:27):Well, this, this character is a real gift in the sense that it's beautifully written. Mm-Hmm. , it's just three songs. honestly, Uhhuh . I'm on stage for a little over 10 minutes, but it's so well written that if I just hook into the words of, of the songs, I got 'em. Uhhuh you. I, I, I can, I can hook my myself into that myself, into that character very easily, just with the words. But the other gift is that I have time to get ready. So when every, when the show, when we are at places and the show starts, that's when I get my wig on. Mm-Hmm. I still have 15 minutes to do some vocal warmups and get dressed. And are youMichael Jamin (00:04:12):To being like tea with lemon? What are you sit, what are you doing that day?Rick Negron (00:04:16):Nah, nah. I, I mean, I'm not a huge tea guy unless, unless I'm having some vocal distress. And then I do like a nice warm tea with honey and lemon if I'm, if, if my voice is a little wonky or my throat's a little sore. But the main thing for me for vocal capacity is sleep. If I get less than seven hours, my voice suffers. If I eat a lot of cheese and dairy, that's gonna be a lot of gunk on the vocal courts.Michael Jamin (00:04:45):But if you're nervous the nightRick Negron (00:04:46):BeforeMichael Jamin (00:04:47):Hmm. But if you're nervous, if you have, if you get stage nerves and you can't sleep the night before , right? I mean, no. Are you, are you beyond that?Rick Negron (00:04:55):Yeah, I'm beyond that. I mean, I've been in the business long enough that, that I, I get nervous. Uhhuh and God knows, I was nervous the first time I did the show in front of an audience in Puerto Rico of all places. Right. That's where we opened, right. With Lynn Manuel Miranda back in the role of Hamilton after being a away from it for a few years. That was a dream job because I'm from Puerto Rico and I literally went back homeMichael Jamin (00:05:23):To a heroRick Negron (00:05:23):Welcome star and one of the biggest shows on Broadway with Lynn Manuel Miranda and me playing the king. Yeah. I was born like four blocks away from the theater that we were at. It was just crazy sauce. So yes, I was incredibly nervous opening night. And there was my wife, my sister-in-law, in the audience you know, yes. Really nervous. But did I lose sleep the night before? No. I slept like a baby. No, really? My nerves don't really hit me until I start putting on that costumeMichael Jamin (00:05:51):. Really? Yeah. I see. I would imagine to me, I mean, I know it's a big deal to be star of a movie, but to me this to me seems like a bigger deal. What you, what you're doing in terms of, it seems like a you are lead in this giant freaking play that, I mean, one of the biggest plays, you know, of our, of our time on. Seriously. Yeah. Yeah. And you are these, you play this character who the minute he walks on stage, the place goes nuts cuz you hit a home run and then you walk out, you're the home run guy. Exactly. Bye. Hello. No. ExpectRick Negron (00:06:21):Bye. And by the way, no expectation. I'd literally walk on stage and the place goes bananas. And I haven't saidMichael Jamin (00:06:26):A word. Right. They love you before. You haven't even said anything. I mean, what a huge, I don't know. I just think this is like, I don't know, if I were an aspiring actors, that would be the part. I don't see how you, I don't know how, where you go from here, Rick Rick Negron (00:06:41):. It's all downhillMichael Jamin (00:06:43):.Rick Negron (00:06:45):No, I guess listen, it, the beauty of it is also that I've had this really long career mm-hmm. and, you know, I started out as a chorus boy on Broadway and then worked myself into understudy and then did some roles. And then finally at, at a ripe old age. I've gotten this great job and I've really, I'm at the point in my life where I'm really enjoying it. Yeah. I'm enjoying the process. I'm enjoying the traveling cuz I, I, I've toured some, but I haven't toured a lot. And this tour has been to some really great cities all on the west coast up and down the west coast. Yeah, the mountain west. In the winter I got some snowboarding in, in Salt Lake City, Denver. I,Michael Jamin (00:07:33):Where are you supposed to do that with you if you break your leg?Rick Negron (00:07:36):Yeah, I'm not supposed to do that. Can we delete that from the podcast? ? We can take that out. . It's in the past. I don't care. Okay. I, I stayed on the bunny slopes. I Right. I really took it easy. But then we spent summer in Canada, which was amazing. I was up in Calgary in the summer and went up to band for the first time in my life. And my wife, Leslie, who you know well, came up to visit and we stayed on Emerald Lake and I just spent two months in Hawaii. So this tour has just been amazing. Well, it started out in Puerto Rico, as I said, right. For a month with Manuel Miranda. And then we went to San Francisco and sat for a, a year in San Francisco. So I got to live in San Francisco Right. For a year and experienced that incredible city until the pandemic. And then we shut down for a year and four months before we started up again.Michael Jamin (00:08:27):And then, and then So how did you start? We, how did you start? Like, you know, take me back. I know you, I know you were, take me back to when you were a child. Did you, I mean, this is, did you dream of being a Broadway star like this? Like, what happened? Who, who dreams of that? Like who, how, I mean, you all dream of that, but who achieves it, I guess?Rick Negron (00:08:46):Well, a lot of people do. A lot of people do. And, and, and not everybody has the path that I had, but some of us get bitten by the bug early on. And I got bitten by the bug when I was 10. Right. And my mom was the drama teacher at school. And I guess I blame her for everything. But this mustMichael Jamin (00:09:06):Be the be like, you must be the, the crowning achievement in her, in her in her life.Rick Negron (00:09:12):Yeah. She's, but I did, she's pretty proud. And I have ano another sister who also went in into theater and and so the whole family kind of w it was the family thing we all sang. Right. we all did mu mu musicals in the local community theater and children's theater. So it was a family thing for us growing up. But I'm the one that sort of got bitten hard. And then I got involved, like at 14 mm-hmm. a choreographer. I was doing a, a mu a children's theater show, said, Hey, you've got some talent as a dancer. Come take, I'll give you a scholarship at my little dance school. And so after school at 14, I would go take ballet, jazz, tap and acrobatics after school with Susan Cable, who luckily was a great dance teacher. She had been a, a chorus person on Broadway.(00:10:05):Wow. And, and, and that's what, how I started in my dance career. And then it kind of took off. And by the time I got to college I thought I was gonna be a, a concert dancer. I was in college, I was sort of groomed to, to, to possibly go into the Paul Taylor Dance company. And I actually was not on scholarship. I was a intern with a Paul Taylor dance company for a while until I realized I'm making no money. I'm working super hard and I've always wanted to be on Broadway. That was my realMichael Jamin (00:10:42):Dream. So those people don't interchange those concert dancers. Don't, they don't.Rick Negron (00:10:46):Some do it. Usually the concert dancers, if they can sing.Michael Jamin (00:10:52):Right.Rick Negron (00:10:54):Will, will sort of move into the musical theater world and sometimes move back into the concert dance world. One of the great concert dancers of all time who I met when he was super young, Desmond Richardson mm-hmm. he was a lead dancer with the Alban AI company for many, many, many years. I mean a God in the dance world. And now he owns his own owns, he runs his own dance company, complexions. And he's a great choreographer. And he was in the bad video with me back in the day with Michael Jackson. Right.Michael Jamin (00:11:30):So Rick was in the, I should say for the, I don't wanna gloss over this. Rick. Rick was in the a dance for, in the Michael Jackson's bad video directed by Martin Scorsese. Yeah. Was Quincy Jones produced?Rick Negron (00:11:41):Yeah, 1985. I was, I was a chorus dancer at the time. I was in I was doing my second Broadway show. The mystery of Evan, Dr. My dance captain was Rob Marshall. went on to direct Chicago, the movie and many other movies since then. And, and while I was doing the show, there was this audition for the bad video and yeah, it was, it was really surreal. I took vacation from, from the Broadway show to do the video and, and, and got to meet Michael who was really sort of like, it was two people in that body. I mean, he was super shy and, and sort of very reserved, but the minute the cameras went on it, he was, he became somebody else. Right. And he was a perfectionist. 25 takes sometimes e every setup. And Scorsese was famous for just burning through film. Easy 20 Takes the video was supposed to shoot for two weeks, and I think it went for four. And this is a music video. It was the first SAG music video at the time, by the way.Michael Jamin (00:12:44):Really?Rick Negron (00:12:45):Anyway, Desmond Richardson was a young dancer at the time. There were a lot of young New York dancers in, in that show. And he famously went into the Avid Ailey company, but then he also worked on Fosse the Musical. And he also worked on Chicago. The, the movie with me. I, I got to work on Chicago, the movie cuz I had this great relationship with Rob Marshall and, and I was invited to audition. I didn't get, the dancers don't usually just get the job. You still have to come in and audition. Right. But even though, you know, the people involved it just is the way it is. And, and there was, and, and Desmond and, and I, we bump into each other all the time and we have so many memories. You know, going back 20, what is that, 85? 1985 was the bad video.(00:13:35):And I, I still bump into 'em. I I've been into 'em at the opening of the new USC school a few years ago. The School of Dance there at usc, the Kaufman School of Dance, I think it's called. But anyway yeah, people go in in from the dance world into musical theater and they go back and forth. Not a lot. Actually. We have one member of our, our of our of our Hamilton company, Andrew who was a modern dancer in the dance world and then moved into musical theater. And,Michael Jamin (00:14:04):But you were telling me how, and this is kind of important cause people are gonna be like, well, how do I break in? And you were, I mean, what, as you were explaining, it's like, it's basically you had this, you were just, you were in the circle, you were just there, and then things le one thing leads to enough simply because you put yourself there. Right. So how did you, what was your first break? How did you get that? I mean,Rick Negron (00:14:24):Every, everybody, everybody has a, a different story about first breaks. And when I was starting out, it was really different. Things have changed, you know, in all these years. Now, if you go to the right school, you can get into the right you know casting director workshop. And they see, oh, really? You, and, and maybe you get an agent out of that workshop and, and you know, it's, it, when I started out it, that wasn't the case when I started out. You go to New York, you start taking dance class at all the big dance studios where all the other Broadway dancers are taking dance class mm-hmm. . And then you pick up Backstage. Mm-Hmm. newspaper, and you go to the open equity calls for every show. I remember my first open equity call was for cats, the national tour, right after Cats had opened on Broadway.(00:15:14):And I, I had four callbacks. I got really close to booking cats, but I didn't. And and I just kept going to open calls. And that's still the case nowadays for a lot of young dancers and, and musical theater types. They go to New York and they take dance classes and they take voice lessons and they take acting classes and they get that picture and resume ready and they go to open calls. And if you're talented and you're lucky sometimes you, you get an equity show, a a union show from an open call. It's tough. And you have to, you have to hit that pavement. And sometimes, you know, getting to know, being in the right place at the right time. I, I, I was mentioning to you before that I, I booked this H B O commercial and I met one, a dancer on that show who said, Hey, you'd be right for the show. And one of the guys is leaving the show and they're having auditions at the theater and you should go. And that's how I got my first Broadway show by somebody suggesting that I go audition and I showed up at the theater and auditioned. And that night I got the job. And that's how I got my first Broadway show. The moreMichael Jamin (00:16:24):People, you know, the more you work, the more you hear andRick Negron (00:16:27):The more you Exactly. Yeah. You're in the mix. You have to in be in the mix and you have to network. And nowadays that involves, as you know social media and getting, getting followers and, and and, and putting out videos of yourself, singing and putting out videos of yourself, dancing and putting out videos of yourself, acting. I mean there's all that stuff that's going on now that wasn't going on when I started. But is, is is the new reality of how do you get into the business really. Okay. And, and when young, when young people ask me how, you know, how do I get started? And I say, well, in your hometown, get involved. Do the, do the school musicals, but get involved with the community theater. In any way you can. If, if you want to be an actor, but you know, there isn't a role for you do the work on the sets.(00:17:19):I worked on sets in community theater. Mm-Hmm. , I helped my mom. She, she was makeup artist too. And so I helped with makeup and I, I did lights. I, you know, I did all kinds of stuff just to be in the room. Right. Just to see other people work, to, to network, to meet people. And and I'm glad I did because I kind of know my way around all the different elements of theater. You know, I know what Alico is. I know, you know what all the different microphones are that they use in theater. And I, I always, I always befriend the crew. I think , as an actor, we can tend to be insular andMichael Jamin (00:17:57):Oh reallyRick Negron (00:17:58):Hang out with just the actors. I hang out with the crew. The crew knows what's up. Uhhuh , the crew knows where the good, the good bars are in town. They, you know, the crew is, and, and they're the ones that watch your back. When you're on the road.Michael Jamin (00:18:13):Now you were explaining to me the, and I didn't know the difference between, cuz you as the king, king, king George, you have two understudies, but there's also swing actors. Explain to me how that all works.Rick Negron (00:18:24):So in the show, you usually, you have the ensemble, which is what we used to call the chorus. Yeah. And then you have the leads. And in the ensemble you usually have two male swings and two female swings. So those individuals are not in the show nightly, but they literally understudy all the f the, the females understudy, all the females and the males understudy. All the males. And that's usually a case. They have two male and two female. In Hamilton, we have four female swings and four male swings. I think I'm right. Three or four. We have a lot. And that's because Hamilton is such a, a beast of a show. It's so hard. Physically. People get injured, people get tired.Michael Jamin (00:19:06):It's like being a professional athlete. It's no different.Rick Negron (00:19:08):Yeah. Yeah. And you're doing it eight times a week. And after a year it's repetitive motion for a lot of dancers. Oh. So I always tell those dancers, don't just do the show. Go, go and do yoga. Go do a dance class cuz you have to work your muscles a different way. Otherwise you're gonna get repetitive motion injuries. Wow. You know, like the same person that that screws on the, you know, back in the day when they screwed down the, the toothpaste cap every day that those muscles every day, all day long are gonna get messed up.Michael Jamin (00:19:37):But do they have like a trainer or doctor on set at all times?Rick Negron (00:19:40):We have a personal train PT, physical therapist right on tour with us. Most heavy dance shows will have that on tour. Because they need, they need the upkeep. The dancers, especially in this show work so hard. They, they need somebody to help them recover from injury. And, and just keep their bodies tuned up.Michael Jamin (00:20:04):And so let's say you get, you're in Hamilton, let's say you're, you're a swing or whatever, but, and then you're on tour, they what, give you a per diem? Or do they put you up in housing? How, like what is the, what is that really like to be?Rick Negron (00:20:15):So let me I'm, I'm gonna finish the whole understudy thing because Oh yeah. You have the swings and then you have the understudies, which are people in the chorus who understudy the leads. But then you also have standbys. And the standbys aren't in the show. Right. But they're backstage and they understudy anywhere between 2, 3, 4, 4 different characters. And so at the drop of the hat, they can say, Hey, you're on tonight for Burr, or you're on tonight for Hamilton. It, it can happen five minutes before the show. You can know way in advance cuz you know that character's going on vacation and stage management has told you, oh, you're gonna do the first five of, of, of the, of the vacation or the first four and somebody else is gonna do the other four. So you may know ahead of time and you can ask or tell your friends and family to come see you do that role. Right. Cause you know, ahead of time. But many times you, you find out last minute that somebody is sick or, or doesn't fe or hurt their knee or whatever. Or even in the middle of the show, sometimes somebody will twist an ankle and boom, we have a new bur in act two. It, it's, it's happened not a lot, but it's happened often enough that the understudies come in, warmed up and ready to go.Michael Jamin (00:21:26):But you explained to me even before every performance, even though you've done the same freaking songs for 900 times, you still mentally prepare yourself. You go through, you rehearse each, each song that you go through. So you walk yourself through it. But I can't even imagine if, like, if you, how do you prepare yourself for four different roles possibly. You know, like how do you do that? It's like you, it'sRick Negron (00:21:49):Crazy. Yeah. They, they, I know some of them will go over like difficult passages in the show because there's, there's moments in the show, like for Lafayette he's got in guns and ships. He's got some, some rap that are so fast. Yeah. That I, I know the understudies will go over those, what, what we called the, the, the moments when you can trip up. You go over those moments before you go on, but the rest of you can't go through the entire show. Right. Just pick and choose those moments where you can like go backstage and just go over your words and make sure they're, they're, you know, under your belt. I go over my words because I sing the same tune three times, but with different lyrics. Right. And the, and the trap is to sing the wrong lyric in the wrong song, which I had done. And it's, there's nothing more embarrassing and gut wrenching than to sing the wrong lyric in the wrong song. And you just have to find your way back. And it, they call it walking into the white room. And because literally what does that will happen and your mind will, your mind will explode, your armpits will explode with sweat. Your eyeballs will get this big, your throat will dry. It is flight or flight or flight moment.Michael Jamin (00:23:07):Yeah. AndRick Negron (00:23:08):It's so hard to, to like try to grasp the right lyric. And, and you're in, you're literally in a white room. Yeah. And you're going, oh shit. How, how do I get back?Michael Jamin (00:23:20):Right.Rick Negron (00:23:21):And for me it's a little easier cuz my song is nice and slow, but can you imagine being Hamilton and you're rapping a mile a minute and you go into the white roomMichael Jamin (00:23:29):And do you guys talk about that? OhRick Negron (00:23:32):Yeah. Yeah. Famously on Broadway, there, there, there was a something called Burst Corner. Uhhuh which was, I, I forget who started it, but I think , they, they told 'em not to do it anymore. It was something where they post on Instagram or Facebook. Oh. so-and-so, you know, said this instead of what they should have said, you know, basically coming out and, and owning your faux PAs during a live show. Right. I remember when I did Manda La Mancha with Robert Gole on tour. He used to make up lyrics sometimes. And we, and one of the guys in the show started jotting them down. And at the end of the tour, they basically roasted him at a, at the closing night party with all the lyrics that he made up throughout, throughout the entire thing. And he was not amused.Michael Jamin (00:24:20):He was not amused. I was gonna say, IRick Negron (00:24:23):Was not amused with that one. Okay. But my favorite faux pod of his was we were in Nashville and he started singing Impossible Dream. And he's sang to dream the Impossible Dream to fight the unat of a fo to carry Moonbeams home in a jar.Michael Jamin (00:24:41):And there was like, what?Rick Negron (00:24:44):That's a big Crosby song. Oh, funny. Carry Moon Beams Home in a Jar. It's an old Bing Cosby song. And he just pulled that lyric outta nowhere and inserted it into the impossible dream. And everybody backstage just went,Michael Jamin (00:24:59):What do he say? Oh my God. That's hilarious.Rick Negron (00:25:03):But you know, I I'm, I'm, I might be roasting Robert Gole at the moment, but everybody's had those moments. Yeah. Especially in Hamilton, it happens cuz the, the words are coming fast and furious and boy, if you miss that train or you screw up, oh, it's hard to get back on.Michael Jamin (00:25:18):And I imagine ifRick Negron (00:25:20):You do, everybody does. Everybody, if youMichael Jamin (00:25:21):Do it one too many times, are you looking at unemployment?Rick Negron (00:25:24):Mm-Hmm. ? No. Really? No. Yeah. I mean, nobody does it one too many times. Uhhuh, . I mean, some understudies have more bumps in the road than others. Uhhuh. . But you, you, you know, we give them a lot of grace because being an understudy is really hard. Yeah. And so when somebody's honest and understudy you, everybody has their, their, their side view mm-hmm. just because they, they might be in the wrong spot in a certain moment or cross a little differently than the usual guy. So you just have to have some grace. Don't get upset if they're in the wrong spot. You know, just maybe nudge them a little bit or pull them or, or, or just watch out for them and don't bump into them because, you know, somebody is on. I, because I've understudied so many in so many shows, I have a lot of empathy for, for understudies and swings and, but I, I, I don't, in my experience, and I've been in a ton of shows, I haven't been around somebody who's messed up so much that they've got gotten fired. Usually when somebody's not up for the task creatives know during rehearsals that they're not cutting it. Uhhuh . And then so somebody will get, will get let go. Right. the only other time I, I remember somebody lost their voice and, and took time off and came back and lost their voice again. And it was just a situation where they couldn't do the job. Their voice just, wow. Their voice just couldn't ha hack it. And so, you know, those are tough and difficult moments. They don't happen often, but it happens.Michael Jamin (00:27:09):Wow. Yeah. And now you were also telling me, which I thought was fascinating, is that your character, because he's the king, you were talking, you know, how, how your character has evolved, you playing the same exact part has evolved over, over all these years of you playing it.Rick Negron (00:27:24):Yeah. It's, it's been a gift. I'm, I'm, you know, I've realized early on that theater really is my thing. Even though I did some TV and film when I moved to la I, I didn't, I didn't really love the work. Right. It sort of felt a little bit empty just in the sense that, you know, you sit in a trailer for hours and hours and then you get a couple of rehearsals and you shoot and you're done. And that's it. You know, and it's on, it's out there for posterity and you walk away from the, from the gig going, oh, I could have done this, I could have done that. But in theater, you get to redeem yourself every night. You know, if you screwed up the night before, you, you make it better the next night. And I love that about theater.(00:28:07):And and so for, for me I just get better over time and people say, oh, but don't you get tired eight times a week a year. I don't. I I like to, I like to tell people that it's, it's almost like being a potter. You have the same, you know, square block of clay and you're making that same pot. But every time you're doing something a little bit different and you're learning from the, the, the, yesterday when you made that pot, today you're making the same pot, but you learn something new, you discovered something new, making this pot, it's still the same pot, but you're, you may be doing a little filigree or a little curve here, or a little something different. So every night you get to shape this pot a little bit differently. And that's, for me, that's the, the beauty of it.(00:28:59):That's the challenge. I remember early on with, with this, with this character, I was in rehearsals and the the associate director Patrick Vassell said, you know, Rick, this is interesting. Most guys come in with a really large, over the top take on the king. Mm-Hmm. , you're coming in with a very spare low-key take on it. I mean, we're gonna build you up, which is usually not the case with this character. And build, build him up. Not make him bigger, but just give him more depth. Okay. And that was the rehearsal process for me. And then when I started working with Thomas Kale the, the director of Hamilton right before we opened in Puerto Rico, he said, the trick to this guy is to make him, make him as simple and as small as possible because the king can, with one finger kill a whole community. Right. Know, he just has to say, those people are gone and they're gone. So he doesn't have to do much. He has all this power. So that, that was like the best bit of information for me. And so the challenge is over time is to do less.Michael Jamin (00:30:14):Right. AndRick Negron (00:30:14):Still with all the homework that you've done and the character work that you've done, but do less. And I, and I was telling you this before, that you walk out on stage Yeah. And the audience goes crazy. And, you know, there's all this expectation and sometimes you get suckered in by this adoring audience to do more. Right. But you have to fight that feeling and do less. And that's,Michael Jamin (00:30:38):It sounds like though you got conflicting notes though. No. They directed the eight. Well,Rick Negron (00:30:43):I think because in rehearsal I was still sort of finding my way with him. Uhhuh . And instead of making this broad fabish character, which is how somebody who starts with King George and thinks, oh, I'm just gonna do this and make him big and fabish. Right. that's sort of a two-dimensional view of, of the king. And I came in with a lot of research about the guy and thinking, I, I, I don't wanna make him this two-dimensional caricature. Right. I really wanna make him a, a guy who is number one dangerousMichael Jamin (00:31:21):Uhhuh ,Rick Negron (00:31:21):Who has a lot of power and who, who is feeling jilted, but won't allow you, you can't break up with me. Right. I'm breaking up with you. You know, that kind, that kind of dynamic in this, in the first song specifically. And so I came in with that and he said, that's great. Now we're gonna just work and put more layers on him, but not necessarily make him bigger, but just give him more layers.Michael Jamin (00:31:52):Let me ask you the, because when you're in, when you say, you know, you're the analogy of making a pot, are you going into the performance thinking, I wanna try this today? Or are you so into character you forget and, and somehow it it organically arises?Rick Negron (00:32:10):I try to stay in, in the more organic realm.Michael Jamin (00:32:13):Uhhuh, ,Rick Negron (00:32:14):Because I think that's where the really good stuff is. The stuff that just pops out of you.Michael Jamin (00:32:20):But you can't make that happen. That's the problem. Yeah.Rick Negron (00:32:23):If, if, if I plan somethingMichael Jamin (00:32:26):Mm-Hmm.Rick Negron (00:32:26):, I, I feel like it, it feels fabricated a little bit. Right. And so I, I try not to, but sometimes I'll get a note from, we have a resident director that travels with us, and also sometimes the director or the associate director will show up to whatever city we're in and will watch the show and give us notes and say, you know, in this moment, maybe try this or try that. And so I really pay attention to those notes and I try to implement them, but I try not to I try not to quote unquote fabricate them or, or, or think too much on it. I try to, maybe, maybe the best thing that I can say is I'll tr I'll try on my own four or five different ways to achieve that note. Mm-Hmm. . Okay. I can, I can, I can make it more dangerous in this section if I lean into this word or if I, you know, take a pause or whatever it is. I'll come up with four or five different ways to get the note across and then let whatever which one pops out pops out when it, when I do the performance. So I give myself some choices. So I don't, so I don't get, I don't pigeonhole myself into a specific choice, which then feels fabricated and fake.Michael Jamin (00:33:51):Right. But do you ever get into the part and then n notice, oh, I, I just slipped out of it. I, I'm, I'm, I'm observing myself now. I'm not in the partRick Negron (00:34:00):Happens all the time.Michael Jamin (00:34:02):And what do you do? How do you get back inRick Negron (00:34:04):The words the text will save you for every writer out there. Thank you. Because the text will save you. You have to get back into, into what it is you're saying. When, whenMichael Jamin (00:34:16):You, but the words are in your head that you don't, you're not reading something, they're in your head.Rick Negron (00:34:19):You're in your head, but in your head. I've been doing this so long that I can be in the middle of my performance and going, Hmm. That wasn't good. Right. Like, I'll be criticizing myself while I'm doing it,Michael Jamin (00:34:31):But that's not good. Now you're out of character.Rick Negron (00:34:33):Now I'm out of character. Now I'm in my head. Right. And the first thing that I'll do is I'll, I'll bite something. I'll bite a word or I'll, I'll make a gesture. Or basically I'll snapped my myself out of that.Michael Jamin (00:34:47):Do it.Rick Negron (00:34:48):I guess. I didn't silence my phone.Michael Jamin (00:34:51):That's okay. So,Rick Negron (00:34:52):Interesting enough. That's, that's the resident director of Hamilton just texted me.Michael Jamin (00:34:57):. He can wait. It's not important.Rick Negron (00:34:59):No. She, she, luckily this is she. Yes. Better. Sherry Barber. Amazing director.Michael Jamin (00:35:05):So we that's my next question though. I wanna talk about that. But, so, all right. So you snap so you, you, you get back into it with a physical, something physical, a gesture or something.Rick Negron (00:35:14):Physical or, or, or, or vocal. Yeah. Or some different intention. Yeah. Just mix it up. Right. Mix it up. Yeah. Do something different that, that's gonna get you outta your head.Michael Jamin (00:35:27):Right. I mean, I mean, I would think that we, that way my fear is going up, going up, forgetting, oh, what, what's my line? Line? Oh,Rick Negron (00:35:34):It is, that's every actor's fear. And, and, and if anything keeps me nervous, it's that, it's the fear of, of messing up. But the, and people say, oh, how do you get over being nervous? And I always say, you, how, how do you get to Carnegie Hall? Yeah. Practice, practice, practice. Confidence comes from being, I can sing that song with another song, playing over a loud speaker. That's how well I know that song.Michael Jamin (00:36:04):Really. With another song playing. There'sRick Negron (00:36:05):Another song playing over the loud speaker. And I can sing my song while that song is playing. That's how much in the bones in my cell that song is. See, I just have to, I, I rehearse, rehearse, rehearse, rehearse, rehearse.Michael Jamin (00:36:18):Do you think it's possible to over rehearse?Rick Negron (00:36:21):Yeah.Michael Jamin (00:36:22):Uhhuh. . Yeah.Rick Negron (00:36:24):But I mean, for me, you know, every actor's different. For me, my comfort, what gives me my comfort zone is, and, and gives me confidence, is feeling like I, I know this inside out, left, right. I, I know ev Yeah, I know this. I got this Uhhuh . That's how I getMichael Jamin (00:36:46):There. But, but you don't feel that way in opening night cuz you haven't done it 900Rick Negron (00:36:49):Times. No, no, no. You haven't done it 900 times. So you just, you you, I go back to my yoga and I, I I do some deep breathing mm-hmm. and I try to focus on the intentions of the character. What is he trying to do?Michael Jamin (00:37:05):Do you, do you sometimes kick yourself? Like, do you feel like, oh, I wasn't in the Tonight Show. I was, I tried. I wasn't in it. I wasn't in it. OhRick Negron (00:37:14):Yeah. I walked out, I walk off stage sometimes and go, Ooh, that was terrible. Or whatev, you know, I'm, I'm my worst critic. Right. And sometimes I walk away and go, oh, that was good.Michael Jamin (00:37:26):Right. Because you're justRick Negron (00:37:27):Lost. I don't pat myself on the back as often as I should. Uhhuh , I'm usually more critical of myself. And, you know, and now I try, I try to not beat myself up as much as I used to. I try to be a little kinder to myself, but yeah, I totally walk away sometimes going, oh, that was, that was not your best.Michael Jamin (00:37:46): . And, and so these, these directors, like, what do they, what's their job? Because they didn't direct the show. The show has been choreographed. It's been directed. Now they're just jo they're just there every night to make sure it doesn't go off the rails.Rick Negron (00:37:59):Yeah. PrettyMichael Jamin (00:38:00):Much tune things.Rick Negron (00:38:01):Yeah. And the really good ones, like, like sh like our our resident director Sherry they're there to keep it fresh. And so she's constantly feeding you ideas. Hey, what, what if we do this? What if we do that? How about, how about, you know, and, and that's, she, she's great at bringing new ideas to something that we've been doing for four years,Michael Jamin (00:38:27):But I'm not sure how much I would wanna hear that if I were you. Like, you know what I'm saying? Like, oh, I love it. This is what I You love that.Rick Negron (00:38:34):I love it. I love trying new stuff. I love messing about with that pot that I'm creating. Oh, what about, why, why don't you do a lip on, on, on the top? Oh, yeah, yeah. Do it. We'll curl out the lip on the top. I've never done that before. Right. Why don't we do that? You know, I did something a few months ago at the end of the song, the song I famously go, famously I should say the, the king famous famously says, and no, don't change the subject. And he points at somebody in the audience and he gets, he, it's a rare moment where he gets upset. Uhhuh . And that's, and, and if you've seen the Disney Plus, Jonathan Gruff famously just spits all over the place. It just is, it's, it's an explosion of saliva. And it's, it's a brilliant moment. I think. I think his take on the king is, is wonderful and he sings it so well. And and I usually point, they want you to usually point in sort of the same area of the, you can point anywhere, but they, they usually take point over here. And I always point over there, and one night, man, this is maybe about four or five months ago, one night at the end of the song, I went, I went,Michael Jamin (00:39:45):I'm watching youRick Negron (00:39:46):Uhhuh . Like, I pointed to my eyes and I pointed to that person who I had pointed to earlier in the song. And no, don't change the subject as if that's my one nemesis in the room. And I'm just saying, I'm watching you . And it got such a reaction, right. That I kept it, it's been my new little bit until I, until I decide I don't want to, or until, you know, the associate director walks in and goes, you know what? I don't like that thing that you do at the end, cut it. And I'm like, okay, it's gone. Right. Well, think of something else. You know, unless there, there's always, there's always something right. That I can think of. And that's, that's the fun part that I can always improve it, I can always make it better. I can always have fun with it.Michael Jamin (00:40:29):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You could unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Michael Jamin (00:40:53):I'm surprised you, I mean, I, I would wa I'm curious like, but you allowing yourself to watch, you know, Jonathan Grots version as opposed, you know, is that, are you, do you, you know, what's that like, you know, cause character yoursRick Negron (00:41:08):Now. Yeah. I saw him do it originally on Broadway when I saw the show in previews. And then of course I saw him do the Disney Plus version. And then when we were in rehearsals in 2018 for our company, we were the third national tour to go out when we were in rehearsals, they said, oh, you you know, you can go stand back in the, at the back of the house at the Richard Rogers and watch the Broadway company. And at that point, the king was Ian I'm forgetting Ian's last name, but he's, I think he's still the king right now. He's been there for a long time. He's brilliant. Uhhuh as the king. And I watched him play the King while I'm in rehearsals for the King. Right. And for me, I wish I could see all the kings really? Because really they all do something different. And, and you, and, and the stuff that's really good. You wanna steal it, man. You wanna, but can you, I mean, love that,Michael Jamin (00:42:00):But can youRick Negron (00:42:00):Take it from the best baby steal from theMichael Jamin (00:42:02):Best stuff from the best.Rick Negron (00:42:04):Interesting. Yes. I mean, you gotta make it your own. You can't do the exact same thing. Right. But, but it, for me, it feeds me as an actor. I'm like, oh, what a cool idea. I should, I can do a version of that or Right. Or so. Oh, that makes me think of something else. You know, I, I I, yeah. I I love it. DoMichael Jamin (00:42:20):You get together and talk with the other kings at all? Yeah.Rick Negron (00:42:23):I've met the king that's on on Zoom, actually. I haven't met him in person, but the guy Peter Matthews who, who does the Angelica tour and he's been doing it for a while. Most of the Kings. It's a, it's a nice gig. So yeah, you stick around right. As long as you, you know, want to, or as long as they'll have you. Right. And Hamilton's been really great about, you know, letting us stay. But Peter Peter's really a funny guy and I haven't gotten to see his king because obviously I'm doing it at another part of the country while he's doing it. But I would love to see him play the King. Really. yeah. And Rory O'Malley, who played it here in la, he did the first national, he I think Tony Winter for book of Mormon. Fantastic guy. I met him in San Francisco when he came to see our company. I'd love to see his cane cuz he's a great singer and, you know, everybody's got their, their their take on him. And I, I find it fascinating to see what somebody does with, with this character.Michael Jamin (00:43:25):Right. Cuz there's so much, there's so much. Yeah. That's so much how much constantly reinvented fun,Rick Negron (00:43:29):Fun role and,Michael Jamin (00:43:30):But by still, but you still gotta remain true to what the words are and what the intention of the words. But it still can be interpreted while still being true to thoseRick Negron (00:43:38):Words. Which, which is the beauty of, of, of, of Hamilton and, and I give a lot of credit to the creative team, is that yes, you have to sing the words and sing the melody, but you get a lot of creative license to, to make it your own Uhhuh . And so if you see our company of Hamilton and then you see the Broadway company of Hamilton, it's almost like two different shows. Right. It's the same show. But because you have different actors in those roles, it's pretty remarkable the difference in the companies.Michael Jamin (00:44:10):And tell me a little bit more about some of the other Broadway and traveling, because you've had such a resume, man, such a resume.Rick Negron (00:44:17):. Well, you know, I, I started back in the eighties as a, as a Chorus Boy and, and doing some really cool shows. Man La Mancha, the Goodbye Girl, theMichael Jamin (00:44:27):GoodbyeRick Negron (00:44:27):Girl leader of the Pack. I, I did, I did In The Heights on Broadway Right. For a couple of years. That's when I, I actually did a workshop of In the Heights in 2005 with Li Manuel Miranda and the whole gang, and I got to meet them back then. So they've been good loyal friends since then. Yeah. And, and have kept me employed for many years. I hand, you know, hats off to them . Oh, I do have hair by the way, but it was kinda messy. So I put on my, my hat. YouMichael Jamin (00:44:58):Could have worn your wig, your powdered wigRick Negron (00:45:01):. Oh yeah. IMichael Jamin (00:45:02):Used to wear, Hey, I'm always in characterRick Negron (00:45:04):. Yeah, A actually I have I'm, I have a few weeks off right now, which is why I'm home in la Right. Because we just did Hawaii and, and the show had to pack up and, and be put on the ship to come back to the us So they shipped, the show changed and that's how we, how it got to Puerto Rico too, which is why it makes it kind of difficult to send those shows to the, the Islandss because they have to ship it.Michael Jamin (00:45:29):But even still, how long does it take to set up for them to build, you know, build the set?Rick Negron (00:45:36):Well the shipping of it took a, takes about two weeks.Michael Jamin (00:45:40):All right. But once you're,Rick Negron (00:45:41):But then once it all gets there, our crew can, can put the set up in day and a half.Michael Jamin (00:45:47):Wow. Okay.Rick Negron (00:45:48):It's, it's like, it's all been carefully crafted. It's like Lincoln Logs, everything fits together, butMichael Jamin (00:45:54):Stages are different sizes. That's what I don't understand.Rick Negron (00:45:57):Well, they ahead of time, the, the production management and, and, and, and company management, they sit together and they go, okay, these are the cities that we're doing, which is the smallest theater we're in Uhhuh , that, those are our dimensions. We can't, we can't get bigger than that.Michael Jamin (00:46:15):But you can put a smaller on a bigger, on a stage, you can put a small,Rick Negron (00:46:19):Yeah, yeah. And the show, I mean, the show was made for the Richard Rogers, which is a pretty small theater. I mean, it's an old 1920s Broadway theater, Uhhuh , that seats about 1300. So it's pretty small. And the stage backstage is kind of small too. So most of the theaters that we do on, that we go to on the road are much bigger than the Richer Rogers. Okay. So they just, you know, they just do black baffling on the sides and just make it more of a letter box. And it works. It works. As long as we're not in a place that's smaller than our set. And some shows have what they call a jump set, which means that while we're in one city, we have a, a second set that goes to the next city and gets built. And so that we close in, in Boise on a Sunday and we open in Salt Lake City on a, on a Tuesday, you know, but let's say one day.Michael Jamin (00:47:13):But let's say that you're doing a dance number and the stage is this big and your's, the dancer, you know. Okay. Six pace steps to get my next mark on a bigger stage. It's, isn't it more steps or No,Rick Negron (00:47:23):No, no, because you're, you're, regardless of the size of the stage you are set. It remains the same.Michael Jamin (00:47:30):Okay. So no one will go out of that.Rick Negron (00:47:32):Yeah, no. Yeah. We'll, we'll we'll never stretch it. Right. The set itself never gets stretched. If anything, the, the theater will come in with, with black you know what the, what they call the legs, those are, you know, a break a leg comes fromMichael Jamin (00:47:48):No,Rick Negron (00:47:48):Literally they, you know, break a leg is good luck. But it literally means the legs are those black drapes that come down in the front and also in each wing.Michael Jamin (00:47:59):Okay. SoRick Negron (00:47:59):When you, when you, when you go on stage, sometimes you have to move that drapery to get on stage or to, if you're gonna go in front of the, the, the in front of the curtain, you, you, you move it with your arm, you break the leg.Michael Jamin (00:48:15):So you're not, so you're not literally break. Okay. So you're,Rick Negron (00:48:18):You're not literally breaking the leg, you're not breaking anything. Parting, parting the drapery to go on stage.Michael Jamin (00:48:23):Oh. So this is very interesting. This is gonna be, yeah.Rick Negron (00:48:25):Yeah. It's a little theater trivia for Yeah. The, the folks out there.Michael Jamin (00:48:30):Fascinating. Now. Okay, so on a regular day, you go to a town, your new, your your new city or whatever, and they give you a per diem to Yeah. Goodbye lunch and get out apartmentRick Negron (00:48:42):Diem. The union sets a weekly per diem. And that is for you to spend as you wish. Uhhuh, . And then also company management way ahead of time will say we have three or four different hotels that we've negotiated a special deal for and choose which one you want to stay in. And these are the prices and these are the amenities and people choose from that list of hotels. But a lot of people nowadays are doing Airbnb, especially on a tour where you sit in a city for four weeks, five weeks, six weeks. The shortest stays we've ever had have been two weeks. But we've, we've done six weeks. And so a lot of people do Airbnbs cuz you have a kitchen and you have a washer dryer and more, you know. But isMichael Jamin (00:49:26):It, is staying in a hotel more fun? Is that dorm living, is that more fun for the cast?Rick Negron (00:49:31):Some, no, I don't think it's more fun for them. Some stay in the hotel cuz it'll be right next to the theater. And that's convenient. Yeah. Especially if we are in Denver and it's seven degrees outside. Being, you know, li living right near the theater is really cool when it's, when the weather's bad. But most people, a lot of people nowadays, they're getting Airbnbs and they're rooming together. So three or four people can get a really cool house.Michael Jamin (00:49:57):But I'm picturing Rick Negron (00:50:00):And, and they save money because they're rooming together. Right. So, you know, the rent, their ability to pay rent, I mean now they can use their per diem to live on, not just for their place to stay. They canMichael Jamin (00:50:12):Have you shared, have you shared apartments or No. Does the king, does the king have his own place now?Rick Negron (00:50:16):, I'm too old to have roommates. You're tooMichael Jamin (00:50:18):That crap.Rick Negron (00:50:18):I had roommates in my twenties and thirties. I'm done. But the only roommate I have is my wife. And CauseMichael Jamin (00:50:24):You're right.Rick Negron (00:50:24):But she's not really my roommate. SoMichael Jamin (00:50:26):My like, my naive opinion of what it must be like is like in high school when you're in the play it's like, you know, or even at a high school, you know, community, you are like, Hey, it's the, we're all the, it's the group, we're the gang, we're doing everything together. But once you become a pro, that's not the way it is. Huh? It's not likeRick Negron (00:50:45):It is at first it is, it's the honeymoon phaseMichael Jamin (00:50:49):Real. Okay. Where you're like hanging out togetherRick Negron (00:50:51):Where we all just meet and Oh, I know that person. We did a show together a long time ago. And so we become a little bit of a clique and then the, the cliques start happening early on. But we're one big happy family. Right. And we have opening night parties and you know, and all that occurs early on. But then the clicks really start creating Right. You know, the, the peop certain people start to hang out together. We had the, an our, our company's called an Peggy cuz each separate tour has a different name. There's the Angelica tour, the Philip Tour. These are characters in the show. Right. And Peggy is the third Skylar sister. So we became the third company. So we are called the An Peggy tour and we're, and there's a group of us we're called the, an Peggy Alpine Club. And literally, literally a bunch of us who like to hike and, and do outdoorsy stuff. We went snowboarding and skiing a lot in the winter. We, a lot of us got scuba cert certified for our Hawaii stay. Wow. And we've done incredible hikes all over the place. So that's our little clique. But also, you know, people that have, are married and right on tour together or have ki there's a few people that have kids on tour. They get together a lot.Michael Jamin (00:52:07):So and they bring their fam, they bring their kids on onto tour with them.Rick Negron (00:52:10):Yes. There's some people that do that. Yes. But some, some, someMichael Jamin (00:52:16):Like little kids are like high school age. Like you can't be like a high school-aged kid.Rick Negron (00:52:20):No. Most, most of 'em have young kids. You gotta understand. I, I'm working with a bunch of 20 and 30 year olds. Right. And I'm the oldest guy by far in, in, in, in, in the, in the company.Michael Jamin (00:52:30):What's that like being the oldest guy in the company?Rick Negron (00:52:33):Oh, I love it. Love. I used to be the youngest guy then I was, you know, in the same age as everybody. I love it because I as a king too. I, I have plenty of time to sort of mentor everybody. Yeah. And so I've become a little bit of, I, I'm the cheerleader. I check in on everyone and say, how you doing? I'm, I used to be a ma massage, massage therapist. So a anytime peop people are having issues. I, I'm close friends with our, our physical therapist that tours with us. So we work on people sometimes together in tandem.Michael Jamin (00:53:03):What is it they're worried? What is it they want mentoring at the, the career strategy? Like what, youRick Negron (00:53:08):Know, that this career strategy, sometimes it's just dealing with personalities in theater sometimes there's some, some headbutting. Um-Huh. sometimes people are just having problems with a, a particular, an understudies having a problem with a new character that they're understudying or, you know, there's issues on stage with somebody who doesn't quite know where they're supposed to stand at a certain point. Right. And all that is internal stuff that should be worked out with the dance captains and the stage management and, and the resident director. But you know, unfortunately, actors, you know, we have huge egos and, and they're also very fragile egos. And so there's a, a, a bit of nuance involved and people get their, their panties in a twist. And I'm, I'm usually the guy that comes around and, and talks people off the ledge sometimes. AndMichael Jamin (00:54:02):I would imagine we be very hard even, especially for the new guy or the new woman coming in, youRick Negron (00:54:06):Know? Yeah. And I, I I, I, I tend to be the welcome wagon too. Right. You're the new ones. Come on, I'm the king. You know, I'll show you the ropes.Michael Jamin (00:54:13):Wow.Rick Negron (00:54:14):So, so that's, I, I like taking that mantle, not just because I'm the king, but also because I'm sort of the senior member of the Right. And I've been around the block and people have asked me, you know, I'm sick and tired of show business. I want to do something else. And I'm like, you know, that's, I hear that I've, I've had that conversation many, many times in my career.Michael Jamin (00:54:34):Interesting. So why, yeah. I would think, see, right, you've made the touring company of Hamilton, it's pretty much the peak, you know, like, you know, forRick Negron (00:54:41):A lot of 'em want to do Broadway. So they're, you know, they're still focused on doing that Broadway show. And some of them have done Broadway, have done the tour, and, you know, they wanna settle down and meet somebody and have a Right.Michael Jamin (00:54:53):So they want to, is that, is that what the problem is? They, you know, they're done with the business. What, what's the problem?Rick Negron (00:55:00):Well, I mean, you know, you, we've got the new kids who are just starting out who wanna know about, you know, how do I get my, my foot in Broadway? You know, and there's those kids, and then they're the ones that have been around for a while who wanna maybe transition out of, out of the business and, and want some there was one girl who was interested in massage therapy. Oh, wow. And I said, you wanna become ao? Okay. Well, this is what you need to do. And matter of fact the union has something called what is it called? Career Transition for Dancers, which is a, a, a program where you can get grants to do some further education. So if you wanna learn how to be a massage coach, wow. Get a grant through the union. And, you know, I know some of this stuff so I can impart some of that knowledge. And for the young kids who, you know, I wanna get on Broadway, I'm like, okay, well, to get on Broadway, you have to be in New York. And while you're on tour, you know, can't do that. It's hard to get into that audition for that Broadway show. ButMichael Jamin (00:55:57):Are you still in those circles? I mean, it seems like you, I don't know. It seems like you must know. I don't know. You're, I, I guess I'm completely wrong. If you were you know, a dancer on the touring company, Hamilton seems like it wouldn't be that hard to, to find out about an audition on Broadway. And certainly wouldn't be that hard to get a job, because you're obviously really good.Rick Negron (00:56:18):Yeah. and we've had a few people leave our tour to go do a Broadway, Broadway show. I mean, actually, we just lost like two or three people to, one Girl is doing Bad Cinderella. She left our show to Do Bad Cinderella, which is a new Broadway show, a new Andrew League Webber show. Mm-Hmm. . Another guy just left our show to do the, the Candor Nbb, New York, New York that's opening on Broadway soon. So that does happen luckily with the advent of auditioning remotely via video that's helped things out a lot nowadays, so that if you're in Portland on tour, you can send in an audition via video for something back in New York.Michael Jamin (00:57:02):Even dancing. You can, like, you pull the camera back and you do some dance steps. I mean,Rick Negron (00:57:06):Is that what you do? Yeah. Or sing a song or, or, or, or read a scene. Okay. depending on what's needed. And sometimes you, you are able to take a personal day and fly back to New York and audition for something. Right? Yeah. Michael Jamin (00:57:23):Cause I would think, and I, I don't know. Obviously, I don't know it, I would think that if you're in Ham, the touring company of Hamilton, you're practically on Broadway and it's like, it's almost the same circles, except this is where the job is, you know?Rick Negron (00:57:34):True. But if you've been on tour for a year, you'd like to settle down and stop living out of a suitcase. I It'sMichael Jamin (00:57:39):Hard to be on the road.Rick Negron (00:57:40):Yeah. Or you've been doing Hamilton for a while and you just wanna do something different. Yeah. There's those, those kids, you know, they're hungry, they wanna do different stuff. Yeah. They don't wanna be on tour on Hamilton for four years like I have, but I've done a lot of stuff andMichael Jamin (00:57:53):Yeah. What, let's talk about what other, what, yeah, let's talk about some other, we, we, I think we got off track of your other Broadway shows and, and Off Broadway and not touring shows, rather.Rick Negron (00:58:01):Well, you know, I started, I started out young in the biz at 10 cuz my mom was a drama teacher. And then I sort of worked my way through community theater and children's theater and all that. And, and then I was a concert dancer in college and studied for who? Well, I, in college I studied modern dance in, in ballet. But when I got outta college, I, I was an

Matt and Alex discuss When Louis Met the Hamiltons, following the daily life of former politician Ann Widdecombe during a Conservative Party leadership race. Featuring an interview with the episode's director, longtime Louis Theroux collaborator and Netflix documentary features commissioner, Kate Townsend. Episode artwork by Tara Dunne (www.taradunne.co.uk)

WE ARE BACK.   Support the show here: https://www.patreon.com/GhostStoriesForTheEnd   We talked to Bill Hamilton and our tiny minds were blown, so many thanks to him for answering our questions.    We begin with a look at how the Inslaw case, PROMIS and the intelligence underworld collided head-on with the 90s. We talk about how things ended for the Hamiltons, then pivot to exploring where PROMIS may have gone, or what it may have become, by looking at the rise of the surveillance state, privatization, 9/11, managed violence, Silicon Valley and more.   Even though PROMIS role in the story is mostly finished, THE TRAIN KEEPS ROLLING BABY.   OCTOPUS SOUNDTRACK NOW AVAILABLE HERE: https://ghoststoriesfortheendoftheworld.bandcamp.com/releases      

One of the best-known double acts in British politics, the Hamiltons have been in and out of trouble their whole lives. In 1997, Neil lost Tatton, one of the safest Tory seats in the country to Independent candidate Martin Bell. Christine's verbal attacks during the election earned her the nickname ‘Battleaxe'. After losing to Martin Bell, the Hamiltons went on to reinvent themselves as media stars and became famous for… well, being famous. After Neil's recent return to politics, how do they reflect on careers spent dividing opinion?

Find out what John Sweeney really thinks about his interview with Neil and Christine Hamilton, one of the best-known double acts in British politics. Available exclusively on Global Player. https://www.globalplayer.com/podcasts/42KuWb/ Download it from the App store or go to globalplayer.com If you're already on Global Player, search 'Sweeney Keeps Talking'.

Todays guest is Hamilton Souther the CEO, Master Shaman and Chairman/Founder of Blue Morpho, Co-founder One Energy Global (OEG) and Source Independent Entertainment (SIE). Hamilton is a visionary leader, speaker, author and renowned master shaman. He is an international leader for Amazonian Sustainability and Conservation. In 2001 Hamilton entered the Peruvian Amazon in search of a shamanic apprenticeship. After significant trials, Hamilton finally met Maestro Vegetalistas Don Julio Llerena Pinedo and Don Alberto Torres Dávila. They both agreed to train him in the traditional practices. He apprenticed under the tutelage of Maestro Julio and Maestro Alberto. Upon completion of his apprenticeship at the end of 2004 they gave him the title Maestro Vegetalista or Master Shaman. In this interview we talk about: - Hamiltons advice how to approach plant medicines and specifically ayahuasca. It is not a recreational thing to do, rather a medicinal healing gateway... - Hamilton's experience in being initiated with the Shipibo tribe over twenty years ago and stewarding this simple yet precise science with the plants... - The responsibility of stewarding the topic of Ayahuasca in the modernized world - We are Nature and Nature is our source... The future of accounting and banking to resemble the logics of nature vs. social an hierarchical differences Hamilton focuses his work on Universal Spiritual Philosophy. He is bilingual in English and Spanish, has a Bachelors degree in Anthropology, and has studied shamanism in California, Cusco, and the Amazon. --- Support this podcast: https://anchor.fm/julian-guderley/support

The second part of Matt and Alex's revisit to When Louis Met the Hamiltons, following former Conservative MP Neil Hamilton and his wife Christine as they become embroiled in an unexpected scandal. Featuring an interview with the Hamiltons, 20 years on from filming with Louis. Episode artwork by Tara Dunne (www.taradunne.co.uk)

Follow on YouTube: https://www.youtube.com/@boothreviewpod Join the Discord: https://discord.gg/JV4kx4tGAM Twitter: @BoothReview_Pod Twitch: @BoothReviewPod Facebook: https://www.facebook.com/BoothReviewPod/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week we look back at the 80s creature feature Alligator, the Indigenous American themed horror Don't Say It's Name, the Kaufman-produced slasher Silent Night, Bloody Night, and the subversive genre-defying The Hamiltons! Stay Scared! CONTACT US: weekinhorror@gmail.com GAME WITH US: https://www.youtube.com/channel/UC3fZWohl8kS9rGA8xGHat9Q FOLLOW US: https://www.facebook.com/weekinhorror https://www.twitter.com/weekinhorror https://www.instagram.com/week_in_horror/ https://www.youtube.com/weekinhorror SUPPORT US: https://www.paypal.com/paypalme/weekinhorror https://www.patreon.com/weekinhorror https://week-in-horror.creator-spring.com/? JOIN US: https://discord.gg/PDGDeWJz4E Joshua Olsen's Art Store https://www.badsamurai.store #horror #horrorpodcast #horrormovies #horrorfan #horrormovie #horrorart #horrorfilm #horroraddict #instahorror #horrorjunkie #horrornerd #horrorgram #horrorlover #horrorfanatic #horrormakeup #horrorgeek #horrorfilms #horrorcollector #horrorlife #horrorfamily #rockyhorrorpictureshow #halloweenhorrornights #horrorstories #horrorfans #80shorror #horrorclub #rockyhorror #horrorpunk #horrorobsessed #classichorror #horrorcollection #horrorcommunity #ilovehorror #horrorstory #horrornights #horrorfreak #horrorpage #horrorgirl #horrorgame #horrortattoo #americanhorrorstory --- Support this podcast: https://anchor.fm/weekinhorror/support

Complimentary Financial Fitness Strategy Sessionhttps://meetwithkrismiller.com/Home - Healthy Money Happy LifeTHESE SHOWS AVAILABLE IN VIDEO ATLegacy Shifters - YouTubeKris@HealthyMoneyHappyLife.com951.926.4158 for appointmentsFREE GIFT - Create Your Legacy ShiftYour Legacy Shift with Kris Miller and Tia Ross#1 Best Seller READY FOR PRETIREMENT, 3 Secrets for Safe Money and a Fabulous FutureBook - Healthy Money Happy Life Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a story almost too tawdry to be true—a con woman prostitute who met the descendant of a Founding Father in a brothel, duped him into marriage using an infant purchased from a baby farm, then went to prison for stabbing the couple's baby nurse—all while in a common-law marriage with another man. The scandal surrounding Evangeline and Robert Ray Hamilton, though little known today, was one of the sensations of the Gilded Age, a sordid, gripping tale involving bigamy, bribery, sex, and violence. When the salacious Hamilton story emerged in during Eva's trial for the August 1889 stabbing, it commanded unprecedented national and international newspaper coverage thanks to the telegraph and the recently founded Associated Press. For the New York dailies, eager to capture readers through provocative headlines, Ray and Eva were a godsend.As lurid details emerged, the public's fascination grew—how did a man of Hamilton's stature become entangled with such an adventuress? Nellie Bly, the world-famous investigative reporter, finagled an exclusive interview with Eva after her conviction. Hamilton's death under mysterious circumstances, a year after the stabbing, added to the intrigue.Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

The first of a two-parter, Matt and Alex revisit When Louis Met the Hamiltons, following former Conservative MP Neil Hamilton and his wife Christine as they become embroiled in an unexpected scandal. Featuring an interview with the Hamiltons, 20 years on from filming with Louis. Episode artwork by Tara Dunne (www.taradunne.co.uk)

Notre invitée aujourd'hui est Emma Hamilton, chanteuse du groupe The Hamiltons. Elle nous parle des concerts et des projets à venir.

It was oh so close to a series split for the Minnesota Twins in New York, but missed opportunities in Game 2 haunt them, and so they settle for a single victory in a four-game set against the Yankees. Still, the Twins enter a series with Cleveland just 1.5 games back and very much in the race, so long as they can actually stay healthy enough to field a team. As he has said before, David would like to see a footrace between Gary Sanchez and Caleb Hamilton, who is now one of two Hamiltons the Twins use primarily as pinch runners. Dan is aghast at the baserunning gaffes of Gilberto Celestino. And they agree that while the Twins didn't get the results they would have liked, there were at least a number of bright spots. Also, David is entertaining the idea that Dan and Hoges are just trolling him about Chris Archer, especially after David read an article that he feels may as well have been titled "Why David is Right About Chris Archer." Thanks for listening, and go Twins!Music: "Minnesota Twins Theme" (1961) written by Ray Charles and Dick Wilson. Arrangement and performance by Jason Cain.The Gran Group with Edina Realty TWIN CITIES AREA REALTORS TO MEET ALL OF YOUR HOUSING NEEDS!

A special edition of the Do Some Damage podcast in which Steve Weddle interviews Bill Shaffer about his new book THE SCANDALOUS HAMILTONS (July 2022, Kensington). https://www.kensingtonbooks.com/9780806542270/the-scandalous-hamiltons/ Find out more at http://www.dosomedamage.com/ DoSomeDamage.com "The Entertainer" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Season 1 of Love Is Blind on Netflix paved the way for a group of new hopeful singles in Season 2. But where are the Season 1 cast members now? Fans got an update during the 2021 special Love Is Blind: After the Altar, but lots has happened since then. Plus, well, you know… one of the OGs just so happens to host this show. Lauren's husband Cameron joins us for another "CAM-eo" but this time we're doing a deep dive on life with the Hamiltons! We find out what keeps this fan favorite couple's relationship going strong four years after filming and best believe we get those receipts too!  Send all of your burning questions, either as an email or selfie video to receipts@kastmedia.com. Or, leave us a voicemail at https://www.speakpipe.com/receipts. You can also slide into our DMs with your questions! Lauren Speed-Hamilton - https://www.instagram.com/need4lspeed/ Chris Burns - https://www.instagram.com/fatcarriebradshaw/ See omnystudio.com/listener for privacy information.

PLAYLIST 5/12/22 The Copyrights - "Two Lefty feet" - 'Learn the Hard Way' Dopamines – “The Dispatch” – st The Steinways - "Arena Rock" - 'Gorilla Marketing' (Cold Feet) Zatopeks - "Scum on The River" - split w/ Accelerators Parasite Diet – “Summer's Overrated” – ‘God Hates Parasite Diet' The Wimpy's – “Seventeen” – ‘Backseat Love' Sweet Faces – “On Top if That Girl” – ‘On Top of that Girl' The Varsity Weirdos – “Lost Control” – ‘High School Teen Party' Monikers - “Mine” - 'Wake Up' The Bananas - "New Animals" - 'New Animals' Team Stray - "Black & White" - 'Gender Studies' The Powerchords – “Think I'm Gonna” – '...Think I'm Gonna' Night Marchers – “Jump in the Fire” – ‘See You in Magic' The Goodnight loving – “Blank Day Parade” – st The Wellingtons - “Song for Kim” – 'Heading North for the Winter' Duncan Redmonds - "Guilty" – 'Bubble and Squeak' The Hextalls – “Unicorn Rider” – ‘Call it a Comeback' a The Guts – “Let It Go” – ‘Let It Go' The Anchor – “Truant Tensions” – Split w/ O Pioneers!!!! Airbag - “Comics y Posters” - 'Alto Disco' The Gusto - "OK" -'The Way it Is' Radio Days – “Waiting for You” – ‘Midnight Cemetery Rendezvous' The Yum Yums – “Get Ugly” – ‘Whatever Rhymes with Baby', The Cute Lepers - "It's Summertime, Baby" - 'Can't Stand Modern Music' The Impulse International – “The Real Kid” – 7” Sloppy Seconds - "Everybody Hates The United States" - 'Endless Bummer' The Hamiltons - "Class Operation" - 7" Special Thanks – “Summer Vacation” – ‘Seven Colors' The Measure (sa) - “Drunk by Noon” - 'Songs About People and Fruit and Shit' Teenage Bottlerocket – “Social Life” – ‘Warning Device' Rocket Reducers – “Sauce Wagon” – st

The 3 Laws of Successfully Handling Wealth!1. Live on less than you earn – Learn to live on 90% of your income.2. Seek advice from those who are competent through their own experiences to give it – As in the story – don't entrust a bricklayer to invest your money in jewels. If it is jewels you want, seek the advice of a jeweler. Seek out sound advice.3. Learn to make your money work for you – We will learn more about this but if you are just starting out remember to only invest where the principal is guaranteed. In other words, only invest where you are guaranteed not to lose your initial investment.About 156 people have at least $25 million in their Roth IRAs — eachhttps://www.marketwatch.com/story/about-156-people-have-at-least-25-million-in-their-roth-iras-each-11627496615•5 Laws of Gold   1. Gold cometh gladly and in increasing quantity to any man who will put by not less than one-tenth of his earnings to create an estate for his future and that of his family. In other words, a person should put away 10% of his or her income for the future as a bare minimum. This rule is so incredibly fundamental, yet only a small minority even bother to follow it.2. Gold laboreth diligently and contentedly for the wise owner who finds for it profitable employment, multiplying even as the flocks of the field. If you invest your money well, your money will simply make more money. Again, a very simple and obvious rule, but one that many people never get to because they didn't follow the first rule.3. Gold clingeth to the protection of the cautious owner who invests it under the advice of men wise in its handling. This rule encourages cautious investing, or at least encourages the investor to at least be informed. In today's era, one can turn to the internet for plenty of investing information.4. Gold slippeth away from the man who invests it in businesses or purposes with which he is not familiar or which are not approved by those who are skilled in its keep. This goes hand in hand with the third rule: if you invest in stuff you don't understand, you're likely to lose money. Don't buy the latest hot stock from your stockbroker; investigate and invest where you want.5. Gold flees the man who would force it to impossible earnings or who followeth the alluring advice of tricksters and schemers or who trusts it to his own inexperience and romantic desires in investment. The worst option is to invest in anything that promises absurdly good returns, or anything that you're heavily pressured into buying. These investments are scams and won't stand up to serious research.The five rules really are all you need to know: save some money, do some research, and only invest in the fruits of that research. Anything else is a sure way to fall behind.•7 Cures for a Lean PurseStart thy purse to fattening Take one-tenth of what you bring in and save it for the future. The book uses a coin analogy: for every nine coins you spend, take one and put it away for yourself. This is very sensible; a goal all of us should have.Control thy expenditures Don't buy frivolous things even if you have enough money to pay for them. Instead, make sure that you can continue to save one-tenth of what you bring in. For this reason, I write about frugality on The Simple Dollar.Make thy gold multiply Once you start to build up some savings, invest that money so that it will make more money for you. Another pretty clear point; if you start saving money, it shouldn't just sit in a mattress. Even a high-yield savings account is much better than that, and it can double your principal in about fifteen years.Guard thy treasure from loss This one is interesting: you should only invest in things where the principal is safe. In other words, the book seems to discourage stock investing. I found this to be particularly interesting given that it was written in 1927, right in the midst of the first big American stock market boom. Of course, 1929 proved the author right.Make of thy dwelling a profitable investment One should own their own home rather than renting because then money can be invested in the home or invested in other things rather than handed over to the landlord. Something tells me that this lesson applied better before people were looking at homes that were three or four times their annual income.Insure a future income In other words, invest for retirement and your family's well being after your passing. You should be dropping some Hamiltons right into your retirement account if you can possibly afford it.Increase thy ability to earn Work hard, look for opportunities, and educate yourself. Today, a college education is one of the best investments you can make; I'm not saying that it's a requirement to be successful, but it opens the door to greater possibilities.•How to Meet the Goddess of Good LuckA Part Of All You Earn Is Yours To Keep This is a hard lesson for many of us to learn, as most of us are ardent consumerists who are trained to spend from earliest childhood. The truth is that we need to learn to always pay ourselves before we pay our debtors – once we do that, we'll be on the road to financial success.Men Of Action Are Favored By The Goddess Of Good Luck I found this principle to be quite interesting, but also quite accurate. At first, you might take it to think that people who gamble sometimes end up big winners, but that's not what this is all about. What the rule is saying is that people who succeed are the ones that do something. Even the most conservative of investments will pay better than cash stuffed in a mattress for a rainy day. If you do something, something will happen.Better A Little Caution Than A Great Regret On the other hand, if you push too hard, you can get burnt. Highly speculative investments can turn around and bite you hard, leaving you as if you had never invested at all. Respect your principal and it will respect you by earning well; toss it to the wolves and you may get nothing back.We Cannot Afford To Be Without Adequate Protection Retirement savings and insurance are both vital to ensuring that major accidents don't derail everything that we do. If you don't have these tools, a disaster can befall you, leaving you completely helpless.Where The Determination Is, The Way Can Be Found Don't give up on investing just because the road is bumpy. If you keep at it, eventually you will find a path to success. This is true no matter what you're doing – persistence pays off time and time again.•How to get out of debt10% to God.10% to Self. 10% to Debt. 70% to Living Expenses Middle Class Vs Wealthy ClassIntroduction:Summary of Middle Class vs Wealthy ClassHomesMiddle Class Do's: Homes CarsCountry clubs Good schools Money for college Save cash Investment in retirement Wealthy Class Do's: Don't borrow money for college Send kids to college to get to know powerful people, not pass They don't buy houses they buy businesses They don't save cash They invest in companies and they do whatever it takes to get rich. The priority is to build generational wealthThey don't invest in retirement accounts Support this podcast at — https://redcircle.com/the-secret-to-success/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week with BJ on vacation, Dell asks his wife Terry to join him as a guest on the show. Terry is a licensed clinical therapist who focuses on trauma recovery. She also helps Dell process his poker sessions. In this episode they talk about their marriage and Dell's poker. Visit us and subscribe to your platform of choice at www.tbstb.com Support the show: One blind per month is all we ask: https://anchor.fm/theblindstealingtheblinds/support --- Support this podcast: https://anchor.fm/theblindstealingtheblinds/support