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3 episodes with bad times theatre
2 episodes with bad times theatre
5 episodes with bad times theatre
5 episodes with bad times theatre
2 episodes with bad times theatre
Welcome back to the 236th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 236th episode we bring you a Duet Review of Genrefuck – a double-bill of two solo shows, Reina by Augusto Bitter & Never Walk Alone by Julie Phan – presented by Buddies in Bad Times Theatre. Join Jillian Robinson and Ryan Borochovitz, as they discuss brand mascots, pole dancing, and what happens when you throw blenders at the wall to see if they stick. Genrefuck is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until May 31st, 2025. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/genrefuck/ This review contains many SPOILERS for Genrefuck, and the two shows contained therein, WITHOUT our customary separation between spoiler and non-spoiler sections. If you intend to see the production, proceed at your own risk. Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com
Today on What's My Frame I'm joined by Casting Director, Jesse Griffiths. After more than a decade as an actor, Jesse pivoted to a career in casting, founding Jesse Griffiths Casting (JGC). Jesse's heart for championing inclusion and diversity in the casting process is evident in all facet's of her work. Hosting monthly workshops for the BIPOC Community; creating a safe space for artists to be heard, supported and given the freedom to crate at their highest level and most authentic self. Today Jesse shares the thought he put into crafting his office, from his own experience as an actor. A powerful takeaway from this episode is Jesse's advice for finding freedom in your work and sharing your take on the character. Dedicated to nurturing the next generation of artists, Jesse has taught at colleges and universities across Canada as well as countless other private institutions. He leads a monthly workshop for Toronto's BIPOC community and serves as a mentor at the Canadian Film Centre's Actors Conservatory.Jesse is a member of the Casting Society of America (CSA) the Casting Directors Society of Canada (CDC) and sits on the professional advisory committees for Seneca College, George Brown College, and Toronto Metropolitan University. He serves on the boards of the CDC, the Toronto Gay Hockey Association (TGHA), and Buddies in Bad Times Theatre—the world's longest-running queer theatre.A proud recipient of the ACTRA Toronto Sandi Ross Award, Jesse holds a BFA in Theatre Performance from Toronto Metropolitan University. Now let's get to the conversation! Follow Jesse Griffiths Casting on socials Visit Jesse Griffiths CastingResourcesBlack Screen Office Indigenous Screen OfficeACTRA--What's My Frame, hosted by Laura Linda BradleyJoin the WMF creative community now!Instagram: @whatsmyframeIMDbWhat's My Frame? official siteWhat's My Frame? merch
Earlier this month, 18 Canadian theatre companies—including the world's largest queer theatre company, Buddies in Bad Times Theatre, based in Toronto—joined a cultural and academic boycott of Israel, in solidarity with Gaza. It was just the latest evolution in a trend that has been particularly noteworthy since Oct. 7, 2023, when the North American arts community turned sharply against pro-Israel and Jewish artists in all fields, noteably theatre, film, literature, poetry. The progression has led us here. After years of isolation, there is more hunger than ever for proudly Jewish art, with calls for increased Jewish arts grants and community support. Here to echo those calls are two Jewish artists who have experienced these struggles in the last two years: Shaina Silver-Baird is a writer, actor and the creator of the TV series Less Than Kosher, and Hal Niedzviecki was the editor of Broken Pencil, Canada's magazine covering independent zine culture, which he abruptly closed after facing backlash from progressive activists to denounce Israel. In this series finale of Culturally Jewish, The CJN's podcast covering Canadian Jewish artists, hosts Ilana Zackon and David Sklar sit down for a frank conversation and take stock of the last two years—while also expressing hopes for the future. Credits Hosts: Ilana Zackon and David Sklar Producer: Michael Fraiman Music: Sarah Segal-Lazar Support The CJN Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to Culturally Jewish (Not sure how? Click here)
Welcome back to the 223rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 223rd episode we bring you a Duet Review of There is Violence and there is Righteous Violence and there is Death or, The Born-Again Crow, the Governor General's Award-winning play by Caleigh Crow, directed by Jessica Carmichael, co-presented by Buddies in Bad Times Theatre and Native Earth Performing Arts. Join Ryan Borochovitz and special guest Alicia Plummer, as they discuss carrion birds, oppressive power structures, and using nature's tools to dismantle the master's house. There is Violence … The Born-Again Crow is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until March 29th, 2025. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/there-is-violence/ This review contains many SPOILERS for There is Violence … The Born-Again Crow. It will begin with a general non-spoiler review until the [9:11] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Alicia Plummer – Instagram: @itsaliciaplummer // TikTok: hialiciabyealicia // Women At Plays Festival Tickets (March 28-April 6): https://www.ticketscene.ca/events/50824/ Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.comCHAPTERS: 0:00 – Intro: Welcome Back, Alicia 2:25 – Pre-Spoiler 9:00 – SPOILERS from here on out 9:21 – (Easily Distracted) Cast Shoutouts 32:15 – Production Elements 34:36 – Animal Transmogrification 40:35 – Chekhov's Gun 46:47 – The REAL Canadian Superstore 55:35 – Indigeneity & Resistance 1:01:15 – (Non-)Concluding Thoughts
Welcome back to the 215th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 215th episode we bring you a Duet Review of Last Landscape, created and directed by Adam Paolozza, presented by Bad New Days, in partnership with Common Boots Theatre and Buddies in Bad Times. Join Jillian Robinson and Ryan Borochovitz, as they discuss artificial environments, pops of puppetry, and mushrooms at the end of the world. The Last Landscape is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until January 26th, 2025. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/last-landscape/ This review contains many SPOILERS for Last Landscape. It will begin with a general non-spoiler review until the [09:28] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com CHAPTERS: 0:00 – Intro: Unfurl & Unfold 2:20 – Pre-Spoiler 9:21 – SPOILERS from here on out 9:36 – Of Mushrooms & Sloths 16:02 – Back to the Bench 28:49 – What is “Last”? What is “Landscape”? 34:10 – The Last Man 40:34 – Paratextual Commentary 46:02 – Like a Belgian Palindrome 47:56 – Sign Off
Welcome back to the 209th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 209th episode we bring you a Duet Review of Oraculum, created and performed by Denim and Pythia, directed by ted witzel, and presented by Buddies in Bad Times Theatre. Join Mackenzie Horner and Ryan Borochovitz, as they discuss the aesthetics of drag performance, the legitimacy of tarot readings, and anxieties about the future. Oraculum is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until December 14th, 2024. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/oraculum/ This review contains many SPOILERS for Oraculum. It will begin with a general non-spoiler review until the [14:21] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://www.intermissionmagazine.ca/author/ryan-borochovitz/ & https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support
Welcome back to the 203th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 203th episode we bring you Part 2 of our two-part Review Roundup covering all six shows in the 2024 Next Stage Theatre Festival (presented by Toronto Fringe). Join Jillian Robinson and Ryan Borochovitz as they reflect upon the remaining three pieces they attended, completely jettisoning their intended ten-minute allotment per show (not sorry!). In these reviews, they shine a light on the end of the world, unpack asexual dramaturgy, and have a long conversation about histories of Indigenous erasure. Catch up on Part 1: https://www.youtube.com/watch?v=jXjOdvbCriA The Next Stage Festival is currently running at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until November 27th, 2024. Information about the show line-up and tickets can be found at the following link: https://fringetoronto.com/next-stage/shows WARNING: This review roundup contains spoilers for all three shows being covered. TIMESTAMP NAVIGATOR: 0:00 – Intro 2:29 – This Feels Like the End 24:53 – Prude 44:31 – Civilized 1:02:03 – Interlude … which Ryan promises will be relevant 1:12:25 – (Now, back to) Civilized 1:28:47 – Sign Off Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support
Welcome back to the 202nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 202nd episode we bring you Part 1 of our two-part Review Roundup covering all six shows in the 2024 Next Stage Theatre Festival (presented by Toronto Fringe). Join Mackenzie Horner, Jillian Robinson, and Ryan Borochovitz as they reflect upon the first three pieces they attended, struggle to adhere to their intended ten-minute allotment per show (oops!), and discuss everything from anti-Haitian xenophobia, to high school choirs, to duty of care. Stay tuned for Parts 2, coming soon! The Next Stage Festival is currently running at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until November 27th, 2024. Information about the show line-up and tickets can be found at the following link: https://fringetoronto.com/next-stage/shows WARNING: This review roundup contains spoilers for all three shows being covered. TIMESTAMP NAVIGATOR: 0:00:00 – Intro 0:02:25 – The Noose 0:14:00 – I Was Unbecoming Then 0:36:25 – Gemini 1:03:26 – Sign Off Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support
Welcome back to the 197th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 197th episode we bring you a Duet Review of of Roberto Zucco, written by Bernard-Marie Koltès (translated from the French by Martin Crimp), directed by ted witzel, and presented by Buddies in Bad Times Theatre. Join Mackenzie Horner and Ryan Borochovitz, as they discuss the purgatorial state of true crime, sticky images, and a vision of Jean Valjean if he never met the Bishop. Roberto Zucco is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until October 5th, 2024. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/roberto-zucco/ CONTENT WARNING: Roberto Zucco contains themes, discussions, and depictions of serial murder, suicide, sex work, and sex trafficking (including the involvement of minors); this review, likewise, speaks directly to these topics. Viewer discretion is strongly advised. Less importantly, this review contains many SPOILERS for Roberto Zucco, as well as the historical Italian crimes that inspired it. It will begin with a general non-spoiler review until the [18:56] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support
In Episode 149, Gen and Jette continue to celebrate Pride Month with Tony Kushner's award-winning play, Angels in America. We had to cut ourselves off eventually because we could talk about this play forever.Show NotesWe went to see this play last December at Buddies in Bad Times Theatre in Toronto. It was produced by That Theatre Company and directed by Craig Pike. (Yes, Torontonians, Craig Pike of Craig's Cookies.) It was phenomenal and we knew we had to read the play and dedicate an episode to it. The play runs about 7 hours long in total and is technically two separate plays: Millennium Approaches and Perestroika.HBO made a mini series, adapted for the screen by Tony Kushner, in 2003.In 2017, The National Theatre produced a revival starring Andrew Garfield and Nathan Lane and it eventually went to Broadway. This play has won a lot of awards and it's very clear why. We'll definitely make it a point to see any production of this that we can get to.This spring, Gen went to see another 7-hour long play called The Inheritance, put on by Canadian Stage Company. It's a reimagining of E.M. Forester's novel Howard's End and also deals with AIDS and being gay in America, but in a contemporary setting that takes place before and after the election of Donald Trump. Our next episode is our 150th! Appropriately, it is a book club episode. We'll be talking about Jette's pick, The Daughter of Doctor Moreau by Silvia Moreno Garcia. Other Media MentionedThe Inheritance by Matthew LopezCaroline, or ChangeMunich (2005)Lincoln (2012)West Side Story (2021)The Fabelmans (2022) Don't forget to follow us on Instagram, TikTok, and Twitter or email us at hello@anotherbookontheshelf.com. We'd love to hear from you! Sign up for our newsletter and add us to Pinterest!
SUMMARY In this month's episode of The SpokenWeb Podcast, ShortCuts is taking over the airwaves. ShortCuts is the monthly minisode that takes you on a deep dive into archival sound through a short ‘cut' of audio. In this fifth season, ShortCuts producer Katherine McLeod has been presenting a series of live conversations recorded at the 2023 SpokenWeb Symposium – and in this full episode, we're rolling out the last of those recordings. You'll hear from Moynan King, Erica Isomura and Rémy Bocquillon. You'll also hear the voices of our then-supervising producer Kate Moffatt and our then-sound designer Miranda Eastwood, who was there behind-the-scenes recording the audio and who joins in the conversations too. Listening is at the heart of each conversation, and each conversation ends with the question: What are you listening to now? That ends up being quite an eclectic playlist and do check the Show Notes below for links. If you like what you hear, check out the rest of Season Five of ShortCuts for conversations with Jennifer Waits, Brian Fauteaux, and XiaoXuan Huang. And, of course, this month's episode with the longest ShortCuts yet: “ShortCuts Live! Talking about Listening with Moynan King, Erica Isomura, and Rémy Bocquillon.”*SHOW NOTES TRACE at Theatre Passe MurailleSteve Roach, Quiet Music 1False Knees, Montreal-based graphic artist drawing birds talkingÉliane RadigueKishi Bashi, “Manchester.” (Did you catch that this song is about writing a novel and Erica had just talked about novels? Not to mention the bird references. There are many more Kishi Bashi songs to listen to, but linking this since we played a clip from this one in the episode for these serendipitous reasons!) *BIOS Moynan King Moynan King is a performer, director, curator, writer, and scholar. She was the recipient of a 2020 Canadian Screen Award for her writing on CBC's Baroness von Sketch Show on which she also made regular appearances as an actor. She is the author of six plays, and the creator of many performances including TRACE with Tristan Whiston. Moynan was the co-founder and director of the Hysteria Festival, the co-director of the Rhubarb! Festival (for four years), and has been the curator of multiple cabaret events including Cheap Queers. As an Assistant Artistic Director and Associate Artist at Buddies in Bad Times Theatre for a total nine years, they developed such works as The Beauty Salon and Bathory among many others. Moynan holds a PhD in Theatre and Performance Studies from York University. Her critical writing on theatre and performance is widely published and they are the editor of Queer Performance: Women and Trans Artists (CTR 149), Queer/Play: An Anthology of Queer Women's Performance and Plays, and co-editor of Sound & Performance (CTR 184) with Megan Johnson. As of September 2022, Moynan will be post-doctoral fellow at the University of Western Ontario working with Dr. Spy Dénommé-Welch on a sound-based research project entitled Queer Resonance.Erica IsomuraBorn and raised on the west coast, Erica H Isomura is a poet, essayist, and multi-disciplinary artist, exploring graphic forms and mixed-media art. Her work speaks to a complex relationship with land, politics, and yonsei 四世 Japanese and diasporic Cantonese identity. Erica's writing has appeared in Canadian literary and independent magazines, including ArtsEverywhere.ca, ROOM Magazine, Briarpatch, The Tyee, XtraMagazine.com, The Fiddlehead, Vallum, and carte blanche, among others. In 2023, Erica was artist-in-residence at The Blue Cabin Floating Artist Residency in Steveston Village, BC. Erica is a recipient of ROOM magazine's Emerging Writer Award and won first prize in Briarpatch's Writing In The Margins contest for creative non-fiction. Erica currently resides in Tkarón:to/Toronto, ON. https://ericahiroko.ca/Rémy BocquillonRémy Bocquillon is a Postdoctoral researcher and Lecturer in Sociology at the Catholic University of Eichstätt-Ingolstadt, Germany. His research interests revolve around epistemic practices bridging the gap between arts, science, and philosophy, which he explores through his own creative work as a sound artist and musician. His latest projects include the publication of his book “Sound Formations. Towards a sociological thinking-with sounds” and the sound installation “Activating Space | Prehending the City”.https://remybocquillon.eu/*Kate Moffatt (interviewer) is a PhD student in the Department of English at Simon Fraser University. Her research interests include British Romanticism, women's authorship, walking and pedestrianism, and print culture. She is the former supervising producer of The SpokenWeb Podcast, and she is the current co-host of The WPHP Monthly Mercury podcast.Miranda Eastwood (sound recording) is a game writer and interdisciplinary artist based in Montréal. Miranda holds a master's degree in English Literature and Creative Writing at Concordia University, where they passionately pursued works of many forms, including the development of a radio drama, several ongoing comics, and the release of a full-length audiobook, and made audio as the sound designer for The SpokenWeb Podcast. https://mirandaeastwood.com/Katherine McLeod (producer) is an Assistant Professor, Limited Term Appointment, in the Department of English at Concordia University. She is the principal investigator for her SSHRC-funded IDG project “Literary Radio: Developing New Methods of Audio Research.” She has co-edited with Jason Camlot a recent special issue of English Studies in Canada, “New Sonic Approaches in Literary Studies.” She co-hosts The SpokenWeb Podcast and produces ShortCuts as a series for the podcast feed.
Evalyn talks about her research-creation project that reflects on the relationship between arts leadership, creative practice, and cultural change. Using songwriting as an embodied, queer feminist method, this ‘portfolio' format thesis includes three songs and six written chapters to examine the experience of being the Artistic Director of Buddies in Bad Times Theatre between 2015 […]
Shohana SharminDeath isn't scary to Shohana. She faced her mum's passing by starting a podcast about grief (Finders Grievers) and an on-stage comedy revue "Dead Parents Society". She is resilient, she is brave and she is a brilliantly witty queer Muslim woman of colour who talks openly and with words of wisdom about her mum's passing six years ago. More about ShohanaShohana Sharmin is a Bangladeshi-Canadian emerging comedian, writer and theatre artist. Born and raised in Bangladesh, Shohana is a proud Muslim queer woman of colour. She is a recipient of the 2020 Queer Emerging Artist Award at Buddies in Bad Times Theatre. Shohana is the creator and a cast member of the critically acclaimed award-winning dark sketch comedy revue "Dead Parents Society." She is an alumna of Buddies in Bad Times theatre's 2019 Emerging Creators Unit (under the mentorship of Catherine Hernandez of b current), Nightwood Theatre's 2019 Young Innovators program, and b current Theatre's 2019 bcHub Emerging Artists cohort. Shohana presented her first solo show "Come Here Often?" (directed by Akosua Amo-Adem) as part of 2019 Queer Pride at Buddies in Bad Times theatre. Her written works have been published in several publications. She is a former Featured Player at the Bad Dog Comedy Theatre, and an alumna of the Second City's Improv and Longform Conservatories. She has performed in comedy and theatre festivals across North America. In non-pandemic times, she can regularly be seen performing across Toronto with her award-winning troupe Not Oasis (2017 The Toronto Fringe Patrons Pick, NOW Critic's Pick). She wishes she could be more like her mother. Visit Dead Parents' Society on Social Media https://twitter.com/dpssketchshow https://www.instagram.com/dpssketchshow
Natércia Napoleão is a multifaceted Brazilian theatre artist and community advocate. Over the past eighteen years, she has had a wide influence within the Albertan theatre community, with experience in site-specific theatre, dance theatre, multimedia performance, television, musicals, and a wide range of classical and contemporary theatre. Performance highlights include the acclaimed Fado: The Saddest Music in the World (JAYMAC Outstanding Production Award) at the Firehall Arts Centre in Vancouver. Recent directing credits include Hummm (Climate Change Theatre Action/ New Harlem Productions); Orange Skies (Tarragon Theatre's Young Playwright's Unit); and the multidisciplinary theatre piece, Threshold (The Lobbyists collective/2021 Chinook Series). Natércia is an associate producer with Dora Award nominated manidoons collective having recently supported the sold-out production of esteemed playwright Yolanda Bonnell's White Girls in Moccasins, in co-production with Buddies in Bad Times Theatre. Natércia is currently developing her first full-length play, Michener Park, alongside renowned Chilean author, playwright and activist, Carmen Aguirre. As a community advocate, Natércia spearheads and contributes to grassroots initiatives regularly. She is a strategic planner working with institutions and companies exploring equitable practices, such as Musical Stage Co. and Outside the March. Natércia is the incoming CAEA representative for the Alberta North/N.W.T region. Intstagram: @natercia_napoleao Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy
Brendan Healy is the Artistic Director of Canadian Stage, one of the country's leading not-for-profit contemporary performing arts organizations. The company produces, presents, commissions, and collaborates with multiple partners on cross-disciplinary work with a focus on performance styles that integrate theatre, dance, film, visual arts and more. Originally from Montréal, Brendan began his career as an actor before moving to directing. Brendan attended the National Theatre School's Directing Program and trained extensively with one of the pioneers of the American avant-garde Anne Bogart and the SITI Company before relocating to Toronto. Since then, Brendan has established himself as a central figure in the city's theatre scene. His work has been presented across the country and his productions have garnered multiple awards. Between 2009-2015, Brendan was the Artistic Director of Buddies in Bad Times Theatre, the world's longest-running theatre devoted to LGBTQ2S artists and one of Canada's most significant generators of experimental performance and theatre. During his time at Buddies, the company experienced an unprecedented period of artistic success. More recently, Brendan completed a Masters in International Arts Management, in a program jointly offered by the Southern Methodist University (Dallas, Texas), l'École des hautes études commerciales (Montréal, Québec), and the SDA Bocconi School of Management (Milan, Italy). He also worked as the Artistic Director for Performing Arts for the City of Brampton, one of Canada's most diverse and fastest-growing cities. misterbrendanhealy.com Support Stageworthy Patreon: patreon.com/stageworthypod Tip Jar: tips.pinecast.com/jar/stageworthy
Born in Seattle, WA, and raised in Vancouver, Canada, Bruce Dow is an American/Canadian actor, director, composer/librettist, cabaret artist, and theatre educator, best known for his 5 featured roles on Broadway; his 12 seasons in leading roles at the Stratford Festival; and his Dora Award Winning performances at Buddies in Bad Times Theatre — the world's largest and longest running LGBTQ2IA+ theatre — and his Helen Hayes Award nominated work with the Shakespeare Theatre Company and Studio Theatre in Washington, DC. brucedow.com Twitter: @DowBruce Instagram: @dowbruce Support Stageworthy Patreon: patreon.com/stageworthypod Tip Jar: tips.pinecast.com/jar/stageworthy
In today's episode, Amanda sits down over some Red Stripe Jamaican beer with writer and comedian Shohana Sharmin (Finders Grievers, Dead Parents Society) to discuss the pressure to stay relevant, toxic positivity and her podcast Finders Grievers. Shohana is an alumnae of Buddies in Bad Times Theatre's Emerging Creators Unit and was a receipt of their 2020 Queer Emerging Artists Award. She is also an alumna of the Second City's Improv and Longform Conservatories and a former Featured Player at the Bad Dog Comedy Theatre. She is a producer, writer and performer behind the dark sketch comedy revue Dead Parents Society, which won the Audience Choice Award at the 2020 Toronto Sketch Comedy Festival. Her podcast Finders Grievers, a happy-ish podcast about sad things is an incredibly intimate and entertaining podcast on grief, and is available on The Sonar Network. The Liquid Courage Podcast: Instagram: @liquidcouragepodcast Twitter: @liquidcourage YouTube Video Episodes & more! Email podcastliquidcourage@gmail.com Find The Liquid Courage Podcast on Patreon! www.Patreon.com/LiquidCouragePodcast Amanda Pereira: insta @hotcoldspicy / twitter @amanda_pereira Shohana Sharmin: @soleahm
For Video Edition, Please Click and Subscribe here: https://youtu.be/0oZ6QUdLQsE Diana, a new musical was in previews on Broadway, and was set to open March 31st, 2020, at the historic Longacre Theatre — when Broadway and the world shut down.. The musical, which chronicles the married life of the late Diana Spencer – the world's favourite princess – is being helmed by the creative teams behind the ®Tony Award winning Come From Away and Memphis. Diana, a true musical story will mark Bruce's 5th appearance in a featured role on Broadway. A year later, and while Broadway is yet to return, through the herculean efforts of the show's producers, Beth Williams and Frank Marshall, the company of Diana, a new musical was brought together in one of the largest-ever Covid-19 health and safety projects — to record the Original Cast Album, and to film the show for release on Netflix, sometime in 2021. Born in Seattle, WA, Bruce Dow is an American/Canadian actor, best known for his 5 featured roles on Broadway; his 12 seasons in leading roles at the Stratford Festival; and his Dora Award Winning performances at Buddies in Bad Times Theatre, the world's largest and longest running LGBTQ2IA+ theatre. In 2005, he recorded his debut CD Lucky to Be Me. In 2008, he released a second CD Keepin' Out Of Mischief. He has just released a compilation of highlights from both albums, The Best of Bruce Dow. Dow is openly gay (non-binary, gender queer – open to all pronouns) and speaks often on issues of sexuality, sexual health, gender-identity, LGBTQ2IA+ youth and mental health.
The last year has been one of grieving for a lot of us. Whether we are grieving the loss of anticipated plans or the loss of income, our businesses, our jobs, the loss of touch and intimacy or, ultimately, the loss of our loved ones, the passing of millions of people all around the world with their own complex histories, joys, insecurities, hopes, and dreams, and flaws and everything in between — we dedicate this episode to all the ways and all the things we grieve. Featured in this episode: • Eli Tareq El Bechelany-Lynch is a queer Arab poet living in Tio'tia:ke, unceded Kanien'kehá:ka territory. Their work has appeared in The Best Canadian Poetry 2018 anthology, GUTS, Carte Blanche, the Shade Journal, The New Quarterly, Arc Poetry Magazine, and elsewhere. They were longlisted for the CBC poetry prize in 2019. Their book, knot body, was published by Metatron Press in September 2020, and their upcoming book, The Good Arabs, will be published by Metonymy Press in 2021. You can find them on Instagram and Twitter at @theonlyelitareq and sign up for their newsletter at tinyletter.com/slowsyrup. • Kasper Samantha Langford • Linda Trinh is a writer of Vietnamese descent and she writes non-fiction and fiction. She explores the intersection of identity with cultural background and spirituality. Her work has appeared in Prairie Fire, Room Magazine's website, This Magazine, and The Nasiona. She has been a finalist in the Malahat Review's Constance Rooke CNF contest, been nominated for two National Magazine Awards, and a Pushcart Prize. Linda lives in Winnipeg / Treaty 1 Territory. Read more of her writing at lindatrinhblog.wordpress.com/my-writing/ and follow her on Twitter at @LindaYTrinh. • Shohana Sharmin is a Bangladeshi-Canadian emerging comedian, writer, and theatre artist. Born and raised in Bangladesh, Shohana is a proud Muslim queer woman of colour and is fluent in three languages. She is a recipient of the 2020 Queer Emerging Artist Award at Buddies in Bad Times Theatre, and is the creator and a cast member of the critically acclaimed award-winning dark sketch comedy revue "Dead Parents Society." Listen to her new podcast “Finder Grievers”, a happy-ish podcast about sad things, in which we unpack the universally felt - yet rarely discussed - experience of grieving. She wishes she could be more like her mother. Follow Shohana at @soleahm, her comedy sketch show at @dpssketchshow, and her podcast at @findersgrievers. Living Hyphen is a community seeking to turn up the volume on the voices of hyphenated Canadians. You can purchase our magazine at www.livinghyphen.ca, support us on Patreon, or find us on Instagram, Facebook, and Twitter. --- Send in a voice message: https://anchor.fm/living-hyphen/message
“Pleasure is a gift I gave you and it’s a gift you don’t only need to give to others, but you can give it to yourself too, you know?” Welcome to the Studio Series: experiments in audio storytelling from some of the most exciting theatre artists from our TransAmerican community in Canada. First you’ll hear a work in process, then a short talk by the artist on their creative process. This presentation is also available in Spanish. A journey from one home to another. The Cunning Linguist tells the story of Monica, a young Mexican girl that realizes that God made her queer. What Monica sees as an honour, people close to her see as wrong. Thanks to a TV show Monica decides to move to Toronto, with God (Diosito) as her unlikely sidekick, where she begins to learn more about herself, freedom and sex. Monica Garrido is a Toronto based Mexican Artist, Filmmaker, Writer, Producer, Comedian, Performer and Storyteller that uses comedy as a tool and a shield to express herself. Her short films "Diferente" and the horror-comedy "Love You to Death" have been part of the Inside Out LGBT Film Festival. She’s part of the ensemble of the Canadian Comedy Award winner show Sketch Comedy Extravaganza Eleganza. Monica is the 2018 recipient of the Queer Emerging Artist Award at Buddies in Bad Times Theatre. She is one third of a Latinx Drag King Boyband and currently Co-host and Co- Produces “Merendiando” part of Radio Aluna Theatre. She is also a Taurus and wishes you the best. Beatriz Pizano (Director) is an accomplished director and playwright. She is also an actor with more than twenty years of experience on stage, film and television. She is the 2009 winner of the prestigious John Hirsch Prize for Direction from the Canada Council for the Arts and the recipient of numerous awards and internships including The Ken McDougall Award for Direction, The Chalmers Fellowship, The Urjo Kareda Award (Tarragon Theatre), and The Metcalf Performing Arts Internship. She has been an Associate Artistic Director for Theatre Revolve and Nightwood Theatre. As a writer/director Beatriz has been nominated three times for Best New Play for her multi-award winning trilogy about women and war comprised of For Sale, Madre, and La Comunión. She has also created and led a number of youth programs both in Canada and Colombia. Most recently, she facilitated a theatre/photography workshop with ex-combatant children and youth victims from the armed conflict in her native Colombia. The Cunning Linguist was Created with support from the Emerging Creators Unit at Buddies in Bad Times Theatre, and winner of the 2016 Queer Acts Audience Award. This piece development has been supported by The Ontario Arts Council and Aluna Theatre. This recording was produced by Aluna Theatre at our studio in Toronto. Written, performed by Monica Garrido Directed by Beatriz Pizano Sound Engineer, Steph Raposo Editing and sound design by Miquelon Rodriguez, assisted by Lucia Linares Additional Songs by Monroü Head of Production, Monica Garrido Script co-ordination, Camila Diaz-Varela All Radio Aluna Theatre episodes are in Spanglish, English, or Spanish. New episodes of Radio Aluna Theatre are released on Wednesdays. Follow and subscribe to this podcast on iTunes, Google Play, and wherever else you get your podcasts. Radio Aluna Teatro is produced by Aluna Theatre with support from the Toronto Arts Council, The Ontario Arts Council, the Canada Council for the Arts, the Department of Canadian Heritage, the Metcalf Foundation, and TD Bank. Aluna Theatre is Beatriz Pizano & Trevor Schwellnus, with Sue Balint. For more about Aluna Theatre, visit us at alunatheatre.ca, follow @alunatheatre on twitter or instagram, or ‘like’ us on facebook.
“El placer es un regalo que yo les di, y es un regalo que no solo se le da a los demás, sino que también puedes dártelo a ti misma.” Bienvenidos al Studio Serie: experimentaciones de narrativas de audio creadas por algunos de los artistas de teatro más interesantes de nuestra comunidad TransAmericana en Canadá. En este episodio podrás escuchar un trabajo en proceso, seguido por una breve charla del artista sobre su proceso creativo. Esta presentación también está disponible en Inglés. Un viaje de un hogar a otro. The Cunning Linguist cuenta la historia de Mónica, una joven mexicana que a los 12 años se da cuenta que Dios la hizo “queer”. Lo que Monica ve como un honor, las personas cercanas a ella lo ven como algo incorrecto. Gracias a un programa de televisión, Mónica decide mudarse a Toronto con Diosito a su lado, donde comienza a aprender más sobre sí misma, sobre la libertad y el sexo. Mónica Garrido es una artista, cineasta, escritora, productora, directora, comediante y performer mexicana basada en Toronto, que usa la comedia como una herramienta y un escudo para expresarse. Sus cortometrajes "Diferente" y la comedia de terror "Love You to Death" han sido parte del LGBT Festival Inside Out. Mónica forma parte del elenco de “Sketch Comedy Extravaganza Eleganza” , show ganador de un Canadian Comedy Award. En el 2018 Mónica recibió el “Queer Emerging Artist Award” de Buddies in Bad Times Theatre. Ella es un tercio del grupo Latinx Drag King Boyband y actualmente es copresentadora y coproductora de “Merendiando, parte de Radio Aluna Theatre. Mónica es Tauro y te desea lo mejor. Beatriz Pizano (Directora) es una destacada directora y escritora teatral, con más de veinte años de experiencia trabajando como actriz en teatro, cine y televisión. En el 2009 el Consejo para las Artes de Canadá otorgó a Beatriz el prestigioso premio John Hirsch en Dirección Teatral. Beatriz ha sido galardonada con varias becas y premios, entre ellos: el premio de dirección Ken McDougall, la beca Chalmers, el premio Urjo Kareda (en Tarragon Theatre) y la beca para las artes escénicas de la Fundación Metcalf. Ha sido Directora Artística Asociada en Theatre Revolve y Nightwood Theatre. Su trilogía de obras sobre la mujer y la guerra: For Sale, Madre, y La Comunión, recibió tres nominaciones para el premio Dora Mavor Moore a la Mejor Obra Original. Beatriz también ha creado y dirigido múltiples programas para jóvenes en Colombia y Canadá. El más reciente de estos proyectos fue un taller de fotografía y teatro que facilitó en Medellín, Colombia, con jóvenes excombatientes y víctimas del conflicto armado. The Cunning Linguist fue creado con el apoyo de la Unidad de Creadores Emergentes de Buddies in Bad Times Theatre, y ganó el Premio del Público “Queer Acts 2016”. El desarrollo de esta pieza ha sido apoyado por el Ontario Arts Council y Aluna Theatre. Esta grabación ha sido producida por Aluna Theatre en nuestro estudio en Toronto. Escrita y actuada por Mónica Garrido Dirigida por Beatriz Pizano Ingeniero de Sonido, Steph Raposo Edición y diseño de sonido, Miquelon Rodriguez con asistente, Lucia Linares Canción adicional, Monroü Jefa de producción, Mónica Garrido Coordinación de guión, Camila Diaz-Varela Todos los episodios de Radio Aluna Teatro son en Inglés, Español y Spanglish. Nuevos episodios de Radio Aluna Teatro cada Miércoles. Síguenos y suscríbete a este podcast en iTunes, Google Play, y donde sea que escuches tus podcasts. Radio Aluna Teatro es una producción de Aluna Theatre con el apoyo de Toronto Arts Council, Ontario Arts Council, Canada Council for the Arts, Department of Canadian Heritage, Metcalf Foundation y TD Bank. Aluna Theatre es Beatriz Pizano & Trevor Schwellnus, con Sue Balint. Para más información sobre Aluna Theatre, visita nuestra página alunatheatre.ca, síguenos en twitter @alunatheatre o en instagram, o haz click en “me gusta” en facebook.
A wise man said that the dangerous thing about Sky Gilbert is he's got nothing to lose… so of course we had to invite him on to talk to us this week. We ask this Canadian writer, actor, professor, and drag performer about how gay culture and drag have changed over time, the connection between covid and victimhood culture, and the puritanism and anti-humanism of North Americans. He tells us why he prefers the French feminists' approach to MeToo, what it's like working in theatre in these lonely, digital times, and that if we had a healthy sexual culture, people wouldn't be so obsessed with porn and 15-year olds twerking. We also ask him about founding Buddies in Bad Times Theatre in Toronto, and why he had to split with them.
“My currency right now is my joy” - this week’s guest, Latinx drag king and triple threat Heath V. Salazar! Heath is a singer, actor, dancer, and writer, and is currently an Artist in Residence at Buddies in Bad Times Theatre. Their drag king persona Gay Jesus has blessed stages all across the city and was recently featured on CBC Art’s Canada’s A Drag. We talked about Latinx visiblity, performing from their closet to a global audience, creating a personal portrayal of their culture on stage, and what it’s like to be a queer public figure. This week’s Merienda de Pandemia or Pandemic Snack are some of Heath’s favourite Colombian dishes - torta con cafe / cake and coffee and pollo sudado. Yum. Show Notes: Boiband the Boyband, a Latinx drag king troupe An article Heath wrote for CBC Arts, titled “In this time of isolation, we must push ourselves to love braver than ever before” Club Quarentine, a queer online dance party Ricky Rosé, Puerto Rican Drag King based in DC Pretty Ricky, Toronto based producer of East King Productions. Sunny Drake, previous director of the Emerging Creator’s Unit at Buddies in Bad Times Theatre Suavamente by Elvis Crespo and Safari by J. Balvin, two classic hits from Heath’s original Latinx playlist. "El valor de mi moneda en este momento es mi alegría". - ¡Esta semana tenemos como invitadx al multi talentosx Latinx Drag King Heath V. Salazar! Heath canta, baila, actúa y escribe entre otras cosas. Actualmente es un artista en residencia en “Buddies in Bad Times Theatre”. Su personaje de drag king, Gay Jesus, ha bendecido escenarios en toda la ciudad y recientemente apareció en CBC Art en el programa llamado Canada’s A Drag. En este episodio hablamos sobre ser visiblemente Latinx, cómo es hacer una presentación desde su armario ante una audiencia global, como ha sido crear una representación personal de su cultura en el escenario y lo que es ser una figura pública queer. La Merienda de Pandemia o Pandemic Snack de esta semana son algunos de los platos colombianos favoritos de Heath: torta con café y pollo sudado. Yum. Bibliografía: Boiband the Boyband, un grupo de Drag King Latinx Artículo escrito por Heath para “CBC Arts”, titulado “In this time of isolation, we must push ourselves to love braver than ever before” (En este tiempo de aislamiento, debemos esforzarnos por amar con valentía más que nunca) Club Quarentine, una fiesta de baile queer en línea. Ricky Rosé, Drag King puertorriqueño con sede en DC. Pretty Ricky, productor de East King Productions con sede en Toronto. Sunny Drake, anterior director de Emerging Creator’s Unit (Unidad de Creadores Emergentes) en Buddies in Bad Times Theatre Suavamente de Elvis Crespo y Safari de J. Balvin, dos éxitos clásicos Latinx de la lista original de reproducción de Heath. All Merendiando episodes are in Spanglish. New episodes of Radio Aluna Theatre are released every Wednesday. Subscribe to this show wherever you get your podcasts. Radio Aluna Teatro is produced by Aluna Theatre with support from the Metcalf Foundation, The Laidlaw Foundation, The Canada Council for the Arts, and The Ontario Arts Council. Aluna Theatre is Beatriz Pizano & Trevor Schwellnus, with Sue Balint & Gia Nahmens; Radio Aluna Theatre is produced by Camila Diaz-Varela and Monica Garrido. For more about Aluna Theatre, visit us at alunatheatre.ca, follow @alunatheatre on twitter or instagram, or ‘like’ us on facebook. Follow and subscribe to this podcast on iTunes, Google Play, and wherever else you get your podcasts. Todos los episodios de Merendiando son en Inglés, Español y Spanglish. Nuevos episodios de Radio Aluna Teatro cada Miércoles. Síguenos y suscríbete a este podcast en iTunes, Google Play, y donde sea que escuches tus podcasts. Radio Aluna Teatro es una producción de Aluna Theatre con el apoyo de Metcalf Foundation, Laidlaw Foundation, Canada Council for the Arts, y Ontario Arts Council. Aluna Theatre es Beatriz Pizano & Trevor Schwellnus, con Sue Balint & Gia Nahmens. Radio Aluna Theatre es producido por Camila Díaz-Varela y Mónica Garrido. Para más información sobre Aluna Theatre, visita nuestra página alunatheatre.ca, síguenos en twitter @alunatheatre o en instagram, o haz click en “me gusta” en facebook.
Kitchen Windows is a side-project of the Sunday Night Dinner podcast. In this time of Covid-19 and social isolation, it’s a chance to have a brief look into the kitchens of writers, musicians, chefs, artists and health-care superstars. What can they see out their window? What are they cooking for comfort? Who are they with? How do they spend their days? Evalyn Parry is an actor, director, writer, and singer-songwriter. She is the Artistic Director of Buddies in Bad Times Theatre-- the largest queer theatre in the world. Most recently, Parry has co-written KIINALIK: THESE SHARP TOOLS with Inuk artist and performer, Laakkuluk Williamson Bathory. They've performed the play all over the world to rave reviews. Parry's acclaimed show SPIN, which features a bicycle played as a musical instrument (played by percussionist Brad Hart), tells the story of Annie Londonderry, first woman to ride around the world on a bike in 1895. She often performs with the theatre company Independent Aunties with Anna Chatterton and Karin Randoja, and their play GERTRUDE AND ALICE was shortlisted for the Governor General's Award for English-language drama. Music for this episode is by JJ Ipsen.
Meet Toronto-based theatre artist and writer, Yolanda Bonnell Yolanda is a Queer, 2 Spirit, Ojibwe/South Asian performer, playwright and poet from Fort William First Nation in Thunder Bay, ON. Yolanda has performed at Stratford, the National Arts Centre, and theaters across the country. Her solo show bug premiered at the Luminato Festival in 2018 and has toured across the country, and she’s currently developing White Girls in Moccasins, in residency at Buddies in Bad Times Theatre. We talked about what it’s like to create during these pandemic times, Yolanda’s relationship to decolonizing theatre, and her upcoming projects. This week’s Meriendas de Pandemia or Pandemic Snacks are two Mexican delights: pastel de tres leches for Monica and tepache for Camila! Try them yourselves if you’re feeling adventurous. Show notes: Yolanda participated in the 2019 Gros Morne Playwright’s Residency Cole Alvis, part of the manidoons collective and director of bug, a play that Yolanda wrote which ran at Theatre Passe Murailles this February Monique Mojica, Muriel Miguel, Dr. Lindsay Lachance, Kim Senklip-Harvery are indigenous women and theatre artists who are engaged in decolonizing theatre practice Yolanda played Theresa in Factory’s 2016 production of Crackwalker by Judith Thompson Monthly Amateur Strip night at the Round The Last Vampire book series by Christopher Pike ¡Esta semana Mónica y Camila conversaron con la artista y escritora teatral basada en Toronto, Yolanda Bonnell! Yolanda es una artista Queer, 2 Spirit, Artista Ojibwe / del Sur de Asia, dramaturga y poeta de Fort William First Nation en Thunder Bay, Ontario. Yolanda ha actuado en Stratford, el Centro Nacional de las Artes de Canadá y en teatros de todo el país. Su solo show “Bug” se estrenó en el Festival Luminato en el 2018 y ha recorrido todo el país, actualmente está desarrollando “White Girls in Moccasins”, en residencia con Buddies in Bad Times Theatre. Hablamos sobre lo que es crear durante estos tiempos de pandemia, la relación de Yolanda con la descolonización del teatro y sus próximos proyectos. Esta semana nuestra Merienda de Pandemia son dos delicias Mexicanas: pastel de tres leches para Mónica y tepache para Camila! Sigua las recetas si quiere probar un pedacito de México. Bibliografía: En el 2019 Yolanda participó en Gros Morne Playwright’s Residency, una residencia de dramaturgos Cole Alvis, parte del colectivo manidoons y director de bug, la obra que escribió Yolanda presentada en el Theatre Passe Murailles en Febrero de este año Monique Mojica, Muriel Miguel, Dr. Lindsay Lachance, Kim Senklip-Harvery mujeres indígenas y artistas de teatro que se dedican a descolonizar la práctica teatral Yolanda interpretó a Theresa Crackwalker by Judith Thompson, una obra producida en Factory Theatre en el 2016 Noche Mensual de Strip Amateur en the Round The Last Vampire book series de Christopher Pike All Merendiando episodes are in Spanglish. New episodes of Radio Aluna Theatre are released every second Wednesday. Subscribe to this show wherever you get your podcasts. Radio Aluna Teatro is produced by Aluna Theatre with support from the Metcalf Foundation, The Laidlaw Foundation, The Canada Council for the Arts, Toronto Arts Council, The Ontario Arts Council, and the Toronto Arts Council. Aluna Theatre is Beatriz Pizano & Trevor Schwellnus, with Sue Balint & Gia Nahmens; Radio Aluna Theatre is produced by Camila Diaz-Varela and Monica Garrido. For more about Aluna Theatre, visit us at alunatheatre.ca, follow @alunatheatre on twitter or instagram, or ‘like’ us on facebook. Follow and subscribe to this podcast on iTunes, Google Play, and wherever else you get your podcasts. Todos los episodios de Merendiando son en Inglés, Español y Spanglish. Nuevos episodios de Radio Aluna Teatro cada Miércoles. Síguenos y suscríbete a este podcast en iTunes, Google Play, y donde sea que escuches tus podcasts. Radio Aluna Teatro es una producción de Aluna Theatre con el apoyo de Metcalf Foundation, Laidlaw Foundation, Canada Council for the Arts, Ontario Arts Council, y Toronto Arts Council. Aluna Theatre es Beatriz Pizano & Trevor Schwellnus, con Sue Balint & Gia Nahmens. Radio Aluna Theatre es producido por Camila Díaz-Varela y Mónica Garrido. Para más información sobre Aluna Theatre, visita nuestra página alunatheatre.ca, síguenos en twitter @alunatheatre o en instagram, o haz click en “me gusta” en facebook.
This week is an extra special episode featuring Monica and Camila from their respective homes in Toronto: MERENDIANDO FROM HOME! We talked about how we are navigating productivity and creativity in isolation, how we're staying connected with loved ones across borders, and how we think live performance can translate to the digital stage. We also checked in with two of our previous podcast guests (Andrés Sierra and Ophira Calof) who are creating awesome, relevant online content for these times. Although we weren’t able to meet in person we talked about our Merienda de Pandemia/Pandemic Snack and while Monica was eating little Peruvian chocolates she got as a gift, Camila bought some delicious fresh tortilla and masa from Maizal. Check them out and support local business! Show notes: COVID-19 Social distancing (you should know this by now) The hot tune featured during your snack break is Mueve (cero39 remix) by Lido Pimienta - check out Lido's New album Miss Colombia which drops on April 17! Further reading on the topic of productivity in these strange times - an Huffington Post article titled 'Please Don't Be Guilted Into Being More Productive During The Coronavirus' Club Quarantine, an nightly online queer dance party Club Quarantine’s Instagram Andres Sierra’s Instagram Ophira Calof’s Crip Tips Further reading on other online shows being offered by local artists - NOW’s The Best of Toronto Stage Events to Stream this April Glad Day TV, where Monica is streaming her new show “The Almost Night Show”, along with other amazing local queer artists! Queer, Far, Wherever You Are, Buddies in Bad Times Theatre’s Instagram Live series SpiderWebShow, a national digital theatre collective Camila Diaz Varela's Instagram Monica Garrido's Instagram Maizal, where you can buy delicious freshly made tortillas and masa made with ancient grains grown in their organic farm in King, Ontario. Very tasty, 10/10. 5 stars on Yelp. We love it. El episodio de esta semana es extra especial con Mónica y Camila desde sus respectivos hogares en Toronto: ¡MERENDIANDO DESDE CASA! Hablamos sobre cómo navegar la productividad y la creatividad durante este aislamiento, cómo nos hemos mantenido conectadxs con nuestros seres queridos a pesar de las fronteras y cómo creemos que el performance en vivo puede traducirse a una versión de presentaciones en línea. También tuvimos la oportunidad de hablar con dos de nuestrxs invitadxs anteriores (Andrés Sierra y Ophira Calof) ambxs han estado creando contenido en línea que es maravilloso y relevante para estos tiempos. Aunque no pudimos reunirnos en persona, hablamos sobre nuestra Merienda de Pandemia y mientras Mónica ha estado comiendo chocolates peruanos que recibió como regalo, Camila compró unas deliciosas tortillas y masa fresca de Maizal. ¡Pruébalas y apoya a las empresas locales! Bibliografía: COVID-19 Distanciamiento Social (ya deberías saber sobre esto) La maravillosa canción que escucha durante el break de la merienda es Mueve (cero39 remix) de Lido Pimienta - Parte de el nuevo album de Lido Pimienta titulado "Miss Colombia" disponible el 17 de Abril! Un artículo del “Huffington Post” acerca de la productividad en estos tiempos extraños - 'Please Don't Be Guilted Into Being More Productive During The Coronavirus' Club Quarantine, una fiesta de baile “queer” en línea todas las noches. Instagram de Club Quarantine Instagram de Andres Sierra Crip Tips de Ophira Calof, de cómo sobrevivir el aislamiento social Lista de Shows locales que puedes ver en linea el mes de Abril - NOW’s The Best of Toronto Stage Events to Stream this April Glad Day TV, sitio web donde puedes encontrar el show en línea de Monica 'The Almost Night Show', al igual que otros shows de artistas queer locales Queer, Far, Wherever You Are, lista de artistas que formaron y formaran parte del “'nstagram Live Takeover' de Buddies in Bad Times Theatre SpiderWebShow, colectivo nacional de teatro digital Instagram de Camila Diaz Varela Instagram de Monica Garrido Maizal, negocio local donde puedes adquirir Tortillas recién hechas y masa hecha con granos antiguos, cultivados en su granja orgánica en King, Ontario. Muy sabroso, 10/10. 5 estrellas en Yelp. Lo amamos. All Merendiando episodes are in Spanglish. New episodes of Radio Aluna Theatre are released every second Wednesday. Subscribe to this show wherever you get your podcasts. Radio Aluna Teatro is produced by Aluna Theatre with support from the Metcalf Foundation, The Laidlaw Foundation, The Canada Council for the Arts, Toronto Arts Council, The Ontario Arts Council, and the Toronto Arts Council. Aluna Theatre is Beatriz Pizano & Trevor Schwellnus, with Sue Balint & Gia Nahmens; Radio Aluna Theatre is produced by Camila Diaz-Varela and Monica Garrido. For more about Aluna Theatre, visit us at alunatheatre.ca, follow @alunatheatre on twitter or instagram, or ‘like’ us on facebook. Follow and subscribe to this podcast on iTunes, Google Play, and wherever else you get your podcasts. Todos los episodios de Merendiando son en Inglés, Español y Spanglish. Nuevos episodios de Radio Aluna Teatro cada Miércoles. Síguenos y suscríbete a este podcast en iTunes, Google Play, y donde sea que escuches tus podcasts. Radio Aluna Teatro es una producción de Aluna Theatre con el apoyo de Metcalf Foundation, Laidlaw Foundation, Canada Council for the Arts, Ontario Arts Council, y Toronto Arts Council. Aluna Theatre es Beatriz Pizano & Trevor Schwellnus, con Sue Balint & Gia Nahmens. Radio Aluna Theatre es producido por Camila Díaz-Varela y Mónica Garrido. Para más información sobre Aluna Theatre, visita nuestra página alunatheatre.ca, síguenos en twitter @alunatheatre o en instagram, o haz click en “me gusta” en facebook.
In this inaugural episode, I interview Flare! Watch the episode on youtube: https://www.youtube.com/channel/UCo0lPrO_MZGwwMxpYlvSpgg/featured?disable_polymer=1 Flare aka Flarington King, is an international drag king producer, performer, and documentarian. Having been on the scene since 1995, some of Flare’s accomplishments include: Producer of the Fabulous Toronto Drag Kings/The Toronto Drag Kings (1998-2002); Co-Producer with Deb “Dirk” Pearce and Christopher Noel, Toronto’s first International drag king show “United Kingdom” (2002 & 2003) at Buddies in Bad Times Theatre; Winner of “Mr. Goodhandy’s” 2007; Producer of “World Class Kings” for World Pride, Toronto 2014; International Drag King Community Extravaganza (IDKE) steering committee member for eight years (2001-2009); and Co-Producer/Director of “A Drag King Extravaganza” with Meaghan Derynck, a documentary about drag kings and IDKE distributed by Frameline Studios. Flare is known for twisting gender norms by mixing drag and burlesque in provocative performances. One of the first kings in the world to twirl a tassel. Lives in Toronto, Canada. Links and things! https://www.facebook.com/Flarington-King-699782487020867 Http://instagram.com/dragkingflare dragkinghistory.com --- Send in a voice message: https://anchor.fm/kingsvoicespod/message
Shaista Latif is a Queer Afghan-Canadian multidisciplinary artist, consultant and facilitator. Her works and collaborations have been presented by Koffler Gallery, Ontario Scene Festival, SummerWorks, Why Not Theatre, Blackwood Gallery, Mercer Union, the AGO, Halifax Queer Acts Festival, Buddies in Bad Times Theatre and recently the Undercurrents Festival. She is a published playwright (Playwrights Canada Press) and voiced the character Soraya in the Oscar-nominated film The Breadwinner. In 2020, Latif will be touring her critically acclaimed show The Archivist around Ontario. Her latest work Learning the Language of My Enemies was recently presented in conjunction with Nevet Yitzhak: WarCraft at the Koffler Gallery.Twitter: @shaista_latif Instagram: shaistalatifmakesHow I Learned to Serve Tea A participatory workshop on the politics of capacity and resource sharing, How I Learned to Serve Tea explores dynamics of power through acts of hospitality with artist-facilitator Shaista Latif.“Assessing the language of invitation and hosting, and how it translates into action is how I learned to serve tea. A hyphenated existence, my life is my work, my work is my life. Some people can categorize and separate but those of us who are marginalized can’t afford to do so. Sometimes I wonder if our work has had to evolve into critical interrogation out of necessity? If we lived in a decolonized world what would we be making? Who would we be serving? I think we are all capable and deserving of knowing and living ourselves into these answers. This workshop invites participants to reflect and confront on who gets to have a seat at the table.” – Shaista LatifTickets: http://progressfestival.org/programming/how-i-learned-to-serve-tea
This week Actor/Director/Theatre Educator is joining the conversation on Cue To Cue! Bruce reminds us that there are things we can't control and we need to focus on the things that we can. He will share the importance of Pleasure, Prestige and Pay in how he controls his life as an artist. How do you deal with change? Learn to let go and accept change! Life gets messy, and it's ok. Maybe this is just your path of becoming what you're supposed to be. This is a must-listen episode! Born in Seattle, raised in Vancouver, Bruce is best known as an actor who has appeared on stages from coast-to-coast across North America. His stage career has spanned over 30 years and includes 5 featured roles on Broadway; 12 seasons in leading roles at the Stratford Festival; 2 Dora Mavor Moore Awards (Best Actor & Best Actor Musical) for his work with Buddies in Bad Times Theatre - the world’s oldest and largest LGBTQ+ theatre; a Toronto Theatre Critic’s Award; a Helen Hayes Award nomination (Washington, D.C.) and 2 Helen Hayes Award ensemble/production wins. His career on the small screen includes voicing roles on hit animated series such as Total Drama Island, The Busy World of Richard Scary, Hotel Transylvania, and the up-coming Powerbirds for the new NBC/Universal Kids Network. He has appeared (as a live person) on multiple episodes of The Rick Mercer Report”, The Strain, Anne with an E, and Murdoch Mysteries. A graduate of the University of British Columbia with both a BFA in Acting, and an MFA in Directing, minor in Theatre History, Bruce has made a point of teaching at colleges and universities near every theatre at which he has performed, including UCSD, The Academy for Classical Acting at George Washington University, the University of Calgary, the University of Alaska at Anchorage, among others. He has taught at The National Theatre School, The University of Western Ontario, Centennial College, and The Randolph College for the Performing Arts. He is the Director of the Academy for Young Actor Training with The Festival Players of Prince Edward County (Artistic Director, Graham Abbey.) Bruce is a produced composer/lyricist/librettist of musicals: B!TCH ISLAND, the musical! just swept the Hamilton Fringe Festival Awards, winning Best of Fringe, Critics Choice, Audience Choice, and Best of Venue. Hard Hats, The Musical! was produced at Lunchboxtheatre, Calgary, and The Lighthouse Theatre Festival, while Wilde Tales was workshopped the Shaw and Stratford Festivals and then given a full production in Pittsburgh at the Pittsburgh Irish and Classical Theatre Company. Bruce, at present, has 3 new works in development with major theatres across North America. A member of The Manhattan Association of Cabarets and Clubs, he is a major proponent of cabaret performance in Canada. His work as a solo artist can be heard on his two recordings of cabaret music: Keepin’ Out of Mischief, Lucky to Be Me, and a newly released compilation album The Best of Bruce Dow - available on iTunes. Follow Bruce! www.brucedow.com T: @DowBruce I: @dowBruce
On this episode, I sit down with community activist and queer senior Lezlie Lee Kam. She shares with us why she refers to herself as "differently abled" and why that is important to her. She also shares her experience becoming disabled and re-learning what access really means. Lastly, she tells us what it has been like for her trying to navigate the LGBTQ+ community as a queer senior and so much more. Enjoy!Lezlie is part of the Youth Elder Project through Buddies and Bad Times Theatre in Toronto and you can find out all about that here: http://buddiesinbadtimes.com/show/the-youth-elders-podcast/Be sure to support our sponsors:Get 15% off any purchase at Come As You Are Co-op Sex Shop, by using coupon code "afterdark".Buy a #DisabledPeopleAreHot tee shirt, and support the movement here https://store.podcastjukebox.org/collections/disabled-people-are-hotYou can get 50% off almost any item in store at www.adameve.com and 10 FREE GIFTS by using DARKPOD at check out!Also, support Disability After Dark by pledging to the patreon. www.patreon.com/disabilityafterdark
David Lewis-Peart is an educator, community worker, consultant, writer and playwright. David completed graduate studies at York University and holds an diploma in Human Services Counselling (mental health and addictions) from George Brown College. He has been a member of faculty in both Child and Youth Care and Social Service Work diploma programs in Toronto and Oakville, and was most recently an instructor with, and one of the Learning Coordinators for, The Niche program; a social service pathway training for Black youth and existing practitioners, a joint initiative between CEE Centre for Young Black Professionals, and Harriet Tubman Community Organization, funded through the City of Toronto. David is also a lead on the African, Caribbean, Black (ACB) Family Group Conferencing (FGC) project through the University of Toronto – funded by the Law Foundation of Ontario – responsible for designing a culturally appropriate, restorative justice intervention for African-Canadian families involved with the child welfare system. As a writer, David is an Obsidian Theatre Company 2018/19 Playwrights Unit fellow, and a recipient of the Christopher Hewitt Award for poetry, Honorable Mention. He is founder of the queer men of colour arts collective We Other Sons which is presently undergoing a residency with Buddies in Bad Times Theatre. David has regularly contributed to publications such as CBC Arts, Huffington Post Canada, and ByBlacks.com. Recently, Mr. Lewis-Peart was live on our show talking about Black Masculinity. During our conversation, Mr. Lewis-Peart talked about: – Some of his background including his time being in foster care and how he made it into a positive experience – Getting his start in child care – The background behind his stories about Black masculinity at Huff Post Canada – Common themes about Black masculinity that the participants talked about – Some of the participants thoughts about the lack of fathers/father figures in their lives – The effect that masculinity is having on Black youth – Some of his thoughts on the current conversations about masculinity – Some special moments from the conversations – How has the series impacted him – His message about Black masculinity for those who are not Black, Black women and Black men You can find out more about Mr. Lewis-Peart via: Facebook Twitter Linkedin Visit The Dr. Vibe Show™ at https://www.thedrvibeshow.com/ Please feel free to email us at dr.vibe@thedrvibeshow.com Please feel free to “Like” the “The Dr. Vibe Show” Facebook fan page here God bless, peace, be well and keep the faith, Dr. Vibe
Episode Notes Jennifer Walls Jennifer is a performer producer, and voice-over actor. As a musical theatre performer she has played leading roles in a wide variety of musicals including RENT, Beauty And The Beast, The Wizard of Oz and number of Canadian premiers as well as the Dora Award nominated original musical review Off-Broadway, On Stage. She was also a finalist in the CBC hit show How Do You Solve A Problem Like Maria?As a voice actor she has voiced recurring characters on a number of animated series’ including PBS’ Peg+ Cat and Amazon’s Creative Galaxy and is currently the voice of Family Jr.Jennifer is also the director of Hart House Theatre’s production of The Rocky Horror Show.www.jenniferwalls.com Twitter: @jeni_walls Instagram: jeniwallstoChris Tsujiuchi Chris is a graduate of Sheridan College's Musical Theatre Performance program. Performance credits include Fulgens and Lucres (PLS), Recurring John, Paradises Lost (SummerWorks Festival), and Audrey II in Little Shop of Horrors (Lower Ossington Theatre and T3 productions). Musical Direction credits include A Misfortune (Next Stage Festival), HAIR (FirstAct Productions), One Song Glory '10 '11 & '12 (ActingUp Stage), A Joyful Noise (co-composer/lyricist, Smile Theatre), Mickey & Judy (Toronto Fringe), and bare: the Canadian Premiere (WatersEdge Productions). Chris has also worked as an accompanist and teacher at Sheridan College, Randolph Academy and George Brown College. He has toured extensively with the Nathaniel Dett Chorale as a singer and with Sharron Matthews as an accompanist/arranger (Sharron's Big Broadway Show, Jesus Thinks I'm Funny, GOLD, Full Dark). He can also be seen in his biannual "Chris-terical" series of cabarets at Buddies in Bad Times Theatre.www.christsujiuchi.com Twitter: @ChrisTsujiuchiwww.harthouse.ca Twitter: @HHTheatre Instagram: hhtheatre Tickets: https://tickets.harthouse.ca/
Singer-songwriter Troy Kokol plays his new single "Lightbulb" live in our studio and theatre directors Carvela Lee and Cole Alvis preview what's on at Buddies in Bad Times Theatre.
Actor/Director/Composer Bruce Dow is joining the conversation on Cue To Cue Today! Today’s episode gets unclose in personal with Bruce as we explore everything from challenges with body image to recognizing when its time to follow a different path and embracing the signals for change. My heart was full after this interview with Bruce. It always feels that way when I experience truth. When someone decides to share their journey without making it pretty or palpable. Grab a cup of your favourite beverage and be prepared to be challenged and bear witness to someone who is open and not willing to pretend. In this episode: The challenges that Bruce has had to overcome with eating disorders and body image through his career How to think about acting, regardless of the genre you are performing What the role of an artist is in today’s society What artist need to consider when attempting to get their message out through their work What skill he continues to work on Bruce’s Credits: Broadway: Jesus Christ Superstar (2012 ®Tony nominated Best Revival Musical), The Music Man, Anything Goes, Jane Eyre. Stratford Festival (selected): The Tempest, starring Academy Award Winner® Christopher Plummer; The Comedy of Errors, Cabaret, Into The Woods, Guys and Dolls, The Merchant of Venice. Shakespeare Theatre Company (DC): A Funny Thing Happened On The Way To The Forum (Helen Hayes Nomination); A Midsummer Night’s Dream. Studio Theatre: “F” in Mike Bartlett’s COCK. Awards: 2 Dora Mavor Moore Awards (Toronto), Best Actor and Best Actor Musical for his work with Buddies in Bad Times Theatre. Toronto Theatre Critics Association Award, Best Actor; My Theatre Award, Best Ensemble, Sextet by Morris Panych. Director: The Grand Theatre; The National Arts Centre; Festival Players of Prince Edward County, and directed broadwayworld.com nominated Best Independent Theatre Production, Thank You For Being a Friend. Bruce’s CD “Keepin’ Out Of Mischief” is available on iTunes. https://itunes.apple.com/us/album/keepin-out-of-mischief/1154815895 Details for Bruce’s show: Beautiful Things at 120 Diner Connect with Bruce! Twitter: @DowBruce www.brucedow.com
This episode, we sit down with Cassandra James, an actress and activist living and working in Los Angeles, CA. Cassandra James is an American-Canadian actress. She was born in Pasadena, California, the daughter of Debbie Li, a teacher, and James Watzke, a gerontologist. Raised in Vancouver, Canada, her paternal great-grandparents were of German descent. Her maternal ancestry is Chinese, her maternal grandparents being from Shanghai and her mother being born in Hong Kong. She has been a performer from a very young age, singing in choir and taking dance classes through elementary school and doing theatre throughout high school.After high school, James moved to Toronto, Canada where she attended Ryerson University and graduated from their Theatre Acting Program. James made an impact at Buddies in Bad Times Theatre, making her way through their Youth Program immediately after college and culminating in two premiere performances in their 2013 season. James moved to Los Angeles in 2017.Cassandra James is a proudly out transgender woman. She came out to family late 2015 and publicly in the summer of 2016. She began a medical transition in the spring of 2016. She is passionate politically about her community and is outspoken about visibility and diversity in the industry. Comments? Questions? Whatever? Tweet us at @Trans_Wisdom. You can also find us on Instagram @transitionalwisdom. Want to learn more about the team- you can follow Nash @nashazarian and C @ladideathstrike on IG. Interested in sharing your own story or making a small donation to help keep us going?! SWEET- head over to our website! We also have a brand new Patreon where you can become a part of our coffee and book club, get access to BTS things, early announcements and other goodies! You can join for as little as $1 a month. For anyone who has left a review- THANK YOU. We are a completely independent production and your likes, reviews, shoutouts, etc go a long way towards helping us do what we love. Sound Engineering provided by AJ Jaramaz. You can find more of his work here on his Spotify. Our trans* ballad Mirror: The Transitional Wisdom Theme Song was written and preformed by Janelle Mack. You can find news on her upcoming music and performances on her IG @shesanaquarius. Again, thank you. We couldn’t do this without our beautiful community and allies- we love you. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Super special guest alert! Stand up comedian and comedy writer Heidi Brander is on the podcast this week! We have some hangover afternoon beers and talk about all things comedy, self depreciation, dating in our 30's and tell some awkward hook up stories. Follow Heidi: Twitter: https://twitter.com/HeidiBrander Instagram: https://www.instagram.com/heidibrander In the Toronto area? Heidi will be hosting a show with Andrew Johnston & Sara Hennessey on April 13th at Buddies in Bad Times Theatre! Click here for more info and to buy tickets! Don't miss an episode! Make sure you subscribe to InTalksicated Podcast on Apple Podcasts! Make sure to also subscribe to InTalksicated Reviews on Apple Podcasts or your favourite podcasting ap! Like us on Facebook and follow us on Instagram & Twitter! Enjoying the show? Show us the love and Support us on PATREON! You can also email us at intalksicatedpodcast@gmail.com Check out our website http://www.intalksicatedpodcast.com
Steve Lucas is a designer based in Creemore Ontario. Steve and I have known each other for years as the familiarity will show in this 2 hour interview. Steve and I talk about his early career at Alberta Theatre Projects and Buddies in Bad Times Theatre as well as his development of the "symphony of lights" with Hillar Liitoja at DNA Theatre. We also cover his work on the hit play 2 Pianos, 4 Hands and the work on his newest incarnation of Breath[e] a play made of design.
Michelle Ramsay, a Toronto-based lighting designer, agreed to be my guinea pig for episode one of the podcast. This is the first of two 30 min sessions we taped. Here is Michelle's bio (updated March 18 2014)Michelle is a lighting designer for dance and theatre based in Toronto.Companies she has designed with include: Modern Times, Cahoots Theatre Company, Blue Ceiling Dance, fu-Gen, The Theatre Centre, Thousand Islands Playhouse, Stand Up Dance, New Harlem, Shaw Festival, Human Cargo, Theatre Rusticle, National Arts Centre, Buddies in Bad Times Theatre, Native Earth Performing Arts, Mirvish Productions, Theatre Passe Muraille and Tarragon Theatre. She has received several Dora Mavor Moore Awards, a SATAward, and in 2008 she received the Pauline McGibbon Award.The beginning has a few rough audio spots, with some "peakyness" but I should be able to iron out the problems in the future.In the interview we refer to "Wonderland" and failed to give any context. Canada's Wonderland is an amusement park north of Toronto, ON, and was a training ground for many young technicians just out of school. Other things we glanced over: The Shaw FestivalTheatre Smith GilmoreTheatre ColumbusTheatre KingstonRedManual Lighting Boards
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