Podcasts about Oye Como Va

Tito Puente's musical tutelage and Oye Como Va.

This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year! Santana's second studio album, Abraxas, is an unorthodox blend of rock, salsa, jazz, and blues. The eclectic mix of tracks greatly boosted the band's popularity, fresh off of their Woodstock performance. Comedian & Actor Frankie Quinones joins The 500 for his second appearance to talk about Santana staples from the 1970 release such as "Oye Como Va", "Black Magic Woman" and "Samba Pa Ti". Follow Frankie on Instagram: www.instagram.com/frankiequinones/ Follow Frankie on Twitter: https://twitter.com/FrankieQuinones Go to Frankie's website for live show dates: https://frankiequinones.com/ Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com DistroKid Artist Of The Week: Kliffs Music https://www.youtube.com/@kliffsmusic1170 Instagram: @kliffsmusic1170 Learn more about your ad choices. Visit megaphone.fm/adchoices

Es complicado decidir qué canciones latinoamericanas ostentan el titulo de másinterpretadas en la historia de la música popular. En el programa, tras explicar cómo y por quién fueron compuestas, sonaran 10 que tuvieron gran reconocimiento mundial con versiones espectaculares . Desde SIBONEY o BESAME MUCHO, hasta OYE COMO VA o EL MANISERO.

Es complicado decidir qué canciones latinoamericanas ostentan el titulo de másinterpretadas en la historia de la música popular. En el programa, tras explicar cómo y por quién fueron compuestas, sonaran 10 que tuvieron gran reconocimiento mundial con versiones espectaculares . Desde SIBONEY o BESAME MUCHO, hasta OYE COMO VA o EL MANISERO.

00:01 - Angels All Around Us 00:45 - Spirits Dancing In The Flesh 05:22 - Esperando 11:22 - Batuka 14:49 - No One To Depend On 19:30 - Wings Of Grace 24:54 - Black Magic Woman 28:20 - Gypsy Queen 33:48 - Oye Como Va 39:02 - Samba Pa Ti 45:44 - Guajira 51:55 - Open Invitation 57:15 - Make Somebody Happy 01:04:30 - Toussaint L'Overture 01:11:34 - Soul Sacrifice 01:16:24 - Don't Try This At Home 01:18:59 - Europa 01:25:11 - Ji-Go-Lo-Ba All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

WTOP Entertainment Reporter Jason Fraley interviews the legendary Carlos Santana, who rocks MGM National Harbor tomorrow night in Oxon Hill, Maryland, near Washington D.C. They discuss his journey from Mexico to Woodstock, including classic hits like “Evil Ways,” “Black Magic Woman” and “Oye Como Va” before his record-breaking 1999 album “Supernatural," featuring star-studded collaborations like Rob Thomas on “Smooth” and Wyclef Jean on “Maria Maria.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

WTOP Entertainment Reporter Jason Fraley interviews the legendary Carlos Santana, who rocks MGM National Harbor tomorrow night in Oxon Hill, Maryland, near Washington D.C. They discuss his journey from Mexico to Woodstock, including classic hits like “Evil Ways,” “Black Magic Woman” and “Oye Como Va” before his record-breaking 1999 album “Supernatural," featuring star-studded collaborations like Rob Thomas on “Smooth” and Wyclef Jean on “Maria Maria.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of American Beer Review LIVE!, we have a series of senior moments as we try to remember what we've been up to. We start off with Oye Como Va mexican lager from Brothers Cascadia Brewing and do a recap of our time at the NASCAR Xfinity POA 147.  After way to much enthusiasm about camp tent design, we move on to some Mild Enthusiasm from Imprint Brewing and a rundown of the best sips Alec and Chad's had at the Gig Harbor Beer Festival.Brothers Cascadia Brewing - https://www.brotherscascadiabrewing.com/Imprint Brewing Co. - https://imprintbeer.com/Gig Harbor Beer Festival - https://www.gigharborbeerfestival.com/If you'd like to reach out to the American Beer Review LIVE! crew to give us a beer suggestion or to tell us we suck, you can reach us on any of our socials (in order of how often we check it).You Tube - https://www.youtube.com/@americanbeerreviewInstagram - https://www.instagram.com/abeerreview/Twitter (Never gonna call it X, sorry) - https://twitter.com/abeerreviewFacebook - https://www.facebook.com/americanbeerreviewLinkedin - https://www.linkedin.com/in/american-beer-review-b257ab255/

Why is the MLB All Star Game still a bigger deal compared to the others in pro sports? Was David Bednar snubbed? The guys agreed that it's the Pirates fault, not his, because of how poorly they have played over the last two months. Are they choosing teams the right way? How much input should the fans have? Poni thinks it should come down to a panel of ex-players, but Chris doesn't love the idea.    Chris said the MLB All Star Game doesn't have the same mystique it had when he was a kid and said interleague play has played a factor. Poni listed some iconic moments in All Star Game history and why he's bugged about David Bednar not being included. / Calls. Bucco Weekend Review. What did you make of the Greg Brown call on the Carlos Santana walk-off home run? 

Oye Como Va! Grab your guitars and your guiros... we're talking about Santana's sophomore album, Abraxas! This primarily instrumental Latin fusion record features some of the band's all-time classics, including their iconic cover of Black Magic Woman. Between the mind-boggling percussion and guitar solos that are as expressive as they are technically impressive, Abraxas has a little something for everybody. We're talking about his first day job as a TikTok Star and we discover a few things that bear his name, from worms to women's shoes to a school he never went to. Can you dig it? We sure can.Keep Spinning at www.SpinItPod.com!Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

This rainy New haven night cant stop the mambo rock with Tito Puente Jr. at the Shubert theatre. Sitting in co-chair tonight with me is drummer Dan CZ Beastly Beats. This evening we merely scratch the layers of who is TP Jr.! I could easily hang with this gentleman at a 5 star restaurant or outside a bodega drinking a malta. Please come for the ride!

On today's episode, Scott interviews Tito Puente Jr., a timbale player and band leader of both his Latin jazz ensemble and orchestra. He performs all over the world, honoring his Father's legacy, who was known as the “King of Mambo”, Tito Puente. This year marks his Father's centennial celebration, and the 60th anniversary of “Oye Como Va”, his Father's hit song from 1962, which also became a hit in 1971 for Santana. Tito Puente Jr., is also an artist for LP/Latin Percussion, his current album, “The King and I”, features various artists that include Latin percussionist, Sheila E, and he hosts his own radio show, which airs every Sunday from 3:00 - 4:00 pm (EST) on power787radio.com. This timbale player and Latin band leader, certainly GOT CHOPS! Follow Tito Puente Jr. on Instagram: https://www.instagram.com/titopuentejr/?hl=en Facebook: https://www.facebook.com/TitoPuenteJr/ Twitter: https://twitter.com/titopuentejr YouTube: https://www.youtube.com/@titopuentejr Spotify: https://open.spotify.com/artist/2ROkqvVDXj5JgmN6z2uFrM TikTok: https://www.tiktok.com/@titopuentejr1 Follow Got Chops on Instagram: https://www.instagram.com/gotchopspodcast/ Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://anchor.fm/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: https://www.instagram.com/scottgrimaldimusic/ Twitter: https://twitter.com/GrimaldiMusic Website: www.grimaldimusic.com Spotify: https://open.spotify.com/album/6DKn05Vy0ABShIU37u58vR --- Send in a voice message: https://podcasters.spotify.com/pod/show/gotchops/message

Con Pérez Prado, varias versiones de "Oye como va", la Sonora Matancera, Facto Delafé y las Flores Azules, Cleftones, Diamonds, versiones de "Going up the country", los Llopis en España, los Milos, los Teen Tops, versiones de "Bus stop" y música verde: Jenny & the Mexicats, Manu Chao y Bob Marley & the Wailers.

Con sus apartados y sus cosas ahí tienen la música seleccionada: ADIVINA PELÍCULA Tito Puente – EL CAYUCO. SAN TORAL Antonio Flores. CUERPO DE MUJER. Adamo. MIS MANOS EN TU CINTURA. CELEBRACIONES Tito Puente – TRAIGO EL COCO SECO. Carlos Cano. MARÍA LA PORTUGUESA. EFEMÉRIDES Domenico Modugno. VOLARE. Tito Puente – OYE COMO VA. Ainhoa […] The post Los Tres Tenores 15/03/2023 first appeared on Ripollet Ràdio.

Carlos Santana is one of the most Legendary Guitarists to ever live. From the early days of "Black Magic Woman" and "Oye Como Va", to his "comeback" album "Supernatural" and it's massive hit "Smooth", Carlos has been making beautiful music for multiple decades. Come hang out with Sight After Dark (Sifa and Dan) as we discuss all things Santana!

Back like I never left with the SOUL section of VSS. Blasting off with a tremendous jam, Oye Como Va by the great Santana and not letting off the gas. Like I've said multiple times before, my hope in this is that just one person finds one song that takes them somewhere. I've discovered many absolute slappers because of podcasts like this and I'm grateful. So here you internet users go, DJ Witwicky here with another sensual evening of audible entertainment hand crafted just for you. I'm traveling back down to Georgia to see AK, Don Pablo, Wop and the boys this weekend for the Fantasy Draft. ITS FANTASY FOOTBALL TIME BABYYYY. Outside of the honorable Tanner Jack and Adam Silver, ya boy Witwicky is the coldest Commish in the game, going on 13 years running a league. I remember drafting LaDanian Tomlinson many years ago to put it in perspective. Breaking hearts on draft day this year, like always. ALSO, one of my fav episodes ever was put out just the other day, Episode 61 only on YouTube. I was lucky enough to have landed a massive NIL deal with the People's Champ, Duwe "Boom Boom" Farris of the Carolina Basketball Team. He rips guitar and we tore the Player's Lounge to the ground. Two separate neighbors called the cops because they thought my man cave was going up in flames. If you haven't, check that out on the big YouTube. Til next timeCapt. Kirk of this EnterpriseChester Copperpot

It's our first ever full-fledged Latin Jazz standard today, Tito Puente's most famous composition, "Oye Como Va", however it wasn't Tito who made it famous! Join AJ and Johnny as they discuss versions by Tito, Santana, Bobby Hutcherson, Celia Cruz, Tito Puente Jr., and new-to-us artist The New Orleans Nightcrawlers. Oh, and one more...

Разказ за парчето на Тито Пуенте, прославено по света от Карлос Сантана Лятната треска превзе и „Нотна стойност“. В този епизод поемаме на юг, за да проследим историята на една композиция, вдъхновена от музиката на кубинец, написана от пуерториканец и популяризирана по цял свят от мексиканец. Вашите предложения за бъдещи теми на поредицата може да изпращате на имейл адрес notnastoinost@abv.bg. Не пропускайте да последвате страницата на „Нотна стойност“ във Facebook, където редовно се публикуват материали на музикална тематика.

We had to Zoom this one in but still some decent pendejadas. Stay safe raza.

This week's guest is Tim Bangert! After a few failed attempts by some friends to get Phish to stick in Tim's ears he finally took the plunge and went to The Great Went, and the rest is history! After The Great Went, the majority of Tim's Phish shows fell into the years of '98 & '99. We talked about Tim's First show experience, some of his favorite jams, the songs he is chasing, and what member of Phish he would most like to meet. To be featured on a future episode, shoot an email to sttf.weareeverywhere@gmail.com Tim summed up his trip to The Great Went in an essay that you can read below.   How did I end up in Limestone, Maine, in August of 1997 to see a band in which I had relatively little interest? I will start the tale of my first Phish show a few years prior to that. I did know a little of the band and had a few friends loan me their music telling me how great they were, but even with all the music I chased down in used music stores and played on a weekly college radio shows, Phish was a barely part of it. The first time I recall hearing the name of the band was in 1992 in a local radio ad for a Santana concert. Funny story there is that the announcer said, “with special guest Phish,” over Santana's “All I Ever Wanted.” I only knew the few Santana songs in K-SHE 95's rotation (“Black Magic Woman,” “Oye Como Va”), so my brain immediately associated “All I Ever Wanted” with Phish. Thinking about it, that might be a fun cover for Phish to play. Phish obviously wasn't getting played on local commercial stations in St. Louis, so that was that. The following winter in college a guy named Joe who lived across the hall from me told me I had to listen to Phish. He handed me a copy of A Picture of Nectar. I am not certain how much of it I listened to, but I think I thought it was too goofy and underproduced as it jumped from the manic “Llama” to gentle “Eliza” and so on. I still think it's goofy and underproduced but in a much more endearing way. A short while later my cousin came to visit me at school. She was a senior in high school and brought a copy of Junta along. I remember hearing “Fee” and once again thinking what a goofy band this was. Why were people recommending them to me? What was I missing here? Later that year she made me a mix tape that include The Mango Song. A strange one to hand anyone to say, hey, listen to this band! Somehow it wound its daft way into my brain with every listen. I think I thought the piano had a bit of Vince Guaraldi's sound from all the Charlie Brown specials. In the fall of 1994, a fellow RA named Matt asks me if I play any music by Phish on my weekly college radio show. I tell him I had heard a bit, but they never did it for me. He hands me a copy of the just-released Hoist and says to give it another shot. I immediately liked the opening track “Julius” and played it on my show. I recall liking “Down with Disease,” “Sample in a Jar,” and possibly “Wolfman's Brother” enough that I dubbed the whole thing and had it on a steady rotation in my car's cassette deck. There were a few songs I always skipped past. “Lifeboy,” “Dog Faced Boy,” and “Demand” come to mind. I'm still not big on them and oddly enough they are the three that I have never seen live (“Riker's Mailbox” and “Yerushalayim Shel Zahav” notwithstanding). Jump ahead to spring of 1996 and Andy Rosenhack, who worked in the dorms with me and showed me how to run the board and queue up songs at WRBU, returned to Peoria for Senior Walk (that's a whole different story). We were out to lunch with a group of friends and he starts telling me about going to see Phish and how great it was. His first show was the 12/7/95 Niagara Falls show. He was also talking a lot about seeing DMB and how great they were, which I think steered the conversation because by that point DMB was pretty big on the radio. I'm pretty sure I was evangelizing for Wilco around that point in time, which seemed pretty not-Phish. That summer I moved out to Colorado for a short time. Phish was in the news, as their four-night stand at Red Rocks was marred by the weird clashes taking place in Morrison by fans unable to get tickets to the shows. I was nowhere near it and Phish still was not really on my radar. I moved back to Illinois in early 1997, bounced around looking for work, and ended up with a contract job in the suburbs of Chicago. It was a pretty dreary time and I was looking for a way to get out of the rut that was surely forming in the 8-to-5 world of I.T. Andy contacts me and says I should come see Phish with him. Where are they playing? Why, in Maine! It's a festival! I tell him sure, why not. I've been at my job a few months and deserve some time off, right? He sent me two 90-minute cassettes to prep me for the show. The first was set 2 of the first night of the Clifford Ball 1. It's an interesting set covering a wide range of styles. The second tape was a doozy that probably made me say “What the hell is this?” It was the Bomb Factory Tweezerfest set. Really, is that what you hand somebody when you want them to listen to live Phish for the first time? It was out there. We wrangled another college friend Bill Korbecki to come along for the road trip. Bill lived near Chicago, so I had company for the drive to Rochester. If I recall correctly, we drove the northern route through Detroit and Niagara to get to Andy's place in Rochester, New York. Ah, for the days when crossing into and out of Canada didn't require a passport or a lot of suspicion. We didn't head straight up to the show, though. Andy was working as a day camp counselor that summer. Bill and I tagged along to help out, as they were making tie-dye t-shirts that day. I made mine out of a Sugar 1994 Tour shirt 2. That evening Bill and I hung out at Andy's place because he had tickets to take his girlfriend to see James Taylor. When he returned from the JT show we took off for Maine. It couldn't be that far, right? It's just getting to Massachusetts and then through a sliver of New Hampshire. Ha. Little did I realize how remote this concert would be. The route couldn't be easier. Take I-90 east until it hits I-95 outside Boston. Head north on I-95 until the final exit before New Brunswick. Hop off and go north on US-1 and follow the traffic jam to the decommissioned Loring Air Force Base. I remember hearing on the radio local kids in Arastook County were out of school for potato harvest. The residents in the area were curious about the parade of cars winding northward, but they were gracious nonetheless. Getting to the lot the morning of the show we were parked far back on the right side of the runway. The scale of it was overwhelming. Where the heck was the stage? Attempting to piece together the first day of music here. The walk to the concert grounds was far but did not feel that way. Too many interesting people and too much interesting merchandise being hawked. I don't remember much of the festival area. Andy did paint on one of the wooden planks flanking the area. Those planks would become part of the sculpture that evolved on the scaffolding to the right of the stage. I think Andy met Page in that time, too. I had no clue who any of the band were. 1 Split Open and Melt, Sparkle, Free, The Squirming Coil, Waste, Talk, Train Song, Strange Design, Hello My Baby, Mikes Song, Simple, Contact & Weekapaug Groove. 2 I can't believe I did that. My apologies to Bob Mould. The show started late that afternoon. “Makisupa Policeman” holds the honor of the first live song I saw Phish play. Keyword? “Goo balls.” Me being the neophyte I am, I thought Trey said “blue balls.” Ha. I had no idea the significance of the partial “Harpua” that followed. That day warped me for how long an opening set should be at around 100 minutes. I later learned listening to the tapes that the first few songs were a de facto soundcheck. Looking back it's strange to think I got a daytime YEM (it's hard to think of it without the lights) and a beautiful solo to end “Squirming Coil.” Page's words after his bow? “Stick around.” I knew only two songs they played that day. “Wolfman's Brother” to open the second set and “Julius” to close it out. That helped keep things familiar for me. I was worn out late in the third set and told the guys I would meet them back at the car, so I listened to the encore from afar. Not knowing much of anything, I obviously missed the late-night DJ set the band put on in the disco tent. The next morning was crisp and bright. Flyers had been circulating requesting participants for a mass photo shoot. The catch? It called for folks to doff their clothes. Anyone hearing this story would think I was the one who had to be dragged into such an event, but the opposite is the case. I told Bill and Andy that we should be in the photo. They thought I was bluffing and said if I was in, they'd be in, too. So sometime late that morning I led them to the staging area to sign waivers, drop our clothes near some bike racks, and parade out onto an empty stretch of runway in our birthday suits with 1,100 other people. It was not as nerve-wracking as I thought it might be. For our participation, we were supposed to be sent a copy of the photo, but unfortunately, I was bouncing between addresses at the time and mine never made it to me. Andy did receive his. The photo is rather morbid in my eyes. It's monochrome and looks like a thousand corpses lined up on pavement, which completely belies the festive atmosphere of the shoot. While I did not receive the poster, there is proof of me in one of the pictures in 1998's The Phish Book. Yep. My caveat for anyone seeing that page in the book is that northern Maine mornings are chilly. ;) We meandered about that day. I was amazed at all the vending taking place, though I was still too green to understand references to songs or other cultural touchstones. I did buy a lot shirt, though. It was tie-dye, had a Phish logo with Summer Tour 97 around it, and on the back a faux Maine license plate with GR8-WENT. It cost me $5 because it had some rips in the front and was the last of the vendor's lot. I don't think I ever wore it, but it's still stowed away too cherished to be thrown out. I remember much more of the second day of music. I loved the song “The Wedge” the moment they opened with it. Limestone blocks so large, indeed. After the set we wandered a bit for food and water. Getting back into the concert area we ended up about 20 to 25 rows back Page side. The place was buzzing as the night and cool air creeped in. One anomaly of this show that I did not realize was Fish not wearing his trademark donut dress. He was in jeans that weekend. For the second night he had on a fleece adorned winter hat. Trey also had on a warm striped beanie for the second set. They kicked off the set with “Down With Disease” which I knew from good old Hoist. The song raged on for twenty minutes and then dropped down to a simple little guitar and bass conversation between Trey and Mike, as Page and Fish stepped to two easels on the stage. We could see the two of them painting on shaped boards, similar to those Andy had painted on in the festival area. Trey played the chords of “Bathtub Gin” as Fish found his way back to the drum kit. The song was new to me, but it's so catchy. The cadence of lyrics at first reminded me of Bob Dylan's “Subterranean Homesick Blues” and of course was familiar with its Gershwin quotes throughout. Something clicked for me right then and there. Little did I know this would be one of the signature live jams of the band's career, but I did know something special was happening. It's a version that never loses steam and never grows stale on repeated listenings. There's a group on Facebook called “The Great Went Bathtub Gin Changed My Life.” I did not start the group, but I certainly understand why it was created. The song is 20 minutes of inspired playing and improvisation. As Gin wound down and melted into the quick bluegrass fix of “Uncle Pen,” we were only halfway through the set. The next 45 minutes would be just as inspired. The next song was just as familiar because Strauss' “Also Sprach Zarathustra” is embedded in the DNA of anyone alive after 2001: A Space Odyssey. More painting, this time Trey and Mike stepping to the easels while Fish and Page keep the jam going. What's up with all this painting, anyway? As 2001 fades into what becomes known as “Art Jam” on tapes, Trey tells us about creating art with the audience. The band's planks are crowd surfed over to the scaffolding where all the planks painted by festival-goers hang in one crazy pile. The spotlight is on the newly created sculpture as the band kicks into “Harry Hood.” Another new one for me, but it's a glorious swell. As “Hood” drops into the post “Thank you, Mr. Miner” jam, Trey asks Chris Kuroda to cut the lights because the moon is bright and the sculpture is growing in beauty with every passing second. With that, the air begins to fill with colored lights. A glowstick war breaks out. Without the usual concert lights to dampen things, the sticks take on an epic feel. The jam seems to rise and fall with the number in the air. It was exhilarating. I couldn't imagine being anywhere else. As “Hood” ended Trey tells the crowd to go get more of those things because they look amazing. 90 minutes had gone by in what seemed like 9. The crowd was floating. And we still had another set to go. Over the course of the second set the crowd grew more dense. We had nowhere to go between sets. I remember gallon jugs of water being passed around the crowd. I was so thankful for a few sips. It sustained me through the end of the show in an incredibly cramped space. The final set was not as epic, but introduced me to a few more facets of the band. I remember each song, but specifics of only a few. We were still pinned in with the crowd and hadn't had a chance to sit down in hours (maybe we did? I remember standing the whole time). I'm sure a lot of people took “Dirt” to be a chance to rest after the intricate “Guyute,” but it hit me just right. Combined with the cold air, Trey's whistling and the simple guitar line were an emotional high point for me. The same goes with the set closing “Prince Caspian.” I was thrilled hearing “When the Circus Comes” as the encore, since I am a big fan of the old Los Lobos tune. I didn't realize its lyric “the day I burn this whole place down” would soon become a reality as they tore into “Tweezer Reprise.” A huge timber dressed up as a match was lit and tipped against the sculpture that an hour or two earlier we had been admiring during “Harry Hood.” The whole thing went up in an intense blaze as the encore raged. The crowd was going crazy. Wow. Is this what every Phish show is like? Maybe so, maybe not. One of the great things about the fest were all the folks vending from their vehicles. I was famished after the nighttime sets. As we strolled back up the runway I hear a voice singing out “15 ingredient veggie burritos!” A burrito sounded like it would be perfect, so we stopped to grab one. As the woman is wrapping one up I can't resist asking, “So, what are the 15 ingredients in this burrito?” Here's how Andy recalls her reply: “Rice, 5 kinds of beans, cilantro, cheese, cilantro, rice, cilantro, 5 kinds of beans, cheese, rice, and cilantro.” Ha! Who am I to question that? It was delicious. We took time to rest at the car and headed out of the base the next morning. Traffic was heavy, but moved pretty well. When we hopped on I-95 again one of the strangest things I've ever seen happened. Troopers were pulling cars over en masse. We were not among those targeted by the state patrol, but it was weird. The only other Maine thing we really did when we were up that way was a stop at the L.L. Bean flagship store. I bought a wool plaid cap that I recently passed on to my daughter. The rest of the ride back to Rochester I remember mainly for Andy introducing us to the music of Ani Difranco. As the rest of the year went along, I got a bit more into Phish, but really sought out Ani's stuff. Two completely different sounds, but artists who completely do things their own way. The drive to Chicago is a bit of a blur to me now. I'm guessing exhaustion was setting in and we were looking forward to getting home.  

  | Louis Prima  | Jump Jive and wail | Billie Holiday  | Blue Moon | Bet E and Steph  | Il Naurait fallu | Poncho Sanchez  | Morning | Nicola Conte  | Bossa 31 | Tito Puente  | Oye Como Va | Steevie Wonder  | Sunny | Lee Dorsey  | Get out of my Life Woman | Herbie Hancock  | Spiraling Prism | Average White Band  | Pick up the pieces | Steely Dan  |  dirty Work

Con música de Santana. Temas como Stormy, Flor d'Luna, Oye Como Va, I Love You Much Too Much, Samba Pa Ti y Black Magic Woman....

Con música de Santana. Temas como Stormy, Flor d'Luna, Oye Como Va, I Love You Much Too Much, Samba Pa Ti y Black Magic Woman....

  | Oscar Peterson  | Night Train | Wes Montgomery  | Sunny | Peter Pearson  | Bossa Love | Marcos Valle  | Summer Samba | Willi Colon  | Juana Pena | Tito Puente  | Oye Como Va | Los Hacheros  | Papotes Guajira | Brother Jack McDuff  | Hunk o funk | Bill King  | Summer Heat | Amy Winehouse  | Love is a losing Game | Steely Dan  | Josie

What would the world be like without shame? Today's guest Santa Cruz sculptor Maren Sinclair Hurn describes a dream in which she sees that her daughter has nails piercing her eyelids. This dream inspired her to create faces that helped her come to terms with her own shame of sexuality. You can find pictures of her sculpted faces below and on the episode page. You can also visit Maren's studio at the Tannery on First Friday art nights. Maren begins by talking about some early dreams including one in which an old woman tells, "You should go to art school!" She has been an sculptor artist every since with art degrees from Cabrillo College, UC Davis and Montana State Univ. We talk about Carlos Santana and his suicidal shame around sexual molestation and about the difference between guilt and shame. We take a phone call from Jan from Santa Cruz who shares what she calls "a relieving dream" about calling to a black dog, "Katrina, Katrina, Katrina!" and the dog running joyfully towards her. BIO: Maren Sinclair Hurn. We came close to losing musician Carlos Santana to suicide because of his unresolved shame around being molested as a child. With witness, he became whole again and shared his story with the world. Understanding her own shame began a few years ago when Maren dreamed of a 5-year-old girl eagerly flashing her eyelids. Each lid had been pierced with a nail. This dream was a disturbing image that she could not ignore and helped her get in touch with shame around her own sexuality. Maren will soon be sharing her sculptures in middle schools where she hopes they will inspire frank discussions around shame. marensinclairhurn.com We play clips from the following two guest-selected songs: Mamuse, Strange and Wonderful and Santana, Oye Como Va. Ambient music created by Rick Kleffel new every week. Many thanks to Rick Kleffel for engineering the show, to Tony Russomano for answering the phones and to Ewa Malady for audio editing. Show aired on March 5, 2022. The Dream Journal is produced at and airs on KSQD Santa Cruz, 90.7 FM, streaming live at KSQD.org 10-11am Saturday mornings Pacific time.  Catch it live and call in with your dreams or questions at 831-900-5773 or at onair@ksqd.org. If you want to contact Katherine Bell with feedback, suggestions for future shows or to inquire about exploring your own dreams with her, contact katherine@ksqd.org, or find out more about her at ExperientialDreamwork.com. The complete KSQD Dream Journal podcast page is found here: ksqd.org/the-dream-journal. You can also check out The Dream Journal on the following podcast platforms:  Rate it, review it, subscribe and tell your friends. Apple Podcasts Google Play Stitcher  Spotify

Tito Puente, eigentlich Ernest Anthony Puente Jr., (* 20. April 1923 in New York City; † 31. Mai 2000 ebenda?) war ein US-amerikanischer Jazz-, Salsa- und Mambo-Musiker sowie post mortem Podcast-Philanthrop. Puente war, wie man es umgangssprachlich bezeichnet, ein Nuyorican, ein in New York geborener Sohn puerto-ricanischer Eltern. Er wuchs in Spanish Harlem – auch El Barrio genannt – auf, einem Stadtteil von Manhattan, östlich des eigentlichen Zentrums von Harlem. Er wurde El Rey del Timbal (span. „König der Timbales“) oder King of Mambo („König des Mambo“) genannt und ist bekannt sowohl für seine Mambo- als auch seine lateinamerikanischen Jazz-Kompositionen, auf die er seine über 50-jährige Karriere aufbaute. Er spielte Saxophon, Klavier, Vibraphon, Timbales, Congas und Bongos. Musikalisch kommt Puente Eddie Palmieri sehr nah. Sein ursprünglicher Berufswunsch war Mambo-Tänzer. Im Jahre 1948 bekam er einen Plattenvertrag von George Goldners Latin-Plattenlabel Tico Records. Puente befand sich auf dem Höhepunkt seiner Beliebtheit und brachte afro-kubanische und karibische Musik wie Mambo, Son und Cha-Cha-Cha einer großen Öffentlichkeit näher. Später wechselte er zu mehr universellen Musikrichtungen, z. B. Pop und Bossa Nova; schließlich blieb er bei einer Mischung von afro-kubanischem und lateinamerikanischem Jazz, die Salsa genannt wurde. Für sein Werk erhielt er fünf Grammy Awards, die National Medal of Arts (1997), die James Smithson Bicentennial Medal (1999), den „Status“ einer Living Legend des Library of Congress (2000) und zwei Ehrendoktorwürden. Er starb im Jahr 2000 in New York City an Herzversagen. Sein Stück Oye Como Va erlangte durch Carlos Santana große Bekanntheit. 2022 sponserte der tot geglaubte Puente die 34. Folge des Schnelle Nummer Podcasts und erhielt den Titel El Rey del Numero Rapido (span. „König der Schnellen Nummer“).

I thought this might get your blood pumping for today listen and enjoy have a good day --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/j-w54/message Support this podcast: https://anchor.fm/j-w54/support

Hey! Like what you've heard today?I'm on a mission to help improve levels of wealth for everyday Kiwi's. After all, it's good to build wealth...right?Here's some ways you can get alongside the NZ Everyday Investor - no pressure, but I'd appreciate any help you could offer:Use the following referral/affiliate linksHatch: https://app.hatchinvest.nz/share/uqhcj8y8. $10 for you, and $10 for me, if you sign up and deposit $100NZD.Sharesies: https://sharesies.com/r/RRPR6X. $10 for you, and $10 for me, if you sign up for the first time with them.Easy Crypto: easycrypto.com/nz?ref=19599. One of NZ's most trusted places to buy/sell your digital assets. Share this Spotify link with your friends: https://open.spotify.com/show/0MA6EGur387YT1ENKIffMx?si=b1C28fV7TmWib8qXnZLDoA_______________________________________Check out the article mentioned at the start of the show hereRead about the future of financial advice here 1971 was an interesting year in music and in the world of finance. Nestled among The top 10 rock songs of 1971 you'll find gems like American Pie by Don McLean, Won't get fooled again by the Who, Riders on the storm by the Doors and Oye Como Va by Santana. The Bretton Woods agreement became fully operational in 1958, where international currencies could be traded for USD, and these USD could be converted to Gold – Now guess when this all changed 1971, when US President Richard Nixon took the US dollar off the gold standard. Socially, maybe it was 1971 when the pendulum the baby boomers set in motion began. Perhaps enough of them doing all the same thing and thinking the same thoughts at the same time perhaps created this present age more than we appreciate - they all left home, got married, popped out a few kids and bought property pretty much all at the same time– they had enough war talk from their parents, let's live they thought – and they did. So 50 years later, here we are in 2021... Is the music as good as it was in 1971 – eh meh, perhaps its only in the money-space where we'll see some patterns persist. __________________________________________________________________So what's next for you?Well, you may want to consider the following...1 - Write a review on Facebook, or your favorite podcast player2 - Complete this survey! A Future Model of Financial Advice3 - To catch the live episodes, please ensure you have subscribed to us on Youtube: 4- Sign up to our newsletter herePlease ensure that you act independently from any of the content provided in these episodes - it should not be considered personalised financial advice for you. This means, you should either do your own research, taking on board a broad range of opinions, or ideally, consult and engage a financial adviser to provide guidance around your specific goals and objectives.If you would like to enquire around working with Darcy (financial adviser), you can schedule in a free 15 min conversation just click on this link_________________________________________________________

El programa incluirá la historia de dos canciones famosas en la música latinoamericana: OYE COMO VA y EL PRESO NÚMERO NUEVE. Nos detendremos a explicar las últimas aventuras de ERIC CLAPTON y explicar las dos caras musicales de la famosa clarinetista ANAT COHEN: su pasión por el estandar y la música latina.

Helen and Gavin chat about Dune, 9/11: One Day in America, The Velvet Underground, The Jesus Music, Tom Petty, Somewhere You Feel Free, and it's Week 5 from the list of Rolling Stone's 500 Best Songs Ever, numbers 480 to 476; Just a Friend by Biz Markie, Oye Como Va by Santana, Back That Azz Up by Juvenile, Our Lips Are Sealed by The Go-Go's, and Sunday Morning Coming Down by Kris Kristofferson.

Mestizo is a Spanish word to define mixed blood but also the blending of cultural traditions among the mixing of ethnicities in a country. The show will present the Mestizo Music that arose in France in the late eighties that ignited an international music scene during the next two decades around mainly South Europe, North Africa and throughout the American Continent. This is music with social conscience performed by musicians from different ethnic and cultural backgrounds. This is a scene that started in the streets in the banlieues, blocks, favelas or barrios of the underprivileged areas and then went to recording studios. Their leaders are not only musicians but also social activists. This is not World music. This is music made by young people blending tradition and modern music. Mestizo as a label maybe lack of marketing appeal but define better the cultural aspect of this music than the mixed bag of World music for non-English modern music. 1- VIVA ZAPATA - MANO NEGRA 2- LE BRUIT ET L'ODOUR- ZEBDA 3- TRES DELINQUENTES - DELINQUENT HABITS 4- RAINBOW COUNTRY - GECKO TURNER 5-DOUGA DOUGA - GNAWA DIFFUSION 6-RODA, RODETE, RODEANO - CHICO SCIENCE & NAÇAO ZUMBI 7-PULA NA MUVUCA – NEGGATIVA 8-BUEN ROLLITO – AMPARANOIA 9 - LOS LUNATICOS - LOS DE ABAJO 10 - A VENEZUELAN IN NY - KING CHANGO 11- MEDLEY: PASTURES OF PLENTY/THIS LAND IS YOUR LAND/ LAND - LINDA DOWNS 12- CLANDESTINO - MANU CHAO 13 - ZOBI LA MOUCHE - LES NEGRESSES VERTES 14 - ACABAR MAL - SERGENT GARCIA 15 - BALLA E PENSA - 99 POSSE 16 - MI CUBA – P18 17 - S .O. S. - MACACO 18- TABACO Y RON - LA KINKY BEAT 19 - CURRUPUTU – TERRAKOTA 20 - STAR – 08001 21 - LA VALLA - BRONX RIVER PARKWAY 22 - AL MERHBA BEAT - HAMID EL KASHRI (REMIX BY AL WEST) 23- OYE COMO VA - 3 CANAL FEATURING LA CORTE 24 - DO RESPEITO SURGE A PAZ - EM MARROCOS 25- LAS CALLES DE MEDELLIN - LOS COFFE MAKERS 26 - HASTA SIEMPRE - KING MAFRUNDIBLURB:

includes live recordings of No One To Depend On, Guajira, Europa, Black Magic Women, Oye Como Va, Samba Pa Ti, Soul Sacrifice, and Jingo, also includes Corazon Espinado with MANA (studio recording)

Eddie Rodriguez a 40 + year Latin Music Industry professional sending greetings from Puerto Rico. My story is based on firsthand experience as a record label executive and the inequality that still exists today to sign, market and promote Black Latino artists in the US Spanish Market (except for some Reggaeton artists) by multi national recording companies Latin divisions (Universal Music Group, Sony Music and Warner Music).Ernesto Antonio "Tito" Puente, Jr. (April 20, 1923 – June 1, 2000) was an American musician, songwriter, record producer and bandleader. The son of Ernest and Felicia Puente, native Puerto Ricans living in New York City's Spanish Harlem, Puente is often credited as "The Musical Pope", "El Rey de los Timbales" (The King of the Timbales) and "The King of Latin Music". He is best known for dance-oriented mambo and Latin jazz compositions that endured over a 50-year career. He and his music appear in many films such as The Mambo Kings and Fernando Trueba's Calle 54. He guest-starred on several television shows, including Sesame Street and The Simpsons two-part episode "Who Shot Mr. Burns?". His most famous song is "Oye Como Va"   https://youtu.be/zZQh4IL7unMhttps://youtu.be/zZQh4IL7unM     https://youtu.be/X6NpFAsBc1g     https://youtu.be/eewrHI2dFfs   https://youtu.be/IXMvl1YlpMk https:   https://youtu.be/s9nFtytRJfo  

Tito Puente's musical tutelage and Oye Como Va.

#495-491Intro/Outro: Crashed by Daughtry495. Friends in Low Places by Garth Brooks494. Oye Como Va by Santana493. Today by Smashing Pumpkins492. Vision of Love by Mariah Carey491. The Letter by Joe Cocker

A true crime podcast were we go over and discuss various crimes and criminals throughout human history. Today we discus the story of the murder of Selena Hosted by Nathaniel and Jessica Vega Articles used https://en.wikipedia.org/wiki/Murder_of_Selena ----------------------------------------------------------------------------- Sources Patoski, Joe Nick (1996). Selena: Como La Flor. Boston: Little Brown and Company. ISBN 0-316-69378-2. Miguel, Guadalupe San (2002). Tejano Proud: Tex-Mex Music in the Twentieth Century. Texas A&M University Press. ISBN 1-58544-188-0. Arrarás, María Celeste (1997). Selena's Secret: The Revealing Story Behind Her Tragic Death. Simon and Schuster. ISBN 0-684-83193-7. Doeden, Matt (2012). American Latin Music: Rumba Rhythms, Bossa Nova, and the Salsa Sound. Twenty-First Century Books. ISBN 978-1-4677-0147-1. Misemer, Sarah M. (2008). Secular Saints: Performing Frida Kahlo, Carlos Gardel, Eva Perón, and Selena. Tamesis Books. ISBN 978-1-85566-161-5. Tracy, Kathleen (2008). Jennifer Lopez: A Biography. Greenwood Publishing Group. ISBN 978-0-313-35515-8. Novas, Himilce (1995). Remembering Selena. Turtleback Books. ISBN 0-613-92637-4. Espinosa, Gastón (2009). Mexican American Religions: Spirituality, Activism, and Culture. Duke University Press. ISBN 978-0-8223-8895-1. Mitchell, Claudia (2007). Girl Culture: An Encyclopedia. Greenwood Publishing Group. ISBN 978-0-313-08444-7. Stacy, Lee (2002). Mexico and the United States. Marshall Cavendish. ISBN 0-7614-7402-1. Jasinski, Laurie E. (2012). Handbook of Texas Music. Texas A&M University Press. ISBN 978-0-87611-297-7. Candelaria, Cordelia (2004). Encyclopedia of Latino Popular Culture, Volume 1. Greenwood Publishing Group. ISBN 0-313-33210-X. Clark, Walter Aaron (2013). From Tejano to Tango: Essays on Latin American Popular Music. Routledge. ISBN 978-1-136-53687-8. Hernandez, Deborah Pacini (2010). Oye Como Va!: Hybridity and Identity in Latino Popular Music. Temple University Press. ISBN 978-1-4399-0091-8. Untiedt, Kenneth L. (2013). Cowboys, Cops, Killers, and Ghosts: Legends and Lore in Texas. University of North Texas Press. ISBN 978-1-57441-532-2. Shaw, Lisa (2005). Pop Culture Latin America!: Media, Arts, and Lifestyle. ABC-CLIO. ISBN 1-85109-504-7. Meier, Matt S. (2003). The Mexican American Experience: An Encyclopedia. Greenwood Publishing Group. ISBN 0-313-31643-0. Mazur, Eric Michael (2001). God in the Details: American Religion in Popular Culture. Psychology Press. ISBN 0-415-92564-9.

Bob is over the moon excited for what the Royals offseason says about the new owner. Plus, Bob gets all worked up over the Chiefs, Bill Self is a little angry, we Shout It Out, we'll have to debate this until January, and is there reason to be on the fence about the Santana signing.  See omnystudio.com/listener for privacy information.

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Party Favorz is back with our next installment of Peak Hour mayhem! Turn Up the Volume features the latest in Tech House, Late Nite House, EDM, and Bootleg mashups that are bound to turn some heads. This set starts off with a simmer and heats up rapidly before boiling over. Lots of fresh originals here like Norman Doray and Piem's "Give It Up," Husko & Stephan Duy's "Hands In The Air," HUGEL's "Cool," and Prok & Fitch's "Indiance." [youtube v="324DDmUpU_o"] You may also remember back in February I declared Soffi Tukker's "Good Time Girl" as one of the biggest songs of the year that actually came out last year. Our good friends at Ultra apparently agree and commissioned some official remixes for the song and the Leandro da Silva remix is included here. You better believe the more commercial Benny Bennasi remix will be making its debut on the next Dance Club set. [youtube v="xE5Jwicp53I"] My only complaint is that they dropped the white girl rap by Charlie Barker, which added a lot of flavor to the original. Nevertheless, these are stellar remixes coming on top of ST's recent collab with Gorgon City on "House Arrest." We also have a lot of familiar classic songs that have either been updated ("Gypsy Woman" by Maurizio Basilotta, "Phenomenon" by Sweetpower, "Turnin Me Out" by Chapter & Verse, and "Push It" by Salt-N-Pepa). We even have a rock classic song by Santana "Oye Como Va" being given the House treatment which works oh so well. Block & Crown deliver "Good For Critics," which uses one of the countless loops and samples in their catalog that is so vast — it's hard to keep up with muchless remember where the samples came from — even though you know you've heard it before. Finally, Italy's DJs From Mars can always be counted on for mashing up two to three memorable dance classics with something current. Their concoctions are always guaranteed to raise the roof. Here we get the excellent "Not Exactly Boss Bitch in San Frandisco" featuring Doja Cat, Deadmau5 and, Dom Dolla — "All Around the Roses" by SAINt JHN & Imanbek, and R3hab & A Touch Of Class — "Sweet Start Now" by Dua Lipa, The Temper Trap, and Axwell & Dirty South. In all, Turn Up the Volume demands you do exactly that. Piss off your neighbors or have a late night balcony party. This set is designed for maximum pleasure. ENJOY! Album: Turn Up the Volume Artists: Various Genre: Tech House, House Music, EDM Length: 01:50:10 1. Max Millian & F.A.T - Maori (Original Mix) 2. Norman Doray & Piem - Give It Up (Extended Mix) 3. Maurizio Basilotta - Gypsy Woman (No Hopes & Pushkarev Remix) 4. Block & Crown - Good For Critics (Original Mix) 5. Faul & Wad - Oye Como Va (Extended Mix) 6. Yolanda Be Cool - In Your Arms (Original Mix) 7. Beki M - My Dreams (Original Mix) 8. Martin Ikin, Noizu & Fast Eddie - Hands Up (Extended Mix) 9. Eli Brown - Desire (Original Club Mix) 10. Husko & Stephan Duy - Hands In The Air (Extended Mix) 11. Afrojack & Martin Garrix - Turn Up The Speakers (Chico Rose Remix) 12. Steff Da Campo x David Puentez - Fresh (Original Mix) 13. Doja Cat vs. Deadmau5 vs. Dom Dolla - Not Exactly A Boss Bitch In San Frandisco (DJs From Mars Bootleg) 14. SAINt JHN & Imanbek vs. R3hab & A Touch Of Class - All Around The Roses (DJs From Mars Bootleg) 15. HUGEL - Cool (Extended Mix) 16. Sofi Tukker feat. Charlie Barker - Good Time Girl (Leandro da Silva Remix) 17. Harley Scott - On The Microphone (Original Mix) 18. Sweetpower - Phenomenon (Original Mix) 19. Salt-N-Pepa - Push It (Chapter & Verse Remix) 20. Dale Howard - The Beat (Original Mix) 21. Prok & Fitch - Indiance (Original Mix) 22. Chapter & Verse - Turnin Me Out (Original Mix) 23. DCP, Crazibiza & Fellous - Come Together (Original Mix) 24. Grum & Genix - The Light (Extended Mix) 25. Dua Lipa & The Temper Trap vs. Axwell & Dirty South - Sweet Start Now (DJs from Mars vs. Rudeejay & Da Brozz Bootleg)

Chicano Flame is one of the pioneers of Bay Area masked wrestlers of the late 90's. Jesus Cruz talks to Chicano Flame about his career highlights, like getting to wrestle in the legendary SF Cow Palace, getting to work with his idol, Mil Mascaras, and the personal reason he chose Carlos Santana's song, "Oye Como Va" as his entrance theme.

Goody Two Shoes by Adam Ant was a hit in 1982, reaching number 12 in the US and number 1 in the UK. How did Ant shape this common taunt for the excessively virtuous into an infectious hit? By coupling a toe-tapping rhythm with a super sexy, punk-rock look rooted in Napoleonic military uniforms and war paint. Naturally. Goody Two Shoes by Adam Ant: The original video The Look: Adam's pelisse jacket with frog fastenings and braid trim, given to him by a friend, was from the film "The Charge of the Light Brigade." The style of coat was worn by hussars, a class of light military in central Europe in the 15th and 16th centuries (and later by the military during the Napoleonic Wars) and so is sometimes called a hussar jacket. Here's Adam on British talk show “Loose Women” discussing his influences, career, mental health, and talks about the origins of his character as a survivor of those Napoleonic Wars. Interview with Adam, where he discusses the jacket's possible influence on Michael Jackson  James Franco pays homage to Adam Ant's iconic look in this photoshootEven the Victoria and Albert museum is ga ga for his costumes in this retrospective: “Battlefield to Boudoir: The Costumes of Adam Ant.”The History of Goody Two Shoes details the origins of the phrase in a story of rewarded virtue, originally penned by Oliver Goldsmith and published by John Newberry. Here's a free biography of Goldsmith by none other than Washington Irving. Plus: Oh, the things we can learn from lice. Like when people started wearing clothes!PS: Also infectious? Tito Puente's Oye Como Va which features him on Latin timbales, which he popularized. Think drum jokes are hilarious? Check out Puente fan Fred Armisen's "Standup for Drummers" special on Netflix.***AND***Visit our website at www.sickburnspod.com to leave a comment or a voicemail!Follow us on Instagram @Sick_Burns_PodFollow us on Twitter @Sick80sFollow us on Facebook https://www.facebook.com/SickBurnsPodcastOr email us at Burningthe80s@gmail.com and tell us what you think!

Label: Columbia 45330Year: 1971Condition: M-Price: $12.00This essential Santana single is a Stereo edited version of the album cut (2:59 vs. 4:17). Check out the mp3 "snippet" of it, which is from our archives. Note: This beautiful copy comes in a vintage Columbia Records factory sleeve. It has Mint labels and pristine sound. The vinyl (styrene) grades Near Mint to reflect some light surface scuffing.

Nuevo disco del guitarrista insigne Javier Vargas que convoca los espíritus del rock anglolatino que tantas alegrías han dado a Santana o Los Lobos heredando el boom de Ritchie Valens con La Bamba a finales de los años cincuenta del siglo pasado. Y a Ry Cooder con su experiencia y buena vista cubana. Un espacio dedicado a la familia Santana no puede faltar, ni tampoco nuestro Stephen Stills admiradísimo. Fetén Fetén con Depedro, los amigos de este Calexico… Y la gran Gaby Moreno y su encuentro orquestal con Van Dyke Parks. Y Joan Baez nos canta que es un hombre sincero de donde crece la palma. DISCO 1 JAVIER VARGAS Spanish Wine DISCO 2 STEPHEN STILLS/MANASSAS Pensamiento DISCO 3 THE MAVERICKS Melbourne Mambo DISCO 4 RY COODER & MANUEL GALBÁN Patricia DISCO 5 FETÉN FETÉN & DEPEDRO Para Olvidarte DISCO 6 CALEXICO Inspiración (Live) DISCO 7 JOAN BAEZ Guantanamera DISCO 8 ED CALLE Oye Como Va DISCO 9 SANTANA & BUIKA Breaking Down The Door DISCO 10 MALO Latin Bugaloo DISCO 11 SALVADOR SANTANA BAND Me & U DISCO 12 LOS CORONAS Los Rumbaleros DISCO 13 THE IGUANAS Mexican Candy DISCO 14 GABY MORENO 6 VAN DYKE PARKS The Immigrants Escuchar audio

It is December, and this year we are celebrating Santana Claus and doing a 4-parter on the huge Santana songs you know but know nothing about. On this episode we focus mostly on the origin story of Santana (his band = Santana, his album = Santana) and we talk about "Oye Como Va" and "Black Magic Woman". Follow us on Instagram @ohyeahthatsong for updates and fun shit. Leave us a 5 star rating or review on Apple Podcasts. Love the show? Become a Patreon! Get exclusive episodes, bonus content, free swag and more. Go to Patreon.com/ohyeahthatsong for details.

Länderspielpause - für uns im Sportplatz auf meinsportpodcast.de Zeit, mal eine kleine Bestandsaufnahme in den internationalen Fußballligen zu machen. Heute gucken wir mal bei Real Madrid vorbei. Nach einer ziemlich verkorksten letzten Saison haben die Königlichen im Sommer richtig investiert. Und sie stehen in La Liga wieder punktgleich mit dem FC Barcelona an der Spitze der Tabelle. In der Champions League sind sie auch auf Kurs Achtelfinale. Wie bewertet man in Madrid den bisherigen Saisonverlauf? Wir fragen nach bei Nils Kern, dem Chefredakteur von realtotal.de. Und Podcaster auf meinsportpodcast.de. Zusammen mit Alex Truica von barcawelt.de macht er wöchentlich den Tiki Taka Podcast. Ihr könnt als Podcast-Hörer aktuell auch noch sparen. Entscheidet ihr euch für das Magenta Sport Jahresabo, guckt ihr 12 Monate, zahlt aber nur 9. Denn bei Buchung eines Magenta Sport Jahresabos sind die ersten drei Monate kostenlos. Danach kostet das Angebot nur 9,95 im Monat. Alle Infos findet ihr unter www.magentasport.de/aktion/podcast.  Gebt dort einfach folgenden Gutscheincode an 1470511480787. Euch gefällt dieser Podcast - oder ihr habt Kritik, Fragen oder Anregungen? Dann freuen wir uns, wenn wir von euch hören. Lasst uns gerne bei iTunes eine Rezension und ein bisschen Feedback da. Schreibt uns, was ihr gut oder auch schlecht findet, oder welche Themen wir eurer Meinung nach mal in einer Sendung behandeln sollten. Oder ihr schreibt unserem Moderator direkt per Mail (malte.asmus@meinsportpodcast.de) oder Twitter (@MalteAsmus).

Länderspielpause - für uns im Sportplatz auf meinsportpodcast.de Zeit, mal eine kleine Bestandsaufnahme in den internationalen Fußballligen zu machen. Heute gucken wir mal bei Real Madrid vorbei. Nach einer ziemlich verkorksten letzten Saison haben die Königlichen im Sommer richtig investiert. Und sie stehen in La Liga wieder punktgleich mit dem FC Barcelona an der Spitze der Tabelle. In der Champions League sind sie auch auf Kurs Achtelfinale. Wie bewertet man in Madrid den bisherigen Saisonverlauf? Wir fragen nach bei Nils Kern, dem Chefredakteur von realtotal.de. Und Podcaster auf meinsportpodcast.de. Zusammen mit Alex Truica von barcawelt.de macht er wöchentlich den Tiki Taka Podcast. Ihr könnt als Podcast-Hörer aktuell auch noch sparen. Entscheidet ihr euch für das Magenta Sport Jahresabo, guckt ihr 12 Monate, zahlt aber nur 9. Denn bei Buchung eines Magenta Sport Jahresabos sind die ersten drei Monate kostenlos. Danach kostet das Angebot nur 9,95 im Monat. Alle Infos findet ihr unter

Mezclando la música pop, a Tito Puente y un ramillete de coros de nuestro teatro lírico, “Los Tres Tenores…dan la nota” introduciendo historias aclaratorias y, en “Chufas Aparte”, una poesía dedicada a los “guarrines”. Tito Puente – OYE COMO VA  Fórmula V. CUENTAME La rosa del azafrán. LA TABLA DE MULTIPLICAR Wynonie Harris. MISTER BLUES IS […] The post Los Tres Tenores 23/10/2019 first appeared on Ripollet Ràdio.

You're going to get impeached. You're going to serve time in jail. Your family is headed to the curbside. The Trump sign comes down on all of your ill-gotten properties. The Russians will call in their markers. Putin will shove his boot right up your fucking ass! The Taliban thinks you're nothing but a big, fat, fucking -dick! Kim Jong Un Knows you're nothing but a big, fat, fucking -dick! Your supporers - ditto-heads / demented pin-heads - will be in a frenzy when they  find out that you've been a loser for decades and that you and your family are going to be brought down - down into the bowels of the U.S. penal system. Jerry Nadler's House Judiciary Committee just made it official today --- they voted to formally define their effort to charge you with political high crimes + misdemeanors.  And, in so doing, they have - in effect - now transformed their committee - the House Judiciary Committee - into a Federal Grand Jury - that carries with it - maximum legal power to not only issue subpoenas - but to ENFORCE those fucking subpoenas -  and to ultimately bring justice to bear on any and all witnesses and co-conspirators. You now have no real reliable and effective allies - under these changed circumstances. And, Mr. Dumpty-Dump - your alibies are like swiss cheese - they're full of fucking, gaping holes. Your little hands only translate into a fucking -dick. Ivanka, Donald, Jr., Eric & Jared are looking at a lifetime of pariah-hood and more-than-likely criminal liability. So, Donny - what's your next move, dick-lick! Oye Como Va!

(Originally released on 03.06.18. See ThanksForSittingIn.com for complete show notes & photos)In Spanish, “puente” means bridge. Tito Jr, the son of the legendary Tito Puente has managed to “bridge” his fathers legacy of incredible music to a new generation of fans and musicians. From growing up playing drums in death metal bands to leading his own orchestra, Tito Jr. has traveled the world sharing the music and style of his father.You can’t discuss Latin music or music in general without mentioning the great Tito Puente. After his passing, his son Tito Jr. decided to keep his fathers legacy of incredible music alive by forming his own orchestra and exposing his fathers music to a new generation. His remix of ‘”Oye Como Va” shot up the charts and won a Latin Grammy award. Tito Jr. has toured the world in front of sell out crowds as he continues to inspire and share his fathers music. Tito Jr. is working on a new album and his latest release “Mi Socio” became an instant hit. If you want to hear timeless music and dance a little, or a lot, go see Tito Puente Jr. when he comes to your town.We recorded this episode as Tito Jr. relaxed at his South Florida home. This session was insightful, at times serious, at times hilarious. We think you’ll enjoy this episode and learn more about Latin music and the legacy of Tito, Tito Jr and their music.SHOW NOTES:Growing up with dadPlaying drums and listening to death metalLatin drummers are FamiliaRicardo meeting Tito in concertBeing a bandleaderThe Puente SoundAdvice for students and young musiciansYou Gotta Learn to Read!!Network with other musicians and you’ll always workLatin Music todayWorking with A.B. QuintanellaRe-recording “Oye Como Va”The void Tito left and carrying on the legacyMexican Artists & Female ArtistsTito touring the worldThe Power of Music: Jenn KayeParkland Florida School ShootingRAPID FIRE!Willie ColonCarlos Enriquez (one of many…)Victor ManuelleCelia CruzSantos ColonCharlie & Eddie PalmieriMachitoDizzy GillespieFuture (one of the best answers of any episode)Follow Tito on his Facebook pageFollow TFSI on Instagram

Dance in Paris Tracklist 1Tensnake remix)byJake Island by 1.What If You Wanted More? (feat Joanna Christie 22.Fab Freddy Said (Peter Horrevorts remix)byJay C 33.Thinking About Tomorrow (Infected Soul remix)byKev Kruz, David Walker 4Ospina & Oscar main mix)byParis Cesvette by 4.Englishman In New York (feat Lifford 55.Touch Me (Monkey Safari remix)byChocolate Puma & Bingo Players 66.Can We LivebyJestofunk 7Javi Lopez remix)byKnee Tremblers by 7.Sun Is Shining (feat Keith Thompson 8Vincemo Hang Session mix)byKqueSol & DOOP by 8.So Lonely (feat Shatti 99.With You (Raul Rincon Loveletter mix)byThe Beloved 1010.You Treat Me RightbyWeiss 11Phoria)byCb Masters, Carl Bias, Darren Brandon by 11.Rain Falls (State Of U 12Knee Deep Club mix)byDie and Interface by 12.Bright Lights (feat William Cartwright 1313.Got Me Now (Jerome Robins remix)byMike Newman & Antoine Cortez 1414.Missin' (extended club mix)byPunky Blaster 1515.Jumpin (Iban Reus remix)byTodd Terry 1616.Same Thing (Chocolate Puma mix)byBen Westbeech 1717.Oye Como Va? (original mix)byJose Sousa 1818.Superstition (Sami Dee's Flamantic remix)byJose Sousa & Mr Maph 1919.Be Free (Oliver remix)byLive Element 2020.The Reason (original mix)byMark Knight, The Bbn 21Soledrifter mix)byU-Ness & JedSet by 21.Missing (feat Lorena 2222.Falling (The 2 Bears remix)byBen Wes

The Eagles head into the offseason and Kyle and Dom discuss some possible moves and the fact that Alshon Jeffery played the ENTIRE season with a torn rotator cuff. Then the guys dive into Spring Training and the possibility of Jake Arrieta joining the Fightin' Phils. PLUS we formally announce that NFL Draft prospect and Vineland native Jamil Demby will be joining the show for an exclusive interview on March 11th! Follow Us! Facebook: facebook.com/UndergroundSportsPHI Twitter: @UndergroundPHI Kyle: @KBizzl311 Dom: @OHNOitsDOM Tyler: @tylerbronn Josh: @Viliseoh Instagram: @undergroundsportsphiladelphia Intro Music: Meek Mill "Dreams and Nightmares" (Instrumental) MGMT "Time to Pretend" (From the live broadcast of the show on Facebook Live) Outro Music: Carlos Santana- "Oye Como Va" (Instrumental) U2- "Elevation" (Instrumental)

Jayquan has always had a passion for music. Being surrounded by entertainers all his life, Jayquan got his first taste of the business hanging around with his mother, who was a Dancer for the legendary Tito Puente, and his father who was lead singer of a Doo-Wop group called The Emeralds.  As Jayquan got older he formed a group with his friends. They spent time dancing and performing with various artists and were finally discovered. The group was called the Nas-T Boyz, and they were known for their unique choreography and breathtaking performances.   For more go to www.jayquanmusic.com   

Prior to Santana, Rolie played with a group called William Penn and his Pals while attending Cubberley High School in Palo Alto, California, circa 1965. A year after graduating from high school in 1965, Rolie joined Carlos Santana and others to form the Santana Blues Band, which was later shortened simply to Santana. As a founding member of Santana, Rolie was part of the band's first wave of success, including an appearance at the Woodstock Music and Art Festival in 1969 and central roles in several hit albums. He is perhaps best known for being their original lead vocalist, with his voice driving such classic Santana hits as Black Magic Woman (US #4), Oye Como Va, No One To Depend On and Evil Ways. He also became well known for his unique sound and groundbreaking work on the Hammond B3 organ, with classic solos on many of the aforementioned hits. However, persistent differences with Carlos Santana regarding the musical direction of the band led Rolie to leave the band at the end of 1971. In 1973 Rolie joined a new band with ex-Santana guitarist Neal Schon; this became Journey. Starring in a lineup that featured Schon, Aynsley Dunbar, George Tickner, and Ross Valory, he was keyboardist for the band's first six albums. On Journey and Look into the Future, he was lead vocalist, and on Next he shared those duties with guitarist Neal Schon. After Steve Perry joined the band in 1977, Rolie sang co-lead vocals on several songs on the albums Infinity, Evolution, and Departure. After leaving Journey in 1980, Gregg released several solo albums, including the eponymous Gregg Rolie in 1985. This album featured the song “I Wanna Go Back,” which later became a hit for Eddie Money, and included contributions from Carlos Santana, Peter Wolf, Neal Schon, and Craig Chaquico. A second solo effort, Gringo, was released in 1987. Rolie formed The Storm in 1991 with Steve Smith (replaced by Ron Wikso after the recording of the first album) and Ross Valory of Journey. The band also included Josh Ramos (whose guitar style resembles that of Neal Schon) and Kevin Chalfant (whose voice resembles that of Steve Perry). Similar to his work with Journey and Steve Perry, Rolie played keyboards and was a co-lead vocalist on several tracks of the band's first, eponymous, album, which hit #3 on the Billboard albums chart and spawned the Top Ten single “I've Got A Lot To Learn About Love.” Despite this success, their second album, recorded in 1993, was shelved, due to the industry's shifting focus to favor rap and alternative music audiences. It finally saw limited release in 1996, and in 1998, Rolie and other former members of Santana, including Neal Schon, briefly reunited as Abraxas Pool, releasing one eponymous album. When Schon left to lead a re-formed Journey later that year, Rolie and Ron Wikso began work in 1999, on a Gregg Rolie solo CD, titled “Roots”, which eventually led to the forming of the Gregg Rolie Band. Besides Rolie and Wikso, “Roots” featured appearances by Neal Schon, Alphonso Johnson, Dave Amato, Adrian Areas, Michael Carabello. The Gregg Rolie Band saw Kurt Griffey taking over guitar duties and the addition of Wally Minko as a second keyboardist. They recorded a live CD at Sturgis called “Rain Dance”, which was released in 2009. #Santana #Journey

Das 28. Menü von NamNam Radio hat wieder so manche musikalische Leckerbissen für euch. Der Bogen spannt sich dieses Mal von House, Techno und Bass hin zu Downtempo und HipHop. Styles: #House #Bass #Downtempo #HipHop #Techno Tracklist: 1. Alfredito Valdes Jr. – Oye Como VA 2. Session Victim – Hyuwee (DJ Kosi remix) 3. Nina […]

Joining Angel Espino, Crystal Storm, and the other guy Allan Weiler tonight is New York-born Tito Puente Jr., son of a Latin music legend known as Rey del Timbal, studied music and composition at his native city, joining a heavy metal band, later, getting involved in Latin music, participating in different local numbers before moving to Miami. Tito Puente Jr.'s debut album called Guarachando, featuring classic "Oye Como Va," was released by EMI Latin in 1996, a year later, achieving a Billboard award for best video. Combining Afro-Caribbean rhythms, Latin jazz, and club/dance style, the talented musician returned with Sientelo, produced by A.B. Quintanilla and Larry Davis. Tonight we're going to discus his own personal interest in ufology, and all things connected to the world of UFO's and Exo politics! Has he had his own experience? Well we're going to find out. That's right tonight Angel isn't the only Latino into UFO's on the show! Join us, and call in. (786) 245-8127 To listen in on your mobile or tablet device you can also click PSN RADIO or look us up on "TuneIN." For the podcast of the show check out www.skywatchersradio.com

More sparroting, the National Film Registry gets with the program, Adam is right about microwaves, Brad has not gone deep, collared nails, triple L cuts, a Krazy-glued phone cord, a Santana 3-fer and an Interstellar trifecta, the mysteries of the strangled duck sounds, Walter's distressed forehead rubbing, the feasibility and non feasibility of placing whole eggs in water ballons, the low hammer angle, some blithe chewing, a watery glass spatter, an elastic hobo sack, and the rules of something. LINKS: "Frogman" bar scene from Wild At Heart Limahl - Never Ending Story Lifehacker - Familiarize Yourself with Your Microwave's Power Settings to Make Microwave Cooking a Joy

Gregg Rolie is responsible for co-founding two phenomenally popular, multi-platinum many times over super groups that indeed are, SANTANA and JOURNEY. In 1998, the world class keyboardist-vocalist-producer was inducted into the Rock ‘n Roll Hall Of Fame as part of the original Santana band. In addition to launching- along with Carlos Santana - the now legendary act, Rolie also co-produced their first four groundbreaking albums. What’s more, his singing talents will forever be immortalized by his unforgettable lead vocals on classic Santana greatest hits including “Black Magic Woman” “Evil Ways” and the Tito Puente composition “Oye Como Va”.

Oye Como VaEast High School Des Moines Jazz Ensemble01-17-13 @ The Rose of Des Moines Senior ResidencesDirected By - Joseph Thering

Nuestro búmerang traerá de vuelta a Carlos Santana, de Jalisco, México.- Black Magic Woman- Carnaval- Song of the wind- Put your lighs on- No one to depend on- Chillout- Europa- Guajira- Love of my life- Hold on- Soul sacrifice- Oye cómo va

Olivia Harris vocal, Althea SullyCole vocal, Rachel Bronstein vocal, Charlie Lopresto alto sax, Gerard Ramm tenor sax, Aidan Miles piano, Trey Toy guitar, Tim Paine guitar, Olivia Munson bass, Isaac Bunch drums/percussion, Dan Burdman drums/percussion, David Su drums/percussion, Brian O'Connell drums/percussion

Here's a hint: It's the signature chart of a famous Latin Jazz musician.

Here’s a hint: It’s the signature chart of a famous Latin Jazz musician.