Podcasts about Diana Taylor

That's right today we are listening to the somewhat grating sounds of SeaGulls, aka Gulls. Most of my information came from these two blog posts:  https://earbirding.com/blog/archives/4538 https://earbirding.com/blog/archives/3994   We divide gulls into four groups, based on their long calls: High Yelpers represented by the Herring Gull (6:30), Low yelpers represented by California Gulls (7:45) Slow Squealers represented by the Ring-Billed gull (9:02) and Nasal represented by Franklin's Gull (10:30).    Feel free to email me at birdingbyearpodcast@gmail.com or through Facebook at BirdingByEarPodcast.  Other helpful links include: https://www.allaboutbirds.org/news/ https://academy.allaboutbirds.org/peterson-field-guide-to-bird-sounds/ https://xeno-canto.org/ Music is Called Good Thoughts by Diana Taylor from https://taketones.com/track/good-thoughts    

This episode focuses on Mountain-ish, Finch-ish birds. We listen to Pine Siskin (00:48) Cassin's Finch (4:27) Evening Grosbeak (7:15) Pine Grosbeak (13:45), review (17:12).  Feel free to email me at birdingbyearpodcast@gmail.com or through Facebook at BirdingByEarPodcast.  Other helpful links include: https://www.allaboutbirds.org/news/ https://academy.allaboutbirds.org/peterson-field-guide-to-bird-sounds/ https://xeno-canto.org/ Music is Called Good Thoughts by Diana Taylor from https://taketones.com/track/good-thoughts Addition song recordings are from Macaulay Library 273706751 Andrew Spencer 192487 Bob McGuire 125248  Mike Andersen 130769  Nathan Pieplow 125382  Thomas G. Sander

Last time we talked about crows, raven and magpies. This episode we talk about mountain corvids, well mountainish; including Pinyon Jay (0:47), Clarks Nutcracker (4:05), Canada Jay (6:20) and Steller's Jay (9:13) and we finish with a review of all the corvids so far at (11:30).  If you missed the episode mountains vs valleys you can check it out here https://www.podbean.com/ew/pb-cghrj-14182ec   Feel free to email me at birdingbyearpodcast@gmail.com or through Facebook at BirdingByEarPodcast.  Other helpful links include: https://www.allaboutbirds.org/news/ https://academy.allaboutbirds.org/peterson-field-guide-to-bird-sounds/ https://xeno-canto.org/ Music is Called Good Thoughts by Diana Taylor from  https://taketones.com/track/good-thoughts  

Have a question or comment for us? We welcome you to send us a text, thank you! Host-Richard Shaw, Panelists-Otis Pat Woodard, Matthew Woodard, Diana Taylor, Dr. Rapheal Rogers#vent101 Support the showhttps://www.facebook.com/VENT-101-103416278100472https://www.youtube.com/@v.e.n.t.101https://www.vent-101.com/https://instagram.com/v.e.n.t.101?igshid=NTA5ZTk1NTc=

Crows caw and Ravens croak but what does that really mean? In this episode we discuss to two sepecies of raven including the Common Raven (1:33), and the Chihuahuan Raven (4:34), two species of crows including American Crow (7:08) and Fish Crow (8:46) and two species of magpies including Black Billed Magpie (10:36) and Yellow Billed Magpie (14:13).    Feel free to email me at birdingbyearpodcast@gmail.com or through Facebook at BirdingByEarPodcast.  Other helpful links include: https://www.allaboutbirds.org/news/ https://academy.allaboutbirds.org/peterson-field-guide-to-bird-sounds/ https://xeno-canto.org/ Music is Called Good Thoughts by Diana Taylor from https://taketones.com/track/good-thoughts  

Have a question or comment for us? We welcome you to send us a text, thank you! Host-Richard Shaw, Panelists-Otis Pat Woodard, Matthew Woodard, Diana Taylor #vent101 Support the showhttps://www.facebook.com/VENT-101-103416278100472https://www.youtube.com/@v.e.n.t.101https://www.vent-101.com/https://instagram.com/v.e.n.t.101?igshid=NTA5ZTk1NTc=

Virginia's Warber: 1:15 Lucy's Warber: 4:09 Nashville Warbler: 6:50 Black-throated Gray Warbler: 10:00  Review: 13:00    Feel free to email me at birdingbyearpodcast@gmail.com or through Facebook at BirdingByEarPodcast.  Other helpful links include: https://www.allaboutbirds.org/news/ https://academy.allaboutbirds.org/peterson-field-guide-to-bird-sounds/ https://xeno-canto.org/ Music is Called Good Thoughts by Diana Taylor from https://taketones.com/track/good-thoughts

In this episode we finish up learning about the common wrens in the ABA area. Including Rock Wren (1:30), Bewick's Wren (4:17), Cactus Wren (8:30), Canyon Wren (10:34), Marsh Wren (14:12), Sedge Wren (16:33), and their calls (18:10).  Feel free to email me at birdingbyearpodcast@gmail.com or through Facebook at BirdingByEarPodcast.  Other helpful links include: https://www.allaboutbirds.org/news/ https://academy.allaboutbirds.org/peterson-field-guide-to-bird-sounds/ https://xeno-canto.org/ Music is Called Good Thoughts by Diana Taylor from  https://taketones.com/track/good-thoughts  

Christina White was missing for four years before the first big clues emerged into her disappearance that would raise questions about whether there was a serial killer operating in the Lewis-Clark Valley and beyond. In this episode, with Allison Dickson of Vintage Villains, we explore Christina's disappearance, a 1963 murder of an 8-year-old in Chicago, a mysterious attempted break-in at a mortuary holding the body of a 17-year-old girl in California, the murder of a 22-year-old University of Idaho student in Clarkston, Washington, the disappearances three people from the Lewiston Civic Theatre, the death ruled a 27-year-old suicide, the drowning of a 16-year-old girl in North Carolina and the man closely connected to them all.Contact me at silverliningshandbookpod@gmail.com.Check out the Silver Linings Handbook website at:https://silverliningshandbook.com/Check out our Patreon to support the show at:https://ww.patreon.com/thesilverliningshandbookJoin our Facebook Group at:https://www.facebook.com/groups/1361159947820623Visit the Silver Linings Handbook store to support the podcast at:https://www.bonfire.com/store/the-silver-linings-handbook-podcast-store/The Silver Linings Handbook is a production of BlueSky Studios LLC.See the Privacy Policy at https://art19.com/privacy and the California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Lead to Soar, Michelle talks with Diana Taylor AM, a pioneering figure law and Australian rules football. Diana imparts her wisdom and insights on leadership, business savvy, and the pivotal role of women in sports and business. The conversation includes i the importance of embracing failure as a learning opportunity, the advantages of leveraging legal expertise in sports and business, and the critical need for financial literacy among leaders. Diana offers invaluable advice for emerging professionals on specialization, hard work, and the significance of networking and volunteering. She also explores strategies for effective leadership and influence, the power of networking and sponsorship, and emphasizes the urgent need to elevate women into leadership positions across various fields. This episode not only provides a roadmap for professional growth but also highlights Diana's contributions to fostering opportunities for women in leadership, encapsulated in her book, "The Playbook: Crossing the White Line to Succeed in Life, Business and the AFL," available here. Links and Resources The Playbook: Crossing the White Line to Succeed in Life, Business and the AFL by Diana Taylor.Lead to Soar is a global online network for businesswomen, a podcast, and we host live-streaming and in person events to help women have a career that soars! The podcast is hosted by Mel Butcher (melbutcher.com) and Michelle Redfern (michelleredfern.com) Hosted on Acast. See acast.com/privacy for more information.

Join host Diana Taylor on The Coaching Masters podcast as she introduces Shannon O'Hara, a holistic self-love coach. Shannon's journey from Ireland to Sydney is a tale of personal transformation, and her coaching approach goes deep, focusing on voice, trust, and confidence. Discover how she's helping people embrace vulnerability, personal growth, and self-love that goes beyond the surface. Tune in for a captivating episode that's all about going deeper into personal development. Learn More Here

“Success needs to be defined by the individual. Everyone's success is going to look very different." - Diana Taylor How do you define success in your life? Do you give yourself permission to be proud of who you are, how far you've come, and the successes your future will hold? In this episode, Meg speaks with Diana Taylor, Vice President of the Geelong Football Club and author of ‘The Playbook: Crossing the White Line to Succeed in Life, Business and AFL'. With a very successful career including being the first woman in various AFL roles, Diana shares valuable insights and practical advice to help you navigate uncharted territories and define success on your own terms. Learn how to map your path, make impactful decisions and create a multidimensional definition of success that goes beyond money and titles. Don't miss this episode that will leave you inspired to kick goals and live a life of authenticity and purpose. Episode 91 Shownotes - Click here Weekly Newsletter - Subscribe here Booking Requests - Complete the form The School of Wellbeing is one of the best health and wellbeing podcasts for teachers, educators and school leaders!

WOMEN IN LEADERSHIP:  COMMUNITY:  SUCCESS:  STRATEGYDiana Taylor is a leader, lawyer, business owner, company director and consultant with over two decades of business, legal and sports administration experience in the AFL.She was the first ever female president of a men's metropolitan football league and the first woman appointed to the VFL Tribunal and in In 2019, she became the first woman in 163 years to hold the role of Vice President of the Geelong Football Club, winners of the 2022 AFL Premiership. Diana also cares deeply about people and the community. She has established one of the largest community palliative care centres in Australia at Deakin University amongst other community roles.For more information on Diana Taylor: www.dianataylor.com.au 

Host J.D. Reager chats with the Memphis Wrestling Women's Champion Cassandra Golden about feuding with Diana Taylor and James Ellsworth, training at the Nightmare Factory, and more. Then Memphis Wrestling founder Dustin Starr and the legend King Cobra each share fond memories of working with the late Jerry Jarrett. RIP - Jerry Jarrett (1942-2023) For exclusive Memphis Wrestling content, visit memphiswrestlingplus.com!

Barry White est né à Galveston, au Texas, mais a grandi à Los Angeles. Le nom de la mère de Barry était Sadie Mae Carter, cependant, le nom de famille de son père était White. Il a été impliqué dans la communauté musicale locale alors qu'il était encore très jeune, jouant du piano sur le hit de Jesse Belvin "Goodnight my Love" à l'âge de 11 ans. Barry a enregistré son premier disque à l'âge de 16 ans avec un groupe appelé les Upfronts. La chanson s'appelait "Little Girl" sur un label local de Los Angeles appelé Lummtone Records. Barry a enregistré plusieurs disques au début des années 60, sous son propre nom, sous le nom de "Barry Lee", et en tant que membre des Atlantics, des Majestics ainsi que des Upfronts. Ensuite, Barry a travaillé pour divers labels indépendants autour de Los Angeles. Il a également été producteur et road manager pour Bob et Earl. Barry a pris un poste A & R avec Bob Keene, l'homme qui a enregistré le premier Sam Cooke. Il a été embauché pour 40 dollars par semaine pour faire A.&.R pour les autres labels de Keene, Mustang et Bronco. Barry a enregistré un disque pour Bronco intitulé "All in the Run of a Day". L'un des premiers groupes avec lesquels il travailla fut les Versatiles qui devinrent plus tard la 5ème Dimension. Barry a connu un plus grand succès en tant que personnage de l'arrière-boutique, guidant la carrière, entre autres, de Felice Taylor, enregistrant «It May Be Winter Outside», «I'm Under the Influence of Love» et «I Feel Love Coming On». et Viola Wills ('Lost Without the Love of My Guy', Top 20 R&B). En 1969, il monte Love Unlimited, un trio vocal féminin composé de Diana Taylor, Glodean James (sa future épouse) et sa sœur Linda. Il a également fondé le Love Unlimited Orchestra, un ensemble de 40 musiciens pour s'accompagner lui-même et le trio de chant, pour lequel il a dirigé, composé et arrangé. Le succès de Love Unlimited, en 1972, avec "Walkin' In The Rain With The One I Love", mettant en vedette sa voix au téléphone, a rajeuni la propre carrière de Barry. Les succès suivirent, notamment « I'm Gonna Love You Just A Little More », « Never, Never Gonna Give You Up » (tous deux en 1973), « Can't Get Enough Of Your Love, Babe » et « You're The First ». , The Last, My Everything' (tous deux de 1974) qui se sont tous révélés populaires au Royaume-Uni et aux États-Unis. Barry a eu un grand succès en 1978 avec la chanson "Just The Way You Are" de Billy Joel. Il a ensuite entrepris plusieurs enregistrements avec Glodean White avant de revenir dans le Top 20 britannique en 1987 avec "Sho' You Right". Les réalisations de Barry au sommet de sa carrière, en obtenant des disques d'or et de platine pour les ventes mondiales, sont impressionnantes. En 1990, il était l'un des chanteurs vedettes du projet "Back On The Block" de Quincy Jones , contribuant à la chanson "The Secret Garden". Lisa Stansfield a souvent exprimé son approbation du travail de Barry et en 1992, elle et lui ont ré-enregistré une version du hit de Lisa Stansfield "All Around The World". En 1999, Barry est revenu avec "Staying Power" contenant le populaire "Which Way Is Up". Il a également joué un rôle de camée dans la série télévisée Ally McBeal, où ses enregistrements ont joué un rôle central dans de nombreux scénarios de la série. Le filleul de Barry est le chanteur et compositeur Chuckii Booker. En 2002, Barry a été admis à l'hôpital et a subi une dialyse rénale à la suite d'une insuffisance rénale après avoir souffert pendant des années d'hypertension artérielle. Barry avait subi deux accidents vasculaires cérébraux, dont le dernier a eu lieu en mai 2003. Barry White, qui souffrait d'insuffisance rénale après des années d'hypertension artérielle, est décédé au Cedars-Sinai Medical Center de Los Angeles, vers 9 h 30, heure locale, le 4 juillet 2003, a déclaré son manager Ned Shankman. Il avait 58 ans. Contains samples of "Off the record interview with Barry White, 1987-04-03" by Smith, Joe (1928-) (Interviewer) and White, Barry (1944 - 2003) (Interviewee). Retrieved from Citizen DJ, Joe Smith Collection at the Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

Diana Taylor, former First Lady of New York City and Chairperson of Hot Bread Kitchen's Board, and Leslie Abbey, CEO of Hot Bread Kitchen discuss how female entrepreneurs can forge new paths and make the impossible, possible. HBK creates economic opportunity for immigrant women and women of color through food entrepreneurship programs, job skills training, and an ecosystem of support in New York City.They envision an equitable world where all people have the opportunity and support to pursue personal, professional, and economic growth. The organization's unique model helps break through barriers and moves the food industry toward greater equity and sustainability.

In Jonathas de Andrade's work (1982, Brazil), performance occupies a key role. His inquiry into the social and political realities of northeastern Brazil has underlined the power of bodies to store and transmit information through their gestures and actions. Only belatedly considered forms of knowledge, nonverbal practices have been historically important in preserving and contesting norms in the Americas. In conversation with Diana Taylor (1950, MX/US), performance scholar, Jonathas gives us an insight into his creative process, his work with different communities in Brazil and the way their embodied practices have led him to understand better and intervene his present reality. Diana Taylor is professor of Performance Studies and Spanish at New York University. She is also the founding director of the Hemispheric Institute of Performance and Politics, a leading organization in the promotion of performance research, preservation, and circulation in the Americas for the last twenty years. Concept: Valeria Posada Villada Production: Nordin Janssen Mastering & Mixing: Andersen Audio Productions

Performance scholar and Associate Professor in the Dramatic Arts department at the University of Alberta Selena Couture joins Am Johal to talk about her latest book, Against the Current and Into the Light. Selena speaks about how her book explores varying historical and contemporary performances involving Stanley Park through language, relationships to land, and the unlearning of settler knowledges. She draws from colonial and counter-colonial performances such as the 1946 Jubilee show, and the public performances of Native Brotherhood of BC in the same year. Selena also explores how her doctoral dissertation and the taking of hən̓q̓əmin̓əm̓ language classes influenced the creation of her book, and speaks about the instability of archive-based “truths,” by discussing the fabricated history of Lord Stanley's dedication of Stanley Park to “people of all colours, creeds and customs.” Selena and Am end their conversation by speaking of the absence of Indigenous women from historical archives, and the resonating performances of contemporary Indigenous women artists such as Quelemia Sparrow and Marie Clements. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/149-selena-couture.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/149-selena-couture.html Resources: — Against the Current and Into the Light: https://www.mqup.ca/against-the-current-and-into-the-light-products-9780773559219.php — UBC's First Nations and Endangered Languages Program: https://fnel.arts.ubc.ca/ — Inventing Stanley Park by Sean Kheraj: https://www.ubcpress.ca/inventing-stanley-park — The Archive and the Repertoire by Diana Taylor: https://www.dukeupress.edu/the-archive-and-the-repertoire — The Native Brotherhood of British Columbia: https://www.nativebrotherhood.ca/ — Ashes on the Water: A Podplay Video: https://vimeo.com/27876873 — The Road Forward by Marie Clements: https://www.nfb.ca/film/road_forward/ — Urban Ink: https://urbanink.ca/

Diana taylor --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

“We envision a timeless and a historical future. We bury our seen and unseen dead. We mourn all of our losses. We catalogue our human and more-than-human martyrs in the war against you, Earth.” In an intimate letter to Earth, Madre Tierra, Pachamama, Gómez-Barris mourns the colonial and capitalist-induced harms to the planet, while steeling our resolve for fierce resistance to ecocide. Rooted in the queer, decolonial, and more-than-human perspectives that animate her work, Gómez-Barris calls for earthly and embodied activist practices. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Macarena Gómez-Barris is a scholar and writer who works at the intersections of the built environment, decolonization, visual arts, memory, land, and sea restitution. She is the author of four books: Where Memory Dwells: Culture and State Violence in Chile (2009), The Extractive Zone: Social Ecologies and Decolonial Perspectives (2017), Beyond the Pink Tide: Art and Political Undercurrents in the Américas (2018), and Towards a Sociology of a Trace (2010, with Herman Gray). She is completing a new book on what she terms the colonial Anthropocene, At the Sea's Edge: Liquid Ontologies Beyond Colonial Extinction (Forthcoming, Duke University Press). She is a series editor with Diana Taylor of Dissident Acts, Duke University Press. Macarena is also the Founding Director of the Global South Center and the Chairperson of the Department of Social Science and Cultural Studies at Pratt Institute, Brooklyn. She is the recipient of a Fulbright Award, the 2020–2021 Pratt Research Award, and the 2020–2021 Graduate Distinguished Alumni Award from the University of California, Santa Cruz. Photo: Soraya Zaman

This one is a big one! A musical classic, a family favorite, a guest joins us, AND it's our first ever commentary track! 1952's Singin' in the Rain, starring Gene Kelly, Debbie Reynolds, and Donald O'Connor, is ranked at #10 and #5 on the American Film Institute's List and is a joy to watch. If you have access to the film, you can watch along with Andy & Michael Fernandez (and their sister Diana Taylor!) as they watch the movie and talk about What Makes It Great in this special full length commentary track episode! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

“We’re all treaty people. I do believe that, because all of our ancestors signed this agreement together. So it’s our responsibility, it’s not a one sided-agreement, to learn about the treaties and to be able to speak about them.”  - Falen Johnson   In this Conversatorio, we present a discussion on performance, interpretation, and making treaty from the 2014 RUTAS International Multi-Arts Festival. Originally part of a festival conference event called Restaging Treaty: Embodied Memories, Written Records, and Living Archives, the event started with a reading of a new play commission by Falen Johnson on the subject of Treaty 9, and was followed by this panel discussion.   In order of voices you will hear, the panelists are:   Sasha Kovacs - artist, performance scholar, core/founding member of Ars Mechanica, and Ph.D. candidate at University of Toronto. Reverend Grafton Anton - Wolf Clan from the Onaida of the Thames First Nation, former Elder in Residence at the University of Toronto’s First Nation House, Onaida language teacher, and retired reverend at United Church of Toronto’s Urban Native Ministry.   Falen Johnson - Mohawk and Tuscarora from Six Nations Grand River Territory, awriter, dramaturg, actor, co-host of CBC Podcasts’ The Secret Life of Canada with Leah Simone Bowen, and guest-host of CBC Radio’s UNRESERVED.  John Long - the author of Treaty No. 9: Making the Agreement to Share the Land in Far Northern Ontario in 1905, and at the time of this discussion, professor at the Schulich School of Education in North Bay. This episode is dedicated to his memory.  Murray Klippenstein - over 25 years of a broad social justice practice in the fields of Native rights, environmental law, housing and employment law, and civil rights with Klippensteins law firm. Murray has represented the Mushkegowuk First Nation in James Bay for over 15 years.   SHOW NOTES:  Diana Taylor’s work on living archive and her book The Archive and the Repertoire. Taylor founded the Hemispheric Institute at the NYU, which was a big inspiration for the the RUTAS Festival. Falen spoke with Erika Iserhoff and Rosary Spence in her process of creating her piece. Fort Albany, spoken of here as a fort and an important Hudson's Bay Company trading post in 1905. Today it is better known as Fort Albany First Nation.  John Long’s book, Treaty No. 9: Making the Agreement to Share the Land in Far Northern Ontario in 1905 The diary of treaty commissioner Daniel G. MacMartin has been an important piece of current disputes about Treaty 9   The Ring of Fire development area in the James Bay lowlands of northern Ontario.   Mushkegowuk Cree First Nation  Since 1997, the Canadian Supreme Court has allowed oral testimony to be used as evidence in court.  Further resources: Trick or Treaty? a 2014 film on Treaty 9, and a Canadian Heritage minute featuring Rosary Spence.   “Todos somos gente de tratados. Lo creo, porque todos nuestros antepasados firmaron este acuerdo juntos. Así que es nuestra responsabilidad, no es un acuerdo unilateral, aprender sobre los tratados y poder hablar sobre ellos.” - Falen Johnson   En este Conversatorio, presentamos una discusión sobre el performance, la interpretación y la elaboración de los Tratados. Esta conversación fue parte del Festival Internacional de Múltiples Disciplinas “RUTAS 2014”. Originalmente esta conversación fue parte de una conferencia dentro del festival llamada “Restaging Treaty: Embodied Memories, Written Records, and Living Archives.” Este evento comenzó con la lectura de una nueva obra comisionada escrita por Falen Johnson sobre el Tratado 9, y fue seguido por este panel de discusión.   En el orden de las voces que escuchará, los panelistas son: Sasha Kovacs-  Artista, Académica de performance, miembro principal / fundador de Ars Mechanica, y  candidato Ph.D. en la Universidad de Toronto. Reverendo Grafton Anton - Wolf Clan de Onaida of the Thames First Nation, precedente Elder residente de la Casa de la Primera Nación de la Universidad de Toronto, profesor del idioma Onaida y reverendo jubilado del Ministerio Urbano Nativo de la Iglesia “United Church” en Toronto. Falen Johnson - Mohawk y Tuscarora de Six Nations Grand River Territory, escritora, dramaturga, actor, y co conductora junto con Leah Simone Bowen de el podcast de CBC “ The Secret Life of Canada”, y conductora invitada de UNRESERVED parte de CBC Radio. John Long -autor del libro titulado: “Tratado No. 9: Haciendo el Acuerdo para compartir la tierra en el extremo norte de Ontario en 1905.”  John era profesor de la Escuela de Educación Schulich en North Bay durante el tiempo que esta discusión fue grabada. Este episodio está dedicado a su memoria. Murray Klippenstein - Tiene más de 25 años con amplia práctica de justicia social en los campos de los derechos indígenas, derecho ambiental, derecho laboral y de vivienda, y derechos civiles en la firma de abogados: Klippensteins. Murray ha representado a la Primera Nación Mushkegowuk en James Bay durante más de 15 años.   Bibliografía: El trabajo de Diana Taylor sobre el archivo vivo y su libro The Archive and the Repertoire. Taylor fundó el  “Hemispheric Institute” en NYU, que fue una gran inspiración para el Festival RUTAS. Falen habló con Erika Iserhoff y Rosary Spence durante el proceso de creación de su pieza. Fort Albany, mencionado en el audio como un fuerte e importante puesto comercial de la Compañía Hudson 's Bay Company en 1905. Hoy en día es mejor conocido como Fort Albany First Nation.  El Libro de John Long, Treaty No. 9: Making the Agreement to Share the Land in Far Northern Ontario in 1905 El diario del comisionado de tratados Daniel G. MacMartin ha sido una pieza importante para las disputas actuales sobre el Tratado 9 “The Ring of Fire development area” El área de desarrollo del Anillo de Fuego en las tierras bajas de James Bay en el norte de Ontario.  Mushkegowuk Cree First Nation  (La Primera Nación Mushkegowuk.) Desde 1997, la Corte Suprema de Canadá ha permitido que los testimonios orales se utilicen como prueba en los tribunales. Más recursos: Trick or Treaty? una película del 2014 sobre el Tratado 9, y un minuto sobre la herencia canadiense con Rosary Spence.   All Merendiando episodes are in Spanglish, English, or Spanish. New episodes of Radio Aluna Theatre are released on Wednesdays. Follow and subscribe to this podcast on iTunes, Spotify, Google Play, and wherever else you get your podcasts. Radio Aluna Teatro is produced by Aluna Theatre with support from the Toronto Arts Council, The Ontario Arts Council,  the Canada Council for the Arts, the Department of Canadian Heritage, the Metcalf Foundation and TD Bank.   Aluna Theatre is Beatriz Pizano & Trevor Schwellnus, with Sue Balint; Radio Aluna Theatre is produced by Monica Garrido and Camila Diaz-Varela. For more about Aluna Theatre, visit us at alunatheatre.ca, follow @alunatheatre on twitter or instagram, or ‘like’ us on facebook.   Todos los episodios de Merendiando son en Inglés, Español y Spanglish. Nuevos episodios de Radio Aluna Teatro cada Miércoles. Síguenos y suscríbete a este podcast en iTunes, Spotify, Google Play, y donde sea que escuches tus podcasts. Radio Aluna Teatro es una producción de Aluna Theatre con el apoyo de  Toronto Arts Council, Ontario Arts Council, Canada Council for the Arts, Department of Canadian Heritage, Metcalf Foundation y TD Bank.   Aluna Theatre es Beatriz Pizano & Trevor Schwellnus, con Sue Balint. Radio Aluna Theatre es producido por Camila Díaz-Varela y Mónica Garrido. Para más información sobre Aluna Theatre, visita nuestra página alunatheatre.ca, síguenos en twitter @alunatheatre o en instagram, o haz click en “me gusta” en facebook.

Esta semana platicamos con Diana Taylor, mejor conocida en las redes como @di.taytay sobre el proceso de emprender, enfrentar el qué dirán, vencer los miedos y resolver todo aquello que te frena a trabajar en lo que siempre has querido, además nos comparte sus consejos sobre el funcionamiento de los algoritmos y cómo volverte experto en redes aún cuando nunca lo hayas hecho antes. Esperemos lo disfruten y sobre todo que les sea de utilidad para todos aquellos que dentro de nuestra comunidad están en el camino de emprender de cero. Haznos saber qué opinas en nuestras redes sociales: Inventadas Podcast IG: https://www.instagram.com/inventadas_podcast/ Inventadas Podcast FB: https://www.facebook.com/Inventadas-Podcast-574369843259555 Karla León: https://www.instagram.com/kllslu/ Diana Vargas: https://www.instagram.com/diann_xally/

In 2017, a scientist and her team of researchers completed a major study. They found that over the past four decades, sperm levels among men in Western countries have dropped by more than 50 percent. The result sent shockwaves around the globe—but the story didn’t end there. It turns out our sexual development is changing in broader ways, for both men and women and even other species, and that the modern world is on pace to become an infertile one. How and why could this happen? What is hijacking our fertility and our health? The scientist who led that research team, Dr. Shanna Swan, joined us with her coauthor Stacey Colino in a conversation facilitated by Town Hall Senior Correspondent Steve Scher to unpack these startling discoveries. As contained in her book Count Down: How Our Modern World Is Threatening Sperm Counts, Altering Male and Female Reproductive Development, and Imperiling the Future of the Human Race, Dr. Swan and her team examined 185 studies involving close to 45,000 healthy men. She and Colino shared what they discerned about how both lifestyle and chemical exposures are affecting our fertility, sexual development, and general health as a species. With accessible explanations of the threats and repercussions, they presents an urgent wake-up call to action in protecting our future. Shanna H. Swan, PhD, is an award-winning scientist based at Mt. Sinai and one of the leading environmental and reproductive epidemiologists in the world. Dr. Swan has published more than 200 scientific papers and has been featured in extensive media coverage around the world. Her appearances include ABC News, NBC Nightly News, 60 Minutes, CBS News, PBS, BBC, and NPR, as well as in leading magazines and newspapers, including Newsweek, The Washington Post, Time, and many more. Stacey Colino is an award-winning writer specializing in health and environmental issues and a regular contributor to US News & World Report. Her work has appeared in The Washington Post Health section and in dozens of national magazines, including Newsweek, Parade, Woman’s Day, Sports Illustrated, and Good Housekeeping. She is the coauthor with David Katz of Disease-Proof: The Remarkable Truth About What Makes Us Well; Strong is the New Skinny with Jennifer Cohen; Good Food Fast! with Jason Roberts; and Taking Back the Month with Diana Taylor. Steve Scher is a podcaster, interviewer, and teacher. He worked in Seattle public radio for almost 30 years. He has taught at the University of Washington since 2009. He is Senior Correspondent for Town Hall Seattle’s In The Moment podcast. Buy the Book:  Presented by Town Hall Seattle. To become a member or make a donation click here. 

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil—the devil that dances—turns the most hideous acts into playful transgressions. Edited by Milla Cozart Riggio, Angela Marino, and Paolo Vignolo, Festive Devils of the Americas (Seagull Books, 2015) presents a transnational and performance-centered approach to this fascinating, feared, and revered character of fiestas, street festivals, and carnivals in North, Central, and South America. As produced and performed in both rural and urban communities and among neighborhood groups and councils, festive devils challenge the principles of colonialism and nation-states reliant on the straight and narrow opposition between good and evil, black and white, and us and them. Learn more about festive devils here, and in the work of Rose Cano, who is currently studying how Peruvian devils manifest in Seattle, Washington. Of notable influence on this text is Leda Martins’ concept of spiral time, which you can learn more about in Martins’ chapter, “Performances of Spiral Time,” in Performing Religion in the Americas: Media, Politics, and Devotional Practices of the Twenty-First Century (Seagull Books, 2007). Milla Cozart Riggio is James J. Goodwin Professor of English Emerita at Trinity College. Angela Marino is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California Berkeley. Paolo Vignolo is Associate Professor of History at the National University of Colombia, Bogota. Other contributors to the book Festive Devils of the Americas include Miguel Rubio Zapata and Amiel Cayo, members of El Groupo Cultural Yuyachkani; the late Thomas Abercrombie; Miguel Gandert; Monica Rojas-Stewart; Max Harris; Zeca Ligiéro; Lowell Fiet; Rawle Gibbons; Raviji (Ravindranath Maharaj); David M. Guss; Rafael Salvatore; Benito Irady; Anita Gonzalez; Enrique R. Lamadrid; and Rachel Bowditch. The Hemispheric Institute of Performance and Politics provided continual support (financial, intellectual, and personal), especially Diana Taylor, Director, and Marcial Godoy-Anativa. Silvia Rivera Cusicanqui also advised the general Festive Devils project. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil—the devil that dances—turns the most hideous acts into playful transgressions. Edited by Milla Cozart Riggio, Angela Marino, and Paolo Vignolo, Festive Devils of the Americas (Seagull Books, 2015) presents a transnational and performance-centered approach to this fascinating, feared, and revered character of fiestas, street festivals, and carnivals in North, Central, and South America. As produced and performed in both rural and urban communities and among neighborhood groups and councils, festive devils challenge the principles of colonialism and nation-states reliant on the straight and narrow opposition between good and evil, black and white, and us and them. Learn more about festive devils here, and in the work of Rose Cano, who is currently studying how Peruvian devils manifest in Seattle, Washington. Of notable influence on this text is Leda Martins’ concept of spiral time, which you can learn more about in Martins’ chapter, “Performances of Spiral Time,” in Performing Religion in the Americas: Media, Politics, and Devotional Practices of the Twenty-First Century (Seagull Books, 2007). Milla Cozart Riggio is James J. Goodwin Professor of English Emerita at Trinity College. Angela Marino is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California Berkeley. Paolo Vignolo is Associate Professor of History at the National University of Colombia, Bogota. Other contributors to the book Festive Devils of the Americas include Miguel Rubio Zapata and Amiel Cayo, members of El Groupo Cultural Yuyachkani; the late Thomas Abercrombie; Miguel Gandert; Monica Rojas-Stewart; Max Harris; Zeca Ligiéro; Lowell Fiet; Rawle Gibbons; Raviji (Ravindranath Maharaj); David M. Guss; Rafael Salvatore; Benito Irady; Anita Gonzalez; Enrique R. Lamadrid; and Rachel Bowditch. The Hemispheric Institute of Performance and Politics provided continual support (financial, intellectual, and personal), especially Diana Taylor, Director, and Marcial Godoy-Anativa. Silvia Rivera Cusicanqui also advised the general Festive Devils project. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil—the devil that dances—turns the most hideous acts into playful transgressions. Edited by Milla Cozart Riggio, Angela Marino, and Paolo Vignolo, Festive Devils of the Americas (Seagull Books, 2015) presents a transnational and performance-centered approach to this fascinating, feared, and revered character of fiestas, street festivals, and carnivals in North, Central, and South America. As produced and performed in both rural and urban communities and among neighborhood groups and councils, festive devils challenge the principles of colonialism and nation-states reliant on the straight and narrow opposition between good and evil, black and white, and us and them. Learn more about festive devils here, and in the work of Rose Cano, who is currently studying how Peruvian devils manifest in Seattle, Washington. Of notable influence on this text is Leda Martins’ concept of spiral time, which you can learn more about in Martins’ chapter, “Performances of Spiral Time,” in Performing Religion in the Americas: Media, Politics, and Devotional Practices of the Twenty-First Century (Seagull Books, 2007). Milla Cozart Riggio is James J. Goodwin Professor of English Emerita at Trinity College. Angela Marino is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California Berkeley. Paolo Vignolo is Associate Professor of History at the National University of Colombia, Bogota. Other contributors to the book Festive Devils of the Americas include Miguel Rubio Zapata and Amiel Cayo, members of El Groupo Cultural Yuyachkani; the late Thomas Abercrombie; Miguel Gandert; Monica Rojas-Stewart; Max Harris; Zeca Ligiéro; Lowell Fiet; Rawle Gibbons; Raviji (Ravindranath Maharaj); David M. Guss; Rafael Salvatore; Benito Irady; Anita Gonzalez; Enrique R. Lamadrid; and Rachel Bowditch. The Hemispheric Institute of Performance and Politics provided continual support (financial, intellectual, and personal), especially Diana Taylor, Director, and Marcial Godoy-Anativa. Silvia Rivera Cusicanqui also advised the general Festive Devils project. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil—the devil that dances—turns the most hideous acts into playful transgressions. Edited by Milla Cozart Riggio, Angela Marino, and Paolo Vignolo, Festive Devils of the Americas (Seagull Books, 2015) presents a transnational and performance-centered approach to this fascinating, feared, and revered character of fiestas, street festivals, and carnivals in North, Central, and South America. As produced and performed in both rural and urban communities and among neighborhood groups and councils, festive devils challenge the principles of colonialism and nation-states reliant on the straight and narrow opposition between good and evil, black and white, and us and them. Learn more about festive devils here, and in the work of Rose Cano, who is currently studying how Peruvian devils manifest in Seattle, Washington. Of notable influence on this text is Leda Martins’ concept of spiral time, which you can learn more about in Martins’ chapter, “Performances of Spiral Time,” in Performing Religion in the Americas: Media, Politics, and Devotional Practices of the Twenty-First Century (Seagull Books, 2007). Milla Cozart Riggio is James J. Goodwin Professor of English Emerita at Trinity College. Angela Marino is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California Berkeley. Paolo Vignolo is Associate Professor of History at the National University of Colombia, Bogota. Other contributors to the book Festive Devils of the Americas include Miguel Rubio Zapata and Amiel Cayo, members of El Groupo Cultural Yuyachkani; the late Thomas Abercrombie; Miguel Gandert; Monica Rojas-Stewart; Max Harris; Zeca Ligiéro; Lowell Fiet; Rawle Gibbons; Raviji (Ravindranath Maharaj); David M. Guss; Rafael Salvatore; Benito Irady; Anita Gonzalez; Enrique R. Lamadrid; and Rachel Bowditch. The Hemispheric Institute of Performance and Politics provided continual support (financial, intellectual, and personal), especially Diana Taylor, Director, and Marcial Godoy-Anativa. Silvia Rivera Cusicanqui also advised the general Festive Devils project. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil—the devil that dances—turns the most hideous acts into playful transgressions. Edited by Milla Cozart Riggio, Angela Marino, and Paolo Vignolo, Festive Devils of the Americas (Seagull Books, 2015) presents a transnational and performance-centered approach to this fascinating, feared, and revered character of fiestas, street festivals, and carnivals in North, Central, and South America. As produced and performed in both rural and urban communities and among neighborhood groups and councils, festive devils challenge the principles of colonialism and nation-states reliant on the straight and narrow opposition between good and evil, black and white, and us and them. Learn more about festive devils here, and in the work of Rose Cano, who is currently studying how Peruvian devils manifest in Seattle, Washington. Of notable influence on this text is Leda Martins’ concept of spiral time, which you can learn more about in Martins’ chapter, “Performances of Spiral Time,” in Performing Religion in the Americas: Media, Politics, and Devotional Practices of the Twenty-First Century (Seagull Books, 2007). Milla Cozart Riggio is James J. Goodwin Professor of English Emerita at Trinity College. Angela Marino is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California Berkeley. Paolo Vignolo is Associate Professor of History at the National University of Colombia, Bogota. Other contributors to the book Festive Devils of the Americas include Miguel Rubio Zapata and Amiel Cayo, members of El Groupo Cultural Yuyachkani; the late Thomas Abercrombie; Miguel Gandert; Monica Rojas-Stewart; Max Harris; Zeca Ligiéro; Lowell Fiet; Rawle Gibbons; Raviji (Ravindranath Maharaj); David M. Guss; Rafael Salvatore; Benito Irady; Anita Gonzalez; Enrique R. Lamadrid; and Rachel Bowditch. The Hemispheric Institute of Performance and Politics provided continual support (financial, intellectual, and personal), especially Diana Taylor, Director, and Marcial Godoy-Anativa. Silvia Rivera Cusicanqui also advised the general Festive Devils project. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil—the devil that dances—turns the most hideous acts into playful transgressions. Edited by Milla Cozart Riggio, Angela Marino, and Paolo Vignolo, Festive Devils of the Americas (Seagull Books, 2015) presents a transnational and performance-centered approach to this fascinating, feared, and revered character of fiestas, street festivals, and carnivals in North, Central, and South America. As produced and performed in both rural and urban communities and among neighborhood groups and councils, festive devils challenge the principles of colonialism and nation-states reliant on the straight and narrow opposition between good and evil, black and white, and us and them. Learn more about festive devils here, and in the work of Rose Cano, who is currently studying how Peruvian devils manifest in Seattle, Washington. Of notable influence on this text is Leda Martins’ concept of spiral time, which you can learn more about in Martins’ chapter, “Performances of Spiral Time,” in Performing Religion in the Americas: Media, Politics, and Devotional Practices of the Twenty-First Century (Seagull Books, 2007). Milla Cozart Riggio is James J. Goodwin Professor of English Emerita at Trinity College. Angela Marino is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California Berkeley. Paolo Vignolo is Associate Professor of History at the National University of Colombia, Bogota. Other contributors to the book Festive Devils of the Americas include Miguel Rubio Zapata and Amiel Cayo, members of El Groupo Cultural Yuyachkani; the late Thomas Abercrombie; Miguel Gandert; Monica Rojas-Stewart; Max Harris; Zeca Ligiéro; Lowell Fiet; Rawle Gibbons; Raviji (Ravindranath Maharaj); David M. Guss; Rafael Salvatore; Benito Irady; Anita Gonzalez; Enrique R. Lamadrid; and Rachel Bowditch. The Hemispheric Institute of Performance and Politics provided continual support (financial, intellectual, and personal), especially Diana Taylor, Director, and Marcial Godoy-Anativa. Silvia Rivera Cusicanqui also advised the general Festive Devils project. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

The devil is a defiant, nefarious figure, the emblem of evil, and harbinger of the damned. However, the festive devil—the devil that dances—turns the most hideous acts into playful transgressions. Edited by Milla Cozart Riggio, Angela Marino, and Paolo Vignolo, Festive Devils of the Americas (Seagull Books, 2015) presents a transnational and performance-centered approach to this fascinating, feared, and revered character of fiestas, street festivals, and carnivals in North, Central, and South America. As produced and performed in both rural and urban communities and among neighborhood groups and councils, festive devils challenge the principles of colonialism and nation-states reliant on the straight and narrow opposition between good and evil, black and white, and us and them. Learn more about festive devils here, and in the work of Rose Cano, who is currently studying how Peruvian devils manifest in Seattle, Washington. Of notable influence on this text is Leda Martins’ concept of spiral time, which you can learn more about in Martins’ chapter, “Performances of Spiral Time,” in Performing Religion in the Americas: Media, Politics, and Devotional Practices of the Twenty-First Century (Seagull Books, 2007). Milla Cozart Riggio is James J. Goodwin Professor of English Emerita at Trinity College. Angela Marino is Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California Berkeley. Paolo Vignolo is Associate Professor of History at the National University of Colombia, Bogota. Other contributors to the book Festive Devils of the Americas include Miguel Rubio Zapata and Amiel Cayo, members of El Groupo Cultural Yuyachkani; the late Thomas Abercrombie; Miguel Gandert; Monica Rojas-Stewart; Max Harris; Zeca Ligiéro; Lowell Fiet; Rawle Gibbons; Raviji (Ravindranath Maharaj); David M. Guss; Rafael Salvatore; Benito Irady; Anita Gonzalez; Enrique R. Lamadrid; and Rachel Bowditch. The Hemispheric Institute of Performance and Politics provided continual support (financial, intellectual, and personal), especially Diana Taylor, Director, and Marcial Godoy-Anativa. Silvia Rivera Cusicanqui also advised the general Festive Devils project. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Diana Taylor's ¡Presente! The Politics of Presence (Duke University Press, 2020) examines what it means to be presente in the context of protest, theatre, and everyday life. Taylor pays particular attention to the performativity of protest politics and the politics of performance art in the Americas, including case studies of the Zapatistas, post-dictatorship historical memory in Chile and Argentina, and the leftist pranksters The Yes Men. ¡Presente! is a wide-ranging and entertaining work of scholarship that looks at how performance and performance studies can become useful tools in the fight against neo-liberal capitalism and in the creation of new modes of living. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diana Taylor's ¡Presente! The Politics of Presence (Duke University Press, 2020) examines what it means to be presente in the context of protest, theatre, and everyday life. Taylor pays particular attention to the performativity of protest politics and the politics of performance art in the Americas, including case studies of the Zapatistas, post-dictatorship historical memory in Chile and Argentina, and the leftist pranksters The Yes Men. ¡Presente! is a wide-ranging and entertaining work of scholarship that looks at how performance and performance studies can become useful tools in the fight against neo-liberal capitalism and in the creation of new modes of living. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diana Taylor's ¡Presente! The Politics of Presence (Duke University Press, 2020) examines what it means to be presente in the context of protest, theatre, and everyday life. Taylor pays particular attention to the performativity of protest politics and the politics of performance art in the Americas, including case studies of the Zapatistas, post-dictatorship historical memory in Chile and Argentina, and the leftist pranksters The Yes Men. ¡Presente! is a wide-ranging and entertaining work of scholarship that looks at how performance and performance studies can become useful tools in the fight against neo-liberal capitalism and in the creation of new modes of living. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diana Taylor's ¡Presente! The Politics of Presence (Duke University Press, 2020) examines what it means to be presente in the context of protest, theatre, and everyday life. Taylor pays particular attention to the performativity of protest politics and the politics of performance art in the Americas, including case studies of the Zapatistas, post-dictatorship historical memory in Chile and Argentina, and the leftist pranksters The Yes Men. ¡Presente! is a wide-ranging and entertaining work of scholarship that looks at how performance and performance studies can become useful tools in the fight against neo-liberal capitalism and in the creation of new modes of living. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Hiro started as a Customer Success Manager in Japan and was the first CSO hire in their Tokyo office. He moved to the US to continue as a CSM for their biggest global clients. As a Product Marketing Manager at LinkedIn, his mission is to successfully develop and manage international market acceleration strategies, and executing targeted regional market "launches" with comprehensive integrated GTM motions. Hiro speaks with host Dwayne Samuels about his role at LinkedIn and how the PMM role overlaps with the role of a PM. Music: When You Wake Up by Diana Taylor

This week, Lingy, Stokesy and Scotty chat to Geelong Cats Vice President Diana Taylor, we review Geelong's dominant win against St Kilda and look forward to the big clash against Port Adelaide. All this plus more on this week's episode of To the Final Bell.

[REPLAY OF SmallTalk05] What's on the other side of this pandemic? Listen to "The Other Side" as Krystal talks about how to have joy in the midst of your tests and trails.  James 1:2-3. Hebrews 12:2. Music Credits: When You Wake Up by Diana Taylor

[REPLAY of SmallTalk10]: Is God obligated to provide when you are outside of His will? Listen as Krystal talks about how total obedience is the key for God's divine provision.  Genesis 22:2, 8, 13. Ephesians 3:20. Music Credit: Fire and Water by Diana Taylor.

In one of the first episodes of Willis Talks, we get straight down to the serious issues. I'm joined by Dr Diana Taylor, Managing Director of Marketing Humber, otherwise known in the Humber region as Bondholders, and my colleague from Edenic Group, Rob Lewis. Diana talks to us about 'The Waterline', a campaign set up by Marketing Humber and the University of Hull to address the urgent need for decarbonisation in the Humber region. As the highest emitters of carbon in the UK, the Humber Region is at great risk of the effects of climate change and as a low lying estuary, the area is in serious danger of major flooding if we do not tackle this challenge head-on. Based on Bill Gates' 'Five Grand Challenges' The Waterline has been set up to explore innovation, ideas and bring the region together to find solutions for decarbonisation of the area. The Waterline Summit, an exhibition and seminar event has been set up to kick off the decarbonisation journey. Diana explains how we all need to unify and come together to address an issue that affects us all and help the Humber region be the catalyst for global change, as well as leverage the commercial opportunities that can come from meeting the climate change challenge, head-on.

E quando a favela "vence"? Como a música da periferia é representada nos centros de poder político e econômico? E como os artistas ficam nessa história? Nesse episódio discutimos as relações complicadas entre colonialismo e apropriação cultural em três níveis. Primeiro, falamos sobre as representações da música da periferia brasileira nos Estados Unidos e na Europa. Depois, conversamos sobre a força hegemônica do Sudeste frente ao Norte e Nordeste do Brasil. Por fim, a gente fala sobre as hegemonias locais, na periferia do Nordeste. Putaria levada a sério no episódio mais cabeça do Embrazado até aqui. Nos lançamentos, temos o trapstar do CV, o bregafunk paraibano d'As Poderosas, Luka Bass e outras mais. LANÇAMENTOS: Meno Tody - Bailão https://www.youtube.com/watch?v=b0eADT_Lab0 As Poderosas - Ploc Ploc: https://youtu.be/NNRSnXSaZ8E VT Posturado - Já Procurei em Outros Braços: https://www.youtube.com/watch?v=mjCGiK4isnM MC Du Black - Gaiola é o Troco: https://www.youtube.com/watch?v=13hspXgLXto Luka Bass - Você Merece um @ https://www.suamusica.com.br/LukaBass/luka-bass-voce-merece-um-at-cd-promocional Leall - Cachorrada: https://www.youtube.com/watch?v=eOWcoTKu3dI Banda Garota Safada - Eu Fui Clonado: https://youtu.be/1UpAV9EKbYI Psirico - Ao Vivo no Engenho Velho de Brotas - Samba de Roda: https://www.youtube.com/watch?v=ihN55SFjk9c Banda Aroxeda: https://www.suamusica.com.br/aroxeda/aroxeda-cd-promocional-setembro-2k19 TEXTOS E SONS CITADOS: Post Azealia Banks: https://portalpopline.com.br/azealia-banks-chama-pabllo-vittar-e-artistas-brasileiros-de-copias-de-artistas-a-list/ Texto "Nacionalismo e diversidade: do Programa 'Esquenta', da Rede Globo, à cerimônia de abertura das Olimpíadas do Rio 2016" por Maria Eduarda Mota Rocha: https://periodicos.ufsc.br/index.php/politica/article/view/2175-7984.2017v16n35p159 Sobre a ideia de mimetismo colonial, ver os capítulos dois e três do livro "O Arquivo e o Repertório: Performance e Memória Cultural nas Américas", de Diana Taylor. PDF aqui: https://drive.google.com/drive/folders/1E-yqQxOx1SL7ro_5UaIzBGVjUny_qkAU "Na hora de amar" por Calcinha Preta: https://youtu.be/LZc6JxY23Ms por Gusttavo Lima: https://www.youtube.com/watch?v=Uo7U7ruedic Brasil Grime Show com Antconstantino, Fleezus e SD9: https://www.youtube.com/watch?v=JrDqV7PcelM FICHA TÉCNICA: Igor Marques e GG Albuquerque produziram, roteirizaram e apresentaram este episódio. Igor Marques editou o áudio e produziu as peças gráficas

[SmallTalk10]: Is God obligated to provide when you are outside of His will? Listen as Krystal talks about how total obedience is the key for God's divine provision.  Genesis 22:2, 8, 13. Ephesians 3:20. Music Credit: Fire and Water by Diana Taylor.

[SmallTalk06] Listen to this devotional as Krystal talks about how to prepare for every test that may come your way.  Psalm 119:9,11. Music Credit: Always Together by Diana Taylor.

[SmallTalk05]: Listen to "The Other Side" as Krystal talks about how to have joy in the midst of your tests and trails.  James 1:2-3. Hebrews 12:2. Music Credits: When You Wake Up by Diana Taylor

Skelf is a virtual project space, located at www.skelf.org.uk. This podcast accompanies the second in a quarterly series of exhibitions. 'Al Dente' launched on April 17th 2019 and was curated by John Walter and featuring the work of Anna Brass, Diana Taylor, Dominic Dispirito, Edward Kay, Jiadong (Pete) Qiang, Michal Raz and Robert Holyhead. The exhibition will be on www.skelf.org.uk until July 16th 2019, and archived on the site thereafter. The podcast was written and presented by Mark Beldan and the featured music is by Cleaners From Venus, At Home With Myself: http://freemusicarchive.org/music/Cleaners_From_Venus/Blow_Away_Your_Troubles/21_At_Home_With_Myself Music Licence: https://creativecommons.org/licenses/by-nc-nd/3.0/ Please note, this podcast contains some swearing.   If you have any questions about the podcast, you can contact us at podcast@skelf.org.uk   Further links: Skelf www.skelf.org.ukMark Beldan www.markbeldan.comJohn Walter www.johnwalter.netAnna Brass http://annabrass.com/Diana Taylor https://www.dianataylor.co.uk/Dominic Dispirito http://www.annkakultys.com/artists/dominic-dispirito/Edward Kay http://www.robtufnell.com/Artists%27%20pages/Edward%20Kay/edwardkay1.htmlJiadong (Pete) Qiang http://jiadongqiang.co.uk/Michal Raz https://www.michal-raz.com/Robert Holyhead http://www.robertholyhead.com/   Skelf is supported using public funding by the National Lottery through Arts Council England.

Sherrod and Keren are joined by musician Brocket Parsons, comedian Dez Bishop, and Diana Taylor as Brockett discusses touring with Lady Gaga, putting out his first album Brockettship and making circular keyboards, while Diana talks about being molested when she was 7. For the extended version of this weeks podcast subscribe at www.patreon.com/racewars

This week on The Earth Wants You! We are joined by the renowned Diana Taylor to discuss Activism, Protest and the growing youth movements in the US. Reverend Billy's negative mentor Billy Graham passes away, we take questions from the listeners and collectively mourn as Savitri introduces the terrifying growl of this week's extinct animal, the Amur Leopard.

This week the podcast will feature the audio from a short film telling the extraordinary tale of those people - mainly young women - who worked filling shells with mustard gas at two Avonmouth factory sites during the First World War. Many thanks to Diana Taylor for allowing us to use the audio from her short film: Gas Girls.

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511

Entrevista que sostuvimos con Diana Taylor (NYU) a propósito de la performatividad en el lenguaje. Diana Taylor es profesora de Estudios sobre performance y Español en Tisch School of the Arts at New York University. Directora fundadora del Instituto Hemisfé rico de Perfomance y Política. Su trabajo se enfoca en el estudio del teatro y performance en Latinoamérica y los Estados Unidos, la relación entre perfomance y política, el teatro feminista, los estudios hemisféricos y los estudios sobre el trauma. Es autora de los libros • The Archive and the Repertoire: Performing Cultural Memory in the Americas • Theatre of Crisis: Drama and Politics in Latin America • Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's 'Dirty War' Es coeditora de Holy Terrors: Latin American Women Perform, Defiant Acts: Four Plays by Diana Raznovich, Negotiating Performance in Latin/o America: Gender, Sexuality and Theatricality, and The Politics of Motherhood: Activists from Left to Right. o escucha la entrevista acompañada de imágenes_

Doug sits down with Diana Taylor, Managing Director of Wolfensohn & Co. and Chair of the Hudson River Park Trust. The two discuss the mission of the Trust and the progress that has been made throughout the parkland along the Hudson.