Podcasts about mca chicago

In this episode, host Josh Baer speaks with Madeleine Grynsztejn, director of the MCA Chicago. In part one of the conversation, Baer and Grynsztejn discuss the past, present, and future of the MCA, Grynsztejn's experience becoming a museum director after years as a curator, and how the MCA is pursuing its mission to be a “hyperlocal museum with global reach.” Then, tune in as Grynsztejn and Baer tackle Chicago's vibrant art scene and how the MCA integrates local culture into its programming, including through a new expansion into performance art; and, how the MCA is holding its principles firm in response to challenges facing public institutions and museums.

Live from the tailgate lounge at Chicago Architectural Biennial 6's booth at Expo Chicago, Duncan and Ryan welcome Joey Orr, the newly appointed Deputy Director and Chief Curator of the MCA Chicago. In this densely brilliant and surprisingly hilarious conversation, Orr discusses what it means to steer a contemporary art institution in an era of deep social complexity, political polarization, and shifting museum ethics. We cover everything from the social life of objects to the lore of performance documentation, and even pitch a game show based on the varied memories of Chris Burden's early MCA performance. Orr reflects on social practice, audience authorship, and why curators are public servants—not VIPs. We get deep into what it means to be a meat sack in space, how to radicalize museum engagement, and why reenactments may just be the key to future institutional magic. This is art talk that grinds, gropes, and glows in the dark. No hot dogs, just conceptual fireworks.   Joey Orr – Deputy Director and Chief Curator at MCA Chicago IG: @joeyorr13 Bio: https://joeyorr.com/about/ Chris Burden – Performance artist Wiki: Chris Burden John Cage – Composer and performance artist Wiki: John Cage Resource: John Cage Trust Dick Higgins – Intermedia artist and Fluxus co-founder Wiki: Dick Higgins Alison Knowles – Fluxus artist IG: @alisonknowlesartist Wiki: Alison Knowles Mary Jane Jacob – Curator of public art and socially engaged practice Wiki: Mary Jane Jacob Bio: SAIC Faculty Page Pablo Helguera – Artist and educator working in socially engaged art IG: @pablo_helguera Website: pablohelguera.net Book: Education for Socially Engaged Art Diana Taylor – Performance theorist; author of The Archive and the Repertoire Profile: NYU Performance Studies Book Info: Duke University Press Naomi Beckwith – Curator, formerly at MCA and Guggenheim IG: @naomibx Article: Guggenheim Chief Curator Announcement MCA Chicago (Museum of Contemporary Art) Website: mcachicago.org IG: @mcachicago School of the Art Institute of Chicago (SAIC) Website: saic.edu IG: @saic_news High Museum of Art (Atlanta) Website: high.org IG: @highmuseumofart The Louvre Website: louvre.fr IG: @museelouvre Queens Museum Website: queensmuseum.org IG: @queensmuseum Fluxus – Movement reference MoMA: Fluxus Overview - https://www.moma.org/collection/terms/fluxus#:~:text=Founded%20by%20George%20Maciunas%20and,to%20integrate%20art%20and%20life.    

En este episodio de Designaholic, Jorge Diego Etienne conversa con Ana Paula Ruiz Galindo y Mecky Reuss, fundadores del estudio Pedro y Juana, sobre su trayectoria desde los talleres de Jorge Pardo en Yucatán hasta su reciente participación en la Bienal de Venecia con el proyecto colectivo "Chinampa Veneta". A través de una charla cercana, el dúo comparte sus inicios académicos en Sci-Arc, sus aprendizajes en el cruce entre arte, arquitectura y diseño, así como su particular forma de abordar los objetos y espacios desde una perspectiva narrativa y performativa.Además, exploramos cómo su trabajo oscila entre la arquitectura efímera y los proyectos permanentes, abordando temas como la sustentabilidad, la colaboración interdisciplinaria y la relevancia de lo colectivo en contextos contemporáneos. Una conversación honesta que revela los desafíos, aprendizajes y visiones detrás de uno de los estudios más propositivos del panorama creativo latinoamericano.Escucha este episodio si estás:• Explorando cómo iniciar tu estudio creativo• Reflexionando sobre la arquitectura como práctica narrativa• Considerando proyectos colaborativos o colectivos• Buscando referentes latinoamericanos en la escena internacional• Interesado en procesos materiales híbridos: artesanía y tecnologíaPedro y Juana es un estudio creativo fundado por Ana Paula Ruiz Galindo y Mecky Reuss, arquitectos con formación en México, Europa y Estados Unidos, particularmente en la influyente escuela Sci-Arc de Los Ángeles. Con una práctica que se mueve entre el diseño, el arte y la arquitectura, han desarrollado proyectos que oscilan entre la instalación, la investigación material y la construcción. Su trabajo ha sido exhibido en museos como el MoMA PS1 y el MCA Chicago, y recientemente representaron a México en la Bienal de Arquitectura de Venecia con el proyecto colectivo "Chinampa Veneta".Puedes Seguir a Ana Paula Ruiz Galindo y Mecky Reuss en Instagram como:@pedroyjuanaShow Notes y Links relacionados a este episodioUn consejo: Nunca te dejes de cuestionar lo que estás haciendo, siempre busca, reflexiona, busca la manera de hacerlo diferente.Objeto favorito: La chinampa.Una recomendación: “Pertenecemos a Gaia” de James Lovelock (https://editorialgg.com.mx/pertenecemos-a-gaia.html) y “Calibán y la bruja” de Silvia Federici (https://www.u-topicas.com/libro/caliban-y-la-bruja_7298).•Pedro y Juana: https://www.pedroyjuana.com• Casa Reyes, experiencia con Jorge Pardo y el taller en Yucatán: https://pedroyjuana.com/proyectos/casa-reyes/• Hórama Ráma MoMA PS1: https://pedroyjuana.com/proyectos/horama-rama/• Proyecto T42: https://pedroyjuana.com/proyectos/t42/• Chinampa Veneta: https://inba.gob.mx/prensa/22050/arquitectura-regenerativa-chinampa-veneta-en-la-bienal-de-venecia• Colectivo Chinampa Veneta: Estudio Ignacio Urquiza y Ana Paula de Alba, Estudio María Marín de Buen, ILWT, Locus, Lucio Usobiaga Hegewisch & Nathalia Muguet, Pedro&JuanaAldo Urban, Ana Paula de Alba, Ana Paula Ruiz Galindo, Andrea Mejía, Diego Manzano, Emilio M. Frausto, Federico de Antuñano, Ignacio Urquiza Seoane, Isabel Brocado, Jachen Schleich, Javiera Elicer, Lucio Usobiaga Hegewisch, Lucero Chaires, María Marín de Buen, Martina Duque, Mecky Reuss, Michela Lostia di Santa Sofia, Miguel Ángel Vega Ruiz, Nathalia Muguet, Paulina García Ortíz, Rodrigo Huesca, Sana Frini, Santiago Sitten, Shantal Gabriela Haddad Gómez, Xavier Delgado González, Yavanna LatapíInstagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmx Hosted on Acast. See acast.com/privacy for more information.

Episode No. 704 features artist Wafaa Bilal. The MCA Chicago is presenting "Wafaa Bilal: Indulge Me," the first major survey of Bilal's work. Across his genres-busting career, the Iraqi-American Bilal has made performances, sculptures and related digital presentations that have interrogated the United States' relationship with and conduct within Iraq, the Middle East, and broader geopolitics. Bilal's work also investigates the notion of cultural cannibalism, the ways in which the culture of one people may be used, disassembled, and consumed by another. "Indulge Me" was curated by Bana Kattan, and is on view in Chicago through October 19. An invaluable catalogue was published by the MCA. Amazon and Bookshop offer it for $20-32. Bilal's work is in the collections of museums as unalike as the Los Angeles County Museum of Art and Mathaf: Arab Museum of Modern Art Qatar. His work has been included in exhibitions at the Sharjah Art Foundation, Sharjah UAE; the Art Gallery at NYU Abu Dhabi; and the 32015 Venice Biennale. Instagram: Wafaa Bilal, Tyler Green.

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: http://autumnjoiknight.com/ About Autumn: AUTUMN KNIGHT, is a New York based interdisciplinary artist working with performance, video, sound and text. Her work has been on view at various institutions including Human Resources Los Angeles (HRLA) Shedhalle (Zurich), The Whitney Museum of American Art, PICA (Portland Institute of Contemporary Art) The Kitchen, MCA Chicago, Museum Ostwall (Germany) BAM (Brooklyn Academy of Music), Performance Space New York, Her performance work, WALL, is the first live performance work acquired for the permanent collection of the Studio Museum in Harlem. Knight is the recipient of various awards, grants, honors and fellowships including Artadia Award, Art Matters Grant, Rema Hort Mann Grant, Anonymous Was a Woman Award, Foundation for Contemporary Arts, the Nancy B. Negley Rome Prize in Visual Art, and a Guggenheim Fellowship and most recently the Trellis Art Fund.  About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

Episode Page The latest episode of the Ecosystem Member podcast is with the amazing interdisciplinary artist and environmental activist, Jenny Kendler. Many of you listening are probably familiar with Kendler's work thanks to her most recent solo project on Governors Island being reviewed and featured on the front page of The New York Times. The exhibition included nine sculptures that used materials from the ocean itself to raise awareness about endangered marine ecosystems. In the episode we talk about the piece “Other of Pearl”, which is made up of 12 oyster half shells where the oyster shell was grown around a bio-based figures of Greek and Roman antiquities. The exhibition is a perfect example of Kendler's work, which aims decenter the human to make space for the full biodiversity of Earth. Some of the other pieces we discuss include 'Birds Watching', which inverts the gaze of birdwatching using the eyes of endangered and/or threatened birds due to climate change, and 'Music for Elephants', which uses a player piano with ivory keys playing music created from data on elephant poaching that is driven by the ivory trade. As a podcast that aims to examine the relationship humans have with nature and the more-than-human world, her work is an incredible example of how art can ask big questions about that relationship. While the conversation focuses on her artistic work - which has been shown around the world at London's Hayward Gallery, Storm King Art Center, the Smithsonian Museum of Natural History, the MCA Chicago and public locations as diverse as urban riverwalks, remote deserts and tropical forests - we also talk about her own relationship with nature and the more-than-human world. The topic being particularly relevant as she was just named an Artistic Fellow for the Center for Humans and Nature after spending 10 years as the artist-in-residence with the environmental non-profit NRDC, the Natural Resources Defense Council. She also sits on boards for 350.org and artist residency ACRE, and is a co-founder of Artists Commit, an artist-led effort to raise climate-consciousness in the art world. We talk a lot about specific pieces in this episode, so make sure to visit the podcast episode page at ecosystemmember.com/podcast, or watch the episode on Spotify or YouTube to see the work we're discussing. Thanks to Jenny for taking time to chat openly about her work and background, and thanks to you for listening. If you enjoy this episode, please make sure to subscribe on your preferred podcast platform and if you are so inclined leave us a five star review. These are signals to the platform that the podcast has value and increases its visibility to potential listeners. Links Jenny Kendler's Website Jenny Kendler's Instagram Jenny Kendler in The New York Times Thomas Nagel / What is it like to be a bat? Billion Oyster Project Dr Ayana Elizabeth Johnson's Climate Action Venn

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily chats with south asian multidisciplinary artist Suchitra Mattai.  Suchitra, born in Guyana and now based in Los Angeles, discusses her journey and the influences behind her artwork. She details her move from a background in statistics to a career in art, highlighting how her work addresses themes of memory, labor, migration, and colonization. Suchitra shares insights about her solo exhibit, 'She Walked in Reverse and Found Their Songs' at ICA San Francisco, which explores her ancestors' forced migration and personal history through installations made of used saris. The episode also includes discussion about how she combines different materials to tell stories and reconcile her multicultural experiences. Additionally, Suchitra talks about the impactful art pieces and places that inspire her creative process.About Artist Suchitra Mattai:Suchitra is a multi-disciplinary Guyanese American artist of South Asian descent. She received an MFA in painting and drawing and an MA in South Asian art from the University of Pennsylvania, Philadelphia. Recent projects include group exhibitions at the MCA Chicago, Crystal Bridges Museum of Art, the Art Gallery of Ontario, the MCA Denver, the John Michael Kohler Arts Center and the Sharjah Biennial 14 and solo exhibitions at the Boise Museum of Art , Roberts Projects, and Kavi Gupta Gallery. Upcoming projects include solo exhibitions at the ICA San Francisco (San Francisco), the Tampa Museum of Art (Tampa, FL) , the National Museum for Women in the Arts (Washington, DC) and Socrates Sculpture Park (NYC, NY). Her works are represented in collections which include Crystal Bridges Museum of Art, the Nasher Museum of Art, the Denver Art Museum, the Tampa Museum of Art, the Joselyn Museum, the Tia Collection, the Perez Collection, the Shah Garg collection, and the University of Michigan Museum of Art. Visit Suchitra's  Website:  SuchitraMattaiArt.comFollow  on Instagram:  @SuchitraMattaiStudioFor more about her exhibit, "She Walked In Reverse And Found Their Songs" at the ICA San Francisco, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Episode No. 655 of The Modern Art Notes Podcast is a holiday clips episode featuring artist Teresita Fernández. Fernández is included in "Forecast Form: Art in the Caribbean Diaspora, 1990s-today" at the Museum of Contemporary Art San Diego. It is the first major group exhibition in the United States to envision a new approach to contemporary art in the Caribbean diaspora, foregrounding forms that reveal new modes of thinking about identity and place. Over 20 artists are featured in this exhibition, many of whom live in the Caribbean or are of Caribbean heritage. "Forecast Form originated at the MCA Chicago. It was curated by Carla Acevedo-Yates, with Iris Colburn, Isabel Casso and Nolan Jimbo. This segment with Fernández was recorded in 2014 when Fernández  created a major new series of installations for MASS MoCA in North Adams, Mass. Titled “As Above So Below.” That show included three large-scale installations that are informed by Fernández's interest in landscape, art about landscape, and our perception of landscape, including Black Sun, Sfumato (Epic) and Lunar (Theatre).  In 2005 Fernández received a MacArthur Foundation “genius” fellowship. She has been the subject of solo exhibitions at MOCA North Miami, the Corcoran Gallery of Art, Artpace, the ICA Philadelphia, Castello di Rivoli outside Turin, the Modern Art Museum of Fort Worth and more.

I am so thrilled to say that my guest on the GWA Podcast is one of the most esteemed curators in the world, Naomi Beckwith. Currently the Deputy Director and Jennifer and David Stockman Chief Curator at the Solomon R. Guggenheim Museum, NY, where she plays an instrumental role in shaping the museum's vision, Beckwith's career has seen her curate some of the groundbreaking shows in recent years. At the MCA Chicago, she curated Howardena Pindell: What Remains to Be Seen – the first survey of the 20th and 21st century pioneer, as well as The Freedom Principle: Experiments in Art and Music that looked at the legacy of 1960s African American avant-garde and its impact on art and culture today. Among many others, she also staged the first ever US solo exhibition by Lynette Yiadom-Boakye at the Studio Museum in Harlem. Beckwith was part of the team that realised Grief and Grievance: Art and Mourning in America, conceived by Okwui Enwezor for the New Museum, as well as shows featuring Arthur Jafa and Laurie Simmons. She has dedicated her career to the impact of identity and multidisciplinary practices within contemporary art, and has just been granted the David Driskell Prize 2024. But the reason why we are speaking with Beckwith today is because she has just unveiled a new group exhibition at the Guggenheim – By Way of Working – that brings together artists across mediums, and generations – from Mona Hatoum, Joseph Beuys, Robert Rauschenberg, and Senga Nengudi: the artist we are very excitingly discussing today. Chicago-born Nengudi is hailed for her works across sculpture to performance, that explore the human form in all its many iterations through her early training in dance, and I can't wait to find out more. -- LINKS: Naomi's exhibition: https://www.guggenheim.org/exhibition/by-way-of-material-and-motion-in-the-guggenheim-collection https://www.guggenheim.org/about-us/staff/naomi-beckwith https://www.sengasenga.com/ https://www.artnews.com/feature/senga-nengudi-who-is-she-why-is-she-important-1234591161/ https://www.youtube.com/watch?v=DutixbTscWM https://www.moma.org/calendar/exhibitions/5078 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

This evening, 21 March '24 6 - 8pm GMT: Artist Talk - Tiona Nekkia McClodden at White Cube Bermondsey, London. Tiona will discuss the impetus of her solo exhibition ‘A MERCY | DUMMY', which spans two discrete bodies of works produced alongside each other. McClodden will explore the impulse to present two bodies of works together for the first time in her career through a choreographed sharing of her collection of archival research, music, video, and texts. Reserve a spot here. MERCY | DUMMY runs until 24 March.Tiona Nekkia McClodden (b.1981, Blytheville, Arkansas) spent her formative years throughout the American South. Trained as a filmmaker, McClodden worked largely within the punk and club scene in Atlanta before moving to Philadelphia in 2006 and expanding her practice to include painting, sculpture, photography and installation.Recent solo exhibitions include Baltimore Museum of Art, Maryland (2023); Kunsthalle Basel, Switzerland (2023); The Shed, New York (2022); 52 Walker, New York (2022); The Triple Deities, Philadelphia, Pennsylvania (2021); and Company Gallery, New York (2019). Selected group exhibitions include Solomon R. Guggenheim, New York (2023–24); El Museo del Barrio in New York (2022–23), touring to Phoenix Art Museum, Arizona (2023) and Museum of Contemporary Art, North Miami, Florida (2023–24); ICA Los Angeles, California (2022); Prospect 5, New Orleans, Louisiana (2021–22); Philadelphia Museum of Art, Pennsylvania (2021); New Museum, New York (2021); Haus der Kulturen der Welt, Berlin (2019); and the Whitney Biennial, New York (2019). Other presentations of her work have been on view at MOCA, Los Angeles, California (2017); MCA Chicago, Illinois (2017); and MoMA PS1, New York (2016). In recent years, McClodden has won prestigious grants and fellowships, including the Warhol Foundation Arts Writers Grant (2022), Princeton Arts Fellowship (2021–23); the Bucksbaum Award, Whitney Museum of American Art (2019); Guggenheim Fellowship in Fine Arts (2019); the Louis Comfort Tiffany Award (2017); and the Pew Fellowship (2016), while running Conceptual Fade, a project gallery and library she founded in 2020 that hosts micro-exhibitions and publications centred on Black art and conceptual practice.Work by McClodden is in the permanent collections of the Baltimore Museum of Art, Maryland; MoMA, New York; Philadelphia Museum of Art, Pennsylvania; and Rennie Museum, Canada.Read Shade Art Review Shade Art Review Series 10 | 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Episode No. 640 of The Modern Art Notes Podcast features artist Judy Ledgerwood and curator Lisa Volpe.  Ledgerwood is included within "50 Paintings" at the Milwaukee Art Museum. The exhibition features paintings made in the last five years by 50 artists from around the world.  It was curated by Margaret Andera and Michelle Grabner and is on view through June 23. Ledgerwood is also on view in "Disguise the Limit: John Yau's Collaborations" at the University of Kentucky Art Museum in Lexington through June 1. Ever since the 1980s, Ledgerwood's paintings have engaged transatlantic histories related to abstraction and decoration from a distinctive feminist point-of-view. Her work is in the collections such as the Metropolitan Museum of Art, New York, the Art Institute of Chicago, and the MCA Chicago.   Volpe is the curator of “Robert Frank and Todd Webb: Across America, 1955”, which opens at the Addison Gallery of American Art this weekend. It will remain on view through July 31. The exhibition presents work the famed Frank and the less-well-known Webb made as they traveled the United States on Guggenheim fellowships in 1955. The excellent exhibition catalogue was published by the MFAH in association with Yale University Press. Amazon and Bookshop offer it for $25-47. Frank and Webb images are at Episode No. 630. Instagram: Judy Ledgerwood, Lisa Volpe, Tyler Green.

Carolyn Harding with visual artist/activist Andrea Bowers and Lauren Leving, curator at Cleveland Museum of Contemporary Art, or commonly called moCa. On December 21, 2023, Andrea, you posted on Face Book, “A line from the Lake Erie bill of rights will be shining over Lake Erie on the science center across from the rock and roll hall of fame!” with photos and video clip from the installation of your work of Art, which is now hundreds of feet high installed on the Great Lakes Science Center, next to the Rock and Roll Hall of Fame in downtown, Cleveland, Ohio. Congratulations! That's a big and very public work of Art. Let's Talk about this huge Glowing Sign that says “Lake Erie has the Right to Exist, Flourish and Naturally Evolve” in Red, Green, Blue and Yellow Neon. Ohio-raised Andrea Bowers is a Los Angeles-based artist who has been recording and amplifying the work of activists present and past for more than two decades. Her multi-media practice includes drawing, video, sculpture, and installation work that foregrounds the experience of the people who dedicate their time and energy to the struggle for gender, racial, environmental, labor, and immigration justice and those who are directly affected by systemic inequality. Over time, her different bodies of work have become a document of the changing language, prerogatives, and dynamics of social justice movements. In 2021, a major mid-career survey of Bowers's work curated by Michael Darling and Connie Butler opened at the MCA Chicago and traveled to the Hammer Museum in Los Angeles in 2022. Other recent solo exhibitions include Grief and Hope, Museum Abteiberg, Mönchengladbach, Germany and Light and Gravity, Weserburg Museum für moderne Kunst, Bremen, Germany. In September 2022, Bowers opened a solo exhibition including both new and existing work at the Galleria d'Arte Moderna di Milano as part of an exhibition program organized by the Fondazione Furla. Bowers is represented by Vielmetter Los Angeles, Andrew Kreps Gallery, Kaufmann Repetto, and Jessica Silverman Gallery. Lauren Leving (she/her) is a curator and writer based in Chicago, IL and Cleveland, OH. Her work explores how creative practice can expand institutionally-rooted understandings of access. Currently, she is Curator-at-Large at the Museum of Contemporary Art (moCa) Cleveland; Associate Curator for the Orange County Museum of Art's 2024 California Biennial; and Co-Curator of Everlasting Plastics, originally presented in the U.S. Pavilion during the 2023 Venice Architecture Biennale. Since joining moCa in 2019, Leving has organized projects including the Getting to Know You residency, which supported the production of Messages to Authorities (Go Away!), a largescale textile commission by Aram Han Sifuentes and Don't mind if I do, a group exhibition stewarded by Finnegan Shannon. She holds an MA in Museum & Exhibition Studies from the University of Illinois–Chicago and a BA from Tulane University. https://www.mocacleveland.org/exhibitions/andrea-bowers-exist-fourish-evolve Celdf.org GrassRoot Ohio - Conversations with everyday people working on important issues, here in Columbus and all around Ohio. Every Friday 5:00pm, EST on 94.1FM & streaming worldwide @ WGRN.org, Sundays at 2:00pm EST on 92.7/98.3 FM and streams @ WCRSFM.org, and Sundays at 4:00pm EST, at 107.1 FM, Wheeling/Moundsville WV on WEJP-LP FM. Contact Us if you would like GrassRoot Ohio on your local LP-FM community radio station. Face Book: www.facebook.com/GrassRootOhio/ Instagram: www.instagram.com/grassroot_ohio/ All shows/podcasts archived at SoundCloud! @user-42674753 Apple Podcast: podcasts.apple.com/.../grassroot-ohio/id1522559085 YouTube: www.youtube.com/channel/UCAX2t1Z7_qae803BzDF4PtQ/ Intro and Exit music for GrassRoot Ohio is "Resilient" by Rising Appalachia: youtu.be/tx17RvPMaQ8 There's a time to listen and learn, a time to organize and strategize, And a time to Stand Up/ Fight Back!

Episode No. 619 features artists Edra Soto and José Lerma. Soto and Lerma are among the 18 artists featured in "entre horizontes: Art and Activism Between Chicago and Puerto Rico" at the Museum of Contemporary Art Chicago. The exhibition examines the artistic genealogies and social justice movements that connect Puerto Rico with Chicago, which is home to third-largest mainland population of Puerto Ricans. "entre horizontes" was curated by Carla Acevedo-Yates with Iris Colburn. It is on view through May 5, 2024.  Edra Soto's sculpture and installations prompt viewers to reconsider cross-cultural dynamics, the legacy of colonialism, and personal responsibility. Her work has been exhibited at the Whitney Museum of American Art, New York, in the 2020-21 El Museo del Barrio, New York, triennial, at the Contemporary Art Museum St. Louis, the Bemis Center for Contemporary Arts, Omaha, the Pérez Art Museum Miami, and more. In 2023 Soto was awarded a US LatinX Art Forum fellowship. Soto also is the co-director of the outdoor project space The Franklin.  Lerma is a painter whose work blends the historical, autobiographical, art historical and mythological, often through portraits that suggest (or name) specific individuals while pointing to how much of their public personae are manufactured. Simultaneously riffing on European portraiture traditions and popular representation, his work is smart, funny, and always painterly. The Kemper Museum of Art in Kansas City, the Museum of Contemporary Art Detroit and the MCA Chicago have all presented solo exhibitions of his work. 

Episode No. 616 features artist Gary Simmons and curator Sarah L. Eckhardt. The Museum of Contemporary Art Chicago is presenting "Gary Simmons: Public Enemy," a survey of Simmons' 35-year career. The exhibition reveals how Simmons has addressed race, class and US history in ways that have remained persistently au courant. It was curated by René Morales and Jadine Collingwood, with Jack Schneider. After closing on October 1, the exhibition will be on view at the Pérez Art Museum Miami from December 5 through April 24, 2024. The MCA Chicago and DelMonico Books have published an outstanding catalogue. Bookshop and Amazon offer it for $56-60. Along with Drew Thompson, Eckhardt is the co-curator of "Benjamin Wigfall & Communications Village." It's at the Virginia Museum of Fine Arts in Richmond through September 10. The exhibition is a survey of Richmond-native Wigfall's work, and a historicization of Communications Village, the interdisciplinary artist-run project that Wigfall instigated while teaching at the State University of New York, New Paltz in the early 1970s, as the instigator of what we now call social practice. The excellent catalogue was published by the VMFA, which offers it for $40. Instagram: Gary Simmons, Tyler Green.

This week I delivered a keynote and I had a question from a manager who was struggling with an employee who was disrupting the team with negativity and hate.I believe it always comes back to empathy, in this case, the manager having empathy for that employee. Whether we're talking about conversations about politics or race, or whatever, inclusion always comes back to empathy. After all, I only know my lived experience, and it's been full of privilege.My mom used to say, “You can't understand someone until you've walked a mile in their shoes” – and I think that message is still accurate.What I believe is that each of us was born a pure kind soul, and then life happened. Maybe we felt left out from our older siblings or cousins. Maybe someone at school called us a name, and that was the first time we knew we were different. Maybe there was addiction in the family. Maybe grandma was the parental figure because the actual parent was in prison due to mass incarceration. Any of the above. And worse. We're all walking around with our baggage, our Traumas big and little. It's been said that hurt people hurt people. Just trying to protect ourselves.It can be incredibly hard to be empathetic, especially if we find ourselves in fight or flight mode. That's where mindfulness comes in. Breathe, breathe, breathe. I'm working on this myself. Always a work in progress.From that empathetic space, we can become more curious about what's going on, and then lead with compassion. That's how people change behavior.Here are the good vibes I found this week:How the MCA Chicago Transformed Its Collection at Unprecedented Speed to Better Reflect Its AudienceReviving Sales at Kay and Zales: How Signet CEO Gina Drosos Pulled America's Biggest Jeweler Out of a Long SlumpVancity Employees Will Receive $10K in Mental Health Coverage Starting July 1, 2023Publicis Groupe's CEO Has Launched an Initiative to Remove the Stigma of Working with CancerL'oréal Made A Handheld, Motorized Device That Helps People With Disabilities Apply Lipstick. It's Meant To Give Users IndependenceRead the full blog here: https://www.theequalityinstitute.com/equality-insights-blog/5-things-always-empathyTo learn more about Lee Rubin, visit: https://www.leerubin.org/ Join thousands of readers by subscribing to the 5 Things newsletter. Enjoy some good vibes in DEI every Saturday morning. https://5thingsdei.com/

Ep. 135 features Suchitra Mattai (b.1973 Georgetown, Guyana) , a multi-disciplinary artist of Indo-Caribbean descent. Her work explores how collective and individual memory and the space of myth and folklore allow us to unravel and re-imagine colonial histories and narratives. Using both her own family's history and her research of colonial indentured labor during the 19th century, Mattai seeks to expand our sense of “history.” Suchitra received an MFA in painting and drawing and an MA in South Asian art from the University of Pennsylvania. Recent and upcoming projects include a commission for the Sharjah Biennial 14, solo exhibitions at the ICA San Francisco and Kavi Gupta Gallery (Chicago) and group exhibitions at the MCA Chicago, Crystal Bridges Museum, the Art Gallery of Ontario, the San Antonio Museum of Art, the Sarasota Museum of Art and the John Michael Kohler Arts Center. Her works are represented in collections which include Crystal Bridges Museum of Art, the Denver Art Museum, and the Tampa Museum of Art. Suchitra is represented by Kavi Gupta Gallery. Photo credit: Kendra Custer Maximiliano Duron, The Best Booths at Art Basel Miami Beach 2022 (Arghavan Khosravi and Suchitra Mattai at Kavi Gupta), From Dazzling Abstractions to Urgent Protest Art HTTPS://WWW.ARTNEWS.COM/LIST/ART-NEWS/MARKET/ART-BASEL-MIAMI-BEACH-2022- BEST-BOOTHS-1234648390/ Emann Odofu, Suchitra Mattai's Guyana exists in the gaps of the western archive, Document Journal, March 08, 2022, https://www.documentjournal.com/2022/03/suchitra-mattais- guyana-exists-in-the-gaps-of-the-western-archive/ Aron Mok, Suchitra Mattai Probes the Monstrous Misperceptions Around Immigrant Identity, Hyperallergic, March 8, 2022, https://hyperallergic.com/715678/suchitra-mattai-probes-the- monstrous-misperceptions-around-immigrant-identity/ Salomé Gómez-Upegui, Artsy, Suchitra Mattai's Soulful Works Convey Unspeakable Truths, February 4, 2022 https://www.artsy.net/article/artsy-editorial-suchitra-mattais- soulful-works-convey-unspeakable-truths Sammi Lee, Plinth UK, Monstering with Suchitra Mattai, January, 2, 2022 https://plinth.uk.com/blogs/in-the-studio-with/monster- suchitra-mattai-unit-london Sadaf Padder, A Tale of Two Countries: Finding Indo-Caribbean Shakti in Colorado, Hyperallergic, January 23, 2022 https://hyperallergic.com/705864/a-tale-of-two-countries-finding- indo-caribbean-shakti-in-colorado/ ArtNet News, Looking for the Next Big Thing? Here Are 6 Exciting Artists to Watch From Miami Art Week 2021, December 7, 2021 https://news.artnet.com/market/looking-for-the-next-big-thing- here-are-6-artists-to-watch-from-miami-art-week-2021-2043675 Alison S. Cohn, Harpers Bazar, Art Returns to Miami After a Two- Year Hiatus, Dec. 2, 2021 https://www.harpersbazaar.com/culture/art-books- music/a38402593/art-returns-to-miami-december-2021-january- 2022/ Salome Gomez-Upegui, Artsy , Nov. 30, 2021 https://www.artsy.net/article/artsy-editorial-10-best-booths- untitled-art-miami-beach-2021 Stewart Lee, “Touched by the Hand of Ithell-My fascination with a forgotten surrealist, The Guardian, October 11, 2021 https://www.theguardian.com/culture/2021/oct/11/touched-ithell- colquhoun-forgotten-surrealist-stewart-lee

Julie Curtiss was born in Paris, France, and lives and works in Brooklyn, NY. She holds an MFA and a BA from École Nationale Supérieure des Beaux-Arts, Paris, France. Her work is included in the permanent collections of the High Museum, Atlanta, GA; MCA Chicago, Chicago, IL; Columbus Museum of Art, Columbus, OH; Bronx Museum of Art, NY; Los Angeles County Museum of Art, CA; Walker Art Centre, Minneapolis, MN; Maki Collection, Tokyo; Centre Pompidou, Paris, France; Dallas Museum of Art, Dallas, TX; Museum of Contemporary Art San Diego, CA; and Yuz Museum Shanghai, China. Julie is represented by Anton Kern Gallery and White Cube. Julie Curtiss Waiting room, 2022 Oil and vinyl paint on canvas 60 × 48 inches (152 4 x 121.9 cm Julie Curtiss Ice cream truck, 2022 Acrylic and oil on canvas 40 × 32 inches (101.6 × 81.3 cm) Mauvais Sang, 2020, Oil, acrylic, and vinyl on canvas 30 × 25 in (76.2 × 63.5 cm)

In today's episode, I'll be talking with Nick Cave and Bob Faust, two very well-known artists, art entrepreneurs, and social innovators based in Chicago. Nick and Bob use their art and their platform to advance racial justice and as a way to create and co-create community conversations. One of their installations, Making #AMENDS: Letters to the World Toward the Eradication of Racism, was the spark for our discussion. Full Transcript HereLearn more about MAKING #AMENDS: LETTERS TO THE WORLD TOWARD THE ERADICATION OF RACISMLearn about Nick's career retrospective at the MCA Chicago. Nick Cave: Forothermore Related episodes:Design Matters with Debbie Millman, Interview with Nick Cave and Bob FaustInclusion in Art - with Suzanne ThomasBuilding Community Equity Through Art - with Monique Davis Guest Bios:Bob FaustDescribed as "part artist, part designer and part mediator,” Bob Faust is the principal and creative director for Faust, a Chicago-based art and design studio focused on cultural articulation. He is also the partner and design collaborator of artist Nick Cave, who together founded the dynamic, multi-use creative space called Facility. As an entity, it believes that art and design can create peace, build power, and change the world ... that by fostering an environment and community built from your dreams you will wake up daily within your destiny. NewCity magazine honored Faust as "Best Breakthrough Design Artist" in 2017 and followed up in 2020 naming he and partner Nick Cave "Designers of the Moment." He has also been recognized as a design leader nationally and internationally by publications and institutions such as Communication Arts, NBC5 Chicago, the Society of Typographic Arts and Under Consideration. Faust also serves on the Cultural Advisory Council for the City of Chicago, as well as Chicago Dancemakers Forum Board of Directors and the School of the Art Institute's Fashion Council.Nick CaveNick Cave (b. 1959, Fulton, MO; lives and works in Chicago, IL) is an artist, educator and foremost a messenger, working between the visual and performing arts through a wide range of mediums including sculpture, installation, video, sound and performance. Cave is well known for his Soundsuits, sculptural forms based on the scale of his body, initially created in direct response to the police beating of Rodney King in 1991. Soundsuits camouflage the body, masking and creating a second skin that conceals race, gender and class, forcing the viewer to look without judgment. They serve as a visual embodiment of social justice that represent both brutality and empowerment.Throughout his practice, Cave has created spaces of memorial through combining found historical objects with contemporary dialogues on gun violence and death, underscoring the anxiety of severe trauma brought on by catastrophic loss. The figure remains central as Cave casts his own body in bronze, an extension of the performative work so critical to his oeuvre. Cave reminds us, however, that while there may be despair, there remains space for hope and renewal. From dismembered body parts stem delicate metal flowers, affirming the potential of new growth. Cave encourages a profound and compassionate analysis of violence and its effects as the path towards an ultimate metamorphosis. While Cave's works are rooted in our current societal moment, when progress on issues of global warming, racism and gun violence (both at the hands of citizens and law enforcement) seem maddeningly stalled, he asks how we may reposition ourselves to recognize the issues, come together on a global scale, instigate change, and ultimately, heal.

On this episode, Stephen finishes discussing the Nick Cave: Forothermore exhibit at MCA Chicago, then shifts gears to discuss the reimagined Who's Hungry Magazine, his new project Images for Artisans, and more.  About Stephen: Stephen Hamilton is a food and beverage director and photographer whose work has appeared almost everywhere you see images of food—on television, in national magazines and cookbooks, on packaging, and across seven seasons of Bravo TV's Top Chef (as well as appearing as a guest judge on Top Chef Masters). Stephen built his career showcasing ingredients in all their organic, beautiful reality. His natural lighting style and tight taste appeal let food's honest, fresh allure speak for itself. Drips, pours, crumbs, bites — flaws aren't necessarily flaws. Less is more in terms of styling; more is more in terms of exploration. Stephen brings a visual feast to life by taking an integrated, sensory approach to his subjects. This holistic perspective has garnered the attention of numerous agencies, international food companies, and restaurants. His work has won numerous awards over the years, including top honors for his “food porn” series at Graphis International, with seven images featured. In recent years, Stephen has grown his photography business into a full-service production company. Stephen Hamilton combines his talents with those of an on-staff producer and editor as well as a roster of skilled photographers. Flexible, generous studio space accommodates multiple simultaneous shoots, offering clients start-to-finish capabilities from pre-production to in-house retouching. For more on Stephen, visit: Stephenhamilton.com  whoshungrymag.com  vimeo.com/stephenhamilton  and @Stephenhamiltonproductions on Facebook and IG

On this Episode, we talk with food photographer and director Stephen Hamilton about how he got into food photography, his thoughts on having a "distinct point of view" in you work, and how he became a part of the Nick Cave: Forothermore exhibit at the MCA Chicago. About Stephen: Stephen Hamilton is a food and beverage director and photographer whose work has appeared almost everywhere you see images of food—on television, in national magazines and cookbooks, on packaging, and across seven seasons of Bravo TV's Top Chef (as well as appearing as a guest judge on Top Chef Masters). Stephen built his career showcasing ingredients in all their organic, beautiful reality. His natural lighting style and tight taste appeal let food's honest, fresh allure speak for itself. Drips, pours, crumbs, bites — flaws aren't necessarily flaws. Less is more in terms of styling; more is more in terms of exploration. Stephen brings a visual feast to life by taking an integrated, sensory approach to his subjects. This holistic perspective has garnered the attention of numerous agencies, international food companies, and restaurants. His work has won numerous awards over the years, including top honors for his “food porn” series at Graphis International, with seven images featured. In recent years, Stephen has grown his photography business into a full-service production company. Stephen Hamilton combines his talents with those of an on-staff producer and editor as well as a roster of skilled photographers. Flexible, generous studio space accommodates multiple simultaneous shoots, offering clients start-to-finish capabilities from pre-production to in-house retouching. For more on Stephen, visit: Stephenhamilton.com  whoshungrymag.com  vimeo.com/stephenhamilton  and @Stephenhamiltonproductions on Facebook and IG    

Ep.115 features Beverly Semmes. She is a sculptor whose work incorporates painting, drawing, film, photography, and performance. These complementary elements adhere in surprising ways, probing the paradoxes and complexities of the female body and its representation. Current exhibitions include inclusion in a group show at Canada gallery curated by Kahlil Robert Irving titled SUMMER Nights, which opened on July 8th, 2022. Semmes recently participated in an exhibition titled Process on view at the Alexander McQueen flagship location on Old Bond Street in London. For this presentation 12 visual artists from around the world were invited to respond to the upcoming Alexander McQueen collection. In May 2022 Semmes created Pool in collaboration with Jennifer Minniti and Emily Mast at JOAN exhibition space in Los Angeles. Pool was on view through mid June 2022. Semmes' paintings and sculptures were also recently on view in Witch Hunt at the Hammer Museum in Los Angeles; a Hammer Museum billboard announcing the Witch Hunt exhibition continues to loom over the historic corner of Hollywood and Sunset Boulevards. The artist has had dozens of solo exhibitions at institutions such as MoMA PS1, ICA Philadelphia, Sculpture Center, the MCA Chicago, the Wexner Center for the Arts, Artist's Space, the Fabric Workshop and Museum, the Irish Museum of Modern Art, the Frances Tang Teaching Museum and Art Gallery at Skidmore College, and the Hirshhorn Museum and Sculpture Garden. A solo exhibition of paintings titled Pot Peek was on view at Susan Inglett Gallery in New York through mid March 2022. Semmes received her M.F.A. in Sculpture from the Yale School of Art (1987). She also studied at the New York Studio School, the Boston Museum School, and at the Skowhegan School of Painting and Sculpture where she now serves on the Governors Board. Semmes is represented by Susan Inglett Gallery in New York and Shoshana Wayne Gallery in Los Angeles. She was born in Washington, D.C. Photo Credit: Ross Collab Artist Beverly Semmes (beverlysemmesstudio.com) Brooklyn Rail Beverly Semmes: POT PEEK – The Brooklyn Rail Alexander McQueen https://www.alexandermcqueen.com/en-us/beverly-semmes Youtube https://www.youtube.com/watch?v=YfUcQHRCsZY&ab_channel=Rain https://www.youtube.com/watch?v=wkbnuQfp2Cc&ab_channel=AlexanderMcQueen The Guardian https://www.theguardian.com/fashion/gallery/2022/jun/09/process-alexander-mcqueen-fashion-and-the-art-it-inspired-in-pictures Joan Los Angeles https://joanlosangeles.org/carwash-collective-and-emily-mast-pool/ Susan Inglett Gallery https://www.inglettgallery.com/artists/190-beverly-semmes/overview/ Hammer Museum https://hammer.ucla.edu/exhibitions/2021/witch-hunt Wikipedia Beverly Semmes - Wikipedia Artnet Beverly Semmes | Artnet

Episode No. 554 features artists Andrea Bowers and Suzanne Lacy.  The Hammer Museum, Los Angeles is presenting a retrospective of Bowers' work. The exhibition reveals how Bowers has combined her artistic practice with activism. Both focus on structural inequities, elevating and celebrating the work of activists trying to create a more just nation and world, and tying present day struggles to historical movements such as the global labor movement. The show features about 60 works reflecting Bowers's use of many media, including drawing, installation, video and sculpture. "Andrea Bowers" was curated by Connie Butler and Michael Darling. After debuting at the MCA Chicago, it's on view at the Hammer through September 4. The excellent exhibition catalogue was published by DelMonico Books in association with the two museums. Indiebound and Amazon offer it for $40-60.  On the second segment, our 2019 conversation with Bowers' sometime-collaborator, Suzanne Lacy. The program was recorded when the San Francisco Museum of Modern Art and the Yerba Buena Center for the Arts jointly presented the retrospective “Suzanne Lacy: We are Here.” The exhibition explores Lacy's roots in early conceptualism and her emergence as a pioneer of what has become known as social practice, the use of community organizing and media-focused strategies to prompt events and discussions. The exhibitions are on view in San Francisco through August 4. Suzanne Lacy is best known for her ambitious Three Weeks in May (1977), a project that exposed the extent of reported rapes in Los Angeles. It was the first of Lacy's large-scale works that addressed violence against women and that revealed Lacy's strategies for melding art and organizing practices. Links and images to artworks Lacy discusses are at Episode No. 393.

Episode No. 547 features artists Leslie Hewitt and Cornell Watson. Hewitt is included in "A Movement in Every Direction: Legacies of the Great Migration" at the Mississippi Museum of Art in Jackson. The exhibition, which was curated by Ryan N. Dennis and Jessica Bell Brown, features newly commissioned work from 12 Black artists that addresses the Great Migration. The Great Migration was the movement of more than six million Black Americans from the South to cities across the United States. The exhibition is in Jackson through September 11, when it will travel to Baltimore. Hewitt's photography and sculpture revisit art historical forms such as the still-life and minimalist sculpture through the lens of personal history, biography and America's past. The Minneapolis Institute of Art, the MCA Chicago, the Contemporary Art Museum St. Louis, the Des Moines Art Center and the Menil Collection are among the institutions that have presented solo or two-person exhibitions of her work. Cornell Watson's work is included in “Reckoning and Resilience: North Carolina Art Now” at the Nasher Museum of Art at Duke University. The exhibition features over 100 works by 30 artists working across North Carolina. It features work from Watson's "Behind the Mask" series, a visual consideration of Black life in present-day America. Instagram: Leslie Hewitt, Cornell Watson, Tyler Green.

Episode No. 545 is a holiday weekend clips episode featuring artist Charles Ray. The Metropolitan Museum of Art in New York is showing "Charles Ray: Figure Ground" through June 5. The exhibition surveys Ray's career beginning with photographs from the early 1970s and continuing through the sculptures he's made over the last several decades. The exhibition was organized by Kelly Baum and Brinda Kumar. Ray came on the program in 2014 when he showed two new works at Matthew Marks Gallery in Los Angeles: Baled Truck, a sculpture of a truck that's been crushed into a rectangular block junkyard-style, and Mime, a sculpture of a reclining male figure on a cot. In 1998, the Museum of Contemporary Art, Los Angeles presented a Paul Schimmel-curated retrospective of Ray's work that traveled to the Whitney Museum of American Art and the MCA Chicago. In 2014 the Kunstmuseum Basel presented an exhibition of 15 Ray sculptures made since 1997. An expanded version of that show will opened at the Art Institute of Chicago in 2015. Images are available here.

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Grad Lab are interviewed after leading a workshop with the students. Grad Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. Tei is interviewed by Marisa Conroy (SLC23) and Kenneth Keng (SLC23). Tei Blow is a performer, educator, and media designer based in New York. Blow's work incorporates photography, video, and sound culled from found materials and mass media. He has performed and designed for The Laboratory of Dmitry Krymov, Mikhail Baryshnikov, Jodi Melnick, Ann Liv Young, Big Dance Theater, and David Neumann/Advanced Beginner Group. He also performs as Frustrator on Enemies List Recordings. Blow's work has been featured at Hartford Stage, Dance Theater Workshop, PS122/PSNY, Lincoln Center Festival, The Kitchen, BAM, The Public Theater, The Broad Stage, MCA Chicago, MFA Boston, Kate Werble Gallery, Baryshnikov Arts Center, The Wadsworth Atheneum, and at theaters around the world. He is the recipient of a 2015 New York Dance and Performance “Bessie” Award for Outstanding Sound Design for David Neumann/Advanced Beginner Group's I Understand Everything Better. Blow is one half of Royal Osiris Karaoke Ensemble, whose ongoing multipart series The Art of Luv is a recipient of the Creative Capital and Franklin Furnace Awards. Photo: Maria Baranova

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Grad Lab are interviewed after leading a workshop with the students. Grad Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. Miguel was interviewed by Andrew Del Vecchio (SLC22) and Jillian Jetton (SLC23). Miguel Gutierrez is a choreographer, composer, performer, singer, writer, educator and arts advocate who has lived in New York for over twenty years. He is fascinated by the time-based nature of performance and how it creates an ideal frame for phenomenological questions around presence and meaning-making. His work proposes an immersive state, for performer and audience alike, where attention itself becomes an elastic material. He believes in an approach to art making that is fierce, fragile, empathetic, political, and irreverent. In recent years he has been occupied with thinking about how he negotiates his queer Latinx identity within the traditions of the white avant-garde. This led to This Bridge Called My Ass, a piece that bends tropes of Latinidad to identify new relationships to content and form. The piece premiered in 2019 at The Chocolate Factory as part of American Realness Festival and tours throughout 2019 and 2020 to a host of venues. He has been presented in more than 60 cities around the world, in venues such as at Centre National de Danse, Centre Pompidou, Festival Universitario, ImPulsTanz, Fringe Arts, Walker Art Center, TBA/PICA, MCA Chicago, Live Arts Bard, American Realness, and the 2014 Whitney Biennial. He has received support from Creative Capital, MAP, National Dance Project, National Performance Network, and Jerome Foundation. He has received fellowships from New York Foundation for the Arts, the Tides Foundation, Guggenheim Foundation, United States Artists, an award from Foundation for Contemporary Art, a 2016 Franky Award from Prelude Festival and four Bessies. He is a 2016 Doris Duke Artist. Other recent work includes Cela nous concerne tous (This concerns all of us), a commission for Ballet de Lorraine inspired by the May '68 French protests. With Ishmael Houston-Jones he co-directed Variations on Themes from Lost and Found: Scenes from a Life and other works by John Bernd, which received a 2017 Bessie for Outstanding Revival. He has been an artist in residence at MANCC, LMCC, Centre Choréographique National de Montpellier, Centre National du Danse Pantin, Baryshnikov Art Center, and Gibney. He has created music for several of his works, for Antonio Ramos' work, and with Colin Self for Jen Rosenblit and Simone Aughterlony. He performs with Nick Hallett as Nudity in Dance. He also currently performs a music project called SADONNA: sad versions of upbeat Madonna songs. His book WHEN YOU RISE UP is available from 53rd State Press. His essays have been published in A Life in Dance (ed. Rebecca Stenn and Fran Kirmser), In Terms of Performance: A Keywords Anthology (ed. Shannon Jackson and Paula Marincola) and his essay “Does Abstraction Belong To White People” is one of the most viewed essays on BOMB's website. https://www.miguelgutierrez.org/ photo by Marley Trigg Stewart

Eric Fleischauer is a Chicago-based artist whose projects engage the histories of media culture to examine technology's nuanced influences and forgotten genealogies.  Working across various mediums, fleischauer utilizes conceptually-driven production strategies to make work that can be read as an aestheticized form of media theory and criticism. His work has been exhibited at the MCA Chicago, Interstate Projects (NYC), Corcoran Gallery of Art, the Kunstmuseum Bonn, and discussed in Artforum, The Washington Post, Afterimage Journal, and rhizome.org. Currently he is an Associate Professor, Adjunct at the School of the Art Institute of Chicago.   Universal Paramount, 2010, digital image, dimensions variable homeland security, 2020, staples on paper, xerox print, 11" x 14" twohundredfiftysixcolors (preface) 2013 from eric fleischauer on Vimeo.  

On episode 7, we have a lengthy chat about all the hype surrounding Kanye West's latest album & listening event... and who will ultimately have the better album between Ye, Drake, and Kendrick Lamar. We also chat with Pursuit Of Dopeness' own Jack Dombro about his experience covering the 2021 Summer Smash and which artists left a lasting impression on him.The latest "4-for-4 segment" includes songs by  Phoebe Bridgers, Parquet Courts, Homeshake, and Disclosure.The "Dopeness Everywhere" segment highlights events like the MCA Chicago exhibit of 60 years Chicago comics, 'The Art of Banksy,' and a SLAPS! sticker exhibition show featuring artwork from our own Debbie (@beetlebob)Make sure to Like the YCT Playlist on Spotify to subscribe. Listen to all of the music discussed on the latest episode of the show here: https://spoti.fi/3rTsZ9TYou can also listen to the YCT Playlist on Apple Music: https://apple.co/39CwlaCPresented by Pursuit Of Dopeness

Miguel Gutierrez lives in Brooklyn, NY. He creates dance based performances, music and poetry. His work has been presented at Centre National de Danse/Pantin, Centre Pompidou, Kampnagel, ImPulsTanz, Philly Live Arts, Walker Art Center, TBA/PICA, MCA Chicago, ICA Boston, New York Live Arts, Live Arts Bard, AMERICAN REALNESS, the 2014 Whitney Biennial and many other festivals and venues. He has received support from Creative Capital, MAP, National Dance Project, Jerome Foundation, New York Foundation for the Arts and the Tides Foundation. He is a 2010 Guggenheim Fellow, United States Artist Fellow, and award recipient from Foundation for Contemporary Art. He is a 2016 Doris Duke Artist. He has received four New York Dance and Performance Bessie Awards. His recent work includes a commission for Ballet de Lorraine in Nancy, France, called Cela nous concerne tous (This concerns all of us), which was inspired by the events of May 1968 in France. He has created music for several of his works, for choreographer Antonio Ramos, and in collaboration with Colin Self for Jen Rosenblit and Simone Aughterlony's Everything Fits In The Room. He has performed as a singer with Anohni, Justin Vivian Bond, Vincent Segal, and Holcombe Waller, has a music duo with Nick Hallett called Nudity in Dance, and he recently launched a project called SADONNA, sad versions of Madonna songs. He invented DEEP AEROBICS and he is a Feldenkrais Method® practitioner. He is the program director for LANDING, a new educational initiative at Gibney Dance Center. His book WHEN YOU RISE UP is available from 53rd State Press. www.miguelgutierrez.org Ishmael Houston-Jones' improvised dance and text work has been performed world-wide. Drawn to collaboration as a way to move beyond boundaries and the known, Houston-Jones celebrates the political aspect of cooperation. Houston-Jones curated Platform 2012: Parallels at Danspace Project, an 8-week series of events that interrogated the intersection of dance makers from the African Diaspora with the aesthetics of Post-modern choreography. In 2016 he co-curated, with Will Rawls, Platform 2016: Lost and Found – Dance, New York, HIV/AIDS, Then and Now that queried the effects that the loss of a generation of artists to AIDS has had on current dance creation. As an author Ishmael Houston-Jones' writing has been anthologized in several books, recently in Saturation – Race, Art and the Circulation of Value, (2020) and Writers Who Love Too Much – New Narrative 1977 – 1997, (2017). Houston-Jones' first book FAT and Other Stories was published in 2018 The recipient of four New York Dance and Performance “Bessie” Awards, Houston-Jones' work has received support from: The Robert Rauschenberg Foundation, 2018; The Herb Alpert Awards in the Arts, 2016; The Doris Duke Charitable Trust, 2015; and The Foundation for Contemporary Arts, 2013. Ishmael Houston-Jones is an adjunct professor at New York University's Tisch School of the Arts' Experimental Theater Wing and a master lecturer at The University of the Arts (Philadelphia) School of Dance. www.batesdancefestival.org

Faheem Majeed is an artist, educator, curator, and community facilitator. He blends his unique experience as an artist, non-profit administrator, and curator to create works that focus on institutional critique and exhibitions that leverage collaboration to engage his immediate, and the broader community, in meaningful dialogue. Majeed received his BFA from Howard University and his MFA from the University of Illinois at Chicago (UIC). From 2005-2011 Majeed served as executive director and curator for the South Side Community Art Center and is currently Co-Director and Founder of the Floating Museum. Majeed is a recipient of The Field and MacArthur Foundation's Leaders for a New Chicago Award (2020), the Joyce Foundation Award (2020), the Joan Mitchell Painters and Sculptors Grant (2015), and the Harpo Foundation Awardee (2016). Majeed's solo exhibitions include MCA Chicago, SMFA at Tufts, and the Hyde Park Art Center. Follow Faheem on Instagram at @faheemmajeedstudio See more of Faheem's work online at https://www.faheemmajeed.com ====== 12 Million Podcast is a weekly conversation for the culture that was inspired by the Richard Wright book "12 Million Black Voices" 12 Million is a place for an intelligent and thoughtful conversation with BIPOC entrepreneurs, leaders, influencers, artists, and creators. Follow us on Instagram ⁠⁠⁠@12millionshow⁠⁠

This episode we are thrilled to be joined by an amazing gallerist - and friend - Jessica Silverman. Jessica founded her namesake gallery in 2008 in San Francisco’s Tenderloin district; after completing a Bachelor of Fine Arts in Studio Art at Otis College in Los Angeles and a Master of Arts in Curatorial Practice at the California College of the Arts in San Francisco. Since then, the gallery has moved to a newly renovated space in the city’s Chinatown neighborhood, with an impressive roster of artists such as: Judy Chicago, Hugh Scott-Douglas, Isaac Julien, Andrea Bowers, and (one of our personal favorites) Hayal Pozanti - just to name a few. Renowned for punching above its weight, the gallery has an international reputation for curating compelling exhibitions and building artists’ careers. Works by the gallery’s artists have been acquired by leading museums all over the world including: Tate (London), Centre Pompidou (Paris), MoMA (New York), MCA Chicago, and Los Angeles County Museum of Art - among many others. Visit the gallery's website here. Some artists discussed in this episode: Yoko Ono Ay-O Soo Kim Woody De Othello Dashiell (Dash) Manley Isaac Julien Judy Chicago Andrea Bowers Clare Rojas Catherine Wagner Sadie Barnette La Monte Young Robert Smithson Rose B. Simpson Howardena Pindell Joan Jonas Jackson Pollock Clyfford Still Barnett Newman For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.

In episode 54 of The Great Women Artists Podcast, Katy Hessel interviews the LEGENDARY artist Howardena Pindell !!!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] Working across a variety of mediums, from painting to film, and who has employed a range of unconventional materials, such as glitter to talcum powder; since the late 1960s, Howardena Pindell has examined a wide range of subject matter, from the personal, historical, political and social for her highly important and activistic like work that deals with racism, feminism, violence and exploitation. Born in 1943 in Philadelphia, Pindell first studied painting at Boston University and later Yale University, and upon graduating, accepted a job in the Department of Prints and Illustrated Books at the Museum of Modern Art, where she remained for 12 years, from 1967 to 1979. A co-founder of the pioneering feminist A.I.R Gallery, Pindell is also a professor at the State University of New York, Stony Brook, where she has been since 1979.  Renowned early works include her mesmeric and labour intensive, pointillist paintings of the 1970s, created by spraying paint through a template, and Free, White and 21, a video made in 1980 in which the artist plays herself and, wearing a mask, a white woman, whose conversation relays Pindell’s own experiences of racism, which was first shown at artist Ana Mendieta’s curated exhibition at AIR in 1980.  Currently the subject of a major exhibition right now at New York’s The Shed, a show examining the violent, historical trauma of racism in America and the therapeutic power of artistic creation, other recent museum solo exhibitions have included at the MCA Chicago, Rose Museum, Virginia Museum of Fine Arts, as well as an upcoming exhibition at Kettle’s Yard in Cambridge.  Pindell has also featured in recent landmark group exhibitions such as the touring Soul of a Nation: Art in the age of Black Power, We Wanted a Revolution: Black Radical Women, 1965–1985 at the Brooklyn Museum, and WACK! Art and the Feminist Revolution, at LACMA. Among many many others.  Addressing important subjects that continue to educate people around the world, when asked about her viewers Howardena recently said in an interview, “I want them to look at the hidden history instead of the history we were taught”. And that is why we are so lucky to have her work out on the world stage, and I couldn't be more delighted to be speaking with her today. ENJOY!!! FURTHER LINKS! https://www.howardenapindell.org/https://theshed.org/program/143-howardena-pindell-rope-fire-water https://mcachicago.org/Exhibitions/2018/Howardena-Pindell https://www.garthgreenan.com/artists/howardena-pindell https://www.victoria-miro.com/artists/216-howardena-pindell/ Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Laura Hendry  Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Conversation with Adero Knott, an emerging curator, inventor, and Founder of AK Prosthetics, an AdaptiveTech startup that makes customized prosthetics and adaptive wear accessible and inclusive. Her first foray into curating was with the show "Disability and Perspective", one of four exhibitions from the Commons Artist Project by Norman Teague and Fo Wilson, which debuted at MCA Chicago, about making art and life more accessible, how we might expand sensory experiences at museums and art galleries, being a dark-skinned, Black woman in the tech world, how to invest in her accessible prosthetics app, and her highly varied experiences with racism around the world.

This week, I talk to Hyperallergic news editor Jasmine Weber, and reporters Hakim Bishara and Valentina di Liscia, to discuss some of the major stories they’ve been reporting on. Art’s role in upholding the status quo has been long diminished, but we’ve seen major developments to challenge this, including the removal of Confederate statues across the United States; the toppling of a Columbus statue in Minneapolis by members of the American Indian Movement; the decision by MCA Chicago to halt its contract with local police; celebrities advocating for justice for Breonna Taylor; and the vow by former Whitney Museum Vice Chair Warren Kanders to sell Safariland divisions that manufactures tear gas.We also discuss our editorial decision to blur the faces of protesters, as well as two important essays we published on the origins of the word “loot” and the meaning of journalistic “objectivity.”I also speak to scholar and photographer Artyom Tonoyan about what he saw during the May 29th protests in Minneapolis.Hyperallergic continues to be on top of the biggest stories in the art community during the pandemic. Subscribe to our daily newsletter to stay up to date.Subscribe to Hyperallergic’s Podcast on iTunes, and anywhere else you listen to podcasts.

"The Questioning Leader".   Madeleine has been the Director of The MCA Chicago for 12 years. She thinks about art and its role in society four-dimensionally. She thinks about museums the same way. In the last two weeks, some of our conversation will feel like it is from another era. Because it is. But regardless of how much we flatten the curve or don’t, a new society will form out of the one we are leaving behind.  It is the way of human beings to evolve and adapt. And art and museums will be both a provocation for and a reflection of the decisions we make. Every decision has consequences. It’s important to worry about the intended ones. But the unintended ones matter just as much.  And sometimes more.

Cauleen Smith is an interdisciplinary artist born in Riverside, California in 1967 and grew up in Sacramento. She earned a BA in Creative Arts from San Francisco Sate University and an MFA from the University of California, Los Angeles School of Theater Film and Television. Her work reflects upon the everyday possibilities of the imagination. Operating in multiple materials and arenas, Cauleen roots her work firmly within the discourse of mid-twentieth-century experimental film. Drawing from structuralism, third world cinema, and science fiction, she makes things that deploy the tactics of these disciplines while offering a phenomenological experience for spectators and participants. Her films, objects, and installations have been featured in exhibitions at the Studio Museum of Harlem, Houston Contemporary Art Museum; Yerba Buena Center for Art, the New Museum, New York, D21 Leipzig and Decad, Berlin. She has had solo shows for her films and installations at The Kitchen, MCA Chicago, Threewalls, Chicago and at the Whitney Museum. She shows her drawings and 2D work with Corbett vs. Dempsey.  Smith is the recipient of several grants and awards including the Rockefeller Media Arts Award, Creative Capital Film /Video, Chicago 3Arts Grant, and the Foundation for Contemporary Arts, Chicago Expo Artadia Award, and Rauschenberg Residency. Cauleen currently teaches at Cal Arts.  Her current solo show atthe Whitney Museum called Mutualities, the artist’s first solo show in New York, presents two of Smith’s films, Sojourner and Pilgrim—each in a newly created installation environment—along with a new group of drawings collectively titled Firespitters. S&V is sponsored by USA-primed Fredrix Canvas.  Supporting artist for 150 years.  Primed in Atlanta, Georgia. with the widest variety of primed and unprimed cottons and linens on the market. You can find Fredrix in your local art store or at fredrixprintcanvas.com, Golden Paints and the New York Studio School.

Choreographer Miguel Gutierrez talks about the beauty of confident mistakes and what you can learn about people by how they handle fruit. ABOUT THE GUEST: Miguel Gutierrez is a choreographer, composer, performer, singer, writer, educator and advocate who has lived in New York for over twenty years. He has been presented in more than 60 cities around the world, in venues such as at Centre Pompidou, Festival Universitario, ImPulsTanz, Walker Art Center, MCA Chicago, and the 2014 Whitney Biennial. He is a Guggenheim and has received four Bessies. More information at miguelgutierrez.org. ABOUT THE HOST: Neil Goldberg is an artist in NYC who makes work that The New York Times has described as “tender, moving and sad but also deeply funny.” His work is in the permanent collection of MoMA and other museums, he’s a Guggenheim Fellow, and teaches at the Yale School of Art. More information at neilgoldberg.com. ABOUT THE TITLE: SHE'S A TALKER was the name of Neil’s first video project. “One night in the early 90s I was combing my roommate’s cat and found myself saying the words ‘She’s a talker.’ I wondered how many other other gay men in NYC might be doing the exact same thing at that very moment. With that, I set out on a project in which I videotaped over 80 gay men in their living room all over NYC, combing their cats and saying ‘She’s a talker.’” A similar spirit of NYC-centric curiosity and absurdity animates the podcast. CREDITS: This series is made possible with generous support from Stillpoint Fund. Producer: Devon Guinn Creative Consultants: Stella Binion, Aaron Dalton, Molly Donahue Assistant Producers: Itai Almor, Charlie Theobald Editor: Andrew Litton Visuals and Sounds: Joshua Graver Theme Song: Jeff Hiller Media: Justine Lee with help from Angela Liao and Alex Qiao

Today’s episode features a fascinating interview with Connie Yowell and Paul LeBlanc.   In the most interesting deal of 2018, Southern New Hampshire University (SNHU), the leading online university, and LRNG, the leading out-of-school learning platform, merged. Connie Yowell, CEO of LRNG and EVP of SNHU, saw the merger as an opportunity to establish meaningful pathways to the middle class for youth that needs them most. And as the SNHU President, Paul LeBlanc saw LRNG as an opportunity to extend access to underserved youth in new ways.   Since the merger 10 months ago, SNHU and LRNG have launched pilot programs in Chicago and Bermingham and they’ve mapped over 30 LRNG badges that count for SNHU credit. SNHU is also actively serving refugees in five countries. And recently, Paul and Connie have returned from a trip to Africa to review programs and consider additional service opportunities.   Listen in as Tom talks to Connie and Paul about how they came into their leadership roles, how and why the merger happened, and where they’ll go from here!   Key Takeaways: [:15] About today’s episode! [1:34] Tom welcomes Connie Yowell and Paul LeBlanc to the podcast! [1:42] Connie speaks about how she originally became interested in the public policy of youth development. [2:43] What gave Connie hope that philanthropy was a path to better policy and better systems for youth development? [3:28] Paul speaks about his past formal education. [5:24] Early on in his career, how did Paul get from his graduate studies to leading a liberal arts school? [8:07] Paul speaks about when he took over SNHU in 2003 and their growing online presence. [9:17] Did Paul have a sense 16 years ago that SNHU could be a real innovator and leader in the online space? [11:10] Connie speaks about some of her early insights into digital credentials and out-of-school learning experiences. [14:28] Connie explains how and why LRNG came to be. [16:12] When did Paul start to get the sense that some learning could be organized differently than traditional courses and that we could begin to use badges and micro-credentials for shorter bursts of learning? [19:43] Connie and Paul speak about the merging of their two organizations (SNHU and LRNG) 6 months ago, and how they’ve figured out how they fit together organizationally and conceptually. [22:38] How does LRNG fit in with SNHU? What does the roadmap look like for rolling out new badges for SNHU? [23:38] Connie gives some examples of what these badges look like and what kinds of experiences make them up. [24:50] Paul speaks about the benefits of badges and the implementing of badges at SNHU. [29:06] Connie speaks about how they’re trying to support the work of the Museum of Contemporary Art’s Youth Design Workshops. [32:32] Peter explains how SNHU is serving refugees and speaks about their global education initiative. [37:03] What did Connie learn during her experience traveling to Africa with the team? [39:07] Peter gives his closing thoughts on what the merging of SNHU and LRNG will be like several years in the future. [41:09] Tom thanks Peter and Connie for joining him this podcast!   Mentioned in This Episode: Connie Yowell (LinkedIn) Paul LeBlanc (LinkedIn) LRNG Southern New Hampshire University (SNHU) SNHU + LRNG One Summer Chicago Youth Design Workshops by MCA Chicago   To Learn More About Southern New Hampshire, Listen to: Podcast 122 that was recorded back in 2017, when Tom first talked to Paul LeBlanc!   Get Involved: Check out the blog at GettingSmart.com. Find the Getting Smart Podcast on iTunes, leave a review and subscribe.   Is There Somebody You’ve Been Wanting to Learn From or a Topic You’d Like Covered? To get in contact: Email Editor@GettingSmart.com and include ‘Podcast’ in the subject line. The Getting Smart team will be sure to add them to their list!

From the confines of Dallas' Top Sneaker shop: Nollege, comes the new series "KICKIN' NOLLEGE" where the Nollege team along with James and Lao will be discussing all things street culture, all things sneakers, all things fashion, all things vintage, the latest drops and the current state of the sneaker game every week. On this Episode of Kickin' Nollege we talk about this week at the shop, Drake 4's, Black Yeezy V2's, Sacai Nike. Tyga Album Legendary & Future Save Me & Gnar new single Death Note. Supreme slippers & drum set & Virgil Louis Vuitton installation at MCA Chicago.

This podcast is protected. Only confirmed followers have access to this episode of Good Point. Jeremy’s MCA Chicago show https://mcachicago.org/Exhibitions/2018/I-Was-Raised-On-The-Internet Cambridge Analytica, the story so far https://www.theguardian.com/news/2018/mar/26/the-cambridge-analytica-files-the-story-so-far Judge’s predict recidivism https://www.propublica.org/article/machine-bias-risk-assessments-in-criminal-sentencing Zuckerberg on CNN http://money.cnn.com/video/technology/2018/03/22/zuckerberg-cambridge-analytica-breach-of-trust.cnnmoney/index.html #Deletefacebook https://twitter.com/hashtag/deletefacebook?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Ehashtag Tom from MySpace https://www.instagram.com/myspacetom/?hl=en Front Porch Forum https://frontporchforum.com/ Telegram https://telegram.org/ Whatsapp https://www.whatsapp.com/ Ello https://ello.co/ Ad blocker usage up 30% http://www.businessinsider.com/pagefair-2017-ad-blocking-report-2017-1 GDPR compliance https://www.eugdpr.org/ PCI compliance https://www.pcisecuritystandards.org/ Amalia Ulman https://www.elle.com/culture/art-design/a38857/amalia-ulman-instagram-artist/ Mark Grotjahn https://www.gagosian.com/artists/mark-grotjahn Callum Innis http://www.calluminnes.com/ Everlane https://www.everlane.com/about The You Museum http://www.theyoumuseum.org/ Jill Magid http://www.jillmagid.com/ The Spy Project http://www.jillmagid.com/projects/article-12-the-spy-series-2 In Praise of the Flaneur https://www.theparisreview.org/blog/2013/10/17/in-praise-of-the-flaneur/ Eyes Wide Shut https://www.youtube.com/watch?v=YEfyfcEdW4Y Elon Musk deletes FaceBook http://www.adweek.com/digital/ask-and-ye-shall-receive-elon-musk-deletes-facebook-pages-for-tesla-spacex/

Listen in as Lifestyle Journalist Ari Bendersky is led through the Museum of Contemporary Art by Michael Darling, James W. Alsdorf Chief Curator. Inside, Darling takes Ari on a tour of “The Octopus Eats Its Own Leg,” a retrospective exhibition of Japanese artist Takashi Murakami curated by Darling. Photo: Nathan Keay, © MCA Chicago.  

Daniel Tucker and Anthony Romero join us live from the Chicago Cultural Center during the Latin X conference to discuss the exhibition, book, and event series "Organize Your Own" then we post a panel they organized that was presented by Chicago's MCA and Columbia College. Discussion at the MCA Chicago,  This discussion will start with a screening of an excerpt from the film American Revolution 2 (by the Film Group) followed by a discussion about artists who are organizing in culturally and ethnically specific networks, including Eric J. Garcia, Nicole Marroquin, and Maria Gaspar, moderated by Anthony Romero. Originally conceived as a two-city exhibition, following the election the project is now beginning a year long national tour - details about how to get involved are here https://organizeyourown.wordpress.com/ and the catalog can be purchased here http://soberscove.com/book/organize-your-own/       

Maria Gaspar is an interdisciplinary artist born in Chicago. She has presented her work at The MCA Chicago, Jane Addams Hull House Museum, the Urban Institute of Contemporary Art, the Alpineum Produzentengalerie, and Artspace New Haven, amongst others. Recently, Gaspar was awarded a Creative Capital Award, a Joan Mitchell Foundation Emerging Artist Award, the National Museum of Mexican Art Sor Juana Women of Achievement Award, and residencies at the Experimental Sound Studio in Chicago and Project Row Houses in Houston. She was featured in the Chicago Tribune as Chicagoan of the Year in the Visual Arts in 2014. She is an Assistant Professor at The School of the Art Institute of Chicago. Gaspar received her MFA in Studio Arts from the University of Illinois at Chicago and her BFA from Pratt Institute in Brooklyn, NY.

In this episode, artist Faheem Majeed talks about his exhibition at MCA Chicago. Faheem is a resident of the South Shore neighborhood in Chicago, Faheem often looks to the material makeup of his neighborhood and surrounding areas as an entry point into larger questions around civic-mindedness, community activism, and institutional racism. As part of his studio practice, the artist transforms materials such as particle board, scrap metal, wood, discarded signs and billboard remnants, breathing new life into these often overlooked and devalued materials. His broader engagement with the arts also involves arts administration, curation, and community facilitation, all which feed into his larger practice. Faheem's solo exhibition at the Museum of Contemporary Art Chicago runs from March 10 to August 16, 2015. 

This week Duncan sneaks into The School of the Art Institute of Chicago to interview Mary Jane Jacob, Professor and Executive Director of Exhibitions.  Mary Jane Jacob's name is synonymous with the phrase "art as social practice" or the field of art that is now more widely known as "Relational Aesthetics."  Jacob was at the center of the nineties debate about what was and could be considered an art object/experience and was putting on festivals, exhibitions, and public art programming that expanded our art consciousness long before Bourriaud "sexy-ed" up the field with his now seminal book. Aside from being a former Chief Curator at the MCA Chicago and LA MoCA, Jacob was also the person behind "Culture in Action," Chicago's progressive, but widely debated 90's public arts program. She is the author/co-author of several books including, "Learning Mind: Experience into Art," "Buddha Mind in Contemporary Art," "Culture in Action: A Public Art Program of Sculpture Chicago," "Conversations at The Castle: Changing Audiences and Contemporary Art," and "On the Being of Being an Artist." She is the recipient of many grants, awards, fellowships and residencies, amongst the most notable are the Peter Norton Family Foundation, the National Endowment for the Humanities and National Endowment for the Arts, Rockefeller Foundation, Bellagio Study Center Residency, and the Getty Residency Program.