Podcasts about here comes everybody

Here are some songs from your life, "Backstreet Girl" by the Rolling Stones, "Joey" by Bob Dylan, "Road to Nowhere" by the Talking Heads, "Boy In The Bubble" by Paul Simon, "July Fourth, Asbury Park", better known as "Sandy" by Bruce Springsteen and the E Street Band, "Wouldn't It Be Nice" by the Beach Boys. They all rely heavily on the accordion. "Wouldn't It Be Nice" is the biggest shock. Even if you know that song, it might never have occurred to you that Brian Wilson uses I'm pretty sure two accordions to make the primary propulsive musical fabric of that song. The last two decades of indie music ought to have normalized the accordion - Tom Waits, REM, Arcade Fire, The Decemberists... I could go on. It has also endured years of ridicule here in the United States, even while it remained beloved and esteemed in Argentina, Paris, and almost everywhere else in the world. Now, it's enjoying a renaissance here in the States. This hour, we celebrate that with accordion rock stars of all styles. You'll meet a man who is reclaiming the accordion, outfitting his latest version with MIDI controls, so it can mimic voice and other instruments, a woman who specializes in klezmer, and a man who plays his accordion in a trio alongside a guitar and tuba. You also meet other accordion rock stars, including James Fearnley from The Pogues. Just try to tell him that the squeezebox isn’t cool. GUESTS: Cory Pesaturo: Multiple award-winning accordion player from Rhode Island Christina Crowder: Accordion player who specializes in klezmer and other Eastern European styles, and is a member of the Accordion/Violin/Viola trio, Bivolita Will Holshouser: Accordion player and founder of the accordion/guitar/tuba trio, Musette Explosion James Fearnley: Accordion player for The Pogues and the author of the memoir, Here Comes Everybody, The Story of The Pogues. He’s also a composer, and a founding member of The Low And Sweet Orchestra Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. Colin McEnroe and Chion Wolf contributed to this show, which originally aired on August 7, 2014.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Our guests today are none other than Aussie indie rock royalty, Spacey Jane. The Perth four-piece has spent the past few years rising to the top of Australia's music scene—collecting ARIA and AIR Awards for their first two records Sunlight and Here Comes Everybody, and building a devoted global following along the way. Now, they return with their third studio album If That Makes Sense—a lush and expansive project that sees the band slowing down, reflecting, and intentionally crafting their most cohesive record yet. In today's episode, we're joined by frontman Caleb Harper to talk about making a record on their own terms, the impact of external pressures on creativity, and the process of collaborating with other songwriters to push his craft. We also chat about Spacey Jane's massive national tour and what fans can expect from this exciting new chapter.Spacey Jane: Instagram / Spotify Purchase If That Makes Sense and find Spacey Jane tour dates hereVisit our official website here and follow us across our socials.

Alan Buckley in conversation with David Eastaugh https://www.youtube.com/watch?v=HyCcKAa35PE https://www.youtube.com/watch?v=Ayh-vWqDzBU https://www.youtube.com/watch?v=e2ioIhmzGEI https://www.youtube.com/watch?v=tVfK1tbeGwk&list=PLcDwkXhr5uEwekhN-p-OKHqcY_cLxvWjR Mid 80s proto-janglers Here Comes Everybody inspired Andy Bell (Ride/Oasis) to buy his first guitar, then, mission accomplished, broke up in 1986. Singer/ guitarist Richard and drummer Pete were introduced to bassist Alan by some HCE fans at St Paul's Arts Centre later that year, and The Anyways' core trio was born. Their goal was to wear black and sound like The Velvet Underground, but luckily they got it slightly wrong and ended up sounding like themselves (while still wearing black). Jennie used to read the newspaper onstage and on one occasion shorted out the keyboard by pouring fizzy pop into it. Trudy, a volunteer mental health worker, brought a big following from the Mill Drop-In Centre, to liven up the usual anoraked indie audience. Sounds reviewed the band's second gig, The Television Personalities offered support slots at the 100 Club in Oxford St, and Notown Records put out the first single, Confession, in 1987. Overcome by the excitement of being played on John Peel (once), Jennie left, and Ali took her place. The Anyways became regular performers at the Camden Falcon, where Bobby Gillespie told them they needed more guitar solos. Two tracks (no solos) were featured on The Jericho Collection in 1988 alongside Notown label-mates Shake Appeal (lots of solos). A video of rousing revolutionary anthem Levitate the Pentagon was shown on satellite TV at 2.00am. The Anyways played in Oxford, London, and Bristol with Talulah Gosh, Razorcuts, The Mission and Ride... and on their own at a Hindu wedding in Hendon (kicking off the evening with that cheery toe-tapper, Love Gone Bad). Band mantra Welcome to Psychedelic Country became even more appropriate when Hamish and Karen joined in 1990. An album (Love Lies) was recorded by Rich Haines at Dungeon Studios, but sadly not released. A swirling cover of George Harrison's If I needed someone graced a charity album called Revolution No. 9. Despite their sterling work on the swirling, Hamish and Karen decided to go more Country than Psychedelic, and left to form Lucky and The Losers in 1991. The final incarnation of The Anyways was completed by guitar maestro Mark, who had previously acted as friend and multi-tasking facilitator to the band for some time - in celebration, chilled Frascati was served to the new line-up onstage at the Zodiac in front of hundreds of delighted Heavenly fans. The Sunshine Down EP came out on Marineville Records in 1993, by which time Richard had received stage-fright counselling from Jonathan Richman and the band had supported Bad Manners at a college ball. Wider (not inspired by Buster Bloodvessel) was featured on the Days Spent Dreaming compilation. By now people wanted to spread their musical wings, so The Anyways' Grand Finale gig was held in 1994 at the Jericho Tavern (the band's spiritual home for many years). 

Fr. Pat Driscoll joins LA Catholic Morning to discuss whether we can sin sub-consciously, Christopher Carstons covers his article "Here Comes Everybody," and Luz Azkevold recounts her story of healing from abortion.

This year marks the 40th anniversary of Red Roses For Me, the first album from The Pogues. Borrowing its title from Sean O'Casey, it also carries literary influences like Ulysses and Brendan Behan proudly. As an exhibition on the London-Irish currently runs in Dublin's EPIC emigration museum, what better time to discuss this defining London-Irish band who still mean so much? Here Comes Everybody by James Fearnley (Faber & Faber) is available now.

In this episode, recorded live at the Civitas Networks for Health conference in DC, I sit down with Jennifer Pahlka, author of "Recoding America", to discuss how to improve implementation and impact of big new policy initiatives. The book and episode are essential reading and listening for anyone trying to make government – or any ambitious project - work for people.We discuss: The dangers of treating the bureaucracy – not citizens – as the clientClosing the gap between intellectuals (policymakers) and mechanicals (implementers)What policymakers can learn from agile Using data as a compass not a gradeJen points out that a waterfall approach to policy implementation is a pledge not to learn:“... When you see us trying to implement law and policy by always having information flow from the top to the bottom, and never letting it return back, that's the problem. There can be no software development involved in this at all. And we can still be in a waterfall. The reason waterfall is a metaphor is that water only flows one way.”#healthcare #investments #housing #medicaid #health #socialdeterminantsofhealth #managedcare Relevant LinksJennifer Pahlka's book Recoding America United States Digital Service Code for America Civitas Networks for Health Clay Shirky's book, “Here Comes Everybody: the Power of Organizing without Organizations”Clay Shirky's book, “Cognitive Surplus: Creativity and Generosity in a Connected Age”About Our GuestJennifer Pahlka is the author of Recoding America, and a pioneer in making government work for people in the...

No episódio desta semana, José de Pina confessa ter-se irritado pela primeira vez com a Fundação Gulbenkian. Mais concretamente, com a dificuldade em comprar bilhetes online e os privilégios dos assinantes da instituição: “O problema é que quando chega ao primeiro dia de vendas online avulso, já está quase tudo esgotado por causa dos ‘senhores das assinaturas'. Isto é uma estupidez, metam só 50% da sala para a assinatura.” Luana do Bem traz-nos ‘preocupações sérias' sobre previsões erradas do tempo e apela a uma solução fiável: “A disparidade daquilo que é anunciado para aquilo que acontece, na realidade, anda a me irritar profundamente.” Luís Pedro Nunes revolta-se contra os “ambientalistas radicais que acham que o planeta está a voltar-se contra os humanos” após o registo de vários ataques de orcas a veleiros na Galiza e no Estreito de Gibraltar: “O levantamento dos animais contra os humanos? É uma imbecilidade tão grande”. Por fim, Carla Quevedo sai em defesa do presidente Emmanuel Macron que, em festejos com a equipa de râguebi de Toulouse (sábado, 17), bebeu uma cerveja de ‘penálti' e foi acusado de ‘masculinidade tóxica': “Deu-me vontade de rir. Acho absurdo. É mais uma perplexidade do que uma irritação.” Com moderação de Pedro Boucherie Mendes, o Irritações foi emitido a 23 de junho, na SIC Radical, e terminou com o tema ‘Here Comes Everybody' dos AutoluxSee omnystudio.com/listener for privacy information.

Father Hudgins' homily: Here Comes Everybody

We're back! After our Atwood-mandated monthly hiatus, we return to the Land Down Under to interview one of the biggest bands south of the equator. ARIA-winning indie pop quartet Spacey Jane join us to spill the details on their blockbuster sophomore album Here Comes Everybody, discuss the finer points of sending booze in the mail, and share a radiant cocktail that's as bittersweet as the record itself. Cheers!Listen to Here Comes Everybody by Spacey Jane**Please enjoy responsibly*** “A Radiant Light"3/4 oz Cointreau1 1/2 oz Cognac1 oz Lemon Juice2 Tbsp Mango Jam1 Egg WhiteTonicDry shake all ingredientsAdd ice and shake until well-chilledStrain into a chilled highball glassTop with tonic water Space Jane on SpotifySpace Jane on InstagramSpacey Jane on FacebookSpacey Jane on TikTok Tune & Tumblers "What Have You Been Listening To?" Playlist: https://spoti.fi/3xkPn25 Theme Music by New New Girlfriend Tunes & Tumblers on InstagramTunes & Tumblers on TwitterTunes & Tumblers on FacebookTunes & Tumblers on Spotify Call or Text the Tunes & Tumblers Hotline: (626) 604-6477Cover art by Travis Williams Tunes & Tumblers is a member of the Pantheon Media family of podcasts--- Support this podcast: https://anchor.fm/tunes--tumblers/support

We're back! After our Atwood-mandated monthly hiatus, we return to the Land Down Under to interview one of the biggest bands south of the equator. ARIA-winning indie pop quartet Spacey Jane join us to spill the details on their blockbuster sophomore album Here Comes Everybody, discuss the finer points of sending booze in the mail, and share a radiant cocktail that's as bittersweet as the record itself. Cheers!Listen to Here Comes Everybody by Spacey Jane**Please enjoy responsibly*** “A Radiant Light"3/4 oz Cointreau1 1/2 oz Cognac1 oz Lemon Juice2 Tbsp Mango Jam1 Egg WhiteTonicDry shake all ingredientsAdd ice and shake until well-chilledStrain into a chilled highball glassTop with tonic water Space Jane on SpotifySpace Jane on InstagramSpacey Jane on FacebookSpacey Jane on TikTok Tune & Tumblers "What Have You Been Listening To?" Playlist: https://spoti.fi/3xkPn25 Theme Music by New New Girlfriend Tunes & Tumblers on InstagramTunes & Tumblers on TwitterTunes & Tumblers on FacebookTunes & Tumblers on Spotify Call or Text the Tunes & Tumblers Hotline: (626) 604-6477Cover art by Travis Williams Tunes & Tumblers is a member of the Pantheon Media family of podcasts--- Support this podcast: https://anchor.fm/tunes--tumblers/support

Spacey Jane have had a breakout few years. The Perth outfit's 2020 debut album Sunlight hit Number 2 on the Australian charts, and their just-released follow up Here Comes Everybody landed at Number 1. Go back to 2016 when the band formed, though, and it's unlikely singer-guitarist Caleb Harper was thinking about this kind of success – at that point, as he was crashing out of university and unsure of what to do with his life, being in a band was simply one of the few things that kept him going. We talk about Caleb's journey from then to now in this interview, as well as his upbringing, the realities of adapting to life in a successful band, and Spacey Jane's decision to remain independent throughout. 

The beginning of Spacey Jane's astonishing success in Australia arrived when the band released debut album Sunlight in June 2020. The universal adulation duly and deservedly followed for the Fremantle-based band. In this weeks episode I chat with Spacey Jane frontman Caleb about the release of their second album Here Comes Everybody fast approaching (out Friday 24 June via AWAL). We deep dived into some of the tracks off of the new album, discussed the inspiration behind the album title coming from a Wilco album, the pressure behind releasing a second album after such a successful debut and staying in a glass box on a farm in New Zealand.

Caleb Harper (on Spacey Jane - 'Here Comes Everybody' album release) Interview by Alex Lister and Kaitlyn Ratcliff on Radio One 91FM Dunedin

Hugo speaks with Peter Wang, CEO of Anaconda, about what the value proposition of data science actually is, data not as the new oil, but rather data as toxic, nuclear sludge, the fact that data isn't real (and what we really have are frozen models), and the future promise of data science. They also dive into an experimental conversation around open source software development as a model for the development of human civilization, in the context of developing systems that prize local generativity over global extractive principles. If that's a mouthful, which it was, or an earful, which it may have been, all will be revealed in the conversation. LInks Peter on twitter (https://twitter.com/pwang) Anaconda Nucleus (https://anaconda.cloud/) Jordan Hall on the Jim Rutt Show (https://www.jimruttshow.com/jordan-greenhall-hall/): Game B Meditations On Moloch (https://slatestarcodex.com/2014/07/30/meditations-on-moloch) -- On multipolar traps Here Comes Everybody: The Power of Organizing Without Organizations (https://en.wikipedia.org/wiki/Here_Comes_Everybody_(book)) by Clay Shirky Finite and Infinite Games (https://en.wikipedia.org/wiki/Finite_and_Infinite_Games) by James Carse Governing the Commons: The Evolution of Institutions for Collective Action (https://www.cambridge.org/core/books/governing-the-commons/7AB7AE11BADA84409C34815CC288CD79) by Elinor Olstrom Elinor Ostrom's 8 Principles for Managing A Commmons (https://www.onthecommons.org/magazine/elinor-ostroms-8-principles-managing-commmons) Haunted by Data (https://idlewords.com/talks/haunted_by_data.htm), a beautiful and mesmerising talk by Pinboard.in founder Maciej Ceglowski

Hugo speaks with Peter Wang, CEO of Anaconda, about how Python became so big in data science, machine learning, and AI. They jump into many of the technical and sociological beginnings of Python being used for data science, a history of PyData, the conda distribution, and NUMFOCUS. They also talk about the emergence of online collaborative environments, particularly with respect to open source, and attempt to figure out the movings parts of PyData and why it has had the impact it has, including the fact that many core developers were not computer scientists or software engineers, but rather scientists and researchers building tools that they needed on an as-needed basis They also discuss the challenges in getting adoption for Python and the things that the PyData stack solves, those that it doesn't and what progress is being made there. People who have listened to Hugo podcast for some time may have recognized that he's interested in the sociology of the data science space and he really considered speaking with Peter a fascinating opportunity to delve into how the Pythonic data science space evolved, particularly with respect to tooling, not only because Peter had a front row seat for much of it, but that he was one of several key actors at various different points. On top of this, Hugo wanted to allow Peter's inner sociologist room to breathe and evolve in this conversation. What happens then is slightly experimental – Peter is a deep, broad, and occasionally hallucinatory thinker and Hugo wanted to explore new spaces with him so we hope you enjoy the experiments they play as they begin to discuss open-source software in the broader context of finite and infinite games and how OSS is a paradigm of humanity's ability to create generative, nourishing and anti-rivlarous systems where, by anti-rivalrous, we mean things that become more valuable for everyone the more people use them! But we need to be mindful of finite-game dynamics (for example, those driven by corporate incentives) co-opting and parasitizing the generative systems that we build. These are all considerations they delve far deeper into in Part 2 of this interview, which will be the next episode of VG, where we also dive into the relationship between OSS, tools, and venture capital, amonh many others things. LInks Peter on twitter (https://twitter.com/pwang) Anaconda Nucleus (https://anaconda.cloud/) Calling out SciPy on diversity (even though it hurts) (https://ilovesymposia.com/2015/04/03/calling-out-scipy-on-diversity/) by Juan Nunez-Iglesias Here Comes Everybody: The Power of Organizing Without Organizations (https://en.wikipedia.org/wiki/Here_Comes_Everybody_(book)) by Clay Shirky Finite and Infinite Games (https://en.wikipedia.org/wiki/Finite_and_Infinite_Games) by James Carse Governing the Commons: The Evolution of Institutions for Collective Action (https://www.cambridge.org/core/books/governing-the-commons/7AB7AE11BADA84409C34815CC288CD79) by Elinor Olstrom Elinor Ostrom's 8 Principles for Managing A Commmons (https://www.onthecommons.org/magazine/elinor-ostroms-8-principles-managing-commmons)

INTROWith pianist Greg Kane1min - "Prince is the teacher", and why the 1980s needs more respect. Funk as social commentary.3min - Covering Sign 'O' The Times,  audiophiles, working with jazz musicians and having no fear.5mins30s - Seeing Prince after hours at the Garage in Glasgow.7mins - Near misses with Wendy and Lisa, Bobby McFerrin and Paisley Park.With vocalist Pat Kane10mins - Musical background, jazz heritage, hearing Prince for the first time and the ambition of 1999.13mins30s - the 80s as the era of 'half-punk, half synthesizer'. 15mins - the influence of 1986 album Parade on the band, and its 'majestic landscapes'.17mins - The Family album, Prince's side projects and Eric Leeds ('the best funk saxophonist ever').18mins45s - Sign O The Times: 'his sense of taste, and his choices are incredible'. Prince's phrasing and genius.23mins - Horn riffs and discord in Prince's music, Alphabet street and arrangements in jazz, pop and soul.26mins - the musical work and career of Clare Fischer and Rufusized by Chaka Khan.28mins30s - Prince's solo piano and microphone work, Pat's favourite eras of Prince and reflection on his late career. 32mins30s - Acoustic album The Truth and solo piano album One Nite Alone.33mins30s - Money Don't Matter 2Nite and Diamonds & Pearls (big band version on Bandzilla).35mins - Music as protest, social commentary and rebellion in Prince's music.36mins30s - Prince as the 'link' in African American roots music.37mins30s - Gett Off: "Jazz is the preacher, but funk is the teacher" and the Pharaoh Saunders mode.38mins - Funk like an elephants foot, George Clinton and musical theories.39mins - Creating a zone of freedom for black artists, and The Work.41mins30s - Creating tracks and new songs forming organically at jam sessions.43mins - Memories of musical celebrations at Paisley Park with Prince.45mins - Hoping to work with Quincy Jones at the height of their fame in the 1980s (and recording at Paisley Park).47mins - Jamming with Stevie Wonder and D'Angelo.49mins - Pat asks a Prince fan for thoughts on his untimely death.56mins - Funk revivals, snap bass and Pop Life.58mins - A Prince cover the band are ashamed of! And 80s nights at Butlins.60mins - What question would Pat ask Prince if he were still alive today?

Caleb Harper (on Spacey Jane - 'Sitting Up' single release and 'Here Comes Everybody' album announcement) Interview by Sunaina Born and Alex Lister on Radio One 91fm Dunedin

Clay Shirky is a man of many talents — author, educator, and now Vice Provost of Educational Technologies at the New York University. This week, Clay joins Paul and Rich to discuss his role in procuring tech for a large educational institution and shares how the pandemic made us more aware than ever of ed tech's shortcomings. He also breaks down the dangers of optimizing for stability instead of flexibility. Could low-code solutions be the answer for universities? Clay thinks so, but it's not always that easy. Links:Clay Shirky TwitterHere Comes EverybodyMeet the Numtots

Think of your most obscure, private, family chatter—some combination of baby-talk and nicknames and reiterations of the same concerns or jokes. It wouldn’t make sense to outsiders, but it makes a special kind of sense to you. It’s language that communicates in a highly local way, and not at all in other ways. And yet: everyone sort of knows how this language works. In Finnegans Wake, that private language converges, even, with broadly recognizable mythic language. We’re reading about a family—the patriarch HCE, the mother ALP, the sons Shem and Shaun, and daughter Issy—but they’re all associated with mythic figures: Aesop’s characters (the ant and grasshopper turn into the Shaun-like responsible Ondt and the Shem-like irresponsible Gracehoper), the HCE-like Humpty Dumpty, and, most Irishly, Finn MacCool. The Wake shows us how the super-local is also mythical, shared. Wittgenstein framed the idea of private language as follows: “The words of this language are to refer to what only the speaker can know—to his immediate private sensations. So another person cannot understand the language.” But in the Wake, the most inscrutably private language echoes beyond privacy. The cryptic HCE’s name at one point stands for Here Comes Everybody; characters flow into one another, mix together in their most private moments. Washerwomen gossiping about the private lives of ALP’s family are overcome by the river that is itself tied to ALP, swept up into the mystery rather than ejected from it. The document that supposedly might reveal ALP’s family truth is the “mamafesta,” a manifesto of the mama. Joyce mocks usual methods of interpretation, Freudian and Marxist, of this document. Efforts to interpret that private language create epic resonances, of Greek language and grandiosity, useful in a story about the epic dimensions of everyday characters. You can see some of that here: "that (probably local or personal) variant maggers for the more generally accepted majesty which is but a trifle and yet may quietly amuse: those superciliouslooking crisscrossed Greek ees awkwardlike perched there and here out of date like sick owls hawked back to Athens" The most majestic connection to HCE would be the mythic Finn MacCool, the Irish hero linked to the fallen Finnegan in lines like, “Macool, Macool, orra whyi deed ye diie?” In this episode, the scholar Katherine O’Callaghan describes how HCE’s fall and rise recall the fall of the ancient Irish hero, the fall of “a sort of Finn” and “the old myths of the Fionna, a warrior tribe in Ireland in the first and second centuries, with Finn the leader.” O’Callaghan tells us that in the Wake, we find “the fallen Finn, but the idea of course in Finnegans Wake is that Finn himself might be woken in some way and come back out of his burial site and rise again.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Con la excusa del cumpleaños número 20 de Wikipedia, Laura y Santiago se ponen a explorar una de las siete maravillas del mundo digital. Si ya son fans de Wikipedia, los invitamos a celebrar su amor con este episodio. Si todavía no están asombrados por una obra tan colosal y tan noble, pongan play (que este es el momento).  Con el apoyo de:  ▸ Oyentes como tú en Patreon. ▸ Compradores de la Tienda de Cosas de Internet. Notas del episodio:  Así se ve el «artículo» de Cosas de Internet en Wikipedia hoy en día.  Página de celebración de los 20 años de Wikipedia. Las reglas para contribuir a Wikipedia se basan en cinco pilares, uno de ellos es mantener un punto de vista neutral. Y, vale decirlo, las personas detrás de Wikipedia son bastante flexibles con las reglas (porque todo el tiempo están en discusión).  Un libro clave para la conversación de este episodio fue «Here Comes Everybody», de Clay Shirky. Este video nos ayudó a entender cómo se toman decisiones en Wikipedia: «Governance structure of Wikipedia». «Excedente cognitivo» o, en inglés, «Cognitive Surplus».  Santi mencionó a Quora y Kialo como ejemplos de otras páginas que también se construyen con el «surplus cognitivo». En el 2017, el gobierno de Turquía bloqueó el acceso a Wikipedia.  Wikipedistas en Turquía celebrando en un café. En la entrada de blog «My role in Wikipedia» Larry Sanger describe con detalle cómo contribuyó a la formación de la enciclopedia. Ahí también comparte links a comunicados de prensa oficiales que lo señalan como cofundador. Encontramos el primer correo que envío Larry Sanger a la comunidad de Nupedia invitándolos a crear artículos en Wikipedia.  Aquí sale el momento en que Wikipedia pasó a ser una página con «.org». En la lección de TED-Ed sobre la enciclopedia, aparece la anécdota del árbol brasilero que Diderot consideró irrelevante. El árbol se llama «Urena lobata» (o «Aguaxima» en portugués). Acá la profesora de historia nos enseñó tantas anécdotas de la enciclopedia de Diderot.  Extras: Formulario para inscribirse al newsletter de Cosas de Internet. Agradecimientos especiales a las personas que nos enviarnos notas de voz, al inicio de este episodio escucharon las contribuciones de: Daniel Ricardo Pava & Sofi Ángela Sofía Bilbao Pazmiño & Lina Daniel Acevedo Jaramillo Elian Diaz & compañía Alison Julieth Castelblanco Pineda ♢ Si te gusta Cosas de Internet, considera apoyarnos acá.

It's time for another song from The Wilco Book, the boys argue about the merits of "Here Comes Everybody" an underrated gem from 2004's The Wilco Book. (Recording Date: December 12, 2020) Wilco "Here Comes Everybody" The Wilco Book (2004) Visit abcwilco.com to find all of the ways to support the show. Please support the show by leaving a rating and review in your preferred podcatcher. Instagram - instagram.com/abcwilco Twitter - twitter.com/abcwilco Facebook - Facebook.com/abcwilco Reddit - reddit.com/r/abcwilco -------------------------------------------------------- Email - abcwilco@gmail.com Voicemail - anchor.fm/abcwilco/message -------------------------------------------------------- Merch - teespring.com/stores/abcwilco Patreon - patreon.com/abcwilco -------------------------------------------------------- Jason's Instagram - instagram.com/hessisbest Jason's Website - hessisbest.com Kevin's Instagram - instagram.com/kevinvinyl --- Send in a voice message: https://anchor.fm/abcwilco/message Support this podcast: https://anchor.fm/abcwilco/support

The Wake with Gerard "Caesar" McInulty in conversation with David Eastaugh The Wake released their first single on their own Scan 45 label, coupling together "On Our Honeymoon" and "Give Up". This single eventually caught the attention of New Order manager Rob Gretton, who helped the band sign to Factory Records in 1982 and record an LP (Harmony) at Strawberry Studios in Stockport. This was followed by a number of singles on Factory and its Belgian sister label Factory Benelux. In 1983, The Wake toured with New Order, and thus received critical attention but were often unfavourably compared to their more celebrated labelmates. Gillespie was asked to leave in 1983, subsequently playing drums with The Jesus and Mary Chain and achieving fame with his own band Primal Scream. After a short-lived stint with McInulty's ex-classmate Martin Cunning on bass, Alexander 'Mac' Macpherson permanently replaced Gillespie. That same year the band recorded a session on John Peel's BBC Radio 1 programme and David 'Kid' Jensen's BBC radio 1 show. The band toured extensively and scored an indie hit with their 1984 single "Talk About The Past" which featured Vini Reilly of Durutti Column on piano. The recording and release of their seminal 1985 album Here Comes Everybody marked the apex of their career. Further releases were few and far between: one more single "Of The Matter" emerged in 1985 before their last release for Factory, a 4-track EP entitled "Something That No One Else Could Bring" finally appeared in 1987. In 1988, disillusioned with the lack of proper promotion and indeed apathy from Factory Records, The Wake left the label and signed to Bristol's legendary Sarah Records, releasing two singles and two LPs, the last being 1994's Tidal Wave of Hype. By this point, once again down to a three piece featuring McInulty, Allen and Allen, they also shared personnel with another Glasgow-based band on Sarah, The Orchids, with whom they had also played a few live gigs. When Sarah shut down in 1995, The Wake effectively dissolved.

On this week’s show we interview Ben Newton about his podcast Masters of Data, We also introduce our new books feature I Must Read It Again – a big thanks to Matt Jukes for his inaugural contribution which is Clay Shirky’s Here Comes Everybody. A minor disclaimer – this week we tried an interesting new tool for […]

In this episode of Sinica, Clay Shirky, the author of Here Comes Everybody who has written about the internet and its effects on society since the 1990s, joins Kaiser and Jeremy to discuss the strengths and weaknesses of China's tech industry and the extraordinary advances the nation has made in the online world. The hour-long conversation delves into the details and big-picture phenomena driving the globe's largest internet market, and includes an analysis of Xiaomi's innovation, the struggles that successful Chinese companies face when taking their brands abroad and the nation's robust ecommerce offerings. Clay has written numerous books, including Little Rice: Smartphones, Xiaomi, and the Chinese Dream in addition to the aforementioned Here Comes Everybody: The Power of Organizing Without Organizations. He is also a Shanghai-based associate professor with New York University's Arthur L. Carter Journalism Institute and the school's Interactive Telecommunications Program. Please take a listen and send feedback to sinica@supchina.com, or leave a review on iTunes. Recommendations: Jeremy: Among the Ten Thousand Things by Julia Pierpont, and Modern China is So Crazy It Needs a New Literary Genre by Ning Ken Clay: Internet Literature in China by Michel Hockx Kaiser: A Billion Voices: China’s Search for a Common Language by David Moser  

No matter how one views Xiaomi -- and there are many ways to view it, for better or worse -- one thing is clear: It, and other such companies (like WeChat and Alibaba), indicate a broader trend around innovation coming from China. Companies and countries that were once positioned as copycats or followers are becoming leaders, and in unexpected, non-obvious ways. For example, through scale, distribution, logistics, infrastructure, O2O, a different kind of ecommerce, mobile marketing, even design... But of a very different kind than iconic examples like, say, SpaceX. Or Apple, which arguably could damage the U.S. if single-mindedly regarded as "our official most innovative company". Or so argue the guests on this podcast, which include a16z partner Connie Chan and author/long-time observer of internet and social media culture Clay Shirky, who is currently based at NYU Shanghai, wrote the popular book Here Comes Everybody, and most recently authored Little Rice on "smartphones, Xiaomi, and the Chinese Dream".

May 2014 marked the 75th anniversary of the publication of Finnegans Wake. To celebrate Dublin City Public Libraries hosted the wonderful Sinead Murphy and Darina Gallagher performing Here's Comes Everybody! a musical journey through Finnegans Wake.

Clay Shirky, author of Here Comes Everybody, discusses online collaboration and organization, including social media usage on mobile devices and changes in organizational structure.

I'm using the last show as a starting point for this show, about an idea I want to put out there for helping students learn how to better produce content and how to produce better content. I believe school is the place where this learning can and should take place, but it's success depends on how well it's presented and maintained. You'll have to listen to learn more. At the end I give a brief review of two books, Here Comes Everybody, by Clay Shirky and The Rise of the Creative Class, by Richard Florida. They're not light reading but I think each one has something important to say about how the internet is changing the way we produce media.

The TalkThe Stuff:Clay ShirkyHis book, Here Comes Everybody: The Power of Organizing Without OrganizationsHis presentationiPhone app to copy files from your computer to your iPhone, without needing to connect through iTunesThe Amazon KindleHere Comes Everybody (Kindle edition)iPhoneLeo LaporteHis podcast networkThe MacBreak Weekly podcastThe This Week in Tech podcastJohn DvorakAdam CurryThe No Agenda podcastJoel SpolskyJeff AtwoodStack OverflowThe Stack Overflow podcastreMovemConfessions of an Economic Hitman (audio edition)Angler (audio edition)The Way of the World (audio edition)The Planet Money podcast60 Minutes piece on credit default swapsThis American Life episode describing credit default swapsHardball with Chris Matthews