Podcasts about heaven 17

Part II - The Eternal Heaven* What the Bible says about where we will live Forever Is Heaven our default destination… or is Hell?Willsea About...Many Things! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit johnwillsea.substack.com/subscribe

Heute bei Musikradio360: 1982 war nicht nur das Jahr der zweiten Punkwelle (siehe Sendung letzte Woche). Es ging auch als das Jahr des großen britischen Popsommers in die Geschichte ein. Musikradio360 präsentiert diese Woche Bands wie Aztec Camera, Soft Cell und ABC. 

Whilst it's beginning to feel a lot like Tsimikas for owners of the Greek fullback in #FPL GW12, Matt Dyson's focus is on GW11 - where a total team score of 17 points leaves Dan Prior facing a barrage of abuse on this week's episode. It's Gameweek! Search ‘GameweekHQ' on social media to find us, and get involved. *Please take the time to rate and review us wherever you get your podcasts. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!* Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us as Nathan Panti continues our series "On Earth As It Is In Heaven" after we had our COTN day of prayer last week. Nathan takes us on the journey of the origins of God and the purpose behind creation. Sit back - wherever you might be - and lets purse Gods will in our life.

Su debut de 1981, funcionó como un manifiesto contra la sociedad de consumo e incluso sufrió la censura de los medios oficiales.

In Part 2, we continue the discussion on the golden age of electronic pop in a deeper dive on bands and synthesizers with host Lyndsey Parker (Yahoo Music Entertainment Editor) and guests musician, arranger, composer, record producer and founding member of Human League and Heaven17, Martyn Ware and author of "Listening to the Music the Machines Make: Inventing Electronic Pop (1978-1983)," Richard Evans.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When we think of the quintessential music of the '80s, we think of the sound of synthesizers. It's the music that sounded like the future then and years later it sounds like it now. In Part 1, join host Lyndsey Parker (Yahoo Music Entertainment Editor) and this week's guests musician, arranger, composer, record producer and founding member of Human League and Heaven 17, Martyn Ware and author of "Listening to the Music the Machines Make: Inventing Electronic Pop (1978-1983)," Richard Evans, as they discuss the golden age of electronic pop.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hot on the heels of Part 1 comes Part 2 of our Record Store Day Black Friday 2022 preview. This time, Marshall Crenshaw does a deep dive on his landmark eponymous 1982 debut album, and talks about Robert Gordon, legendary record producer Tom Wilson, and why the term "power pop" always wrankled him. DEVO co-founder Gerald V. Casale unveils his brand new solo EP, The Invisible Man. Todd Rundgren pops by briefly to remember his 1972 album Something/Anything? and Brian Aubert from Silversun Pickups talks about Silversun VIGups, their joint RSD Black Friday single with Garbage's Butch Vig. RSD co-founder Carrie Colliton discusses some "pairings" on her RSD Black Friday wishlist.  RSD Black Friday is November 25, go to RecordStoreDay.com for the whole list. Sponsored as always by Dogfish Head Craft Brewery, Tito's Handmade Vodka, and Crosley turntables. Please subscribe the Record Store Day Podcast wherever you get your podcasts. Happy Thanksgiving to those who observe.

Martyn Ware tells David Freeman about his life growing up in Sheffield , almost making it as a manager in the Co Op but became a pop star with a passion for synthesisers and other electronic instruments instead. He talks about his enthusiasm for Brian Eno and Roxy Music, and how his insight into the capabilities of electronics took him to be the successful producer of numerous records including tracks by Tina Turner and Mavis Staples.

This "Paltrocast" features Darren's recent interviews with "Ramy" stars May Calamawy and Laith Nakli, country legend John Rich, and Heaven 17's Glenn Gregory. Theme song by Steve Schiltz. Thanks for watching!

In September of 1981 Penthouse 17 released their debut album. After jumping ship on Human League, Ian Craig Marsh and Martyn Ware chose their new band's name from the fictional pop group mentioned in Anthony Burgesses' A Clockwork Orange. Let's talk Heaven 17, Penthouse and Pavement!

Comenzamos la quinta temporada dedicando el programa a uno de los grupos clave en la historia del primer Techno Pop: HEAVEN 17. Surgidos de la primera formación de HUMAN LEAGUE, su discografía está repleta de inolvidables hits que repasaremos a través de sus singles, maxisingles, remezclas, álbumes, temas en directo y maquetas.

A recording of a conversation I had with Martyn in 2021. We discussed the back catalogue of H17, the Human League, his work, teaching and, of course, a little bit about history.

INTROWith pianist Greg Kane1min - "Prince is the teacher", and why the 1980s needs more respect. Funk as social commentary.3min - Covering Sign 'O' The Times,  audiophiles, working with jazz musicians and having no fear.5mins30s - Seeing Prince after hours at the Garage in Glasgow.7mins - Near misses with Wendy and Lisa, Bobby McFerrin and Paisley Park.With vocalist Pat Kane10mins - Musical background, jazz heritage, hearing Prince for the first time and the ambition of 1999.13mins30s - the 80s as the era of 'half-punk, half synthesizer'. 15mins - the influence of 1986 album Parade on the band, and its 'majestic landscapes'.17mins - The Family album, Prince's side projects and Eric Leeds ('the best funk saxophonist ever').18mins45s - Sign O The Times: 'his sense of taste, and his choices are incredible'. Prince's phrasing and genius.23mins - Horn riffs and discord in Prince's music, Alphabet street and arrangements in jazz, pop and soul.26mins - the musical work and career of Clare Fischer and Rufusized by Chaka Khan.28mins30s - Prince's solo piano and microphone work, Pat's favourite eras of Prince and reflection on his late career. 32mins30s - Acoustic album The Truth and solo piano album One Nite Alone.33mins30s - Money Don't Matter 2Nite and Diamonds & Pearls (big band version on Bandzilla).35mins - Music as protest, social commentary and rebellion in Prince's music.36mins30s - Prince as the 'link' in African American roots music.37mins30s - Gett Off: "Jazz is the preacher, but funk is the teacher" and the Pharaoh Saunders mode.38mins - Funk like an elephants foot, George Clinton and musical theories.39mins - Creating a zone of freedom for black artists, and The Work.41mins30s - Creating tracks and new songs forming organically at jam sessions.43mins - Memories of musical celebrations at Paisley Park with Prince.45mins - Hoping to work with Quincy Jones at the height of their fame in the 1980s (and recording at Paisley Park).47mins - Jamming with Stevie Wonder and D'Angelo.49mins - Pat asks a Prince fan for thoughts on his untimely death.56mins - Funk revivals, snap bass and Pop Life.58mins - A Prince cover the band are ashamed of! And 80s nights at Butlins.60mins - What question would Pat ask Prince if he were still alive today?

Heaven 17: Three Records - Penthouse and Pavement, The Luxury Gap, How Men Are. A heated look on a cold stormy day.

Heaven 17's top songs, ranked! UK fans will be shocked at what was left off the list. There's also a brand new Song of the Week from Oden and Fatzo. LINKS: Fangirl's blog. Nearly Liza YouTube channel. Check it out! PF, Fangirl, and Lizzie on the Travel Channel. Follow Liz Draws Ink on Instagram @nearlyliza Buy a T-shirt from Cincy Shirts OR Old School Shirts, it helps the show! Be sure to click over to Fangirl's NEW blog, CheckCheckHey! and her photo blog. Follow P.F. on Twitter @PF66 and like this podcast on Facebook. PF's Tape Recorder logo designed by Dan Koabel

Martyn Ware is an interdisciplinary innovator: musician (with his band Heaven 17), record producer (with Tina Turner, Erasure + many more), 3D soundscape designer, university lecturer and host of the podcast Electronically Yours. Plus he created a sound design business - Sonic ID - with our host Dan! Back in 1978 he founded pioneering electronic act The Human League, and was famously kicked out of his own band. But what really happened behind the scenes of this “massive betrayal”? Find out on the podcast! Learn how to turn anger into creative energy. How you have to believe in yourself and learn the dark arts of your trade. Why to follow your intuition (after modulating it through your experience). How to create brand loyalty by really listening to your audience. The power of randomness and the danger of losing human connection. All this plus much more.---------------------------------------------------------------------------------------▷ We're now in the top 2.5% of global podcasts - heard in 44 countries! ▷ Big thanks to The Tech Dept - my business - for sponsoring all of this. We build tech products for impact startups www.thetechdept.com▷ Please reach out to me with a DM on LinkedIn ▷ Check out Dan's top three interviews from season 1: How To Turn Your Worst Day Into Your Biggest Breakthrough with Dan Sullivan From Public Speaker To Prison Cell with Peter Sage The Power of F*ck You with Debbie Wosskow, OBE

Heaven 17 - "We Don't Need This Fascist Groove Thang" Learn more about your ad choices. Visit megaphone.fm/adchoices

Heaven 17 - "(We Don't Need This) Fascist Groove Thang" Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we're thrilled to host Simon Reynolds, beamed in from his adopted Southern California. One of the most outstanding music writers of the past three and a half decades, Simon talks to us about his formative pop years; his own early fanzines Margin and Monitor; and the sea-change he (and others) brought to Melody Maker in the late '80s. Simon's fascinating and passionate Pitchfork piece 'Worth the Wait' (2014) is the springboard for a general discussion of the peak years of the MM, the NME and the general phenomenon of the UK's weekly music press. The conversation turns to what's been lost in the digital/internet era, but also what's been gained. One of Simon's fellow Melody Maker scribes was Bob Stanley, which affords us the excuse to rhapsodise about Bob's neo-retro meta-pop trio Saint Etienne. With their latest album I've Been Trying To Tell You due for imminent release, Simon and Barney reminisce happily about the impact of their glorious 1991 debut Foxbase Alpha. The week's new audio interview — Adam Blake's 1988 conversation with Heaven 17 — takes us even further back in pop time, to the Sheffield group's 40-year-old (and still highly impressive) Penthouse & Pavement album... and to a more general discussion of proto-synthpop and the first edition of the Human League. We hear two clips of (mainly) Martyn Ware speaking: one about the challenges of promoting themselves, the other about their scorn for the Top 40 radio fodder of the day (with particular venom reserved for Messrs. Stock, Aitken & Waterman). There's a brief but related digression on the previous week's audio, Steven Daly's 1990 interview with hitmaker-for-hire Diane Warren. From there it's a not-so-seamless segue to the sad losses of maverick Jamaican producer Lee "Scratch" Perry and Rolling Stones drummer Charlie Watts, with attendant discussions of dub & roots reggae — and of the central importance of Mr. Watts to everything that was great about peak-period Stones. Mark talks us out with his thoughts on (and quotes from) new library pieces about Dylan at Forest Hills, Bowie at Winterland, Donna Summer and the Smiths, and Jasper concludes matters with remarks on St. Vincent and the wonderful cover of Marvin Gaye's I Want You. Many thanks to special guest Simon Reynolds; find his blog at blissout.blogspot.com. Pieces discussed: Worth the Wait, Saint Etienne, Heaven 17 audio, Diane Warren audio, Lee "Scratch" Perry (Vivien Goldman), Lee "Scratch" Perry (Simon Reynolds), Charlie Watts, Kim Fowley, David Bowie, The Faces, AC/DC, Donna Summer, Bob Dylan, Laura Nyro, The Smiths, St. Vincent, Marvin Gaye and Tessa Violet. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we're thrilled to host Simon Reynolds, beamed in from his adopted Southern California. One of the most outstanding music writers of the past three and a half decades, Simon talks to us about his formative pop years; his own early fanzines Margin and Monitor; and the sea-change he (and others) brought to Melody Maker in the late '80s.Simon's fascinating and passionate Pitchfork piece 'Worth the Wait' (2014) is the springboard for a general discussion of the peak years of the MM, the NME and the general phenomenon of the UK's weekly music press. The conversation turns to what's been lost in the digital/internet era, but also what's been gained.One of Simon's fellow Melody Maker scribes was Bob Stanley, which affords us the excuse to rhapsodise about Bob's neo-retro meta-pop trio Saint Etienne. With their latest album I've Been Trying To Tell You due for imminent release, Simon and Barney reminisce happily about the impact of their glorious 1991 debut Foxbase Alpha.The week's new audio interview — Adam Blake's 1988 conversation with Heaven 17 — takes us even further back in pop time, to the Sheffield group's 40-year-old (and still highly impressive) Penthouse & Pavement album... and to a more general discussion of proto-synthpop and the first edition of the Human League. We hear two clips of (mainly) Martyn Ware speaking: one about the challenges of promoting themselves, the other about their scorn for the Top 40 radio fodder of the day (with particular venom reserved for Messrs. Stock, Aitken & Waterman). There's a brief but related digression on the previous week's audio, Steven Daly's 1990 interview with hitmaker-for-hire Diane Warren.From there it's a not-so-seamless segue to the sad losses of maverick Jamaican producer Lee "Scratch" Perry and Rolling Stones drummer Charlie Watts, with attendant discussions of dub & roots reggae — and of the central importance of Mr. Watts to everything that was great about peak-period Stones.Mark talks us out with his thoughts on (and quotes from) new library pieces about Dylan at Forest Hills, Bowie at Winterland, Donna Summer and the Smiths, and Jasper concludes matters with remarks on St. Vincent and the wonderful cover of Marvin Gaye's I Want You.Many thanks to special guest Simon Reynolds; find his blog at blissout.blogspot.com.Pieces discussed: Worth the Wait, Saint Etienne, Heaven 17 audio, Diane Warren audio, Lee "Scratch" Perry (Vivien Goldman), Lee "Scratch" Perry (Simon Reynolds), Charlie Watts, Kim Fowley, David Bowie, The Faces, AC/DC, Donna Summer, Bob Dylan, Laura Nyro, The Smiths, St. Vincent, Marvin Gaye and Tessa Violet.

In this episode we're thrilled to host Simon Reynolds, beamed in from his adopted Southern California. One of the most outstanding music writers of the past three and a half decades, Simon talks to us about his formative pop years; his own early fanzines Margin and Monitor; and the sea-change he (and others) brought to Melody Maker in the late '80s.Simon's fascinating and passionate Pitchfork piece 'Worth the Wait' (2014) is the springboard for a general discussion of the peak years of the MM, the NME and the general phenomenon of the UK's weekly music press. The conversation turns to what's been lost in the digital/internet era, but also what's been gained.One of Simon's fellow Melody Maker scribes was Bob Stanley, which affords us the excuse to rhapsodise about Bob's neo-retro meta-pop trio Saint Etienne. With their latest album I've Been Trying To Tell You due for imminent release, Simon and Barney reminisce happily about the impact of their glorious 1991 debut Foxbase Alpha.The week's new audio interview — Adam Blake's 1988 conversation with Heaven 17 — takes us even further back in pop time, to the Sheffield group's 40-year-old (and still highly impressive) Penthouse & Pavement album... and to a more general discussion of proto-synthpop and the first edition of the Human League. We hear two clips of (mainly) Martyn Ware speaking: one about the challenges of promoting themselves, the other about their scorn for the Top 40 radio fodder of the day (with particular venom reserved for Messrs. Stock, Aitken & Waterman). There's a brief but related digression on the previous week's audio, Steven Daly's 1990 interview with hitmaker-for-hire Diane Warren.From there it's a not-so-seamless segue to the sad losses of maverick Jamaican producer Lee "Scratch" Perry and Rolling Stones drummer Charlie Watts, with attendant discussions of dub & roots reggae — and of the central importance of Mr. Watts to everything that was great about peak-period Stones.Mark talks us out with his thoughts on (and quotes from) new library pieces about Dylan at Forest Hills, Bowie at Winterland, Donna Summer and the Smiths, and Jasper concludes matters with remarks on St. Vincent and the wonderful cover of Marvin Gaye's I Want You.Many thanks to special guest Simon Reynolds; find his blog at blissout.blogspot.com.Pieces discussed: Worth the Wait, Saint Etienne, Heaven 17 audio, Diane Warren audio, Lee "Scratch" Perry (Vivien Goldman), Lee "Scratch" Perry (Simon Reynolds), Charlie Watts, Kim Fowley, David Bowie, The Faces, AC/DC, Donna Summer, Bob Dylan, Laura Nyro, The Smiths, St. Vincent, Marvin Gaye and Tessa Violet.

In this episode we're thrilled to host Simon Reynolds, beamed in from his adopted Southern California. One of the most outstanding music writers of the past three and a half decades, Simon talks to us about his formative pop years; his own early fanzines Margin and Monitor; and the sea-change he (and others) brought to Melody Maker in the late '80s. Simon's fascinating and passionate Pitchfork piece 'Worth the Wait' (2014) is the springboard for a general discussion of the peak years of the MM, the NME and the general phenomenon of the UK's weekly music press. The conversation turns to what's been lost in the digital/internet era, but also what's been gained. One of Simon's fellow Melody Maker scribes was Bob Stanley, which affords us the excuse to rhapsodise about Bob's neo-retro meta-pop trio Saint Etienne. With their latest album I've Been Trying To Tell You due for imminent release, Simon and Barney reminisce happily about the impact of their glorious 1991 debut Foxbase Alpha. The week's new audio interview — Adam Blake's 1988 conversation with Heaven 17 — takes us even further back in pop time, to the Sheffield group's 40-year-old (and still highly impressive) Penthouse & Pavement album... and to a more general discussion of proto-synthpop and the first edition of the Human League. We hear two clips of (mainly) Martyn Ware speaking: one about the challenges of promoting themselves, the other about their scorn for the Top 40 radio fodder of the day (with particular venom reserved for Messrs. Stock, Aitken & Waterman). There's a brief but related digression on the previous week's audio, Steven Daly's 1990 interview with hitmaker-for-hire Diane Warren. From there it's a not-so-seamless segue to the sad losses of maverick Jamaican producer Lee "Scratch" Perry and Rolling Stones drummer Charlie Watts, with attendant discussions of dub & roots reggae — and of the central importance of Mr. Watts to everything that was great about peak-period Stones. Mark talks us out with his thoughts on (and quotes from) new library pieces about Dylan at Forest Hills, Bowie at Winterland, Donna Summer and the Smiths, and Jasper concludes matters with remarks on St. Vincent and the wonderful cover of Marvin Gaye's I Want You. Many thanks to special guest Simon Reynolds; find his blog at blissout.blogspot.com. Pieces discussed: Worth the Wait, Saint Etienne, Heaven 17 audio, Diane Warren audio, Lee "Scratch" Perry (Vivien Goldman), Lee "Scratch" Perry (Simon Reynolds), Charlie Watts, Kim Fowley, David Bowie, The Faces, AC/DC, Donna Summer, Bob Dylan, Laura Nyro, The Smiths, St. Vincent, Marvin Gaye and Tessa Violet.

This week see's the final episode of the series! Join us as we round off the early 80s of 1980-81 with a mixture of sounds most associated with the 80s as it leaves Disco behind andmoves more towards electronic and pop. Plus a round up in number of series 1.Look out on Twitter (@dadeducates) for a reveal about the bonus episode where the roles will be reversed!

Su debut de 1981, llamado Penthouse and pavement, funcionó como un manifiesto contra la sociedad de consumo e incluso sufrió la censura de los medios oficiales.

Martyn Ware talks about the early days of the British Electric Foundation (BEF) and Heaven 17, how he was instrumental in resurrecting Tina Turner's career, how architecture affects life in cities, and his life today. See acast.com/privacy for privacy and opt-out information.

Martyn Ware talks about growing up in Sheffield, his family, and the art college where he met Phil Oakey, Ian Craig-Marsh, and their experimental beginnings. See acast.com/privacy for privacy and opt-out information.

Welcome to Off The Beat & Track Podcast with me Stu Whiffen.This episodes special guest is legendary producer and member of Heaven 17, Martyn WareI met with Martyn remotely during the lockdown and we had a wonderful chat, talking about growing up, school, creativity, clubbing, the early days of synth pop, The Human League, Heaven 17, producing Tina Turner and Terence Trent Darby, some great records and so much moreOff The Beat And Track Podcast is proud to be in partnership with The Cacao Bar from Hotel Chocolatwww.hotelchocolat.comHope you enjoy this chat and if you do please feel free to support the podcast herehttps://supporter.acast.com/offthebeatandtrackorwww.patreon.com/offthebeatandtrackListen to all Martyns song choices herehttps://open.spotify.com/playlist/7kU1ULOuz0tn2BzDMXabrR?si=GBwURXQhSlmv-EF_QU_1IAPlease also subscribe and follow the podcast on the social media links belowOff The Beat & Trackwww.offthebeatandtrackpodcast.comhttps://twitter.com/beatandtrackpodhttps://www.facebook.com/offthebeatandtrackpodcast/https://www.instagram.com/offthebeatandtrack/?hl=en Support this show http://supporter.acast.com/offthebeatandtrack. See acast.com/privacy for privacy and opt-out information.

Pastor Mike Karns continues his expositional series in the book of Revelation.

Any list of synth pioneers would include the great Martyn Ware. He's basically devoted his life to seeing what that machine is capable of. He starts out in Sheffield forming the Human League with pals Ian Craig Marsh and Phil Oakey, but after two ambitious albums, the band splits. Phil stays put, but Martyn and Ian get with Glenn Gregory and form Heaven 17, birthing classics like "Let Me Go", "Temptation" and many others. Martyn's career as a producer is also taking off as he works with Terence Trent D'Arby, Erasure, and Tina Turner who jump-started her major comeback when she sang on his B.E.F. project. These days, Martyn has one of the best podcasts out there, Electronically Yours, where he talks to all kinds of legends and peers. We get our hands dirty discussing all of this and much much more. Enjoy!  www.heaven17.com www.patreon.com/thehustlepod

Pat Sharp gets up close and personal with Heaven 17

Claire and Angela are Wednesday's contestants in the latest PopMaster Podcast with Ken.

Who is P.F.’s third favorite band? We attempt to find out, this time with Heaven-17. There’s also a brand new Song of the Week from Miley Cyrus featuring Dua Lipa.  DATES: P.F. is doing Last Call Trivia at RJ Cinema in Cincinnati December 10, at 7:00 p.m. LINKS: Fangirl’s blog. Nearly Liza YouTube channel. Check it out! PF, Fangirl, and Lizzie on the Travel Channel. Follow Liz Draws Ink on Instagram @nearlyliza Buy a T-shirt from Cincy Shirts OR Old School Shirts, it helps the show! Be sure to click over to Fangirl’s NEW blog, CheckCheckHey! and her photo blog. Follow P.F. on Twitter @PF66 and like this podcast on Facebook. PF’s Tape Recorder logo designed by Dan Koabel

[Revelation 21:3-4]Rev. Jaerock Lee

Danny Different's house actually exploded this week so instead of your usual half decent podcast you get this absolute nightmare from Paul. Imagine Paul's top 40 singles released in 1983 & then imagine him talking about them & playing you bits... That's what this is. Featuring Kiss, Lionel Richie, New Order, Wham!, Mike Oldfield, Bob Marley, Heaven 17, The Police, The Kinks & Elton John... Sound terrible? It is

On the eve of their first ever tour of the U.S., Marc & Kedric show their love for one of the most prolific electronic bands of the early 80s, HEAVEN 17. They will take you through their origins, the line up changes, the hits & misses! They go through favourite songs & stories!!! May 10th cannot come fast enough!!! Hands up to H17...

  C’est un album ensoleillé que nous chroniquons aujourd’hui dans cette rev consacrée à Electric Lady Sessions de LCD Soundsystem, groupe de James Murphy co-fondateur du label DFA Records,  remixeur fou, amoureux du son vintage de la pop-punk des années 80,  qu’il a remis au goût du jour dans les années 2000 avec l’ajout de  basses plus lourdes, un mix plus dynamique pour donner ce qu’on appelle  avec amour le Dance-Punk. J’ai le plaisir de partager cette revue avec Karim de la chaîne Politikon  qui quand il ne se consacre pas à décortiquer les théories sociales,  philosophiques et politiques, écoute beaucoup de musique, et en  particulier LCD Soundsystem ! Il fallait qu’il soit là pour me donner son avis sur ce dernier album  “live”, enregistré dans des conditions au plus proche de l’authentique :  une seule bande pour tous les instruments, donc pas de retouche, pour  un mois et 11 titres qui reprennent dans la discographie des LCD avec  trois reprises en bonus. Vous aurez le plaisir de découvrir à la sauce  Murphy du Chic*, du Heaven 17 et du Human League ! *NOTE : Karim vient de me faire remarquer que la reprise du I want Your love de Chic est très très proche du I can’t Kick this feelin’ When It Hits de Moodyman. Morceau reprenant lui-même Chic. A vous de comparer ! Et merci Karim !!

★ THE NEW ALBUM FOR CHRISTMAS!!★ www.BounceCD.com★ SIGNED TRIPLE CD & ULTIMATE USB!!!!!Episode 17 of the World's NUMBER 1 MIX SERIES welcomes SCOTLAND'S FINEST - GBX & SPARKOS!!THE BOUNCE HEAVEN PODCAST; For the car, bus, gym, pre-party, afterparty and every party in between! WE ARE THE BOUNCE GENERATION!www.Bounce-Heaven.co.uk

Als die britische Band Heaven 17 Anfang der 80er Jahre ihr gleichnamiges Debut-Album herausbrachte, landete sie gleich auf Platz 14 der UK Charts. Der große Erfolg blieb jedoch aus, weil die Songs mit ihren linken politischen Texten von der BBC nicht gespielt wurden. Dennoch gilt die Band als Meilenstein des Elektro-Pop.

This week, wasp attacks, window cleaning tips, The Violent Femmes, The Runaways, Janet Jackson, Kaiser Chiefs, the entire year of 1969 and plans to take hard drugs to listen to a 5CD jazz out-takes album.

This week, wasp attacks, window cleaning tips, The Violent Femmes, The Runaways, Janet Jackson, Kaiser Chiefs, the entire year of 1969 and plans to take hard drugs to listen to a 5CD jazz out-takes album.

As we're still working ourselves up to a second season, we're filling in with a few podcasts about artists we've already discussed. In particular, we're looking at artists we might not see again very soon due to not appearing on many Now That's What I Call Music! albums. To start with, we're giving an extra listen to Heaven 17, as featured on Now 1 (Temptation), Now 4 (Sunset Now) and Now 23 (Temptation - Brothers in Rhythm Remix). Plus, we pick a Heaven 17 song we wish had featured on a Now compilation, because it's our podcast and you can't stop us.

Biomusical “Especial Monográficos” repasa en 120 Minutos las grandes Biografías Musicales de los grupos e intérpretes que comienzan su andadura musical entre los años 1970 y 2000. Dirige y Presenta: Txetxu Argul Varela. Biomusical dedicado a Heaven 17. Emitido el Jueves, 02/05/19 de 22:00 a 24:00 h. a través de #esmiradio.es https://www.esmiradio.es/show/biomusical/ Cada Jueves a las 22h. estrenamos un nuevo programa. #Biomusical lo puedes escuchar de Lunes a Viernes de 22 a 24 h. a través de #Internet en https://www.esmiradio.es o también en #directo a través de #TuneIn, #iVoox o la #aplicación "esmiradio.es" disponible en #GooglePlay, #iTunes y #BlackberryWorld.

Paul is alone this week so he dug out 2 more issues of Terrorizer & picked out 6 albums that he didn't know & gave them a road test. This is the result... ...Obituary . Ohhms . Cradle of Filth . Pallbearer . Napalm Death . Melvins . Bob Dylan . Converge . Isis . Heaven 17 . 40 Watt Sun . Warning . Slayer . Candlemass . Wear Your Wounds . Svalbard . Celtic Frost . Hetroertzen . Souxsie Soux . A.A. Williams . Chelsea Wolf . Nicole Saboune .

Pat Sharp gets up close and personal with Heaven 17

Los Ronaldos, Sam Brown, Nacho Dogan, Heaven 17, Philip Bailey y Rare Earth. Son los nombres que forman parte de la crónica musical del periodista Carlos Núñez.

Martyn Ware joins me on the second of three special podcast episodes in collaboration with the National Festival of Making. We're waking the ghosts of Tony's Empress Ballroom, home of the Northern Soul all nighter for the wonderful 'Church of Rare Souls' soundscape. As part of Art in Manufacturing season 2, an electronic music pioneer takes us on a journey, explaining why retaining creative integrity saw him transition from selling over 50 million records as a musician and producer with the likes of Tina Turner, Erasure and his own Human League and Heaven 17 to limitless artistry of his own design, why taking the easy cash can be fatal for our happiness. Creating sonic murals and exhibitions worldwide with Illustrious Company, he explains why staying true to yourself if critical to progression in the arts and how today, he works with purity. Join us as Martyn explains why he's been inspired by the work ethic in Blackburn at WEC, Silent Night, Cherrytree Bakery, Graham and Brown and Darwen Terrecotta and how that led him to the weekend, Northern Soul dancing and the haunting Tony's Empress Ballroom. Kind thanks to Heritage Lottery Fund and Arts Council England for the crucial support for this series. https://festivalofmaking.co.uk/ http://www.illustriouscompany.co.uk/ https://www.instagram.com/thefestivalofmaking/ https://twitter.com/festofmaking https://www.facebook.com/festofmaking/ https://www.hlf.org.uk/ https://www.artscouncil.org.uk/

Martyn Ware Interview - "by Diane "Kamikaze" Farris" Original Air Date September 7, 2017 - "http://wfmu.org/playlists/shows/74751" http://www.illustriouscompany.co.uk/ - "https://www.heaven17.com/" https://www.facebook.com/heaven17official/ https://www.wfmu.org/playlists/shows/75256

Martyn Ware Interview - "by Diane "Kamikaze" Farris" Original Air Date September 7, 2017 - "http://wfmu.org/playlists/shows/74751" http://www.illustriouscompany.co.uk/ - "https://www.heaven17.com/" https://www.facebook.com/heaven17official/ http://www.wfmu.org/playlists/shows/75256

In this message, Pastor Zach Maddox shares an insightful message titled, “Citizen of Heaven” as part of our series, Luke: Jesus Ignited. Join us as we read Luke 6 and Matthew 5 and discover you are blessed as a citizen of heaven. Our prayer is that this message encourages you to live fully as a citizen in the kingdom of heaven.

Martyn Ware and Glenn Gregory of Heaven 17 chat with Simon and Brian about the creative processes behind songs like '(We Don't Need This) Fascist Groove Thang', 'Let's All Make a Bomb' (Penthouse and Pavement), and gems from The Luxury Gap. Martyn and Glenn also talk in detail about their early lives in Sheffield, their approach to synthesisers and recording technology, and early songs for The Human League such as 'Almost Medieval' and 'Being Boiled'.

Eagle Radio's Peter Gordon talks to Glen Gregory from Heaven 17 about being in the band for 30 years and performing at Guilfest on Friday 13th July.

Martyn called Christian to try and win £10,000 for charity Under the Stars

We are always alert when cosmic alignments suggest themes for the show. Of late we have found ourselves enjoying that classic Gershon Kingsley tune, Popcorn, and in particular some moustache-twirling interpretations of said tune. We thought it appropriate to devote … Continue reading →

Heaven 17 and ATOM on IndieFeed Dance