Podcasts about ten thousand things

Jack Straw artist Shin Yu Pai has launched the fourth season of her award-winning podcast Ten Thousand Things, produced in part through the Jack Straw Artist Support Program. This week we’re sharing an excerpt from the first episode, which you can hear in full on Apple Podcasts or any other podcast platform. When Yowei Shaw […] The post Shin Yu Pai – Ten Thousand Things appeared first on Jack Straw Cultural Center.

Ten Thousand Things is back for another season, now with Wonder Media Network. This season is about the objects that help us move forward — like a traditional Vietnamese dress, a jar of water from the Ganges River, and a gold trophy. New episodes start May 20th. Hosted on Acast. See acast.com/privacy for more information.

An old faded rice cooker. A blue two piece suit. A vial of water from the Ganges River. For the past four years, Poet Shin Yu Pai’s podcast, Ten Thousand Things, has explored how objects – from the extraordinary to the mundane, the literal to the figurative – communicate stories of Asian American meaning, identity, and culture. As of last month, the stories in the series have broken out of podcast players and become a new exhibit in Seattle’s Wing Luke Museum. The exhibit includes objects that will be familiar to listeners of the series – as well as some new items that will be featured in upcoming episodes. Soundside’s Alec Cowan joined Shin Yu Pai at the Wing Luke Museum to talk about the exhibit. Guests: Shin Yu Pai, writer, curator, and host of Ten Thousand Things. Related Links: EXHIBIT: Ten Thousand Things — Wing Luke Museum KUOW - Ten Thousand Things with Shin Yu Pai Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

A lot is changing for Ten Thousand Things. After three years with KUOW Public Radio, the podcast is now being produced by Wonder Media Network. New episodes begin in May. In the meantime, you can visit the museum exhibit based on the podcast at The Wing Luke Museum in Seattle. The show opens March 7th and is on display until 2027. Hosted on Acast. See acast.com/privacy for more information.

Mike Palindrome, the President of the Literature Supporters Club, joins Jacke for a reading and discussion of "Mrs. Spring Fragrance" by Sui Sin Far. The story, which takes place against a backdrop of waves of immigration to America in the nineteenth and early twentieth centuries (and the racist anti-Asian laws that followed), depicts an enterprising "Americanized" Chinese woman with a taste for matchmaking as she navigates the worlds of Seattle, San Francisco, and her own marriage. While acknowledging the achievement of the pioneering Sui Sin Far, Mike explores his personal reaction to the story, especially the highly patriarchal world of Asian immigrant communities. Additional listening: 667 Sui Sin Far (with Victoria Namkung) 529 Ten Thousand Things and the Asian American Experience (with Shin Yu Pai) 410 What Is American Literature? (with Ilan Stavans) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

The film “Sing Sing” is showing in theaters and in more than 1,000 prisons around the United States. The movie, which stars Colman Domingo alongside formerly incarcerated actors, portrays life behind bars through the lens of a prison theater program.Here in Minnesota, the organization Ten Thousand Things does similar work at a smaller scale. In the last year they have brought theater courses into correctional facilities in Shakopee, Stillwater and Faribault. Managing director Stephanie Thompson joined MPR News host Nina Moini to talk about this work.

Edith Maude Eaton (1865-1914) grew up in unusual circumstances: her father was an English merchant who traveled to China on business, and her mother was a formerly enslaved tightrope walker and human knife-throwing target who traveled all over the world with an acrobatic troupe. The eldest daughter among fourteen children, Eaton mostly grew up in Montreal, then relocated to America, where she became famous under the pen name Sui Sin Far. Today, her journalism and fiction, mostly chronicling the lives of Chinese men and women living in America, are impressive for their insight and humor. In this episode, Jacke talks to novelist and scholar Victoria Namkung about An Immortal Book: Selected Writings by Sui Sin Far, for which she wrote the forward. PLUS Samantha Rose Hill (Hannah Arendt: A Critical Life) discusses her choice for the last book she will ever read. Additional listening: 512 Hannah Arendt (with Samantha Rose Hill) 529 Ten Thousand Things and the Asian American Experience (with Shin Yu Pai) 66 A Conversation with Novelist Shawna Yang Ryan The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nobody ever has their sh*t together, it's a myth. Even so, life is a miracle. It can be so easy to overlook this fact - and miss the incredible fact of existence. But life is also full of pain and suffering. If we can make peace with how life really is - rather than how we think it should be - then perhaps we can start to relax and let go of the incessant striving and quest to 'become' sometime in the future. We can find peace in this moment, even in the midst of life's myriad of challenges. My guest is Dr. Robert Saltzman, author of the excellent books The Ten Thousand Things and Depending on No Thing. My links: Book: https://www.simonmundie.com/book YouTube: https://tinyurl.com/YouTubeSimonMundie Website: simonmundie.com Substack Newsletter: https://simonmundie.substack.com/ Instagram: https://www.instagram.com/simonmundie/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Straw artists Susie Kozawa and Brigid Kelly talk with Shin Yu Pai, Seattle’s Civic Poet and host of the podcast Ten Thousand Things, about their Jack Straw New Media Gallery installation Tokio Florist Project. Applications are open now for Jack Straw’s 2025 artist residency programs. Visit us on Submittable for more information: https://jackstraw.submittable.com/submit The post Tokio Florist Project New Media Gallery Podcast appeared first on Jack Straw Cultural Center.

Jack Straw artists Susie Kozawa and Brigid Kelly talk with Shin Yu Pai, Seattle’s Civic Poet and host of the podcast Ten Thousand Things, about their Jack Straw New Media Gallery installation Tokio Florist Project. Applications are open now for Jack Straw’s 2025 artist residency programs. Visit us on Submittable for more information: https://jackstraw.submittable.com/submit The post Tokio Florist Project New Media Gallery Podcast appeared first on Jack Straw Cultural Center.

This week, we bring you a special bonus episode from our friends at the podcast Ten Thousand Things with Shin Yu Pai.Janet Lee, a freshman at Bryn Mawr, was heading home for Christmas break when she was detained by the police for alleged drug smuggling. Janet wasn't carrying any drugs. But the treatment she received from the Philadelphia police department and from her own community would change her life forever. In this episode, Ten Thousand Things explores the pain of being accused of being someone you are not and fighting to reclaim the story that sets the record straight.Stay connected with us! Email us at inheriting@laiststudios.com to share your questions, feelings, and even your story.Inheriting is entirely funded by supporters like you. If you want to hear future seasons, go to LAist.com/Inheriting and click on the orange box to donate.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The E. Kong Yick building houses the only pan-Asian Pacific American community-based museum in the country, The Wing Luke Museum. And it's an anchor in Seattle's Chinatown-International District. The Wing began in an old mechanic's garage, exhibiting old folk art relics from Asia. This episode tells the story of how The Wing transformed from a traditional museum into a BIPOC-owned building, community, and movement … and how people responded when it was threatened.  *** This episode of 10,000 Things is about the Wing Luke Museum in Seattle. It was recorded before 26 members of its 52-person staff walked out on May 22nd , in protest of a new exhibition entitled “Confronting Hate Together.” While leadership continues to work to resolve the dispute with those on strike, as I talk to you on June 18th, the museum remains closed. If you'd like to know more, we're providing links to KUOW's coverage in our episode notes.  As you're about to hear, The Wing is a beloved Seattle institution that has been no stranger to turmoil and disruption. Regardless, its strong relationship to the community has allowed it to grow and thrive. If you want to learn more: Wing Luke exhibit shows how Black, Asian, and Jewish Seattleites confront hate together  With 'heart, sensitivity, and delicacy,' Wing Luke Museum plans to re-open after staff walkout  Seattle's Wing Luke Museum closed after staff say exhibit 'frames Palestinian liberation' as antisemitism    Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Ben Noble, Christopher Wohrle, From Somewhere Quiet. And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.See omnystudio.com/listener for privacy information.

Some trees are just special. One tree in Seattle's Chinatown-International District has reached legendary status. The loquat tree is an artifact of the Engs, a pioneer Chinese-American family who planted the fruit seed in their front yard. The tree has thrived for over 60 years, nourishing the family and the community. Now, it stands as a legacy tree in the C-ID, accessible to a new generation and the tree's arboreal descendants grow all over the city, forming their own non-human diaspora.   Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Ben Noble, Christopher Wohrle, From Somewhere Quiet. And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.See omnystudio.com/listener for privacy information.

Jeff and Phil welcome back Shin Yu Pai, poet, museologist and host of Ten Thousand Things, an award-winning podcast about modern-day artifacts of Asian American life. She is joined by Jenny Liou, poet, English scholar and former MMA cage fighter -- and one of the subjects of the latest season of Ten Thousand Things. They talk about Jenny's entry into the sport, the cage as a space of limitation and liberation, and the impossible and contradictory expectations of an Asian American female fighter. Also, stay tuned for "Cage," an extra episode of Ten Thousand Things featuring Shin Yu Pai and Jenny Liou. 

  I am fortunate enough to occasionally have labels or artists connect with me about new music they have coming out. Sometimes those discussions result in a guest mix. Which brings us to this latest mix. Daniel Field, owner/founder of Imaginary North, reached out about some new music coming out on his excellent ambient label. He has a new album out under his Kilometre Club moniker so we figured it would be a great time for a guest mix. Here's what Daniel has to say about this collection: "I am so excited to share my new triple album, An Alphabet of Distance, and wanted to create a mix that reflects the idea of closeness. As a result, I looked to music being made in and around my hometown Toronto, thinking about some of our growing ambient community, as well as reflecting on the past. While putting this together, I quickly began to notice themes and trends that have permeated local ambient, electronic, and experimental music from this vast and vibrant city.   More than anything, the vast array of instruments used across this mix feels like a connect-the-dots of the diverse, complex, and cosmopolitan nature of the city. In 100 minutes, on top of the usual guitars and synthesizers, you'll hear harp, bass clarinet, saxophone, kulintang gongs, kalimbas, horns, a bridge, and so many more components that come together beautifully. The title of the mix is named after Toronto's most annoying and traffic-filled major thoroughfare, one that has recently undergone partial demolition and multiple lane closures, but is still such a pivotal artery of the city.  An Alphabet of Distance is out now as a digital download or double CD from Imaginary North."   Here's the link to the new Kilometre Club album: https://imaginarynorth.bandcamp.com/album/an-alphabet-of-distance Imaginary North Bandcamp page: https://imaginarynorth.bandcamp.com/   Here are links to all the music used in this mix: https://imaginarynorth.bandcamp.com/album/nostalgia https://shnshn.bandcamp.com/album/form-s https://gracescheele.bandcamp.com/album/landings https://josephshabason.bandcamp.com/album/anne https://piersoolvai.bandcamp.com/album/solace-shards https://domakesaythink.bandcamp.com/album/you-youre-a-history-in-rust https://imaginarynorth.bandcamp.com/album/other-rooms-mainstream-x-imaginary-north https://imaginarynorth.bandcamp.com/album/imaginary-north-transmission-004 https://imaginarynorth.bandcamp.com/album/outside-choices https://brokensocialscene.bandcamp.com/album/you-forgot-it-in-people https://pantayo.bandcamp.com/album/ang-pagdaloy https://avantlard.bandcamp.com/album/sleepwalking-through-lambton-woods https://fanwu.bandcamp.com/album/touch-the-ten-thousand-things-without-dependency https://aidanbaker.bandcamp.com/album/field-of-drones https://oscarson.bandcamp.com/album/anth-ne-held https://dreamstate.bandcamp.com/album/the-drone-cycle https://polmopolpo.bandcamp.com/album/like-hearts-swelling https://imaginarynorth.bandcamp.com/album/the-longest-time   Thanks to Daniel & Imaginary North for this excellent mix. Cheers!   T R A C K L I S T : 00:00   Kilometre Club & Lutes Jennings - Stoplight (from An Alphabet of Distance, Imaginary North 2024) 02:28   Moonwatcher - Echo In The Hollow Of My Skull (from Impressions, Age of Leisure, 2024) 06:11   JICS - come back to me (from Nostalgia, Imaginary North, 2024) 08:44   shn shn - first light (from Form(s), independent, 2023) 13:22   Kilometre Club & Sun Rain - Zone of Harmony (from An Alphabet of Distance, Imaginary North 2024) 16:28   Grace Scheele - pomposity (from Landings, independent, 2023) 18:28   Joseph Shabason - Forest Run (from Anne, Western Vinyl, 2018) 22:52   Piers Oolvai - Materia (from Solace Shards, independent, 2021) 27:29   Do Make Say Think - A Tender History in Rust (You, You're A History in Rust, 2007) 32:34   Kilometre Club & Gollden - Fragments (from An Alphabet of Distance, Imaginary North 2024) 38:26   Erin Corbett - All You Can Think About Is How Good It Feels (from Other Rooms, mainstream x Imaginary North 2024) 45:54  Pick a Piper - Kalimbas and Chimes (from Imaginary North Transmission 004, 2023) 51:49  Kilometre Club & Astrolope - All/Flax (from Outside Choices, Imaginary North, 2023) 58:06   Broken Social Scene - Capture the Flag (from You Forgot it in People, Arts and Crafts, 2002) 1:00:12   Pantayo - Bakal Bote (from Ang Pagdaloy, Telephone Explosion, 2023) 1:02:28   Nick Storring - Sleepwalking Through Lambton Woods [excerpt] (from Sleepwalking Through Lambton Woods, Avant Lard, 2023) 1:09:00   Fan Wu - Yarrowly (from touch the Ten Thousand Things without dependency, Second Spring, 2024) 1:13:40   Aidan Baker - Twilight [excerpt] (from Field of Drones, Arcolepsy Records, 2004) 1:18:11   anthene - beneath the trees (from Held, Oscarson, 2021) 1:21:52   dreamSTATE - Northern Ark (Feat. Kurt Swinghammer) (from The Drone Cycle, independent, 2024) 1:27:30   Polmo Polpo - Farewell (from Like Hearts Swelling, Constellation Records, 2003) 1:32:29   Kilometre Club - The Longest Time [excerpt] (from The Longest Time [coming soon], Imaginary North, 2024)

This is the sweet story of a viral and photogenic ube cheesecake. To many Filipino-Americans, ube is not a trend. It's a staple. Yet here in the United States, it was known for decades as an ethnic specialty ingredient. That is, until Chera Amlag got her hands on it and made it the star of her Hood Famous cheesecake. When Chera's homemade ube cheesecake became a culinary phenomenon, ube was transformed. Chera's cheesecake put Filipino culture and identity in the spotlight through her imaginative use of ube. And her collaborative approach has strengthened the Filipino-American community.      Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Young Collective, Olive James, Sonny Oh, N. Kerbin. And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.See omnystudio.com/listener for privacy information.

When Tiffany Ran left for college, her mom gifted her a Tatung cooker. The Tatung is a unique kitchen appliance that would be familiar to anyone with ties to Taiwan. Everyone uses it slightly differently, as its versatility is passed down by word of mouth. Tiffany's Tatung has accompanied her throughout the chapters of her unfolding adulthood. It has offered nourishment and comfort to her through the years, from broths to rice to Eggo waffles (not recommended). And it is the foundation of her burgeoning culinary career.    Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Young Collective, Jonny Southard, N. Kerbin. And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.See omnystudio.com/listener for privacy information.

Janet Lee, a freshman at Bryn Mawr, was heading home for Christmas break when she was detained by the police for alleged drug smuggling. Janet wasn't carrying any drugs. But the treatment she received from the Philadelphia police department and from her own community would change her life forever. In this episode, we'll explore the pain of being accused of being someone you are not and fighting to reclaim the story that sets the record straight.   Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Abigail Osborn, PRAANA, Wild Pony, Brique a Braq, Jordan Critz. And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.See omnystudio.com/listener for privacy information.

Jenny Liou is good at many things. She is a poet, an English professor, and former MMA Cage Fighter. It would be easy to see the cage as a place of limitation. But for Jenny, the cage was a place of freedom, where she could showcase her athletic skills. It was a place where her jiu-jitsu training allowed her to stay grounded and see her opponent's weaknesses. Jenny rose in the sport's ranks while teaching college English, a symbiotic balance of mental and physical strength. But the pressures of the sport ultimately confined her, until she gained the strength to give up the fight and step out of the cage.      Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Deraj, Wild Pony, WOLVES. And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.See omnystudio.com/listener for privacy information.

We might wear a mask to fit in, to fulfill someone else's expectations, or to navigate a white-centric world. For Shin Yu, the mask was real. It was a white plaster mold of her face that hung on her in-laws' wall, a reminder of all the “saving face” she has done trying to fit in. Last year, she decided to ask for the mask back. This is a personal interview with Shin Yu about learning how to let down the mask, while embracing vulnerability and our true selves.    Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Wild Pony. And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.See omnystudio.com/listener for privacy information.

Leanna Keith knew the flute was her instrument. But she was discouraged from trying it in middle school by a white teacher who said her anatomy (a teardrop lip) would not allow her to master the instrument. Today, she is a professional musician, breaking the mold with her contemporary flute performances. This story looks at the uniqueness of our individual anatomies and what it's like to be made to feel imperfect.   Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Dexter Britain. Sunborn, Red licorice, Vanra, Ezzy, AND Leanna Keith. And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.  See omnystudio.com/listener for privacy information.

This season on Ten Thousand Things: We're back with season three! This season features the stories of trailblazing Asian American women and the resilience of Asian American communities, even in the face of endangerment. Three of this season's stories take place in Seattle's Chinatown-International District Neighborhood, with help from the Wing Luke Museum. Featured guests include poet and former MMA cage fighter Jenny Liou; Seattle chef Tiffany Ran; and flutist Leanna Keith; among others. New episodes drop on Tuesdays. Ten Thousand Things: In many Chinese sayings, “ten thousand” is used in a poetic sense to convey something infinite, vast, and unfathomable. For Shin Yu Pai – award-winning poet and museologist – the story of Asians in America is just that. Ten Thousand Things is a podcast about modern-day artifacts of Asian American life and the stories they reveal, created and hosted by Shin Yu Pai and produced by KUOW (Seattle's NPR station). Ten Thousand Things is a vibrant, diverse, and bittersweet celebration of Asian America ... and a challenge for us all to reimagine stories of the past and future.  See omnystudio.com/listener for privacy information.

Before we return for our THIRD season of Ten Thousand Things on April 30th, we wanted to share a special recording. In September of 2022, we celebrated the first season of our podcast with a live event at McCaw Hall at the Seattle Center. Back then, our podcast was called The Blue Suit (as you'll hear). We evolved to become Ten Thousand Things. But we had the same goal of telling compelling stories behind modern-day artifacts of Asian American life. Our live show includes interviews with some of our previous guests on the podcast as well as some new stories. And musician Tomo Nakayama joins us to share a story about an object that is dear to his heart and to play a few songs.    We can only make Ten Thousand Things because listeners support us. Make the show happen by making a gift to KUOW. And we want to hear from you! Leave us feedback online. Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Jim Gates produced this episode with help from Hans Twite and Tom Stiles. Charlotte Duren produced the event. Tomo Nakayama wrote our theme music. See omnystudio.com/listener for privacy information.

What you'll learn in this episode: How Saudia is preserving her mom Cara Croninger's legacy Why Cara Croninger's resin and plastic jewelry was—and still is—groundbreaking How Cara Croninger refined her jewelry making process, and why she didn't want her pieces to be perfect What it was like to grow up in an artistic family in the heyday of New York's art jewelry scene How Saudia's mom and dad influenced her music career today   About Saudia Young Saudia Young is a New York City-born actress/singer and storyteller in theater and film. Born on the Lower East Side and brought up between Tribeca and LA, Young explores the notion of home, love, justice, and identity through her art.   The recently repatriated artist lived in Berlin, Germany, for a long chapter of performing, writing, and producing. The Ameripolitan Awards 2023 Female Rockabilly Singer nominee released her 7" single ‘Noir Rockabilly Blues,' produced by Lars Vegas-DE and featuring 'The Wobble' on the A and Iggy Pop's 'Lust for Life' on the B side, in 2017, followed up by her 12” debut ‘Unlovable' in 2018. The LP was recorded live at Berlin, Germany's legendary Lightning Recorders.   Young founded a Dark Kabarett and a Rockabilly Noir Blues band in Berlin, co-created the Lost Cabaret and the Schwarze Liste Kabarett theater projects and wrote and produced the award-winning short film The Gallery. While in Berlin, she was cast in the lead voice-over role of Oskar in School for Vampires (the English version of the Hahn Film cartoon series).   Young co-wrote and performed the solo show Sneaker Revolution and is currently writing a theater/film piece about her actor father, Otis Young, and sculptor/designer mom Cara Croninger. Photos Available on TheJewelryJourney.com Additional Resources: Saudia's Website Saudia's Instagram Saudia's Youtube   Transcript:   To jewelry lovers, Cara Croninger was a groundbreaking artist whose work was shown at iconic galleries Artwear and Sculpture to Wear. To musician and actress Saudia Young, she was just mom. Today, Saudia is working to preserve her mother's legacy and secure her place in art jewelry history. She joined the Jewelry Journey Podcast to talk about how Cara made her pioneering resin jewelry; how Cara's work evolved with the times; and why Saudia thinks of her mom every time she performs. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.   Today, we're speaking to my guest, Saudia Young, who is located in Philadelphia. She has an interesting background. Her mother was a very well-known jeweler, and her father was an actor. She was born in New York and grew up between New York and Los Angeles. Welcome back.   Were you aware she was doing this? Were you aware that she went to different galleries, that she didn't have a sales rep when you were growing up? Were you aware of this?   Saudia: Yeah, of course. There was one point in the 90s where she had a showroom. Tony Goldman and Janet Goldman had a showroom called Fragments, and she was in the showroom for some years. She had different reps throughout her life. Ten Thousand Things was a store. They still exist, and they have incredibly beautiful work. For a while in the Meatpacking District, they had a nice cadre of artists, and my mom was one of the artists. They also did wholesale for her. So, they represented her work to other people.   Sharon: I have a few pieces, just a smattering, but do you have a lot of her work? Do you have an archive of her work?   Saudia: Oh, yeah. That's part of what I've been dealing with. My sister and I have our own personal collections. Throughout the years, my mom collected the best pieces of each group and gave us our personal collections. Then I have basically all the work she left behind when she passed away. I've been trying to organize that. There was a big section of it shown at the Aspen Art Museum two years ago for about a year. Jonathan Burger had a show called The Store. My mom's jewelry and sculptures were in one show. That was really exciting, to have both together. Actually, 14 small sculptures sold during that show and, fingers crossed, about seven pieces will be donated to an institution. I'm not going to say which one. That takes a long time.   Right now, there are pieces that are actively being sold. Lisa Berman—not a family member, just the same last name—from Sculpture to Wear sold some of my mom's work at her first gallery. She also helped sell some pieces when I came out and was trying to figure out what to do and how to secure the legacy, meaning literally a storage space to hold everything. It's a big responsibility.   Sharon: You're referring to Lisa Berman.   Saudia: Yeah, who is not your blood relation but of the same name. Obviously, she introduced us and was part of the first interview. She's consulted with me. She's another one of the angels. There's a whole host of people who are still in awe of my mom's work and in support and cheerleading. It includes Robert Lee Morris.   I'm still trying to figure out what to do with the work to secure the legacy. It is being sold at Studio Hop in Providence, Rhode Island. That's introducing the work to some people who have not seen it before. It's introducing it to a new audience, which is really nice. Jussara Lee, who used to sell it in Manhattan and is now in Connecticut, has been selling it. Other than that, I have an Artwork Archive website for her so people can see the work. I'm not selling it from that website, but there is a section of it that's still being sold. Then there's a section I'm holding in case I can get it accepted into an institution.   Sharon: I remember a few years ago, I fell in love with a bracelet and I didn't end up getting it. I think it was the first time I ever heard of her, and I thought it was so neat.   Saudia: Yeah, it sold a lot of work. They stopped selling after she passed away. They also had a hard time. Everybody is just recovering now from Covid. A lot of people had a very hard time in the past few years. Some stores closed and sales went down. There were several stores who were carrying her work who have closed since Covid.   Sharon: What did you do to make it through Covid and to have money come in?   Saudia: I cried. I don't know. I did whatever I could. I was going back and forth between Germany and here. There was a grant in Germany—actually, it wasn't a grant; it was a loan—but there was a Covid loan they were giving to artists in Germany. Here, I went on unemployment for a while and then I went off it, whatever I could. We all did what we could to survive.   Sharon: That's very true. I know there were different things we had to do. I agree with you that people are just coming out of it now.   Saudia: And now we have two wars, so it's like, “Great, thank you.” Can't catch a break.   Sharon: Which is worse? I don't know. I guess if you're in the field over there, it's worse.   Saudia: Yeah.   Sharon: A lot worse. How does it feel to have a mother who's mentioned by people you don't know? You say you're the daughter and all of a sudden, they say, “Oh, I love your mom,” or “I love her jewelry.”   Saudia: What do you mean? How does it feel?   Sharon: Yeah. If I said, “Oh, I have a really neat bracelet,” and the person says, “I've not heard of that person,” how does it feel?   Saudia: First of all, a young man—he's probably my age. It's so funny I still think of myself as a teenager. Timothy Reukauf is a stylist. He's another angel who introduced me to the manager and owner of Screaming Mimis Vintage clothing and jewelry store in New York. When I brought the work, because they brought the work to a vintage show, and they're showing the work and trying to sell it, she was so enthusiastic and happy and excited. It was nice because it's an extension of my mom, and I miss my mom. I feel like it's that, as opposed to anything ego-based. It's more emotional—now you're going to get me emotional. But it's nice to know because I really miss her, and when I hear people loving her work, it's heartening. It's heart filling.   Sharon: That's a good word, heart-filling. I've heard different things. It's Croninger with a hard g. I've heard that as Croninger with a soft g. Which one is it?   Saudia: Oh lord, that's a good one. It's Cara Croninger with a hard g, but people have called her Croninger with a soft g. People have called her Cara. She's even called herself Cara, but it's Cara Lee. Her Michigan name was Cara Lee Croninger, but it depends on who you are. Are you Dutch? Are you German? Are you from New Jersey?   Sharon: Did she support your career as an artist?   Saudia: Do you mean my dreaming? Yeah, she supported me being a dreaming, silly person, definitely. She put me in dance school. She always thought I should be a painter, actually. She'd say, “You should be a painter,” because I had a natural ability to draw and to work with my hands. After being a child laborer with her, I could make things. But all jokes aside, she was very supportive of me being an artist or whatever it was that I wanted to be, political activist or artist. My sister was an architect. She was very supportive of that. She was beloved by a lot of the young artists who were around Dumbo, our friends, our extended family. She was a positive influence, a positive auntie, elder, second mom, to a lot of people.   Sharon: It sounds like it.   Saudia: Yeah. I shared her as a mom figure with a lot of people.   Sharon: Tell us more about your singing. Do you think of her when you sing?   Saudia: Yeah, I think of her with whatever I do, for sure. There's one song—I think you wrote it down on the question list—It Don't Mean a Thing (If It Ain't Got that Swing), doo wop, doo wop, doo wop, doo wop. I think it was Louis Armstrong. She was working on some kind of saying or branding because she was really into the earrings having a nice swing. She coined it when I was helping her make them. The holes had to be big enough so the lyre could be comfortable enough so the earrings could swing. She incorporated that into some of her branding.   But yeah, I listened to a lot of music growing up. She was very into Judy Collins and Kurt Weill, a wild range. She dated one of the Clancy Brothers—they were very into folk music in the 60s—and my dad and her were into soul and Otis Redding and Taj Mahal and Bonnie Raitt. I'm wandering, but yes.   Sharon: What years was she most popular? It seems like she had a real high.   Saudia: I think the 80s. The minute she started doing the resin stuff, she went into Sculpture to Wear, which was a very prestigious gallery. I'd say the early 70s through the 80s. Then Artwear closed and she was on her own. She did really well in the 90s as well. She was pretty prolific, but I think the 80s were the time when there were tons and tons of fashion articles and fashion shoots with all the supermodels of that time.   Sharon: Talk about wandering, because I'm looking at my list of questions. Tell us how you were involved in making her jewelry. You told us a little bit, but did you ever cut the hearts?   Saudia: The hearts were made in molds. She created molds and poured, and then we would open the rubber molds. I would help sand. I would help drill holes. I can drill a hole. I would help with polishing. Like I said, I would help with finishing work and stringing cords on the hearts. Trying to influence her businesswise, she was not having it.   Sharon: Would she say, “That color doesn't look better in the green. It looks better in the purple,” or something that?   Saudia: No, not really because once something is poured, it's a done deal. That would be like, after you've made 500 brownies, saying, “I wish we had blueberry muffins.” It's too late now.   Sharon: She could say, “Well, you can have it then, and I'll try and sell the purple one,” or something.   Saudia: No, the work was too labor-intensive. Once things were made, you really needed to get them out there. They were like donuts in a way. You need to get them out so they don't go stale. Keep the energy, keep them moving. The only thing she was conflicted about was pricing. There was a point in jewelry where everything—remember when the Y necklaces came out? Everything was really tiny. There was a point where it was trendy to have really tiny jewelry, and that freaked her out because her work was so big and sculptural. She would get freaked out about that kind of stuff. The editors loved her work because it was big and you could see it. It went incredibly with beautiful clothes like Issey Miyake and these avant garde designers. The tiny stuff, you can't see it in an editorial. It's so funny; you'll have a cover article and it'll be like, “Earrings by whomever,” and I'm like, “Where are they? What earrings?”   Sharon: That's interesting. Miyake or Yohji Yamamoto, they're high-end, but they've become very—they're not that valued anymore.   Saudia: Now they're mainstream, yeah.   Sharon: Do you think your mother's jewelry would be considered avant garde today?   Saudia: Yeah, it still is in a way because of the designs and the fact that it was really handmade. She was making her own work. Maybe Lisa would call that studio jewelry. She was in her studio making it herself. She did have a short relationship with a company in Japan where they were making work that would only be sold there. It was fine, but you could really see the difference and feel the difference. It wasn't Cara. It wasn't special, unfortunately. We're grateful that they did it, that she had that relationship and that we could go to Japan and travel there. That was awesome.   So, I think she was avant garde as an artist. I don't agree that Yohji is no longer avant garde. His designs are so beautiful. He's really focused on craftsmanship, having amazing makers creating his work. In a way that is avant garde, as opposed to crap being made. You know what I mean?   Sharon: You're right, 100%.   Saudia: In a factory.   Sharon: I can't think of another one, but there are a lot of designers whose work you can't afford—I'm talking about clothing—who have developed their own less expensive lines.   Saudia: Yeah. I remember when they would call it the junior line, and it would be for the younger kids. It would be lighter and cheaper and faster and funnier and all that. Now there are lots of layers of that, but you have these throwaway clothes being made by companies like H&M and so forth.   Sharon: Do you think she would fit in, like she'd make a smaller version of something that she made large?   Saudia: She did do some smaller things when she was working with the Japanese company. That led her into making some tiny silver hearts and medium-size silver. Then she had to do her big pieces. She could not let go of her love affair with big, sculptural pieces. I think she was conflicted about the McDonaldizing of fashion and accessories. Of course, she wanted to put food on the table, but she was really conscious of the environment. Even though she was working in plastics, she was very conscious of workers and workers' rights. Where does something come from? How is it made, and what's the impact of it being made?   Sharon: It sounds like she carried that through the 80s, into the 90s, into today.   Saudia: Definitely. She definitely had something to do with me being political, her and my father. She was very righteous.   Sharon: I know you do cabaret and rockabilly. What else do you do? What do you sing?   Saudia: My main focus is mental health. It's a really hard time right now, I feel, but I think it's actually a good time to continue to do the rockabilly, but to circle back to the dark cabaret I was doing before the rockabilly. So, I'm working on that. I'm working with a few musicians here in Philly, and I have some shows with musicians in other parts of the country. For Thanksgiving, I'm going to be in Illinois with Patrick Jones and 3 On The Tree. It's a band. We're going to do a rockabilly Thanksgiving tour. Then in March, I'll be in California, in Orange County.   Sharon: Doing what?   Saudia: Doing rockabilly with The Hi-Jivers and Abby Girl. In Orange County, we're going to do just a rockabilly R&B show. Then in April, I'll be with Viva Las Vegas again, which is a rockabilly weekend. I'll do an R&B show and rockabilly. In between, I'm just trying to stay sane, make a living, take care of my mom's work, tell her story. I'm supposedly writing a story about my mom and my dad, sort of a solo show. I don't know if it's a solo show or a documentary, but it's about their relationship as an interracial couple in the 60s and an interracial artist couple.   Sharon: That'll be very interesting   Saudia: They were both known as being difficult people, but most artists are in a way. It takes a lot of energy to do that work, so you can ruffle a lot of feathers. So, that's what I'm doing.   Sharon: I hope I'll get to meet you then. Thank you so much. This was very interesting.   Saudia: Thank you so much. Sharon: Thank you. Well will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey. She would always think about, “What am I going to pour?” It might be a ruby red, which was really popular and beautiful. One of the most popular pours, I think I said in the last interview, was the black and white, where she would have black and white and it would come out in a striped formation. Then she would pour into her different molds, the bangles, the C cuffs, the earrings.   Just as important as the colors were the processes. For the slice earrings, she would pour the layers so it would be striped into a block like a loaf of bread, a small, little, long brownie. Then she would slice it on a bandsaw and you would get to see the stripes. Part of her process was the actual cutting, carving, sanding to get the shapes, and then making the decision whether she was going to have them polished or matte without polish.   Sharon: A mask?   Saudia: Matte, sorry. What the finish would be. If she had faceted bangles or hearts or whatever, she was very aware of not making anything perfect. She used the fact that it had scratches to show the layers of work and to show that it's made by a human. It wasn't something that needed to be absolutely perfect. She was very into wabi sabi, the Japanese art of the imperfect. She loved wavy shapes and asymmetry in her designs.   Sharon: Who did the selling for the first years, when you were getting it off the ground?   Saudia: I was a kid, so I wasn't going to get it off the ground. I was just eating the food she was putting in the refrigerator. When she first started with the leatherwork, she was just going around to different boutiques in the Village or whatever and selling them, either having them buy it straight out or on consignment. I think one of the worker's galleries was the original Sculpture to Wear. That was near where MAD Museum is right now. I'm forgetting the name of the hotel. That was one of her galleries. I'm sure there were other stores I don't know about.   That was in 1971 or something like that. That was very close to when she started working in plastic. She got taken in and accepted really quickly. At that time, Robert Lee Morris was also selling at Sculpture to Wear. He was a wunderkind. He was opening up his own gallery, Artwear, and brought my mother into that gallery. During that time, that also gave the artists recognition and amplified their voices. They were able to have their work in stores in Boston and in California because of being in Artwear.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.    

More at www.philosophytalk.org/shows/zhuangzi. Zhuangzi, the 4th-century-BCE Chinese philosopher, was arguably the most important figure in Taoism. He believed that a person's ideal relationship to the world was to "be one with ten thousand things." So how is someone supposed to achieve this ideal? What is at the core of Zhuangzi's conception of the good life? And how could contemporary western readers benefit from his way of thinking? Josh and Ray welcome back Paul Kjellberg from Whittier College, editor of "Essays on Skepticism, Relativism, and Ethics in The Zhuangzi."

Sean talks to New York Times best selling author Julia Pierpont (Among the Ten Thousand Things, The New Yorker) about Wonder Boys. They discuss teaching writing and the film's depiction of a novelist. Every episode is available at Patreon.com/TheFlagrantOnes on The Bundle Tier with selected episode available for free here! Hosted on Acast. See acast.com/privacy for more information.

“There's no one right way to be Asian American you know? The diasporic experiences trying to grapple with culture, what to keep and carry, what to relate to - so very human and universal.”  Shin Yu is many things - poet and writer, but also podcast host and producer of Ten Thousand Things – a show for Seattle's NPR affiliate KUOW Public Radio. Shin Yu's also currently the Civic Poet of Seattle (2023-2024) and author of 11 books, including most recently Virga. She is the recipient of awards from the City of Seattle's Office of Arts & Culture, 4Culture, and The Awesome Foundation, as well as a 2022 Artist Trust Fellow and she was shortlisted in 2014 for a Stranger Genius Award in Literature. Shin Yu served as Poet Laureate for The City of Redmond from 2015-2017. Shin Yu's work has appeared in publications throughout the U.S., Japan, China, Taiwan, the UK, and Canada - in publications like Atlas Obscura, Tricycle Magazine, YES! Magazine, NYTimes, Zocalo Public Square, Seattle Met, ParentMap, Seattle's Child, International Examiner, and South Seattle Emerald, and many more. Sharon and Shin Yu related to each other in a ranging conversation about Chinese childhood and raising bi-racial children - both of which have formed her ideas about art, literature and storytelling. You'll appreciate her deep passion for connecting communities, connecting cultures, and drawing out beauty in the most unique ways  LEARN ABOUT SHIN YU shinyupai.com instagram.com/shinyupai PODCAST: kuow.org/podcasts/bluesuit BOOKS: goodreads.com/author/show/308679.Shin_Yu_Pai WORDS: joysauce.com/contributor/shin-yu-pai/ SUPPORT UPCOMING WORKS: “No Neutral” (poetry collection) -spdbooks.org/Products/9798988370109/no-neutral.aspx “Less Desolate” (haiku comics collection) - kickstarter.com/projects/1701310602/less-desolate “Small Doses of Awareness” (Microdosing Guide) - amazon.com/-/he/Shin-Yu-Pai/dp/1797227823 MENTIONS BOOK: Letters to a Young Poet (Rainer Maria Rilke): goodreads.com/work/quotes/1208289-briefe-an-einen-jungen-dichter Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Totton and Tod discuss Erich Fromm’s 1941 exploration into man’s relationship to authority and how to find true freedom. (This is an episode from “Ten Thousand Things,” Dr. Totton and Tod’s podcast available exclusively at Patreon.com/WhatsThisTaoAllAbout.)

Episode Notes In this special episode, Disability After Dark has partnered with KUOW in Seattle to bring you an episode of one of the most notable podcasts of 2023, Ten Thousand Things, where host Shin Yu Pai -- the current reigning Civic Poet of Seattle! -- sits down with award-winning disability rights activist Alice Wong to discuss her long history of advocacy. From lobbying her university for disability-related curriculum to being appointed to the National Council on Disability, not to mention founding the Disability Visibility Project, Alice is an awesome human being who's disrupting the status quo. Needless to say, this is a “can't miss” conversation, and if you want to hear more like it, be sure to follow Ten Thousand Things on your favorite podcast app. (And tell them we sent you!) With that said, here is Ten Thousand Things. Enjoy! This podcast is powered by Pinecast.

Check out this amazing episode of Ten Thousand Things from our friends at KUOW in Seattle, featuring a meditation on voice from disability justice activist, oracle, and cyborg, Alice Wong. Ten Thousand Things with Shin Yu Pai is an acclaimed podcast that amplifies heartfelt stories from Asian America. You should definitely check it out on Apple Podcasts, Spotify, or wherever you love to listen—and tell them we sent you! Transcript available here. To hear more from Alice Wong, check out Qudsiya's conversation with Alice in season 3, episode 1 of Down to the Struts. -- Loving Down to the Struts? Support the team behind the podcast with a donation. Leave a review on Apple podcasts. Subscribe to Qudsiya's newsletter, Getting Down To It.

Jacke talks to Shin Yu Pai, currently the Civic Poet of Seattle, about her career as an artist and her podcast Ten Thousand Things, which explores a collection of objects and artifacts that tell us something about Asian American life. PLUS Ross Benjamin (translator of The Diaries of Franz Kafka) selects the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fans of Ten Thousand Things might enjoy Books and Boba from the Potluck Podcast Collective. Books and Boba is a book club podcast all about books written by Asian and Asian diaspora authors.Today we are sharing one of Books and Boba's interview episodes, featuring writer and translator Anton Hur who was recently revealed to be the lead translator for K-Pop megastars BTS' upcoming memoir. In the episode, Anton discusses his work as a Korean-to-English translator in the publishing industry and his work on the book "I Want to Die but I Want to Eat Tteokbokki" by Baek Sehee.

"The words of its writers are part of the texture of Dublin, an invisible counterpart to the bricks and pavement we see around us." Exploring this synergy - between a city and its chief cultural export - is the promise of a new book called Dublin: A Writer's City (part of the Imagining Cities series). In this episode, Jacke talks to author and series editor Christopher Morash about his step-by-step examination of the stomping grounds of Joyce, Yeats, Beckett, Heaney, and many others. AND THEN Jacke talks to author John Higgs (Love and Let Die: James Bond, The Beatles, and the British Psyche; William Blake vs. the World) about his choice for the last book he will ever read. PLUS Shin Yu Pai, the Civic Poet of Seattle and host of the podcast Ten Thousand Things, previews her appearance on the History of Literature Podcast with a reading of her poem "Virga." Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Breaking Ice - Chapter 2Fear of judgement, the courage of sharing pain, or guilt, or confusion, owning that not knowing is not an excuse for hurting, that humility is hard, that learning hard things is harder, and accepting responsibility is a daily struggle. This is the rocky relational landscape being explored by five BreakIng Ice performers on a bare stage at Barnes Jewish Hospital in St. louis, Missouri in the winter of 2019.LISTEN TO Breaking Ice Chapter 1Change the Story / All Episodes Change the Story Collections - Our full catalogue of Episodes in 12 Collections: Justice Arts, Art & Healing, Cultural Organizing, Arts Ed./Children & Youth, Community Arts Training, Music for Change, Theater for Change, Change Making Media, Creative Climate Action, Art of the RuralBIO'sNoël Raymond holds an MFA in Acting from the University of Minnesota and a BFA from Ithaca College in New York. She currently serves on the Boards of Directors of the Multicultural Development Center and the Burning House Group Theatre Company which she co-founded in 1993. She is also a company member of Carlyle Brown and Company. She has taught acting classes and theatre movement in multiple settings to children, college students and adults with developmental disabilities. Noël is an Equity actor who has performed with Pillsbury House Theatre, the Burning House Group, the Guthrie Theater, Penumbra Theatre, Bryant Lake Bowl, and Minnesota Festival Theatres in Minnesota as well as the Hangar Theatre in New York. Noël's directing credits include Underneath the Lintel, An Almost Holy Picture, Far Away, Angels in America: Parts I and II, and [sic] at Pillsbury House Theatre, From Shadows to Light at Theatre Mu, The BI Show with MaMa mOsAiC, and multiple staged readings and workshops through the Playwrights' Center, among others. Noël has served on numerous panels including TCG/American Theatre, the Minnesota State Arts Board, the Playwright's Center and United Arts, to name a few.Kurt Kwan has been creating performances and facilitating dialogues around issues of Diversity and Inclusion with the Breaking Ice company since 2001. He also manages the Late Nite and Naked Stages programs. As an actor he has performed with Ten Thousand Things, The Walker, Childrens Theatre Company, Mu Performing Arts, New York Asian American Writers, The History Theatre, and Theatre La Homme Dieu.Notable MentionsDEI programs: Diversity, equity, and inclusion (usually abbreviated DEI) refers to organizational frameworks which seek to promote "the fair treatment and full participation of all people", particularly groups "who have historically been underrepresented or subject to discrimination" on the basis of

This is a story about the way we make a statement. Alice Wong, a Chinese-American disability activist, came into her own as a public personality through creating and hosting a podcast on disabled voices. Her status as a person with a disability in an ableist world gave her access to a world of perspectives and voices that we don't usually hear on public radio. And she prioritized putting disabled voices on the air. But losing her own voice and replacing it with an app forced her to reckon with a new relationship to voice. Related links:Disability Visibility ProjectDisability Visibility PodcastYear of the Tiger by Alice WongResistance and Hope: Crip Wisdom for the People, edited by Alice WongWe can only make Ten Thousand Things because listeners support us. Make the show happen by making a gift to KUOW.And we want to hear from you! Leave us feedback online.Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Jaylon Ashaun and Stan Forebee.Search for Ten Thousand Things in your podcast app!Partial funding of Ten Thousand Things was made possible by the Seattle Office of Arts and Culture Hope Corps Grant, a recovery funded program of the National Endowment for the Arts, plus support from The Windrose Fund.

Anti-Asian hate crimes spiked during the Covid-19 pandemic. And then the Atlanta spa shooting scarred a community already suffering.But Kae-Lin Wang turned the Atlanta shooting's aftermath into an opportunity for healing. And she used bikes to do it.Today, Ampersand Bikes Club is still going strong. It's co-organized and co-run by some of its 100+ community members.In this episode, we hear from Kae-Lin and Andrew Chin about how a bicycle might provide strength, joy, and a way to create a protected space. And how protecting that community space is not always easy.Related Links: Ride with Ampersand Bikes Club!Ampersand Bikes Club at Seattle Parks FoundationBike Works and Northstar Cycling and Peace Peloton Seattle area Bike mapWe can only make Ten Thousand Things because listeners support us. Make the show happen by making a gift to KUOW.And we want to hear from you! Leave us feedback online.Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Ross Christopher and 12 Palms. Special thanks to ABC, Shannon, Sammy Vo, Annie Sing and Alan Zhang for their contributions!Search for Ten Thousand Things in your podcast app!Partial funding of Ten Thousand Things was made possible by the Seattle Office of Arts and Culture Hope Corps Grant, a recovery funded program of the National Endowment for the Arts, plus support from The Windrose Fund.

One of the cool parts of being in podcasting is taking part in a community of like-minded creators, this is especially true for those of us in the Asian American podcasting space. That's why we're always excited to find new shows that explore the Asian American experience through new and interesting lenses. Ten Thousand Things is a podcast from KUOW Seattle about modern-day artifacts of Asian American life, hosted by award-winning poet and museologist Shin Yu Pai. We're excited to share their episode "Book" with Chinese American author and scholar Shawn Wong.Listen to more episodes of Ten Thousand Things and follow the podcast!---Shawn Wong discovered the first Japanese American novel, No-No Boy, at a used bookstore for 50 cents, after being told by his English professors that Asian American literature didn't exist. He sought out the author, John Okada, and he fought to have the book republished and distributed far and wide, to unearth the legacy of Asian American writers. But all the mainstream publishers rejected it. So Shawn started to print, distribute, and sell the novel himself with friends,often from the trunk of his car. The Asian American community turned up, ordering books by mail, telling their friends, and sending checks with handwritten letters- a testament to a generation hungry for their own stories.Correction, 10:30 a.m., 6/6/2023: The audio version of this story misstates the name of the protagonist in No-No Boy. The character's name is Ichiro Yamada.Related Links: Shawn WongBook notes: A talk with UW English professor, author Shawn Wong about his UW Press book series for Asian American authorsRelated reading:Aiiieeeee! An Anthology of Asian-American Writers by Frank Chin, Jeffery Paul Chan, Lawson Fusao Inada, and Shawn WongToshio Mori's Yokohama California was Ahead of its Time via International ExaminerHisaye YamamotoWakako YamauchiNisei Daughter by Monica SoneEat a Bowl of Tea by Louis ChuJanice MirikitaniFrontiers of Love by Diana ChangAmerica is in the Heart by Carlos BulosanUncle Rico's Encore: Mostly True Stories of Filipino Seattle by Peter BachoDancer Dawkins and the California

This episode and next will tell the story my time with Breaking Ice and share what I learned about the program's evolution and history, its impact, and its innovative approach helping workplaces large and small "cultivate courageous dialogue around issues of diversity, equity and inclusion. BIO'sNoël Raymond holds an MFA in Acting from the University of Minnesota and a BFA from Ithaca College in New York. She currently serves on the Boards of Directors of the Multicultural Development Center and the Burning House Group Theatre Company which she co-founded in 1993. She is also a company member of Carlyle Brown and Company. She has taught acting classes and theatre movement in multiple settings to children, college students and adults with developmental disabilities. Noël is an Equity actor who has performed with Pillsbury House Theatre, the Burning House Group, the Guthrie Theater, Penumbra Theatre, Bryant Lake Bowl, and Minnesota Festival Theatres in Minnesota as well as the Hangar Theatre in New York. Noël's directing credits include Underneath the Lintel, An Almost Holy Picture, Far Away, Angels in America: Parts I and II, and [sic] at Pillsbury House Theatre, From Shadows to Light at Theatre Mu, The BI Show with MaMa mOsAiC, and multiple staged readings and workshops through the Playwrights' Center, among others. Noël has served on numerous panels including TCG/American Theatre, the Minnesota State Arts Board, the Playwright's Center and United Arts, to name a few.Kurt Kwan has been creating performances and facilitating dialogues around issues of Diversity and Inclusion with the Breaking Ice company since 2001. He also manages the Late Nite and Naked Stages programs. As an actor he has performed with Ten Thousand Things, The Walker, Childrens Theatre Company, Mu Performing Arts, New York Asian American Writers, The History Theatre, and Theatre La Homme Dieu.Notable MentionsDEI programs: Diversity, equity, and inclusion (usually abbreviated DEI) refers to organizational frameworks which seek to promote "the fair treatment and full participation of all people", particularly groups "who have historically been underrepresented or subject to discrimination" on the basis of identity or disability.[1]Barnes Jewish Hospital is the largest hospital in the U.S. state of Missouri. Located in the Central West End neighborhood of St. Louis, it is the adult teaching hospital for the

Shawn Wong discovered the first Japanese American novel, No-No Boy, at a used bookstore for 50 cents, after being told by his English professors that Asian American literature didn't exist. He sought out the author, John Okada, and he fought to have the book republished and distributed far and wide, to unearth the legacy of Asian American writers. But all the mainstream publishers rejected it. So Shawn started to print, distribute, and sell the novel himself with friends,often from the trunk of his car. The Asian American community turned up, ordering books by mail, telling their friends, and sending checks with handwritten letters- a testament to a generation hungry for their own stories.Correction, 10:30 a.m., 6/6/2023: The audio version of this story misstates the name of the protagonist in No-No Boy. The character's name is Ichiro Yamada.Related Links: Shawn WongBook notes: A talk with UW English professor, author Shawn Wong about his UW Press book series for Asian American authorsRelated reading:Aiiieeeee! An Anthology of Asian-American Writers by Frank Chin, Jeffery Paul Chan, Lawson Fusao Inada, and Shawn WongToshio Mori's Yokohama California was Ahead of its Time via International ExaminerHisaye YamamotoWakako YamauchiNisei Daughter by Monica SoneEat a Bowl of Tea by Louis ChuJanice MirikitaniFrontiers of Love by Diana ChangAmerica is in the Heart by Carlos BulosanUncle Rico's Encore: Mostly True Stories of Filipino Seattle by Peter BachoDancer Dawkins and the California Kid by Willyce KimPremonitions: The Kaya Anthology of New Asian North American Poetry edited by Walter LewPinoy Poetics: A Collection of Autobiographical and Critical Essays on Filipino and Filipino American Poetics edited by Nick CarboThe World I Leave You: Asian American Poets on Faith & Spirit edited by Leah Silvieus and Lee HerrickWe can only make Ten Thousand Things because listeners support us. Make the show happen by making a gift to KUOW.And we want to hear from you! Leave us feedback online.Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Taika. Search for Ten Thousand Things in your podcast app!Partial funding of Ten Thousand Things was made possible by the Seattle Office of Arts and Culture Hope Corps Grant, a recovery funded program of the National Endowment for the Arts, plus support from The Windrose Fund.

During the mizu kuyo ritual for pregnancy loss, a small Jizo Bodhisattva statue enshrines ceremonial remains of a lost child.Following Shin Yu's miscarriage in 2012, she had a mizu kuyo ceremony to process her grief. Miscarriage is a socially taboo topic that many people have difficulty talking about. It's often laden with grief, shame, and self-blame and is a loss that has not been very normalized in public discourse. Through Shin Yu's personal story this episode shines a light on the silent subject of miscarriage and how the Jizo Bodhisattva can provide comfort to grieving parents.Related links:Adopting a Buddhist Ritual to Mourn Miscarraige, Abortion via NPRWater Returning to Water: A Buddhist Ritual Brings Release by Shin Yu Pai Splitting the Milk, a poem by Shin Yu PaiWe can only make Ten Thousand Things because listeners support us. Make the show happen by making a gift to KUOW.And we want to hear from you! Leave us feedback online.Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by inola and The Field Tapes. Search for Ten Thousand Things in your podcast app!Partial funding of Ten Thousand Things was made possible by the Seattle Office of Arts and Culture Hope Corps Grant, a recovery funded program of the National Endowment for the Arts, plus support from The Windrose Fund.

Dylan Tomine has a passion for steelhead trout. Or an obsession. Or an addiction. His steelhead passion has brought him close to beautiful places, driven him far from stability, and lost him some loving relationships.This is a story about how an obsession can take priority over everything. How it might provide both purpose and isolation. And how it isn't guaranteed to last forever.Related LinksDylan TomineWild Fish ConservancyWild Steelhead CoalitionWe can only make Ten Thousand Things because listeners support us. Make the show happen by making a gift to KUOW.And we want to hear from you! Leave us feedback here.Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by Tim Halperin, 12 Palms, and cloudcrush.Search for Ten Thousand Things in your podcast app!Partial funding of Ten Thousand Things was made possible by the Seattle Office of Arts and Culture Hope Corps Grant, a recovery funded program of the National Endowment for the Arts, plus support from The Windrose Fund.

Welcome to the Green Room Meditations Podcast, presented by the Indiana Repertory Theatre and hosted by Devon Ginn.  Today, we are in conversation with: Eric Sharp (he/him). Mr. Sharp portrays Mr. Green in the Indiana Repertory Theatre's production of Clue! If you missed the Indianapolis run, you can catch our co-production with Syracuse Stage from June 7th - 25th in 2023.   Eric is an actor, writer, and director based in Minneapolis with over 20 years of professional stage and screen experience. Commercial and voiceover clients include Netflix, HBO Max, Hulu, Independent Lens, Penguin Random House Audio, Best Buy, Mayo Clinic, Target, and more. He has appeared onstage nationally and internationally at the Guthrie Theater, Ten Thousand Things, The Jungle Theater, Mixed Blood Theatre, Alliance Theatre, and the Minnesota, Toronto, and Edinburgh Fringe Festivals. Eric played Mowgli in The Jungle Book at Children's Theatre Company, and the young Dalai Lama on multiple tours of TigerLion Arts' The Buddha Prince. An Associate Artist at Theater Mu, Eric wrote and starred in the world premiere of Middle Brother, and has appeared in Cambodian Rock Band, Hot Asian Doctor Husband, Two Mile Hollow, Twelfth Night, Charles Francis Chan, Jr..., Yellow Fever and many more. He recently directed the educational video series The Remix with Theater Mu (available on YouTube), and created and produced the audio series: You Shall Hear Me: Stories from Beyond. He serves as curator for AKOA (All Kinds of Awesome): a live storytelling event featuring true stories from the international adoptee community.   www.worksharp.org About the Indiana Repertory Theatre: Founded in 1971, the Indiana Repertory Theatre (IRT) is the largest professional not-for-profit theatre in the state and one of the leading regional theatres in the country. The mission of the Indiana Repertory Theatre is to produce top-quality, professional theatre and related activities, providing experiences that will engage, surprise, challenge, and entertain people throughout their lifetimes, helping us build a vital and vibrant community. Inclusion, Diversity, Equity, and Access (IDEA): The IRT strives to celebrate and serve the diverse people and cultures that make up our whole community. The IRT is committed to providing access for all; to creating and maintaining an antiracist theatre that is inclusive, safe, and respectful. https://www.irtlive.com/ 

The creator, writer, and host of the KUOW podcast Ten Thousand Things, Shin Yu Pai, talks about how the podcast explores the many ways Asian Americans connect with and honor their identity. Plus, we talk about two recent stories on the show about obsession and parenthood. We can only make Soundside because listeners support us. Make the show happen by making a gift to KUOW:https://www.kuow.org/donate/soundside

On the eve of selling her family's house, Donna Miscolta's daughter had a special request: Go to the stairwell and pull back the loose board on the bottom step. There, Donna found a box of treasures that 9-year-old Ana Miscolta Cameron had hidden for future children living in the house. Rediscovering this time capsule allowed Donna and Ana to revisit memories from the past, hopes for the future, and where mother and daughter diverge and meet in the middle. Related Links: Donna's Blog Post about the time capsuleTen Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by coldbrew, Jaylon Ashaun, and Gracie and Rachel.Search for Ten Thousand Things in your podcast app!Partial funding of Ten Thousand Things was made possible by the Seattle Office of Arts and Culture Hope Corps Grant, a recovery funded program of the National Endowment for the Arts, plus support from The Windrose Fund.And of course, we don't exist without listeners like you. Support Ten Thousand Things by donating to KUOW.

In episode 1478, Jack and Miles are joined by award-winning writer, photographer, poet, and host of Ten Thousand Things, Shin Yu Pai, to discuss… Harlan Crow Paid For Clarence Thomas' Kid's Tuition, Four Proud Boys Were Found Guilty Of Sedition, Who Is Greg Gutfeld--The Only Late Night Talk Show Host On The Air and more! Harlan Crow Paid For Clarence Thomas' Kid's Tuition Thomas' longtime friend acknowledges — but defends — Harlan Crow tuition payments Four Proud Boys Were Found Guilty Of Sedition Who Is Greg Gutfeld--The Only Late Night Talk Show Host On The Air With late-night talk shows suspended, political news takes a hit The late night rise of "Gutfeld!" is telling us something. It isn't funny, but that doesn't matter Is the right winning the comedy wars? ‘Gutfeld' Shows the Sickly State of Conservative Comedy A Publishing Pest Moves On Lads' mag editor Gutfeld leaves Maxim VISIT:  Less Desolate: A Haiku Comics Collection Kickstarter! LISTEN: Lunes 1 De Abril by The Holydrug CoupleSee omnystudio.com/listener for privacy information.

Jeff and Phil welcome Shin Yu Pai, award-winning poet, museologist, and host of TEN THOUSAND THINGS, a podcast about modern-day artifacts of Asian American life. They discuss the personal objects and collections that say who we are and where we've been, from Rep. Andy Kim's now-famous blue suit to our precious stuffed loved ones. They also play a special show-and-tell version of The Good, The Bad and The WTF featuring their own Asian American artifacts.

If you're listening to this episode when it's released, we're now in May of 2023, which is also AAPI Heritage Month. There are a lot of names for this month, which is great, as there are also a lot of countries and ethnicities represented by the simple word “Asian”. But one group of people that is often left out of the overarching Asian umbrella are the biracial Asians - and, given our own identities in this space, this is something that we experience regularly.    So, to kick off AAPI Heritage Month from a perspective not often discussed, we're focusing today on our personal stories of being biracial Asian women, and what identity, belonging, and inclusion mean when we look at being Asian in this country through this lens. And, since it's us, we'll be throwing in a little bit of history, laws, and psych along the way.   What to listen for:  Sara & Misasha's personal experiences growing up biracial as one of the OG legally biracial folks in this country's history The census data - and how we could only check one box until 2000! The Loving v. Virginia decision, and how that opened up the door to our families being allowed to exist How we want more Asian people to stop gatekeeping who is “Asian enough” and instead, start banding together with other marginalized groups to push back against White supremacy – because it's all of us or none of us. In this episode, we highlight the podcast Ten Thousand Things.  In many Chinese sayings, “ten thousand” is used in a poetic sense to convey something infinite, vast, and unfathomable. For Shin Yu Pai, the award-winning poet and museologist who hosts the podcast, the story of Asians in America is just that. In Ten Thousand Things, Shin Yu explores a collection of objects and artifacts that tell us something about Asian American life – from a second-hand novel to a blue suit worn by Congressman Andy Kim on January 6. Ten Thousand Things is a vibrant, diverse, and bittersweet celebration of Asian America ... and a challenge for all of us to reimagine stories of the past and future.  Featured guests this season include Disability Visibility Project podcast host Alice Wong; transgender and non-binary, poet and educator Ebo Barton; and NED founder Eason Yang; among others.

When we come into this world we are given a name. It is etched in ink on our birth certificate, pasted onto our cubbies in pre-school and signed onto paper to acknowledge our union with a beloved. A name has power. A name is an object that defines who we are. But what if our name is wrong? Poet, educator, and cultural worker Ebo Barton tells us a story about the power of names and their journey to change their name and reclaim their true identity.Related Links: Ebo BartonEbo Barton performs Freedom, Cut Me Loose Are you looking for another podcast that explores deeply personal and totally factual conversations about race, identity, and culture? Then check out Dear White Women. Its mission is to help more white women use their privilege to uproot systemic racism.We can only make Ten Thousand Things because listeners support us. Make the show happen by making a gift to KUOW.And we want to hear from you! Leave us feedback online.Ten Thousand Things is produced by KUOW in Seattle. Our host, writer, and creator is Shin Yu Pai. Whitney Henry-Lester produced this episode. Jim Gates is our editor. Tomo Nakayama wrote our theme music. Additional music in this episode by coldbrew, Jaylon Ashaun, and Gracie and Rachel.Search for Ten Thousand Things in your podcast app!Partial funding of The Blue Suit was made possible by the Seattle Office of Arts and Culture Hope Corps Grant, a recovery funded program of the National Endowment for the Arts, plus support from The Windrose Fund.

In many Chinese sayings, “ten thousand” is used in a poetic sense to convey something infinite, vast, and unfathomable. For Shin Yu Pai – award-winning poet and museologist – the story of Asians in America is just that. Introducing Ten Thousand Things, a special series about modern-day artifacts of Asian American life, created and hosted by Shin Yu Pai and produced by KUOW.The initial name of the series, The Blue Suit, drew inspiration from the suit worn by congressman Andy Kim on January 6 as he was photographed collecting trash following the U.S. Capitol insurrection. Today, the garment lives in the Smithsonian's collection – and within the fabric of Asian America.In the podcast series' newest season, host Shin Yu builds on her focus of commonplace objects that tell the complex story of Asians in America with an expanded name and collection of objects. Ten Thousand Things is a vibrant, diverse, and bittersweet celebration of Asian America ... and a challenge for us all to reimagine stories of the past and future. Featured guests this season include Disability Visibility Project podcast host Alice Wong; transgender and non-binary, poet and educator Ebo Barton; and NED founder Eason Yang; among others.The new season of Ten Thousand Things debuts on May 1, 2023, and new episodes release weekly on Mondays on KUOW.org, Apple Podcasts, NPR One, and wherever you get your podcasts.

[This episode is brought to the public courtesy of our friends on Patreon! If you want more of The Obligatory Talkback, check out patreon.com/improvtabletop] In this episode, we discuss the entirety of Ten Thousand Things, especially Episode 26: Finale. Christian talks playing against the clock. McKenna talks Mar Mar. Caleb talks choosing to stay. Ned talks relinquishing expectations. All this and more on The Obligatory Talkback! • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits The following music was used for this media project: Music: Guzheng City by Kevin MacLeod Free download: https://filmmusic.io/song/7523-guzheng-city License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com

Welcome to our first patron-funded bonus episode! Join the Knowledge Seekers for this (non-canonical) beach episode following their departure from Ba Sing Se. This episode tells a story of the characters from our Avatar campaign Ten Thousand Things, but using the Fate Accelerated rules instead of Avatar Legends—I.e. you're in for a wild ride! Massive thanks to all our lovely patrons who made this story possible! • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Improv Tabletop's theme song is “Melodic Marauder”, written by Scott Villanueva, and performed by Scott Villanueva and Ned Wilcock. ImpTab Avatar's theme song is “Marauder of the Four Elements” by Ned Wilcock. The following songs are by the fantastic Kevin MacLeod. The following music was used for this media project: Music: Guzheng City by Kevin MacLeod Free download: https://filmmusic.io/song/7523-guzheng-city License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com The following music was used for this media project: Music: Cuban Sandwich by Kevin MacLeod Free download: https://filmmusic.io/song/3570-cuban-sandwich License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com The following songs are used courtesy of Arcane Anthems, creator of royalty-free music for TTRPGs. Support Arcane Anthems on Patreon at patreon.com/arcaneanthems “Shillelagh (Spirit of Brynn)”

Rounding out the cast of Ten Thousand Things, this interview digs into Christian Randell's long history with storytelling, the generosity of the TTRPG community, the importance of having artists and storytellers in our societies, and more. • • •  Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Improv Tabletop's theme song is “Melodic Marauder”, written by Scott Villanueva, and performed by Scott Villanueva and Ned Wilcock. "Marauder Noir" also by Ned Wilcock.

[This episode is brought to the public courtesy of our friends on Patreon! If you want more of The Obligatory Talkback, check out patreon.com/improvtabletop] In this episode, we discuss Ten Thousand Things from Episode 4: Long, long Way to Ba Sing Se through Episode 7: Subterfuge. Christian talks turning throwaway lines into major plot points. Caleb and McKenna talk the significance of Tiya. Ned talks how to make a good prequel. All this and more on The Obligatory Talkback! • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits The following music was used for this media project: Music: Guzheng City by Kevin MacLeod Free download: https://filmmusic.io/song/7523-guzheng-city License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com

[This episode is brought to the public courtesy of our friends on Patreon! If you want more of The Obligatory Talkback, check out patreon.com/improvtabletop] Welcome to The Obligatory Talkback! In this inaugural episode, we discuss Ten Thousand Things from Episode 0: Meet the Knowledge Seekers through Episode 3: Buzzard Wasp Brawl. Christian talks learning the mechanics of a new system. McKenna talks fleshing out your character on the fly. Caleb and Ned talk Eastern philosophy. All this and more on The Obligatory Talkback! • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits The following music was used for this media project: Music: Guzheng City by Kevin MacLeod Free download: https://filmmusic.io/song/7523-guzheng-city License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com

Pastor Trayler | Sunday PM | 6.26.22

What you'll learn in this episode: Why the most important thing a jewelry designer can invest in is high-quality photography How Amy finds the topics she writes about for JCK's “All That Glitters” blog How designers can find the story that helps them break through the crowded marketplace Who today's most exciting emerging and independent designers are How the jewelry industry changed during the pandemic, and what retailers must do to engage young consumers About Amy Elliott Amy Elliott is a writer, editor and brand storyteller who specializes in fine jewelry and fashion, and is fluent in other lifestyle categories, including food, weddings and travel. As a former staff editor at The Knot, Bridal Guide, Brides Local Magazines + Brides.com and Lucky, Amy is known for delivering high-quality editorial content across a variety of print and digital media. After recently serving as the Engagement Rings Expert for About.com, Amy joined the freelance staff of JCK as its All That Glitters columnist, while contributing articles about jewelry trends, estate and antique jewelry and gemstones to its prestigious print magazine. Amy also serves as the Fine Jewelry Expert for The Bridal Council, an industry organization composed of luxury bridal designers, retailers and media, and her byline has appeared in Gotham, Hamptons, DuJour, Martha Stewart Weddings, GoodHousekeeping.com and more. Additional Resources: Amy's Website Amy's Twitter Amy's Instagram JCK Article: Cicadas Swarm on Sienna Patti Gallery in Lenox, Mass. JCK Article: Christopher Thompson Royds' Flowers Bloom at Sienna Patti Gallery JCK Article: Look What Happens When Annoushka Gives Peridot A Go Examples of posts that reflect the intersection of jewelry with history, culture and current events: Bob Goodman Wants Jewelers To Join Him in Disrupting the Status Quo: https://www.jckonline.com/editorial-article/bob-goodman-jewelers-disrupting/ The Ten Thousand Things x Met Museum Collaboration Is Coming In Hot: https://www.jckonline.com/editorial-article/ten-thousand-things-x-met-museum/ Go “Sea” Some Serious Silver Treasures At Mystic Seaport Museum: https://www.jckonline.com/editorial-article/sea-as-muse-silver-seaport-museum/ New Jewelry From Rafka Koblence, Olympic Wrestler Turned Designer: https://www.jckonline.com/editorial-article/new-jewelry-from-rafka-koblence/ Transcript: As author of the “All That Glitters” blog for JCK, Amy Elliott has a front row seat to the jewelry industry's up-and-coming trends and designers. She's also been lucky enough to work with some of these designers, helping them refine their brands and create stories that resonate with customers. She joined the Jewelry Journey Podcast to talk about what designers and retailers should do to stay relevant with younger consumers, how art jewelry has influenced high jewelry, and what jewelry trends to watch out for in the coming months. Read the episode transcript here.  Sharon: When you say you like strong, new collections, what catches your eye when somebody's presenting a new collection to you or sends you a press kit or email? Amy: Every time I'm ever interviewed for something, I always say this, but photos are so important, beautiful, beautiful photos. Whatever budget you have, use it for the photography. I love glamorous jewelry. I love high jewelry. I love glamor, big, bold, extremely extravagant jewels; from an editorial standpoint, I love them. I love to excite the senses with beautiful jewelry that makes you stop in your tracks. So, the jewels have to be beautiful, and you need to have beautiful photos to accurately portray that. It's just a strong point of view.  Boucheron came to me, and they have a whole series inspired by a cat that belonged to the Maison Boucheron early on in their life. His name is Vladimir, and it's a whole collection that takes this Persian cat with his swept fur. There's a story there; there's a heritage story. I love that. I love to take a new collection and look back at how it came to be. I love figuring out what a designer's signature is, whether they're well-established or they're just coming out. Every once in a while you'll find a newcomer with a strong point of view and you're like, “I've never seen this before. I'm so excited to tell that story.” Sharon: I think it's so important to say or to reiterate that for everybody, no matter what kind of jewelry you're selling, whether it's fine jewelry or antique jewelry. I'm thinking of some of the tradeshows when I've talked to dealers and they're like, “Oh, I don't have the money for photos.”  Amy: I don't know what to say. I've been saying it for 20 years and it's still a problem. There are some designers that are really overexposed and there are some that are underexposed. I'm always excited to discover somebody I'm not following on Instagram. How exciting! A lot of times, they're international. I'm connected with a PR firm in Paris right now. They've been calling me a lot, and it's a goldmine of designers that don't get featured a lot over here. I think I'm the only editor at JCK that covers estate and antique jewelry. I'm always covering auctions and exhibitions in that vein and all of the art fairs. I've written about Sienna Patti up in the Berkshires several times. It really is a pleasure, and anything goes. I have an action-packed calendar for the holidays. Sharon: It sounds like it, yes. Sienna Patti, I know she's in the western part of Massachusetts.  Amy: Yes, she's in the Berkshires. Sharon: She has an art jewelry gallery I'd love to get to someday. How does art jewelry fit in here? Does it catch your eye if the right photos are sent to you? Do you see it taking more of the market or having a higher profile? Amy: It's interesting. The one thing I will say, and it's so hard to speak in terms of trends when you're dealing with very expensive, high-end, collectible jewelry, but what I have noticed a little bit of is the selling of sweet sets, something that might be convertible, a multipiece set. Christopher Thompson Royds does that. You get a beautiful box, and then it's an earring that can be worn three or four different ways. Annoushka did a collaboration with Fuli Gemstones. Beautiful, bright green peridot like you've never seen. It was not really a collection; it was an eight-piece set. That is what the customer is being asked to buy into, and that feels very collector, very connoisseur, a very specific kind of angle. It's a very specific customer that is going to want to invest in jewelry that can be worn but is presented as an art object or sculpture or something to display in your home as sculpture, but then you can take it out and wear it. I see that as a direction with very, very high-end jewelry that's being shown in galleries, this notion of buying a boxed set. Sharon: When you said sweet sets, I was thinking edible sweets. That's interesting. Amy: Sets of jewels.  Sharon: There's an idea. Tell us who the emerging, independent designers are today. Who should we keep our eye on? Who's overlooked? Who's being so creative, knocking it out of the park, but you don't hear talked about? Who's collectible? Amy: I know this is a very informed and qualified audience, Sharon, so I'm sure these names are going to be familiar to many in your audience, but I think the industry has collectively embraced the work of Harwell Godfrey. Sharon: Now, that's one I don't know.  Amy: Lauren Harwell, I think she's based in LA, and she has a strong point of view. It's beautiful inlaid jewels, weighty, substantial, geometric, absolutely a strong point of view, Sharon. Sharon: I see her on Instagram a lot.  Amy: Yes, Harwell Godfrey is probably one of the strongest voices to emerge in the pandemic era. Before that it was Anna Courey, absolutely with her diamond ear cuffs. I think she set us on a course with that. Glenn Spiro is an under-the-radar but highly, highly couture jeweler. There's a book out from Assouline on him that Jill Newman wrote. I think his name is going to become more well-known among collectors. He's a private jeweler based in London, I believe, and I think we're going to be hearing more about that. Anytime there's a book or an auction, the names are elevated; the names are surfaced and get a little more traction, so I definitely would be watching Glenn Spiro. Nikos Koulis has been around for the last three or four years. He's Greek, and it's sort of neo-Art Deco, very geometric, very strong uses of color, edgy, really modern. Bea Bongiasca with her enamel and ceramic pieces— Sharon: How do you say that? Is she here? Amy: Bea. I think she's based in London but is Italian. She works at Central St. Martin's. Alice Cicolini, also British, does extremely beautiful work with enamel. I think her work is going to be really collectable in the coming years. I think she has a strong point of view. Sharon: Can I interrupt? What does that mean, a strong point of view? What does that mean to you? Amy: It means singular and inimitable.  Sharon: You know it's her when you see the piece of work. Amy: Yes. It's very singular and striking and absolutely inimitable. There's a lot of borrowing of ideas that goes on in the jewelry industry. I think the people I'm mentioning here, their voices present themselves to me as something unique. You can't replicate it; you're not going to see that show up in some form on Amazon. Maggi Simpkins, we all fell in love with her in the Brilliant and Black exhibit at Sotheby's. She did the most beautiful pink diamond ring. Everything is centered in these fan-like, feathered cocoons of gems. It's very feminine and lavish and beautiful. So, Maggi Simpkins is someone, and then Studio Renn. My editor at JCK, Victoria Gomelsky, writes for the New York Times and she did a piece on them. She really has seen everything. They are part of an exhibit that is now ongoing at Phillips that Vivienne Becker curated. I think Studio Renn is a newcomer that is going to be sticking around for a while. Finally, there's Fabio Salini, who's also part of the Vivienne Becker capsule at Phillips. Those are just a few. It changes all the time, but the pandemic era has brought incredible work from the designers in our industry, and they are just now hitting their stride. After all that time creating and dreaming and ruminating, refining their voices, cultivating their Instagram audiences, getting feedback from buyers—now they're out there in the world and ready to be embraced.  Sharon: What about pre-pandemic? Everybody's at home in their living room thinking and designing, so I could understand why it's emerging right now, but what about pre-pandemic? Do you see a big difference? Amy: Yes, the industry has modernized considerably since the before times. The biggest difference is that a mom-and-pop jeweler in the middle of country who had a website but never updated it, they've gone in there, hired a firm, hired a chat bot, completely modernized. The pandemic era forced the industry to fast-track into the digital age. That is a huge, huge difference, making it so you are available to your customers, wherever they may be, whether that's texting or someone dedicated to Instagram inquiries. A lot of this is being done on Instagram now, and that was not true in January 2020. Since jewelry emerged as a category that is a portable asset, it's not a flash in the plan; it has staying power. It's not like buying a trendy handbag, but using your discretionary income to buy jewelry became a thing and was embraced a lot of people during the pandemic as they were sparkle scrolling, as they call it, on their phones. Sharon: I haven't heard that term.  Amy: A lot of people used the time to upgrade their engagement rings and wedding bands, so the bridal industry saw a huge boost. The jewelry industry is really healthy right now, I think, in terms of sales, but what I have noticed is not everybody has a wedding band. Not everyone has a budget to upgrade to a big, giant, 20-carat eternity band, so I'm noticing a lot of brands creating price points under $1,500. They're creating little capsules, creating diffusion lines, if you will, so a customer with modest means can have that same meaningful purchase, that same, “I'm investing and treating myself to something that will last, my first diamond bracelet or my first diamond pendant.” I'm seeing more of those opportunities at the retail level. Sharon: That's interesting. In terms of the emerging designers you've mentioned, is this trickling down to the rest of us who don't have $15,000 to go out and buy a trinket tomorrow? Amy: There's definitely a spectrum. I think estate jewelry in general is so hot, and there are a gazillion ladies on Instagram. They're moving delicate, little gold charms for $200 a pop. There's so much. I hate the term low-hanging fruit, but there is so much attainable luxury out there at the regular-person level. If you're the type to spend $200 on a bunch of drinks on a Saturday night, you can easily do that and buy yourself a beautiful paper clip chain estate piece on someone's Instagram feed.  Also, even further than the art jewelry investment piece, there's a run on pink diamonds, practically, and yellow diamonds were a big story coming out of JCK. That color, yellow, that bright, hopeful, joyful feeling that yellow presents, suppliers and manufacturers—cases were filled with yellow diamond engagement rings. A lot of people are talking about a potential uptick in yellow diamond engagement ring sales, both from the rarity of the investment angle and from the pure joy of it, the feeling that it gives. Also, there's this idea that today's young woman getting engaged doesn't want anything to do with what her mother had. Any ring that remoted resembles that chunky, big, platinum, three-stone diamond ring from 1990, she wants something completely new and different feeling, and yellow diamonds fulfill that. They check that box. I have heard from some of my diamond tiara friends that people are buying very high-end and special loose, fancy-colored diamonds from an investment standpoint because it's a portable asset and they are decreasing in supply. Like I said, there's a whole spectrum of possibilities. Sharon: It's interesting you mention that diamonds are not so much in demand for young women getting engaged or getting married today. Sometimes I look at my diamond wedding ring, which is actually an upgrade from my first one, and I look at it and go, “This looks really dated.” What are you seeing in terms of what's more contemporary or modern? Amy: Here's what everyone's doing. Everyone is taking their old jewelry and up-cycling it, whether their old engagement ring, in your case, or they're taking their grandmother's engagement ring that was given to them and creating a whole new design and style. Heirloom stones are recast as something new and wearable. It could be an engagement ring; they could be breaking apart a clustered diamond pin and creating a “diamonds by the yard” style necklace. That is a huge trend right now because it also covers sustainability. You have this precious item in your possession, but it just isn't your style. You have the materials to work with a designer to make it something new you can wear and enjoy. I feel like every independent designer I speak with nowadays has taken on commissions along those lines. Entire businesses are being built around that very concept of reimagining old jewelry. Sharon: What about non-diamond wedding rings or engagement rings? Are other stones being used besides yellow diamonds?  Amy: I think we can anticipate a sapphire—I hate to say a sapphire boom because jewelry is slow and static, but blue sapphires. The Crown season four, I think, came out last winter, and it centered around Diana. There's a whole generation of young women out there that were not clued into that story, and that blue sapphire engagement ring from Garrard was back in the spotlight again, even though Kate Middleton wears it as hers now. Anyway, there's a whole generation of consumers for whom Diana's blue sapphire ring was not on their radar. Then there is a movie coming out with Kristen Stewart in the starring role called “Spencer” that will center on Diana. I think that's going to put the blue sapphire engagement ring on people's radar again. Honestly, any time the royals or once-were royals are in the news—and they are—it definitely trickles down into consumer appetite. Sharon: Amy, you've seen a lot from both sides of the desk. You've seen the big people; you've talked to people on the business side; you've talked to the designing side, the creative side, and I know you've written several books and things like that. If you had to distill it down into one book or a couple of paragraphs, what would you say are the main challenges? How would you advise people like this? Amy: I love to give advice. I'm solicited in other ways. To retailers, I would say listen to your customers and tune into the social climate. The customers are giving you information you need every time they set foot in your store. Ask them what they like, what they're into. There's an adversarial relationship, almost, between the younger consumers of today and the old-school jewelry retailer, and change is necessary. Try to learn and understand them. If they want a salt and pepper diamond ring and you think it's ugly, that's fine, but you still have to find it for them if you want to retain them as a customer. I think a willingness to change is vital; a willingness to modernize is vital on the part of the retailer. Diversity and inclusion and social justice is very important to the majority of young consumers. You can look at what Zales and Kay Jewelers and these mainstream guys are doing for clues; the same with Tiffany. You can look at what they're doing. That's all informed by serious market research that is telling them that today's younger consumer prioritizes diversity and inclusion, and they're watching companies to see if what they're doing aligns with their values. I'm certainly not the first person to say that, but it is critical; it's essential. To designers, I would say please use whatever discretionary funds you have, again, towards shooting your jewelry with a professional photographer. That is the most important thing. Don't worry about a campaign. Don't worry about hiring models. Literally just still-life photos and giant, big files are what you should be spending your money on. Stay true to your signature and try to be as authentic as possible, but also take advice. Just don't design in a vacuum. Look at what's out in the world and try to see where your point of view fits in. The market is saturated with a lot of same old, same old. How can you break through that? How can you break through the basic and come at it in a different way? It could be as simple as everybody knows alphabet charms are popular and wonderful and a new jewelry wardrobe essential, so what's your thought going to look like? How's your thought going to reflect who you are? What does the alphabet charm reflect for you, and what's the story? Did you see it on a poster for a 1960s Grateful Dead show? Did you go to an exhibit and see an illuminated manuscript? There are so many ways, I think, to get inspired and find your voice. Sharon: That's great. That's very good advice for both sides of the desk. Amy, thank you so much for being here today. Amy: Thank you, Sharon, it's a pleasure. I'm always happy to talk about jewelry and give my opinions. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.  

What you'll learn in this episode: Why the most important thing a jewelry designer can invest in is high-quality photography How Amy finds the topics she writes about for JCK's “All That Glitters” blog How designers can find the story that helps them break through the crowded marketplace Who today's most exciting emerging and independent designers are How the jewelry industry changed during the pandemic, and what retailers must do to engage young consumers About Amy Elliott Amy Elliott is a writer, editor and brand storyteller who specializes in fine jewelry and fashion, and is fluent in other lifestyle categories, including food, weddings and travel. As a former staff editor at The Knot, Bridal Guide, Brides Local Magazines + Brides.com and Lucky, Amy is known for delivering high-quality editorial content across a variety of print and digital media. After recently serving as the Engagement Rings Expert for About.com, Amy joined the freelance staff of JCK as its All That Glitters columnist, while contributing articles about jewelry trends, estate and antique jewelry and gemstones to its prestigious print magazine. Amy also serves as the Fine Jewelry Expert for The Bridal Council, an industry organization composed of luxury bridal designers, retailers and media, and her byline has appeared in Gotham, Hamptons, DuJour, Martha Stewart Weddings, GoodHousekeeping.com and more. Additional Resources: Amy's Website Amy's Twitter Amy's Instagram JCK Article: Cicadas Swarm on Sienna Patti Gallery in Lenox, Mass. JCK Article: Christopher Thompson Royds' Flowers Bloom at Sienna Patti Gallery JCK Article: Look What Happens When Annoushka Gives Peridot A Go Examples of posts that reflect the intersection of jewelry with history, culture and current events: Bob Goodman Wants Jewelers To Join Him in Disrupting the Status Quo: https://www.jckonline.com/editorial-article/bob-goodman-jewelers-disrupting/ The Ten Thousand Things x Met Museum Collaboration Is Coming In Hot: https://www.jckonline.com/editorial-article/ten-thousand-things-x-met-museum/ Go “Sea” Some Serious Silver Treasures At Mystic Seaport Museum: https://www.jckonline.com/editorial-article/sea-as-muse-silver-seaport-museum/ New Jewelry From Rafka Koblence, Olympic Wrestler Turned Designer: https://www.jckonline.com/editorial-article/new-jewelry-from-rafka-koblence/ Transcript: As author of the “All That Glitters” blog for JCK, Amy Elliott has a front row seat to the jewelry industry's up-and-coming trends and designers. She's also been lucky enough to work with some of these designers, helping them refine their brands and create stories that resonate with customers. She joined the Jewelry Journey Podcast to talk about what designers and retailers should do to stay relevant with younger consumers, how art jewelry has influenced high jewelry, and what jewelry trends to watch out for in the coming months. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Today, our guest is Amy Elliott, founder of Amy Elliott Creative. She is a writer, editor and thought leader who specializes in fine jewelry and fashion which makes most of us envious. That's a great profession. She is a contributing editor to the industry publication we all know, JCK, and writes the blog “All That Glitters.” We will hear all about her jewelry journey today. Amy, welcome to the program Amy: Thank you very much for having me, Sharon. It's a pleasure to be here. Sharon: So glad to have you. I'm always envious of people who are writing about jewelry or makers and designers. That's fabulous. I have no talent in that area, so when I hear about people writing, I think, “Wow, it's great.” Tell us all about your jewelry journey. Amy: My jewelry journey is a mix of personal and professional. I'm an avid collector of jewelry. My mother is a big collector of jewelry, so from age 12 on, jewelry was always a part of my life and something that I gravitated to. As a professional, jewelry has been central to my career as a journalist and a writer since the very beginning, starting at The Knot in 1999. Sharon: The Knot being the bridal publication. Amy: Yes. At that time, it was just a website. I was there when they moved into magazines. I helped coordinate the gowns and accessories for fashion shoots and got a taste of engagement rings and diamonds, the 4Cs. That was my first introduction to jewelry on a professional level. Then I took a job at Bridal Guide Magazine, which is a leading print publication still around, privately owned. I was a senior editor there. I had many duties, but one of them was to produce a jewelry column, and that is when my education in jewelry really began. I began forming connections within the industry to educate myself on the 4Cs, pearl buying, colored gemstones. I've always been drawn to color, so that's when I became a student, if you will, of gems and jewelry and how jewelry fits into conversations about fashion trends and cultural and social current events. That was when I really got into jewelry as a métier. I was one of the founding editors of Brides local magazines, which was a Condé Nast publication of regional wedding magazines that no longer exists. Because we were short on staff, I would call in all the jewelry for our cover shoots. Even though I had a leadership role there—I was the executive editor—I also made it part of my job to call in jewels for art cover shoots. I kept that connection, and then on the side I would freelance for luxury publications. It became the thing that I liked to do the best. I loved the people in the industry. I would always learn something. No matter what I was doing or writing about, I would learn something new, and that's still true to this day. There's always something for me to learn. I discovered that jewelry is the perfect combination of earth science, history, culture, and straight-up beauty and aesthetics. It's a very gratifying topic to cover. I love the way it intersects with current events and with, as I mentioned, the fashion conversations at large. Sharon: When you went to Vassar, did you study writing? They're not known for their metalsmithing program, so did you study writing with the idea “I just want to write”? Amy: Pretty much. I was always pretty good at writing and facility with language, so I went there knowing I'd be an English major. For my thesis I wrote a creative writing thesis; it was like a little novella. I've always had a love affair with words and expression of thoughts, and I loved reading, so I knew I would do something that had to do with words and writing. I actually graduated thinking I would be a romance novelist. That was what I thought I would do. Then, of course, I started out in book publishing, and I found it really, really slow and boring, just painfully slow, and I decided perhaps that wasn't for me. Then I took a job in public relations. I really loved the marketing aspect of it and the creativity involved. Of course, it involved a lot of writing.  Eventually I decided I wanted to be on the editorial side of things once and for all. I had always written for the high school newspaper. I had done an internship at Metropolitan Home Magazine in the design department in college, so magazines were always lurking there and were always the main goal. I ended up there; it just took a couple of years for me to get there. Once I did, I knew I wanted to work for a women's magazine. I love things that would fall under the heading of a women's magazine, relationships, fashion. The wedding magazines I worked at were a great fit for me because it's pure romance and fantasy and big, beautiful ball gowns and fancy parties. It was a good fit for me, and I was able to take that and home in on jewelry as a particular focus elsewhere in my career after those first years.  I will say Vassar is known for its art history program. I was not a star art history pupil by any means, but I took many classes there. I find myself leaning on those skills the most as a jewelry writer, looking closely at an object, peeling back the layers and trying to understand what the artist or jeweler is trying to say through jewelry, much like you would with a painting from the Renaissance. So, I am grateful for that tutelage because I found myself drawing on it often, even though I was definitely a B- student in art history. Sharon: It seems to me if you're not going to be a maker, if you're not going to be a metalsmith or a goldsmith or if you're not going to be selling behind the counter, it seems like art history is a fabulous foundation for jewelry in terms of the skills you draw on. Amy: Absolutely. Historical narratives and every historical event that's going on in the world can be—you can look at jewelry from the past and tie it into something that was going on, whether it was the discovery of platinum or the discovery of diamonds in South Africa. It all intersects so beautifully. Vassar taught me to think critically; it taught me how to express myself, to develop a style of writing that I think is still present in my writing today. I always try to get a little lyricism in there. A good liberal arts foundation took me into the world of magazines and eventually digital publishing. I stayed with Condé Nast for a long time. Then I went to Lucky Magazine and was on staff there for a little over a year and a half. I was exposed to fine jewelry on a more fashion level, like the kind cool girls would wear, gold and diamond jewelry that wasn't big jewels by Oscar Heyman. It was a different category, but still within that universe. That was a great education, to look at fine jewelry in a fashion context. They had layoffs in 2012 and I was forced to strike out on my own, but I've been freelance ever since, doing a mix of copywriting for fashion brands and writing for various publications. I've been writing for JCK since 2016. Sharon: Wow! Amy, we want to hear more about that, but just a couple of things. First, thank you to our subscribers. I want to thank everybody who's gotten in contact with me with their suggestions. I love to get them, so please email me at Sharon@ArtsandJewelry.com or DM me @ArtsandJewelry. Also a big shoutout to Kimberly Klosterman, whose jewelry is featured in the exhibit “Simply Brilliant: Jewelry of the 60s and 70s” at the Cincinnati Art Museum. It's on now through February 6. You can listen to our interview with Kimberly on podcast number 133. Now, back to our interview with Amy. Amy, what I like about what you said—you expressed it very well—is the intersection of jewelry with current events and history. I know I always have difficulty explaining to people why I'm interested in jewelry or jewelry history. They think, “Oh, you like big diamonds,” and it's hard to explain how it tells you so much about the period. Amy: Yes, I think acknowledging how global our industry is and learning about different cultures has been so critical to becoming fluent in this world and the gemstones that come from Afghanistan or Ethiopia or Mozambique. Just learning about the sapphires from Sri Lanka—it's so global and all-encompassing. I read the Cartier book, and their story is so fascinating. I am interested particularly in World War II and how that impacted the jewelry industry, how Susan Beltran saved the business of her lover, how the events of World War II Germany impacted Paris and the jewelers there, how the Cartiers would do the birds in the cage and all that stuff. I think you can look at historic jewels and see reflected back at you current events and moments in our history. Sharon: Definitely. I imagine when you look at something, it's not just seeing the jewel, but you're seeing the whole background behind it, how it sits within that context, that nest of history with World War II and platinum. It's an eye into the world. Amy: Even someone like Judith Leiber, who fled Hungary during wartime and became this amazing designer of handbags in New York. So many of the jewelers that are leaders and pillars of our industry came here because of the pogroms in Russia and Eastern Europe. It really does intersect with what was happening in the world. The jewelry industry is a microcosm of all those events, even going to back to the Silk Road and Mesopotamia and the Armenians and the Ottoman Empire. It is a rich tapestry of moments. Historic jewels in particular can give you insight, not just into an artist's vision, but into a moment of time. Sharon: I didn't know that about Judith Leiber; that's interesting. You left Lucky Magazine and opened your own shop. You do a lot of writing and editing. How do the graphics also play into it? Do you art direct? If clients come to you and say, “I need a brochure,” I assume you're doing all the copy and editing, but do they bring you the photos? How does that work? Amy: My background in magazines definitely has given me a pretty robust skillset in terms of working with graphic designers and art directors, conveying ideas and working with them to solve problems. You do emerge with a sense of the visuals, and a taste level is part of it when you're covering fashion and jewelry and things related to style. So yes, I think as a copywriter, one of the things I bring to the table is that I will be able to advise you on the quality of your photos and your look book on the crops, on the model even. Also there's the hierarchy of information; that's definitely a form of direction. It's not very glamorous, but I'm good at understanding how things should be stacked and arranged on a page in terms of hierarchy of messaging. I do have a lot of opinions, I guess, about what looks good and what doesn't. If that feedback is welcome, I'm always happy to share it. Sometimes a client will send me an email for review, and I know they just want to get it out, but I'm like, “No, this is spelled wrong, and the headline should be this, and this needs to go there,” and I'll mock it up on the screen as to where things should go. The best editors and writers, especially when you're dealing with jewelry and fashion and beautiful objects, you have to have a strong sense of the visual. Sharon: I know sometimes clients push back, but I assume they come to you because they want your opinion or they'd do it themselves, right? Amy: Yes. My favorite clients to work with are emerging designers who are just getting out there. They have so many ideas, so many stories to tell, and I help them refine their vision, refine their voice. For many of them, it's the first time they're coming to market, and I can help them present themselves in a professional way that will be compelling to buyers and to media. Sharon: What type of issues are potential clients coming to you for? Is there an overarching—problem might not be the right word—but something you see, a common thread through what they're asking? Amy: There are a number of things. One could be a complicated concept that needs to be explained, something technical like the meteorite that's used in a wedding ring. “We have all this raw material from our supplier. How do we make that customer-facing? How do we make that dense language more lively and easier to digest?” Sometimes it's collection naming. “Here's my collection. Here are the pieces. Can you give them a name? Can you help name this product?” Sometimes it's, “We want to craft a story around this,” and I'm able to come at it with, “I know what the story is here. We've got to shape you to be able to present that story to the world, whether it's a buyer or an editor.”  Usually there is some sort of a concept that is involved; it just hasn't been refined and it's not adjustable. They're so focused on the work and the design vocabulary, they need someone to come in and look at it holistically and figure out how they're going to package this as an overarching idea. Sometimes it's as simple as, “I need to write a letter. These are the things I want to get across to buyers or new accounts or an invitation to an event.” I can take these objectives, these imperatives, and spin them into something compelling and customer-facing and fun to read. It's a mix of imaginative work and down-and-dirty, let me take this corporate document and finesse it and make it more lively and more like something a consumer would want to read on a website. Sharon: They must be so appreciative. Their work may be beautiful, but they have to condense it to say what they are trying to express and get that across to somebody who may not know the language, so somebody wants to pick it up and say, “Oh, that's really interesting.” Amy: Storytelling is a big buzzword right now in the industry, but it's so important. The marketplace is so crowded, and it's not enough to be like, “I have a new collection of stacking rings,” or “I've expanded these rings to include a sapphire version.” You have to come up with some sort of a story to draw in an audience, and then you can use that story on all of your touchpoints, from social media to your email blasts to a landing page on your website. There are a host of jewelry professionals out there that can advise in different ways, to help you get into stores, to help you with specific branding, refining your collection from a merchandising standpoint. There are so many professionals out there that specialize in that, but I think what I bring to the table is knowledge of the industry and a facility with language. It's almost like I'm a mouthpiece for the designer or the corporate brand and a conduit to the consumers' headspace. Sharon: It sounds like a real talent in the areas where there are gaps in what a designer and retailer/manufacturer needs. Telling the story may be a buzzword, but it's words, and you have to use the right words. Tell us about the JCK. You write the blog “All That Glitters,” which is very glittery. It's very attractive. Tell us about it. Amy: Thanks. I was JCK's center for style-related content. Obviously, there's no shortage of breaking news and hard business news, because JCK's first and foremost a serious business publication. Sharon: With the jewelry industry. Amy: With the jewelry industry. I've evolved the blog to be—my favorite things to cover are new collections. I like to interview designers about inspirations. I like to show a broad range of photos from the collection. A lot of it is just showing collections that I love. Maybe I've seen them at Fashion Week; maybe I saw them at the JCK shows or at appointments in the city; maybe I saw something on Instagram. I love to cover design collaborations. Those are one of my favorites things to cover: how two minds can come together to create a new product, like when Suzanne Kalan partnered with Jonathan Adler to do a line of trinket trays. I am interested in cultural events. I like to cover museum exhibits. I covered the Beautiful Creatures exhibit at the Natural History Museum. Because I live in Connecticut, I was able to make it up to Mystic Seaport. They have a beautiful collection of silver trophies by all the best makers, from Tiffany to Shreve, Crump & Low and Gorham. I was able to go up there and see that collection.  It's a blog about culture. It's a blog about things I love. I've written about TV shows that have to do with jewelry. I like the title “All That Glitters” because it gives me a lot of leeway in terms of what I can cover. I've written about writing instruments. Fabergé did a collaboration with whiskey brands and I wrote about that. I try to leave it open, but if there's a strong, new, exciting collection, especially from a high jewelry brand—I'm going to be writing something on one from David Webb coming up. They just released a new collection called Asheville, inspired by his hometown. I like to do a deep dive into a designer story or to show a new collection. My colleague, Brittany Siminitz, does beautiful curations. Sometimes I'll do curations, meaning a roundup of beautiful products that correspond to an overarching theme. I love to do those, but I am happiest when designers come to me with a new collection and something that people haven't seen before. I particularly love discovering new voices and emerging designers that haven't been featured in the press before, so I can be that first introduction.

From 2007- Gary Geddes, author of "Kingdom of Ten Thousand Things: An Impossible Journey from Kabul to Chiapas."

This is the sixth Hall of Fame Episode. Robert Saltzman is an author, artist, photographer, and retired psychologist.   He is the author of two books that I loved which are titled "Depending On No-Thing" and "The Ten Thousand Things."   He writes about "spirituality" with a no-nonsense approach and shares profound insights. He also exposes folklore and old wives' tales when it comes down to modern spiritual topics.    Here below are some links to Dr. Robert Saltzman's books, audio book and sample chapters.   Depending on No-Thing   Read more about Depending On No-Thing published by New Sarum Press here: https://www.newsarumpress.com/depending-on-nothing   The book is available on Amazon in paperback or Kindle edition.   Paperback: https://www.amazon.com/dp/1999353595   Kindle: https://www.amazon.com/dp/B07Z888NGT   You can find sample chapters for Depending On No-Thing in PDF format here: http://www.dr-robert.com/DONT sample.pdf   The Ten Thousand Things   Find out more about The Ten Thousand Things, also published on New Sarum Press here: https://www.newsarumpress.com/the-ten-thousand-things   The book is also available on Amazon in paperback or Kindle edition.   Paperback: https://www.amazon.com/dp/1999353528   Kindle: https://www.amazon.com/dp/B06VWWNP6L/   For the audiobook version of The Ten Thousand Things, please visit: https://www.newsarumpress.com/the-ten-thousand-things-audio   Sample chapters for The Ten Thousand Things:   Intro and Chapter One: http://www.dr-robert.com/4T Intro and Chapter One.pdf   Chapter Two: http://www.dr-robert.com/4T, Chapter Two.pdf   Chapter Three: http://www.dr-robert.com/4T, Chapter Three.pdf   If you are interested in another interview with Dr. Robert Saltzman and his photography artwork, please visit this link: https://robertsaltzman.zenfolio.com/

This is the sixth Hall of Fame Episode. Robert Saltzman is an author, artist, photographer, and retired psychologist.   He is the author of two books that I loved which are titled "Depending On No-Thing" and "The Ten Thousand Things."   He writes about "spirituality" with a no-nonsense approach and shares profound insights. He also exposes folklore and old wives' tales when it comes down to modern spiritual topics.    Here below are some links to Dr. Robert Saltzman's books, audio book and sample chapters.   Depending on No-Thing   Read more about Depending On No-Thing published by New Sarum Press here: https://www.newsarumpress.com/depending-on-nothing   The book is available on Amazon in paperback or Kindle edition.   Paperback: https://www.amazon.com/dp/1999353595   Kindle: https://www.amazon.com/dp/B07Z888NGT   You can find sample chapters for Depending On No-Thing in PDF format here: http://www.dr-robert.com/DONT sample.pdf   The Ten Thousand Things   Find out more about The Ten Thousand Things, also published on New Sarum Press here: https://www.newsarumpress.com/the-ten-thousand-things   The book is also available on Amazon in paperback or Kindle edition.   Paperback: https://www.amazon.com/dp/1999353528   Kindle: https://www.amazon.com/dp/B06VWWNP6L/   For the audiobook version of The Ten Thousand Things, please visit: https://www.newsarumpress.com/the-ten-thousand-things-audio   Sample chapters for The Ten Thousand Things:   Intro and Chapter One: http://www.dr-robert.com/4T Intro and Chapter One.pdf   Chapter Two: http://www.dr-robert.com/4T, Chapter Two.pdf   Chapter Three: http://www.dr-robert.com/4T, Chapter Three.pdf   If you are interested in another interview with Dr. Robert Saltzman and his photography artwork, please visit this link: https://robertsaltzman.zenfolio.com/

On this very special episode, we have the pleasure of speaking with Jane English, the co-creator of popular translations of “Tao Te Ching” and “Inner Chapters.” Here, we discuss her new book “Rainbow of Tao” and her life and work with Gia Fu-Feng. You can buy her new book “Rainbow of Tao” on her website. […]

In the midst of his career as an artist and photographer, Robert Saltzman experienced a sudden and profound awakening—a deep vision into the actual nature of “myself.” That abrupt change in point of view, along with a subsequent long illness and slow recovery, changed the course of his life. He left the art world, obtained a doctorate in Depth Psychology, and began his practice of psychotherapy, a work he describes as "days in a small room, face to face with pain and suffering." As an adjunct to his therapy practice, Robert established a website, www-dr-robert.com that featured his replies to questions about psychology, consciousness, and ordinary problems of living such as relationships, personality disorders, sexuality, mental illness, death and dying, etc. That site became the most popular ask the psychologist webpage on the internet, and has welcomed over four million visitors. In 2012, Robert moved his question and answer work to a Facebook page where it continues to this day. The Ten Thousand Things is a book of words and images about awakening, consciousness, philosophy, and spirituality. Forty chapters--each beginning with a photograph-based upon Robert's replies to questions posed to him on Facebook and in private correspondence. - - - - -SUPPORT THIS PODCAST & VLOG- - - - - ► Become A Member: https://www.youtube.com/channel/UCv_MsYFGi-RHrNajHqqUJ6A/join ► Patreon: https://www.patreon.com/thenakedguruexperiencepodcast ► TIP JAR: paypal.me/thenakedguru - - - - - WEBSITE, SOCIAL & OTHER PROJECTS- - - - - ► Website: https://www.thenakedguruexperience.com ► Sharing Circles: https://www.rememebringourself.com ► Facebook: https://www.facebook.com/thenakedguruexperience ► Facebook Group: https://www.facebook.com/groups/672595846495678/ - - - - - LINKS- - - - - ► http://www.dr-robert.com ► https://www.amazon.co.uk/Depending-No-Thing-Robert-Saltzman/dp/1999353595 --- Support this podcast: https://podcasters.spotify.com/pod/show/thenakedguruexperience/support

Robert is a depth psychotherapist who had an interesting response to my previous episode in this series with Rupert Spira so I decided to connect. We discuss our mutual desire to be radically honest and explore our shared frustration with aspects of the 'spiritual’ world. In that spirit, Robert asked me to include this message from him with this video: "At one point, I mentioned a Rupert Spira video in which I said that Rupert had intimidated a questioner with false logic. I did see that. I went on to say that Rupert had left someone standing a microphone crying. About that, I am not sure. I may have seen that happening on a different video featuring a different spiritual teacher and conflated the two videos. If so, my sincere apologies." ---Robert Saltzman Robert Saltzman is a photographer and retired depth psychotherapist and the author of two books on the human experience of awakening, The Ten Thousand Things (2017) and Depending On No-Thing (2019). He lives in Todos Santos, Mexico with his wife, Catanya, three donkeys and a herd of cats. https://www.facebook.com/4Tbookpage/ https://www.youtube.com/channel/UCzHs... https://www.youtube.com/channel/UCzHs...   Tim Freke is a philosopher and author of 35 books, translated into more than 15 languages, including a Sunday Times bestseller and Daily Telegraph 'Book of the Year'. He is one of ‘The 100 Most Spiritually Influential Living People’ on the 2020 list in Watkins Magazine (# 50). He is the founder of ‘Unividualism’, which combines evolutionary science and deep spirituality to offer a visionary new understanding of the nature of reality and the purpose of life. He leads experiential Deep Awakening retreats internationally. https://timfreke.com

The Ten Thousand Things: Distinct but Equal - Dharma talk given by Dokuro Osho, 7/05/20 by The Zen Studies Society

Full Episode: https://www.youtube.com/watch?v=wHP-S1vqKgQ Join me as I chat with Brian Bose, Founder of SLAY Workshop, Artistic Core Member of Ten Thousand Things in Minneapolis, and all-around mover and shaker! FOR MORE ON BRIAN: http://brianbose.com/ FOR MORE ON SLAY: https://www.facebook.com/slayworkshop/ FOR MORE ON TEN THOUSAND THINGS: https://tenthousandthings.org/ https://nikwhitcomb.com/the-come-up.html

Dharma talk by Melissa Myozen Blacker, Roshi on March 22, 2020

This Dharma talk entitled Be Enlightened by the Ten-Thousand Things is offered by Hae Doh Sunim  and was recorded on September 1st, 2019 Episode #352 Thank you for listening to the Muddy Water Zen Podcast. These talks are given at Muddy Water Zen Temple in Royal Oak, Michigan, U.S.A. Find out more about our temple, Buddhism, and the Korean Taego Order Overseas Parish by visiting our website at muddywaterzen.org

Markus übersetzt das Buch "The Ten Thousand Things" von Robert Saltzman auf deutsch. Das Werk handelt vom Wissen und Nichtwissen, vom Selbst und davon, was es bedeutet, das Selbst zu vergessen und von den zehntausend Dingen erleuchtet zu werden. Hier ist Robert auf Facebook aktiv https://www.facebook.com/4Tbookpage/ Einige Rezensionen zu The Ten Thousand Things https://www.amazon.com/Ten-Thousand-Things-Robert-Saltzman/dp/1999353501 Das Werk gibt es auch auf Spanisch https://www.amazon.de/Las-diez-mil-cosas-Palabras-ebook/dp/B077RJ9ZGZ Interview bei Buddha at the Gas Pump https://www.youtube.com/watch?v=6jk7TkdopkU Kommunikationszentrum Spittelau auf Facebook https://www.facebook.com/kommunikationszentrumspittelau/ Kommunikationszentrum Spittelau auf Twitter https://www.twitter.com/kzspitt

I recount the long and noble history of this podcasts title

Reflect about how your temple already exists and is waiting for you.  Our featured guest is Robert Saltzman. He’s an artist and photographer who has a doctorate in Depth Psychology. He’s also the author of The Ten Thousand Things which is a book of words and images about awakening, consciousness, philosophy, and spirituality. We talk with Robert about his spiritual insights and what it means to become awakened. Learn about upcoming mindful events and spiritual observances like Mabon which is a pagan holiday that’s a ritual of thanksgiving for the fruits of the earth. Show Segments Intro: 00:00 Spiritual Reflection: Your Temple Already Exists and is Waiting for You: 01:00. Spiritual Events and Observances: Mabon: 02:00 Featured Guest: Awakening Expert Robert Saltzman: 03:20 Outro: 42:30 Our Featured Guest Robert Saltzman is an artist and photographer who has a doctorate in Depth Psychology. He’s also the author of The Ten Thousand Things which is a book of words and images about awakening, consciousness, philosophy, and spirituality. Inside, each of the forty chapters begins with a photograph and is based on Robert’s replies to questions posed to him on Facebook and in private correspondence. You can find out more about Robert on his Facebook page. Show Resources and Links  The Pagan holiday Mabon. Join our Spiritual Community Today Get exclusive access to podcasts, videos, our private Facebook group and more. Available only to Spiritual Fizz subscribers.  Find out more about the Spiritual Fizz Podcast Please support us by subscribing to this podcast on iTunes and tell your friends about us. We look forward to being with you next time when we talk more about the connections between the spiritual and physical worlds.

EP 46- The Tao Te Ching complete 81 Verses- Empty yourself of everything- Let the mind become still- The ten thousand things rise and fall while the Self watches their return      

8: Ten Thousand Things has been a presence in the Twin Cities artistic scene for over twenty years. Here, award-winning, founding artistic director, Michelle Hensley shares stories, insights and advice as it relates to resources, creativity, social change, parenting and more. Opening track by Josh Johnson: https://soundcloud.com/saxophone_capone/vibrations-willie-g-x-josh-the-classic-feat-kris-bergh https://www.tenthousandthings.org/ http://www.mnhs.org/mnhspress/books/all-lights http://chancebychance.com/

In this episode of Sinica, Clay Shirky, the author of Here Comes Everybody who has written about the internet and its effects on society since the 1990s, joins Kaiser and Jeremy to discuss the strengths and weaknesses of China's tech industry and the extraordinary advances the nation has made in the online world. The hour-long conversation delves into the details and big-picture phenomena driving the globe's largest internet market, and includes an analysis of Xiaomi's innovation, the struggles that successful Chinese companies face when taking their brands abroad and the nation's robust ecommerce offerings. Clay has written numerous books, including Little Rice: Smartphones, Xiaomi, and the Chinese Dream in addition to the aforementioned Here Comes Everybody: The Power of Organizing Without Organizations. He is also a Shanghai-based associate professor with New York University's Arthur L. Carter Journalism Institute and the school's Interactive Telecommunications Program. Please take a listen and send feedback to sinica@supchina.com, or leave a review on iTunes. Recommendations: Jeremy: Among the Ten Thousand Things by Julia Pierpont, and Modern China is So Crazy It Needs a New Literary Genre by Ning Ken Clay: Internet Literature in China by Michel Hockx Kaiser: A Billion Voices: China’s Search for a Common Language by David Moser  

I attended the Minneapolis TEDx Event this summer. It was a night full of some amazing speakers, but the stand out to me was Michelle Hensley, my guest today. Michelle is the Artistic Director and Founder of Ten Thousand Things theater company. This theater company creates theater that brings stories to people who don't normally get to experience them. But that's just the very tip of the iceberg. I was so excited to talk with Michelle because her philosophy as a theater person directly correlates to us as speakers, as you'll hear. There is so much to dig into here. ENJOY!

Producer/Host: R.W. Estela Engineer: Allison Watters “The Ten Thousand Things” The post A Word in Edgewise 10/19/15 first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

NATIONAL BESTSELLER • For fans of Jennifer Egan, Jonathan Franzen, Lorrie Moore, and Curtis Sittenfeld, Among the Ten Thousand Things is a dazzling first novel, a portrait of an American family on the cusp of irrevocable change, and a startlingly original story of love and time lost. - Amazon Review The Avid Reader Show airs Mondays at 5PM EST on WCHE AM 1520. The Show is sponsored by Wellington Square Bookshop in Chester County, PA. Please visit our website at www.wellingtonsquarebooks.com

This week, Jacob Heilbrunn discusses Michael B. Oren’s “Ally”; Alexandra Alter has news from the publishing world; Julia Pierpont talks about her debut novel, “Among the Ten Thousand Things”; questions from readers; and Gregory Cowles has best-seller news. Pamela Paul is the host.

Paid Actor Radio host, Trena Bolden Fields, talks with Zach Curtis about his career and working within two mediums. Zach Curtis is a professional actor and director in the Twin Cities, with close to 200 productions to his credit.  He is currently entering his ninth season as Artistic Director of the Paul Bunyan Playhouse (Bemidji, MN), Minnesota's longest running summer stock theater.  He has performed with the Guthrie Theater, Park Square, Mixed Blood, Illusion, Ten Thousand Things, Theatre Latte Da, Torch, Theatre Pro Rata, and numerous other companies.  He is currently appearing as Charlie in the Walking Shadow area premiere of The Whale.  He is a proud 14-year member of Actors Equity Association.

> > > The Tao of Ten Thousand Things

Trena Bolden Fields welcomes award-winning theatre artist, Randy Reyes to discuss how education played a role in where he is today.    Randy Reyes is a theater actor/director/ educator in the Twin Cities.  He got his training at the University of Utah and The Juilliard School.  Randy has performed at the Guthrie, Mixed Blood, Ten Thousand Things, and Mu Performing Arts.  He's directed for Mu, The Pillsbury House, Theatre in the Round, and Ten Thousand Things.  He's taught at NYU Grad Acting Program, U of Minnesota/Guthrie BFA Acting Program, The Guthrie Experience, Augsburg College, and Macalester.  Randy moved to the Twin Cities from NYC eight years ago and is the incoming Artistic Director of Mu Performing Arts, a 21 year old company that does theater and taiko from the heart of the Asian American experience.

What do walking backward, water calligraphy, and belting out popular songs in public have in common? All of them can be conceived as techniques for cultivating life, or yangsheng, and they are all featured in Judith Farquhar and Qicheng Zhang‘s wonderful new book. Ten Thousand Things: Nurturing Life in Contemporary... Learn more about your ad choices. Visit megaphone.fm/adchoices

What do walking backward, water calligraphy, and belting out popular songs in public have in common? All of them can be conceived as techniques for cultivating life, or yangsheng, and they are all featured in Judith Farquhar and Qicheng Zhang‘s wonderful new book. Ten Thousand Things: Nurturing Life in Contemporary Beijing (Zone Books, 2012) explores life as a process through an ethnographic and philosophical study of everyday life activism in contemporary Beijing. It is a remarkably wide-ranging book in its conception and methodologies, exploring forms of modern self-help (or self-health) via discussions that range from the changing nature of long underwear to the meaning of life, from popular health literature to the films of Ning Ying, from urban politics leading up to the 2008 Olympics to the circulation of common sense. Farquhar and Zhang bring the reader along for morning and evening walks through the public spaces of West City District of Beijing, and into the private spaces of yangsheng practitioners in their homes, inviting us to listen in on a dinner conversation that concludes the study. It is a marvelous, creative, and inspiring book that manages to balance careful analysis of philosophical texts with humor and liveliness. Learn more about your ad choices. Visit megaphone.fm/adchoices