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3 episodes with house next door
2 episodes with house next door
4 episodes with house next door
2 episodes with house next door
2 episodes with house next door
For nearly eight decades, the house next door to Auschwitz—the former home of Nazi commandant Rudolf Höss—stood untouched, a silent witness to history's darkest crimes. Now, thanks to Ambassador Mark D. Wallace, Elliott Broidy, and Dr. Thomas Kaplan, it is being transformed into a global center for combating antisemitism and extremism. Rabbi Pini Dunner explores how this initiative ensures history's lessons are neither distorted nor forgotten in an era of rising Jew-hatred.
It's Text Roulette! Ask anything by texting your anonymous questions to 414-432-1099!
It's Text Roulette! Ask anything by texting your anonymous questions to 414-432-1099!
This is a Real Ghost Stories Online Best of 2024 episode. We'll kick off 2025 with new episodes! From strange behavior and an unsettling atmosphere to a deadly event that seemed to leave a lingering negative energy, we explore how dark history and unresolved trauma can shape the spirits that may remain behind. The story also touches on another chilling encounter— a house where a child and their family experienced sleep paralysis, unexplained shadows, and even paranormal figures that followed them around, including a shadowy figure that became a recurring presence in their lives. Was it the house itself or something carried by the family that caused these disturbances? If you have a real ghost story or supernatural event to report, please write into our show or call 1-855-853-4802! If you like the show, please help keep us on the air and support the show by becoming an EPP (Extra Podcast Person). We'll give you a BONUS episode every week as a "Thank You" for your support. Become an EPP here: http://www.ghostpodcast.com/?page_id=118 or at or at http://www.patreon.com/realghoststories Watch more at: http://www.realghoststoriesonline.com/ Follow Tony: Instagram: HTTP://www.instagram.com/tonybrueski TikToc: https://www.tiktok.com/@tonybrueski Facebook: https://www.facebook.com/tony.brueski
Denis Hirson's My Thirty Minute Bar Mitzvah can be read as many different books. It can be read as a new, deeply personal, take on a pivotal episode in the history of South Africa. It can be read as a tender reflection on the mind of the author as he teetered on the cusp of adulthood. It can be read as a portrait of one particular wing of the Jewish diaspora, at one very particular moment in time. And it can be read as an account of how trauma is passed from one generation to the next, but also how with every new generation we are offered the opportunity of recovery…if only we will grasp it.My Thirty Minute Bar Mitzvah focuses primarily on the life of the author in the early 1960s, when he was between the age of nine and thirteen, and when the politics of his homeland was in turmoil after the brutal Sharpeville Massacre, carried out by the apartheid regime. Indeed, it's these very politics that are going to impose themselves in a real and immediate fashion on the author's world, not only shattering his idea of family, of community, of home, but also setting his life on a course that will ultimately see him pitch up in Paris.Buy My Thirty Minute Bar Mitzvah: https://www.shakespeareandcompany.com/books/my-thirty-minute-bar-mitzvah*Denis Hirson has lived in France since 1975, yet has remained true to the title of one of his prose poems, ‘The long-distance South African'. Most of his nine books, both poetry and prose, are concerned with the memory of the apartheid years in South Africa. Two of his previous titles, The House Next Door to Africa and I Remember King Kong (the Boxer) were South African bestsellers. His most recent books are Ma langue au chat, sub-titled ‘tortures and delights of an English-speaker in Paris', and a book of conversations with William Kentridge, Footnotes for the Panther.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
A LOT OF SPOILERS HEREINAll The President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. To celebrate the forthcoming 50th Anniversary of The Parallax View, the Editor at Large for Roger Ebert Dot Com | T.V and Film critic at Vulture | bookstore owner Matt Zoller Seitz joins me to talk about what he considers to be the very best exemplar of paranoia cinema.Matt is also hosting an upcoming screening of THE PARALLAX VIEW on June 29 at The Texas Theatre. ABOUT MATT ZOLLER SEITZMatt Zoller Seitz is the Editor at Large of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays.A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers. Other Seitz books include Mad Men Carousel: The Complete Critical Companion, The Oliver Stone Experience, and TV (The Book). He is currently working on a novel, a children's film, and a book about the history of horror, co-authored with RogerEbert.com contributor Simon Abrams.Dealer in new & used books about the arts: Full inventory here.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
It's giving bunny boiler psycho but we're here for it. One man's ex has moved into the house next door as the ultimate revenge so that he can never escape her. You'll never get away from the sound of the woman that loves you... See omnystudio.com/listener for privacy information.
Check out our YouTube Channel for full animated stories. https://www.youtube.com/@MSA.official ✅ Don't forget to SUBSCRIBE to our channel by clicking here ➞ / @msa.official ▶️ Watch my favorite videos: • MSA Top Videos Instagram / my.story.animated --- Send in a voice message: https://podcasters.spotify.com/pod/show/msa18/message
This Quickie gives a whole new meaning to the term “ghosted”. Join us as Brianna discusses “The House Next Door” by Richie Tankersley Cusick, while Kenzie and Sheena blind react.The Smut Your Mouth podcast is not your grandma's book club. We read romance of all kinds, and talk all things spicy, saucy, sassy and nasty. https://linktr.ee/smutyourmouthpodcast
IN THIS EPISODE THE GHOSTLY PIANO – A woman investigates the haunting music of a piano coming from the abandoned house next door. All stories were written and narrated by Steve Hudgins "Hudgins is a Horror-Meister to reckon with!" VICTOR MILLER - Writer of Friday the 13th Here are 5 simple ways to help support the show: 1.) Contribute directly to the show here: https://www.maniacontheloose.com/support 2.) Buy some of Steve's books: https://www.maniacontheloose.com/books 3.) Buy some of Steve's audiobooks: https://www.maniacontheloose.com/audiobooks 4.) Buy some Maniac on the Loose Merchandise: https://www.maniacontheloose.com/store 5.) Please Subscribe. Share. Tell everyone you know about the show! --- Support this podcast: https://podcasters.spotify.com/pod/show/maniacontheloose/support
In short answer: Yes! Joined by special guest Ariana Hartman of Infinity Escape, we check out one of Wild Goose's newer rooms The House Next Door. This episode we discuss what it's like to play with junkies like us and how intimidating that may be. Towards the end of the show we play a new game: Escape Room Categories! How many rooms can you name that involve space? How many can you name that are over 60 minutes? Beth and Ky go head to head to see who knows best!
This week we have a brand new recap for Episode 3 of John Carpenter's Suburban Screams. Have you ever encountered a house in your neighborhood that just doesn't seem right, or the people living there give you ominous vibes. We do a deep dive into Dr. Torrence Temple's teenage years when the new neighbors of a house that had been long vacant aren't exactly who them claim to be, mainly the father who leads a life a dentist. When Torrence forms a crush on his neighbor Lisa, things go left when her father Dr. Kennedy gets wind and Torrence sees and hears the dentist taking on a gory new hobby! Tap in and listen to us break down all the action. Plus, Jonni and I talk about this the weekend's Halloween festivities and a take on costume choices! Every week we'll be here with our reactions to this new Horror documentary that you can watch exclusively on Peacock! We have three more episodes to go after this so tune in and catch up. --- Send in a voice message: https://podcasters.spotify.com/pod/show/los-def/message
Tristan Redman doesn't believe in ghosts. But weird things happened in his teenage bedroom. And when he discovers later that occupants of his family home have seen the ghost of a faceless woman, he's intrigued. Because it just so happens that his wife's great grandmother, Naomi Dancy, was murdered in the house next door…killed by two gunshots to the face. Listener note: This episode contains descriptions of violence and suicide.Follow Ghost Story on the Wondery App or wherever you get your podcasts. You can binge all episodes of Ghost Story ad-free right now by joining Wondery Plus in the Wondery App or on Apple Podcasts.Excited to hear more from the Ghost Story team? Join Tristan, Annie, and special guests for Ghost Story LIVE in London on 5 February, 2024! Tickets on sale HERE. Episode Notes:Eleanor Johnson Ward's blog can be found here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome to episode 1 of the Dozing Off Podcast. In tonight's read, Lance narrates James Patterson's, The Killer's Wife, a short story from his The House Next Door book containing 3 thrillers from a bestselling writer! We will revisit and do our best to finish this story on episode 3. Thanks for joining the journey!
Holmberg's Morning Sickness - Friday August 11, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices
Holmberg's Morning Sickness - Friday August 11, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices
Programa 44: Se alquila casa encantada. Grabado el día 7 de julio de 2023. 07:09 "El fantasma y la señora Muir", de R. A. Dick (Josephine Aimee Campbell Leslie) - Película: "El fantasma y la señora Muir" (Joseph L. Mankiewicz, 1947) 56:40 "Sesión en una tarde de lluvia", de Mark McShane - Película: "Plan siniestro" (Bryan Forbes, 1964) 01:38:13 "La entidad maligna y otros casos del doctor Dorp", de Otis Adelbert Kline 02:12:22 "The House Next Door", de Anne Rivers Siddons
It's Tuesday! So that means it's time for some more listener questions! (0:36) Amy is looking to start investing in property, so she's been educating herself with courses and listening to the podcast, but now she's looking to find herself a property mentor and she's wondering how she can find a good one! (4:13) The house next door to one of the properties in Danny's portfolio has become available, should he buy it and are there any advantages to owning adjoining properties? Enjoy the show? Leave us a review on Apple Podcasts - it really helps others find us! Sign up for our free weekly newsletter, Property Pulse Send us your question by calling us on 013 808 00035 and leaving a message with your name and question (normal UK call rates apply) or click here to leave a recording via your computer instead. See omnystudio.com/listener for privacy information.
Episode 83 or Episode 2 of Season 2 Guest: Rev Dale Selover, Spiritual Director at the House Next Door News Holy Land trip January 15 to 25, 2024 NY Jung on Hudson Event July 16 - 22 Where did the phrase gritty mysticism come from? Book Contemplating Christ: The Gospels and the Interior Life by Vincent Pizzuto Discussion Guide for Weird Wisdom for the Second Half of Life is available now, The Study Guide can be found here - click here Personal Updates Emails and letters Sue asks a question about John 14:6 and the seemingly exclusionary saying of Jesus “I am the Way, the Life, and the Truth; no one comes to the Father except through me. I recently preached on this text at Redeemer Lutheran in Bangor, Maine, and they recorded the sermon on their Facebook page. It's here, and the sermon begins at the 26-minute mark. Write me at jim@jameshazelwood.net Interview Guest Pastor Dale Selover serves as the Director of The House Next Door, a Prince of Peace Lutheran Church ministry in Princeton Junction, NJ where she provides a spiritual direction and retreat ministry. Pastor Selover received her training as a spiritual director through Oasis Ministries for Spiritual Development. She also on the teaching staff of Oasis Ministries for Spiritual Development. Pastor Selover has been a pastor in the Evangelical Lutheran Church in America for over thirty years. She has served congregations in New Jersey. She is a graduate of the Lutheran Theological Seminary at Gettysburg and Gettysburg College. Dale is married to Pastor Peter Froehlke. They are the proud parents of two daughters: Sara Grace and Hannah Ruth. To contact Dale Selover, visit the House Next Door's website: www.housenextdoornj.org. James Hazelwood, author, bishop, and spiritual companion, is the author of Weird Wisdom for the Second Half of Life and Everyday Spirituality: Discover a Life of Hope, Peace, and Meaning. His website is www.jameshazelwood.net
"Coming into Dave and Morley's house is, quite frankly, a bit of a feat. You have to really want to get in.”In time for Mother's Day, this week's episode is all about Morley – the beating heart of the family and the calm to Dave's chaos. In The House Next Door, Morley fantasizes about a life very different from her own; and in The Pot, meditates on her role as both a mother and a daughter. And Jess talks about how becoming a mother herself has changed her perspective on so many of the Vinyl Cafe stories. Hosted on Acast. See acast.com/privacy for more information.
Matt Zoller Seitz is the Editor at Large of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays.A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours' worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers. Other Seitz books include Mad Men Carousel: The Complete Critical Companion, The Oliver Stone Experience, and TV (The Book). He is currently working on a novel, a children's film, and a book about the history of horror, co-authored with RogerEbert.com contributor Simon Abrams.Visit his online book store HERE.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.
In this special bonus episode from the OHM Patreon, I catch up with my dear friend and one of the most insightful and entertaining film critics in the world, Sean Burns.Sean and I, laugh at The Offer, pitch an ENZO THE BAKER Paramount+ show and gush at one of the greatest and most entertaining films ever made on its 50th Anniversary, The Godfather. Join our Patreon for as little as $1 a month for an exclusive weekly podcast Rum and Rant + access to the OHM discord here.Thank you so much for the ongoing support!One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsABOUT SEAN BURNSFilm Critic. Projectionalist. Snide gatekeeper.Sean Burns is a Staff Writer at WBUR's The ARTery and a Contributing Writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's Lead Film Critic from 1999 through 2013 and worked as the Movies Section Contributing Editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper, Movie Mezzanine, The House Next Door and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists.His writing has been called “jocular but serious, more like a 1940′s daily reporter pounding out columns on a manual typewriter than a typical 21st-century navel-gazing film critic.” Meanwhile, his sisters still tell him that he “swears too much and drives like an old lady.”FOLLOW SEAN ON TWITTER HERE: @SeanMBurns Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Guest cohost Omar Najam (A Court of Fey and Flowers, 13days13shorts) joins Kelly to talk Richie Tankersley Cusick's The House Next Door! They talk murdering someone with ornamental scissors, the beauty of true love, and weigh out embarrassment over being asked out on a dare vs. the promise of immortality.SUBSCRIBE TO THE TEEN CREEPS PATREON to get bonus episodes like this one, merch, and more:https://www.patreon.com/teencreepsCONNECT W/ TEEN CREEPS:https://twitter.com/teencreepspodhttps://www.instagram.com/teencreepspodhttps://www.facebook.com/teencreepspodBUY TEEN CREEPS MERCH:https://www.teepublic.com/stores/teen-creepsTEEN CREEPS IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/teen-creeps*All creepy opinions expressed are those of the hosts and guests. SUBSCRIBE TO OUR PATREON for ad free and video episodes, bonus episodes, and more:https://www.patreon.com/teencreeps CONNECT:https://discord.com/invite/FYp4QNhruEhttps://www.instagram.com/teencreepspodhttps://www.facebook.com/teencreepspod MERCH:https://www.teepublic.com/stores/teen-creeps TEEN CREEPS IS AN INDEPENDENT PODCAST. *All creepy opinions expressed are those of the hosts and guests. Hosted on Acast. See acast.com/privacy for more information.
Guest cohost Omar Najam (A Court of Fey and Flowers, 13days13shorts) joins Kelly to talk Richie Tankersley Cusick's The House Next Door! They talk murdering someone with ornamental scissors, the beauty of true love, and weigh out embarrassment over being asked out on a dare vs. the promise of immortality. SUBSCRIBE TO THE TEEN CREEPS PATREON to get bonus episodes like this one, merch, and more: https://www.patreon.com/teencreeps CONNECT W/ TEEN CREEPS: https://twitter.com/teencreepspod https://www.instagram.com/teencreepspod https://www.facebook.com/teencreepspod BUY TEEN CREEPS MERCH: https://www.teepublic.com/stores/teen-creeps TEEN CREEPS IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/teen-creeps *All creepy opinions expressed are those of the hosts and guests. Learn more about your ad choices. Visit megaphone.fm/adchoices
Det hemsökta huset är en vanlig kuliss för berättelser om sorg och tragedier. Men vad händer med det hemsökta huset i en tid av öppna planlösningar och glasväggar? Det undrar Petter Lindblad Ehnborg. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Säg hemsökt hus och de flesta ser nog samma kråkslott i fritt förfall, med eller utan sommarjobbande tonåringar. Samma damm och spindelväv. Samma dystra sniderier och vittrande stenansikten. Samma övermått av historia. Det är en bild med anor, för alltsedan den gotiska litteraturens startskott, Horace Walpoles Borgen i Otranto från 1764, har ord och arkitektur varit nära förbundna. Många senare verk har namngivits efter den byggnad i vilken de utspelas: medeltida slott eller herresäten bebodda av urartad adel. Efterhand syns ett allt större amerikanskt inslag med kolonialvillor i New England, sydstatspalats byggda på slavarbete, eller herrgårdar uppförda av den förgyllda ålderns rövarbaroner.Med tiden skiftar den gotiska litteraturens hus skepnad. Från att ha varit sublima kulisser tar de rollen som medspelare, samtidigt som de formar sig till speglar av invånarnas oroliga inre liv. I Edgar Allan Poes novell Huset Ushers undergång tar sig avgrunden mellan ett godsägande syskonpar fysisk gestalt i form av sprickan som öppnar sig i fasaden i deras gemensamma hem. Huset görs omänskligt mänskligt genom de tomma, ögonlika fönster till vilka Poe genom novellen återvänder. Byggnadens betraktande blick ska bli en stapelvara inom genren: drygt ett århundrade senare gestaltar Shirley Jackson det hemsökta Hill House som ett ansikte, med tomma vaksamma fönster under taklisters skadeglada ögonbryn. Mången kioskroman har också prytts av samma omslag: en skräckslagen människa med ryggen mot en hotfull fasad på vilken ett eller två ensamma fönsterögon lyser. Den gotiska litteraturen vet att utnyttja människans tendens till pareidoli: det vill säga att se mönster och mening i vaga intryck, ansikten där inga ansikten finns.Kanske kan ögon rentav skönjas på fasader av glas och stål? Arkitekturteoretikern Anthony Vidler anar en kuslig potential i det sena 1900-talets seende väggar, vilket särskilt filmmakare tagit fasta på i kriminaldramat, tonårsslashern eller den samtidsnära science fiction-dystopin. Ändå fortsätter 1800-talets arkitektur vara ohotad också bland sentida litterära skildrare av hemsökta hus. En möjlig förklaring ges i Anne Rivers Siddons roman The House Next Door, där en modernistisk villa tycks trasa sönder såväl innehavarnas liv som grannskapsandan i en välbärgad villaförort i den djupa amerikanska södern. Kan en ondsint intelligens verkligen leva i ett hus som är mindre än ett år gammalt, frågar sig grannen Walter vantroget. I horisontella hus med öppen planlösning finns ju varken källare eller vind där kedjor kan rasslas. Den modernistiska estetikens strävan att göra rent hus med historien tycks ha haft en antiseptisk verkan också mot spöken.Men som så ofta inom den gotiska traditionen finns det andra hemsökelser än gengångare. Essäisten Brian Dillon minns hur hans mor då han var barn insisterade på att radhuset där han växte upp bar på en förbannelse, och han brukade föreställa sig att en tidigare invånare möjligen avlidit under oklara former. Som vuxen såg han något annat: hur husets tragedi inte strömmade ur dess dolda historia så mycket som ur livet mellan väggarna: en familj som likt hos en viktoriansk studiofotograf frusit fast i smärtsamma poser, ett gemensamt liv invecklat i smärta, under tyngden av moderns långsamt förtärande sjukdom.Kanske bor den största fasan i det mellanmänskliga? Så är åtminstone fallet i Tove Janssons novell Svart-vitt. Novellen är dedikerad illustratören Edward Gorey och delvis inspirerad av hans traditionella spökhus i bilderboken Västra flygeln. Även om Jansson ersatt spökena med scener ur ett äktenskap visar hon sig väl förtrogen med den gotiska litteraturens grammatik. Stella är inredningsarkitekt och har ritat den modernistiska mästervilla i vilken hon lever samman med sin make illustratören. Huset beskrivs som en väldig öppenhet av glas och omålat trä och man förstår att stor omsorg har givits åt detaljerna. Enorma fönster speglar natten men håller den på avstånd, och i trädgården suddar strålkastare ut det vackra folkets skuggor medan de minglar genom sommarnatten.Det är fulländat. Ingenting kan förändras. Så beskriver illustratören sitt hem, och man förstår att detta skrämmer honom behövs han, kan han verkligen tillföra något? Kanske omöjliggör huset andra rörelser än de som redan är inskrivna i ritningarnas underförstådda scenanvisning? Han vill gräva in ansiktet i det svarta skinnet på golvet och rulla sig som en hund men vågar inte, för i ett hus utan dörrar finns ingenstans att gömma sig från hustruns blick, i hemmet hon ritat till sin avbild, öppet inför världen men omgärdat av murar. Huset var som [Stella], tänker han, det hade vidöppna ögon.Hemlivet ställs på sin spets då mannen får i uppdrag att bildsätta en skräckantologi. I Stellas ljusa hus är det omöjligt att arbeta, för allt blir bara grått, ingenstans finns den svärta som uppdraget kräver. Först då han för en tid flyttar till ett hus av traditionellt gotiskt snitt lättar skaparvåndan. Paradoxalt nog tar tryggheten här gestalt av en fallfärdig, lutande kåk med svart vatten i källaren och baksidan täckt av en vall av bråte, liksom utspydd av huset självt. I ett hus med dörrar kan man iallafall stänga om sig, och därmed slippa oron att bli sedd. Men kanske undflyr han inte hustruns öga så mycket som sitt eget, möjligheten att bli synlig inför sig själv, insikten om att avståndet också till den närmaste är svårt att överbrygga. Han dröjer i veckor med att illustrera antologins enda verkligt kusliga berättelse, den där författaren har utsatt dagsljuset för sin rädsla och mot alla regler stängt in den i ett vanligt, vackert rum. Det fruktansvärda han till slut ser framför sig är Stellas vardagsrum, det fulländade rummet där de levde med varandra, och med insikten kollapsar såväl text som byggnad: en klyfta ekande av släkten Ushers hus öppnar sig i golvet, alltmedan fönsterväggens väldiga glasskiva tycks sprängas av trycket inifrån.Låt oss dröja vid glasrutan en stund: kanske är det just i denna som den gotiska litteraturens sammansmältning av hus och människa, av oroliga yttre och inre rum oväntat nog når sin fulländning? Om natten förvandlas fönstret till en spegel och utsikten därmed till insyn och insikt. Genom rutan kan man betraktas utifrån, samtidigt som det enda man själv ser är det egna ansiktets skuggor, de otyglade känslornas spel, en gryende oro.Man behöver ej vara en kammare för att vara hemsökt man behöver ej vara ett hus, diktar Emily Dickinson. Vad är väl midnattsmöten med spöken, kusliga kloster eller lönnmördare gömda i vår lägenhet, vill hon säga, jämfört med att möta det som göms i hjärnans vindlande korridorer, att på en ensam plats oväntat överraskas av det egna inre livet, Självet bakom självet, dolt?Petter Lindblad Ehnborg, psykolog
Roxanne Avent Taylor is emerging as one of Hollywood's most prolific and successful independent producers as well as the driving force behind several social justice and youth advocacy initiatives. As co-founder of Hidden Empire Film Group with husband director Deon Taylor, Ms. Taylor has developed, packaged and produced an impressive slate of films. Her most recent, Lionsgate's “Fatale,” stars two-time Academy Award® winner Hilary Swank and Golden Globe® nominee Michael Ealy is currently a box office leader while simultaneously steaming up PVOD streaming platforms. Additional theatrically releases include Sony Pictures' “Black and Blue” starring Academy Award nominee Naomie Harris, NAACP Image Award® winner Tyrese Gibson, and Frank Grillo; Sony Pictures' “The Intruder” with Golden Globe nominee Dennis Quaid, Ealy, and NAACP Image Award nominee Meagan Good; NAACP Image Award nominated “Traffick” starring NAACP Image Award nominee Paula Patton, SAG Award® nominee Missi Pyle, and NAACP Image Award winners Omar Epps and Laz Alonso; “Meet the Blacks” starring NAACP Image Award winner Mike Epps and ALMA Award® winner George Lopez, and “Supremacy” starring two-time Academy Award winner Mahershala Ali, Spirit Award® winner Derek Luke, and SAG Award nominee Julie Benz. Ms. Taylor's upcoming films include “Grave Hill,” a remake of the Vietnamese horror-thriller film “The Housemaid,” adapted by Oscar® winner Geoffrey Fletcher (“Precious”) and Derek Nguyen; “The House Next Door” starring ALMA Award nominee Danny Trejo, Emmy Award® winner Kat Williams, and Mike Epps; and “Don't Fear”. Along with Robert F. Smith and Deon Taylor, Ms. Taylor co-produced the digital series Be Woke. Vote, a social media philanthropic initiative to engage young people in political issues impacting our communities. The bipartisan series was hosted by CNN political contributor Van Jones, TV journalist Roland Martin, and GRAMMY Award® winning singer/songwriter Tameka ‘Tiny' Harris and features interviews with Kim Kardashian West, Oscar winner Jamie Foxx, Chelsea Handler, GRAMMY winner will.i.am, U.S. Congresswoman Maxine Waters among other high- profile newsmakers. Be Woke. Vote won two Webby Awards in 2020. In 2019, along with Mr. Taylor, she launched C.L.I.M.B., a non-profit which connects disadvantaged youth with resources and support. Additionally, the Taylors have partnered with organizations like Baron Jay Foundation to provide opportunities for at-risk youth to gain on-set experience. Ms. Taylor received that organization's prestigious Trailblazer's Award in 2019 the same year Hidden Empire Film Group was recognized with the “Humanitarian of the Year Award” by the Location Managers Guild International (LMGI) The year prior, Ms. Taylor was honored with the Women in NAACP Leadership Award. When not on location, she lives in Northern California with her family.
Jamie Foxx (“Ray”), Dave Franco (“Neighbors”) and Snoop Dogg (“The House Next Door”) star in “Day Shift,” a new horror comedy on Netflix. The post Take Two: “Day Shift” (R) appeared first on KKFI.
In which the lads discuss their Top 5 picks for movies they'd love to see remade.TOPICSThe Abominable Dr. PhibesHalloween III: Season Of The WitchThe House Next DoorThe HowlingKiller Klowns From Outer SpaceMatangoNight Of The LepusThe People Under The StairsThe Stepford WivesTwo Thousand Maniacs!Willy Wonka & The Chocolate FactoryNEXT WEEKCreepshow Double Feature!LINKShttps://linktr.ee/podferatuSkull logo by Erik Leach @erikleach_art (Instagram)Theme: Netherworld Shanty, Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License
Miss Brooks tries to become the head of the English department but winds up baby-sitting for a dog, a cat, a baby and a frog. --- Send in a voice message: https://anchor.fm/iloveoldtimeradio/message
Bar Talk (our recommendations):Jessica is watching The Sound of Violence (2021; dir. Alex Noyer); drinking Freeland Spirits bourbon.Damien is heeding Jessica's recos – watching The Empty Man (2020, dir. David Prior) and reading The House Next Door by Ann River Siddons; drinking Devil's River bourbon.Ryan is watching Martyrs (2008, dir. Pascal Laugier); drinking Miller Lite. Really.If you liked this week's story, check out Pandora's Star by Peter F. Hamilton.Up next: Season 2 wrap up featuring an interview with Crawling Horror editors Jeanette Leaf and Daisy Butcher!Special thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out on Instagram, Twitter, Facebook, and at whiskeyandtheweird.com
Mistakes were made. www.patreon.com/stevelehto
Andy and Alyssa read Goosebumps Series 2000 #10: Headless Halloween. Along the way, they discuss going headless; sadism; My Cousin Vinny; Dr. Bunsen Honeydew; low-budget raves; anagrams; A Clockwork Orange; audience complicity; Job's suffering; Hostel; the Saw franchise; sinister parties; Eyes Wide Shut; le Théâtre des Vampires; Blade; falling to a rocky death; Trick ‘r Treat; “57 Reasons for the Slate Quarry Suicides,” by Sam J. Miller; sentient houses; The Amityville Horror; The Shining; not knowing you're dead; The House Next Door by Anne Rivers Siddons; “The Shunned House” by H.P. Lovecraft; atonement horror; A Christmas Carol; Slasher; the Dante's Inferno video game; “A Good Man is Hard to Find” by Flannery O'Connor; It's a Wonderful Life; Happy Death Day; The Lovely Bones; The Headless Horseman; Tales from the Crypt; Beetlejuice; Goodnight, Mommy; Jacob's Ladder; The Sixth Sense; interdimensional travel; Dear Millie; Spirited Away; Halloween Town from Nightmare Before Christmas; amoral endings; Burn After Reading; Willy Wonka and the Chocolate Factory; The Devil's Advocate; child death in the Gooseverse; and undead houses. // Music by Haunted Corpse // Follow @saypodanddie on Twitter and Instagram, and get in touch at saypodanddie@gmail.com
The department finally fixed the problem after the news got involved. http://www.lehtoslaw.com
Sorry for the delay with this one here, since it was recorded Wednesday at some point... The holidays have been a scramble, but hopefully this holds you all over until I get fully back into gear for some more episodes. Luckily this wasn't too heavy handed and I could just let loose to enjoy a spoof. Enjoy, people.
We will not **BE SILENT** about The Exorcist, as we continue our conversation by bringing you our picks for scariest books and movies of all time! Recommendations include: The Blair Witch Project, The Ring, Hereditary, Session 9, Annihilation, The House Next Door, House of Leaves, and Scary Stories to Tell in the Dark. Ginny also crushes a quiz that asks her to identify: exorcism movie, movie starring a cast member from The Exorcist, or fake movie that Bridget made up. Thank you for another wonderful year of Radaptations—we'll return in January with the 6th Annual Raddy Awards!
Bar Talk (our recommendations):Jessica is reading The House Next Door by Anne River Siddons; drinking Rogue Brewing's Batsquatch IPA.Damien is watching POSSESSOR (2020, dir. Brandon Cronenberg); drinking Hibiki Japanese Harmony whisky.Ryan is watching THE MEDIUM (2021, dir. Banjong Pisanthanakun); drinking Dewars on the rocks.If you liked this week's story, check out THE BURROWERS (2008, dir. J.T. Petty).Up next: ‘The Mystery of the Water-Logged Ship' by William Hope HodgsonSpecial thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out on Instagram, Twitter, Facebook, and at whiskeyandtheweird.com
This week, Hadley shares the tale of the Villisca Axe Murder House in Villisca, Iowa, and unpacks the true crime event that turned the domestic symbol of the American dream into a nightmare. A quaint farmhouse built in 1868, the home is forever marked by tragedy after a family of six and their two young house guests were murdered on a June night in 1912. After reviewing the details of the unsolved case, the co-hosts discuss the current state of the home and the reports of strange occurrences from visitors and current owners. Spooked by the familiarity of this story's setting, Alyssa and Hadley bring on production designer Jerry Wanek, who brought the sets to life on The CW's Supernatural, to learn more about how once-friendly houses like the Villisca Axe Murder House have influenced television shows and films (41:27). Wanek shares anecdotes from the Supernatural set, including the inspiration behind the show's quirky motel rooms (51:53) and where his team sourced the best vintage props (55:11), as well as a spooky encounter he had while staying in a Los Angeles apartment previously inhabited by Elvis (59:48). TW: Sexual assaultCONTRIBUTORSHost/Producer: Alyssa FiorentinoHost/Producer: Hadley MendelsohnProducer: May TsehaySound Engineer: Josh Caldwell
The House Next Door (2021) When best selling author Carl Black moves his family back to his childhood home, he must team up with oddball neighbors to do battle with a pimp, who may or may not be an actual vampire.
This week, I was so pleased to welcome back one of the funniest guests I've ever had, the quick-witted, fresh, and very clever Sean Burns. A staff writer at WBUR's The ARTery and contributing writer at North Shore Movies, Sean Burns was Philadelphia Weekly's lead film critic from 1999-2013 and worked as the movie section contributing editor at the Improper Bostonian from 2006-2014. Additionally, a graduate of NYU's Tisch School of the Arts and the recipient of an award for excellence in criticism from The Greater Philadelphia Society of Professional Journalists in 2002, Sean's reviews, interviews, and essays have also appeared in Metro, The Village Voice, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper, The House Next Door, Movie Mezzanine, RogerEbert.com, and more. Additionally, he's also a projectionist who can tell you exactly what's wrong if you're messing up the presentation of a movie at an AMC Theater.Following up on an impromptu pact we made the last time Sean was a guest where we impossibly discovered that although we were both movie-obsessive teens at the time, neither one of us had ever bothered to see Disclosure, we turned that promise into today's theme. Investigating the sexy, sleazy side of Michael Douglas, in this very funny, adults-only episode, we take a closer look at Fatal Attraction, Basic Instinct, Disclosure, and Solitary Man in order to evaluate the man, the myth, the Michael in Lothario Mode. The ideal soundtrack for your household chores or whatever you decide to do in the kitchen (just please, take the dishes out of the sink first) and the ultimate conversation to hear on your way to dance awkwardly in a deep v-neck sweater in a nightclub on a Saturday night, I know you'll dig this one.Note: Due to content & language - perfectly fitting our subject, of course - this episode is rated E for Explicit.Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveOriginally Posted on Patreon (9/18/21) here: https://www.patreon.com/posts/56321819
Sam needs help with an ethical dilemma and Ryan is just the well-trained philosopher and mechanic to advise him. Also, Sam explains "thirst traps" to Ryan and Ryan explains what's inside Sam's DMs.Inventions include Murder AirBnB, ShitFit, and Gummi Bear Steroids. They also get lost on a Centaur tangent that will likely get them banned. Tune in, vibe out, and please enjoy this episode responsibly.Remember:"Do not go gentle into that good night,Old age should burn and rave at close of day;Rage, rage against the dying of the light."Send your thank you letters, fan mail, media awards, or sick burns to burnandravepodcast@gmail.comFollow us here: IG @burnandravepodcastHosts: Ryan Rosenow & Sam Pierstorff (@njapoet)Sound Engineer: Joe Zimmerer Support the show (https://www.paypal.com/paypalme/ninjapoet)
Morley enthusiastically embraces her role as house sitter for the new neighbours.
Join us for our final Foreign Horror Spree film!! The House Next Door aka Aval is an unraveling rollercoaster of chaos when the D'Costa Family moves in next door, and unhappy spirits are stirred. Find us at @thishorribleplace and www.thishorribleplace.com
SMH Podcast sits down and gives their opinion on the new summer comedy box office hit........ Meet the Blacks 2: The House Next Door. Smh might have a surprising reaction to the new film. Even though it was a Comedic smash..... SMH feels it lacked in other areas. Perhaps it was the actors? Or maybe the film missed its mark when it came to conveying their message? You'll just have to listen to find out. Spoiler alert !!!!!! I give away a piece of the ending. Support the showInstagram: @smhpodcast96 YouTube: SMH Podcast
Recorded live at venues across the country, each podcast contains an hour of music, laughter and stories from Canada's favourite storyteller, the late, great Stuart McLean. Stories this season include fan favourites such as The Tank of Tranquility (where Dave indulges in some next-level impulse buying and purchases a float tank, that his pal Kenny Wong tests for him), The Car Wash (where Dave takes his neighbour Mary Turlington's car in for cleaning), The House Next Door (where Morley enthusiastically embraces the task of looking after the neighbour's newly-renovated house) and Rosemary Honey (where Sam and his friend Murphy go on the trail of bees for their aged neighbour, Eugene).
We went to the movies to see “The House Next Door: Meet the Blacks 2,” directed by Deon Taylor, and... the popcorn was delicious. In this episode, we discuss mishandling women in film, playing ableism for laughs, and how Katt Williams attempted to carry this movie on his back. Get ready for another scary good roast. ________________________ If you want to sit comfy...Shop Roam Loud at roamloud.comPromo Code: HOTMESS15 ________________________ TikTok by Ryan_Ken_Acts:https://www.tiktok.com/@ryan_ken_acts/video/6974394889479933190?lang=en&is_copy_url=0&is_from_webapp=v1&sender_device=pc&sender_web_id=6952480267068835333________________________ Podcast Music created by Anthony Rideout: Check out https://www.anthonyrideoutmusic.com/
ANOTHER DIGITAL CITIZEN Episode 297- Sportsball And Other Cursed Words On This Episode Of ANOTHER DIGITAL CITIZEN: We will be talking about News of the Week, Trond Tells the Truth, TV of the Week, Movies of the Week, Another Digital Review of “The House Next Door 2”, and Much, Much More. —You can email us at anotherdigitalcitizen@gmail.com— — Also, Subscribe on Itunes and Spotify today! — Itunes: — https://tinyurl.com/y4hahrc2 — Spotify: — https://tinyurl.com/y6bt2kd8 —
This week, we have Anne, Amanda and Brooke joining Kova and Spoiler Steve to discuss In the Heights and Infinite! We also have a bonus retro review with Dan, Kova and Spoiler Steve covering The F8 of the Furious! On top of all that, Kova and Spoiler Steve watch and review the Meet the Blacks Franchise! But wait, there's more! Listen to our first episode of Premium Movie Reviews with guest host Lillie discussing Let Him Go. 00:02:51 - Intro 00:13:05 - The F8 of the Furious (recorded April 15, 2017 with Dan) 00:43:16 - Let Him Go (originally uploaded to our Patreon December 20, 2020 with Lillie) 01:09:08 - Meet the Blacks (recorded June 8. 2021) 01:25:44 - The House Next Door: Meet the Blacks 2 01:37:52 - Infinite 02:25:48 - In the Heights Listen to our fourth episode of The Blindspot reviewing Hott Fuzz here Listen to the seventh episode of Back to the Movies covering the third act of Hell or High Water here Send us emails and feedback to info@sceneitcast.com Check out our website sceneitcast.com Support us on Patreon Check out Michael H. Cannon's work at @artildawn
On the next episode of Fathers Who Bother I talk to director Deon Taylor and comedian/actor Katt Williams about their new film "The House Next Door: Meet The Blacks 2" and what they had to learn when they became fathers.
TW/CW This film either depicts or discusses child murder, infanticide, and suicide. This week we headed over to India to watch the horror movie “The House Next Door”, aka “Aval”. A nod to “The Exorcist” and some good ol’ fashioned ghost stories kept us guessing as to how this movie was going to end. The cinemotography was gorgeous and the fact that this was recorded in 3 languages simultaneously astounded us. For our history lesson, Dalia went back in time and scooped up some knowledge on trephination in South America and Mexico from over 1000 years ago. Sources: Preconquest Peruvian Neurosurgeons: A Study of Inca and Pre-Columbian Trephination and the Art of Medicine in Ancient Peru by: Marino, Raul Jr. M.D.; Gonzales-Portillo, Marco M.D Archaeological Origins of Cranial Surgery : Trephination in Mexico Velasco-Suarez, Manuel M.D.; Martinez, Josefina Bautista Ph.Anthr.; Oliveros, Rafael Garcia M.D.; Weinstein, Philip R. M.D Music for this podcast created by JUNIPER. Find her music on SPOTIFY
Cash investor v. the first time homebuyer...when will it become equal? It all depends. Invitation Homes owns over 80,000 homes in the US By 2017, two major players, Invitation Homes and American Homes 4 Rent, controlled nearly 60% of the rsingle family ental housing market. As of 2018, Invitation Homes (majority controlled by the Blackstone Group - investment group) appears to be the largest single-family rental housing owner. after recent mergers (Invitation Homes Inc. and Starwood Waypoint Homes completed their $11 billion merger, creating the largest single-family rental landlord in the U.S.) with 82,000 properties. Its next largest competitor American Homes 4 Rent (As of December 31, 2020, the company) owned 53,584, homes. American Homes 4 Rent is a real estate investment trust based in Calabasas, California that invests in single-family rental homes. Cerberus created FirstKey Homes (owns more than 20,000 homes); and GI Partners owns over 15,000 multifamily and single family residential real estate units. On calls with investors, those two companies touted their cost-cutting measures, which often involved pushing responsibilities onto tenants. In 2016, Jack Corrigan, the chief operating officer of American Homes 4 Rent, told investors that the company hoped to reduce spending on repairs, maintenance, and “turn costs” Interesting side notes: NMHC 50 Largest Apartment Owners own approximately 2.3 million housing units and most are hedge funds. Sources: Various internet searches, including but not limited to: https://www.gipartners.com/real-estate/demographically-advantaged https://www.housingwire.com/articles/40970-invitation-homes-starwood-waypoint-homes-to-merge-create-nations-largest-single-family-landlord/ http://americanhomes2020rd.q4web.com/press-releases/news-details/2021/American-Homes-4-Rent-to-Build-279-Home-Pine-Grove-Community-in-St.-Cloud-Florida/default.aspx Redfin Now in 22 states - all cash offers More Americans are selling their homes online to real-estate companies like Zillow, who make an offer in 2 days and can close in a week Update 5-31-2021: Fast-cash house flippers flood poor neighborhoods in U.S.
If you like this episode, check out https://otrpodcasts.com for even more classic radio shows! Learn more about your ad choices. Visit megaphone.fm/adchoices
*All The President's Minutes* is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film *All The President's Men* as a portal, to engage with the themes and the warnings of the film resonating since its release. In a special bonus episode, I join staff writer at WBUR's The ARTery and a contributing writer at North Shore Movies - my favourite Bostonian - Sean Burns. Blake and Sean discuss the breaking news of stand-over tapes to find votes from President Trump and unfathomable stupidity that continues to dribble through the death rattle of the Trump Presidency. *About Sean Burns* Sean Burns is a Staff Writer at WBUR's The ARTery ( http://www.wbur.org/inside/staff/sean-burns ) and a Contributing Writer at North Shore Movies ( https://northshoremovies.wordpress.com/author/splicedpersonality/ ). He was Philadelphia Weekly's ( http://www.philadelphiaweekly.com/search/?app=editorial&f=html&l=25&nsa=eedition&q=%26%2334%3BSean+Burns%26%2334%3B&s=start_time&sd=desc&t=article%2Cvideo%2Cyoutube%2Ccollection ) Lead Film Critic from 1999 through 2013 and worked as the Movies Section Contributing Editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro ( http://www.metro.us/profile/sean-burns ) , The Village Voice, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper, Movie Mezzanine ( http://moviemezzanine.com/author/sean-burns/ ) , The House Next Door and RogerEbert.com. A 2013 nominee for the National Society of Film Critics, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. His writing has been called "jocular but serious, more like a 1940′s daily reporter pounding out columns on a manual typewriter than a typical 21st-century navel-gazing film critic." Meanwhile, his sisters still tell him that he "swears too much and drives like an old lady." *Twitter:* *@SeanMBurns* ( https://twitter.com/SeanMBurns ) Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy
Today on The Neil Haley Show, Neil Haley will interview Deon Taylor of Fatale. FATALE is the story of Derrick (Ealy), a successful and married sports agent who after a one night stand with police detective Valerie Quinlan (Swank), finds his life upended when she entangles him in a murder investigation. Directed and produced by Deon Taylor, the film opens in select theaters nationwide on December 18th. Deon, a prolific director who did not attend film school nor had any prior filmmaking training, will have had 3 films distributed by a major studio in theaters within the last 2 calendar years (2020's FATALE and 2019's BLACK AND BLUE and THE INTRUDER) His films have grossed more than $75M at the box office WW and opened in the top-10 for opening weekend: THE INTRUDER (May 3, 2019) - #2 with a Weekend B.O. of $10,855,054 BLACK AND BLUE (October 25, 2020) - #6 with a Weekend B.O. of $8,376,846 MEET THE BLACKS (April 1, 2016) - #8 with a Weekend B.O. of $4,055,940 TRAFFIK (April 20, 2018) - #9 with a Weekend B.O. of $3,941,338 Deon grew up in the projects of Gary, IN with his family. His mom worked multiple jobs to put food on the table He moved to Sacramento, CA started playing HS basketball where he caught the eye of San Diego State and received a full scholarship where he would go on to be named the conference's Newcomer of the Year He then went on to play professional basketball in Germany from 1998-2002 When he was playing in Germany, his girlfriend (now wife) Roxanne Avent was sending him DVDs and Blu-Rays where he watched ‘the making of xyz' or ‘behind the scenes' of those films where directors, writers and filmmakers like James Cameron and Steven Spielberg would show and explain what and how they did their jobs. Watching those scenes taught him filmmaking, and he soon realized that he wanted to become a filmmaker. He wrote a screenplay called 7eventy 5ive' but renamed ‘Dead Tone.' in 2003 when he moved to LA and was rejected over and over. 6 years after his rejection, he decided to make the film himself and then from there he became an independent filmmaker Additional projects for 2021 and 2022 include FREE AGENTS (with Lionsgate) and MEET THE BLACKS 2: THE HOUSE NEXT DOOR (starring Mike Epps, Katt Williams, Bresha Webb, Tyrin Turner and more) and GRAVE HILL with CJ Entertainment Taylor also made news earlier this year when he helmed DON'T FEAR, which he wrote during the pandemic and filmed in a bubble with strict guidelines in 17 days
Milind Rau, the director of Aval, Gruham, The House Next Door talks about the craft involved in directing a horror film. How he alternated between letting the various departments do their own thing and micro-managing it all. He explains what he did in the areas of colour, sound design, background score, cinematography and editing -- and how these (and other departments) came together in the pre-interval exorcism sequence. (He talks about this scene in detail.) He tells how he tried to second-guess the viewer in terms of the scares. And about the classic horror films (The Exorcist, The Omen, Ringu) he used as a reference point, and also paid homage to.
Uhlich has served as the editor of The House Next Door, and submitted insightful film criticism for Time Out New York, The Hollywood Reporter, and many other industry platforms. Support this podcast
Author Tayari Jones joins co-hosts Eric Newman and Medaya Ocher to talk about her latest novel, An American Marriage, that tells the story of an African-American couple that gets separated when the husband is falsely accused of a crime and receives a twelve year sentence. Tayari relates her inspiration. How she set out to research the impact of mass incarceration on families; but, fittingly, made no progress until she overheard an exchange from a couple at a mall. She realized that the key component for any novel to have a powerful political impact is having fully realized, fully human, central characters. Also, Carmen Maria Machado, author of Her Body and Other Parties, returns to recommend Anne Rivers Siddons horror novel from the 1970s, The House Next Door.
One can spend their entire life just watching the movies and appreciating the work on screen, but often just as fascinating is seeing all the behind the scenes work. Craig Simpson, a blogger and occasional contributor to The House Next Door, has worked and organized the archival collections of some of the most unique film artists of the last century. So the Man From Porlock makes his journey from Bloomington, Indiana all the way to New York to talk about growing up a cinephile in the American Southwest, his skepticism to the cult of auteurism, and the treasures at the Lilly Library at Indiana University. Finally, they dive into the world of Paris, Texas, which Craig describes as a perfect test case of unweildy collaborators keeping each other in place. 0:00-1:06 Opening2:56-6:34 Establishing Shots - Who The Hell is Howard Hawks?7:19-50:57 Deep Focus - Craig Simpson52:16-1:12:48 Double Exposure - Paris, Texas (Wim Wenders)1:12:52-1:14:56 Close / Outtake
As the 51st New York Film Festival comes to a close, Peter finally takes on a number of the big American films (and one French!) of the year, though don't mention the "O word" around him. Just because these films are going to be discussed in the context of awards season does not make them any less essential viewing, as Peter is joined by House Next Door and Press Play blogger Tony Dayoub to discuss these works that dive into various aspects of the American past, present, and future. Peter and Tony make a visit to the American South and Midwest with films from Steve McQueen and Alexander Payne, as well the 1920s and the future with James Gray's The Immigrant and Spike Jonze's Her. Plus they dive into the controversial Cannes winner Blue is the Warmest Color before hanging with vampires Tilda Swinton and Tom Hiddelston. Some are great; others maybe not so much. Find out which on the show. 0:00-1:40 Opening3:01-17:04Steve McQueen's 12 Years a Slave18:08-29:30 James Gray's The Immigrant30:57-42:07 Alexander Payne's Nebraska42:20-43:28 Trivia Round44:24-53:51 Jim Jarmusch's Only Lovers Left Alive54:43-1:08:12 Abdellatif Kechiche's Blue is the Warmest Color1:09:40-1:22:42 Spike Jonze's Her1:22:47-1:24:26 Close
Peter takes cinema very seriously, but sometimes we all need a good laugh, and no one makes Peter howl in laughter than reading the work of Ali Arikan. So laughs are abound when Ali comes in from Turkey to join him on The Cinephiliacs. Ali discusses his early forays into movies while in his home country (as well the troubles with viewing films there) and the journey he took to becoming an established critic working for English language sites like The House Next Door, Press Play, and as a member of Roger Ebert's Far Flung Correspondents. From there, the two dive into the problem of nostalgia in film, a bonafide love for Steven Spielberg, and a defense of one of the most derided films in the last twenty years. Finally, Peter challenges Ali to make him lov;Withnail and I, a cult comedy from Bruce Robinson that might be more tragic than even its alcoholic protagonists realize. 0:00-0:56 Opening 1:43-4:40 Establishing Shots - Pierre Étaix and Le Grand Amour 4:56-1:01:56 Deep Focus - Ali Arikan 1:03:09-1:24:19 Double Exposure - Withnail and I (Bruce Robinson) 1:24:20-1:26:10 Close / Outtake
Kenji Fujishima might not have the wisdom that comes from age of Peter's previous guests, but the two have an excellent time talking about how he became a hardcore cinephile and writing for The House Next Door. Kenji discusses reading Pauline Kael at an early age, choosing to forgo his mother's wishes to go into accounting, and becoming a consumer of arts beyond cinema. The two also chat about his blog My Life, 24 Frames Per Seconds, balancing emotion and formalism in writing, and the beauty of “cinematic recklessness.” Finally, they explore the dark beauty of Wong Kar-Wai's Fallen Angels, which Kenji posits as the filmmaker's most reflexive commentary on his own feelings to transition toward a new style. 0:00-5:00 - Act One: Establishing Shots - Sight & Sound Poll 5:16-52:13 - Act Two: Deep Focus - Kenji Fujishima 53:07-1:18:12 - Act Three: Double Exposure - Fallen Angels (Wong Kar-Wai) 1:18:13-1:19:50 - Close/Outtake
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