Podcasts about Lachi

Ra Ra Braille! We at Outlook are cheerleaders for braille, whether it's Braille Literacy Month in January or now being into the month of February and for this first Mixed Bag show of the month following January's BLM, we continue talking braille this and braille that. This time we're talking third co-host BF Barry using his learned braille skills to play a card game with brother/co-host Brian or Brian having a go at playing a new game on his phone: Whack a Braille! “An audio first and blind first game built around increasing your touch typing and braille literacy.” This week we're talking bagpipes, supporting local, and accessible app and game development with Barry's tales of his favourite inclusive game Glory Frontline. Sister/co-host and Birthday Girl Kerry shares about an audiobook she's been reading, a memoir by a female musician first introduced to Kerry at the Perkins Museum in Boston in 2024 - I Identify as Blind: A Brazen Celebration of Disability Culture, Identity, and Power. Lachi says about disability, “Just say the word,” along with describing what she terms “disploitation” meaning the exploitation of people and their disabilities (for centuries with a bunch of racism tossed into the mix), then speaking of PEP which stands for positivity, empathy, and pride in the “Disability Movement” and in oneself. And speaking of...Kerry talks trying to be open to another side or perspective (in this case a conservative viewpoint) with a recent Canadian Conservative Leadership Review weekend in Alberta and a Con politician who propped up a trans Con to say that intersectionalities like those on the gender spectrum are unimportant: “Me being trans as like the least interesting thing about me,” this person said on said politician's video This, Kerry and the boys discuss, is about ideology and tokenism and the well-known “I have a black friend” defence for things like belittling and scrapping the need for EDI (equity/diversity/inclusion) even if that is representative of recognising us all, on this show, as full human beings who acknowledge all the parts of us. So from online and virtual games to the old-school card games made accessible, whether it's using braille or listening skills and being comfortable with our own voices with a good old-fashioned ramble we're delving into the mixed bag of topics for this one at the start of this Rare Disease Month. Find out more about Whack a Braille! and play by going here: https://marconius.com/fun/whackABraille/ Check out resources for Black History Month and beyond at Western: https://www.edi.uwo.ca/events/black-history-month/ Learn more about the organization, “Recording Artists and Music Professionals with Disabilities”, that Lachi founded: https://rampd.org And here's a little bagpipe action by Mudmen for you: https://www.youtube.com/watch?v=00kh2OZ79L8

Recording artist and musician Lachi dropped a new book earlier this year entitled “I Identify as Blind: A Brazen Celebration of Disability Culture, Identity, and Power.”   Host Jacob Shymanksi catches up with Lachi to chat about her journey with disability culture, identity and accessibility.   This episode was produced by Andrika De Lanerolle.   Note: Audio excerpted with permission of Penguin Random House Audio from I IDENTIFY AS BLIND by Lachi, excerpt read by the author. Lachi ℗ 2026 Penguin Random House, LLC. All rights reserved. Audiobook Café is broadcast on AMI-audio in Canada and publishes two new podcast episodes a week on Fridays and Saturdays at 1 p.m. ET. Follow Audiobook Café on Instagram @AMIAudiobookCafe We want your feedback!Be that comments, suggestions, hot-takes, audiobook recommendations or reviews of your own… hit us up! Our email address is: AudiobookCafe@ami.ca About AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaInc Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of National Disability Radio, we sit down with award-winning recording artist, advocate, and author Lachi for a powerful conversation about disability pride, music, and unmasking. Lachi shares her journey, from navigating the music industry as a blind artist, to founding RAMPD, a coalition amplifying disability culture across the industry. We talk about what it means to say “I identify as blind,” move beyond the medical and social models of disability into a cultural model rooted in identity and joy, and remind listeners that no one can defeat someone who hasn't given up. From glam canes to Grammy stages, this episode is about claiming space, rejecting internalized ableism, and turning perceived flaws into flexes. Transcript: Alden Blevins: It’s Lachi? I feel very- Lachi: Lachi like Versace. Alden Blevins: Lachi like… Oh, I love that. Michelle Bishop: That is the best way to explain it. Lachi: I mean, but you know what I’m saying? Come on. Alden Blevins: Well, we’re really excited about having you today because we’re all music lovers in this group here. Michelle Bishop: Yes. Alden Blevins: We talk about music all the time. Michelle Bishop: So much. Lachi: Good, good, good, good, good, good, good. I’m in the right place. Michelle Bishop: Hi everyone. Welcome back to National Disability Radio, the official podcast of the National Disability Rights Network. I am Michelle Bishop, 1/3 of your podcast hosting team. Stephanie Flynt McEben: And I’m Stephanie Flynt McEben, public policy analyst here at NDRN. Alden Blevins: I am Alden. I am a communication specialist at NDRN and I am so excited today, like I mentioned, we’re all lovers of music, so we got a guest that I’m really excited about. Lachi is an award-winning recording artist and a recording Academy Grammy’s national trustee. She’s also a disability advocate who’s been breaking barriers in the music industry and beyond. She’s the founder of RAMPD, which by the way, is such a fun play name. I really love that. And the author of the upcoming book, I Identify as Blind. So without further ado, Michelle, you’ve got some questions to kick us off, I think. Michelle Bishop: Yes. We’re so excited to have you with us. As Alden said, we are. We’re huge music lovers. I’m pretty sure we spend most of our meetings where we allegedly plan this podcast just talking about music. So you’re absolutely in the right place today, but to get us started, I mean, you’ve been open about the fact, and I’m just really interested in this as a disability rights podcast. You’ve been really open about the fact that it took you some time to really embrace your identity as a blind and disabled woman, especially in the industry that you’re in that often really rewards conformity. Can you tell us a little bit more about that journey for you, both as an artist and as someone navigating just the world with a disability? Lachi: Okay. Yeah, for sure. Hey, everybody. Lachi here, Lachi like Versace. I am a Black woman with cornrows, chilling here in New York in my studio. I also identify as blind, I identify as neurodivergent, and I identify as an Aries. So do with that what you will. Michelle Bishop: All the important points right there. Lachi: All the important points like name, age, sign. Thank you. Okay. Yeah, but I’m really glad to be here. And thank you for that question, and thank you for having me. So music has always been a very integral part of my life of growing up. Where other babies would kick in the womb, when she was pregnant with me, I was playing the piano in the womb. I don’t know how she got a piano in there, but she’s not a liar, so I’m going to take her word for it. When I was super-duper young, I didn’t really have a lot of friends, especially because of the fact that I had differences and this and that. And so I would take to music to, I guess, understand the world better and have the world understand me better. I just knew how to express myself through song and it just said the things I needed to say. It was the prayer I needed. And because of music, I started to find confidence in how to speak and how to behave and how to act. And as I got older, when I was growing up, disability was not necessarily a thing people talked about a lot in schools and teachers didn’t know what to do. My parents didn’t really know what to do. And so I would always just turn to music. It’s actually right now I’m working on a children’s album because I think that kids need to hear music that has to do with disability and neurodivergence, as well as their parents as they grow up. When I got into college, I started wanting to do music, but I studied business and finance because when I told my parents I wanted to do music, they were like, “That’s not how you spell doctor.” because they are Nigerian immigrants and everybody else in my family went to either med school and blah, blah, blah. And I was like, “No, I want to do music.” But I did get a day job after school, after college, and didn’t love it because this girl is not going to exist behind a desk. So I ended up going to South by Southwest and I got signed actually from playing the guitar at a hole in the wall spot that nobody was at, except for this A&R apparently. So we got signed to an imprint under EMI, which was a major label back then, and we started touring and music then became my life. Now today, why wouldn’t I pay my respects back to music? I mean, it’s because of music that I was able to really lean into who I am, my disability, my confidence, et cetera. So because of that, because of how much music has given to me in my life, I’m here using music to give back to other people with disabilities. Now, your question was essentially, how do you sit here and try to bring about change for disability in an industry that is not only about conformity, but also about like, “Hey, pick me to exploit.” is essentially what the music industry is. You’re raising your hand to be exploited and that’s what kind of authenticity is that? But at the end of the day, music is some of the truest forms of storytelling. And I think to myself, just the way that hip hop has amplified Black culture and the way that country music has amplified rural culture and the way that different global musics have represented different global cultures. I want to use music to amplify disability culture. I want to use music to amplify disability stories and feelings that are difficult to put words to, that are words of the soul, which is essentially what music is. And so I started going to studios and realizing things weren’t as accessible as they should be. I started speaking with organizations and realizing things weren’t as inclusive as they should be. And the response I kept getting was like, “Oh, well, there’s nobody with a disability in the music industry, so why would we make these measures?” And so I have made it my life’s goal through RAMPD, which by the way, the best thing we ever accomplished was our acronym, not us working with the Grammys to get sign language on the red carpet, not us getting these partnerships with title, Live Nation, Spotify. I mean, we’ve done so much, not just for artists, but also for professionals. And we’ve started to realize something really interesting with the work we’ve done with RAMPD. We are getting people joining our membership who are director level folks, who are label owners, who are like the big wigs that write the checks, and they’re like, “I’m neurodivergent. I’m actually hard of hearing. I have a TBI.” And so when I originally set out, they said, “We don’t do disability inclusion because nobody’s disabled.” That was three years ago. Now I’m like, not only are there neurodivergent and disabled music professionals out here, but we all are. So really to conclude, it’s just that everyone is navigating trying to make it out in this world, but everyone’s masking. Everyone feels that they have to change some part of themselves to be as close as they can to what success looks like, be as close as they can to what “beauty” looks like, what winning looks like. But really all it is internalized ableism. And I say, as soon as we drop that internalized ableism and we really start to sit in who we truly are and we start to recognize our perceived flaws as flexes, that’s when we truly start to win. And so that’s what we’re finding out with RAMPD, that people are like, “You know what? I’m tired of navigating this difficult industry with the added layer of having to mask.” And so that’s why I do what I do. Michelle Bishop: Yes. And honestly, as ridiculous as it sounds that they say to you, “Oh, there aren’t any people with disabilities.” When I tell you, we see that in everything that we do. I do voting work at NDRN and we’ll have elections officials tell us, “This polling place isn’t accessible, but there aren’t any people with disabilities that vote here.” And it’s like, “What? You realize we’re everywhere and we do all sorts of things.” Maybe the reason they think there’s no people with disabilities here is because they’re stuck outside and they can’t get in because you didn’t make it accessible, just a thought. But I mean, it sounds like coming up against all that is really, correct me if I’m wrong, helped you to develop that identity and that disability pride in the industry. When did you first say, “I identify as blind.” and what did that mean for you? Lachi: Well, so when I first came into really doing the disability thing, really leaning in, I wanted to find out more influencers or thought leaders and such with disabilities. I didn’t really know that many people. This is pre COVID, 2018, 2019, that kind of thing. And so I came across an influencer, her name is Molly Burke, and we’re great friends now, but I didn’t know her back then. I had just seen her tagline and it had said, “I’m Molly Burke and I’m a YouTuber who happens to be blind.” And for some reason I was like, “I don’t know if I love the happens to be blind thing.” I was like, “Well, I’m proud of being blind. Blindness is part of my identity. I don’t just happen to be a woman. I don’t just happen to be a Nigerian. I don’t just happen to be all of the things I am.” And so I would go to… I was touring… We’re always touring and every time I tour and do a show, I do a comedic open where I just introduce myself, I do a quick self-description, et cetera. And in my self-description, I would say, and I don’t just happen to be blind. My blindness is part of my identity, has given me all of the opportunities I have, and it’s really made me a deeper blah, blah, blah. It was just too long. So I had punched it up to be, “My name is Lachi like Versace. She, her, I’m a Black woman with cornrows and I identify as blind.” And the interesting thing about that is people took onto it. They were like, “Oh, that’s cool, nice and punchy.” But whenever I would say it in front of a large crowd or like I’ve said it on interviews or during commercials, I would get this weird, I don’t know, pushback of like, you can’t identify as blind. Blindness is an identity. It’s a medical condition. Or they’ll be like, “Do you read braille or not?” Or they’ll be like, “We don’t want people to think trans blindness is a thing where you just have a blind identity.” And then you can be like, “Well, I’m blind today, so that’s my identity.” And I thought that was really fun. I was like, “Look, everybody’s upset. They’re talking about blindness though.” So I really leaned all the way into it. And I have to say, I am super proud of my disability identity. Was it music that brought me there? I think in a sense and in a way, like today I have a few songs, you guys are music lovers, I have a few songs out that really talk about my disability pride. I think that a lot of the times as we navigate the world, masking our disability, masking our chronic condition, our difference or whatever, we end up overcompensating. We end up building up this really, really thick problem solving muscle or this really, really thick how to get around things muscle and we overcompensate. When we’re finally accommodated, when we finally get to a place where we’re accommodated or we have the tools we need, we’re coming in like bulk as hell. We’re coming in with problem solving muscles. We’re coming in with all of these things that we had to build up because of navigating the world differently, because of every day working through this very difficult maze that is living a life unaccommodated, then when we finally are accommodated, then we are killing it and crushing it. And how could you not be proud of that? How can that not give you a sense of pride? So the songs that I would love for you guys to check out that are mine is I have a song called Life on Hard, which has gone viral several times on Instagram. I’m known as an Instagram rapper, which is like, what? Hello, I do disability advocacy. Look at that stuff. But anyway, so I have a song called Life on Hard, which is essentially about just winning the game of life, playing it on the hardest setting out here while people are still trying to consult the manual. I have another song called Professional, which is oftentimes when I walk on the stage, people see the cane and they’re like, “Aw, she’s going to do a song for us. Is this from Make a Wish Foundation?” And then I bust out these raps or I hop on the piano and I go ape on this piano and then they’re like, “Oh, snap. What? Okay.” And I’m like, “Bro, I’m a professional artist. I’m not object for pity to make you feel good because you felt weird on a Monday and you didn’t feel like getting up for work, but it’s like, she could do it. So can I.” I’m like, “No, I can do it. You most likely probably just can’t.” So that’s what that song’s about. And then there’s The Bag, and The Bag is just essentially like, I’ve been told no so much like, “No, you can’t. No, you’re not good enough. No, we don’t want you.” And I’m like, “You know what? Yes, I am good enough and I deserve everything. So I’m going to throw everything I deserve in the bag, which is everything.” I don’t know. I would not be the person I am if I didn’t love all parts of myself. And that includes my disabilities, that includes my neurodivergences and all of the other wacky, weird body jazz that I bring with me everywhere I go. Michelle Bishop: Lachi, can we maybe, do you and I just FaceTime each other every morning and hype each other up? Stephanie Flynt McEben: I was literally about to say the same thing. I would like in on a true call. Michelle Bishop: I don’t know if you know. Actually, I want to say quickly, I know some of those songs actually from social media, but they’re real. They’re so real. So people haven’t heard music, go check it out. I don’t know if you know one of our co-hosts, Stephanie is blind. You’re speaking directly to her soul right now. Stephanie Flynt McEben: I literally just texted them in our podcast group text and I was like, she’s totally speaking to my soul RN, but of course I don’t want to interrupt anything. Michelle Bishop: No, I know you’re dying to talk to her about the book, Stephanie, and take it away. Stephanie Flynt McEben: Yeah, no, absolutely, for sure. And as somebody who is blind and who also identifies as a blind person and definitely does not identify with the medical model of disability, clearly gotten to more of a social model. But yeah, in terms of going through that journey of accepting all of who you are and everything about yourself, for me, I mean, it took a minute, especially when you’re talking about your experiences as a child and I totally feel that. I was that girl playing the harmonica on the jungle gym by herself. Anyway, this is about you. This is not about me, but I’m just saying that I totally relate to you on a spiritual level. And given that, I would love to know, were there any particular moments when it came to writing the book that were particularly hard or healing? Because I mean, I think that we all know that it’s not always a linear journey. Some days are going to be harder than others. And so would love to get your perspective on that. And I think that our listeners would be interested. Lachi: Yeah, absolutely. The journey for me has been one of constantly unwrapping this amazing gift. I always try to use that as the visual, if you will, of you have this big present and you get to unwrap it and then you just keep getting something cooler inside and then you get to unwrap that and you get something cooler inside and you just keep unwrapping this beautiful gift that is yourself. But you don’t realize that when you first get the box, the amazing stuff that’s going on inside, and it takes time to get to it. So a lot of times growing up, I would kick myself in the butt of, I wish I had come to this when I was so much younger. I wish there were people out there when I was younger, role models that I could look up to when I was eight years old and pointing on the TV and saying like, “Okay, well, I mean, I understand that Ray Charles existed, but that’s not going to…” Stephanie Flynt McEben: Stevie Wonder is here, Ray Charles is here, but we need more of us. Hello. Lachi: We need more of us. Hello. Exactly. And so this time and place where I am right now is where I needed to be for this to work. So I can’t really kick myself in the butt of like, “I wish I had this. I wish I knew this so much earlier. I would’ve been so much further.” That kind of thing. You have to be where you got to be where you need to be. Even right now, this conversation we’re having right now is going to have been necessary for the next thing that is happening in our lives. And just the other day, I was hanging out with Queen Herby, who’s been one of my favorite more modern rappers. I just did a thing with Apl.de.ap. I have done some stuff with Black Caviar. Folks that I’ve looked up to, I’m having the opportunity to Snoop Dogg. I’m having the opportunity to work with these days because of the fact that I am here at the right time now. So when I was writing my book, we were peeling back all the layers. I’m a generally very positive and energetic, social butterfly type of person today. But it’s interesting, I wasn’t always this person and I had to unpack all the layers to get there. One of the biggest things that happens to me, so I’ve always been low vision. So I was born with relatively low vision and it stayed the same throughout my teens and early 20s. But one day I woke up and my sight was just gone. Boom. So the interesting thing is anybody listening would be like, “Oh my God, if I woke up and my sight was gone, I would just die or I would not know what to do. My life would be over.” Stephanie Flynt McEben: Yep. Heard that a million times. Yes. Lachi: But for me, it was weird because I was already low vision, so I was going from level one to the underwater level or whatever. So it wasn’t like that life changing of a thing. I was already using screen readers or Zoom text. I was already doing stuff of that nature. So I wake up blind and I’m just like, “Okay, I guess this is it. This is the day that they told me was coming.” What had ended up happening was my corneas had erupted. And so I went to the doctor and he was like, “You’re going to become completely blind. You’re going to go from this much worse vision than you’ve had to complete blindness over the course of time.” So here you go, here’s a coupon. Bye.” or whatever. So I’m like, all right. So I had decided at that moment that I wanted to start a bucket list. So I was like, okay, what are all the things I’ve always wanted to do before completely going completely blind? So I was like, let me go skydiving, let me go spolunking, let me go meet with people, meet with celebrities and just do all of the things I’ve always wanted to do before I lose my vision. So I went out and I did it. This is still me doing it. This is still me doing it. And so I say that because to people who say if I ever went blind, I would just die. Well, when I went blind, it made me want to live. And that’s what opened me up into being this person that I am today. Stephanie Flynt McEben: That is amazing. I genuinely love that. Lachi: We talk about charity model and propping disabled folks up as tools of pity. We talk about medical model, which is really just waiting around for cure, making the cure the hero. We talk about social model, which is a really good place to live in the sense of things are impairing if they’re not accessible. Society is impairing if it’s not inclusive. But honestly, if I have all of the things, like if I have all my tools, if I have all that I need and if folks are inclusive, then I’m still blind, but I’m not impaired. But I like to go a little step further into what is the cultural model. And so the cultural model is it’s not just a discussion of what society should and shouldn’t do. It’s actually a celebration of what you gain as a person who identifies with their disability or their neurodivergence, the things they need to overcompensate because they’re navigating the world a little differently, leaning into that. So let’s say for instance, deaf culture, sign language, and the fact that folks can have complete discussions outside of what we’re talking about, there is so much deaf pride out in these streets, that is a celebration of culture that comes out of disability. And for me, let’s say for instance, I have ADHD and it powers my one million and counting ideas. I have diagnosed OCD, which helps me carry out all those one million and counting ideas. I have diagnosed general anxiety disorder, which gives me my empathy and my excitement. And then I am blind, which when I have the tools I need, it gives me drive. It keeps me determined, it keeps me focused, and it gives me my dope ass glam canes. There was a girl and her mom, and she came up to me after a show and she was like, “Oh my God, your music was great.” I was like, thank you. She’s like, “Mommy, can I get one of those canes?” And then her mom was like, “Ugh, well, you have to be blind.” And I’m like, “Yeah, girl, you better want to be me.” Stephanie Flynt McEben: Yeah. We drive sticks. Anyway, sorry. Lachi: Yes. You know what? I speak softly and I carry a big old stick. Thank you. Stephanie Flynt McEben: Yes. Amen to that. Exactly. As somebody who considers themself a lifelong disability advocate, I never really thought about it in the sense of going beyond the social into the cultural. So thank you so, so much. We all learn something new every single day on this podcast, but I’d love to know a little bit more about, obviously you were very, very, very good at talking through these experiences in such a way that they are very relatable and easy to understand and that thing. So I’d love to pick your brain about the intended audience of your book. Who did you write it for? Other blind folks? Did you write it for, was it written for multiple audiences? Lachi: Yeah, honestly, I wrote it for the person who is masking. I wrote it for anyone who is tired of… Listen, let me put it like this. Let’s face it, disability is boring, a lot of the time it’s sad and it’s compliancy. We have to go the extra mile to make it fun because the actual truth of it is that the only reason it’s boring, sad, and compliancy is because society has kept it that way through its collective internalized ableism. And so my book is actually a humor book. It’s a pop culture book. It’s a comedy book. In fact, when we were talking to the publisher, it’s like, we should be putting this up against other comedic books, not necessarily disability books because it’s a book. I got so many jokes. I have dad jokes, they’re corny jokes, I have rap bars. I rap in a lot of the book just because I was like, “Hey, this rhymes.” I’m going to say it like a rap. We’re doing the audiobook right now, so I actually get to wrap it, which is really fun. Stephanie Flynt McEben: Oh, that is so cool. Oh my gosh. Lachi: Which is really, really fun. But really, honestly, what the book is what everything I do is it is using joy, soul, pop culture, jokes, humor, fashion, and just a really good time to celebrate disability, as well as community. So what you’ll find in this book is my story through my story, through historical deep dives, through interviews with some really, really cool popular figures and a really big deep dose of disability joy. And so a lot of folks who have disabilities, they will read this book and they’ll be energized. It’ll be like, “This is really great. I’m glad that I finally get to read a book that talks about disability in a positive way.” For blind specific folks, they might relate to a few of my stories because I talk about the day I woke up blind, I talk about when I went skydiving blind, I talk about just some of my interesting blind moments. But then I also talk about how I would go to red carpets and not know how to talk to anybody. So I’m in this amazing room with all these celebrities I can’t see and I’m just sitting on the wall. So I talk about some of the hard times too as well. But at the end of the day, really what the book is is an invitation in for somebody who feels a little different, a little awkward, has to mask, and just needed that invite in to talk about disability in a fun, joyful, celebratory way, to recognize that yes, that thing in you that’s different, that thing in you that society has told you you should view as a weakness and hide, you should be proud of. And I say this to people all the time. I say it in the industry, I say it to all my friends, I say it to anyone who will listen. I say it to my local barista and they come back and they say things like, “Oh my God, I’m so glad you said it that way. It turns out I have a titanium hip and I’ve never told anybody about that.” And that’s the vibe. The vibe is someone who was like, “I really needed this to be said to me this way, and now I am able to step all the way into my disability identity.” Alden Blevins: I love, especially what you said about joy. I feel like for me as an autistic person, my experience in the arts is that it is really a space where people who maybe don’t belong in other spaces or don’t feel like they belong in other spaces or are made to feel like they don’t belong in other spaces. I think that a lot of them really do find a safe space in music, in the arts, in theater. And I just wanted to ask, why do you think the music space is such a special one for you and why do you think it’s a place where other people with disabilities seem to flock together as well? Lachi: I mean, you hit the nail on the head. Counterculture, I mean, music often rewards counterculture. And then it eventually becomes mainstream and then we got to rebel against that. So music is a place where your soul can speak. And I think a lot of the times with disabilities, especially autism for me, I’m ADHD, OCD, a different neurodivergence situation, but a lot of the issue is communication. We don’t know how to say exactly what we need or whoever we’re talking to just doesn’t know how to hear what we’re saying. And so I think that what music does is it allows a soul to speak to a soul. A lot of the times music does this thing where you’ll be listening to a song and you’ll just be like, “That, that right there. That’s what I it me. That’s the thing I’m feeling.” type deal. Music has the ability to do that. And so for me, right now, this children’s album that I’m working on, the kids’ album, which is an album that is essentially R&B, pop, electronic, sort of the genres that I dance in for kids centered on disability and neurodivergence. Because what I want to do is be able to say, “Hey, I want you to point at that and say, that’s me.” And I think the easiest and quickest way to point at something and say, “That’s me also.” has been music. And so it’s why it’s been my strongest medium. Again, it’s not my only medium. I’m talking to folks through the book, I’m talking to folks through fashion, et cetera, et cetera. But again, music has been just the quickest, easiest point A to point B conversation easer, if you will, about disability. Another thing I also love to use is humor and comedy. So I make jokes all the time. They’re all bad. They’re all very not good jokes. I need to probably get a joke writer, but the fact that I’m having such a good time telling the jokes, I think I think is all that really matters. So I think both music and humor are just really, really great spaces for two people to get to relate to something that may be difficult to talk about. Stephanie Flynt McEben: Yo, if you need a joke writer, I’m your girl. I actually do a joke every single episode of this podcast. Michelle Bishop: Her jokes are not better than yours, Lachi. Don’t hire her. Stephanie Flynt McEben: My jokes are pretty bad. They’re worse than dad’s jokes. They’re like granddad jokes. Alden Blevins: Yeah. Stephanie is the queen of the jokes on our podcast. She always brings one through. Didn’t know that you were working on a children’s music album, and I think that’s really interesting. I actually used to be a teacher, so children’s music is something that’s near and dear to my heart. So I just wanted to ask, what would you want to tell to younger people with disabilities, younger disabled creatives about claiming space and being able to tell their own stories? Lachi: Well, one thing that I heard from someone else, I don’t remember who it was. I think it was- Michelle Bishop: Jordan? Lachi: Yes, Jordan. He’s the one that said this. Michelle Bishop: I love him. Lachi: Yeah, he’s so funny. I met him at a… What did I meet him at? The Webby Awards or something. But anyway, no one can ever defeat someone who hasn’t given up. And for some reason that hit me, and I don’t even think he was trying to say it that deep. He was just saying a joke or something. But I took that and it was like, no one can ever defeat someone who hasn’t given up. So at the end of the day, you are really the only one who can end whatever you’re trying to get. Because as long as you are still going for it, it is still still there. It’s like a Schrodinger’s cat. It’s like as long as you’re still running for it, that opportunity is still there for you to have. The opportunity is never lost as long as you’re still going for it. And people can tell you, people can take your shoulders and tell you to go right. People can take your shoulders and tell you to go left. But until you take your own shoulders and go in the direction that your heart, your soul, your passion, your fire, desires, that is when you truly begin to live. And so I say personally, lean into that. I hear from a lot of younger, especially creators with disabilities. I mentor a lot of folks, tons and tons of folks. It’s one of the things I love to do the most. But what I love to tell folks is you are going to be the best you. And that you is going to include all of the different parts of who you are, but it is especially going to include you leaning in to the things that make you different and unique as unique selling points. Earlier I talked about how people try so hard to be the “definition of beauty”, definition of success, definition of whatever. Everyone’s trying to be this reference man. Everyone’s trying to be as close as they can to the reference man. And if I’m as close as I can to the reference man, then I’ll be successful or then I’ll get this job or then I’ll get this gig. But the truth of the matter is when we look at all of the people that are doing all of the big things, they’re “eccentric”. They’re “weird”. They did some big different idea that no one was thinking about and everybody fell into their trend. The further away you are from the reference man, that is when you start to win. That is when you’ll start to see success. That is when you’ll start to feel much better about yourself. That is when you can wake up in the morning, look in the mirror and say, “I am fine.” When you are able to accept all of those different freckles of yourself that are as far away from the reference man as possible, because guess what? There is room outside of the barrel for everyone to win if they are all being their unique self and running their unique purpose. That’s what I would tell to young disabled creators. Michelle Bishop: That’s amazing. Almost feel like we should stop there, but I have so many follow-up questions. Lachi: Listen, I’m here to drop as many mics as they will let me keep breaking. Michelle Bishop: I was wondering how you see the conversation around disability and inclusion and evolving these days. And a lot of our listeners are people with disabilities or people who have other even multiple intersecting identities in which they experience barriers as well. What does allyship look like to you? Lachi: This is one of my favorite questions. So yes, we have folks with disabilities and we have folks who want to work with people with disabilities, want to help a friend with a disability, want to make sure they don’t say the wrong thing to a person with a disability, neurodivergence, chronic condition, mental health condition. That’s not an ally. Wanting to help a person with a disability is not an ally. To me, wanting to support someone with a disability, that’s an ally in the very basic definition of allyship. Here’s what I think an ally is. To answer the question, I got to do two things. One, talk about the disability umbrella. So the disability umbrella encompasses so many forms of disability. It is neurodivergence, which is ADHD, dyslexia, OCD. It is mental health conditions like anxiety, depression, bipolar. It is someone who learns a little differently. It is someone who has explosive situations like anger management. It is someone who has substance abuse disorder, maybe somebody who drinks too much or uses different substances. It is chronic back pain. You know what I’m saying? It is asthma. It is EDS. It’s POTS. It is long COVID. It is different complications that you gain after pregnancy. It is different complications that you gain as you age. It is different complications you gain through menopause. It is temporary. It is breaking your arm and wearing a cast. It is seasonal depression. There is nobody on this earth that is not within the disability umbrella. And I don’t mean that you’re going to grow into it. I don’t mean in the future. I mean right now. Whether you identify as a person with a disability or not, you have disability identity because you have experience in your body disability. And when you figure that out, then you’re an ally. Allyship is seeing yourself through the other person because you can’t look through someone else’s eyes unless you can see yourself in them. And you can’t see yourself in disability until you recognize the disability identity within yourself. All of a sudden, and I say this and people are like, “What? I say this, but I’ve seen this. I’ve seen it happen. I’ve seen people who did not associate themselves with any form of disability or anything and they’re just like, Oh, them. Oh, I’ll help them. We have a conversation and then we have a follow-up conversation and then we’re drinking and then all of a sudden they’re telling me all their disabilities and then they’re walking a little different when they encounter disability. It’s no longer a them thing. And so that’s what an ally is. People with disabilities are also allies. I am an ally to the deaf community because I recognize though I’m not deaf, I see the having to navigate the world differently in you of myself. So that’s how I define an ally. An ally is someone who understands their own disability identity and can see it in others. Michelle Bishop: Don’t mind me over here just taking notes. Stephanie Flynt McEben: Literally. Oh my gosh. Lachi, thank you so, so, so much for being with us and taking time. I know that your website, lachimusic.com is one of the places where folks can stay up to date on all of the latest and greatest things that you’re up to. Is there anything else in particular you would like to plug for our listeners? Lachi: Like you said, LACHI, L-A-C-H-I M-U-S-I-C. I’m on the internets everywhere. Instagram, Spotify, check out the old music. If you’re a creator, a music creator or professional with a disability, check us out at RAMPD, R-A-M-P-D.org. Or if you want to donate or if you want to partner with us over at RAMPD, please do. If you are a cane user, whether you’re a blind cane user or you use Mobility Cane, check out glamcanes.com, get your canes bejeweled. I Identify as Blind, our book is out on Penguin Random House, imprint called Tiny Reparations by Phoebe Robinson, who is also a comedian. So we’re out here all writing very funny books. So please check it out. And lastly, listen, try to find moments in your day of disability joy. And when you find that moment, take a picture of it or write it down so that you can go back to it and live for those moments. So thank you guys so much for having me on this podcast. It’s really been a blast getting to talk at you about all things I identify as blind. Alden Blevins: I love it. I was over here taking notes too because I just found so much of myself in what you were saying and so many things were poignant and empowering. I, as an autistic person, try to be an ally to other parts of the disability community myself. And that’s something where I’m always trying to put myself in the shoes of another person and what they might experience. So I think that’s really powerful. We were so grateful to be able to connect and learn more about you, Lachi. Lachi: Yes, yes, yes. So honored to be here, guys. Michelle Bishop: Before you head out, Lachi, do you want to hear one of Stephanie’s grandpa jokes? Lachi: I was going to say, I was like, “Let’s hear one of these granddad jokes.” Let me see. Stephanie Flynt McEben: Okay. This might be- Michelle Bishop: Okay, do it. Stephanie Flynt McEben: … a granddad joke. Okay. Where do spiders like to get their information? Lachi: The web? Michelle Bishop: That would be something to do with web. Stephanie Flynt McEben: But what kind of web? Lachi: Wow. Really? You are fired from being my comedy writer. You are fired to be my comedy writer. I was rooting for you too. I was like, let’s just… Please. Stephanie Flynt McEben: I wouldn’t even get to the punchline yet. Michelle Bishop: Worldwide web? Stephanie Flynt McEben: It is the worldwide web. Michelle Bishop: Oh. Stephanie Flynt McEben: It’s fine. It’s fine. My wife warned me not to tell that joke this month and I didn’t lose it. Michelle Bishop: Oh my gosh. I’m so glad you stuck around for that part. Lachi: As I live and breathe. Thank you guys so, so much. This has been so much fun and I will see who else I can tell that joke to. And go ahead and just to help you out, Stephanie, I’ll go ahead and embarrass myself by telling that joke to others. Stephanie Flynt McEben: Not my best work, but that is allyship. Yes. Michelle Bishop: Oh my gosh, Lachi, thank you so much. And everyone, please lachimusic.com. Check it out. Listen to the music, read the book. Alden Blevins: Speaking of the worldwide web, this has been National Disability Radio. We celebrate stories, leadership, and talent of people with disabilities. If you enjoyed this episode, be sure to subscribe, share, and continue the conversation with us on that worldwide web at ndrn.org or anywhere you get your favorite podcasts. Thanks for listening and until next time. Stephanie Flynt McEben: Bye.

On this episode of National Disability Radio, we sit down with award-winning recording artist, advocate, and author Lachi for a powerful conversation about disability pride, music, and unmasking. Lachi shares her journey, from navigating the music industry as a blind artist, to founding RAMPD, a coalition amplifying disability culture across the industry. We talk about what it means to say “I identify as blind,” move beyond the medical and social models of disability into a cultural model rooted in identity and joy, and remind listeners that no one can defeat someone who hasn't given up. From glam canes to Grammy stages, this episode is about claiming space, rejecting internalized ableism, and turning perceived flaws into flexes. Transcript: Alden Blevins: It’s Lachi? I feel very- Lachi: Lachi like Versace. Alden Blevins: Lachi like… Oh, I love that. Michelle Bishop: That is the best way to explain it. Lachi: I mean, but you know what I’m saying? Come on. Alden Blevins: Well, we’re really excited about having you today because we’re all music lovers in this group here. Michelle Bishop: Yes. Alden Blevins: We talk about music all the time. Michelle Bishop: So much. Lachi: Good, good, good, good, good, good, good. I’m in the right place. Michelle Bishop: Hi everyone. Welcome back to National Disability Radio, the official podcast of the National Disability Rights Network. I am Michelle Bishop, 1/3 of your podcast hosting team. Stephanie Flynt McEben: And I’m Stephanie Flynt McEben, public policy analyst here at NDRN. Alden Blevins: I am Alden. I am a communication specialist at NDRN and I am so excited today, like I mentioned, we’re all lovers of music, so we got a guest that I’m really excited about. Lachi is an award-winning recording artist and a recording Academy Grammy’s national trustee. She’s also a disability advocate who’s been breaking barriers in the music industry and beyond. She’s the founder of RAMPD, which by the way, is such a fun play name. I really love that. And the author of the upcoming book, I Identify as Blind. So without further ado, Michelle, you’ve got some questions to kick us off, I think. Michelle Bishop: Yes. We’re so excited to have you with us. As Alden said, we are. We’re huge music lovers. I’m pretty sure we spend most of our meetings where we allegedly plan this podcast just talking about music. So you’re absolutely in the right place today, but to get us started, I mean, you’ve been open about the fact, and I’m just really interested in this as a disability rights podcast. You’ve been really open about the fact that it took you some time to really embrace your identity as a blind and disabled woman, especially in the industry that you’re in that often really rewards conformity. Can you tell us a little bit more about that journey for you, both as an artist and as someone navigating just the world with a disability? Lachi: Okay. Yeah, for sure. Hey, everybody. Lachi here, Lachi like Versace. I am a Black woman with cornrows, chilling here in New York in my studio. I also identify as blind, I identify as neurodivergent, and I identify as an Aries. So do with that what you will. Michelle Bishop: All the important points right there. Lachi: All the important points like name, age, sign. Thank you. Okay. Yeah, but I’m really glad to be here. And thank you for that question, and thank you for having me. So music has always been a very integral part of my life of growing up. Where other babies would kick in the womb, when she was pregnant with me, I was playing the piano in the womb. I don’t know how she got a piano in there, but she’s not a liar, so I’m going to take her word for it. When I was super-duper young, I didn’t really have a lot of friends, especially because of the fact that I had differences and this and that. And so I would take to music to, I guess, understand the world better and have the world understand me better. I just knew how to express myself through song and it just said the things I needed to say. It was the prayer I needed. And because of music, I started to find confidence in how to speak and how to behave and how to act. And as I got older, when I was growing up, disability was not necessarily a thing people talked about a lot in schools and teachers didn’t know what to do. My parents didn’t really know what to do. And so I would always just turn to music. It’s actually right now I’m working on a children’s album because I think that kids need to hear music that has to do with disability and neurodivergence, as well as their parents as they grow up. When I got into college, I started wanting to do music, but I studied business and finance because when I told my parents I wanted to do music, they were like, “That’s not how you spell doctor.” because they are Nigerian immigrants and everybody else in my family went to either med school and blah, blah, blah. And I was like, “No, I want to do music.” But I did get a day job after school, after college, and didn’t love it because this girl is not going to exist behind a desk. So I ended up going to South by Southwest and I got signed actually from playing the guitar at a hole in the wall spot that nobody was at, except for this A&R apparently. So we got signed to an imprint under EMI, which was a major label back then, and we started touring and music then became my life. Now today, why wouldn’t I pay my respects back to music? I mean, it’s because of music that I was able to really lean into who I am, my disability, my confidence, et cetera. So because of that, because of how much music has given to me in my life, I’m here using music to give back to other people with disabilities. Now, your question was essentially, how do you sit here and try to bring about change for disability in an industry that is not only about conformity, but also about like, “Hey, pick me to exploit.” is essentially what the music industry is. You’re raising your hand to be exploited and that’s what kind of authenticity is that? But at the end of the day, music is some of the truest forms of storytelling. And I think to myself, just the way that hip hop has amplified Black culture and the way that country music has amplified rural culture and the way that different global musics have represented different global cultures. I want to use music to amplify disability culture. I want to use music to amplify disability stories and feelings that are difficult to put words to, that are words of the soul, which is essentially what music is. And so I started going to studios and realizing things weren’t as accessible as they should be. I started speaking with organizations and realizing things weren’t as inclusive as they should be. And the response I kept getting was like, “Oh, well, there’s nobody with a disability in the music industry, so why would we make these measures?” And so I have made it my life’s goal through RAMPD, which by the way, the best thing we ever accomplished was our acronym, not us working with the Grammys to get sign language on the red carpet, not us getting these partnerships with title, Live Nation, Spotify. I mean, we’ve done so much, not just for artists, but also for professionals. And we’ve started to realize something really interesting with the work we’ve done with RAMPD. We are getting people joining our membership who are director level folks, who are label owners, who are like the big wigs that write the checks, and they’re like, “I’m neurodivergent. I’m actually hard of hearing. I have a TBI.” And so when I originally set out, they said, “We don’t do disability inclusion because nobody’s disabled.” That was three years ago. Now I’m like, not only are there neurodivergent and disabled music professionals out here, but we all are. So really to conclude, it’s just that everyone is navigating trying to make it out in this world, but everyone’s masking. Everyone feels that they have to change some part of themselves to be as close as they can to what success looks like, be as close as they can to what “beauty” looks like, what winning looks like. But really all it is internalized ableism. And I say, as soon as we drop that internalized ableism and we really start to sit in who we truly are and we start to recognize our perceived flaws as flexes, that’s when we truly start to win. And so that’s what we’re finding out with RAMPD, that people are like, “You know what? I’m tired of navigating this difficult industry with the added layer of having to mask.” And so that’s why I do what I do. Michelle Bishop: Yes. And honestly, as ridiculous as it sounds that they say to you, “Oh, there aren’t any people with disabilities.” When I tell you, we see that in everything that we do. I do voting work at NDRN and we’ll have elections officials tell us, “This polling place isn’t accessible, but there aren’t any people with disabilities that vote here.” And it’s like, “What? You realize we’re everywhere and we do all sorts of things.” Maybe the reason they think there’s no people with disabilities here is because they’re stuck outside and they can’t get in because you didn’t make it accessible, just a thought. But I mean, it sounds like coming up against all that is really, correct me if I’m wrong, helped you to develop that identity and that disability pride in the industry. When did you first say, “I identify as blind.” and what did that mean for you? Lachi: Well, so when I first came into really doing the disability thing, really leaning in, I wanted to find out more influencers or thought leaders and such with disabilities. I didn’t really know that many people. This is pre COVID, 2018, 2019, that kind of thing. And so I came across an influencer, her name is Molly Burke, and we’re great friends now, but I didn’t know her back then. I had just seen her tagline and it had said, “I’m Molly Burke and I’m a YouTuber who happens to be blind.” And for some reason I was like, “I don’t know if I love the happens to be blind thing.” I was like, “Well, I’m proud of being blind. Blindness is part of my identity. I don’t just happen to be a woman. I don’t just happen to be a Nigerian. I don’t just happen to be all of the things I am.” And so I would go to… I was touring… We’re always touring and every time I tour and do a show, I do a comedic open where I just introduce myself, I do a quick self-description, et cetera. And in my self-description, I would say, and I don’t just happen to be blind. My blindness is part of my identity, has given me all of the opportunities I have, and it’s really made me a deeper blah, blah, blah. It was just too long. So I had punched it up to be, “My name is Lachi like Versace. She, her, I’m a Black woman with cornrows and I identify as blind.” And the interesting thing about that is people took onto it. They were like, “Oh, that’s cool, nice and punchy.” But whenever I would say it in front of a large crowd or like I’ve said it on interviews or during commercials, I would get this weird, I don’t know, pushback of like, you can’t identify as blind. Blindness is an identity. It’s a medical condition. Or they’ll be like, “Do you read braille or not?” Or they’ll be like, “We don’t want people to think trans blindness is a thing where you just have a blind identity.” And then you can be like, “Well, I’m blind today, so that’s my identity.” And I thought that was really fun. I was like, “Look, everybody’s upset. They’re talking about blindness though.” So I really leaned all the way into it. And I have to say, I am super proud of my disability identity. Was it music that brought me there? I think in a sense and in a way, like today I have a few songs, you guys are music lovers, I have a few songs out that really talk about my disability pride. I think that a lot of the times as we navigate the world, masking our disability, masking our chronic condition, our difference or whatever, we end up overcompensating. We end up building up this really, really thick problem solving muscle or this really, really thick how to get around things muscle and we overcompensate. When we’re finally accommodated, when we finally get to a place where we’re accommodated or we have the tools we need, we’re coming in like bulk as hell. We’re coming in with problem solving muscles. We’re coming in with all of these things that we had to build up because of navigating the world differently, because of every day working through this very difficult maze that is living a life unaccommodated, then when we finally are accommodated, then we are killing it and crushing it. And how could you not be proud of that? How can that not give you a sense of pride? So the songs that I would love for you guys to check out that are mine is I have a song called Life on Hard, which has gone viral several times on Instagram. I’m known as an Instagram rapper, which is like, what? Hello, I do disability advocacy. Look at that stuff. But anyway, so I have a song called Life on Hard, which is essentially about just winning the game of life, playing it on the hardest setting out here while people are still trying to consult the manual. I have another song called Professional, which is oftentimes when I walk on the stage, people see the cane and they’re like, “Aw, she’s going to do a song for us. Is this from Make a Wish Foundation?” And then I bust out these raps or I hop on the piano and I go ape on this piano and then they’re like, “Oh, snap. What? Okay.” And I’m like, “Bro, I’m a professional artist. I’m not object for pity to make you feel good because you felt weird on a Monday and you didn’t feel like getting up for work, but it’s like, she could do it. So can I.” I’m like, “No, I can do it. You most likely probably just can’t.” So that’s what that song’s about. And then there’s The Bag, and The Bag is just essentially like, I’ve been told no so much like, “No, you can’t. No, you’re not good enough. No, we don’t want you.” And I’m like, “You know what? Yes, I am good enough and I deserve everything. So I’m going to throw everything I deserve in the bag, which is everything.” I don’t know. I would not be the person I am if I didn’t love all parts of myself. And that includes my disabilities, that includes my neurodivergences and all of the other wacky, weird body jazz that I bring with me everywhere I go. Michelle Bishop: Lachi, can we maybe, do you and I just FaceTime each other every morning and hype each other up? Stephanie Flynt McEben: I was literally about to say the same thing. I would like in on a true call. Michelle Bishop: I don’t know if you know. Actually, I want to say quickly, I know some of those songs actually from social media, but they’re real. They’re so real. So people haven’t heard music, go check it out. I don’t know if you know one of our co-hosts, Stephanie is blind. You’re speaking directly to her soul right now. Stephanie Flynt McEben: I literally just texted them in our podcast group text and I was like, she’s totally speaking to my soul RN, but of course I don’t want to interrupt anything. Michelle Bishop: No, I know you’re dying to talk to her about the book, Stephanie, and take it away. Stephanie Flynt McEben: Yeah, no, absolutely, for sure. And as somebody who is blind and who also identifies as a blind person and definitely does not identify with the medical model of disability, clearly gotten to more of a social model. But yeah, in terms of going through that journey of accepting all of who you are and everything about yourself, for me, I mean, it took a minute, especially when you’re talking about your experiences as a child and I totally feel that. I was that girl playing the harmonica on the jungle gym by herself. Anyway, this is about you. This is not about me, but I’m just saying that I totally relate to you on a spiritual level. And given that, I would love to know, were there any particular moments when it came to writing the book that were particularly hard or healing? Because I mean, I think that we all know that it’s not always a linear journey. Some days are going to be harder than others. And so would love to get your perspective on that. And I think that our listeners would be interested. Lachi: Yeah, absolutely. The journey for me has been one of constantly unwrapping this amazing gift. I always try to use that as the visual, if you will, of you have this big present and you get to unwrap it and then you just keep getting something cooler inside and then you get to unwrap that and you get something cooler inside and you just keep unwrapping this beautiful gift that is yourself. But you don’t realize that when you first get the box, the amazing stuff that’s going on inside, and it takes time to get to it. So a lot of times growing up, I would kick myself in the butt of, I wish I had come to this when I was so much younger. I wish there were people out there when I was younger, role models that I could look up to when I was eight years old and pointing on the TV and saying like, “Okay, well, I mean, I understand that Ray Charles existed, but that’s not going to…” Stephanie Flynt McEben: Stevie Wonder is here, Ray Charles is here, but we need more of us. Hello. Lachi: We need more of us. Hello. Exactly. And so this time and place where I am right now is where I needed to be for this to work. So I can’t really kick myself in the butt of like, “I wish I had this. I wish I knew this so much earlier. I would’ve been so much further.” That kind of thing. You have to be where you got to be where you need to be. Even right now, this conversation we’re having right now is going to have been necessary for the next thing that is happening in our lives. And just the other day, I was hanging out with Queen Herby, who’s been one of my favorite more modern rappers. I just did a thing with Apl.de.ap. I have done some stuff with Black Caviar. Folks that I’ve looked up to, I’m having the opportunity to Snoop Dogg. I’m having the opportunity to work with these days because of the fact that I am here at the right time now. So when I was writing my book, we were peeling back all the layers. I’m a generally very positive and energetic, social butterfly type of person today. But it’s interesting, I wasn’t always this person and I had to unpack all the layers to get there. One of the biggest things that happens to me, so I’ve always been low vision. So I was born with relatively low vision and it stayed the same throughout my teens and early 20s. But one day I woke up and my sight was just gone. Boom. So the interesting thing is anybody listening would be like, “Oh my God, if I woke up and my sight was gone, I would just die or I would not know what to do. My life would be over.” Stephanie Flynt McEben: Yep. Heard that a million times. Yes. Lachi: But for me, it was weird because I was already low vision, so I was going from level one to the underwater level or whatever. So it wasn’t like that life changing of a thing. I was already using screen readers or Zoom text. I was already doing stuff of that nature. So I wake up blind and I’m just like, “Okay, I guess this is it. This is the day that they told me was coming.” What had ended up happening was my corneas had erupted. And so I went to the doctor and he was like, “You’re going to become completely blind. You’re going to go from this much worse vision than you’ve had to complete blindness over the course of time.” So here you go, here’s a coupon. Bye.” or whatever. So I’m like, all right. So I had decided at that moment that I wanted to start a bucket list. So I was like, okay, what are all the things I’ve always wanted to do before completely going completely blind? So I was like, let me go skydiving, let me go spolunking, let me go meet with people, meet with celebrities and just do all of the things I’ve always wanted to do before I lose my vision. So I went out and I did it. This is still me doing it. This is still me doing it. And so I say that because to people who say if I ever went blind, I would just die. Well, when I went blind, it made me want to live. And that’s what opened me up into being this person that I am today. Stephanie Flynt McEben: That is amazing. I genuinely love that. Lachi: We talk about charity model and propping disabled folks up as tools of pity. We talk about medical model, which is really just waiting around for cure, making the cure the hero. We talk about social model, which is a really good place to live in the sense of things are impairing if they’re not accessible. Society is impairing if it’s not inclusive. But honestly, if I have all of the things, like if I have all my tools, if I have all that I need and if folks are inclusive, then I’m still blind, but I’m not impaired. But I like to go a little step further into what is the cultural model. And so the cultural model is it’s not just a discussion of what society should and shouldn’t do. It’s actually a celebration of what you gain as a person who identifies with their disability or their neurodivergence, the things they need to overcompensate because they’re navigating the world a little differently, leaning into that. So let’s say for instance, deaf culture, sign language, and the fact that folks can have complete discussions outside of what we’re talking about, there is so much deaf pride out in these streets, that is a celebration of culture that comes out of disability. And for me, let’s say for instance, I have ADHD and it powers my one million and counting ideas. I have diagnosed OCD, which helps me carry out all those one million and counting ideas. I have diagnosed general anxiety disorder, which gives me my empathy and my excitement. And then I am blind, which when I have the tools I need, it gives me drive. It keeps me determined, it keeps me focused, and it gives me my dope ass glam canes. There was a girl and her mom, and she came up to me after a show and she was like, “Oh my God, your music was great.” I was like, thank you. She’s like, “Mommy, can I get one of those canes?” And then her mom was like, “Ugh, well, you have to be blind.” And I’m like, “Yeah, girl, you better want to be me.” Stephanie Flynt McEben: Yeah. We drive sticks. Anyway, sorry. Lachi: Yes. You know what? I speak softly and I carry a big old stick. Thank you. Stephanie Flynt McEben: Yes. Amen to that. Exactly. As somebody who considers themself a lifelong disability advocate, I never really thought about it in the sense of going beyond the social into the cultural. So thank you so, so much. We all learn something new every single day on this podcast, but I’d love to know a little bit more about, obviously you were very, very, very good at talking through these experiences in such a way that they are very relatable and easy to understand and that thing. So I’d love to pick your brain about the intended audience of your book. Who did you write it for? Other blind folks? Did you write it for, was it written for multiple audiences? Lachi: Yeah, honestly, I wrote it for the person who is masking. I wrote it for anyone who is tired of… Listen, let me put it like this. Let’s face it, disability is boring, a lot of the time it’s sad and it’s compliancy. We have to go the extra mile to make it fun because the actual truth of it is that the only reason it’s boring, sad, and compliancy is because society has kept it that way through its collective internalized ableism. And so my book is actually a humor book. It’s a pop culture book. It’s a comedy book. In fact, when we were talking to the publisher, it’s like, we should be putting this up against other comedic books, not necessarily disability books because it’s a book. I got so many jokes. I have dad jokes, they’re corny jokes, I have rap bars. I rap in a lot of the book just because I was like, “Hey, this rhymes.” I’m going to say it like a rap. We’re doing the audiobook right now, so I actually get to wrap it, which is really fun. Stephanie Flynt McEben: Oh, that is so cool. Oh my gosh. Lachi: Which is really, really fun. But really, honestly, what the book is what everything I do is it is using joy, soul, pop culture, jokes, humor, fashion, and just a really good time to celebrate disability, as well as community. So what you’ll find in this book is my story through my story, through historical deep dives, through interviews with some really, really cool popular figures and a really big deep dose of disability joy. And so a lot of folks who have disabilities, they will read this book and they’ll be energized. It’ll be like, “This is really great. I’m glad that I finally get to read a book that talks about disability in a positive way.” For blind specific folks, they might relate to a few of my stories because I talk about the day I woke up blind, I talk about when I went skydiving blind, I talk about just some of my interesting blind moments. But then I also talk about how I would go to red carpets and not know how to talk to anybody. So I’m in this amazing room with all these celebrities I can’t see and I’m just sitting on the wall. So I talk about some of the hard times too as well. But at the end of the day, really what the book is is an invitation in for somebody who feels a little different, a little awkward, has to mask, and just needed that invite in to talk about disability in a fun, joyful, celebratory way, to recognize that yes, that thing in you that’s different, that thing in you that society has told you you should view as a weakness and hide, you should be proud of. And I say this to people all the time. I say it in the industry, I say it to all my friends, I say it to anyone who will listen. I say it to my local barista and they come back and they say things like, “Oh my God, I’m so glad you said it that way. It turns out I have a titanium hip and I’ve never told anybody about that.” And that’s the vibe. The vibe is someone who was like, “I really needed this to be said to me this way, and now I am able to step all the way into my disability identity.” Alden Blevins: I love, especially what you said about joy. I feel like for me as an autistic person, my experience in the arts is that it is really a space where people who maybe don’t belong in other spaces or don’t feel like they belong in other spaces or are made to feel like they don’t belong in other spaces. I think that a lot of them really do find a safe space in music, in the arts, in theater. And I just wanted to ask, why do you think the music space is such a special one for you and why do you think it’s a place where other people with disabilities seem to flock together as well? Lachi: I mean, you hit the nail on the head. Counterculture, I mean, music often rewards counterculture. And then it eventually becomes mainstream and then we got to rebel against that. So music is a place where your soul can speak. And I think a lot of the times with disabilities, especially autism for me, I’m ADHD, OCD, a different neurodivergence situation, but a lot of the issue is communication. We don’t know how to say exactly what we need or whoever we’re talking to just doesn’t know how to hear what we’re saying. And so I think that what music does is it allows a soul to speak to a soul. A lot of the times music does this thing where you’ll be listening to a song and you’ll just be like, “That, that right there. That’s what I it me. That’s the thing I’m feeling.” type deal. Music has the ability to do that. And so for me, right now, this children’s album that I’m working on, the kids’ album, which is an album that is essentially R&B, pop, electronic, sort of the genres that I dance in for kids centered on disability and neurodivergence. Because what I want to do is be able to say, “Hey, I want you to point at that and say, that’s me.” And I think the easiest and quickest way to point at something and say, “That’s me also.” has been music. And so it’s why it’s been my strongest medium. Again, it’s not my only medium. I’m talking to folks through the book, I’m talking to folks through fashion, et cetera, et cetera. But again, music has been just the quickest, easiest point A to point B conversation easer, if you will, about disability. Another thing I also love to use is humor and comedy. So I make jokes all the time. They’re all bad. They’re all very not good jokes. I need to probably get a joke writer, but the fact that I’m having such a good time telling the jokes, I think I think is all that really matters. So I think both music and humor are just really, really great spaces for two people to get to relate to something that may be difficult to talk about. Stephanie Flynt McEben: Yo, if you need a joke writer, I’m your girl. I actually do a joke every single episode of this podcast. Michelle Bishop: Her jokes are not better than yours, Lachi. Don’t hire her. Stephanie Flynt McEben: My jokes are pretty bad. They’re worse than dad’s jokes. They’re like granddad jokes. Alden Blevins: Yeah. Stephanie is the queen of the jokes on our podcast. She always brings one through. Didn’t know that you were working on a children’s music album, and I think that’s really interesting. I actually used to be a teacher, so children’s music is something that’s near and dear to my heart. So I just wanted to ask, what would you want to tell to younger people with disabilities, younger disabled creatives about claiming space and being able to tell their own stories? Lachi: Well, one thing that I heard from someone else, I don’t remember who it was. I think it was- Michelle Bishop: Jordan? Lachi: Yes, Jordan. He’s the one that said this. Michelle Bishop: I love him. Lachi: Yeah, he’s so funny. I met him at a… What did I meet him at? The Webby Awards or something. But anyway, no one can ever defeat someone who hasn’t given up. And for some reason that hit me, and I don’t even think he was trying to say it that deep. He was just saying a joke or something. But I took that and it was like, no one can ever defeat someone who hasn’t given up. So at the end of the day, you are really the only one who can end whatever you’re trying to get. Because as long as you are still going for it, it is still still there. It’s like a Schrodinger’s cat. It’s like as long as you’re still running for it, that opportunity is still there for you to have. The opportunity is never lost as long as you’re still going for it. And people can tell you, people can take your shoulders and tell you to go right. People can take your shoulders and tell you to go left. But until you take your own shoulders and go in the direction that your heart, your soul, your passion, your fire, desires, that is when you truly begin to live. And so I say personally, lean into that. I hear from a lot of younger, especially creators with disabilities. I mentor a lot of folks, tons and tons of folks. It’s one of the things I love to do the most. But what I love to tell folks is you are going to be the best you. And that you is going to include all of the different parts of who you are, but it is especially going to include you leaning in to the things that make you different and unique as unique selling points. Earlier I talked about how people try so hard to be the “definition of beauty”, definition of success, definition of whatever. Everyone’s trying to be this reference man. Everyone’s trying to be as close as they can to the reference man. And if I’m as close as I can to the reference man, then I’ll be successful or then I’ll get this job or then I’ll get this gig. But the truth of the matter is when we look at all of the people that are doing all of the big things, they’re “eccentric”. They’re “weird”. They did some big different idea that no one was thinking about and everybody fell into their trend. The further away you are from the reference man, that is when you start to win. That is when you’ll start to see success. That is when you’ll start to feel much better about yourself. That is when you can wake up in the morning, look in the mirror and say, “I am fine.” When you are able to accept all of those different freckles of yourself that are as far away from the reference man as possible, because guess what? There is room outside of the barrel for everyone to win if they are all being their unique self and running their unique purpose. That’s what I would tell to young disabled creators. Michelle Bishop: That’s amazing. Almost feel like we should stop there, but I have so many follow-up questions. Lachi: Listen, I’m here to drop as many mics as they will let me keep breaking. Michelle Bishop: I was wondering how you see the conversation around disability and inclusion and evolving these days. And a lot of our listeners are people with disabilities or people who have other even multiple intersecting identities in which they experience barriers as well. What does allyship look like to you? Lachi: This is one of my favorite questions. So yes, we have folks with disabilities and we have folks who want to work with people with disabilities, want to help a friend with a disability, want to make sure they don’t say the wrong thing to a person with a disability, neurodivergence, chronic condition, mental health condition. That’s not an ally. Wanting to help a person with a disability is not an ally. To me, wanting to support someone with a disability, that’s an ally in the very basic definition of allyship. Here’s what I think an ally is. To answer the question, I got to do two things. One, talk about the disability umbrella. So the disability umbrella encompasses so many forms of disability. It is neurodivergence, which is ADHD, dyslexia, OCD. It is mental health conditions like anxiety, depression, bipolar. It is someone who learns a little differently. It is someone who has explosive situations like anger management. It is someone who has substance abuse disorder, maybe somebody who drinks too much or uses different substances. It is chronic back pain. You know what I’m saying? It is asthma. It is EDS. It’s POTS. It is long COVID. It is different complications that you gain after pregnancy. It is different complications that you gain as you age. It is different complications you gain through menopause. It is temporary. It is breaking your arm and wearing a cast. It is seasonal depression. There is nobody on this earth that is not within the disability umbrella. And I don’t mean that you’re going to grow into it. I don’t mean in the future. I mean right now. Whether you identify as a person with a disability or not, you have disability identity because you have experience in your body disability. And when you figure that out, then you’re an ally. Allyship is seeing yourself through the other person because you can’t look through someone else’s eyes unless you can see yourself in them. And you can’t see yourself in disability until you recognize the disability identity within yourself. All of a sudden, and I say this and people are like, “What? I say this, but I’ve seen this. I’ve seen it happen. I’ve seen people who did not associate themselves with any form of disability or anything and they’re just like, Oh, them. Oh, I’ll help them. We have a conversation and then we have a follow-up conversation and then we’re drinking and then all of a sudden they’re telling me all their disabilities and then they’re walking a little different when they encounter disability. It’s no longer a them thing. And so that’s what an ally is. People with disabilities are also allies. I am an ally to the deaf community because I recognize though I’m not deaf, I see the having to navigate the world differently in you of myself. So that’s how I define an ally. An ally is someone who understands their own disability identity and can see it in others. Michelle Bishop: Don’t mind me over here just taking notes. Stephanie Flynt McEben: Literally. Oh my gosh. Lachi, thank you so, so, so much for being with us and taking time. I know that your website, lachimusic.com is one of the places where folks can stay up to date on all of the latest and greatest things that you’re up to. Is there anything else in particular you would like to plug for our listeners? Lachi: Like you said, LACHI, L-A-C-H-I M-U-S-I-C. I’m on the internets everywhere. Instagram, Spotify, check out the old music. If you’re a creator, a music creator or professional with a disability, check us out at RAMPD, R-A-M-P-D.org. Or if you want to donate or if you want to partner with us over at RAMPD, please do. If you are a cane user, whether you’re a blind cane user or you use Mobility Cane, check out glamcanes.com, get your canes bejeweled. I Identify as Blind, our book is out on Penguin Random House, imprint called Tiny Reparations by Phoebe Robinson, who is also a comedian. So we’re out here all writing very funny books. So please check it out. And lastly, listen, try to find moments in your day of disability joy. And when you find that moment, take a picture of it or write it down so that you can go back to it and live for those moments. So thank you guys so much for having me on this podcast. It’s really been a blast getting to talk at you about all things I identify as blind. Alden Blevins: I love it. I was over here taking notes too because I just found so much of myself in what you were saying and so many things were poignant and empowering. I, as an autistic person, try to be an ally to other parts of the disability community myself. And that’s something where I’m always trying to put myself in the shoes of another person and what they might experience. So I think that’s really powerful. We were so grateful to be able to connect and learn more about you, Lachi. Lachi: Yes, yes, yes. So honored to be here, guys. Michelle Bishop: Before you head out, Lachi, do you want to hear one of Stephanie’s grandpa jokes? Lachi: I was going to say, I was like, “Let’s hear one of these granddad jokes.” Let me see. Stephanie Flynt McEben: Okay. This might be- Michelle Bishop: Okay, do it. Stephanie Flynt McEben: … a granddad joke. Okay. Where do spiders like to get their information? Lachi: The web? Michelle Bishop: That would be something to do with web. Stephanie Flynt McEben: But what kind of web? Lachi: Wow. Really? You are fired from being my comedy writer. You are fired to be my comedy writer. I was rooting for you too. I was like, let’s just… Please. Stephanie Flynt McEben: I wouldn’t even get to the punchline yet. Michelle Bishop: Worldwide web? Stephanie Flynt McEben: It is the worldwide web. Michelle Bishop: Oh. Stephanie Flynt McEben: It’s fine. It’s fine. My wife warned me not to tell that joke this month and I didn’t lose it. Michelle Bishop: Oh my gosh. I’m so glad you stuck around for that part. Lachi: As I live and breathe. Thank you guys so, so much. This has been so much fun and I will see who else I can tell that joke to. And go ahead and just to help you out, Stephanie, I’ll go ahead and embarrass myself by telling that joke to others. Stephanie Flynt McEben: Not my best work, but that is allyship. Yes. Michelle Bishop: Oh my gosh, Lachi, thank you so much. And everyone, please lachimusic.com. Check it out. Listen to the music, read the book. Alden Blevins: Speaking of the worldwide web, this has been National Disability Radio. We celebrate stories, leadership, and talent of people with disabilities. If you enjoyed this episode, be sure to subscribe, share, and continue the conversation with us on that worldwide web at ndrn.org or anywhere you get your favorite podcasts. Thanks for listening and until next time. Stephanie Flynt McEben: Bye.

Cat and Pat are excited to welcome a very special guest this week, musician, author, and disability culture advocate Lachi! Our trio gets into the ever-shifting dynamics of neurodivergent masking, Lachi's journey into music and her latest book, I Identify as Blind: A Brazen Celebration of Disability Culture, Identity, and Power, and the sweet nectar that is mini M&Ms from a hotel mini bar.Watch the full episode on our YouTube and follow below!Show Instagram: https://www.instagram.com/seektreatmentpodShow Tiktok: https://www.tiktok.com/@seektreatmentpodCat: https://www.instagram.com/catccohenPat: https://www.instagram.com/patreegsSeek Treatment is a production of Headgum Studios. Our producer is Allie Kahan. The show is engineered and edited by Richelle Chen. The show art was created by Carly Jean Andrews.Like the show? Rate Seek Treatment on Spotify and Apple Podcasts and leave a review.Advertise on Seek Treatment via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on The Leftovers, never-before-heard audio from Lachi, award-winning recording artist, CEO of RAMPD (Recording Artists and Music Professionals with Disabilities), host of the PBS series Renegades, and author of the new book, I Identify as Blind. In a spirited lightening round, Lachi speaks to her true passion: melting cheese on anything and everything; we debate pulp vs no pulp in orange juice; ketchup vs no ketchup on hot dogs; she shares her favorite food city in America; and what it's like navigating a buffet as a blind person.  Listen to the full episode of Your Last Meal with Lachi here.  Become a Cascade PBS member and support public media!       Watch Rachel's Cascade PBS TV showThe Nosh with Rachel Belle.     Sign up for Rachel's (free!) biweekly Cascade PBS newsletter for more food musings.     Follow along on Instagram.     Order Rachel's cookbook Open Sesame. 

Lachi is an award-winning recording artist, CEO of RAMPD (Recording Artists and Music Professionals with Disabilities), host of the PBS series Renegades, disability advocate and author of the new book, I Identify as Blind: A Brazen Celebration of Disability Culture, Identity and Power. She's also a joyful, gregarious ray of sunshine! Like the name of her book implies, Lachi is legally blind. She tells host Rachel Belle how learning to cook was a big part of learning to be independent and how finally being out and proud of her blindness has made life so much easier and more successful. And she shares why eggs play a starring role in her relationship with her longtime partner, Arthur.  Then we meet the creator of The Blind Cafe, a pop-up dinner that travels the world, giving diners the experience of eating in pitch darkness.   Become a Cascade PBS member and support public media!     Watch Rachel's Cascade PBS TV show The Nosh with Rachel Belle.   Sign up for Rachel's (free!) biweekly Cascade PBS newsletter for more food musings.   Follow along on Instagram.   Order Rachel's cookbook Open Sesame.  

In this episode, meet Grammy-nominated recording artist Lachi, journalist Jennifer Breheny Wallace, and librarian and host of Reading Rainbow Mychal Threets. Hear how weaving in her original music made Lachi's audiobook come to life, how Jennifer Breheny Wallace prepared for her time in the studio, and learn Mychal Threet's favorite thing about his local library. I Identify as Blind by Lachi: https://www.penguinrandomhouse.com/books/761599/i-identify-as-blind-by-lachi-with-tim-vandehey/audio Mattering by Jennifer Breheny Wallace: https://www.penguinrandomhouse.com/books/756179/mattering-by-jennifer-breheny-wallace/audio I'm So Happy You're Here: A Celebration of Library Joy by Mychal Threets: https://www.penguinrandomhouse.com/books/776025/im-so-happy-youre-here-a-celebration-of-library-joy-by-mychal-threets-illustrated-by-lorraine-nam/audio

This week, Liberty and Patricia discuss Burn Down Master's House, Vigil, Fair Game, and more! Subscribe to All the Books! using RSS, Apple Podcasts, or Spotify and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. Keep track of new releases with Book Riot's New Release Index, now included with an All Access membership. Click here to get started today! Books Discussed On the Show: I Identify as Blind: A Brazen Celebration of Disability Culture, Identity, and Power by Lachi with Tim Vandehey Black Public Joy: No Permit or Permission Required by Jay Pitter Burn Down Master's House by Clay Cane Wake: The Hidden History of Women-Led Slave Revolts by Rebecca Hall, Hugo Martínez Fair Game: Trans Athletes and the Future of Sports by Ellie Roscher and Anna Baeth He/She/They: How We Talk about Gender and Why It Matters by Schuyler Bailar The Other Olympians: Fascism, Queerness, and the Making of Modern Sports by Michael Waters Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive by Danielle Bainbridge Forever for the Culture: Notes from the New Black Digital Arts Renaissance by Steven Underwood Mattering: The Secret to a Life of Deep Connection and Purpose by Jennifer Breheny Wallace A Beast Slinks Towards Beijing by Alice Evelyn Yang The Bone Setter's Daughter by Amy Tan Vigil by George Saunders    I Don't Know What You Know Me From: Confessions of a Co-Star by Judy Greer The Seven Daughters of Dupree by Nikesha Elise Williams  Escape! by Stephen Fishbach     Sister Svangerd and the Not Quite Dead by K. J. Parker   Rooting Interest: An 831 Stories Romance by Cat Disabato   The Ghost Network by Catie Disabato Big Fan by Alexandra Romanoff Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood by William J Mann  Dear Debbie by Freida McFadden  The Big M: 13 Writers Take Back the Story of Menopause by Lidia Yuknavitch To Ride a Rising Storm (Nampeshiweisit, #2) by Moniquill Blackgoose Paper Cut by Rachel Taff For a complete list of books discussed in this episode, visit our website. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode I sat down with Lachi. Lachi is a world touring recording artist, award winning music executive, Disability Culture champion, host of PBS series Renegades, Recording Academy National Trustee, and producer of a GRAMMY-Nominated album. Born legally blind, Lachi created the U.N.-recognized organization RAMPD (Recording Artists and Music Professionals with Disabilities), a consultancy group, collaborating on disability-inclusive solutions with the likes of Netflix, Live Nation and more, while bringing opportunities to its growing global network of professionals with disabilities. We discuss her newly released book I Identify As Blind, out today, and the stories and conversations that have filled its pages, who this book is for and what she hopes her readers take from it, celebrating the disability community and the people in it past, present and future and much, much more.This episode was edited and produced by Ben Curwin. All proceeds from purchasing this episode will be split between ⁠⁠⁠⁠⁠⁠City Harvest⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Food Bank For NYC⁠⁠⁠⁠⁠⁠.Join Always Looking Up on Substack: ⁠⁠⁠⁠⁠⁠https://jilliancurwin645746.substack.com⁠⁠⁠⁠⁠⁠Join The Patreon: ⁠⁠⁠⁠⁠https://patreon.com/AlwaysLookingUp⁠⁠⁠⁠ Follow Lachi: Instagram: ⁠@lachimusic⁠ YouTube: ⁠Lachi⁠ Website: ⁠https://www.lachimusic.com/index.html ⁠Follow RAMPD: Instagram: ⁠@rampd_up⁠ Website: ⁠https://rampd.org/ ⁠Buy I Identify As Blind: https://lachimusic.com/i-identify-as-blind.htmlShop Glam Caneshttps://www.instagram.com/reel/DToHjpeEjbV/Follow Me: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@jill_ilana⁠⁠⁠⁠⁠⁠⁠⁠⁠ , ⁠⁠⁠⁠⁠⁠⁠⁠⁠@alwayslookingup.podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@jillian_ilana⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.jillianilana.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠alwayslookingup227@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠Read With Me:⁠⁠⁠⁠⁠⁠⁠⁠⁠Goodreads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The StoryGraph⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Minneapolis:Stand With Minnesota: https://www.standwithminnesota.comMN NOICE: https://mnnoice.comCommunity Aid Network MN: https://www.canmn.orgSupport Those Impacted By The Cutting Of SNAP Benefits:Feeding America: ⁠⁠⁠⁠⁠⁠https://www.feedingamerica.org⁠⁠⁠⁠⁠⁠World Central Kitchen: ⁠⁠⁠⁠⁠⁠https://wck.org⁠⁠⁠⁠⁠⁠No Kid Hungry: ⁠⁠⁠⁠⁠⁠https://www.nokidhungry.org⁠⁠⁠⁠⁠⁠List Of NYC Food Pantries: ⁠⁠⁠⁠⁠⁠https://www.nyc.gov/site/dycd/services/food_pantries.page⁠⁠⁠⁠⁠⁠Support Immigrant Communities (all links came from ⁠⁠⁠⁠⁠⁠⁠⁠⁠@chnge⁠⁠⁠⁠⁠⁠⁠⁠⁠):The Coalition for Humane Immigrant Rights of Los Angeles (⁠⁠⁠⁠⁠⁠⁠⁠⁠@chirla_org⁠⁠⁠⁠⁠⁠⁠⁠⁠): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.chirla.org/donatenow/⁠⁠⁠⁠⁠⁠⁠⁠⁠Immigrant Defenders Law Center (⁠⁠⁠⁠⁠⁠⁠⁠⁠@immdef_lawcenter⁠⁠⁠⁠⁠⁠⁠⁠⁠): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.immdef.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Inland Coalition 4 Imm Justice (⁠⁠⁠⁠⁠⁠⁠⁠⁠@ic4ij⁠⁠⁠⁠⁠⁠⁠⁠⁠): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://secure.actblue.com/donate/jornaleros⁠⁠⁠⁠⁠⁠⁠⁠⁠

This episode of Disability Inclusion: Required features Grammy-nominated artist and disability culture champion Lachi in conversation with host Justice Shorter. Lachi is an award-winning music executive, host of PBS series Renegades, Recording Academy national trustee, and producer of a Grammy-nominated album. Born legally blind, she created the UN-recognized organization RAMPD (Recording Artists and Music Professionals with Disabilities), a consultancy group that collaborates on disability-inclusive solutions with major companies like Netflix and Live Nation while providing opportunities to professionals with disabilities. Her cultural activism has garnered national recognition through appearances on major media platforms including NPR, the BBC, People Magazine, Time Magazine, Good Morning America, and the New York Times.Our podcast theme music is by Andre Louis and Precious Perez. Thank you to Recording Artists And Music Professionals With Disabilities (RAMPD) for connecting these talented disabled musicians with the Disability & Philanthropy Forum.

Episode Notes On this ep of Disability After Dark, Andrew sits down with award-winning multi-hyphenate pillar of awesome, Lachi. We talk about her new book, "I Identify As Blind", her many accolades in disability inclusion, and we discover just how she entertains people into giving a shit about disability + so much more. Enjoy! Follow Lachi and buy her new book: www.lachimusic.com https://aariadeepwater.com https://aariadeepwater.com Episode Sponsors Do you wanna turn b*tt stuff up a notch. Go to bvibe.com and use code AFTERDARK to receive 20% off orders of $100 (including bundles, discounted items and more). Disability content creation doesn't have to be hard. Follow @seated.perspectives on Instagram to learn how to make content creation a gentle, easy, accessible experience. Are you looking for attendant care when you need it at your convenience? Check out your team, on tap www.whimble.ca Get 15% off your next purchase of sex toys, books and DVDs by using Coupon code AFTERDARK at checkout when you shop at trans owned and operated sex shop Come As You Are www.comeasyouare.com Order Notes From a Queer Cripple and hire him to speak on it by e-mailing andrew@andrewgurza.com US: https://us.jkp.com/products/notes-from-a-queer-cripple Canada: https://www.ubcpress.ca/notes-from-a-queer-cripple Support the show with a donation: https://patreon.com/disabilityafterdark This podcast is powered by Pinecast.

Within the government's new road safety strategy, they have identified a number of areas they'd like to hear people's views on in order to make the UK's roads safer. One of these is whether or not to introduce compulsory eye testing for drivers who are over 70. In Touch discusses this idea with Lilian Greenwood, the Parliamentary Under-Secretary at the Department for Transport, Dr Peter Hampson who is the Clinical and Policy Director at the Association of Optometrists and with the Macular Society's Director of Services, Jessica Kirby. To participate in the government's consultation on this issue, visit: gov.uk/government/consultations/introducing-mandatory-eyesight-testing-for-older-drivers In Touch also spotlights a project that aims to get more visually impaired people involved in the music industry, be that as performers or on the technical side of things. The project is called Sound Without Sight, and this week they are hosting a Q&A session with the highly successful blind singer, producer and campaigner Lachi. In Touch is joined by Lachi and Jay Pocknell, the project lead of Sound Without Sight and current music student Oscar King, who receives some pearls of wisdom from Lachi.Lachi will soon be releasing a new book called 'I Identify as Blind', where she discusses disability identity, neurodivergence, and embracing difference, with joy, humour, and passion. More information on her book can be found at: lachimusic.com/i-identify-as-blindPresenter: Peter White Producer: Beth Hemmings Production Coordinator: Helen Surtees Website image description: Peter White sits smiling in the centre of the image and he is wearing a dark green jumper. Above Peter's head is the BBC logo (three separate white squares house each of the three letters). Bottom centre and overlaying the image are the words "In Touch" and the Radio 4 logo (the word ‘radio' in a bold white font, with the number 4 inside of a white circle). The background is a bright mid-blue with two rectangles angled diagonally to the right. Both are behind Peter, one is a darker blue and the other is a lighter blue.

Watch the video version on YouTube: https://youtu.be/ZRm8tiM1JqE In the 100th episode of Disability Deep Dive, hosts Jodi and Keith celebrate the milestone by interviewing recording artist, songwriter, and advocate Lachi. They discuss her journey from performing on stage to leading the advocacy group RAMPD, her experiences in the music industry, and her efforts to make the industry more accessible. Lachi shares insights from her upcoming book, 'I Identify as Blind,' which aims to integrate disability into pop culture through humor and storytelling. The episode also features a discussion on the film 'Sound of Metal,' exploring themes of identity, disability, and community. Pre-order "I Identify as Blind": https://www.penguinrandomhouse.com/books/761599/i-identify-as-blind-by-lachi-with-tim-vandehey/

Lachi thinks the way we talk about disability is boring, so she's here to make it glam, loud, and impossible to ignore. This week, the boys are joined by recording artist, Grammy Trustee, and CEO of RAMPD, Lachi. She breaks down why she went from throwing her white cane into traffic as a kid to turning it into a high-fashion statement today. We dive deep into the concept of "Maladaptive Daydreaming" (and Jer's sudden realization that he definitely has it), the crucial difference between the "Charity Model" and the "Social Model" of disability, and why Lachi's new book title, I Identify as Blind, is pissing off the internet in the best way possible.Check out RAMPD: rampd.orgFind Lachi: lachimusic.com | @lachimusicFollow Sickboy on Instagram, TikTok and Discord!

Lachi thinks the way we talk about disability is boring, so she's here to make it glam, loud, and impossible to ignore. This week, the boys are joined by recording artist, Grammy Trustee, and CEO of RAMPD, Lachi. She breaks down why she went from throwing her white cane into traffic as a kid to turning it into a high-fashion statement today. We dive deep into the concept of "Maladaptive Daydreaming" (and Jer's sudden realization that he definitely has it), the crucial difference between the "Charity Model" and the "Social Model" of disability, and why Lachi's new book title, I Identify as Blind, is pissing off the internet in the best way possible.Check out RAMPD: rampd.orgFind Lachi: lachimusic.com | @lachimusicFollow Sickboy on Instagram, TikTok and Discord!

Award-winning musician and activist Lachi is about to release her new book, offering a fresh perspective on disability as a source of strength, innovation, and cultural power. Hywel Davies found caught up with the author ahead of the book's January release.

Conversations on Groong - June 6, 2025In this episode of Conversations on Groong, we speak with Abhinav Pandya about the emerging Turkey–Pakistan–Azerbaijan axis and its implications for India's security and regional posture. We explore the symbolism behind the opening of an empty airport in Berdzor (Lachin), the broader strategic coordination among these three nations, and how India responded with Operation Sindoor following a major terror attack in Pahalgam. The conversation also looks at Armenia's growing role as a strategic partner for India, the complexities of managing ties with Iran, and the challenges facing multilateral projects like IMEC. Pandya outlines the ideological and hybrid threats India faces and what it must do to stay ahead in a shifting geopolitical landscape.TopicsTurkey-Pakistan-Azerbaijan AxisOperation SindoorArmenia As a Strategic PartnerWest Asia and Eurasia ContextFuture OutlookGuestAbhinav PandyaHostsHovik ManucharyanAsbed BedrossianEpisode 443 | Recorded: June 3, 2025SHOW NOTES: https://podcasts.groong.org/443VIDEO: https://youtu.be/nhKhHx_Tpwo#OperationSindoor #IndiaForeignPolicy #TurkeyPakistanAxis #ArmeniaIndiaRelations #india #armeniaSubscribe and follow us everywhere you are: linktr.ee/groong

Transcript: rmad.ac/AIAe070Gaelynn won NPR's Tiny Desk Contest in 2016. Since then, she has captivated audience around the world with her haunting original songs and traditional fiddle tunes. Over the years, she has collaborated and performed with many notable artists such as Michael Stipe from REM, The Decemberists, Wilco, Lowe, and the industrial rock supergroup Pigface. In early 2022, Gaelynn composed and performed the music for Macbeth on Broadway, which starred Daniel Craig. The following year, she wrote a musical fable for the stage called Invisible Fences with the disabled author and playwright Kevin Kling.Music aside, Gaelynn Lea is a sought-after public speaker and disability advocate around the topics of disability culture, inclusion, and accessibility in the arts. In 2021, she co-founded the organization Recording Artists and Music Professionals with Disabilities with fellow artist-activist Lachi. In 2024, she was awarded both the Disability Futures Fellowship and the Whippoorwill Arts Fellowship for her music and disability advocacy. She is currently finishing up her debut book due out in 2026. Linger in the Sun will be a love letter to everybody, a warm, funny, and deeply felt memoir about disability, music, and the messy creativity of an artist's life.Connect with Gaelynn Lea:GAELYNN LEA – Musician & Public SpeakerCreative Living for Every Body with Gaelynn Lea | Substack"I Wait" by Gaelynn LeaJudith Heumann's Fight for Disability Rights (feat. Ali Stroker) - Drunk HistoryConnect with the Rocky Mountain ADA Center at RockyMountainADA.org or find us on social media. Don't forget to subscribe, rate and review us on Apple Podcasts, Stitcher, Spotify, or anywhere else you get your podcasts!

Guest and HostGuest: Precious Perez, President at RAMPD | On LinkedIn: https://www.linkedin.com/in/precious-perez-a0548915b/ | Website: https://preciousperezmusica.com/Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesThe intersection of music, technology, and accessibility is shaping how artists create, perform, and share their work. In this episode of Music Evolves, host Sean Martin speaks with singer, songwriter, and educator Precious Perez, a Berklee College of Music graduate with degrees in music education and vocal performance. As a blind Latina artist and disability advocate, Perez shares her journey in music, the role of technology in her creative process, and how she works to increase opportunities for musicians with disabilities.A Life Shaped by MusicPerez's passion for music started early, surrounded by the diverse sounds of her Puerto Rican household. From salsa and reggaeton to R&B and pop, her exposure to various genres helped shape her identity as an artist. She recalls her first songwriting experience in fourth grade, when she transformed a poem into a song with the help of a music teacher. That moment solidified her desire to pursue music professionally, leading her to Berklee, where she refined her skills in both performance and education.As a blind musician, Perez explains how she interacts with music differently from sighted artists. She describes her early experiences learning Braille music and how tactile memory plays a role in understanding composition. While she primarily relies on her ear, her knowledge of Braille notation helps her analyze rhythm and structure in a unique way.Technology as a Tool for InclusionFor Perez, technology has been both a gateway and a challenge. She demonstrates how she uses a BrailleSense note taker, a device that allows her to type lyrics and read them in Braille while composing. She also shares how screen reading software enables her to navigate recording software like Logic Pro and Pro Tools, ensuring she can produce and edit her music independently.Beyond the studio, accessibility in live performance is another key consideration. Whether using in-ear monitors or giving cues to her bandmates through verbal or physical signals, Perez emphasizes that clear communication and collaboration make performances seamless.Advocating for Disability Representation in MusicPerez is also the president of RAMPD (Recording Artists and Music Professionals with Disabilities), an organization founded by recording artist Lachi and NPR Tiny Desk Contest winner Gaelynn Lea. RAMPD is dedicated to amplifying disability culture, promoting accessibility, and ensuring that disabled artists have equitable opportunities in the music industry. The organization consults with major industry events like the Grammys, NAMM, and Folk Alliance to improve accessibility and representation.She stresses that disability is an often-overlooked part of diversity and that anyone, at any time, could join this community due to illness, injury, or aging. Through RAMPD, Perez and her colleagues are breaking down barriers and proving that disabled musicians are just as competitive and professional as their peers.A New Era of MusicPerez is embracing a new era in her music, blending her Latin roots with her pop and R&B influences. She performs her latest song, Rosé, a Spanish-language track about embracing the present moment with a loved one despite life's difficulties. With plans to record a new project with We Could Be Music in Costa Rica, she is leaning into the Latin music space in a way she has always envisioned.Her story is one of resilience, innovation, and passion. From navigating music education as a blind student to advocating for industry-wide accessibility, Perez is proving that talent and determination—not sight—define an artist's success.Listen to the full episode to hear Precious Perez's insights on technology, performance, and advocacy in music.SponsorsAre you interested in sponsoring this show or placing an ad in the podcast?Sponsorship

01. Tommy Richman - Million Dollar Baby (Don Diablo ReHex) 02. Kendrick Lamar - HUMBLE. (Skrillex Remix) [Proppa Treatment] 03. DJ Susan, Proppa - Top Spot (feat. Lachi) 04. eSQUIRE - My Feelings For You 05. BLK - I Need A Boiler Room (Sammy Porter Remix) 06. Curbi - I'm Alive 07. Eminem, Nate Dogg - Bitch Please II (Scity EXT Remix) 08. Firebeatz & Erich Lennig - Da Boom 09. Aspyer & Zander Shine - Falling Into You 10. Macker - Check One 11. Nimino - I Only Smoke When I Freak (The Stickmen Project Edit) 12. AC Slater, Redlight & SadBoi - Bitches Over Boys 13. Patrick Topping feat. Dark Dhalia - Bonfire (CASSIMM Remix) 14. Avi Sic & Footwurk - Work It 15. Rob Laniado - Come Alive 16. TCTS - Take me (Favourite Place) 17. Andre Zimmer & X & Ivy - Foot Of The Bed (Paris Piano Mix) 18. CONTROL ALT DELETE - Maniac

Listen to an interview with John Lodge, bassist, songwriter, and vocalist for The Moody Blues. He'll be performing in Indiana on February 28. The Moody Blues rose to prominence in the late 1960s, with a series of psychedelic hit singles, like “Tuesday Afternoon”and “Nights in White Satin”. Lodge wrote some of the band's biggest hits, including “Ride My See-Saw”, “Isn't Life Strange” and “I'm Just a Singer (In a Rock and Roll Band)”. Lodge has been performing and recording with The Moody Blues for over five decades. In 2018 the band was inducted into the Rock and Roll Hall of Fame. Also, hear a conversation with the singer-songwriter, pianist, and disability activist Lachi. She'll be performing in Indiana on March 1. Lachi was born legally blind and her personal struggles with accessibility in the music industry inspired her to create RAMPD, Recording Artists and Music Professionals with Disabilities. RAMPD is an advocacy group dedicated to amplifying disability culture and promoting disability inclusion in the music industry. Lachi's work has been recognized the New York Times, Billboard, and USA Today, who named her one of 2024's women of the year. In addition to her work in music, Lachi is also the host of Renegades, a PBS series that explores the lives of little-known historical figures with disabilities.

01. Martin Garrix - Animals x Mala Fama (YORRY Mashup) 02. Mike Williams - La La (feat. Joe Jury) 03. Brooks & Repiet - I Don't Wanna Know 04. Walker & Royce, Life on Planets - Jetsetter 05. Cashew - Jump Up 06. Austin Millz & Kah-lo - Hot & Mysterious 07. MATRODA - Good Girls 08. AC Slater, Redlight & SadBoi - Bitches Over Boys 09. Kanye West - Praise God (Proppa Treatment) 10. No Thanks - New Whip 11. Desiigner - Panda (Penn Brothers & KAIT Remix) 12. DJ Susan, Proppa - Top Spot (feat. Lachi) 13. AtcG, VALMAR - TUCU 14. Age Of Love - Age Of Love (Wax Motif Remix) 15. Mattilo - OUT OF MY MIND 16. Silque - Get Louder 17. Kaskade, DeadMau5 - Move for Me (Cody Schneida Remix) 18. Gregor Salto - Bouncing Harbour (Funkin Matt Remix) (Chico Rose Rework)

gluk old player @ DJ Глюк 1. Gapsz - Takin' The Lead (Extended Mix) 2. Juntaro - Bring It Back (Extended) 3. Viszø - Get Up (Original Mix) 4. Silque - Get Louder (Extended Mix) 5. Fatboy Slim - Eat Sleep Rave Repeat (KOCHAM Remix) 6. No Thanks - New Whip (Original Mix) 7. Ant Brooks - The Request (Original Mix) 8. Golf Clap, Low Audi0 - Nah Nah Nah Nah (Original Mix) 9. Cloonee - Sun Goes Down (KOCHAM Remix) 10. Freejak - California Love (Extended Mix) 11. DJ Susan, Lachi, Proppa - Top Spot 12. AR (UK) - Cruze (Original Mix) 13. Darley - Freak In The Streets (Extended) 14. Etta, Monotown - Cities (Extended) 15. HWs - Your House Is My House (Original Mix)

1. INNERVERSE, Paul Schulze, Oliver Cricket feat. Courtney Storm - Life With You 2. Marco Nobel feat. TRØVES - Higher 3. Sixten, Embody & STO CULTR - Hold On, We're Going Home 4. James Carter - 2 Days (feat. CARMA) 5. My Friend - Time Tourist 6. Burak Yeter & Prime Punk & Skytters - Dubai Chocolate 7. Adam Port, Keinemusik - Move (Mike Bond x Jowaves Remix) 8. Martin Jensen, The Stickmen Project, Matt Steffanina - Deeper Love 9. DJ Susan, Proppa - Top Spot (feat. Lachi) 10. ESSE - Hustler 11. Matroda - Good Girls 12. SUBSHIFT & POLOVICH - Vibin' 13. The Sponges - What's Wrong With Me 14. Tiësto & Soaky Siren - Tantalizing (Steff da Campo & Julian Snijder Remix) 15. MorganJ - Lollipop 16. Miss Monique, GENESI, Carl Bee - Nomacita 17. Massano, TH;EN, Carlo Whale - Touch Me 18. RITN - Rolling 19. Anyma feat Ellie Goulding - Hypnotized

Globally touring recording artist, Lachi, wasn't sure what orgasms were when she left the U.S. for boarding school overseas. After exploring her sexuality for a while, she realized what Big Os really entail. That awakening set the stage for greater confidence, in and outside of the bedroom. In addition to Lachi's story, you'll get  her top tips for cultivating confidence and feeling sexy. More from Lachi: https://lachimusic.com/ Check out the latest specials at thepleasurechest.com!  Girl Boner Radio is hosted and produced by August McLaughlin.   IG: @GirlBonerMedia  TikTok: @GirlBonerRadio  FB: @MyGirlBoner  augustmclaughlin.com/girlboner    patreon.com/girlboner   Get free shipping at Crave! Elegant, woman-designed jewelry and toys: https://lovecrave.com/products/vesper2?bg_ref=UAgjcRRV14  

We chat with Nkechi Okoro Carroll, before sitting down with Day Al-Mohamed & Lachi to celebrate Renegades. Stay tuned to revisit our CROSS panel coverage, our interview with Invincible Fight Girl's Juston Gordon-Montgomery, and our The Penguin conversation. The post Nkechi Okoro Carroll, Renegades x Day Al-Mohamed & Lachi, Invincible Fight Girl x Juston G-Montgomery, CROSS, The Penguin appeared first on idobi.

We chat with Nkechi Okoro Carroll, before sitting down with Day Al-Mohamed & Lachi to celebrate Renegades. Stay tuned to revisit our CROSS panel coverage, our interview with Invincible Fight Girl's Juston Gordon-Montgomery, and our The Penguin conversation. The post Nkechi Okoro Carroll, Renegades x Day Al-Mohamed & Lachi, Invincible Fight Girl x Juston G-Montgomery, CROSS, The Penguin appeared first on idobi.

Subscribe to DTC Newsletter - https://dtcnews.link/signup In this episode of the DTC Podcast, host Eric Dyck sits down with Liam Millward from Instant and Lachi Agnew from July to explore how cutting-edge email retargeting is transforming the way DTC brands engage with customers. Try Instant.one ➝ https://www.instant.one/ July, a high-end luggage brand, faced a challenge—how to convert more visitors into buyers when their product isn't consumable and relies heavily on winning the first purchase. That's where Instant came in. This conversation dives deep into how July used Instant's shopper identification tool to send more targeted emails to previously anonymous visitors—leading to a 20% lift in incremental revenue through A/B testing. The episode also unpacks the technical differences between Instant and other data-focused tools. Key insights: How July tested Instant's technology: A/B testing showed 20% more revenue from email flows. High-intent targeting: Emails are only sent to visitors showing purchase intent (e.g., cart abandonment or multiple visits). Low setup cost: Instant is plug-and-play, with integration completed in 3 days. Staying compliant with Google rules: Minimal email sends with a focus on intent-driven messaging ensures compliance with stricter spam guidelines. Competing in Q4: Why tools like Instant are essential for maximizing Q4 marketing budgets. Connect with Lachi and July: https://www.linkedin.com/in/lachi-agnew-2b495bb9/?originalSubdomain=au Connect with Liam at Instant.one: https://www.linkedin.com/in/liammillward/ Timestamps: 00:00 - Introduction to Paid Acquisition Challenges 02:00 - Identifying Anonymous Web Traffic with Instant 04:00 - July's Growth Story and COVID Impact 06:00 - Increasing Email Reach and Revenue with Instant 08:30 - Black Friday and Cyber Monday Strategies 11:00 - Optimizing Email Flows for Higher Conversions 14:00 - Partnerships and Marketing Successes 16:30 - A/B Testing for Improved Marketing Results 18:30 - The Benefits of Instant's Automation Features 21:00 - Key Insights on U.S. Market vs. Australia Hashtags: #PaidAcquisition #EmailMarketing #CustomerRetention #EcommerceGrowth #BlackFriday #CyberMonday #JulyLuggage #EmailFlows #MarketingAutomation #InstantROI #DTCPodcast Subscribe to DTC Newsletter - https://dtcnews.link/signup Advertise on DTC - https://dtcnews.link/advertise Work with Pilothouse - https://dtcnews.link/pilothouse Follow us on Instagram & Twitter - @dtcnewsletter Watch this interview on YouTube - https://dtcnews.link/video

Joeita interviews Arthur Gwynne, operations manager at RAMPD, the Recording Artists and Music Professionals with Disabilities, about creating disability-inclusive spaces in the performing arts.HighlightsDisability Inclusion in the Performing Arts - Opening Remarks (00:00)Introducing Arthur Gwynne – Head of Operations at RAMPD (01:11)About RAMPD - Recording Artists and Music Professionals with Disabilities (01:38)The Origins of RAMPD (03:11)The RAMPD Community (07:48)Disability Advocacy in the Music Industry (12:25)Pushing the Boundaries of Art Itself (20:13)Closing Remarks (26:08)RAMPD – Award-winning platform equipping the Music Industry with Disability inclusive solutions, programs, and a directory of peer-vetted music professionals and creators with disabilities, neurodivergence and chronic and mental health conditions.Find RAMPD online - Facebook, InstagramArthur Gwynne Bio - from LinkedInArthur heads operations for the award-winning platform RAMPD (Recording Artists and Music Professionals with Disabilities) where he's collaborated with the likes of Netflix and the Recording Academy to build inclusive programming. Arthur also manages the career of globally touring recording artist, charting songwriter and cultural activist Lachi—the go-to voice on Disability Culture in the music industry through her work on the GRAMMYs Board and as CEO of RAMPD. Throughout the course of this mission-work, Arthur stepped away from a career in executive recruitment, and opened up publicly about his own neurodiversity. Today Arthur runs a robust diverse team, booking national tours, negotiating major contracts, working everything from creative projects and music releases to development programs from cradle-to-grave. Arthur speaks on panels and podcasts—at places like the Kennedy Center and the Music Managers Forum—on how embracing one's neurodivergence is an asset in the music industry. He has also made it his mission to break down the silos and barriers holding back the disability community, laying seeds for a national conversation on Disability Culture and what Inclusion and Universal Accessible Design means at a practical and industrial level. Beyond all of this, Arthur is Lachi's stylist, and designs her iconic Glam Canes. About The PulseOn The Pulse, host Joeita Gupta brings us closer to issues impacting the disability community across Canada.Joeita Gupta has nurtured a life-long dream to work in radio! She's blind, moved to Toronto in 2004 and got her start in radio at CKLN, 88.1 FM in Toronto. A former co-host of AMI-audio's Live from Studio 5, Joeita also works full-time at a nonprofit in Toronto, specializing in housing/tenant rights. Find Joeita on X / Twitter: https://twitter.com/JoeitaGupta The Pulse airs weekly on AMI-audio. For more information, visit https://www.ami.ca/ThePulse/ About AMIAMI is a not-for-profit media company that entertains, informs and empowers Canadians who are blind or partially sighted. Operating three broadcast services, AMI-tv and AMI-audio in English and AMI-télé in French, AMI's vision is to establish and support a voice for Canadians with disabilities, representing their interests, concerns and values through inclusion, representation, accessible media, reflection, representation and portrayal. Learn more at AMI.caConnect on Twitter @AccessibleMediaOn Instagram @accessiblemediaincOn Facebook at @AccessibleMediaIncOn TikTok @accessiblemediaincEmail feedback@ami.ca

"Geaux Beyond Limits: Empowering Through Music with Lachi" Welcome to today's episode of the Q-Chat! I am thrilled to introduce our guest, Lachi. She is USA Today's "2024 Woman of the Year," a GRAMMYs Board Governor, and the Founder of RAMPD.org, a global network that champions music creators and professionals with disabilities. Lachi is a renowned recording artist who uses her platform to amplify identity pride and Disability Culture. As a visually impaired individual, she has made significant strides in bringing accessibility to the forefront, including walking the red carpet at the GRAMMYs with her signature glammed mobility cane. Her advocacy work and inspiring story have been featured in major publications like The New York Times, Billboard, and Vogue. Today, we'll dive into her incredible journey, her advocacy work, and her vision for the future.

LACHI is a multifaceted artist, celebrated for her prowess as a singer, songwriter, and producer, as well as her advocacy for disability visibility and rights. Born with a visual impairment, LACHI has used her platform to challenge and redefine the narratives surrounding disability in the music industry. Her unique blend of electronic pop, soul, and dance music has earned her critical acclaim and a dedicated fan base worldwide. Beyond her musical achievements, LACHI is a prominent speaker and activist, working tirelessly to promote inclusivity and accessibility in all aspects of life. Particularly fitting in July, which is Disability Pride Month, her inspiring journey and unwavering commitment to her craft and community make her a powerful and influential figure in both the arts and social advocacy realms. --- --- --- HOLISTIC GODDESS Holistic Goddess is a sanctuary for those seeking holistic health solutions. Visit https://holisticgoddess.com/?ref=crvifyla and use the code 'Understood' for 15% off site-wide, no limit of use, and applies to subscriptions and one-time purchases. --- --- --- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Rachel on Instagram!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RachelUchitelNYC Executive Producer: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠George Carmona Please like, share, subscribe, and give us a 5-star review! Do you have show ideas, media requests or sponsorship opportunities? Email the show at: ru@missumedia.com Listen on Apple, Spotify or wherever you get your podcasts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch every episode on YouTube & Rumble “Miss Understood with Rachel Uchitel Podcast”  Check out Rachel's Patreon: https://patreon.com/MissUnderstoodwithRachelUchitel?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink

Multi award-winning recording artist and performer, Recording Academy Board Governor, and founder of RAMPD, Lachi joins Lisa Dent to talk about her career and how she helped make an impact in the music industry for normalizing disability culture in entertainment. Lachi is among USA Today’s 2024 Women of the Year. Follow The Lisa Dent Show […]

In this week's episode I sat down with Lachi. Lachi is a globally touring singer and songwriter, award winning social entrepreneur, GRAMMYs Chapter Board Governor, founder of the UN-recognized organization RAMPD (Recording Artists and Music Professionals with Disabilities), and host of PBS' American Masters series ‘Renegades'. Born legally blind, Lachi uses her platform in music, storytelling and fashion to amplify identity pride and Disability Culture. Named a USA Today Woman of the Year, a “new champion in advocacy” by Billboard, and "a foot soldier for Disability Pride'' by Forbes, her cultural activism has landed her spots on national ads and TEDx stages, discussions with the White House, BBC, Good Morning America and The New York Times, and her bejeweled glam canes have popped up everywhere from New York Fashion Week to major LA movie premieres. We discuss the power of community and the importance in recognizing other people's journeys, the differences between accessibility and disability inclusion, how the music industry transformed her and how she is transforming the music industry and much, much more. Listen To Lachi: Spotify Follow Lachi: Instagram: @lachimusic TikTok: @lachimusic YouTube: Lachi Website: https://www.lachimusic.com/index.html  Follow RAMPD: Instagram: @rampd_up Website: https://rampd.org/  Shop Glam Canes HERE Follow Me: Instagram: @jill_ilana , @alwayslookingup.podcast TikTok: @jillian_ilana Website: https://www.jillianilana.com/ Email: alwayslookingup227@gmail.com

Award-winning recording artist and social entrepreneur Lachi joins Down to the Struts to talk about her love of music, and her vision for how disability culture can transform the music industry. Lachi also tells Qudsiya about her experience hosting the pilot episode of Day Al-Mohamed's PBS Masters Series, Renegades. If you want to learn more about Renegades, head back to episode 2 of this season. Finally, be sure to listen through to the end of this episode for a very special clip from Lachi's incredible song Lift Me Up, produced in 2023 to honor the life and legacy of lifelong Disability Rights Advocate and Down to the Struts alum, Judy Heumann. ⁠⁠⁠⁠⁠Visit our website for transcripts.⁠⁠⁠⁠⁠⁠ -- Loving Down to the Struts? Support the team behind the podcast ⁠⁠⁠⁠⁠⁠with a donation⁠⁠⁠⁠⁠⁠. Follow us on Instagram ⁠⁠⁠⁠⁠⁠@DownToTheStruts⁠⁠⁠⁠⁠⁠. Let us know what you think in the Spotify Q+A, or leave a review on ⁠⁠⁠⁠⁠⁠Apple podcasts.⁠⁠⁠⁠⁠⁠ Subscribe to Qudsiya's newsletter, ⁠⁠⁠⁠⁠⁠Getting Down To It⁠⁠⁠⁠⁠⁠.

In honor of the one year anniversary of Judy's passing, this bonus episode of The Heumann Perspective features unpublished, behind-the-scenes moments. You'll hear Judy interacting with guests before and after interviews, as well as the occasional voices of her podcast producers. The transcript for this podcast episode is available here. Interviews featured in this episode: Ryan Haddad (January 2023) Ann Cupolo Freeman, Denise Jacobson, and Lionel Je'Woodyard (April 2021) Lolo Spencer (March 2022) Emily and Ellen Ladau (August 2021) Lachi (March 2021) Gloria Steinem (February 2023) Andrea Dalzell (October 2021) Chelsie Hill (August 2022) Diego Mariscal and Hannah Frankl (October 2021) Amy Kenny, Mona Minkara, and Rabbi Lauren Tuchman (February 2023) Dennis Billups and Emily Smith Beitiks (April 2022) Julia Bascom (March 2021) Keith Jones and Leroy Moore (February 2022) Kathi Wolfe (November 2021) Nyle DiMarco (April 2022) Nina G. (May 2021) Alberto Vasquez (November 2022) Spencer West (June 2022) Kathy Martinez (September 2021) Jillian Mercado (January 2022) This episode was produced by Kylie Miller with the assistance of Rebecca Katz through the Goucher College Micro-Internship Program. Intro music by Lachi. Outro music by Gaelynn Lea.

Homeless at 19, Natalie builds a career as a pediatric neurosurgeon; Rebecca, one of the "Lost Girls of Sudan," finds a path to creating positive change; and Lachi fights discrimination as a disability rights advocate. Show you appreciate these extraordinary storytellers by making a donation in any amount at https://worldchannel.org/donate/stories/

RAMPD (Recording Artists and Music Professionals with Disabilities) was founded in 2021 as a collective of artists, performers and music professionals with disabilities seeking to raise awareness of disability culture in the music business. Since then the organization has worked to advocate and create opportunities for disabled music professionals and ensure they have access to inclusive & accessible spaces, including partnering with the GRAMMYs to make the annual awards event more disability-inclusive. This month, we spoke with RAMPD's founder, Lachi & President, Precious Perez to learn about RAMPD's story and what the group is working on in 2024!

Joyce welcomes back Lachi, recording artist, cultural activist, and go-to voice on disability culture in the music industry through her work on the GRAMMYs Board and as founder of RAMPD (Recording Artists and Music Professionals with Disabilities). Joining Lachi, will be Arthur Gwynne, her operations manager, sighted companion, makeup artist, and cane designer. Arthur stepped away from his career in executive search at the AESC to work full time for Lachi. Both guests will discuss how they have made it their mission to break down the silos and barriers between disability-oriented projects and organizations, laying the seeds for a national conversation about disability culture and what inclusion and universal accessible design means at a practical and industrial level.

Joyce welcomes back Lachi, recording artist, cultural activist, and go-to voice on disability culture in the music industry through her work on the GRAMMYs Board and as founder of RAMPD (Recording Artists and Music Professionals with Disabilities). Joining Lachi, will be Arthur Gwynne, her operations manager, sighted companion, makeup artist, and cane designer. Arthur stepped away from his career in executive search at the AESC to work full time for Lachi. Both guests will discuss how they have made it their mission to break down the silos and barriers between disability-oriented projects and organizations, laying the seeds for a national conversation about disability culture and what inclusion and universal accessible design means at a practical and industrial level.

Erin and Lily are joined by award-winning recording artist, Youtuber and disability advocate Lachi. Lachi talks about her DEI work in the music industry and the nuances of ableism as it relates to trauma, class, race, and gender.

Precious Perez is a singer, songwriter, educator and disability activist who has recently been performing and recording under the moniker “La Reggaetonera Ciega,” the Blind Reggaeton Singer. A graduate of the Berklee School of Music, she has already released one album, 2 EPs, one cover and eight singles, with a ninth on the way. Her single “Sin Preguntar” won Best Latin Song just last month at the Latin Music Awards KY.Precious is also President of RAMPD, Recording Artists and Music Professionals with Disabilities, whose mission is “to amplify Disability Culture, promote equitable inclusion and advocate for accessibility in the music industry.” Founded just two years ago by recording artists Lachi and Gaelynn Lea, RAMPD has already succeeded in making the last two Grammy Awards more accessible than ever to participants, audience members and viewers alike.Here Precious describes how from a very young age she learned to be adamantly her fullest self in private and in public so as to advocate for her needs and those of the blind musicians who will follow in her footsteps.https://preciousperezmusica.com/https://www.afb.org/consulting/afb-accessibility-resources/afbs-social-media-accessibility-standards

Joyce welcomes Lachi, an award-winning internationally touring creative artist and personality, back to the show. Lachi is founder and President of the U.N. recognized Recording Artists and Music Professionals with Disabilities (RAMPD-RAMPD.org). RAMPD's mission is to amplify disability culture, promote equitable inclusion and advocate for accessibility in the music industry. RAMPD connects the music, entertainment, and event industries to a fast-growing global network of established music professionals with disabilities. Joining Lachi will be James Ian, singer, songwriter, instrumentalist, poet, and writer. In addition to sharing their personal stories about their passion for the music industry, Lachi and James will share how they feel RAMPD has helped them in their respective careers.

Joyce welcomes Lachi, an award-winning internationally touring creative artist and personality, back to the show. Lachi is founder and President of the U.N. recognized Recording Artists and Music Professionals with Disabilities (RAMPD-RAMPD.org). RAMPD's mission is to amplify disability culture, promote equitable inclusion and advocate for accessibility in the music industry. RAMPD connects the music, entertainment, and event industries to a fast-growing global network of established music professionals with disabilities. Joining Lachi will be James Ian, singer, songwriter, instrumentalist, poet, and writer. In addition to sharing their personal stories about their passion for the music industry, Lachi and James will share how they feel RAMPD has helped them in their respective careers.

After the announcement of his new artist album, The Rabbit Hole Circus, Markus SChulz fulfils his promise of premiering the opening single, Eternally with Diandre Faye, on the latest Global DJ Broadcast studio session. He also showcases new music from Sunny Lax, Kolonie, Booka Shade, Romi Lux, Genix and more.   In the second hour, Markus is joined by beloved Coldharbour member Daxson for the guestmix, highlighting his busy start to 2023 with the impending release of his single Unmask, with Lachi. Hope you enjoy the show, and Markus will be back next week with a fresh 2 hour studio session.   Tracklist:   The Essentials with Markus Schulz 01. Sunny Lax - Cerasus 02. Siskin - Rest of My Days 03. Kolonie - Andromeda 04. Avenue One - Meltdown [Deeper Shades] 05. Fuenka - More Love 06. djimboh - China Plate [A Moment of Sunrise] 07. Jardin - Away 08. P.O.S - We Will Get Through This [Global Selection] 09. Markus Schulz & Diandra Faye - Eternally [World Premiere | In Bloom] 10. Booka Shade - Flat White 11. Cristoph - Saints & Sinners [Down the Rabbit Hole] 12. Simon Doty - Have You Ever 13. Kyau & Albert - Rising Hope 14. Romi Lux - Dreaming [World Premiere] 15. Andrew Bayer & Vök - No Silence (Genix Remix) 16. Glenn Morrison - Blue Skies with Linda [Hall of Fame]   Daxson 01. Daxson & Lachi - Unmask 02. Tiesto - Lethal Industry (Daxson Bootleg)  03. Daxson - Enamour (2023 Mix)  04. Da Hool - Meet Her at the Love Parade (Daxson Bootleg) 05. Daxson - First Light 06. Daxson - When Tomorrow Comes 07. ID w/ Lakshmi - Wicked Game  08. Armin van Buuren, Daxson vs. Hardwell x Olly James - Flatline Orbion (Daxson Mashup)  09. Emma Hewitt x Daxson - Warrior    Back with Markus Schulz 17. Melgazzo - Stargaze 18. ALAT - Legion 19. Belocca - Metamorphosis 20. Kaspar - Close Your Eyes 21. Hollen - No Limits 22. Bart Skils - Roll the Dice 23. Marie Vaunt - Technology 24. Victor Ruiz - The Alchemist  

Recognised for its influence in the radio and dance music industries, Markus Schulz's dedication and admiration for the connection between creator and listener is borne through his weekly Global DJ Broadcast journeys; accentuated through a series of dedicated themed mixes, reflecting the seasons of the calendar.   For the spring season, the aspect of vocal trance is laid into focus; reflected through the bond of music and words, where the vocalist is as important as the artist. Titled In Bloom to reflect the illumination of color as flowers blossom, the 2023 edition marks the seventh outing of this particular concept, and anticipation for its release grows with every passing year.   In Bloom is heavily influenced by pieces which have been appraised by Global DJ Broadcast listeners across the last 12 months, along with premieres to shape the remainder of 2023; and features a cast list of lyricists the community holds dear - including the likes of HALIENE, Emma Hewitt, Sarah de Warren, London Thor, Sue McLaren, Jaren, Susana, Jennifer Rene, Lachi and many more.   A deeply-considered reflection of vocal trance favorites, In Bloom 2023 by Markus Schulz is a mix worth savoring.   Tracklist:   01. Tinlicker featuring Nathan Nicholson - Always Will (Mees Salome Remix) 02. HALIENE - Reach Across the Sky (John Dalhback Remix) 03. Hel:sløwed featuring Ava Silver - Changing Fast 04. Giuseppe Ottavaini & Sue McLaren - Freedom 05. Cosmic Gate & Gid Sedgwick - Emotions of Colour 06. BT featuring Jan Johnston - Mercury & Solace (Helsloot Remix) 07. Dennis Sheperd x Koni Blank x EKE - Limitless 08. MEDUZA x Eli & Fur - Pegasus 09. Estiva & Julia Church - On the Line 10. Miss Nine & Nick Lampos featuring MAMA - Far Away 11. Scorz featuring XIRA - Fascination 12. OCATA featuring Little Warrior - The One Inside 13. Emma Hewitt x Markus Schulz - Into My Arms 14. Pavel Khvaleev & Avis Vox - Flame 15. Matt Fax & x.o.anne - Underwater 16. Activa & Rolo Green featuring Julie Harrington - Reach Out (Protoculture Remix) 17. Shogun featuring Jennifer Rene - Under My Skin (Andy Moor Remix) 18. Farius & Cristina Soto - On My Mind 19. Ilan Bluestone & BT featuring Caitlin Charters - Run 20. Susana & Costa - Shoulders of Giants 21. Tritonal & Sarah de Warren - Signals 22. JES - Pushing On 23. Ferry Corsten & Ruben de Ronde - Bloodstream (Cubicore Remix) 24. Karen Overton - Your Loving Arms (ALPHA 9 Remix) 25. JODA - No One Walks Away 26. Above & Beyond - Can't Sleep (Ruben de Ronde & Elevven Remix) 27. Avenue One & Jaren - Sweet Dreams 28. Markus Schulz x Saad Ayub x Katrii - Say What You Want 29. Deborah De Luca & Robert Miles - One and One 30. Delerium featuring Sarah McLachlan - Silence (Kryder Remix) 31. Nifra & London Thor - Like the Sky is Falling 32. Christina Novelli - Heavy 33. Daxson & Lachi - Unmask 34. Sunlounger & Susie Ledge - Don't Stop Me from Falling (Chill Mix)  

The conversation featured in this episode was recorded a few weeks before Judy Heumann passed away on March 4th, 2023. This is the first of 5 final episodes of The Heumann Perspective that will be published over the next few weeks. All episodes of The Heumann Perspective will remain available indefinitely at judithheumann.com. The transcript for this podcast episode is available here. This episode is also available in video format on YouTube. Molly Burke is a speaker, YouTuber, content creator, and disability advocate. At the age of four Molly's world changed forever when she learned that she would eventually go blind. Less than a year later she decided to empower herself by public speaking to raise awareness about blindness. Later, she not only competed for the title of Miss Teen Canada International, but won. Hungry to uplift young women worldwide, she chose to give up her crown to speak and advocate on stages around the world such as  the United Nations Headquarters and Davos World Economic Forum. She's spoken about empowerment, inclusivity, and equality alongside figures like Malala, Meghan Markle, Richard Branson, Demi Lovato, Martin Luther King III, and Justin Trudeau. Molly decided to share her message in a more universal way. She thus started her YouTube channel as one of the platform's first disabled creators. Over time she amassed over two million subscribers. She then decided to expand even further, and started creating content across platforms including TikTok, Instagram, Twitter, Facebook, and Snapchat where she has already built communities of millions more followers. Molly has appeared in commercials that have aired during the Academy Awards, The Super Bowl, and more. She has been featured in leading press such as the Today Show and People Magazine and she has been both a nominee and recipient of numerous Shorty and Streamy Awards. Molly's Links: Website YouTube TikTok Instagram Stay tuned for the next of the 5 final episodes of The Heumann Perspective dropping next Wednesday. Intro music by Lachi. Outro music by Gaelynn Lea.

I talk with a listener named Fey about her deteriorating vision, how and when to disclose her disability, and she gets a pep talk from EDM singer Lachi.Did you know we have a weekly email newsletter for the Death, Sex & Money community? Every Wednesday we send out podcast listening recommendations, fascinating letters from our inbox, and updates from the show. Sign up at deathsexmoney.org/newsletter, and follow the show on Twitter, Facebook, and Instagram.Got a story to share? Email us at deathsexmoney@wnyc.org.EVENT: Come sing along with me at a special sing-a-long karaoke party in honor of the paperback release of my book, Let's Talk About Hard Things. We'll drink, talk and SING about hard things in NYC on May 6, at 7pm at The Greene Space. Hosted on Acast. See acast.com/privacy for more information.

Back in 2021, we asked you to tell us about the hard conversations you were struggling to have in honor of the release of my book, Let's Talk About Hard Things. One of the people I talked to was a listener named Fey. Fey is 27 and lives in Maryland, and she has a degenerative eye condition. Eventually, she will probably lose her eyesight completely. She'd written us an email about her "tricky sense of disability identity."  As Fey's sight worsens, she struggles to know how and when to open up to people in her life about it—friends, dates, coworkers. Over the course of several conversations in the last year, I talked with Fey about how and when to disclose her disability, gaining independence, and relying on others. Plus, she gets a pep talk from a fellow visually impaired Nigerian American, EDM singer Lachi. Come sing along with me at a special sing-a-long karaoke party in honor of the paperback release of Let's Talk About Hard Things. We'll drink, talk and SING about hard things in NYC on May 6, at 7pm at The Greene Space. You can email us any time to share your stories at deathsexmoney@wnyc.org.   

I talk with a listener named Fey about her deteriorating vision, how and when to disclose her disability, and she gets a pep talk from EDM singer Lachi.Did you know we have a weekly email newsletter for the Death, Sex & Money community? Every Wednesday we send out podcast listening recommendations, fascinating letters from our inbox, and updates from the show. Sign up at deathsexmoney.org/newsletter, and follow the show on Twitter, Facebook, and Instagram.Got a story to share? Email us at deathsexmoney@wnyc.org.EVENT: Come sing along with me at a special sing-a-long karaoke party in honor of the paperback release of my book, Let's Talk About Hard Things. We'll drink, talk and SING about hard things in NYC on May 6, at 7pm at The Greene Space. Hosted on Acast. See acast.com/privacy for more information.