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8 episodes with amy odell
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2 episodes with amy odell
2 episodes with amy odell
From Season One of the show, Matt and Sam are joined by fashion journalist and author of Tales from the Back Row and Anna, Amy Odell! (IG https://www.instagram.com/instamyodell)https://open.spotify.com/playlist/2hHnOaWzaab2PjI8xRTZ64?si=a3d09f7ad65849ba Step into a nostalgic journey as we explore the potent music of our formative years in this episode featuring special guest Amy Odell. We're diving into a carefully curated playlist that evokes memories of high school, friendships, and the transformative power of music. From the infectious grooves of Sublime's "Santeria" to the empowering anthem of Lauryn Hill's "Doo Wop (That Thing)," we unpack the personal stories woven into each track. Amy shares her insights and experiences surrounding these iconic songs, shedding light on how they've shaped her identity over the years.As we reflect on the cultural significance of these tunes, we touch upon the lasting impact of pop legends like Britney Spears and Mariah Carey, examining how their music has influenced generations while also sparking conversations on mental health and individuality. Through laughter and heartfelt nostalgia, we unravel the emotional connections that bind us to these melodies, inviting you to think about your own musical memories.1. Santeria - Sublime2. Doo Wop (That Thing) - Lauryn Hill3. (You Drive Me) Crazy - Brittney Spears4. Fantasy - Mariah Carey5. Ray of Light - Madonna6. No, No, No Part 2 - Destiny's Child featuring Wyclef Jean7. Say My Name - Destiny's Child8. Holiday/Boulevard of Broken Dreams - Green Day9. Dammit - Blink-18210. Doin' Time - Sublime11. Creep - TLC12. If You Had My Love - Jennifer LopezSupport the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!
It's a slow news week, so we're still talking about the deeply bizarre “holding space” video from the Wicked press tour. We also discuss the nominees for 2025 AVN awards, Sean Baker's fabulous new film Anora, and we finally answer the question that is on everyone's mind: which Sex and the City boyfriend has the biggest schlong? Chelsea's newsletter recs: Back Row by Amy Odell, Dana Thomas, Starf*cker by Liz Goldwyn, Sighs & Whispers by Laura Helms, Opulent Tips by Rachel Tashjian (this is invitation only, maybe DM her on Twitter?) Our favorite Louis Vuitton shows: S/S 2003 & S/S 2012. Honorable mentions go to S/S 2008 and S/S 2013. Also here is the full video of Andre Leon Talley talking about F/W 2012. Our handbag recs: Sandy Liang's Recital bag, Telfar x Wilson's Leather Carry bag, The Clare V Petit Moyen in Black & Cream Woven Checker or Courrèges' Holy Tote Bag
Jacqueline Wilson's GIRLS books were a defining part of our childhoods, so how does the author's 20-years-on sequel (for adults!) match up? We discuss whether the books were a good influence and how her real life inspired her writing. Also this week, we dissect all the juiciest bits from Anna Wintour's Vogue doc, and question how 'guilty' Matthew Perry's long-time assistant was in his death. Plus, a round-up of our fave TV shows, and whether star ratings matter. Huge thanks to our sponsor Yonder, the incredible lifestyle credit card packed with rewards you'll actually *want* to use, from points to use towards your bill at the trendiest restaurants and bars in the UK, to experiences from the theatre to flights. Find out more at yonder.com/straightup Subject to eligibility. 18+ and UK Residents Only. T&C's apply. We're also thrilled to be partnered with brand new quarterly newspaper The Pass, the only publication bold enough to ignore food influencer hype and give us properly honest London restaurant reviews. Subscribe here to receive the new issue and find out what to cross off, and put on, your list. DM us your thoughts on Instagram @straightuppod, or email us at hello@straightuppodcast.co.uk and as ever please, please, please leave us a review on Apple Podcasts and a rating on Spotify, lysm! There are still virtual tickets to our event next Thurs (26th) with the Trouble Club! Use our code STRAIGHTUP50 for 50% off! Reccs/ culture discussed: Think Again by Jacqueline Wilson (the ‘Girls' series follow up) Jacqueline Wilson: the children's author who's now writing graphic sex for adults, The Times Jacqueline Wilson's girls seem depressingly unable to grow up, The Telegraph In Vogue: The 90s, Disney+ In Vogue: The 90s review – Anna Wintour and pals offer up hour after hour of fabulous nothingness, Guardian In Vogue: The 90s review — proof of Anna Wintour's pulling power, The Times Anna Wintour: The Biography, by Amy Odell Confessions of former Vogue assistants, Amy Odell's Back Row (Substack) Did Matthew Perry's Assistant Have a Choice? Hollywood Veterans Aren't So Sure, Vanity Fair Why being a celebrity assistant is truly the worst job in Hollywood, Telegraph The Assistant, BFI Player Secret Lives of Mormon Wives, Disney + How To Die Alone, Disney + We Might Regret This, BBC Nightsleeper, BBC Colin from Accounts, BBC Slow Horses, Apple TV English Teacher, Disney+ Cooking for People, Mike Davies Cook As You Are, Ruby Tandoh
Not just anyone can write a biography of fashion icon Anna Wintour, but Amy Odell certainly has what it takes. A prominent journalist, author, editor, and media consultant, Amy has worked for some of the most well-known media companies including New York magazine, Buzzfeed, and Cosmopolitan magazine. Drawing from her career experience specializing in fashion and culture, Amy's first book Tales From the Back Row gives readers a behind-the-scenes look into the mysterious and exclusive fashion industry. Now, in her newest book Anna: The Biography, Amy is telling the story of one of industry's biggest names. In this episode, we discuss Amy's journey to becoming a journalist, how she found her voice as a writer, and the process behind writing Anna. Don't miss this interview where we talk about:The path Amy took to enter the world of journalism and her first publications while interning at The New York Observer Overcoming the fear of disappointing others and how Amy found confidence as she grew in her careerLaunching The Cut while working at New York magazine and overseeing its expansion from a daily blog to an established sub-brandWhy Amy decided to write Anna, how to begin writing a biography, and her experience interviewing those closest to Anna WintourBuilding an audience as a freelance journalist and adapting to an ever-changing industryFind Amy Odell:www.amyodell.comIG: @instamyodellTwitter: @amyodellLinkedIn: Amy OdellFollow Lydia:www.lydiafenet.comIG: @lydiafenetLinkedIn: Lydia FenetIf you enjoyed this episode and you'd like to help support the podcast, please subscribe and leave a rating and review on Apple or Spotify or where ever you get your podcasts. To stay up to date with Claim Your Confidence and get all the behind-the-scenes content, you can follow us on Instagram and on YouTube.Recorded at The Newsstand Studios at Rockefeller Center.Thank you for listening.
台客雙聲帶，科學新世代：「台客聽科學」好入耳的科普節目，超新鮮的母語聽感，用故事翻轉科學！「台客聽科學」首創以台、客母語發聲，把知識藏進劇情裡。故事力加乘科學力！點擊鏈結收聽，故事要開始講囉～https://fstry.pse.is/5qntvc —— 以上為播客煮與 Firstory Podcast 廣告 —— 小額贊助支持本節目： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s 留言告訴我你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments ------------------------------- 通勤學英語VIP加值內容與線上課程 ------------------------------- 通勤學英語VIP訂閱方案：https://open.firstory.me/join/15minstoday 社會人核心英語有聲書課程連結：https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 主題投稿/意見回覆 : ask15mins@gmail.com 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下是此單集逐字稿 (播放器有不同字數限制，完整文稿可到官網) ------------------------------- Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678 Next Article Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. 九月中旬的一個夜晚，在西村的一家小酒館，一群作家和喜歡享受生活的編輯們聚集在一個室外壁爐和常春藤覆蓋的格狀架子旁。牛排上桌後，眾人杯觥交錯直到深夜，歡鬧聲流瀉到鄰近的人行道上。 It could have been a scene from the Jazz Age heyday of the Manhattan magazine set — or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. 這幕場景可能來自爵士時代曼哈坦雜誌業全盛時期，甚至是90年代，以亮光紙印刷的月刊還是廣告收入淹腳目，編輯們坐在司機駕駛的豪華轎車內，告訴全國該穿些什麼、欣賞什麼、閱讀什麼人的年頭。 This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazine's longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carter's restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. 不過，這一晚透著一種悲傷的況味。《浮華世界》的員工正向雜誌的長期總編輯葛雷登．卡特致敬。卡特在任職25年後，宣布即將離職。在卡特自家餐廳「韋佛利餐廳」的後花園中，一些明星作家如詹姆士．沃科特、瑪麗．布倫納都表達了他們的謝意和感傷。 Carter has always had a knack for trends. Within two weeks, three other prominent editors — from Time, Elle and Glamour — announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. 卡特一向走在趨勢前端。不出兩星期，又有3位知名雜誌總編，分別是《時代》、《ELLE她》、《魅力》的總編也宣布準備下台。另一個業界巨頭，《滾石》創刊人詹恩．溫納則表示，打算出售他在《滾石》已保有半個世紀的控制性持股。 Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. 突然之間，長久來有關雜誌業終將崩潰的預言，似乎成真了。 Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. 雜誌業步履蹣跚已有多年，雜誌對讀者和廣告的壟斷遭到臉書、谷歌和更靈活的網路競爭對手侵奪。編輯和高管表示，高階領導階層的突然異動，說明這一行業的羅曼史正向財務現實低頭。 As publishers grasp for new revenue streams, a “try-anything” approach has taken hold. Time Inc. has a new streaming TV show, “Paws & Claws,” that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business — the print product — is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. 隨著發行人尋找新的收入來源，「無所不試」的作法開始出現。時代公司因此有了新的串流電視節目《寵物》，主要播出網路瘋傳的動物影片。赫斯特集團與網路出租服務公司Airbnb合辦了一份雜誌。但是雜誌業長久以來的核心─紙本產品卻越來越像後來才添加的產品，對於現場直播、播客、影片的投資，以及和外面品牌的合作關係，都讓紙本產品黯然失色。 The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. 這些變化代表這一行出現了數十年來最根本的轉變，而這個行業一向仰賴一個簡單公式存活，光鮮亮麗的書冊和滿滿的高價廣告。 “Sentimentality is probably the biggest enemy for the magazine business,” David Carey, president of Hearst Magazines, said in an interview. “You have to embrace the future." 赫斯特雜誌集團總裁大衛．凱里受訪時說：「多愁善感恐怕是雜誌業最大的敵人。你必須迎向未來。」 Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/ Next Article Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britain's most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. 英國版Vogue雜誌的母公司康泰納仕4月10日證實，美國Ｗ雜誌的創意與時尚總監艾德華．恩寧佛將接替亞歷珊卓．舒爾曼，擔任該雜誌總編輯。恩寧佛將在8月1日走馬上任，他將是這個英國最有影響力的時尚刊物創立一百年來，執掌大權的第一位男性，也是第一位黑人總編輯。 45歲的恩寧佛是頂尖造型師和備受讚譽的時尚總監，他孩童時期從迦納移民英國，以快活的舉止表情、傳奇的時尚雜誌封面，以及在時尚圈內和圈外擁有大批鐵粉聞名。去年6月獲頒大英帝國勳章，表彰他對時尚產業多元化的貢獻。 Conde Nast's international chairman and chief executive, Jonathan Newhouse, called Enninful “an influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,” and added that “by virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.” The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰納仕國際集團董事長兼執行長強納森．紐豪斯說，恩寧佛是「形塑時代思潮的時尚界、好萊塢和音樂界一位具有影響力的人物」，「憑他的才華和經驗，艾德華已為承擔英國版Vogue的責任做好了萬全的準備。」 在決定這項任命的三個月前，紐豪斯任命了另一位男士艾曼紐爾．法內提出掌義大利版的Vogue，接替去世的法蘭加．索薩妮。 Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, London's subway system. He has called modeling his “baptism into fashion.” By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. 恩寧佛是出人意料的人選。他在迦納出生，當裁縫的母親在倫敦蘭僕林區把他和5個兄弟姊妹撫養長大。16歲時，他在搭乘倫敦地鐵時被星探相中，成為英國i-D雜誌的模特兒。他把自己的模特兒經驗稱為「進入時尚界的受洗禮」。 到了17歲，他協助造型師西蒙．佛克斯頓和貝絲．桑默斯為這本刊物拍攝照片。1991年18歲時，他取代桑默斯，成為i-D雜誌時尚編輯，使他成為主要時尚刊物有史以來最年輕的主管之一。他並取得倫敦大學金匠學院的文憑。 Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white “counterparts” were in the first. 雖然有少數著名的例外，時尚產業極欠缺有權力的黑人，這一直令恩寧佛極感挫折，而他已相當努力以謀求改進。他曾因指控種族歧視而上了大新聞，包括2013年在巴黎一場高級訂製服的秀上，他被指定坐在第二排，而與他「地位相當」的白人坐在第一排。 Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/
Odcinek na Dzień Kobiet, więc o kobietach. Nawet z mężczyzną – za to jak pięknie o kobietach opowiadającym, nie tylko muzyką...Naszym gościem jest Artur Rojek – artysta, promotor muzyczny, ikona. Oprócz odpowiedzi na pytania czy ściga się z czasem i fascynujących historii osobistych, Artur zdradza kobiecy line up OFF Festivalu, który w tym roku zacznie się 2 sierpnia. A będzie się działo. Posłuchajcie tej szczerej, czasami filozoficznej i pięknej rozmowy.A w kulturalnych newsach:okazuje się, że w tym roku podczas ceremonii rozdania nagród filmowych Amerykańskiej Akademii czas krwawego księżyca na szczęście nie przeminął z wiatrem. Opowiemy wam o silnych kobietach, które swoją grą aktorską i postawą walczyły z systemem.Zaczynamy od Hattie McDaniel – aktorki i pierwszej Afroamerykanki, która odebrała Oscara za rolę Mammy w filmie "Przeminęło z wiatrem". Wiecie, że nie została zaproszona na premierę, bo kino, w którym odbywał się seans było przeznaczone tylko dla białych? Jak działała segregacja w Hollywood? Sprawdźcie sami.Po Hattie czas na Lily Gladstone – rdzenną Amerykankę – pierwszą przedstawicielkę rdzennych ludów Ameryki nominowaną do Oscara za pierwszoplanową rolę kobiecą w filmie Martina Scorsesego "Czas krwawego księżyca". Kilka dni dzieli nas od werdyktu Akademii, a my robimy zakłady.Przypominamy też smutną historię Sacheen Littlefeather, która w 1973 roku wyszła na scenę, by odczytać oświadczenie Marlona Brando. Ten odmówił przyjęcia nagrody. Był to jego znak protestu wobec traktowania przez Hollywood i państwo rdzennych Amerykanów. Po przemowie John Wayne rzucił się z pięściami na kobietę, Clint Eastwood publicznie ją upokorzył, a producenci filmowi zadbali, by nie pojawiła się już nigdy w żadnym filmie, ani programie tv. Wiecie, kiedy Akademia przeprosiła Littlefeather? Zdziwicie się... Wychodzimy z kina i w Dzień Kobiet mówimy też o tych, które rządzą światem designu i mody: niedawno zmarłej w wieku 102 lat Iris Apfel oraz Annie Wintour, którą niby znają wszyscy, a tak naprawdę nie zna jej nikt. Czytamy więc biografię redaktor naczelnej amerykańskiego "Vogue'a" autorstwa Amy Odell (wyd. Marginesy) i przybliżamy jej postać.W cyklu Wstrząśnięte, Nie Zmieszane głowimy się nad tym, jak zagadać do chłopaka. Rozmowa o pogodzie podobno nie do końca wskazana... Za to o żal jak najbardziej!Na kolejne pytania czekamy tu:studio26podcast@gmail.comTo co, zaczynamy?Produkcja: Kara BeckerMuzyka: Piotr HaraźnyGrafika: Karolina Żmijewska
Whether it's being eroded by fast fashion, climate change or TikTok microtrends, the empire Vogue Editor-in-Chief Anna Wintour presides over is dwindling. But where will Anna – and fashion – go next? We talk to veteran fashion journalist and Anna Wintour biographer Amy Odell about Wintour's finsta, the time she was considered for an ambassadorship, and what she really thought of The Devil Wears Prada. Click ‘Subscribe' at the top of the Infamous show page on Apple Podcasts or visit GetTheBinge.com to get access wherever you get your podcasts. A Campside Media & Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
Medielandskapet har genomgått omfattande förändringar på ett par decennier. De klassiska modetidskrifterna är mer än någonsin tidigare beroende av sina annonsörer. Utrymmet för modejournalistik har minskat drastiskt. Ofta har kritikerna ersatts av influencers. Modemärkena har själva blivit innehållsproducenter. Gränserna mellan det redaktionella och det kommersiella har luckrats upp. Men hoppet gror. En initierad, oberoende modejournalistik och -kritik är en förutsättning för ett vitalt modefält och för att frågor om kvalitet ska bli aktuella igen. Hur ser de nya formerna för modejournalistik och modekritik då ut? I årets första avsnitt tittar vi alltså närmare på modejournalistik och modekritik. Avsnittet är något av en pendang till influenceravsnittet. Mediaindustrins kris fungerar som fond även här. Det handlar om nyhetsbrevjournalistik (om Amy Odells utmärkta nyhetsbrev Back Row, inte minst), om plattformar, om datafiering, om att vara en 'outsider' i modevärlden, om att vara journalist och mediaentreprenör, om behovet av kritiska röster, om Youtube vs. TikTok och Instagram, om det skrivna ordet kontra bilder. Intervjuade i programmet är Agnès Rocamora, professor i Social and Cultural Studies vid London College of Fashion, och Odunayo Oyo, aka Fashion Roadman, framgångsrik modejournalist med kritiskt anslag på Youtube. Programmet leds av Jenny Lantz, docent i företagsekonomi vid Handelshögskolan i Stockholm. Tack för att du lyssnar! Följ oss gärna på Instagram.
What I learned from reading Anna: The Biography by Amy Odell. ----1. If you need tax prep and bookkeeping check out betterbookkeeping.com/founders. It's like having a full time CFO and super cheap grandpa sitting on your shoulder. 2. Vesto makes it easy for you to invest your businesses idle cash. Schedule a demo with Vesto's founder Ben and tell him David from Founders sent you. Here's the legal disclosures to make the lawyers happy:Vesto Advisors, LLC (“Vesto”) is an SEC registered investment adviser. Registration with the SEC does not imply a certain level of skill or training. More information about Vesto and our partnership can be found hereWe are entitled to compensation for promoting Vesto Advisors, LLC. Accordingly, we have an incentive to endorse Vesto and its team and services. We are not current advisory clients of the Vesto.3. I went to Notre Dame and spoke to the Art of Investing class. You can listen to the full conversation here. ----(8:00) She knows the ecosystem in which she operates better than anyone.(8:30) If Anna had a personal tag line it would be: I just have to make sure things are done right.(16:00) He had a desk with nothing on it except a buzzer underneath, so that when he was done with you, which was in about five minutes, his assistant could come in and whisk you away.(17:00) What is the number one thing you hope people learn from you? To be decisive and clear.(19:00) The Vogue 100 is a private club whose members pay $100,000 a year just for access to Anna.(29:00) She did not second guess herself.(30:00) She was meticulous about everything.(32:00) Her focus was singular. She was very clear minded about wanting to do work that she thought was the best.(38:00) She knew that killing stories was necessary to let people know that you had standards.(41:00) Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs by Ken Kocienda. (Founders #281)(44:00) Anna ran the magazine with iron fisted discipline.(48:00) With Anna you get two minutes. The second minute is a courtesy.(49:00) It is slothful not to compress your thoughts. — Winston Churchill(52:00) Anna intentionally builds relationships with the most powerful people in her industry.(52:00) Anna saw the potential for the industry and how she can expand the power and the influence that her individually, and Vogue as a brand, by just combining all these people that are already in the ecosystem and then intentionally putting them together. When they work together it becomes stronger. And as a result of what she created, the whole is greater than the sum of its parts.(53:30) The power she has cannot be understated. The way in which she accumulated the power was fascinating. She aligned everybody's interest, with her at the center.(1:05:00) She's not just building up a personal brand. She's not just building up Vogue. She's building up the entire industry.(1:06:00) Relationships last longer than money.(1:06:00) Resist any cheapening of the brand, however popular and lucrative it might be in the short term.(1:08:00) Anna told him don't spend any time and money building out the perfect store in New York. Just roll racks into the unfinished space and start selling clothes. (He ignored this advice and went out of business)(1:11:00) More resources:Front Row: Anna Wintour: The Cool Life and Hot Times of Vogue's Editor in Chief by Jerry Oppenheimer The September Issue (Documentary)The Devil Wears Prada (Movie)73 Questions with Anna Wintour73 More Questions with Anna Wintour ----Get access to the World's Most Valuable Notebook for Founders at Founders Notes.com----“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested, so my poor wallet suffers.” — GarethBe like Gareth. Buy a book: All the books featured on Founders Podcast
We reconnect with the journalist Amy Odell to discuss the problematic legacy of Karl Lagerfeld, the late designer of Chanel, and the new exhibit devoted to his work at the Metropolitan Museum of Art in New York. We try to answer one of the central questions of creativity - can you separate the art from the artist? - and dive into other aspects of Lagerfeld's life and work.Support the show
歡迎留言告訴我們你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678 Next Article Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. 九月中旬的一個夜晚，在西村的一家小酒館，一群作家和喜歡享受生活的編輯們聚集在一個室外壁爐和常春藤覆蓋的格狀架子旁。牛排上桌後，眾人杯觥交錯直到深夜，歡鬧聲流瀉到鄰近的人行道上。 It could have been a scene from the Jazz Age heyday of the Manhattan magazine set — or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. 這幕場景可能來自爵士時代曼哈坦雜誌業全盛時期，甚至是90年代，以亮光紙印刷的月刊還是廣告收入淹腳目，編輯們坐在司機駕駛的豪華轎車內，告訴全國該穿些什麼、欣賞什麼、閱讀什麼人的年頭。 This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazine's longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carter's restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. 不過，這一晚透著一種悲傷的況味。《浮華世界》的員工正向雜誌的長期總編輯葛雷登．卡特致敬。卡特在任職25年後，宣布即將離職。在卡特自家餐廳「韋佛利餐廳」的後花園中，一些明星作家如詹姆士．沃科特、瑪麗．布倫納都表達了他們的謝意和感傷。 Carter has always had a knack for trends. Within two weeks, three other prominent editors — from Time, Elle and Glamour — announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. 卡特一向走在趨勢前端。不出兩星期，又有3位知名雜誌總編，分別是《時代》、《ELLE她》、《魅力》的總編也宣布準備下台。另一個業界巨頭，《滾石》創刊人詹恩．溫納則表示，打算出售他在《滾石》已保有半個世紀的控制性持股。 Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. 突然之間，長久來有關雜誌業終將崩潰的預言，似乎成真了。 Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. 雜誌業步履蹣跚已有多年，雜誌對讀者和廣告的壟斷遭到臉書、谷歌和更靈活的網路競爭對手侵奪。編輯和高管表示，高階領導階層的突然異動，說明這一行業的羅曼史正向財務現實低頭。 As publishers grasp for new revenue streams, a “try-anything” approach has taken hold. Time Inc. has a new streaming TV show, “Paws & Claws,” that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business — the print product — is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. 隨著發行人尋找新的收入來源，「無所不試」的作法開始出現。時代公司因此有了新的串流電視節目《寵物》，主要播出網路瘋傳的動物影片。赫斯特集團與網路出租服務公司Airbnb合辦了一份雜誌。但是雜誌業長久以來的核心─紙本產品卻越來越像後來才添加的產品，對於現場直播、播客、影片的投資，以及和外面品牌的合作關係，都讓紙本產品黯然失色。 The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. 這些變化代表這一行出現了數十年來最根本的轉變，而這個行業一向仰賴一個簡單公式存活，光鮮亮麗的書冊和滿滿的高價廣告。 “Sentimentality is probably the biggest enemy for the magazine business,” David Carey, president of Hearst Magazines, said in an interview. “You have to embrace the future." 赫斯特雜誌集團總裁大衛．凱里受訪時說：「多愁善感恐怕是雜誌業最大的敵人。你必須迎向未來。」 Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/ Next Article Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britain's most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. 英國版Vogue雜誌的母公司康泰納仕4月10日證實，美國Ｗ雜誌的創意與時尚總監艾德華．恩寧佛將接替亞歷珊卓．舒爾曼，擔任該雜誌總編輯。恩寧佛將在8月1日走馬上任，他將是這個英國最有影響力的時尚刊物創立一百年來，執掌大權的第一位男性，也是第一位黑人總編輯。 45歲的恩寧佛是頂尖造型師和備受讚譽的時尚總監，他孩童時期從迦納移民英國，以快活的舉止表情、傳奇的時尚雜誌封面，以及在時尚圈內和圈外擁有大批鐵粉聞名。去年6月獲頒大英帝國勳章，表彰他對時尚產業多元化的貢獻。 Conde Nast's international chairman and chief executive, Jonathan Newhouse, called Enninful “an influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,” and added that “by virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.” The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰納仕國際集團董事長兼執行長強納森．紐豪斯說，恩寧佛是「形塑時代思潮的時尚界、好萊塢和音樂界一位具有影響力的人物」，「憑他的才華和經驗，艾德華已為承擔英國版Vogue的責任做好了萬全的準備。」 在決定這項任命的三個月前，紐豪斯任命了另一位男士艾曼紐爾．法內提出掌義大利版的Vogue，接替去世的法蘭加．索薩妮。 Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, London's subway system. He has called modeling his “baptism into fashion.” By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. 恩寧佛是出人意料的人選。他在迦納出生，當裁縫的母親在倫敦蘭僕林區把他和5個兄弟姊妹撫養長大。16歲時，他在搭乘倫敦地鐵時被星探相中，成為英國i-D雜誌的模特兒。他把自己的模特兒經驗稱為「進入時尚界的受洗禮」。 到了17歲，他協助造型師西蒙．佛克斯頓和貝絲．桑默斯為這本刊物拍攝照片。1991年18歲時，他取代桑默斯，成為i-D雜誌時尚編輯，使他成為主要時尚刊物有史以來最年輕的主管之一。他並取得倫敦大學金匠學院的文憑。 Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white “counterparts” were in the first. 雖然有少數著名的例外，時尚產業極欠缺有權力的黑人，這一直令恩寧佛極感挫折，而他已相當努力以謀求改進。他曾因指控種族歧視而上了大新聞，包括2013年在巴黎一場高級訂製服的秀上，他被指定坐在第二排，而與他「地位相當」的白人坐在第一排。 Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/ Powered by Firstory Hosting
We are back with fashion journalist and author Amy Odell to discuss Pharrell's appointment as the creative director of Louis Vuitton Menswear and what it means for fashion, what it says about the power of celebrity, Louis Vuitton's business model, and the fashion media.Check out Amy's Back Row Substack, amyodell.substack.comSupport the show
We dissect Demna's first post-Balenciaga scandal interview in Vogue with the journalist Amy Odell. We discuss Demna's mea culpas and the various statements he makes, dive into the mechanics of the interview, its possible causes and effects, Kering's corporate strategy, and Vogue's journalistic integrity. We also try to guess who actually conducted the interview. Odell is a seasoned fashion journalist, and together with Eugene, based on their extensive experience they give a glimpse of what probably went on behind the scenes. You can read Demna's interview here.Support the show
We wanted to reach out and apologize for an error last week where we released this week's episode early. While we corrected this on the backend right away, if your podcast app automatically downloads episodes you might have missed our fantastic episode with Amy Odell.If that's the case, just delete and re-download the episode and you'll hear our chat with Amy.We really apologize for the error, and we really appreciate your listenership. For those of you that didn't get early access, we are so excited to share our episode with Brianna de L'airre tomorrow. Brianna is an experienced sales coach and has so many insightful things to say about encouragement, challenge, and helping people succeed and grow at work.Thanks for listening!
We spoke with fashion and culture journalist Amy Odell about breaking into journalism, her biography of Anna Wintour, and the opportunities and challenges of the changing landscape of digital media.Subscribe to Amy's Substack, Back Row, at https://amyodell.substack.com/Subscribe to the Content People newsletter at https://meredithfarley.substack.com/Connect with Meredith at https://www.linkedin.com/in/meredith-farley
In this interview special, Diane talks to Prentice Penny, who ran INSECURE with Issa Rae, his comedy writing credits also include BROOKLYN 99 and HAPPY ENDINGS. Penny talks about the groundbreaking comedy of INSECURE and his thoughts about how comedy is changing as the industry sloooowly has more POC in decision-making positions. The second chat is with journalist Amy Odell, who writes the Back Row newsletter and wrote the wonderful book ANNA, about fashion empress Anna Wintour. Diane and Amy talk about Fashion on TV in INSECURE, AND JUST LIKE THAT and SELLING SUNSET.
In part 2 of our discussion on Anna: The Biography by Amy Odell, hear about the progression of Anna Wintour's career at Vogue, Vogue culture, the Met Gala, and more! Purchase Anna: The Biography on Bookshop (supports Fash-Ed & independent bookstores!) or Amazon October Book & Movie Club Pick: Slay Watch free on Waterbear Fash-Ed Contact Info: Email: natalie.labarbera6@gmail.com Instagram: Fash.Ed Read Fash-Ed on Substack Join Fash-Ed on Bookclubs Get more book recommendations on Bookshop --- Support this podcast: https://podcasters.spotify.com/pod/show/fash-ed/support
This is part 1 of 2 (part 2 coming next week!) of the September Book and Movie Club pick, Anna: The Biography by Amy Odell. We discuss some of the things I found most interesting about the early years of Anna's career. October Book & Movie Club Pick: Slay (TW: animal cruelty) Watch Free on Waterbear Buy Anna: The Biography on Bookshop (supports independent bookstores & Fash-Ed!) or Amazon Read Fash-Ed on Substack Join Fash-Ed on Bookclubs Get more fashion book recommendations on Bookshop Fash-Ed Contact Information: Email: natalie.labarbera6@gmail.com Instagram: Fash.Ed --- Support this podcast: https://podcasters.spotify.com/pod/show/fash-ed/support
You've probably seen people behaving in ways at networking events that get them remembered – in a bad way. Whether being the strong-armed salesperson, the deck dealer, or simply clingy Cathy it's easy to slip into disempowering habits. In the belief that you must replace a bad habit with a good one, join Debby and Greg as they discuss some of the activities that will help you stand out in a good way! Thank you to ConvoSparker: - Mark Abramson, Counsel at Semro Henry & Barga Ltd, https://www.linkedin.com/in/mark-abramson-a180734/ Also Mentioned: - Breeda Miller, Breeda Miller Speaking, https://www.linkedin.com/in/breedamiller/ - Elizabeth Grantham, Professional Development in Education College of Charleston, https://www.linkedin.com/in/elizabeth-grantham-b985a71a/ - Tracey Edwards, CEO at The National Exchange Club, https://www.linkedin.com/in/edwardstracey/ Resources: - Referral Pursuit, https://www.connextnation.com/referral-pursuit/ - “Anna” by Amy Odell, https://read.amazon.com/kp/embed?asin=B09JPJLW9M&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_XGHR3VGD66G4RQTNNFFB Groups Mentioned: - Toastmasters International, https://www.toastmasters.org/ - National Speakers Association, Michigan Chapter, https://www.nsamichigan.com/ - Maumee Chamber of Commerce, https://maumeechamber.com/ Comments: https://www.facebook.com/TheReluctantNetworker/ https://www.facebook.com/connextnation/ More Information: If you'd like more information about our virtual training programs, go to: https://www.connextnation.com/mini-course/ "Porch Swing Days - faster" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org --- Send in a voice message: https://anchor.fm/3rdgennetworking/message
Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678 Next Article Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. 九月中旬的一個夜晚，在西村的一家小酒館，一群作家和喜歡享受生活的編輯們聚集在一個室外壁爐和常春藤覆蓋的格狀架子旁。牛排上桌後，眾人杯觥交錯直到深夜，歡鬧聲流瀉到鄰近的人行道上。 It could have been a scene from the Jazz Age heyday of the Manhattan magazine set — or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. 這幕場景可能來自爵士時代曼哈坦雜誌業全盛時期，甚至是90年代，以亮光紙印刷的月刊還是廣告收入淹腳目，編輯們坐在司機駕駛的豪華轎車內，告訴全國該穿些什麼、欣賞什麼、閱讀什麼人的年頭。 This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazine's longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carter's restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. 不過，這一晚透著一種悲傷的況味。《浮華世界》的員工正向雜誌的長期總編輯葛雷登．卡特致敬。卡特在任職25年後，宣布即將離職。在卡特自家餐廳「韋佛利餐廳」的後花園中，一些明星作家如詹姆士．沃科特、瑪麗．布倫納都表達了他們的謝意和感傷。 Carter has always had a knack for trends. Within two weeks, three other prominent editors — from Time, Elle and Glamour — announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. 卡特一向走在趨勢前端。不出兩星期，又有3位知名雜誌總編，分別是《時代》、《ELLE她》、《魅力》的總編也宣布準備下台。另一個業界巨頭，《滾石》創刊人詹恩．溫納則表示，打算出售他在《滾石》已保有半個世紀的控制性持股。 Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. 突然之間，長久來有關雜誌業終將崩潰的預言，似乎成真了。 Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. 雜誌業步履蹣跚已有多年，雜誌對讀者和廣告的壟斷遭到臉書、谷歌和更靈活的網路競爭對手侵奪。編輯和高管表示，高階領導階層的突然異動，說明這一行業的羅曼史正向財務現實低頭。 As publishers grasp for new revenue streams, a “try-anything” approach has taken hold. Time Inc. has a new streaming TV show, “Paws & Claws,” that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business — the print product — is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. 隨著發行人尋找新的收入來源，「無所不試」的作法開始出現。時代公司因此有了新的串流電視節目《寵物》，主要播出網路瘋傳的動物影片。赫斯特集團與網路出租服務公司Airbnb合辦了一份雜誌。但是雜誌業長久以來的核心─紙本產品卻越來越像後來才添加的產品，對於現場直播、播客、影片的投資，以及和外面品牌的合作關係，都讓紙本產品黯然失色。 The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. 這些變化代表這一行出現了數十年來最根本的轉變，而這個行業一向仰賴一個簡單公式存活，光鮮亮麗的書冊和滿滿的高價廣告。 “Sentimentality is probably the biggest enemy for the magazine business,” David Carey, president of Hearst Magazines, said in an interview. “You have to embrace the future." 赫斯特雜誌集團總裁大衛．凱里受訪時說：「多愁善感恐怕是雜誌業最大的敵人。你必須迎向未來。」 Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/ Next Article Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britain's most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. 英國版Vogue雜誌的母公司康泰納仕4月10日證實，美國Ｗ雜誌的創意與時尚總監艾德華．恩寧佛將接替亞歷珊卓．舒爾曼，擔任該雜誌總編輯。恩寧佛將在8月1日走馬上任，他將是這個英國最有影響力的時尚刊物創立一百年來，執掌大權的第一位男性，也是第一位黑人總編輯。 45歲的恩寧佛是頂尖造型師和備受讚譽的時尚總監，他孩童時期從迦納移民英國，以快活的舉止表情、傳奇的時尚雜誌封面，以及在時尚圈內和圈外擁有大批鐵粉聞名。去年6月獲頒大英帝國勳章，表彰他對時尚產業多元化的貢獻。 Conde Nast's international chairman and chief executive, Jonathan Newhouse, called Enninful “an influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,” and added that “by virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.” The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰納仕國際集團董事長兼執行長強納森．紐豪斯說，恩寧佛是「形塑時代思潮的時尚界、好萊塢和音樂界一位具有影響力的人物」，「憑他的才華和經驗，艾德華已為承擔英國版Vogue的責任做好了萬全的準備。」 在決定這項任命的三個月前，紐豪斯任命了另一位男士艾曼紐爾．法內提出掌義大利版的Vogue，接替去世的法蘭加．索薩妮。 Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, London's subway system. He has called modeling his “baptism into fashion.” By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. 恩寧佛是出人意料的人選。他在迦納出生，當裁縫的母親在倫敦蘭僕林區把他和5個兄弟姊妹撫養長大。16歲時，他在搭乘倫敦地鐵時被星探相中，成為英國i-D雜誌的模特兒。他把自己的模特兒經驗稱為「進入時尚界的受洗禮」。 到了17歲，他協助造型師西蒙．佛克斯頓和貝絲．桑默斯為這本刊物拍攝照片。1991年18歲時，他取代桑默斯，成為i-D雜誌時尚編輯，使他成為主要時尚刊物有史以來最年輕的主管之一。他並取得倫敦大學金匠學院的文憑。 Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white “counterparts” were in the first. 雖然有少數著名的例外，時尚產業極欠缺有權力的黑人，這一直令恩寧佛極感挫折，而他已相當努力以謀求改進。他曾因指控種族歧視而上了大新聞，包括2013年在巴黎一場高級訂製服的秀上，他被指定坐在第二排，而與他「地位相當」的白人坐在第一排。 Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/
每日英語跟讀 Ep.K401: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678
In this installment of our recap of Amy Odell's biography of Anna Wintour, we talk about her chess-like moves to become editor in chief of Vogue and all the poor pawns she steps on on the way to the top. We talk affairs, lawsuits, PETA, Harvey Weinstein, even 9/11. It's juicy, it's ripe, just pluck it off the tree and taste it baby!
On this week's episode, Viva editor Amanda Linnell is joined by commercial editor Emma Gleason and creative and fashion director Dan Ahwa to discuss all the hottest food trends to help you combat the cold winter days! From Matariki to new Korean restaurants, we've got all the tips you need. Plus, listen to an excerpt of contributor Tracey Donaldson's interview with Amy Odell, the author of a new biography into Vogue editor Anna Wintour. The panel discusses her legacy and reputation, as well as the latest in men's fashion, the upcoming Writer's Festival, and the one TikTok trend they've had to try in real life! Find more from Viva at viva.co.nz, Wednesdays in the New Zealand Herald, and on Facebook and Instagram See omnystudio.com/listener for privacy information.
T Lo dive into a couple of recent stories illustrating the hold Marily Monroe still has on the culture and then they dive deep on the life and career of Vogue editor Anna Wintour in an interview with Amy Odell, author of ANNA: THE BIOGRAPHY.
[REBROADCAST FROM June 9, 2022] For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day four, we look at Anna Wintour's depiction in popular culture, specifically the film, "The Devil Wears Prada," as well as her relationship with former employee André Leon Talley and her philanthropy and work with the Met Gala.
[REBROADCAST FROM June 8, 2022] For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day three, we discuss Anna Wintour's route to becoming Vogue editor-in-chief and her leadership style.
[REBROADCAST FROM June 7, 2022] For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day two, we discuss Anna Wintour's entry into the magazine business, early successes and failures, and her path to New York. NOTE: This segment originally aired on June 7, and has been edited. The aired version stated that Anna Wintour became Vogue's editor-in-chief in 1998. The correct year was 1988.
[REBROADCAST FROM June 6, 2022] For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day one, we discuss Anna Wintour's early life growing up in England as the daughter of a well-known newspaperman. NOTE: This segment originally aired on June 6, and has been edited. The originally aired version stated that Anna Wintour became Vogue's editor-in-chief in 1998. The correct year was 1988.
Amy Odell always knew she wanted to work in journalism. As a fashion and culture reporter, she has left her mark on countless publications, most notably New York Magazine's The Cut. But she got called to interview for a role at Vogue magazine during her time there. After an unsuccessful interview with the formidable Anna Wintour, she did not get the job. The truth was she probably wasn't right for it as fashion was still an industry she was trying to understand. But if someone would have told her then that she would end up writing ANNA: The Biography, the most comprehensive account of the life and reign of Anna Wintour years later, she would not have believed them. Because of my fashion background and experience with Anna, this episode turned into a very candid discussion covering the complexities of what it is like to work with Anna, who benefits from her loyalty, and who gets left in the dust when she decides that you're radioactive. Amy and I go deep into Anna's complicated and often controversial decisions, including the defense of the antisemitic John Galliano and Georgina Chapman during the height of the Harvey Weinstein #MeToo movement. Whatever you think you know about Anna Wintour, this book and episode will shed a different light on someone who has seized and held power for over 34 years and shows no signs of being dethroned any time soon.
In the fashion industry and the corporate world, you'd be hard-pressed to find as influential a figure as Anna Wintour.Journalist Amy Odell discusses her biography of the fashion industry's most powerful influencer.
Via their Instagram page Design.Emergency Alice Rawsthorn and Paola Antonelli have brought designers together to tackle some of the worlds intractable problems. Journalist Amy Odell discusses her biography of the fashion industry's most powerful influencer Anna Wintour. New Zealanders have kicked off a citizen historian fad thanks to a new book from Dr Christine Whybrew of Heritage NZ called How to Research Your House. It helps you discover the genealogy of your home and uncover secrets of its past. Toilet, loo, powder room, the toot; no matter what you call it you use it everyday. In this week's Iconic Designs Colin Bisset casts his eye over the design evolution of the public toilet.
For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day four, we look at Anna Wintour's depiction in popular culture, specifically the film, "The Devil Wears Prada," as well as her relationship with former employee André Leon Talley and her philanthropy and work with the Met Gala.
For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day three, we discuss Anna Wintour's route to becoming Vogue editor-in-chief and her leadership style.
For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day two, we discuss Anna Wintour's entry into the magazine business, early successes and failures, and her path to New York. NOTE: This segment has been edited. The original version, which aired on the radio, stated that Anna Wintour became Vogue's editor-in-chief in 1998. The correct year was 1988.
For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day one, we discuss Anna Wintour's early life growing up in England as the daughter of a well-known newspaperman.
So You Want To Be A Writer with Valerie Khoo and Allison Tait: Australian Writers' Centre podcast
Meet Rae Cairns, author of The Good Mother, on her journey from indie author to publishing sensation; the most important thing you can do when interviewing someone; where Agatha Christie got all her ideas; and win Anna by Amy Odell, about iconic editor Anna Wintour. Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.com See omnystudio.com/listener for privacy information.
In this episode, Natalia, Niki, and Neil discuss the cryptocurrency craze. Support Past Present on Patreon: https://www.patreon.com/pastpresentpodcast Here are some links and references mentioned during this week's show: The crash of TerraLuna is proving “crypto” to be both more than a passing trend and less than the miracle its boosters once promised. We recommended Kevin Roose's “Latecomer's Guide to Crypto” in the New York Times. Niki drew on this History News Network article to link crypto enthusiasm to other financial bubbles, and Natalia referred to James Ledbetter's FIN Substack This 2013 (early) history of Bitcoin from New York Times provided useful context for all of us. Niki also recommended David Yaffe-Bellany's New York Times piece, “Ben McKenzie Would Like a Word with the Crypto Bros,” and the Crypto Island podcast. In our regular closing feature, What's Making History: Natalia talked about Amy Odell's new book, Anna: The Biography. Neil discussed Sarah Pulliam Bailey's Washington Post article, “Southern Baptist Leaders Covered Up Sex Abuse, Kept Secret Database, Report Says.” Niki recommended Maureen Ryan's Vanity Fair article, “The Great Pottery Throwdown is a Balm for a Weary Age.”
In this episode of From the Front Porch, Annie is recapping all of the books she read in May. Shorter versions of these reviews can be found on Annie's personal Instagram page. The books mentioned in today's episode are available for purchase at The Bookshelf's website and there's a Reading Recap bundle featuring Annie's three favorite titles from this month's readings, available at a discounted price. You can find links to the books mentioned in this episode below: Mika in Real Life by Emiko Jean Book Lovers by Emily Henry This Is Not a Book About Benedict Cumberbatch by Tabitha Carvan Carrie Soto Is Back by Taylor Jenkins Reid Catholics by Brian Moore The Anthropocene Reviewed by John Green The Year of the Horses by Courtney Maum From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram at @bookshelftville, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com. A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations. This week Annie is listening to Anna by Amy Odell. If you liked what you heard in today's episode, tell us by leaving a review on iTunes. Or, if you're so inclined, support us on Patreon, where you can hear our staff's weekly New Release Tuesday conversations, read full book reviews in our monthly Shelf Life newsletter and follow along as Hunter and I conquer a classic. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are... Donna Hetchler, Angie Erickson, Cammy Tidwell, Chantalle C, Nicole Marsee, Wendi Jenkins, Laurie johnson and Kate Johnston Tucker. Libro.FM: Libro.fm lets you purchase audiobooks directly from your favorite local bookstore (Like The Bookshelf). You can pick from more than 215,000 audiobooks, and you'll get the same audiobooks at the same price as the largest audiobook company out there (you know the name). But you'll be part of a different story -- one that supports community. All you need is a smart phone and the free Libro.fm app. Right now, if you sign up for a new membership, you will get 2 audiobooks for the price of one. All you have to do is enter FRONTPORCH at checkout or follow this link: https://tidd.ly/3C2zVbb Flodesk: Do you receive a weekly or monthly newsletter from one of your favorite brands? Like maybe From the Front Porch (Or The Bookshelf)... Did you ever wonder, ‘how do they make such gorgeous emails?' Flodesk is an email marketing service provider that's built for creators, by creators, and it's easy to use. We've been using it for a couple of years now, and I personally love it. And right now you can get 50% off your Flodesk subscription by going to: flodesk.com/c/THEFRONTPORCH
Amy Odell, Author of Anna Wintour's biography, joins Jonesy & Amanda to chat about the powerful woman. Learn more about your ad choices. Visit megaphone.fm/adchoices
Amy Odell, Author of Anna Wintour's biography, joins Jonesy & Amanda to chat about the powerful woman. See omnystudio.com/listener for privacy information.
We all know Anna Wintour as the iconic editor-in-chief of Vogue. You might recognize her for the bob cut, her black glasses and her floral dresses. But she's not only a strong leader with an extraordinary work ethic, and she's neither so cold in reality. I've been fascinated by Anna Wintour for a long time and if you have read my book Your Fashion Dream Plan you know that there is an illustration as well as a chapter with her name. So I was very excited to sit down with Amy Odell who has just published her book Anna the biography. Amy has built up Anna Wintour's story by interviewing more than 250 people over the past 3 years. In this podcast episode we chatted about Anna Wintour: why she is so powerful in fashion why do people beyond fashion ask for her opinion (including Serena Williams and Bradley Cooper when he had to cast for A star is born). if there is Vogue without Anna Wintourwho could replace her and if the next editor in chief will be as influential as AnnaGet your copy of Your Fashion Dream Plan on AmazonGet your copy of Anna the biography on amazon
Fashion and culture journalist Amy Odell has just released the highly anticipated definitive biography of Vogue Editor in Chief and cultural icon Anna Wintour. Anna is a highly researched and detailed account of everything you've wanted to know about the powerful woman behind the blunt bob and sunglasses. But when writing a book about the most influential woman in media, how do you get her closest confidants to agree to speak with you? Do you reveal your intention to Anna herself? How do you decide which personal encounters to trust? Amy's here to answer all those questions and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Fashion and culture journalist Amy Odell has just released the highly anticipated definitive biography of Vogue Editor in Chief and cultural icon Anna Wintour. Anna is a highly researched and detailed account of everything you've wanted to know about the powerful woman behind the blunt bob and sunglasses. But when writing a book about the most influential woman in media, how do you get her closest confidants to agree to speak with you? Do you reveal your intention to Anna herself? How do you decide which personal encounters to trust? Amy's here to answer all those questions and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this week's episode of Think Fast, hosts Varun & Suchita begin by telling us about Ather Energy securing funding, Apple's latest hire- an ex-Ford employee, some more Elon Musk, First Cry delaying their IPO, and how White Hat Jr's employees quit on being called to the office. Further, Suchita deep dives into the rise of Athleisure and its foray into sub-segments like activewear, Tennis wear, and so on, the Sneakers market and how it's been growing and attracting not just the millennials but the older folks as well, how Jens and Emma Grede have been accelerating Celebrity led brands including the likes of the Kardashians, and Lady Gaga relaunching her own brand after a tryst with bad timing and decisions. Varun looks at a creator survey led by Patreon and its interesting insights, the peak of Start-up winter with brands like Swiggy, Zomato, and Meesho slowing down to conserve cash, and Instagram's foray into NFTs. Tune in for all this and more. Suchita Recommends a book: Anna: The Biography by Amy Odell(https://www.amazon.com/Anna-Biography-Amy-Odell/dp/1982122633)And a show: Bling Empire Season 2(https://www.netflix.com/watch/81039144?source=35)Varun recommends a show: The Lincoln Lawyer(https://www.netflix.com/watch/81335096?source=35&trackId=254743534)You can follow Varun Duggirala on Twitter at: https://twitter.com/varunduggi and on Instagram at https://instagram.com/varunduggiYou can follow Suchita Salwan on Twitter at https://twitter.com/suchitasalwan and on Instagram at https://instagram.com/suchitasalwanCheck out video episodes on the Think Fast YouTube Channel.(https://www.youtube.com/channel/UCbtHHMZ_01TyL3kXhJV4Ddg)You can follow IVM Podcasts on social media. We are @IVMPodcasts on Facebook, Twitter, Instagram, YouTube.You can listen to this show and othe
BoF's Imran Amed quizzes Amy Odell on how she went about biographing the fashion media icon, and the surprising things she learned on the way. Background: Anna Wintour is arguably the most recognisable name in fashion media. In her new biography of Wintour author Amy Odell sets out to paint a nuanced and meticulously researched picture of Wintour's life based on hundreds of interviews and sweeping archival research. This week on The BoF Podcast, Odell joins BoF's Imran Amed to talk about the process of biographing the complicated fashion titan, and provides some insight as to what she learned about Wintour's life and career, as well as what the future holds for Vogue in a post-Anna Wintour era. Key Insights: Even amid a number of industry shifts, including the decline of print media, Wintour has maintained her power in part because of the strong network of people — in fashion and beyond — who value her advice and her ability to bridge the business and creative sides of fashion. Former colleagues and friends have described Wintour as future-focused and hungry; she hasn't stopped working because she enjoys the work. Whoever succeeds Wintour as editor-in-chief will inherit lots of sway that comes with the role. Odell theorises that a Vogue veteran will be tapped next as has always been the case in the past. Additional Resources: What Anna Wintour's Big Promotion Means for Condé Nast: As the publisher focuses on returning to profitability, a new unified content strategy under Anna Wintour, more powerful at the publisher than ever, aims to make its strategy more efficient and intertwined. Org Chart: Vogue's New Global Editorial Structure: The heavyweight international Vogue editors who once filled the front rows at Paris Fashion Week were gone this season, a stark sign of the restructuring that has consolidated power in the hands of global editor Anna Wintour and her regional deputies. Join BoF Professional today using the link here.
There's no denying it, the MET Gala is the new Oscars – as far as fashion goes. In today's episode, we're dissecting all of the beauty looks worth discussing, from Kim Kardashian's bleachy ode to Marilyn Monroe to Nikki Minaj's brow-to-boob crystal embellishments, Lucy Boynton's rhinestone lashes and more! Plus, find out which celebrity debuted her new makeup collection on the red carpet. Then, we're chatting with Amy Odell, author of the new Anna Wintour book, Anna: The Biography. Having interviewed more than 200 people closest to the Vogue boss, we get the goods on the mind behind the iconic glasses and the bob. With insights into the editrix's “militant” organization of the MET gala to the moment she “woke” to the inclusivity movement, Vogue salaries and more, Amy gives us a sneak peek into her page-turner that dropped this week. Get social with us and let us know what you think of the episode! Find us on Instagram, Tiktok, Twitter. Join our private Facebook group, or give us a call and leave us a voicemail at 1-844-227-0302. For any products or links mentioned in this episode, check out our website: https://breakingbeautypodcast.com/episode-recaps/ PROMO CODES: When you support our show partners, you support the creation of Breaking Beauty Podcast! OUAI Discover a new OUAI of life with the Leave-In Conditioner from OUAI! Go to theouai.com and use code BEAUTY to get 15% off your entire purchase Gladskin Gladskin with Micreobalance treats inflammatory conditions including eczema, rosacea and acne in a new, smarter and safer way. Get 15% off plus free shipping on your first order at gladskin.com/beauty *Disclaimer: Unless otherwise stated, all products reviewed are gratis media samples submitted for editorial consideration.* Hosts: Carlene Higgins and Jill Dunn Theme song, used with permission: Cherry Bomb by Saya Produced by Dear Media Studio
This week, Rachel would rather be reading about one of the most influential forces in both fashion and culture, the one and only Anna Wintour. Anna: The Biography by Amy Odell
Matt and Samer hear a new mix from fashion journalist and author of Tales from the Back Row Amy Odell! (IG https://www.instagram.com/instamyodell)Mix available on our SUPER AWESOME MIX app: https://app.superawesomemix.com/Ff2vauuMQxAuBPi7Aalso available on Spotify:https://open.spotify.com/playlist/2hHnOaWzaab2PjI8xRTZ64?si=a3d09f7ad65849ba Support the show (https://www.patreon.com/superawesomemix)
Happy Monday lovers!This week, we're talking about the evolution of Lady Gaga, the closure of Cosmo, and the ethics of the celebrity paparazzi.This week Mich recommends watching Exposed: The case of Keli Lane on ABC iView.Zara recommends this profile on Chrissy Teigen and this interview with the man who welcomed back Louis CK,To read Allie Jones' take on whether Cosmo is "deeply feminist", click here. To read an interview with the woman who reinvigorated Cosmo, Amy Odell, click here.Why We Need Tabloids, by Ryan Linkof in the New York Times.Listen to Keira Knightley on the Awards Chatter Podcast.This episode was produced by Michelle Andrews, with royalty free music from Bensound.
Happy Monday lovers!This week, we're talking about the evolution of Lady Gaga, the closure of Cosmo, and the ethics of the celebrity paparazzi.This week Mich recommends watching Exposed: The case of Keli Lane on ABC iView.Zara recommends this profile on Chrissy Teigen and this interview with the man who welcomed back Louis CK,To read Allie Jones' take on whether Cosmo is "deeply feminist", click here. To read an interview with the woman who reinvigorated Cosmo, Amy Odell, click here.Why We Need Tabloids, by Ryan Linkof in the New York Times.Listen to Keira Knightley on the Awards Chatter Podcast.This episode was produced by Michelle Andrews, with royalty free music from Bensound.
On this week's CF Office Hours, we spoke with Amy Odell, editor of Cosmopolitan.com and author of "Tales From the Back Row." She told us all about her career choices that got her to where she is today and what she looks for in an employee. Listen up on how to really stand out in your entry-level job and step up to get that promotion. We'll also be taking a break and coming back with a new and improved podcast in October so stay tuned and enjoy!
The editor of Cosmopolitan.com explains why she wanted to write a book, the importance of fashion, and tells her hilarious story of coming face to face with Anna Wintour.
Stressing that you have a diploma and no job offers lined up? Tune into this episode for a crash course on how to make yourself a hot commodity to employers. Host Elisa Benson is joined in studio by Cosmopolitan.com's Site Director, Amy Odell, and Cosmopolitan.com's Editorial Assistant, Madison Feller. Interviews include Who What Wear's Hillary Kerr, and Oscar Mayer Wienermobile spokesperson Lizzie Duffey.
On this episode, Amy Odell, the Editor of Cosmopolitan.com and Director of Editorial Strategy for RedbookMag.com, chats with Julie about how to find success and the reason why she says, “You can’t wait around for things to happen to you.” Plus, the veteran fashion writer shares her insider tips for how to dress for work!
Are your 20s really the best time in your life, or are they the hardest? Does everything get easier after 30, or are we even more confused? Host Elisa Benson is joined by Cosmopolitan.com's site director Amy Odell, associate editor Tess Koman, and assistant editor of Snapchat discover Carina Hseih to discuss life in your 20s vs. life in your 30s.
If we are so against objectifying women's bodies, is it counterintuitive to objectify men's? Host Elisa Benson breaks it down with the help of Olympic Gymnast Jake Dalton, and Cosmopolitan.com's site director Amy Odell and weekend editor Laura Beck.
This month we discover the Posh Club a daytime cabaret for older folk, we have award winning writer and performer Rob Auton live with us in the studio, we talk to photographer Syd Shelton about his involvement with Rock Against Racism, singer-songwriter Amy Odell joins us for a live acoustic session, we meet Jacob and Kennedy from Take Back the City and Julia Lorke meets some Hackers at the Turbine Hall.. Presented and produced by Nia Charpentier, Pearl Wise and Danielle Manning.
Of course millennial women want to sound confident and intelligent in the workplace — but are attacks on typically feminine speech patterns like upspeak and vocal fry really helping women get ahead? Cosmo editors Amy Odell, Alie Martell, and host Elisa Benson discuss the line between practical career advice and sexism. Guests include TV writer Laura Beck and Levo’s VP of content development Kathleen Harris.
Humble-bragging about yourself at the office ‹ and plastering your personal social feed with selfies ‹ can feel gross, but it can also help you build the kind of following that boosts your career and leads to new opportunities. Cosmopolitan.com editors Amy Odell, Patti Greco, and Carina Hsieh and host Elisa Benson talk about the weird line between self-obsession and self-deprecation in a time where trying to be a social media star is equal parts fun, eye-roll-y, and incredibly useful.
Yahoo Style's Joe Zee talks to Kevin Kwan, author of "Crazy Rich Asians" and "China Rich Girlfriend," about what inspired his books and a possible movie in the works. The Yahoo Style team talks about the latest news and trends in the Big Five Stories segment. Amy Odell, author of "Tales from the Back Row," is our latest guest to play Cards Against Fashion Humanity with our Yahoo editors.
Welcome to the Cosmo Happy Hour! Host Elisa Benson is joined by Cosmo fashion editors and experts Amy Odell, Charles Manning and Carly Cardellino. The Cosmo Four talk big fashion events and share hilarious stories from their experiences.
You know that friend that was quiet in high school but super smart, funny, and destined to be a boss? We do, too. Meet Amy Odell, Editor at Cosmopolitan and author of "Tales from the Back Row," her new book about life behind-the-scenes as a journalist in the fashion industry. Jay Buim chats with Amy for a peak behind the curtain to learn more about Amy’s trajectory. Check out the conversation for details of her interview with Anna Wintour, how she got started in fashion, the changes she’s making at Cosmo, and excellent career advice. Edited by Jay Buim Produced by Kate Barnett
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