Podcast appearances and mentions of amy odell

So who boycotted and who just didn’t get invited? Yes, we’re rounding out the Met Gala gossip with a rundown of protests (SJP?), basic-b*tch heartbreak (Hugh & Sutton) and bathroom selfies (alllll the hot ones). VOTE FOR US: Help Out Loud win the People’s Choice category of the Australian Audio Awards. Find the link to vote RIGHT HERE. Plus, who actually won in the finally-finished court battle of Lively vs Baldoni vs Lively? And what James Valentine’s Year Of Living Gratefully taught us about living (and dying) well. And, Cameron Diaz is a mum again at 53 and no-one is calling it a 'miracle!' Have we turned a page on older parents’ double standards? 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SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Blake Lively just got the last laugh at the Met Gala. Blake Lively and Justin Baldoni have just settled their lawsuit. The timing says everything. Cameron Diaz quit Hollywood for 10 years. When she returned, she noticed one major difference. 'As a fashion editor, I urgently need to discuss these 9 Met Gala looks in excruciating detail.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast. - - - - - - - - - - - - - - - - -AUTO GENERATED TRANSCRIPT: Speaker 1: Hello and welcome to Mamma Mia out Loud. It's what women are actually talking about on Wednesday, sixth of May. I'm Holly Wainwright and the first thing I'm going to do, the first order of business, very simple out louder is if you love your show, please vote for us in the upcoming Australian Audio Awards as a People's Choice category. It's really straightforward. We're going to put a link in the show notes, We're probably going to put it on social We're going to put it everywhere. We would love your support to help us get there. That is the end of my manifesto for the day. Speaker 2: Okay, Well, I just would like to say as a lazy girl that there are all these things to fill out. Speaker 3: You only have to fill us out. Speaker 1: Yeah, you don't have to do everything is just tick Mama Mia out Loud. Speaker 3: So important for the lazy girls out there, and as as a bossy girl, I just concur with Holly. I know you can make that ask of people, and I think that's a great step towards greet our self assertive. Speaker 1: I'm growing, I'm growing, Amelia Growing. I'm Amelia Lester and I'm Claire Stephen and here's what's made our agenda for today. So now that it's all over and many damning text messages scatter the ruins of what was the biggest celebrity story for a couple of years, Just who did win in the whole? Blake Lively and Justin Baldoni court case drama. Speaker 3: Plus Cameron Diaz is a mother again at fifty three, and Holly has some thoughts. Speaker 2: And veteran broadcaster James Valentine filmed the last year of his life for the ABC, and between a living wake and his openness around voluntary assisted dying, he's opened a conversation around what it means to die a good death. Speaker 1: But first, Amelia Lester, the Mecgala. Speaker 3: Did it feel different this year? A lot of people said that it did. Amy Odell, a fashion writer, wrote in her background newsletter that the Metgala was all money, no soul, and she wasn't alone in this criticism. Basically, people are saying that because Jeff Bezos and his wife Lauren Sanchez Bezos sponsored the event, it just started to feel a little craven, a little gross, and less fun than it used to be. So there were a lot of protests in New York. In the lead up to the event, they were all centered around Amazon's labor practices, its environmental damage. And then there are those who say, no, that's not true. The mech color's always been about rich people giving their money towards a good cause, which is the Metropolitan Museum's Costume Institute. And look, they did raise a lot of money on Monday night. The Bezos has bought the event for about ten million dollars, but then the event itself raised about forty one million. This is US dollars, which is a lot for this event. It's apparently kind of record breaking. So are we just complaining about nothing, Holly? Do you feel like celebrities stayed away? Did they agree that this was a sort of off event this year? Speaker 1: So I'm going to give you a list of the celebrities who people say boycotted, because none of the people so far who everyone is saying has boycott had actually verbalized that they were boycott. Speaker 3: Well, we are boycotted, which we just had to take a stand because. Speaker 1: I do feel a little bit like what soul when you said it's all money those salt like, I do feel a bit that I don't think this is the first year. It has been pointed out in the culture, particularly since trump Ism and all those things, that this feels very hunger games. Yes, yes, and I know although there's a more direct link here, you know, with the Bezos is buying it. I do feel like Jeff sort of bought it for Lauren as a gift, which is a nice gift. Nice, but it feels more avert. So anyway, let's look at this because when I was watching it on Tuesday and then I did a subscriber episode with me as straight afterwards, I was like, well, all the celebrities are there, like Beyonce's there. All the famous people I was expecting to be there were there. Speaker 2: Well, actually a lot of famous feom we didn't expect to be there were there. Speaker 1: Yeah. And then it was pointed out to me who was not Billie Eilish. Now that tracks because she doesn't like billionaires, and she remembers she gave a speech a while ago where she said, you lot give more of your money away. So I don't think she would have been either welcome or willing to go, because Jeff might have worried that she was going to shake him down in the bathroom to share more of his money. Zoe Saldana, she is somebody who is usually there. She was not there. She is almost as rich as the billionaires. She is an unbelievably well paid actress because of her Marvel and Avatar connections. So Zoe's at home count of dollars. Olivia Rodrigo that tracks too. She is political, That would not be surprising. She's in the middle of an album promo, so you might have usually expected her to be there. Lady Gaga an interesting one because she could have been expected to be there because she's in The Devil Wears prior of Too and the rest of the Well. Meryl wasn't there, but Meryl never goes, so that's not surprising. But Anne Hath the way Emily Blunt Stanley Tucci were all there. Speaker 2: Stanley Tucci with Emily blount sister, it's always fun. Speaker 1: So maybe Gaga, but also she's kind of said lately that she's going to focus on promoting things she wants to promote rather than just being around. Lewis Hamilton come on, like he's literally dating Kim Kardashian, who's extremely bezos adjacent. I don't think that was a political. Speaker 3: Let's get to the big guns. Some were missing, right, some who we might have realized. Sarah Jessica Parker. Speaker 1: Yeah, so, Sarah Jessica I reckon. That is probably I would say that's almost definitely a boycott. But she went to support Anna at a dinner, but she didn't. Speaker 3: Go to the There was a dinner on the weekend before the gala. It probably would have been more fun. Speaker 1: Anyways, she said anything, No, she hasn't, but she I think she was in support of the New New York mayor. Right, And obviously he didn't go, but then I wouldn't have expected him to go, and he did post about it. They posted a series of let's sell a the real heroes of fashion and you know, celebrated workers behind the scenes and particular designers and things. So yes, so Sarah Jessica Parker I reckon could be a boycott. But then they're saying, you know, j Lo, I don't think Jalo was boycotting. I just think she's tired. Speaker 3: Harry Styles. Speaker 1: Harry Styles is in the middle of record of rehearsing for his tour. He's in a studio in bethnal Green running through it. Not that I've been stalking him. Justin Bieber, he's just done Coachella. Boy needs to lie down. Miley Taylor Swift, she never goes, and I don't think she's so. I think that some of the boycott cots are not boy I. Speaker 3: Think that's right. But it's interesting that some of the tech billionaires it clearly got to them a little bit. So it's interesting that Jeff did not walk the red carpet with Lauren. That's very unusual. They do everything together. We've learned this from various pieces about them and Lauren's dress being very boring. Do we think that was intentional. Speaker 1: A little bit understated for Lauren, Yeah, but I think it was had a very specific art reference. It was the same dress as someone called Madame X and it's like scandalous women. Speaker 3: Yep. It's interesting though, because Jeff did walk the carpet in twenty thirteen when Amazon sponsored the event. There was no outrage back then when Amazon sponsored the event and he walked with Mackenzie then Mackenzie Bezos his wife at the time. Mark Zuckerberg also made his Met Gala debut with his wife, Priscilla Chan, and they also didn't walk the red carpet, which I thought was interesting because it's kind of like, well, you want to be at the glamorous event, but you don't want the attention of being there. Speaker 1: Do you think they might have been encouraged not to. Speaker 3: I don't think anyone encourages Mark Zuckerberg and Jeff Bezos to do anything would have worked exactly. But there were some tech willionaires who did walk the carpet. Google founder Sergei Brinn. He showed up on the red carpet with his girlfriend. Her name is Gaylyn Gilbert Soto. The New York Times describes her as a con conservative gut health influencer. Speaker 1: That is one of the six job title Claire. Speaker 3: Do you think that there's something inherently conservative about gut health? Speaker 2: Yeah, because gut health is very don't take antibiotics and don't take antibiotics is very That's what it's. Speaker 1: Yeah, yeah, yeah, yeah, which used to be a sort of crunchy hippie vibe, but these days has come back around it. Speaker 3: I thought it was just you know, drink your com your chart, but no, it means it can. Speaker 2: Be very I feel like there's it's a short road from like gut health gut health to to anti vacs. Don't ever give your children antibiotics with my sour crow. Speaker 3: And of course I'm AROUNDA was there. I just have to add she was there with Snapchat founder Evanstein on the carpet, of course. Speaker 1: Possibly the biggest gun that I haven't mentioned though, is Zendaya. She does always go. Usually she didn't go, and that read like a boycott. And some people are saying, if your boycotting, say you're boycotting. I don't think so necessarily. You don't want to necessarily make everything about your politics. But I just have one question. I think that big charity galas of all types have always been, have always reflected the moment therein and they've always been a path to accessing status in a particular society. Watch the Gilded Age, It's all about that. Speaker 3: And Nixon notably said that she thought it was great that the mayor didn't go. Speaker 1: Yes, but like you know, you're reflecting the time. So you're going a big gala ball is the way you get all the fancy people together. This being a tech bro billionaire ball is very reflective of the moment we're living in, right, So is it surprising in any way in the nineteen eighties New York society. It was all about glitz and flash and Donald Trump, and now we're like again, I don't know. I kind of feel like, what did we expect to happen? Speaker 3: No, that's right, But I think that the group that people are most angry at it's not the people who went in their pretty dresses. It's not the people who didn't go and stay quiet about it. It's the people who went but then tried to have their cake and eat it too. See. Speaker 2: I'm not as frustrated about this because Sarah Paulson is getting a hole at a crap because she wore a dress that then and then had a blindfold that was a dollar bill, and it was people like it's making a statement about about like eating the rich. Speaker 3: Well, she herself said that it was a statement about the one. Speaker 2: Besides yes, and and I thought that was like a far swing. But the dress is actually called like the one percent by the artist, the designer who designed it, and the mask was called blinded by Money, and it was a statement on greed and corruption that comes with extreme power. I think it's a little bit unfair to look at her and say, well, you've got a net worth of twelve million dollars at which how does anyone calculate anyone's net worth on the internet? But you have a net worth of that you're at this event, how dare you then make a protest when it's like, well, isn't that exactly how how you do it? Speaker 3: Don't you go in? And well, people do have a history of using that platform. So Alexandra Ocazio Cortez, who is a Democratic congresswoman from New York, famously wore a dress on the Megala red carpet a couple of years ago which said tax the rich. But people actually have the same criticism for her. To your point, Holly, the met Gala in some corners has always been seen as a kind of repulsive show of excess and decadence, and she got a lot of aoc got a lot of flak for even attending the event back then, reading the canapasey while saying. Speaker 1: You guys are discussing while Charlie free directions. Speaker 2: But if you're not there, you don't have a microphone to say anything about the event, do you know? Well, I guess you do. I guess like Vende could opposed to something on Instagram. Speaker 3: If you want Zendaya not going definitely took the air out of the room when that announcement came out, And I guess it wasn't an announcement so much as a news update. Everyone kind of went, that's big. When Zendeia's not there, it's big. Speaker 2: Because she's always one of the coolest on the carpet. Does something really original, remember that, like bloody light up dress and she. Speaker 3: Oh, but there was a bathroom selfie. Some things always stay the same, right, and you saw this by Yes, it's always an iconic bathroom selfie. It's always the thing you want to look for. And there was an amazing one that had you know, the Margo Robbie all the people in it. But one of the things that was most striking about that And so I saw that in the wild last night and I was like, why is there an exceptionally beautiful woman in the middle of that who is wearing a quarter zip sweatshirt? I was like, was she at that party? Speaker 1: And then it's having a lot of headlines today because she is actually a very famous model. Speaker 3: Yeah, I actually love the story behind this. Her name is Bavitha Mandava and she that what she wore was a quarterzip jumper essentially and what looked like jeans. It turns out they weren't just any jeans. The jeans were made with silk muslin and had a blue denim effect. My jeans today have a blue denim effect. And it's a very important iconic look because she opened Chanell's show in December, which was on the New York City Subway, wearing essentially that outfit, and the fashion world lost their mind. That show was like considered extremely groundbreaking, and she was the first Indian model to open a Chanel show and she is now the first South Asian ambassador for Chanel. And incidentally, did you notice that Margot Robbie, who was also Chanel ambassador, It was right next to her in that photo. So Chanell must have been just so happy about the whole thing. Speaker 1: I know, but it just she just looked so out of place. Speaker 3: But that's what made it so good. Speaker 1: Yeah, but I was like wandered into the shop. But she also read all about it and I was amazing. Yet she didn't have to have a bubble machine boobs. Speaker 3: And then that look that she wore on the Chanel catwalk was actually a nod in turn to how she was discovered. I love this so much. She was a grad student m YU and she was discovered on the New York City subway waiting for a train. One would imagine probably wearing a similar outfit to the one she is now wearing in a much more fabulous incarnation at the metgala. Speaker 1: But you were obsessed with another red carpet walk. Speaker 2: Yes, because I am a basic bitch. If, like I swear, if there was like a thermometer for like, what's what does the basic bitch think about anything that's happening in the world right now? It comes over me and it's like bing bing bing bing bing because I saw the red carpet photos of Hugh Jackman in Suton Foster and I think I was sitting opposite you and Holly and I. Speaker 3: Said, oh oh, was like I don't and I'm like, howm my. Speaker 1: Here has it been? Speaker 3: Now? Not that many at least well he was. Speaker 2: Hugh Jackman was on the Red carpet with Debory Furnace in twenty twenty three. Speaker 3: My group chats are very divided on this. Some love the two of them together and some are talking about deb Prowley. Speaker 1: Do you have to not debut your relationship after a divorce five years, ten years? What do we want? Speaker 2: There are no rules, but I am allowed to go oh poor deb Oh, no, I hate that I am allowed. And then the tabloids, because again I'm a basic bitch. The tabloids were like, hey, basic bitches, We've made up a story for you. So there are sources in Inverata commas who say that Debrale Furnace was a huge fan of the event and the decision to bring Sutton Foster was a final blow to deb And what I didn't realize when I went really deep on this was some Foster's wearing a ring, like they think that you proposed in January and they think they're going to have some trend in your wedding. Speaker 1: And is that all are not allowed? He's not allowed to marry again, not ever, not ever. Speaker 3: I I don't know about that. Speaker 1: How do you know that, Deborah Lee Furness. This is what I don't like about this narrative is it victimizes a woman who maybe is totally done with that, you know what I mean. She obviously she made up some statements that made it clear she was not happy when that relationship broke down, But again three years ago, so now she might be living her absolute best life. Thank god I don't have to go to the met gala with that guy. Speaker 3: She disagrees politically too. We don't know anything about it, like she was kind of famously a conservative political voice because he is the godparent of Rupert Murdock and Wendy Dang's children. Also, he's very close with Avanka Trump. So no one was surprised to see Hugh at the slightly maga codd metgala. Speaker 1: Oh wow, he's unfair, And I know no one's crying for the celebrities, but I think it's unfair to brand everybody who was at that red carpet as maga. Speaker 3: Co Oh no, no, no, I did too, But I just I'm saying that he's not exactly Alexandra Orcasio Cortez. No one would be expecting him to make a big political statement about the taxing the rich. No, he's very like to promote. Speaker 1: In a moment, what the heck was all that Baldoni Lively business about? If we've both basically ended with nobody winning and no money changing hands. So moments before one Blake Lively swept onto the met gala carpet looking a bit like Cinderella, very trademark minus the bluebird. She didn't happen. She always said exactly body, She's pretty good all that stuff. But moments before that, a statement dropped into the inboxes of major press outlets, including People, New York Times and so on, and it read the end product the movie. It ends with Us is a source of pride to all of us who worked to bring it to life. And with no context, Everyone's like, why are we reading this? Raising awareness and making a meaningful impact in the lives of domestic violence survivors and all survivors is a goal that we stand behind. It becomes clear this is a joint statement from Blake Lively's team and Justin Baldoni's team about the court case we've all been obsessed about for years. We acknowledge the process, presented challenges, did it. Speaker 3: Recollections and recognized concerns raised by mes Lively deserved to be heard. Speaker 1: We remain firmly committed to workplaces free of improprieties and unproductive environments. This is one of those statements that so many lawyers were involved in drafting that it. Speaker 3: I hate an unproductive environment and I'm with that. Speaker 1: That's fair. It is our sincere hope that this statement brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online. And in the hope of moving forward constructively and in peace, Blake goes to the met gal Yeah, yep. Now we'll get to whether or not they got their respectful environment online, But just a very quick catch up, because we would be here for a year if we went into all the ins and outs of what's been going on here. But it all started when Blake Lively. Do I need to explain who she is? Significant star actress, possessor of wonderful hair, one half of a very powerful Hollywood power couple, made a movie called It Ends with Us, based on one of the best selling books in the past decade by Colleen Hoover. Speaker 2: And you guys are weird about it because I said this morning that it's objectively one of the worst movies I've ever seen. And you guys, it's fine. You guys were so mad well. I didn't stop you so mad well. Speaker 1: I'm gonna get to that in a minute. The thing is is that making a movie based on one of the best selling books of the decade is smart business and lots of people wanted to do it. But the man who owned the rights was Justin Baldoni, who's a lesser known dude. He's an actor, producer, self proclaimed feminist. Done. Some Ted talks about it. Speaker 3: Everything I know about this man I've learned against my will exactly done. Speaker 1: Some Ted talks about it podcast with Liz Plank something something something. Anyway, the movie itself is about domestic balance. That is not a mystery or a surprise at his front and center in the plot. The movie got made, and the movie was a huge hit, proving Claire Stephens wrong. Speaker 3: All I need to say. Speaker 1: Against the modest production budget of twenty five million, it grossed around three hundred and fifty one million dollars. Huge movie, right, But before the hit part happened, obviously, it was obvious that things were for apart. Behind the scenes, everything had gone very very wrong. We're not going to take you through because again I know Klas Stevens has a PowerPoint on this somewhere. You It went very deep at the time. You were a great source of it. Speaker 3: It was great. A lot of this was going down. Speaker 2: I think maybe just as I submitted my books, and my reward to myself was finish your book and you can read all the legal poculars. Speaker 1: Yes, and there was this press tour that was like separate red carpets and warring factions and all this stuff. And then in December twenty twenty four, Lively sued Baldoni, accusing him of harassment, sexual misconduct, and a smear campaign on the set of their movie. She claimed that Baldoni conspired with publicists to preemptively destroy her reputation, hence the dodgy press tour after she privately accused him of sexually harassing her on the movie set. There were a lot of damning texts released, all hell broke loose. Then Baldoni countersued. He basically alleged that Lively and her husband Ryan Reynolds always wanted to take over this movie, the control of the script, to the edit, all the things that they had it in for him, and they used their very famous friends to intimidate and harass him. Speaker 3: I'll never forget the email that when unanswered, that she sent to Matt Damon. Speaker 1: Oh, I know. There were a lot of damning texts revealed. Speaker 2: Again, sorry, the one to Ben Affleck where she like, oh, she just made an awkward joke about how she had sent the email to Matt Damon and how great Matt Damon was, and I was like, honey, that's like Ben Affleck's biggest point of in security is comparing himself to Matt Damon and you don't know the idiots and your correspondence with Ben. Speaker 1: And so here we are suddenly, just weeks before this mess was all going to go to court, all these cases have been it. Speaker 3: Hadn't even gone to court. Speaker 1: No, some things had been dropped dropped. So first of all, Baldoni's case against Lively got dropped, and some elements of Lively's case against him got like so there was all that was stuff, but it was it was meant to go to court I think on May eighteen, so soon. Wow, And days before it's been disappeared. Lawyers have made millions, reputations have been trashed and nobody apparently no money exchanged hands between the two parties, and no one, as you as evidenced by that really confusing press release, nobody is saying that they've won or not. Claire does the fact that Blake Lively stepped onto the met Gala carpet the minute that happened signaled that she sees this as victory or that she'd liked to pretend the whole thing didn't happen, And how the hell does she move forward? Speaker 3: Yeah, Claire, what does that mean that she shot up at the Metgala? Speaker 1: One? Speaker 2: I think it's genius. I always think that the best publicity in response to this stuff is to be around and change the narrative, like changing a different direction. Celebrities are so clever that it is no coincidence that this statement came out when it did and that then she was on a red carpet, because you just you know that there's so much going on in the world. People are going to be all the celebrity reporters are going to be distracted, just like the zones. Speaker 3: Yes, yes, And. Speaker 2: It's the same reason it always happens. When I was editor in chief, the local Australian celebrities would always announce their breakup at like five pm on a Friday, and it's like, you know. Speaker 3: The journals have gone to drinks or boxing day. Speaker 2: Yeah, yeah, you know, we've gone to drinks, you know that West Skeleton stuff on the weekends. Speaker 3: We're not going to go as hard on this story. Speaker 2: So I think it was smart that it was released when it was, and it was smart that she turned up at the met gala and that she reminded everyone I look really good in address. Speaker 1: You to figure but disagree because what immediately happened the minute she opened her mouth. Speaker 2: Well, this is what's interesting that depending on your algorithm, and depending on what side of the Internet you're on, there are two very different stories. So on certain apps, the story I'm saying is this was a win for Blake Lively that, for example, the line at the end of that statement including a respectful environment online, that that was very much acknowledging what had happened to her, which was all the allegations about manufactur orchestrated campaign. Speaker 1: Because that is the thing that I will take away from this mess the most, is that seeing the messages between Baldoni's press people and him about ways that you can use and manipulate social media to dent somebody's reputation is not just like when you see suddenly start seeing everywhere lots of tiktoks around of like, look at this interview with this person, doesn't she come across a bit like this but there can be a lot more behind it. And this is also things that we pointed out about amber Hood joining the amber Hood Johnny deppcayse that there can be a really orchestrated dark arts going on there, and certainly the examples that were pinging back and forward between Justin Baldoni and his reps suggested that I knew that. Speaker 2: Yeah, And so there's there's a lot of arguments that that line in particular is about what she went through, because she really has been torn apart on the internet. However, I couldn't believe that she turns up at the met Gala. She there's she clearly you could actually tell from her speaking when she was interviewed that she was nervous, that she was trying, like, I can't put my foot in it. Speaker 3: I can't like that. Speaker 2: There have been viral interviews of her for a couple of years now all over the Internet of her just saying slightly the wrong thing in an interview, and it becomes that she's an awful person. Blake Lively did an interview on the met Gala red carpet and it has been analyzed to death, and people think she was rude to the interviewer in this instance, well, you look gorgeous. Speaker 4: I am wearing Jackson weederhot gorgeous, thank you beautiful hair. She yeah, you look studying. And this is archival versace, but they met a fid it by adding a big beautiful train. So it's a piece from two thousand and six. And it was just such an honor to be able to wear this gorgeous, gorgeous gown. It looks like a sunrise and a sunset and watercolor and gorgeous range shworts, jewelry. But this this, but these, this is a Judith leberbag. And we were trying to find a piece of famous iconic art to put on and make it look like it was in a frame. And then I said, would you actually, if you're gonna make it custom, would you do my kid's art? So my kids each painted a painting, a watercolor painting. So each of my four kids did this. Speaker 1: That is so spoo especial. Speaker 4: So I have them with me. Speaker 2: And that has been interpreted as her being a bit, as her being dismissive, as her being self scentered. The other thing that's been I think we want to know what this is. Speaker 1: So here's my challenge to your strategy, be public, give them things to talk about, because she can't get away from this narrative now for some time, it's been years of her lit like every time she opens her mouth. There's a lot of people invested in you're a terrible person, as you say, so they're just going to find ways to say that over and over again. In the way that the Internet is now very invested in hating Blake Lively a certain so, just in the way that the internet's very invested in hating Megan Markele. It doesn't matter what she does, what she says, where she goes. You can't win that game. Speaker 2: One of the great arguments was it costs one hundred k for a plate at the Met gala, and part of her claim was the financial stress caused by Baldoni smear campaign. And it's like she's not paying for that one hundred k plate, neither is anyone people being like I thought you were arguing you were locked out of Hollywood. Speaker 3: Doesn't look like you're locked out of Hollywood. Speaker 2: And she had a bag where her interpretation of the art theme was that she got her four kids to draw a picture on each side of the back no self centered, made it about you. Speaker 3: You wanted to. Speaker 2: Claim authorship over this event, So there are people. Speaker 1: This is why I think her best strategy is to go away for a few years. Speaker 2: Yeah, because I think the weird thing is I think if Justin Baldoni had turned up, I think there's something, there's an anonymity that we give men that we just don't give women like I just don't think he is going to be plagued in the same way. And I think it's Marina Hyde who says he'll probably do some low budget it. Speaker 1: Will definitely have dented his possibilities of becoming a big name. I think that because, as Marina Hyde says in that story in The Guardian, she wrote a column about this, saying that the overarching lesson of this whole thing is never ever go to court, never ever ever. And they didn't actually end up in court, but still is that for the rest of time. Their names are now linked, every interview, every pro file, every project they do. This will always be part of the story in a way that it wouldn't if it hadn't entered the courts. But when I say I think go away free, I don't mean disappear like I don't mean silencing women. I mean work on projects, work on producer projects, hustle behind the scenes, do all your hollywoody stuff until you can come back to address this with more nuanced Look at Lena Dunnan. We've been talking about that a lot lately. Famously one of the most hated women on the internet for a period of time, couldn't put a foot right, couldn't do anything right, opened her mouth, everybody jumped on her. We know how the culture treats women who speak out about all kinds of things. There are local examples of this too. In a way. You've got to like let the air out of it and then come back when there's some nuance and distance. Speaker 3: You know what I mean That her while best friend Taylor Swift would have told her that too, because Taylor, of course also famously disappeared and was getting around in large boxes for a while just to stay out of the public eye. That comment of Marina Hides about never go to court is interesting because a few years ago, someone in a professional context did something to me that made me want to take them to court, and so I went to talk to a lawyer about it, who have been recommended to me, and the lawyer heard me out. I was very grateful for the advice she gave me. She said, look, I think you have a strong case, but if you did this, everyone in your field would say that you were a nightmare, no matter what happened in the court case, no matter how right you are, and I do think you're right, it would affect you professionally and it would follow you professionally for the rest of your life. And I think getting that advice from someone who had kind of a monetary gain to taking the case on was something I really appreciated. And I just wonder if Blake Lively's legal advice turned out to be deeply misguided. Speaker 1: I know. The sad thing about this argument I've never taken to court is, of course, that women putting up with sexual harassment at work are just always this guy from ever doing anywhere with it, because you're going to get your character smeared. And it might be on the scale of a Blake Lively, or it might be just the local gossip at the football club, like whatever it is, and that it's like we've seen this play out in massive letters across the sky that watch out, women will get you one way or another, and whether or not Blake Lively is particularly likable, is always nice to everybody? Blah blah blah, isn't the point? Speaker 2: Yeah, it is quite scary for women knowing that if you pursue, which is what an element of what Blake Lively was pursuing, a sexual harassment claim, that all your texts will be looked over and mocked and made fun of. Like, that's a really scary cost to pay. After the break James Valentine and why everyone's talking about the concept of a living wake. On the twenty second of April of this year, cast out musician and author James Valentine died age sixty four, leaving behind his son, his daughter, and his wife. The ABC veteran had terminal cancer, and he was widely loved by his audience, who had been listening to him for three decades. He had been transparent over the last two and a half years about his health. He was a very talented saxophone player and anyone who grew up in the eighties in Australia probably knows him as part of the band The Models and their iconic songs Barbados and Out of Mind, Out of Sight, and he was a Sydney radio presenter. Emilia and Holly, what was your connection to James Valentine as a radio personality? Speaker 3: He was a really important figure in my childhood. He hosted a thing called the Afternoon Show on ABC when back when there were forty TV channels in this country. I remember those days, and he would host and it was cartoons, it was variety. And I never really listened to him on the radio, but I have such you know, in the way that those childhood figures loom large for you. I've always held such fondness and affection for him. And how about you, Hollie. Speaker 1: He's clearly just an incredibly skilled communicator. I mean, I would be lying if I said I listened to that show. But anyone who knows how radio works, how the ABC works, so many people I know who know him. He was just clearly exceptionally good at what he did and very loved. Speaker 2: It's a reminder I think that parasocial relationships have existed long before the Internet. The fact that when the news of his death came out there was a widespread kind of public grieving and a lot of listeners who called in the next day, and his wife and his kids were kind of saying how much that meant to have people remember their dad through sense of humor and his energy. So two and a half years ago he was diagnosed with esophagal cancer and he was given two different treatment options, and he chose the one that was a bit less invasive and would preserve the things he loved in life, which were presenting radio, playing saxophone and enjoying food. Then in January of this year, he's given a terminal diagnosis and his response to that diagnosis and what he planned to do next was documented in Monday's episode of Australian Story, presented by Lee Sales, and it started a huge conversation about the concept of a living wake, which he very fittingly held on Valentine's Day of this year. Here's what he said on the show stage. Speaker 5: Four, terminal, inoperable, uncurable. I don't want to hear any of those words, let alone in the one sentence. So a friend suggested Tommy, maybe you should do a living wake, and oh, that sounds like fun. I will know the time and the day and so it'll be the last weekend. What do you do on that last weekend's dinner? Before? What do you think is that the last meal, I will probably know exactly when I'm going. Speaker 1: That's so moving. So seeing the footage of his reference at the end there was due to the fact that he ultimately chose the time he was going to die, right. Speaker 2: Yeah, he chose voluntary assisted dying and was very transparent around how he made that decision and what that decision entailed. For context, voluntary assisted dying is legal in all states in Australia and the Act except the Northern Territory, and obviously it's an incredibly complex and incredible, incredibly personal decision that has sparked. It's sparking more and more conversation the more we have and aging population and the more people are getting certain diagnoses that may keep them alive for a very long time, but the quality of that life may be poor, and him kind of taking people through that decision was a huge part of the Australian story. But it meant that he got to plan this living wake and there's footage of it, and he's got his family and friends there and there are so many familiar ABC faces and he's really good friends with Norman Swan, who he had on radio to discuss his diagnosis, like what all the different parts of the body were and what they did. And there was something so moving about seeing him on stage with a microphone at his own wake, basically saying, please come up to me and tell me stories and memories about us, because they are what's going to carry me through the next few weeks. And I guess I thought it must be such a relief for his family that then when you do a funeral, he's heard all the beautiful things that you're then going to say about him. I think this is really something we should we should all be looking at. Speaker 1: If it's possible, this episode of Australian Story is really recommended viewing. I think, whether you know who James Valentine is or not, in a world where we hate to talk about death, and yet it touches everybody obviously, I mean that's a ridiculous thing to say, but it does touch everybody. I'd lost a friend to this same cancer when he was only forty six. It's like all cancers. It's a it's it's cruel and the idea that we're also we don't like talking about illness, we don't like talking about death, and seeing somebody such a skilled communicator like James Valentine in this episode talking about why he wanted to do the things he did, and they document the year so very like him talking about how very much clarified for him that he loved his work, so he didn't want to stop working. He loved playing his saxophone, so he wanted to try and avoid procedures that were going to stop him from doing that. That he really wanted to work, play and be with his family, and those are the things he wanted to spend his last year doing. It's just it's very powerful, it's very clarifying. And then to see him at his living way and he says, you know, it wakes People always say, oh, he would have loved me there, and he says, so I wanted to be there, And I just think it's very refreshing. I think, you know, I, as I said, I didn't have a direct listenership with Joe's Valentine, but people who do, and people I know who've worked with him said he brought joy all the time. And it feels like a gift to give be so honest and so open and so clear eyed in talking about this thing that nobody wants to talk about. Is like the last incredible gift that a great communicator could give, and his family is so amazing in it. I really recommend watching the show. Speaker 2: There's a great quote in one of the ABC articles about his kind of decision making towards towards the end, where I think, as a psychologist says, dying people are not the actual act of dying is not the thing they're most scared of. They're scared of the invisibility and the absence of conversation around it. They're scared of people turning away and not wanting to be around them because of how confronting it is. And this was just such a reminder to look it straight in the eye and have the existential conversations with the people around you. The way that he spoke to his kids, and his kids were able to say, what do you think is going to happen afterwards? Speaker 3: And I bet that that's so much harder to do than even it looks. It doesn't look easy, but I bet it's even harder to actually enact these principles that we can all agree are worthwhile. Speaker 1: I love that his kids say that this was perfect for him in particular, this living weight, because he loved being center of attention. He loved a party, He loved being told I'm brad he was. I love the way they you know that families are really kind of I mean, I'm sure no families are perfect, but they're really healthy and loving when they can just call out that stuff about you and be like, he would love this because he just loves everybody tell him how great he is. Speaker 3: So good. Speaker 2: Yeah, And I loved that it wasn't a sanitized version because I think something I always bristle at is when you hear of somebody getting a terminal diagnosis or of you know, knowing that they're going to die. I bristle at the narrative of I guess almost toxic positivity that they're just like, well, I'm completely grateful and joyful. And then I feel for the people who don't have that response, which is completely bloody normal. But I loved there was a lot of light and shade in this. They talked about they went on a holiday, a family holiday to Bali, just before he was meant to get the surgery for his esophagus, and that the whole family's like, oh so bloody terrible holiday. Everyone was sick, everyone had covid Dad. Speaker 3: Had BALI belly like. It's sort of I like that. Speaker 2: In documenting this time, they've been able to show the highs and lows of what happened. But the nort Yeah, how normal it is. But the fact that he was able to do it his way, and that those conversations around what you want, what you don't want, they give so much empowerment in those in those final months and final days. Speaker 1: Something completely different. There was celebrity baby news this week that I must mark because it was interesting. Cameron Diaz and Benji Madden just welcomed their third child. And it's interesting because Cameron is fifty three. Now. When I say that, I don't mean it's interesting in that way of like, oh, miracle baby, how did she do that? Why did you do that? Cameron Diaz. They announced that their little boy had come. They announced what his name was. His name is Nortous and he joins Raddix and Cardinal, which are all just the most rock star names of all time. They announced it. They didn't give any more details than that. It is safe to assume just because Cam's been on a press tour lately, she's been quite visible on a tour for a movie called Outcome, So she's been very visible, and it's safe to assume possibly that she wasn't heavily pregnant during that time, so likely that a surrogate was involved, but none of our business. But the thing that I found really interesting and refreshing that I wanted to unpack a little bit here is I wrote an essay a while ago when Sienna Miller was on the Red Carpet with her beautiful baby bump at I think forty three, and saying how we're entering a bit of an era of agelessness because perhaps of fertility technology, because of the different options that are open to us now, because of Hollywood and the wellness world's obsession with longevity, that we're in a different era now when it comes to age and women and kids. And I think nothing illustrates that more clearly than the fact that there haven't been a whole waterfall of stories about like, oh my god, a mom at fifty three and how could she and why would she? And da da da da. Is that now we're much more kind of like in the way that we might be about a man becoming a father at fifty three, because if you remove the biological complication from the advance for chility technology and all those things. It isn't really any different than the guy who's been doing that forever. Yeah, am I right? Yeah? Speaker 2: No, I think so too. The interesting thing is, as well, when I've looked at this story, how old Benji Madam? Well, nobody ever, as I don't know, I don't know, why didn't I. Speaker 1: Google similar age? I think, well, let's find it happen. Speaker 2: Yeah, because you're seven, so being a little bit younger Benji's forty seven, bloody spring chicken. But I it's interesting because whenever I see pregnancy baby news, it's obviously the life stage. Speaker 3: I'man, I always google. Speaker 1: How old is how? Speaker 3: How old is that? Speaker 1: Money is she? Speaker 2: And you're right that we don't when we wouldn't blink an eye at a man having a child at fifty three. And obviously, if you want to think about any of the things that make rearing children. Speaker 3: Difficult, the older you get. Speaker 2: I mean, Amaran Diaz looks like a bloody pillar of health. She's gonna live forever, She's gonna live till she's undred. Speaker 3: Well, I think what's interesting is that you said no one will blink, and I about a man. I wonder if, now, because women are also having babies older, all of a sudden, we're starting to blink her eyes at men having babies older. Men were allowed to do it for all of human history, but now that women are starting to do it, we're starting to revisit the whole idea of older parents because. Speaker 2: We are interested, and there is actually more and more scientific research going into the health impacts of older because you know how, I'm called geriatric. Just for the record, I'm a geriatric mother. What age, I'm thirty five years old. No, they don't. They call it advanced material. Speaker 3: They definitely call it just it's kind of coolrophistic. Speaker 1: They definitely did call it geriatric though, when I had my second child at forty, I that's interesting. Speaker 2: But if they call Brent geriatric, no, but they should have done it because he's elderly, I think. Speaker 1: I think that's interesting. But then that also assumes. Speaker 3: Like the judgments creeping in for both sexes now, is what I'm saying. Speaker 1: Yes, and that assumes the idea about like we're becoming aware of the risks of older parents assumes assumes a lot about what might be going on here biologically. Yes, exactly, whereas if Cameron Diaz and Benji Madden and whoever else may be in their cohort are having are assessing all the risks, I'm sure they are. We know how health obsessed Hollywood is and making those choices, and there I think. I don't know that's interesting though, Amelia, where you say that that maybe the judgment, instead of fading away, just attaches itself to both genders. Speaker 3: Well, because I don't think it is just about biology. I think it would be we need to put on the table to not be disingenuous. That a lot of people listening to this may have a reaction of if you have a baby at a more advanced age, shall we say, in your fifties, you automatically do a bit of maths, and you think, well, when that child in school, Cameron Diaz will be sixty three. I don't know how old Benji Madden will because I'm not that good at maths, but he'll be also kind of old. And so I think that's one of the concerns that people are now voicing a little bit more when no one ever used to say, well, Mick Jagger is going to be so old when his kids graduate but now we are starting to say that or feeling perhaps feeling more comfortable to say that. Speaker 1: I think that's really interesting. But then I think in this privileged bubble that we're talking about, longevity is an obsession. So I think that that is also changing. This right is that people are thinking rightly, wrongly whatever that with all the right advances and all the right supplements and all the right that they're imagining themselves at seventy three, at this kid's twenty first, like leaping around, I'm doing yoga and pilate, particularly if they. Speaker 2: And Brian Johnson says he's got what is it the sperm of a twenty old? Think about that, man, Yeah, So I'm sure Cameron and Benji are having the same conversation. Speaker 3: So Cameron has remember she literally wrote a book about sort of how to be healthy as you get older, so she's this is clearly on her radar that she's sort of anticipating she will be living a long time. Speaker 1: That's always got time for on this Wednesday. Speaker 3: At births, deaths, any marriages, No. Speaker 1: There weren't any couples at the met gala, were they? They all went. Speaker 2: Solo boycotting, boycotting marriage on the metal, or. Speaker 1: Maybe it was like, unless that engagement wing comes from Amazon, we don't sink, perhaps in her body, her head and she did anyway. Thank you for being with us. Thank you for to our amazing team for helping us put the show together. We're going to be back in your ears on Friday, of course, and for subscribers with some scorelous gossip with Mia tomorrow. That's all. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

The Met Gala is the Super Bowl of red carpets, the most photographed, dissected, and mythologized night in fashion. But most of what we think we know about it isn't quite right.I'm joined by Amy Odell, journalist and author of Anna: The Biography, for a conversation that pulls back the curtain on what really happens behind fashion's biggest night. From how Anna Wintour actually approves looks, to who makes it onto the invite list, to why tech money is suddenly funding the whole thing, Amy decodes it all.In this episode, we get into:The biggest misconceptions about the Met Gala (and what really happens behind the scenes)How Anna Wintour actually approves looks — and what she doesn't seeWho gets invited, who gets crossed off the list, and how the seating really worksWhy Met Gala tickets jumped to $100K this year and what tables actually costThe Bezos era: how tech money is reshaping fashion's biggest nightWhy brands like LVMH and Kering aren't buying tables the way they used toThe Devil Wears Prada Vogue cover and what it tells us about Vogue's futureThe real story of how Lauren Weisberger went from Anna's assistant to writing the bookWhy the Costume Institute has to raise its own funds (and Anna's role in changing that)Met Gala vs. Oscars: how fashion superseded Hollywood on the red carpetBehind-the-scenes rules: the no-phones policy, green rooms, and rider requestsThe Zendaya x Anna Sui matching look moment and how it slipped throughWhat to expect from "Costume Art" and the "Fashion Is Art" dress codeHow to actually watch the Met: Amy's go-to live stream and second-screen setupTimestamps:00:00 Intro: Why the Met Gala has so many misconceptions 01:00 The biggest myth — does Anna really approve every look? 01:58 Why the Met has superseded Vogue in cultural relevance 03:40 Met Gala vs. the Oscars and the rise of theme dressing 05:23 Inside the room: how the Met Gala became a networking event 06:40 How brands and Vogue decide who sits where 07:59 Anna's list: how the invite list actually gets made 08:31 Can you pay your way in? The Bezos era explained 10:00 OpenAI, Snap, and Meta: why tech is buying tables now 11:26 Taste, relevancy, and the Hiltons and Kardashians question 12:30 The Kim Kardashian Vogue cover backlash, then and now 13:30 The Devil Wears Prada Vogue cover and what it signals 14:54 The real story: how Lauren Weisberger wrote the book 17:30 How Anna handled the original movie in 2006 19:30 Met Monday speculation and Meryl Streep rumors 20:50 Why the Costume Institute has to fund itself 22:34 Why fashion is finally getting respect in the art world 23:40 New Costume Institute galleries — out of the basement 24:00 Why luxury brands aren't buying tables this year 25:30 The math: what $6M means to Bezos vs. an average household 27:50 Inside the room: nerves, dress codes, and bathroom breaks 28:42 Green rooms, rider requests, and Karl Lagerfeld's Diet Coke 30:30 The forgotten history of the Met Gala after-party 31:30 Why every celebrity now has their own after-party 32:15 How Andrew Bolton and Anna pick the theme 34:45 Theme vs. dress code: Costume Art and Fashion Is Art explained 35:13 Why brands and politics decide what celebrities wear 36:22 The Anna Sui x Zendaya twin moment, decoded 37:30 Predictions: naked dresses, theatrics, and what to expect 38:30 How Amy watches the Met: the live stream + X combo 39:00 OutroLet's Get DressedYouTube: https://www.youtube.com/@livvperezInstagram: https://www.instagram.com/letsgetdressedpod/Newsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

Le Diable s'habille en Prada a fait d'Anna Wintour une célébrité : à travers le personnage de Miranda Priestly, le public découvre une figure influente du monde des médias et de la mode. Mais qui est vraiment l'ancienne rédactrice en chef de Vogue ?Enzo Reads :Son compte InstagramSon podcast Livres Laugh LoveSon podcast Ça m'a souléSon spectacle Merci la RHSource : Anna, The Biography, Amy Odell (2022) : https://www.goodreads.com/book/show/59366098-annaAbonnez-vous à la newsletter sur Substack : chaque mois, je publie un article sur un sujet de la pop culture !Suivez Star System sur les réseaux :Instagram : @starsystempodcastTikTok : @starsystempodcastIllustration : Ines Basille. Musique : Naaha. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today, the celebrity couple announcement we’ve all been waiting for has finally happened, Euphoria is taking over LA ahead of its huge return and Olivia Rodrigo has dropped some fresh album news. ☕ Kim Kardashian and Lewis Hamilton have officially hard launched ☕ The Euphoria season three premiere is hours away ☕ Olivia Rodrigo is dropping the first single from her third album ☕ The Summer I Turned Pretty movie starts filming this month ☕ A surprising 90s feud has resurfaced ☕ MAFS has officially wrapped for the season And don’t forget to tune into The Spill at 3pm for your daily deep dive into the pop culture moments everyone will be talking about. THE END BITSFollow the Watch Party feed here for our upcoming dedicated Euphoria podcast. Once you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here.You can now watch some of our episodes in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to seeLINK: https://podcasts.apple.com/au/podcast/the-spill/id1473523403Support independent women's mediaFollow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here.Discover more Mamamia Podcasts here.CREDITSHost & Producer: Monisha IswaranMamamia acknowledges the traditional owners of the land on which we have recorded this podcast. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

This week, Natalie talks to journalist and biographer Amy Odell about her new book, Gwyneth: The Biography, and Marty Supreme. They also discuss Gwyneth's early Hollywood power plays, the Miramax years, and how Goop turned controversy into an empire. To hear more from Amy, check out her podcast Back Row with Amy Odell. Click ‘Subscribe' at the top of the Infamous show page on Apple Podcasts or visit GetTheBinge.com to get access wherever you get your podcasts. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  Read Vanessa's book, Blurred Lines: Sex, Power and Consent on Campus, and check out Natalie on Instagram at @natrobe To connect with Infamous's creative team, join the community at joincampsidemedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Reviewing the Academy Gala red carpet, After the Hunt, the instantly canon Gwyneth Paltrow British Vogue cover story, a bad week for Amy Odell, the Louvre heist, and more. Hosted on Acast. See acast.com/privacy for more information.

The lingerie brand was tarnished by its connection to Jeffrey Epstein, and by fading cultural appeal. With the relaunch of its once-iconic fashion show, Victoria's Secret is fighting for relevance. This episode was produced by Ariana Aspuru, edited by Miranda Kennedy, fact-checked by Laura Bullard, engineered by Patrick Boyd, and hosted by Noel King. Gigi Hadid at the 2025 Victoria's Secret Fashion Show. Photo by Gilbert Flores/Variety via Getty Images. Listen to Today, Explained ad-free by becoming a Vox Member: vox.com/members. New Vox members get $20 off their membership right now. Transcript at ⁠vox.com/today-explained-podcast.⁠ Read more from Amy Odell on her substack: https://amyodell.substack.com/. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There aren't many contemporary celebrities with images layered enough that I could talk about them all day. But Gwyneth? She's one of them. She's it. She's never pretended to be “just like us,” which is part of what makes her beguiling — and infuriating. She knows exactly what she's doing, and sometimes what she's doing is trying to get a bunch of people to talk about jade eggs you put in your vagina. She's a master marketer of self, a promoter of charlatans, and impossible to ignore. And I'm so thrilled to have Amy Odell, author of the new, impeccably reported Gwyneth biography, here to discuss all your excellent questions. Thanks to the sponsors of today's episode!Go to zbiotics.com/CULTURESTUDY and use CULTURESTUDY at checkout for 15% off any first time orders of ZBiotics probioticsSave 20% Off Honeylove by going to honeylove.com/CULTURETry Remi risk-free at shopremi.com/CULTURE and use code CULTURE to get up to 50% off your nightguard at checkoutHead to Ollie.com/CULTURE, tell them all about your dog, and use code CULTURE to get 60% off your Welcome Kit when you subscribe todayJoin the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world. If you're already a subscriber-- thank you! Join us in the discussion thread for this episode! Got a question or idea for a future episode? Visit culturestudypod.substack.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit culturestudypod.substack.com/subscribe

The Stop Everything! celebrity book club is in session for a dissection of Gwyneth: The Biography by author and journalist Amy Odell, who also wrote the New York Times-bestselling biography about Vogue's Anna Wintour. “Confident” and “oblivious” are two words the author uses repeatedly to describe the Oscar-winning actress turned Goop CEO. But what other life experiences propelled Gwyneth's pivot from movies to wellness influencing? Hannah and Bev have got the goss. Get in touch: write to stopeverything@abc.net.au

In Episode 203, Gayle Weiswasser, co-founder of Wonderland Books, an independent bookstore in Bethesda, Maryland, returns to the podcast with Sarah for a one-year check-in on the shop's journey. From holiday-season chaos to surprising customer favorites, Gayle shares what worked, what didn't, and why she still handpicks every title on the shelves — plus the biggest lessons (and mistakes) from year one. Plus, Gayle shares some great book recommendations. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Gayle shares what it was like to open the bookstore right before the holiday season. How the store's first year compared to their original projections and expectations. The now-dispelled fears Gayle had before opening. Why she's glad they curated every book in their inventory themselves, and why they still do all the book buying in-house. The course correction Wonderland had to make in their romance section. The biggest mistake they made before opening their doors. Which genres and titles have become customer favorites and which don't seem to sell well. How they plan and host book events — and why those events are such a key part of the store's community success. The books that taught them exactly how (and how not) to decide how many copies to order. The surprising punch poetry has packed with customers. Whether Gayle's own reading life has bounced back after the pre-opening stress and time crunch. Gayle's Book Recommendations [39:12] Two OLD Books She Loves One's Company by Ashley Hutson (2022) | Amazon | Bookshop.org [39:25] Sam by Allegra Goodman (2023) | Amazon | Bookshop.org  [42:46] Other Books Mentioned The Knockout Queen by Rufi Thorpe (2020) [44:40]  The Girls from Corona del Mar by Rufi Thorpe (2014) [44:42]  Two NEW Books She Loves The Correspondent by Virginia Evans (2025) | Amazon | Bookshop.org [45:01] What Kind of Paradise by Janelle Brown (2025) | Amazon | Bookshop.org[47:18] Other Books Mentioned The Wedding People by Alison Espach (2024) [46:56] Pretty Things by Janelle Brown (2020) [49:06] One Book She DIDN'T Love Back After This by Linda Holmes (2025) | Amazon | Bookshop.org [49:55] Other Books Mentioned Evvie Drake Starts Over by Linda Holmes (2019) [51:14]  Flying Solo by Linda Holmes (2022) [53:34]  One NEW RELEASE She's Excited About Wreck by Catherine Newman (October 28, 2025) | Amazon | Bookshop.org[53:57] Other Books Mentioned Sandwich by Catherine Newman (2024) [54:03]  Last 5-Star Book Gayle Read The Names by Florence Knapp (2025) | Amazon | Bookshop.org [55:34] Books from the Discussion Atmosphere by Taylor Jenkins Reid (2025) [16:30]  Onyx Storm by Rebecca Yarros (2025) [25:41]  The Correspondent by Virginia Evans (2025) [26:39]  The Wedding People by Alison Espach (2024) [26:40] The Frozen River by Ariel Lawhon (2023) [26:42] James by Percival Everett (2024) [30:09] Heartwood by Amity Gaige (2025) [31:28] Mark Twain by Ron Chernow (2025) [31:38] Everything is Tuberculosis by John Green (2025) [31:55]   Careless People by Sarah Wynn-Williams (2025) [32:00]  Cher: Part One: The Memoir by Cher (2024) [32:25]  Gwyneth: The Biography by Amy Odell (2025) [32:35]  Brooke Shields Is Not Allowed to Get Old by Brooke Shields and Rachel Bertsche (2025) [33:07] Yoko Ono: A Biography by David Sheff (2025) [33:10]  My Friends by Fredrik Backman (2025) [38:29] 

This week, we discuss the glamorous world of the Magazine Girl, dissecting the real and fictional lives of women who worked at glossy magazines during their heyday. Through profiles of icons including Diana Vreeland, Anna Wintour, Franca Sozzani, Carine Roitfeld, and Plum Sykes, we distill the shared qualities that made these women so foundational to high fashion media. Inspired by Anna Wintour's recent resignation and the buzz around The Devil Wears Prada sequel, we also ponder who, if anyone, carries on the Magazine Girl legacy today. Links: Image board“The Divine Mrs. V” by Eleanor Dwight for New York“Who is Plum Sykes?” by Taylore Scarabelli for Interview“The Plum and Lucy Show” by Bob Morris for The New York TimesThe Price of Illusion: A Memoir by Joan Juliet BuckAssorted costumes from The Devil Wear Prada 2 in Dazed“Anna Wintour: Behind the Shades” interview for CBS Controversial Plum Sykes clipCarine Roitfeld interview for The Guardian “Could You Have Landed a Job at Vogue in the ‘90s?” Quiz in The New York TimesAnna: The Biography by Amy OdellInterview with Anna Wintour biographer Amy Odell in HungerA Dash of Daring: Carmel Snow and Her Life In Fashion, Art, and Letters by Penelope RowlandsExcerpts from Diana Vreeland's Why Don't You column in British VogueFranca Sozzani obituary in Vogue“The Condé Empire Was One Big Beautiful Grift” by Emilia Petrarca on Substack This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

What's up with some of the Satellite Sisters this summer? We'll let you know. Liz is in Santa Monica and working on a new season of Lizness School. Lian took July off but now she's ready to go to... Summer Camp. More details on that. Plus, Book and TV Recommendations and conversations.Get Yer Links Here:Satellite Sisters website and Pep Talk sign uphttps://satellitesisters.com/Lizness School podcast homepagehttps://art19.com/shows/lizness-schoolLizness School on instagram @liznessschoolCamp! Read about Ann Garvin's Bummer Camp here Books, Books, Books – Summer is still happening so keep reading! Lian recommends 3 titles on the showEveryone is Lying to You by Jo PiazzaThe Witch's Orchard by Archer SullivanThe Academy by Elin Hilderbrand and Shelby CunninghamSummer Reads Listhttps://bookshop.org/lists/summer-2025-books-for-satellite-smistersBooks I enjoyed in July and Augusthttps://bookshop.org/lists/books-i-enjoyed-in-july-2025From NetflixThe Biggest Loser DocLena Dunham's Too MuchFiskFrom HBOAnd Just Like ThatWill you read the Gwyneth bio by Amy Odell? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Love her or hate her, Gwyneth Paltrow has managed to stay on the A-list indefinitely, her targeted influence spanning across entertainment, fashion, and wellness. Throughout her career, Paltrow has participated in countless carefully managed interviews, but the real Gwyneth-her motives, desires, strengths, faults, and vulnerabilities-has never been fully revealed, until now. In GWYNETH: The Biography (Gallery Books hardcover; July 29, 2025), veteran journalist Amy Odell, author of Anna-the New York Times bestselling biography of Anna Wintour-draws from extensive conversations with more than 220 sources, including close current and former friends and colleagues, to provide insights and behind-the-scenes details of Paltrow's relationships, family, friendships, iconic films, and tenure as the CEO of Goop.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Love her or hate her, Gwyneth Paltrow has managed to stay on the A-list indefinitely, her targeted influence spanning across entertainment, fashion, and wellness. Throughout her career, Paltrow has participated in countless carefully managed interviews, but the real Gwyneth-her motives, desires, strengths, faults, and vulnerabilities-has never been fully revealed, until now. In GWYNETH: The Biography (Gallery Books hardcover; July 29, 2025), veteran journalist Amy Odell, author of Anna-the New York Times bestselling biography of Anna Wintour-draws from extensive conversations with more than 220 sources, including close current and former friends and colleagues, to provide insights and behind-the-scenes details of Paltrow's relationships, family, friendships, iconic films, and tenure as the CEO of Goop.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

CarneyShow 8.12.25 Amy Odell, Dan Moren, Fordo's Killer Pizza, George Mahe, Frank Cusumano by

It's a Cookie Jar episode! Chelsea and Kristina unpack a few hot topics requested by the cookies, including a deep dive into the Gwyneth Paltrow biography by Amy Odell, breaking down her evolution from Hollywood royalty to Goop wellness icon. They get into juicy details about her relationships with Brad Pitt, Ben Affleck, and Chris Martin. Plus: “The Hunting Wives” on Netflix, “And Just Like That” ending, Cheryl Hines' memoir announcement, and a tribute to Glamorous Trash icon Loni Anderson. Join the cookie community: Become a member of the Patreon Follow Chelsea: Instagram @chelseadevantez Show Notes: Loni Anderson x Burt Reynolds Memoir Episode Ione Skye Memoir Episode The Cinemile Episode with Chelsea Devantez Where to find our guest Kristina Lopez: Instagram *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Thrive Causemetics - Get 20% off your first order at thrivecausemetics.com/glamorous Everyplate - Get a special offer of only $1.99 a meal at everyplate.com/podcast and use code GLAMOROUS199 Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In her new biography of Gwyneth Paltrow, Amy Odell calls Goop “a powerful platform for spreading health misinformation.” So many topics Goop has covered favorably—yoni eggs, coffee enemas, celery juice—have been scrutinized on our podcast. Rolling off her successful biography of Anna Wintour, Odell decided to train her sight on the “It girl” of the nineties who pivoted to a lucrative but contentious wellness business that laid the groundwork for the influencer aesthetic. She joins Derek to discuss her new book. But first, we discuss our thoughts on Odell's subject. Show Notes Gwyneth: The Biography BackRow by Amy Odell Learn more about your ad choices. Visit megaphone.fm/adchoices

Three years after authoring the incredible biography of Anna Wintour, fashion and culture journalist Amy Odell returns to the pod to discuss her newly released biography of actress and Goop founder Gwyneth Paltrow. Through hundreds of interviews and countless hours of archival research, Odell chronicles Paltrow's life of cultural influence—from '90s fashion icon to polarizing wellness mogul. She tells us who she talked to in order to paint a full picture of a public figure who's been in the spotlight for three decades. Plus, she reveals what she would have asked Gwyneth if she'd gotten the chance to speak with her for the book.Order a copy of Odell's book here!Shop our editor's eBay picks here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Three years after authoring the incredible biography of Anna Wintour, fashion and culture journalist Amy Odell returns to the pod to discuss her newly released biography of actress and Goop founder Gwyneth Paltrow. Through hundreds of interviews and countless hours of archival research, Odell chronicles Paltrow's life of cultural influence—from '90s fashion icon to polarizing wellness mogul. She tells us who she talked to in order to paint a full picture of a public figure who's been in the spotlight for three decades. Plus, she reveals what she would have asked Gwyneth if she'd gotten the chance to speak with her for the book.Order a copy of Odell's book here!Shop our editor's eBay picks here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lauren's guest is Amy Odell, author of Gwyneth: The Biography. They discuss actress Gwyneth Paltrow's second life as a wellness influencer, editor, fashion designer, and C.E.O. and founder of GOOP, the lifestyle business that has attracted plenty of attention but struggled to turn a profit. They also discuss GP's relationship with Anna Wintour, who was the subject of Amy's first book.Gwyneth: The BiographyAnna: The Biography To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

New York Times bestselling author Amy Odell joins Kate to discuss her new book, Gwyneth: The Biography. Love her or hate her, Gwyneth Paltrow has managed to stay on the A-list, her influence spanning entertainment, fashion, and the modern wellness industry. Gwyneth was born to parents viewed as Hollywood royalty, and that immense privilege turned her into a target of backlash when, at just twenty-six, she won an Oscar. Rather than cave in to criticism, she leveraged the attention for valuable endorsement deals and film roles, eventually founding her controversial wellness and lifestyle company, Goop. Over the decades, she has participated in countless carefully managed interviews, but the real Gwyneth—the basis of her motives, desires, strengths, faults, and vulnerabilities—has never been fully revealed, until now. Based on exclusive conversations with more than 220 sources, including close current and former friends and colleagues, this deeply researched biography provides insight and behind-the-scenes details of her relationships, family, friendships, iconic films, and tenure as the CEO of Goop. Gwyneth offers the fascinating, definitive look at how Paltrow rose to prominence, stayed in the limelight, and shaped culture—for better or worse—for so long. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Is Bonnie Blue a ‘sexual predator' or an empowered businesswoman? That's the question driving the controversial new Channel 4 documentary about the porn star's sex extremism, including sleeping with 1057 men in 12 hours. We went to the doc's press screening last week, with Bonnie herself in attendance for a post-screening Q&A, so we discuss the its most uncomfortable moments, as well as Bonnie's motivations, societal responsibility and what she's really like in person. Also in this ep, a look at the juiciest revelations from the new and unauthorised Gwyneth Paltrow biog, from Goop's toxic work environment to her fallout with Madonna. Plus a couple of TV reviews for you to get stuck into!We love hearing from you, DM us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@straightuppod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, email at ⁠⁠hello@straightuppodcast.co.uk⁠ and follow us on TikTok @straightuppod too!Huge thanks to our sponsor⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Yonder⁠⁠⁠⁠⁠⁠⁠⁠, the incredible lifestyle rewards credit card packed with rewards you'll actually *want* to use. Find out more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠yonder.com/straightup⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Borrow responsibly. £15 a month. 18+ and UK only. Rep 66.0% APR var. T&Cs apply.Recs/reviewsThe Assassin, Amazon PrimeThe Secrets of TikTok Shop: UNTOLD, Channel 4ONLYFANS: Bonnie Blue, sex stunts and the rise of the porn 'influencer' (our 28 May bonus ep)100 Men and Me: the Bonnie Blue Story, Channel 4 Bonnie Blue: 1,000 men and the worrying normalisation of porn, The TimesConfronting Andrew Tate & Bonnie Blue: World Exclusive: Have Men Lost Their Power & Has Feminism Ruined Society? Disruptors podcastBonnie Blue, Channel four and the problem with commodifying sexual violence, GlamourThe Affair podcastGwyneth: The Biography, Amy Odell Back Row, Amy Odell's SubstackSorry, you'll never be Gwyneth Paltrow. Whoever she really is, Washington Post Shakespeare in Love, BBC iPlayer. Hosted on Acast. See acast.com/privacy for more information.

Lauren's guest is Amy Odell, author of Gwyneth: The Biography. They discuss actress Gwyneth Paltrow's second life as a wellness influencer, editor, fashion designer, and C.E.O. and founder of GOOP, the lifestyle business that has attracted plenty of attention but struggled to turn a profit. They also discuss GP's relationship with Anna Wintour, who was the subject of Amy's first book.Gwyneth: The BiographyAnna: The Biography To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Nora's back, and we're doing one for the girls! Jodi and Nora first ring in Leo season with Jennifer Lopez's brand-new birthday bop, "Birthday" (10:00), and then ring in illicit affair summer with arguably the most viral story of the year, the (now-former) Astronomer CEO and CPO getting caught in their alleged affair at a Coldplay concert (24:00). Then, they talk about the juicy excerpts from Amy Odell's forthcoming biography of Gwyneth Paltrow (49:00). Finally, they get into all the nostalgic movie and television moments from the past week (1:04:15) before each sharing their personal obsessions (1:21:45). Email us with your latest obsessions at wereobsessedpod@gmail.com! Hosts: Jodi Walker and Nora Princiotti Producers: Sasha Ashall and Belle Roman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Khloé Kardashian just threw a Care Bears-themed birthday party, so we’re diving into these curated celebrity celebrations and what we think of it all. Spoiler alert: Ksenija’s got a bone to pick with the expectations they set for the rest of us. Then, we’ve got the early scoop on Gwyneth: The Biography, an unauthorised deep dive into the life of Gwyneth Paltrow, written by Anna Wintour biographer Amy Odell. From the Brad Pitt breakup to her fallout with Madonna, we're bringing you all the goss from what's been dropped so far, plus why Gwyneth doesn't seem too bothered by it.LISTEN:Loved today's episode of The Spill? We think you might like these:Jennifer Aniston’s New Boyfriend Has A Shady Past & Kesha Was Attacked By A Ghost (Yes, Really)Khloe Kardashian’s Suspicious Confession & The Pop Star That Left Fans Fuming THE END BITSSupport independent women's media The Spill podcast is on TikTok here and on Instagram here. Read all the latest entertainment news on Mamamia... here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! CREDITSHosts: Laura Brodnik and Ksenija LukichExecutive Producer: Monisha IswaranAudio Producer: Scott Stronach Mamamia studios are styled with furniture from Fenton and Fenton. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

The Coldplay affair has united every corner of the internet. But there's more to the story then meets the eye with strangers profiting, fake statements, and AI generated content. Mia's feeling conflicted to say the least, and she needs to talk about it. And newsflash: Holly's back from her European Grand Tour—and just in the nick of time. An exclusive look at Gwyneth Paltrow: The Biography has dropped with strange details about her early life and career that our Gwyneth correspondent is desperate to fill us in on. Plus, main character energy is ruining our public spaces. People are pooing in public pools and Jessie is demanding more information about it while Holly reports on her firsthand experience with over-tourism in 2025—and how this might all be our new norm. What To Listen To Next: Listen to our latest episode: The Salt Path Scandal That Blew Up Listen: The Lies That We're Allowed To Tell Listen: The Missing Minute & The Missing Body Listen: What Is Going On With Justin Bieber? Listen: Microefficiencies & The Politics Of A Mean Group Chat Listen: Should Your Family Divorce Your Ex Too? Listen: The Sex Chat No Woman Wants To Have Parenting Out Loud: Sleep Divorce, 'Hopeless' Dads & Goodnight To The Bedtime Story Connect your subscription to Apple Podcasts Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: HOLLY WAINWRIGHT: Winona Ryder and Gwyneth Paltrow's brutal friendship break-up is the stuff of Hollywood legend. The truth about Brad Pitt and Gwyneth Paltrow's breakup is out. It was the 'affair' tens of millions of us watched. Now there's been an update. 'Like the woman we’re thinking about after the "affair" video, I was the wife who was left behind.' 'As a travel writer, this is how you can see Europe on a budget.' THE END BITS: Check out our merch at MamamiaOutLoud.com Mamamia studios are styled with furniture from Fenton and Fenton GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Journalist and author Amy Odell discusses her critically acclaimed biography Anna: The Biography, an unflinching and meticulously researched portrait of Anna Wintour, one of the most powerful women in fashion. Odell shares what it was like to interview more than 250 sources — from Wintour's childhood friends to industry insiders — to understand the drive, ambition, and mystique behind the longtime Vogue editor-in-chief. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Anna Wintour stepped down as editor-in-chief of Vogue last week, so we're rerunning this great episode. Whether it's being eroded by fast fashion, climate change, or TikTok microtrends, the empire Wintour has long presided over is in flux. But where will Anna—and fashion—go next? We talk to veteran fashion journalist and Wintour biographer Amy Odell about Anna's finsta, the time she was considered for an ambassadorship, and what she really thought of The Devil Wears Prada. Read Vanessa's book, Blurred Lines: Sex, Power and Consent on Campus, and check out Natalie on Instagram at @natrobe To connect with Infamous's creative team, join the community at Campsidemedia.com/join Learn more about your ad choices. Visit podcastchoices.com/adchoices

The job was editor-in-chief. The goal was to become the platform. And she did.  Once she made it to the top, she didn't just edit Vogue. She reinvented the power structures beneath it. This episode unpacks how a British girl who couldn't type built the most bulletproof career in media, survived five decades of disruption, and made herself indispensable to fashion, politics, and culture.   You'll hear how she weaponized speed over perfection, fired half the Vogue staff in three days, and turned a porn-funded job into a fashion laboratory. Why she said “Your job” when asked what she wanted. Why she put Madonna on the cover at the peak of a scandal. Why standards—not popularity—are her real moat. It's not about fashion. It's about building systems no one can take from you.   Most people aim for realistic. Anna Wintour named her destination—Editor of Vogue—at sixteen, then built a ladder no one else could climb.  This episode is for informational purposes only and is based on Amy Odell's Anna: The Biography. Simon & Schuster, 2022.  Check out highlights from these books in our repository, and find key lessons from Wintour here—⁠⁠⁠⁠https://fs.blog/knowledge-project-podcast/outliers-anna-wintour/ Approximate timestamps: Subject to variation due to dynamically inserted ads: (03:48 ) PART 1: A Childhood Defined: The Girl Who Couldn't Type(05:50) Anna Chooses Her Path(07:28) Learning by Drowning(09:46) The Tyranny of Standards(12:01) When Merit Meets Reality (13:44) PART 2: Conquering New York: The Quiet Revolutionary(16:05) Quiet Focus(18:10) The Best Worst Job(19:29) A Reputation from Nothing(21:00) In the Wilderness(22:39) The Preparation Advantage(25:40) The Audacity Play(27:22) The London Interlude(28:44) The Execution (30:19) PART 3: Vogue's Transformation: The Devil in the Details(32:04) Speed as Strategy(34:56) The Celebrity Revolution(38:44) The Three-Assistant Solution(41:07) Balancing Art and Commerce(43:11) Cannibalizing Yourself First (46:46) PART 4: Anna's Empire: The Power of Compartmentalization(48:05) The Empire Strategy(49:44) Crisis as Opportunity(51:58) The Digital Reinvention(53:27) The Currency of Influence(54:36) The Machine Anna Built(56:11) The Persistence of Power (58:23) Reflections, afterthoughts, and lessons Upgrade—If you want to hear my thoughts and reflections at the end of all episodes, join our membership: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠fs.blog/membership⁠⁠⁠⁠⁠⁠ and get your own private feed. Newsletter—The Brain Food newsletter delivers actionable insights and thoughtful ideas every Sunday. It takes 5 minutes to read, and it's completely free. Learn more and sign up at ⁠⁠⁠⁠fs.blog/newsletter⁠ Follow Shane on X at: ⁠x.com/ShaneAParrish Learn more about your ad choices. Visit megaphone.fm/adchoices

From Season One of the show, Matt and Sam are joined by fashion journalist and author of Tales from the Back Row and Anna, Amy Odell!  (IG https://www.instagram.com/instamyodell)https://open.spotify.com/playlist/2hHnOaWzaab2PjI8xRTZ64?si=a3d09f7ad65849ba Step into a nostalgic journey as we explore the potent music of our formative years in this episode featuring special guest Amy Odell. We're diving into a carefully curated playlist that evokes memories of high school, friendships, and the transformative power of music. From the infectious grooves of Sublime's "Santeria" to the empowering anthem of Lauryn Hill's "Doo Wop (That Thing)," we unpack the personal stories woven into each track. Amy shares her insights and experiences surrounding these iconic songs, shedding light on how they've shaped her identity over the years.As we reflect on the cultural significance of these tunes, we touch upon the lasting impact of pop legends like Britney Spears and Mariah Carey, examining how their music has influenced generations while also sparking conversations on mental health and individuality. Through laughter and heartfelt nostalgia, we unravel the emotional connections that bind us to these melodies, inviting you to think about your own musical memories.1. Santeria - Sublime2. Doo Wop (That Thing) - Lauryn Hill3. (You Drive Me) Crazy - Brittney Spears4. Fantasy - Mariah Carey5. Ray of Light - Madonna6. No, No, No Part 2 - Destiny's Child featuring Wyclef Jean7. Say My Name - Destiny's Child8. Holiday/Boulevard of Broken Dreams - Green Day9. Dammit - Blink-18210. Doin' Time - Sublime11. Creep - TLC12. If You Had My Love - Jennifer LopezSupport the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

It's a slow news week, so we're still talking about the deeply bizarre “holding space” video from the Wicked press tour. We also discuss the nominees for 2025 AVN awards, Sean Baker's fabulous new film Anora, and we finally answer the question that is on everyone's mind: which Sex and the City boyfriend has the biggest schlong?  Chelsea's newsletter recs: Back Row by Amy Odell, Dana Thomas, Starf*cker by Liz Goldwyn, Sighs & Whispers by Laura Helms, Opulent Tips by Rachel Tashjian (this is invitation only, maybe DM her on Twitter?) Our favorite Louis Vuitton shows: S/S 2003 & S/S 2012. Honorable mentions go to S/S 2008 and S/S 2013. Also here is the full video of Andre Leon Talley talking about F/W 2012.  Our handbag recs: Sandy Liang's Recital bag, Telfar x Wilson's Leather Carry bag, The Clare V Petit Moyen in Black & Cream Woven Checker or Courrèges' Holy Tote Bag

Jacqueline Wilson's GIRLS books were a defining part of our childhoods, so how does the author's 20-years-on sequel (for adults!) match up? We discuss whether the books were a good influence and how her real life inspired her writing. Also this week, we dissect all the juiciest bits from Anna Wintour's Vogue doc, and question how 'guilty' Matthew Perry's long-time assistant was in his death. Plus, a round-up of our fave TV shows, and whether star ratings matter. Huge thanks to our sponsor Yonder, the incredible lifestyle credit card packed with rewards you'll actually *want* to use, from points to use towards your bill at the trendiest restaurants and bars in the UK, to experiences from the theatre to flights. Find out more at yonder.com/straightup Subject to eligibility. 18+ and UK Residents Only. T&C's apply.  We're also thrilled to be partnered with brand new quarterly newspaper The Pass, the only publication bold enough to ignore food influencer hype and give us properly honest London restaurant reviews. Subscribe here to receive the new issue and find out what to cross off, and put on, your list. DM us your thoughts on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠@straightuppod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or email us at ⁠hello@straightuppodcast.co.uk⁠ and as ever please, please, please leave us a review on Apple Podcasts and a rating on Spotify, lysm! There are still virtual tickets to our event next Thurs (26th) with the Trouble Club! Use our code STRAIGHTUP50 for 50% off! Reccs/ culture discussed:  Think Again by Jacqueline Wilson (the ‘Girls' series follow up) Jacqueline Wilson: the children's author who's now writing graphic sex for adults, The Times Jacqueline Wilson's girls seem depressingly unable to grow up, The Telegraph  In Vogue: The 90s, Disney+ In Vogue: The 90s review – Anna Wintour and pals offer up hour after hour of fabulous nothingness, Guardian In Vogue: The 90s review — proof of Anna Wintour's pulling power, The Times Anna Wintour: The Biography, by Amy Odell Confessions of former Vogue assistants, Amy Odell's Back Row (Substack) Did Matthew Perry's Assistant Have a Choice? Hollywood Veterans Aren't So Sure, Vanity Fair Why being a celebrity assistant is truly the worst job in Hollywood, Telegraph  The Assistant, BFI Player Secret Lives of Mormon Wives, Disney + How To Die Alone, Disney + We Might Regret This, BBC Nightsleeper, BBC Colin from Accounts, BBC Slow Horses, Apple TV English Teacher, Disney+ Cooking for People, Mike Davies  Cook As You Are, Ruby Tandoh

Not just anyone can write a biography of fashion icon Anna Wintour, but Amy Odell certainly has what it takes. A prominent journalist, author, editor, and media consultant, Amy has worked for some of the most well-known media companies including New York magazine, Buzzfeed, and Cosmopolitan magazine. Drawing from her career experience specializing in fashion and culture, Amy's first book Tales From the Back Row gives readers a behind-the-scenes look into the mysterious and exclusive fashion industry. Now, in her newest book Anna: The Biography, Amy is telling the story of one of industry's biggest names. In this episode, we discuss Amy's journey to becoming a journalist, how she found her voice as a writer, and the process behind writing Anna. Don't miss this interview where we talk about:The path Amy took to enter the world of journalism and her first publications while interning at The New York Observer Overcoming the fear of disappointing others and how Amy found confidence as she grew in her careerLaunching The Cut while working at New York magazine and overseeing its expansion from a daily blog to an established sub-brandWhy Amy decided to write Anna, how to begin writing a biography, and her experience interviewing those closest to Anna WintourBuilding an audience as a freelance journalist and adapting to an ever-changing industryFind Amy Odell:www.amyodell.comIG: @instamyodellTwitter: @amyodellLinkedIn: Amy OdellFollow Lydia:www.lydiafenet.comIG: @lydiafenetLinkedIn: Lydia FenetIf you enjoyed this episode and you'd like to help support the podcast, please subscribe and leave a rating and review on Apple or Spotify or where ever you get your podcasts. To stay up to date with Claim Your Confidence and get all the behind-the-scenes content, you can follow us on Instagram and on YouTube.Recorded at The Newsstand Studios at Rockefeller Center.Thank you for listening.

台客雙聲帶，科學新世代：「台客聽科學」好入耳的科普節目，超新鮮的母語聽感，用故事翻轉科學！「台客聽科學」首創以台、客母語發聲，把知識藏進劇情裡。故事力加乘科學力！點擊鏈結收聽，故事要開始講囉～https://fstry.pse.is/5qntvc —— 以上為播客煮與 Firstory Podcast 廣告 —— 小額贊助支持本節目： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s 留言告訴我你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments ------------------------------- 通勤學英語VIP加值內容與線上課程 ------------------------------- 通勤學英語VIP訂閱方案：https://open.firstory.me/join/15minstoday 社會人核心英語有聲書課程連結：https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 主題投稿/意見回覆 : ask15mins@gmail.com 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下是此單集逐字稿 (播放器有不同字數限制，完整文稿可到官網) ------------------------------- Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678 Next Article Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. 九月中旬的一個夜晚，在西村的一家小酒館，一群作家和喜歡享受生活的編輯們聚集在一個室外壁爐和常春藤覆蓋的格狀架子旁。牛排上桌後，眾人杯觥交錯直到深夜，歡鬧聲流瀉到鄰近的人行道上。 It could have been a scene from the Jazz Age heyday of the Manhattan magazine set — or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. 這幕場景可能來自爵士時代曼哈坦雜誌業全盛時期，甚至是90年代，以亮光紙印刷的月刊還是廣告收入淹腳目，編輯們坐在司機駕駛的豪華轎車內，告訴全國該穿些什麼、欣賞什麼、閱讀什麼人的年頭。 This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazine's longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carter's restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. 不過，這一晚透著一種悲傷的況味。《浮華世界》的員工正向雜誌的長期總編輯葛雷登．卡特致敬。卡特在任職25年後，宣布即將離職。在卡特自家餐廳「韋佛利餐廳」的後花園中，一些明星作家如詹姆士．沃科特、瑪麗．布倫納都表達了他們的謝意和感傷。 Carter has always had a knack for trends. Within two weeks, three other prominent editors — from Time, Elle and Glamour — announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. 卡特一向走在趨勢前端。不出兩星期，又有3位知名雜誌總編，分別是《時代》、《ELLE她》、《魅力》的總編也宣布準備下台。另一個業界巨頭，《滾石》創刊人詹恩．溫納則表示，打算出售他在《滾石》已保有半個世紀的控制性持股。 Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. 突然之間，長久來有關雜誌業終將崩潰的預言，似乎成真了。 Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. 雜誌業步履蹣跚已有多年，雜誌對讀者和廣告的壟斷遭到臉書、谷歌和更靈活的網路競爭對手侵奪。編輯和高管表示，高階領導階層的突然異動，說明這一行業的羅曼史正向財務現實低頭。 As publishers grasp for new revenue streams, a “try-anything” approach has taken hold. Time Inc. has a new streaming TV show, “Paws & Claws,” that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business — the print product — is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. 隨著發行人尋找新的收入來源，「無所不試」的作法開始出現。時代公司因此有了新的串流電視節目《寵物》，主要播出網路瘋傳的動物影片。赫斯特集團與網路出租服務公司Airbnb合辦了一份雜誌。但是雜誌業長久以來的核心─紙本產品卻越來越像後來才添加的產品，對於現場直播、播客、影片的投資，以及和外面品牌的合作關係，都讓紙本產品黯然失色。 The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. 這些變化代表這一行出現了數十年來最根本的轉變，而這個行業一向仰賴一個簡單公式存活，光鮮亮麗的書冊和滿滿的高價廣告。 “Sentimentality is probably the biggest enemy for the magazine business,” David Carey, president of Hearst Magazines, said in an interview. “You have to embrace the future." 赫斯特雜誌集團總裁大衛．凱里受訪時說：「多愁善感恐怕是雜誌業最大的敵人。你必須迎向未來。」 Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/ Next Article Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britain's most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. 英國版Vogue雜誌的母公司康泰納仕4月10日證實，美國Ｗ雜誌的創意與時尚總監艾德華．恩寧佛將接替亞歷珊卓．舒爾曼，擔任該雜誌總編輯。恩寧佛將在8月1日走馬上任，他將是這個英國最有影響力的時尚刊物創立一百年來，執掌大權的第一位男性，也是第一位黑人總編輯。 45歲的恩寧佛是頂尖造型師和備受讚譽的時尚總監，他孩童時期從迦納移民英國，以快活的舉止表情、傳奇的時尚雜誌封面，以及在時尚圈內和圈外擁有大批鐵粉聞名。去年6月獲頒大英帝國勳章，表彰他對時尚產業多元化的貢獻。 Conde Nast's international chairman and chief executive, Jonathan Newhouse, called Enninful “an influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,” and added that “by virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.” The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰納仕國際集團董事長兼執行長強納森．紐豪斯說，恩寧佛是「形塑時代思潮的時尚界、好萊塢和音樂界一位具有影響力的人物」，「憑他的才華和經驗，艾德華已為承擔英國版Vogue的責任做好了萬全的準備。」 在決定這項任命的三個月前，紐豪斯任命了另一位男士艾曼紐爾．法內提出掌義大利版的Vogue，接替去世的法蘭加．索薩妮。 Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, London's subway system. He has called modeling his “baptism into fashion.” By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. 恩寧佛是出人意料的人選。他在迦納出生，當裁縫的母親在倫敦蘭僕林區把他和5個兄弟姊妹撫養長大。16歲時，他在搭乘倫敦地鐵時被星探相中，成為英國i-D雜誌的模特兒。他把自己的模特兒經驗稱為「進入時尚界的受洗禮」。 到了17歲，他協助造型師西蒙．佛克斯頓和貝絲．桑默斯為這本刊物拍攝照片。1991年18歲時，他取代桑默斯，成為i-D雜誌時尚編輯，使他成為主要時尚刊物有史以來最年輕的主管之一。他並取得倫敦大學金匠學院的文憑。 Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white “counterparts” were in the first. 雖然有少數著名的例外，時尚產業極欠缺有權力的黑人，這一直令恩寧佛極感挫折，而他已相當努力以謀求改進。他曾因指控種族歧視而上了大新聞，包括2013年在巴黎一場高級訂製服的秀上，他被指定坐在第二排，而與他「地位相當」的白人坐在第一排。 Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/

Odcinek na Dzień Kobiet, więc o kobietach. Nawet z mężczyzną – za to jak pięknie o kobietach opowiadającym, nie tylko muzyką...Naszym gościem jest Artur Rojek – artysta, promotor muzyczny, ikona. Oprócz odpowiedzi na pytania czy ściga się z czasem i fascynujących historii osobistych, Artur zdradza kobiecy line up OFF Festivalu, który w tym roku zacznie się 2 sierpnia. A będzie się działo. Posłuchajcie tej szczerej, czasami filozoficznej i pięknej rozmowy.A w kulturalnych newsach:okazuje się, że w tym roku podczas ceremonii rozdania nagród filmowych Amerykańskiej Akademii czas krwawego księżyca na szczęście nie przeminął z wiatrem. Opowiemy wam o silnych kobietach, które swoją grą aktorską i postawą walczyły z systemem.Zaczynamy od Hattie McDaniel – aktorki i pierwszej Afroamerykanki, która odebrała Oscara za rolę Mammy w filmie "Przeminęło z wiatrem". Wiecie, że nie została zaproszona na premierę, bo kino, w którym odbywał się seans było przeznaczone tylko dla białych? Jak działała segregacja w Hollywood? Sprawdźcie sami.Po Hattie czas na Lily Gladstone – rdzenną Amerykankę – pierwszą przedstawicielkę rdzennych ludów Ameryki nominowaną do Oscara za pierwszoplanową rolę kobiecą w filmie Martina Scorsesego "Czas krwawego księżyca". Kilka dni dzieli nas od werdyktu Akademii, a my robimy zakłady.Przypominamy też smutną historię Sacheen Littlefeather, która w 1973 roku wyszła na scenę, by odczytać oświadczenie Marlona Brando. Ten odmówił przyjęcia nagrody. Był to jego znak protestu wobec traktowania przez Hollywood i państwo rdzennych Amerykanów. Po przemowie John Wayne rzucił się z pięściami na kobietę, Clint Eastwood publicznie ją upokorzył, a producenci filmowi zadbali, by nie pojawiła się już nigdy w żadnym filmie, ani programie tv. Wiecie, kiedy Akademia przeprosiła Littlefeather? Zdziwicie się... Wychodzimy z kina i w Dzień Kobiet mówimy też o tych, które rządzą światem designu i mody: niedawno zmarłej w wieku 102 lat Iris Apfel oraz Annie Wintour, którą niby znają wszyscy, a tak naprawdę nie zna jej nikt. Czytamy więc biografię redaktor naczelnej amerykańskiego "Vogue'a" autorstwa Amy Odell (wyd. Marginesy) i przybliżamy jej postać.W cyklu Wstrząśnięte, Nie Zmieszane głowimy się nad tym, jak zagadać do chłopaka. Rozmowa o pogodzie podobno nie do końca wskazana... Za to o żal jak najbardziej!Na kolejne pytania czekamy tu:studio26podcast@gmail.comTo co, zaczynamy?Produkcja: Kara BeckerMuzyka: Piotr HaraźnyGrafika: Karolina Żmijewska

Whether it's being eroded by fast fashion, climate change or TikTok microtrends, the empire Vogue Editor-in-Chief Anna Wintour presides over is dwindling. But where will Anna – and fashion – go next? We talk to veteran fashion journalist and Anna Wintour biographer Amy Odell about Wintour's finsta, the time she was considered for an ambassadorship, and what she really thought of The Devil Wears Prada. Click ‘Subscribe' at the top of the Infamous show page on Apple Podcasts or visit GetTheBinge.com to get access wherever you get your podcasts. A Campside Media & Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Medielandskapet har genomgått omfattande förändringar på ett par decennier. De klassiska modetidskrifterna är mer än någonsin tidigare beroende av sina annonsörer. Utrymmet för modejournalistik har minskat drastiskt. Ofta har kritikerna ersatts av influencers. Modemärkena har själva blivit innehållsproducenter. Gränserna mellan det redaktionella och det kommersiella har luckrats upp. Men hoppet gror. En initierad, oberoende modejournalistik och -kritik är en förutsättning för ett vitalt modefält och för att frågor om kvalitet ska bli aktuella igen. Hur ser de nya formerna för modejournalistik och modekritik då ut? I årets första avsnitt tittar vi alltså närmare på modejournalistik och modekritik. Avsnittet är något av en pendang till influenceravsnittet. Mediaindustrins kris fungerar som fond även här. Det handlar om nyhetsbrevjournalistik (om Amy Odells utmärkta nyhetsbrev Back Row, inte minst), om plattformar, om datafiering, om att vara en 'outsider' i modevärlden, om att vara journalist och mediaentreprenör, om behovet av kritiska röster, om Youtube vs. TikTok och Instagram, om det skrivna ordet kontra  bilder. Intervjuade i programmet är Agnès Rocamora, professor i Social and Cultural Studies vid London College of Fashion, och Odunayo Oyo, aka Fashion Roadman, framgångsrik modejournalist med kritiskt anslag på Youtube. Programmet leds av Jenny Lantz, docent i företagsekonomi vid Handelshögskolan i Stockholm. Tack för att du lyssnar! Följ oss gärna på Instagram.

What I learned from reading Anna: The Biography by Amy Odell. ----1. If you need tax prep and bookkeeping check out betterbookkeeping.com/founders. It's like having a full time CFO and super cheap grandpa sitting on your shoulder. 2. Vesto makes it easy for you to invest your businesses idle cash. Schedule a demo with Vesto's founder Ben and tell him David from Founders sent you. Here's the legal disclosures to make the lawyers happy:Vesto Advisors, LLC (“Vesto”) is an SEC registered investment adviser. Registration with the SEC does not imply a certain level of skill or training. More information about Vesto and our partnership can be found hereWe are entitled to compensation for promoting Vesto Advisors, LLC. Accordingly, we have an incentive to endorse Vesto and its team and services. We are not current advisory clients of the Vesto.3. I went to Notre Dame and spoke to the Art of Investing class. You can listen to the full conversation here. ----(8:00) She knows the ecosystem in which she operates better than anyone.(8:30) If Anna had a personal tag line it would be: I just have to make sure things are done right.(16:00) He had a desk with nothing on it except a buzzer underneath, so that when he was done with you, which was in about five minutes, his assistant could come in and whisk you away.(17:00) What is the number one thing you hope people learn from you? To be decisive and clear.(19:00) The Vogue 100 is a private club whose members pay $100,000 a year just for access to Anna.(29:00) She did not second guess herself.(30:00) She was meticulous about everything.(32:00) Her focus was singular. She was very clear minded about wanting to do work that she thought was the best.(38:00) She knew that killing stories was necessary to let people know that you had standards.(41:00) Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs by Ken Kocienda. (Founders #281)(44:00) Anna ran the magazine with iron fisted discipline.(48:00) With Anna you get two minutes. The second minute is a courtesy.(49:00) It is slothful not to compress your thoughts. — Winston Churchill(52:00) Anna intentionally builds relationships with the most powerful people in her industry.(52:00) Anna saw the potential for the industry and how she can expand the power and the influence that her individually, and Vogue as a brand, by just combining all these people that are already in the ecosystem and then intentionally putting them together. When they work together it becomes stronger. And as a result of what she created, the whole is greater than the sum of its parts.(53:30) The power she has cannot be understated. The way in which she accumulated the power was fascinating. She aligned everybody's interest, with her at the center.(1:05:00) She's not just building up a personal brand. She's not just building up Vogue. She's building up the entire industry.(1:06:00) Relationships last longer than money.(1:06:00) Resist any cheapening of the brand, however popular and lucrative it might be in the short term.(1:08:00) Anna told him don't spend any time and money building out the perfect store in New York. Just roll racks into the unfinished space and start selling clothes. (He ignored this advice and went out of business)(1:11:00) More resources:Front Row: Anna Wintour: The Cool Life and Hot Times of Vogue's Editor in Chief by Jerry Oppenheimer The September Issue (Documentary)The Devil Wears Prada (Movie)73 Questions with Anna Wintour73 More Questions with Anna Wintour ----Get access to the World's Most Valuable Notebook for Founders at Founders Notes.com----“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested, so my poor wallet suffers.” — GarethBe like Gareth. Buy a book: All the books featured on Founders Podcast 

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We reconnect with the journalist Amy Odell to discuss the problematic legacy of Karl Lagerfeld, the late designer of Chanel, and the new exhibit devoted to his work at the Metropolitan Museum of Art in New York. We try to answer one of the central questions of creativity - can you separate the art from the artist? - and dive into other aspects of Lagerfeld's life and work.Support the show

歡迎留言告訴我們你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678 Next Article Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. 九月中旬的一個夜晚，在西村的一家小酒館，一群作家和喜歡享受生活的編輯們聚集在一個室外壁爐和常春藤覆蓋的格狀架子旁。牛排上桌後，眾人杯觥交錯直到深夜，歡鬧聲流瀉到鄰近的人行道上。 It could have been a scene from the Jazz Age heyday of the Manhattan magazine set — or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. 這幕場景可能來自爵士時代曼哈坦雜誌業全盛時期，甚至是90年代，以亮光紙印刷的月刊還是廣告收入淹腳目，編輯們坐在司機駕駛的豪華轎車內，告訴全國該穿些什麼、欣賞什麼、閱讀什麼人的年頭。 This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazine's longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carter's restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. 不過，這一晚透著一種悲傷的況味。《浮華世界》的員工正向雜誌的長期總編輯葛雷登．卡特致敬。卡特在任職25年後，宣布即將離職。在卡特自家餐廳「韋佛利餐廳」的後花園中，一些明星作家如詹姆士．沃科特、瑪麗．布倫納都表達了他們的謝意和感傷。 Carter has always had a knack for trends. Within two weeks, three other prominent editors — from Time, Elle and Glamour — announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. 卡特一向走在趨勢前端。不出兩星期，又有3位知名雜誌總編，分別是《時代》、《ELLE她》、《魅力》的總編也宣布準備下台。另一個業界巨頭，《滾石》創刊人詹恩．溫納則表示，打算出售他在《滾石》已保有半個世紀的控制性持股。 Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. 突然之間，長久來有關雜誌業終將崩潰的預言，似乎成真了。 Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. 雜誌業步履蹣跚已有多年，雜誌對讀者和廣告的壟斷遭到臉書、谷歌和更靈活的網路競爭對手侵奪。編輯和高管表示，高階領導階層的突然異動，說明這一行業的羅曼史正向財務現實低頭。 As publishers grasp for new revenue streams, a “try-anything” approach has taken hold. Time Inc. has a new streaming TV show, “Paws & Claws,” that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business — the print product — is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. 隨著發行人尋找新的收入來源，「無所不試」的作法開始出現。時代公司因此有了新的串流電視節目《寵物》，主要播出網路瘋傳的動物影片。赫斯特集團與網路出租服務公司Airbnb合辦了一份雜誌。但是雜誌業長久以來的核心─紙本產品卻越來越像後來才添加的產品，對於現場直播、播客、影片的投資，以及和外面品牌的合作關係，都讓紙本產品黯然失色。 The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. 這些變化代表這一行出現了數十年來最根本的轉變，而這個行業一向仰賴一個簡單公式存活，光鮮亮麗的書冊和滿滿的高價廣告。 “Sentimentality is probably the biggest enemy for the magazine business,” David Carey, president of Hearst Magazines, said in an interview. “You have to embrace the future." 赫斯特雜誌集團總裁大衛．凱里受訪時說：「多愁善感恐怕是雜誌業最大的敵人。你必須迎向未來。」 Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/ Next Article Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britain's most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. 英國版Vogue雜誌的母公司康泰納仕4月10日證實，美國Ｗ雜誌的創意與時尚總監艾德華．恩寧佛將接替亞歷珊卓．舒爾曼，擔任該雜誌總編輯。恩寧佛將在8月1日走馬上任，他將是這個英國最有影響力的時尚刊物創立一百年來，執掌大權的第一位男性，也是第一位黑人總編輯。 45歲的恩寧佛是頂尖造型師和備受讚譽的時尚總監，他孩童時期從迦納移民英國，以快活的舉止表情、傳奇的時尚雜誌封面，以及在時尚圈內和圈外擁有大批鐵粉聞名。去年6月獲頒大英帝國勳章，表彰他對時尚產業多元化的貢獻。 Conde Nast's international chairman and chief executive, Jonathan Newhouse, called Enninful “an influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,” and added that “by virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.” The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰納仕國際集團董事長兼執行長強納森．紐豪斯說，恩寧佛是「形塑時代思潮的時尚界、好萊塢和音樂界一位具有影響力的人物」，「憑他的才華和經驗，艾德華已為承擔英國版Vogue的責任做好了萬全的準備。」 在決定這項任命的三個月前，紐豪斯任命了另一位男士艾曼紐爾．法內提出掌義大利版的Vogue，接替去世的法蘭加．索薩妮。 Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, London's subway system. He has called modeling his “baptism into fashion.” By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. 恩寧佛是出人意料的人選。他在迦納出生，當裁縫的母親在倫敦蘭僕林區把他和5個兄弟姊妹撫養長大。16歲時，他在搭乘倫敦地鐵時被星探相中，成為英國i-D雜誌的模特兒。他把自己的模特兒經驗稱為「進入時尚界的受洗禮」。 到了17歲，他協助造型師西蒙．佛克斯頓和貝絲．桑默斯為這本刊物拍攝照片。1991年18歲時，他取代桑默斯，成為i-D雜誌時尚編輯，使他成為主要時尚刊物有史以來最年輕的主管之一。他並取得倫敦大學金匠學院的文憑。 Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white “counterparts” were in the first. 雖然有少數著名的例外，時尚產業極欠缺有權力的黑人，這一直令恩寧佛極感挫折，而他已相當努力以謀求改進。他曾因指控種族歧視而上了大新聞，包括2013年在巴黎一場高級訂製服的秀上，他被指定坐在第二排，而與他「地位相當」的白人坐在第一排。 Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/ Powered by Firstory Hosting

We are back with fashion journalist and author Amy Odell to discuss Pharrell's appointment as the creative director of Louis Vuitton Menswear and what it means for fashion, what it says about the power of celebrity, Louis Vuitton's business model, and the fashion media.Check out Amy's Back Row Substack, amyodell.substack.comSupport the show

We dissect Demna's first post-Balenciaga scandal interview in Vogue with the journalist Amy Odell. We discuss Demna's mea culpas and the various statements he makes, dive into the mechanics of the interview, its possible causes and effects, Kering's corporate strategy, and Vogue's journalistic integrity. We also try to guess who actually conducted the interview. Odell is a seasoned fashion journalist, and together with Eugene, based on their extensive experience they give a glimpse of what probably went on behind the scenes. You can read Demna's interview here.Support the show

We wanted to reach out and apologize for an error last week where we released this week's episode early. While we corrected this on the backend right away, if your podcast app automatically downloads episodes you might have missed our fantastic episode with Amy Odell.If that's the case, just delete and re-download the episode and you'll hear our chat with Amy.We really apologize for the error, and we really appreciate your listenership. For those of you that didn't get early access, we are so excited to share our episode with Brianna de L'airre tomorrow. Brianna is an experienced sales coach and has so many insightful things to say about encouragement, challenge, and helping people succeed and grow at work.Thanks for listening!

We spoke with fashion and culture journalist Amy Odell about breaking into journalism, her biography of Anna Wintour, and the opportunities and challenges of the changing landscape of digital media.Subscribe to Amy's Substack, Back Row, at https://amyodell.substack.com/Subscribe to the Content People newsletter at https://meredithfarley.substack.com/Connect with Meredith at https://www.linkedin.com/in/meredith-farley

In this interview special, Diane talks to Prentice Penny, who ran INSECURE with Issa Rae, his comedy writing credits also include BROOKLYN 99 and HAPPY ENDINGS. Penny talks about the groundbreaking comedy of INSECURE and his thoughts about how comedy is changing as the industry sloooowly has more POC in decision-making positions. The second chat is with journalist Amy Odell, who writes the Back Row newsletter and wrote the wonderful book ANNA, about fashion empress Anna Wintour. Diane and Amy talk about Fashion on TV in INSECURE, AND JUST LIKE THAT and SELLING SUNSET.

In part 2 of our discussion on Anna: The Biography by Amy Odell, hear about the progression of Anna Wintour's career at Vogue, Vogue culture, the Met Gala, and more! Purchase Anna: The Biography on Bookshop (supports Fash-Ed & independent bookstores!) or Amazon October Book & Movie Club Pick: Slay Watch free on Waterbear Fash-Ed Contact Info: Email: natalie.labarbera6@gmail.com Instagram: Fash.Ed Read Fash-Ed on Substack Join Fash-Ed on Bookclubs Get more book recommendations on Bookshop --- Support this podcast: https://podcasters.spotify.com/pod/show/fash-ed/support

This is part 1 of 2 (part 2 coming next week!) of the September Book and Movie Club pick, Anna: The Biography by Amy Odell. We discuss some of the things I found most interesting about the early years of Anna's career. October Book & Movie Club Pick: Slay (TW: animal cruelty) Watch Free on Waterbear Buy Anna: The Biography on Bookshop (supports independent bookstores & Fash-Ed!) or Amazon Read Fash-Ed on Substack Join Fash-Ed on Bookclubs Get more fashion book recommendations on Bookshop Fash-Ed Contact Information: Email: natalie.labarbera6@gmail.com Instagram: Fash.Ed --- Support this podcast: https://podcasters.spotify.com/pod/show/fash-ed/support

You've probably seen people behaving in ways at networking events that get them remembered – in a bad way. Whether being the strong-armed salesperson, the deck dealer, or simply clingy Cathy it's easy to slip into disempowering habits. In the belief that you must replace a bad habit with a good one, join Debby and Greg as they discuss some of the activities that will help you stand out in a good way! Thank you to ConvoSparker: - Mark Abramson, Counsel at Semro Henry & Barga Ltd, https://www.linkedin.com/in/mark-abramson-a180734/ Also Mentioned: - Breeda Miller, Breeda Miller Speaking, https://www.linkedin.com/in/breedamiller/ - Elizabeth Grantham, Professional Development in Education College of Charleston, https://www.linkedin.com/in/elizabeth-grantham-b985a71a/ - Tracey Edwards, CEO at The National Exchange Club, https://www.linkedin.com/in/edwardstracey/ Resources: - Referral Pursuit, https://www.connextnation.com/referral-pursuit/ - “Anna” by Amy Odell, https://read.amazon.com/kp/embed?asin=B09JPJLW9M&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_XGHR3VGD66G4RQTNNFFB Groups Mentioned: - Toastmasters International, https://www.toastmasters.org/ - National Speakers Association, Michigan Chapter, https://www.nsamichigan.com/ - Maumee Chamber of Commerce, https://maumeechamber.com/ Comments: https://www.facebook.com/TheReluctantNetworker/ https://www.facebook.com/connextnation/ More Information: If you'd like more information about our virtual training programs, go to: https://www.connextnation.com/mini-course/ "Porch Swing Days - faster" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org --- Send in a voice message: https://anchor.fm/3rdgennetworking/message

Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678   Next Article   Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. 九月中旬的一個夜晚，在西村的一家小酒館，一群作家和喜歡享受生活的編輯們聚集在一個室外壁爐和常春藤覆蓋的格狀架子旁。牛排上桌後，眾人杯觥交錯直到深夜，歡鬧聲流瀉到鄰近的人行道上。 It could have been a scene from the Jazz Age heyday of the Manhattan magazine set — or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. 這幕場景可能來自爵士時代曼哈坦雜誌業全盛時期，甚至是90年代，以亮光紙印刷的月刊還是廣告收入淹腳目，編輯們坐在司機駕駛的豪華轎車內，告訴全國該穿些什麼、欣賞什麼、閱讀什麼人的年頭。 This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazine's longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carter's restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. 不過，這一晚透著一種悲傷的況味。《浮華世界》的員工正向雜誌的長期總編輯葛雷登．卡特致敬。卡特在任職25年後，宣布即將離職。在卡特自家餐廳「韋佛利餐廳」的後花園中，一些明星作家如詹姆士．沃科特、瑪麗．布倫納都表達了他們的謝意和感傷。 Carter has always had a knack for trends. Within two weeks, three other prominent editors — from Time, Elle and Glamour — announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. 卡特一向走在趨勢前端。不出兩星期，又有3位知名雜誌總編，分別是《時代》、《ELLE她》、《魅力》的總編也宣布準備下台。另一個業界巨頭，《滾石》創刊人詹恩．溫納則表示，打算出售他在《滾石》已保有半個世紀的控制性持股。 Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. 突然之間，長久來有關雜誌業終將崩潰的預言，似乎成真了。 Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. 雜誌業步履蹣跚已有多年，雜誌對讀者和廣告的壟斷遭到臉書、谷歌和更靈活的網路競爭對手侵奪。編輯和高管表示，高階領導階層的突然異動，說明這一行業的羅曼史正向財務現實低頭。 As publishers grasp for new revenue streams, a “try-anything” approach has taken hold. Time Inc. has a new streaming TV show, “Paws & Claws,” that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business — the print product — is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. 隨著發行人尋找新的收入來源，「無所不試」的作法開始出現。時代公司因此有了新的串流電視節目《寵物》，主要播出網路瘋傳的動物影片。赫斯特集團與網路出租服務公司Airbnb合辦了一份雜誌。但是雜誌業長久以來的核心─紙本產品卻越來越像後來才添加的產品，對於現場直播、播客、影片的投資，以及和外面品牌的合作關係，都讓紙本產品黯然失色。 The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. 這些變化代表這一行出現了數十年來最根本的轉變，而這個行業一向仰賴一個簡單公式存活，光鮮亮麗的書冊和滿滿的高價廣告。 “Sentimentality is probably the biggest enemy for the magazine business,” David Carey, president of Hearst Magazines, said in an interview. “You have to embrace the future." 赫斯特雜誌集團總裁大衛．凱里受訪時說：「多愁善感恐怕是雜誌業最大的敵人。你必須迎向未來。」 Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/   Next Article   Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue   Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britain's most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. 英國版Vogue雜誌的母公司康泰納仕4月10日證實，美國Ｗ雜誌的創意與時尚總監艾德華．恩寧佛將接替亞歷珊卓．舒爾曼，擔任該雜誌總編輯。恩寧佛將在8月1日走馬上任，他將是這個英國最有影響力的時尚刊物創立一百年來，執掌大權的第一位男性，也是第一位黑人總編輯。 45歲的恩寧佛是頂尖造型師和備受讚譽的時尚總監，他孩童時期從迦納移民英國，以快活的舉止表情、傳奇的時尚雜誌封面，以及在時尚圈內和圈外擁有大批鐵粉聞名。去年6月獲頒大英帝國勳章，表彰他對時尚產業多元化的貢獻。 Conde Nast's international chairman and chief executive, Jonathan Newhouse, called Enninful “an influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,” and added that “by virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.” The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰納仕國際集團董事長兼執行長強納森．紐豪斯說，恩寧佛是「形塑時代思潮的時尚界、好萊塢和音樂界一位具有影響力的人物」，「憑他的才華和經驗，艾德華已為承擔英國版Vogue的責任做好了萬全的準備。」 在決定這項任命的三個月前，紐豪斯任命了另一位男士艾曼紐爾．法內提出掌義大利版的Vogue，接替去世的法蘭加．索薩妮。 Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, London's subway system. He has called modeling his “baptism into fashion.” By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. 恩寧佛是出人意料的人選。他在迦納出生，當裁縫的母親在倫敦蘭僕林區把他和5個兄弟姊妹撫養長大。16歲時，他在搭乘倫敦地鐵時被星探相中，成為英國i-D雜誌的模特兒。他把自己的模特兒經驗稱為「進入時尚界的受洗禮」。 到了17歲，他協助造型師西蒙．佛克斯頓和貝絲．桑默斯為這本刊物拍攝照片。1991年18歲時，他取代桑默斯，成為i-D雜誌時尚編輯，使他成為主要時尚刊物有史以來最年輕的主管之一。他並取得倫敦大學金匠學院的文憑。 Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white “counterparts” were in the first. 雖然有少數著名的例外，時尚產業極欠缺有權力的黑人，這一直令恩寧佛極感挫折，而他已相當努力以謀求改進。他曾因指控種族歧視而上了大新聞，包括2013年在巴黎一場高級訂製服的秀上，他被指定坐在第二排，而與他「地位相當」的白人坐在第一排。 Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/

每日英語跟讀 Ep.K401: The Magazine Business, From the Coolest Place to the Coldest One   I miss magazines. It's a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. 我懷念雜誌，這是一種奇怪的痛，因為它們在某種程度上仍與我們同在。超市排隊結帳時，它們從架上盯著我們；在飯店大廳桌子周圍憔悴晃動；取消訂閱很久後還會出現在信箱，像是拒絕接受分手的舊愛。 But they're also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. 但它們也在消失。在疫情、戰爭與雜誌真的衰微的時期，這種加速衰微並不是什麼大新聞，但人們敏銳地感覺到，缺乏權威性雜誌來記錄這些事件，或像過去那樣定期的讓注意力從這些事情轉移。 Time marches on, or limps, but Life is gone. There's no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. It's been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) 「時代」雜誌還在前進，或說蹣跚前行，但「生活」雜誌已經逝去。「金錢」雜誌沒了。它們以前的姊妹刊物「娛樂周刊」和「InStyle」印刷版曾獲利豐厚，但已在2月停止出版。大家向「Saveur」和「美麗佳人」告別，也讓「花花公子」、「紙」與O雜誌穿上壽衣。（就在我撰寫此文時，人們在推特上說「The Believer」被一個情趣用品網站收購了。) Two recent books — “Dilettante,” by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com — are graveyards of dead or zombie titles that were once glowing hives of human whim. 最近出版的兩本書，「浮華世界」資深編輯達納．布朗的「Dilettante」及柯夢波丹前成員艾咪．歐德爾的安娜溫圖新傳記，有如亡者的墓地，或曾是人類奇想的光輝巢穴冠上了殭屍名號。 “There were so many magazines in 1994,” Brown writes. “So many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.” 布朗寫道：「1994年有很多雜誌。很多新雜誌，很多很棒的雜誌。當時所有年輕人才避開了其他行業，湧向這個行業。那是最酷的。」 Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded — Vanity Fair, where he'd been beckoned by Graydon Carter while a barback at the restaurant 44 — he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. 然後突然變成最冰冷的地方。布朗在44號餐廳吧檯用餐時，被總編輯卡特招攬，剛登上有如大型豪華郵輪的「浮華世界」，但他跟其他許多人只能看到他們即將撞上的巨大冰山一角：網路。智慧手機這種自我編輯、直到擁有者死去才會停止的小怪物雜誌也即將來臨。這些東西可能看起來像是救生艇，但它們其實是魚雷艦。 Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. 每年，美國雜誌編輯協會都會頒發一項大獎，這是一頭野獸派風格、名叫「艾利」的大象獎座，模仿考爾德大象雕塑設計而成。作家都以把它放在壁爐上為榮。 The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. 現代美國文學史與它的雜誌彼此交織在一起。未來就像是許多鬆散的線，在風中飄揚。Source article: https://udn.com/news/story/6904/6379678

In this installment of our recap of Amy Odell's biography of Anna Wintour, we talk about her chess-like moves to become editor in chief of Vogue and all the poor pawns she steps on on the way to the top. We talk affairs, lawsuits, PETA, Harvey Weinstein, even 9/11. It's juicy, it's ripe, just pluck it off the tree and taste it baby!

On this week's episode, Viva editor Amanda Linnell is joined by commercial editor Emma Gleason and creative and fashion director Dan Ahwa to discuss all the hottest food trends to help you combat the cold winter days! From Matariki to new Korean restaurants, we've got all the tips you need. Plus, listen to an excerpt of contributor Tracey Donaldson's interview with Amy Odell, the author of a new biography into Vogue editor Anna Wintour. The panel discusses her legacy and reputation, as well as the latest in men's fashion, the upcoming Writer's Festival, and the one TikTok trend they've had to try in real life! Find more from Viva at viva.co.nz, Wednesdays in the New Zealand Herald, and on Facebook and Instagram See omnystudio.com/listener for privacy information.

T Lo dive into a couple of recent stories illustrating the hold Marily Monroe still has on the culture and then they dive deep on the life and career of Vogue editor Anna Wintour in an interview with Amy Odell, author of ANNA: THE BIOGRAPHY. 

[REBROADCAST FROM June 9, 2022] For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day four, we look at Anna Wintour's depiction in popular culture, specifically the film, "The Devil Wears Prada," as well as her relationship with former employee André Leon Talley and her philanthropy and work with the Met Gala.

[REBROADCAST FROM June 8, 2022] For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day three, we discuss Anna Wintour's route to becoming Vogue editor-in-chief and her leadership style.

[REBROADCAST FROM June 7, 2022] For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day two, we discuss Anna Wintour's entry into the magazine business, early successes and failures, and her path to New York.  NOTE: This segment originally aired on June 7, and has been edited. The aired version stated that Anna Wintour became Vogue's editor-in-chief in 1998. The correct year was 1988.

[REBROADCAST FROM June 6, 2022] For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day one, we discuss Anna Wintour's early life growing up in England as the daughter of a well-known newspaperman. NOTE: This segment originally aired on June 6, and has been edited. The originally aired version stated that Anna Wintour became Vogue's editor-in-chief in 1998. The correct year was 1988.

Amy Odell always knew she wanted to work in journalism. As a fashion and culture reporter, she has left her mark on countless publications, most notably New York Magazine's The Cut. But she got called to interview for a role at Vogue magazine during her time there. After an unsuccessful interview with the formidable Anna Wintour, she did not get the job. The truth was she probably wasn't right for it as fashion was still an industry she was trying to understand. But if someone would have told her then that she would end up writing ANNA: The Biography, the most comprehensive account of the life and reign of Anna Wintour years later, she would not have believed them. Because of my fashion background and experience with Anna, this episode turned into a very candid discussion covering the complexities of what it is like to work with Anna, who benefits from her loyalty, and who gets left in the dust when she decides that you're radioactive. Amy and I go deep into Anna's complicated and often controversial decisions, including the defense of the antisemitic John Galliano and Georgina Chapman during the height of the Harvey Weinstein #MeToo movement. Whatever you think you know about Anna Wintour, this book and episode will shed a different light on someone who has seized and held power for over 34 years and shows no signs of being dethroned any time soon.

In the fashion industry and the corporate world, you'd be hard-pressed to find as influential a figure as Anna Wintour.Journalist Amy Odell discusses her biography of the fashion industry's most powerful influencer.

Via their Instagram page Design.Emergency Alice Rawsthorn and Paola Antonelli have brought designers together to tackle some of the worlds intractable problems. Journalist Amy Odell discusses her biography of the fashion industry's most powerful influencer Anna Wintour. New Zealanders have kicked off a citizen historian fad thanks to a new book from Dr Christine Whybrew of Heritage NZ called How to Research Your House. It helps you discover the genealogy of your home and uncover secrets of its past. Toilet, loo, powder room, the toot; no matter what you call it you use it everyday. In this week's Iconic Designs Colin Bisset casts his eye over the design evolution of the public toilet.

For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day four, we look at Anna Wintour's depiction in popular culture, specifically the film, "The Devil Wears Prada," as well as her relationship with former employee André Leon Talley and her philanthropy and work with the Met Gala.  

For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day three, we discuss Anna Wintour's route to becoming Vogue editor-in-chief and her leadership style.

For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day two, we discuss Anna Wintour's entry into the magazine business, early successes and failures, and her path to New York.   NOTE: This segment has been edited. The original version, which aired on the radio, stated that Anna Wintour became Vogue's editor-in-chief in 1998. The correct year was 1988.

For the latest installment of our ongoing Full Bio series, we speak with Amy Odell, author of a new biography about Vogue editor-in-chief Anna Wintour, called, Anna: The Biography. On day one, we discuss Anna Wintour's early life growing up in England as the daughter of a well-known newspaperman.

Meet Rae Cairns, author of The Good Mother, on her journey from indie author to publishing sensation; the most important thing you can do when interviewing someone; where Agatha Christie got all her ideas; and win Anna by Amy Odell, about iconic editor Anna Wintour. Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.com See omnystudio.com/listener for privacy information.

In this episode, Natalia, Niki, and Neil discuss the cryptocurrency craze. Support Past Present on Patreon: https://www.patreon.com/pastpresentpodcast Here are some links and references mentioned during this week's show:  The crash of TerraLuna is proving “crypto” to be both more than a passing trend and less than the miracle its boosters once promised. We recommended Kevin Roose's “Latecomer's Guide to Crypto” in the New York Times. Niki drew on this History News Network article to link crypto enthusiasm to other financial bubbles, and Natalia referred to James Ledbetter's FIN Substack This 2013 (early) history of Bitcoin from New York Times provided useful context for all of us. Niki also recommended David Yaffe-Bellany's New York Times piece, “Ben McKenzie Would Like a Word with the Crypto Bros,” and the Crypto Island podcast.   In our regular closing feature, What's Making History: Natalia talked about Amy Odell's new book, Anna: The Biography. Neil discussed Sarah Pulliam Bailey's Washington Post article, “Southern Baptist Leaders Covered Up Sex Abuse, Kept Secret Database, Report Says.” Niki recommended Maureen Ryan's Vanity Fair article, “The Great Pottery Throwdown is a Balm for a Weary Age.”

In this episode of From the Front Porch, Annie is recapping all of the books she read in May. Shorter versions of these reviews can be found on Annie's personal Instagram page. The books mentioned in today's episode are available for purchase at The Bookshelf's website and there's a Reading Recap bundle featuring Annie's three favorite titles from this month's readings, available at a discounted price. You can find links to the books mentioned in this episode below: Mika in Real Life by Emiko Jean Book Lovers by Emily Henry This Is Not a Book About Benedict Cumberbatch by Tabitha Carvan Carrie Soto Is Back by Taylor Jenkins Reid Catholics by Brian Moore The Anthropocene Reviewed by John Green The Year of the Horses by Courtney Maum From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram at @bookshelftville, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week Annie is listening to Anna by Amy Odell. If you liked what you heard in today's episode, tell us by leaving a review on iTunes. Or, if you're so inclined, support us on Patreon, where you can hear our staff's weekly New Release Tuesday conversations, read full book reviews in our monthly Shelf Life newsletter and follow along as Hunter and I conquer a classic. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are... Donna Hetchler, Angie Erickson, Cammy Tidwell, Chantalle C, Nicole Marsee, Wendi Jenkins, Laurie johnson and Kate Johnston Tucker. Libro.FM: Libro.fm lets you purchase audiobooks directly from your favorite local bookstore (Like The Bookshelf). You can pick from more than 215,000 audiobooks, and you'll get the same audiobooks at the same price as the largest audiobook company out there (you know the name). But you'll be part of a different story -- one that supports community. All you need is a smart phone and the free Libro.fm app. Right now, if you sign up for a new membership, you will get 2 audiobooks for the price of one. All you have to do is enter FRONTPORCH at checkout or follow this link: https://tidd.ly/3C2zVbb Flodesk: Do you receive a weekly or monthly newsletter from one of your favorite brands? Like maybe From the Front Porch (Or The Bookshelf)... Did you ever wonder, ‘how do they make such gorgeous emails?'  Flodesk is an email marketing service provider that's built for creators, by creators, and it's easy to use. We've been using it for a couple of years now, and I personally love it. And right now you can get 50% off your Flodesk subscription by going to: flodesk.com/c/THEFRONTPORCH

Amy Odell, Author of Anna Wintour's biography, joins Jonesy & Amanda to chat about the powerful woman. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amy Odell, Author of Anna Wintour's biography, joins Jonesy & Amanda to chat about the powerful woman. See omnystudio.com/listener for privacy information.

We all know Anna Wintour as the iconic editor-in-chief of Vogue. You might recognize her for the bob cut, her black glasses and her floral dresses. But she's not only a strong leader with an extraordinary work ethic, and she's neither so cold in reality. I've been fascinated by Anna Wintour for a long time and if you have read my book Your Fashion Dream Plan you know that there is an illustration as well as a chapter with her name. So I was very excited to sit down with Amy Odell who has just published her book Anna the biography. Amy has built up Anna Wintour's story by interviewing more than 250 people over the past 3 years. In this podcast episode we chatted about Anna Wintour: why she is so powerful in fashion why do people beyond fashion ask for her opinion (including Serena Williams and Bradley Cooper when he had to cast for A star is born). if there is Vogue without Anna Wintourwho could replace her and if the next editor in chief will be as influential as AnnaGet your copy of Your Fashion Dream Plan on AmazonGet your copy of Anna the biography on amazon

Fashion and culture journalist Amy Odell has just released the highly anticipated definitive biography of Vogue Editor in Chief and cultural icon Anna Wintour. Anna is a highly researched and detailed account of everything you've wanted to know about the powerful woman behind the blunt bob and sunglasses. But when writing a book about the most influential woman in media, how do you get her closest confidants to agree to speak with you? Do you reveal your intention to Anna herself? How do you decide which personal encounters to trust? Amy's here to answer all those questions and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fashion and culture journalist Amy Odell has just released the highly anticipated definitive biography of Vogue Editor in Chief and cultural icon Anna Wintour. Anna is a highly researched and detailed account of everything you've wanted to know about the powerful woman behind the blunt bob and sunglasses. But when writing a book about the most influential woman in media, how do you get her closest confidants to agree to speak with you? Do you reveal your intention to Anna herself? How do you decide which personal encounters to trust? Amy's here to answer all those questions and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this week's episode of Think Fast, hosts Varun & Suchita begin by telling us about Ather Energy securing funding, Apple's latest hire- an ex-Ford employee, some more Elon Musk, First Cry delaying their IPO, and how White Hat Jr's employees quit on being called to the office. Further, Suchita deep dives into the rise of Athleisure and its foray into sub-segments like activewear, Tennis wear, and so on, the Sneakers market and how it's been growing and attracting not just the millennials but the older folks as well, how Jens and Emma Grede have been accelerating Celebrity led brands including the likes of the Kardashians, and Lady Gaga relaunching her own brand after a tryst with bad timing and decisions. Varun looks at a creator survey led by Patreon and its interesting insights, the peak of Start-up winter with brands like Swiggy, Zomato, and Meesho slowing down to conserve cash, and Instagram's foray into NFTs. Tune in for all this and more. Suchita Recommends a book: Anna: The Biography by Amy Odell(https://www.amazon.com/Anna-Biography-Amy-Odell/dp/1982122633)And a show: Bling Empire Season 2(https://www.netflix.com/watch/81039144?source=35)Varun recommends a show: The Lincoln Lawyer(https://www.netflix.com/watch/81335096?source=35&trackId=254743534)You can follow Varun Duggirala on Twitter at: https://twitter.com/varunduggi and on Instagram at https://instagram.com/varunduggiYou can follow Suchita Salwan on Twitter at https://twitter.com/suchitasalwan and on Instagram at https://instagram.com/suchitasalwanCheck out video episodes on the Think Fast YouTube Channel.(https://www.youtube.com/channel/UCbtHHMZ_01TyL3kXhJV4Ddg)You can follow IVM Podcasts on social media. We are @IVMPodcasts on Facebook, Twitter, Instagram, YouTube.You can listen to this show and othe

BoF's Imran Amed quizzes Amy Odell on how she went about biographing the fashion media icon, and the surprising things she learned on the way.    Background:  Anna Wintour is arguably the most recognisable name in fashion media. In her new biography of Wintour author Amy Odell sets out to paint a nuanced and meticulously researched picture of Wintour's life based on hundreds of interviews and sweeping archival research.  This week on The BoF Podcast, Odell joins BoF's Imran Amed to talk about the process of biographing the complicated fashion titan, and provides some insight as to what she learned about Wintour's life and career, as well as what the future holds for Vogue in a post-Anna Wintour era.    Key Insights:  Even amid a number of industry shifts, including the decline of print media, Wintour has maintained her power in part because of the strong network of people — in fashion and beyond — who value her advice and her ability to bridge the  business and creative sides of fashion. Former colleagues and friends  have described Wintour as future-focused and hungry; she hasn't stopped working because she enjoys the work.  Whoever succeeds Wintour as editor-in-chief will inherit lots of sway that comes with the role. Odell theorises that a Vogue veteran will be tapped next as has always been the case in the past.    Additional Resources:  What Anna Wintour's Big Promotion Means for Condé Nast: As the publisher focuses on returning to profitability, a new unified content strategy under Anna Wintour, more powerful at the publisher than ever, aims to make its strategy more efficient and intertwined. Org Chart: Vogue's New Global Editorial Structure: The heavyweight international Vogue editors who once filled the front rows at Paris Fashion Week were gone this season, a stark sign of the restructuring that has consolidated power in the hands of global editor Anna Wintour and her regional deputies.   Join BoF Professional today using the link here.

There's no denying it, the MET Gala is the new Oscars – as far as fashion goes. In today's episode, we're dissecting all of the beauty looks worth discussing, from Kim Kardashian's bleachy ode to Marilyn Monroe to Nikki Minaj's brow-to-boob crystal embellishments, Lucy Boynton's rhinestone lashes and more! Plus, find out which celebrity debuted her new makeup collection on the red carpet.   Then, we're chatting with Amy Odell, author of the new Anna Wintour book, Anna: The Biography. Having interviewed more than 200 people closest to the Vogue boss, we get the goods on the mind behind the iconic glasses and the bob. With insights into the editrix's “militant” organization of the MET gala to the moment she “woke” to the inclusivity movement, Vogue salaries and more, Amy gives us a sneak peek into her page-turner that dropped this week.   Get social with us and let us know what you think of the episode! Find us on Instagram, Tiktok, Twitter. Join our private Facebook group, or give us a call and leave us a voicemail at 1-844-227-0302.    For any products or links mentioned in this episode, check out our website: https://breakingbeautypodcast.com/episode-recaps/ PROMO CODES: When you support our show partners, you support the creation of Breaking Beauty Podcast!    OUAI   Discover a new OUAI of life with the Leave-In Conditioner from OUAI! Go to theouai.com and use code BEAUTY to get 15% off your entire purchase   Gladskin   Gladskin with Micreobalance treats inflammatory conditions including eczema, rosacea and acne in a new, smarter and safer way. Get 15% off plus free shipping on your first order at gladskin.com/beauty   *Disclaimer: Unless otherwise stated, all products reviewed are gratis media samples submitted for editorial consideration.*   Hosts: Carlene Higgins and Jill Dunn Theme song, used with permission: Cherry Bomb by Saya
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This week, Rachel would rather be reading about one of the most influential forces in both fashion and culture, the one and only Anna Wintour. Anna: The Biography by Amy Odell

Matt and Samer hear a new mix from fashion journalist and author of Tales from the Back Row Amy Odell!  (IG https://www.instagram.com/instamyodell)Mix available on our SUPER AWESOME MIX app: https://app.superawesomemix.com/Ff2vauuMQxAuBPi7Aalso available on Spotify:https://open.spotify.com/playlist/2hHnOaWzaab2PjI8xRTZ64?si=a3d09f7ad65849ba  Support the show (https://www.patreon.com/superawesomemix)

Happy Monday lovers!This week, we're talking about the evolution of Lady Gaga, the closure of Cosmo, and the ethics of the celebrity paparazzi.This week Mich recommends watching Exposed: The case of Keli Lane on ABC iView.Zara recommends this profile on Chrissy Teigen and this interview with the man who welcomed back Louis CK,To read Allie Jones' take on whether Cosmo is "deeply feminist", click here. To read an interview with the woman who reinvigorated Cosmo, Amy Odell, click here.Why We Need Tabloids, by Ryan Linkof in the New York Times.Listen to Keira Knightley on the Awards Chatter Podcast.This episode was produced by Michelle Andrews, with royalty free music from Bensound.

Happy Monday lovers!This week, we're talking about the evolution of Lady Gaga, the closure of Cosmo, and the ethics of the celebrity paparazzi.This week Mich recommends watching Exposed: The case of Keli Lane on ABC iView.Zara recommends this profile on Chrissy Teigen and this interview with the man who welcomed back Louis CK,To read Allie Jones' take on whether Cosmo is "deeply feminist", click here. To read an interview with the woman who reinvigorated Cosmo, Amy Odell, click here.Why We Need Tabloids, by Ryan Linkof in the New York Times.Listen to Keira Knightley on the Awards Chatter Podcast.This episode was produced by Michelle Andrews, with royalty free music from Bensound.

On this week's CF Office Hours, we spoke with Amy Odell, editor of Cosmopolitan.com and author of "Tales From the Back Row." She told us all about her career choices that got her to where she is today and what she looks for in an employee. Listen up on how to really stand out in your entry-level job and step up to get that promotion. We'll also be taking a break and coming back with a new and improved podcast in October so stay tuned and enjoy!

The editor of Cosmopolitan.com explains why she wanted to write a book, the importance of fashion, and tells her hilarious story of coming face to face with Anna Wintour.

Stressing that you have a diploma and no job offers lined up? Tune into this episode for a crash course on how to make yourself a hot commodity to employers. Host Elisa Benson is joined in studio by Cosmopolitan.com's Site Director, Amy Odell, and Cosmopolitan.com's Editorial Assistant, Madison Feller. Interviews include Who What Wear's Hillary Kerr, and Oscar Mayer Wienermobile spokesperson Lizzie Duffey.

On this episode, Amy Odell, the Editor of Cosmopolitan.com and Director of Editorial Strategy for RedbookMag.com, chats with Julie about how to find success and the reason why she says, “You can’t wait around for things to happen to you.” Plus, the veteran fashion writer shares her insider tips for how to dress for work!

Are your 20s really the best time in your life, or are they the hardest? Does everything get easier after 30, or are we even more confused? Host Elisa Benson is joined by Cosmopolitan.com's site director Amy Odell, associate editor Tess Koman, and assistant editor of Snapchat discover Carina Hseih to discuss life in your 20s vs. life in your 30s.

If we are so against objectifying women's bodies, is it counterintuitive to objectify men's? Host Elisa Benson breaks it down with the help of Olympic Gymnast Jake Dalton, and Cosmopolitan.com's site director Amy Odell and weekend editor Laura Beck.

This month we discover the Posh Club a daytime cabaret for older folk, we have award winning writer and performer Rob Auton live with us in the studio, we talk to photographer Syd Shelton about his involvement with Rock Against Racism, singer-songwriter Amy Odell joins us for a live acoustic session, we meet Jacob and Kennedy from Take Back the City and Julia Lorke meets some Hackers at the Turbine Hall.. Presented and produced by Nia Charpentier, Pearl Wise and Danielle Manning.

Of course millennial women want to sound confident and intelligent in the workplace — but are attacks on typically feminine speech patterns like upspeak and vocal fry really helping women get ahead? Cosmo editors Amy Odell, Alie Martell, and host Elisa Benson discuss the line between practical career advice and sexism. Guests include TV writer Laura Beck and Levo’s VP of content development Kathleen Harris.

Humble-bragging about yourself at the office ‹ and plastering your personal social feed with selfies ‹ can feel gross, but it can also help you build the kind of following that boosts your career and leads to new opportunities. Cosmopolitan.com editors Amy Odell, Patti Greco, and Carina Hsieh and host Elisa Benson talk about the weird line between self-obsession and self-deprecation in a time where trying to be a social media star is equal parts fun, eye-roll-y, and incredibly useful.

Yahoo Style's Joe Zee talks to Kevin Kwan, author of "Crazy Rich Asians" and "China Rich Girlfriend," about what inspired his books and a possible movie in the works. The Yahoo Style team talks about the latest news and trends in the Big Five Stories segment. Amy Odell, author of "Tales from the Back Row," is our latest guest to play Cards Against Fashion Humanity with our Yahoo editors.

Welcome to the Cosmo Happy Hour! Host Elisa Benson is joined by Cosmo fashion editors and experts Amy Odell, Charles Manning and Carly Cardellino. The Cosmo Four talk big fashion events and share hilarious stories from their experiences.

You know that friend that was quiet in high school but super smart, funny, and destined to be a boss? We do, too. Meet Amy Odell, Editor at Cosmopolitan and author of "Tales from the Back Row," her new book about life behind-the-scenes as a journalist in the fashion industry. Jay Buim chats with Amy for a peak behind the curtain to learn more about Amy’s trajectory. Check out the conversation for details of her interview with Anna Wintour, how she got started in fashion, the changes she’s making at Cosmo, and excellent career advice. Edited by Jay Buim Produced by Kate Barnett