Podcasts about Mississippi Goddam

Five years ago, I awoke to the horrifying news of the murder of George Floyd by a member of the Minneapolis Police Department. I had been working on cobbling together an episode on French Glamour, which quickly gave way instead to an impromptu episode of protest music through the ages which remains one of the Countermelody episodes of which I am most proud. Yesterday was the five-year commemoration of that horrific event, which sparked worldwide protests and which, for a while, seemed as if it might lead to systemic change. Five years later, we find ourselves in a true global nightmare. Almost everything that has changed has been for the worse, but my feelings about the system that has produced such calamity remains exactly the same as it has always been. For that reason, I am republishing that episode from five long years ago, in which I sought to “defer to those on the front lines to speak of their own experience and truth” in a program of protest music from the early twentieth century to the recent past. Nina Simone's song of rage “Mississippi Goddam” was a guiding force as I put the episode together, but we hear from a wide range of singers, from Donny Hathaway, Micki Grant, Pete Seeger, Mahalia Jackson, Odetta, Billie Holiday, Aretha Franklin, to Joan Baez, Cher, Barbra Streisand, Paul Robeson, and Marlene Dietrich. If you don't want to hear a political program, for goddess's sake, keep away, but if you do want to be infuriated, engaged, and ultimately uplifted, please listen in. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Ens fixem en el paper del jazz a l'Am

Rassismus verhindert, dass Nina Simone zur ersten schwarzen Konzertpianistin der USA werden kann. Als wieder einmal rassistische Morde die USA erschüttern, schreibt sie den Song "Mississippi Goddam", der zur Hymne der Bürgerrechtsbewegung wird.

Jetzt reicht's! Nina Simone erträgt den alltäglichen und tödlichen Rassismus nicht mehr – und komponiert in 20 Minuten einen Protestsong, der niemanden kaltlässt... Von Veronika Bock.

When we left off last season FDR's New Deal and the end of WWII meant America was out of the Great Depression. But in 1960 people were waking from dreams of Earth Angels and Chantilly Lace to times that were changing. The Civil Rights movement, The Women's Movement, and Anti-war protests were drawing attention and building momentum.  Longer nightly news broadcasts meant Americans were seeing more and gaining consciousness of what life was like not only overseas, but right in their own backyards.   People were seeing what it meant to be black in America and to be poor in America. Popular culture, especially music, reflected this, in folk music and protest songs like Odetta's Oh Freedom, in Bob Dylan's “Oxford Town” Nina Simone's “Mississippi Goddam,” and in jazz like John Coltrane's “Alabama.” These recordings brought the injustices of American life into the public consciousness in a new way. So on November 22, 1963, when the 35th president of the United States John Fitzgerald Kennedy was assassinated in Dallas, Texas, and Vice President Lyndon Baines Johnson assumed the role of president of the United States and wasted no time getting to work on continuing the legacy of not only Kennedy but of FDR. And creating a series of programs that he hoped would define his legacy as well.  In May of 1964, 6 months before he would be elected president of the US in a landslide victory. President Johnson laid out his vision for The Great Society in a speech at the University of Michigan.  And this was no pie-in-the-sky hyperbole. Johnson was the architect of the continuation of the safety net through the great society and that meant. Passing the civil rights bill was crucial for Johnson, not only because he was continuing Kennedy's legacy, but because it was a foundational piece of his Great Society and the American Safety Net.  But who was LBJ? What motivated his keen focus on domestic policy, poverty, civil rights, healthcare, and education, especially at a time when the Cold War was heating up and the war in Vietnam was on everyone's hearts, minds, and TVs? In this episode we explore Lyndon Baines Johnson the man and the president with Pulitzer Prizing-winning biographer Robert Caro, we hear conversations between LBJ with Martin Luther King Jr. and we get a better understanding of the context and the consequences of this monumental moment in American history. Special thanks to our other guests for this episode H.W. Brands, Julian Zelizer, and Erine Gray, and to The Miller Center at the University of Virginia, The American Presidency Project at The University of California Santa Barbara, and The LBJ Presidential Library and Museum in Austin Texas for their consultation and use of archived materials. Michael Zapruder arranged and composed the music for this show, and played guitar, with Jeff Olsen on drums, Mike St. Clair on bass, and Sam Lipman on keyboards. Executive Producer, Rebecca McInroy.  Advising Editor, Jim Tuttle Intern, Frances Cutter

Vous aimez l'Histoire et les récits de Virginie Girod ? Soutenez-nous en laissant étoiles et commentaires sur votre plateforme d'écoute préférée !

The final episode of Mississippi Goddam shares new revelations that cast doubt on the official story that Billey Joe Johnson Jr. accidentally killed himself.  Our reporting brought up questions that the original investigation never looked into. Host Al Letson and reporter Jonathan Jones go back to Mississippi to interview the key people in the investigation, including Johnson's ex-girlfriend – the first recorded interview she's ever done with a media outlet. The team also shares its findings with lead investigator Joel Wallace and the medical examiner who looked into the case.  Finally, after three years of reporting, we share what we've learned with Johnson's family and talk to them about the inadequacy of the investigation and reasons to reopen the case.  This episode was originally broadcast in December 2021.

Black communities around Mississippi have long raised concerns about suspicious deaths of young Black men, especially when law enforcement is involved.  Curley Clark, vice president of the Mississippi NAACP at the time of Reveal's reporting, called Billey Joe Johnson Jr.'s case an example of “Mississippi justice.”  “It means that they still feel like the South should have won the Civil War,” Clark said. “And also the laws for the state of Mississippi are slanted in that direction.” Before Johnson died during a traffic stop with a White sheriff's deputy, friends say police had pulled him over dozens of times. And some members of the community raised concerns that police had been racially profiling Black people.   Reveal investigates Johnson's interactions with law enforcement and one officer in particular.   This episode was originally broadcast in November 2021.

Billey Joe Johnson Jr. and Hannah Hollinghead met in their freshman year of high school. Hollinghead says Johnson was her first love, and in many ways, it was a typical teen romance. Friends say they would argue, break up, then get back together again. Some people were far from accepting of their interracial relationship. On Dec. 8, 2008, they were both dating other people. According to Hollinghead and her mother, Johnson made an unexpected stop at her house, moments before he died of a gunshot wound during a traffic stop on the edge of town.  But it appears that investigators failed to corroborate statements or interview Johnson's friends and family to get a better idea of what was going on in his life on the day he died. Reveal exposes deep flaws in the investigation and interviews the people closest to Johnson, who were never questioned during the initial investigation.  This episode was originally broadcast in November 2021.

Special Agent Joel Wallace of the Mississippi Bureau of Investigation was called in to investigate the death of Billey Joe Johnson Jr. He worked alongside two investigators from the George County district attorney's office.  Wallace said that arrangement didn't happen very often. And he now questions why they were assigned. “If you've got me investigating the case, then I'm an independent investigator,” he said. “But why would I need the district attorney investigator to oversee me investigating a case?” The Johnson family was initially relieved because Wallace had experience investigating suspicious deaths. As a Black detective, he had dealt with racist backlash to his work.  Reveal host Al Letson and reporter Jonathan Jones visit Wallace, now retired, to talk about what happened with the investigation. When Wallace finds out what Reveal has uncovered, he begins to wonder whether the case should be reopened. This episode was originally broadcast in November 2021.

After Billey Joe Johnson Jr. died in 2008, the state of Mississippi outsourced his autopsy. Al Letson and Jonathan Jones travel to Nashville, Tennessee, to interview the doctor who conducted it. Her findings helped lead a grand jury to determine Johnson's death was an accidental shooting. However, Letson and Jones share another report that raises doubts about her original conclusions.  This episode was originally broadcast in October 2021.

On the morning of Billey Joe Johnson's death, crime scene tape separates the Johnsons from their son's body. Their shaky faith in the criminal justice system begins to buckle. As Johnson's family tries to get answers about his death, they get increasingly frustrated with the investigation. They feel that law enforcement officials, from the lead investigator to the district attorney, are keeping them out of the loop. While a majority-White grand jury rules that Johnson's death was accidental, members of the family believe the possibility of foul play was never properly investigated.  This episode was originally broadcast in October 2021.

Billey Joe Johnson Jr. was a high school football star headed for the big time. Then, early one morning in 2008, the Black teenager died during a traffic stop with a White deputy. His family's been searching for answers ever since. More than a decade ago, Reveal host Al Letson traveled to Lucedale, Mississippi, to report on the Deepwater Horizon oil spill. While there, locals told him there was another story he should be looking into: Johnson's suspicious death.   During that traffic stop, police say Johnson died of a self-inflicted gunshot wound. But for Johnson's family, that explanation never made sense.  In the first episode of this seven-part series, Letson returns to Mississippi with reporter Jonathan Jones to explore what happened to Johnson – and what justice means in a place haunted by its history.  This episode was originally broadcast in October 2021.

Découvrez la suite du récit consacré à Nina Simone, icône de la musique soul aux États-Unis, racontée par l'historienne Virginie Girod. Nina Simone rencontre Andrew Stroud, dans les années 50. Entre eux, c'est le coup de foudre et Andy devient le manager de l'artiste. Le succès de Nina Simone est retentissant. Mais peu à peu, sa vie personnelle bascule : Andy est un homme violent, et Nina souffre de troubles bipolaires, diagnostiqués bien plus tard, qui la font souffrir au quotidien. Ulcérée par le racisme envers la communauté noire, Nina Simone se jette à corps perdu dans la lutte pour les droits civiques. Elle soutient des mouvements radicaux, à l'image de ceux portés par les Black Panthers ou Malcolm X. L'artiste s'engage également à travers ses chansons, comme avec Mississippi Goddam, qui dénonce les horreurs des lynchages que subissent les Noirs Américains. Cette radicalité isole petit à petit l'artiste, qui s'exile au Libéria, en Suisse, puis à Paris, avant que sa carrière ne redémarre dans les années 1990.Sujets abordés : Jazz - Musique - Concert - Droits Civiques - Racisme - États-Unis  "Au cœur de l'histoire" est un podcast Europe 1 Studio. Ecriture et présentation : Virginie Girod - Production : Camille Bichler (avec Florine Silvant)- Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Communication : Kelly Decroix - Visuel : Sidonie Mangin

Helen and Gavin chat about The Last of Us, Velma, and EO, and it's Week 66 from the list of Rolling Stone's 500 Best Songs Ever, numbers 175 to 171; I Only Have Eyes For You by The Flamengos, Radio Free Europe by REM, Marquee Moon by Television, Mississippi Goddam by Nina Simone, and What a Wonderful World by Louis Armstrong.

We welcome Dinesh Mathew to the show to talk about food and his political journey and policies that can unite parties on the left for animals. Music Played: Nina Simone 'Mississippi Goddam' - https://shop.ninasimone.com/products/feeling-good-her-greatest-hits-and-remixes-cd Hedwig and the Angry Inch 'Origin of Love' - https://open.spotify.com/album/79l4BIW8SN0M7bZAGmP0EB Beddy Rays 'Sort It Out' - https://beddyrays.bandcamp.com/track/sort-it-out

This week, Bethanne is telling us the story of Nina Simone, a woman who started out just wanting to play classical piano, but grew to become one of the most ferocious civil rights activists in the 1960s music scene. However, her story is also ultimately one of heartbreak. Trigger Warnings: this episode contains mentions of abuse, suicide, and sexual assault. Show Notes and Images: https://shewillrockyou.com/2022/08/03/episode-72-mississippi-goddam-nina-simone/ Visit Our Website: https://www.shewillrockyou.com Follow us on TikTok: https://www.tiktok.com/@shewillrockyoupodcast Follow us on Instagram: https://www.instagram.com/shewillrockyoupodcast Shop Our Merchandise: https://she-will-rock-you.creator-spring.com/ About the Show: The goal of She Will Rock You has always been to educate our listeners. Whether that is about a classic rock artist or a new and emerging artist. We want to help promote new rock artists, especially those who are women or minorities. Rock and roll is not dead, and we aim to do everything that we can to spread the love. --- Send in a voice message: https://anchor.fm/she-will-rock-you/message Support this podcast: https://anchor.fm/she-will-rock-you/support

La storia di Mississippi Goddam, che parte da un fatto brutto, ma così brutto, che la grande Nina Simone si arrabbia e ci fa sopra una canzone.See omnystudio.com/listener for privacy information.

Donate now to support Reveal's journalism. ••• The final episode of Mississippi Goddam shares new revelations that cast doubt on the official story that Billey Joe Johnson accidentally killed himself. This week marks the 13th anniversary of Johnson's death. His family is still seeking justice. Our reporting brought up questions that the original investigation never looked into. Host Al Letson and reporter Jonathan Jones go back to Mississippi to interview the key people in the investigation, including Johnson's ex-girlfriend – the first recorded interview she's ever done with a media outlet. The team also shares its findings with lead investigator Joel Wallace and the medical examiner who looked into the case. Finally, after three years of reporting, we share what we've learned with Johnson's family and talk to them about the inadequacy of the investigation and reasons to reopen the case.

Donate now to support Reveal's journalism. ••• Black communities around Mississippi have long raised concerns about the suspicious deaths of young Black men, especially when law enforcement is involved. Curley Clark, vice president of the Mississippi NAACP, calls Billey Joe Johnson Jr.'s case an example of “Mississippi justice.” “It means that they still feel like the South should have won the Civil War,” Clark said. “And also the laws for the state of Mississippi are slanted in that direction.” Before Johnson died during a traffic stop with a White sheriff's deputy, friends say police had pulled him over dozens of times. And some members of the community raised concerns that police had been racially profiling Black people. Reveal investigates Johnson's interactions with law enforcement and one officer in particular.

Donate now to support Reveal's journalism. ••• Billey Joe Johnson Jr. and Hannah Hollinghead met in their freshman year of high school. Hollinghead says Johnson was her first love, and in many ways, it was a typical teen romance. Friends say they would argue, break up, then get back together again. Some people were far from accepting of their interracial relationship. On Dec. 8, 2008, they were both dating other people. According to Hollinghead and her mother, Johnson made an unexpected stop at her house, moments before he died of a gunshot wound during a traffic stop on the edge of town. But it appears that investigators failed to corroborate statements or interview Johnson's friends and family to get a better idea of what was going on in his life on the day he died. Reveal exposes deep flaws in the investigation and interviews the people closest to Johnson, who were never questioned during the initial investigation.

Donate now to support Reveal's journalism. ••• Special Agent Joel Wallace of the Mississippi Bureau of Investigation was called in to investigate the death of Billey Joe Johnson. He worked alongside two investigators from the George County district attorney's office. Wallace said that arrangement didn't happen very often. And he now questions why they were assigned. “If you've got me investigating the case, then I'm an independent investigator,” he said. “But why would I need the district attorney investigator to oversee me investigating a case?” The Johnsons were initially relieved, because Wallace had experience investigating suspicious deaths. As a Black detective, he had dealt with racist backlash to his work. Reveal host Al Letson and reporter Jonathan Jones visit Wallace, now retired, to talk about what happened with the investigation. When Wallace finds out what Reveal has uncovered, he begins to wonder whether the case should be reopened.

Donate now to support Reveal's journalism. ••• After Billey Joe Johnson Jr. died in 2008, the state of Mississippi outsourced his autopsy. Al Letson and Jonathan Jones travel to Nashville, Tennessee, to interview the doctor who conducted it. Her findings helped lead the grand jury to determine Johnson's death was an accidental shooting. However, Letson and Jones share another report that raises doubts about her original conclusions.

Donate now to support Reveal's journalism. ••• On the morning of Billey Joe Johnson's death, crime scene tape separates the Johnsons from their son's body. Their shaky faith in the criminal justice system begins to buckle. As Billey Joe Johnson's family tries to get answers about his death, they get increasingly frustrated with the investigation. They feel that law enforcement, from the lead investigator to the district attorney, are keeping them out of the loop. While a majority White grand jury rules that Johnson's's death was accidental, members of the family believe the possibility of foul play was never properly investigated.

Billey Joe Johnson Jr. was a high school football star headed for the big time. Then, early one morning in 2008, the Black teenager died during a traffic stop with a White deputy. His family's been searching for answers ever since. Ten years ago, Reveal host Al Letson traveled to Lucedale, Mississippi, to report on the Deepwater Horizon oil spill. While there, locals told him there was another story he should be looking into: Johnson's suspicious death. During a traffic stop with a White deputy, police say Johnson died of a self-inflicted gunshot wound. But for Johnson's family, that explanation never made sense. In the first episode of this seven-part series, Letson returns to Mississippi with reporter Jonathan Jones to explore what happened to Johnson – and what justice means in a place haunted by its history.

*This episode comes to you a week later than we anticipated. Finals, you know? Some information may have changed by the time you're listening* The Supreme Court heard oral arguments for Dobbs v. Jackson Women's Health Organization, a case which challenged a Mississippi state law banning abortions after 15 weeks. The outcome of this case can potentially lead to the overturning of Roe v. Wade. The Slate of Affairs team sits down to discuss what the future of reproductive rights might look like. Tatiana is advising people against visiting Hollywood; Blake is celebrating Stacey Abrams; Daniel is running through his Spotify Wrapped. If you are in California and would like to schedule a vaccination appointment, please click the following link: https://myturn.ca.gov The biggest thank you to every listener who is supporting us through Anchor's 'Listener Support!' If you haven't lent yourself to listener support and are interested, the link can be found below. Sponsorship begins at just 99 cents! MENTIONED ON THE POD: Dobbs v. Jackson Women's Health Organization | SCOTUSblog Jackson Women's Health Organization v. Dobbs | ReproductiveRights The Mississippi Abortion Case and the Fragile Legitimacy of the Supreme Court | The New Yorker MUSIC OF THE POD: Slate of Affairs Introduction | A Boquet of Roses by DJ Quad Category Is | Circuit (Feat. Pryces) by Jeff Kale Slate of Affairs Outro | Baguette by Dyalla Departing Message | Bon Bon by Dyalla FOLLOW THE POD: Instagram: https://www.instagram.com/slateofaffairspod/ Twitter: https://twitter.com/aslateofaffairs Website: https://solo.to/slateofaffairs --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/slateofaffairs/support

Donate now to support Reveal's journalism. ••• The final episode of Mississippi Goddam shares new revelations that cast doubt on the official story that Billey Joe Johnson accidentally killed himself.  This week marks the 13th anniversary of Johnson's death. His family is still seeking justice. Our reporting brought up questions that the original investigation never looked into. Host Al Letson and reporter Jonathan Jones go back to Mississippi to interview the key people in the investigation, including Johnson's ex-girlfriend – the first recorded interview she's ever done with a media outlet. The team also shares its findings with lead investigator Joel Wallace and the medical examiner who looked into the case.  Finally, after three years of reporting, we share what we've learned with Johnson's family and talk to them about the inadequacy of the investigation and reasons to reopen the case.

Black communities around Mississippi have long raised concerns about the suspicious deaths of young Black men, especially when law enforcement is involved.  Curley Clark, vice president of the Mississippi NAACP, calls Billey Joe Johnson Jr.'s case an example of “Mississippi justice.”  “It means that they still feel like the South should have won the Civil War,” Clark said. “And also the laws for the state of Mississippi are slanted in that direction.” Before Johnson died during a traffic stop with a White sheriff's deputy, friends say police had pulled him over dozens of times. And some members of the community raised concerns that police had been racially profiling Black people.   Reveal investigates Johnson's interactions with law enforcement and one officer in particular.

Billey Joe Johnson Jr. and Hannah Hollinghead met in their freshman year of high school. Hollinghead says Johnson was her first love, and in many ways, it was a typical teen romance. Friends say they would argue, break up, then get back together again. Some people were far from accepting of their interracial relationship. On Dec. 8, 2008, they were both dating other people. According to Hollinghead and her mother, Johnson made an unexpected stop at her house, moments before he died of a gunshot wound during a traffic stop on the edge of town.  But it appears that investigators failed to corroborate statements or interview Johnson's friends and family to get a better idea of what was going on in his life on the day he died. Reveal exposes deep flaws in the investigation and interviews the people closest to Johnson, who were never questioned during the initial investigation.

Special Agent Joel Wallace of the Mississippi Bureau of Investigation was called in to investigate the death of Billey Joe Johnson. He worked alongside two investigators from the George County district attorney's office.  Wallace said that arrangement didn't happen very often. And he now questions why they were assigned. “If you've got me investigating the case, then I'm an independent investigator,” he said. “But why would I need the district attorney investigator to oversee me investigating a case?” The Johnsons were initially relieved, because Wallace had experience investigating suspicious deaths. As a Black detective, he had dealt with racist backlash to his work.  Reveal host Al Letson and reporter Jonathan Jones visit Wallace, now retired, to talk about what happened with the investigation. When Wallace finds out what Reveal has uncovered, he begins to wonder whether the case should be reopened.

In 2008, high school football star Billey Joe Johnson was pulled over for speeding in Lucedale, Mississippi. Moments later, the officer radioed that the Black teen had killed himself with a shotgun. “Mississippi Goddam: The Ballad of Billey Joe” is an eight-part series of PRX's "Reveal" podcast. Host Al Letson pokes at the conclusion the teen's death was an accident. FOR OUR SPOILER-FREE REVIEWS OF "MISSISSIPPI GODDAM" GO TO MINUTE 27. The sudden death in 2009 of a rising star shocked Hollywood. The HBO Max two-part series “What Happened, Brittney Murphy?” recalls the actor's Hollywood climb and subsequent fatal backslide during her marriage to a gold-digging Svengali. FOR OUR SPOILER-FREE REVIEWS OF "WHAT HAPPENED, BRITTNEY MURPHY?" GO TO MINUTE 61. In Crime of the Week: Don't be cruel. Click here to get the Crime Writers On After Show, plus more exclusive content, on Patreon.: https://patreon.com/partnersincrimemedia See omnystudio.com/listener for privacy information.

After Billey Joe Johnson Jr. died in 2008, the state of Mississippi outsourced his autopsy. Al Letson and Jonathan Jones travel to Nashville, Tennessee, to interview the doctor who conducted it. Her findings helped lead the grand jury to determine Johnson's death was an accidental shooting. However, Letson and Jones share another report that raises doubts about her original conclusions.

On the morning of Billey Joe Johnson's death, crime scene tape separates the Johnsons from their son's body. Their shaky faith in the criminal justice system begins to buckle. As Billey Joe Johnson's family tries to get answers about his death, they get increasingly frustrated with the investigation. They feel that law enforcement, from the lead investigator to the district attorney, are keeping them out of the loop. While a majority White grand jury rules that Johnson's's death was accidental, members of the family believe the possibility of foul play was never properly investigated.

Billey Joe Johnson Jr. was a high school football star headed for the big time. Then, early one morning in 2008, the Black teenager died during a traffic stop with a White deputy. His family's been searching for answers ever since. Ten years ago, Reveal host Al Letson traveled to Lucedale, Mississippi, to report on the Deepwater Horizon oil spill. While there, locals told him there was another story he should be looking into: Johnson's suspicious death.   During a traffic stop with a White deputy, police say Johnson died of a self-inflicted gunshot wound. But for Johnson's family, that explanation never made sense.  In the first episode of this seven-part series, Letson returns to Mississippi with reporter Jonathan Jones to explore what happened to Johnson – and what justice means in a place haunted by its history.

Sometimes one story can tell you everything about race and justice in America. Reveal's new series, “Mississippi Goddam: the Ballad of Billey Joe” is that story. With a title inspired by Nina Simone's civil rights anthem, Reveal weaves the history of the criminal justice system with the case of a Black high school football star who died during a traffic stop with a white deputy. Hear this exclusive preview of Reveal's new seven-part series, dropping weekly starting October 16, 2021.

Sometimes one story can tell you everything about race and justice in America. Reveal's new series, “Mississippi Goddam: the Ballad of Billey Joe” is that story. With a title inspired by Nina Simone's civil rights anthem, Reveal weaves the history of the criminal justice system with the case of a Black high school football star who died during a traffic stop with a white deputy. Hear this exclusive preview of Reveal's new seven-part series, dropping weekly starting October 16, 2021.

Na Autópsia de hoje, Flávio e Tody voltam aos anos 60 para a análise de mais um clássico da música americana: o papo é sobre Mississippi Goddam, da cantora, compositora e instrumentista Nina Simone. Conheça os eventos trágicos que inspiraram a canção, saiba porque essa música “explodiu” para fora de Simone e revisite conosco nosso passado recente para que possamos pensar em um futuro muito melhor!!! SITE: www.ruidospodcast.com.br E-MAIL: ruidospodcast@gmail.com REDES SOCIAIS: ruidospodcast Mississippi Goddam (1964): https://youtu.be/4tHYGfRot5w Recomendações: Tody: Art Ensemble of Chicago: https://youtu.be/ZA7ITxdOAJ4 Flávio: Lovecraft Country (série da HBO): https://youtu.be/vg_y98nDWOQ Links: https://en.wikipedia.org/wiki/16th_Street_Baptist_Church_bombing https://www.ninasimone.com/biography/ https://www.theguardian.com/music/musicblog/2016/mar/02/nina-simone-10-of-the-best https://www.newyorker.com/magazine/2014/08/11/raised-voice https://www.pbs.org/wnet/americanmasters/nina-simone-biographical-timeline/16664/ https://www.nytimes.com/2015/06/21/movies/nina-simones-time-is-now-again.html https://en.wikipedia.org/wiki/Mississippi_Goddam https://genius.com/1263659 https://southernspaces.org/2009/walking-history-beginning-school-desegregation-nashville https://afropunk.com/2013/02/black-history-month-happy-80th-birthday-to-activist-artist-nina-simone-soundheck/

Episode #21: Images, Divertimentos, and Mississippi Goddam Uploaded: July 17, 2021 Alessandro Melani: Sinfonia à 5 I. [0:50] II. [1:36] III. [1:38] IV. [1:58] Dennis Ferry, natural trumpet Gordan Murray, organ Jonathan Rubin, lute, theorbo Chiara Banchini, violin Enrico Gatti, violin Käthi Gohl, ‘cello Cléna Stein, contrabass HARMONIA MUNDI FRANCE MUSIQUE D'ABORD HMA 1905137 Virgil Thomson: The Feast of Love [7:40] David Catworthy, baritone Eastman-Rochester Orchestra Howard Hanson, conductor MERCURY LIVING PRESENCE 434 310-2 Olja Jelaska: Tri slike [10:59] Tvrtko Sarić, guitar AQUARIUS RECORDS CD 125-06 Edward Betts Manning: Trio for violin, ‘cello, and piano I. Allegro agitato [9:43] II. Andante cantabile [5:28] III. Allegro vivace [6:11] Edvard Skerjanc, violin Rosalind Sartori, ‘cello Elaine Keillor, piano CARLETON SOUND CSCD-1009 Traditional: Bonnie Dundee/The Mucking of Gordie's Byre/Pibroch O' Donald Dhu [3:19] The MacLeod Fiddlers [Private Release, 2018] Nina Simone: Mississippi Goddam [4:52] Nina Simone, vocal, piano Rudy Stevenson, guitar Lisle Atkinson, bass Bobby Hamilton, drums PHILIPS 822 846-2 Fats Waller: Ridin' but walkin' [2:31] Fats Waller and his Buddies: Henry “Red” Allen, trumpet Leonard Davis, trumpet Charlie Holmes, clarinet, alto sax Albert Nicholas, alto sax Larry Binyon, tenor sax Fats Waller, piano Will Johnson, banjo Kaiser Marshall, drums RCA BLUEBIRD 9986-2-RB Wolfgang Amadeus Mozart: Divertimento in B-flat Major, KV 287, “Zweite Lodronische Nachtmusik” I. Allegro [6:49] II. Thema mit Variationen. Andante grazioso [7:57] III. Menuetto [3:43] IV. Adagio [6:14] V. Menuetto [3:46] VI. Andante – Allegro molto [6:55] Camerata Bern NOVALIS 150 040-2 Antonín Dvořák: American Suite in A Major, Op. 98b I. Andante con moto [4:13] II. Allegro [4:36] III. Moderato (alla Pollacca) [4:26] IV. Andante [4:08] V. Allegretto [4:39] Česká filharmonie Václav Neumann, conductor SUPRAPHON SU 1996-2 031 Website for the Toronto Operetta Theatre: http://www.torontooperetta.com/index.html

Mississippi Goddam was the sound of Nina Simone being radicalized in real-time. For her, it revealed two universal truths- 1)"everybody knows" and 2)"goddam". Simone's "legendary cursing song" was radical not only for its profane nature, but the ways in which it challenged her white audiences to confront the question of whether they really wanted change or whether they just wanted a show. Join us as we explore black radical politics' confrontation with the institutions of white supremacy, the persistence of double consciousnesses throughout the ages, Black Power, moving beyond respectability politics and getting angry, and what the appropriate response to constant campaigns of violence is.

Tom Noga hat den US-Staat Mississippi auf den Spuren großer Schriftsteller und Bürgerrechtsaktivisten bereist.. "Alabama macht mich wütend, Tennessee raubt mir den Schlaf, aber jeder weiß vom verdammten Mississippi", textete Nina Simone einst, die große Jazz-Sängerin, Song-Schreiberin - und Bürgerrechts-Aktivistin. In "Mississippi Goddam" brachte sie im Jahr 1964 ihre Wut auf den US-Staat zum Ausdruck, der sich dem unausweichlichen Ende der Rassentrennung in den Südstaaten nachdrücklich verweigerte und in dem bis in die zweite Hälfte der 60er-Jahre rassistisch motivierte Morde an der Tagesordnung waren. Das ist die Geschichte Mississippis aus afroamerikanischer Sicht. Aus Sicht des weißen Mississippi erzählt die Geschichte dagegen von Verlust und Niedergang: im Amerikanischen Bürgerkrieg in der zweiten Hälfte des 19. Jahrhunderts und danach, als das auf der Ausbeutung von Sklavenarbeit beruhende Wirtschaftsmodell zusammenbrach und Mississippi vom reichsten US-Staat zu einem der ärmsten wurde. Beide Geschichtsschreibungen spiegeln sich auch in der Literatur Mississippis. Tom Noga hat den Staat bereist - auf den Spuren großer Schriftsteller.

sent $$$ this week to APTP Sac’s Health & Wellness Fund for Black Women.gofund.me/e44344d0“APTP Sac is fundraising to create a general fund for Black Women to be able to join self care retreats.Our goal is to raise $10k and create multiple mini grants/scholarships with the funds. The fund will be used to pay for different recipients self care. Each fund will be different for each person because self care means different things to everyone! Maybe it’s a paint night, a spa day, a movie. Help us meet our goal and provide much deserved self care opportunities for Black Women.”DOWNLOAD RECORDINGsubscribe to the podcast here: http://feeds.feedburner.com/5432fun(intro by omar)NEUROTIC FICTION “Mediator” Mediator /// GeneralsNettle Nettle “Upside Down” Good Enough (part 2)Body Meat “Misery the Constant” REDUXEMOTIONAL “The Stares Ft Panaderia” Space JamsHeatwarmer “Don’t Be A Dick” Here Comes The BandMarissa Nadler “We Are Coming Back” JulyFloral print “dog” mirror stageslittle cake n jack toft “can i talk to you about my son?” dasani nitesOra Cogan “Darling” CricketsBlacker Face “8-cube” Mississippi GoddamSammi Lanzetta “Toothbrush Song” For AveryWoolen Men “New Thing To Do” Lucky BoxSo Totally “easy leave” a cheap close-up of heavenInstitute “Nausea” Salt EPbrunch “Trapezoid” UselessBethlehem Steel “Deep Back” Party Naked ForeverBad History Month “A Warm Recollection” Dead And Loving ItReptile Tile “Mary’s Song” DustyPope “Talk Me Out Of It” True Talent ChampionIce Balloons “bridge of total freedom” Ice Balloonsthe Washboard Abs “Hold Me Down” REDUX

C’est un entretien avec Sophie Rosemont pour la sortie de son livre "Black Power - L'avènement de la pop culture noire américaine", préfacé par le musicien Nile Rodgers et Isaac Hayes en couverture. En 1966, un étudiant africain américain de 25 ans, Stokely Carmichael, utilise pour la première fois le terme de "black power", qui ne peut se réduire au seul prisme politique. Le Black Power, c'est toute une culture, vaste, à part entière. Elle s'exprime sous différentes formes, dans la littérature, via des figures comme James Baldwin ou Maya Angelou, les arts plastiques, de Kerry James Marshall à Jamel Shabazz, sur petit et grand écran, grâce notamment à la Blaxploitation ou Spike Lee, ainsi que dans la musique, vecteur crucial. De Sam Cooke, qui annonce en 1964 A Change Is Gonna Come à Aretha Franklin, qui réclame le Respect, N. W. A. qui lance Fuck tha Police... la soul, le jazz, le hip-hop, la house ou encore le funk ont permis de porter les voix des Noirs américains dans des contextes tendus, si ce n'est discriminatoires. En témoignent le refus de Muhammad Ali de partir au Vietnam, le poing levé de Tommie Smith aux J.O. de Mexico, 1968 ; en témoigne cette année la vague de protestations suscitée par le meurtre de George Floyd. Suivant un fil chronologique, se partageant entre états des lieux socioculturels, chroniques de disques, films, livres et œuvres d'art(s) incontournables, portraits ou courts récits d'évènements légendaires, Black Power propose un panorama "pop culture" sur plus de cinquante années, des fifties à nos jours, du Mississippi Goddam ! de Nina Simone au Black Lives Matter d'aujourd'hui. Playlist de Sophie Rosemont “Water Boy” – Odetta “Don't Call me Brother” - O Jays “The Panther” - Elaine Brown “My People Hold On” - Eddie Kendricks “Mr Nigga” Mos Def & QTip “Witness” - Benjamin Booker & Mavis Staples. Sophie Rosemont est une journaliste spécialisée sur les thèmes et sujets culturels, elle collabore avec Rolling Stone, Vanity Fair, Vogue ou encore Les Inrocks. Chroniqueuse pour "La Dispute" de France Culture, elle a été également auteure pour Le Nouveau Dictionnaire du Rock dirigé par Michka Assayas ("Bouquins", 2014) et programmatrice littéraire et musicale en festivals. Par ailleurs, elle enseigne en école de journalisme et à l'annexe française de la Columbia University. Son premier livre solo, Girls Rock (Nil), qui porte sur les destins féminins du rock'n'roll, est paru en 2019. (Rediffusion du 31 octobre)

We're kicking off the month of December being joined by singer-songwriter Kelsey Waldon. The Kentucky songwriter released They'll Never Keep Us Down, a seven-song collection of covers just two weeks ago. With songs such as Kris Kristofferson's "The Law is for Protection of the People," Bob Dylan's "With God on Our Side," and the Hazel Dickens title track, Waldon offers songs that are just as emotionally charged as they are statements about humanity, equality, and freedom. She shines brightest on the likes of the anti-war and pro-veteran storyteller "Sam Stone," written by mentor and friend, the late John Prine, and delivers one of the year's most poignant moments. Another stellar standout is the Nina Simone standard "Mississippi Goddam" where she's joined by fellow country artists Adia Victoria and Kyshona Armstrong. During this interview, we talk about They'll Never Keep Us Down, the last year--both on a macro and micro level--Waldon's Kentucky home and roots, songwriting and storytelling, country music dialogues and conversations, and much more.This episode's presenting partner is Desert Door Texas Sotol. For more information, click here.This episode is presented by Hot Damn Coffee. Use the coupon code "SLANG" (all caps) for 20% off in their merch store. Visit here.This episode is sponsored by The Blue Light Live in Lubbock, Texas. To get BL merch, click here.Check out the New New Slang Patreon here. Follow New Slang on Twitter here, Instagram here, and Facebook here. To order New Slang merch, visit the online store here.Support the show (https://www.patreon.com/thomasdmooney)

C’est un entretien avec Sophie Rosemont pour la sortie de son livre Black Power - L'avènement de la pop culture noire américaine, préfacé par le musicien Nile Rodgers et Isaac Hayes en couverture. En 1966, un étudiant africain américain de 25 ans, Stokely Carmichael, utilise pour la première fois le terme de "black power", qui ne peut se réduire au seul prisme politique. Le Black Power, c'est toute une culture, vaste, à part entière. Elle s'exprime sous différentes formes, dans la littérature, via des figures comme James Baldwin ou Maya Angelou, les arts plastiques, de Kerry James Marshall à Jamel Shabazz, sur petit et grand écran, grâce notamment à la Blaxploitation ou Spike Lee, ainsi que dans la musique, vecteur crucial. De Sam Cooke, qui annonce en 1964 A Change Is Gonna Come à Aretha Franklin, qui réclame le Respect, N. W. A. qui lance Fuck tha Police... la soul, le jazz, le hip-hop, la house ou encore le funk ont permis de porter les voix des Noirs américains dans des contextes tendus, si ce n'est discriminatoires. En témoignent le refus de Muhammad Ali de partir au Vietnam, le poing levé de Tommie Smith aux J.O. de Mexico, 1968 ; en témoigne aujourd'hui la vague de protestations suscitée par le meurtre de George Floyd. Suivant un fil chronologique, se partageant entre états des lieux socioculturels, chroniques de disques, films, livres et œuvres d'art(s) incontournables, portraits ou courts récits d'évènements légendaires, Black Power propose un panorama "pop culture" sur plus de cinquante années, des fifties à nos jours, du Mississippi Goddam ! de Nina Simone au Black Lives Matter d'aujourd'hui. Playlist de Sophie Rosemont“Water Boy” – Odetta“Don't Call me Brother” - O Jays“The Panther” - Elaine Brown“My People Hold On” - Eddie Kendricks“Mr Nigga” Mos Def & QTip“Witness” - Benjamin Booker & Mavis Staples. Sophie Rosemont est une journaliste spécialisée sur les thèmes et sujets culturels, elle collabore avec Rolling Stone, Vanity Fair, Vogue ou encore Les Inrocks. Chroniqueuse pour La Dispute de France Culture, elle a été également auteure pour Le Nouveau Dictionnaire du Rock dirigé par Michka Assayas ("Bouquins", 2014) et programmatrice littéraire et musicale en festivals. Par ailleurs, elle enseigne en École de journalisme et à l'annexe française de la Columbia University.Son premier livre solo, Girls Rock (Nil), qui porte sur les destins féminins du rock'n'roll, est paru en 2019.

Nina Simone, Rock Hall Class of 2018

Nina Simone, Rock Hall Class of 2018

Nina Simone, Rock Hall Class of 2018

The Texas lieutenant governor and a Texas mayor are improperly mixing religion and government. We ask the Pennsylvania governor not to hand state money to churches. After hearing the freethinker Nina Simone's 1964 civil-rights protest song "Mississippi Goddam," we talk with eminent Chicago Law School professor Geoffrey R. Stone about the Supreme Court's upcoming decisions about abortion and state/church separation.

A cura di Nina Terruzzi. Tante parole, impegnate o frivole, cantate da artisti che amo a sostituire le mie per sfogare la frustrazione. Playlist:..1. I've Got Life, Nina Simone/Lauryn Hill, Nina Revisited: A Tribute to Nina Simone, RCA Records, 2015..2. Forward, Beyonce feat. James Blake, Lemonade, Parkwood/Columbia, 2016..3. Black Sweat, Prince, 3121, NPG/Universal, 2006..4. Untitled (How Does It Feels), D'Angelo, Voodoo, EMI, 2000..5. Boca Pequena pt.1, Curumin, Boca, Fonomatic, 2017..6. Final Form, Sampa The Great, Final Form, NInja Tune. 2019 ..7. Me, Oshun, Bittersweet Vol. 1, Oshun, 2018..8. Nao Ta Mais de Graça, Elza Soares, Planeta Fome, Pedro Loureiro e Juliano Almeida, 2019..9. Nguya Na Ngai, Kolinga, Nguya Na Ngai, Underdog Records, 2020..10. I, Kendrick Lamar, To Pimp a Butterfly, Top Dawg Entertainment, 2015..11. His Eye is On The Sparrow, Lauryn Hill/Tonya Blount, 1993..12. Mississippi Goddam, Nina Simone, Nina Simone in Concert, Philips Records 1964

A cura di Nina Terruzzi. Tante parole, impegnate o frivole, cantate da artisti che amo a sostituire le mie per sfogare la frustrazione. Playlist:..1. I've Got Life, Nina Simone/Lauryn Hill, Nina Revisited: A Tribute to Nina Simone, RCA Records, 2015..2. Forward, Beyonce feat. James Blake, Lemonade, Parkwood/Columbia, 2016..3. Black Sweat, Prince, 3121, NPG/Universal, 2006..4. Untitled (How Does It Feels), D'Angelo, Voodoo, EMI, 2000..5. Boca Pequena pt.1, Curumin, Boca, Fonomatic, 2017..6. Final Form, Sampa The Great, Final Form, NInja Tune. 2019 ..7. Me, Oshun, Bittersweet Vol. 1, Oshun, 2018..8. Nao Ta Mais de Graça, Elza Soares, Planeta Fome, Pedro Loureiro e Juliano Almeida, 2019..9. Nguya Na Ngai, Kolinga, Nguya Na Ngai, Underdog Records, 2020..10. I, Kendrick Lamar, To Pimp a Butterfly, Top Dawg Entertainment, 2015..11. His Eye is On The Sparrow, Lauryn Hill/Tonya Blount, 1993..12. Mississippi Goddam, Nina Simone, Nina Simone in Concert, Philips Records 1964

How do you define jazz? Should it sit side-by-side with “classical” music in the concert hall? At what point does the act of incorporating elements of jazz become cultural appropriation? In this opus, Garrett and Scott explore these questions and discuss jazz’s connection to black music and Black History Month. The two also recap their recent trip to Detroit for the 5th annual SphinxConnect conference, billed as the “epicenter for artists and leaders in diversity.” Garrett and Scott send “get well soon” vibes to Janis Lane-Ewart, who has been rescheduled to a future opus of Trilloquy due to illness. Episode Playlist Samuel Barber – Summer Music Darius Milhaud - La Création du monde Leonard Bernstein – Symphonic Dances from West Side Story: VII. Fugue ('Cool') Duke Ellington – Black, Brown, and Beige Nina Simone – “Love Me or Leave Me,” “Black Is the Color of My True Love’s Hair,” “Mississippi Goddam,” “Strange Fruit” Jessie Montgomery – Coincident Dances Michael Abels – Winged Creatures Ludwig van Beethoven – Symphony No. 5 DaBaby – “Bop” Joel Thompson – Seven Last Words of the Unarmed Astor Piazzolla - “Fuga y Misterio”

A cura di Nina Terruzzi. Tante parole, impegnate o frivole, cantate da artisti che amo a sostituire le mie per sfogare la frustrazione. Playlist:..1. I've Got Life, Nina Simone/Lauryn Hill, Nina Revisited: A Tribute to Nina Simone, RCA Records, 2015..2. Forward, Beyonce feat. James Blake, Lemonade, Parkwood/Columbia, 2016..3. Black Sweat, Prince, 3121, NPG/Universal, 2006..4. Untitled (How Does It Feels), D'Angelo, Voodoo, EMI, 2000..5. Boca Pequena pt.1, Curumin, Boca, Fonomatic, 2017..6. Final Form, Sampa The Great, Final Form, NInja Tune. 2019 ..7. Me, Oshun, Bittersweet Vol. 1, Oshun, 2018..8. Nao Ta Mais de Graça, Elza Soares, Planeta Fome, Pedro Loureiro e Juliano Almeida, 2019..9. Nguya Na Ngai, Kolinga, Nguya Na Ngai, Underdog Records, 2020..10. I, Kendrick Lamar, To Pimp a Butterfly, Top Dawg Entertainment, 2015..11. His Eye is On The Sparrow, Lauryn Hill/Tonya Blount, 1993..12. Mississippi Goddam, Nina Simone, Nina Simone in Concert, Philips Records 1964

In this rerun from 2018, Beth Ditto, former lead singer of the band Gossip, talks about how Nina Simone's "Mississippi Goddam" helped her grapple with complex feelings about her home state, Arkansas. She also talks about returning home after heartbreak and explores making her first record "Fake Sugar."

Salutations Q&K's, Brothers& Sisters- we are BACK AT IT AGAIN with another PODCAST EPISODE!!! This episode we are diving into Nina Simone's Mississippi Goddam and discussing why those lyrics ring true till this day! We also discuss the latest developments in tech-Is AI going to be inside our bodies? Thanks for listening!! Us: QueenJam&KingJerry Wright Email: Qk.jj@hotmail.com Our Store: Https://www.qkjj.org Instagram: Personal: @q.u.e.e.n.j.a.m || Business: @qk.jj Snap Chat: Jam&Jerry YouTube: https://www.youtube.com/channel/UCX0YtAJHOxw_T_21oWy2i8g?sub_confirmation=1 Tweet Us While You Listen!! #qkjjpodcast #qkjj @QUEENANDKINGJJ FaceBook:QueenANDKingJJ https://www.facebook.com/QueenANDKingJJ/ Private FB Group: https://www.facebook.com/groups/QkMembers/?source_id=2025932254341773 **QK Members gather here for exclusive content-upcoming products, promos, sales, private discounts & more! If you LOVE us & want to see more: (we welcome gifts-monetary as well) Cash App: $qkjj || Jam&Jerry Wright Bitcoin Donate Address:1LRXm6VANd7VnWSWdEBrZnQUnjYKL7cGch/ Ethereum Donate Address:0x595A881837F410f4752EaFAbCB5686056081Cc1b/ Litecoin Donate Address:LQCFWXF9MFJLWPiqG7CZiT5LvkebmXsfBi Pay Pal: JamyraJerome Wright || qk.jj@hotmail.com As always-Thank you for the support & positive energy!! Love Yourself!

In this episode we discuss 45’s killing of Iran’s top general, the fallout over a comedians joke on Twitter, Beyoncé’s loss at the Golden Globes, and human rights violations in the Mississippi Department Of Corrections. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The great African-American jazz singer Nina Simone moved to the Liberian capital Monrovia in September 1974. Simone was famous for her vocal support for the civil rights movement in the USA as well as for songs like I'm Feeling Good, Mississippi Goddam and I Wish I Knew How It Would Feel To Be Free, and she was invited to the West African republic by her friend the singer Miriam Makeba. Lucy Burns speaks to Nina Simone's friend James C Dennis Sr. Picture: Nina Simone performs on stage at Newport Jazz Festival on July 4th 1968 in Newport, Rhode Island (David Redfern/Redferns)

The great African-American jazz singer Nina Simone moved to the Liberian capital Monrovia in September 1974. Simone was famous for her vocal support for the civil rights movement in the USA as well as for songs like I'm Feeling Good, Mississippi Goddam and I Wish I Knew How It Would Feel To Be Free, and she was invited to the West African republic by her friend the singer Miriam Makeba. Lucy Burns speaks to Nina Simone's friend James C Dennis Sr. Picture: Nina Simone performs on stage at Newport Jazz Festival on July 4th 1968 in Newport, Rhode Island (David Redfern/Redferns)

The labor movement had “Solidarity Forever.” Civil Rights had “Mississippi Goddam,” “Strange Fruit” and the spirituals activists sang with linked arms in the streets. Black Lives Matter adopted Kendrick Lamar’s “Alright.” “Every movement which has ever won anything has had songs,” says Marc Ribot in promotional materials introducing his new record, Songs of Resistance 1942-2018. Of course. You can find his article in the October issue of The Indypendent or on our website https://bit.ly/2P6ZO09 To support this podcast and our publication, it´s as easy as visiting our Patreon page and becoming a monthly subscriber. bit.ly/2xsDpR Photo: Marc Ribot by José Luna/ Secretaría de Cultura Ciudad de México.

Zoe Samudzi is a black feminist writer whose work has appeared in a number of spaces including The New Inquiry, Warscapes, Truthout, ROAR Magazine, Teen Vogue,BGD, Bitch Media, and Verso, among others. She is also a member of the 2017/18 Public Imagination cohort of the Yerba Buena Center for the Arts (YBCA) Fellows Program, and she is a member of the Black Aesthetic, an Oakland-based group and film series exploring the multitudes and diversities of black imagination and creativity. She is presently a Sociology PhD student at the University of California, San Francisco in the Department of Social and Behavioral Sciences where academic interests include biomedicalization theory, productions of race and gender, and transgender health. She is a recipient of the 2016-17 Eugene Cota-Robles Fellowship. Her dissertation "'I don’t believe I should be treated like a second citizen by anybody': Narratives of agency and exclusion amongst male and transgender female sex workers in Cape Town, South Africa" engages hegemonic gender constructs in South Africa as they affect identity construction and health of transgender women and cisgender men in sex work. Zoe sits down with Brett to discuss black feminism and queer theory. Topics Include: black feminism, marxism and anarchism, schools as institutions of white supremacy, rape culture, queer (and quare) theory, cis-normativity in medical science,  dominant constructions of womanhood, the Jezebel Myth, and much more! Here is Zoe's website: http://www.zoesamudzi.com/ Follow Zoe on Twitter: https://twitter.com/ztsamudzi  Recommendations by Zoe for further research:   “Ok wanted to shoutout Black trans women doing dope work (in no order): - Raquel Willis (an amazing writer and a national organizer with the Transgender Law Center) - Lourdes Ashley Hunter (Executive Director of the Trans Women of Color Collective) - Reina Gossett (writer, director, and producer of Happy Birthday, Marsha) - CeCe McDonald (a fundraiser for her: https://www.youcaring.com/cecemcdonald-1003185) - Miss Major Griffin-Gracy (an iconic community activist and organizer, former Executive Director of the TGI Justice Project) - Venus Selenite (a writer, performance artist, and cultural critic) - Kat Blaque (a YouTuber making content and commentary around trans rights & social justice in general) - Monica Roberts (a blogger/writer and trans rights activist) - Janetta Johnson (activist/organizer and current Executive Director of the TGI Justice Project) - L'lerrét Jazelle Ailith (a blogger/writer and Communications Manager for the BYP100) - Ahya Simone (classically trained harpist and activist) - Elle Hearns (founder and Executive Director of the Marsha P. Johnson Institute) - Janet Mock - Laverne Cox Also wanted to give a non-exhaustive list of black queer and trans/non-binary thinkers that are doing great writing and scholarly work related to identity that I've really appreciated (again in no order): - Barbara Smith - Che Gossett - C. Riley Snorton - Hari Ziyad - Tyler Ford - Kortney Ziegler - Derrais Carter - Lynée Denise - Kai M. Green - Joshua Allen - Jamal Lewis - TJ Tallie - Shay Akil McClean - Kopano Ratele - Darnell Moore - Myles E. Johnson - Zanele Muholi - E. Patrick Harris - Lyle Ashton Harris - Cheryl Dunye - Ashleigh Shackleford - Devyn Springer ——- Outro Music: 'Badu' by Blackerface, off the album "Mississippi Goddam". You can find their WONDERFUL music here: https://blackerface.bandcamp.com Follow them on FB here: https://www.facebook.com/faceoppressors/ Intro music by The String-Bo String Duo, you can find their music here: https://tsbsd.bandcamp.com/releases  Donate to our Patreon here: https://www.patreon.com/RevLeftRadio This podcast is officially affiliated with the Nebraska Left Coalition and the Omaha GDC.

Album Review Roundtable (July-September 2017). All releases are available on Bandcamp. Thanks to Dave Anians of Davey Dynamite (FMS #39) and Kyle Janis of Soothsayer Hotsauce (FROM #5) for being our guest panelists this episode. Track listing of featured artists (Format=Band Name 'Name of Release') 1) Lurk "DEMO" 2) Voice of Addiction "The Lost Art of Empathy" 3) She/Her "Marigold" 4) Dead Wells "Dead Wells" 5) Bad Mechanics "Precious Moments in the USA" 6) Lil Tits "The Usual" 7) Modern Advances "Get Rigid" 8) Boxsledder "Future Nostalgia" 9) The Ueckers “Two Balls, No Strikes” 10) The Decayed " The Decayed EP" 11) Bad Sons "Hot Face" 12) Engines "Obsolete" Honorable Mentions: 1. The Upsets "DEMO" 2. Racetraitor "Invisible Battles Against Invisible Fortresses" 3. Aggro Control "Columbia" 4. Fieldmates "Sludge Metal Band Audition Tape Vol. 2" 5. New Dougs "Busy Boys" 6. Comment Section "The Googy EP" 7. Blacker Face "Mississippi Goddam" 8. 86 Gemini "S/T C/S" 9. Kendall WA "Parade of Roses" 10. Scram "EP" 11. Elder Light "A Great Big Meteor" 12. Bev Rage and the Drinks "Honk If Yer Hungry" 13. Bygons "Demo" 14. White Shadow "Cut The Breathing" 15. Modern Day Rippers "Doing The Lord's Work" 16. An Inkling "Cut Me Open" 17. Passion Over Consequence "S/T EP" 18. RIP Tom "S/T" 19. Shallow Hearts "Half Truths & Whole Lies" 20. High Wire "Different Places" 21. Farhampton "You'll Never Take My Side" 22. Melanin "Not Your Target - Demo" 23. Wolfpac "Secret Secret Secret" 24. The Erratic Retaliator Strategy "Undulating Snake EP" 25. The Anit-Trumpz "Fake News" 26. The Rotts "DEMO" 27. Soft Bite "These are the Days" 28. Nonnie Parry "Karen Greenlee EP" 29. Espejos "Power/Control" 30. Bruised "S/T" 31. Status Code "Flashers Required" 32. Radar "Dirt" 33. Cheatinatsolitaire "Bill" 34. Sin Asps "S/T" 35. Pet Symmetry "Audiotree Live" 36. The Ambiguous Triangle "Death Songs" 37. Kicking Queen Victoria "I, Sinner Man" 38. Aim At Your Enemies "Bury It" 39. Aggro Control "Americana..." 40. Ribbonhead "You're Going to Die, Just Like I Am" 41. Null / Husband Stitch "Split 7in" 42. Mama / Trampoline Team "Split 7in EP" 43. 2Minute Minor "Soda Tax (Single)" 44. Slab "Demo" 45. Davis Garvey "I Hope I Can Make It Through The Week" 46. Brandon Harrod "Live At iO 8/8/17" 47. The Complines "Thoughtless//STFU" 48. Horrible "August 2017" 49. Juice Cleanse "S/T" 50. Blue Shoes "Tedious" 51. The Grim Download "S/T" 52. Held Against Your Head "S/T EP" 53. Chisme "If the Boob Fits" 54. RASH "Split with C.H.E.W." 55. Giantology: "Hold Me Down" "The Great Refrigerator" 56. Punks for Pets 2017 Compilation 57. Friskie Morris & Friends "Welcome to Chicagoland Vol. 1"

선곡표 1.Dvorak -현악 4중주 12번 F장조 op.96 중 1. Allegro ma non troppo 2.Mendelssohn -교향곡 1번 C단조 op.11 중 3. Menuetto, allegro molto 3.Wolf-Ferrari -볼프 페라리 `성모의 보석` 간주곡 I gioielli della Madonna - Intermezzo 4.Tchaikovsky -현을 위한 세레나데 C장조 op.48 중 1. Pezzo in forma di sonatina 5.Rossini -윌리엄텔 서곡 Guillaume Tell - Overture 6.John Williams - 군대 토카타 Vaughan Williams - Toccata Marziale 7.Brahms- 바이올린 협주곡 D장조 op.77 중 3. Allegro giocoso, ma non troppo vivace 8.Debussy-어린이 차지 (Children's corner) - 제6곡:Golliwogg's cake-walk (골리워그의 케이크워어크)
9.Albeáis -스페인 모음곡 Suite Espanola Op.47 - 5. Asturias (Leyenda) (전설) 10.니나시몬- Mississippi Goddam

Today in 1963 a horrific bombing prompted Nina Simone's recording "Mississippi Goddamn."  The song was one of the first to directly address the civil rights struggle of the 1960s, that Simone called a show tune for a "show that hasn't been written for it yet."  Find out more on today's "A Classical Day in the Life." 

For America's birthday, a patriotic rejection of the patriarchy. Hosts Tricia and Greta bring you the stories of muckraker Nellie Bly, painter Georgia O'Keeffe and jazz singer Nina Simone. We talk to authors, unearth archives and send contributor Lauren Chooljian on a road trip. Plus, your #nerdconfessions.

1. Record Shop – Jerry Lewis 2. Prisencolinensinainciusol - Adriano Celentano 3. Genesis – Justice 4. 20th Century Boy – The Replacements 5. Laundry – Antipop Consortium 6. The Horror – Sweet Knievel 7. Mississippi Goddam – Nina Simone 8. Why Can’t I Touch It? – Buzzcocks 9. Kibe Kibe - The Mombasa Vikings 10. Belle – Al Green 11. Connected – Stereo MC’s

John Carlos became famous for raising his fist in a Black Power salute on the podium after winning a bronze medal at the Mexico Olympics in 1968. He chose Strange Fruit by Billie Holiday and Mississippi Goddam by Nina Simone.

Alyn Shipton and Gwyneth Herbert select highlights from the recorded catalogue of the jazz singer and pianist known as the High Priestess of Soul. The programme includes part of an archive interview by Alyn with Nina herself, recorded on her last visit to Britain, as well as her best songs ranging from Porgy through Mississippi Goddam to I Put a Spell on You.