Podcast appearances and mentions of richard loncraine

In 1975, at the height of their fame, British band Slade made a feature film, Slade in Flame. The film was a critical and commercial failure at the time, but has built up a cult following over the years. Now it's being re-released in cinemas and on DVD. Frontman Noddy Holder and film director Richard Loncraine spoke to Samira Ahmed in studio.With a new English translation of Simone de Beauvoir's novel The Image of Her and a stage adaptation of her semi-autobiographical The Inseperables, Lauren Elkin and Grace Joy Howarth discuss the enduring legacy of the French feminist icon.Plus Irish actor Stephen Rae talks about his career working with Samuel Beckett, his hit film The Crying Game, and his current production of Krapp's Last Tape

Friend of the Show Screen Time Kota (https://www.tiktok.com/@screentimekota) returns to discuss the 1985 sci-fi film Enemy Mine. This hidden gem of an ‘80s sci-fi film has everything you want: practical effects, elaborate sets, miniature spaceships, matte paintings, and incredible makeup. Even more impressive is the performance of Louis Gossett Jr. underneath the intricate alien makeup. He and Dennis Quaid (a human) get stranded on a planet together; their species hate each other more than anything else… but somehow, they'll need to learn to get along if they want to survive this. (They do.)   Next week: The Firm (1993)   Subscribe to our Patreon, Load Bearing Beams: Collector's Edition for $5 a month to get two extra episodes! patreon.com/loadbearingbeams    Time stamps: 00:01:34 — Kota's history with Enemy Mine 00:11:10 — History segment: Development of Enemy Mine, from novella to production under original director Richard Loncraine, to Loncraine getting replaced with Wolfgang Petersen; brief career overviews of stars Dennis Quaid and Louis Gossett, Jr. 00:28:25 — In-depth movie discussion 01:13:35 — Final thoughts and star ratings   Sources: “Wolfgang Petersen, the creator of Das Boot, ventures into outer space” by Michael Blowen | The Boston Globe (1985) “Gossett makes his own breaks” by Jay Scott | The Globe and Mail (1985)    Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ   Follow the show! Twitter: @LoadBearingPod | @MattStokes9 | @LRothConcepts Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @loadbearingbeams.bsky.social  

Émission du 1 mai 2024 (00:00) - La scène de la semaine : "La Plus belle victoire" de Richard Loncraine(01:34) - L'ouverture(07:49) - News Dans cette 33ème émission de l'année : (15:12) - "Challengers" de Luca Guadagnino(32:03) - "Back To Black" de Sam Taylor-Johnson(42:33) - "Première affaire" de Victoria Musiedlak(51:08) - L'interview : Victoria Musiedlak, réalisatrice de "Première affaire" "Bop To The Top !" Quiz "Les films biographiques" Les Recos de l'équipe Le générique de fin

Couch Potato Theater: Wimbledon (2004) w/ Paul Bettany & Kirsten Dunst. Watch the video version of this Couch Potato Theater episode on the Fandom Podcast Network YouTube Channel: https://www.youtube.com/@FandomPodcastNetwork Welcome to Couch Potato Theater here on the Fandom Podcast Network! On Couch Potato Theater we celebrate our favorite movies! On this episode we celebrate the 20th Anniversary of the Romantic Comedy Wimbledon (2004) starring Paul Bettany & Kirsten Dunst. Wimbledon is a 2004 romantic comedy film directed by Richard Loncraine. The film stars Paul Bettany as a journeyman tennis pro (once ranked 11th) and Kirsten Dunst as an up-and-coming tennis star. Sam Neill and Jon Favreau co-star.   The film is dedicated to Mark McCormack, founder of International Management Group, a management firm for high-level athletes, who died on 16 May 2003. Fandom Podcast Network Contact Information - The FANDOM PODCAST NETWORK YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed:  https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - X (Twitter): @fanpodnetwork / https://twitter.com/fanpodnetwork   - Tee Public Fandom Podcast Network Store:  https://www.teepublic.com/stores/fandom-podcast-network #FandomPodcastNetwork #FPNet #CouchPotatoTheater #CouchPotatoTheaterLive #Wimbledon  #Wimbledon2004 #WimbledonMovie #PaulBettany #KirstenDunst #RomanticComedy #SamNeill #JonFavreau  #RichardLoncraine #MarkMcCormack #JamesMcAvoy  #BernardHill  #EleanorBron #NikolajCosterWaldau #JohnMcEnroe  #ChrisEvert 

l⁠inktr.ee/CatchingUpOnCinema Merry Christmas and Happy Holidays!⁠ This week on Catching Up On Cinema, Kyle and Trevor review Wolfgang Petersen's, Enemy Mine (1985)! An over-budgeted box office flop with a checkered production history, Enemy Mine (1985) is a charming, if uneven, sci-fi fable. On the subject of “checkered production history,” the story goes that director Wolfgang Petersen was courted to take the helm of Enemy Mine over 5 weeks into the films' production, after original director Richard Loncraine apparently failed to meet the producer's expectations. After director Petersen paused and rewound production to begin anew and remake the film from whole cloth, the production budget of Enemy Mine would essentially double. To make matter worse, the film failed to generate interest at the box office, and Enemy Mine would go on to be regarded as a financial failure. Despite failing to find an audience during its theatrical run, Enemy Mine has since gone on to become somewhat of a cult classic, largely on the strength of its handsome production design, and winning performances from both Louis Gossett Jr. and Dennis Quaid. Follow us on Instagram ⁠@catchinguponcinema⁠ Follow us on Twitter ⁠@CatchingCinema⁠ Like, share, subscribe, and we'll catch you next time!

The film of this week is Full Circle aka The Haunting of Julia (1977). From Wikipedia: “Full Circle, released in the United States as The Haunting of Julia,[4] is a 1977 supernatural horror film directed by Richard Loncraine, and starring Mia Farrow and Keir Dullea. Based on the novel Julia by the American writer Peter Straub, it is the first film realization of one of his books, and follows a woman who, after the death of her daughter, finds herself haunted by the vengeful ghost of a young girl in her new home.” But first! This week Drusilla does emotional and manual labor. She fixed her car like Stephanie Zanone in Grease 2! Also discussed: Whammy! Analog, the possibility of Bloodhaus screenings, Blood Feast! Dead Ringers, Exorcist III, Ganja & Hess, People Under the Stairs, Twins of Evil, Happiness, The Fall, and more. Josh watched The Boogeyman (1980). Finally, the kids discuss Clue (1985). Here's the oral history of Clue's success Josh mentioned. House of Psychotic Women, Liquid Sky, The Changeling, Don't Look Now, Bunny Lake is Missing, Shock Treatment, Repo Man, Streetwise, Out of the Blue, and more. NEXT WEEK: The Haunted Palace (1963)Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/ Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkelJoshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel 

On this very spooky episode of Not A Bomb, the guys fulfill a promise to a loyal listener and discuss 1977's supernatural horror film - The Haunting of Julia, also known as Fill Circle. This little-known horror film had a troubled release schedule and would finally be released in the US, three years later, in 1981. Brad and Troy do their best to dance around spoilers and decide the best course of action is to copy the Watch/Skip+ podcast. Listen as our hosts discuss the history of the Heimlich Maneuver, creepy wind-up clown toys, and turtle murder. Does the striking imagery, gothic atmosphere, and Mia Farrow's performance make this film a ghostly classic? Download and find out!*** Spoiler Warning *** if you want to skip the spoiler talk, be sure to check the timestampsTimestamps: Intro - (1:47), Release Information - (7:00), People Involved - (13:02), Production and Development - (24:24), Why did it bomb? - (27:19), Commerical Break - (31:04), The Haunting of Julia spoiler-free discussion - (34:05), Is it a Bomb? - (55:40), Spoiler talk - (59:48), End of Spoilers - (78:51), and Outro - (87:50)The Haunting of Julia is directed by Richard Loncraine and stars Mia Farrow, Keir Dullea, Tom Conti, Robin Gammell, Jill Bennett, and Cathleen Nesbitt.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy

Here's a question. What role does love play in your leadership? Before we start, I want to acknowledge the death of someone who played a big role in helping Chris and I create the film editing company that we built in the ‘90s and 2000s. Jim Garrett was a brilliant businessman and a gentleman. He was the founder of the award winning and internationally recognized production company, Garrett and Partners, working with directors like John Schlesinger, Nick Roeg, Ken Russell and Richard Loncraine along the way. I've posted a link to his obituary in the London Times in this week's show notes. When we were conceiving our film editing company in 1994, Jim sat down with Chris and I over lunch in London and gave us advice that formed the foundational DNA of a business which is still thriving almost thirty years later. Many of the principles and practices on which that business operates today came from that lunch. All of us who have spent any part of our careers working at the original Lookinglass or at the Whitehouse film editing companies owe him our thanks. His impact was and is enormous. And now, on with the show. This week's guest is Devika Bulchandani. She's the global CEO of Ogilvy. And her view of leadership includes an impassioned belief that seemed so obvious to me once she said it but which I have never heard before. The business of running a business does not usually contain much discussion of love. You hear people say occasionally, “I love what I'm doing” or “I love where I work”. You can see evidence of passion in some people, particularly business founders. But the idea of saying “I love you” to a co-worker will send tremors down the backs of HR and Talent leaders across the entire spectrum of the creative industries. And yet, as Devika asks, wouldn't the world be better by the way if we all just felt more of it? We live in a time of apparently limitless upheaval. And we will spend roughly a quarter of that time at our jobs. Shouldn't part of that upheaval be to challenge the norms under which we've been working? Including the possibility that “I love you” might be a leading indicator of what it means to be a more human leader. Where do you draw the line? And why?

Edited highlights of our full conversation. Here's a question. What role does love play in your leadership? Before we start, I want to acknowledge the death of someone who played a big role in helping Chris and I create the film editing company that we built in the ‘90s and 2000s. Jim Garrett was a brilliant businessman and a gentleman. He was the founder of the award winning and internationally recognized production company, Garrett and Partners, working with directors like John Schlesinger, Nick Roeg, Ken Russell and Richard Loncraine along the way. I've posted a link to his obituary in the London Times in this week's show notes. When we were conceiving our film editing company in 1994, Jim sat down with Chris and I over lunch in London and gave us advice that formed the foundational DNA of a business which is still thriving almost thirty years later. Many of the principles and practices on which that business operates today came from that lunch. All of us who have spent any part of our careers working at the original Lookinglass or at the Whitehouse film editing companies owe him our thanks. His impact was and is enormous. And now, on with the show. This week's guest is Devika Bulchandani. She's the global CEO of Ogilvy. And her view of leadership includes an impassioned belief that seemed so obvious to me once she said it but which I have never heard before. The business of running a business does not usually contain much discussion of love. You hear people say occasionally, “I love what I'm doing” or “I love where I work”. You can see evidence of passion in some people, particularly business founders. But the idea of saying “I love you” to a co-worker will send tremors down the backs of HR and Talent leaders across the entire spectrum of the creative industries. And yet, as Devika asks, wouldn't the world be better by the way if we all just felt more of it? We live in a time of apparently limitless upheaval. And we will spend roughly a quarter of that time at our jobs. Shouldn't part of that upheaval be to challenge the norms under which we've been working? Including the possibility that “I love you” might be a leading indicator of what it means to be a more human leader. Where do you draw the line? And why?

Edited highlights of our full conversation. Here's a question. What role does love play in your leadership? Before we start, I want to acknowledge the death of someone who played a big role in helping Chris and I create the film editing company that we built in the ‘90s and 2000s. Jim Garrett was a brilliant businessman and a gentleman. He was the founder of the award winning and internationally recognized production company, Garrett and Partners, working with directors like John Schlesinger, Nick Roeg, Ken Russell and Richard Loncraine along the way. I've posted a link to his obituary in the London Times in this week's show notes. When we were conceiving our film editing company in 1994, Jim sat down with Chris and I over lunch in London and gave us advice that formed the foundational DNA of a business which is still thriving almost thirty years later. Many of the principles and practices on which that business operates today came from that lunch. All of us who have spent any part of our careers working at the original Lookinglass or at the Whitehouse film editing companies owe him our thanks. His impact was and is enormous. And now, on with the show. This week's guest is Devika Bulchandani. She's the global CEO of Ogilvy. And her view of leadership includes an impassioned belief that seemed so obvious to me once she said it but which I have never heard before. The business of running a business does not usually contain much discussion of love. You hear people say occasionally, “I love what I'm doing” or “I love where I work”. You can see evidence of passion in some people, particularly business founders. But the idea of saying “I love you” to a co-worker will send tremors down the backs of HR and Talent leaders across the entire spectrum of the creative industries. And yet, as Devika asks, wouldn't the world be better by the way if we all just felt more of it? We live in a time of apparently limitless upheaval. And we will spend roughly a quarter of that time at our jobs. Shouldn't part of that upheaval be to challenge the norms under which we've been working? Including the possibility that “I love you” might be a leading indicator of what it means to be a more human leader. Where do you draw the line? And why?

Tracy is Amasia Entertainment's Senior VP of Television. Currently, Amasia is in development at The CW with a sequel series to Dan Curtis' classic, "Dark Shadows," to be showrun by Emmy-winner Mark B. Perry. Additional shows in development include "Because the Night" based on the James Ellory book, "Wolfe"— A contemporary mystery thriller series inspired by a Patricia Highsmithian author, a Francis Perkins miniseries about the trailblazing woman known as FDR's conscience, and a sexy CIA actioner created by "Spygame" writer Michael Frost Beckner.A graduate of Pepperdine University, Tracy began her film in production before working as a personal assistant to actress, Jennifer Aniston. Tracy assisted Aniston in production during three seasons of "Friends," and several feature films. After working as a script analyst for producers Jennifer and Suzanne Todd at Team Todd, Tracy took a story editor position with producer Rob Fried at Fried Films; there she worked on projects including "The Boondock Saints," and HBO'S critical darling, "Winchell." Tracy next joined producer Dan Halsted at Halsted Pictures, who was then partnered with Oliver Stone, where she worked in development on TNT's "Witchblade" and films including "Any Given Sunday" and "The Art of War."Spending much of her childhood as a rabid fan of science fiction and horror films, Tracy was next hired by her childhood hero, Gale Anne Hurd, at her company, Valhalla Motion Pictures. She rose through the ranks to become Senior Vice President and Head of Development. At Valhalla Tracy was the executive in charge of production on the PBS award-winning documentary, "True Whispers: The Story of the Navajo Codetalkers" and helped develop Ang Lee's "Hulk," Marvel's "The Punisher," and Karyn Kusama's "Aeon Flux."After four years at Valhalla, she headed up development for Academy Award-winning actor Morgan Freeman's Revelations Entertainment, where she was involved in the development of films including "Invictus," directed by Clint Eastwood, and "10 Items or Less," directed by Brad Silberling. She was a producer on Richard Loncraine's film, "5 Flights Up," starring Diane Keaton, Morgan Freeman and Cynthia Nixon. Tracy also helped get Revelations into television when she sold "Through the Wormhole with Morgan Freeman" to Discovery Science Channel, where she served as Executive Producer on the Emmy-nominated series. She was also co-producer of the Peabody Award-winning “ESPN 30 For 30 Documentary, "The 16th Man," which won a special “Television with a Conscience” Emmy.Of all of her work at Revelations, she is most proud to have been instrumental in setting up, developing, and serving as an executive producer on the pilot of CBS' hit series, "Madam Secretary." Working with TV showrunner goddess Barbara Hall remains a career highlight. Tracy was a producer on 60 episodes of "Madam Secretary" before moving on from Revelations to launch Amasia's TV division.

This week we review Wimbledon (2004)) which was directed by Richard Loncraine and was written by Adam Brooks, Jennifer Flackett and Mark Levin. The film stars Kirsten Dunst and Paul Bettany.What did you think of Wimbledon? Do you want us to chat about a movie that you love? Get in touch below.email : offradarpod@gmail.comTwitter : @OffRadarPodcastFacebook: facebook.com/offradarpodPlease review, share and subscribe,Site : http://offradar.buzzsprout.comApple : http://bit.ly/offradarSpotify : http://spoti.fi/2YMS3EcThanks for listening, LOVE James, James and Nige.

Career Q&A with Ian McKellen. Moderated by Dave Karger. Ian McKellen has been honored with over 50 international acting awards during his half-century on stage and screen. He is treasured worldwide as Magneto in the X-Men films and Gandalf in The Lord of the Rings and The Hobbit trilogies. He first worked with director Bill Condon as James Whale in Gods and Monsters (1998) receiving his first Academy Award® nomination, for Best Actor. The same year, top critics' groups elected him Best Actor, as the Nazi-in-hiding in Bryan Singer's Apt Pupil. For his classic performance in Richard Loncraine's Richard III, which he produced and co-wrote, he was named 1996 European Actor of the Year. His varied list of other renowned films include The Keep (1983); Plenty (1985); Scandal (1988);Six Degrees of Separation (1993); Restoration (1995); Bent (1997); Cold Comfort Farm (1995) andThe Da Vinci Code (2006). On the small screen, McKellen currently stars in the wickedly successful ITV/PBS sitcom Vicious. For his extensive television work, McKellen is a five-time Emmy nominee, most recently for his matchless King Lear (2008); and his comic guest spot on Extras (2006) remembered for the viral catch-phrase: "How do I act so well?" He is most proud of his work as the mentally- handicapped Walter (1982 Royal Television Award) inAnd the Band Played On (1993 Cable Ace Award), about the origins of AIDS and a guest spot in UK's longest-running soap Coronation Street (2005). Born and raised in the north of England, McKellen attended Cambridge University and since 1961 has worked non-stop in the British theatre. He has been leading man and produced plays, modern and classic, for the Royal Shakespeare Company and the National Theatre of Great Britain and in the West End of London. He has won Olivier Awards for Macbeth (1976-78); The Alchemist (1977); Bent (1979); Wild Honey (1984) and Richard III (1990): plus Evening Standard Awards for Coriolanus (1984) and Othello (1989) and for Outstanding Contribution to British Theatre (2009). In 1981, he won every available award, including a Tony for Best Actor, as Salieri in the Broadway production of Peter Shaffer's Amadeus. He was most recently in New York in No Man's Land and Waiting for Godot after breaking all box-office records in London and on UK and world tours. Over a decade, he toured his solo entertainment Ian McKellen: Acting Shakespeare throughout four continents, where on DVD it is daily viewed in schools and universities. He astonished his fans as Widow Twankey in the Christmas pantomime at the Old Vic in London (2004 & 2005). In 1991 Sir Ian was knighted, for his outstanding contribution to theatre. He is co-founder of Stonewall UK, which lobbies for legal and social equality for gay people. In 2008, the Queen personally appointed him Companion of Honour for his services to drama and to equality.

Cum on Feel the Podcazt! This week Pop Screen celebrates the festive period with a band who, without a sleigh bell in earshot, conjure up the spirit of Christmas. It can only be Slade, who got debutant director Richard Loncraine to make their one and only feature film, the oft-mistitled (not least by us) Flame, in 1975. Despite being released at the height of their popularity, it wasn't a hit - so much so that Mick, this week's co-host, heard the album a ridiculous 46 years prior to actually sitting down and watching the film. Flame, though, has found plenty of keepers since that initially unsuccessful release, not least Mark Kermode, who described it as "the Citizen Kane of rock musicals". On this episode of Pop Screen, we discuss all aspects of the film, including its position as yet another unexpectedly downbeat 1970s British rock movie, Slade's relationship to glam rock as a movement, the fact that this was very nearly going to be a spoof of a classic science fiction franchise, the multiple comebacks Slade enjoyed in the 1980s and 1990s, and which of Loncraine's later films would be improved by Noddy Holder. It's hard to credit it, but a podcast which frequently wanders off topic to ponder the idea of Noddy Holder in Wimbledon doesn't always pull in the sponsorship money. That's why we need YOU to donate to our Patreon, where you'll get monthly bonus episodes of Pop Screen, early access to our other movie podcast Director's Lottery, Graham's Doctor Who reviews and more. Don't forget to follow us on Facebook, Twitter and Instagram. #popscreen #moviereviews #slade #noddyholder #davehill #flame #sladeinflame #richardloncraine #markkermode #donpowell #jimlea #tomconti #johnnyshannon #andrewbirkin

The episode's writer and director each delve into the recreation, production, and filming of an invasion that carried the future of modern democracy on its shoulders. From the paratroopers flinging themselves out of C-47s, to the capture of German 105mm machine guns at Brecourt Manor, Orloff and Loncraine reveal how they captured the terror, confusion and heroism of one of the most important days in modern history. See omnystudio.com/listener for privacy information.

If, as we're told in the Hebrew Bible, "God saw all that He had made, and behold it was very good" (Genesis 1:31), how are we to understand physical imperfection? As "mistakes" by the divine? Manifestations of malfeasance? Or misinterpretations of creation? In this episode, Dr. Jeffrey R. Wilson explains the discourses of theology, physiognomy, and monstrosity that influenced Shakespeare's representation of Richard III's misshapen body and behavior, as well as the ongoing implications of relating internal essence and external appearance. Audio Credits: Richard III, dir. Jane Howell, 1983 Henry VI, Part 3, Arkangel audio, 2005 Richard III, dir. Richard Loncraine, 1995 Hosted by Straus Center Resident Scholar Dr. Shaina Trapedo Produced by Uri Westrich and Sam Gelman Outro by Straus Scholar Ayelet Brown Learn more about the Straus Center Like the Straus Center on Facebook Follow the Straus Center on Twitter Follow the Straus Center on Instagram Connect with the Straus Center on LinkedIn

This week host Paul Dergarabedian is joined by the creative team behind "What Josiah Saw," the latest film from director/editor/producer Vincent Grashaw. Paul is joined by Vincent and stars Robert Patrick and Nick Stahl. This episode covers: The many advantages of the creative freedom that only the world of independent film can provide  How vetting and matching the actors to ensure on-set chemistry is a wise choise for filmmakers How working "on-location" adds to the actors' immersive process  The differences between working on big-budget studio film and an independent feature  The actors' challenge of learning extremely long passages of dialogue when shooting on a tight daily schedule How hard work and persistence can pay off for actors & filmmakers in the long run   ABOUT THIS EPISODE'S GUESTS: Vincent Grashaw first broke onto the scene as producer of the independent feature film "Bellflower," which was one of the most buzzed about films to premiere at Sundance Film Festival 2011. Vince then wrote and directed his debut feature, "Coldwater," which premiered at SXSW 2013 and was distributed by Breaking Glass Pictures. Grashaw went on to direct his sophomore feature "And Then I Go," The film premiered at LA Film Festival and was distributed by The Orchard. "What Josiah Saw" is Grashaw's third feature film at the helm.   Actor Robert Patrick has worked with the top actors and directors throughout his storied career. His breakthrough role came as the legendary T-1000 in Terminator 2. He was the first actor in the history of motion capture and since then, he has worked on iconic films and television shows including "Die Hard 2," "Wayne's World," "Last Action Hero," "Fire in the Sky," "Cop Land," "The Faculty," "Walk the Line," "Bridge to Terabithia," "Spy Kids," "Flags of Our Fathers," "The Sopranos," "The Outer Limits," "Elvis," "The Unit," "The X- Files," "Sons of Anarchy" and "True Blood." He starred as Agent Cabe Gallow in "Scorpion" for CBS for four seasons and most recently was seen in "The Laundromat" and "Perry Mason." He is currently co-starring in the new series "Peacemaker." Actor Nick Stahl's impressive career credits include Robert Rodriguez's "Sin City," the franchise hit "Terminator 3," Todd Field's "In The Bedroom," and the lead of the HBO series "Carnivale." Nick has also appeared in Richard Loncraine's "My One And Only opposite Renee Zellweger and Kevin Bacon and in the feature film "Quid Pro Quo" alongside Vera Farmiga, and starred in the Sundance favorite "Sleepwalking" alongside Charlize Theron, Woody Harrelson, and Dennis Hopper. Nick is currently shooting on-location a live-action feature film based on a Japanese Anime. Don't forget to rate, review, and subscribe wherever you listen to podcasts! See omnystudio.com/listener for privacy information.

Pictured: Lord Sacks Matthew Bannister on The former Chief Rabbi Lord Sacks, a respected scholar and broadcaster who reached out to other faiths, but had trouble reconciling the different strains of opinion in his own. John Sessions, the actor and comedian who used his gift for improvisation and mimicry in TV shows like Whose Line Is It Anyway, Spitting Image and Stella Street. Clive Anderson and Sir Kenneth Branagh pay tribute. Joanna Harcourt-Smith, the socialite who was friends with the Rolling Stones, campaigned to get Timothy Leary released from prison and struggled with addiction. Once she entered recovery she hosted an early podcast called Future Primitive. Jim Radford, the singer-songwriter and peace campaigner who took part in the D-Day landings aged 15 – and later performed his song based on the experiences at the Royal Albert Hall to mark the 70th Anniversary. Interviewed guest: Dr Rowan Williams Interviewed guest: Jenni Frazer Interviewed guest: Clive Anderson Interviewed guest: Sir Kenneth Branagh Interviewed guest: Lara Tambacopoulou Producer: Neil George Archive clips from: Desert Island Discs, Radio 4 26/041991; Sunday, Radio 4 25/08/2013; Today, Radio 4 28/11/2019; Whose Line Is It Anyway, Channel 4 1988; Whose Line Is It Anyway, Radio 4 February 1988; Desert Island Discs, Radio 4 25/02/1990; Finding Your Feet, directed by Richard Loncraine, Eclipse Films 2017; Napoleon by John Sessions, directed by Sir Kenneth Branagh 1989; Margaret, directed by James Kent, Great Meadow Productions 2009; Future Primitive: Heartmending, 23/08/2020; My Psychedelic Love Story, directed by Errol Morris, Fourth Floor Productions 22/10/2020; Good Morning Britain, ITV 31/05/2019; D-Day Veteran Goes Back to the Beaches, BBC Three Counties Radio 06/06/2019; Jim Radford Goes Back to Normandy, Legasee Educational Trust 01/08/2017; BBC News 05/06/2019.

Now is the winter of our discontent, made glorious summer by the release of this week's episode! Andy Bowman from the Geek 101 and Monkey Off My Backlog podcasts joins me to discuss Richard Loncraine's explosive 1995 adaptation of Shakespeare's RICHARD III, featuring a breakout performance from Ian McKellan as the Bard's nastiest villain. This sets the story in an alternate history version of WWII era London, and doesn't skimp on modern-era sex, violence, and style. Hosted by Steve Guntli Logo by Corinne Kempen Twitter: @rogerslistpod Email: rogerslistpod@gmail.com Instagram: @rogerslistpodLetterboxd: https://boxd.it/7ESRsNext week's episode: Dark City 

As horror fans, the arrival of Shudder in 2015 came as a blessing to us all. It's made for us, the fans, by fans of the genre and we love it here. (We haven't been paid to say that either) With that in mind, onto EPISODE 123 then... This week, we are absolutely delighted to be joined by the Director of Programming at SHUDDER... It's SAM ZIMMERMAN! The film? THE HAUNTING OF JULIA!  Based on the novel Julia by Peter Straub and also known as FULL CIRCLE, The Haunting of Julia, while by no means a bad film is certainly one that is under-seen and in need of a little love and new eyes upon it.  Directed by Richard Loncraine and starring Rosemary's Baby's Mia Farrow, 2001: A Space Odyssey's Keir Dullea and national treasure Tom Conti, this is an effective and surprisingly dark little chiller. It's not the easiest film to find, certainly in the UK, but there are various versions flying around on YouTube.  The synopsis is as follows:  Magnus (Keir Dullea) and Julia Lofting (Mia Farrow) have a happy marriage until one morning when their daughter Kate (Sophie Ward) begins choking. Unsure what to do, Julia attempts a tracheotomy, inadvertently causing Kate's death. Julia heads to a sanitarium to recover, and when Magnus asks that she come home, she prefers to buy a new house in London and live alone there. Magnus frets over Julia's sanity, while Julia becomes convinced that her house is haunted by the spirit of a little girl.   Please note that this podcast may contain strong language and even stronger Scottish accents.  Also, why not pop over and take a look at our Patreon page? Remember, you can keep up to date with our news by following us via the usual social media outlets:  Facebook (including our group THE CHUD LOCKER!) Twitter Instagram Plus you can drop us an email to stronglanguageviolentscenes@gmail.com OR check out our WEBSITE!  Strong Language & Violent Scenes Spoopy theme by Mitch Bain & The Sunshine Orchestra Edits & Artwork by Andy Stewart

We examine the gruff, finger-pointy stylings of one Harrison Ford, a guy who did these three films and very little else. FRANTIC (1988, Roman Polanski) THE DEVIL'S OWN (1997, Alan J Pakula) FIREWALL (2006, Richard Loncraine)

We're discussing the 1985 film from Wolfgang Petersen, Enemy Mine. Based on a novella by Barry Longyear, the film stars Dennis Quaid as Davidge and Lou Gossett Jr. as Jerry. The two are of different races -- one human, one drac -- who find themselves stranded on a hostile world.Corine and Tim Luz from the Cinemaspection podcast join Mike to discuss the odd journey of Enemy Mine from novella to finished film including the initial work by original director Richard Loncraine.Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re discussing the 1985 film from Wolfgang Petersen, Enemy Mine. Based on a novella by Barry Longyear, the film stars Dennis Quaid as Davidge and Lou Gossett Jr. as Jerry. The two are of different races -- one human, one drac -- who find themselves stranded on a hostile world.Corine and Tim Luz from the Cinemaspection podcast join Mike to discuss the odd journey of Enemy Mine from novella to finished film including the initial work by original director Richard Loncraine.

We’re discussing the 1985 film from Wolfgang Petersen, Enemy Mine. Based on a novella by Barry Longyear, the film stars Dennis Quaid as Davidge and Lou Gossett Jr. as Jerry. The two are of different races -- one human, one drac -- who find themselves stranded on a hostile world.Corine and Tim Luz from the Cinemaspection podcast join Mike to discuss the odd journey of Enemy Mine from novella to finished film including the initial work by original director Richard Loncraine.

La période 70s de la Hammer Film est le chant du cygne de la maison des horreurs. Redécouvrez avec nous cette période mal-aimée et pourtant passionnante où, dans un flamboyant bouquet final, le studio a fait exploser les barrières de l'excentricité dans ses films les plus fous. Avec Véronique Davidson, Xavier Colon, Talal Selhami, Laurent Lopéré, Laurent Duroche et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : https://youtu.be/I_g9QZSV6Ec ► La liste des films abordés dans les précédentes émissions : https://bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : https://bit.ly/ForumPIFFFcast Références des films cités : - La trilogie Karnstein : The Vampire Lovers de Roy Ward Baker (1970), Lust for a vampire / La soif du Vampire de Jimmy Sangster (1971), Twins of evil / Les sévices de Dracula de John Hough (1971) - Le Cirque des vampires de Robert William Young (1972) - La Horde Sauvage de Sam Peckinpah (1969) - Dracula 73 d'Alan Gibson (1972) - Les Cicatrices de Dracula de Roy Ward Baker (1970) - Dracula (série TV 2020), PIFFFcast 78 : https://soundcloud.com/pifffcast/pifffcast-78-dessine-moi-un-film - Gorge Profonde de Gérard Damiano (1972) - Straight on till morning de Peter Collinson (1972), PIFFFcast 45 : https://soundcloud.com/pifffcast/pifffcast-45-anarchy-in-the-uk - Fear in the night / Sueur froide dans la nuit de Jimmy Sangster (1972) - Dracula vit toujours à Londres de Alan Gibson (1973) - L'exorciste de William Friedkin (1973) - Massacre à la tronçonneuse de Tobe Hooper (1974) - Capitaine Kronos : tueur de vampires de Brian Clemens (1974) - Docteur Jekyll et Sister Hyde de Roy Ward Baker (1971) - And soon the darkness de Robert Fuest (1970) - Vampire Hunter D de Hideyuki Kikuchi (Romans - 1985) - Castelvania (jeu vidéo) - Le Pacte des loups de Christophe Gans  - Les sept vampires d'or de Roy Ward Baker, Chang Cheh (1974) - Shatter de Michael Carreras (1975) - Top Secret de David Zucker, Jerry Zucker, Jim Abrahams (1985) - The Mutation de Jack Cardiff (1974) - La révolte des morts vivants de Amando de Ossorio (1972), PIFFFcast 79 : https://soundcloud.com/pifffcast/pifffcast-79-les-soldats-de-libere - Capcom VS SNK (jeu vidéo) - L’exorciste chinois de Sammo Hung (1980), PIFFFcast 41 : https://soundcloud.com/pifffcast/pifffcast-41-made-in-hong-kong - Une fille... pour le diable de Peter Sykes (1976) - Les démons de l'esprit de Peter Sykes (1972) - La sentinelle des maudits de Michael Winner (1977) - Le cercle infernal de Richard Loncraine (1978) - Hammer House of Horror (serie TV 1980) - Hammer House of Mystery & suspense (serie TV 1984) - Night Gallery (serie TV 1969) - Kolchak the night stalker (serie TV 1974) - Thriller / Angoisses (serie TV 1973) - Flesh and Blood: The Hammer Heritage of Horror de Ted Newsom (1994) - Let me in de Matt Reeves (2010) - La Dame en noir de James Watkins (2012) - The Lodge de Severin Fiala, Veronika Franz (2019) - Eden Lake de James Watkins (2008), PIFFFcast 40 : https://soundcloud.com/pifffcast/pifffcast-40-des-vacances-denfer - Guns Akimbo de Jason Lei Howden (2019) - Sleepy Hollow, la légende du cavalier sans tête de Tim Burton (1999) - Sweeney Todd, le diabolique barbier de Fleet Street de Tim Burton (2007)

Richard Loncraine’s brilliant 1995 film adaptation of "Richard III" takes Shakespeare’s classic and sets in the Europe of the 1930s amid the rise of fascism with a blackhearted Sir Ian McKellen in the title role. Will and James discuss what makes this movie so successful -- from its all-star cast and impeccable art direction to the insights it offers about totalitarianism and the breakdown of political order. // CREDITS // Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous)

In Richard III, the conclusion to the War of the Roses tetralogy, Richard of York connives, lies, and murders his way to the top. In the process, he dispatches his brothers, nephews, and his own wife with aplomb, plenty of puns, a broken fourth wall that paved the way for House of Cards, and a plot that both Abraham Lincoln and John Wilkes Booth infamously loved. As the tyrannical anti-hero of Shakespeare’s early masterpiece, Richard III stands without peer. //WORKS REFERENCED // James Mann, The Great Rift: Dick Cheney, Colin Powell, and the Broken Friendship That Defined an Era (2020) // CREDITS // Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous); Illustrative excepts from: Richard III, dir. Richard Loncraine (1995) and Richard III, dir. Laurence Olivier (1955)

Peut-on dire des fantômes qu'ils sont la figure primordiale du fantastique ? Vous avez deux heures… Quoi qu'il en soit, ce PIFFFcast spécial fantômes démontre qu'ils peuvent être mélancoliques, flippants, rédempteurs ou frénétiques, selon la sensibilité des innombrables cinéastes qui les ont convoqués. Du Carnaval des âmes à Hypnose, retour sur les spectres qui hantent le genre ! Avec Véronique Davidson, Xavier Colon, Laurent Duroche, Talal Selhami et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Mais aussi sur Youtube : https://youtu.be/yuxQwm5jFm4 Références des films cités : - Saint Maud de Rose Glass (2019) - Waxwork de Anthony Hickox (1988) - Dans la nuit des temps de Tsui Hark (1995) - La mort a pondu un oeuf de Giulio Questi (1968) - The Eye of my mother de Nicolas Pesce (2016) - Body Parts de Eric Red (1991) - Carnival of souls de Herk Harvey (1962) - La nuit des morts-vivants de George Romero (1968) - Hausu de Nobuhiko Obayashi (1977) - L'école emportée de Nobuhiko Obayashi (1987) - The man who stole the sun de Kazuhiko Hasegawa (1979) - Le Cercle infernal de Richard Loncraine (1978) - Le fantôme de Milburn de John Irvin (1981) - Fantômes contre Fantômes de Peter Jackson (1996) - Hypnose de David Koepp (1999) - Sixième sens de Night Shyamalan (1999) - Fréquence interdite de Gregory Hoblit (2000) Bande Originale : Le Cercle infernal composé par Colin Towns : https://www.youtube.com/watch?v=_dyG13AsY_k

This weekend sees the announcement of the winners of this year's Baftas - the British Academy Film Awards - and Stig talks to two of the stars in London for the event. Director Spike Lee attracted a great deal of attention with his first feature She's Gotta Have It in 1986, yet despite his later films including Do the Right Thing, Mo' Better Blues, Malcolm X and Summer of Sam, he was never nominated in the director category for either the Oscars or the Baftas. But this year he is in the running at both events for his latest film BlacKkKlansman, the true story of a black police officer infiltrating the Ku Klux Klan. Spike Lee discusses the film which is Bafta-nominated for Best Director, Best Film, and Best Adapted Screenplay.Oscar-winner Thelma Schoonmaker has been editing the films of Martin Scorsese for over five decades including Raging Bull, Goodfellas, The Departed and The Wolf of Wall Street. This Sunday she will receive the British Academy of Film and Television Arts' highest accolade, the BAFTA Fellowship. She looks back at her career and their extraordinary partnership.And we remember the stage and screen actor Albert Finney, whose death was announced today. Finney's notable roles included the films Saturday Night and Sunday Morning and Tom Jones, and he won a Bafta for his portrayal of Winston Churchill in the TV film The Gathering Storm. The film's director Richard Loncraine looks back at Albert Finney's career.Presenter Stig Abell Producer Jerome Weatherald

Young black men have higher unemployment rates than all other groups of young people, according to research. So how can the barriers to employment thrown up by race be broken down?

When 'Lady' Sandra Abbott (Academy Award nominee Imelda Staunton, Maleficent, Vera Drake) discovers that her husband of forty years (John Sessions) is having an affair with her best friend (Josie Lawrence) she seeks refuge in London with her estranged, older sister Bif (Celia Imrie, The Best Exotic Marigold Hotel, Bridget Jones' Baby). The two could not be more different - Sandra is a fish out of water next to her outspoken, serial dating, free-spirited sibling. But different is just what Sandra needs at the moment, and she reluctantly lets Bif drag her along to a community dance class, where gradually she starts finding her feet and romance as she meets her sister's friends, Charlie (Timothy Spall), Jackie (Joanna Lumley) and Ted (David Hayman). Director Richard Loncraine talks about his endearing and touching film about seconds chances and finding love. For news and updates go to: findingyourfeetfilm.com/home

A film with a real heart. The post Richard Loncraine – Finding Your Feet #TFF35 appeared first on Fred Film Radio.

A film with a real heart. The post Richard Loncraine – Finding Your Feet #TFF35 appeared first on Fred Film Radio.

A film with a real heart. The post Richard Loncraine – Finding Your Feet #TFF35 appeared first on Fred Film Radio.

A film with a real heart. The post Richard Loncraine – Finding Your Feet #TFF35 appeared first on Fred Film Radio.

A film with a real heart. The post Richard Loncraine – Finding Your Feet #TFF35 appeared first on Fred Film Radio.

A film with a real heart. The post Richard Loncraine – Finding Your Feet #TFF35 appeared first on Fred Film Radio.

Twenty seven episodes, right here in twenty-seventeen! It starts in respectable territory, as Nick read lost-classic adult-comic Miracleman by Alan Moore (credited here as "The Original Writer", because that's how the guy rolls), Gary Leach, Alan Davis and co, while Alastair followed the Oscar nominations with interest. Such interest, in fact, that we stop for a longer chat about them (5:16). It's a smooth transition from there to a full review of hot Oscar favourite La La Land (12:06), and then on to the new Netflix adaptation of Lemony Snicket's A Series Of Unfortunate Events (26:12), a show with a thoroughly excellent theme tune. (Don't worry, we've included a clip.) Thirdly, and a small jump away from the rest, we've heard 11 Short Stories Of Pain & Glory (38:54), the new album from the Dropkick Murphys. Is it too screamy for Nick, or can he withstand it? Finally, we cover Richard III (45:35) - specifically the 1995 Richard Loncraine movie starring Ian McKellen. It's certainly got points to make about fascism rising in the Western world, which may or may not be interesting given recent news events.

In this episode, we compare two film versions of Richard III: Laurence Olivier's 1955 film and Richard Loncraine's 1995 film starring Ian McKellen, which was based on the Richard Eyre stage production. This is the first of a several-part discussion on these two films. Here, we discuss our first impressions of the two films and the differences between the two interpretations of Richard and what's driving him. For detailed show notes, visit: http://21stfolio.com/2016/06/13/ep-12-richard-iii-film/ 00:00–2:00 Introductions 2:00–7:35 First impressions 7:35–16:30 The differences between the two Richards and what’s driving them 16:30–19:53 Hitler imagery in the Ian McKellen Richard III and why the film is set in the 1930s 19:53–20:37 Outro Host: Alex Heeney (@bwestcineaste) Guests: Kevin Condardo (@FearStrikesOut, @NoHoldsBardCast) Mary Angela Rowe (@lapsedvictorian) Sound recordist and editor: Cam White (@JediDusk) For more information about the podcast, visit http://21stfolio.com. Follow us on Twitter @21stFolio.

Shakespeare September continues with a look at the 1995 film Richard III, directed by Richard Loncraine and starring Ian McKellen.Learn more about your ad choices. Visit megaphone.fm/adchoices

Shakespeare September continues with a look at the 1995 film Richard III, directed by Richard Loncraine and starring Ian McKellen.

Bonus: More of our interview with director Richard Loncraine. Here he talks about Richard III, his upcoming project(s) and the invention of the Newton's Cradle.Learn more about your ad choices. Visit megaphone.fm/adchoices

This creepy, overlooked horror movie stars Mia Farrow as a harrowed wife and mother who unravels the mystery behind her new house, haunted by what might be the spirit of her dead daughter.

Bonus: More of our interview with director Richard Loncraine. Here he talks about Richard III, his upcoming project(s) and the invention of the Newton's Cradle.