Podcasts about Pippi Longstocking

Send us a textJoin your host Clifton Pope as he is joined by international movie actress, Global Traveler, Designer, and UN Ambassador: Tami ErinTami Erin is best known for her role as Pippi Longstocking in the 1988 movie: The New Adventures of Pippi Longstocking!We dive into the official backstory of how Tami landed the role of Pippi Longstocking  and how it continues to impact her to this very day!We also discuss her upcoming documentary I Am Pippi Documentary, current tour Pippi Coming To Your Town Tour 2025, along with her philanthropy work on how Tami  became a UN Ambassador by the age of 13 where she wrote a speech called "Have a Good Day" speaking to raising awareness on hunger, education, and wartime issues that children face globally!Tami Erin also provides key pieces to advice to the next generation of aspiring actors/actresses and so much more!Visit tamierin.com to keep up with the latest on everything Pippi Longstocking from meet and greets, current tour and much more exclusive content! Visit ShopPippi.com to shop for your Pippi Longstocking merch as well!Hit that follow/subscribe button on Apple/Spotify Podcasts/Rumble to stay updated with the latest episodes of the show!Leave a rating/review to help grow the show as The HFWB Podcast Series is all about empowering the audience with information to help them become a better version of themselves!Thank you for the love and support!Support the showhttps://atherocare.com/HEALTHFITNESSWEALTHBUSINESShttps://athleticism.com/HEALTHFWEALTHBhttps://vitamz.com/HEALTHFITNESSWEALTHBUSINESShttps://Athleticism.comhttps://atherocare.comhttps://vitamz.comofficial sponsors of the HFWB Podcast Series

Pippi Longstocking lives in a house with a horse, a monkey, a suitcase full of gold, and no grown-ups to tell her what to do. She's wild and funny and full of crazy ideas! One of the most popular c... Uitgegeven door SAGA Egmont Spreker: Sandi Toksvig

Pippi, Tommy and Annika have the best time together going to the circus, buying ALL the sweets in the sweet shop, and getting shipwrecked for the weekend. But when Pippi's long-lost father comes to... Uitgegeven door SAGA Egmont Spreker: Sandi Toksvig

Pippi, Tommy and Annika are off on another great adventure - a trip to Koratuttutt Island where Pippi's father is king. They explore secret caves and play marbles with pearls; luckily, the pirates... Uitgegeven door SAGA Egmont Spreker: Sandi Toksvig

On this week's episode, we're doing something a bit different.  This time, Todd takes a look at four, yes four, films that have been on the list of potential candidates for the podcast, but just never quite made the cut. First up we have Malicious, a 1995 erotic thriller starring Molly Ringwald. We follow that up with the 1988 kiddie musical The New Adventures of Pippi Longstocking. Next up is the 1971 film Star Spangled Girl, based on a play by Neil Simon. Then we finish things up with the 1977 Tim Conway comedy The Billion Dollar Hobo. There is no guest this time, just Todd sharing some of his basic thoughts on each of these films. We do still have some trivia questions for our listeners to play along with, and movie recommendation at the end.

I made the cover thinking we were going to talk about spring ball and safety rotation. We just talked hoops. Things Discussed: Craig stopped being a Cleveland fan when they traded Rocky Colavito and says nobody will get that reference, Seth goes: "I like hamburger!" Aside: If you ever see a copy of Baseball Anecdotes by Daniel Okrent and Steve Wulf, I highly recommend you pick it up. Dusty May is able to multitask, unlike Tom Izzo. Realities of building a roster in 2024-25. Cadeau vs Donaldson: Michigan lost its top two shot creators in their two bigs so they needed creation. Concern is you need to put shooting around that PnR game, and Gayle/Cason a bit questionable as knockdown spacers. We're in a weird transitional period where House hasn't been approved yet and people are trying to get all their deals done—"Mad dash to hand people cash"—before this clearinghouse is checking NIL deals to make sure they're "fair market value." Dusty May listened to Dusty May saying "we need to get tougher." Morez Johnson: 100% chance Craig Ross is going to call him a "brute." Love the Pippi Longstocking pigtails. Dusty's mindset: I'm going after the best players in the country. Aday Mara: could be an awesome pickup. 7'3" finisher who had norovirus and lost some conditioning in the middle of last year, but when UCLA made their run he was playing up to 31 minutes. Would be a great one-two punch with Johnson, in that you've got the big motor guy and the extremely tall/long rim protector, who both serve the same role in the offense so you're keeping your offense the same, but need to be defended differently. Bigs have a slower progression. We can beat 2nd round money. Chances of getting NBA fours back: 5% for Wolf since he's projected to the 1st round. 20% for Yax. Izzo is not allowed to retire until he's had ten years of Paternoing. Better yet: MSU basketball should be U.Chicago football: ride your legendary coach into total irrelevance. Honestly though: developing players is a very good strategy, so long as they can do it. Izzo's mix of tryhad bigs, athletic guards, and lots of defense and rebounding has a ceiling. Trey McKenney scouting report: super strong dribbler, creates his own shot and makes it, can score in the mid-range. Question whether he's got that explosiveness—can he jump, can he move his feet well enough to be a great defender? Won't be a guy who guards quickness but he can help you with the Lu'Cye Patterson bullies, which you're going to see more of in the Big Ten than the super-quick guards. Like Trey in an offense with Cadeau because if you switch on the PnR you're creating bad matchups. Projecting development: it doesn't just "happen." It's about what these guys put in their workouts and hours of exercises and shot development that we never see. Hard for us to project what that is.

First-time listeners, as well as those who once treasured this story, will be thrilled by Sutton Foster's character portrayals. AudioFile's Michele Cobb and host Jo Reed discuss how Foster's portrayal of Pippi is central to the audiobook's success. Her narration crackles with dynamic vibrancy when it comes to Pippi's dialogue. She depicts the wonder, confusion, and doubt of Pippi's friends and the consternation of adults whose authority Pippi challenges. But, as it should be, nothing and no one compares to the power and brash audacity of Pippi. Read our review of the audiobook at our website Published by Listening Library Discover thousands of audiobook reviews and more at AudioFile's website Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca and Tara share their latest good reads AND make their final predictions for CBC's 2025 Canada Reads debates which begin on Monday, March 17. Rebecca (@canadareadsamericanstyle): Pippi Longstocking by Astrid Lindgren Victory. Stand!: Raising My Fist for Justice by Tommie Smith and Derrick Barnes; illustrated by Dawud Anyabwile Wake: The Hidden History of Women-Led Slave Revolts by Rebecca Hall; illustrated by Hugo Martinez Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life by Lulu Miller Tara (@onabranchreads): The Bones of Ruin Trilogy: The Bones of Ruin; The Song of Wrath; The Lady of Rapture by Sarah Raughley.  (Check out Tara's interview with Sarah on October 2, 2024) The Queen's Spade by Sarah Raughley How to Survive a Bear Attack: A Memoir by Claire Cameron Harriet Tubman: Live in Concert by Bob the Drag Queen https://www.youtube.com/watch?v=9B59wqgYNEM Beautiful Ugly; Daisy Darker by Alice Feeney Canadian author of thrillers--Nicole Lundrigan 2025 Canada Reads titles: Dandelion by Jamie Chai Yun Liew Etta and Otto and Russell and James by Emma Hooper Jennie's Boy by Wayne Johnston A Two-Spirit Journey by Ma-Nee Chacaby and Mary Louisa Plummer Watch Out for Her by Samantha M. Bailey Also mentioned: Baltimore's Mansion: A Memoir by Wayne Johnston  

Annika Hylmö, Ph.D. has a doctorate in Communication, or Storytelling, as she puts it, from Purdue University. She studied female-driven tales in academia, where her research into movies starring teenage girls led her passion for visual media to her own screenwriting and story development. Born in Sweden and raised internationally, Annika credits Pippi Longstocking as an early role model. While she is largely genre agnostic, she has a soft spot for mythologies, supernatural and science fiction movies. Annika co-produced Academy Award-nominated Daniel Raim's documentary, IMAGE MAKERS, for Turner Classic Movies, about early cinematography and the story of the people behind the camera. Her award-winning short film DR PENELOPE about a psychology graduate student who finds an unexpected mentor in a psychic puppet is flying around the world on the festival circuit. Annika is one Women in Media's Camaraderie Initiative producers and led their Doc Talks conversations with prestigious female documentarians. She previously worked at the American Film Institute's Conservatory and currently works as a creative producer and story consultant in addition to developing narrative and documentary projects of her own. In her free time, she rides a horse called Eddie. #smalltalkpodcast #marlenesharp #chrispomay #annikahylmo #purdueuniversity #losangelesfires Links: Web: www.annikahylmo.com IMDb: imdb.me/AnnikaHylmo Women in Media: https://www.womennmedia.com/profile/a... Twitter: @annikahylmo LinkedIn: linkedin.com/in/annikahylmo Instagram: @annikahylmo Small Talk Podcast is a monthly entertainment podcast show with co-hosts Marlene Sharp & Chris Pomay. https://beacons.ai/chrisdpomay   / 902365310950515   Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596...

For 8 years, you've led where we've followed, and we've loved every minute—well, almost every minute! Before we kick off our final discussion of a Gilmore Girls pop culture reference, we take a look back at our favorite references and guests, as well as a few that surprised us and few we're happy we won't ever need to revisit. Then we dig into His Girl Friday, the classic screwball romantic comedy that served as an inspiration for our favorite series. How many versions of the story have been made? How did its dialogue inspire Amy Sherman-Palladino? And most importantly...can Kyla finally name all of the Beatles? More pop culture we ref: Broadcast News; Valley of the Dolls; Funny Girl; Grey Gardens; Gilligan's Island; That Girl; Xanadu; Swept Away; A Star Is Born; How to Lose a Guy in 10 Days; Bringing Up Baby; The Marvelous Mrs. Maisel; Electra Woman and Dyna Girl; Pippi Longstocking; Gaslight

Arele Schaechter Viswanath, the translator of the Harry Potter book series into Yiddish, was interviewed about, and read excerpts from, his translation of the second book, Harry Potter and the Chamber of Secrets, which was recently published by Olniansky Press (Sweden, 2024) under the Yiddish title הערי פּאָטער און די קאַמער פֿון סודות. Arele works in the field of strategy and analytics at tech companies in New York City, while "moonlighting" as a Yiddish translator. His previous translations include the first Harry Potter book (הערי פּאָטער און דער פֿילאָסאָפֿישער שטיין); Do you know Pippi Longstocking? (צי קענסטו פּיפּי לאַנגשטרימפּ); and Uh-oh! (געוואַלד). To purchase the latest Harry Potter book in Yiddish in the US we suggest you either email CYCO Yiddish Book Center at cycobooks@aol.com or visit the League for Yiddish Store's Harry Potter book 2 page. For non-USA orders, we recommend purchasing directly from the publisher Olniansky Press's Harry Potter page. Lillian Shporer-Leavitt (לאה), co-host of The Yiddish Voice, led the interview with Arele, as she previously did for the first book in 2020. Lillian grew up in Boston in a Yiddish-speaking home and has been teaching and translating Yiddish in the Boston area for several decades. Our show ended with a selection of Hanukkah recordings. Happy Hanukkah! אַ פֿריילעכן חנוכּה Music: Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz John Williams: Harry Potter and the Chamber of Secrets: Complete Motion Picture Score (excerpts) A series of Hanukkah in performed by various singers and musicians, including Moishe Oysher and the Pripetshik Singers. Air date: Dec 11, 2024

For my last episode of this year, I have the amazing Tami Erin. She is known around the world for her portrayal as Pippi Longstocking from the 1988 Movie, The New Adventures of Pippi Longstocking. Filming this at the age of 11 and becoming a household name at such a young age. We talk about the realizing how big this role was. Working with UNICEF as an ambassador for the United Nations, adjusting to the life. And we talk about what she has done since and what she has going on now! Tune in to hear this amazing episode now! Video version will be available on YouTube Wednesday!   To follow todays guest: www.tamierin.com    ======================== Podcast Networks:       Zeo to Hero Podcast Network: https://zeotohero.com/         OIW Podcast Network: https://www.oiwpodcastnetwork.com/         ======================== Merch! https://iygadapshop.etsy.com/    Stickers By Stasha: https://linktr.ee/stickersbystasha        =======================     Original Geek Comics: https://www.originalgeekcomics.com/    https://linktr.ee/OrgnlGeek    Original Geek: Beyond The Panels Podcast: https://www.redcircle.com/show/ogbeyondthepanels   ==========================================   Diamond State Wrestling: https://www.youtube.com/@diamondstatewrestling   www.diamondstatewrestling.com    Music by Music Hub from Pixabay.com   If You Give A Dad A YouTube Channel: https://www.youtube.com/@IfYouGiveADadAYoutubeCha-uw7zm    If You Give A Dad A Cosplay: https://www.youtube.com/@IfyougiveadadaCosplay-nl9hc   ========================= musical credits for show:       Beginning Music from Tunetank.com The Indie Rock - ViPSound (Copyright Free Music) Download free: https://tunetank.com/track/552/the-indie-rock/        Intro theme sampled from: https://pixabay.com/music   (find whole song there)       Outro music by: D.Cure Produced by: tunnA Beatz If you enjoy his music, be sure to check out his website as well! www.dcurehiphop.com   Fail Sound Effect for Dad Joke of the Week by Universfield from www.pixabay.com    ===========================       Linktree to follow me: http://linktr.ee/Giveadadapodcast      

Welcome to the UNLEARN Podcast! Today, we're joined by an inspiring leader in global banking and transformation, Ani Filipova. With over two decades of experience, Ani has made her mark as a former international banking executive, setting up and managing three banks, including Citibank Bulgaria. She also led the transformation of a $2 billion business across 16 countries as Regional COO for Citibank Treasury and Trade Solutions in Asia.Ani's path to success was anything but conventional. Fueled by a passion for travel, she overcame rejections and seized every opportunity to explore the world and build a remarkable career. Now, Ani is reshaping her journey through a “portfolio career,” as the Founder & CEO of Change Advisory, drawing from her wealth of experience to inspire others with insights on leadership, transformation, and reinvention. Key Takeaways:Exploring Beyond Boundaries: Ani's journey of growing up behind the Iron Curtain, finding creative ways to explore the world despite restrictions.Speaking Up and Taking Risks: Strategies Ani used to conquer anxiety, master the art of speaking up, and embrace bold decisions in high-stakes situations.Global Team Collaboration: Insights on fostering alignment and driving collaboration across diverse teams to achieve success in complex, multinational organizations. Additional Insights:Embracing Change: Ani highlights the challenges and rewards of adapting to digital transformation.Cross-Cultural Collaboration: Understanding local customs as a foundation for trust and teamwork.Unlearning to Grow: Letting go of old habits to thrive in evolving business landscapes.Get ready for an inspiring and transformative conversation with Ani Filipova on embracing change, leadership, and the power of reinvention!Episode Highlights: 00:36 - Episode Introduction"If you don't speak up, if you don't show your work. If you don't share your opinions, that's not good at all.01:27 - Introduction to the Episode: Barry introduces Ani Filipova‘'Ani Filipova, an inspiring leader whose journey spans across continents, industries, and perspectives''03:10 - Growing Up Behind the Iron Curtain"I saw the world through books... Pippi Longstocking inspired me to dream about traveling to far-off places."12:59 - Leadership Across Cultures"You can't pretend to care about people's aspirations—you have to truly understand what drives them to build trust and alignment."25:01 - Overcoming Personal Challenges in Leadership "I realized I needed to stop taking everything personally—it was a turning point that helped me approach challenges more confidently." 27:56 - Speaking Up in Leadership Meetings "I remember waiting for the right moment to contribute, and when I did, the adrenaline rush was overwhelming, but it was worth it."37:44 - Adapting Banking to the Digital Era "Transitioning from three-day payments to three-second transactions required rethinking systems, processes, and customer expectations."42:11 - The Challenge of Unlearning"To succeed in today's...

Greetings Cultpix fans! Django Nudo and the Smut Peddler are back with Episode 79 of Cultpix Radio, where we finally crawled back onto the airwaves after a two-month hiatus. Here's what went down during the extended radio silence:The BIG Topics:Why we've been MIA: Turns out credit card companies aren't fans of our "abusive" content (their words, not ours). Stripe kicked us off their platform because apparently showing classic cinema with occasional nudity makes us as risky as selling firearms and dodgy supplements. Who knew?The Great Payment Saga: After trying 35+ different payment solutions and getting rejected for having films containing everything from "strangles" to "berserk" content (seriously, they flagged a family comedy), we're moving to direct debit payments. Take that, censorship!Growing Strong: Despite the payment drama, we've grown 80% in the first six months of this year and were going strongly until we were de-platformed. Not too shabby for an "abusive" platform!Recent Theme Months and Weeks:Satanic September: Hell yeah!Arts-ploitation: When arthouse meets exploitation, featuring heavyweights like Buñuel, Coppola, and LynchThe Jaeckin/Kristel Connection: His name is NOT pronounced Just Jackin'Black November: A diverse collection of films including some fascinating South African B-scheme movies from the 80sComing Up:Estonian Fantasy Week: Including "Arabella the Pirate's Daughter" (think Pippi Longstocking meets pirates)Dirty Docu December: 31 days of "educational" documentaries from the 70s, including the extremely scientific "Sex and Astrology"Apps for big screen viewing are finally coming! (Touch wood)Special shoutout to our favourite user comment: "Your website is dogshit." Thanks for the constructive feedback, matey! A more sincere thank you to our friends and collaborators Kalle and Tightsbury for all their recent video help.And yes, for those wondering - our upcoming Blu-ray releases will have slip cases. Because nothing says "quality cinema" like a good slip case.Stay abusive, stay exploitative, stay with Cultpix!

Emma Stone, Rashida Jones, Pippi Longstocking… what do all these ladies have in common? FRECKLES. They all have freckles. Well honey, freckles got launched into the zeitgeist this fall when Taylor Swift was photographed wearing glitter freckles to a Kansas City game. Yes. GLI-TTER FRE-CKLES. So, just like the rest of the world, we wanted to learn more! That's why today on the pod, we are welcoming the co-founders of Fazit Beauty: Nina LaBruna & Aliett Buttelman! Fazit Beauty is best known for their innovative skin patches that address common skin issues with an approach centered in loving your skin in any condition. AND… they make the glitter freckles! Fazit Beauty is on Instagram @fazitbeauty and on TikTok @fazitbeauty Nina is on TikTok @nina_beautyfounder Aliett is on TikTok @alliettbutts Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our Senior Producer is Chris McClure. Our editor & engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Emma Stone, Rashida Jones, Pippi Longstocking… what do all these ladies have in common? FRECKLES. They all have freckles. Well honey, freckles got launched into the zeitgeist this fall when Taylor Swift was photographed wearing glitter freckles to a Kansas City game. Yes. GLI-TTER FRE-CKLES. So, just like the rest of the world, we wanted to learn more! That's why today on the pod, we are welcoming the co-founders of Fazit Beauty: Nina LaBruna & Aliett Buttelman! Fazit Beauty is best known for their innovative skin patches that address common skin issues with an approach centered in loving your skin in any condition. AND… they make the glitter freckles! Fazit Beauty is on Instagram @fazitbeauty and on TikTok @fazitbeauty Nina is on TikTok @nina_beautyfounder Aliett is on TikTok @alliettbutts Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our Senior Producer is Chris McClure. Our editor & engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Enjoy this unlocked bonus episode from our Patreon! Usidore, Chunt, Arnie, and Flower share their thoughts about the book, Pippi Longstocking. Who is the real Pippi?You can support the show directly and receive bonus episodes and rewards by joining our Patreon at https://www.patreon.com/magictavern for only $5 per month. Follow us on X, Instagram and YouTube!CreditsArnie: Arnie NiekampChunt: Adal RifaiUsidore: Matt YoungFlower: Brooke BreitCraig: Ryan DiGiorgiProducer: Matt YoungAssociate Producer: Anna HavermannPost-Production Coordination: Garrett SchultzEditor: Sage G.C.Special Assistance: Ryan DiGiorgiMagic Tavern Logo: Allard LabanTheme Music: Andy PolandSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to Best Book Forward! The podcast where we delve into the books that have shaped our favourite authors' lives. Think of it as your literary Desert Island Discs.Today, I'm thrilled to have the incredible Josie Ferguson join us. Josie is the author of the highly acclaimed debut novel, The Silence in Between, shortlisted for the Waterstones Debut Prize 2024.In this episode, we'll explore the world of Josie's poignant story, discussing themes of sexual violence, trauma, and the resilience of women in times of trouble.As always we'll also look at the five books that have shaped Josie's life which were.Pippi Longstocking by Astrid LindgrenSweet Valley High created by Francine PascalThe Shadow of the Wind by Carlos Ruiz ZsafonBetween Shades of Grey by Ruta SepetysThe Thirteenth Tale by Diane SetterfieldListeners are also treated to a short clip of one of the beautiful pieces of music that Josie's brother Micke Bonde created for the characters of The Silence in Between. The clip is used is called Lisette. If you would like to hear more or find out more about Josie's work please visit her website https://josieferguson.com/Caution: This episode discusses sensitive topics, including sexual violence and trauma. Listener discretion is advised.For my bookish chat follow me on Instagram @bestbookforward or visit my website at www.bestbookforward.org

In this episode, Krish takes us to Sweden to talk about the 1981 children's book "Ronia, the Robber's Daughter" by Astrid Lindgren. Krish shares the story of Ronia, a brave girl who lives in a fortress with robbers and becomes friends with Birk, the son of a rival robber chief. They go on fun and exciting adventures, teaching us about friendship and being true to ourselves. Krish also tells us about Astrid Lindgren, who created the famous character Pippi Longstocking, and shares some fun facts about her life. Don't miss the riddle at the end! Tune in for more fun stories from around the world in this season of the podcast! Enjoy!

Bestie Battle!! Nora Zehetner (The Right Stuff & Boneyard) faces off against Allison Miller (A Million Little Things & 13 Reasons Why) in 4 rounds of pub-style trivia. Play along as we get into both Strawberry Shortcake and Pippi Longstocking! Nora is playing for Doctors Without Borders while Allison is playing for ANERA. Follow us @youshouldknowbetterpod - please rate, subscribe and review!

Jack takes over hosting this week for a delightful kick off episode to summer, covering the extraordinary  author of Pippi Longstocking (among many other works): Astrid Lindgren! Her work varied in form and topics, but always focused on sharing truths with a deep sense of compassion and care. Follow us to Sweden as we map out this whimsical author's life and legacy over the course of 94 years! 

Welcome back to Analyze Scripts, where a psychiatrist and a therapist analyze what Hollywood gets right and wrong about mental health. Today, we are spending time with the incredible Jennifer Hubbard, founder and president of the Catherine Violet Hubbard Animal Sanctuary. Jenny takes us through some of the many parts of CVH like their seniors program, animal adoption events, education opportunities and their belief in creating compassion and healing through the human-animal connection. Jenny reflects on noticing Catherine's love for animals early on and her curious spirit that can be seen in Pippi Longstocking. Catherine lost her life tragically and publicly in the 2012 Sandy Hook Elementary School shooting, this June would have been her 18th birthday. To celebrate her birthday and the wonderful work that CVH is doing every day, across the country, please consider donating through the link below, in our Instagram bio or on our website. Donations will go directly to the organization and you will be provided with a receipt for records and tax purposes. We hope you enjoy this special episode.LINK TO FUNDRAISER FOR CATHERINE VIOLENT HUBBARD FOUNDATION (live until June 8, 2024 to honor the birthday of Catherine Hubbard, a victim of the Sandy Hook shooting):Click to Donate to CVH FoundationSOCIALS:InstagramTikTokWebsiteYoutubeDR. FUREY:Private Practice - Sound Psychiatry, LLCDr. Furey's InstagramPORTIA PENDLETON, LCSW:Private Practice - In Touch TherapyPortia's InstagramDisclaimer: This podcast and its content are for entertainment and educational purposes only. They do not constitute medical or psychiatric advice. Please call 911, 211 or go directly to the nearest emergency room for any psychiatric emergency. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to Analyze Scripts, where a psychiatrist and a therapist analyze what Hollywood gets right and wrong about mental health. Today, we are preparing you for our upcoming episodes in May 2024. We are excited for you to watch along with us! May 6th - "Quiet on Set: The Dark Side of Kids TV Part 1" Child Actors & Power Imbalances (HBO MAX)May 9th - "Quiet on Set: The Dark Side of Kids TV Part 2" Grooming & Surviving (HBO MAX)May 13th- "American Horror Story - Murder House" The Harmon Family (Hulu)May 20th- "American Horror Story - Murder House" The Langdon Family (Hulu)May 23rd- "Pippi Longstocking" with Jenny Hubbard, founder of the Catherine Violet Hubbard Animal Sanctuary, Newtown, CT (Amazon Prime, Tubi)May 27th- "Bluey - The Sign" Good Enough Parenting (Disney +) InstagramTikTokWebsite Hosted on Acast. See acast.com/privacy for more information.

Venture into the world of nomadic living with Kate Evans, a true maestro of house sitting, who gracefully shares her tapestry of travel tales and the savvy behind her cost-effective lifestyle. Her story, reminiscent of Pippi Longstocking's whimsical adventures, unfolds to reveal a serendipitous discovery that transformed her globetrotting dreams into reality. As Kate guides us through the art of securing charming abodes across the globe, she brings a spark of inspiration to fellow wanderers who are yearning for their next chapter of exploration without the financial strain.Peek behind the curtain of popular house sitting platforms, where Kate and I exchange notes on the unique features and safety nets tailored for solo adventurers. We unravel the thread of confidence woven through the careful vetting processes and community reviews that these platforms offer. For couples enticed by the allure of individual space, we shine a light on the concept of separate sits, broadening the horizon of possibilities within the nomadic lifestyle. This episode serves as a stepping stone for those itching to dip their toes into the waters of house sitting, arming them with the know-how to embark on their journey.As we draw the curtains on our session, the essence of 'Wanderland: Living the Traveling Life' beckons, inviting our listeners to explore the richness of travel experiences that house sitting cultivates. We celebrate the deep connections and local interactions that flourish when one fully immerses in the tapestry of a new community. Kate's chronicles serve as both a guide and an ode to the nomadic spirit, offering a compass that points toward the realization that the true essence of travel lies not just in the destinations, but in the warmth of the people and the stories shared along the way.Visit Kate's website to purchase her books for more resources and tips.www.kateevanswriter.comInstagram @katenomadicwriterhttps://www.facebook.com/KateEvansWriterFacebook community: Solo Travel for Women Over 50Send me a message or share your solo travel story with me.https://www.speakpipe.com/SoloTravelAdventuresLeave a review:https://podcasts.apple.com/us/podcast/solo-travel-adventures-safe-travel-for-women-preparing-for-a-trip-overcoming-fear-travel-tips/id1650161410

Arnie, Chunt, and Usidore have heard the feedback from March Magic and it's time to read the children's book, Pippi Longstocking! This new Book Club episode will be available to supporters on Patreon starting on May 23rd. You have about a month to read the book yourself, and then listen to the gang share their thoughts!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

TVC 644.3: Greg Ehrbar reviews the Shirley Temple Storybook Collection, a six-DVD set featuring some of the best episodes of her popular Sunday night series, Shirley Temple's Storybook (NBC, 1958-1959, 1960-1961). The DVD collection includes adaptations of such beloved children's classics as The Little Mermaid, Winnie the Pooh, Babes in Toyland, Pippi Longstocking, Kim, The Reluctant Dragon, The Land of Oz, and Madeline, and features such stars as Jonathan Winters, Ray Walston, Martin Landau, Agnes Moorehad, Robert Culp, Sterling Holloway, Margaret Hamilton, John Raitt, David Frankham, and Jonathan Harris. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we are looking back at the August 2010 issue of Nylon magazine! Drew Barrymore appeared in this gorgeous cover feature while promoting Going the Distance. The beachside photos by Marvin Scott Jarrett are quintessential too-cool-Drew, in part thanks to Debra Ferullo's gorgeous sunkissed makeup and Anda & Masha's badass styling. The article by Holly Siegel sets the scene of a free-spirited and casual Ms. Barrymore hanging in the Flower Films offices extolling the virtues of Pippi Longstocking, rock shows, and Tom Robbins' Still Life with Woodpecker. This is a really fun look back to the end of an era, right before Drew began heading down the path of motherhood! Join our ⁠⁠Patreon⁠⁠!⁠ Visit us on the web!⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@howdoyoudrewpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠howdoyoudrew.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@drewseum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thedrewseum.com⁠⁠⁠

It's April once again and you know what that means... all through the month of April the Bad Princess Movies podcast will be taking a look at movies focused on Prince characters. Our first Prince movie for 2024 is Mio in the Land of Faraway, a film based off a novel by the illustrious Astrid Lindgren (Best known for the Pippi Longstocking series). Kristi has a lot of fondness for this movie, but how does Bri enjoy the tale of little Mio in his adventures in the Land of Faraway? Come and join us as we discuss among other things Aunt Edna being the absolute worst, stone-cold villains and their frog-petting ways, and whether or not this film is best viewed at 1.5 times speed. 

Episode 276: TAMI ERIN Keith Reza interviews actress Tami Erin. Tami is best known as playing Pippi Longstocking in the New Adventures of Pippi Longstocking.  Support the show on patreon.com/rezarifts61 Follow Keith on all social media platforms! www.facebook.com/realkeithreza www.tiktok.com/keithreza www.instagram.com/keithreza www.twitter.com/keithreza Book Keith on cameo at  www.cameo.com/keithreza Check out my website for dates at www.keithreza.com Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter! #tamierin #keithreza #rezarifts #comedy

Tami Erin is loved in 18 languages as "Pippi Longstocking", of the Columbia Pictures film. Ms. Erin was selected for the role of "Pippi" out of over 8,000 other young actresses worldwide for her dynamic talents including acting, singing, dancing, advanced gymnastics & tumbling & horseback riding (stunts). In her career, she's been featured internationally in film, television appearances, commercials, modeling campaigns, countless personal interviews & articles.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

We're back from our FANTASTIC UK/Ireland tour, and have SO MUCH catching up to do. After a few comments about Fortnite and Ne-Yo, we play your calls and speculate about two huge Who mysteries: WHY did Dominic Purcell insert himself into the Cyrus family, and WHO made Rebecca Ferguson cry on a movie set? Moving on, we discuss Julie Ragbeer's clever utilization of @PopTingz's paid tweets, Kristin Cavallari's relationship with a 24-year-old TikTok star, the Cheryl/Sheryls, Pippi Longstocking's Who/Them status, and more. As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Support us and get a TON of bonus content over on Patreon.com/WhoWeekly. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We explore the themes and character traits depicted in the movie "Pippi Longstocking." We delve into Pippi's unconventional lifestyle, strength, and resilience, discussing the importance of discipline and drawing parallels with Biblical teachings found in Ephesians and Revelation. Our conversation also reflects on kindness and compassion, Join us in reflecting for this character study of Pippi and how the need for order is necessary in the chaos._____________________________________________________________________________Follow us:InstagramFacebookYouTubeTIkTok

Turns out the song was right - Pippi Longstocking REALLY DID come to our town! Actress and all-around adorable human, Tami Erin, stopped by the OKPOP Radio Hour to talk about playing the world's most beloved precocious red head, Pippi Longstocking. Tami's a proud Oklahoma transplant, with her own perch out at Grand Lake, and she's cooking up something fun for Memorial Day weekend! Find out all the deets in this week's pod!

Welcome to the Instant Trivia podcast episode 1075, where we ask the best trivia on the Internet. Round 1. Category: International Get-Togethers 1: In spring, head out from this largest Dutch city to the regional trade event focusing on tulips. Amsterdam. 2: Toronto's Collision Conference has a program for these tech companies named for their fledgling nature. start-ups. 3: This Austin-based meet-up was focused on music when it launched in 1987, but now includes other media. South by Southwest. 4: In 2018 the India Mobile Congress event focused on telecom issues, especially this new alphanumeric mobile network. 5G. 5: Billed as the "most influential tech event in the world", this event featuring gizmos and gadgets has been held in Las Vegas since 1978. the Consumer Electronics Show (CES). Round 2. Category: Drug Store 1: For most of its 100 plus years, it's been the world's best-selling mouthwash. Listerine. 2: The best-selling brand of children's vitamins in the U.S. is named for these cartoon characters. the Flintstones. 3: It completed the '50s jingle, "You'll wonder where the yellow went...". "when you brush your teeth with Pepsodent". 4: People spray Chloraseptic to relieve this pain. a sore throat. 5: Generic name of the pain reliever in Bufferin. acetylsalicylic acid. Round 3. Category: It'S A Girl! 1: This 1960 Pulitzer Prize-winning novel is set in a small Alabama town and narrated by a young girl. To Kill a Mockingbird. 2: Short story shorter: "Grimm" girl, loves power colors and older relatives, has problems with wolf. (Little) Red Riding Hood. 3: In this 1900 book a farm girl encounters some rough weather and ends up, well, not in Kansas anymore. The Wizard of Oz. 4: Proving once again that pig's blood and proms just don't mix, this Stephen King title girl puts mind over matter. Carrie. 5: This 9-year-old novel heroine has superhuman strength and lives in Sweden in her house, Villa Villekulla. Pippi Longstocking. Round 4. Category: Action Movie Stars 1: In this film, gunfighter Steve McQueen joins up with 6 others to defend a Mexican village from bandits. The Magnificent Seven. 2: As Snake Plissken, this actor had to "Escape from" New York and Los Angeles. (Kurt) Russell. 3: This actor returns as Peter Parker in "Spider-Man: Far From Home", trying to enjoy a vacation while battling new foes in Europe. Tom Holland. 4: It was Riggs, Murtaugh and Chris rock as Detective Lee Butters in film number 4 in this series. Lethal Weapon. 5: This actress' role in "Salt" as an accused spy for Russia was originally written for Tom Cruise. Angelina Jolie. Round 5. Category: Let Me Entertain You 1: You're having a party? Let me do this job and my 4-deck mixing skills will fill the dance floor. DJ (or disc jockey). 2: Drake and Eminem were featured artists on "Loud", an album from this single-named singer. Rihanna. 3: I'll do this, tap dance without the metal taps. soft-shoe. 4: Steve Carell voiced "superbad superdad" Gru, a criminal mastermind-turned-family man in this animated pic. Despicable Me. 5: How about my impression of this actor; I'll be sure to say "Pilgrim", like he does in "McLintock!". John Wayne. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Welcome to the Instant Trivia podcast episode 1075, where we ask the best trivia on the Internet. Round 1. Category: International Get-Togethers 1: In spring, head out from this largest Dutch city to the regional trade event focusing on tulips. Amsterdam. 2: Toronto's Collision Conference has a program for these tech companies named for their fledgling nature. start-ups. 3: This Austin-based meet-up was focused on music when it launched in 1987, but now includes other media. South by Southwest. 4: In 2018 the India Mobile Congress event focused on telecom issues, especially this new alphanumeric mobile network. 5G. 5: Billed as the "most influential tech event in the world", this event featuring gizmos and gadgets has been held in Las Vegas since 1978. the Consumer Electronics Show (CES). Round 2. Category: Drug Store 1: For most of its 100 plus years, it's been the world's best-selling mouthwash. Listerine. 2: The best-selling brand of children's vitamins in the U.S. is named for these cartoon characters. the Flintstones. 3: It completed the '50s jingle, "You'll wonder where the yellow went...". "when you brush your teeth with Pepsodent". 4: People spray Chloraseptic to relieve this pain. a sore throat. 5: Generic name of the pain reliever in Bufferin. acetylsalicylic acid. Round 3. Category: It'S A Girl! 1: This 1960 Pulitzer Prize-winning novel is set in a small Alabama town and narrated by a young girl. To Kill a Mockingbird. 2: Short story shorter: "Grimm" girl, loves power colors and older relatives, has problems with wolf. (Little) Red Riding Hood. 3: In this 1900 book a farm girl encounters some rough weather and ends up, well, not in Kansas anymore. The Wizard of Oz. 4: Proving once again that pig's blood and proms just don't mix, this Stephen King title girl puts mind over matter. Carrie. 5: This 9-year-old novel heroine has superhuman strength and lives in Sweden in her house, Villa Villekulla. Pippi Longstocking. Round 4. Category: Action Movie Stars 1: In this film, gunfighter Steve McQueen joins up with 6 others to defend a Mexican village from bandits. The Magnificent Seven. 2: As Snake Plissken, this actor had to "Escape from" New York and Los Angeles. (Kurt) Russell. 3: This actor returns as Peter Parker in "Spider-Man: Far From Home", trying to enjoy a vacation while battling new foes in Europe. Tom Holland. 4: It was Riggs, Murtaugh and Chris rock as Detective Lee Butters in film number 4 in this series. Lethal Weapon. 5: This actress' role in "Salt" as an accused spy for Russia was originally written for Tom Cruise. Angelina Jolie. Round 5. Category: Let Me Entertain You 1: You're having a party? Let me do this job and my 4-deck mixing skills will fill the dance floor. DJ (or disc jockey). 2: Drake and Eminem were featured artists on "Loud", an album from this single-named singer. Rihanna. 3: I'll do this, tap dance without the metal taps. soft-shoe. 4: Steve Carell voiced "superbad superdad" Gru, a criminal mastermind-turned-family man in this animated pic. Despicable Me. 5: How about my impression of this actor; I'll be sure to say "Pilgrim", like he does in "McLintock!". John Wayne. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

We're joined today by Kelly Schubert to discuss the first half of Clueless! Topics discussed include the Step-Sibling Issue, "edgy" humor, Paul Rudd aging like fine wine, things that did NOT age quite so well, and the Christmas tree industry.Glossary of People, Places, and Things: Marrying Mr. Darcy, Pride and Prejudice (2005), The Ripped Bodice, The Ringer article, Noxzema, Mean Girls (2024), Rat Race, Ghosts of Girlfriends Past, Spirited, Marvin the Martian, Pippi Longstocking, ScrubsTo hear more of Kelly, you can listen to her make appearances on Potterless and The Newest Olympian. If you want to find Kelly on social media, follow her on Twitter at @voteformekellyb. If you're a BTS ARMY member, check out her Etsy shop at MagicShopPatches.Cast and Crew of CluelessNext Episode: Clueless (Part 2)Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://www.teepublic.com/stores/pod-and-prejudice?ref_id=23216

Bestselling writer Monica Ali, finishes off this season with an in-depth chat about the books that she loves, the responsibility she takes on as a writer and how she overcame a shattered self confidence. Monica Ali shot to fame with her literary phenomenon Brick Lane 20 years ago. She has since written four other books, Alentejo Blue, In the Kitchen, Untold Story and Love Marriage. She is a Fellow of the Royal Society of Literature and has been nominated for a long list of accolades including the Booker Prize and the George Orwell Prize. She is also the Chair of Judges for the 2024 Women's Prize for Fiction. Monica is Patron of Hopscotch Women's Centre, a charity that was originally set up by Save the Children to support ethnic minority families who had come to join their partners in the UK.  Monica's book choices are: ** Pippi Longstocking by Astrid Lingren ** Emma by Jane Austen ** Middlemarch by George Eliot ** The Bottle Factory Outing by Beryl Bainbridge ** The Group by Mary McCarthy Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season six of the Women's Prize for Fiction Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize is one of the most prestigious literary awards in the world, and they continue to champion the very best books written by women. Don't want to miss the rest of season six? Listen and subscribe now! This podcast is sponsored by Baileys and produced by Bird Lime Media.

Actress Tami Erin became an inspiration to little girls around the world as the zany and adventurous Pippi Longstocking and she is still empowering women today. Erin beat out about 8,000 other girls to become Pippi. Erin talks about how she came to be an Okie, settling down at Grand Lake. Erin also talks about her struggles with a scandal that rocked her world and how she came out on top.

Comedian and musician Reggie Watts feels quixotic about being Conan O'Brien's friend. Reggie sits down with Conan to discuss his new book Great Falls, MT: Fast Times, Post-Punk Weirdos, and a Tale of Coming Home Again, mashing up music and comedy in his thirties, and childhood heroes Pippi Longstocking and Ferris Bueller. Plus, new numbers debut in the team's race for Most Popular Sandwich. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847.

WHERE MY MOMS AT!? It's the show by the Moms for the Moms. Hosted by everybody's favorite "cool mom" Christina P! Not only the most REAL show for moms, but the most interactive. An open place to admit no one really knows what they're doing.This week Christina welcomes comedian Jessica Kirson. They dive into the pitfalls of being an upcoming comedian and the real reason there are so few women in comedy. They move into motherly territory and open up about the effect their own mothers had on them and the maternal realization that comes with having children. The mom talk continues with fantasies of being an orphan, the benefits of microdosing, the influence of Pippi Longstocking, and how being a “Zen” parent is impossible.Christina P. wants to hear from you since she is seriously lacking in cool mom friends. If you want to share a "Pazsitzky Effect" or "Mom Hack" please call into our voicemail (213)375-5184 and let Christina know! We want to talk to as many moms across America as we can.WhereMyMomsAt@gmail.com(213) 375-5184https://christinaponline.com/tour-dateshttps://store.ymhstudios.com/

En el episodio de hoy abordamos el pensamiento del primer gran empirista propiamente dicho. John Locke asumió el proyecto de renovación de las ciencias y la filosofía y dió el paso definitivo a partir de los planteamientos epistemológicos de Hobbes, asumiendo la tesis empirista de que todo el conocimiento proviene de la experiencia y negando totalmente el innatismo al afirmar que la mente es como una hoja en blanco sobre la que va escribiendo la experiencia. Recordad que también hay contenidos extras para subscriptores de pago mensual de iVoox y Ko-fi (   https://ko-fi.com/anaideiafm ), y que podéis disfrutar también de la actividad en las redes sociales del proyecto ANAIDEIA, tanto en Instagram como en Twitter y sobre todo en Tiktok, donde casi cada día publico videos de divulgación filosófica, en las tres plataformas con el mismo usuario: ANAIDEIAFM. Además, os invito a ver el recientemente inaugurado canal de Twitch ANAIDEIA_PODCAST, donde hago streamings cada lunes y jueves a las 21:30 hora española y donde podréis interaccionar conmigo, y en cada stream desarrollo también en la parte central un tema interesante de filosofía. TODOS LOS LINKS: https://linktr.ee/Anaideiafm Anaideia.es   Twitter: @anaideiafm    Instagram: @anaideiafm  Tiktok: @anaideiafm       anaideiafm@gmail.com Twitch: https://www.twitch.tv/anaideia_podcast MUSIC: -Hall of the metal king, Metalicious, Hall of the Kazoo king, Cocktail and Lobster, Succubus, Through the Mist, Blinking lights, Pure Rock and Roll, by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License. -Star Wars - The Force Theme ( Rock / Metal Version ) By Stéphane L (https://youtu.be/tY0FdTcd_EA?si=Q99Jtyybl0k9fqni) -Cover of Pippi Longstocking song by Mike Marwitz (https://www.youtube.com/watch?v=HF9QaQLBa40)

   Retomamos la actividad del podcast en esta tercera temporada abordando el Empirismo Moderno. En este episodio introductorio veremos las características básicas del movimiento en su contexto de la filosofía moderna y en contraposición al racionalismo.    Tratamos las aportaciones de Francis Bacon, un precedente claro del empirismo que desde el estudio de la metodología científica señaló algunas de las vías básicas y el de Thomas Hobbes, en su vertiente epistemológica, que supone ya un primer empirismo claro aunque aún no tan nítido como el de los autores que estudiaremos en los siguientes episodios. Recordad que también hay contenidos extras para subscriptores de pago mensual de iVoox y Ko-fi (   https://ko-fi.com/anaideiafm ), y que podéis disfrutar también de la actividad en las redes sociales del proyecto ANAIDEIA, tanto en Instagram como en Twitter y sobre todo en Tiktok, donde casi cada día publico videos de divulgación filosófica, en las tres plataformas con el mismo usuario: ANAIDEIAFM. Además, os invito a ver el recientemente inaugurado canal de Twitch ANAIDEIA_PODCAST, donde hago streamings cada lunes y jueves a las 21:30 hora española y donde podréis interaccionar conmigo, y en cada stream desarrollo también en la parte central un tema interesante de filosofía. TODOS LOS LINKS: https://linktr.ee/Anaideiafm Anaideia.es   Twitter: @anaideiafm    Instagram: @anaideiafm  Tiktok: @anaideiafm       anaideiafm@gmail.com Twitch: https://www.twitch.tv/anaideia_podcast MUSIC: -Hall of the metal king, Metalicious, Favorite, Cocktail and Lobster, Freestyleh, Pure Rock and Roll, by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License. -Star Wars - The Force Theme ( Rock / Metal Version ) By Stéphane L (https://youtu.be/tY0FdTcd_EA?si=Q99Jtyybl0k9fqni) -Cover of Pippi Longstocking song by Mike Marwitz (https://www.youtube.com/watch?v=HF9QaQLBa40)

In this podcast, we delve into the importance of effective communication with your audience and how it can directly impact your customer service and business growth. We discuss Peter's key strategies and tactics you can implement to enhance your communication skills and create a positive customer experience. By targeting your audience with tailored messages, you can build trust, loyalty, and satisfaction, which ultimately leads to increased customer retention and business expansion. Whether you are a small business owner or a marketing professional, this epiosde provides valuable insights and practical tips to help you excel in your communication efforts. Don't miss out on this opportunity to unlock the potential of your business and take it to new heights. Subscribe to our channel for more helpful videos on customer service, business growth, and improving the overall customer experience. Here are some of the key takeaways: 3:39 Peter Schroeder highlight 5:05 Don't sell yourself short 6:00 – 7:07 Why is marketing important 8:18-9:00 Pippi Longstocking quote 9:44-10:36 Repeat customer myth 10:42-12:38 Meeting customers Where they are 13:42-15:10 65% stat – bad experience Topic 15:14 – 21:51 How to communicate with your audience where they are at 18:53-21:13 Text messaging as a form of communication for Businesses 21:52-25:30 How Telzio got started Bonus: A look into Peter's Music Carrier 26:-27:17 Go To Music Set For getting a crowd going – Jackson 5 - ABC Who Is Peter Schroeder & How Did He Tranitition from an multi-award winning DJ to Entrpereneurship? Peter Schroeder is a multi-award-winning DJ and entrepreneur who founded Telzio, a pre-unicorn unified communications company. With over two decades of experience, Peter has collaborated with companies like Facebook, Samsung, and Airbnb, transforming the way people work and communicate. Peter's remarkable career also includes earning over 20 platinum records, 40 gold records, and a triple nomination for the Danish DJ awards. Despite facing challenges such as surviving a plane crash and becoming a father of twins, Peter continues to inspire others with his passion and unwavering drive. Connect With Peter: Website: https://telzio.com/ LinkedIn: https://www.linkedin.com/in/peterrankschroeder/ Instagram: https://www.instagram.com/petefox Shout Out To Our Podcast Sponsors:  @aadvancedservices2691  &  @fusenetworksllc1795  Special Shout Out to Videographer  @markyboy_productions 

This week we look at the world through the eyes of Oliver Anthony; Sweden: Chinese Green jobs; BRICS in South Africa; Chinese and UK depopulation; Murdering Babies; Pornography in nurseries; Australian police go binary; Snow not so White; Pippi Longstocking; Parkinson; Spanish womens football and racist England; Chess for women; Churches burning in Pakistan; Tim Keller's Memorial; SEEK 6 - Black Lives Matter; Lyle Shelton and the Drag Queens; The Jesus Revolution;  with music from Oliver Anthony, Abba, Amaon Amrath; Tom Petty and Larry Norman.  

We continue our miniseries on the 1980s movies distributed by Miramax Films, with a look at the films released in 1988. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we finally continue with the next part of our look back at the 1980s movies distributed by Miramax Films, specifically looking at 1988.   But before we get there, I must issue another mea culpa. In our episode on the 1987 movies from Miramax, I mentioned that a Kiefer Sutherland movie called Crazy Moon never played in another theatre after its disastrous one week Oscar qualifying run in Los Angeles in December 1987.   I was wrong.   While doing research on this episode, I found one New York City playdate for the film, in early February 1988. It grossed a very dismal $3200 at the 545 seat Festival Theatre during its first weekend, and would be gone after seven days.   Sorry for the misinformation.   1988 would be a watershed year for the company, as one of the movies they acquired for distribution would change the course of documentary filmmaking as we knew it, and another would give a much beloved actor his first Academy Award nomination while giving the company its first Oscar win.   But before we get to those two movies, there's a whole bunch of others to talk about first.   Of the twelve movies Miramax would release in 1988, only four were from America. The rest would be a from a mixture of mostly Anglo-Saxon countries like the UK, Canada, France and Sweden, although there would be one Spanish film in there.   Their first release of the new year, Le Grand Chemin, told the story of a timid nine-year-old boy from Paris who spends one summer vacation in a small town in Brittany. His mother has lodged the boy with her friend and her friend's husband while Mom has another baby. The boy makes friends with a slightly older girl next door, and learns about life from her.   Richard Bohringer, who plays the friend's husband, and Anémone, who plays the pregnant mother, both won Cesars, the French equivalent to the Oscars, in their respective lead categories, and the film would be nominated for Best Foreign Language Film of 1987 by the National Board of Review. Miramax, who had picked up the film at Cannes several months earlier, waited until January 22nd, 1988, to release it in America, first at the Paris Theatre in midtown Manhattan, where it would gross a very impressive $41k in its first three days. In its second week, it would drop less than 25% of its opening weekend audience, bringing in another $31k. But shortly after that, the expected Oscar nomination for Best Foreign Language Film did not come, and business on the film slowed to a trickle. But it kept chugging on, and by the time the film finished its run in early June, it had grossed $541k.   A week later, on January 29th, Miramax would open another French film, Light Years. An animated science fiction film written and directed by René Laloux, best known for directing the 1973 animated head trip film Fantastic Planet, Light Years was the story of an evil force from a thousand years in the future who begins to destroy an idyllic paradise where the citizens are in perfect harmony with nature.   In its first three days at two screens in Los Angeles and five screens in the San Francisco Bay Area, Light Years would gross a decent $48,665. Miramax would print a self-congratulating ad in that week's Variety touting the film's success, and thanking Isaac Asimov, who helped to write the English translation, and many of the actors who lent their vocal talents to the new dub, including Glenn Close, Bridget Fonda, Jennifer Grey, Christopher Plummer, and Penn and Teller. Yes, Teller speaks. The ad was a message to both the theatre operators and the major players in the industry. Miramax was here. Get used to it.   But that ad may have been a bit premature.   While the film would do well in major markets during its initial week in theatres, audience interest would drop outside of its opening week in big cities, and be practically non-existent in college towns and other smaller cities. Its final box office total would be just over $370k.   March 18th saw the release of a truly unique film.    Imagine a film directed by Robert Altman and Bruce Beresford and Jean-Luc Godard and Derek Jarman and Franc Roddam and Nicolas Roeg and Ken Russell and Charles Sturridge and Julien Temple. Imagine a film that starred Beverly D'Angelo, Bridget Fonda in her first movie, Julie Hagerty, Buck Henry, Elizabeth Hurley and John Hurt and Theresa Russell and Tilda Swinton. Imagine a film that brought together ten of the most eclectic filmmakers in the world doing four to fourteen minute short films featuring the arias of some of the most famous and beloved operas ever written, often taken out of their original context and placed into strange new places. Like, for example, the aria for Verdi's Rigoletto set at the kitschy Madonna Inn in San Luis Obispo, where a movie producer is cheating on his wife while she is in a nearby room with a hunky man who is not her husband. Imagine that there's almost no dialogue in the film. Just the arias to set the moments.   That is Aria.   If you are unfamiliar with opera in general, and these arias specifically, that's not a problem. When I saw the film at the Nickelodeon Theatre in Santa Cruz in June 1988, I knew some Wagner, some Puccini, and some Verdi, through other movies that used the music as punctuation for a scene. I think the first time I had heard Nessun Dorma was in The Killing Fields. Vesti La Giubba in The Untouchables. But this would be the first time I would hear these arias as they were meant to be performed, even if they were out of context within their original stories. Certainly, Wagner didn't intend the aria from Tristan und Isolde to be used to highlight a suicide pact between a young couple killing themselves in a Las Vegas hotel bathroom.   Aria definitely split critics when it premiered at the 1987 Cannes Film Festival, when it competed for the festival's main prize, the Palme D'Or. Roger Ebert would call it the first MTV opera and felt the filmmakers were poking fun at their own styles, while Leonard Maltin felt most of the endeavor was a waste of time. In the review for the New York Times, Janet Maslin would also make a reference to MTV but not in a positive way, and would note the two best parts of the film were the photo montage that is seen over the end credits, and the clever licensing of Chuck Jones's classic Bugs Bunny cartoon What's Opera, Doc, to play with the film, at least during its New York run. In the Los Angeles Times, the newspaper chose one of its music critics to review the film. They too would compare the film to MTV, but also to Fantasia, neither reference meant to be positive.   It's easy to see what might have attracted Harvey Weinstein to acquire the film.   Nudity.   And lots of it.   Including from a 21 year old Hurley, and a 22 year old Fonda.   Open at the 420 seat Ridgemont Theatre in Seattle on March 18th, 1988, Aria would gross a respectable $10,600. It would be the second highest grossing theatre in the city, only behind The Unbearable Lightness of Being, which grossed $16,600 in its fifth week at the 850 seat Cinerama Theatre, which was and still is the single best theatre in Seattle. It would continue to do well in Seattle, but it would not open until April 15th in Los Angeles and May 20th in New York City.   But despite some decent notices and the presence of some big name directors, Aria would stiff at the box office, grossing just $1.03m after seven months in theatres.   As we discussed on our previous episode, there was a Dennis Hopper movie called Riders on the Storm that supposedly opened in November 1987, but didn't. It did open in theatres in May of 1988, and now we're here to talk about it.   Riders on the Storm would open in eleven theatres in the New York City area on May 7th, including three theatres in Manhattan. Since Miramax did not screen the film for critics before release, never a good sign, the first reviews wouldn't show up until the following day, since the critics would actually have to go see the film with a regular audience. Vincent Canby's review for the New York Times would arrive first, and surprisingly, he didn't completely hate the film. But audiences didn't care. In its first weekend in New York City, Riders on the Storm would gross an anemic $25k. The following Friday, Miramax would open the film at two theatres in Baltimore, four theatres in Fort Worth TX (but surprisingly none in Dallas), one theatre in Los Angeles and one theatre in Springfield OH, while continuing on only one screen in New York. No reported grosses from Fort Worth, LA or Springfield, but the New York theatre reported ticket sales of $3k for the weekend, a 57% drop from its previous week, while the two in Baltimore combined for $5k.   There would be more single playdates for a few months. Tampa the same week as New York. Atlanta, Charlotte, Des Moines and Memphis in late May. Cincinnati in late June. Boston, Calgary, Ottawa and Philadelphia in early July. Greenville SC in late August. Evansville IL, Ithaca NY and San Francisco in early September. Chicago in late September. It just kept popping up in random places for months, always a one week playdate before heading off to the next location. And in all that time, Miramax never reported grosses. What little numbers we do have is from the theatres that Variety was tracking, and those numbers totaled up to less than $30k.   Another mostly lost and forgotten Miramax release from 1988 is Caribe, a Canadian production that shot in Belize about an amateur illegal arms trader to Central American terrorists who must go on the run after a deal goes down bad, because who wants to see a Canadian movie about an amateur illegal arms trader to Canadian terrorists who must go on the run in the Canadian tundra after a deal goes down bad?   Kara Glover would play Helen, the arms dealer, and John Savage as Jeff, a British intelligence agent who helps Helen.   Caribe would first open in Detroit on May 20th, 1988. Can you guess what I'm going to say next?   Yep.   No reported grosses, no theatres playing the film tracked by Variety.   The following week, Caribe opens in the San Francisco Bay Area, at the 300 seat United Artists Theatre in San Francisco, and three theatres in the South Bay. While Miramax once again did not report grosses, the combined gross for the four theatres, according to Variety, was a weak $3,700. Compare that to Aria, which was playing at the Opera Plaza Cinemas in its third week in San Francisco, in an auditorium 40% smaller than the United Artist, grossing $5,300 on its own.   On June 3rd, Caribe would open at the AMC Fountain Square 14 in Nashville. One show only on Friday and Saturday at 11:45pm. Miramax did not report grosses. Probably because people we going to see Willie Tyler and Lester at Zanie's down the street.   And again, it kept cycling around the country, one or two new playdates in each city it played in. Philadelphia in mid-June. Indianapolis in mid-July. Jersey City in late August. Always for one week, grosses never reported.   Miramax's first Swedish release of the year was called Mio, but this was truly an international production. The $4m film was co-produced by Swedish, Norwegian and Russian production companies, directed by a Russian, adapted from a Swedish book by an American screenwriter, scored by one of the members of ABBA, and starring actors from England, Finland, Norway, Russia, Sweden and the United States.   Mio tells the story of a boy from Stockholm who travels to an otherworldly fantasy realm and frees the land from an evil knight's oppression. What makes this movie memorable today is that Mio's best friend is played by none other than Christian Bale, in his very first film.   The movie was shot in Moscow, Stockholm, the Crimea, Scotland, and outside Pripyat in the Northern part of what is now Ukraine, between March and July 1986. In fact, the cast and crew were shooting outside Pripyat on April 26th, when they got the call they needed to evacuate the area. It would be hours later when they would discover there had been a reactor core meltdown at the nearby Chernobyl Nuclear Power Plant. They would have to scramble to shoot in other locations away from Ukraine for a month, and when they were finally allowed to return, the area they were shooting in deemed to have not been adversely affected by the worst nuclear power plant accident in human history,, Geiger counters would be placed all over the sets, and every meal served by craft services would need to be read to make sure it wasn't contaminated.   After premiering at the Moscow Film Festival in July 1987 and the Norwegian Film Festival in August, Mio would open in Sweden on October 16th, 1987. The local critics would tear the film apart. They hated that the filmmakers had Anglicized the movie with British actors like Christopher Lee, Susannah York, Christian Bale and Nicholas Pickard, an eleven year old boy also making his film debut. They also hated how the filmmakers adapted the novel by the legendary Astrid Lindgren, whose Pippi Longstocking novels made her and her works world famous. Overall, they hated pretty much everything about it outside of Christopher Lee's performance and the production's design in the fantasy world.   Miramax most likely picked it up trying to emulate the success of The Neverending Story, which had opened to great success in most of the world in 1984. So it might seem kinda odd that when they would open the now titled The Land of Faraway in theatres, they wouldn't go wide but instead open it on one screen in Atlanta GA on June 10th, 1988. And, once again, Miramax did not report grosses, and Variety did not track Atlanta theatres that week. Two weeks later, they would open the film in Miami. How many theatres? Can't tell you. Miramax did not report grosses, and Variety was not tracking any of the theatres in Miami playing the film. But hey, Bull Durham did pretty good in Miami that week.   The film would next open in theatres in Los Angeles. This time, Miramax bought a quarter page ad in the Los Angeles Times on opening day to let people know the film existed. So we know it was playing on 18 screens that weekend. And, once again, Miramax did not report grosses for the film. But on the two screens it played on that Variety was tracking, the combined gross was just $2,500.   There'd be other playdates. Kansas City and Minneapolis in mid-September. Vancouver, BC in early October. Palm Beach FL in mid October. Calgary AB and Fort Lauderdale in late October. Phoenix in mid November. And never once did Miramax report any grosses for it.   One week after Mio, Miramax would release a comedy called Going Undercover.   Now, if you listened to our March 2021 episode on Some Kind of Wonderful, you may remember be mentioning Lea Thompson taking the role of Amanda Jones in that film, a role she had turned down twice before, the week after Howard the Duck opened, because she was afraid she'd never get cast in a movie again. And while Some Kind of Wonderful wasn't as big a film as you'd expect from a John Hughes production, Thompson did indeed continue to work, and is still working to this day.   So if you were looking at a newspaper ad in several cities in June 1988 and saw her latest movie and wonder why she went back to making weird little movies.   She hadn't.   This was a movie she had made just before Back to the Future, in August and September 1984.   Originally titled Yellow Pages, the film starred film legend Jean Simmons as Maxine, a rich woman who has hired Chris Lemmon's private investigator Henry Brilliant to protect her stepdaughter Marigold during her trip to Copenhagen.   The director, James Clarke, had written the script specifically for Lemmon, tailoring his role to mimic various roles played by his famous father, Jack Lemmon, over the decades, and for Simmons. But Thompson was just one of a number of young actresses they looked at before making their casting choice.   Half of the $6m budget would come from a first-time British film producer, while the other half from a group of Danish investors wanting to lure more Hollywood productions to their area.   The shoot would be plagued by a number of problems. The shoot in Los Angeles coincided with the final days of the 1984 Summer Olympics, which would cut out using some of the best and most regularly used locations in the city, and a long-lasting heat wave that would make outdoor shoots unbearable for cast and crew. When they arrived in Copenhagen at the end of August, Denmark was going through an unusually heavy storm front that hung around for weeks.   Clarke would spend several months editing the film, longer than usual for a smaller production like this, but he in part was waiting to see how Back to the Future would do at the box office. If the film was a hit, and his leading actress was a major part of that, it could make it easier to sell his film to a distributor.   Or that was line of thinking.   Of course, Back to the Future was a hit, and Thompson received much praise for her comedic work on the film.   But that didn't make it any easier to sell his film.   The producer would set the first screenings for the film at the February 1986 American Film Market in Santa Monica, which caters not only to foreign distributors looking to acquire American movies for their markets, but helps independent filmmakers get their movies seen by American distributors.   As these screenings were for buyers by invitation only, there would be no reviews from the screenings, but one could guess that no one would hear about the film again until Miramax bought the American distribution rights to it in March 1988 tells us that maybe those screenings didn't go so well.   The film would get retitled Going Undercover, and would open in single screen playdates in Atlanta, Cincinnati, Dallas, Indianapolis, Los Angeles, Nashville, Orlando, St. Louis and Tampa on June 17th. And as I've said too many times already, no reported grosses from Miramax, and only one theatre playing the film was being tracked by Variety, with Going Undercover earning $3,000 during its one week at the Century City 14 in Los Angeles.   In the June 22nd, 1988 issue of Variety, there was an article about Miramax securing a $25m line of credit in order to start producing their own films. Going Undercover is mentioned in the article about being one of Miramax's releases, without noting it had just been released that week or how well it did or did not do.   The Thin Blue Line would be Miramax's first non-music based documentary, and one that would truly change how documentaries were made.   Errol Morris had already made two bizarre but entertaining documentaries in the late 70s and early 80s. Gates of Heaven was shot in 1977, about a man who operated a failing pet cemetery in Northern California's Napa Valley. When Morris told his famous German filmmaking supporter Werner Herzog about the film, Herzog vowed to eat one of the shoes he was wearing that day if Morris could actually complete the film and have it shown in a public theatre. In April 1979, just before the documentary had its world premiere at UC Theatre in Berkeley, where Morris had studied philosophy, Herzog would spend the morning at Chez Pannise, the creators of the California Cuisine cooking style, boiling his shoes for five hours in garlic, herbs and stock. This event itself would be commemorated in a documentary short called, naturally, Werner Herzog Eats His Shoe, by Les Blank, which is a must watch on its own.   Because of the success of Gates of Heaven, Morris was able to quickly find financing for his next film, Nub City, which was originally supposed to be about the number of Vernon, Florida's citizens who have “accidentally” cut off their limbs, in order to collect the insurance money. But after several of those citizens threatened to kill Morris, and one of them tried to run down his cinematographer with their truck, Morris would rework the documentary, dropping the limb angle, no pun intended, and focus on the numerous eccentric people in the town. It would premiere at the 1981 New York Film Festival, and become a hit, for a documentary, when it was released in theatres in 1982.   But it would take Morris another six years after completing Vernon, Florida, to make another film. Part of it was having trouble lining up full funding to work on his next proposed movie, about James Grigson, a Texas forensic psychiatrist whose was nicknamed Doctor Death for being an expert witness for the prosecution in death penalty cases in Texas. Morris had gotten seed money for the documentary from PBS and the Endowment for Public Arts, but there was little else coming in while he worked on the film. In fact, Morris would get a PI license in New York and work cases for two years, using every penny he earned that wasn't going towards living expenses to keep the film afloat.   One of Morris's major problems for the film was that Grigson would not sit on camera for an interview, but would meet with Morris face to face to talk about the cases. During that meeting, the good doctor suggested to the filmmaker that he should research the killers he helped put away. And during that research, Morris would come across the case of one Randall Dale Adams, who was convicted of killing Dallas police officer Robert Wood in 1976, even though another man, David Harris, was the police's initial suspect. For two years, Morris would fly back and forth between New York City and Texas, talking to and filming interviews with Adams and more than two hundred other people connected to the shooting and the trial. Morris had become convinced Adams was indeed innocent, and dropped the idea about Dr. Grigson to solely focus on the Robert Wood murder.   After showing the producers of PBS's American Playhouse some of the footage he had put together of the new direction of the film, they kicked in more funds so that Morris could shoot some re-enactment sequences outside New York City, as well as commission composer Phillip Glass to create a score for the film once it was completed. Documentaries at that time did not regularly use re-enactments, but Morris felt it was important to show how different personal accounts of the same moment can be misinterpreted or misremembered or outright manipulated to suppress the truth.   After the film completed its post-production in March 1988, The Thin Blue Line would have its world premiere at the San Francisco Film Festival on March 18th, and word quickly spread Morris had something truly unique and special on his hands. The critic for Variety would note in the very first paragraph of his write up that the film employed “strikingly original formal devices to pull together diverse interviews, film clips, photo collages, and” and this is where it broke ground, “recreations of the crime from many points of view.”   Miramax would put together a full court press in order to get the rights to the film, which was announced during the opening days of the 1988 Cannes Film Festival in early May. An early hint on how the company was going to sell the film was by calling it a “non-fiction feature” instead of a documentary.   Miramax would send Morris out on a cross-country press tour in the weeks leading up to the film's August 26th opening date, but Morris, like many documentary filmmakers, was not used to being in the spotlight themselves, and was not as articulate about talking up his movies as the more seasoned directors and actors who've been on the promotion circuit for a while. After one interview, Harvey Weinstein would send Errol Morris a note.   “Heard your NPR interview and you were boring.”   Harvey would offer up several suggestions to help the filmmaker, including hyping the movie up as a real life mystery thriller rather than a documentary, and using shorter and clearer sentences when answering a question.   It was a clear gamble to release The Thin Blue Line in the final week of summer, and the film would need a lot of good will to stand out.   And it would get it.   The New York Times was so enthralled with the film, it would not only run a review from Janet Maslin, who would heap great praise on the film, but would also run a lengthy interview with Errol Morris right next to the review. The quarter page ad in the New York Times, several pages back, would tout positive quotes from Roger Ebert, J. Hoberman, who had left The Village Voice for the then-new Premiere Magazine, Peter Travers, writing for People Magazine instead of Rolling Stone, and critics from the San Francisco Chronicle and, interestingly enough, the Dallas Morning News. The top of the ad was tagged with an intriguing tease: solving this mystery is going to be murder, with a second tag line underneath the key art and title, which called the film “a new kind of movie mystery.” Of the 15 New York area-based film critics for local newspapers, television and national magazines, 14 of them gave favorable reviews, while 1, Stephen Schiff of Vanity Fair, was ambivalent about it. Not one critic gave it a bad review.   New York audiences were hooked.   Opening in the 240 seat main house at the Lincoln Plaza Cinemas, the movie grossed $30,945 its first three days. In its second weekend, the gross at the Lincoln Plaza would jump to $31k, and adding another $27,500 from its two theatre opening in Los Angeles and $15,800 from a single DC theatre that week. Third week in New York was a still good $21k, but the second week in Los Angeles fell to $10,500 and DC to $10k. And that's how it rolled out for several months, mostly single screen bookings in major cities not called Los Angeles or New York City, racking up some of the best reviews Miramax would receive to date, but never breaking out much outside the major cities. When it looked like Santa Cruz wasn't going to play the film, I drove to San Francisco to see it, just as my friends and I had for the opening day of Martin Scorsese's The Last Temptation of Christ in mid-August. That's 75 miles each way, plus parking in San Francisco, just to see a movie. That's when you know you no longer just like movies but have developed a serious case of cinephilea. So when The Nickelodeon did open the film in late November, I did something I had never done with any documentary before.   I went and saw it again.   Second time around, I was still pissed off at the outrageous injustice heaped upon Randall Dale Adams for nothing more than being with and trusting the wrong person at the wrong time. But, thankfully, things would turn around for Adams in the coming weeks. On December 1st, it was reported that David Harris had recanted his testimony at Adams' trial, admitting he was alone when Officer Wood stopped his car. And on March 1st, 1989, after more than 15,000 people had signed the film's petition to revisit the decision, the Texas Court of Criminal Appeals overturned Adams's conviction “based largely” on facts presented in the film.   The film would also find itself in several more controversies.   Despite being named The Best Documentary of the Year by a number of critics groups, the Documentary Branch of the  Academy of Motion Pictures Arts and Sciences would not nominate the film, due in large part to the numerous reenactments presented throughout the film. Filmmaker Michael Apted, a member of the Directors Branch of the Academy, noted that the failure to acknowledge The Thin Blue Line was “one of the most outrageous things in the modern history of the Academy,” while Roger Ebert added the slight was “the worst non-nomination of the year.” Despite the lack of a nomination, Errol Morris would attend the Oscars ceremony in March 1989, as a protest for his film being snubbed.   Morris would also, several months after Adams' release, find himself being sued by Adams, but not because of how he was portrayed in the film. During the making of the film, Morris had Adams sign a contract giving Morris the exclusive right to tell Adams's story, and Adams wanted, essentially, the right to tell his own story now that he was a free man. Morris and Adams would settle out of court, and Adams would regain his life rights.   Once the movie was played out in theatres, it had grossed $1.2m, which on the surface sounds like not a whole lot of money. Adjusted for inflation, that would only be $3.08m. But even unadjusted for inflation, it's still one of the 100 highest grossing documentaries of the past forty years. And it is one of just a handful of documentaries to become a part of the National Film Registry, for being a culturally, historically or aesthetically significant film.”   Adams would live a quiet life after his release, working as an anti-death penalty advocate and marrying the sister of one of the death row inmates he was helping to exonerate. He would pass away from a brain tumor in October 2010 at a courthouse in Ohio not half an hour from where he was born and still lived, but he would so disappear from the spotlight after the movie was released that his passing wasn't even reported until June 2011.   Errol Morris would become one of the most celebrated documentarians of his generation, finally getting nominated for, and winning, an Oscar in 2003, for The Fog of War, about the life and times of Robert McNamara, Richard Nixon's Secretary of Defense during the Vietnam War era. The Fog of War would also be added to the National Film Registry in 2019. Morris would become only the third documentarian, after D.A. Pennebaker and Les Blank, to have two films on the Registry.   In 1973, the senseless killings of five members of the Alday family in Donalsonville GA made international headlines. Four years later, Canadian documentarian Tex Fuller made an award-winning documentary about the case, called Murder One. For years, Fuller shopped around a screenplay telling the same story, but it would take nearly a decade for it to finally be sold, in part because Fuller was insistent that he also be the director. A small Canadian production company would fund the $1m CAD production, which would star Henry Thomas of E.T. fame as the fifteen year old narrator of the story, Billy Isaacs.   The shoot began in early October 1987 outside Toronto, but after a week of shooting, Fuller was fired, and was replaced by Graeme Campbell, a young and energetic filmmaker for whom Murder One would be his fourth movie directing gig of the year. Details are sketchy as to why Fuller was fired, but Thomas and his mother Carolyn would voice concerns with the producers about the new direction the film was taking under its new director.   The film would premiere in Canada in May 1988. When the film did well up North, Miramax took notice and purchased the American distribution rights.   Murder One would first open in America on two screens in Los Angeles on September 9th, 1988. Michael Wilmington of the Los Angeles Times noted that while the film itself wasn't very good, that it still sprung from the disturbing insight about the crazy reasons people cross of what should be impassable moral lines.   “No movie studio could have invented it!,” screamed the tagline on the poster and newspaper key art. “No writer could have imagined it! Because what happened that night became the most controversial in American history.”   That would draw limited interest from filmgoers in Tinseltown. The two theatres would gross a combined $7k in its first three days. Not great but far better than several other recent Miramax releases in the area.   Two weeks later, on September 23rd, Miramax would book Murder One into 20 theatres in the New York City metro region, as well as in Akron, Atlanta, Charlotte, Indianpolis, Nashville, and Tampa-St. Petersburg. In New York, the film would actually get some good reviews from the Times and the Post as well as Peter Travers of People Magazine, but once again, Miramax would not report grosses for the film. Variety would note the combined gross for the film in New York City was only $25k.   In early October, the film would fall out of Variety's internal list of the 50 Top Grossing Films within the twenty markets they regularly tracked, with a final gross of just $87k. One market that Miramax deliberately did not book the film was anywhere near southwest Georgia, where the murders took place. The closest theatre that did play the film was more than 200 miles away.   Miramax would finish 1988 with two releases.   The first was Dakota, which would mark star Lou Diamond Phillips first time as a producer. He would star as a troubled teenager who takes a job on a Texas horse ranch to help pay of his debts, who becomes a sorta big brother to the ranch owner's young son, who has recently lost a leg to cancer, as he also falls for the rancher's daughter.   When the $1.1m budgeted film began production in Texas in June 1987, Phillips had already made La Bamba and Stand and Deliver, but neither had yet to be released into theatres. By the time filming ended five weeks later, La Bamba had just opened, and Phillips was on his way to becoming a star.   The main producers wanted director Fred Holmes to get the film through post-production as quickly as possible, to get it into theatres in the early part of 1988 to capitalize on the newfound success of their young star.    But that wouldn't happen.   Holmes wouldn't have the film ready until the end of February 1988, which was deemed acceptable because of the impending release of Stand and Deliver. In fact, the producers would schedule their first distributor screening of the film on March 14th, the Monday after Stand and Delivered opened, in the hopes that good box office for the film and good notices for Phillips would translate to higher distributor interest in their film, which sorta worked. None of the major studios would show for the screening, but a number of Indies would, including Miramax. Phillips would not attend the screening, as he was on location in New Mexico shooting Young Guns.   I can't find any reason why Miramax waited nearly nine months after they acquired Dakota to get it into theatres. It certainly wasn't Oscar bait, and screen availability would be scarce during the busy holiday movie season, which would see a number of popular, high profile releases like Dirty Rotten Scoundrels, Ernest Saves Christmas, The Naked Gun, Rain Man, Scrooged, Tequila Sunrise, Twins and Working Girl. Which might explain why, when Miramax released the film into 18 theatres in the New York City area on December 2nd, they could only get three screens in all of Manhattan, the best being the nice but hardly first-rate Embassy 4 at Broadway and 47th. Or of the 22 screens in Los Angeles opening the film the same day, the best would be the tiny Westwood 4 next to UCLA or the Paramount in Hollywood, whose best days were back in the Eisenhower administration.   And, yet again, Miramax did not report grosses, and none of the theatres playing the film was tracked by Variety that week. The film would be gone after just one week. The Paramount, which would open Dirty Rotten Scoundrels on the 14th, opted to instead play a double feature of Clara's Heart, with Whoopi Goldberg and Neil Patrick Harris, and the River Phoenix drama Running on Empty, even though neither film had been much of a hit.   Miramax's last film of the year would be the one that changed everything for them.   Pelle the Conquerer.   Adapted from a 1910 Danish book and directed by Billie August, whose previous film Twist and Shout had been released by Miramax in 1986, Pelle the Conquerer would be the first Danish or Swedish movie to star Max von Sydow in almost 15 years, having spent most of the 70s and 80s in Hollywood and London starring in a number of major movies including The Exorcist, Three Days of the Condor, Flash Gordon,Conan the Barbarian, Never Say Never Again, and David Lynch's Dune. But because von Sydow would be making his return to his native cinema, August was able to secure $4.5m to make the film, one of the highest budgeted Scandinavian films to be made to date.   In the late 1850s, an elderly emigrant Lasse and his son Pelle leave their home in Sweden after the death of the boy's mother, wanting to build a new life on the Danish island of Bornholm. Lasse finds it difficult to find work, given his age and his son's youth. The pair are forced to work at a large farm, where they are generally mistreated by the managers for being foreigners. The father falls into depression and alcoholism, the young boy befriends one of the bastard children of the farm owner as well as another Swedish farm worker, who dreams of conquering the world.   For the title character of Pelle, Billie August saw more than 3,000 Swedish boys before deciding to cast 11 year old Pelle Hvenegaard, who, like many boys in Sweden, had been named for the character he was now going to play on screen.   After six months of filming in the summer and fall of 1986, Billie August would finish editing Pelle the Conquerer in time for it to make its intended Christmas Day 1987 release date in Denmark and Sweden, where the film would be one of the biggest releases in either country for the entire decade. It would make its debut outside Scandinavia at the Cannes Film Festival in May 1988, where it had been invited to compete for the Palme D'Or. It would compete against a number of talented filmmakers who had come with some of the best films they would ever make, including Clint Eastwood with Bird, Claire Denis' Chocolat, István Szabó's Hanussen, Vincent Ward's The Navigator, and A Short Film About Killing, an expanded movie version of the fifth episode in Krzysztof Kieślowski's masterful miniseries Dekalog. Pelle would conquer them all, taking home the top prize from one of cinema's most revered film festivals.   Reviews for the film out of Cannes were almost universally excellent. Vincent Canby, the lead film critic for the New York Times for nearly twenty years by this point, wouldn't file his review until the end of the festival, in which he pointed out that a number of people at the festival were scandalized von Sydow had not also won the award for Best Actor.   Having previously worked with the company on his previous film's American release, August felt that Miramax would have what it took to make the film a success in the States.   Their first moves would be to schedule the film for a late December release, while securing a slot at that September's New York Film Festival. And once again, the critical consensus was highly positive, with only a small sampling of distractors.   The film would open first on two screens at the Lincoln Plaza Cinemas in midtown Manhattan on Wednesday, December 21st, following by exclusive engagements in nine other cities including Los Angeles, Philadelphia, San Francisco, Seattle and Washington DC, on the 23rd. But the opening week numbers weren't very good, just $46k from ten screens. And you can't really blame the film's two hour and forty-five minute running time. Little Dorrit, the two-part, four hour adaptation of the Charles Dickens novel, had been out nine weeks at this point and was still making nearly 50% more per screen.   But after the new year, when more and more awards were hurled the film's way, including the National Board of Review naming it one of the best foreign films of the year and the Golden Globes awarding it their Best Foreign Language trophy, ticket sales would pick up.   Well, for a foreign film.   The week after the Motion Picture Academy awarded Pelle their award for Best Foreign Language Film, business for the film would pick up 35%, and a third of its $2m American gross would come after that win.   One of the things that surprised me while doing the research for this episode was learning that Max von Sydow had never been nominated for an Oscar until he was nominated for Best Actor for Pelle the Conquerer. You look at his credits over the years, and it's just mind blowing. The Seventh Seal. Wild Strawberries. The Virgin Spring. The Greatest Story Ever Told. The Emigrants. The Exorcist. The Three Days of the Condor. Surely there was one performance amongst those that deserved recognition.   I hate to keep going back to A24, but there's something about a company's first Oscar win that sends that company into the next level. A24 didn't really become A24 until 2016, when three of their movies won Oscars, including Brie Larson for Best Actress in Room. And Miramax didn't really become the Miramax we knew and once loved until its win for Pelle.   Thank you for joining us. We'll talk again soon, when Episode 117, the fifth and final part of our miniseries on Miramax Films, is released.     Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Ever wondered what happens when movie genres collide? The Centipodders got the scoop as they dive into a movie review of "Happy Death Day," where Groundhog Day meets horror! It's more kooky than spooky. Then, buckle up for Carmen's wild workout struggles with rock climbing - it's no walk in the park, boy howdy! At one point, John thinks he's a genius when he comes up with a climbing comedy premise, but is he really? (Answer: yes.) Next, Carmen spills the beans on her obsession with "American Ninja Warrior," and trust us, it's ninja-tastic (just like that wordplay was wordplay-arvelous)! Finally, get ready for some goofs 'n' giggles as Carmen spills the beans on her American comedy special and the awkwardness of listening to yourself while editing yourself - we've all been there! BONUS: You, the listener, are beautiful.

In Stockholm in 1941, Astrid Lindgren made up a story for her seven-year-old daughter, Karin, about a young girl who lived alone and had super-human strength. Karin named her Pippi Långstrump, or Pippi Longstocking in English. Four years later, Astrid submitted her story into a competition and it won. Her book, Pippi Långstrump, was published and became an overnight success. It's now been translated into more than 70 languages, as well as being made into more than 40 TV series and films. Rachel Naylor speaks to Astrid's daughter, Karin Nyman. (Photo: Astrid Lindgren. Credit: Getty Images)

Max Pearson presents a collection of this week's Witness History episodes from the BBC World Service. We hear about the German children who were evacuated to camps in the countryside to avoid the bombs of World War Two. You may find some of the content distressing. Also we find out about the execution of Flor Contemplacion Plus the creation of the 3000 km Te Ararora trail in New Zealand, the Dambusters raid and the story behind the popular children's book, Pippi Longstocking. Contributors: Gunter Stoppa and Klaus Reimer - German evacuee camp residents. This was taken from archive recordings from "Haus der Geschichte der Bundersrepublik Deutschland" in Bonn. Beate Muller - Professor of German Studies and Cultural History at Newcastle University, England Geoff Chapple who lobbied for the creation of the Te Araroa trail in New Zealand. Russel Contemplacion - Flor Contemplacion's daughter Edre Olalia - Flor Contemplacion's Lawyer George "Johnny" Johnson - the last survivor of the Dambusters squadron. Karin Nyman – Daughter of author Astrid Nyman (Photo: Flor Contemplacion. Credit: Russel Contemplacion)

The MisFitNation Show welcomes Pippi Longstocking Actress Tami Erin Welcome to our Top It Off Tuesday show this week. We are glad you are with us. This is a great chat with an amazing guest: Life takes us all on journeys and our guest for the final day of February has been on a great one. Tami Erin played Pippi Longstocking in the 1988 film The New Adventures of Pippi Longstocking. She has had a long stay in the lights of Hollywood and will share the lessons she has learned with us. This is going to be a fun chat that we know you will enjoy. This is a great Tuesday Chat and you need to check out a great Conversation for episode 261. All of our latest episodes and videos can be found here: https://www.themisfitnation.com This episode YouTube: https://youtube.com/live/jD8el9g04jk Support us here: https://ko-fi.com/themisfitnationpodcast #actress #pippi #singer #dancer #fashion #resilience #veterans #vetsnpodcasting #vetsnradio #mentalhealth #ptsd #transition #5to1 Learn more about your ad choices. Visit megaphone.fm/adchoices

The best-selling author of How to Train Your Dragon, Cressida Cowell, explains her love for the Swedish author, Astrid Lindgren. Born in 1907, Lindgren invented the Pippi Longstocking stories to tell to her children during the war years, only writing them down for a publisher years later. Following the immense success of Pippi, Astrid Lindgren went on to write Emil of Lonneberga, Children of Noisy Village and the fantasy novels Mio, my son; Ronia the Robber's Daughter; and The Brother's Lionheart. But it was Pippi who brought her fame and fortune. She was a particular hit in post-war Germany, where it is claimed the stories helped de-nazify the Hitler youth. In the 70s and 80s Lindgren began campaigning on child, environmental and animal rights, influencing Swedish government policy and becoming known as the 'Grandmother of all Sweden'. She is still very much adored there today. Cressida Cowell is a recent children's laureate. Also joining the discussion is Johan Palmberg, Lindgren's great grandson, who recalls. "She had this understanding of what a child might be interested in ... she would be the first one to climb the trees and have the children follow her up" Produced in Bristol by Ellie Richold Image courtesy of Jacob Forsell