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5 episodes with Robert Rosen
2 episodes with Robert Rosen
2 episodes with Robert Rosen
2 episodes with Robert Rosen
2 episodes with Robert Rosen
2 episodes with Robert Rosen
2 episodes with Robert Rosen
Join the conversation by letting us know what you think about the episode!Porn's influence is everywhere - just take a look around. But what is it like to work in the porn industry as a writer, to have a view behind the curtain. Robert Rosen's book Beaver Street: A History of Modern Pornography gives the reader a view that isn't often discussed. Tune in to hear about Robert's experiences behind the scenes. Robert Rosen is the author of the international bestseller Nowhere Man: The Final Days of John Lennon. Over the course of a controversial career, he has edited pornographic magazines and an underground newspaper; has written speeches for the Secretary of the Air Force; and has been awarded a Hugo Boss poetry prize. Where to connect with Robert Rosen:Website: https://www.robertrosennyc.com/Facebook: https://www.facebook.com/groups/851310265221196Instagram: @rrosen2727X/Twitter: @rrosen2727TThreads: @rrosen2727Support the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!
This lecture, like the very essence of Ralston College's mission, explores the profound interplay between division and union—a relationship that illuminates the nature of wholeness itself. Dr Iain McGilchrist delves into the insight that the whole is far more than the sum of its parts; it is a dynamic synthesis, a living interplay that transcends reductionism. Drawing on analogies from music, nature, and the human brain, McGilchrist reveals the delicate harmony between separation and connection, a truth exemplified most vividly in the brain's two hemispheres. Here, division and union are not adversaries but partners, each essential to the vitality of the other, enabling the brain to function as a unified and life-giving organ of thought and perception. Such a model reflects the very spirit of Ralston College's aim to unify what modernity has fractured—the intellectual and the spiritual, the individual and the communal, the ancient and the urgent. The lecture also engages with the concept of emergence, a phenomenon where systems reveal qualities and capacities far beyond what their components alone could predict. Ultimately, McGilchrist's argument aligns with the vision of this College: that division and union are not contradictory but complementary forces, driving the renewal of meaning and vitality. It is through this synthesis, through holding the tension between opposites, that true wholeness and innovation emerge—a principle as foundational to the functioning of the human brain as it is to the regeneration of our civilization. Authors and Works Mentioned in this Episode: Pythagoras: 00:09:02:20 Heraclitus: 00:21:34:04 Goethe: 00:23:14:21 Whitehead: 00:24:36:18 Robert Rosen: 00:27:08:02 Rowan Williams: 00:28:44:05 Vesalius: 00:29:37:01 Camillo Golgi: 00:35:14:22 Santiago Ramon y Cajal: 00:35:47:05
2024 winds down with the merging of two guests that have appeared on the show this year, in a spirited discussion of David Whelan's investigation into John Lennon's murder as presented in Mind Games. Robert Rosen (Nowhere Man) serves as skeptic in a conversation weaving together the bigger picture that converged on December 8, 1980, as … 297: All I want Is The Truth with David Whelan and Robert Rosen Read More »
Original Release Date: Monday 21 October 2024 Description: Phil is back from New York City. Dean is preparing to travel to Tokyo. They have a lot to discuss on this week's installment. Phil talks about a live show he saw in New York, about the work of an all-time great stone-cutter, about Columbus Day, and about Indigenous Peoples Day. Dean talks about the fish market he can't wait visit, and the "Venice of Japan", and previews the drawings he will do while far out and far east. "Hogan's Heroes" gets discussed, because, y'know ... Dean! Apple TV + is foremost on the mind of Phil - both its dominance of episodic television and its failure at feature filmmaking. One classic film (1962's The Manchurian Candidate), one action film from Taiwan (The Pig, The Snake and The Pigeon) and two recent releases (Wolfs, The Bikeriders) get deep dive analysis, while Guy Maddin's latest and the new "Joker" film get previewed. All that plus Phil offers personal recollections of a true genius in the history of film, film criticism and film preservation, Robert Rosen, who died at 84.
In this conversation, my returning guest (see episodes 189 – 245 – 266) discusses his recent visit to Spain, where a belated Beatlemania is in full swing. He also offers his insights on the recent May Pang documentary, The Lost Weekend: A Love Story, as well as his take on David Whelan's investigation into John Lennon's … 286: Nowhere Man '24 with Robert Rosen Read More »
Mike, Landon, Ross, and Matt consider how John Lennon's interview in March 1966 with London's Evening Standard influenced Mark David Chapman and the legacy of Christianity, the Beatles, and musical counterculture that persists today. The speech can be read here: https://www.the-paulmccartney-project.com/1966/03/john-lennon-is-quoted-saying-were-more-popular-than-jesus-now/ A blog by Mr. Robert Rosen was discussed and can be accessed here concerning the significance of "Chapter 27" in The Catcher in the Rye: https://robertrosen.blogspot.com/2006/01/roots-of-chapter-27-including-chapter.html Thumbnail comes from here: https://www.businessinsider.com/john-lennon-facts-you-didnt-know-2020-12#lennon-didnt-get-his-drivers-license-until-he-was-24-10 Lennon's song, "God" comes from here: https://www.youtube.com/watch?v=aCNkPpq1giU
Listeners: you may recall my conversation with Robert Rosen (245), detailing the blocking of a pair of books by reputable authors that detailed the “househusband” years of John's life; it evolved out of an essay Robert wrote. Well, one of those writers is here to tell his story himself. Michael Meideros was hired in 1977 to work … 277: “Mike Tree” in Nutopia with Michael Meideros Read More »
The author of Nowhere Man (2000) returns for a conversation prompted by the book's recent re-publication, augmented with an array of new material and appendices. Robert will also be making a rare personal appearance in St Louis on October 4th in St. Louis – details here. Among the subjects we talked about this time round were: Robert's website … 266: Nowhere Man '23 with Robert Rosen Read More » The post 266: Nowhere Man '23 with Robert Rosen appeared first on .
Born in Australia, Nicholas McRoberts studied piano, composition and conducting at the Melbourne Conservatory, the Victorian College of Arts, the CNSM in Paris and the Ecole Normale. He studied conducting with Robert Rosen, Jorma Panula and Dejan Savić.Today he is based in France. His works include operas, symphonies, ballets, voice, piano and chamber works.His Symphony No. 1 “From the Old World” was premiered by the Sofia Philharmonic on the 27th of August 2022 with the composer conducting. His "Adagio for Strings" was commissioned for the Nürtinger Chamber Orchestra and first performed on November 14, 2021, conducted by Friederike Kienle. It was written during the Covid lockdowns and recorded with the Janaček Philharmonic in March 2021. The French première was given by the Ensemble Orchestral de Biarritz, conducted by Yves Bouillier in July 2022. In September 2019 he was named conductor of the Orchestre Démos du Grand Verdun with the Philharmonie de Paris. In 2018 he was named artistic director of Opéra Montmartre in Paris. In 2017 he collaborated with the French choreographer Nawel Oulad on a ballet Les Tisseuses de Silence and a duo Femme au Piano for the Semaine de la Danse in Paris which were performed in the Festival Les Aliennes and the Festival Appel de la Lune. His Violin Concerto was recorded in 2017 with the Janáček Philharmonic Orchestra. His operas include "Lyon" (2016) premiered by the Ruse State Opera in July 2016, and "Nera" (2017) adapted from the play "Devojka Modre Kose" (The Girl with the Midnight Blue Hair) written by the Serbian playwright Vida Ognjenović. His composition "Festival Fanfare" was the recipient of the 2002 OpenBook Award for Sacred Music. His works are published by Halcyon Publications in Paris.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au
In this episode, Rich has a conversation with Robert Rosen.Robert Rosen is a successful author, editor, and writer. He is best known for his international bestseller, "Nowhere Man: The Final Days of John Lennon," which has been translated into many languages. His latest book, "A Brooklyn Memoir," is about growing up in Flatbush in the 1950s and 60s, surrounded by Holocaust survivors and WWII veterans who fought against the Nazis. Rosen's investigative memoir, "Beaver Street: A History of Modern Pornography," has received critical acclaim from various publications, including Vanity Fair and academic journals. Throughout his career, Rosen has edited pornographic magazines and an underground newspaper, written speeches for the Secretary of the Air Force, and received a Hugo Boss poetry prize. His work has been published in numerous international publications, including The Village Voice, Uncut, and La Repubblica. Rosen attended Erasmus Hall High School and the City College of New York, where he studied creative writing with Joseph Heller and Francine du Plessix Gray. He lives in Manhattan with his wife, Mary Lyn Maiscott, who is also a writer, editor, and singer.Here are links for you to bookmark, save, follow, memorize, write down, and to share with others:Robert Rosen - Nowhere Man Available Everywhere Books A
Returning guest Robert Rosen (Nowhere Man) penned an essay last year discussing a phenomenon called "catch-and-kill," wherein the powerful who wish to keep unflattering stories from reaching the public exert pressure and influence to keep media companies from publishing them. In the instances he wrote about, a pair of book projects detailing life at the Dakota during John Lennon's final five years were suppressed, for no apparent reason beyond the estate wishing to keep any variance from the narrative they have been controlling for decades to be challenged in any way. This led to a discussion on the why and the how these stories are being kept hidden, despite the legitimacy of the narrators. Here's to link to Robert's article in the Village Voice: https://www.villagevoice.com/2021/12/07/mike-tree-in-john-lennons-nutopia/ This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off of your first month of treatment.
-Jag har aldrig siktat på att spela professionell hockey, jag ansåg mig aldrig riktigt vara så bra. Avsnitt 21 gästas av Christoffer Persson. Vi minns tillbaka på tiden där karriären startade, ungdomsåren i Härryda, debuten på seniornivå för Växjö och de första skären i Elitserien med Frölunda. Om Henrik Evertssons kompetens och fingerspets när det gäller att värva spelare. Hur det var att ha Kenny Jönsson som backtränare i Rögle. SM Gulden med Frölunda & Hv71 och firandet efter. Varför Mats Rosseli Olsen stormade fotbollsplanen när Malmö mötte Göteborg. Om citatet som blivit en youtube-klassiker. -Han sprutade snö på våran målvakt. Vem var det som sprutade snö på målvakten? Och varför Robert Rosen och Ryan Lasch var så svåra att möta. Att vara den stora defensiva backen som alltid fick ta samma roll vart han än kom. Och mycket mer... Producent och Tekniker: Daniel Högberg Avsnittet är gjort: 2022 Blå Vibbar når du på sociala medier Instagram: bla_vibbar Facebook: Blå Vibbar Mail: havepod@gmail.com
There aren't too many photographers who can say that Andy Warhol gave them a lift home from a party. Or that Nina Simone burned the polaroids they took, until eventually there was one she was happy with. But Robert Rosen is no ordinary photographer. Rosen spent decades in exclusive clubs, bars and parties, as much at home there as the celebrities he was capturing.
There aren't too many photographers who can say that Andy Warhol gave them a lift home from a party. Or that Nina Simone burned the polaroids they took, until eventually there was one she was happy with. But Robert Rosen is no ordinary photographer. Rosen spent decades in exclusive clubs, bars and parties, as much at home there as the celebrities he was capturing.
This episode of Editing Writing consists of an interview and chat I had with Robert Rosen on April 10. He was in New York City and I was, as usual, in Ottawa, Canada. Robert is a writer and editor who has produced several books and whose work has appeared in many magazines and periodicals.I was particularly interested though in his book about when he worked in the porn industry as an editor and writer in the 80s and 90s. It's called Beaver Street, and when it came out in 2010 it was well reviewed in both popular magazines and academic journals.It was a really fun (and funny) and informative talk—and stay tuned till the end, when he reveals how he came up with the title.
Robert Rosen Nowhere Man The Donald Jeffries Show 3-23-2022 Robert Rosen Robert Rosen Nowhere Man Robert Rosen is the author of Nowhere Man: The Final Days of John Lennon, an international bestseller that's been translated into many languages. His latest book, A Brooklyn Memoir, is a story about growing up in Brooklyn in the 1950s and 60s, surrounded by Auschwitz survivors and WWII vets who fought the Nazis. His investigative memoir, Beaver Street: A History of Modern Pornography, received critical acclaim across the cultural spectrum. Rosen's work has appeared in publications all over the world, including The Village Voice, The Independent (U.K.), Uncut (U.K.), Erotic Review (U.K.), Mother Jones, The Soho Weekly News, La Repubblica (Italy), Dagospia (Italy), VSD (France), Proceso (Mexico), Reforma (Mexico), and El Heraldo (Colombia). Robert and Don Jeffries discuss his controversial book on John Lennon. ROBERT ROSEN: WEBSITE: https://www.robertrosennyc.com/ Nowhere Man: The Final Days of John Lennon: https://www.amazon.com/Nowhere-Man-Final-Days-Lennon-ebook/dp/B015RXUD6U/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=&sr= BLOG: https://www.robertrosennyc.com/blog TWITTER: https://twitter.com/Rrosen2727 BROOKLYN MEMOIR: https://www.amazon.com/Brooklyn-Memoir-My-Life-Boy/dp/190939498X/ DONALD JEFFRIES ONLINE: “I Protest” https://donaldjeffries.substack.com/ Twitter page: https://twitter.com/DonJeffries Amazon Author Page: https://www.amazon.com/Donald-Jeffries/e/B004T6NFAS%3Fref=dbs_a_mng_rwt_scns_share THE DONALD JEFFRIES SHOW: https://ochelli.com/series/the-donald-jeffries-show/ OCHELLI LINKS: HELP KEEP US GOING: https://ochelli.com/donate/ Ochelli Effect – Uncle – Age of Transitions – T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/ APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-ochelli-effect/id1120515637 Robert Rosen Nowhere Man
Episode NotesBarn on the farm of R. Murray Schafer and Eleanor James, Indian River, Ontario, January 19, 2022 (photo by me)Note: the text below is a transcription of the narration in the episode (sounds are described, with their source where possible)Welcome to episode 99 of the conscient podcast, the last episode of season 3, which you might recall was on the theme of radical listening. (fade in of sound of barn)I invite you to guess what is this space. There are some sonic clues. It's clearly an indoor space and yet there is a hollowing wind with a deep, rich texture... You can hear the gentle crackling of wood… the occasional slap of a rope… a squirrel. (fade out sound of barn)This soundscape was recorded on January 19th, 2022, in a barn, on a farm that belonged to composer R. Murray Schafer and is now the home of his wife, the singer Eleanor James. The farm is located near Indian River, Ontario, about 20k east of Peterborough which is the traditional territory of the Anishinaabe Mississauga people adjacent to Haudenosaunee Territory and in the territory covered by the Williams Treaty. I went to the farm to record winter soundscapes for this episode, Winter Diary Revisited, which is a soundscape composition dedicated to the memory of composer, writer, music educator, and environmentalist, R. Murray Schafer.1st floor of barn of R. Murray Schafer and Elanor James, near Indian River, ON, January 19, 2022Eleanor James, January 19, 2022, Indian River, Ontario (photo by me)While visiting the farm, I had a conversation with Eleanor James about Murray and his relationship to winter. Here is an excerpt:Claude: I'm with Eleanor James and I just spent some time in your barn. Thank you so much. I recorded a bunch of sounds, and I went into the forest and captured sounds of wind and some of the things that Murray and I did when we did the Winter Diary, which is to do this kind of yelling out, to enliven the space and get a feeling of it. (sound of snowshoeing and distant 'Hey' at the farm on January 19, 2022)Claude: There are so many things that you could talk about Murray. Any thoughts about soundscapes but also around recording and winter sounds? Eleanor: There's a couple of things come to mind, which are in his creative output and one of them is Music in the Cold. It's a lovely little manifesto done in an artistic style about how it's better to be in the North than in the South and that music in the cold is tougher and hardier and more austere and (laughs) so he goes into a diatribe about that kind of thing. He really is a Northern personality. So, you have to forgive him for going on a rant about it, but, of course, it was an artistic creation, so it was intended to be hyperbolic. I think it's quite delightful. It's got a midnight blue cover and then the title Music in the Cold.Speaking of which, he has written a wonderful string quartet called Winter Birds which the Molinari quartet of Montreal have recorded, in which his own voice occurs in the very last movement where he describes the winter of 2005 looking out his studio window at the birds feeding. We used to fill the feeders with seeds, and we'd have all kinds of little birds coming and fluttering and going and making little soft sounds. In the string quartet, he describes a whole event of birds, just fluttering and coming and going and the total silence surrounding them, not only acoustically, but visually as well. Nothing but the snow, just like it is today, with snow heaped everywhere and just these little birds making tiny fluttering sounds with their wings.There's also the piece that he wrote for choir called Snowforms which is actually quite popular, and he wrote it as a graphic score and it's written on a sort of pale turquoise green paper, and the choir reads the shapes of snow and again, those shapes were something that he observed looking out his studio window and drew graphically and then composed it so that pitches were associated with these tones. It's just a marvelous description of winter and so for Murray, all of the soundscape work that he was so interested in fed into his artistic abilities and his artistic gifts as a composer.Note: See String Quartet no. 10 - Winter Birds (extrait) / R. Murray Schafer for an excerpt of Winter Birds performed by the Molinari Quartet. See Snowforms for a performance of Snowforms by the Vancouver Chamber Choir.I re-read Murray's Music in the Cold book when I got back home to Ottawa, which he wrote in 1977, when I was 17. It's interesting to look back at this piece of artistic reflection and provocation. Here are the last 11 lines of the book: Saplings are beginning to sprout again in the moist earth.Beneath it animals can be heard digging their burrows.Soon the thrush will return.The old technology of waste is gone.What then remains?The old virtues: harmony; the universal soul; hard work.I will live supersensitized, the antennae of a new race.I will create a new mythology.It will take time.It will take time.There will be time. (fade in recording of Eclogue for an Alpine Meadow)I remember back in August of 1985, the late composer Robert Rosen, Murray and I produced a series of ecological radio programs to be performed at Spry Lake, near Canmore, Alberta. Murray was in Banff to present his music theatre piece Princess of the Stars. We each wrote a piece of music for this space. Mine was for bass clarinet and trombone called ‘Eclogue for an Alpine Meadow' . You can hear me on bass clarinet. Murray was a mentor to Robert and myself on this project, sharing his vast experience in writing music for and with a natural environment. Note: You can hear the entire piece on the Whom Am I page of the conscient podcast website. Robert Rosen, R. Murray Schafer and me in Banff in 1985 during ecological radio programs project (photo credit unknown)Excerpt of first page of my ‘Eclogue for an Alpine Meadow' for bass clarinet and tromboneMe and trombonist (name not known) at Spray Lake, Alberta, recording ‘Eclogue for an Alpine Meadow' for bass clarinet and trombone (photo credit unknown)Murray's music, and in particular his research in acoustic ecology, have had a deep influence on many composers, educators, researchers and sound artists around the world, including myself. Among other things, Murray taught me how to listen deeply, both with my ears and with a microphone.Me, Kozo Hiramatsu and R. Murray Schafer at Hör Upp! Stockholm acoustic ecology conference, Stockholm, Sweden 1998 (photo credit unknown)I remember having long conversations with Murray about listening, radio, acoustic ecology, field recording, technology, including how it make a living as a composer. Here is a short excerpt from a conversation I had with him in July of 1990 in a restaurant in Peterborough. I apologise for the poor quality of the recording, but I think you'll enjoy listening to Murray speak about the art of listening:You probe by asking further questions. Was it inside? Was it outside? Are there a lot of people assembled there? Is there nobody there? Is this in Canada? Is it outside of Canada? Is it in Europe? You heard a train. Is it Canadian train whistle or a European train whistle? You heard a language. What language was it you heard? Any of these cues that you might have heard that would help you identify where you were and then tell them afterwards where the actual recording was made but force them to really use their ears. Did you hear any birds? Did you hear any of this, did you hear any sounds that would help you to localize? I'm just saying that that's one sort of type of exercise, which I think someday somebody should put together a package, an educational package.I just feel that one has to constantly go back to nature and listen again, look again, learn again. It's as simple as that. Anytime you get too far in touch with it, you're probably going to be in trouble. If you don't know how to come, go back and look at a butterfly, because you're so spell bound by strobe lights or something, I think you're in trouble, which is not to say that you can't go back and look at it and reanalyze it. It will change things and then you go back to your old environment and see things differently. In nature, what you're so conscious of is a cycle of life and death, and rather the interchange, that almost sine wave of life and death, but also of silence and activity and that there are certain times when certain creatures are far and certain other times when they speak and that you take in the natural soundscape. Sometimes it's hard to find those rhythms in a modern urban soundscape where everybody sounds so aggressively trying to catch the attention of everyone else.Claude: they lose touch with the balance of their lives.Murray passed away on August 14, 2021, at age 88 in his farmhouse.Home of R. Murray Schafer and Eleanor James, Indian River, Ontario, January 19, 2022Studio of R. Murray Schafer, Indian River, Ontario, January 19, 2022Shortly after his passing, I was honoured to be asked to write a remembrance piece about my personal experience with Murray. This request came from Eric Leonardson, president of the World Forum for Acoustic Ecology (WFAE) an organization that Murray helped found in 1993 at the Banff Centre and that continues its good work to this day. Kirk MacKenzie and Robin Elliott of the University of Toronto also approached me to write a remembrance piece about Murray for a series of memorials they are producing about Murray and his legacy. I decided to produce a soundscape composition instead of writing an article for this remembrance piece. Here's the story.In 1996, Murray received a commission from the Akustische Kunst department of the West German Radio, the WDR, in Germany, produced by Klaus Schöning, to record a radio program about the winter soundscapes of rural Manitoba called Winter Diary. Murray had produced many radio pieces before for the CBC and the WDR, but he needed a hand with this rather large-scale production, so he hired me as a recordist, editor and mixer, but also as a driver and scout. I was 37 at the time and was about to be married to filmmaker Sabrina Mathews and start a family in Montreal, which we did. However back then I still had the time and energy to do a 10-day road trip and to spend weeks afterwards editing it together with Murray. We certainly had a lot of fun together on that trip(sequence of Claude and Murray laughing during the recording of ‘Winter Diary' in 1997)Me in my home studio in Montreal in the 1990's (photo credit unknown)Letter from R. Murray Schafer to me, September 27, 1998Winter Diary ended up winning the Karl-Sczuka-Prize for radio art in 1998. I was deeply moved by the jury's statement, which I think captures the spirit of Murray's composition and the essence of our collaboration in its production:It is with great autonomy and imperturbability that Schafer draws the sound spectrum of a Canadian winter into his acoustic image. From the calm sequence of concise sound events an acoustic landscape emerges, almost spatial in its presence. To the point of noiselessness, of silence, everything audible is there concretely and non-arbitrarily. It is a work which ushers its listeners to a place of unhurried, patient listening, insists upon the wealth of nuances in acoustic perception, and takes a stand against sound refuse and staged hyperactivity.Scan of the first paragraph of Schafer's Winter Diary (not Dairy :-)) essay, February 15, 1997Winter-Diary-Essay-by-R.-Murray-SchaferDownloadWhile I was doing research for this piece, I found the first draft of an unpublished, 13-page essay in my archives that Murray wrote, at his farm, on February 15th, 1997, about the creation of Winter Diary. I was so excited. It's a brilliant piece of writing about our adventures in Manitoba, but the essay also includes reflections on a number of other issues: listening, art history, philosophy, his dreams, literature, and use the microphone. I decided to create a composition around his essay. A sonic illustration and interpretation of his words. But first let me tell a bit of a story about microphones. Murray had a love – hate relationship with the microphone. Here is another excerpt from that July 1990 restaurant conversation where he talks a bit more about distant listening, which is a key element of his aesthetic:If the microphone replaces your ear, there's something wrong. And as you see in a lot of our listening that the microphone has replaced the ear. The mere fact that for instance, we demand presence on all recorded sounds and they're all close mic-ed, is a recognition of the fact that the microphone, which is an instrument for getting closeups, is respected more than our own sort of hearing experience. The fact that we can no longer listen to the distance. Now, if you're going to get involved, really, with ecology in the environment, you have to rediscover how to listen to the distance, because an awful lot of the sounds you're talking about are distant.Claude (in the field from afar, recorded at Adawe Crossing, Ottawa): Now, if you're going to get involved, really, with ecology in the environment, you have to rediscover how to listen to the distance, because an awful lot of the sounds you're talking about are distant.I think you understand what I mean. Adawe Crossing, Rideau River, Ottawa where I recorded the 'distant' passage above, January 2022With the kind permission of Eleanor James, I used excerpts from Murray's essay as the narrative for the soundscape composition that you are about to hear. I did not use any of the field recordings from our original trip in 1997, outside of those few moments of laughter. Instead, I decided to record all new material during the winter of 2022, some 25 years later, not in Manitoba, but rather around where I live in Ontario and Québec, hence the idea of revisiting Winter Diary. However, I did use some field recordings from my archives, as well as a few excerpts from some of my previous soundscape compositions. All of those are noted in the episode script. Most of the soundscapes that you're about to hear are natural but a few have been transformed using tools like GRM Tools and ‘spatialisers'. I was interested in exploring that liminal space between reality and fantasy. While recording these winter soundscapes, and it's been a cold winter so far as you'll hear, I kept thinking about what the Karl Szuckaprize jury said about Murray's interest in the ‘noiselessness of silence'. I also thought about the idea of ushering the listener ‘to a place of unhurried, patient listening'.I tried to explore the idea of patient, unhurried listening in this piece as well as the notion of radical listening.Me on January 17, 2022 recording winter soundscapes in Ottawa (photo by Sabrina Mathews)Before we start, I want to let you know that some recordings are very quiet, at the threshold of what you might be able to hear on speakers or headphones so don't worry if you hear long silences or can't make out some of the detail, especially if you are in a car or in a noisier environment. You can listen to the Winter Diary Revisited again, in high resolution.I am extremely grateful for this opportunity to honour the memory of R. Murray Schafer and hope you enjoy this sonic illustration from his Winter Diary essay.ScriptNote: This script is drawn from R. Murray Schafer's Winter Diary Essay, first draft, February 15, 1997 (sounds are described with their source where possible)(door slapping and footsteps approaching the gate and mailbox at Murray's farm in Indian River)1. gatesGate at Murray and Eleanor's property near Indian River, January 19, 2022 (photo by me)Claude Schryer came by today to plan the Winter Diary radio program for the West German Radio. After dinner we walked the quarter mile out to the road. (walking towards the gate)There was a powdering of light snow, making the landscape bright under the stars. I opened and closed the gate while Claude recorded it; then I went to the tin mailbox and flapped the lid – both are sounds characteristic of rural life in Canada. (mailbox lid and gate)The flapping got the neighbour's dog barking. Then, more distantly other dogs began to bark. Dogs were the original alarm systems in the countryside and remain so despite electronic technology. Could be a thief or a wolf out there. The message is telegraphed from farm to farm and behind every dark doorway a farmer cocks his gun. The dogs grew silent again as we trudged back. (crossfade entry of house towards fire)Entering the warm house with a fire burning brightly in the grate, I suddenly realized that we had already discovered a valuable leitmotif for our program: the contrast between warm, populated rooms(crossfade with quiet cedar forest) and the vast, cold spaces that surround them during the Canadian winter.(wind from Murray's farm, slow fade to silence)Screen door at my cottage, Duhamel, Québec, December 2021 (photo by me)2. doorsThere is a painting by Cornelius Krieghoff (1815-1872) entitled "Merrymaking" that illustrates this drama between interior and exterior. (my wife Sabrina, son Riel and daughter Clara exiting our home and walking into our yard)A party at the Jolifu Inn is breaking up and the revellers are spilling out to depart into the cold, snowy dawn. The drama of the scene is depicted in Brueghel style, but the contrast between hot interior and cold exterior is distinctly Canadian. The same theme recurs in our best novelists, for instance in Frederick Philip Grove's, "Over Prairie Trails" (1922) or in Sinclair Ross's, "As for Me and My House" (1941). The contrast between interior and exterior creates the drama between society and selfhood. Marshall McLuhan summed it up epigrammatically when he said that Canadians go out to be alone and come in to be with company while elsewhere people go out to be with company and come home to be alone. Woman skater (family friend): If you're really lucky to be at a cottage in the winter in the morning and they're almost no sounds and you'll hear a branch cracking or something…(Quiet forest with cracking of frozen trees)The hinge is the door. One sound characteristic of the Canadian countryside is the slap of a screen door. (Various door slappings from Murray's farm and our cottage)I've known it since my childhood. Of course, it is intended to keep the insects out of the house in summer but out of laziness the screen door is often left on during winter too - as mine is. The door has a coil spring attached to it so that it will slap shut quickly. Usually there is another contraption on the side with a hairpin spring to snap it firm. If it isn't oiled, it squeaks. So, the entire sound event is actually quite complex, consisting first of a swish as the door opens, then a swoosh as it closes followed by a residual snap as the second spring is released to hold it shut. (More door sounds)The subject of doors could occupy a doctoral thesis or two. Every continent and climate has its own vocabulary and rhetoric of doors as different as the languages of the people who open and close them.(More door sounds)3. trainsPassing train from simplesoundscapes e73, March 20, 2018, Montréal (photo by me)(processed L14 train whistle with GRM Evolution Tool and Dear VR Pro spatializer)Every Canadian knows the three-toned Canadian train whistle - without knowing it. Tuned to an E-flat minor triad with a fundamental at 311 Hertz, it's the most authoritative sound mark of the country, curiously analogous to the Yellow Bell or Huang Chung, which established the tuning for all music in the golden days of ancient China.(Meditation bell)The legend goes that when the tuning of the Yellow Bell was abandoned the empire would fall into ruin.(Overpass from simplesoundscapes e167 above + train passing with gate processing)Something like that is happening here, for today more and more train whistles are out of tune, and with the building of overpasses and tunnels urban dwellers rarely ever hear them. (more processed L14 train whistle)Canadian railroads all run east-west. As the authority of the railroad vanishes the east-west axis gives way to a south-north bias, i.e., American invasion. … Eventually in the far distance we hear the L14 whistle (the signal for a level crossing, long, long, short, long,) which incidentally is also the rhythm of the opening phrase of the Canadian national anthem.(noon siren excerpt from my 1996 composition Vancouver Soundscape Revisited)4. hooves'Cricket', Mono, Ontario during recording of ‘hooves' scene. (photo by me)(wind from Murray's farm) It is warmer today then yesterday and a heavy fog lies over the snow so that the acoustic horizon surpasses the visual. Frederick Philip Grove talks about getting lost in the fog in Over Prairie Trails. Then he had to rely on the instinct of his horses.(sound of horse hooves from Cricket in Mono, Ontario)Note: below is a quote from Frederick Philip Grove'sOver Prairie Trails, Toronto, 1991, p.47.‘I had become all ear. Even though my buggy was silent and though the road was coated with a thin film of soft clay-mud. I could distinctly hear by the muffled thud of the horses' hooves on the ground that they were running over a grade.' (Grade and farm sounds and return of hoove sounds)‘That confirmed my bearings… So now I was close to the three-farm cluster. I listened intently again for the horses' thump. Yes, there was that muffled hoof-beat again – I was on the last grade that led to the angling road across the corner of the marsh.‘ 5. microphonesZoom H4N Pro recording wind sounds at R. Murray Schafer farm, January 19, 2022(wind from Murray's field)What would the Prairies be without wind? (Wind from Murray's barn mixed with forest sounds in South River, Ontario)It's the keynote sound here, the one against which everything else is registered. But to record it? Impossible. The microphone hasn't yet been invented to effectively record nature's most elementary sounds: wind, rain, fire.(thunder and rain sound from simplesoundscapes e105 thunder, fire from fireplace at our cottage)The mistake in recording the environment is in trying to pull a huge spread of events, far and near in all directions, into a single focus. The soundscape isn't stereophonic, its spherical. The stereophonic preoccupation in recording results from stereoscopy rather than any real understanding of the listening experience, in which one is always at the centre. (microphone panning ventilation system)One would like the microphone to observe the same respect for figure-ground that our ears do, elevating those sounds we wish to receive and suppressing those we don't. But of course, the microphone is not an ear, and everything is registered according to its amplitude only. Could we imagine a future microphone with a discrimination circuit to allow us to reproduce the wished-for soundscape rather than the real one? Or is that merely another form of pathetic fallacy that only the romantic recordist could hope for? Claude (from snow pellets on dried leaves in Misikew provincial park): and here's an example of a sound that is so delicate that the microphone picks it up better than the human ear. The value of the microphone is that it presents simply what is there. The tape recorder puts a frame around it, often astonishing us with the sound events our real ears have missed. 6. footstepsFootstep tracks at Warbler's Roost, South River, ON, February, 2022Claude confesses his excitement for recording. He is almost like a fighter pilot seeking out the enemy, the elusive sound object, slating his various dives at the material we've targeted for a take, hoping the desired event will occur on cue, wondering whether to stalk it silently or prompt it - or forget it and seek another campaign. "So many things can go wrong," he says excitedly. Ruefully I agree.Note: I recorded my voice saying "So many things can go wrong,"Claude (xcountry ski sequence, December 2021): When Murray and I recorded Winter Diary in 1997, we record a lot of different winter sounds but not cross-country skiing. It is a typical sound of winter in Canada and a very rich one. You can hear me skiing now, as well as people skiing beside me. Skiing sounds have number of different elements: there's the push and pull of the ski, the poles that hit into the snow and of course the breath of the skier. Sometimes you can hear the wind in the trees, snowmobiles a distance, dogs...People who live by the sea know how the colour of the water changes constantly, but one has to live with a long winter to know the perpetual changes in the sound (as well as the colour) of snow. (various foot and snow sounds)Even the lapse of an hour can alter it profoundly, and the experienced listener can pinpoint the temperature by the sound of his footsteps in it. On the cold nights it screeches. Sometimes a crust will build up to produce a crunchy quality. Or even several crusts, separated by layers of powdery snow, giving variations of dissonance with each step. (Steps on crusty snow)7. carsLumber truck passing on Eagle Road, South River, ONWe always take the most ordinary sounds for granted. Assuming cars to be universal, we forget that they sound different in different environments. (bus stuck on a hill and cars passing in Ottawa)On a country highway we recorded the approach and departure of individual cars and trucks, sometimes lasting three minutes without any other sound. (Passing truck near South River, On)Where else on earth could you do that?8. callingForest where I recorded ‘calling sounds', January 2022, Gatineau Park, QuébecClaude (Gatineau Park, Québec) : When R. Murray Schafer and I did Winter Diary, one of the sequences was called calling where we were in the forest and listening for the reverberation in a winter space and in that case, it was a forest and here I am on January 11th, 2022, in Gatineau Park. I'm going try a similar experience where I'm going to walk in a circle away from the microphone and see what that sounds like and once in a while, I'll cry out like we did back then: Hey, and you can hear the reverberation and the movement, and it's a way to experience a winter soundscape by interacting with it. So here we go.(Hey sequence in forest in Gatineau QC, January 2022)Excursion into Park. Total isolation. We realized that the only way we could give an impression of soundscape here was by making sounds ourselves, so we set up the microphone in the snow and walked away from it, calling in different directions. How far is it across the valley? What is the difference between a bare deciduous forest and a leafy evergreen one? Your voice will tell you. 9. cracksForest where I recorded ‘calling sounds', January 2022, Gatineau Park, Québec(rumble of car on winter road, stop and get out of vehicle, then silence)I came out alone in the car after Claude had gone to sleep. Never had I heard the world so silent. Is it near or far, this black landscape? (forest cracks at Murray farm)My own slightest movement makes it seem near. The frosted crack of a distant tree makes it vast. My breathing brings it close again. Justin Winkler pointed out that the soundscape is essentially a static term, but here it seems dynamic, increasing to an infinite volume, then shrinking right inside me as my stomach growls. (simplesoundscapes e01, rumble and Guérison from Au dernier vivant les biens (1998))I turn the ignition key and am startled and relieved at the same time. My escape.10. heaterGas fireplace at our home in Ottawa, January 2022(gas fireplace starting + song based on texture of fireplace ‘pings')Strange phenomenon this morning on waking. In my dream I had been singing a solo song at some kind of gathering. I finished and everyone applauded enthusiastically.(Sound of small crowd clapping and saying nice song Murray)I awoke to hear the propane heater come on. So, the conclusion of my song and heater were synchronized but I stress that I had sung a rather lengthy song to its conclusion before the applause of the heater. I even remembered the song and sang it over again to myself while lying in bed.(Gas heater and song)Had I anticipated the end of it and paced the singing to a sound that I could somehow fore-hear? Or had the whole event occurred in the fraction of a second as the heater came on? 11. iceChunk of ice at my home in Ottawa, January 23, 2022Spotting some children knocking down some icicles in Sainte Rose du Lac, we rushed over to record them but frightened them away. (gated kicking ice blocks and skating sounds)So, we knocked the icicles down ourselves and then kicked them along the street. (more gated kicking ice blocks and skating sounds)Each chunk had a different pitch and pieces when they broke into pieces the pitch rose. I was glad to have this other form of frozen water to add to our repertoire.12. jetLocation at Murray's farm where I recorded a passing jet, January 19, 2022The sun was setting. It was totally quiet. (begin sound of jet passing)Eventually the whisper of a jet aircraft became audible. It crossed the sky distantly, its passage lasting eight minutes without any other sound interrupting it. A perfect sound event in an anesthetized environment. (end sound of jet passing and fade to gentle forest sound)Claude: I would like to conclude Winter Diary Revisited with an excerpt from Murray's 1977 book Music in the cold. Here are the last 11 lines:Saplings are beginning to sprout again in the moist earth.Beneath it animals can be heard digging their burrows.Soon the thrush will return.The old technology of waste is gone.What then remains?The old virtues: harmony; the universal soul; hard work.I will live supersensitized, the antennae of a new race.I will create a new mythology.It will take time.It will take time.There will be time. *Credits(except from the end of my composition Eclogue for an Alpine Meadow in background)I have many people to thank. Murray's essay is narrated by my father-in-law, the poet, political activist and educator Robin Mathews. In passing I invite you to listen to an episode about his work e88 robin mathews – on radical listening & political poetry. Poet Robin Mathews and me recording narration of Winter Diary Essay, November 2021, Vancouver (photo by Sabrina Mathews)I would like to thank Robin for his skillful narration, composer Christian Calon for his technical advice and moral support, artistic director Darren Copeland and Executive Director Nadene Thériault-Copeland of New Adventures in Sound Art (NAISA) for their encouragements and for hosting me as artist in residence from February 1 to February 6, 2022, at their facility in South River, Ontario. Thanks also to Eleanor James for permission to use Murray's essay, for the photos of the farm and for our conversation and finally my wife Sabrina Mathews for her feedback, patience and support.Logo of NAISADeep Wireless festival logoMy bedroom and editing studioEagle Road, where I recorded a passing truck, South River, ONDarren Copeland setting up the Ambisonic microphone for meMe recording forest sounds, February 2, 2022, Mikisew Provincial Park, ONMe, Victoria Fenner and James Bailey during Q&A on February 6, 2022 at NAISA NorthWinter Diary Revisited was premiered at the Deep Wireless Festival of Radio and Transmission Art on Saturday, February 5, 2022, at 7pm. La version française de cet épisode, Journal d'hiver revisité sera retrouve dans l'épisode 100 du balado conscient. *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024
Politically Entertaining with Evolving Randomness (PEER) by EllusionEmpire
Thank you PodMatch for these great guests! https://podmatch.com/signup/peer 1. Primary Politics Interview with Cetvies on China, Russia, Veganism, and LGBTQ+ communities worldwide events. WARNING: THIS INTERVIEW IS VERY CONTROSVERSIAL AND SENSITIVE, AND MINORS SHOULD NOT BE LISTENING TO THIS SEGMENT AT ALL!!! Go to Cetvies Website https://www.inthenameofhumanrights.com/ Timestamp: 5:05 2. Mid Game I have a monologue about the great game of civilization 6 to express gratitude and briefly celebrate its 30 anniversary https://civilization.com/news/entries/it-s-civilization-s-big-30-year-celebration/ Timestamp: 1:07:33 3. Weird Topic Finale Interview with Robert Rosen who wrote Bobby In Naziland: A Tale of Flatbush, Beaver Street: A History of Modern Pornography and Nowhere Man: The Final Days of John Lennon. Robert Rosen's Website https://www.robertrosennyc.com/works.htm Timestamp: 1:34:11 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/elias-ellusionempire/message
Robert Rosen is the author of the international bestseller "Nowhere Man: The Final Days of John Lennon," the memoir "Bobby in Naziland: A Tale of Flatbush," and the investigative memoir "Beaver Street: A History of Modern Pornography." His work has appeared in such publications as Mother Jones, The Soho Weekly News, The Independent, Uncut, and Proceso. 0:00 - Opening 2:14 - John Lennon's Journals 9:07 - Putting the Story Together 15:01 - John & Yoko's Relationship 18:17 - Moving On from The Beatles 20:35 - John Lennon's Searching 27:09 - Yoko in Business 35:18 - The Oracle 39:44 - The Rivalry with McCartney 45:08 - The Murder 48:30 - The Complexity of John Lennon 54:54 - Porn on Beaver St. 1:05:24 - Regulating Content 1:09:24 - Bobby in Naziland 1:29:43 - Early Days of Writing 1:34:11 - Hitchhiking 1:41:35 - Wrap Up ------- SUBSCRIBE to Evolved idiots on YouTube! • Instagram: @Evolvedidiots • Twitter: @Evolved_idiots • Facebook: @Evolvedidiots
You can support this podcast and get early releases at https://www.patreon.com/aksubversive Or check out my writing on Substack at https://www.alexkaschuta.substack.com I speak to Joe Norman about the perils of running a civilization at scale, localism, and how small is not only beautiful, it's the only scale at which humanity works. We also chat about: - Being Luddites - The cheapening of "Lindy" and timelessness as a better concept - Jordan Peterson and his adventures with GMOs - Covid as a warning on the dangers of scale - The dangers of modeling society on one single level - the individual - Distributism as a potential political compromise re: scale - Deflating big institutions - How to cultivate options without getting trapped in infinite optionality - Libertarianism and its discontents His recommended subversives are Christopher Alexander (architect) and Robert Rosen (theoretical biologist). Joe Norman is the Founder and Chief Scientist at Applied Complexity Science, LLC, and one of the world's most interesting and outspoken voices in the field of complexity science. He's also the author of the brilliant Applied Complexity Newsletter. You can find this and his other work through his Twitter @normonics --- Send in a voice message: https://anchor.fm/aksubversive/message
Ashton is joined by Robert Rosen, an author and former publisher and editor of some of the most prominent pornographic publications of the twentieth century. They have a wide ranging interview detailing the history of pornography (which is the subject of Mr. Rosen's book “Beaver Street: A history of modern pornography”) and discuss topics such as: Mr. Rosen's experience in the industry and how it has evolved; the role pornography played in politics and the fights over free speech; how cancel culture and anti- first amendment rhetoric changed from being a primarily right-wing phenomenon to a woke progressive left-wing phenomenon; the connection between Marvel Comics, Mario Puzzo's “The Godfather” and the pornography industry; the current state of porn and its effect on society; John Lennon's final days; and much more.For more information about Robert Rosen and his works, you can visit his website: https://www.robertrosennyc.com/Subscribe to Ashton Cohen: ELECTile Dysfunction Podcast on Apple Podcasts: https://podcasts.apple.com/us/podcast/ashton-cohen-the-electile-dysfunction-podcast/id1565208599Subscribe to Ashton Cohen: ELECTile Dysfunction Podcast on Spotify: https://open.spotify.com/show/6siXVSwM2OWz3itH90YRNA?si=v5MUMEpwTSG_sVGPOKHP8wSubscribe to Ashton's channel on Youtube: youtube.com/c/ashtoncohenFollow on Twitter: https://twitter.com/theashtoncohenFollow on TikTok: https://vm.tiktok.com/ZM8nQjHta/Follow on Instagram: instagram.com/theashtoncohenFollow on Facebook: https://www.facebook.com/theAshtonCohen
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Was Jealous Guy written for Paul McCartney? Listen to our essay and decide for yourself. — SOURCES: John Lennon Interview w/ David Sheff for Playboy. (September, 1980) Interview with John Lennon & Yoko Ono, (May 28th, 1971) “The Beatles” by Hunter Davies (1968) “The Beatles and the Historians” Erin Torkelson (2016) Neil McCormick for Telegraph UK (1998) “John, Paul, George, Ringo & Me: The Real Beatles Story” by Tony Barrow (2005) The Best of the Beatles Book (ed. Johnny Dean). (2005) JL Interview w/ Peter McCabe and Robert Schonfeld at St. Regis Hotel (September, 1971) “What’s It All About” Cilla Black (2003) “Q: Paul McCartney: An Innocent Man?” By Chris Salewicz (October, 1986) Robert Rosen interview w/ Maria Spain (2010) Lunchtime dialogue, Twickenham Film Studios, London (January 13th, 1969) Paul McCartney, interview w/ Ray Connolly, Evening Standard: Paul on 'why the Beatles broke up' (April 21st, 1970) “Meet Paul Saltzman, the Canadian who hung out with The Beatles at the Rishikesh Ashram” Nikhila Natarajan for FirstPost (December 14, 2015) Paul McCartney, interview w/ Diane de Dubovay for Playgirl (February, 1985) “Later with Bob Costas” (1991) Derek Taylor, interview w/ Peter Doggett for Record Collector. (August, 1988) “With the Beatles: A Stunning Insight by The Man who was with the Band Every Step of the Way” Alistair Taylor (2011) PLAYLIST: Jealous Guy by John Lennon (1971) Cayenne by the Beatles (1960) Besame Mucho by the Beatles (1962) It’s For You Cilla Black (1965) Let it Be by the Beatles (1969) All Together Now by the Beatles (1967) Child of Nature (Esher Demo) by the Beatles (1968) Say Say Say by Paul McCartney and Michael Jackson (1983) Jealous Guy by YouTube user pablohoneymp3 (2016)
This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity’. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times. In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us. In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson’s readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times. This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity’. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times. Learn more about your ad choices. Visit megaphone.fm/adchoices
This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity’. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times. In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us. In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson’s readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times. This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity’. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times. Learn more about your ad choices. Visit megaphone.fm/adchoices
This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity’. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times. In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us. In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson’s readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times. This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity’. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times. Learn more about your ad choices. Visit megaphone.fm/adchoices
This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity'. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times. In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us. In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson's readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times. This is the second episode of a two-part conversation with Hodgson, and in it we pick up our conversation on anticipatory systems and the role they play in ‘decision integrity'. Hodgson then talks about the second half of the book which focuses on “developing latent capacities beyond the analytical rational” and offers possibilities for more enlightened co-creation in these hyper-turbulent times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics
In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us. In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson's readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times. Our guest interviewer, Keven Lindsay, is a 25 year veteran of the software industry, currently with Adobe, who recently began graduate work in Transformative Leadership at the California Institute of Integral Studies where he encountered Dr. Hodgson and his work first hand. While it was in this recent coursework that he was formally introduced to systems thinking, Kevin is rapidly becoming a systems enthusiast—recognizing the significant potential for the application of systems thinking in addressing big issues ranging from customer experience (CX), to social justice reform and climate action. We look forward to having Kevin join the channel as a full-fledged co-host in the very near future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics
In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us. In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson’s readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times. Our guest interviewer, Keven Lindsay, is a 25 year veteran of the software industry, currently with Adobe, who recently began graduate work in Transformative Leadership at the California Institute of Integral Studies where he encountered Dr. Hodgson and his work first hand. While it was in this recent coursework that he was formally introduced to systems thinking, Kevin is rapidly becoming a systems enthusiast—recognizing the significant potential for the application of systems thinking in addressing big issues ranging from customer experience (CX), to social justice reform and climate action. We look forward to having Kevin join the channel as a full-fledged co-host in the very near future. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us. In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson’s readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times. Our guest interviewer, Keven Lindsay, is a 25 year veteran of the software industry, currently with Adobe, who recently began graduate work in Transformative Leadership at the California Institute of Integral Studies where he encountered Dr. Hodgson and his work first hand. While it was in this recent coursework that he was formally introduced to systems thinking, Kevin is rapidly becoming a systems enthusiast—recognizing the significant potential for the application of systems thinking in addressing big issues ranging from customer experience (CX), to social justice reform and climate action. We look forward to having Kevin join the channel as a full-fledged co-host in the very near future. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the view of Anthony Hodgson, fragmentation of local and global societies is escalating, and this is aggravating vicious cycles. To heal the rifts, Hodgson believes we need to reintroduce the human element into our understandings – whether the context is civic or scientific – and strengthen truth-seeking in decision-making; and that the application of appropriate concepts and methods, will enable a switch from reaction to anticipation, even in the face of discontinuous change and high uncertainty. The intended outcome is the privileging of the positive human skills for collaborative navigation through uncertainty over the disjointed rationality of mechanism and artificial intelligence, which increasingly alienates us. In Systems Thinking for a Turbulent World: A Search for New Perspectives out from Routledge in 2020, Hodgson’s readers are introduced to concepts new to systems thinking that integrate systems thinking and futures thinking. Guiding readers through the unfolding of the ideas and practices with a narrative based on the metaphor of search portrayed in the tradition of ox herding, found in traditional Far Eastern consciousness practice, the concept of anticipatory present moment (APM) serves as a basis for learning the cognitive skills that better enable navigation through turbulent times. In his conversation with guest interviewer, Kevin Lindsay, Hodgson pulls together many of the threads with which long-time listeners of this podcast will be familiar and builds upon the work of Robert Rosen, a currently somewhat neglected pioneer of the systems field whose ideas about anticipatory systems has much to offer us in our current turbulent times. Our guest interviewer, Keven Lindsay, is a 25 year veteran of the software industry, currently with Adobe, who recently began graduate work in Transformative Leadership at the California Institute of Integral Studies where he encountered Dr. Hodgson and his work first hand. While it was in this recent coursework that he was formally introduced to systems thinking, Kevin is rapidly becoming a systems enthusiast—recognizing the significant potential for the application of systems thinking in addressing big issues ranging from customer experience (CX), to social justice reform and climate action. We look forward to having Kevin join the channel as a full-fledged co-host in the very near future. Learn more about your ad choices. Visit megaphone.fm/adchoices
Author Robert Rosen joins me to talk about his 2000 book on the last years of John Lennon's life, as told through the diaries that Robert transcribed in the early 80s, as well as his new book, 'Bobby In Naziland', which details his early life growing up in a neighbourhood of Brooklyn still living under the shadow of World War II Please see below links to Robert's website and direct links to his 3 books, which are all available where books are sold Enjoy! Feedback to glassonionpod@yahoo.com Facebook page- www.facebook.com/glassonionjlpod Twitter page twitter.com/OnionLennon you tube version https://www.youtube.com/watch?v=u4yZmS7FuPc Please (x many) like, follow, share, subscribe etc… links: Robert's website http://www.robertrosennyc.com Bobby In Naziland https://www.amazon.com/Bobby-Naziland-Flatbush-Robert-Rosen-ebook/dp/B07X58KCLW/ref=sr_1_1?dchild=1&keywords=bobby+in+naziland&qid=1588254309&s=books&sr=1-1 Nowhere Man (2015 edition) https://www.amazon.com/Nowhere-Man-Final-Days-Lennon-ebook/dp/B015RXUD6U/ref=sr_1_1?dchild=1&keywords=nowhere+man+robert+rosen&qid=1588254349&s=books&sr=1-1 Beaver Street https://www.amazon.com/Beaver-Street-History-Modern-Pornography-ebook/dp/B006T2UG16/ref=sr_1_1?dchild=1&keywords=robert+rosen+beaver+street&qid=1588254461&s=books&sr=1-1
in which we discuss growing up in Taiwan, learning filmmaking at UCLA, smuggling film out of China, and the superiority of lying in the grass to studying international trade.
My guest today is best known in Beatles world for having published Nowhere Man (originally in 2000 but since revised in 2015), a book in part drawn from Rosen's exclusive access to John Lennon's diaries. He is also the author of the newly-published memoir, Bobby in Naziland, a telling of his coming of age in Flatbush during the late 50s and early 60s. Rosen's work captures the essence of time and place, with an eye for detail and an ear for the rhythm; true for both of the aforementioned titles. Nowhere Man is a fascinating synthesis, based on interviews and original research as well as a reconstruction of the Lennon diaries. Rosen fleshes out a unique perspective on who John was during his last five years, drawn from John's own privately expressed words. You won't want to miss this illuminating discussion. Check out Robert's works and events here: http://www.robertrosennyc.com/blog
My guest today is best known in Beatles world for having published Nowhere Man (originally in 2000 but since revised in 2015), a book in part drawn from Rosen's exclusive access to John Lennon's diaries. He is also the author of the newly-published memoir, Bobby in Naziland, a telling of his coming of age in Flatbush during the late 50s and early 60s. Rosen's work captures the essence of time and place, with an eye for detail and an ear for the rhythm; true for both of the aforementioned titles. Nowhere Man is a fascinating synthesis, based on interviews and original research as well as a reconstruction of the Lennon diaries. Rosen fleshes out a unique perspective on who John was during his last five years, drawn from John's own privately expressed words. You won't want to miss this illuminating discussion. Check out Robert's works and events here: http://www.robertrosennyc.com/blog
34 days into a government shutdown, is compromise in the works, the conflict with Venezuela's president heats up and its 2 minutes to midnight. The Doomsday Clock, a feature of the Bulletin of the Atomic Scientists has the world closer to nuclear war since 1953 when the Soviet Union exploded its first H-Bomb. Prof. Robert Rosen is Professor of Astrophysics at the University of Chicago and a director of the Argonne National Laboratory. He spoke of the existential threat to humanity by both nuclear weapons and climate change.
Volvemos a la carga con nuestro programa semanal, hoy hablamos de 'La noche de Halloween', 'Pesadillas 2', 'Quién te cantará', 'El fotógrafo de Mauthausen', 'La sociedad literaria y el pastel de piel de patata', 'Un seductor a la francesa', 'Un días más con vida', 'La leyenda de Redbad', 'Bernarda' y 'Egon Schiele'. Además visitaremos la Morgue, la taquilla, hablaremos de los Festivaldes de Valladolid y el Nocturna de Madrid y repasaremos 'El buscavidas' de Robert Rosen. ¿Nos acompañan?
This series had its genesis at a meeting of the Royal Society of Canada - in 1985, as I recall, though it may have been the year before. The subject was the relations of religion and science, and several of the people featured in this series were present - among others physicist Iain Stewart, philosopher Albert Shalom, and British scientist James Lovelock, whose "Gaia hypothesis" was then still new and controversial. I had long been interested in the developments in physics and other sciences that were leading some to speak of a "new science," and in the implications of these developments for theology and philosophy, so I took the Royal Society meeting as a starting point for the following programmes. The series came back to mind recently when I read an essay David Bohm had contributed to a festschrift for Owen Barfield back in the 1970's. Bohm, an adventurous philosopher physicist, is one of the featured speakers in the second programme of the series, along with Ilya Prigogine, a Nobel laureate in chemistry for his work on irreversibility, complex systems, and what he called dissipative structures. Also featured are James Lovelock and Rupert Sheldrake, whose then recently published A New Science of Life had so scandalized fellow biologist Sir John Maddox, the editor of the journal Nature, that he had declared it a "candidate for burning." Reading Bohm's essay, it seemed to me it was time to share these still vital and interesting voices.Discussion of religion and science has a long history, but the discussion entered a new phase in the years before these programmes were broadcast in 1985. Among the reasons were recent experimental confirmation of the reality of quantum entanglement, or what Einstein had called "spooky action at a distance"; and the appearance of the sciences of complexity and emergent order, sciences which were then completing the job begun by early 20th century physics in overturning the postulates of classical science. The world according to science was becoming more subtle and mysterious. Rupert Sheldrake suggested that it was time to replace the old metaphor of "laws of nature" with something more provisional like "the habits of nature." David Bohm suggested that mind and matter must have "the same basic order" - two aspects of a single underlying process. Ilya Prigogine dared to "dream...about a more unified culture" in which science no longer posited a universe in which human consciousness is an anomaly. In what follows scientists, philosophers, and theologians discuss the implications of this "new science." More than thirty years have elapsed since these shows were first broadcast, and no doubt details would need to be changed if they were to revised today, but it seems to me that the outlines hold up pretty well. I should also note that the series was honoured by the Canadian Science Writers Association as the year's best radio programme. My work rarely attracted prizes, but this was an exception, and the $1,000 that went with it, I recall, was a welcome addition to a then somewhat strained household budget... The people heard in the series, in order of appearance, are as follows:Part One: James Lovelock, Morris Berman, Rupert Sheldrake, Stephen Toulmin, Albert Shalom, Philip Hefner, Trevor Levere, Ravi Ravindra, Ilya Prigogine, Jacob NeedlemanPart Two: David Bohm, James Lovelock, Rupert Sheldrake, Ilya Prigogine, David PeatPart Three: Stephen Toulmin, Robert Rosen, Iain Stewart, David Bohm, Philip Hefner, Thomas Berry, Jacob Needleman, Ravi Ravindra
Robert Rosen's career has seen him photograph everything from fashion shows to rock concerts, along the way he's met some amazing people and gathered some fascinating stories. He talks to #ABCRhi about his new book, Giltterati; Shooting Fashion, Fame & Fortune.
Photographer Robert Rosen speaks to Pip about his new book Gliteratti: Shooting Fashion, Fame and Fortune, which showcases his lifetime of snapping the world's biggest stars and fashion icons.
Dr. Robert Rosen, author of JUST ENOUGH ANXIETY, is an internationally recognized psychologist, best-selling author, researcher and business adviser to world-class companies. Bob is the founder and CEO of Healthy Companies International, a Washington, DC-based research, education and consulting firm whose mission is to honor and strengthen the qualities of wise leadership in individuals, organizations and communities around the world. HCI delivers leadership programs via the Internet to companies, governments, colleges and associations around the world. He has worked with organizations in more than thirty countries, including AT&T, Allstate, Boeing, Citibank, Discovery Communications, Freddie Mac, Herman Miller, IBM, Intel,, Johnson & Johnson, Merck, Motorola, PricewaterhouseCoopers, Rolls Royce, USA Today, and others. Dr. Rosen teaches corporate leaders how to recognize the obstacles and leverage the opportunities of the new global economy.
Shelley and I finally get the BIG box game Nations to the table, building our civilizations as best we could, then try to throw punches to knock each other out in TKO Nations by Rustan and Nina Hakansson, and Einar and Robert Rosen from Lautapelit.fl and TKO by Chris Handy from Perplext Remember to keep spreading the word about our site change, and consider donating to the podcast by going to PayPal and donating to garrettsgames@mac.com. Enjoy!
OnMilwaukee.com Milwaukee Entertainment, Music, Sports and More podcast
Episode #251Scheduled Guests: Robert Rosen talks about the importance of a healthy leader, Joel Freimuth shows how to measure an employee's performance in 2014, Dorie Clark discusses why everyone needs a brand, Todd Greene is the inventor HeadBlade, Murray Holland shows why the national debt is hurting every small business.Sponsored by Nextiva and Sage One.
In 2011, the Academy for International Communication of Chinese Culture (AICCC) conducted a survey of international views toward Chinese cinema. The AICCC concluded that foreign audiences simply don't understand Chinese films and culture. To discuss this, AICCC selected five films that provided popular in China. At USC five AICCC scholars will discuss these films and other issues with American specialists. About AICCC Jointly established by Beijing Normal University and International Data Group (IDG) , the Academy for International Communication of Chinese Culture aims to introduce and disseminate Chinese culture worldwide more effectively and contribute to a harmonious world culture through solid, in-depth research and art works with Chinese characteristics by effectively integrating resources from Beijing Normal University, IDG, relevant government departments, enterprises, non-profit organizations and communities. Robert Rosen is a professor, critic, preservationist and Dean Emeritus of the UCLA School of Theater, Film and Television. He has spoken at scholarly, public, and professional meetings in more than twenty nations on subjects related to film criticism, media history, film and television production and curatorship. He has guided the growth of the UCLA Film & Television Archive from a small study collection to the world's largest university-based holding of original film and television materials and has occupied many positions of leadership in the field.
In 2011, the Academy for International Communication of Chinese Culture (AICCC) conducted a survey of international views toward Chinese cinema. The AICCC concluded that foreign audiences simply don't understand Chinese films and culture. To discuss this, AICCC selected five films that provided popular in China. At USC five AICCC scholars will discuss these films and other issues with American specialists. About AICCC Jointly established by Beijing Normal University and International Data Group (IDG) , the Academy for International Communication of Chinese Culture aims to introduce and disseminate Chinese culture worldwide more effectively and contribute to a harmonious world culture through solid, in-depth research and art works with Chinese characteristics by effectively integrating resources from Beijing Normal University, IDG, relevant government departments, enterprises, non-profit organizations and communities. Robert Rosen is a professor, critic, preservationist and Dean Emeritus of the UCLA School of Theater, Film and Television. He has spoken at scholarly, public, and professional meetings in more than twenty nations on subjects related to film criticism, media history, film and television production and curatorship. He has guided the growth of the UCLA Film & Television Archive from a small study collection to the world's largest university-based holding of original film and television materials and has occupied many positions of leadership in the field.
Robert Rosen
Robert Rosen and Shelly Irwin
Host: Leslie P. Lundt, MD Guest: Robert Rosen, PhD Dr. Robert Rosen was awarded a six-year multi-million dollar grant from the John D. and Catherine T. MacArthur Foundation to study leadership and healthy organizations. Having interviewed more than 250 CEOs and worked with organizations in more than 30 countries, Dr. Rosen says anxiety is a necessary and desirable feature of a successful leader. He expands on this idea in a conversation about his latest book, Just Enough Anxiety, with host Dr. Leslie Lundt
Dr. Robert Rosen, author of JUST ENOUGH ANXIETY, is an internationally recognized psychologist, best-selling author, researcher and business adviser to world-class companies. Bob is the founder and CEO of Healthy Companies International, a Washington, DC-based research, education and consulting firm whose mission is to honor and strengthen the qualities of wise leadership in individuals, organizations and communities around the world. HCI delivers leadership programs via the Internet to companies, governments, colleges and associations around the world. He has worked with organizations in more than thirty countries, including AT&T, Allstate, Boeing, Citibank, Discovery Communications, Freddie Mac, Herman Miller, IBM, Intel,, Johnson & Johnson, Merck, Motorola, PricewaterhouseCoopers, Rolls Royce, USA Today, and others. Dr. Rosen teaches corporate leaders how to recognize the obstacles and leverage the opportunities of the new global economy.
Dr. Robert Rosen, founder and CEO of Healthy Companies International and author of "Just Enough Anxiety: The Hidden Driver of Business Success."
What do Robert Rosen and Leighanne Littrell, wife of Backstreet Boys Brian Littrell, have in common? They both founded amazing charities to help people with life-threatening medical problems. Robert Rosen was diagnosed with Polycythemia Vera, a type of blood cancer and Brian Littrell was born with congenital heart disease. They have changed their ill-fate into something positive by dedicating themselves to relieving the suffering of others with these disorders.
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