Podcast appearances and mentions of Roy Budd

Groovy et inventif, le visionnaire Roy Budd s'est distingué par une approche audacieuse et expérimentale de la musique à l'image. Virtuose du piano, il a su transcender les conventions en fusionnant jazz, funk et musique orchestrale dans un mélange de modernité et de tradition qui a fait de lui une figure influente dans l'évolution de la musique de film. Parcourez aujourd'hui sa brève mais très riche carrière en compagnie de l'équipe de Total Trax.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Hauntology. Perhaps the phrase alone is enough to convince you we've wandered into the realm of pretension. But we've got to use it anyway, because this week on the podcast we're speaking with one of the main people associated with that term: Jim Jupp, co-founder of Ghost Box Records, which has mined TV soundtracks, vintage electronics, psychedelia, pop, and supernatural folklore for decades, issuing music by Broadcast, Pye Corner Audio, The Advisory Circle, and Jupp's own band, The Belbury Poly. Last year, The Belbury Poly released The Path. Borrowing the soundtrack work of Roy Budd and Roger Webb as a starting point, Jupp and crew cook up a heady blend of sound, indulging loping, flute-led jazz passages, delay-soaked kosmische soundscapes, and bombastic bursts of wah-wah and fuzz guitar and funk drums. And over it all is novelist and poet Justin Hopper, who adds quixotic and evocative narration to the record. This week on Transmissions, Jupp joins us to discuss his storied label, plumbing the nostalgic depths, the evocative spaces of The Twilight Zone, fairy lore, extraterrestrial, and yes, "hauntology." Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Amen Dunes joins us to discuss Death Jokes. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Javier Di Granti presents... LOUNGE CINEMATICA RADIO Season 4 * * * Episode 4x13 Issued on 01/03/24 Musical direction by... Javier Di Granti Narrated by... Xavi Martin ///Tracklist/// 01. Jesus Moreno And His Barcelonians - Chica, Vuelve A Mí // Royal Caribbean Cruise Line L.P.M. 3035 02. Roy Budd - Soldier Blue (Javier Di Granti Suite) // Caldera C6053 ©2024 03. Carlos Vizziello canta Mario Magni - I Need Your Love (del film "Mi Primer Pecado") // Hispavox 45-1377 ©1977 04. Piero Piccioni - La Bella Signora // Beat Records Digital ©2024 05. Piero Piccioni - Jet Set Trip // Camille 3000 ©2023 06. Gino Marinacci - Viaggio // Idea IL 110 ©1976 // Intermedio publicitario con Joan Lluis Moraleda - Kas Gente Sin Alcohol // Ticano T.S. 2012 ©1976 07. Orchestra Carlo Cordara - Raquel // Golden Record F.C.1024 ©1973 08. Quinteto Montelirio - Ibérico Jazz // Calandria A-508 ©1972 09. Jose Solá Y Orquesta - Panorámicas // Impacto EL 025 ©1974 10. Elvio Monti canta Fausto Cigliano - Samba Em Preludio // Parade FPR 315 ©1967 11. Mandrassi - Nicolette // Ludo Rekord LU 00100 ©1973

La dernière expédition de Total Trax dans les terres exotiques de Ray Harryhausen où, parmi les nombreuses créatures qui les peuplent, on trouve aussi quelques compositeurs émérites tels que Jerome Moross, Miklós Rózsa, Roy Budd et Laurence Rosenthal. Êtes-vous prêts à repartir à l'aventure ?

Monsters, spooky atmosphere, terrifying effects, but horror is also a genre exploring ideas about relationships, as Matthew Sweet explains with music for the romance of horror. The programme features cues from classic Hammer Horror by Harry Robertson alongside Wojciech Kilar's 'Bram's Stoker's Dracula'. Also in the programme is some of Roy Budd's score for 'Phantom Of the Opera', some of Maurice Jarre's score for 'Ghost', James Wong's 'A Chinese Ghost Story', Georges Auric's 'La Belle et la Bete', Alan Menken's 'Beauty and the Beast', Carter Burwell's 'Twilight' and Richard Wells' 'Being Human'. And Matthew meets Academy Award-winning composers Trent Reznor and Atticus Ross, who discuss their latest score for the new Luca Guadagnino film 'Bones And All'.

durée : 01:56:06 - Retour de plage du mercredi 03 août 2022 - par : Laurent Valero - C'est la tradition dans Retour de plage, le mercredi est consacré à la musique de film sous toutes ses formes. Entre BO et reprises sans oublier la chanson … Au programme Johnny Mandel, Ennio Morricone, Herbert Pagani, Roy Budd, Francis Lai, Dave Grusin... - réalisé par : Yassine Bouzar

A cool cinematic instrumental called 'Diamonds' from Roy Budd. --- Send in a voice message: https://anchor.fm/radikalra/message

NSA Interruptions. Everybody likes their privacy one time or another, to sit under a tree in peace. The NSA employs 30 to 40 thousand workers to collect information on over a billion people but you don't care cause your thoughts are being molded. Someone is doing the thinking for you. You're being spied upon. You're being used. You work for the system and you can't be trusted anymore. The money is phony. There's something wrong with the system and you're used to keep it going. The rights of millions of people are being violated with assassinations used to gain power, toppling foreign governments. It's coming here for us. MUSIC Pino Donoggio, Patrick Doyle, Roy Budd

Matthew looks at music for the Tough Guy Movie, especially films featuring the creations of Schwarzenegger, Stallone, Bronson, Eastwood and Willis - heroes with staying power. In particular Matthew looks the changing career of Sylvester Stallone - and the Classic Score of the Week is the 1974 'Death Wish'. Includes in the programme is music by Roy Budd, Elmer Bernstein, Carter Burwell, Alan Silvestri, Lalo Schifrin, Isaac Hayes, Bill Conti, Ennio Morricone, Jerry Goldsmith, Howard Shore, Brian Tyler and Herbie Hancock Plus a track from Christopher Benstead's score for Guy Richie's new film 'Wrath of Man'.

In today’s podcast, we learn about the origin of the word “train” and its comparable translation in French, Latin, Russian, and Arabic. Please share this podcast with your friends and feel free to ask me questions on Twitter @ArmchairLingist. Thank you for listening. You can support my podcast for the price of a coffee at: https://ko-fi.com/arabicalchemy Transition Music: “Get Carter” (1971) by Roy Budd. Note: I do not own the copyright to any music.

Lee and Daniel steal an old piece of shit boat and go on a mission around India this week, covering "The Sea Wolves" (1980). What does this WWII men-on-a-mission film, full of over-the-hill actors, have to offer to the genre if anything? How closely does it stick to the real-life events it's based upon? Is Roger Moore a better Bond here then in the official Bond series? Or is he just a horny serial killer? All of this and more, including what the hosts have watched recently is covered. "The Sea Wolves" IMDB  Featured Music: "Enemy Beneath the Waves" & "Warsaw Concerto" by Roy Budd.

STANDARD SEMANAL.- “Moment's Notice”.-JAZZ RECUERDO ANIVERSARIO.-Ronnie scott - the couriers of jazz!( & tubby hayes) (1958).-JAZZ ACTUALIDAD .- Ander Garcia Trio con su álbum “AMAHIRU” PROG.Nº 648.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Moment's Notice” JAZZ RECUERDO ANIVERSARIO.-Ronnie scott - the couriers of jazz!( & tubby hayes) (1958) Ronnie Scott & Tubby Hayes - The Couriers Of Jazz* ?– The Couriers Of Jazz Sello: Carlton ?– LP12-116 Formato: Vinyl, LP, Mono País: US Publicado: 1958 Género: Jazz Estilo: Bop Lista de Títulos A1 Mirage 5:20 A2 After Tea 7:50 A3 Stop The World, I Want To Get Off 3:40 A4 In Salah 3:50 B1 Star Eyes 4:10 B2 The Monk 4:35 B3 My Funny Valentine 4:45 B4 Day In, Day Out 5:30 Créditos • Bass – Jeff Clyne • Drums – Bill Eyden • Piano – Terry Shannon • Tenor Saxophone – Ronnie Scott, Tubby Hayes Ronnie Scott OBE (nacido Ronald Schatt , 28 de enero de 1927 - 23 de diciembre de 1996) era un saxofonista tenor inglés de jazz y propietario de un club de jazz. [1] Cofundó el Ronnie Scott's Jazz Club , uno de los clubes de jazz más populares del Reino Unido, en 1959. Ronnie Scott nació en Aldgate , East London , en una familia judía. Su padre, Joseph Schatt, era de ascendencia rusa, y la familia de su madre Sylvia asistió a la sinagoga portuguesa en Alie Street. Scott asistió a la Fundación Central Boys 'School . Scott comenzó a tocar en pequeños clubes de jazz a la edad de 16 años. Su reclamo a la fama fue que "el suegro de Vera Lynn le enseñó a tocar". Estuvo de gira con el trompetista Johnny Claes de 1944 a 1945 y con Ted Heath en 1946. Trabajó con Ambrose , Cab Kaye y Tito Burns . Estuvo involucrado en la cooperativa banda y club Club Eleven de músicos de corta duración (1948–50) con Johnny Dankworth . Scott se hizo conocido del arreglista / compositor Tadd Dameron , cuando el estadounidense trabajaba en el Reino Unido para Heath, y se informa que actuó con Dameron como el pianista, en un concierto de Club Eleven. Scott fue miembro de la generación de músicos británicos que trabajaron en el transatlántico Cunard Queen Mary de forma intermitente desde 1946 hasta alrededor de 1950 para visitar la ciudad de Nueva York y escuchar la nueva forma de jazz llamada bebop en los clubes de allí. Scott fue uno de los primeros músicos británicos influenciados por Charlie Parker y otros músicos de jazz moderno. En 1952, Scott se unió a la orquesta de Jack Parnell y de 1953 a 1956 dirigió una banda y quinteto de nueve integrantes que incluyó a Pete King , con quien luego abrió su club de jazz, Victor Feldman , Hank Shaw y Phil Seamen . Co-dirigió The Jazz Couriers con Tubby Hayes de 1957 a 1959 y fue líder de un cuarteto que incluía a Stan Tracey (1960-67). De 1967 a 1969, Scott fue miembro de la Big Band Kenny Clarke / Francy Boland , que recorrió Europa e incluyó a Johnny Griffin y Eddie "Lockjaw" Davis . Simultáneamente, dirigió su octeto, que incluía a John Surman y Kenny Wheeler , y un trío con Mike Carr en los teclados y Bobby Gien en la batería (1971–1975). Las otras bandas de Scott a menudo incluían a John Critchinson en los teclados y Martin Drew en la batería. Hizo un trabajo de sesión ocasional, que incluyó tocar el solo en " Lady Madonna ", el sencillo de 1968 de los Beatles , tocar en la partitura de Roy Budd para la película Fear Is the Key (1972) y tocar el solo de saxo tenor en " I Missed Again ", el sencillo de 1981 de Phil Collins . Charles Mingus dijo de él en 1961: "De los niños blancos, Ronnie Scott se acerca al sentimiento del negro y azul, como lo hace Zoot Sims ". [9] Scott grabó con poca frecuencia durante las últimas décadas de su carrera. Sufría de depresión. Mientras se recuperaba de una cirugía para implantes dentales, murió a la edad de 69 años de una sobredosis accidental de barbitúricos recetados por su dentista. La viuda de Ronnie Scott, Mary Scott, y su hija, Rebecca Scott, escribieron las memorias A Fine Kind of Madness: Ronnie Scott Remembered , con un prólogo de Spike Milligan. El libro fue publicado en 1999 en Londres por Headline Book Publishing. Scott es quizás mejor recordado por su cofundación, con el ex tenista de saxo tenor Pete King , Ronnie Scott's Jazz Club , que abrió el 30 de octubre de 1959 en un sótano en 39 Gerrard Street en el distrito Soho de Londres , con el debut de un joven alto El saxofonista llamado Peter King (sin relación), antes de mudarse a un lugar más cercano en 47 Frith Street en 1965. El lugar original continuó operando como el "Old Place" hasta que el contrato de arrendamiento se agotó en 1967, y fue utilizado para actuaciones de la nueva generación de músicos nacionales. Scott actuó regularmente como el genial Maestro de Ceremonias del club, y se destacó por su repertorio de bromas, comentarios y frases ingeniosas. Una introducción típica podría ser: "Nuestro próximo invitado es uno de los mejores músicos del país. En la ciudad, es una mierda". Otro anuncio memorable fue: "La próxima semana estamos orgullosos de tener un cuarteto con Stan Getz y el violinista Stuff Smith. Se llama el" Cuarteto relleno de Getz ". Ronnie solía usar en los últimos días los servicios de John Schatt para reservar bandas de rock para Ronnie. Scott está arriba. Después de la muerte de Scott, King continuó dirigiendo el club durante otros nueve años, antes de venderlo al empresario de teatro Sally Greene en junio de 2005. En septiembre de 2013, mientras se redecoraba el club, se colocó un acaparamiento de 12 metros cuadrados en la fachada de la calle Frith como un homenaje a su fundador homónimo, con una fotografía gigante de Ronnie Scott por Val Wilmer , junto a una de su legendaria -liners: "Me encanta este lugar, es como estar en casa, sucio y lleno de extraños". Además de participar en orquestas de nombre, Scott dirigió o co-dirigió numerosas bandas con algunos de los músicos de jazz más destacados de Gran Bretaña del día. JAZZ ACTUALIDAD .-Esta semana vamos a tener al contrabajista Ander Garcia Trio con su álbum “AMAHIRU” Cuando los ingredientes son sobradamente conocidos, tendemos a pensar que los resultados también serán los habituales. Y aunque a menudo es así, cuando esos mismos ingredientes caen en manos de un artitsta valiente, obstinado y brillante como Ander Garcia la sorpresa puede ser mayúscula. Y este bello y excitante nuevo trabajo que se presenta bajo el nombre de Ander Garcia Trio sin duda lo es. En ese sentido, son especialmente destacables sus discos en solitario “Ttun Kurrun” y “Hiru”, ampliamente aclamados por la crítica especializada. Pero en el caso que nos ocupa, el del trio que forma junto al piano de Jorge Castañeda y la batería de Mikel Urretagoiena, nos encontramos con el Ander Garcia mas explorador y aventurero. En este proyecto Ander utiliza las métricas y melodías de ancestrales bailes y bersos euskaldunes para desarrollar sus improvisaciones, y al mismo tiempo los moldea y adapta a nuevos contextos musicales creando un espacio de intercambio limbre entre ellos. De este modo el ritmo de la ezpata dantza se convierte en danza latinoaméricana, y partiendo del de los zortzikos llega a un híbrido rítimico absolutamente contemporáneo y desconocido, o se lanza a llevar el ritmo del tamboril a la batería para diseccionarlo en un abánico de variantes deslumbrante. Las oportunidades para la sorpresa son infinitas en este disco.

Original broadcast: May 1, 2012 This show, featuring music from Comic Book Films & TV Shows was released back in May of 2012, just in time for the North American premiere of Joss Whedon's THE AVENGERS. This program featured the broadcast premiere of music from THE AVENGERS by Alan Silvestri.  You will also hear on the program extended suites from THE SHADOW by Jerry Goldsmith,  THE LEAGUE OF EXTRAORDINARY GENTLEMEN by Trevor Jones, Danny Elfman's Academy Award-nominated score to MEN IN BLACK, THE X-MEN TRILOGY featuring music by Michael Kamen, John Ottman and John Powell, Alan Silvestri's powerful score to JUDGE DREDD, unreleased music from SPIDER-MAN 3 by Christopher Young, THE PHANTOM by David Newman and Christopher Drake's brilliant WONDER WOMAN.  We will also be playing a rare concert arrangement of Jerry Goldsmith's SUPERGIRL suite conducted by Roy Budd and performed by the London Symphony Orchestra.  During the course of the program, you will also hear short selections from SUPERMAN by John Williams, THE FLASH by Danny Elfman, FANTASTIC FOUR by John Ottman, BATMAN: GOTHAM KNIGHT by Christopher Drake, Robert J. Kral and Kevin Manthei, Bear McCreary's THE CAPE as well as many others. PART 3 PLAYLIST THE CAPE (McCreary) 0:00 • THE PHANTOM (Newman) 2:30 • BATMAN: GOTHAM KNIGHT (Drake / Kral / Manthei) 22:03 • WONDER WOMAN (Drake) 27:03 • CAPTAIN AMERICA: THE FIRST AVENGER (Silvestri) 43:56 • THE AVENGERS (Silvestri) 46:28 Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Original broadcast: May 1, 2012 This show, featuring music from Comic Book Films & TV Shows was released back in May of 2012, just in time for the North American premiere of Joss Whedon's THE AVENGERS. This program featured the broadcast premiere of music from THE AVENGERS by Alan Silvestri.  You will also hear on the program extended suites from THE SHADOW by Jerry Goldsmith,  THE LEAGUE OF EXTRAORDINARY GENTLEMEN by Trevor Jones, Danny Elfman's Academy Award-nominated score to MEN IN BLACK, THE X-MEN TRILOGY featuring music by Michael Kamen, John Ottman and John Powell, Alan Silvestri's powerful score to JUDGE DREDD, unreleased music from SPIDER-MAN 3 by Christopher Young, THE PHANTOM by David Newman and Christopher Drake's brilliant WONDER WOMAN.  We will also be playing a rare concert arrangement of Jerry Goldsmith's SUPERGIRL suite conducted by Roy Budd and performed by the London Symphony Orchestra.  During the course of the program, you will also hear short selections from SUPERMAN by John Williams, THE FLASH by Danny Elfman, FANTASTIC FOUR by John Ottman, BATMAN: GOTHAM KNIGHT by Christopher Drake, Robert J. Kral and Kevin Manthei, Bear McCreary's THE CAPE as well as many others. PART 2 PLAYLIST FANTASTIC FOUR (Ottman) 0:00 • THE X-MEN TRILOGY: X-MEN - X2: X-MEN UNITED - X-MEN: THE LAST STAND (Kamen / Ottman / Powell) 4:19 • JUDGE DREDD TRAILER (Goldsmith) 32:40 • JUDGE DREDD (Silvestri) 32:40 • UNBREAKABLE (Howard) 51:44 • SPIDER-MAN 3 (Young) 54:19 Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Original broadcast: May 1, 2012 This show, featuring music from Comic Book Films & TV Shows was released back in May of 2012, just in time for the North American premiere of Joss Whedon's THE AVENGERS. This program featured the broadcast premiere of music from THE AVENGERS by Alan Silvestri.  You will also hear on the program extended suites from THE SHADOW by Jerry Goldsmith,  THE LEAGUE OF EXTRAORDINARY GENTLEMEN by Trevor Jones, Danny Elfman's Academy Award-nominated score to MEN IN BLACK, THE X-MEN TRILOGY featuring music by Michael Kamen, John Ottman and John Powell, Alan Silvestri's powerful score to JUDGE DREDD, unreleased music from SPIDER-MAN 3 by Christopher Young, THE PHANTOM by David Newman and Christopher Drake's brilliant WONDER WOMAN.  We will also be playing a rare concert arrangement of Jerry Goldsmith's SUPERGIRL suite conducted by Roy Budd and performed by the London Symphony Orchestra.  During the course of the program, you will also hear short selections from SUPERMAN by John Williams, THE FLASH by Danny Elfman, FANTASTIC FOUR by John Ottman, BATMAN: GOTHAM KNIGHT by Christopher Drake, Robert J. Kral and Kevin Manthei, Bear McCreary's THE CAPE as well as many others. PART 1 PLAYLIST SUPERMAN: THE MOVIE (Williams) 0:00 • SUPERGIRL (Goldsmith) 5:45 • THE SHADOW (Goldsmith) 16:21 • THE FLASH (Elfman) 26:10 • MEN IN BLACK (Elfman) 27:43 • IRON MAN 2 (Debney) 44:03 • THE LEAGUE OF EXTRAORDINARY GENTLEMEN (Jones) 45:32 Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this special episode of CINEMATIC SOUND RADIO, Jason Drury showcases music from films that feature the magnificent and groundbreaking stop-motion special effects of Ray Harryhausen. Jason will present selection of music from films such as THE SEVENTH VOYAGE OF SINBAD, MYSTERIOUS ISLAND and JASON AND THE ARGONAUTS by Bernard Herrmann.  You'll also hear selections from THE FIRST MEN ON THE MOON by Laurie Johnson, THE VALLEY OF GWANGI by Jerome Moross, THE GOLDEN VOYAGE OF SINBAD by Miklós Rózsa, SINBAD AND THE EYE OF THE TIGER by Roy Budd and CLASH OF THE TITANS by Laurence Rosenthal. For more information about Ray Harryhausen please visit THE RAY AND DIANA HARRYHAUSEN  FOUNDATION at https://www.rayharryhausen.com/ Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

In this episode we're parachuting into 1978 with Andrew V. McLaglen's, all-star cast, action-film, The Wild Geese. Starring Richard Burton, Richard Harris, Roger Moore and a whole host of British acting royalty. Meanwhile, Colin discovers a long lost organ, and Paul decides that spinal alcohol crystals are a life goal, not a life lesson. Opening music is the The Wild Geese Overture by Roy Budd, and closing music is Dance with Dead by Roy Budd and featuring Jerry Donahue.  

In this episode we throw on our balaclavas and swing through a window as we take a look at the thriller, Who Dares Wins (also known as The Final Option), from 1982. Be warned, there's spoilers and rudeness in equal measure.   Opening and closing music: Who Dares Wins Theme by Roy Budd    

On episode four of THE ARCHIVE, host Jason Drury presents another jam-packed show featuring four new releases and four releases mined from the archive. The program opens up with music Intrada Records new release of James Horner’s controversial replacement score to TROY. Jason then takes you back to 1982 and features Vangelis’ classic score to Ridley Scott’s sci-fi masterpiece, BLADE RUNNER. Roy Budd returns to The Archive as we play selections from Caldera Records release of WILD GEESE 2. James Newton Howard’s swashbuckling action-adventure score to WATERWORLD was recently released in expanded form from La La Land Records; Jason will have selections from that album for you as well. Clint Eastwood’s Academy Award-winning film UNFORGIVEN turns 25 years old this year and in celebration, we’ll play selections from Lennie Niehaus’ delicate score. You’ll also hear music from THE OUTLAW JOSEY WALES by Jerry Fielding. CINEMATIC SOUND RADIO says Happy 91st Birthday to Laurence Rosenthal by playing a suite from the TV series LOGAN’S RUN, which first aired in 1977. The program ends with cues from La La Land Records’ superb release of John Williams Academy Award-winning score to E.T THE EXTRA-TERRESTRIAL, which turned 35 this year. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Rare Soundtracks is back. ⚡ This episode digs back into the folds of Grails' influences by focusing on the great 'British Crime' film composer Roy Budd, pointing out the cancerous effect of Tubular Bells on modern horror films and including a small section on MF Doom sampling the composer of Hair. ...Emil's instrumental band Grails has just announced their first record in 6 years. It's called "Chalice Hymnal" and will be out on 2/17 on Temporary Residence LTD. https://www.temporaryresidence.com/products/trr279

With Francine Stock. The director of Love And Friendship, Whit Stillman reveals why, of all Jane Austen's novels, he decided to adapt her unfinished novella Lady Susan. And why he's written a novel of his own screenplay. The co-creator of Ali G and The Flight Of The Conchords TV series, James Bobin discusses the difficult of adapting Alice Through The Looking Glass, Lewis Carroll's well known but little read sequel. Composer Neil Brand tells us the score about another classic opening scene - how Roy Budd's jazz soundtrack gave Michael Caine the edge in Get Carter.

As a bonus for our Get Carter episode, here's a collection of plays upon Roy Budd's terrific theme from Mike Hodges's film.

This week’s show is part of our series on minerals and precious gems. We aim to eventually cover all the minerals and gems known to science. Look forward to our all-quartzite show. For our look at the world of diamonds, we have German … Continue reading →

planetarium music - intro, terrible (s/t)john beltram - collage of dreams (punta del este sunset)sun twins - big dream ("""")crownland - are you there butch/ (s/t)crownland - city of gardens (s/t)Majeure - solar maximum (solar maximum)planetarium music - another world (s/t)crownland - rivers and a canyon (s/t)soma - shambhala (the inner cinema)majeuer - extreme northern lights (solar maximum)planetarium music - neighbor (s/t)steve moore - tyken's rift (light echoes)flume - stay close (s/t)steve moore - light echoes (loght echoes)subtractivlad - hesperus is phosphorus (kindred)Mountains - sand (thrill jockey) (centralia)heiki - trademark (paper + sound)various - theme from... ( taxi driver)frank zapa - theme from Duke of Prunes (mystery disc)martin denny - jungle madness (mondo exotica)moog cookbook - ziggy stardust (1997) (classic rock hits)JOhn Shroeder Orch. - bird has flown (house fo loungecore)hollyridge strings - shaft (on the rocks - ultralounge)nic raine and Prague philharmonic - streets of san francisco (cult files revisted)moog cookbook - hotel california (classic rock hits)david mccallum - mellow yellow (classic rock hits)Roy Budd and his orchestra - the car chase (house of lungecore II)EAsy all stars - time (dub side of the moon)moog cookbook - rock and roll all night (classic rock hits)

Some very interesting discussions arise this week as we give you an unprecedented THREE movie reviews! We finally get around to talking about V/H/S with MonsterZero, Dredd with Ravenshadow and for our GGTMC flick pick of the month, we review Fear is the Key. Star Wars is also discussed. Comics, they too are discussed. Cool music is discussed as well. Sir Isaac calls in to our disgust (see what I did? Disgust sounds like... Oh forget it...) Dynamo! Johnny! Tiny! Michael! Monster! That is everyone's first name! (let's see if any one reads these, hmm kids)Topics discussed: 1.21 jigawatts, MonsterZero - Giovanni Lombardo Radice's most handsome fan, Zeromancer, Cannibal Apocalypse, V/H/S, Tiny gets Dynamo's mech out of impound, Let Me Die A Woman, Disney kills 3D Star Wars prequel re-releases, a badge worthy D-, Harley Poe, Drive, Harpies, Ti West, X-Factor #87, Star Wars, J.J. Abrams, They Might Be Giants and their new app, Feed My Ears, Coheed and Cambria, Peter David, Dredd, Comix Tribe's The Red Ten, Roy Budd, Tomahawk, Image Comics' Hell Yeah, Fear is the Key, Devin Townsend, young people in horror flicks, Raid: Redemption, JSA Liberty Files: The Whistling Skull, Gojira, Super 8 - the E.T. movie?, kicking back with Wisenheimer Ale, Entrails from the Squared Circle, Tiny's Little Phatty and upcoming Deadites live show plans.Support the show (https://www.patreon.com/trickortreatradio)

What started as a normal show digresses into all out war as our resident gun fighter squares off with Ravendshadow and the rest of the gang about the future of comics and how it relates to our show. We talk political & social overtones in film with MonsterZero (yes you read that right), Tiny has made a full recovery from his recent snipping, Wolfenstein tries to navigate all the distractions to host the show, Sir Isaac drops in to call us babies and Big Willy calls in The GGTMC flick pick of the month! So it's time to strap in, on and out, welcome to Trick or Treat Radio!Big Man Japan, Archer and Armstrong, "Heyoooooooo", the WWE signing of El Generico, Dylan Dog, unseen Exorcist footage, Ravenshadow gets a raise, the new David Bowie song Where Are We Now?, Lords of Salem, Raven Rooters and Shadow Puppets, sexy mimes, Mama, The Black Beetle, Dynamo's comic predictions, The Evil Dead remake, Brian Michael Bendis' New X-Men, Roy Budd, Dark Horse Comics, Jigsaw's betrayal, Grendel, conjugal visits to the Chupacabra, Howdy Doody, Ghastly Awards, Tiny plugged The Deadites money leak, this hate goes to 11, Fear is the Key, whether or not we should plug mainstream comics, the Hellraiser remake, independent comic successes, Black Death and the films of Christopher Smith, X-Men Legacy, homeless Morbius, the great webcomic Disappointing Monsters, the box office smash success The Mask, Poopdeck Pappy, a giant whorenet terrorizes Dynamo, drunk horny and Japanese, Dragon Gate And Evolve, douche bag Pulp Fiction aka Boondock Saints and The Deadites new all Eigenharp band!Support the show (https://www.patreon.com/trickortreatradio)

http://dannydrivethru.wordpress.com Fresh from dropping an immense mix for Sonic Router and with his new 12″ about to drop on Fat City Recordings (did you grab his 45 from http://MindonFire.co.uk ?), Danny Drive Thru returns to Groovement in style. Danny flexes his selection muscles with some mad ish, a precursor of sorts to his planned 2012 series of podcasts going by that very moniker… If you fancy a visual slash Christmassy accompaniment, check the ustream embed below, featuring a guest appearance by Groovement Cat himself. http://www.ustream.tv/recorded/19167016 00:00 J-Makusu – Akahana no Tonakai (Rudolph goes to Brazil edit) 8:01pm 02:18 Danny Drive Thru – EclipsemoonsunLDIGZVERSION 22:45 Flying Lotus – Tea Leaf Dancers (Murder He Wrote edit) 24:36 1000names – Born With Promise 27:52 Fink – Perfect Darkness (Album Version) 29:55 Akello Light – You Are (Beat) 33:06 Kendrick Lamar – Rigamortus 34:41 Ultimate Force – I’m Not Playing 37:21 Moondog – Heimdall Fanfare 39:38 Paul White – One Of Life’s Pleasures ft. Danny Brown (Remix) 41:19 MindsOne – Legion Of Doom 43:07 Celph Titled & Buckwild – Good Hell Hunting (feat. Outerspace) 46:12 The Budos Band – My Girl 47:42 Billy Garner – Brand New Girl 50:06 Eliphino – More Than Me 52:03 Flying Fish – Lucy’s Song 56:46 Marcos Valle – Dez leis 59:28 Ian & The Zodiacs – Come On Along, Girl 9:00pm 1:01:32 Slugabed – Whirlpool 1:02:46 Roy Budd – Jazz It Up 1:05:16 Sarolta – L.O.V.E 1:06:38 Serge Gainsbourg (with Michel Colombier) – Psychastenie (Miles’ drum edit) 1:07:19 The Coasters – Love Potion No. 9 1:08:34 YOSI HORIKAWA – Skipping 1:11:11 Klaus Weiss – Jumping Balls 1:13:27 Himuro – Looking For Treasure Anytime 1:14:58 Danny Drive Thru – Eclipsemoonsun (Trevino’s Front Mix) (Eqd) 44_16 1:17:25 XI – Whiteout 1:19:38 The Pharaohs – Damballa 1:21:36 Screamin’ Jay Hawkins & The Chicken Hawks – I Hear Voices-1 1:35:51 Cowboy Bebop OST – Cat Blues 1:37:55 Ye Mighty – Fuse 1:38:52 Danny Drive Thru – Violence Makes (Naive Machine Remix) 1:42:36 Mizz Beats – Scientific Brainpriest 1:44:49 Fabio Frizzi – Voci Dal Nulla [mix end?] 1:46:12 Michael White – The Blessing Song 1:49:03 The Beacon Street Union – The Clown Died In Marvin Gardens 1:51:25 Kendrick Lamar – Chapter Ten 1:52:47 Om Unit – Vibrations 1:53:29 Alaclair Ensemble – Gun gus gus (dimanche soare) 1:56:17 Slugabed – Sun Too Bright Turn It Off 1:57:32 1000 Names – He’s just Who! 1:59:04 Roots Manuva – Witness Acapella 10:00pm 2:01:45 The Stuyvesants – Stoops, Parks & Rooftops 2:02:53 Danny Brown – Radio Song 2:04:24 Eprom – Twerkul8 2:05:57 Sy & Unknown – Move Your Body 2:07:29 Phillip D Kick – Krome + Time – The License (footwork edit) 2:08:02 Krome & Time – The License rmx A 2:09:52 Fracture, Neptune – Colemanism 2:13:50 Barrington Levy – The Vibes Is Right (Om Unit edit) [end of night] 2:16:56 S-Type – Sweet Vixen [kut over] 2:18:08 Busta Rhymes – Break Ya Neck Acapella

Shock World Service 036 90% of Me is You by Jon Averill & Stephen Reynolds 21/07/10 Dublin, Ireland 1. The Human League - Get Carter Appearing as a brief Casio keyboard leitmotif on their classic 'Dare' album. The melody is from Roy Budd's jazzy, hypnotic soundtrack to the 1971 film of the same name. 2. This Mortal Coil - Song To The Siren This Mortal Coil was a supergroup of 4AD artists brought together by label boss Ivo Watts-Russell for an EP in 1983. Featuring members of Cocteau Twins, Modern English and Cindytalk they re-recorded a Modern English medley with this track, originally by Tim Buckley track as the b-side. 3. The Dynamics - 90% Of Me Is You Versions and excursions from France as The Dynamics inject some reggae and dub elements into Gwen McCrae's 1974 classic '90% Of Me Is You' 4. Morrissey & Siouxsie - Interlude A Lesser known collaboration between Siouxsie (of Siouxsie & The Banshees) and Morrissey. A fruitful but ultimately commercially unsuccessful alliance which was eventually released in 1994 but not promoted due the pair having a major fallout with regard track's promotional video. The song originally appears as 'Time Is Like A Dream' on the soundtrack to the 1968 film 'Interlude'. 5. Grace Jones - Warm Leatherette Throughout Grace Jones's extraordinary career she has always been shrewd with her musical choices. This track, a cover of The Normal's 'Warm Leatherette' is an anthesis to the original, dropping the visceral drum track and deadpan delivery for a more substantial groove. The Normal's'Warm Leatherette' originally appeared as the b-side to "T.V.O.D, the first release on Mute Records and heavily references J.G. Ballard's controversial 1973 symphorophilia based novel 'Crash'. 6. Montovani & His Orchestra - La Vie En Rose Fans of Grace Jones will be first to notice the connection here. 'La Vie En Rose' is another track to receive a Grace Jones reworking, perhaps even more radically than 'Warm Leatherette'. None of this however concerns us as Annunzio Paolo Mantovani and his orchestra are providing this podcasts version of 'La Vie En Rose'. This track may seem like a strange choice to some but I love the innocence and ardour that this piece of music exudes, next thing i'll be watching musicals... 7. Spiritualized - Born Never Asked 'Born Never Asked' appears on Spiritualized's 1995 album 'Pure Phase'. Strangely being a massive fan its only recently have I discovered the original version is by Laurie Anderson. This track is actually surprisingly short compared to Spriritualized's usual 15 minute opuses. 8. The Slits - Heard It Through The Grapevine The Slits were (initially) an all female band formed right at the inception of the punk movement, regularly supporting bands like The Clash, The Buzzcocks and Subway Sect. We consider The Slits raw and unrefined take on 'Heard It Through The Grapevine' second only to the unequaled Marvin Gaye's version and far surpasses the earlier clumsy Smokey Robinson version as well as other attempts by Credence Clearwater, Gladys Knight and of course Craig David. 9. Art Of Noise - Robinson Crusoe Art Of Noise haven't really done anything to the original track bar add some drums and a few effects but we're glad they did as it grants it official 'cover' status and therefore eligible for this podcast. 10. Lee Hazlewood - Whole Lotta Shakin' Goin On Lee Hazlewood has featured heavily on Shock World Service Podcasts over the years. His wry, sardonic sense of humour is never more present than in his brilliantly creepy version of 'Whole Lotta Shakin' Goin On'. The origins of this track are often disputed but its the 1957 rock and roll version by Jerry Lee Lewis that was most likely the progenitor for this cover.