Podcasts about more radio

Thanks for finding our podcast. Here you can catch up with the More Radio breakfast show hosted by Tom, Lou and Jack. It's not quite like any other breakfast show you've heard before...so just brace yourself. Enjoy!

Welcome to our June ‘best bits' podcast. Here you will find all the highlights from the last month, as well as a few extra bits. You can catch Tom, Lou and Jack live everyday weekday morning, 6am - 10am, on More Radio. You can contact the show by texting 82222 (start your message with the word More). If you have a second, please do rate, review and share the podcast...enjoy!

Here is your chance to catch up on the very best of April 2021, with Tom, Lou and Jack's best bits podcast. This episode includes everything from lockdown feet to being eaten by a shark...so enjoy! Don't forget to catch the guys live every weekday morning from 6am, by listening via the More Radio app, DAB or even your smart speaker. If you have a second, please do rate, review and share the podcast...thanks!

This is the More Radio breakfast podcast. A selection of best bits from the last seven days all rolled into one. Please do rate, review and share...it all helps to spread the word. Thanks!

Thanks for finding our podcast. Here you can catch up with the More Radio breakfast show hosted by Tom, Lou and Jack. It's not quite like any other breakfast show you've heard before...so just brace yourself. Enjoy!

Thanks for finding the More Radio breakfast podcast. We've put together our favourite moments from the past week, so if you missed any of the madness, here is your chance to catch up!

Thanks for finding our podcast. Here you can catch up with the More Radio breakfast show hosted by Tom, Lou and Jack. It's not quite like any other breakfast show you've heard before...so just brace yourself. Enjoy!

Hi! Another cracking week sails by on More Radio breakfast, which means it's time for another 'best bits' podcast. All our favourite moments from the last 7 days are right here for you...enjoy!

Thanks for finding the More Radio breakfast podcast. We've put together our favourite moments from the past week, so if you missed any of the madness, here is your chance to catch up!

A Chinese virologist, who managed to escape the clutches of the CCP, had published a report with details that indicate that SARS-CoV-2 was deliberately manipulated and created not a natural accident from a wet market. Do you have the courage to address this information? Would a Democrat Mayor and his team deliberately withhold information and lie just to maintain a stranglehold over their city? There is evidence emerging that the Mayor of Nashville, TN, and his cohorts did exactly that. Since it is Wednesday, we have a Brownells Bullet Points for you with some good news. We also have a SOTG Homeroom from CrossBreed Holsters. Professor Paul discusses one of the best intruder detection systems you can buy. Thanks for being a part of SOTG! We hope you find value in the message we share. If you’ve got any questions, here are some options to contact us: Send an Email Send a Text Call Us Enjoy the show! And remember…You’re a Beginner Once, a Student For Life! TOPICS COVERED THIS EPISODE ‘Cobra Kai’ gone from Obscure Hit to the #1 Show In America Get access to the PFT Video Series GetSOTG.com Brownells Bullet Points - brownells.com TOPIC: Brownell’s has Magazines On Sale! Huge thanks to our Partners: Brownells | CrossBreed | Duracoat | SWAT Fuel SOTG Homeroom brought to you by CrossBreed Holsters TOPIC: Did you know CrossBreed makes leather dog collars? www.crossbreedholsters.com Nashville Democrat Mayor’s Office Accused Of ‘Fabricating’ Coronavirus Numbers To Hide LOW Numbers Tied To Bars, Restaurants www.dailywire.com/news Chinese virologist posts report claiming COVID-19 was made in Wuhan lab https://nypost.com More Radio, Free Book, PFT Video Series, and more! GetSOTG.com VIDEOS https://youtu.be/DVLStumDzOE FEATURING: NY Post, Daily Wire, Brownells, CrossBreed Holsters, Madison Rising, Jarrad Markel, Paul G. Markel, SOTG University PARTNERS: Brownells Inc, Crossbreed Holsters, SWAT Fuel, DuraCoat Firearm Finishes FIND US ON: Full 30, Roku, United Gun Group, iHeart Radio, Apple TV, Amazon, iTunes, Stitcher Radio, Google Play, YouTube, Instagram, Facebook, Twitter, tumblr SOURCES From www.NYPost.com: A Chinese virologist who has alleged that COVID-19 was human-made in a lab in China released a report on Monday that she says backs up her explosive claim. Dr. Li-Meng Yan, a former researcher at the Hong Kong School of Public Health, posted a paper on the open-access repository website Zenote, that she claims shows how SARS-CoV-2 could be “conveniently created” in a laboratory setting in six months. (Click Here for Full Article)   From www.dailywire.com: A Nashville city council member is accusing Nashville Democrat Mayor John Cooper’s office of concealing low coronavirus outbreak numbers tied to restaurants and bars in the area, claiming that they are “fabricating information.” “The coronavirus cases on lower Broadway may have been so low that the mayor’s office and the metro health department decided to keep it secret,” FOX 17 News Nashville reported Wednesday. The alleged revelation was made in emails between a senior adviser to the mayor and a health department official. (Click Here for Full Article)

On today program, it’s CINEMATIC SOUND RADIO’s 2019 Christmas Special. Before we begin I just want to personally offer my thanks to the great team here at Cinematic Sound Radio. It’s been a tough year for myself yet the other host here on the network have kept things running smoothly. So I owe a debt of gratitude to Eric Silver from THE 1UPBEAT, Jason Drury from THE ARCHIVE, Randy Andrew from THE ANIME SPECTACULAR and Robert Daniels’ from OBSCURE SCORES. Unfortunately, Brandon Shae-Mutala was unable to continue with BREAKING THE WAVES and I just want to personally thank him for the five-episode he produced and we wish him well with all of his future endeavours. So, that means we have a void to fill, which we are happy to be filling in January with a show that has been produced for many years, but will be moved to CINEMATIC SOUND RADIO and I can’t wait to introduce you to the show and it’s wonderful, witty, kind and charming host in the new year! And last but not least I want to say thanks to the long-time voice of CINEMATIC SOUND RADIO, Tim Burden, and of course, CINEMATIC SOUND RADIO’s in house composer David Coscina. So as we did last year with our 2018 Christmas special, I thought I would give every one of my other hosts a segment on this years program. Unfortunately, Randy Andrews was unable to participate. He’s an extremely busy man but we will have a brand new episode of THE ANIME SPECTACULAR for you some time later this week. So, on the show today you are going to hear a WIDE variety of Christmas/Winter themed music including ALL I WANT FOR CHRISTMAS, A DIVA’S CHRISTMAS CAROL, DONKEY KONG COUNTY and TRADING PLACES. Enjoy the program… and behalf of everyone here at CINEMATIC SOUND RADIO, we wish you a very Merry Christmas and a Happy New Year! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this year's belated Halloween special we'll be featuring some spooky scores from a variety of horror films ranging from classic 1950's B-movie madness to modern-day low budget fare!  You'll first hear selections from a film called THE VISAGE from a new album called THE JOHN MORGAN COLLECTION VOLUME 1. You'll hear another selection from that album from a 1996 anthology horror spoof film called THE MACABRE PAIR OF SHORTS.  You'll hear John Morgan and William Stromberg's music from THE LEGEND OF SEYMOUR HACKELL. We'll then feature two lengthy suites starting with Christopher Young's score to BLESS THE CHILD released in 2000 and a re-recording of Stanley Black's score to the 1958 film BLOOD OF THE VAMPIRE. We'll end the program off with selections from two Chuck Cirino scores - 967-EVIL II: THE ASTRAL FACTOR and EVIL TOONS. Special thanks to Ford Thaxton at Dragon's Domain Records for his invaluable assistance and support in making today's show possible.  Check out Dragon's Domain Records by going to https://buysoundtrax.myshopify.com/collections/dragons-domain-records-1 Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Today's program celebrates the music written for animated feature films.  The only catch though is that we will not be featuring music from any Disney, Dreamworks or Illumination produced films.  Therefore, on the program today you are going to hear selections from VALHALLA (Goodwin), SUPER ATRAGON (Amano), THE LAST UNICORN (Webb), A TROLL IN CENTRAL PARK (Folk) and as chosen by you on Twitter, TITAN A.E. (Revell) Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode six of THE ANIME SPECTACULAR on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections of music from the original anime exclusive to Netflix, INGRESS: THE ANIMATION with music composed by Jacob Yoffee. The music continues with selections from the world-renowned science fiction anime NEON GENESIS EVANGELION. The music is composed by Shiro Sagisu. Next you’ll hear music from the battle video game and manga turned anime IKKI TOUSEN GREAT GUARDIANS composed by Hiroshi Tsubo and Yasuharu Takanashi. To close out the show, Randy will be presenting music from the highly addictive BURST ANGEL (otherwise known as BAKURETSU TENSHI) with music by Masala Nishid. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

“I’m back in the saddle again” – Aerosmith It’s been seven months since I last prepared an episode of CINEMATIC SOUND RADIO. I apologize for those that were interested in hearing the rest of my favourite scores of 2018. I’ll most likely just publish a quick blog post with the rest of my list for those that are interested. The reasons for my absence has been well documented on social media (everything ranging from depression to anxiety to work to just basically burning out). Yes, I almost quit completely but the outpouring of support showed me that you deserved better and that I should keep this show going. First of all, I just want to thank Jason Drury, Brandon Shea-Mutala, Eric Silver, Robert Daniels, and Randy Andrews for keeping the content fresh during my absence. This isn’t the first time they’ve saved my bacon and it probably won’t be the last. Without them, this show, this site would be dead. By the way, I just published a new hosts and talents bio page. We’ve never had one so take a peek and learn a little about your favourite CINEMATIC SOUND RADIO talent. http://www.cinematicsound.net/hosts-talent-bios/ And of course, thank you, the listener for stick by me and the program. Even in my absence, you’ve managed to make 2019 a record-breaking year for downloads/listens. As it stands right now our downloads/listens is up 8% from last year. Unfortunately, our audience size has dwindled in my absence. Let’s remedy that. This show took me months to prepare but it’s finally done and I’m eager to do more. Therefore, I thought I’d present something special for you to celebrate my return to podcasting. Today you’ll hear music from albums that are a bit difficult to acquire. On the program, you are going to hear selections from hidden soundtrack gems like SLIPSTREAM (Bernstein), U-571 (Marvin), PHENOMENON (Newman), CAPTAIN POWER AND THE SOLDIERS OF THE FUTURE (Guttman), INSPECTOR GADGET (Debney) and WHITE FANG 2: MYTH OF THE WHITE WOLF (Debney) Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to Part 2 of episode 18 of THE ARCHIVE WITH JASON DRURY on CINEMATIC SOUND RADIO. Part 2 resumes the show in exiting style with the "End Credits" from the 2009 reboot of STAR TREK with music by Michael Giacchino. Then Jason features selections from James Horner’s score to PROJECT X. Varese Sarabande Records recently release their re-recording of 1992's THE LAST OF THE MOHICANS with music by Trevor Jones and Randy Edelman on vinyl. Joel McNeely conducts the Royal Scottish National Orchestra. The show ends by celebrating the 30th anniversary of John Williams’ classic score to the Oliver Stone's Vietnam war epic, BORN ON THE FOURTH OF JULY. Enjoy! Just a note, this show was recorded back in May of 2018. Sorry for the delay (very busy summer) and I have to apologize to Jason for not getting this up sooner. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to Part 1 of episode 18 of THE ARCHIVE ON CINEMATIC SOUND RADIO. Your host Jason Drury starts the show with music from ROBOCOP 2 by Leonard Rosenman. He then moves on to play selections from the 2004 Stephen King horror film DREAMCATCHER with music by James Newton Howard. Jason’s BEST OF BRITISH segment features Academy Award-winning actor Sir Anthony Hopkins as a film composer with a delightful suite of his score for the 1996 drama, AUGUST. Part one rounds of with selections from Joel McNeely’s dramatic score to the 1994 period adventure film, IRON WILL. Enjoy! Just a note, this show was recorded back in May of 2018. Sorry for the delay (very busy summer) and I have to apologize to Jason for not getting this up sooner. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to our continuing series of film, TV and video game composer interviews on Cinematic Sound Radio. Today's guest is Brian Ralston. The first part of our conversation can be found below. On that episode, Ralston talked about, amongst other subjects, how he started scoring films, the chance meetings that gave him his first projects and his collaborations with fellow composer, Kays Al-Atrakchi. On part two, Ralston talks about the meticulous way he selects musicians for his scores, his SCorecast Podcast for film composers, working as an instructor in the UCLA Film Scoring Program, and his hopes in progressing in the film music industry. During the show, you will also be hearing plenty of Brian’s wonderful music which makes him one of the most talked-about composers in Hollywood today. For more information about Brian Ralston please visit his web site by clicking HERE! The SCOREcast Podcast can be found at http://www.scorecastonline.com/category/podcast/ Let us know what you thought of the show. Please feel free to leave a comment or two in the comment section below or email us or make a suggestion via Twitter or Facebook. And if you listen to this program via iTunes please take a few moments to leave us a rating and some feedback. CINEMATIC SOUND RADIO is syndicated on Movie Scores and More Radio. For more information about Brian Ralston please visit his web site by going to https://www.brianralston.com/ Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to another of the continuing series of film, TV and video game composer interviews on Cinematic Sound Radio. Today's guest is Brian Ralston. Ralston is a composer for film and television. As a musician, he plays the trumpet and piano and is also a classically trained conductor. Working in Hollywood for over 17 years, Brian has composed the scores for a wide range of films including his intimate score to the dramatic love story BEING ROSE starring Cybill Shepherd and James Brolin which hit USA theatres earlier this year and the inspirational sports film CROOKED ARROWS in 2012 starring Brandon Routh and Gil Birmingham. Other credits include the action thriller AWAKEN in 2015, the SyFy original movie PLANET OF THE SHARKS in 2016, and the gripping independent feature 9/TENTHS in 2006, for which Ralston won a Gold Medal at the 2007 Park City Film Music Festival for best music in a Feature Film. Brian studied film music composition in the Scoring for Motion Pictures & Television program at the University of Southern California. He currently gives back to future generations of composers by allocating time to be an instructor in the UCLA Film Scoring program. He also hosts the industry insider SCOREcast podcast for film composers. The show discusses all facets of the entertainment industry from a film composer perspective that averages 50,000 unique downloads per episode. http://www.scorecastonline.com/category/podcast/ In April 2019, for Cinematic Sound Radio, Jason Drury had the privilege to talk to Brian Ralston via Skype about his film music career to date. In part one of this interview Ralston talks about how he started scoring films, the chance meetings that gave him his first projects, his collaborations with fellow composer, Kays Al-Atrakchi, and how he completed the score to the film DON'T FADE AWAY in less than one week. During the show, you will also hear plenty of Ralston’s wonderful music. For more information about Brian Ralston please visit his web site by going to https://www.brianralston.com/ Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to CINEMATIC SOUND RADIO's continuing series of film, TV and video game composer interviews. Today's guest is Juliet Merchant. Merchant is an emerging British composer who has written for television, film and online platforms and her music can be seen on BBC, CBBC, ITV and various international short films. Her style can be described as a hybrid of the traditional classical genre fused with a modern electronic twist, however, she can prove that she is adept in writing in a wide variety of genres. She is a classically trained pianist and achieved grade 8 piano ABRSM by the age of 16 and went on to perform professionally. She can now be found in venues all over London playing in a wide variety of styles from jazz to neo-classical improvisation. Her recent TV credits include Country File (BBC), Horrible Histories (CBBC) and Jeremy Kyle (ITV). She also created the audio logo for InCrowd in the USA that has an international online platform. Merchant just finished work on her first feature The Force of Nature Natalia by Gerald Fox. In February 2019, for CINEMATIC SOUND RADIO, Jason Drury talked to Juliet from her home in London. During the interview, she talks about her love playing and composing music, how technology helps her compose and also the problems she has encountered pitching for assignments as a woman in the composing industry. During the show, you will also be hearing samples of her music and a suite from one of her favourite film scores, Chocolat by Rachel Portman. For more information about Juliet Merchant please visit her web site at http://julietmerchantpiano.com/ Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Today's episode on the CINEMATIC SOUND RADIO network is the long-awaited third episode of our NEW orchestral video game show, THE 1UPBEAT with Eric Silver. Today's episode is a tribute to composer Yoko Shimomura as you will hear music from KINGDOM HEARTS III, STREET FIGHTER II, LIVE A LIVE, SUPER MARIO RPG, PARASITE EVE, LEGEND OF MANA and FINAL FANTASY XV. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Original Broadcast: March 14, 2012 Original Show Notes - GUEST HOST: AMER ZAHID Cinematic Sound is proud to add another personality to our ever-expanding roster of guest hosts.  Amer Zahid is a lifelong film music aficionado and collector from Karachi, Pakistan. His formal introduction to film music began at age 7 with John Williams' SUPERMAN: THE MOVIE in the late 70's and it opened the flood gates for his love of film music. Amer has written for Lukas Kendall’s Film Score Monthly, Len Mullinger’s Film Music on the Web as well as other internet based film music review websites. Amer’s favorite composers are John Williams, Jerry Goldsmith, John Barry, Miklos Rozsa, Maurice Jarre and of course Bernard Herrmann. Herrmann’s music from Alfred Hitchcock’s PSYCHO and VERTIGO had a profound effect on him and was quick to embrace the works of legendary Golden Age composer. In this first part of Cinematic Sound's celebration of Bernard Herrmann's 100th anniversary, (which was actually last year - Bernard Herrmann was born on June 29, 1911 - so we are a little late to the party, big whoop, wanna fight about it?) Amer will be exploring, among other things, Herrmann's career with legendary directors Orson Welles and Alfred Hitchcock and presenting music from THE SEVENTH VOYAGE OF SINBAD, ON DANGEROUS GROUND, THE MAGNIFICENT AMBERSONS, NORTH BY NORTHWEST, VERTIGO, 5 FINGERS, THE SNOWS OF KILIMANJARO and THE GHOST AND MRS. MUIR. PLAYLIST • INTRO (0:00) • THE SEVENTH VOYAGE OF SINBAD (3:39) • ON DANGEROUS GROUND (10:17 • THE MAGNIFICENT AMBERSONS (18:10) • NORTH BY NORTHWEST (31:48) • VERTIGO (35:35) • 5 FINGERS (51:58) • THE SNOWS OF KILIMANJARO (55:25) • THE GHOST AND MRS. MUIR (1:01:05) Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Original Broadcast: April 9, 2012 Original Show Notes - GUEST HOST: AMER ZAHID Cinematic Sound's celebration of Bernard Herrmann's 100th anniversary continues with part two of Amer Zahid's FIRE & PASSION: A TRIBUTE TO BERNARD HERRMANN.  In this second and final installment, Amer presents music from arguably the greatest debut film score of all time to Orson's Welles' 1941 classic CITIZEN KANE.  He also explores Herrmann's fruitful collaboration with legendary director Alfred Hitchcock with selections from PSYCHO, THE TROUBLE WITH HARRY, MARNIE and TORN CURTAIN.  Amer provides an in-depth commentary on Herrmann's collaboration with mentor and friend Alfred Newman on THE EGYPTIAN and you'll also hear selections from the 1955 western THE KENTUCKIAN as well as music from the post-Hitchcock scores to Francois Truffaut's FAHRENHEIT 451 and Brain DePalma's OBSESSION.  If you missed part one of the series you can listen to it HERE! PLAYLIST • BENEATH THE 12-MILE REEF (0:00) • CITIZEN KANE (6:23) • PSYCHO (10:14) • THE TROUBLE WITH HARRY (15:58) • MARNIE (19:12) • TORN CURTAIN (24:25) • THE EGYPTIAN (34:38) • THE KENTUCKIAN (46:33) • FAHRENHEIT 451 (52:46) • OBSESSION (1:04:46) • CLOSING/TAXI DRIVER (1:07:27) Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode five of the ANIME SPECTACULAR on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections from DIRTY PAIR: FLASH with music composed by Kei Wakakusa. The music continues with selections from the Steampunk anime FULL METAL ALCHEMIST BROTHERHOOD with music composed by Akira Senju. Randy then features music from the computer-animated feature APPLESEED with music composed by Masayuki Nakano and Tetsuya Takahashi. Lastly, you’ll hear music from the action video game adapted from anime film VOLTAGE FIGHTER GOWCAIZER by composers Kenichi Sudo, M-Rie, Youichi Matsuo, Kiyoshi Murakami, and Yoshichika Kuriyamain. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to this special edition of CINEMATIC SOUND RADIO where host Jason Drury talks to composer Logan Austin, who has recently scored the new movie THE LAST WHISTLE, soon to be released in select theatres and all VOD platforms on June 28th, 2019. The film tells the story of a high film football coach struggling with the aftermath of an on-field tragedy. On the show, Logan talks about the film, how he scored it, and his future career ambitions. You will also be hearing some of the music Logan Austin composed for the film. To find out more about The Last Whistle click here. https://www.lastwhistlemovie.com To find out more about Logan Austin, click here https://loganaustin.com/ —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Today's very special episode of CINEMATIC SOUND RADIO is a conversation with composer Miguel d'Oliveira. Throughout his medical school years at the University of Coimbra, Miguel started playing in several ensembles ranging from orchestra to Ethnic and Jazz to Folk. The instruments played varied almost as much as the ensembles; keyboards, guitar, bass guitar, cavaquinho (the daddy of present-day ukulele) and soprano sax. After graduation, and the odd job as cartoonist and scuba diver instructor in Lisbon, he decided to resurface in London. A quick stop in New York allowed him to get acquainted with a country band, with whom he played (cavaquinho) briefly in Manhattan. He was then invited to join and tour the US by an ethnic-fusion band, but his skills were still a green card away. In London at last, Miguel started to study audio production and orchestration by himself and, a few months later, Indie rock band Lapland invited him to join their ensemble playing keyboards and trumpet, and with whom he toured the UK for 2 years, recorded and produced two EPs and an album. One day, a student from the London Film School asked him to score his graduation film, and there was no turning back. By the end of 2001, he has stopped performing and started writing music for film and TV, having scored more than 50 projects, from TV commercials to feature films. In May 2004 he was asked to start writing about film music and music production technology for Showreel magazine, where he is now Audio Editor. Miguel has an MA in film composition - National Film and Television School/ Royal College of Art. In February 2019, for CINEMATIC SOUND RADIO, Jason Drury talked to Miguel d'Oliveira via Skype at his home in London, England about his film and TV scoring career, how he got into the industry, and discussing his work mainly scoring at this time, major documentary series including Diana Our Mother, Life and Legacy, Louis Theroux’s Altered States and Michael Palin in North Korea. During the show, you will also be hearing music from those series and much more from UK Based Portuguese composer Miguel d'Oliveira.    For more information please visit d'Oliveira's website by going to http://migueldoliveira.com/ Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Original broadcast: May 1, 2012 This show, featuring music from Comic Book Films & TV Shows was released back in May of 2012, just in time for the North American premiere of Joss Whedon's THE AVENGERS. This program featured the broadcast premiere of music from THE AVENGERS by Alan Silvestri.  You will also hear on the program extended suites from THE SHADOW by Jerry Goldsmith,  THE LEAGUE OF EXTRAORDINARY GENTLEMEN by Trevor Jones, Danny Elfman's Academy Award-nominated score to MEN IN BLACK, THE X-MEN TRILOGY featuring music by Michael Kamen, John Ottman and John Powell, Alan Silvestri's powerful score to JUDGE DREDD, unreleased music from SPIDER-MAN 3 by Christopher Young, THE PHANTOM by David Newman and Christopher Drake's brilliant WONDER WOMAN.  We will also be playing a rare concert arrangement of Jerry Goldsmith's SUPERGIRL suite conducted by Roy Budd and performed by the London Symphony Orchestra.  During the course of the program, you will also hear short selections from SUPERMAN by John Williams, THE FLASH by Danny Elfman, FANTASTIC FOUR by John Ottman, BATMAN: GOTHAM KNIGHT by Christopher Drake, Robert J. Kral and Kevin Manthei, Bear McCreary's THE CAPE as well as many others. PART 2 PLAYLIST FANTASTIC FOUR (Ottman) 0:00 • THE X-MEN TRILOGY: X-MEN - X2: X-MEN UNITED - X-MEN: THE LAST STAND (Kamen / Ottman / Powell) 4:19 • JUDGE DREDD TRAILER (Goldsmith) 32:40 • JUDGE DREDD (Silvestri) 32:40 • UNBREAKABLE (Howard) 51:44 • SPIDER-MAN 3 (Young) 54:19 Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Original broadcast: May 1, 2012 This show, featuring music from Comic Book Films & TV Shows was released back in May of 2012, just in time for the North American premiere of Joss Whedon's THE AVENGERS. This program featured the broadcast premiere of music from THE AVENGERS by Alan Silvestri.  You will also hear on the program extended suites from THE SHADOW by Jerry Goldsmith,  THE LEAGUE OF EXTRAORDINARY GENTLEMEN by Trevor Jones, Danny Elfman's Academy Award-nominated score to MEN IN BLACK, THE X-MEN TRILOGY featuring music by Michael Kamen, John Ottman and John Powell, Alan Silvestri's powerful score to JUDGE DREDD, unreleased music from SPIDER-MAN 3 by Christopher Young, THE PHANTOM by David Newman and Christopher Drake's brilliant WONDER WOMAN.  We will also be playing a rare concert arrangement of Jerry Goldsmith's SUPERGIRL suite conducted by Roy Budd and performed by the London Symphony Orchestra.  During the course of the program, you will also hear short selections from SUPERMAN by John Williams, THE FLASH by Danny Elfman, FANTASTIC FOUR by John Ottman, BATMAN: GOTHAM KNIGHT by Christopher Drake, Robert J. Kral and Kevin Manthei, Bear McCreary's THE CAPE as well as many others. PART 3 PLAYLIST THE CAPE (McCreary) 0:00 • THE PHANTOM (Newman) 2:30 • BATMAN: GOTHAM KNIGHT (Drake / Kral / Manthei) 22:03 • WONDER WOMAN (Drake) 27:03 • CAPTAIN AMERICA: THE FIRST AVENGER (Silvestri) 43:56 • THE AVENGERS (Silvestri) 46:28 Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Original broadcast: May 1, 2012 This show, featuring music from Comic Book Films & TV Shows was released back in May of 2012, just in time for the North American premiere of Joss Whedon's THE AVENGERS. This program featured the broadcast premiere of music from THE AVENGERS by Alan Silvestri.  You will also hear on the program extended suites from THE SHADOW by Jerry Goldsmith,  THE LEAGUE OF EXTRAORDINARY GENTLEMEN by Trevor Jones, Danny Elfman's Academy Award-nominated score to MEN IN BLACK, THE X-MEN TRILOGY featuring music by Michael Kamen, John Ottman and John Powell, Alan Silvestri's powerful score to JUDGE DREDD, unreleased music from SPIDER-MAN 3 by Christopher Young, THE PHANTOM by David Newman and Christopher Drake's brilliant WONDER WOMAN.  We will also be playing a rare concert arrangement of Jerry Goldsmith's SUPERGIRL suite conducted by Roy Budd and performed by the London Symphony Orchestra.  During the course of the program, you will also hear short selections from SUPERMAN by John Williams, THE FLASH by Danny Elfman, FANTASTIC FOUR by John Ottman, BATMAN: GOTHAM KNIGHT by Christopher Drake, Robert J. Kral and Kevin Manthei, Bear McCreary's THE CAPE as well as many others. PART 1 PLAYLIST SUPERMAN: THE MOVIE (Williams) 0:00 • SUPERGIRL (Goldsmith) 5:45 • THE SHADOW (Goldsmith) 16:21 • THE FLASH (Elfman) 26:10 • MEN IN BLACK (Elfman) 27:43 • IRON MAN 2 (Debney) 44:03 • THE LEAGUE OF EXTRAORDINARY GENTLEMEN (Jones) 45:32 Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to part two of CINEMATIC SOUND RADIO’s tribute of one of the finest composers of his generation, the great Michael Kamen. Your host Jason Drury will play selections of music from scores such as BAND OF BROTHERS, DIE HARD 1 AND 2, ROBIN HOOD: PRINCE OF THIEVES, THE THREE MUSKETEERS, THE IRON GIANT, OPEN RANGE and MR HOLLAND'S OPUS. You will also hear from the renowned conductor and Michael Kamen expert, Pablo Urbina, talking about Kamen's music AND you will be treated to some unreleased material with permission from the Michael Kamen estate for airing exclusively on this show. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to part one of a special tribute show celebrating the life and music of Michael Kamen. Kamen was one of the finest composers of his generation who would have celebrated his 71st birthday on April 15, 2019. During the show, your host Jason Drury will showcase music from classic Kamen scores such as THE DEAD ZONE, BRAZIL, MONA LISA, LETHAL WEAPON 1 and 2, SUSPECT and THE ADVENTURES OF BARON MUNCHAUSEN. You will also hear selections from Kamen's concert work CONCERTO FOR SAXOPHONE. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode four of THE ANIME SPECTACULAR on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections from CODE GEASS: LELOUCH OF THE REBELLION by Hitomi Kuroishi. The music continues with selections from the Netflix original anime B THE BEGINNING composed by Yoshihiro Ike. You'll then hear selections from the 1994 film based on the video game STREET FIGHTER II with music by Tetsuya Komuro‎ and Yuji Toriyama. The show closes out with music from the action comedy KILL LA KILL with music composed by Hiroyuki Sawano.Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to part 2 of episode 17 of THE ARCHIVE on CINEMATIC SOUND RADIO. On the second part of the show, host Jason Drury continues with the high quality of music from part one by beginning with selections from the 30th-anniversary release of the classic TV western score LONESOME DOVE with music by Basil Poledouris. Then you'll hear selections from THE PROTECTOR by Ken Thorne, the exciting score to AIRPORT 79: THE CONCORDE by Lalo Schifrin and then ending the program with music from the recently expanded re-issue of the James Horner masterpiece, APOLLO 13.Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to Part 1 of episode 17 of THE ARCHIVE on CINEMATIC SOUND RADIO. On today's episode, host Jason Drury will start dramatically with music from THE WORLD IS NOT ENOUGH by David Arnold. You'll then hear selections from BRAM STOKER’S DRACULA by Wojciech Kilar.  In the Best of British film music segment, Jason presents music from the 1948 classic  SCOTT OF THE ANTARCTIC by Ralph Vaughan Williams.  And part one ends with a tribute to the late Andre Previn with a suite from his score to THE FOUR HORSEMEN OF THE APOCALYPSE. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Jason Cullimore has had a career with Regina’s Talking Dog Studios, leading him to compose work on the popular children’s programs “Incredible Story Studio” and “2030 CE”, the latter of which was nominated for a Gemini for its soundtrack. Pursuing every composition opportunity he was offered, writing for chamber ensembles, symphony orchestras, film and television productions, theatre and ballet productions, and recording projects. He is now one of Saskatchewan’s most well-known composers of both soundtracks and orchestral concert music. In this second part of a two-part interview, Brandon-Shea Mutala sits down with Cullimore to discuss his albums and future plans for his career. In this part, you will hear several pieces of music from Cullimore's work. You can find out more information at jasoncullimore.com BREAKING THE WAVES, with host Brandon-Shea Mutala, explores the world of ambient and melodic electronic soundtracks. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Jason Cullimore has had a career with Regina’s Talking Dog Studios, leading him to compose work on the popular children’s programs “Incredible Story Studio” and “2030 CE”, the latter of which was nominated for a Gemini for its soundtrack. Pursuing every composition opportunity he was offered, writing for chamber ensembles, symphony orchestras, film and television productions, theatre and ballet productions, and recording projects. He is now one of Saskatchewan’s most well-known composers of both soundtracks and orchestral concert music. In this first part of a two-part interview, Brandon-Shea Mutala sits down with Cullimore to discuss the state of electronic music, and how Cullimore uses the computer as a tool to broaden his abilities as a composer. We also talk about his score that he wrote for the classic silent film The Cabinet of Dr. Caligari which was performed in 2016 by ten musicians, in sync to the film, at the climax of Regina's German Expressionism festival. Enjoy! BREAKING THE WAVES, with host Brandon-Shea Mutala, explores the world of ambient and melodic electronic soundtracks. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Today's episode on the CINEMATIC SOUND RADIO network is the long-awaited second episode of our NEW orchestral video game show, THE 1UPBEAT with Eric Silver. We have a massive backlog of shows (it's all Erik's fault) and we are going to release them as fast as humanly possible starting with this episode. This particular show was meant to go up in December of 2018, unfortunately, it was relegated to the back burner where it has stayed for the past few months (you are such a slacker, Erik). Better late than never (that doesn't help at all, Erik) here is Eric Silver's celebration of video game music released in 1988 featuring live recordings of some of the very best music from the video game world that year featuring SUPER MARIO BROS. 3 (Kondo), MEGA MAN 2 (Tateishi), FINAL FANTASY 2 (Uematsu) and much more. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Tonight, the Academy of Motion Picture Arts and Sciences will hand out Oscars at the 91st annual Academy Awards ceremony at the Dolby Theatre in Los Angeles, California. Fives scores will be vying for Oscar gold in the BEST ORIGINAL SCORE category.  The nominees are... IF BEALE STREET COULD TALK (Nicholas Britell) BLACK PANTHER (Ludwig Goransson) BLACKKKLANSMAN (Terence Blanchard) ISLE OF DOGS (Alexandre Desplat) MARY POPPINS RETURNS (Marc Shaiman) On the program today, we'll be playing selections from these scores. We will also be exploring the back catalogue of our Oscar nominees as you'll also hear selections from VICE (Britell), CREED II (Goransson), MALCOLM X (Blanchard), BIRTH (Desplat) and THE AMERICAN PRESIDENT (Shaiman).Enjoy the show.By the way, I'm cheering for BLACK PANTHER! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to part two of a special Academy Award-themed episode of THE ARCHIVE WITH JASON DRURY focusing on some of the movies finest scores which were nominated for the Best Original Score Oscar but failed to win the ultimate accolade. On today’s second part,  Jason will be showcasing music from  MURDER ON THE ORIENT EXPRESS by Sir Richard Rodney Bennett, SILVERADO by Bruce Broughton, THE MISSION by Ennio Morricone and THE SHAWSHANK REDEMPTION by Thomas Newman. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to part one of a special Academy Award-themed episode of THE ARCHIVE WITH JASON DRURY focusing on some of the movies finest scores which were nominated for Best Original Score but failed to win the ultimate accolade. On today’s show, Jason will be showcasing music from THE BIG COUNTRY by Jerome Moross, SPARTACUS by Alex North, THE SAND PEBBLES by Jerry Goldsmith and THE POSEIDON ADVENTURE by John Williams. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to CINEMATIC SOUND RADIO's long-awaited countdown of Erik Woods' favourite scores of 2018.  This is part one of a four-part program.  On the show today you will hear selections 20-16 featuring the music of Mark McKenzie, Amelia Warner, Roque Banos, Diego Navarro, Marco Beltrami and Marcus Trumpp. I apologize if your favourite isn't on the list however I do hope you discover something new that you might have missed during the past twelve months. Enjoy the show!  Part 2 will be up shortly. Stay tuned... —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode three of THE ANIME SPECTACULAR r on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections from the TV series DIRTY PAIR by Miki Matsubara. The music continues with selections from FOOLY COOLY (FLCL) with music composed by The Pillows. Randy then presents selections from the military science fiction TV-series FULL METAL PANIC with music composed by Toshihiko Sahashi, and Mikuni Shimokawa. Next, you’ll hear music from EUREKA SEVEN with music composed by Naoki Sato. Then you'll hear highlights from the Netflix original anime VIOLET EVERGARDEN with music composed by Evan Call. This is then followed by the classic anime DOMINION TANK POLICE with music composed by Yoichiro Yoshikawa. Randy also examines another Cyberpunk anime known as ARMITAGE III: POLY MATRIX with the music composed by Hiroyuki Namba. To close out the show you'll hear music from the critically acclaimed and fan favourite anime COWBOY BEBOP with the music composed by Yoko Kanno. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Part 2 of episode 15 of THE ARCHIVE WITH JASON DRURY on CINEMATIC SOUND RADIO opens with music from the 1994 action/adventure film ON DEADLY GROUND with an original score by Basil Poledouris. Jason then pays tribute to the late Robert J. Walsh with selections from the recent vinyl release of music from the 1980's animated television series THE TRANSFORMERS which was co-composed by Robert J. Walsh and Johnny Douglas with additional music by Jonathan Merrill. You'll then hear selections from Christopher Young's unusual concept album, THE LOST CHILDREN OF PLANET X. The show concludes with a dazzling suite of music from the 1995 animated film BALTO with original music by James Horner. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to episode 15 of THE ARCHIVE WITH JASON DRURY on CINEMATIC SOUND RADIO. Jason Drury begins the show in epic mode with a new recording of the classic 1958 adventure, THE VIKINGS with music by Mario Nascimbene. Next, Jason plays a suite of music from Georges Delerue’s score to the 1990 thriller A SHOW OF FORCE.  The show ends with selections from John Williams' overlooked classic from the 1982 film MONSIGNOR and selections from the 1979 British gangster film, THE LONG GOOD FRIDAY with music by Francis Monkman. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On today program, it’s CINEMATIC SOUND RADIO’s 2018 Christmas Special… and this show is indeed ‘special.’ During this past year, CINEMATIC SOUND RADIO has introduced to you not one, not two but THREE brand new themed programs with three brand new hosts. BREAKING THE WAVES, which is CINEMATIC SOUND RADIO’s all electronic/synth program, made its debut back in August with host Brandon-Shea Mutala. CINEMATIC SOUND RADIO’s all orchestral video game show, THE 1UPBEAT debuted back in October with host Eric Silver. And in November, Randy Andrews joined the team with THE ANIME SPECTACULAR. Of course, Jason Drury of THE ARCHIVE and Robert Daniels of OBSCURE SCORES kept this network alive during my lengthy hiatus in the middle of the year with their fantastic programs. And let’s not forget the contributions of Tim Burden; his interview with Mike Matessino was enlightening and his voice is heard introducing each and every episode of CINEMATIC SOUND RADIO. And last, but not least, CINEMATIC SOUND RADIO’s in-house composer, David Coscina, continues to astound and inspire with every new piece he writes. Unfortunately, Tim and David were unable to contribute to today’s program. So, instead of me hogging the spotlight this year, I thought it would give every one of my other hosts a segment on this years program. On the show today you are going to hear a variety of Christmas themed music including SANTA & CIE, WOLF CHILDREN, SNOWTOPIA: A VIDEO GAME HOLIDAY TRIBUTE, X-FILES, MILLENNIUM, THE REF, and EDWARD SCISSORHANDS. Enjoy the program… and behalf of everyone here at CINEMATIC SOUND RADIO, we wish you a very Merry Christmas and a Happy New Year! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

BREAKING THE WAVES, with host Brandon-Shea Mutala, explores the world of ambient and melodic electronic soundtracks. On episode three, Brandon will be playing music from four scores including DANNY THE DOG (UNLEASHED) by Massive Attack, SON DE MAR by Piano Magic, BREAKING AND ENTERING by Underworld and Gabriel Yared and MONSTER by BT. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this brand new episode of CINEMATIC SOUND RADIO, and as voted by you on Twitter, Erik Woods explores some of John Williams' most underrated tracks including selections from THE REIVERS, THE MISSOURI BREAKS, NIXON, SLEEPERS, HEARTBEEPS, SPACECAMP and more. This is part one of a two-part show.  Part two will be available soon. Enjoy the show! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode two of the ANIME SPECTACULAR on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections from Toppa Tengen Gurren Lagann by Taku Iwasaki. The music continues with selections from AKIRA with the film music composed by Shōji Yamashiro. You'll then hear selections from the IRIA: ZEIRAM THE ANIMATION by Yoichiro Yoshikawa. Next, you’ll hear music from DIRTY PAIR: PROJECT EDEN by Miki Matsubara. Then we’ll hear highlights from the classic anime OUTLAW STAR with an extended suite of music by Kow Otani. To close out the show will be music from the newest film in the DC/Anime universe called BATMAN NINJA Batman Ninja by Yugo Kanno. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to Part 2 of the latest edition of The Archive on CINEMATIC SOUND RADIO. Host Jason Drury starts with music from CHARIOTS OF FIRE- THE FILMWORKS OF VANGELIS. Then you'll hear selections from THE LONELY GUY by Jerry Goldsmith and V FOR VENDETTA by Dario Marianelli Jason then then finishes the show with a suite from the classic urban thriller THE TAKING OF PELHAM 1,2,3 with music by David Shire. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to Part 1 of Episode 14 of THE ARCHIVE on CINEMATIC RADIO hosted by Jason Drury. On today’s show, you will hear an extended suite from James Horner's fantastical score to BATTERIES NOT INCLUDED. You'll then hear selections from the album CARTER BURWELL - MUSIC FOR FILM featuring new recordings of some of Burwell's best music. Music from the 20th-anniversary episode of DOCTOR WHO: THE FIVE DOCTORS by Peter Howell follows. And to finish off the show you'll hear selections from the 20th-anniversary release of SAVING PRIVATE RYAN by John Williams. Part 2 coming soon… —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode one of the ANIME SPECTACULAR on CINEMATIC SOUND RADIO, Randy Andrews begins the show with selections from PROJECT A-KO by Joey Carbone and Ritchie Zito. The music continues with selections from a Classic Anime Horror, LILY C.A.T. by Akira Inoue. Randy then shows us the fantasy world of RECORD OF LODOSS WAR by Mitsuo Hagita. Next, you’ll hear music from VENUS WARS by Joe Hisaishi. Then we’ll hear highlights from the classic fighting game and motion picture FATAL FURY: THE MOTION PICTURE by Toshihiko Sahashi. Next, we’ll hear music from the original anime called GUNNM, otherwise known as BATTLE ANGEL ALITA. The motion picture doesn’t come out until next year but we can enjoy music from the classic anime. Then we’ll hear music from the anime called LENSMAN. To close out the show will be music from the critically acclaimed anime by anime master OSAMU TEZUKA with the music composed by Toshiyuki Honda. The film music of METROPOLIS, brilliant in animation style and beautiful in music to end out the show. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome, FINALLY, to part two of our 2018 Halloween Special.  On today's program, we will be featuring four scores for you.  You'll first hear selections from the superb new recording and reimagining of Joseph Loduca's 1981 classic score to EVIL DEAD.  You'll then hear selections from Holly Amber Church's THE TOY BOX, a suite from one of the finest scores of the year by Christopher Gordon for OUT OF THE SHADOWS and we'll end the program with a soapbox rant and selections from Thom Yorke's very first film score to the remake of SUSPIRIA. Enjoy the show! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

OBSCURE SCORES WITH ROBERT DANIELS returns with a Halloween Spooktacular!  Today, Robert unleashes five rare scores from the depths of hell for your twisted enjoyment! On the program you will hear selections from MARTIN by Donald Rubinstein, GRACE by Austin Wintory, MAD DOCTOR OF BLOOD ISLAND by Tito Arevalo, MAY by Jaye Barnes Luckett and RESURRECTED by Richard Band. When Robert isn’t in search for obscure scores you can find him every Saturday morning from 12-2am (EST) on VISIONS IN SOUND at 98.5 FM in Kitchener, Ontario, Canada or at ckwr.com. Visit VISIONS IN SOUND on the web at http://www.visionsinsound.ca —— Robert Daniels has spent the last 25 plus years working in various forms of media including TV as a Producer/Director/Editor, in Radio as a Music Director and Production Engineer, on the stage with Drayton Entertainment in “Twist and Shout” and “Legends Of Rock and Roll”. Since 2000 Rob has been the host of a the movie, TV and video game soundtrack radio program VISIONS IN SOUND, which can be heard on FM 98.5 CKWR where he has also interviewed several composers including Howard Shore (The Lord Of The Rings), John Powell (Bourne Identity, How To Train Your Dragon), Lolita Ritmanis (Batman – The Animated Series, Batman: The Killing Joke) and several others. In 2014 Rob also appeared briefly in The Asylum film “Mega Shark vs. Mecha Shark”. Rob currently works for FM 98.5 CKWR as their Production Engineer. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome to part one of our 2018 Halloween Special.  On today's program we will be featuring three scores for you.  First, you will hear music from Varese Sarabande Records deluxe edition release of John Williams' score to the 1979 film DRACULA.  You'll also hear music by John Carpenter, Daniel Davies and Cody Carpenter from HALLOWEEN 2018.  And we'll end this part off with selections from Abel Korzeniowski's terrifying score to THE NUN. Part two will be available in a few days. Enjoy the show! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Today’s episode on the CINEMATIC SOUND RADIO network is the long-awaited inaugural episode of our NEW orchestral video game show, THE 1UPBEAT with Eric Silver. The show is designed to showcase the very best symphonic music from the video game world and on today’s episode, Eric presents some of the very best music written for video games in 2018. On the program today you will hear music from OCTOPATH TRAVELER by Yasunori Nishiki, GOD OF WAR by Bear Mccreary, NI NO KUNI 2: REVENANT KINGDOM by Joe Hisaishi, MONSTER HUNTER WORLD by Tadayoshi Makino, THE BANNER SAGA 3 by Austin Wintory, and DRAGON QUEST 11 by Koichi Sugiyama. —— ERIC SILVER BIO: Eric Silver was eight years old when he first discovered the joy of movie scores. Like many, John Williams's Star Wars scores inspired a passion and determination to learn music. He worked hard to learn the trumpet by first playing along to these scores, determined to master the memorable melodies by Williams and his contemporaries. As Eric got older, popular movie scores started to take a less prominent and melodic approach, and video games were incorporating more live orchestrations. The melodies of Final Fantasy IV and others mimicked those sweeping movie scores of a now-bygone era. His focus had shifted away from movies as orchestration became the new standard in games. Suddenly, the memorable melodies and emotional magic of game music became his motivation to share it with as many people as possible. Today, as an ex-future music educator, Eric has conducted and arranged for game music concerts and written some of his own music for video games. The tradition of sharing a passion for this music continues with the premiere of The 1UpBeat, which explores some of the best orchestral game music from thirty years ago to today. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Today's very special episode of CINEMATIC SOUND RADIO is a conversation with one of film music's emerging talents. Born in Saudi Arabia and raised in Jordan, Ghiya Rushidat is one amongst the few female composers of Arab heritage working in her field. Now based in Los Angeles, Rushidat has worked and performed throughout the Middle East and Europe, playing in excess of 150 concerts over the years. After following a career as a concert pianist until 2008, Ghiya turned to composing and threw herself into the passion of composition. In 2014, Rushidat moved to the United States. Upon arriving, her first task was to compose the music for the short film, Pen of Mirrors, starring Eric Roberts. Her melodic, dissonant, and layered score gained critical praise. She has been working steadily and tremendously ever since, always inflexible in her pursuit to please her clients and understand their vision. Currently composing original soundtracks for a variety of plays, feature films, video games, short films, and TV spots, Ghiya Rushidat’s name is becoming a name to watch out for in the industry. In 2017, Ghiya Rushidat was the Winner of BMI Pete Carpenter Fellowship, a competitive residency for aspiring film, television, and video game composers. Rushidat's piece, "Fly and Flow", was chosen as the winning score by a distinguished judging panel that included such talent as Christopher Lennertz, Timothy Wynn, Ben Decter, Casey Kolb, Ed Rodgers, and John Kaefer. Ghiya is extremely proud of the fact that she has shattered stereotypes about women-both culturally and professionally. She will continue sharing her emotive and provocative scores with western and global audiences alike. In August 2018, Jason Drury talked to Ghiya Rushidat on Skype from her home in Los Angeles for CINEMATIC SOUND RADIO, about her life, the events that have put her on the path to success, her career to date and her future ambitions. During the show, you will also be hearing some of Ghiya’s wonderful music. Visit Ghiya's web site at htttp://www.ghiya-rushidat.com Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

BREAKING THE WAVES, with host Brandon Shea-Mutala, explores the world of ambient and melodic electronic soundtracks.   On episode two, Brandon will explore the music of the German electronic group TANGERINE DREAM.  During the show you will hear selections from SORCERER, THEIF, FIRESTARTER, and WAVELENGTH. For this new series, composer David Coscina has written a new variation on the CINEMATIC SOUND RADIO Fanfare and Theme called "The Theme Is Always The Same." Article links: https://noisey.vice.com/en_ca/article/rnwwyg/william-friedkin-edgar-froese-interview https://www.stereogum.com/1732032/read-michael-manns-obit-for-tangerine-dreams-edgar-froese/news/ —— Brandon-Shea Mutala has been a fan of music since he was a wee boy and his mother would throw dance parties in their living room, spinning the vinyl sounds of Supertramp, Streethart, Whitney Houston, and Tina Turner. This love of music would expand over many years but would explode with a love of electronic music when he was 18 years of age, attending the University of Regina. It was then that he discovered Tangerine Dream, Aphex Twin, Boards of Canada, and more. Movies were also a major part of his life. While they could not afford a VCR of their own, Brandon-Shea has many fond memories of going to the local movie rental store and then stopping by his grandparents' house so that the family could borrow a VCR. At a young age, probably too young (definitely too young) his mother introduced him to scary films and tv shows which would shape his viewing preference going forward. While he was always a fan of movie soundtracks, it wasn't until 2010, and the hectic addition of children to his life, that he discovered his love of film scores. Too busy to sit down and watch the essential minimum of at least four movies each day off, he began to collect films scores so that he could listen and imagine or remember the movies while he was working. His original love of electronic music has definitely influenced his preferred film score type. He is happily married to Marcy and has three wonderful daughters Aubrey, and twins Annika and Ezri, who he is slowly exposing to the classics of the silver screen He is also obsessed with Star Trek. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode 13 of THE ARCHIVE on CINEMATIC SOUND RADIO, Jason Drury begins part one of the show with selections from THE MUMMY RETURNS by Alan Silvestri. The music continues with selections from the classic fantasy horror, Q- THE WINGED SERPENT by Robert O Ragland. Jason then celebrates 60 years of laughter from the CARRY ON FILMS with a re-recorded suite of music by Eric Rogers. In part two you’ll hear music from the 1988 return of the classic TV series MISSION: IMPOSSIBLE by Lalo Schifrin. We’ll then celebrate the 65th birthday of James Horner by playing LEGENDS OF THE FALL and AVATAR from a brand new album called JAMES HORNER: THE CLASSICS. The show concludes with selections from THE RETURN OF SWAMP THING by Chuck Cirino and a tribute to the late Patrick Williams with music from his 1979 western score BUTCH AND SUNDANCE: THE EARLY DAYS. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Welcome one and all to this very special International Podcast Day broadcast here on CINEMATIC SOUND RADIO. I’m Erik Woods the host and producer of CINEMATIC SOUND RADIO and today’s program is a film music roundtable discussion. On September 22nd, Jason Drury the host of THE ARCHIVE on CINEMATIC SOUND RADIO paid us a visit all the way from Ramsgate in the UK. He spent a week here in the Kitchener Waterloo area, visited the sites and traveled to Toronto for a day to check out the CN Tower and a Toronto Blue Jays games. Before Jason's visit, Robert Daniels of VISIONS IN SOUND and myself thought that with Jason here in town we should do a roundtable film music discussion. Just basically chat about film music and see if anything good comes out of it. We also invited composer David Coscina to participate. On Sunday, September 23rd, at 8 pm Robert, David, Jason and I crammed ourselves in one of the production studios at CKWR in Waterloo. We sat there and chatted for 2 hours and discussed a wide variety of topics from technology in film music, to the lack of women writing music for film to candid film composer interviews and everything in between. Before we jump into the show I just want to introduce the panel to you. Jason Drury is the host of THE ARCHIVE on CINEMATIC SOUND RADIO. He is also the producer of the fabulous epic three-part radio documentary on the life and music of James Horner. Also in the booth is David Coscina. On his Soundcloud page, he called his himself an anachronistic composer who believes strongly in the foundations of music laid out by Mahler, Stravinsky, Ravel, Debussy, Shostakovich, Vaughan Williams among countless others. David and I have been fortunate enough to work together on a few projects and since 2013 he’s giving CINEMATIC SOUND RADIO a unique musical voice by composing the CINEMATIC SOUND RADIO FANFARE AND THEME that you hear off the topic of every program. Manning the board is Robert Daniels. Robert has been hosting and producing his very own soundtrack radio program called VISIONS IN SOUND, which is quickly closing in on the 1000 episode milestone. The show can be heard on CKWR 98.5FM in Waterloo, Ontario, Canada. The show airs live every Saturday morning from 12-2am (Eastern Time), Friday 9-11pm (Pacific Time) and you can listen to the program online at visionsinsound.ca Thank you very much for taking the time to join us on this very special day for podcasters. Let us know what you thought about the show. And if you have a suggestion for a future program then please email Erik Woods or make a suggestion via Twitter or Facebook. And if you listen to this program via iTunes please take a few moments to leave us a rating and some feedback. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Visions In Sound http://www.visionsinsound.ca Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Episode 12 of The ARCHIVE on CINEMATIC SOUND RADIO features more new releases of old favourites, a classic re-recording and a rare score released for the very first time. Jason Drury starts the show with music from Deluxe Edition of SMALL SOLDIERS by Jerry Goldsmith. The show then continues with selections from COLOSSUS: THE FORBIN PROJECT by Michel Colombier, Phillipe Sarde’s THE BEAR and then a few selections from the new demonic white vinyl release of THE OMEN by Jerry Goldsmith. Then Jason plays selections from SUPERMAN: THE ANIMATED SERIES by Shirley Walker, Lolita Ritmanis, Michael McCuistion and Harvey S. Cohen. You’ll also hear a suite from the re-issue of Georges Delerue’s wonderful LONDON SESSIONS recordings, TINTORERA: SHARK ATTACK by Basil Poledouris and the jazz stylings of Michael Giacchino’s THE INCREDIBLES! Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

GUEST HOST: ROBERT DANIELS OBSCURE SCORES WITH ROBERT DANIELS returns to CINEMATIC SOUND RADIO for the first time since April 2012. Last week you heard part 1 of this show. This week we present the concluding hour where you will hear music from three more scores; A HANDFUL OF DUST by George Fenton, AN EYE FOR AN EYE by Marc Vaillo and SUPERSONIC MAN by Gino Peguri. When Robert isn’t in search for obscure scores you can find him every Saturday morning from 12-2am (EST) on VISIONS IN SOUND at 98.5 FM in Kitchener, Ontario, Canada or at ckwr.com. Visit VISIONS IN SOUND on the web at http://www.visionsinsound.ca —— Robert Daniels has spent the last 25 plus years working in various forms of media including TV as a Producer/Director/Editor, in Radio as a Music Director and Production Engineer, on the stage with Drayton Entertainment in “Twist and Shout” and “Legends Of Rock and Roll”. Since 2000 Rob has been the host of a the movie, TV and video game soundtrack radio program VISIONS IN SOUND, which can be heard on FM 98.5 CKWR where he has also interviewed several composers including Howard Shore (The Lord Of The Rings), John Powell (Bourne Identity, How To Train Your Dragon), Lolita Ritmanis (Batman – The Animated Series, Batman: The Killing Joke) and several others. In 2014 Rob also appeared briefly in The Asylum film “Mega Shark vs. Mecha Shark”. Rob currently works for FM 98.5 CKWR as their Production Engineer. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

GUEST HOST: ROBERT DANIELS OBSCURE SCORES WITH ROBERT DANIELS returns to CINEMATIC SOUND RADIO for the first time since April 2012. On this brand new episode you will hear music from two scores; A THOUSAND ACRES by Richard Hartley and BARABBAS by Mario Nascimbene. On part two (coming soon) you will hear music from A HANDFUL OF DUST by George Fenton, AN EYE FOR AN EYE by Marc Vaillo and SUPERSONIC MAN by Gino Peguri. When Robert isn’t in search for obscure scores you can find him every Saturday morning from 12-2am (EST) on VISIONS IN SOUND at 98.5 FM in Kitchener, Ontario, Canada or at ckwr.com. Visit VISIONS IN SOUND on the web at http://www.visionsinsound.ca —— Robert Daniels has spent the last 25 plus years working in various forms of media including TV as a Producer/Director/Editor, in Radio as a Music Director and Production Engineer, on the stage with Drayton Entertainment in “Twist and Shout” and “Legends Of Rock and Roll”. Since 2000 Rob has been the host of a the movie, TV and video game soundtrack radio program VISIONS IN SOUND, which can be heard on FM 98.5 CKWR where he has also interviewed several composers including Howard Shore (The Lord Of The Rings), John Powell (Bourne Identity, How To Train Your Dragon), Lolita Ritmanis (Batman – The Animated Series, Batman: The Killing Joke) and several others. In 2014 Rob also appeared briefly in The Asylum film “Mega Shark vs. Mecha Shark”. Rob currently works for FM 98.5 CKWR as their Production Engineer. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

CINEMATIC SOUND RADIO is pleased to welcome Brandon-Shea Mutala to the team and his fascinating new show BREAKING THE WAVES exploring the world of ambient and melodic electronic soundtracks. On this first episode, Brandon will explore the works of the Academy Award-winning duo Atticus Ross and Trent Rozner.  During the show you will hear selections from THE SOCIAL NETWORK, THE BOOK OF ELI, THE GIRL WITH THE DRAGON TATTOO, GONE GIRL, THE VIETNAM WAR and more. —— Brandon-Shea Mutala has been a fan of music since he was a wee boy and his mother would throw dance parties in their living room, spinning the vinyl sounds of Supertramp, Streethart, Whitney Houston, and Tina Turner. This love of music would expand over many years but would explode with a love of electronic music when he was 18 years of age, attending the University of Regina. It was then that he discovered Tangerine Dream, Aphex Twin, Boards of Canada, and more. Movies were also a major part of his life. While they could not afford a VCR of their own, Brandon-Shea has many fond memories of going to the local movie rental store and then stopping by his grandparents' house so that the family could borrow a VCR. At a young age, probably too young (definitely too young) his mother introduced him to scary films and tv shows which would shape his viewing preference going forward. While he was always a fan of movie soundtracks, it wasn't until 2010, and the hectic addition of children to his life, that he discovered his love of film scores. Too busy to sit down and watch the essential minimum of at least four movies each day off, he began to collect films scores so that he could listen and imagine or remember the movies while he was working. His original love of electronic music has definitely influenced his preferred film score type. He is happily married to Marcy and has three wonderful daughters Aubrey, and twins Annika and Ezri, who he is slowly exposing to the classics of the silver screen He is also obsessed with Star Trek. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this special episode of CINEMATIC SOUND RADIO, Jason Drury showcases music from films that feature the magnificent and groundbreaking stop-motion special effects of Ray Harryhausen. Jason will present selection of music from films such as THE SEVENTH VOYAGE OF SINBAD, MYSTERIOUS ISLAND and JASON AND THE ARGONAUTS by Bernard Herrmann.  You'll also hear selections from THE FIRST MEN ON THE MOON by Laurie Johnson, THE VALLEY OF GWANGI by Jerome Moross, THE GOLDEN VOYAGE OF SINBAD by Miklós Rózsa, SINBAD AND THE EYE OF THE TIGER by Roy Budd and CLASH OF THE TITANS by Laurence Rosenthal. For more information about Ray Harryhausen please visit THE RAY AND DIANA HARRYHAUSEN  FOUNDATION at https://www.rayharryhausen.com/ Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode 11 of THE ARCHIVE on CINEMATIC SOUND RADIO, Jason starts the show with music from SUPERMAN IV: THE QUEST FOR PEACE by John Williams and Alexander Courage. You'll then hear selections from NO WAY OUT by Maurice Jarre. The archival classic selection is THE DAY THE EARTH STOOD STILL with music by Bernard Herrmann. In the show’s second half, Jason features music from Varese Sarabande Records recent deluxe edition release of THE COWBOYS by John Williams. You'll also hear music from PAN’S LABYRINTH by Javier Navarrete, 2 tracks from the album PLAY IT AGAIN MARVIN! featuring the music of Marvin Hamlisch, and Bill Conti’s classic score to the football/war movie ESCAPE TO VICTORY. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Episode ten of THE ARCHIVE on CINEMATIC SOUND RADIO begins with a tribute to Margot Kidder with Jason playing the love theme from SUPERMAN: THE MOVIE by John Williams. Then Jason features selections from La La Land Records brand new release of the complete score to ALIEN 3 by Elliot Goldenthal. You then hear selections from THE STORYTELLER by Rachael Portman and KILLER KLOWNS FROM OUTER SPACE by John Massari. Jason then starts the second part of the show by paying tribute to the late Arthur B. Rubinstein by playing selections from his score for BLUE THUNDER. Afterward, you'll hear music from THE BOY IN THE STRIPED PYJAMAS by James Horner, WESTWORLD by Fred Karlin and HELLBOY by Marco Beltrami. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

CINEMATIC SOUND RADIO’s composer interview series continues as Jason Drury concludes his chat with legendary recording engineer, Mike Ross-Trevor. In February 2018, Jason Drury interviewed legendary film music engineer, Mike Ross Trevor and was thrilled that so many people out there enjoyed the show. Soon after completing the show, Jason decided that one show dedicated to Mike’s work was not enough, so he decided to do a companion piece to the interview show which features music from six films that weren’t included in the original program. Jason’s show features music from the recent re-issue of RAMBO III (Goldsmith), RELATIVE VALUES (Debney), MASTERS OF THE UNIVERSE (Conti), and THE OLD MAN AND THE SEA (Broughton)., You’ll also hear selections from the re-recordings of ISLANDS IN THE STREAM (Goldsmith) and IVANHOE (Rozsa). The show ends with music from the 1999 version of THE MUMMY (Goldsmith). All selections are introduced with memories of each score from Mike Ross-Trevor himself. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

| TRANSCRIPTION OF EPISODE | Hello everyone, Erik here, and I’m just kind of in the middle of something. It is related to the radio show and I have a little time on my own this weekend and just kind of reflecting on my message that I put on Twitter and Facebook about this hiatus that I’m on. I thought that you, my listeners, deserved an explanation and I’m a terrible, terrible writer and usually, in these cases, people will write a note. And I’ve done that in the past. It’s just that I’m not a very good writer and it takes way too long and I can usually say the things that I’m thinking faster into a microphone, of course, then I can typing on a keyboard. And I’ve been thinking about this for quite some time and that is whether I say something or do something. And there have been tweets from followers and Facebook messages and emails and they’re wondering you know how I’m doing and things of that sort and it’s easy for me to just say I’m fine but I’m not. I have first world problems and that’s basically what this is and it feels so silly for me to do this and kind of complain about things and whine about things when really I have pretty good. I’m living in a four-bedroom house. I mean, it’s not mine, I rented but still, it’s a really nice home. I live in a great neighborhood. I got two pretty good kids. Got a great wife and you know I am still working on doing the things that I want to do. Not as much as I thought I would. Now looking back over the past year coming up to the one year anniversary of me getting laid off from a job that I loved and I mean really loved and was ripped away from colleagues… who I never called colleagues… ripped away from a great bunch of people who I loved to go to work for and that sort of stuff really haunts me to this day. And the reason that it continues to pop up in my head is that I never did find another full-time job and that was because a month after I was laid off I started working for this fantastic guy out in Elora – about a half hour from where I live – and he’s not in a position to hire me full time but he’s trying to throw as much work at me as possible. My hope is that eventually, that will lead to either regular hours that I’m working throughout the week or that he eventually hires me on as a full-time member of his team. I don’t know if either or are going to happen but I kinda hope that it does. So, work has always been on my mind and it’s always something that I think about every day and the fact that there is a point where work dries up for him then I’m not going to be able to pay my bills and do things of that sort and then that directly affects me, my mood, my brain, the way I react to things and it really doesn’t take much for me to slip into a depression where I pretty much just want to give up. How does this all reflect back on the show and Cinematic Sound and me doing this today? Well, when I get to that point I then feel like if I’m doing a radio program, and I’m not sure how many of you know the process or what goes through to make this show that I do, that I love and am proud of. You know it takes hours. Many hours! There’s a lot of writing. There’s a lot of research. Many people have said that I have an encyclopedic knowledge of film music and film scores and movies, well, I really don’t. I’ve seen a lot of movies but I haven’t seen A LOT of movies. I listened to a lot of scores but there was a lot that I have that I’ve missed. I have six thousand scores and a good chunk of that number I haven’t listened to. I mean am still discovering music to this day even though I’ve been doing this show for almost 22 years. Anyway going back to the amount of work that has put into this program that I do. I don’t make any money off of it and I don’t think I was ever expecting that I would make money doing this show. It would be great if a radio station picked me up. I’m not saying that I’m not going to work toward something like that – although that’s something that I’m thinking that I might do – but I live in Ontario or near the Greater Toronto Area, there’s really only one classical station that I would pick up something like this but I’ve never tried syndication. I don’t know how much that pays. I don’t know what that does and I never really thought that I should ask people for money for the show and that just brings up a whole other set of problems and the issues concerning my show, which I really don’t want to go into here today. I always felt that over the years my reward was the free music and I’ve been getting free music for 20 some odd years now. I’ve got a lot of music and I’m grateful for that. And my goal of this show was never to make money but it was to promote film music. Then my job was to take the music that these record labels were sending my way and I would promote the album as a thank you for supplying the music. So I’m getting all this free music that had to pay for. But on the flipside, I’m hoping that somebody listens to the show and listens to an album and they hear it, like it and then go and buy an album. That’s how I have been running Cinematic Sound Radio since the beginning. Even when I was on Mohawk College Radio, that was the whole point, I just wanted people listening to this and to enjoy it. I might be naive. Maybe I’m not digging deeper and being more ruthless and cutthroat in trying to actually make something out of this and that’s quite a possibility. We could probably go and do that sometime later. But, anyway, back to the amount of work that it takes. It takes maybe 10 or 12 hours to produce a show. A lot of that is done after hours, late at night. Sometimes right up to the last minute. I usually have to submit shows to WROCK Radio weekly and sometimes I don’t get to show them until early Saturday morning. That’s not when I want to give them the show because my show is scheduled on Sunday and the last thing I want to do is have people do work over the weekend trying to get my show up on their station. But that’s just the way it works and there are some days where I’m not motivated to do it. I love doing this show. I really do. But again going back to the show being free and me spending so much time on it when maybe I should take those hours and look for something that’s going to bring in cash, that’s going to help provide for my family and that’s where last week when I came to the realization that I’m spending a lot of time working on something that is essential for me and it’s free. And if I can go a little bit deeper into this and the reason why I’m also thinking of just kind of giving this up for now. The numbers. When I’m talking about numbers again. Numbers… don’t take this the wrong way… don’t necessarily mean a lot to me because again I’m not bringing any income and I’m not monetizing the show, so numbers… I don’t care if I get 5 listeners or 5000 listeners BUT I actually DO care. Let’s just go back a little bit further where my show isn’t on a podcasting service so I’m not 100 percent sure whether the analytics that I’m getting, the stats that I’m receiving from my hosting server, which is where the entire shows is hosted, are accurate to the amount of listens and downloads that I’m getting. It’s really cryptic and I’m trying to use their stats software and I honestly don’t think it’s giving me the right numbers. So then I moved on to something called Podtrac and if I insert Podtrac’s little tag at the beginning of my MP3 file and then what I’ll do is that every time that that track is played with that tag it will then send out the information back to Podtrac and it will tell them you know whether someone listened to it as a stream or downloaded it. I am hoping that this software is a bit more accurate than what I was getting from my hosting provider. So I started this maybe three months ago and I’ve started adding this little tag to all the shows that are part of the podcast that is on the RSS feed on iTunes and Stitcher and everywhere else that the podcast can be found and these files were also added on to the streaming files at cinematicsound.net. So I thought this might give me some more accurate numbers as to how my shows do. And then there’s a lot of promotion on my part that goes into these programs. And if I don’t do that the show suffers most definitely. And what I’m seeing right now, and I’m not 100 percent certain when I started with Podtrac (I think it was back at the beginning of March) and so if I look back at the shows that I have uploaded since March, which starts with Jason Drury’s fantastic interview with Mike Ross-Trever and that brought in about fourteen hundred listeners. I added my Favourite Scores of 2017 which, I thought would do really really well, and since March 14th I am getting two thousand downloads. I thought maybe it was going to do a bit better. My Favorite Western Tracks, which seemed to be very popular show through social media; the response I got from it, the interaction that I had – fifteen hundred listens. Jason Drury’s show; episode 8 got eleven hundred listens. I then uploaded Lost in Space, Ready Player One. Max & Me show… that was sixteen hundred. And Jason’s episode 9 of The Archive, which was uploaded on April 23rd… it’s now May 5th… that’s just past one thousand. I don’t know whether those are good numbers or not? I mean right now it says that my 90-day downloads are 15000. Look I’m not complaining that people are listening to the show. I am so happy for every single person that decided to take the time to click on those links and listen to the show. I appreciate all you people. I’m just thinking that the time associated with this, the amount of work that I do and that goes into this show and the amount of promotion that I do… Again, I’m not monetizing the show or anything but I can look at this as somebody who’s like looking for money and patron supporters and whatever and say, “Hey, how come I’m not getting more downloads?” But I don’t know whether these are good numbers or these are great numbers? I don’t know what the numbers are like for other shows and I’m looking at a lot of new programs that are coming out and they’re just killing it and I’m super, super happy for those for those programs. Trust me. I am. I couldn’t be happier. As you know or may not know I am a huge supporter of film music radio. I have a giant curated list of podcasts and other radio shows on my own site. I love promoting other people’s shows. I don’t know what these are good numbers. I don’t know whether it is worth doing this show for you know maybe a thousand listens? And that might seem petty. It probably is but it’s a bit disheartening and I mean again I only have to blame myself because maybe I’m not giving other people who are listening to the show or people who want to listen to film music or people want to listen to the podcast what they want to listen to. My type of programming… a music podcasts… are, I think, a few and far between. You know podcasts are mostly talk-shows or information based. I think a lot of the more popular ones are not standard radio shows like I do. I understand that. And some of the more popular soundtrack shows are the interview based ones. However, I am still shocked and blown away and flabbergasted and befuddled that a show like The Annotator isn’t doing as well as it should be. Christopher Coleman, I think, has a great idea and I think him trying to jump off of Song Exploder’s popularity and format and bringing that to film music I honestly thought that would be the film music show that I would have seen first breaking it into New and Noteworthy and being one of those podcasts that these bigger outlets write about and how interesting it is and nobody seems to have picked it up and I’m not sure what these other shows are doing that are uber popular… I don’t know what they’re doing and what they’re doing right. And then I start thinking about my show and maybe it’s time to change the format and what I’m doing. Well, first of all, the one issue that I think might be hurting the program is its length. And I did put out a poll a few months ago as to whether people would rather listen to the two-hour show where they want something shorter. Correct me if I’m wrong but I think the shorter option was the most popular one. People would be more happy with something that was along the lines of 60 minutes or 90 minutes. And trust me I’d be happy with that too because that’s less work. But I still have to do a two-hour show for WROCK Radio and that’s the dilemma. I always thought that presenting longer suites was far more interesting than just playing one or two tracks. Right now, I play roughly 10, 12, 15-minute suites from the album and I always figured that was a perfect number for me to play. I won’t be playing the whole album but enough to give the listeners a good idea of what the score sounded like and based on 15 minutes they would be able to make a decision as to whether they like it or not. With a 60 minute show I’d have to rejig things might have to maybe play few albums, which I don’t think is a bad idea. And I think that there are so many podcasts out there that with the 2-hour time limit…. well, maybe I just can’t get on to the iPod’s or the digital devices that I want to get on to because people see the two hour time limit and they’re like, “I don’t have time for that.” They’ll listen to a 20-minute show here or 40-minute show here or there’s an interesting interview then they’ll stick around for an hour or so instead of listening to a two-hour traditional radio show as a podcast. I’m just thinking aloud here. The other thing that I might plan on doing, and I’ve been thinking about this over the past week, is to just completely rejig the way that I do the show. You know when I started with WROCK Radio I thought it was a great way for me to have something that was strictly formatted. That I would play maybe three or four new releases a show. Play a John Williams album because I like him so much and highlight his great work. Play a re-recording, an archival album, a video game album within two hours and that’s a good way of showcasing the best of film, TV and video game music on the show. However, I started getting to these top 10 shows, which I think are just so much fun to produce, and then I had other ideas. I like the re-recording shows. I like the theme shows as well. But then I am bombarded, absolutely bombarded each week… and people that are in the industry or have reviewed film music know that once you know you get on these mailing lists you’re just bombarded with albums. It’s not a bad thing it’s just that there’s no way for me to cover all of that. And then I thought with the WROCK Rock shows that playing four or five new releases would allow me to try and cover as many as possible. I don’t think I’m getting much satisfaction out of that and maybe it’s also that I’m not getting a lot of satisfaction out of the new stuff that’s coming out. I mean, there’s a lot of stuff that I download from these record labels. And again, I appreciate everything that they do and I don’t think they expect me to play everything that they send me but there is stuff that I just I’m just completely not interested in. I’m thinking that in order for me to get back into the show maybe it’s time for me to be a little bit selfish and start playing the stuff that I truly love or that I think that you might love. And only do a new releases show once a month or so. But even during those new releases shows just playing the six, seven or eight scores that I really, really like that I think that you might like. And that’s not really fair to the other ones that I’m going to say, “Nope, I’m not going to play it.” But I think I also have to enjoy the music that I’m playing in order to feel motivated and feel inspired to continue with the show. I’m also thinking maybe I should do these Heart to Heart’s once in awhile. I mean for those that even got this far into this broadcast did you enjoy this? Do you like me just rambling and complaining that I have a podcast? I think I said this at the beginning of this little rant that this is just so petty and so first world. But this is the world I’m living in and this is the reason why after 22 years my interest in this show is kind of waning; it’s not as interesting as it used to be. And I also think that the cool thing that I used to do many, many years ago was that I would get the jump on everybody and I’d be able to play that album for the very first time for you people. And that’s when the show explodes. So it’s really neat. I remember The Phantom Menace days when I shut down the server at Mohawk College. I remember premiering Skyfall and that is still to this day the most popular day in the history of Cinematic Sound and I’ve never been able to replicate that. I mean the place just went crazy during that day. Everybody really wanted to hear the brand new James Bond soundtrack. Nowadays, everybody can hear on Spotify, YouTube or whatever streaming device or streaming service you subscribe to. And I rarely get the jump on exclusives. There are a few things that I do get before you get a chance to hear it through those services but I guess again it’s few and far between. I used to love playing a whole bunch of new stuff. So that’s kind of why I want to go deeper into my own collection right now and even play some of the older stuff that might either be rare or obscure or maybe you haven’t heard before. There are a couple of other ideas that I want to try out and I’m not sure how this is going to work but I was thinking of doing some live shows. All request shows for the listeners so you can have an opportunity to request a track. Interviews are just something that I never really got into. I love talking to composers but if I was going to do an interview or interviews I would love to be the one that really stirs the pot a bit. Asks questions that don’t normally get asked. Things that maybe these guys haven’t said before. Again here I am criticizing other shows and things of that sort as if I’m the guy who knows it all. I mean, I don’t. It’s clear that I don’t. But yeah. So what’s the point of all this? I guess I had to air my dirty laundry and I just tell you where I am and what’s been affecting me and why I feel this way. And if I lose listeners I apologize that this is what made you turn me off. But I’m going to be back. At some point, I will be back. I have to be back. I think about the show every day. I really do. But I also got to find a way to bring more people on board that want to hear this show. I’m really a hundred percent sure how to do that. And that’s my problem. But again I appreciate the 1663 people that downloaded my latest show, which came out almost a month ago, and I really appreciate every single one of you for giving it a listen. I also appreciate every single one of you that got through this entire broadcast. This might be something I eventually delete somewhere down the road but thank you very much for listening. Thanks for your ear. Thank you for coming back every week or whenever a new show was uploaded. And I just want to thank again Jason Drury, Tim Burton, David Coscina and anybody else that has contributed to Cinematic Sound Radio over the years. I truly do appreciate all the time and effort that you put into this program and hopefully sooner than later I get my mojo back and I’ll be back behind the mic. And instead of bitching and complaining, we’ll be talking about film, television and video game scores and playing more great music for you. So, until next time, thank you very much for listening and take care and happy listening! Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On episode nine of THE ARCHIVE, host Jason Drury presents music from both film and television from genres ranging from westerns, science-fiction, fantasy, and horror. The show starts with music from 1985 Richard Donner classic THE GOONIES with an original score by Dave Grusin. You’ll then hear selections from Tadlow Records second volume of newly recorded music from the early 60’s anthology television series THRILLER with music by Jerry Goldsmith. And then you’ll hear music from Jerry’s son, Joel, newly released score of the pilot of STARGATE SG-1, which premiered in 1997. Then Jason raids the western film music archive with suites from two classics; THE WILD BUNCH by Jerry Fielding and BIG JAKE by Elmer Bernstein. Afterward, you’ll hear selections from the British TV horror/thriller FORTITUDE with music by Ben Frost and the show finishes off with music from the 1985 fantasy/adventure film BABY: SECRET OF THE LOST LEGEND with original music by Jerry Goldsmith. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Way back at the beginning of this year we did a test show. It was just to get the tech working correctly and test a IP audio link. It became an impromptu interview with Mauricio who is a skeptic on the Paranormal. Shortly after this, Episode 1 was broadcast. Step back in time and hear a rare pre-show recording of Spirits and More Radio! Now listen in as I test my interviewing skills on The Skeptic and see if he challenges your belief in Ghosts.