Podcast appearances and mentions of John Ottman

In this special repost, join AOM hosts Phil Svitek, John Comerford, Demetri Panos, Sara Stretton, and Marisa Serafini as we revisit our in-depth discussion of the 2014 summer blockbuster "X-Men: Days of Future Past," directed by Bryan Singer. Originally aired in the 2010s, this episode features an exclusive interview with the film's Editor and Music Composer, John Ottman, who also worked on "X-Men 2." We break down the film's complex narrative, the fusion of characters from the original trilogy and "X-Men: First Class," and the technical craftsmanship behind this epic time-travel story. From editing and score to casting, directing, and cinematography, we explore every facet of the movie that made it a standout in the X-Men franchise. Perfect for both fans of the series and film enthusiasts, this episode offers behind-the-scenes insights that you won't want to miss!

Our hat is like a shark's fin, so we're covering 1999's Deep Blue Sea! There's other fish in the sea, but Barracudas ain't equal to us as we gush over Renny Harlin's direction and LL Cool J's action hero turn like blood spouting out of a gory stump. When your Titanic sinks we're the one you're gonna meet and we may rather actually watch Titanic than our punishment movie, 1999's Lake Placid, or at least one of us would. Sand under our belly, ocean over our head, listen to this episode of Filmshake or you'll become the living dead! Nightmares of darkness, our appetite is heartless!Music Heard This Episode:"Main Title" -- John Ottman"Main" -- Trevor Rabin"Anarchy" -- Trevor Rabin"Deepest Bluest (Shark's Fin) -- LL Cool JIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

The composer and editor of Superman Returns talks using the classic themes from John Williams Subscribe To Sci-Fi Talk Plus Free For A Lifetime 

"The Usual Suspects" (1995), directed by Bryan Singer, was a neo-noir crime thriller that gained widespread acclaim for its intricate plot and unexpected twists. The production of the film involved assembling a talented ensemble cast, including Kevin Spacey, Gabriel Byrne, and Chazz Palminteri. The screenplay, penned by Christopher McQuarrie, intricately weaved a narrative that kept audiences guessing until the final moments. The film's nonlinear storytelling and unreliable narrator added layers of complexity to the plot, requiring careful coordination in both writing and directing to maintain the suspense. The production also faced challenges due to budget constraints, requiring the team to maximize creativity in their storytelling and cinematography. One of the film's defining features was Kevin Spacey's exceptional performance as Verbal Kint, which earned him an Academy Award for Best Supporting Actor. The film's intense atmosphere and memorable characters were complemented by John Ottman's evocative score. "The Usual Suspects" not only marked a turning point in Singer's career but also became a defining entry in the crime thriller genre, known for its intricate narrative structure and the legendary twist ending. The film's success led to critical acclaim, numerous awards, and a lasting impact on popular culture. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: The Usual Suspects unfolds as a neo-noir crime thriller following the interrogation of small-time con artist Roger "Verbal" Kint by Customs Special Agent Dave Kujan. Kint recounts the events leading up to a disastrous heist orchestrated by the mysterious criminal mastermind Keyser Söze. As Kint weaves a tale involving a group of criminals with colorful nicknames—Dean Keaton (Gabriel Byrne), Michael McManus (Stephen Baldwin), Fred Fenster (Benicio del Toro), and Todd Hockney (Kevin Pollak)—the narrative twists and turns, blurring the lines between truth and deception. With each revelation, the layers of the intricate plot unravel, leading to an unexpected and mind-bending climax that challenges perceptions of reality and identity. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

En este despertar de #EntreCasualRadio nos encontramos con las reseñas de las dos partes de #LosTresMosqueteros, #Lift, #Roleplay, #Hipnosis, #LaSoledadTieneAlas, #ElDespertardelDuelo, #LosOdiososInvitadosalaBoda y las dos temporadas de #ElMayordeKingstown. Aprovecho para hablar del libro de #MathewPerry y de los episodios 5 al 11 de #Friends. Enhorabuena, Chris Castillo de #HolocronNews nos acompaña para hablar de lo nuevo de #StarWars al lado de novedades relacionadas con #MisionImposible, #Creed4, #TopGun3, wl universo de #JohnWick y más. A todo eso contamos con música de #U2, #Malu, #MichaelGiacchino, #HarryGregson-Williams, #LudwigGoransson, #KevinKliner, #JohnOttman entre otros.  Dale clic y acompáñame en este despertar. Canciones: Prince Caspian Flees de Harry Gregson-WilliamsBundle of Joy (Inside Out) de Michael GiacchinoAthos (Los Tres Mosqueteros Parte II) de Guillaume RousseMark & Oliver (Good Grief) de Rob SimonsenAhsoka End Credits de Kevin Kliner The Mandalorian Theme de Ludwig Goransson. Life (Prometheus) by Marc StreitenfeldBeautiful Day de U2 (Bandits) La La Land Credits de Justin HurwitzAusente de Malu (Sí a Todo). Adventure by Roa Music | https://soundcloud.com/roa_music1031Music promoted by https://www.free-stock-music.comCreative Commons / Attribution 3.0 Unported License (CC BY 3.0)https://creativecommons.org/licenses/by/3.0/deed.en_US --- Send in a voice message: https://podcasters.spotify.com/pod/show/adrian-andrade8/message

Welcome to our podcast series from The Super Network and Pop4D called Tubi Tuesdays Podcast! This podcast series is focused on discovering and doing commentaries/watch a longs for films found on the free streaming service Tubi, at TubiTV Your hosts for Tubi Tuesdays are Super Marcey, ‘The Terrible Australian' Bede Jermyn, Prof. Batch (From Pop4D & Web Tales: A Spider-Man Podcast) and Kollin (From Trash Panda Podcast), will take turns each week picking a film to watch and most of them will be ones we haven't seen before.Movie Starts Playing At: 00:07:11Welcome back to The Tubi Tuesdays Podcast, with the final episode for Horror Month here on the show. All four co-hosts are back with Super Marcey, Bede Jermyn, Prof. Batch and Kollin! This week is Kollin's turn to choose a film from Tubi and for some reason he decided to go with Urban Legends: Final Cut (2000). Did Polite Jigsaw not want us to watch a Saw film? Is Marcey confused? Listen in and find out!Urban Legends: Final Cut was directed by John Ottman, it stars Jennifer Morrison, Matthew Davis, Hart Bochner, Loretta Devine, Joey Lawrence, Anson Mount, Eva Mendes and Anthony Anderson.If you have never listened to a commentary before and want to watch the film along with the podcast, here is how it works. You simply need to grab a copy of the film or load it up on Tubi (you may need alcohol), and sync up the podcast audio with the film. We will tell you when to press and you follow along, it is that easy! Because we have watched the films on Tubi, it is a free service and there are ads, however we will give a warning when it comes up, so you can pause the film and provide time stamps to keep in sync.Highlights include:* Welcome back Batch and Kollin!* Well Bede doesn't know if he wants to say Jennifer Morrison or Jennifer Lawrence!* No really ... he keeps calling her Jennifer Lawrence!* We actually have plans for future episodes?* Wait a second ... the Professor is Ellis from Die Hard (1988)?* A second Joey Lawrence film ... that means he's up for a Tubi Achievement Award!* So if Jennifer Morrison and Joey Lawrence got married and had a kid it would be ... Jennifer Lawrence ...* We tried out new recording software, let us know how it sounds!* Plus much, much more!Check out The Super Network on Patreon to gain early access to The Tubi Tuesdays Podcast!DISCLAIMER: This audio commentary isn't meant to be taken seriously, it is just a humourous look at a film. It is for entertainment purposes, we do not wish to offend anyone who worked on and in the film, we have respect for you all.Please Visit Our Sponsors For This EpisodeGet 82% off + 2 months free at SurfShark VPN Hosted on Acast. See acast.com/privacy for more information.

Although John Ottman won an Oscar for editing “Bohemian Rhapsody,” his résumé in horror is what caught our eye, as he directed “Urban Legends: Final Cut” and scored many genre hits. Tune in to hear all about the circumstances John faced while directing the “Urban Legend” sequel, what it was like assembling and working with its hot young cast, and the story behind his original “Halloween H20” score.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4654832/advertisement

Elle est une femme fatale, une mutante, une antagoniste, la méchante classique des X-Men, elle est Raven Darkhölme : aujourd'hui on parle de Mystique ! On revient sur toute l'histoire de cet éléctron libre, et sur comment elle est plus liée à d'autres personnages qu'on le pensait, sur l'idée de destin, de voyage dans le temps, de marginalisation, et d'anti-héroïne. Puis on se questionne aussi sur le concept de moralité et sur la sienne en particulier. Évidemment on n'aurait pas pu faire un épisode sur Mystique sans parler de son identité queer, d'identité de genre, et aussi de son histoire d'amour interdite et de sa famille. P.S. Désolée pour les quelques petits sons sourds de coups dans les micros. Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur tous les réseaux : @codexespod et aussi nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - Chapitre « Faces of Abjectivity: The Uncanny Mystique and Transsexuality » de Dorian L. Alexander dans le livre « Gender and the Superhero Narrative » (en anglais) de plusieurs contributeur-rices, publié par University Press of Mississippi. 2018 - Helicopter Hijack de Michael Kamen, morceau de la BO d'X-Men joué pendant l'épisode. - Sneaky Mystique de John Ottman, morceau de la BO d'X-Men 2 joué à la fin de l'épisode. - I'm Blue (Da Ba Dee) d'Eiffel 65 joué à la fin de l'épisode.

In this episode, we speak with our first Shape! Chris Durand, the stunt coordinator and actor who played Michael Myers in Halloween H2O. We delve into the secrets and challenges of bringing this iconic character to life. Chris shares that he intentionally avoided watching previous Halloween films before filming, allowing him to approach the role with a fresh perspective. We explore the creative process and the movie magic behind the climactic final act. Chris also shares his thoughts on the mask controversy. Additionally, we get a glimpse into Chris' future projects and the exciting developments he has in the works. Intro Music: Music by Karl Casey @ White Bat AudioHalloween H20 theme: John Ottman

THE X-MEN ARE COMING TO THE MCU! In Part 2 of X-MAY 2023, Aeric is joined by returning guest Troy (troyoboyo17) to discuss the X-Men and their history on the silver screen. They discuss what worked and what didn't about the Fox films, their experience with these film adaptations, their mutual love of X-Men Evolution, and what they'd like to see when the Mutants arrive in the MCU! Plus our latest Weekly Review on the final season of The Flash, this week's Comics Countdown, and more! Time Stamps: 00:00:54 Intro 00:04:13 X-Men in the MCU w/ Troy 01:59:03 Weekly Review 02:08:11 Comics Countdown 02:22:09 Wrap-Up Intro/Outro Music by the INCREDIBLE Sophie Marlon: https://sophiemarlon.bandcamp.com/ Subscribe to Troy's YouTube Channel: https://www.youtube.com/@troyoboyo17 Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK “Crisis on Earth-X” by Blake Neely “Suite from X2” by John Ottman

Première super-héroïne noire, mutante extraordinaire, déesse de tout le champ lexical de la tempête, et leader sans précédent : c'est Ororo Munroe alias Tornade des X-Men. On raconte toute son histoire des années 70 à aujourd'hui : sa création, sa popularité dans notre monde et dans sa diégèse, comment elle s'est battue pour défendre les mutant.es contre mille et une menaces, comment elle est tombée amoureuse aussi, et on passe en revue tous ses costumes et son évolution personnelle qui va avec. Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur Twitter et Instagram : @codexespod et aussi nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - "Representation of Black Women in Comics Matters" article (en anglais) de Christie Sylvester sur la représentation des femmes noires dans les comics, pour Refract Magazine. https://www.refractmagazine.com/read/2022/4/17/representation-of-black-women-in-comics-matters - "The History of Black Female Superheroes is More Complicated Than You Think" article (en anglais) de Regine L. Sawyer sur l'histoire compliquée des super-héroïnes noires, pour Time Magazine. 2018 https://time.com/5244914/black-female-superheroes-comics-movies/ - "The Power of a Black Superheroine: Exploring Black Female Identities in Comics and Fandom Culture" thèse (en anglais) de Grace Deneice Gipson sur les protagonistes et super-héroïnes noires de comics, pour l'université de California, Berkeley. 2019 https://escholarship.org/content/qt7d89f0h8/qt7d89f0h8_noSplash_201ec4df2066cd9a6a70f27c0b80c603.pdf - X-Men Evolution Opening Theme de William Kevin Anderson, générique de début du dessin animé X-Men Évolution joué pendant l'épisode. - Storm's Perfect Storm de John Ottman, morceau de la BO du film X-Men 2 joué à la fin de l'épisode. - Astonishing Ambassador (Storm Theme) de Chang-Yul Lee, morceau de la BO du jeu vidéo Marvel Future Evolution joué à la fin de l'épisode.

Au sommaire de cette spéciale fantastique et horreur : -Chronique des nouveaux opus de la collection British Terrors d'ESC avec LE REDOUTABLE HOMME DES NEIGES (1957) de Val Guest et SUCEURS DE SANG (Robert Hartford-Davis, 1970) ;-Retour sur quelques slashers, à savoir deux titres sortis chez ESC : URBAN LEGEND 2 (2000) de John Ottman & URBAN LEGEND 3 : BLOODY MARY (2005) de Mary Lambert et un remake féministe de SLUMBER PARTY MASSACRE (2021) signé Danishka Esterhazy et paru chez Rimini Editions ;-Évocation de quelques parutions estampillées Extralucid Films, à savoir, SONNY BOY (Robert Martin Carroll, 1989), L'AMBULANCE (Larry Cohen, 1990) et MY HEART CAN'T BEAT UNLESS YOU TELL IT TO (Jonathan Cuartas, 2020) ;-Et enfin, un film sélectionné au Festival international du film fantastique de Gérardmer 2021, POST MORTEM de Péter Bergendy sorti chez Condor Entertainment. Bonne écoute à toutes et tous !

Welcome once again to our ongoing Guilty Pleasure's bonus series! A series we begun as part of our friends Bloodhound Pix #HorrorNotFear campaign and was supposed to end last summer. But the show rolls on now that we have become a firm fixture at the Morbidly Beautiful network and we just have so much damn fun doing it. So, […]

WELCOME BACK TO X-MAY! Volume 5 of the podcast kicks off with our annual month-long series on the X-Men! Four episodes dedicated to Marvel's Merry Mutants featuring some X-cellent guests! This week, host Aeric Azana is joined by Brad and Lisa Gullickson of the Comic Book Couples Counseling Podcast to discuss and rank their TOP 5 X-Couples! Time Stamps: 00:00:56 Intro 00:03:49 X-MAY pt.1 w/ Lisa and Brad 01:09:12 Comics Countdown 01:18:48 Wrap-Up Intro/Outro Music by the INCREDIBLE Sophie Marlon: https://sophiemarlon.bandcamp.com/ Subscribe to Brad and Lisa's Podcast! Website: https://www.comicbookcouplescounseling.com/ PodBean: https://cbccpodcast.podbean.com/ Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK "Suite from X2" by John Ottman

Reinecken e Duca Mendes analisam “Bohemian Rhapsody”, filme dirigido por Bryan Singer e editado por John Ottman.ApresentadoresReinecken: instagram.com/reineckenDuca Mendes: instagram.com/ducamendesEdiçãoReinecken: instagram.com/reineckenArtesDaniel Brito: instagram.com/dbritoLinks do episódiohttps://www.segundocorte.comSala VIPhttps://bit.ly/2YtvIskSeja você também um apoiador do Sala VIP, ganhe benefícios exclusivos e faça parte do nosso grupo do Telegram!Canal do Telegramhttps://t.me/saladeedicaoSiga o canal do Sala de Edição e fique por dentro das promoções, descontos dos patrocinadores, pesquisas e novidades sobre o podcast.AvMakershttps://www.avmakers.com.brUse o cupom "SALA99" e garanta já a sua assinatura anual da maior plataforma online de ensino audiovisual em português por apenas R$ 99,00 mensais. Agradecemos os nossos apoiadores:Isaac Orcino, Wagner Pimentel, Leopoldo Nakata, Cristiano Videira, Mari Porlan, Demetrios Cardozo, Fabio Dedini, Ricardo Tavares, Lohan Costa, Lucas Mello, Idê Lacreta, Marcelo Cavalieri, Diego Camara, Bruno Nunes, Wilson Takeo Maebuchi e Danilo Viana.Contato:Site: saladeedicao.com.brEmail: contato@saladeedicao.com.brFacebook: facebook.com/saladeedicaoInstagram: instagram.com/saladeedicaoTwitter: twitter.com/saladeedicaoLinkedin: linkedin.com/company/saladeedicao/Youtube: https://bit.ly/2Eqjp8aTelegram: t.me/saladeedicao

  Jack and Sean (After the Credits) get together to talk about Tilly's last hurrah! They're also talkin' Final Fantasy plottin', racism, BSG, how this episode is weirdly reminiscent of Revenge of the Sith, whether director John Ottman is the same guy who scored  X2, international Pepsi sales, and so much more.  They then celebrate Tilly the only way they know how: through a long drunken discussion of the intersection of linguistics, human perception, cognition, time-space, and religion. Godspeed, Tilly!

With Joe Wright's new film out, inspired by the fictional Cyrano de Bergerac and with a score by Bryce and Aaron Dressner, Matthew looks at films that explore the art of wooing. He introduces music by Ilan Eshkeri, Rachel Portman, Luis Bacalov, George Fenton, and John Ottman among others, and he talks to Bryce Dressner about his new score for 'Cyrano'. The Classic Score of the Week is Roy Webb's 'Notorious'.

Editor and composer John Ottman

It's podcast time, and there's no need to be afraid.  Yes, it's our Christmas Special, and Rob has chosen the incredibly festive noir-adventure-comedy KISS KISS BANG BANG.  It's by Shane Black, so it definitely is about Christmas."Still Any Good?" logo designed by Graham WoodCrap poster mock-ups by Chris WebbTheme music ("The Slide Of Time") by The Sonic Jewels, use with kind permission(c) 2021 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram stillanygoodpodEmail stillanygood@gmail.comSupport the show (https://www.ko-fi.com/stillanygoodpod)

Brandon, Chrissie, and Justin talk about the Discovery episode “All is Possible” with Thad Hait.We also get a surprise chat with the episode's director, John Ottman.Join us in the Federation Council Chambers on Facebook. Find us on Twitter:The Network: @UFPEarth. The Show: @IDICPodcast. Justin: @TrekFan4747. Brandon: @BrandonMutala. Chrissie: @TheGoddessLivia. And our guests, Thad Hait, @Tyranicus on Twitter and John Ottman, @RealJohnOttman on Twitter.United Federation of Podcasts is brought to you by our listeners. Special thanks to these patrons on Patreon whose generous contributions help to produce this podcast and the many others on our network! Vera BibleJosh BrewingtonTim CooperChrissie De Clerck-SzilagyiTom ElliotVictor GamboaAlexander GatesPeter Hong.Thad HaitWilliam J. JacksonLori KickingerJim McMahonAnn MarieGreg MolumbyJoe MignoneCasey PettittJustin OserMahendran RadhakrishnanKevin ScharfTom Van ScotterJim StoffelVanessa VaughanDavid Willett You can join this illustrious list by becoming a patron here: https://www.patreon.com/ufpearth

In an episode that explores the intricacies of Federation politics, Discovery crew members also explore inward. This one is sure to be an emotional ride, as some paths come to an end. We unpack it all in our review of Star Trek: Discovery, All Is Possible.

I spoke to this talented composer and editor after he won a Vision Award in 2009. Music is by Kevin McCleod - https://incompetech.filmmusic.io/song/3918-inspired

Our Interview with Deborah Lurie (2013-07-13) about her Musical education, her projects, Danny Elfman, John Ottman and more.

Diane and Sean discuss the "one with the school". The X-men sequel, X2: X-Men United. Episode music is, "Logan Fights Deathstryke" by John Ottman, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd-  Twitter: @whydoweownthis1-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show (https://www.buymeacoffee.com/dvdpod)

Der Anhalter, der einfach verschwindet; der grausame Mord im Wald, während die Frau im Auto wartet; der bedrohliche Anruf beim Babysitter von einer anderen Leitung im Haus – zahlreiche urbane Legenden haben über die Jahre das Horror-Kino geprägt. In DÜSTERE LEGENDEN (im Original: URBAN LEGEND) wird die Verbindung deutlich: An einem College mordet ein Verrückter […] The post Lichtspielplatz #51: DÜSTERE LEGENDEN – Tödliche Geschichten im Horror-Kino (Gäste: Regisseur Jamie Blanks & Regisseur John Ottman) appeared first on Wilsons Dachboden.

For today’s episode, I had the honor and pleasure of talking to John Ottman, best known as the editor and composer of several X-MEN films – X-MEN 2, DAYS OF FUTURE PAST and APOCALYPSE – and of other Bryan Singer movies like THE USUAL SUSPECTS, VALKYRIE and SUPERMAN RETURNS. In 2019, he won an Academy Award for editing the Queen biopic BOHEMIAN RHAPSODY. He’s also scored numerous other well-known films like THE NICE GUYS, HOUSE OF WAX, GOTHIKA, UNKNOWN and NON-STOP. Our conversation, however, revolves around John’s feature film debut as a director: URBAN LEGENDS: FINAL CUT from 2000, the… The post Talking Pictures #18: John Ottman, Director of URBAN LEGENDS: FINAL CUT appeared first on Talking Pictures.

On this very special October edition of SCORED TO DEATH RADIO, host J. Blake Fichera is joined by film journalist & composer, Jerry Smith, to discuss and celebrate the iconic music of the Halloween film franchise featuring the music of John Carpenter, Alan Howarth, John Ottman, Cody Carpenter and Daniel Davies. You'll also hear music from the new Hallowen film, HALLOWEEN KILLS. Purchase both SCORED TO DEATH books by going to scoredtodeath.com Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Kadya, Elizabeth & Claytemple Media. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this week's show, we're putting on our fencing masks and telling tall tales as we talk about 2000's Urban Legends: Final Cut! Why are these urban legends all kinda weak? How come nobody is really that bothered by all these bodies piling up? Did they just spin a wheel to decide who the killer was? And how many hokey plot devices can you really cram into one film? All this, plus scuba divers, severed heads, a baby train and we contemplate a trip to Hell via New Jersey!  Urban Legends: Final Cut was directed by John Ottman, and stars Jennifer Morrison, Loretta Devine, Matthew Davies, Joseph Lawrence, Eva Mendes, Jessica Cauffiel, Anson Mount, Anthony Anderson, Michael Bacall and Hart Bochner. Bad With Numbers is a weekly show about questionable movie sequels, all the way from Toronto, Canada. It's hosted by Neth Knowles, Laura Medeiros, Rodey Gozum and Megan Swaine. Theme song by Audiopop.  Artwork by Laura Medeiros.  Find us on Twitter, Instagram, YouTube or drop us an email at bwnpod@gmail.com.  

Our Interview with John Ottman about "Non-Stop" & "X-Men: Days of Future Past" (2014-05-24)00:00 Non-Stop04:34 X-Men Days of Future Past

Unser Interview mit Edwin Wendler vom 09.06.201400:00 Die Arbeit mit John Ottman an Non-Stop07:23 Andere Projekte09:08 Fünf Begriffe14:07 Die Arbeit mit John Ottman an Non-Stop (Fortsetzung)

Unser Interview mit Edwin Wendler vom 27.03.201300:00 Musikalischer Werdegang05:18 Umzug nach USA & Österreich08:03 Vorbilder12:00 Letztes Soundtrack-Album in der Sammlung15:21 Lieblingsinstrument18:27 Inspiration20:55 Komponieren: Handwerk oder Kunst24:43 Das Schönste am Komponieren27:07 Das weniger Schöne am Komponieren29:42 Erstes Projekt und Zeitfrage32:58 LieblingsGenre & Komponieren: Charaktere/Handlungsorte oder Filmstimmung36:35 Zusammenarbeit mit Paul Haslinger, John Ottman und Stephen Trask41:32 "Home The Horror Story"44:08 "Cheshire Adventure" & Kurzfilme allgemein48:20 Regisseurtyp50:56 Die moderne Filmindustrie55:26 Lieblingsfilm & Traumgenre58:02 Kommende und aktuelle Projekte60:37 Fünf Begriffe

Our Interview with John Ottman about "Jack the Giant Slayer" (2013-01-14)

Our interview with John Ottman (2011-07-15)00:00 Musical Education03:38 Star Trek05:30 X-Men 207:40 Work as an Editor10:35 The best thing about composing12:09 The less beautiful thing about composing15:59 Working with the Orchestra16:51 Favourite Film Genre17:29 The first commercial work as a Composer19:07 The first big film as a Composer19:34 Role models21:08 The Memory of the first soundtrack he bought22:24 The work as a Director24:18 The first work as a Director26:00 Bryan Singer27:15 Fan question: Can we expect something like his music for "Ususal Subjects" or "Incognito" from him again?28:21 Superman Returns30:28 Superman32:53 Comic Books33:47 Fantastic Four35:40 Jack the Giant Slayer37:30 Choral parts in his music38:55 Composer, editor or director39:50 Next projects (2011)40:51 Five termsTranslated with www.DeepL.com/Translator (free version)

On this week's episode, the boys acknowledge the anniversary of D-Day with a movie that has nothing to do with D-Day outside of a strong desire to kill Hitler! Join us as we talk about "Valkyrie", the plot(s) to kill the man who truly put the dick in dictator, and the accompanying score by the multi-talented John Ottman! A note: Just like on the Passion of the Christ episode, we're going to brush up against some awfully serious content for a comedy podcast. We do our best to be both respectful and funny, but as ever, if we've failed in either of those endeavours, please forgive us. Fuck fascism!

کتاب آسیا در برابر غرب وقتی در سال 1356 منتشر شد بسیار مورد توجه روشنفکران و البته اقبال انقلابیون قرار گرفت. چون بحث داغ اون روزها بحث غربزدگی و تقصیر غرب در عقب‌ماندگی ایران و آسیب‌شناسی تفکر غرب بود و مرحوم شایگان تحت تاثیر تفکرات هنری کربن و احمد فردید تلاش کرده بود در این کتاب به این مسائل بپردازد. لینک‌های پشتیبانی از پادکست برای دوستان خارج کشور از طریق واریز به حساب پی‌پل برای دوستان ساکن ایران از طریق درگاه زرین پال ممنون از اینکه کمک می‌کنین تا ما بهتر و بیشتر پادکست تولید کنیم. لینک صفحه اینستاگرام گلکده نقش خیال برای سفارش گل های تزئینی (اطلاعات بیشتر در انتهای پادکست) مشخصات کتاب عنوان: آسیا در برابر غرب نویسنده: داریوش شایگان ناشر: فرزان روز، امیرکبیر تعداد صفحات: 292   آدرس اینستاگرام پادکست https://www.instagram.com/epitomebooks آدرس تلگرام پادکست http://t.me/EpitomeBooks آدرس سایت پادکست https://epitomebooks.ir/   موسیقی‌های پادکست قطعه پیانو با عنوان ۵۰ Boulevard Voltaire ساخته David Neyrolles (از اینجا بشنوید) قطعه‌ای از موسیقی فیلم Amelie  با نام Le Moulin ساخته  Yann Tiersen آهنگساز فرانسوی. تم اصلی فیلم Schindler’s List با کاور و اجرای John Williams از آلبوم The Guitar Master. قطعه‌ای از موسیقی فیلم The Grey با عنوان Writing the Letter ساخته Marc Streitenfeld. Field (Lev Knipper Cover) – Evgeny Grinko. تم اصلی فیلم The 3-10 to Yuma ساخته Marco Beltrami, Frankie Laine.(اطلاعات بیشتر و دانلود) قطعه‌ای از موسیقی فیلم X-Men: Days of Future Past با عنوان Hope ساخته John Ottman. (اطلاعات بیشتر و دانلود)

The Oscar®-Winning Sound and Picture Post Team from Bohemian Rhapsody Despite having faced many obstacles and an uncertain future, the Queen biopic Bohemian Rhapsody went on to become a global hit at the box office and achieve widespread critical acclaim; evidenced by the fact that the sound and picture post team members each walked away with an Oscar® in their respective categories.  Just two months after the Oscars®, the team joined Avid for a special live presentation of their work at the NAB 2019 convention in Las Vegas. EDITOR - JOHN OTTMAN ACE Not only an accomplished, award-winning editor, John Ottman ACE is also a composer and writer.  Among his many credits are his frequent collaborations with director Brian Singer on the films The Usual Suspects, Superman Returns, Valkyrie and X2: X-Men United. SUPERVISING DIALOGUE and ADR EDITOR - NINA HARTSTONE In her role as Supervising Dialogue and ADR editor for Bohemian Rhapsody, Nina Hartstone had the enviable yet daunting task of bringing the voice of Freddie Mercury back to life.  Her impressive skills as a sound post pro have been on display in such films as Gravity, The Hours, Bridget Jones's Baby and Enola Holmes. SUPERVISING SOUND EDITOR - JOHN WARHURST Coming into Bohemian Rhapsody, John Warhurst had already racked up some impressive credits as both a music and sound editor, honing his craft on 127 Hours, Edge of Tomorrow, Les Misérables and One Direction: This is Us. MUSIC MIXER and RE-RECORDING MIXER - PAUL MASSEY With a phenomenal career that spans almost forty years, music and re-recording mixer Paul Massey has lent his talents to films like Boyz N the Hood, Clueless, Jerry Maguire and Ford v Ferrari.  Including his Oscar® win for Bohemian Rhapsody, Massey has been nominated for the Academy's top sound prize a total of nine times. Editing and Mixing Bohemian Rhapsody In our discussion with the Bohemian Rhapsody post team, we talk about: Making montages that drive the narrative Using hi-res footage and VFX to turn a three-shot into a two-shot Combining three different vocals to make the "voice" of Freddie Mercury How many guitar tracks are enough to reinvent the Fox Studios anthem Recording live reverb instead of using plug-ins The Credits Visit ExtremeMusic for all your production audio needs Save 20% on a new 1yr subscription to Media Composer | Ultimate and other special offers Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube  

Marvel's "First Family" makes their MCU Phase 0 debut! It's all building up to an exciting crossover pitch coming soon to your feeds. Updates on the future of the show and this treasured film from 2005. Press play NOW! Tweet me @matthewXclark! Original music by Savfk (www.youtube.com/savfkmusic) (www.facebook.com/savfkmusic) “Vengeance of Von Doom” & "Fantastic Proposal" by John Ottman, Varèse Sarabande Fantastic Four Trailer, 20th Century Studios

Composer and Editor of X-Men Days Of Future Past and scoring his first X-Men in X2. Recorded in 2014.

Diane and Sean debut a new theme tune by Brushy One String while they discuss Bryan Singer's 1995 whodunit-heist-with-a-twist, The Usual Suspects. Episode music is "The Greatest Trick" by John Ottman, from the OST.Theme song by Brushy One String.Artwork by Marlaine LePage.Support the show (https://www.buymeacoffee.com/dvdpod)

Composer and Editor of X-Men Days Of Future Past and scoring his first X-Men in X2.

As the 20th anniversary of the original Halloween approached, Jamie Lee Curtis agreed to return to the series that had helped start her career. Halloween H20: Twenty Years Later ignored the previous three sequels and refocused the series on the effects of Michael's attacks and the trauma Laurie Strode had spent twenty years trying to cope with. Was the seventh movie in the Halloween franchise a return to form? Find out as chris and Joey discuss Halloween H20 in the seventh of twelve episodes covering the entirety of the Halloween franchise!Total Run Time: 1:01:29Theme music: "Rising Game" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0Additional Music: Selections from the Halloween H20 soundtrack by John Ottman and Marco Beltrami, Halloween theme composed by John Carpenter

On the June 24, 2019 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film weekend editor Brad Oman, senior writer Ben Pearson and writer Chris Evangelista to discuss the latest film and tv news, including Taika Waititi's Flash Gordon movie, three crazy comic book movies that almost happening including Steven Seagal's Batman, John Ottman's Beast and a Spider-Man horror movie, and a look at how Toy Story 4 did at the box office and what that means for a Toy Story 5.   Opening Banter: News has again come to a halt.   In The News: Chris: ‘Flash Gordon' Animated Movie Being Developed by Taika Waititi for Disney Crazy comic book movies that almost happened:Brad: Steven Seagal Was Considered for ‘Batman' Before Michael Keaton Landed the Role Ben: Read The ‘Beast' Spin-Off Script Developed By ‘X-Men' Editor/Composer John Ottman Chris: There Was Almost a ‘Spider-Man' Horror Movie in the 1980s Brad: ‘Toy Story 4' Easily Tops the Box Office But Still Opens Below Expectations Spoiler Discussion: Ben: Will Pixar Make a Toy Story 5?Peter is going to ask “what should a Toy Story 5 be about if they make it?” All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.

Hosts @DMovies1701 & @PDSvitek interview composer/editor John Ottman. They discuss his latest projects - X-Men: Apocalypse and The Nice Guys. Make sure to subscribe to Popcorn Talk! - http://youtube.com/popcorntalknetwork iTalk movies is a long-form interview series featuring leading members of the film community. In this episode, our hosts Demetri Panos and Phil Svitek interview John Ottman in studio about editing and composing on some of Hollywood's biggest films including recent movies X-Men: Apocalypse and The Nice on the Popcorn Talk Network. John Ottman holds dual distinctions as a leading film composer and an award winning film editor. Ottman has often completed both monumental tasks on the same films. Such remarkable double duties have included The Usual Suspects, X-Men 2, Superman Returns, Valkyrie, and Jack the Giant Killer. He has also held producer roles on several of these films, as well as directing, editing and scoring Urban Legends 2.https://anchor.fm/app Learn more about your ad choices. Visit megaphone.fm/adchoices

Bonus - Superhero Rumbly Bumbly The crew welcomes Steven Sharrat (Tracksounds contributor) to his first SoundCast and talk recent superhero film news, rumors, and composer gossip including: Danny Elfman on the Avengers, Hans Zimmer on introducing themes for Aquaman and Wonder Woman, John Ottman on X-Men: Apocalypse and Philip Glass joining with Marco Beltrami on The Fantastic Four. Episode Highlights 00:30 — Those Menacing Avengers 03:30 — Hans Zimmer: Aquaman and Woman Wonder themes 03:28 — Danny Elfman: Music to Avenge By? 18:59 — John Ottman: X-Men Apocalypse 21:00 — Philip Glass and Marco Beltrami on the Fantastic Four 25:32 — Wrap Up and Contact Music Selections 00:01 — Main Title (Spider-Man) by Danny Elfman 01:25 — Rumbly Bumbly Bee (Dinosaur Diner) by Lois Young 02:39 — Flight (Man of Steel) by Hans Zimmer 07:00 — And I Thought My Jokes Were Bad (The Dark Knight) by Hans Zimmer 10:16 — End Credits (Spider-Man) by Danny Elfman 18:41 — The Future/ Main Titles (X-Men: Days of Future Past) by John Ottman 21:12 — Cassandra's Dream (Cassandra's Dream) by Philip Glass 23:24 — Main Title (The Homesman) by Marco Beltrami 26:54 — Rumbly Bumbly Bee (Dinosaur Diner) by Lois Young Support Tracksounds: "Rumbly Bumbly Bee" (Dinosaur Diner) by Lois Young is available at Amazon. Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com Download the Episode Subscribe and More Info

Bryan Singer's film “Apt Pupil” was actually the second time the film was under production; the first attempt had several casting issues and when it finally started shooting, ended up running out of funds, killing the project. Perhaps that was a sign that Stephen King's novella was a bit too tricky to make correctly. It's a very dark story that doesn't really have any likable characters in it. Singer's 1998 adaptation toned much of the violence from the book down, but also took a different angle with the ending that many people, including us, felt didn't work. Join us — Pete Wright and Andy Nelson — as we finish our epic Stephen King adaptation series with Singer's “Apt Pupil.” We talk about what worked well in the book, what works in the film, and where the film may have gone wrong. We discuss the wonderful performances by Ian McKellan and the late Brad Renfro and look at what they bring to the film, despite its problems. We chat about Singer and some of his regulars, notably John Ottman, his composer/editor. And we circle back to the Nazi elements within the film and what Singer may have been after with this story, as well as other films in his career. It's an interesting but flawed film that we have a great conversation about. Check it out!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Bryan Singer's film “Apt Pupil” was actually the second time the film was under production; the first attempt had several casting issues and when it finally started shooting, ended up running out of funds, killing the project. Perhaps that was a sign that Stephen King's novella was a bit too tricky to make correctly. It's a very dark story that doesn't really have any likable characters in it. Singer's 1998 adaptation toned much of the violence from the book down, but also took a different angle with the ending that many people, including us, felt didn't work. Join us — Pete Wright and Andy Nelson — as we finish our epic Stephen King adaptation series with Singer's “Apt Pupil.” We talk about what worked well in the book, what works in the film, and where the film may have gone wrong. We discuss the wonderful performances by Ian McKellan and the late Brad Renfro and look at what they bring to the film, despite its problems. We chat about Singer and some of his regulars, notably John Ottman, his composer/editor. And we circle back to the Nazi elements within the film and what Singer may have been after with this story, as well as other films in his career. It's an interesting but flawed film that we have a great conversation about. Check it out!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Interview: John Ottman (X-Men: Days of Future's Past) Composer John Ottman shares about returning to the X-Men franchise after a decade-long absence. He shares about his new theme for Professor X, composing the score for the opening action sequence twice, the apparent relationship between Magneto's theme in X-Men: First Class and his theme for Wolverine in X2: X-Men United. He also talks about how using source cue/song can be more effective in a scene than an original piece. Episode Highlights 00:00 - Introduction 01:50 - How does it feel to return to the X-Men franchise 08:15 - Where does this film fit? 11:20 - How did you approach this score? 14:13 - Bookending theme 15:18 - The Superman Returns effect 16:46 - "Little Secres/ Power of the Sun" 17:44 - Evolution of the X-Men score 19:07 - Synths are more work 21:53 - Magneto/Wolverine Theme 26:08 - The Quicksilver Scene 29:28 - X2 Expanded release from LaLaLand Records 30:25 - X-Men: Apocalypse? Music Selections 00:00 - "The Future - Main titles" (X-Men Days of Future's Past) by John Ottman 01:11 - "Welcome Back - End Titles" (X-Men Days of Future's Past) by John Ottman 07:24 - "The Story of the Giants" (Jack the Giant Slayer) by John Ottman 14:26 - "Do What You Were Made For" (X-Men Days of Future's Past) by John Ottman 16:46 - "Little Secres/ Power of the Sun" (Superman Returns) by John Ottman 17:55 - "Main Theme" (X-Men Animated Series) by Ron Wasserman 18:12 - "The X-Jet" (X2: X-Men United) by John Ottman 19:35 - "Paris Pandemonian" (X-Men Days of Future's Past) by John Ottman 21:53 - "Time's Up (Film Version)" (X-Men Days of Future's Past) by John Ottman 23:22 - "Death Strikes Deathstryke" (X-Men Days of Future's Past) by John Ottman 24:48 - "Time's Up (Original Version)" (X-Men Days of Future's Past) by John Ottman 26:30 - "Time in a Bottle" ((X-Men Days of Future's Past) by Jim Croce 31:35 - "Hope: Xavier's Theme" (X-Men Days of Future's Past) by John Ottman Notes: Follow John Ottman on Twitter - @johnottman1 Special Thanks to Asenath Nakayama at Costa Communications for helping to secure this interview. Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com Get Marius Masalar's "Cue The Orchestra" at Trackounds.Bandcamp.com Download the Episode Subscribe and More Info

Have we been here before? Because Rafer and Kristen are feeling some serious deja vu. It's all due to the release of the third Sandler-Barrymore romantic comedy and the seventh film in the X-Men franchise. "Blended" brings Adam Sandler and Drew Barrymore back together as a mis-matched pair of single parents, on a joint vacation in South Africa. "X-Men: Days of Future Past" brings the X-Men back to 1973, to stop the war on mutants before it starts. Giving Rafer and Kristen some behind-the-scenes insights into the making of "X-Men: Days of Future Past" is John Ottman, who's both the composer and the editor of the film. A very special thanks to Jay Cowit, who performed and wrote music on this week's podcast.

Episode 57 - Genius Choice Vote Winners Jeremy Meyers join the team to reveal all of the winners from this year's Genius Choice Vote! We are joined by special guest, composer Matt Uelmen (Torchlight II)! WHYBLT? is back as well as Sidetracks, where we discuss John Williams apparent interest in scoring the next Star Wars film and lastly we talk about (or become) the Oscar Whiners. Episode Highlights 00:00 Genius, sheer genius... 00:45 Welcome and Intros 03:20 WHYBLT? Jack the Giant Slayer, A Good Day to Die Hard, Evil Dead, Transformers 09:35 WHYBLT? Onimusha, Tron Uprising, Mirrors Edge 14:15 WHYBLT? In Country, Emporer 20:20 Sidetracks: John Williams wants to score the next Star Wars? 33:38 Sidetracks: Oscar Whiners 46:01 2012 Genius Choice Vote Winner: Best Dramatic Score 47:56 2012 Genius Choice Vote Winner: Record Label of the Year 48:40 2012 Genius Choice Vote Winner: Best Animated Score 50:04 2012 Genius Choice Vote Winner: Best Television Score 51:41 2012 Genius Choice Vote Winner: Surprise of the Year 53:34 2012 Genius Choice Vote Winner: Best Action Score 55:00 2012 Genius Choice Vote Winner: The Monkey King Award 57:00 2012 Genius Choice Vote Winner: Best Cue 59:27 2012 Genius Choice Vote Winner: Best Video Game Score 60:28 2012 Genius Choice Vote Winner: Breakout Composer of the Year 62:05 2012 Genius Choice Vote Winner: Most Memorable Theme 64:14 2012 Genius Choice Vote Winner: The Marius Award 65:23 Interview with Composer Matt Uelmen (Torchlight II) 79:33 2012 Genius Choice Vote Winner: Composer of the Year 81:00 2012 Genius Choice Vote Winner: Best Overall Score 83:21 Genius comments and upcoming episodes Music Selections 00:00 "With A Little Help From My Friends" by Joe Cocker 03:27 "Jack and Isabelle" (Jack the Giant Slayer) by John Ottman 05:55 "McClane's Brain" (A Good Day to Die Hard) by Marco Beltrami 10:35 "戦慄の教師" (Battle Royale) by Masamichi Asano 12:16 "Beck's Theme" (Tron: Uprising) by Joesph Trapanese 14:57 "Distant Memories"(In Country) by James Horner 17:57 "Time is Running Out" (Emporer) by Alex Heffes 21:12 "The Dune Sea Of Tatooine-Jawa Sandcrawler" (Star Wars IV) by John Williams 32:26 "The Pit Of Carkoon-Sail Barge Assault" (Star Wars VI) by John Williams 40:27 "Main Title (I Had A Farm In Africa)" Out of Africa by John Barry 43:03 "God Storm" (Life of Pi) by Mychael Danna 46:36 "Leaving India" (Life of Pi) by Mychael Danna 49:01 "Merida's Home" (Brave) by Patrick Doyle 51:59 "Awakening" Halo 4) by Neil Davidge 53:53 "My Dear Frodo" (The Hobbit: An Unexpected Journey) by Howard Shore 55:14 "Man of Destiny" (Unmei No Hito ) by Naoki Sato 57:18 "Overhill" (The Hobbit: An Unexpected Journey) by Howard Shore 59:42 "Threshold" (Journey) by Austin Wintory 60:52 "The Impossible Main Title" (The Impossible) by Fernando Velasquez 62:31 "Misty Mountains" (The Hobbit: An Unexpected Journey) by Howard Shore 64:31 "Torchlight II Title Theme" (Torchlight II) by Matt Uelmann 78:40 "Torchlight II Title Theme" (Torchlight II) by Matt Uelmann 81:31 "Roast Mutton (Extended)" (The Hobbit: An Unexpected Journey) by Howard Shore 91:55 "With A Little Help From My Friends" by Joe Cocker Additional Notes: The full interview with composer Matt Uelmen will be released in a separate bonus episode! The Official Cue Awards Tumblr Download the Episode Subscribe and More Info