Podcasts about zodiacs

Chinese New Year is coming up in a few days and if you're relatively new to the e-commerce game, there's a few things you should know about the big holiday. Dave is back on the podcast to cover the impact Chinese New Year has on e-commerce sellers and manufacturers, the significance of the Zodiacs, and the common equivalent for those who aren't aware.  Let's be real – email marketing isn't flashy, but that's what makes it great. Who needs chaos when you can have steady, reliable results? That's where Omnisend email and SMS comes in. Check it out today and use code ECOMCREW. Ever wonder why all of China basically closes down every January for Chinese New Year? You're not alone.  Chinese New Year seems like the one time each year that China (and by extension, a lot of the neighbouring asian countries) goes on holiday for a few weeks.  As an e-commerce seller, you probably know by now to place your orders well in advance to prepare for the holiday. But there's a few extra things you should know about that could maintain and keep you in the good graces of your factory.  Luckily, Dave is on the podcast today to break down what exactly you need to know and how the holiday impacts you specifically. The Big Takeaway Chinese New Year is comparable to Christmas in significance. Chinese New Year happens on the second New Moon in the lunar calendar after the Winter's Solstice (December 20th).  Zodiac symbols can influence business decisions in China. Quality control tends to take a dip if orders are shipped before Chinese New Year. Suppliers may have varying deadlines for orders before they close for the holiday. Expect delays in shipping and logistics post-New Year as every company that's importing from China will also be placing orders in advance of the holiday. Be considerate to suppliers during the holiday period. Freight prices tend to dip after the New Year rush, as demand declines. Timestamps 0:00 - Intro 1:43 - Omnisend Ad  2:17 - What is Chinese New Year? How big is the holiday?  3:28 - The traditions around Chinese New Year 4:28 - When exactly is Chinese New Year? 6:07 - Zodiac symbols and how they can affect business 8:40 - Why is it called the Spring Festival?  9:41 - Tip #1: Deadlines for Chinese New Year orders  11:06 - Tip #2: Days off during Chinese New Years  13:19 - Tip #3: Quality control during Chinese New Year 15:08 - Tip #4: Delays  17:05 - Tip #5: Being considerate As always, if you have any questions or anything that you need help with, reach out to us at support@ecomcrew.com if you're interested.  Don't forget to leave us a review on iTunes if you enjoy our content. If you have any questions, send us an email at support@ecomcrew.com. We'd love to help you in any way we can.  Thanks for listening! Until next time, happy selling!

This is a sort of "marker" podcast -- my 400th. It's kind of my summing up on the subject of human identity and the origin of human satisfaction. The cast cites a recent interview (https://www.spectator.co.uk/article/im-a-new-kind-of-christian-jordan-peterson-on-faith-family-and-the-future-of-the-right/) with Jordan Peterson, and do note that the interviewer is almost as interesting as the interviewee I also quote John Zahl's distillation sermon from December 29th (https://events.locallive.tv/events/148984) -- which happened to be Mrs. Zahl's and my 51st Anniversary. The cast finishes with a little James Hilton (i.e., one's current fave) and... a 1978 cover of Maurice Williams & the Zodiacs. You'll see. I want you to think about the origins of your own psychic self. From where does "self-hood" come? Did you create yours? What do you want for yourself more than anything else in the world? What would you do anything to acquire? Oh, and is satisfaction in life about loving or being loved? When have you been happiest? (When have you been happy at all?) "All You Need Is (Be-)Love(dness)". Nothing else really matters -- or at least at the start of life (I mean infancy), and also at the end of (mortal) life (I mean death). Oh, and also at every felt point of need you have ever had to face. At the end of the day, a baby, a "disheartened" person (to quote Jackie Wilson from '68), and a dying person need one thing: Love From Outside. And may that Love ever "STAY" (J. Browne, '78). Podcast 400 is dedicated to Mary Cappleman Zahl.

Often overshadowed by his son's architectural wonders like the Taj Mahal, Emperor Jahangir was a true connoisseur of beauty.  His reign witnessed a flourishing of art, architecture, and craftsmanship through his patronage of impressive workshops of artists who created vibrant masterpieces. Jahangir continued expressing his love of the natural world through the paintings he commissioned: from zebras to squirrels to exotic birds. And women were not excluded from his world of art. His powerful wife Nur Jahan oversaw architectural projects like the “Baby Taj”, and female painters at court documented the intimate life of the imperial harem. But beyond documenting the world around him, how did Jahangir use art as propaganda, and what is the meaning behind the mysterious zodiac coins he created? Listen as William and Anita are joined by Susan Stronge, curator of the V&A exhibition, The Great Mughals: Art, Architecture and Opulence, to discuss the visual culture of the court of Jahangir. Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producers: Anouska Lewis & Aaliyah Akude Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

This December 2024 is the Month of the Yang Fire Rat, what does this mean for all the Chinese Zodiacs? Find out in today's episode how you'll react to this month. This episode is also accompanied with light hearted jokes and personal stories between mother and daughter duo Jo and Chloe. Enjoy! ______   Smashing Secrets Feng Shui has been brought to you by Mother-Daughter Duo Jo and Chloe Russell. For in-depth monthly horoscopes and other Feng Shui and Chinese astrology updates, subscribe to our Patreon: patreon.com/smashingsecrets For monthly Feng Shui advice subscribe to our newsletter through our website smashingsecrets.com Follow us on Twitter for daily updates @smashingsecret Follow us on Instagram for weekly updates @smashingsecrets To watch our episodes on subscribe to our YouTube © 2024 Smashing Secrets. All Rights Reserved. 

This show was meant to be about lunar standstills, yet that's not quite what happened.  It often happens with Brett and I.  Lots of Gemini between us.  What ended up being discussed were the three main zodiacs, some astronomy, and a hint of the lunar standstill.  We will treat this one as part 1; part 2 will cover what we originally set out to explore.  It's more lecture than anything, but I think you will learn loads from listening. enjoy -adam his site: https://geminibrett.com   to work with me: ...to schedule a reading: www.adam-sommer.com

Area/TopicWorldwide, Expedition Cruises, Adventure Tourism Industry, BusinessTodd SmithFounder & PresidentAdventureSmith ExplorationsInspired by his grandfather to camp and travel the world, Todd's wanderlust started early. A cancer diagnosis and subsequent treatment changed his outlook on life, instilling at an early age a precious perspective to live life to the fullest. Launching his career as a naturalist guide in Alaska and Baja California, Todd gained firsthand experience operating expedition cruises and learned what it takes to exceed traveler expectations. He was instrumental in pioneering early adventure cruises with Zodiacs, kayaks and professional expedition leaders. Connecting travelers to the wilderness and conservation became his lifelong passion and the foundation of his successful adventure travel company, AdventureSmith Explorations, established in 2003.Todd has been named a Top Travel Specialist on Condé Nast Traveler's annual Top Travel Specialists List 11 times, and has been featured on television shows such as Lonely Planet and Jack Hanna's Animal Adventures. He's an elected board member of IGTOA (International Galapagos Tour Operators Association) and an advocate for sustainable travel initiatives worldwide. https://adventuresmithexplorations.com/summaryIn this episode of the Big World Made Small podcast, host Jason Elkins speaks with Todd Smith, founder and president of Adventure Smith Explorations. Todd shares his journey from the ski industry to adventure travel, discussing the evolution of expedition cruising and the importance of small ship experiences. The conversation delves into the changing dynamics of the cruise industry, personal influences that shaped Todd's career, and the significance of relationships in the travel business. They also explore current trends in expedition cruising, including the appeal of the Arctic and Northern Lights, and the benefits of working with Adventure Smith for planning travel adventures.takeawaysTodd's journey into adventure travel began after college in the ski industry.The evolution of expedition cruising has created a niche market for small ship experiences.Small ships allow for deeper exploration of destinations compared to large cruise ships.Relationships with clients, staff, and partners are crucial for success in the travel industry.The pandemic taught the importance of maintaining strong relationships in business.Diversification in travel offerings can help mitigate risks associated with regional conflicts.The Arctic and Northern Lights are becoming increasingly popular travel destinations.New luxury expedition ships are changing the landscape of adventure travel.Adventure Smith offers personalized service without additional costs compared to booking directly.The auroral cycle's peak presents unique opportunities for travelers to experience the Northern Lights. Learn more about the Big World Made Small Podcast and join our private community to get episode updates, special access to our guests, and exclusive adventure travel offers at bigworldmadesmall.com.

Intro: One More Night – Can   1. Bernadette – Four Tops (3:01) 2. Baby I Need Your Loving – Four Tops (2:44) 3. Stay – Maurice Williams & the Zodiacs (1:33) 4. Born a Woman – Sandy Posey (1:44) 5. Peter Gunn – Duane Eddy (2:15) 6. Hey Grandma – Moby Grape (2:24) 7. The Cat – Zoot Money's Big Roll Band (3:32) 8. Mas Que Nada – Sergio Mendes & Brasil 66 (2:38) 9. Bèné Motè – Muluqèn Mèllèssè & Dahlak Band (2:31) 10. Chan Chan – Eliades Ochoa (4:16) 11. Mamacita – Kenny Dorham (10:57) 12. Contort Yourself – The Contortions (4:26) 13. Rid of Me – PJ Harvey (4:28) 14. Cosmia – Joanna Newsom (7:17) 15. Sunflower – Low (4:39) 16. Box of Rain – Grateful Dead (5:19) 17. Mama Tried – Grateful Dead (2:43) 18. The Eleven – Grateful Dead (5:50) 19. Another Country – Electric Flag (8:44) 20. Walk on the Wild Side – Lou Reed (4:14) 21. Lam Tooro – Baaba Maal & Mansour Seck (6:41) 22. Svantetic – Tomasz Stańko Septet (10:58) 23. Beatitudes – Sweet Honey in the Rock (3:28) 24. 31 VII 69 10.26-10.49PM (excerpt) – La Monte Young & Marian Zazeela (3:41)   Outro: Pogles Walk – Vernon Elliott Ensemble

ICYMI: Hour Two of ‘Later, with Mo'Kelly' Presents – ‘Beyond the Box Score' with regular guest contributor Jackie Rae; Long Beach Post/WNBA Reporter and host of ‘The Jackie Rae Show,' weighing in on Deion Sanders' 'We Got Time Today' Talk Show & the 2024 winter college football transfer portal…PLUS – Thoughts on the ‘Villa Vie Residences' launching a 4 year cruise designed for passengers who want to avoid American politics AND a look at your horoscope and a week full of highs & lows - on KFI AM 640…Live everywhere on the iHeartRadio app

Welcome to episode 93, where we focus on my love and appreciation of three-hand watches! Below you'll find links to all the topics we discussed today, along with a few organizations worth checking out. Don't forget to support the veterans in your life and enjoy the watch talk! Grand Seiko SBGX335: https://timeandtidewatches.com/hands-on-the-utilitarian-grand-seiko-sbgx335-delivers-more-than-just-wrist-presence/ The Grand Seiko SBGX335 is a wonderful GADA timepiece. Enjoy the wonderful review by Time & Tide. Seiko Caliber NH38: https://calibercorner.com/seiko-sii-caliber-nh38a/ This movement works wonderfully for mods. If you want a no b.s., GADA Seiko mod, I can't recommend the NH38 enough. I have one in a Mil-Sub mod. It's a workhorse and affordable. Rolex Explorer: https://www.rolex.com/en-us/watches/explorer/explorer  Arguably the most well-known iteration of a no-date watch. This, for me anyway, would find tons of wrist time—one of the most beautiful models I've held in my hand, regardless of era.   A Blog To Watch Article-New Release Zodiac x Craft+Tailored Super Sea Wolf LE: https://www.ablogtowatch.com/new-release-zodiac-x-craft-tailored-super-sea-wolf-ref-691-limited-edition-watch/ Ripley Sellers runs us through the latest Limited Edition by Zodiac Watches. This 36mm harkens to Zodiacs of the past and looks good doing it. Also, it's a no-date! Veterans Crisis LineIf you or a veteran you know is in crisis, Dial 988 then Press 1 for help. The original Veterans Crisis Line number, 1-800-273-8255 (Press 1), is still available, or veterans can chat online at: https://www.veteranscrisisline.net/get-help-now/chat/You can also text to 838255. Donate to the Veterans Watchmaker Initiative: https://www.veteranswatchmakerinitiative.org/donate-now/Support VWI and help veterans develop watchmaking skills that can lead to meaningful careers. Mushi Watch Straps - SponsoredThe pod is sponsored by Mushi Watch Straps, a Veteran-Owned Company that makes stylish, durable, and fairly priced watch straps and accessories. Use discount code “VET10” for 10% off your entire purchase at checkout: www.mushiwatchstraps.com  Anti Watch Watch Club (AWWC) - SponsoredThe pod is also brought to you by the Anti Watch Watch Club (AWWC). This 501(c)(3) non-profit organization supports veterans, LEOs, and First Responders via monetary, social, humanitarian, and emotional support. Learn about them here: https://antiwatchclub.org/pages/about-us Visit WatchRolling.com for moreFor Veteran Resources, articles, and cool watch-related content, visit: https://www.watchrolling.com/And remember, at WatchRolling.com – "You make the watch; the watch doesn't make you." --- Support this podcast: https://podcasters.spotify.com/pod/show/watchrollingpod/support

Sorry it gets really glitchy at the end

New drop and we are examining the dark powers, and forces behind witchcraft. Witchcraft is evil, and demonic and a few of its sources are yoga, psychics, mediums, crystals, and sage. the devil is everywhere

This week, we are BACK!!!! We are joined by our resident straight girl, Alex Burch for some fun conversations and a good old sh*t talking session! Stay Queer!Enjoy early access and bonus content on our Patreon. LINK HEREWe want to hear from you!TikTok: @queerinsightpodInstagram: @qi_podFacebook: qinsightpodEmail us: qinsightpod@gmail.com

This is a re-edit of a conversation with David Fleming and Maurice Williams, who passed away in early August at the age of 86. His first time on the charts was in the late 50's with the song "Little Darlin'," (as The Gladiolas) though the biggest hit from Maurice Williams and the Zodiacs, undoubtedly, was STAY. This one also has a nice behind the scenes story, though it's pretty much straight forward with a simple listen. It's the end of a date you don't want to end.

Sintonía: "Space Mambo" - The Limboos"This May Be The Last Time" - The Staples Singers; "You Don´t Care" - Bo Diddley; "Sun Arise" - Rolf Harris; "Angels + Devils" - Sun Ra; "Needed Time" - Lightning Hopkins; "Stay" - The Zodiacs; "She´s Coming Home" - The Wailers; "Can´t Let Go" - Evie Sands; "Crawdaddy Simone" - The Syndicats; "Elevator Operator" - The Rays; "Perfidia" - Xavier Cugat; "It Was I" - The Fantastic Baggies; "Firebird" - The White Noise; "The Love Will Find You" - Daniel Johnston; "Just One Time" - Juicy Lucy; "I Take That We´re Through" - The Riot Squad; "Witchdoctor" - John Mayall´s Bluesbreakers; "Ramblin´ Rose" - MC5Todas las músicas (menos la sintonía) extraídas de la recopilación/sesión (1xCD/2xLP) "Spacelines: Sonic Sounds For Subterraneans; A DJ Selection by Sonic Boom" (Munster Records, 2004) Escuchar audio

AP correspondent Margie Szaroleta reports on the death of singer Maurice Williams of The Zodiacs.

Upset = 18 so you know the drill!!!! Singer Maurice Williams of the ZODIACS dead at 86, shooting in San Antonio plus more. MAKE SURE YOU SUBSCRIBE TO MY YOUTUBE CHANNEL "General Policy: FWM"

Happy Monday, besties! This week on the pod we have one of Chelsey's oldest best friends, Elisa Scott! Elisa shares her experience with divorce, her faith transition, her passion for dance & art therapy, + lots more! Don't pass this one up; it's good!

Solar Sam is back with more zodiac for the workplace! Website

Have you ever thought you knew what an experience was going to bring, and then turned out to be WAY off? Going to Antarctica for the first time, there were things we both thought we “knew” about what to expect… but we never expected the unique skills we'd build from being “on ice.” In this episode, we (your hosts, Keri Nelson and Cassa Grant) discuss the unexpected skills and knowledge we gained while working in Antarctica.  These skills varied from the wacky things we didn't expect to do, like learning to play music and handling penguins for research… to driving unique vehicles like Ivan the Terra Bus and Zodiacs, understanding weather patterns, and observing marine mammals.  We've found that skills acquired in Antarctica can be valuable in other contexts, like project management, communication, and persuasion, which are all critical skills in a remote environment like Antarctica. What unexpected skills have YOU built over the years? And how do they help you today? This episode is a chance for you to see your progress and appreciate how far you've come. Follow us: Instagram:⁠ https://bit.ly/ADTFMIG⁠ Facebook:⁠ https://bit.ly/ADTFMFB⁠ LinkedIn:⁠ https://bit.ly/ADTFMLI⁠ TikTok:⁠ https://bit.ly/ADTFMTT⁠ Watch the episodes on Youtube - ⁠ https://bit.ly/ADTFMYT⁠ Follow Keri at Simply Antarctica: TikTok: ⁠https://bit.ly/SimplyAntarcticaTT⁠ Instagram: ⁠https://bit.ly/SimplyAntarcticaIG⁠ Facebook: ⁠https://bit.ly/SimplyAntarcticaFB⁠ Follow Cassa: LinkedIn: ⁠https://bit.ly/CassaGrantLI⁠ Instagram: ⁠https://bit.ly/CassaGrantIG

This podcast is written in the stars as James and Hayley discuss all things Zodiac! In this special episode of Business Marriage, the pair uncover the true meanings behind star signs, their associated traits, and explore whether their own star signs are romantically aligned! James, a Virgo, describes himself as lively, fun, loyal, and honest. Meanwhile, Hayley, a Leo, sees herself as confident and comfortable being the centre of attention, though she doesn't see herself at the centre of everything! They delve into topics such as Chakras, the essence of Zodiacs, and the phases of the Moon. This episode is brimming with all the information you need to know about your star sign, its traits, and potential romantic alignments! Choose wisely, as James and Hayley wouldn't want you to end up with someone whose star sign isn't compatible with yours... although, if you find yourself with someone who isn't romantically aligned with you... run!

We are talking about Maxine's recent cruise to Antarctica on Seabourn Venture. . Welcome to this week's Cruise Chat! If you find value in this video and wish to help this channel, you can donate using this link: https://bit.ly/KathleenPenner. . Video Requests: info@PlentyofSunshineTravel.com. . I loved meeting with Maxine and learning more about the Seabourn expedition experience. . Why Choose Seabourn? Seabourn is a luxury small-ship company with five luxury ships and two luxury expedition ships travelling to remote destinations. Their vessels have a capacity of 458 to 604 guests, and the expedition ships have 264 guests. You will have the intimacy of a small ship experience combined with luxury and amenities. . This ship has a beautiful infinity pool, and it would be fabulous to soak in the warm water as you sail past glaciers and ice peaks. There is something magical about that! . One of the expedition ships goes to the Arctic, and one goes to the South Pacific & Australia and the Antarctic, while the other heads to the Amazon. So they can be in the med, and they can be in Brazil and the Caribbean. The infinity pools are very multi-purpose! In the lower hemisphere, you can sail from November until March, as it is their summer, with more extended daylight and pleasant temperatures. . In this week's episode, we talked about Maxine's experience with Antarctica. She talked about being out on the deck and celebrating with the included champagne as you toast to seeing land. . Seabourn has 100% veranda outside suites. The suites start at 350 square feet and have a walk-in closet, a large bathroom with marble, a soaker tub, and a shower with double sinks. . They are luxury! . Sitting on the deck, you can snuggle under a blanket provided while enjoying your views of Antarctica. . Getting from Ship to shore is easy and efficient with Zodiacs—heavy-duty inflatable sides. You will make a wet landing and step into the water with the provided boots to keep you dry. Your welcoming party will be Penguins! Now that's a great welcome! . You will also be provided with Helly Hansen Parkas - which is yours to keep. . You can hike from 8:00 a.m. until 10:00 a.m. - it's self-guided. You don't see everyone else in the photos because you are divided into groups and take turns disembarking from the ship. Everyone goes at their own pace. You are asked not to get too close to the wildlife, but they come close to you! . When you return to the ship, all your clothing and boots will be stored in the mud room, where everyone has a locker. The Mud Room is attached to the Landing Zone. . Seabourn Venture and its expedition ships are open to people of all ages. On Maxine's voyage, there was a six-year-old and an 86-year-old. Six is the youngest age allowed on Seabourn's Expedition ships. . One of the best activities I and many others would want to do is the polar plunge! You jump off the side of the Ship. Once you come back onboard, you can sit in the hot tub or head to the sauna. I would like this because it is a once-in-a-lifetime event, and you can warm up fast! . This is perfect for single cruises because you will always share experiences with others while cruising alone. It is a social atmosphere because it's small and intimate, and you make lifelong friends through shared experiences. . Please reach out to me to book your cruise! I want you to be on board. You will be forever changed by this experience, just as Maxine was. . If you want to learn more about Seabourn or any other cruise lines I have met with, please email me at info@PlentyofSunshineTravel.com. . You can also fill out this simple form: https://bit.ly/3mxFUNd, and I will get back to you. . Click HERE to see the images in this week's episode. . Search #PlentyofSunshineTravel on Facebook or Instagram to see our posts. . . . #Seabourn #SeabournVenture #SeabounPursuit #CruiseSpecialist #CruiseGuru #travelagenttips #luxurytraveladvisor #LuxuryCruiseTravelAgent --- Send in a voice message: https://podcasters.spotify.com/pod/show/cruisingthewavespodcast/message

Full Moon in Scorpio Breakdown and Reading Full Moon in Scorpio The Pink Moon Full Moon is occurring on April 23,2024 at 4 degrees in Scorpio. Full Moon in Scorpio, also known as the pink moon, brings a vibrant energy of seduction and intimacy, revealing hidden possibilities. It illuminates our true selves in the quiet moments, unlocking areas of the heart and pleasure. Moving beyond hurt, past shadows and secrets, it allows us to embrace creative passion and desires. Embrace the seductive darkness and fulfill your secret desires with confidence becoming one with your internal scorpion. Zodiacs most influenced Scorpio Taurus Aquarius Leo Chakras to engage Sacral Chakra Heart Chakra Throat Chakra Crown Chakra Zodiac Reading & Breakdown Readings are done with an open mind, pure heart and good intentions by Chakra, Astrology and tarot based intuitive Katherine from Chakras & Cusswords. Order of the reading. Each Zodiac Element (Fire, Water, Earth & Air) About Chakras & Cusswords Podcast Chakras & Cusswords is a real life podcast that dives into self growth, self care and daily obstacles. Topics include over coming obstacles, clean eating, spirituality, relationships, self improvement, working out, raising kids, social topics, and finding your purpose. Life is a journey of happiness, grief, disappointments and courage. Finding our passion, impacts and success one day at a time. Katherine Pacheco is an esteemed practitioner of Chakra, Astrology, and Tarot Alchemy, harnessing the cosmic forces and energies to manifest magic and success. As the visionary behind the acclaimed Chakras & Cusswords Podcast, she curates an oasis for the modern day mystic, guiding seekers on a transformative journey of self-discovery. Her illustrious presence has graced prestigious platforms such as Good Day Sacramento, The Astrology Magazine, and the revered Aura app. Elevating her craft to the forefront, the Chakras & Cusswords Podcast has earned distinction as one of the Top 5 Chakra-inspired Podcasts. Furthermore, Katherine is a certified life, chakra, and meditation coach, specializing in the holistic healing of mind and soul through the profound resonance of sound energy. Her expertise serves as a beacon of hope and renewal for those embarking on the path of personal growth and spiritual enlightenment. Links: Building your business and brand through the Chakras https://www.chakrascusswords.com/product-page/creating-your-business-or-brand-through-the-chakras-work-book https://www.instagram.com/chakras_cusswords/ #astrology #fullmoon #fullmooninscorpio #tarotreading --- Send in a voice message: https://podcasters.spotify.com/pod/show/chakrascusswords/message Support this podcast: https://podcasters.spotify.com/pod/show/chakrascusswords/support

Check out the newest episode of with the homie Patty B. We discuss old people wildin at work, how are we staying sane, people's obsession with Zodiacs and more. --- Support this podcast: https://podcasters.spotify.com/pod/show/willy-southside/support

Part two, sorry for leaving y'all hanging but I had to cut things short... Now to talk about the different interactions, experiences, and love hate for these Leos... Cancers... Taurus.... and so on! We gotta talk about how folks are going to be who they are at the end of the day. --- Support this podcast: https://podcasters.spotify.com/pod/show/julia-aka-missbreaker/support

Let's talk about it! New year, new tings to the worse from the best signs that Cookie and I hav ever come across. No hard feelings towards anyone out there.... We all talk our shit and most definitely talk out shit about how Scorpio's and Sagittarius's can be crazy too! tune in as we take y'all down our Storytime of interactions with our experiences dating certain types of zodiacs. --- Support this podcast: https://podcasters.spotify.com/pod/show/julia-aka-missbreaker/support

Astrologer Emily Trinkaus joined me today to talk about the unique energies of this Capricorn Solstice on December 21st, and using the power of your mind to create the world and life you want to live in. Some of the alignments we discussed include these: This is the last Solstice for nearly 250 years with Pluto in Capricorn, bringing forward the question of how we use our power; Mercury is exactly conjunct the Sun at the Solstice, a rare occurrence emphasizing the need and opportunity for 'mental ownership' and sovereignty, as well as the power of our attention; Venus has a great deal of influence at the Solstice, and the alignment with Uranus offers a chance to break free from old trauma stories and resentments. We also discussed, explained, and shared a rant about the ever-recurring and unnecessary debate over the difference between the tropical (with the seasons) versus sidereal (with the stars) Zodiacs. We shared our views on why they both work, they are both accurate, and each Zodiac has its own form of elegance. Chart of the Capricorn Solstice Graphic of the equinoxes, solstices, and their correspondence to the Zodiac Find out more about Emily's work Learn more about Kristine's online Solstice retreat --- Send in a voice message: https://podcasters.spotify.com/pod/show/natural-wisdom/message

2024 is around the corner so lets explore the lessons to learn and take into 2024 to evolve and grow to better yourself and create the most abundant and transformational 2024. I break down the main lessons for each zodiac sign to learn and implement. Journal Prompts: Do you resonate with your sun sign? Do you feel that you have conquered the lessons for your sign? What lessons do you resist? How can you overcome your resistance to learning your lesson? Have you explored your astrological birth chart and if so what stood out to you?  Thank you for tuning in x Don't forget to subscribe, leave a review and rate this podcast. I appreciate YOU so much! ----------------------------------------- Get My Guide: https://www.ro-hik.com/books/p/28-days-to-home-a-guide-to-your-soul ----------------------------------------- Follow me on: @andbeyondpodcast For health coaching: @rohikbynoor  @noorkaawach --- Support this podcast: https://podcasters.spotify.com/pod/show/chaosintheattic/support

Well hello there Wanderers!We have a longer episode for you today, and for good reason. We are talking about a couple of the lesser known Zodiac Sign systems! While you may be familiar with the Western Zodiac (ex. Capricorn, Scorpio and Leo), have you heard about the Celtic Tree Zodiac, or the Egyptian Zodiac? If not, please grab a snack, a warm beverage and join us under the stars as we dive in!And to all those who celebrate, Happy Thanksgiving!!Resources:https://aas.org/faq/whats-difference-between-astronomy-and-astrologyhttps://www.oakhillgardens.com/blog/celtic-tree-astrology-zodiac-signs-birthday-horoscopeshttps://www.lovetoknow.com/life/astrology/celtic-astrological-signshttps://belowthestars.com/egyptian-astrology/https://www.zodiacsign.com/zodiac-signs/capricorn/We would love to hear from you!Follow us on Instagram! @foolishwandererspodcasthttps://www.instagram.com/foolishwandererspodcast/Subscribe to our Youtube: Foolish Wanderers Podcasthttps://www.youtube.com/channel/UCwnmv7ddZw4g4KgCw9viNsgEmail us at: fwplisteners@gmail.com

It's NONFICTION NOVEMBER! Join us for an Antarctic adventure with the Penguin Guy, Guillaume de Remacle! Dive into a world of penguins, breathtaking landscapes, and the secrets of the Southernmost Post Office. Discover the beauties and challenges of Antarctica, the incredible world of these fascinating birds, and how we can all become Antarctic ambassadors.

Have you ever been referred to as SO [insert zodiac sign, MBTI, enneagram, etc here]?? In this episode, Jojo and April chat about having a podcast and being perceived, if we relate to all these boxes we're told we fit, and more. Aaaand that's a wrap on season five! This season was a bit different for us but we're so happy with how it all turned out… we'll be back soon! In the meantime, don't forget to follow along on our socials

MARIA BLAQUIER! "DRACONIC ASTROLOGY"  SIGN UP BEFORE OCT 31ST TO CHOOSE YOUR TUITION RATE! SIGN UP NOW AND PAY AS LOW AS $5 A CLASS! LEARN MORE AND SIGN UP NOW AT https://www.synchronicityuniversity.com Link in stories & bio ✨ or visit  See the full interview on my YouTube channel now ✨nadiya shah✨    This comprehensive course on Draconic Astrology covers everything from the types of Zodiacs to the origin of Draconic Astrology, and even includes exclusive research on using the Draconic Chart to discern the Charts of Twins. You'll learn how to calculate a Draconic Charts, compare them with Tropical Charts, and explore the influence of Draconic Houses on Tropical Houses. Website: http://www.mariablaquier.com YouTube Channel: @AstrologiaMariaBlaquier Instagram: @astrologiamariablaquier Facebook: astrologia.maria.blaquier Schedule 1. Zodiac Types, Nodal Axis & Draconic Astrology 2. Draconic and Tropical Charts 3. Nodal Return Chart and Sinastry 4. Transits and Progressions on Draconic Charts 5. Draconic Chart Mastery SIGN UP BEFORE OCT 31ST TO CHOOSE YOUR TUITION RATE! SIGN UP NOW AND PAY AS LOW AS $5 A CLASS! LEARN MORE AND SIGN UP NOW AT https://www.synchronicityuniversity.com #astrologyclass #astrologyclassonline  #astrologytalk  #astrologyschool #synchronicityuniversity @synchronicityuniversity  Thank You for watching! ♥️♥️♥️

Get expanded videoscopes for your sign at my website now at nadiyashah.com 

A Tall Woman's Perspective Hosted By ⁠Riah⁠ feat. ⁠KevEZE⁠ This show is for everyone but in particular this is for the tall women out there!! Shout out to KevEZe for Co-hosting this show with me ....So fellas you have representation on this show! Lets Chat!! #OnVSN⚡ Subscribe https://www.youtube.com/@VentureSeasonNetwork

The Future Is Magical   https://www.nadiyashahsuperstars.com #astrology #astrologyposts #astrologypost #astrologer #theuniverseiswiseandloving  Thank You for watching! ♥️♥️♥️

Today's episode is all about the hot topics.  Our guest for today is long term friend Kevin McKinley @kevv_slink  who is on to dive into the deeper subjects of modern dating, gender roles and figuring out the deal with zodiac shaming. We also cover in the episode:How to find and be more genuine content creatorsHow social media affects on relationshipsMama's boys and other dating red flagsDating people with children or dating with kids It's a fun hot mess, hot topic episode, enjoy!  Guests:@kevv_slink@beautifullylex@kreativecreationsandcustoms@shi.feverie@_feverieIf you want more self care tips along with daily affirmations, make sure to check out our FREE Self Care Guide to use daily.

Josiah and Micah unpack Victoria's question on this episode of the FYI Podcast! www.youngadults.today www.fyi-podcast.com  

Lara Charlotte joins us once again for this fresh season of Birdsong.    Her “formal” bio is below, but as I introduce her on the show...   She's a mystic, she's holistic, she's a plant healer, divine revealer, wise witch incarnate, fresh from the amazon with that wild jungle glow, she's a star tracker, a crypto stacker, the rose lover, Venusian stunner... Lara Charlotte. We talk embodied astrology and the era defining shift of Pluto moving from Capricorn to Aquarius. Exciting times ahead!   As for Lara: She was born in Aotearoa, New Zealand and descends from settler colonisers of mostly English, Irish and Scottish lineage. Since 2012 she left a corporate career due to a personal health crisis and has since immersed in a journey of soul remembrance, transformational healing and devotional service.   She spent over 5 years in full-time training with traditional shamanic plant medicines in the Peruvian Amazon, a path she continues with until now.   Lara also co-founded a retreat centre working with hundreds of guests in deep transformational processes. She has trained to be trauma informed and hold a space for others that is mindful of diversity, western mental health frameworks and the ongoing process of personal awakening throughout our lives and across generations.   Lara is a devoted lover of the mythic realms that are discovered in deep relationship with self, body, nature and story across time and space. Her current work draws on the range of modalities listed here and is adapted to suit the unique needs of each person and situation. She has also featured on various podcasts and presents to workshops and trainings on her work and life experiences.   LARA'S LINKS: WEBSITE: https://www.pathoftherose.com INSTAGRAM: https://www.instagram.com/mythic_muse/ https://podcasts.apple.com/au/podcast/the-astrology-podcast/id541401108?i=1000595961684   CAIYUDA'S LINKS: WEBSITE: https://www.caiyudakiora.com INSTAGRAM: https://www.instagram.com/caiyudakiora TIKTOK: https://www.tiktok.com/@caiyudakiora SPOTIFY: https://open.spotify.com/show/30AGOxSHAtdxs8xnCw1STa?si=fad30c997d474a07 AFFILIATE LINKS: Get 10% off some of the best medicinal mushroom, tonic herb and adaptogenic blends at Superfeast. Use code CAIYUDA10 at checkout. https://www.superfeast.com.au/ TIMESTAMPS:   [1:17] Lara's ancestral connections and recent time with Plant Medicine in the Amazon Jungle [6:54] The quest to relieve personal suffering and The Path of Relationship [8:46] Starting to contextualize astrology [13:00] HOW does astrology work... OR... WHY does astrology work? [16:30] Why should we care about astrology? [22:06} Ancient cultures and their animistic relationship to the stars [28:36] The type of astrology that Lara practices [34:00] Zodiacs, houses, slices of pie and planetary positions [37:00] The significance of Pluto's return in these transformative times [40:26] Pluto, Capricorn, Corruption and the Global Financial Crisis of 2008 [48:30] Pluto moving into Aquarius and the theme of Revolution [52:00] Pluto retrograding back into Capricorn [53:00] The spectrum of maturity and opportunity: immature and mature Aquarius [54:00] Decentralized currencies and the astrology chart for Bitcoin [57:45] Astrology, opportunity, invitations and creative empowerment [1:00:00] Quantum leap potentials through alchemizing astrology [1:02:30] Elon Musk “the Musk Rat” and what he's missing... [1:04:30] 2026, Air Trine, Digital Tech chaos... and balancing it out by integrating opposites [1:08:30] The qualities of the planets and gaining access to the transpersonal planets [1:12:20] Experiential understanding and big wolf dreaming [1:14:20] Lara's big initiatory transmissions on astrology [1:15:40] Embodied astrology and body-centred and psychosomatic practices [1:19:00] Shifting into the body's receptive wisdom to connect with the planetary gods [1:23:35] Saturn return and surfing wisdom metaphors [1:24:40] Astrology, plant medicine and synchronicity [1:30:00] Doing the “pluto” work, digesting the trauma and birthing new visions [1:31:05] Hope, into Trust, into Knowing = Empowerment [1:34:49] The Heart Alchemy Program & Devotional Sadhana [1:44:38] Lara's encouragement to newbies on the Astrology Path

Episode 165 of A History of Rock Music in Five Hundred Songs looks at “Dark Stat” and the career of the Grateful Dead. This is a long one, even longer than the previous episode, but don't worry, that won't be the norm. There's a reason these two were much longer than average. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "Codine" by the Charlatans. Errata I mispronounce Brent Mydland's name as Myland a couple of times, and in the introduction I say "Touch of Grey" came out in 1988 -- I later, correctly, say 1987. (I seem to have had a real problem with dates in the intro -- I also originally talked about "Blue Suede Shoes" being in 1954 before fixing it in the edit to be 1956) Resources No Mixcloud this week, as there are too many songs by the Grateful Dead, and Grayfolded runs to two hours. I referred to a lot of books for this episode, partly because almost everything about the Grateful Dead is written from a fannish perspective that already assumes background knowledge, rather than to provide that background knowledge. Of the various books I used, Dennis McNally's biography of the band and This Is All a Dream We Dreamed: An Oral History of the Grateful Dead by Blair Jackson and David Gans are probably most useful for the casually interested. Other books on the Dead I used included McNally's Jerry on Jerry, a collection of interviews with Garcia; Deal, Bill Kreutzmann's autobiography; The Grateful Dead FAQ by Tony Sclafani; So Many Roads by David Browne; Deadology by Howard F. Weiner; Fare Thee Well by Joel Selvin and Pamela Turley; and Skeleton Key: A Dictionary for Deadheads by David Shenk and Steve Silberman. Tom Wolfe's The Electric Kool-Aid Acid Test is the classic account of the Pranksters, though not always reliable. I reference Slaughterhouse Five a lot. As well as the novel itself, which everyone should read, I also read this rather excellent graphic novel adaptation, and The Writer's Crusade, a book about the writing of the novel. I also reference Ted Sturgeon's More Than Human. For background on the scene around Astounding Science Fiction which included Sturgeon, John W. Campbell, L. Ron Hubbard, and many other science fiction writers, I recommend Alec Nevala-Lee's Astounding. 1,000 True Fans can be read online, as can the essay on the Californian ideology, and John Perry Barlow's "Declaration of the Independence of Cyberspace". The best collection of Grateful Dead material is the box set The Golden Road, which contains all the albums released in Pigpen's lifetime along with a lot of bonus material, but which appears currently out of print. Live/Dead contains both the live version of "Dark Star" which made it well known and, as a CD bonus track, the original single version. And archive.org has more live recordings of the group than you can possibly ever listen to. Grayfolded can be bought from John Oswald's Bandcamp Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript [Excerpt: Tuning from "Grayfolded", under the warnings Before we begin -- as we're tuning up, as it were, I should mention that this episode contains discussions of alcoholism, drug addiction, racism, nonconsensual drugging of other people, and deaths from drug abuse, suicide, and car accidents. As always, I try to deal with these subjects as carefully as possible, but if you find any of those things upsetting you may wish to read the transcript rather than listen to this episode, or skip it altogether. Also, I should note that the members of the Grateful Dead were much freer with their use of swearing in interviews than any other band we've covered so far, and that makes using quotes from them rather more difficult than with other bands, given the limitations of the rules imposed to stop the podcast being marked as adult. If I quote anything with a word I can't use here, I'll give a brief pause in the audio, and in the transcript I'll have the word in square brackets. [tuning ends] All this happened, more or less. In 1910, T. S. Eliot started work on "The Love Song of J. Alfred Prufrock", which at the time was deemed barely poetry, with one reviewer imagining Eliot saying "I'll just put down the first thing that comes into my head, and call it 'The Love Song of J. Alfred Prufrock.'" It is now considered one of the great classics of modernist literature. In 1969, Kurt Vonnegut wrote "Slaughterhouse-Five, or, The Children's Crusade: A Duty-Dance with Death", a book in which the protagonist, Billy Pilgrim, comes unstuck in time, and starts living a nonlinear life, hopping around between times reliving his experiences in the Second World War, and future experiences up to 1976 after being kidnapped by beings from the planet Tralfamadore. Or perhaps he has flashbacks and hallucinations after having a breakdown from PTSD. It is now considered one of the great classics of modernist literature or of science fiction, depending on how you look at it. In 1953, Theodore Sturgeon wrote More Than Human. It is now considered one of the great classics of science fiction. In 1950, L. Ron Hubbard wrote Dianetics: The Modern Science of Mental Health. It is now considered either a bad piece of science fiction or one of the great revelatory works of religious history, depending on how you look at it. In 1994, 1995, and 1996 the composer John Oswald released, first as two individual CDs and then as a double-CD, an album called Grayfolded, which the composer says in the liner notes he thinks of as existing in Tralfamadorian time. The Tralfamadorians in Vonnegut's novels don't see time as a linear thing with a beginning and end, but as a continuum that they can move between at will. When someone dies, they just think that at this particular point in time they're not doing so good, but at other points in time they're fine, so why focus on the bad time? In the book, when told of someone dying, the Tralfamadorians just say "so it goes". In between the first CD's release and the release of the double-CD version, Jerry Garcia died. From August 1942 through August 1995, Jerry Garcia was alive. So it goes. Shall we go, you and I? [Excerpt: The Grateful Dead, "Dark Star (Omni 3/30/94)"] "One principle has become clear. Since motives are so frequently found in combination, it is essential that the complex types be analyzed and arranged, with an eye kept single nevertheless to the master-theme under discussion. Collectors, both primary and subsidiary, have done such valiant service that the treasures at our command are amply sufficient for such studies, so extensive, indeed, that the task of going through them thoroughly has become too great for the unassisted student. It cannot be too strongly urged that a single theme in its various types and compounds must be made predominant in any useful comparative study. This is true when the sources and analogues of any literary work are treated; it is even truer when the bare motive is discussed. The Grateful Dead furnishes an apt illustration of the necessity of such handling. It appears in a variety of different combinations, almost never alone. Indeed, it is so widespread a tale, and its combinations are so various, that there is the utmost difficulty in determining just what may properly be regarded the original kernel of it, the simple theme to which other motives were joined. Various opinions, as we shall see, have been held with reference to this matter, most of them justified perhaps by the materials in the hands of the scholars holding them, but none quite adequate in view of later evidence." That's a quote from The Grateful Dead: The History of a Folk Story, by Gordon Hall Gerould, published in 1908. Kurt Vonnegut's novel Slaughterhouse-Five opens with a chapter about the process of writing the novel itself, and how difficult it was. He says "I would hate to tell you what this lousy little book cost me in money and anxiety and time. When I got home from the Second World War twenty-three years ago, I thought it would be easy for me to write about the destruction of Dresden, since all I would have to do would be to report what I had seen. And I thought, too, that it would be a masterpiece or at least make me a lot of money, since the subject was so big." This is an episode several of my listeners have been looking forward to, but it's one I've been dreading writing, because this is an episode -- I think the only one in the series -- where the format of the podcast simply *will not* work. Were the Grateful Dead not such an important band, I would skip this episode altogether, but they're a band that simply can't be ignored, and that's a real problem here. Because my intent, always, with this podcast, is to present the recordings of the artists in question, put them in context, and explain why they were important, what their music meant to its listeners. To put, as far as is possible, the positive case for why the music mattered *in the context of its time*. Not why it matters now, or why it matters to me, but why it matters *in its historical context*. Whether I like the music or not isn't the point. Whether it stands up now isn't the point. I play the music, explain what it was they were doing, why they were doing it, what people saw in it. If I do my job well, you come away listening to "Blue Suede Shoes" the way people heard it in 1956, or "Good Vibrations" the way people heard it in 1966, and understanding why people were so impressed by those records. That is simply *not possible* for the Grateful Dead. I can present a case for them as musicians, and hope to do so. I can explain the appeal as best I understand it, and talk about things I like in their music, and things I've noticed. But what I can't do is present their recordings the way they were received in the sixties and explain why they were popular. Because every other act I have covered or will cover in this podcast has been a *recording* act, and their success was based on records. They may also have been exceptional live performers, but James Brown or Ike and Tina Turner are remembered for great *records*, like "Papa's Got a Brand New Bag" or "River Deep, Mountain High". Their great moments were captured on vinyl, to be listened back to, and susceptible of analysis. That is not the case for the Grateful Dead, and what is worse *they explicitly said, publicly, on multiple occasions* that it is not possible for me to understand their art, and thus that it is not possible for me to explain it. The Grateful Dead did make studio records, some of them very good. But they always said, consistently, over a thirty year period, that their records didn't capture what they did, and that the only way -- the *only* way, they were very clear about this -- that one could actually understand and appreciate their music, was to see them live, and furthermore to see them live while on psychedelic drugs. [Excerpt: Grateful Dead crowd noise] I never saw the Grateful Dead live -- their last UK performance was a couple of years before I went to my first ever gig -- and I have never taken a psychedelic substance. So by the Grateful Dead's own criteria, it is literally impossible for me to understand or explain their music the way that it should be understood or explained. In a way I'm in a similar position to the one I was in with La Monte Young in the last episode, whose music it's mostly impossible to experience without being in his presence. This is one reason of several why I placed these two episodes back to back. Of course, there is a difference between Young and the Grateful Dead. The Grateful Dead allowed -- even encouraged -- the recording of their live performances. There are literally thousands of concert recordings in circulation, many of them of professional quality. I have listened to many of those, and I can hear what they were doing. I can tell you what *I* think is interesting about their music, and about their musicianship. And I think I can build up a good case for why they were important, and why they're interesting, and why those recordings are worth listening to. And I can certainly explain the cultural phenomenon that was the Grateful Dead. But just know that while I may have found *a* point, *an* explanation for why the Grateful Dead were important, by the band's own lights and those of their fans, no matter how good a job I do in this episode, I *cannot* get it right. And that is, in itself, enough of a reason for this episode to exist, and for me to try, even harder than I normally do, to get it right *anyway*. Because no matter how well I do my job this episode will stand as an example of why this series is called "*A* History", not *the* history. Because parts of the past are ephemeral. There are things about which it's true to say "You had to be there". I cannot know what it was like to have been an American the day Kennedy was shot, I cannot know what it was like to be alive when a man walked on the Moon. Those are things nobody my age or younger can ever experience. And since August the ninth, 1995, the experience of hearing the Grateful Dead's music the way they wanted it heard has been in that category. And that is by design. Jerry Garcia once said "if you work really hard as an artist, you may be able to build something they can't tear down, you know, after you're gone... What I want to do is I want it here. I want it now, in this lifetime. I want what I enjoy to last as long as I do and not last any longer. You know, I don't want something that ends up being as much a nuisance as it is a work of art, you know?" And there's another difficulty. There are only two points in time where it makes sense to do a podcast episode on the Grateful Dead -- late 1967 and early 1968, when the San Francisco scene they were part of was at its most culturally relevant, and 1988 when they had their only top ten hit and gained their largest audience. I can't realistically leave them out of the story until 1988, so it has to be 1968. But the songs they are most remembered for are those they wrote between 1970 and 1972, and those songs are influenced by artists and events we haven't yet covered in the podcast, who will be getting their own episodes in the future. I can't explain those things in this episode, because they need whole episodes of their own. I can't not explain them without leaving out important context for the Grateful Dead. So the best I can do is treat the story I'm telling as if it were in Tralfamadorian time. All of it's happening all at once, and some of it is happening in different episodes that haven't been recorded yet. The podcast as a whole travels linearly from 1938 through to 1999, but this episode is happening in 1968 and 1972 and 1988 and 1995 and other times, all at once. Sometimes I'll talk about things as if you're already familiar with them, but they haven't happened yet in the story. Feel free to come unstuck in time and revisit this time after episode 167, and 172, and 176, and 192, and experience it again. So this has to be an experimental episode. It may well be an experiment that you think fails. If so, the next episode is likely to be far more to your taste, and much shorter than this or the last episode, two episodes that between them have to create a scaffolding on which will hang much of the rest of this podcast's narrative. I've finished my Grateful Dead script now. The next one I write is going to be fun: [Excerpt: Grateful Dead, "Dark Star"] Infrastructure means everything. How we get from place to place, how we transport goods, information, and ourselves, makes a big difference in how society is structured, and in the music we hear. For many centuries, the prime means of long-distance transport was by water -- sailing ships on the ocean, canal boats and steamboats for inland navigation -- and so folk songs talked about the ship as both means of escape, means of making a living, and in some senses as a trap. You'd go out to sea for adventure, or to escape your problems, but you'd find that the sea itself brought its own problems. Because of this we have a long, long tradition of sea shanties which are known throughout the world: [Excerpt: A. L. Lloyd, "Off to Sea Once More"] But in the nineteenth century, the railway was invented and, at least as far as travel within a landmass goes, it replaced the steamboat in the popular imaginary. Now the railway was how you got from place to place, and how you moved freight from one place to another. The railway brought freedom, and was an opportunity for outlaws, whether train robbers or a romanticised version of the hobo hopping onto a freight train and making his way to new lands and new opportunity. It was the train that brought soldiers home from wars, and the train that allowed the Great Migration of Black people from the South to the industrial North. There would still be songs about the riverboats, about how ol' man river keeps rolling along and about the big river Johnny Cash sang about, but increasingly they would be songs of the past, not the present. The train quickly replaced the steamboat in the iconography of what we now think of as roots music -- blues, country, folk, and early jazz music. Sometimes this was very literal. Furry Lewis' "Kassie Jones" -- about a legendary train driver who would break the rules to make sure his train made the station on time, but who ended up sacrificing his own life to save his passengers in a train crash -- is based on "Alabamy Bound", which as we heard in the episode on "Stagger Lee", was about steamboats: [Excerpt: Furry Lewis, "Kassie Jones"] In the early episodes of this podcast we heard many, many, songs about the railway. Louis Jordan saying "take me right back to the track, Jack", Rosetta Tharpe singing about how "this train don't carry no gamblers", the trickster freight train driver driving on the "Rock Island Line", the mystery train sixteen coaches long, the train that kept-a-rollin' all night long, the Midnight Special which the prisoners wished would shine its ever-loving light on them, and the train coming past Folsom Prison whose whistle makes Johnny Cash hang his head and cry. But by the 1960s, that kind of song had started to dry up. It would happen on occasion -- "People Get Ready" by the Impressions is the most obvious example of the train metaphor in an important sixties record -- but by the late sixties the train was no longer a symbol of freedom but of the past. In 1969 Harry Nilsson sang about how "Nobody Cares About the Railroads Any More", and in 1968 the Kinks sang about "The Last of the Steam-Powered Trains". When in 1968 Merle Haggard sang about a freight train, it was as a memory, of a child with hopes that ended up thwarted by reality and his own nature: [Excerpt: Merle Haggard, "Mama Tried"] And the reason for this was that there had been another shift, a shift that had started in the forties and accelerated in the late fifties but had taken a little time to ripple through the culture. Now the train had been replaced in the popular imaginary by motorised transport. Instead of hopping on a train without paying, if you had no money in your pocket you'd have to hitch-hike all the way. Freedom now meant individuality. The ultimate in freedom was the biker -- the Hell's Angels who could go anywhere, unburdened by anything -- and instead of goods being moved by freight train, increasingly they were being moved by truck drivers. By the mid-seventies, truck drivers took a central place in American life, and the most romantic way to live life was to live it on the road. On The Road was also the title of a 1957 novel by Jack Kerouac, which was one of the first major signs of this cultural shift in America. Kerouac was writing about events in the late forties and early fifties, but his book was also a precursor of the sixties counterculture. He wrote the book on one continuous sheet of paper, as a stream of consciousness. Kerouac died in 1969 of an internal haemmorage brought on by too much alcohol consumption. So it goes. But the big key to this cultural shift was caused by the Federal-Aid Highway Act of 1956, a massive infrastructure spending bill that led to the construction of the modern American Interstate Highway system. This accelerated a program that had already started, of building much bigger, safer, faster roads. It also, as anyone who has read Robert Caro's The Power Broker knows, reinforced segregation and white flight. It did this both by making commuting into major cities from the suburbs easier -- thus allowing white people with more money to move further away from the cities and still work there -- and by bulldozing community spaces where Black people lived. More than a million people lost their homes and were forcibly moved, and orders of magnitude more lost their communities' parks and green spaces. And both as a result of deliberate actions and unconscious bigotry, the bulk of those affected were Black people -- who often found themselves, if they weren't forced to move, on one side of a ten-lane highway where the park used to be, with white people on the other side of the highway. The Federal-Aid Highway Act gave even more power to the unaccountable central planners like Robert Moses, the urban planner in New York who managed to become arguably the most powerful man in the city without ever getting elected, partly by slowly compromising away his early progressive ideals in the service of gaining more power. Of course, not every new highway was built through areas where poor Black people lived. Some were planned to go through richer areas for white people, just because you can't completely do away with geographical realities. For example one was planned to be built through part of San Francisco, a rich, white part. But the people who owned properties in that area had enough political power and clout to fight the development, and after nearly a decade of fighting it, the development was called off in late 1966. But over that time, many of the owners of the impressive buildings in the area had moved out, and they had no incentive to improve or maintain their properties while they were under threat of demolition, so many of them were rented out very cheaply. And when the beat community that Kerouac wrote about, many of whom had settled in San Francisco, grew too large and notorious for the area of the city they were in, North Beach, many of them moved to these cheap homes in a previously-exclusive area. The area known as Haight-Ashbury. [Excerpt: The Grateful Dead, "Grayfolded"] Stories all have their starts, even stories told in Tralfamadorian time, although sometimes those starts are shrouded in legend. For example, the story of Scientology's start has been told many times, with different people claiming to have heard L. Ron Hubbard talk about how writing was a mug's game, and if you wanted to make real money, you needed to get followers, start a religion. Either he said this over and over and over again, to many different science fiction writers, or most science fiction writers of his generation were liars. Of course, the definition of a writer is someone who tells lies for money, so who knows? One of the more plausible accounts of him saying that is given by Theodore Sturgeon. Sturgeon's account is more believable than most, because Sturgeon went on to be a supporter of Dianetics, the "new science" that Hubbard turned into his religion, for decades, even while telling the story. The story of the Grateful Dead probably starts as it ends, with Jerry Garcia. There are three things that everyone writing about the Dead says about Garcia's childhood, so we might as well say them here too. The first is that he was named by a music-loving father after Jerome Kern, the songwriter responsible for songs like "Ol' Man River" (though as Oscar Hammerstein's widow liked to point out, "Jerome Kern wrote dum-dum-dum-dum, *my husband* wrote 'Ol' Man River'" -- an important distinction we need to bear in mind when talking about songwriters who write music but not lyrics). The second is that when he was five years old that music-loving father drowned -- and Garcia would always say he had seen his father dying, though some sources claim this was a false memory. So it goes. And the third fact, which for some reason is always told after the second even though it comes before it chronologically, is that when he was four he lost two joints from his right middle finger. Garcia grew up a troubled teen, and in turn caused trouble for other people, but he also developed a few interests that would follow him through his life. He loved the fantastical, especially the fantastical macabre, and became an avid fan of horror and science fiction -- and through his love of old monster films he became enamoured with cinema more generally. Indeed, in 1983 he bought the film rights to Kurt Vonnegut's science fiction novel The Sirens of Titan, the first story in which the Tralfamadorians appear, and wrote a script based on it. He wanted to produce the film himself, with Francis Ford Coppola directing and Bill Murray starring, but most importantly for him he wanted to prevent anyone who didn't care about it from doing it badly. And in that he succeeded. As of 2023 there is no film of The Sirens of Titan. He loved to paint, and would continue that for the rest of his life, with one of his favourite subjects being Boris Karloff as the Frankenstein monster. And when he was eleven or twelve, he heard for the first time a record that was hugely influential to a whole generation of Californian musicians, even though it was a New York record -- "Gee" by the Crows: [Excerpt: The Crows, "Gee"] Garcia would say later "That was an important song. That was the first kind of, like where the voices had that kind of not-trained-singer voices, but tough-guy-on-the-street voice." That record introduced him to R&B, and soon he was listening to Chuck Berry and Bo Diddley, to Ray Charles, and to a record we've not talked about in the podcast but which was one of the great early doo-wop records, "WPLJ" by the Four Deuces: [Excerpt: The Four Deuces, "WPLJ"] Garcia said of that record "That was one of my anthem songs when I was in junior high school and high school and around there. That was one of those songs everybody knew. And that everybody sang. Everybody sang that street-corner favorite." Garcia moved around a lot as a child, and didn't have much time for school by his own account, but one of the few teachers he did respect was an art teacher when he was in North Beach, Walter Hedrick. Hedrick was also one of the earliest of the conceptual artists, and one of the most important figures in the San Francisco arts scene that would become known as the Beat Generation (or the Beatniks, which was originally a disparaging term). Hedrick was a painter and sculptor, but also organised happenings, and he had also been one of the prime movers in starting a series of poetry readings in San Francisco, the first one of which had involved Allen Ginsberg giving the first ever reading of "Howl" -- one of a small number of poems, along with Eliot's "Prufrock" and "The Waste Land" and possibly Pound's Cantos, which can be said to have changed twentieth-century literature. Garcia was fifteen when he got to know Hedrick, in 1957, and by then the Beat scene had already become almost a parody of itself, having become known to the public because of the publication of works like On the Road, and the major artists in the scene were already rejecting the label. By this point tourists were flocking to North Beach to see these beatniks they'd heard about on TV, and Hedrick was actually employed by one cafe to sit in the window wearing a beret, turtleneck, sandals, and beard, and draw and paint, to attract the tourists who flocked by the busload because they could see that there was a "genuine beatnik" in the cafe. Hedrick was, as well as a visual artist, a guitarist and banjo player who played in traditional jazz bands, and he would bring records in to class for his students to listen to, and Garcia particularly remembered him bringing in records by Big Bill Broonzy: [Excerpt: Big Bill Broonzy, "When Things Go Wrong (It Hurts Me Too)"] Garcia was already an avid fan of rock and roll music, but it was being inspired by Hedrick that led him to get his first guitar. Like his contemporary Paul McCartney around the same time, he was initially given the wrong instrument as a birthday present -- in Garcia's case his mother gave him an accordion -- but he soon persuaded her to swap it for an electric guitar he saw in a pawn shop. And like his other contemporary, John Lennon, Garcia initially tuned his instrument incorrectly. He said later "When I started playing the guitar, believe me, I didn't know anybody that played. I mean, I didn't know anybody that played the guitar. Nobody. They weren't around. There were no guitar teachers. You couldn't take lessons. There was nothing like that, you know? When I was a kid and I had my first electric guitar, I had it tuned wrong and learned how to play on it with it tuned wrong for about a year. And I was getting somewhere on it, you know… Finally, I met a guy that knew how to tune it right and showed me three chords, and it was like a revelation. You know what I mean? It was like somebody gave me the key to heaven." He joined a band, the Chords, which mostly played big band music, and his friend Gary Foster taught him some of the rudiments of playing the guitar -- things like how to use a capo to change keys. But he was always a rebellious kid, and soon found himself faced with a choice between joining the military or going to prison. He chose the former, and it was during his time in the Army that a friend, Ron Stevenson, introduced him to the music of Merle Travis, and to Travis-style guitar picking: [Excerpt: Merle Travis, "Nine-Pound Hammer"] Garcia had never encountered playing like that before, but he instantly recognised that Travis, and Chet Atkins who Stevenson also played for him, had been an influence on Scotty Moore. He started to realise that the music he'd listened to as a teenager was influenced by music that went further back. But Stevenson, as well as teaching Garcia some of the rudiments of Travis-picking, also indirectly led to Garcia getting discharged from the Army. Stevenson was not a well man, and became suicidal. Garcia decided it was more important to keep his friend company and make sure he didn't kill himself than it was to turn up for roll call, and as a result he got discharged himself on psychiatric grounds -- according to Garcia he told the Army psychiatrist "I was involved in stuff that was more important to me in the moment than the army was and that was the reason I was late" and the psychiatrist thought it was neurotic of Garcia to have his own set of values separate from that of the Army. After discharge, Garcia did various jobs, including working as a transcriptionist for Lenny Bruce, the comedian who was a huge influence on the counterculture. In one of the various attacks over the years by authoritarians on language, Bruce was repeatedly arrested for obscenity, and in 1961 he was arrested at a jazz club in North Beach. Sixty years ago, the parts of speech that were being criminalised weren't pronouns, but prepositions and verbs: [Excerpt: Lenny Bruce, "To is a Preposition, Come is a Verb"] That piece, indeed, was so controversial that when Frank Zappa quoted part of it in a song in 1968, the record label insisted on the relevant passage being played backwards so people couldn't hear such disgusting filth: [Excerpt: The Mothers of Invention, "Harry You're a Beast"] (Anyone familiar with that song will understand that the censored portion is possibly the least offensive part of the whole thing). Bruce was facing trial, and he needed transcripts of what he had said in his recordings to present in court. Incidentally, there seems to be some confusion over exactly which of Bruce's many obscenity trials Garcia became a transcriptionist for. Dennis McNally says in his biography of the band, published in 2002, that it was the most famous of them, in autumn 1964, but in a later book, Jerry on Jerry, a book of interviews of Garcia edited by McNally, McNally talks about it being when Garcia was nineteen, which would mean it was Bruce's first trial, in 1961. We can put this down to the fact that many of the people involved, not least Garcia, lived in Tralfamadorian time, and were rather hazy on dates, but I'm placing the story here rather than in 1964 because it seems to make more sense that Garcia would be involved in a trial based on an incident in San Francisco than one in New York. Garcia got the job, even though he couldn't type, because by this point he'd spent so long listening to recordings of old folk and country music that he was used to transcribing indecipherable accents, and often, as Garcia would tell it, Bruce would mumble very fast and condense multiple syllables into one. Garcia was particularly impressed by Bruce's ability to improvise but talk in entire paragraphs, and he compared his use of language to bebop. Another thing that was starting to impress Garcia, and which he also compared to bebop, was bluegrass: [Excerpt: Bill Monroe, "Fire on the Mountain"] Bluegrass is a music that is often considered very traditional, because it's based on traditional songs and uses acoustic instruments, but in fact it was a terribly *modern* music, and largely a postwar creation of a single band -- Bill Monroe and his Blue Grass Boys. And Garcia was right when he said it was "white bebop" -- though he did say "The only thing it doesn't have is the harmonic richness of bebop. You know what I mean? That's what it's missing, but it has everything else." Both bebop and bluegrass evolved after the second world war, though they were informed by music from before it, and both prized the ability to improvise, and technical excellence. Both are musics that involved playing *fast*, in an ensemble, and being able to respond quickly to the other musicians. Both musics were also intensely rhythmic, a response to a faster paced, more stressful world. They were both part of the general change in the arts towards immediacy that we looked at in the last episode with the creation first of expressionism and then of pop art. Bluegrass didn't go into the harmonic explorations that modern jazz did, but it was absolutely as modern as anything Charlie Parker was doing, and came from the same impulses. It was tradition and innovation, the past and the future simultaneously. Bill Monroe, Jackson Pollock, Charlie Parker, Jack Kerouac, and Lenny Bruce were all in their own ways responding to the same cultural moment, and it was that which Garcia was responding to. But he didn't become able to play bluegrass until after a tragedy which shaped his life even more than his father's death had. Garcia had been to a party and was in a car with his friends Lee Adams, Paul Speegle, and Alan Trist. Adams was driving at ninety miles an hour when they hit a tight curve and crashed. Garcia, Adams, and Trist were all severely injured but survived. Speegle died. So it goes. This tragedy changed Garcia's attitudes totally. Of all his friends, Speegle was the one who was most serious about his art, and who treated it as something to work on. Garcia had always been someone who fundamentally didn't want to work or take any responsibility for anything. And he remained that way -- except for his music. Speegle's death changed Garcia's attitude to that, totally. If his friend wasn't going to be able to practice his own art any more, Garcia would practice his, in tribute to him. He resolved to become a virtuoso on guitar and banjo. His girlfriend of the time later said “I don't know if you've spent time with someone rehearsing ‘Foggy Mountain Breakdown' on a banjo for eight hours, but Jerry practiced endlessly. He really wanted to excel and be the best. He had tremendous personal ambition in the musical arena, and he wanted to master whatever he set out to explore. Then he would set another sight for himself. And practice another eight hours a day of new licks.” But of course, you can't make ensemble music on your own: [Excerpt: Jerry Garcia and Bob Hunter, "Oh Mary Don't You Weep" (including end)] "Evelyn said, “What is it called when a person needs a … person … when you want to be touched and the … two are like one thing and there isn't anything else at all anywhere?” Alicia, who had read books, thought about it. “Love,” she said at length." That's from More Than Human, by Theodore Sturgeon, a book I'll be quoting a few more times as the story goes on. Robert Hunter, like Garcia, was just out of the military -- in his case, the National Guard -- and he came into Garcia's life just after Paul Speegle had left it. Garcia and Alan Trist met Hunter ten days after the accident, and the three men started hanging out together, Trist and Hunter writing while Garcia played music. Garcia and Hunter both bonded over their shared love for the beats, and for traditional music, and the two formed a duo, Bob and Jerry, which performed together a handful of times. They started playing together, in fact, after Hunter picked up a guitar and started playing a song and halfway through Garcia took it off him and finished the song himself. The two of them learned songs from the Harry Smith Anthology -- Garcia was completely apolitical, and only once voted in his life, for Lyndon Johnson in 1964 to keep Goldwater out, and regretted even doing that, and so he didn't learn any of the more political material people like Pete Seeger, Phil Ochs, and Bob Dylan were doing at the time -- but their duo only lasted a short time because Hunter wasn't an especially good guitarist. Hunter would, though, continue to jam with Garcia and other friends, sometimes playing mandolin, while Garcia played solo gigs and with other musicians as well, playing and moving round the Bay Area and performing with whoever he could: [Excerpt: Jerry Garcia, "Railroad Bill"] "Bleshing, that was Janie's word. She said Baby told it to her. She said it meant everyone all together being something, even if they all did different things. Two arms, two legs, one body, one head, all working together, although a head can't walk and arms can't think. Lone said maybe it was a mixture of “blending” and “meshing,” but I don't think he believed that himself. It was a lot more than that." That's from More Than Human In 1961, Garcia and Hunter met another young musician, but one who was interested in a very different type of music. Phil Lesh was a serious student of modern classical music, a classically-trained violinist and trumpeter whose interest was solidly in the experimental and whose attitude can be summed up by a story that's always told about him meeting his close friend Tom Constanten for the first time. Lesh had been talking with someone about serialism, and Constanten had interrupted, saying "Music stopped being created in 1750 but it started again in 1950". Lesh just stuck out his hand, recognising a kindred spirit. Lesh and Constanten were both students of Luciano Berio, the experimental composer who created compositions for magnetic tape: [Excerpt: Luciano Berio, "Momenti"] Berio had been one of the founders of the Studio di fonologia musicale di Radio Milano, a studio for producing contemporary electronic music where John Cage had worked for a time, and he had also worked with the electronic music pioneer Karlheinz Stockhausen. Lesh would later remember being very impressed when Berio brought a tape into the classroom -- the actual multitrack tape for Stockhausen's revolutionary piece Gesang Der Juenglinge: [Excerpt: Karlheinz Stockhausen, "Gesang Der Juenglinge"] Lesh at first had been distrustful of Garcia -- Garcia was charismatic and had followers, and Lesh never liked people like that. But he was impressed by Garcia's playing, and soon realised that the two men, despite their very different musical interests, had a lot in common. Lesh was interested in the technology of music as well as in performing and composing it, and so when he wasn't studying he helped out by engineering at the university's radio station. Lesh was impressed by Garcia's playing, and suggested to the presenter of the station's folk show, the Midnight Special, that Garcia be a guest. Garcia was so good that he ended up getting an entire solo show to himself, where normally the show would feature multiple acts. Lesh and Constanten soon moved away from the Bay Area to Las Vegas, but both would be back -- in Constanten's case he would form an experimental group in San Francisco with their fellow student Steve Reich, and that group (though not with Constanten performing) would later premiere Terry Riley's In C, a piece influenced by La Monte Young and often considered one of the great masterpieces of minimalist music. By early 1962 Garcia and Hunter had formed a bluegrass band, with Garcia on guitar and banjo and Hunter on mandolin, and a rotating cast of other musicians including Ken Frankel, who played banjo and fiddle. They performed under different names, including the Tub Thumpers, the Hart Valley Drifters, and the Sleepy Valley Hog Stompers, and played a mixture of bluegrass and old-time music -- and were very careful about the distinction: [Excerpt: The Hart Valley Drifters, "Cripple Creek"] In 1993, the Republican political activist John Perry Barlow was invited to talk to the CIA about the possibilities open to them with what was then called the Information Superhighway. He later wrote, in part "They told me they'd brought Steve Jobs in a few weeks before to indoctrinate them in modern information management. And they were delighted when I returned later, bringing with me a platoon of Internet gurus, including Esther Dyson, Mitch Kapor, Tony Rutkowski, and Vint Cerf. They sealed us into an electronically impenetrable room to discuss the radical possibility that a good first step in lifting their blackout would be for the CIA to put up a Web site... We told them that information exchange was a barter system, and that to receive, one must also be willing to share. This was an alien notion to them. They weren't even willing to share information among themselves, much less the world." 1962 brought a new experience for Robert Hunter. Hunter had been recruited into taking part in psychological tests at Stanford University, which in the sixties and seventies was one of the preeminent universities for psychological experiments. As part of this, Hunter was given $140 to attend the VA hospital (where a janitor named Ken Kesey, who had himself taken part in a similar set of experiments a couple of years earlier, worked a day job while he was working on his first novel) for four weeks on the run, and take different psychedelic drugs each time, starting with LSD, so his reactions could be observed. (It was later revealed that these experiments were part of a CIA project called MKUltra, designed to investigate the possibility of using psychedelic drugs for mind control, blackmail, and torture. Hunter was quite lucky in that he was told what was going to happen to him and paid for his time. Other subjects included the unlucky customers of brothels the CIA set up as fronts -- they dosed the customers' drinks and observed them through two-way mirrors. Some of their experimental subjects died by suicide as a result of their experiences. So it goes. ) Hunter was interested in taking LSD after reading Aldous Huxley's writings about psychedelic substances, and he brought his typewriter along to the experiment. During the first test, he wrote a six-page text, a short excerpt from which is now widely quoted, reading in part "Sit back picture yourself swooping up a shell of purple with foam crests of crystal drops soft nigh they fall unto the sea of morning creep-very-softly mist ... and then sort of cascade tinkley-bell-like (must I take you by the hand, ever so slowly type) and then conglomerate suddenly into a peal of silver vibrant uncomprehendingly, blood singingly, joyously resounding bells" Hunter's experience led to everyone in their social circle wanting to try LSD, and soon they'd all come to the same conclusion -- this was something special. But Garcia needed money -- he'd got his girlfriend pregnant, and they'd married (this would be the first of several marriages in Garcia's life, and I won't be covering them all -- at Garcia's funeral, his second wife, Carolyn, said Garcia always called her the love of his life, and his first wife and his early-sixties girlfriend who he proposed to again in the nineties both simultaneously said "He said that to me!"). So he started teaching guitar at a music shop in Palo Alto. Hunter had no time for Garcia's incipient domesticity and thought that his wife was trying to make him live a conventional life, and the two drifted apart somewhat, though they'd still play together occasionally. Through working at the music store, Garcia got to know the manager, Troy Weidenheimer, who had a rock and roll band called the Zodiacs. Garcia joined the band on bass, despite that not being his instrument. He later said "Troy was a lot of fun, but I wasn't good enough a musician then to have been able to deal with it. I was out of my idiom, really, 'cause when I played with Troy I was playing electric bass, you know. I never was a good bass player. Sometimes I was playing in the wrong key and didn't even [fuckin'] know it. I couldn't hear that low, after playing banjo, you know, and going to electric...But Troy taught me the principle of, hey, you know, just stomp your foot and get on it. He was great. A great one for the instant arrangement, you know. And he was also fearless for that thing of get your friends to do it." Garcia's tenure in the Zodiacs didn't last long, nor did this experiment with rock and roll, but two other members of the Zodiacs will be notable later in the story -- the harmonica player, an old friend of Garcia's named Ron McKernan, who would soon gain the nickname Pig Pen after the Peanuts character, and the drummer, Bill Kreutzmann: [Excerpt: The Grateful Dead, "Drums/Space (Skull & Bones version)"] Kreutzmann said of the Zodiacs "Jerry was the hired bass player and I was the hired drummer. I only remember playing that one gig with them, but I was in way over my head. I always did that. I always played things that were really hard and it didn't matter. I just went for it." Garcia and Kreutzmann didn't really get to know each other then, but Garcia did get to know someone else who would soon be very important in his life. Bob Weir was from a very different background than Garcia, though both had the shared experience of long bouts of chronic illness as children. He had grown up in a very wealthy family, and had always been well-liked, but he was what we would now call neurodivergent -- reading books about the band he talks about being dyslexic but clearly has other undiagnosed neurodivergences, which often go along with dyslexia -- and as a result he was deemed to have behavioural problems which led to him getting expelled from pre-school and kicked out of the cub scouts. He was never academically gifted, thanks to his dyslexia, but he was always enthusiastic about music -- to a fault. He learned to play boogie piano but played so loudly and so often his parents sold the piano. He had a trumpet, but the neighbours complained about him playing it outside. Finally he switched to the guitar, an instrument with which it is of course impossible to make too loud a noise. The first song he learned was the Kingston Trio's version of an old sea shanty, "The Wreck of the John B": [Excerpt: The Kingston Trio, "The Wreck of the John B"] He was sent off to a private school in Colorado for teenagers with behavioural issues, and there he met the boy who would become his lifelong friend, John Perry Barlow. Unfortunately the two troublemakers got on with each other *so* well that after their first year they were told that it was too disruptive having both of them at the school, and only one could stay there the next year. Barlow stayed and Weir moved back to the Bay Area. By this point, Weir was getting more interested in folk music that went beyond the commercial folk of the Kingston Trio. As he said later "There was something in there that was ringing my bells. What I had grown up thinking of as hillbilly music, it started to have some depth for me, and I could start to hear the music in it. Suddenly, it wasn't just a bunch of ignorant hillbillies playing what they could. There was some depth and expertise and stuff like that to aspire to.” He moved from school to school but one thing that stayed with him was his love of playing guitar, and he started taking lessons from Troy Weidenheimer, but he got most of his education going to folk clubs and hootenannies. He regularly went to the Tangent, a club where Garcia played, but Garcia's bluegrass banjo playing was far too rigorous for a free spirit like Weir to emulate, and instead he started trying to copy one of the guitarists who was a regular there, Jorma Kaukonnen. On New Year's Eve 1963 Weir was out walking with his friends Bob Matthews and Rich Macauley, and they passed the music shop where Garcia was a teacher, and heard him playing his banjo. They knocked and asked if they could come in -- they all knew Garcia a little, and Bob Matthews was one of his students, having become interested in playing banjo after hearing the theme tune to the Beverly Hillbillies, played by the bluegrass greats Flatt and Scruggs: [Excerpt: Flatt and Scruggs, "The Beverly Hillbillies"] Garcia at first told these kids, several years younger than him, that they couldn't come in -- he was waiting for his students to show up. But Weir said “Jerry, listen, it's seven-thirty on New Year's Eve, and I don't think you're going to be seeing your students tonight.” Garcia realised the wisdom of this, and invited the teenagers in to jam with him. At the time, there was a bit of a renaissance in jug bands, as we talked about back in the episode on the Lovin' Spoonful. This was a form of music that had grown up in the 1920s, and was similar and related to skiffle and coffee-pot bands -- jug bands would tend to have a mixture of portable string instruments like guitars and banjos, harmonicas, and people using improvised instruments, particularly blowing into a jug. The most popular of these bands had been Gus Cannon's Jug Stompers, led by banjo player Gus Cannon and with harmonica player Noah Lewis: [Excerpt: Gus Cannon's Jug Stompers, "Viola Lee Blues"] With the folk revival, Cannon's work had become well-known again. The Rooftop Singers, a Kingston Trio style folk group, had had a hit with his song "Walk Right In" in 1963, and as a result of that success Cannon had even signed a record contract with Stax -- Stax's first album ever, a month before Booker T and the MGs' first album, was in fact the eighty-year-old Cannon playing his banjo and singing his old songs. The rediscovery of Cannon had started a craze for jug bands, and the most popular of the new jug bands was Jim Kweskin's Jug Band, which did a mixture of old songs like "You're a Viper" and more recent material redone in the old style. Weir, Matthews, and Macauley had been to see the Kweskin band the night before, and had been very impressed, especially by their singer Maria D'Amato -- who would later marry her bandmate Geoff Muldaur and take his name -- and her performance of Leiber and Stoller's "I'm a Woman": [Excerpt: Jim Kweskin's Jug Band, "I'm a Woman"] Matthews suggested that they form their own jug band, and Garcia eagerly agreed -- though Matthews found himself rapidly moving from banjo to washboard to kazoo to second kazoo before realising he was surplus to requirements. Robert Hunter was similarly an early member but claimed he "didn't have the embouchure" to play the jug, and was soon also out. He moved to LA and started studying Scientology -- later claiming that he wanted science-fictional magic powers, which L. Ron Hubbard's new religion certainly offered. The group took the name Mother McRee's Uptown Jug Champions -- apparently they varied the spelling every time they played -- and had a rotating membership that at one time or another included about twenty different people, but tended always to have Garcia on banjo, Weir on jug and later guitar, and Garcia's friend Pig Pen on harmonica: [Excerpt: Mother McRee's Uptown Jug Champions, "On the Road Again"] The group played quite regularly in early 1964, but Garcia's first love was still bluegrass, and he was trying to build an audience with his bluegrass band, The Black Mountain Boys. But bluegrass was very unpopular in the Bay Area, where it was simultaneously thought of as unsophisticated -- as "hillbilly music" -- and as elitist, because it required actual instrumental ability, which wasn't in any great supply in the amateur folk scene. But instrumental ability was something Garcia definitely had, as at this point he was still practising eight hours a day, every day, and it shows on the recordings of the Black Mountain Boys: [Excerpt: The Black Mountain Boys, "Rosa Lee McFall"] By the summer, Bob Weir was also working at the music shop, and so Garcia let Weir take over his students while he and the Black Mountain Boys' guitarist Sandy Rothman went on a road trip to see as many bluegrass musicians as they could and to audition for Bill Monroe himself. As it happened, Garcia found himself too shy to audition for Monroe, but Rothman later ended up playing with Monroe's Blue Grass Boys. On his return to the Bay Area, Garcia resumed playing with the Uptown Jug Champions, but Pig Pen started pestering him to do something different. While both men had overlapping tastes in music and a love for the blues, Garcia's tastes had always been towards the country end of the spectrum while Pig Pen's were towards R&B. And while the Uptown Jug Champions were all a bit disdainful of the Beatles at first -- apart from Bob Weir, the youngest of the group, who thought they were interesting -- Pig Pen had become enamoured of another British band who were just starting to make it big: [Excerpt: The Rolling Stones, "Not Fade Away"] 29) Garcia liked the first Rolling Stones album too, and he eventually took Pig Pen's point -- the stuff that the Rolling Stones were doing, covers of Slim Harpo and Buddy Holly, was not a million miles away from the material they were doing as Mother McRee's Uptown Jug Champions. Pig Pen could play a little electric organ, Bob had been fooling around with the electric guitars in the music shop. Why not give it a go? The stuff bands like the Rolling Stones were doing wasn't that different from the electric blues that Pig Pen liked, and they'd all seen A Hard Day's Night -- they could carry on playing with banjos, jugs, and kazoos and have the respect of a handful of folkies, or they could get electric instruments and potentially have screaming girls and millions of dollars, while playing the same songs. This was a convincing argument, especially when Dana Morgan Jr, the son of the owner of the music shop, told them they could have free electric instruments if they let him join on bass. Morgan wasn't that great on bass, but what the hell, free instruments. Pig Pen had the best voice and stage presence, so he became the frontman of the new group, singing most of the leads, though Jerry and Bob would both sing a few songs, and playing harmonica and organ. Weir was on rhythm guitar, and Garcia was the lead guitarist and obvious leader of the group. They just needed a drummer, and handily Bill Kreutzmann, who had played with Garcia and Pig Pen in the Zodiacs, was also now teaching music at the music shop. Not only that, but about three weeks before they decided to go electric, Kreutzmann had seen the Uptown Jug Champions performing and been astonished by Garcia's musicianship and charisma, and said to himself "Man, I'm gonna follow that guy forever!" The new group named themselves the Warlocks, and started rehearsing in earnest. Around this time, Garcia also finally managed to get some of the LSD that his friend Robert Hunter had been so enthusiastic about three years earlier, and it was a life-changing experience for him. In particular, he credited LSD with making him comfortable being a less disciplined player -- as a bluegrass player he'd had to be frighteningly precise, but now he was playing rock and needed to loosen up. A few days after taking LSD for the first time, Garcia also heard some of Bob Dylan's new material, and realised that the folk singer he'd had little time for with his preachy politics was now making electric music that owed a lot more to the Beat culture Garcia considered himself part of: [Excerpt: Bob Dylan, "Subterranean Homesick Blues"] Another person who was hugely affected by hearing that was Phil Lesh, who later said "I couldn't believe that was Bob Dylan on AM radio, with an electric band. It changed my whole consciousness: if something like that could happen, the sky was the limit." Up to that point, Lesh had been focused entirely on his avant-garde music, working with friends like Steve Reich to push music forward, inspired by people like John Cage and La Monte Young, but now he realised there was music of value in the rock world. He'd quickly started going to rock gigs, seeing the Rolling Stones and the Byrds, and then he took acid and went to see his friend Garcia's new electric band play their third ever gig. He was blown away, and very quickly it was decided that Lesh would be the group's new bass player -- though everyone involved tells a different story as to who made the decision and how it came about, and accounts also vary as to whether Dana Morgan took his sacking gracefully and let his erstwhile bandmates keep their instruments, or whether they had to scrounge up some new ones. Lesh had never played bass before, but he was a talented multi-instrumentalist with a deep understanding of music and an ability to compose and improvise, and the repertoire the Warlocks were playing in the early days was mostly three-chord material that doesn't take much rehearsal -- though it was apparently beyond the abilities of poor Dana Morgan, who apparently had to be told note-by-note what to play by Garcia, and learn it by rote. Garcia told Lesh what notes the strings of a bass were tuned to, told him to borrow a guitar and practice, and within two weeks he was on stage with the Warlocks: [Excerpt: The Grateful Dead, “Grayfolded"] In September 1995, just weeks after Jerry Garcia's death, an article was published in Mute magazine identifying a cultural trend that had shaped the nineties, and would as it turned out shape at least the next thirty years. It's titled "The Californian Ideology", though it may be better titled "The Bay Area Ideology", and it identifies a worldview that had grown up in Silicon Valley, based around the ideas of the hippie movement, of right-wing libertarianism, of science fiction authors, and of Marshall McLuhan. It starts "There is an emerging global orthodoxy concerning the relation between society, technology and politics. We have called this orthodoxy `the Californian Ideology' in honour of the state where it originated. By naturalising and giving a technological proof to a libertarian political philosophy, and therefore foreclosing on alternative futures, the Californian Ideologues are able to assert that social and political debates about the future have now become meaningless. The California Ideology is a mix of cybernetics, free market economics, and counter-culture libertarianism and is promulgated by magazines such as WIRED and MONDO 2000 and preached in the books of Stewart Brand, Kevin Kelly and others. The new faith has been embraced by computer nerds, slacker students, 30-something capitalists, hip academics, futurist bureaucrats and even the President of the USA himself. As usual, Europeans have not been slow to copy the latest fashion from America. While a recent EU report recommended adopting the Californian free enterprise model to build the 'infobahn', cutting-edge artists and academics have been championing the 'post-human' philosophy developed by the West Coast's Extropian cult. With no obvious opponents, the global dominance of the Californian ideology appears to be complete." [Excerpt: Grayfolded] The Warlocks' first gig with Phil Lesh on bass was on June the 18th 1965, at a club called Frenchy's with a teenage clientele. Lesh thought his playing had been wooden and it wasn't a good gig, and apparently the management of Frenchy's agreed -- they were meant to play a second night there, but turned up to be told they'd been replaced by a band with an accordion and clarinet. But by September the group had managed to get themselves a residency at a small bar named the In Room, and playing there every night made them cohere. They were at this point playing the kind of sets that bar bands everywhere play to this day, though at the time the songs they were playing, like "Gloria" by Them and "In the Midnight Hour", were the most contemporary of hits. Another song that they introduced into their repertoire was "Do You Believe in Magic" by the Lovin' Spoonful, another band which had grown up out of former jug band musicians. As well as playing their own sets, they were also the house band at The In Room and as such had to back various touring artists who were the headline acts. The first act they had to back up was Cornell Gunter's version of the Coasters. Gunter had brought his own guitarist along as musical director, and for the first show Weir sat in the audience watching the show and learning the parts, staring intently at this musical director's playing. After seeing that, Weir's playing was changed, because he also picked up how the guitarist was guiding the band while playing, the small cues that a musical director will use to steer the musicians in the right direction. Weir started doing these things himself when he was singing lead -- Pig Pen was the frontman but everyone except Bill sang sometimes -- and the group soon found that rather than Garcia being the sole leader, now whoever was the lead singer for the song was the de facto conductor as well. By this point, the Bay Area was getting almost overrun with people forming electric guitar bands, as every major urban area in America was. Some of the bands were even having hits already -- We Five had had a number three hit with "You Were On My Mind", a song which had originally been performed by the folk duo Ian and Sylvia: [Excerpt: We Five, "You Were On My Mind"] Although the band that was most highly regarded on the scene, the Charlatans, was having problems with the various record companies they tried to get signed to, and didn't end up making a record until 1969. If tracks like "Number One" had been released in 1965 when they were recorded, the history of the San Francisco music scene may have taken a very different turn: [Excerpt: The Charlatans, "Number One"] Bands like Jefferson Airplane, the Great Society, and Big Brother and the Holding Company were also forming, and Autumn Records was having a run of success with records by the Beau Brummels, whose records were produced by Autumn's in-house A&R man, Sly Stone: [Excerpt: The Beau Brummels, "Laugh Laugh"] The Warlocks were somewhat cut off from this, playing in a dive bar whose clientele was mostly depressed alcoholics. But the fact that they were playing every night for an audience that didn't care much gave them freedom, and they used that freedom to improvise. Both Lesh and Garcia were big fans of John Coltrane, and they started to take lessons from his style of playing. When the group played "Gloria" or "Midnight Hour" or whatever, they started to extend the songs and give themselves long instrumental passages for soloing. Garcia's playing wasn't influenced *harmonically* by Coltrane -- in fact Garcia was always a rather harmonically simple player. He'd tend to play lead lines either in Mixolydian mode, which is one of the most standard modes in rock, pop, blues, and jazz, or he'd play the notes of the chord that was being played, so if the band were playing a G chord his lead would emphasise the notes G, B, and D. But what he was influenced by was Coltrane's tendency to improvise in long, complex, phrases that made up a single thought -- Coltrane was thinking musically in paragraphs, rather than sentences, and Garcia started to try the same kind of th

This episode has a special guest! Since it is the last episode before the baby is due we had to have both Moms on the podcast to check in on the count down to baby. Tamara and Rheannon are celebrating with jelly beans and fun drinks. Tamara is celebrating with her favorite cider. Tamara has her mind blown thinking that one day the baby might listen to the podcast. Also, knowing what the baby's sign will be. Let's just say this episode has a lot of tangents and goes downhill fast! 

This month, we welcome our Bat-Cousin, and another Batman Family letterhack, Martin Maenza, to the Reunion!  The Huntress meets her Uncle Bruce and the rest of the Bat Family!  Man-Bat meets the Demon!  Bat-Cousin Shawn's apple pie wins an award (4th place)!  But the big news is that Batman Family is now a DOLLAR COMIC!  We bite off the tasty morsels of stories, as Batman and Robin team up to save Lori, the Bat-Ladies take on Catwoman, Poison Ivy, and Madame Zodiac, and we await the arrival of Baby-Bat!Check out Martin's work at the 5 Earths project:  https://5earths.info/This month's Bat Family History link for Dollar Comics:  Back Issue #57Have a question or comment? Looking for more great content?  Have a specific issue you love and want to talk to us about it?E-MAIL: batmanfamilyreunion@gmail.comFollow Batman Family Reunion on Twitter: @batfamreunionThis podcast is a proud member of the FIRE AND WATER PODCAST NETWORK:Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.comFollow Fire & Water on TWITTER: https://twitter.com/FWPodcastsLike our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetworkSupport The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcastsUse our HASHTAG online: #FWPodcasts

This month, we welcome our Bat-Cousin, and another Batman Family letterhack, Martin Maenza, to the Reunion!  The Huntress meets her Uncle Bruce and the rest of the Bat Family!  Man-Bat meets the Demon!  Bat-Cousin Shawn's apple pie wins an award (4th place)!  But the big news is that Batman Family is now a DOLLAR COMIC!  We bite off the tasty morsels of stories, as Batman and Robin team up to save Lori, the Bat-Ladies take on Catwoman, Poison Ivy, and Madame Zodiac, and we await the arrival of Baby-Bat!Check out Martin's work at the 5 Earths project:  https://5earths.info/This month's Bat Family History link for Dollar Comics:  Back Issue #57Have a question or comment? Looking for more great content?  Have a specific issue you love and want to talk to us about it?E-MAIL: batmanfamilyreunion@gmail.comFollow Batman Family Reunion on Twitter: @batfamreunionThis podcast is a proud member of the FIRE AND WATER PODCAST NETWORK:Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.comFollow Fire & Water on TWITTER: https://twitter.com/FWPodcastsLike our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetworkSupport The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcastsUse our HASHTAG online: #FWPodcasts

And we're back for episode 45 of A Week in Watches. The dust from Watches & Wonders has settled, but there are still plenty of new releases to cover. This week we have tough-looking Timex Q with complications to spare. Seiko 5 has continued to trim down their sizes, and we're excited about it. Zodiac has launched their weirdest Super Sea Wolf yet, and, finally, Autodromo puts a big engine in their tried-and-true Group B case with the Rallysport Chronographs. All in all, a pretty solid week.Before you go, please do give us a like and subscribe over on our YouTube channel. It really helps us out!This week's episode is sponsored by Whatnot, a live-stream auction app where you can buy and sell unique items. Come join the Windup Watch Shop for their first stream on Wednesday, April 19th at 5PM Eastern, where they will be showing and selling various items from the shop, including Buy-it-Now Bundles featuring watches such as the Citizen Super Titanium Promaster Dive Automatic and the Zodiac Olympos Military Worn And Wound Edition bundled with accessories from ADPT and Worn & Wound.Follow this link to sign up for Whatnot and get $15 in credit toward your first purchase.To stay on top of all new episodes, you can subscribe to The Worn & Wound Podcast — now available on all major platforms including iTunes, Google Play, Stitcher, Soundcloud, Spotify, and more. You can also find our RSS feed here.And if you like what you hear, then don't forget to leave us a review on iTunes.If there's a question you want us to answer you can hit us up at info@wornandwound.com, and we'll put your question in the queue.

Be empowered as TheCosmicDoc goes even further with empowering the masses giving activation card readings for all the zodiacs. Be in the know as you step/spring into April! She decodes four playing card decks letting us in on the deeper vibrations we can and will activate through. Email: thecosmicdoc@gmail.com

The Adventures of Pigpen, part 1The Deadcast marks 50 years since the passing of original Grateful Dead frontman Ron “Pigpen” McKernan, in part 1 uncovering his mysterious pre-Dead years in the Palo Alto folk scene, featuring a visit to the McKernan archives, never-heard performances, & archival interviews.GUESTS: Jim Sullivan, Denise Kaufman, Eric Thompson, Ted Claire, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Psychic Debbie will be giving high powerful affirmations from Catherine Ponder for the 12 zodiac signs. Psychic Debbie has been hearing from Spirit that the people who are allowing or are needing some kind of affirmation for prosperity and abundance in this time. ENTERTAINMENT ONLY If you enjoyed this video and would like to make a donation, please use the following link. Thank You. https://psychicdebbie.com/donations/ BRAZIL RETREAT INFORMATION LINK https://mailchi.mp/d7aba5071b30/15nujzb0v1 Debbie has 2 powerful videos. Aura, Third Eye, and Chakra Opening Class, and Allowing Your Third Eye To Open. Please go to my website https://www.psychicdebbie.com , and go to Course. Debbie's Links= https://linktr.ee/psychicdebbiegriggs email= photopsychicdebbie@gmail.com email= ghosthuntinggrandmas@gmail.com

Aquarius season kicked off on January 20th- along with all planets stationing direct on the 23rd! Have you felt the pulse of anticipation for new, better things to come into your life? Perhaps you're being given opportunities out of the blue? I unpack all of the above and more in this weeks episode! - LAST EPISODE OF THE INCREDIBELLE CONVERSATIONS PODCAST - Aquarius - who are they? - Aquarius season transits - Aquarius New Moon break down - How to utilize the 11th sign of the Zodiacs' energy - Tools to Reinvent Yourself without pushing forward Connect & Work w/ Isabelle Wellman: 25 Days of Mindful Movement: https://view.flodesk.com/pages/6389942676e92737f1b754c7 Personal Training/Coaching Call: https://calendly.com/isabellewellman/personal-training IG: https://www.instagram.com/isabellewellman/?hl=en TikTok: https://www.tiktok.com/@isabelleadventures Website: https://www.isabellewellman.com/ Apple - https://podcasts.apple.com/us/podcast/incredibelle-conversations/id1528659372 Spotify - https://open.spotify.com/show/7c2jViIoc1ENGmwcTVhu3y?si=1JTCZwVgSEGiAsFZKOnDeQ Linktree - https://linktr.ee/isabellewellman --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/incredibelleconversations/support

Happy spooky szn Empaths! Ever feel like your therapist is just psychic at times? We promise, most of us are not, but analyzing personality traits can be our playground for sure. Tune in to hear our breakdown of the Zodiacs in this new episode titled “Horrorscopes of spooky szn.” Don't be surprised if you find anything scary accurate

You asked, and we delivered. Chats with a medium today dive into what it is like to develop the skills of an intuitive medium. Charleston's very own Ashley Torrent is a Psychospiritual Counselor, Intuitive Medium and Teacher, Trauma survivor and Homeschool Mom. -mediums and psychics -soulmates -afterlife -narcissism  -childhood trauma -how to get through to a skeptic -speaking with other realms and connecting to the other side -stories that will leave you curious for your own session To win a free spiritual reading virtually or in person with Ashley, all you need to do is share this episode on your socials, be subscribed wherever you listen and you are entered! Rate us ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ and review on Apple Podcast and Follow Us on Spotify @elizag_wellness @hotterthanhealthpodcast Check out our sponsors! Open- Breathwork, Meditation, Movement app. 30 Days Free ORGANIFI HARMONY- For PMS and hormones. Want to try my favorite products from Organifi? Use code HTH for 20% off  especially for travel and recovery Monthly Meal Plan Your complimentary call to see if nutrition programming is a fit for you     Medium, afterlife,zodiacs, intuition, astrology fitness, ghosts, healing, healthpodcast, healthylifestyle, lifestyle, mentalhealth, nutrition, plantbased, psychic, spiritual, spiritualmedium, therapy, weightloss, wellness