Podcasts about short film corner

Festivalul de film de la Cannes se apropie de sfârşit. Joi s-a proiectat într-o sală a Palatului Festivalurillor din Cannes o selecţie a programului «Romanian short waves», prezentat de 16 ani, în secţiunea necompetitivă «Short film corner» din cadrul Târgului de film. Organizatorul acestui program este producătorul Dan Burlac. Vasile Damian l-a întrebat pentru început care este interesul să fi prezent în «Romanian short waves» unde anul acesta au fost selecţionate 11 scurtmetraje.

My guest this week is painter, photographer, filmmaker, illustrator, and audiovisual artist Leslie McAllister, who also creates sound works and performance art pieces under the stage name Lesteria. Her artwork has been exhibited in Pittsburgh, Santa Fe, Toronto, Cairo, Berlin, and Paris, and her filmwork has been screened at the Santa Fe Film Festival and in the Short Film Corner at Cannes. Currently, Leslie is continuing her Lost Art project, which is also developing into a book, and an album of her sound pieces, in which she creates atmospheres by blending multiple layers of her own voice with field recordings and instrumentation. Listen to hear more about her creations and for a clip of her sound work. www.lesliemcallister.com www.facebook.com/LesliesLostArt www.instagram.com/lesteresque https://twitter.com/Lesteresque Join us on Patreon: patreon.com/parisundergroundradio Find Us Online Website: https://parisundergroundradio.com/cityofmuses Facebook: https://www.facebook.com/parisundergroundradio Instagram: https://www.instagram.com/parisundergroundradio/ Credits Host and Producer: Jennifer Geraghty. https://parisundergroundradio.com/jenniferfoxgeraghty @jennyphoria; Website: http://jennyphoria.com Music Credits No Copyright Music by OlexandrMusic Download Free Music: http://bit.ly/3ikZxuF Soundcloud: https://bit.ly/3u4ehyg YouTube: https://www.youtube.com/olexandrmusic Official: https://www.olexandrignatov.com About Us Who will be the world's next Salvador Dali, Thierry Mugler, or Josephine Baker, launching a new wave of the avant-garde? How are new artforms created, developed, honed? And where exactly do today's artists and creatives find their inspirations? Each week, join City of Muses host Jennifer Geraghty as she sits down with contemporary artists, poets, dancers, designers, and performers to explore what inspires them, what their creative processes are like, where their ideas come from, and how Paris has helped or hindered their dreams come true. Inspiration and creativity meet in Paris, the City of Muses.

Géczy Dávid (1981. június 6-án született) magyar filmrendező és forgatókönyvíró, aki megkapta a Chicagói Ezüst Hugo-díjat, a Cannes-i Ezüst Delfin-díjat és a Berlini Red Dot-díjat. Géczy Dávid Budapesten született és nőtt fel. Fiatalon kezdett érdeklődni a filmek iránt, és dolgozott videótékákban, mozikban és filmes magazinoknál. 2006-ban végzett a Pázmány Péter Katolikus Egyetem Bölcsészet- és Társadalomtudományi Karán, esztétika és kommunikáció szakon (film, televízió szakirány). Apja, Géczy Bálint film- és televíziós producer, PR-szakember, a Magyar Sajtó és Kommunikációs Főigazgatóság helyettes vezetője. Nagyapja, Géczy József író, költő volt. Tanulmányai befejezése után Géczy televíziós műsorokat, reklámokat és online reklámokat rendezett mintegy 60 televíziós csatornán. 2007-ben rendezte első rövidfilmjét, a "Hangár"-t. Tárrendezője volt a "Hamlet-illúziók" című darabnak, amely egyedülálló módon ötvözte a színház és a film eszközeit. Hazai és nemzetközi videoklipeket rendezett, valamint egy elismert dokumentumfilmet készített "Csepeli kettős gyilkosság" címmel, amely egy 2009-es bűncselekmény alapján készült (hasonlóan a BBC Crime által készített oknyomozó dokumentumfilmekhez). 2 013 óta részt vesz a Zeneakadémia imázs spotjainak készítésében. A Zeneakadémia első imázsfilmjét, a "Lisztérium - Ahol él a zene"-t Géczy rendezte 2015-ben. A klipet a Mezzo TV és a BBC mutatta be, és ugyanebben az évben számos díjat nyert, köztük az Ezüst Hugo-díjat a 51. Chicagói Nemzetközi Filmfesztiválon, a Red Dot-díjat a 60. Red Dot Design Award-on, valamint az Aranyszem Operatőr Fesztivál reklám kategóriában. Ez a rövidfilm is hozzájárult ahhoz, hogy a Zeneakadémia megkapja a Magyar Formatervezési Tanács Design Management Díját. 2012-ben harmadik rövidfilmje, a "Vér és tűsarok" szerepelt a Cannes-i Filmfesztivál Short Film Corner programjában. 2013-ban kormányzati támogatást kapott győztes rövidfilmje, a "A győztes" forgatásához. A film bekerült az Odense Nemzetközi Filmfesztivál programjába 2015-ben, valamint a dán Filmintézet BestOFF15 válogatásába, ahol a legjobb 11 film között szerepelt. Ez a film is kiemeltnek számított a törökországi 12. Akbank Rövidfilmfesztiválon (2016), és meghívást kapott Géczy Dávid az Experiences című kerekasztal-beszélgetésre, ahol Elma Tataragic (a Szarajevói Filmfesztivál kurátora), Carter Pilcher (a ShortsTV International vezérigazgatója és finanszírozója) és Hörcher Gábor (magyar rendező) is részt vett. Első egészestés játékfilmje, a "Game Over Club", egy fekete komédia, 2019 őszén debütált volna. 

Gan kinoteātrī „Splendid Palace”, gan arī tiešsaistē, vietnē RIGAiff.lv, šovakar pulksten 19 Rīgas Starptautiskā kino festivāla Nacionālā īsfilmu konkursa skate. Iesniegtās filmas vērtēja žūrija: „Filmfest Dresden” speciāliste Anne Gašica, Zagrebas kinofestivāla pārstāve Inja Korāča un igauņu animācijas režisors Sanders Jons. Toms Treibergs tikās ar konkursa atlases vadītāju Leo Soesanto un vienu no īsfilmas režisoriem - Jāni Ābeli. Rīgas Starptautiskā kino festivāla Nacionālajā īsfilmu skatē būs sekojoši darbi: Kannu kinofestivāla īsfilmu industrijas forumā “The Short Film Corner” izrādītā Annas Ansones filma „Can't Help Myself” / „Nevaru sev palīdzēt”, kur galvenajā lomā redzēsim aktrisi Elīnu Vasku. Tajā saldējuma pārdevējas acīm tiek novērtēta pludmales atpūtnieku un ikdienišķu nejaušību hronika. Henrijs Laķis piedāvās dadaistisku, spāņu autora Luija Bunjuela stilam piederīgu kinoeseju „Laika cilpas”, kas uzņemta analogā formātā. Variācija par cilvēka apziņas Dantes elles lokiem, kuros visas atslēgtas ir nederīgas – režisores Indras Sproģes animācijas darbā „Kur manas atslēgas?”. Valērijs Oļehno, kurš kinematogrāfā ienācis no dejas pasaules, galvenā varoņa meklējumus risinās celulozes fabrikas cehā – tas viņa filmā „Papīra galva”. Un, visbeidzot, Jāņa Ābeles dokumentāla eseja par Latvijas kinoteātriem, „81 metrs”. Leo Soesanto ir filmu programmu kurators un žurnālists no Parīzes; publicējies žurnālos „Libération”, „Les Inrockuptibles”, „Vogue Paris”, „Premiere” un „Grazia”. Strādājis Kannu kinofestivāla Kritiķu nedēļas spēlfilmu blakuskonkursa atlases komitejā no 2009. līdz 2015. gadam. Līdz pagājušajam gadam vadījis arī Festivāla īsfilmu īsfilmu atlases komisiju, un līdzīgus pienākumus veicis arī Roterdamas filmu festivālā. Lūk, viņa stāstītais par savu līdzšinējo pieredzi.

Today on Too Opinionated we sit down with actress Aida Ballmann!  Aïda Ballmann is a Canarian actress, director and producer. Born on the island El Hierro, of German descent.  In 2012 she starred her first feature film The extraordinary tale, by J.F. Ortuño and Laura Alvea, shot in English, for which she was awarded as best actress at the Cardiff Independent Film Festival and at Film Bizarro, nominated as best actress at the Andalusian Film Awards (ASECAN) and reviewed in magazines such as Hollywood Reporter. Shortly after, she was awarded as best actress at the Festivalito for Perséfone and received the Leoncio Morales award for her contribution to the culture of her native island. She participated in Spanish series such as "Lo que escondían sus ojos", "El tiempo entre costuras", "Águila Roja", "Brigada de fenómenos" and "Malviviendo" and starred in various Spanish and international feature films. Among them: "La velocidad de nuestros pensamientos" by Nacho Chueca, the German production "Die Insel" by Lars Ostmann, "El gigante y la sirena" by Roberto Chinet, "Atlánticas" by Guillermo García López, "The Europeans" by Víctor García León or "Gleich" by Jeniffer Castañeda. Of her short films, "Five Minutes" by Genesis Lence stands out. Its world premiere was at the Short Film Corner section of the 74th Cannes Film Festival. She co-starred it with her sister Serai Ballmann. Her debut as a director and producer was with the documentary "Sand Path", screened at more than thirty-five festivals, in which she talks about interculturality.  Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Es actriz, dramaturga, guionista y directora. También es abogada pero casi no lo cuenta. Es autora de obras de teatro, cortometrajes, series de televisión y documentales. Su cortometraje “Rabia” participó del Short Film Corner en el Festival de Cine de Cannes. El año pasado filmó su primera película llamada “Vera” y publicó “La viuda del diablo”, ganadora de la mención del premio novela de Futurrock. Encauza su adicción al juego y a la competencia jugando al tenis cinco veces por semana. Es experta en picadas.

Anthony Vander is an award winning Filmmaker and producer. In 2017 and 2018 Anthony was nominated by the Chairwoman of Media Com UK as a top ten creative trailblazer for Black History Month. Anthony's work was featured during We Are Parable and British Film Institute 'WHO WE ARE' season in July 2020 which shined a light at Black British filmmakers in the UK. Anthony is a BFI x BAFTA Crew 2021 filmmaker. His first short film ‘Hooligan' screened at The Short Film Corner at Cannes Film Festival in 2012. In 2014, Anthony's directorial debut feature film, 'Sweetboy' had its North American première at the American Black Film Festival and in 2017 aired on London Live television multiple times. His second short film 'Spar' screened at festivals including S.O.U.L Connect and The Miami Independent Film Festival.

Rena MacMonegle is an actor, director, and writer in Nashville, TN. In 2015 Rena's short film “ZX-12” was accepted into the Short Film Corner at the Cannes International Film Festival. Additionally, during the pandemic, Rena began using her Instagram account to create stunning makeup videos. Follow Rena on Instagram: http://www.instagram.com/renamacmonegle Follow Rena on TikTok: http://www.tiktok.com/@renamac Support Rena on Patreon: Https://www.patreon.com/renamac Watch “ZX-12:” https://www.youtube.com/watch?v=PQ_4f7dsNDQ ------------- Support Middle TN Flood Victims: http://www.unitedwayhumphreys.org/ ------------- Check out the Johnversations Podcast Store ---------------- The Johnversations Podcast is recorded and engineered by John Conner. Post-production editing by Mat Halliday. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/johnversations/message Support this podcast: https://anchor.fm/johnversations/support

On today's episode of Divij's Den, Divij sits down with Netflix's Too Hot To Handle Star Bryce Hirschberg. Bryce David Hirschberg is an American film director, screenwriter, producer, actor, and musical artist. In 2017, his first feature-length film, Counterfeiters, won multiple international awards including Best Feature Narrative at the Wolves Independent International Film Awards in Lithuania. He's best known for appearing on the Netflix original series, Too Hot to Handle, and now recording music independently under the artist name "Bryc." Shop Mellow: https://keepmellow.com/products/multi-flavor-three-packUse Code MELLOW for 15% Off Your Order Divij is the CEO at Division Media, a leading influencer marketing agency and media buyer, and is also a real estate investor and e-commerce entrepreneur. Follow Bryce: https://instagram.com/brycehirschberg?utm_medium=copy_link Follow Divij: https://instagram.com/divijvaswani?igshid=kh2mu9pbijph Apple Podcasts: https://itunes.apple.com/us/podcast/la-hustlers/id1442988428?mt=2&uo=4Spotify: https://open.spotify.com/show/01aIzshvpT20FnQgnNEMub Produced by Melrose Podcasts Follow the producers: @batmadeit @abbyroberge For SEO purposes (please ignore): While at LMU, Hirschberg directed two short films, both of which won or were nominated for various awards: Baer (2011), which won the Special Jury Prize at the California Film Awards,[6] and Counterfeiters (2013), which won the "Best Picture" at LMU's Annual Film Outside the Frame Awards[7] and was screened at multiple international festivals including the Short Film Corner at the Cannes Film Festival,[8] Phoenix Film Festival,[9] and Fine Cut: KCET's Festival of Student Film.[10][11][12] Hirschberg's first feature-length film, Counterfeiters (based on his short film by the same name), tells the story of a young man, Bridger, who creates a "do-it-yourself" method of counterfeiting money to save his dying mother.[13] Hirschberg was writer, director, producer, editor, sound designer, and lead actor of the film, which was completed in July 2017 and premiered at the Action On Film International Film Festival[14] in Las Vegas, Nevada at the Brenden Theatre in the Palms Casino Resort. It was screened at several major film festivals around the world including; the Marina Del Rey Film Festival (US),[15] Wolves Independent International Film Festival (Lithuania), Miami Independent Film Festival (US), Wales International Film Festival (UK),[clarification needed] Oniros Film Awards (Italy), where Hirschberg was awarded "Best Actor",[16] and Filmchella (US), where it was awarded the "Gorilla Award" for "the most innovative filmmaking; independent in spirit, often against all odds with no budget".[17] He also appeared on Netflix's original "Too Hot To Handle" in which contestants are chosen to stay in a luxury villa for a couple of weeks without any kissing or sex.[18] Hirschberg graduated from Loyola Marymount University in 2012, where he majored in Film Production and minored in Film Studies. He was awarded the Cosgrove Family Distinguished Visiting Artist Endowment scholarship that recognizes "outstanding students who show exceptional and unique promise for continued creative and academic excellence and achievement."[19] Hirschberg lives on his boat in Marina Del Rey, California (where most of the feature film Counterfeiters takes place).[20] In 2019, Hirschberg began a relationship with his Too Hot to Handle co-star Nicole O'Brien.[21] The two parted ways in June 2020.

Neste episódio: A curta metragem portuguesa 'À Vida' venceu o prémio do público no festival internacional Filmapalooza e está agora a caminho de Cannes, para o Short Film Corner. Catarina Lima, atriz e produtora no filme, fala sobre o projeto e a caminhada até ao festival; O documentário 'Seaspiracy' leva-nos até aos oceanos para mostrar como as pescas estão a contribuir para a degradação geral dos mares e Gabriela Luís (podcaster no EF) junta-se ao painel para debater esta temática; A TVI está desconfiada relativamente às audiências. Afirma que, pelos números internos das operadoras, lidera face à concorrência e estranha os números recentemente revelados pela GfK, que têm um formato anteriormente acordado pela TVI. Gonçalo Marques Barbosa (cronista do EF sobre audiências e mercado televisivo) analisa as declarações da estação e explica o atual método de medição de audiências. Este podcast é conduzido por Pedro Miguel Coelho, Tiago Serra Cunha e João Malheiro. Segue o Espalha-Factos. Site: https://espalhafactos.com/ | Facebook: https://www.facebook.com/EspalhaFactos | Instagram: http://instagram.com/espalhafactos | Twitter: http://instagram.com/espalhafactos

Farah Al Qaissieh is a mother of three boys and social entrepreneur and motivational speaker; she holds a Bachelors of Finance from Zayed University.Farah launched Stutter UAE in 2013 to raise awareness and support people who stutter through various workshops and events.In 2016, Farah was featured in a book chapter titled “Game Changers: How Women in the Arab World Are Changing the Rules and Shaping the Future”.In 2017, a short film documentary ‘Just Another Accent’ premiered at the Cannes Film Festival’s Short Film Corner and Malmo Arab Film Festival in Sweden; shedding light on Farah’s journey with Stutter UAE.In 2018, Farah was awarded the Abu Dhabi Award; the highest civilian medal and recognition granted by the Emirate of Abu Dhabi for her positive impact in the community.In 2020, Farah launched iStutter Center in partnership with SpeechCare Center in Portugal, an online speech therapy center focusing on treatments for stuttering.Also in 2020, Farah co-founded Guiding Stars, an online platform guiding mothers to a more mindful way of raising twins.Show Notes:01:45 – Farah’s Emirati background05:45 – What is Stutter UAE?07:15 – How she overcame her own stutter.10:15 – Stuttering more in our mother tongue and her struggles with Arabic.12:15 – iStutter Center launched in collaboration with Speech Care Center in Portugal.15:15 – Farah being awarded the Abu Dhabi Award.19:15 – Launching her next venture, Guiding Stars22:30 – Going through the Ma’an Social Incubator program.23:30 – Why Farah decided to join Young Arab Leaders.24:45 – Access to mentorship and providing guidance to the next generation.26:15 – The role of Young Arab Leaders in empowering women entrepreneurs29:45 – Farah’s role models; she’s even met and interacted with them33:00 – Farah’s routine of reading to her children before bed every night.34:45 – “What would you want to be remembered for?”36:15 – How testing out the theories in a book actually started to manifest for her37:45 – Her joy of writing and painting.39:45 – Focusing on the fact that happiness starts from within.41:45 – “Do not be afraid to take risks” and how the calculated risks she took, brought her to where she is today. See acast.com/privacy for privacy and opt-out information.

PROARTESMEXICO.COM.MX Entrevista en español con Omar Carrum por Stephanie García, 1o de julio, 2020. Interview in Spanish with Omar Carrum by Stephanie García, July 1st, 2020. Omar Carrum es bailarín, coreógrafo, pedagogo y videoasta. Fue miembro fundador de DELFOS Danza Contemporánea desde 1993 hasta 2017, y ha sido miembro de la facultad del Bates Dance Festival desde 2010. Ha recibido dos veces el Premio Nacional de Danza como intérprete y coreógrafo y siete becas de FONCA (Fondos nacionales y estatales para la cultura y artes en México). En 2009, se convirtió en el primer coreógrafo mexicano en recibir una beca Guggenheim. En 2014, se convirtió en miembro de SNCA (el Sistema Nacional de Creadores de Artes) y de 2018 a 2020, recibió la subvención como creador/intérprete con antecedentes de apoyo de FONCA, que son dos de los reconocimientos más importantes para los artistas en México. . Su cortometraje "Fifth Wall", codirigido con Dutch Rall, fue seleccionado por Short Film Corner en CANNES (2013) y por Agite y Sirva (2014). Omar Carrum is a dancer, choreographer, teacher, and video maker. He was a DELFOS Danza Contemporánea founding member from 1993 to 2017 and has been a faculty member of the Bates Dance Festival since 2010. He has twice received The National Dance Award as performer and Choreographer and seven grants by FONCA (National and State Funds for Culture and Arts in Mexico). In 2009 he became the first Mexican choreographer to receive a Guggenheim fellowship. In 2014 he became a member of SNCA (the National System of Arts Creators) and from 2018 to 2020 he received the grant as a creator/interpreter with a background of support from FONCA, which are two of the most important recognition for artists in Mexico. His short film ‘Fifth Wall,’ co-directed with Dutch Rall was selected by the Short Film Corner in CANNES (2013), and by Agite y Sirva (2014). En esta serie bilingüe, PROArtes México invita a creadores de arte contemporáneo que trabajan en Estados Unidos de América y México, y charlan sobre su trabajo, conceptos, ideas e intereses. Las versiones traducidas de las entrevistas se encontrarán disponibles en nuestra página web. Here&There: Conversations with Creators from the MX &USA: In this bilingual series, PROArtes México sits down with contemporary artists working in the USA or MX and discusses their work, concepts, ideas, and interests in their preferred language. A translated version of the interviews available on our website.

This week’s episode features Derek Nguyen, an award-winning filmmaker writer, director, and independent producer. Derek wrote and directed The Housemaid, a Gothic Romance horror film based in Vietnam which was released by IFC Films in 2018 and in 22 different territories around the world. An American adaptation of the film is currently in development, written by Oscar-winning screenwriter Geoffrey Fletcher. He is currently producing A. Sayeeda Moreno’s I’m Not Down with Monique Gabriela Curnen. Derek was a fellow at the Sundance Institute’s Screenwriters Lab for the screenplay adaptation of his play, Monster, and a 2004 Screenwriting Fellow at the New York Foundation for the Arts. Derek’s short, The Potential Wives of Norman Mao narrated by George Takei, screened at the Short Film Corner at the Cannes Film Festival, among other film festivals. Over the last four years, he’s helped to develop and finance 10 films through his work at the Tribeca Film Institute and Gamechanger Films. Derek sees his writing as a form of activism and derives inspiration from his own experience as a Vietnamese American queer individual. In this episode, Derek shares personal stories about his family coming the country on a boat as Vietnamese refugees, his thoughts on Asian American identity and assimilation, and what it was like to break into the industry as a playwright. --- Relevant Links: Derek recently co-founded The Population, a film production company with Mynette Louie and Mollye Asher which focuses on producing feature films by or about women, people of color, LGBTQIA+, and other underrepresented groups. For more information, visit wethepopulation.com/ A list of community groups & resources for Asia American filmmakers, curated by Derek: https://www.asiancinevision.org/ https://vcmedia.org/ https://caamedia.org/ http://aaartsalliance.org/ http://a3-foundation.org/programs/ http://www.asianamericanfilmlab.com/ http://www.faaim.org/ https://www.tfiny.org/ https://www.ifp.org/ http://www.sundance.org/ Visit our revamped website gorocktheboat.com to join our community and subscribe to our monthly newsletter. On social media, you can follow our journey @rocktheboatnyc through Instagram and Twitter for behind the scenes content. And if you have suggestions for a future guest, email us at hello@gorocktheboat.com. --- Send in a voice message: https://anchor.fm/rocktheboat/message

Épisode 145 : Le Stop Motion, vous connaissez forcément, c'est cette technique d’animation qui permet de créer un mouvement à partir d’objets immobiles en déplaçant légèrement les objets/personnages entre chaque photo. Le stop motion est une technique de prises de vues vidéo image par image qui peut être réalisée soit avec un appareil photo, soit avec une caméra film ou vidéo. On l’utilise pour créer des scènes surréalistes donnant vie à des objets ou / et transformant les humains en êtres capables d’accomplir des mouvements impossibles à réaliser lors d’une prise de vues vidéo en conditions normales. Entre les prises, les éléments sont déplacés, la caméra peut l’être également, mais pendant la prise tous les éléments sont immobiles : la caméra, les personnages et les objets… Les images fixes sont ensuite traitées dans un workflow similaire au traitement vidéo normal : développement, montage images et son, effets spéciaux éventuels. On dit qu’il faut 30 images pour 2 secondes de vidéo. L’engouement pour le stop motion s’explique très simplement par le sentiment d’authenticité qui s’en dégage : traces de doigts sur les personnages, décors et costumes réalisés à la main... ##La stop motion c ‘est vieux comme le cinéma ou presque James Stuart Blackton, plus connu sous le nom de J. Stuart Blackton, né à Sheffield, comté de Yorkshire (Angleterre), le 5 janvier 1875, a réalisé en 1897 The Humpty Dumpty Circus est l’inventeur de la stop motion appelé à l’époque en France « le mouvement américain ». Tout ça pour dire que c’est vieux mais que ça marche toujours ! En 1908 avec le film Les Allumettes animées d’Emile Cohl, le stop motion se développera par la suite, avant d’être utilisé dans de nombreux films tels que l’Étrange Noël de Monsieur Jack de Tim Burton. Depuis une vingtaine d’années, cette technique revient en force : Plusieurs films récents sont tournés en stop motion, parmi lesquels Kubo et l’armure magique ou encore Ma vie de courgette, l’animation image par image s’est également imposée sur les réseaux sociaux. On pourrait aussi rappeler le film Wallace et Grommit réalisés par Nick Park Premier court métrage en 1989, il y a 30 ans ! 3 Oscar du meilleur court métrage d’animation : En 1994 pour « Un mauvais pantalon » En 1996 pour « Rasé de très près » En 2006 pour « Le Mystère du lapin-garou » ##Un format utilisé très largement en social media L’engouement pour le stop motion s’explique très simplement par le sentiment d’authenticité qui s’en dégage : traces de doigts sur les personnages, décors et costumes réalisés à la main... Cet univers renvoyant à l’enfance et la simplicité rend les personnages plus attachants, et, par conséquent, les produits aussi. Une aubaine pour les marques qui peuvent ainsi se placer au niveau de leur public, avec un format qui attire irrésistiblement l’attention. Idéal pour une publicité ou dans le cadre d’une stratégie de contenu ! La technique met en valeur les produits, tout en apportant une dimension très créative et attractive à la marque. Dans le cadre d’une vidéo corporate, le stop motion confère un visage humain et authentique à l’entreprise, en plus de transformer ce portrait potentiellement rébarbatif en une vidéo créative et percutante. Victor Haegelin @patagraph Instagram > 11,6k followers Un français de 37 ans. Stop motion animateur. Sur son compte instagram : Stop motion hallucinant avec un panda qui skate. Clip de caravane Palace Court métrage qui s’appelle Captain 3D Primé a peu près partout. Au festival d’animation d’Annecy, à Angoulême. Behind the scene : https://www.stashmedia.tv/scenes-victor-haegelin-captain-3d/ Pour les papiers canson Renault F1 Lego Pub pour McDonald's Victoranimator.fr #@Guldies Youtube > 801 865 fans sur Youtube Instagram > 405k followers > Alexander Unger @guldies Il est Suédois et sur le web social il partage ses sculptures, ses tutos et surtout ses animations de stop Motion C’es hyper apaisant Des vidéos avec des millions de vues, que du stop motion. Ils ont des micro animation sur Instagram complètement déjantées et géniales Des highlight stories pour aller vers leurs vidéos Youtube. Sur Youtube des vraies histoires avec des vidéos plus longue. Une des vidéos que j’ai adoré c’était « Going FIshing » C’est un mélange de Tiny Food et de stop motion. Et on voit que c’est mis en scène, car autour de la scène ou se passe l’action, il y a 2 grosses lampes de bureau. Ici en plus d’être en stop motion, tout est petit et fabriqué à la Mano et en pâte à modeler, bâtons de glace, accessoires de pêche… Ce qui es très malin sur son compte Instagram c’est qu’il extrait des micro moments de vidéos plus longues pour en faire des posts, peut-être qu’il les recréé séparément, ou pas, mais elles font partie d’un tout Hold the lines @hold_the_lines 90 followers sur Instagram. Hold the Lines : Operation Cobra - LEGO action movie // Seulement 73k vues sur Youtube Réalisé par un français, Hadrien Besse Ce court-métrage de 20 Minutes bourré de références a été sélectionné à Cannes, en "coup de cœur" du Short Film Corner. 3 ans de travail, en stop-motion avec des Lego. Générique à la James Bond, des scènes de torture, des duels contre des Playmobil… Making off dingue. #Thomas Jullien En 2013, Thomas Jullien @thomasjullien.me, un réalisateur français à fait un film de 1 minute 45 à partir de 852 images prises sur 852 comptes Instagram différents. Paris New York Berlin London Il dénoncent notamment le fait que tout le monde prend le même photo ! quand on cherche des images en fonction d'un lieu donné sur Instagram, on tombe souvent sur les mêmes angles et les mêmes manières de cadrer. #Oren Lavie Her morning élégance / clip de Oren Lavie #Michel Gondry @michelgondry Instagram > 57,6k followers #@so.daze Le compte de l’agence SoDaze @so.daze Instagram > 13,3k de followers C’es tel compte « stop motion » de l’agence Ukrainienne So Daze spécialisée en photo/vidéo / publicité Là c’est de l’animation sur fond de déco On voit qu’ils ont posé un ou deux objets sur un fond neutre et ils créent un univers en rajoutant de petits éléments autour. Des vêtements posés à même le sol qui bougent et racontent une histoire comme s’ils étaient vivants. C’est toujours très créatif « vous êtes vous demandé ce qu’il se passait dans votre bouteille de jus de fruit « ? Ils jouent beaucoup avec des objets du quotidien Avec de très chouettes créations. On sent la direction artistique, avec des couleurs très pastel. Les vidéos sont très artistique, le couleurs sont très belles franchement on se perd facilement dessus ! En highlight story on retrouve surtout la vie et les backstage de la jeune femme qui se cache derrière cette agence. #@stopmolovers Instagram > 21,8k followers . . . Le Super Daily est fabriqué avec une pluie d'amour par les équipes de Supernatifs. Nous sommes une agence de content marketing et social media basée à Lyon. Nous aidons les entreprises à créer des relations durables et rentables avec leurs audiences. Nous inventons, produisons et diffusons des contenus qui engagent vos collaborateurs, vos prospects et vos consommateurs. Contact : bonjour@supernatifs.com

Luke Morgan is an Irish director and writer. He is a founder of both “the Theatre Room Galway” and the filmmaking collective “Project Spatula”. His short films have screened at a variety of festivals, including the Galway Film Fleadh (2015), The Cork Film Festival (2016), Richard Harris International Film Festival (2014, 2016), the Polish International Film Festival (2016) and the Short Film Corner at Cannes Film Festival (both 2015 and 2016). As a writer, he has sold two feature-length screenplays to production companies. His debut poetry collection “Honest Walls” was published in 2016. He was one of the storyliners for Ros na Rún’s 21st season finale (TG4). He co runs Project Spatula with his Brother Jake. This year the collective made their first feature - Sooner or Later, which has premiered at The Galway Film Fleadh and went on to screen at The Cork Film Festival. Jake Morgan is an emerging composer and conductor from Galway who specialises in creating original music and audio for film, theatre, and video games. He studied composition and sound design at The Royal Irish Academy of Music and Windmill Lane Studios, Dublin. This year, Morgan is pursuing his masters degree in Composition for Screen from the University of Edinburgh. Jake has been commissioned to write original concert music for many orchestras world-wide, including; The Harbin Symphony Orchestra, Plovdiv Philharmonic orchestra, Sofia Sinfonietta, Varna Radio Orchestra, Gamelan Nua and the Galway Senior Youth Orchestra, as well as smaller chamber ensembles of many varieties. Be sure to Check out our previous podcast's with Tim Wardle Director of "Three Identical Strangers" and Roger Gregg and don’t forget to subscribe and review. #WeareFni #MakeANameForYourself If you want to support FNI in our non Subsidised work head on over to www.buymeacoffee.com/fni

Luke Morgan is an Irish director and writer. He is a founder of both “the Theatre Room Galway” and the filmmaking collective “Project Spatula”. His short films have screened at a variety of festivals, including the Galway Film Fleadh (2015), The Cork Film Festival (2016), Richard Harris International Film Festival (2014, 2016), the Polish International Film Festival (2016) and the Short Film Corner at Cannes Film Festival (both 2015 and 2016). As a writer, he has sold two feature-length screenplays to production companies. His debut poetry collection “Honest Walls” was published in 2016. He was one of the storyliners for Ros na Rún's 21st season finale (TG4). He co runs Project Spatula with his Brother Jake. This year the collective made their first feature - Sooner or Later, which has premiered at The Galway Film Fleadh and went on to screen at The Cork Film Festival. Jake Morgan is an emerging composer and conductor from Galway who specialises in creating original music and audio for film, theatre, and video games. He studied composition and sound design at The Royal Irish Academy of Music and Windmill Lane Studios, Dublin. This year, Morgan is pursuing his masters degree in Composition for Screen from the University of Edinburgh. Jake has been commissioned to write original concert music for many orchestras world-wide, including; The Harbin Symphony Orchestra, Plovdiv Philharmonic orchestra, Sofia Sinfonietta, Varna Radio Orchestra, Gamelan Nua and the Galway Senior Youth Orchestra, as well as smaller chamber ensembles of many varieties. Be sure to Check out our previous podcast's with Tim Wardle Director of "Three Identical Strangers" and Roger Gregg and don't forget to subscribe and review. #WeareFni #MakeANameForYourself If you want to support FNI in our non Subsidised work head on over to www.buymeacoffee.com/fni Learn more about your ad choices. Visit megaphone.fm/adchoices

Jean-Luc Julien left Los Angeles for a life in Berlin, Germany where he acts and makes films. After 20 years of short films, he still struggles to find a way to get his first feature made.

A mother struggles to accept the man her adult son has become. Directed by Leah Patterson, Bridget and Iain is the story of a mother’s love for her adult son. Bridget, (Vivienne Powell) who tries to do everything ‘right’, learns the limits of her power to manage others. Her son Iain (Damian Sommerlad) is charming, funny, and at times kind. He’s also an addict. Worried sick, Bridget finally gets support to make the changes that need to happen. The film charts the shifting relationship between Bridget and Iain as it reaches crisis point. It’s about maturation, change, and the struggle of trying to help someone you love while possibly enabling the very behavior you see as destructive. Bridget and Iain will resonate with anyone who has experienced the impact of any form of addiction in their lives or who have family members with mental health problems, or challenging relationships. Bridget and Iain Producer Diana C. Zollicoffer brought together an all-female crew for the production. Zollicoffer has also produced the environmental/social justice documentary “Forgotten Bayou” numerous short films and web series including Schmoolie the Deathwatcher (winner of the 2015 San Antonio Film Festival). She recently directed the pilot episode of “Annny Minute Now” and assisted in developing the characters and storyline for the web series. She co-wrote “Free Agent: The Benjamin Brown Story” to be directed by Mykelti Williamson (Purge, Fences, Forest Gump), and has several projects that she is developing and two of which, with the intention to direct. Bridget and Iain recently screened at the Cannes Global Women of Color in Film Day and the Cannes Court Métrage Short Film Corner. Producer Diana C. Zollicoffer joins us to talk about her award winning new film. To follow the film on social media: https://www.instagram.com/bridget_and_iain/ https://www.facebook.com/BridgetAndIainTheFilm/ https://twitter.com/bridget_iain

Cette semaine dans le podcast de Retour vers le Turfu, On parle Denver Dissident vs Laurent Voulzy qui se la joue comme BHL, un vieux chelou qui a dépensé sans compter, un gamin invincible et des vélociraptors flambant neuf, on parle bien entendu de Jurassic Park de Steven Spielberg. Côté actualité on parlera Heroes of the Storm 2.0, Gorillaz, le Short Film Corner du Festival de Cannes avant de passer à nos recommandations incontournables. Sujet : Jurassic Park de Steven Spielberg (04:55)Acutalité La Nintendo Switch en bonne santé par Luc (01:50:20)Heroes of the Storm s'offre un 2.0 par Vivien (01:53:00)Twin Peaks saison 3 sur Canal +, Black Angels, Gorillaz & Feist par Pezzo (01:57:14)Short Film Corner au Festival de Cannes 2017 par Christelle (02:04:30)Recommandation La saga "Sorceleur" (The witcher) de Andrzej Sapkowski par Vivien (02:14:10)First Take de Roberta Taflak par Pezzo (02:21:20)La Minute corpo de Wild Talents Paris par Christelle (02:24:00) :Maxime Cappello "Mes Lycéennes"Le magazine "75"Crédits MusiqueFreddie Mercury : Living on my Own4 Non Blondes : What's UpArrested Development : People Everyday Myst Soundtrack : Myst Theme Heroes of the Storm : Main Theme Gorillaz : Andromeda Feist : PleasureThe Witcher 3: Wild Hunt OST : Sword of Destiny Roberta Flack - Compared To What Retrouvez l'émission Page Facebook : https://www.facebook.com/rvturfu/Page Twitter : https://twitter.com/RetourTurfuMail : rvturfu@gmail.comEcoutez-nous sur Soundcloud, Youtube & Itunes, abbonez-vous et n'hésitez pas à en parler autour de vous, une écoute = un chaton de sauvé. Retrouvez l'équipe de Retour vers le Turfu sur le site Wild Talents, la plate-forme qui cartonne pour tous ceux qui souhaitent promouvoir leurs talents créatifs.Vous avez un projet lié à la popculture ? Vous êtes acteur, compositeur, réalisateur ou même développeur ? (Start-up, podcast, court-métrage, film, livre) N'hésitez pas à envoyer un mail à rvturfu@gmail.com si ça nous intéresse, nous en parlerons dans l'émission. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Director, producer, writer, and performer, Caatje van Leeuwen is the founder of Amsterdam-based production company Sun Cat Productions. Her passion lies in telling slice-of- life stories that weave larger social issues with intimate glimpses into the relationships of everyday people. The result is a series of short films that aim to go beyond the inherent beauty of film-making as an art form to the beauty of life itself, inspiring hope from otherwise dark corners. In recent years, Caatje has developed, written and directed multiple film projects and has proven to be a driving force for each taking on multiple roles, as necessary. Most recently she wrote and directed Different Stories, Jan, the dark comedy The Upper Crust, and The Man For The Boy for artist Blackbird (Merel Koman) to be released in October 2016. Caatje is a founding partner at LA-based film studio, Cinema Collaboratorium. Caatje served as writer, producer, post-director and star of Sun Cat Productions' debut film, William which was featured in the 2015 Cannes film festival short film showcase corner. She is a best director nominee for short film, Jan at the Amsterdam 48 Hour Film Project (2015, Jan also won 2nd best film, best editing and nominations for best cinematographer in the contest. Her latest short, The Upper Crust screened at the 2016 Cannes film festival Short Film Corner and is selected for the 2016 LA Femme Film Festival and the Sunscreen Film Festival Florida 2017.

Cathleen Dean is writer/producer, filmmaker, photographer and educator raised in Westchester County, NY. She earned a BA in History from Columbia University and is currently an adjunct professor at Nova Southeastern University in Davie, Florida,and the Producer of the Miami/Ft.Lauderdale 48 Hour Film Project. The 48 Hour Film Project (48HFP) an annual event, which takes place in over 130 cities worldwide, and challenges filmmakers to create a four to seven minute film in only 48 hours.  During the span that she has produced the Miami 48HFP, a Miami Best Film winner also received highest distinction of showcasing at the Cannes Film Festival as a featured part of the Short Film Corner.

In our 38th podcast, I am joined by three Gold Rush Gang members - Júlia, Evan and Kenneth - to first discuss the name change of the Amy Adams space drama and if the film needs more or less Jeremy Renner (hint: it's the latter). Then, onto predictions for the Cannes Film Festival announcement next week. Everything from what's confirmed, what's definitely not showing up to what we have a good idea will be. Much conversation revolves around the Jeff Nichols film Loving starring Ruth Negga and Joel Edgerton and how Focus Features is positioning the film early (it doesn't do Cannes that often) and will likely hit all of the major festivals before its theatrical release. This leads to a lengthy Best Actress conversation (no, really?) that focuses mainly on Negga and Viola Davis in Fences but also on the challenge of a studio to decide which of its films to push the most, when to release it and when it's good to be seen early. Much debate about if the Academy will take Amazon Studios and Netflix seriously this year after no nominations for a feature film happened at this year's nominations takes place, including thoughts on how the old indies (Sony Pictures Classics, Focus Features, Fox Searchlight) fell to the new indies this year (A24, Open Road Films) and where Amazon and Netflix fit, if they do at all and how those two streaming services are becoming the new home for old school indie directors. I also give a plea and shoutout to director Karyn Kusama whose film The Invitation debuted this weekend to rave reviews and deserves a major career redemption. Evan and Kenneth discuss a wealth of films they've recently seen that could end up being awards contenders come fall (as Spring movies often do) including the ever-awarded Helen Mirren in Eye in the Sky and Sally Field in Hello, My Name is Doris. Júlia shares her thoughts on the upcoming film Moonlight, starring Mahershala Ali, Andre Holland and Naomie Harris.  We also highlight something we're very proud of; an AwardsWatch forum member who has a film playing the Cannes Film Festival. Our own Aaron Salazar's film gas_n_go032416 will play the Short Film Corner of the festival. Huge congratulations to him.  Also, Nicole Kidman. Because, of course.

En el programa: Willer, batería de Cabalgata Cósmica y cantante de Trocotombix, es el protagonista en El Disco de la Semana, donde nos hablará de su elección musical para la sección. En la sección de cine hablaremos con Gonzalo Gurrea Ysasi, creador de la webserie “Fracasados por el Mundo”, y director del cortometraje documental “Eternos” que ha formado parte del Short Film Corner del Festival de Cannes. En la sección de libros hablaremos sobre de “La Ira es Energía” de John Lydon, biografía del cantante de los Sex Pistols que acaba de publicar la editorial Malpaso. Y para finalizar tendremos a Guillermo Artés, que nos hablará de “Fuego” (Hall of Fame Records, 2015) el primer disco de su nuevo proyecto Pentatronika, que presentará en el Tulsa Café el próximo Sábado 30 de Mayo.

El realizador Charles Boguer nos cuenta su experiencia de haber participado en el festival de Cannes en una sección pararela llamada "Short Film Corner" con su cortometraje titulado Estocolmo.

El realizador Charles Boguer nos cuenta su experiencia de haber participado en el festival de Cannes en una sección pararela llamada "Short Film Corner" con su cortometraje titulado Estocolmo.

Maria Gigante writes, directs and produces short films in Chicago and in Brooklyn, NY. Her films scripts Petal Fall and Eva Eva won screenwriting awards at Screenwriting Expo in LA and the Columbia College Written Image Screenwriting Competition. Her most recently completed short film, Girls Room, hit the festival circuit in 2007.  Girls Room is about a Catholic schoolgirl who discovers that there is nothing more frightening than having to go to the old, creepy restroom down the hall – all by herself.Girls Room was Maria's thesis film at Columbia College and won Best of the Fest and the Audience Award at Columbia's 2007 Big Screen Film Festival. It continues to play at festivals including the Short Film Corner at The Cannes Film Festival, LA Shorts Fest, Berlin, Montreal World, and was nominated for the mtvU Student Filmmaker Award at Tribeca and won best short in the Chlotrudis Film Festival.