Podcasts about we gotta get out

Vor 50 Jahren, am 30. April 1975, endete der Vietnamkrieg. Insgesamt 20 Jahre hat er gedauert, Millionen Opfer gefordert auf beiden Seiten und die US-Gesellschaft gespalten. Es war der erste Krieg, der medial präsent war, über die Bildschirme der USA flackerte und auch in der Musik verhandelt wurde. · Es gibt heute über 4000 Songs über den Vietnamkrieg, kein Krieg hat mehr Musik hervorgebracht. Warum hat der Vietnamkrieg eine so strake musikalische Identität? · Die US-amerikanische Rock- und Popmusik war einerseits elementarer Bestandteil der Propaganda während des Vietnamkrieges, andererseits aber auch des Protests. Einige Beispiele. · 1969 schleuderten tausende Hippies dem Krieg in Woodstock das wahrscheinlich berühmteste «Fuck» der Geschichte entgegen. Wie Country Joe McDonalds «I-Feel-Like-I'm-Fixin'-to-Die-Rag» zu einer der grössten Hymnen der Friedensbewegung wurde · Fast jeder Soldat in Vietnam hatte «seinen» Song. Musik half den US-Soldaten in Vietnam, den Kriegsalltag zu überstehen, die Todesangst zu überwinden und war ihre Verbindung nach Hause · In Dschungelcamps und Kasernen in Vietnam ertönte Musik aus Kassettenrekordern, tragbaren Plattenspielern und Radiogeräten. Und die Soldaten machten selbst Musik: Mit Gitarren, Mundharmonikas und anderen Instrumenten. · Auch nach dem offiziellen Kriegsende 1975 ging die musikalische Auseinandersetzung mit dem Vietnamkrieg weiter. Viele US-amerikanischen Musikerinnen und Musiker, wie Bruce Springsteen, Billy Joel oder R.E.M. bearbeiten die Folgen. Und die Veteranen machen selbst Musik, um ihre Erlebnisse zu verarbeiten. · Im Podcast zu hören sind: · Doug Bradley (*1947), Kriegsveteran und Autor, z.B. «We Gotta Get Out of This Place: The Soundtrack of the Vietnam War» (UMass Press, 2015, zusammen mit Craig Werner) · Detlev Hoegen, Geschäftsführer vom deutschen Label Bear Family Records. 2010 erschien die CD-Box «Next Stop is Vietnam. The War on Record 1961-2008» · Country Joe McDonald (*1942), Musiker und Protestsänger. Mit dem «I-Feel-Like-I'm-Fixin'-to-Die-Rag» schuf er 1965 eine der grossen Anti-Vietnamkriegshymnen Bei Fragen, Anregungen oder Themenvorschlägen schreibt uns: kontext@srf.ch Autorin: Elisabeth Baureithel Host: Bernard Senn Produktion: Dagmar Walser Technik: Thomas Baumgartner

“I don't think teenage years are all that rosy for a lot of people - they certainly weren't for me. They are the most confusing time of people's lives and there is a tremendous dark side to the record, which I think teenagers related to.” - Mary Weiss of the Shangri-Las, on their greatest hit “Leader of the Pack”It was no wonder punk rockers love the Shangri-Las so much. They had the courage to be fashionable, fierce, and vulnerable in a music industry that just wasn't built for them. This week's story is a wild tale: stolen song credits, banning from BBC radio, and organized crime - the drama is so wild, it reads like a Shangri-Las song! Sometimes the truth is stranger than motorcycle-crashing fiction. PLUS: What do Abby and Emma really think of the casting for the upcoming Beatle biopics? And what on earth is Holy Land USA?? “The Shangri-Las: Leaders of the Pack” is available wherever you stream your podcasts

The Animals were an English rock band of the 1960s, formed in Newcastle upon Tyne. The original lineup featured Eric Burdon (vocals), John Steel (drums), Hilton Valentine (guitar), and Chas Chandler (bass). The group is most famous for their top-five hit single “House of the Rising Sun” along with other popular songs like “We've Gotta Get Out of this Place” and “It's My Life”. Early Years The Animals were formed in Newcastle upon Tyne in 1962, with Eric Burdon as lead singer and Chas Chandler as bassist and manager. They were joined by Hilton Valentine on guitar and John Steel on drums. The band was heavily influenced by rhythm and blues music, particularly that of Chuck Berry and Little Richard. They signed a contract with Columbia Records and released their first single, “Baby Let Me Take You Home” in 1964. Breakthrough Success The Animals' breakthrough came with the single “House of the Rising Sun”, which reached number one on the U.S. Billboard Hot 100 chart in 1964. The song was originally recorded by folk singer Woody Guthrie, but it was the Animals' version that achieved mainstream success. The song was also featured on their debut album, The Animals. The band followed up with another successful single, “We Gotta Get Out of This Place” which reached number two on the UK singles chart in 1965.Later Career The band released several more albums in the 1960s including Animal Tracks (1965) and Animalisms (1966). In 1967 they disbanded following Eric Burdon's departure to form the Eric Burdon Band. The remaining members reunited briefly in 1977 for an album and tour before splitting again. In 1983, they reunited again for the album Ark and toured extensively throughout the 1980s and 1990s. Legacy The Animals are remembered as one of the most influential British bands of the 1960s, having helped to shape the sound of rock music for generations to come. They have been cited as an influence by many artists including Jimi Hendrix, Van Morrison, Neil Young, and Tina Turner. Their seminal song “House of the Rising Sun” has been covered countless times by other artists. Original co-founder and drummer, John Steel joins us this week to share the story of his amazing musical journey. I hope you enjoy this episode and if you'd like to request a guest please get in touch with me through the website https://www.abreathoffreshair.com.au

This week, hosts Jim DeRogatis and Greg Kot pay tribute to the late Cynthia Weil, one half of the songwriting duo Mann & Weil, famous for writing tracks like “We Gotta Get Out of This Place” and “You've Lost that Lovin' Feeling.” Jim and Greg revisit their 2011 conversation. The hosts also talk to Ryan Tedder of One Republic about writing songs for himself, Beyoncé, Adele and more. Plus, a review of the new album from rapper Killer Mike. Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Killer Mike, "SLUMMER," MICHAEL, Loma Vista, 2023Killer Mike, "MOTHERLESS," MICHAEL, Loma Vista, 2023Killer Mike, "DOWN BY LAW," MICHAEL, Loma Vista, 2023Killer Mike, "SCIENTISTS & ENGINEERS (feat. Future & Eryn Allen Kane)," MICHAEL, Loma Vista, 2023Cass Elliot, "Make Your Own Kind of Music," Bubblegum, Lemonade &... Something for Mama, Dunhill, 1969Barry Mann, "Who Put the Bomp (in the Bomp, Bomp, Bomp)," Who Put The Bomp, ABC-Paramount, 1961Bobby Vee, "Take Good Care of My Baby," Devil or Angel, Weton, 1960The Drifters, "Saturday Night at the Movies," The Good Life With The Drifters, Atlantic, 1963Tony Orlando, "Happy Times Are Here to Stay," Bless You and 11 Other Great Hits, Epic, 1961The Righteous Brothers, "You've Lost That Lovin' Feelin'," You've Lost That Lovin' Feelin', Philles, 1964The Crystals, "Uptown," Twist Uptown, Philles, 1962Eydie Gormé, "Blame It on the Bossa Nova," Blame It on the Bossa Nova, Columbia, 1963The Cookies, "On Broadway," The Complete Cookies, Sequel, 1963The Drifters, "On Broadway," Under The Boardwalk, Atlantic, 1963Barry Mann, "Soul and Inspiration," Soul and Inspiration (Single), Unreleased, 1966Barry Mann, "We Gotta Get Out of This Place [Original Demo]," Red Bird Story, Snapper UK, 2011The Animals, "We Gotta Get Out of This Place ," Animal Tracks, EMI, 1965Dolly Parton, "Here You Come Again," Here You Come Again, RCA, 1977OneRepublic, "Love Runs Out," Native, Interscope, 2013Timbaland (feat. OneRepublic), "Apologize," Shock Value, Blackground, 2007Leona Lewis, "Bleeding Love," Spirit, Syco, 2007Beyoncé, "Halo," I Am... Sasha Fierce, Columbia, 2008Adele, "Turning Tables," 21, Columbia, 2011Taylor Swift, "Welcome to New York," 1989, Big Machine, 2014OneRepublic, "Counting Stars," Native, Interscope, 2013Jason Isbell & the 400 Unit, "Miles," Weathervanes, Southeastern, 2023Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

שעה ראשונהNine  Ruste Juxx & Snowgoons - Double TroubleJesse Royal - Hope (feat. Romain Virgo)De La Soul - Keepin' The FaithTamaradah - HOYA HOYEFatoumata Diawara - YadaWitch - By The Time You RealizeJane's Addiction - StopFoo Fighters - But Here We AreOlivia Jean - TroubleJello Biafra With D.O.A. - We Gotta Get Out of This Placeהמסיבות - כל הארץQueens Of The Stone Age  - CarnavoyeurErez shmida - Bidiok bazmanיהודה פוליקר - אנחנודניאל רובין - בשורה שעה שנייה LP Giobbi - GeorgiaReal Lies - Diary of a Young Man (Rising: Singles Club)The Psychedelic Furs - The Ghost In YouJonny Polonsky - Idiot GoldHooray For Earth - Fantasy Somethingמאיה מרון, קלין וגואטה - מאיפה באת  Chaka Khan - Through The FireNeil Young - On Broadwaythe human league - you've lost that loving feeling (Peel Session)אירה חודיאק - ולהרכיב בחזרהLaurie Anderson - Strange AngelsThe Blue Aeroplanes - Lapdogs in the WildBob Dylan - It's All Over NowDorthia Cottrell - Effigy at the Gates of Urיפעת בלסיאנו - מה עושים עם הידייםM83 - A Word of Wisdom

John Steel, co-founder and drummer for The Animals talks about his life in music. We cover the roots and formations of The Animals, the British invasion and hits including Baby Let Me Take You Home, The House of the Rising Sun, We Gotta Get Out of This Place and It's My Life. Forthcoming Animals and […] The post John Steel – The Animals appeared first on The Strange Brew  .

Ce mardi, dans Bruxelles vit !, Charlotte Maréchal pose son micro au théâtre Les Tanneurs, à Bruxelles, pour présenter les coulisses de cette salle de spectacles bien connue du centre-ville. Elle présente également trois spectacles programmés ces prochains jours : le spectacle "Hippocampe" de Lylybeth Merie, la pièce "We Gotta Get Out of This Place" joué à l'Atelier 210 en collaboration avec Les Tanneurs et le spectacle "Flesh" de la compagnie Still Life.

PlatoonWelcome to The Guys Review, where we review media, products and experiences.  **READ APPLE REVIEWS/Fan Mail**Mention Twitter DM group - like pinned tweetRead emailsTwitter Poll Platoon Written and Directed by: Oliver Stone Starring:  Tom BerengerWillem DafoeCharlie Sheen Released: Dec 24 1986 Budget: $6M ($15.2M in 2021) Box Office: $138.5M ($351.2M in 2021) Ratings:   IMDb 8.1/10 Rotten Tomatoes 87%Metacritic 92% Google Users 91% The film was nominated for eight Academy Awards at the 59th Academy Awards, and won four including Best Picture, Best Director for Stone, Best Sound, and Best Film Editing. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Lastly, a Platoon is a subdivision of a company of soldiers, usually forming a tactical unit that is commanded by a lieutenant and divided into several sections or squads. First time you saw the movie? Plot:The film opens to black and white text: "Rejoice O young man in thy youth" -Ecclesiastes. At an air filed as new recruits are getting off a plane; they observe body bags being loaded. They somberly walk by as injured men heckle them. September 1967, Brave Company, 25th infantry, somewhere near the Cambodian border. The men are marching through the jungle, on patrol. Charlie Sheens Chris Taylor comes across a dead body, with Sgt Barnes telling him he's good and dead. Taylor collapses, with ants on his neck. A resupply helo touches down and they unload, troops are shown cutting grass, working on weapons, tending to wounds, setting mines. Taylor starts a voice over as a letter to his Grandma, about Hell and complaining how hard it is. Up at 5am, humping all day, how new guys are valued less, and he thinks he made a mistake. The Sgts get a report of an ambush, and they argue about who is going out on partrol. The troops are complaining about the patrol, and Sgt Elias takes the new recruits, and clears their gear they don't need, with some advice from Elias, they take off with a storm rolling in. Taylor voice over complaining about his parents, being anonymous. How the guys are the bottom of the barrel, but some of the best guys. Taylor is sent to set claymores. Taylor awakes about 2:30am, with ants and bugs on him. As he's trying to settle down, he watches as some Vietcong troops came walking through, he looks at his weapon and at the other troops, unsure what to do, as they approach. They trip a claymore, and the troops wake up to a fire fight. Fires, explosions and tracers. Another trooper who was hit, is screaming in pain, when Sgt Barnes covers his mouth and tells him to shut up and take the pain, Taylor is also injured, and is worried about dying, Gardener, the other new recruit, dies. Everyone somberly looks away, except Taylor. Sgt Barnes call him a piece of shit, and uses him as an example what happens when you mess up in a firefight. As they walk out, Elias tells Barnes he may still be alive if he had a few more days to learn something. S:-Somber start to the movie, gives it weight-The foreshadowing of the storm rolling in, I am assuming.-I cant see John C. McGinley and not think scrubs. Taylor is walking on base, catches up with his old platoon, and gets pulled for a job. They're shown pulling latrine pots and having to clean them. They ask how he got there, Taylor says he dropped out of college and volunteered for infantry, King tells him hes stupid for giving all that up, and that the poor are always getting fucked by the rich. King takes him to hang out and Taylor hits an opium pipe. Sgt Elias is there and has him inhale some smoke through a shot gun. Some banter in the barracks in between the troops. Taylor and the others are smoking, dancing and singing, as it fades to them back in the jungle, new years day, 1968. They find and investigate an enemy camp. Elias crawls into one of the caves to check, as the others keep combing. Elias finds a surgery with a dead troop, he climbs up into another chamber and kills someone running away, as Sal and another troop find a trove of documents that are booby trapped, and they die. Taylor sees Barnes, looking despondent. The LT tells them to move to a village, when they go, they find a missing troop, Manny, tied to a tree, dead. Barnes is pissed and Taylor calls him their Ahab that day. They ransack the village, and find some guns. Taylor finds a man and woman hiding, and he makes the one legged man dance, shooting at his foot. Bunny kills him with the butt of his shotgun. They interrogate a man about the weapons, he says they don't have a choice, Barnes hills the woman, threatens to kill more if he doesn't talk. Barnes gets the mans daughter and threatens to kill her. Elias stops him and they fight. The troops part them, LT tells them to torch the town and blow the weapons and move out. Taylor comes across some guys attempting to rape some villagers, and stops them. S:-When the guys are pulling the latrine things, you can hear Adrian Cronauer in the back ground saying Goooooood morning vietnam.-The obvious differences between the LT and the troops.-Taylor stopping the rape tells a lot about who he is At the base camp, Elias and LT are talking to the captain about what happened at the village. They're told they're going back to the bunker complex. The troops discuss who was right. LT tells Barnes not to worry about Elias. Obviously the troops are divided. Barnes pauses. Taylor and Elias talk, and Elias says they're going to lose. Taylors voice tells us he struggles to maintain his sanity, whats right and wrong, the divide in the troops. They move through the jungle on patrol when they're ambushed. They start returning fire as men are hit, Taylor crawls to help. Elias, Barnes and the LT argue how to react, ultimately going with Barnes. Mortar rands start falling on the troops and they fall back, needing medics. Elias takes two guys, Taylor follows. Barnes berates the LT for giving bad coordinates. Elias tells them what to do and takes off; barnes tells them to pull back that he'd get Elias. Taylor gets two, as Barnes arrives and sends them back, he moves to Elias. He moves quietly, as the Vietcong run, Elias engages and kills some. Barnes follows. Taylor arrives back, but goes back into the jungle. Barnes shoulders his rife at Elias, they share a moment, Elias' face drops and Barnes shoots him. Barnes tells Taylor, and they move out. They move to the rescue helos, and move bodies. As they're flying, Taylor sees Elias running, Barnes can't believe it. The LT tells them to go back, Elias is running, bloody, with tons of vietcong chasing him, the falls and crawls, while being shot, as the helos make gun runs trying to help. On his knees, Elias reaches up, and collapses. Taylor looks at Barnes, and Barnes turns away. S:-Not knowing the ending, I think when Barnes pauses, he's decided he's going to kill Elias.-This is a pretty straight forward movie, some moral questions are blunt and obvious.-I like the framing of Barnes and Elias, going head to head, towards each other.-There isn't a bunch of war time era music, like Fortunate Son or We Gotta Get Out of This Place, it's all classical, instrumental.-Iconic shot of Elias on his knees reaching up. Taylor is convinced Barnes killed Elias. They argue what they should do. Barnes arrives and tells them there is the way it should be and the way it is; he is reality, that Elias was wrong, and that the machine breaks down, they break down. He offers himself, 6 on 1, to kill him. Taylor jumps on him, but it's over quickly, and Barnes stops from killing him, but cuts his cheek. Walking asking, what they know about death. They go back the next day, Taylor knows they're the bait to lure out an entire regiment. Lt tells Rhah he's got Elias' squad, and he doesn't want it. Taylor and King talk, Taylor questions why and how people like Elias die, and Barnes get to make the rules. King says to just get through it; then King is sent home. Junior says he can't walk, Barnes doesn't believe him, and Junior breaks down. O'Neil asks for leave, which Barnes denies, O'Neil is worried he wont make it out alive, and Barnes tells him everybody has to die. Bunny tells Junior why he likes being there, doing what you want, just worry about dying. We see vietcong troops preparing and moving through the jungle at night. A proximity flare is set off, when they're told not to get out of their fox hole, that they'll be probed all night, trying to get through. A trooper falls in the hole with Taylor and tells them there are hundreds coming, to get out. A blast rocks Taylor back. He listens to a broadcast and abandons the foxhole, right as they RPG it. Some troops come up the hill and Taylor attacks, killing several. Frances joins him, and they are in a frenzy. Screaming, laughing, when Taylor charges. Bunny is screaming at the attackers when Junior leaves, as he turns to yell, he's shot, with the killing blow in his mouth. Junior runs into a tree, and is soon after stuck with a bayonet and dies. Barnes attacks, O'Neil pulls a dead body on himself to hide, and the attackers move on, thinking they're all dead. A suicide attack at the base is run on what looks like a comms tent. LT tells the Captain they're overrun, and they want to pull back, but the Captain tells him to stay and fight. They're overrun, the captain calls for a bombing run on them. Barnes is fighting and gets shot, Taylor saves him, Barnes is about to kill Taylor, when the bombs drop, as we literally see the red in Barnes eyes and explosions. Cut to Taylor waking up, and all is quiet. He gets up and grabs an enemy AK, bloody and batered, he finds Barnes crawling away, also bloody and burnt. They stare at each other, when Barnes tells him to do it... and Taylor shoots Barnes. And armored vehicle finds Taylor, Frances stabs himself in his leg, O'Neil lies about being left. A bulldozer is clearing bodies as Taylor is carried out. He and Frances chat for a sec, and O'Neil is told then he has second platoon...and he is not happy. Taylor is loaded on to the medical helo, signals to Rhah, who screams back. He flies over the carnage of the battlefield, bodies everywhere. He things looking back, they didn't fight the enemy, but themselves. He knows for him the war is over, but it will always be there, as will Barnes and Elias for possession of his soul. He's sometimes since felt of a child born of those two fathers. That we must rebuild, to try and find goodness and meaning to this life. A white screen with black text: Dedicated to the men who faught and died in the Vietnam War. Fade to black, and credits. S:-That fight scene and everything Barnes says, i get why he got the academy award. Incredible, well written.-Still very intense, crazy battle sequence. It's got real depth and shows how any and many soldiers can break.-I do wonder how 'real' the bit with Barnes killing Elias, and Taylor killing Barnes is or was in Vietnam. Top Five Trivia of the movie: 5: Oliver stone got so tired on set, he accused the editor of stealing film. But the film hadn't been shot yet.4: The scene where all the troops were high, they actually got high. The problem was, they did it hours before, so when they shot, according to Willem Dafoe, "They were just tired and useless."3: Dale Dye, who is a decorated Marine, was the consultant to this movie and changed the way hollywood shot war movies, finally showing the emotional toll war takes on solders. He's also consulted in films such as Saving Private Ryan, and even video games like Medal of Honor.2: They imported red dirt, because Oliver Stone specifically remembered red dirt from his time in vietnam1: Oliver Stone was the first Vietnam Vet to direct a vietnam war movie. Also, in 1988, without saying how, video compies of Platoon were being playing in Ho Chi Minh City, It was the first American film about the Vietnam War to play there.   TOP 5Stephen:1 Breakfast club2 T23 Sandlot4 Back to the Future5 Mail order brides Chris:1. sandlots2. T23. trick r treat4. rocky horror picture show5. hubie halloween Trey:1) Boondocks Saints2) Mail Order Brides3) Lone Survivor4) Drunk stoned brilliant dead5) Sandlot  Tucker:1. Beer review 2. T23. Gross Pointe Blank4. My Cousin Vinny5. Mail order brides  Web: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTW: @The_GuysReviewFB: https://facebook.com/TheGuysReviewPod/YouTube: https://www.youtube.com/channel/UCYKXJhq9LbQ2VfR4K33kT9Q Please, Subscribe, rate and review us wherever you get your podcasts from!! Thank you,-The Guys

Listener comments end at: 45:15 The Claw of the Conciliator Chapter 15, "The Fool's Fire" Severian meets the inhabitants of the Antechamber (not that he learns it is called that) and Jonas starts his mental breakdown.  Links: * Jordon Flato and the Claw * Chris Ott: A dweller in forgotten yesterdays   * Mark Mandarano and Sev thinks about his death in the Flower of Dissolution chapter * Gary Owens and the averns as an Undine Repellant  * Michael Grant thinks about the relationship between Baldanders and BFO * Facebook    - Chapter 15 The Fool's Fire   - Chapter 14 The Antechamber * Reddit   - Chapter 15 The Fool's Fire   - Chapter 14 The Antechamber - This episode is sponsored by Waiting Rooms! - You can become a patron and hear additional episodes at https://www.patreon.com/rereadingwolfe - You can get episodes on your podcast app or on our Youtube channel. Note: Youtube subscribers in some locales might not be able to access all the episodes. However, you can get every episodes at the website and on your favorite podcast app.  If you have problems accessing the podcast on your favorite platform, let us know. - Questions, comments, corrections, additions, alternate theories? Connect with us on on Facebook ...or on Twitter @rereadingwolfe ...or on Instagram: rereadingwolfepodcast ...or on Reddit: rereadingwolfepodcast  * Intro from The Alligator, Annihilation soundtrack by Ben Salisbury and Geoff Barrow * Break Music from Symphony #2 - I by Arvo Pärt, performed by NFM Wroclaw Philharmonic * Outro from "We Gotta Get Out of This Place" by Grand Funk Railroad * Logo art by SonOfWitz  Outros and alternate outros are cued on the Rereading Wolfe Podcast Spotify playlist IF the songs are available on Spotify.

The Hake Report, Friday, August 20, 2021: Be a light in a dark place: medicine, police, military, Commie California, Democrats' America, Google, Facebook, Apple, Amazon… // Complex Magazine celebrates the declining white American population. // (I forgot to cover R. Kelly!) // TheSkimm promotes self esteem! // Judge blocks Biden admin from not deporting criminal illegal immigrants. // Democrat Ayanna Pressley pushed to "cancel rent," yet collected the same rental income she got before the virus! //  MUSIC: One-21 – "Everybody Has It," "We Gotta Get Out of This Place" (orig. The Animals), and "No Temptation" (by Brian Wood) – from 1998 album When the Dragon Is Finally Laid to Rest  Also check out Hake News from today.  CALLERS Tony from California thinks Hake and JLP are like the Taliban.  Louis from Idaho thinks voting doesn't matter, and talks mentions a "repeat a lie" quote.  Keith from Illinois makes an interesting allegation of corruption.  Mark from Santa Monica, CA decries the corrupt FBI and the evil of diversity.  Theresa from Texas has a nice call and tip, but a poor connection!  Joe from Phoenix, AZ talks about Goebbels and the "repeat a lie" quote.  Jared from Dallas, TX gets caught up in politics not souls, citing Jeff Durbin and Revelation.  Casey from Calgary, Canada is upset about Trudeau's evil shenanigans.  TIME STAMPS 0:00 Fri, Aug 20, 2021 1:48 Everybody Has It, One-21 4:44 Hey, guys! 8:13 Reading (Super) Chat 11:51 Be a light 28:50 Tony, CA 37:47 Complex IG white pop 45:07 Louis, ID 52:30 Bad pronunciations 55:36 Keith, IL 1:01:15 Super Chat: Jib_Jab 1:04:03 We Gotta Get Out of This Place 1:06:11 Music comments 1:07:21 Mark, Santa Monica, CA 1:16:12 Diversity 1:17:41 Theresa, TX 1:22:07 Joe, Phoenix, AZ 1:28:55 Self-esteem 1:33:01 Selective deportation 1:38:05 Jarod (sp), Dallas, TX 1:47:11 Super Chat: Caller battle? 1:48:54 Ayanna Pressley 1:54:17 Taliban 1:56:03 Casey (sp), Calgary, Canada 2:01:33 No Temptation, Brian Wood HAKE LINKS VIDEO ARCHIVE: Facebook | Periscope/Twitter | YouTube | Audio podcast links below PODCAST: Apple | Podcast Addict | Castbox | Stitcher | Spotify | Amazon | PodBean | Google  LIVE VIDEO: Trovo | DLive | Periscope | Facebook | Twitch* | YouTube*  SUPPORT: SubscribeStar | Patreon | Teespring | SUPER CHAT: Streamlabs | Trovo   Call in! 888-775-3773, live Monday through Friday 9 AM (Los Angeles) https://thehakereport.com/show  Also see Hake News from JLP's show today.  *NOTE: YouTube and Twitch have both censored James's content on their platforms lately, over fake "Community Guidelines" violations.  BLOG POST: https://www.thehakereport.com/blog/2021/8/20/082021-fri-a-dark-place-self-esteem-ayanna-pressley 

RockerMike and Rob discuss The history of the Animals. The Animals were an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic number-one hit single, "The House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "Don't Bring Me Down", "I'm Crying", "See See Rider", and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles against rhythm and blues-oriented album material and were part of the British Invasion of the US. http://www.theanimalswebsite.com/ https://www.britannica.com/topic/The-Animals https://m.facebook.com/TheAnimalsMusic https://open.spotify.com/artist/3ICflSq6ZgYAIrm2CTkfVP https://www.rockhall.com/inductees/animals https://music.apple.com/us/artist/the-animals/1960022 https://www.ericburdon.com/ https://mobile.twitter.com/ericburdon?lang= www.instagram.com/officialEricburdon Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ https://app.hashtag.expert/?fpr=roberto-rossi80 Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #theanimalsband #theanimals #musician #musicproducer #musiclife #musicphotography #musiclovers #musicvideos #musicvideo #musicislife #musicstudio #musicians #musicproduction #musiclover #musicindustry #musicartist #music #ericburdenmdtheanimals #ericburdenandtheanimals #ericburden --- Support this podcast: https://anchor.fm/rob-rossi/support

On this FW Presents: Showcase Gene Colan, Ryan Daly continues to spotlight the work of his favorite artist. This time, however, he's covering more than a single issue. This time, Ryan's discussing an entire four-issue miniseries, 1981's Superman spinoff THE PHANTOM ZONE. And for a story this epic and crazy, he needs more than one guest. Enter Dr. Anj and Martin Gray to discuss the striking art and whacky story (did we mention Steve Gerber wrote this?!!) of The Phantom Zone!!! Throughout his life, Gene Colan brought his truly unique art style to the pages of Batman, The Tomb of Dracula, Iron Man, Wonder Woman, The Avengers, Howard the Duck, Doctor Strange, The Spectre, and so many others. What issues will Ryan chronicle on this podcast? You’ll have to tune in to find out! Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. Check out Doctor Anj's blog at: http://comicboxcommentary.blogspot.com Check out Martin Gray's blog at: https://dangermart.blog This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER – https://twitter.com/FWPodcasts Like our FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe to the FW PRESENTS: Subscribe on Apple Podcasts: https://itunes.apple.com/us/podcast/fw-presents/id1207382042 Subscribe via other podcatchers: http://feeds.feedburner.com/fwpresents Also available on Stitcher, Spotify and Google Podcasts Support the FIRE AND WATER PODCAST NETWORK on Patreon: https://www.patreon.com/fwpodcasts Intro: Gene Colan interview from “The Men Without Fear”; “The Vampire Hunters” by Wojciech Kilar. Additional music: “We Gotta Get Out of This Place” by The Animals. Thanks for listening!

This week we’re talking about LA’s drunk and belligerent FEAR. One of the most important bands to come out of the hardcore punk scene, if not for their technical proficiency then for them being the only band from the scene featured on Saturday Night Live. As you might expect, that did not go well. Although they’re primarily known for their legendary debut album, we talk about all of their records here. Closing track: “We Gotta Get Out of This Place” from The Record (1982)Check out our episode playlists on Spotify!https://open.spotify.com/user/motherpuncherincJoin our Patreon for bonus episodes, early access to shows, and more!https://www.patreon.com/everyalbumeverInstagram:Follow Mike @popejesseventura for show updates and @pandermonkey for original musicFollow Alex @motherpuncherMike’s Picks:The Record (1982) — Best Album, Personal FavoriteThe FEAR Record (2012) — Worst Album, Least FavoriteAlex’s Picks:The Record (1982) — Best Album, Personal FavoriteHave Another Beer with FEAR (1995) — Worst AlbumThe FEAR Record (2012) — Least FavoriteAlbums we discussed this episode…The Record (1982)More Beer (1985)Have Another Beer with FEAR (1995)American Beer (2000)The FEAR Record (2012)

Post-Covid PTSD: the next epidemic wave. Survivors, family, health workers. Connect, manage stress, build small positive habits, listen. It's a family affair. For Frank Blog subscribers: Listen to the podcast here. Scroll down through show notes to read the post. Subscribe to Health Hats, the Podcast, on your favorite podcast player Please support my podcast. CONTRIBUTE HERE Episode Notes Prefer to read, experience impaired hearing or deafness? Find FULL TRANSCRIPT at the end of the other show notes or download the printable transcript here Contents with Time-Stamped Headings to listen where you want to listen or read where you want to read (heading. time on podcast xx:xx. page # on the transcript) Proem 00:52. 1 COVID-induced PTSD 05:12. 1 The continuum of unconsciousness 10:28. 3 Suffocating while coming off the ventilator 12:04. 3 Getting to home 14:11. 3 Micro-gratitude 16:42. 4 My family's PTSD 19:48. 4 A bit normal at Disney World 24:51. 5 Accepting help 26:40. 6 Reflection 36:10. 8 Please comments and ask questions at the comment section at the bottom of the show notes on LinkedIn via email DM on Instagram or Twitter to @healthhats Credits Music by permission from Joey van Leeuwen, Boston Drummer, Composer, Arranger Photo by Sydney Sims on Unsplash We Gotta Get Out of This Place written by Barry Mann and Cynthia Well in 1965, reorded by the Animals in 1965 Sponsored by Abridge Thanks to these fine people who inspired me for this episode: Pat Mastors, Mary Sue Schottenfels, Janice Tufte, Rebecca White, Carmin Quirion Wyman, Sarah Cloud, Chris Gordon, Luc Pelletier, Teresa Wright-Johnson Links https://www.youtube.com/watch?v=wJVpihgwE18 Barry Man and Cynthia Weil wrote this tune in 1965 The Help Guide, frequently asked questions about helping someone with PTSD In the Bubble with Andy Slavitt speaking with Jason Kander about his experience with PTSD Nancy's LinkedIn article Gordon and Betty Moore Foundation PTSD and Sleep Things Not to Say to Someone with PTSD Related podcasts and blogs https://health-hats.com/illness-induced-ptsd-not-only-patients/ https://health-hats.com/standing-on-the-shoulders-of-giants/ https://health-hats.com/may-the-force/ About the Show Welcome to Health Hats, learning on the journey toward best health. I am Danny van Leeuwen, a two-legged, old, cisgender, white man with privilege, living in a food oasis, who can afford many hats and knows a little about a lot of healthcare and a lot about very little. Most people wear hats one at a time, but I wear them all at once. We will listen and learn about what it takes to adjust to life's realities in the awesome circus of healthcare. Let's make some sense of all this. To subscribe go to https://health-hats.com/ Creative Commons Licensing The material found on this website created by me is Open Source and licensed under Creative Commons Attribution. Anyone may use the material (written, audio, or video) freely at no charge. Please cite the source as: ‘From Danny van Leeuwen, Health Hats. (including the link to my website). I welcome edits and improvements. Please let me know. danny@health-hats.com. The material on this site created by others is theirs and use follows their guidelines. The Show Proem During the hot and sweaty summer of 1972, I worked as a nurse's aide at the Detroit Psychiatric Institute. The veteran staff shunned and isolated this young, ignorant, white boy from the burbs purposefully leaving me vulnerable as I walked in the hallways in fear among young inner-city Institute residents. They expressed their psychosis with violence at the staff and each other. No air conditioning, old brick building, hot, hot, hot. Suddenly the Animals singing, We Gotta Get Out of This Place (if it's the last thing we ever do) piped in from the radio speakers into the unit. Everybody cracked up. The spell broke.

Post-Covid PTSD: the next epidemic wave. Survivors, family, health workers. Connect, manage stress, build small positive habits, listen. It's a family affair. For Frank Blog subscribers: Listen to the podcast here. Scroll down through show notes to read the post. Subscribe to Health Hats, the Podcast, on your favorite podcast player Please support my podcast. CONTRIBUTE HERE Episode Notes Prefer to read, experience impaired hearing or deafness? Find FULL TRANSCRIPT at the end of the other show notes or download the printable transcript here Contents with Time-Stamped Headings to listen where you want to listen or read where you want to read (heading. time on podcast xx:xx. page # on the transcript) Proem 00:52. 1 COVID-induced PTSD 05:12. 1 The continuum of unconsciousness 10:28. 3 Suffocating while coming off the ventilator 12:04. 3 Getting to home 14:11. 3 Micro-gratitude 16:42. 4 My family’s PTSD 19:48. 4 A bit normal at Disney World 24:51. 5 Accepting help 26:40. 6 Reflection 36:10. 8 Please comments and ask questions at the comment section at the bottom of the show notes on LinkedIn via email DM on Instagram or Twitter to @healthhats Credits Music by permission from Joey van Leeuwen, Boston Drummer, Composer, Arranger Photo by Sydney Sims on Unsplash We Gotta Get Out of This Place written by Barry Mann and Cynthia Well in 1965, reorded by the Animals in 1965 Sponsored by Abridge Thanks to these fine people who inspired me for this episode: Pat Mastors, Mary Sue Schottenfels, Janice Tufte, Rebecca White, Carmin Quirion Wyman, Sarah Cloud, Chris Gordon, Luc Pelletier, Teresa Wright-Johnson Links https://www.youtube.com/watch?v=wJVpihgwE18 Barry Man and Cynthia Weil wrote this tune in 1965 The Help Guide, frequently asked questions about helping someone with PTSD In the Bubble with Andy Slavitt speaking with Jason Kander about his experience with PTSD Nancy’s LinkedIn article Gordon and Betty Moore Foundation Related podcasts and blogs https://www.health-hats.com/illness-induced-ptsd-not-only-patients/ https://www.health-hats.com/standing-on-the-shoulders-of-giants/ https://www.health-hats.com/may-the-force/ About the Show Welcome to Health Hats, learning on the journey toward best health. I am Danny van Leeuwen, a two-legged, old, cisgender, white man with privilege, living in a food oasis, who can afford many hats and knows a little about a lot of healthcare and a lot about very little. Most people wear hats one at a time, but I wear them all at once. We will listen and learn about what it takes to adjust to life's realities in the awesome circus of healthcare. Let's make some sense of all this. To subscribe go to https://www.health-hats.com/ Creative Commons Licensing The material found on this website created by me is Open Source and licensed under Creative Commons Attribution. Anyone may use the material (written, audio, or video) freely at no charge. Please cite the source as: ‘From Danny van Leeuwen, Health Hats. (including the link to my website). I welcome edits and improvements. Please let me know. danny@health-hats.com. The material on this site created by others is theirs and use follows their guidelines. The Show Proem During the hot and sweaty summer of 1972, I worked as a nurse’s aide at the Detroit Psychiatric Institute. The veteran staff shunned and isolated this young, ignorant, white boy from the burbs purposefully leaving me vulnerable as I walked in the hallways in fear among young inner-city Institute residents. They expressed their psychosis with violence at the staff and each other. No air conditioning, old brick building, hot, hot, hot. Suddenly the Animals singing, We Gotta Get Out of This Place (if it’s the last thing we ever do) piped in from the radio speakers into the unit. Everybody cracked up. The spell broke. I was safe for a few hours.

Sun Ra & Blues Project - "Batman Theme" Paul Frees - "Mama Told Me Not to Come" Red Ingle & Unnatural 7 (Karen Tedder) - "Serutan Yob (A Song For Backward Boys And Girls Under 40)" Exceptions - "Girl from New York City" Gibson Brothers - "Caught in a Dream" Petra Hayden - "Silas Stingy" Raised by Wolves - "Money Money Money" Heimatdamisch - "Poker Face" Geezinslaw Brothers - "Stairway to Heaven" Mick Harvey - "Comic Strip" Double IV - "Magic Star (Telstar)" Peter Noone & Weeklings - "Friday on My Mind" J L T (Jon Lindberg Trio) - "Hats Off To Larry" Music behind DJ: Vinni Smith & Cool Ride - "Cool Ride" Pat Boone - "You Got Another Thing Coming" Jello Biafra and D.O.A. - "We Gotta Get Out of This Place" Silver Jet - "Drive My Car" Camillo Felgen - "Magic Star (Telstar)" Ben Brocker - "Silver Machine" Pippo Franco - "Mr Custer" Ted Chippington - "Not the Wanderer" Tingling Mother's Circus - "Flowers on the Wall" Sonic Youth - "Bubblegum" Ministry - "Black Betty" Butcher Babies - "They're Coming to Take Me Away, Ha-Haaa!" Music behind DJ: Epics - "On the Rocks" Toxic Audio - "Why Don't We Do It In The Road?" Cleverlys - "Superstition" Glen Campbell - "Times Like These" https://www.wfmu.org/playlists/shows/91945

Sun Ra & Blues Project - "Batman Theme" Paul Frees - "Mama Told Me Not to Come" Red Ingle & Unnatural 7 (Karen Tedder) - "Serutan Yob (A Song For Backward Boys And Girls Under 40)" Exceptions - "Girl from New York City" Gibson Brothers - "Caught in a Dream" Petra Hayden - "Silas Stingy" Raised by Wolves - "Money Money Money" Heimatdamisch - "Poker Face" Geezinslaw Brothers - "Stairway to Heaven" Mick Harvey - "Comic Strip" Double IV - "Magic Star (Telstar)" Peter Noone & Weeklings - "Friday on My Mind" J L T (Jon Lindberg Trio) - "Hats Off To Larry" Music behind DJ: Vinni Smith & Cool Ride - "Cool Ride" Pat Boone - "You Got Another Thing Coming" Jello Biafra and D.O.A. - "We Gotta Get Out of This Place" Silver Jet - "Drive My Car" Camillo Felgen - "Magic Star (Telstar)" Ben Brocker - "Silver Machine" Pippo Franco - "Mr Custer" Ted Chippington - "Not the Wanderer" Tingling Mother's Circus - "Flowers on the Wall" Sonic Youth - "Bubblegum" Ministry - "Black Betty" Butcher Babies - "They're Coming to Take Me Away, Ha-Haaa!" Music behind DJ: Epics - "On the Rocks" Toxic Audio - "Why Don't We Do It In The Road?" Cleverlys - "Superstition" Glen Campbell - "Times Like These" http://www.wfmu.org/playlists/shows/91945

U.S. troops turned to popular music as a way of coping with the war in Vietnam. The authors of “We Gotta Get Out of this Place," Doug Bradley and Craig Werner, play songs the soldiers listened from that era and explore how that music became the soundtrack of the war. Joyce Hoffman is the author of On Their Own: Women Journalists in Vietnam. She shares stories of women who won esteemed prizes for their reporting and several who broke new ground covering the war. In recent years, more and more military mothers have been deployed throughout the world. Mona Ternus says there’s a connection between the length of time military mothers are deployed and an increase in drug use, attempted suicide, and other risk factors for their children.

Pastoral experience in hospital pre-op units provides abundant evidence for the existence of the soul. I first saw this evidence in Birmingham years ago, when someone we knew and loved was having to go into the operating room twice the same day, because the first "pass" that morning had failed. The situation was in fact do-or-die, and I had never before seen the look of fear which had come over the patient's face as she was being prepared for her second procedure. Then another time, in Washington, as the gurney was being wheeled out to surgery, a kind of fluttering look of complete panic and "We Gotta Get Out of this Place"- NOW came over a man I knew. The inward person, i.e., the soul, was in absolute but completely failing revolt over what the outward person, i.e., his body, was being forced to endure. This is not dualism. It's empiricism. There is a body and there is a soul, and the two will part -- the connection between them be dissolved -- at the point of death. My podcast considers that supreme and also sublime moment of dissolution. Elisabeth Kuebler-Ross comes into it. Humphrey Bogart and Lizbeth Scott come into it. And The Love Unlimited Orchestra comes into it. Please don't end up like Marley. Many do! End up like St. Paul, leaning on the Everlasting Arms. LUV U!

Tonight on Proper Propaganda: new tracks from Blakface, Blu & Exile, STS, and more, but first, new from Eminem featuring Beyonce, “Walk on Water.” TRACK ARTIST “I Walk on Water” Eminem feat. Beyoncé “Fake News (Make Love Great Again)” STS “Another Day” Blu & Exile “Celebration” Blakface Interlude: Michael Che BG Music: “Jay Dee 50” by J Dilla “Blood in the Streets” Ghostface Killa feat. AZ “And I Love It” Murs & 9th Wonder “Cabinet Battle 3” Hamilton “Jack the Ripper” LL Cool J “Outta Here” KRS ONE “Black Business” Poor Righteous Teachers “Firm Fiasco” The Firm (Nas, AZ, Foxy Brown) Interlude: “The Amazing Alexander” “Positivity” Black Eyed Peas “We Gotta Get Out of This Place” The Animals “King Without a Crown” Matisyahu

Vietnam veterans could all name the songs on the unofficial soundtrack of the war: "Purple Haze," "What's Going On," and "We Gotta Get Out of This Place" are just the start. Now, a new book explores what these songs meant to men and women awaiting deployment into the unknown.

Dr. Dingman sees that Trucker RICH had a UFO Experience in his past... and that he and his wife will have MORE in his FUTURE. Rich's 3 songs; Sky pilot, We Gotta Get Out of This Place and The Dance

Dr. Dingman sees that Trucker RICH had a UFO Experience in his past... and that he and his wife will have MORE in his FUTURE. Rich's 3 songs; Sky pilot, We Gotta Get Out of This Place and The Dance

Doug Bradley and Craig Werner talk about their new book “We Gotta Get Out of This Place,” which explores how and why U.S. troops turned to music as a way of coping with the complexities of the war. Through personal stories from Vietnam veterans, the book demonstrates how music was important for veterans of all races, gender and military rank.