American radio announcer and personality
POPULARITY
Hosted by Gary Owens
8 episodes with Gary Owens
4 episodes with Gary Owens
2 episodes with Gary Owens
3 episodes with Gary Owens
2 episodes with Gary Owens
2 episodes with Gary Owens
2 episodes with Gary Owens
2 episodes with Gary Owens
January 3-9, 1998 After 10 years Ken welcomes return guest, and certified Hunk, author of the book "Have I Seen You in Anything?", Matt Knudesen. Ken and Matt discuss living the dream, how great we still look, Sears Craftsman Tool Chests, art supplies, growing up in Iowa, RIP K-Mart, North Dakota, finishing high school in So-Cal, cheap motels, the wonder of cable TV while traveling, Nickelodeon, You Can't Do That on Television, Stacey Keach, taking out a loan to get your first apartment, acting, Kevin Costner's post-appocalytpic obession, TV Guide in the movies, confusing Star Trek and Star Wars, Joe's Apartment, getting the Jerry O'Connell upgrade, Richard Belzer's WWF lawsuit, seeing Stevie Wonder live, The Family Channel JAMS, Bosom Buddies, debates about nerdy minutia, how sometimes stories just should end, the Animal that is Cosby, experiencing a lion in person, Y2K, Man or Astroman?, go bags, House II: The Second Story, old character actors, Royal Dano, Fast Times, Paul Dooley, Breaking Away the TV Series, US remakes of UK shows, streaming, how even huge stars can't get movies into theaters, Starting Over, Burt Reynolds, location shooting, being in commercials, stunt driving, Kurt Fuller, the actor to real estate agent track, how Ken feels Seinfeld doesn't hold up, massive executive mistakes, Woman of the People, watching yourself in something and realizing the project is awful, Mike Hammer, Mickey Spillane, Cloris Leachman, not knowing if you can do something but claiming you can anyway, cheating at Celebrity Jeopardy, laughing Gary Owens bobbleheads, and how Santa Claus as a music critic is a total jerk.
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This week, please join author Gary Owens and Associate Editor Iris Jaffe as they discuss the article "A Novel Mouse Model of Myocardial Infarction, Plaque Rupture, and Stroke Shows Improved Survival With Myeloperoxidase Inhibition." For the episode transcript, visit: https://www.ahajournals.org/do/10.1161/podcast.20240825.966308
Olympics, Deadpool & Wolverwine, Amanda Seales, Mya, Travis Scott, Gary Owens, Unprisoned, Presumed, Lady in the Lake, Love Island UK, Big Brother 26, Phaedra Parks
This infamous personality was born Elva Miller. You might remember Mrs. Miller, the one hit wonder. She was born tone deaf. She had two records on the Billboard charts, “A Lovers Concerto” and “Downtown.” As a joke, Capitol Records released her first album as “Mrs. Miller's Greatest Hits.” She was not happy with the way she was treated, as you will hear in this podcast. Her voice was compared to the sound of “roaches scurrying across a trash can lid.” If you didn't like her, you can place blame on disc jockey Gary Owens, from “Laugh-In” for discovering her.
1:07 SZA 2:03 Trump Shooting 10:21 Angela Simmons 13:04 Amber Rose, Biracial Topic, Gary Owens #like #comment #share #subscribe #donaldtrump #amberrose #garyowen #sza --- Support this podcast: https://podcasters.spotify.com/pod/show/stottieuncouth/support
In this episode of CORNDOWN, wastedmemory and I explore a series of unpredictable calls that dive into themes of uncertainty. We discuss everything from taking souls and dog baseball, to dealing with dozens of babies and bringing elderly veterans into the mix. SPLink joins us for calls about getting sick and his daughter’s Uber, while snappy bakes helps us investigate a haunting. We also touch on quirky topics like selling rooms and dog baseball. Get ready for a wild ride full of unexpected twists and turns. This show is made possible by donations from listeners like you. If you enjoy what you hear, please consider donating at https://www.patreon.com/dragonmere ! powered by rogueserver.com
In today's episode, we Shoot The Breeze about which movie character was a worse person, Jenny from Forrest Gump or Mia from The Best Man? Then we discuss whether it's better for a child to understand the "Real World" or stay in a child's place. Where is a child's place located? A seasonal topic arises: Is Mother's Day a day for your mother or your wife who has children? Lastly, we bring up Gary Owens opening up and discussing his ex-wife and issues with his children! Follow Us On Instagram @ Something 4 Da People Podcast Bryant "B Hunt" Artcotix Jeremy "Big Country" Real Being Regal Follow Us On TikTok @ Something 4 Da People Podcast Follow Us On Facebook @Something4DaPeople Follow Us On YouTube @ https://www.youtube.com/@something4dapeoplepodcast/featured Email Us @ something4dapeoplepodcast@gmail.com Follow Us On Linktree @ https://linktr.ee/something4dapeople --- Send in a voice message: https://podcasters.spotify.com/pod/show/something4dapeople/message Support this podcast: https://podcasters.spotify.com/pod/show/something4dapeople/support
The Gong Show was a spicy blend of talent, shock and zany, sprinkled heavily with the special sauce that was Producer/Host Chuck Barris. 70s TV was all about The Gong Gang and Game Show Guru Adam Nedeff's newest offering, Gong This Book chronicles the weirdly hypnotic cultural touchstone that was The Gong Show.Adam joins us with returning guest, author and Game Show Writer Shelley Herman. She appeared on The Gong Show and The Dating Game and her book is called My Peacock Tale: Secrets of an NBC Page. Together, we're celebrating game show history and delving deeply into The Gong Show, The Newlywed Game and The Dating Game. We take a look at Adam's all-time favorite hosts, Bill Cullen, Dennis James, Alan Ludden, Gene Rayburn, Dick Clark and Ryan Seacrest. Adam shares The Gong Show's origin story which includes original hosts Gary Owens and John Barbour before the NBC head of daytime let Chuck Barris know that he was the only person who could host such a specifically strange show. He did and it worked, but it consumed him.Was Chuck Barris really a CIA spy???! We CAN tell you without having to kill you. Did The Gong show usher in the phenomenon that would become reality TV? Probably. What happened on those Dating Game dates!? Shelley is telling all. Fritz almost hosted two game shows but his tenacious weather job kept pulling him back in and Weezy's very first Hollywood show biz experience was her appearance on the game show, Face The Music!Adam and Shelley also discuss the fascinating intricacies of game show question writing and researching. And, they share the heartwarming story of Adam's book about Alan Ludden appearing dog eared and well loved in the very last photo taken of Betty White. Adam is now the proud owner of Betty's copy of his book.And in recommendations, Fritz has been loving Palm Royale on Apple Plus and Weezy went book to screen with We Were The Lucky Ones by Georgia Hunter. It is now a series on Hulu.Path Points of Interest:Adam Nedeff Amazon Author PageGong This Book by Adam NedeffBooks by Adam NedeffThe Gong Show PlaylistAdam Nedeff on FacebookAdam Nedeff on YoutubeAdam Nedeff on InstagramAdam Gives Conan Tour of Madame Tussaud'sAdam's Bill Cullen websiteShelley HermanMy Peacock Tale by Shelley HermanShelley Herman on FacebookShelley Herman on InstagramQuiz Show ExpoPalm Royale on Apple PlusWe Were The Lucky Ones by Georgia HunterWe Were The Lucky Ones on HuluGeorgia Hunter's Blog
Interview - David Pepose - Space Ghost! On Sale May 1, 2024 - Artist JONATHAN LAUDavid, thanks for being on the AIPT Comics podcast. How much research did you feel you needed diving into Space Ghost, or are you a super fanatic and needed no time to know it all?Jan, Jace, and Space Ghost proper hasn't really had a backstory, which means you could start clean slate. Was there an inspiration that you started with to delve into building out this continuity?We've had Batman writers tell us they hear Kevin Conroy in their heads when writing him, do you find that Gary Owens or George Lowe pop in your head when writing Space Ghost?There's going to be fans of Coast to Coast and Hanna Barbara, are you thinking about both audiences for this series? If Space Ghost was a song, what would it be and why?Sidewinder - First Aquaman songQueen Flash Gordon ThemeYou're just coming off Punisher, you had a great stint on FF, could you give us a hint at what's next for you at Marvel?
Welcome back -- to us! Sorry for the delay in getting a new episode out, but we're excited to get back in the saddle. Today, we talk about our recent interview with Peter Boyles at KNUS 710 AM in Denver. He's actually interviewing us -- about our new book that has the same title as our podcast. We also hear from Gary Owens, and hear an aircheck of when KNUS was in Dallas playing their own version of top 40 music
We discuss the ideology surrounding Interracial dating and how the black community handles it.
This week on the blog, a podcast interview with writer (and director and playwright and author and podcaster) Ken Levine about the business of writing and directing situation comedies.LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Ken Levine's Website: http://kenlevine.blogspot.com/Eli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTWas being a writer always a goal?Ken Levine: I don't know if it was always a goal. It was something that I always did. Honestly, I did not get a lot of encouragement in high school. I was a cartoonist. I still am. And I was a cartoonist on the school newspaper. And I said, “Well, I also want to write. You know, can I cover sports or do a humor column or something?”And they said, “You're the cartoonist, just stick to cartoons.” And I said, “Well, I really want to write. And if you won't let me write, then I'm going to quit the paper.” And they said, “Then fine, quit the paper.” So, that's how much my cartoons were even valued. They called your bluff on that one, I guess. Ken Levine: They called my bluff, yeah.Just as a little tangent—just because I'm a big fan of your cartoons—did you have a couple of cartoonist heroes when you were growing up? Guys that you looked at and went, that's the kind of writing I want to do?Ken Levine: Well, my cartoonist heroes were more due to their cartooning than anything. Al Hirschfeld, who did the caricatures of the New York Times, was my god. And Mort Drucker would be another. Jack Davis. A lot of those Mad magazine guys. Originally, I wanted to be in radio. I mean, I really loved radio. And a lot of my comic influences early on were disc jockeys, you know. Bob and Ray and Dan Ingram and Dick Whittington. So, radio was a goal. I got out of college and became a Top 40-disc jockey.Let me back up. When I was in college, I got a job as an intern at KMPC in L.A. We're the big, full-service radio station. They had the Angels and the Rams and the Bruins and, you know, they were big music personalities. And their afternoon drive time jock was Gary Owens, who was on Laugh In at the time. You know, “From beautiful downtown Burbank.”And I would write comedy material for Gary, for him to use on the air. I never charged him for it. I mean, I was just so thrilled that someone of the caliber of Gary Owens would use my material on the radio. And one day I get a call to appear in George Schlatter's office. George Schlatter was the producer of Laugh In. And this is when Laugh In was getting 50 shares. And I'm like, what does George Schlatter want with me? So, I go to the meeting obviously. And apparently, unbeknownst to me, Gary submitted my comedy material to him. And George Schlatter offered me a job as a writer on Laugh In. And it's funny, we laughed about it because George is still around and he was a guest on my podcast, and I talked about this.And I said, “Can I do this part time or from home?” And he goes, “What? No, this is a job. You come to the office every day. We're paying you a lot of money to write the number one show in America.” And I said, “I would lose my 2S deferment and I would wind up drafted in Vietnam.” So I couldn't take it. I had to turn down Laugh In. So, I was almost a writer six years before I actually broke in.Okay. So how did you end up then meeting up with David Isaacs?Ken Levine: Like I said, I became a disc jockey out of college. My draft number was four. And like I said, I was at KMPC and one of our disc jockeys, Roger Carroll, was one of the main AFRTS disc jockeys. I shopped around looking, is there a decent reserve unit I could join that would keep me out of the army? And I saw that there was an armed forces radio reserve unit in LA. And through Roger, he helped pull some strings and got me in the unit. You know, it's like one of those things where you get a call saying, “Okay, there's an opening in the unit, but you got to go down to Torrance and sign up for it tomorrow.” And so, you don't have time to think, “Boy, do I want to risk this? Is there a way I can get a medical thing?” And it's six years. It's a six-year commitment. Go.So that's what I did. I got into that unit. And we were at summer camp three years later and somebody new to the unit was David Isaacs. And we met and started talking and we both kind of had desires to be writers. And when summer camp ended, I was at the time working as a disc jockey in San Bernardino. I got fired, which was a frequent occurrence. And I came back home to live with my parents in LA. I called David and I said, “Hey, remember me from the army? I want to try writing a script. You want to try writing it with me?” And he said, “Okay.” And so, we got together and decided to partner up and we wrote a pilot. But we didn't know anything. We had no clue what we were doing. And I had to literally go to a bookstore in Hollywood and on a remainder table were TV scripts. And so, for two dollars I bought a copy of an episode of The Odd Couple and looked at that.Oh, Interior Madison Apartment Day. That's what that is. This is the format, and this is how long they are. So, David and I wrote a pilot about two kids in college, which was the sum total of our life experience back then. We were both 23. And it didn't go anywhere, obviously, but we had a good time doing it. And we then learned the way to break in is to write spec scripts from existing shows.So that's what we did. And eventually we broke in. So, had you written anything with him before that or seen any of his writing? What was it that made you think this is the guy?Ken Levine: No, no. He just seemed like a funny guy. Neither of us had written anything. Neither of us had any writing samples for the other. No, we just sat down together and just tried doing it. It probably was a help that we were both starting from the same place, which was nowhere. You know, it's just kind of one of those happy accidents where you go on a blind date, and it turns out to be your wife.How many years did you guys write together?Ken Levine: Well, we're still writing together, if somebody would hire us. Fifty years.Congratulations. Ken Levine: October of 73 is when we started. And I'm trying to remember, was it The Tony Randall Show or The Jeffersons where you sold your first script? Ken Levine: The Jeffersons. And how did that happen? Ken Levine: Well, we had written a spec Mary Tyler Moore and a spec Rhoda, and another spec pilot. Which was better but didn't go anywhere.And one day my mom is playing golf with a guy who says he's the story editor of The Jeffersons, a new show that just came on. My mom says, “Oh, well, my son is a great young writer.” And he's like, “Oh Christ.” And he says, “All right, well just have him call me.” So, I called him, and the guy says, “You have a script?” And I said, “Yeah.” And he goes, “All right, send the script. If I like the script, we'll talk.” And I sent off our Mary Tyler Moore Show, and I got a letter back saying, “Oh, this is a really good script. Make an appointment, come on in and pitch stories.” And we pitched stories, and they bought one. And so that's how we got our assignment. Thinking back, is there one moment that you felt like was really pivotal that officially launched you guys? Ken Levine: Yeah, doing that first MASH episode. We had done The Jeffersons, we had done episodes of Joe and Sons, which was a terrible show on CBS. We had done some stories for Barney Miller, but Danny Arnold always cut us off before we got to script. We did a backup script for a pilot that didn't go. And then we got MASH And our first episode of MASH, which is the one where the gas heater blows up and Hawkeye is temporarily blind. And that script was like our golden ticket. It's a very memorable episode. Ken Levine: Oh, thank you. I remember it.I spoke with—I don't know if you know her—April Smith, and she said she learned everything she learned about writing in a room from Gene Reynolds. Where did you learn about writing in a room? Ken Levine: Well, I don't know about writing in a room from Gene, because we never worked in a room, really, with Gene. But, I learned more about storytelling, and more about story construction, from Gene Reynolds, than everybody else combined. I've been very lucky to have a lot of great mentors along the way, or to work with, you know, really talented writers and smart enough to just shut up and listen and learn from them. But if I had to pick one true mentor, it would be Gene Reynolds. I cannot say enough about Gene Reynolds. I owe my career to Gene Reynolds. What was his special gift? Ken Levine: First of all, he was very much a gentleman. So, when he would give you notes, if he didn't like a joke, he wouldn't go, “Jesus, guys, what the fuck?” He would go, “And, um, you might take another look at this. You might take another look at that joke.” Okay. Gene had a great story sense that was combined with a real humanity. It had to be more than just funny. It had to be grounded. There had to be, like I said, some humanity to it and the humanity and nice moments and things had to be earned. And he was very clever in constructing stories where things were set up and then got paid off in a somewhat surprising way. You know, look for inventive, different ways of finding a solution. It's why to me, storytelling is always so hard, because each time you tell a story, you want it to be different. You don't want to just keep retelling the same story over and over again. And Gene would look at a thing and go, “Is there a better way of conveying this? Is there something more interesting that Hawkeye could do once he learns this information?” You could give Gene an outline, and everyone can go, “Okay, well, this doesn't work.” Gene could go, “This doesn't work, and here's why. And here's how you can fix it. If Radar knows this, and then HotLips does this, then you could do a fun thing where it's a thing and…. And you're going like, man, he just, you know, just solved it. Just, just solved it. I thank him for that. He was very tough on story, which I took from him. And again, there's the humanity aspect of it, which normally you think, well, okay, that's just part of it. But when I see shows today—and I know I'm going to sound like an old guy, “get off my lawn”—but when I see shows today, like White Lotusand a lot of these other shows that are just mean spirited, where the laughs are coming from watching horrible people do horrible things to each other. And, look, comedy changes and, you know, society changes, et cetera. But to me, there has to be some heart to it. There has to be some, some humanity. And that was so drummed into me by Gene. Gene also talked about the value of research, which I have learned a lot.You know, you go off to write a project about whatever. You're going to do a pilot about the Department of Motor Vehicles. You sort of know a lot about the Department of Motor Vehicles. You've stood in the lines and everything. Gene would say, “Go there. Talk to those people. What is that job really like?What do they really do? And immerse yourself in that world.” And that's what I've always done since. Jim Brooks, who worked with Gene on Room 222, would say the same thing, that he learned the value of research from Gene. And when Jim Brooks did Broadcast News, he spent a tremendous amount of time in newsrooms, talking to those people, getting a sense of authenticity. It requires work, it requires a lot of extra legwork, but it makes the scripts richer and more authentic. And it's worth putting in the time and effort. I just had Michael Conley on as a guest on my podcast. And one of the things I asked him—he does the Bosch books and The Lincoln Lawyer and he's my favorite mystery writer—and I said, “So with all the detectives out there, what's so special about yours and your books?”And he said, “The authenticity.” He spent years on the crime beat at The Los Angeles Times and really got to know the inside working of the LAPD. There is an authenticity to his books that you don't get with a lot. It makes a difference. Research pays off. Okay, one more TV question. What inspired your move into directing? Ken Levine: I'd been a writer for many, many years. A lot of those years I was on staff of a show, and years when I wasn't on staff on a show—since I'm a good joke guy—I would get a job as a consultant on a show. Meaning, I would work one night a week, which was always rewrite night.What a great gig.Ken Levine: It was a great gig. You worked long hours, but it was a great gig. And at the time the pay was ridiculous. There was one season I was on four shows. So, I was working basically four nights till two, three o'clock in the morning. And it got to the point where I would go down to the stage and I would kind of dread going down to the stage, because all I was worried about was, “Okay, let this not be a train wreck. Okay, let this be in good shape, so that I can go home at 10 or 11 or 12.”And I thought to myself, “There's something wrong here. You get into the business, you should want to be on the stage.” So, I thought, be a director and be on the stage and play all day with the actors. And then when it comes time for rewriting, “Good luck guys. You go to the room and rewrite, and I'll go to a Laker game.” So that was my motivation. It should be fun. If you're in television and you're in multi-camera shows, you should look forward to going down to the stage. And if you don't, then it's time to change things around. So, that was my motivation. Did you feel like you had any advantages as a director because of your background in writing and your understanding of scene construction?Ken Levine: Yes. Number one: The writing served me very well. I was talking to Jim Burrows once, who is the Mozart of TV comedy directors.And I was asking him about shots and this and that. And he said, “Look, if the story works, you can have one camera and just shoot the master of the whole show and it'll work. And if the story doesn't work, you can have all the camera angles and cutting you want. It's not gonna save it.” So yes, it was a big help to me, having that experience, being able to say to the actors, “Okay, I see what's wrong here. You need help with the script. You need a few more lines before you can get this angry. Okay. The reason why you're having trouble here is you have to go from zero to 70 in two lines. And you need help here.”And I was also able—this is something Jimmy did and no other director I know of other than me would do the same thing—and that is, we would go back to the writer's room after the run through and I would sit with the guys while we discussed what was wrong and what needed to be fixed. And I would kind of help them along that line as much as I could, which proved to be very helpful.And also, it was very helpful because you go down to the stage the next morning and you have your table reading. And you're able to say to the cast, “Okay, this is what they did last night. These were the problems. This is how they addressed it.” And there were certain things where actors would go, “Where's my joke?” And you're able to say, “The script was long. It was not you. You did a good job with the joke. The script was really long. It's a joke that was easily liftable as opposed to something that was more integral to moving the story forward. That's why you lost the joke.” So, it helped in communication. Also, by that time I had been a showrunner. So, I was used to coming down to the stage, and if I saw something I didn't like—with blocking or something—I'd go, “Wait a minute, why is she here and she over there? This is a private conversation. Put them together. Why are they standing back there in the corner? Why did you put them at this table? The audience can't see them over here. You put them over here at this front table, and then we can have background and you can have some depth and geography.” And stuff like that.So, I have that aspect. I also spent a lot of time editing these shows. So, I would work with the editor, and I'd say, “Okay, go to the wide shot where we see the full costume.” And he goes, “We don't have it.” “Wait, what? It's a costume joke. He comes in dressed like Mr. Pickwick and you only have it up to here?” So, as a director, I go, “Okay, this is what I need to make this joke.” And also reaction shots are so important. You know, when the director is directing a multi camera show—which is like directing Rubik's cube—you have a camera coordinator who works with you, making sure that all the shots are rights. And so, he'll go down the script and it's like, “Okay, Kelsey's line. All right, we have Kelsey on camera A, and then his line we have on camera C, and then Roz we have here.” And he's making sure that everything is covered. But I also want reaction shots. They aren't in the script, but I know when Sam says this, you're going to want to cut to Diane's reaction to it. So, I had that going in my head.And also knowing like, “Okay, this show is running a little long. I suspect that they may cut this section of a scene.” So, when I block it and when I set my cameras, do it in such a way where you can make that lift. Don't have somebody cross the stage during that section, because then if you lift it, the guy pops onto the other side of the room. Don't just have a master, so that there's nothing to cut away to. So, there's like all kinds of things that are going through your head, besides just directing the actors, that my experience was able to help me with.Well, you said Rubik's Cube, and that's what it sounds like: a Rubik's Cube on stage. Ken Levine: You've got five, six people on stage, and you have four cameras. You want to get a master and singles and reaction shots, and two shots. And it's all happening fluidly while the scene is going on. And then when somebody moves around the couch, then the cameras have to move, and are you covered? And those guys are amazing, the camera people in LA, if you're nice to them. I remember there was an episode of Becker that I was directing, and it was in the diner. And somebody had to go way upstage in the corner to the coat rack. And so, as I'm camera blocking that scene. I'm saying, “All right, I'm going to have to do a pickup. Fred, I'm going to have to send you way up the line to give me Ted in the corner there.”And he said, “I can get there.” And I go, “Fred, you have like a line and a half, because I've got you on Reggie. And then they cut away to Bob saying, ‘I looked at my lunch pail and I didn't have anything.' That's all the time you got. You got three seconds to get up there and frame it and do it.”And he says, “I get it. I can get it for you.” And for them, that was kind of part of the fun, was sort of the challenge. If they like you. If they don't like you, good luck.
Listen as Bleu discusses Gary Ownens The Comedian's Divorce. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thehollywooddeli/message
Gary Owen: Did Katt Williams DISS him!? Mo'Nique vs DL Hughley, Taylor Swift & Travis Kelce+More00:00 RealLyfe intro33:14 Gary Owen intro01:45 Gary Owen why he goes by Gary Owen vs Gary Owens, his deadbeat dad04:08 Gary Owen on Katt Williams interview07:53 Gary Owen on George Floyd joke09:48 Gary Owen would never say the N word11:50 Gary Owen on apologizing for jokes, saying the "r" word15:47 Gary Owen on apologies as comedians16:54 Gary Owen on comedian beef, stealing jokes19:33 Gary Owen on hecklers, story of white heckler23:10 Gary Owen on code switching & being around white people24:40 Gary Owen on white women hitting on him25:10 Gary Owen on turning down white women25:31 Gary Owen on should Black men be only with Black women, do Black women understand him26:45 Gary Owen on stereotypes of Black women29:52 Gary Owen on his wife in Think Like A Man being white31:20 Gary Owen on his situation with the producer34:58 Gary Owen on Diddy parties, Jamie Foxx party after their movie36:50 Gary Owen on what he will and won't share publicly37:49 Gary Owen on dating in the industry, dating girls someone else dated & competing with other people in the industry42:04 Gary Owen on conversation with Shaq about his girl dating another celebrity43:20 Gary Owen on his issues with his kids & his divorce49:37 Gary Owen do all men cheat51:32 Gary Owen on stepping out with your partner54:32 Gary Owen on Superbowl hug between Usher & Alicia Keys55:35 Gary Owen on Taylor Swift superbowl01:00:43 Gary Owen on putting kids in beef01:07:08 Gary Owen on Six9ine Breakfast Club situation01:08:46 Gary Owen on the most f-d up joke he's heard01:09:49 Gary Owen on his favorite comedians01:11:54 Gary Owen on Eddie Murphy getting caught with a tr&ns woman01:16:48 Gary Owen on no days off, going to Italy01:19:11 Gary Owen on his alimony01:21:24 Gary Owen on getting with a female for taxes01:22:35 Gary Owen on Apple Vision Pro & P0rn01:24:40 Gary Owen on would he do p0rn01:25:04 Gary Owen on Adam22 & Lena tha Plug01:26:45 Gary Owen on Will Smith & Jada Pinkett01:31:43 Gary Owen on Deray vs Dave Chapel arguing about Katt Williams 01:33:41 Gary Owen on his upcoming projects & tour, never had a Netflix special01:37:19 Gary Owen on upcoming comedians 01:42:57 Gary Owen close outJoin this channel to get access to perks:https://www.youtube.com/channel/UCAQLEDkByO-ckKb_oq_Stpg/join-----DONATE TO REALLYFE PRODUCTIONS CashApp $RealLyfeProductionsSUBSCRIBE to Patreon for exclusive content https://www.patreon.com/RealLyfeStreetStarzCHECK OUT OUR ONLINE STORE!!! http://www.reallyfestreetstarz.com/SUBSCRIBE for new interviews (and more) weekly: https://rb.gy/0hsvlrFollow us on Soundcloud: https://soundcloud.com/reallyfestreetstarziTunes: https://podcasts.apple.com/au/podcast/reallyfe-street-starz-podcast/Follow us on Social Media:Twitter: https://twitter.com/Reallyfe_214/Instagram: https://www.instagram.com/ReallyfeProductions/Instagram: https://www.instagram.com/ReallyfeStreetStarzFacebook: https://www.facebook.com/ReallyfeProductions/TikTok: https://www.tiktok.com/@reallyfestreetstarzSoundcloud: https://soundcloud.com/reallyfestreetstarzContact: Email: mail@reallyfeproductions.comPhone: 469-805-3991 (text) Tags: #ReallyfeStreetStarz #GaryOwen #KattWilliams
2023 has been a huge year for the Funky Friday Podcast! We crossed 1 million views, had our biggest shows of all time & made some of the best content we've ever produced. Our guests Charleston White, Chrisean Rock, Brandon Marshall, T.I. Jess Hilarious, Jeezy, Gary Owen & SO MANY MORE made this year unreal. Thank you all for the support. One finger one pinky one thumb
2023 has been a huge year for the Funky Friday Podcast! We crossed 1 million views, had our biggest shows of all time & made some of the best content we've ever produced. Our guests Charleston White, Chrisean Rock, Brandon Marshall, T.I. Jess Hilarious, Jeezy, Gary Owen & SO MANY MORE made this year unreal. Thank you all for the support. One finger one pinky one thumb
in this episode i'm talking about Kevin Hart, Ice Cube, Gary Owens, Michael Blackston, Faizon Love & more responding to Katt Williams
Owens photo.org
Mark Fills-in: speaks with George Schlatter, creator of Laugh-in // Mark and Crozier reminisce about Gary Owens // Guest Piero Addis joins the show to discuss ‘Waste Side Story' // Actor Richard Moll, Bailiff On The Original Sitcom 'Night Court,' Dies At 80
A classic interview with Gary Owens, Stan becomes aware of a milestone on this day where they start show producer-less, Grab Bag, Attorney Anthony Melchiorre with his weekly visit and his legal advice, Junior for Roger's Entertainment Corner, Local Beat, News, Classic Comedy, Baby Name Meanings, and more...
A classic interview with Gary Owens, Grab Bag, Attorney Anthony Melchiorre with his weekly visit and his legal advice, Entertainment Corner, Local Beat, News, Classic Comedy, Baby Name Meanings, and more...
On this episode, Ayana speaks with Comedian Chris Spencer to discuss him directing his new film 'Back On The Strip' featuring Wesley Snipes, Gary Owens, Bill Bellamy and many more. Tune In!
Hulk The Comedian on Security For Youngboy and Money Bagg Yo, Blac Youngsta Comedy with Eddie Griffin Gary Owens and More #bosstalk101 #nbayoungboy #eddiegriffin Visit and Join our Patreon: https://www.patreon.com/bosstalkpodca... Visit Our Website and Subcribe: https://bosstalkpodcast101.com Subscribe NOW to BOSS Talk 101 its a Unique Hustle: / eceouniquefashions Instagram: https://www.instagram.com/e_ceo_/?hl=en Instagram: https://www.instagram.com/bosstalkpod... Apple Podcast: https://podcasts.apple.com/us/podcast... Spotify Podcast: https://open.spotify.com/show/0yD2UzY...
Ken Levine's captivating career is a buffet of boyhood wish fulfillment. Ken became a disc jockey, a sitcom writer, a Major League Baseball announcer, a cartoonist, an author and a playwright. He's not done. New adventures include podcasting and standup comedy.Ken's book, The Me Generation by Me: Growing Up in the Sixties chronicles his journey through a Southern California childhood with adventures that include friendships with child stars, radio nerd penpals, appearances on The Dating Game, and a crush on Laura Petrie that inspired him to believe that comedy writing was the route to landing a hot wife. (Mission accomplished.) By age 19, Ken was a UCLA sophomore, interning at KMPC when Gary Owens sent his writing samples to George Schlatter who offered him a job on Laugh In! But Ken had to turn it down. Leaving college would have invited an immediate draft notice. Ultimately, ROTC and the National Guard prepared Ken and his partner David Isaacs to write a MASH spec script which led to jobs at The Jeffersons, The Tony Randall Show, MASH, Cheers, Frasier, The Simpsons and beyond.Ken shares with us his stories about all of these legendary shows, plus his foray into the world of MLB announcing, his cartooning, and his current podcast, Hollywood and Levine. And Ken comes to us straight from the WGA picket line so he is here to explain the standoff and help us all stand up for writers' rights and the future of writing.And Fritz and Weezy are recommending the filmReality, about Reality Winner on HBO Max and Jury Duty on Freevee.Path Points of Interest:The Me Generation by Me: Growing Up in the 60s Ken LevineHollywood and Levine PodcastKen Levine BlogKen Levin Author Page on AmazonKen Levine on FacebookKen Levine on InstagramReality on MaxJury Duty on Freevee
In this episode, I am Kickin' It Way back taking you on a journey from whence I came. Along my path, I have had the honor of interviewing people like Anthony Anderson, Cedric the Entertainer, Sherri Shephard, Kevin Hart, Cory Zooman Miller, Ashima Franklin, Lil Mama, Gary Owens and many more. In this episode, I share some of the moments with you. --- Support this podcast: https://podcasters.spotify.com/pod/show/koolkard/support
EPISODE SUMMARY: Mark Wallengren is a 35 year radio personality and former host of the Mark and Kim show on KOST, the first equally billed male and female morning show in the country. Mark and Kim have a star on the Hollywood Walk of Fame. Wallengren shares how he got his start in radio and tons of exciting stories from his decades on air as Mark and Chachi sit down at for a chat! On this episode of Chachi Loves Everybody, Chachi talks to Mark Wallengren about:Growing up in a Mormon pioneer family full of artists and innovatorsGetting his start in Preston, Idaho and working his way to larger marketsShutting the Union Pacific Train with his reenacctment of War of the WorldsDoing voiceover work and creating a proffessional press kit that got him noticed by Jhani KayeLanding a job at KOST and eventually replacing MG Kelly in the morningsMeeting Kim Amidon and quickly dominating ratings with the Mark and Kim show His connections with Disney and the thrill of the annual KOST Disneyland PartyGetting a star on the Hollywood Walk of FameThe tragic loss of his brother Ernie to ALSAnd more!ABOUT THIS EPISODE'S GUEST:Mark Wallengren is a 35 year radio personality. He got his start in radio at KACH Preston, Idaho then worked his way to LA and was hired along with Kim Amidon at legendary Los Angeles radio station KOST 103.5FM in Feb of 1985. They won most of radios top personality awards and on the 20th anniversary of the Mark & Kim Show received a star on the Hollywood Walk of Fame in front of Disney's El Capitan Theater in 2006. To donate to the E. F. Wallengren Fund for ALS Research in honor of Mark's brother, Ernie, who passed away from ALS, click HERE.ABOUT THE PODCAST: Chachi Loves Everybody is brought to you by Benztown and hosted by the President of Benztown, Dave “Chachi” Denes. Get a behind-the-scenes look at the myths and legends of the radio industry.PEOPLE MENTIONED: Kim Amidon, Gary Owens, Uncle Earl Trout, Don Burns, Larry McKay, Orson Welles, Kip Guth, Jim Ladd, Frasier Smith, Jhani Kaye, Machine Gun Kelly, Mark Allen, Mike Sakellarides, Lowman and Barkley, Robert W Morgan, Charlie Tuna, Rick Dees, David Paymer, Grant Tinker, Earl Hamner, Rugburn Liz Fulton, Scott Shanon, Big Boy, Mark and Brian, Kevin and Bean, Real Don Steele, Roy Disney, Darren Silva, Roy Laughlin, John Peake, Michael Levine, Dick Cook, Mike Eisner, Greg Ashlock, Ellen K, Andrew Jeffries, Rodrigo HernandezABOUT BENZTOWN: Benztown is a leading international audio imaging, production library, voiceover, programming, podcasting, and jingle production company with over 3,000 affiliations on six different continents. Benztown provides audio brands and radio stations of all formats with end-to-end imaging and production, making high-quality sound and world-class audio branding a reality for radio stations of all market sizes and budgets. Benztown was named to the prestigious Inc. 5000 by Inc. magazine for five consecutive years as one of America's Fastest-Growing Privately Held Companies. With studios in Los Angeles, New York, London and Stuttgart, Benztown offers the highest quality audio imaging work parts for 23 libraries across 14 music and spoken word formats including AC, Hot AC, CHR, Country, Hip Hop and R&B, Rhythmic, Classic Hits, Rock, News/Talk, Sports, and JACK. Benztown provides custom VO and imaging across all formats, including commercial VO and copywriting in partnership with Yamanair Creative. Benztown Radio Networks produces, markets, and distributes high-quality programming and services to radio stations around the world, including: The Rick Dees Weekly Top 40 Countdown, The Daily Dees Show, The Todd-N-Tyler Radio Empire, Hot Mix, Sunday Night Slow Jams with R Dub!, Flashback, Top 10 Now, AudioLogger, Audio Architecture, Radio Merch Shop, The Rooster Show Prep, AmeriCountry, and Benztown Swag Bank. Benztown + McVay Media Podcast Networks produces and markets premium podcasts including: The Making of: A National Geographic Podcast, Run It Again, Hot Chicken and Cage-Free Conversation with Byron Kennedy, and Edelman Financial Engines' Everyday Wealth.Web: benztown.comFacebook: facebook.com/benztownradioTwitter: @benztownradioLinkedIn: linkedin.com/company/benztownInstagram: instagram.com/benztownradio
Special edition as we sit down with Mike Hamilton to discuss their upcoming comedy show Bring It On featuring Fazion Love, Gary Owens, and Bill Bellamy.
TVC 602.3: Greg Ehrbar discusses the broadcast history and Blu-ray release of Space Ghost (CBS, 1966 and NBC, 1976), the Hanna-Barbera animated series starring the voice of Gary Owens that was not only very popular when it originally aired in 1966, but is one of the few Saturday morning cartoons that had two different network TV runs. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices
More with Elya Baskin and World Famous Tom Murphy!
In a world were everyone wants to spice things up while having a happily ever after marriage, there is a huge stop gap in some areas! Where is the line between spicy and too far? What things can I do safely and what things should I steer clear of? You're wondering and we've got answers! Join in on the conversation as we delve into some of traps that can cause your marriage to be a messy situation headed toward divorce.
Known as the “Movie Capital of the World,” Hollywood is chock-full of offbeat characters, peculiar activities, and strange sightings. With California resident and humorist Joe Oesterle as your guide, meander through bizarre back alleys and darkened theaters, observe the kitschy Singing Chairs of Santa Monica (a pair of 15-foot-tall harmonizing thrones), and take a walk down the haunted Boulevard of Broken Dreams. Weird Hollywood also offers readers a hellaciously fun, historical journey into Tinseltown suicide, murder, and mayhem. And who better to preface the tour of this wacky municipality than the Voice of Hollywood himself: Gary Owens.
Known as the “Movie Capital of the World,” Hollywood is chock-full of offbeat characters, peculiar activities, and strange sightings. With California resident and humorist Joe Oesterle as your guide, meander through bizarre back alleys and darkened theaters, observe the kitschy Singing Chairs of Santa Monica (a pair of 15-foot-tall harmonizing thrones), and take a walk down the haunted Boulevard of Broken Dreams. Weird Hollywood also offers readers a hellaciously fun, historical journey into Tinseltown suicide, murder, and mayhem. And who better to preface the tour of this wacky municipality than the Voice of Hollywood himself: Gary Owens.
Known as the “Movie Capital of the World,” Hollywood is chock-full of offbeat characters, peculiar activities, and strange sightings. With California resident and humorist Joe Oesterle as your guide, meander through bizarre back alleys and darkened theaters, observe the kitschy Singing Chairs of Santa Monica (a pair of 15-foot-tall harmonizing thrones), and take a walk down the haunted Boulevard of Broken Dreams. Weird Hollywood also offers readers a hellaciously fun, historical journey into Tinseltown suicide, murder, and mayhem. And who better to preface the tour of this wacky municipality than the Voice of Hollywood himself: Gary Owens.
Austerity and the dangerously stretched state of the NHS have never cut so deep. And yet, that statement felt just as true back in 2015 when Iphigenia In Splott, Gary Owens' lauded monodrama reimagining of Euripedes' Iphigenia In Aulis, first debuted. It's only right that Iphigenia In Splott is back now, once more starring the phenomenal Sophie Melville as Effie – our Greek heroine via Cardiff. Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – until one night gives her the chance to be something more. In Greek myth, the story of Iphigenia is a tragedy: a young girl sacrificed for male hubris, ambition and legacy, and Mickey chats to Sophie about the Iphigenias, the Effies, of today, how they're being sacrificed and why the time is ripe for revolution.Iphigenia In Splott is at the Lyric Hammersmith, London, until October 22. Tickets available here: https://lyric.co.uk/shows/iphigenia-in-splott-2/Support this show http://supporter.acast.com/standardissuespodcast. Hosted on Acast. See acast.com/privacy for more information.
In a world were everyone wants to spice things up while having a happily ever after marriage, there is a huge stop gap in some areas! Where is the line between spicy and too far? What things can I do safely and what things should I steer clear of? You're wondering and we've got answers! Join in on the conversation as we delve into some of traps that can cause your marriage to be a messy situation headed toward divorce.
The guys play What's On The List, grab bag, we play Stan's Way Back Machine, they take your calls and read your emails, John is a pyro, and much more!
Gary Bernard Altman was a disc jockey and voice actor. Like many radio personalities, he changed his name. Gary Owens was best known for his work on Rowan and Martin's Laugh-In. He was the announcer on the show and added totally off-the-wall recitations. We'll give you an example when I play some of his album “The Presidents” during this podcast. Gary started his career as a news reporter at KORN in Mitchell, South Dakota and moved to several stations before landing a job at KMPC in Los Angeles. Owens coined the phrase “Beautiful Downtown Burbank” which was used on Laugh-In and the Tonight Show.
Known as the “Movie Capital of the World,” Hollywood is chock-full of offbeat characters, peculiar activities, and strange sightings. With California resident and humorist Joe Oesterle as your guide, meander through bizarre back alleys and darkened theaters, observe the kitschy Singing Chairs of Santa Monica (a pair of 15-foot-tall harmonizing thrones), and take a walk down the haunted Boulevard of Broken Dreams. Weird Hollywood also offers readers a hellaciously fun, historical journey into Tinseltown suicide, murder, and mayhem. And who better to preface the tour of this wacky municipality than the Voice of Hollywood himself: Gary Owens.
Known as the “Movie Capital of the World,” Hollywood is chock-full of offbeat characters, peculiar activities, and strange sightings. With California resident and humorist Joe Oesterle as your guide, meander through bizarre back alleys and darkened theaters, observe the kitschy Singing Chairs of Santa Monica (a pair of 15-foot-tall harmonizing thrones), and take a walk down the haunted Boulevard of Broken Dreams. Weird Hollywood also offers readers a hellaciously fun, historical journey into Tinseltown suicide, murder, and mayhem. And who better to preface the tour of this wacky municipality than the Voice of Hollywood himself: Gary Owens.
Known as the “Movie Capital of the World,” Hollywood is chock-full of offbeat characters, peculiar activities, and strange sightings. With California resident and humorist Joe Oesterle as your guide, meander through bizarre back alleys and darkened theaters, observe the kitschy Singing Chairs of Santa Monica (a pair of 15-foot-tall harmonizing thrones), and take a walk down the haunted Boulevard of Broken Dreams. Weird Hollywood also offers readers a hellaciously fun, historical journey into Tinseltown suicide, murder, and mayhem. And who better to preface the tour of this wacky municipality than the Voice of Hollywood himself: Gary Owens.
This week, we talk to Aurora Cantu, about her time in the San Antonio, Tx market, her struggles as a woman in the industry, and her experience working with Ascap. Aurora is a member of the San Antonio Radio Hall of Fame, and has a unique perspective on this crazy industry we call "radio". We also hear from our studio announcer, Gary Owens!
In this premiere of MIGHTY ORBOTS your Saturday Morning preservationist, Christopher Jay, takes a look at the origin of the show. We take a look at the talent behind the scenes, a rundown of the pilot “The Magnetic Menace”, and a look at the legacy of MIGHTY ORBOTS after all these years.It's not just a look at MIGHTY ORBOTS, but also a look at how Fred Silverman brought robots to CBS. Explore the life and times of Barry Gordon, Bill Martin, Gary Owens, and the rest of this great cast. Come along with Rob Simmons, Bort, Crunch, Bo and Boo, all the way back to September 8, 1984. Take a trip back to the 80s, and explore how these anime robuts came to Saturday Morning! But this episode isn't just about that. Get lost in the 23rd Century and explore the merchandise and legacy of MIGHTY ORBOTS!Thanks for ‘tooning in. Support Us: patreon.com/SaturdayMornShare Us: SatMornPod@hotmail.comTwitter Us: @SatMornPodYouTube Us: tinyurl.com/yyhpwjeo Featured Music:“Nostalgic Happy Music” by AudioJungle - https://www.youtube.com/watch?v=QtxSUR6MQhw&t=2s“Happy Life” by Fredji - https://www.youtube.com/watch?v=KzQiRABVARk“I Feel You” by Kevin MacLeod” - https://www.youtube.com/watch?v=Uw8E3jjbUCE“Nostalgic” by OrangeHead - https://www.youtube.com/watch?v=wExcRoNNzAc“Breakfast Club” by Vodovoz - https://www.youtube.com/watch?v=2Spi22l3m5I“Horizons” by Atch - https://www.youtube.com/watch?v=y-u53MADIag“80's Hijack” by Gee - https://www.youtube.com/watch?v=ndVqzJ9Lk6M&t=26s“Synthmania” by Vodovoz - https://www.youtube.com/watch?v=M6r20TKnA6M“United” by Vodovoz - https://www.youtube.com/watch?v=ArjGQFCcHxA“Cool Blue” by Vodovoz - https://www.youtube.com/watch?v=Lp5cxZWP-wc
From the Olympic Games to television, from Digital Content Creation to Live Entertainment, producer, and entertainment industry veteran Valarie Benning Thompson has successfully done it all. This fifth episode (Episode #5) is an amazing conversation with Valarie (known as “Madam Producer”) who has produced or managed live events or tv specials for artists such as Kevin Hart, Dr. Dre, Snoop Dogg, The World Cup Opening Ceremony, The Centennial Olympic Games, Prince, Mike Epps, Mo'Nique, Eddie Griffin, Gary Owens, The 2019 Trumpet Awards, The Shaquille O'Neal All-Star Comedy Jam, Luther Vandross, NWA, Guy, Bow Wow, DaBrat, The Wiz, 42nd Street, Sounds of Blackness, DeRay Davis, and Wild N'Out Live. We talk about current projects, streaming, Valarie's first productions, what happens backstage, discovering talent, life as a woman in entertainment, valuable lessons learned, and many other things. I am proud to have Valarie in-studio sharing a wealth of information and of course, sharing a good laugh or two. Enjoy! As always, you can listen to every episode of “Go On, Say It,” with Jammy Kiggundu here. Follow us on Facebook here: Jammy Kiggundu | Facebook; Jammy K Speaks (facebook.com); Follow us on Instagram here: Jammy Kiggundu (@jammykspeaks) • Instagram photos and videos; Jammy Kiggundu (@realjammyk) • Instagram photos and videos; Valarie (@madamproducer) • Instagram photos and videos Follow us on Twitter here: Jammy Kiggundu (@JammyKSpeaks) / Twitter; Valarie Benning (@msvalproducer) / Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices
ATL is a lawless city; CNN has an ethics problem; “In the Heights” doesn't meet expectations; The Host of “High on the Hog” loves his “canela vanilla swirl” (direct quote); Mrs. Gary Owens is entitled to speak her peace (again); Tribeca fest is nerd-heaven.Check out my website: http://www.demetrialucas.com/about/.Follow me: IG: demetriallucas.Twitter: demetriallucas.FB: demetriallucas.YouTube: demetriallucas.More about the Show: Don't forget to subscribe to the podcast for free wherever you're listening or using this link: http://bit.ly/RatchetRespectablePodcast.Thanks to our sponsors: Go to curology.com/ratchet for a free 30-day trial, just pay for shipping and handling!Right now, Modern Fertility is offering our listeners $20 off the test when you go to modernfertility.com/ratchet. Go to unidragon.com and use my code: RATCHET for 10% off your purchase.Try Warby Parker's free Home Try-On program: Order 5 pairs of glasses to try at home for free for 5 days at warbyparker.com/ratchet. Ships free and includes a pre-paid return shipping label. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.
Demi hunts for reasonably priced Usher tickets; Simone Biles is the GOAT; Teyana Taylor is the sexiest woman alive; A reunion for A Different World coming; Mrs. Gary Owens holds no cut cards; Naomi Osaka pulls out of Berlin too; The Pose series finale is a good goodbye.Check out my website: http://www.demetrialucas.com/about/.Follow me: IG: demetriallucas.Twitter: demetriallucas.FB: demetriallucas.YouTube: demetriallucas.More about the Show: Don't forget to subscribe to the podcast for free wherever you're listening or using this link: http://bit.ly/RatchetRespectablePodcast.Thanks to our sponsors:Join over 1 million people who have taken charge of their mental health at betterHelp.com/ratchet.Right now, ShesBirdie is offering our listeners 15% off your first purchase when you go to shesBirdie.com/RATCHET.Take control of acne, dark spots, breakouts or whatever your unique concerns may be with a powerful skincare treatment made for YOU today! Go to curology.com/ratchet for a free 30-day trial, just pay for shipping and handling! Find out how Upstart can lower your monthly payments today when you go to upstart.com/RATCHET.So give yourself the comfort refresh you deserve and get it for less at Brooklinen. Go to brooklinen.com and use promo code ratchet to get $20 off, with a minimum purchase of $100. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.
Joined by an amazing friend Tori M. Listen in as we talk about her teacher life, Gary Owens divorce talk, Tory Lanes scandal blowing over, Lil Naz X new shoe release and more.......We are just three fellas and one lady discussing our daily lives with a hint of current events adding our opinions on the matters at hand. Sprinkled with comedy comic relief and humor Having a good time. Drinks may involved Just friends sitting down discussing/chatting about current eventsChatting about our daily livesGiving our opinion with the matter at hand. Giving our opinions on the current events. Three best friends and a added lady friend.
Spring Break is in full effect, and the masses are swarming to Miami. While it's officially vacation season, the country is still up to no good with more mass shootings. And, we're still unsure if Kanye West is really worth a billion dollars, too.Listen to hear the girls chat about Kylie Jenner's Go Fund Me backlash, Armie Hammer's recent rape allegation, and all of the breakup drama over the past week, from Derrick Jaxn to The Bachelor.
Scandals galore in the latest episode of The Nice Nasty Podcast! In this episode, the ladies explore everything controversial! From Derrick Jaxn, to Quavo and Gary Owens, they dive deep into all the breakup and makeup stories on the rumor mill. There's even a hearty conversation surrounding what it truly means if a man is over 30, single and childless. For more, follow @thenicenastypodcast. Follow the girls: Ambria: @yoambria Amber: @theambernicole Briana: @bri.moreaux Tiffany: @theetiffanynicole
July 22, 1985. Nolensville, Tennessee. After failing to pick up his wife from the bus station, 79-year old George Owens and his car are discovered to be missing from his home. One week later, George's abandoned vehicle is found on a hilltop in a rural wooded area over 100 miles away and piles of kindling are found outside and in the back seat. Eyewitnesses report having seen George in the area looking disoriented, leading to speculation that he wandered off into the woods, but an extensive search effort is unable find to him. June 5, 1998. Cincinnati, Ohio. Gary Adams contacts the police and reports that his 98-year old father, Walter Munson, has gone missing during a shopping trip at Findlay Market, but almost none of the other witnesses from the market remember seeing Walter there that day. Even though Gary claims that his father has lived with him for the past 20 years, the official paper trail for Walter seems to end in 1980 and virtually no one else can recall having seen him since then. Investigators soon uncover evidence that Gary was committing fraud by cashing his father's Social Security checks and while he serves time in prison for that crime, no trace of Walter is ever found. On this week's episode of “The Trail Went Cold', we will be chronicling a pair of unsolved missing persons cases involving elderly victims. If you have information about the disappearance of George Owens, please contact the Perry County Sheriffs Department at (931) 589-8803. If you have any information about the disappearance of Walter Dunson, please contact the Cincinnati Police Department at (513) 352-3542. Additional Reading: https://unsolvedmysteries.fandom.com/wiki/George_Owens http://charleyproject.org/case/george-owens https://www.newspapers.com/image/112397889/ https://www.newspapers.com/image/113113271/ http://charleyproject.org/case/walter-dunson https://cite.case.law/f-appx/39/52/ https://www.newspapers.com/image/102278366/ https://www.newspapers.com/image/102256146/ https://www.newspapers.com/image/102402055/ https://www.newspapers.com/image/98734213/ “The Trail Went Cold” is on Patreon! Visit www.patreon.com/thetrailwentcold to become a patron and gain access to our exclusive bonus content. “The Trail Went Cold” is now doing a weekly livestream show on GetVokl every Thursday from 7:00-8:00 PM ET as part of their “True Crime Thursday” line-up. For more information, please visit their website. The Trail Went Cold is produced and edited by Magill Foote. All music is composed by Vince Nitro.
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