Podcast appearances and mentions of scott momaday

Our Trailblazer series continues with Pamela Sanderson, the first Native American author to write contemporary romance about Native characters in Native community. Pamela joins us to talk about her writing journey, about her decision to write and independently publish romance, about the need for more Native American romance in the world. We so enjoyed this conversation, and we're grateful to Pamela for joining us to tell her story.Listen to all the Trailblazer episodes.If you want more Fated Mates in your life, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. NotesPamela Sanderson is an enrolled citizen of the Karuk Tribe, located in northwest California on the Klamath River. Pamela also publishes in other genres as Pamela Rentz. People Mentioned this Episode: Louise Erdrich, N. Scott Momaday, Johanna Lindsay, Kathleen E. Woodiwiss, Stephen King, Anne Rice, On the Island by Tracey Garvis Graves, Courntey Milan, Sarina Bowen, Love is a War Song by Danica Nava, Ali Hazelwood, Tessa Dare, Alexis Hall, Theory of Bastards by Audrey Schulman, the TV show North of North, The Only Good Indians by Stephen Graham Jones, and Rebecca Roanhorse.Writing Workshops: Clarion West and Romancing the CraftThe Dear Author blog was an early, vocal fan of Pamela's work. If you are interested in KidLit or have children, you should be familiar with Debbie Reese and her blog,

James JankoA Vietnam vet and an award-winning novelist with a deep interest in peaceJames Janko is the author of three award-winning novels. He learned to write on Alcatraz Island National Park where he worked alone as a nightwatchman from 1979 to 1992. He read N. Scott Momaday, Maxine Hong Kingston, James Baldwin, García Lorca, Louise Erdrich, and many others. Over the years, word by word, he fell in love with language and learned to write. Janko's awards include: the Juniper Prize from the University of Massachusetts Press for his novel, The Wire-Walker; the Association of Writers and Writing Programs Award for the Novel for The Clubhouse Thief; The Northern California Book Award and The Association of Asian American Studies Prose Award for Buffalo Boy and Geronimo. His novel, What We Don't Talk About (University of Wisconsin Press), tells the story of his hometown in rural Illinois.Want to be a guest on Book 101 Review? Send Daniel Lucas a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/17372807971394464fea5bae3 Hosted on Acast. See acast.com/privacy for more information.

This episode explores the incantation and mystic union of Momaday's famous delight poem, ending with a recorded recitation in his own rich voice. We explain anaphora and explore its power, and we trace the links and connections from one thought to the next throughout the poem. Special thanks to Universty of California Television (UCTV) for permission to share the audio of Momaday's reading. For the interview with Momaday from which this reading has been pulled, see "A Conversation with N. Scott Momaday -- Writer's Symposium by the Sea 2023 (https://www.youtube.com/watch?v=2PA3PZqeIuc)" on Youtube. "The Delight Song of Tsoai-talee" appears in In the Presence of the Sun by N. Scott Momaday. Copyright © 2009 University of New Mexico Press (https://www.unmpress.com/), 2009. For the text of the poem, see The Poetry Foundation here (https://www.poetryfoundation.org/poems/46558/the-delight-song-of-tsoai-talee). For more on Momaday, see his biography (https://www.poetryfoundation.org/poets/n-scott-momaday) at the Poetry Foundation.

Benvenuti su Bookatini 2.0 - il podcast per chi è ghiotto di libri.L'ospite di questa puntata è Teresa, che trovate alla pagina Instagram @bee_book_a_lula e sul canale youtube https://www.youtube.com/@TeresaBeeBookaLula, con lei torna anche il format Legenda - libri da leggere prima di subito, in cui elenchiamo quali saranno probabilmente le nostre prossime letture urgenti.Nell'episodio abbiamo citato i seguenti libri:"Il viaggio del divano letto" di Pierre Jourde, Prehistorica editore, "La Straniera" di Claudia Durastanti, La nave di Teseo,"Cat Lady" di Dawn O'Porter, Astoria editore,"Casa fatta di alba" di M. Scott Momaday, Black Coffee, "Felici tutti i giorni" di  Laurie Colwin, SUR,"Un bagno di Sangria" di Titania Blesh, Acheron Books,"Leonard e Hungry Paul" di Rónán Hession, Keller Editore,"Il cottage degli uccelli" di Eva Meijer, Nottetempo editore.Potete contattarmi, scrivere commenti, suggerimenti, domande e condividre con me le vostre letture su questo tema contattandomi alla pagina Instagram Bookatini_podcast.Se volete sostenermi e godere di contenuti aggiuntivi, potete unirvi a 4 possibili livelli di Patreon che trovate al link: https://www.patreon.com/bookatiniLa sigla di Bookatini è scritta e suonata da Andrea Cerea

Jérôme Colin et Miguel Allo traversent les États-Unis d'Est en Ouest. De New York à Los Angeles. Une quinzaine d'états à parcourir pour prendre la température de ce pays plus divisé que jamais. Musique, littérature, road trip semé de rencontres, ils rendront compte chaque jour en radio et sur le web de l'ambiance américaine à quelques jours seulement du scrutin du 5 novembre 2024. Chaque état traversé sera l'occasion pour eux de pointer un grand roman américain se déroulant dans la région. Huitème étape : Le Nouveau-Mexique : « La Maison de l'aube » de N. Scott Momaday. En 1968, l'écrivain amérindien N. Scott Momaday publie donc "La maison de l'aube", Prix Pulitzer de la fiction en 1969. Un roman assez difficile à suivre. Un roman initiatique qui suit le personnage d'Abel de 1945 à 1952. Abel est un vétéran amérindien de la deuxième guerre mondiale (il est allé combattre dans le Pacifique). Pueblo de culture, il revient là où il a grandi… Là, où il ne reste que son grand-père Francisco. Homme encore totalement nourri de la culture de ses ancêtres amérindiens. Mais Abel a changé. Que choisir ? Que vivre ? A-t-il le choix d'ailleurs ? Car il est tiraillé entre deux mondes. La vie américaine contemporaine (le capitalisme, la consommation, le matérialisme) et la culture pueblo (des esprits, de la nature, de la culture ancestrale). Ici, vous lirez de sublimes descriptions de la nature dans cet Ouest américain. Les nuages, la pluie, la terre, le ciel infini. Toutes ces choses que nous regardons sans les voir vraiment. Mais surtout, ce livre explique ce que c'est d'être tiraillé entre deux désirs : celui d'appartenir au monde d'aujourd'hui et celui de ne pas trahir ses racines. C'est ce livre, aussi, qui va décrire la vie difficile dans les réserves. La pauvreté, l'abandon, la drogue, l'alcool. Et in fine la violence. Ce qui arrive quand l'État vous a parqué dans des réserves artificielles et que vous n'appartenez plus finalement à rien. Avec "La maison de l'aube", il signe un roman sans véritable chronologie, plutôt une suite d'évènements, à travers des descriptions de nature merveilleuses. Il signe surtout une des premières études sociologiques de la condition de vie des Amérindiens dans les années soixante. Un témoignage donc de la vie indienne cette maison de l'aube de N. Scott Momaday publié en 68. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

Dr. Nathan S. French A school field trip to Washington, D.C. is a formative rite of passage shared by many U.S. school students across the nation. Often, these are framed as “field trips.” Students may visit the White House, the U.S. Capitol Building, the Supreme Court, the Library of Congress, Declaration of Independence (housed in the National Archive), the National Museum of the American Indian, the National Museum of African American History and Culture, the Jefferson Memorial, Arlington National Cemetery, or the Smithsonian Museum – among others. For many students, this is the first time they will connect the histories of their textbooks to items, artifacts, and buildings that they can see and feel. For those arriving to Washington, D.C. by airplane or bus, the field trip might also seem like a road trip. Road trips, often involving movement across the U.S. from city-to-city and state-to-state are often framed as quintessential American experiences. Americans have taken road trips to follow their favorite bands, to move to universities and new jobs, to visit the hall of fame of their favorite professional or collegiate sport, or sites of family history. As Dr. Andrew Offenberger observes in our interview, road trips have helped American authors, like Kiowa poet N. Scott Momaday, make sense of their identities as Americans. What if, however, these field trips to Washington, D.C. and road trips across the country might amount to something else? What if we considered them to be pilgrimages? Would that change our understanding of them? For many Americans, the first word that comes to mind when they hear the word, “pilgrimage,” involves the pilgrims of Plymouth, a community of English Puritans who colonized territory in Massachusetts, at first through a treaty with the Wampanoag peoples, but eventually through their dispossession. For many American communities, the nature of pilgrimage remains a reminder of forced displacement, dispossession, and a loss of home and homeland. Pilgrimage, as a term, might also suggest a religious experience. There are multiple podcasts, blogs, and videos discussing the Camino de Santiago, a number of pilgrimage paths through northern Spain. Others might think of making a pilgrimage to the Christian, Jewish, or Muslim sacred spaces in Israel and Palestine often referred to as the “Holy Land” collectively – including the Temple Mount, the Dome of the Rock, and the Church of the Holy Sepulchre (among others). Mark Twain's Innocents Abroad, is a classic example of this experience. Some make pilgrimage to Salem, Massachusetts each October. Others even debate whether the Crusades were a holy war or pilgrimage. American experiences of pilgrimage have led to substantial transformations in our national history and to our constitutional rights. Pilgrimage, as a movement across state, national, or cultural boundaries, has often been used by Americans to help them make sense of who they are, where they came from, and what it means, to them, to be “an American.” The word, “pilgrimage,” traces its etymology from the French, pèlerinage and from the Latin, pelegrines, with a general meaning of going through the fields or across lands as a foreigner. As a category used by anthropologists and sociologists in the study of religion, “pilgrimage” is often used as a much broader term, studying anything ranging from visits to Japanese Shinto shrines, the Islamic pilgrimage of Hajj, “birthright” trips to Israel by American Jewish youth, and, yes, even trips to Graceland in Memphis, Tennessee – the home of Elvis Presley. Arnold van Gennep (1873-1957) defined pilgrimage as one of a number of rites of passage (i.e., a rite du passage) that involves pilgrims separating themselves from broader society, moving themselves into a place of transition, and then re-incorporating their transformed bodies and minds back into their home societies. That moment of transition, which van Gennep called “liminality,” was the moment when one would become something new – perhaps through initiation, ritual observation, or by pushing one's personal boundaries outside of one's ordinary experience. Clifford Geertz (1926-2006), a contemporary of Turner, argued that a pilgrimage helps us to provide a story within which we are able to orient ourselves in the world. Consider, for example, the role that a trip to Arlington National Cemetery or the Tomb of the Unknown Soldier plays in a visit by a high school class to Washington, D.C. If framed and studied as a pilgrimage, Geertz's theory would suggest that a visit to these sites can be formative to an American's understanding of national history and, perhaps just as importantly, the visit will reinforce for Americans the importance of national service and remembrance of those who died in service to the defense of the United States. When we return from those school field trips to Washington, D.C., then, we do so with a new sense of who we are and where we fit into our shared American history. Among the many examples that we could cite from American history, two pilgrimages in particular – those of the Rev. Dr. Martin Luther King, Jr. and Malcolm X – provide instructive examples. Held three years after the unanimous U.S. Supreme Court decision in Brown v. Board of Education, the 1957 “Prayer Pilgrimage for Freedom,” led by Dr. King brought together thousands in order to, as he described it, “call upon all who love justice and dignity and liberty, who love their country, and who love mankind …. [to] renew our strength, communicate our unity, and rededicate our efforts, firmly but peaceably, to the attainment of freedom.” Posters for the event promised that it would “arouse the conscience of the nation.” Drawing upon themes from the Christian New Testament, including those related to agape – a love of one's friends and enemies – King's speech at the “Prayer Pilgrimage” brought national attention to his civil rights movement and established an essential foundation for his return to Washington, D.C. and his “I Have a Dream Speech,” six years later. In April 1964, Malcolm X departed to observe the Muslim pilgrimage ritual of Hajj in the city of Mecca in the Kingdom of Saudi Arabia. Hajj is an obligation upon all Muslims, across the globe, and involves rituals meant to remind them of their responsibilities to God, to their fellow Muslims, and of their relationship to Ibrahim and Ismail (i.e., Abraham and Ishamel) as found in the Qur'an. Before his trip, Malcolm X had expressed skepticism about building broader ties to American civil rights groups. His experience on Hajj, he wrote, was transformational. "The holy city of Mecca had been the first time I had ever stood before the creator of all and felt like a complete human being,” he wrote, “People were hugging, they were embracing, they were of all complexions …. The feeling hit me that there really wasn't what he called a color problem, a conflict between racial identities here." His experience on Hajj was transformative. The result? Upon return to the United States, Malcolm X pledged to work with anyone – regardless of faith and race – who would work to change civil rights in the United States. His experiences continue to resonate with Americans. These are but two stories that contribute to American pilgrimage experiences. Today, Americans go on pilgrimages to the Ganges in India, to Masada in Israel, to Mecca in Saudi Arabia, and to Bethlehem in Palestine, and to cities along the Trail of Tears and along the migration of the Latter-Day Saints church westward. Yet, they also go on pilgrimages and road trips to the Pro Football Hall of Fame, to the baseball hall of fame in Cooperstown, to the national parks, and to sites of family and community importance. In these travels, they step outside of the ordinary and, in encountering the diversities of the U.S., sometimes experience the extraordinary changing themselves, and the country, in the process. * * * Questions for Class Discussion What is a “pilgrimage”? What is a road trip? Are they similar? Different? Why? Must a pilgrimage only be religious or spiritual? Why or why not? How has movement – from city to city, or place to place, or around the world – changed U.S. history and the self-understanding of Americans? What if those movements had never occurred? How would the U.S. be different? Have you been on a pilgrimage? Have members of your family? How has it changed your sense of self? How did it change that of your family members? If you were to design a pilgrimage, what would it be? Where would it take place? Would it involve special rituals or types of dress? Why? What would the purpose of your pilgrimage be? How do other communities understand their pilgrimages? Do other cultures have “road trips” like the United States? Additional Sources: Ohio History and Pilgrimage Fort Ancient Earthworks & Nature Preserve, Ohio History Connection (link). National Geographic Society, “Intriguing Interactions [Hopewell],” Grades 9-12 (link) Documentary Podcasts & Films “In the Light of Reverence,” 2001 (link) An examination of Lakota, Hopi, and Wintu ties to and continued usages of their homelands and a question of how movement through land may be considered sacred by some and profane by others. Melvin Bragg, “Medieval Pilgrimage,” BBC: In our Time, February 2021 (link) Bruce Feiler: Sacred Journeys (Pilgrimage). PBS Films (link) along with educator resources (link). The American Pilgrimage Project. Berkley Center, Georgetown University (link). Arranged by StoryCorps, a collection of video and audio interviews with Americans of diverse backgrounds discussing their religious and spiritual identities and their intersections with American life. Dave Whitson, “The Camino Podcast,” (link) on Spotify (link), Apple (link) A collection of interviews with those of varying faiths and spiritualities discussing pilgrimage experiences. Popular Media & Websites “Dreamland: American Travelers to the Holy Land in the 19th Century,” Shapell (link) A curated digital museum gallery cataloguing American experiences of pilgrimage to Jerusalem, Israel, and Palestine. LaPier, Rosalyn R. “How Standing Rock Became a Site of Pilgrimage.” The Conversation, December 7, 2016 (link). Talamo, Lex. Pilgrimage for the Soul. South Dakota Magazine, May/June 2019. (link). Books Grades K-6 Murdoch, Catherine Gilbert. The Book of Boy. New York: Harper Collins, 2020 (link). Wolk, Lauren. Beyond the Bright Sea. New York: Puffin Books, 2018 (link). Grades 7-12 Chaucer, Geoffrey. The Canterbury Tales. New York: Penguin Books, 2003 (link). Malcolm X. The Autobiography of Malcolm X: As Told to Alex Haley. New York: Ballantine Books, 1992 (link). Melville, Herman. Clarel: A Poem and Pilgrimage in the Holy Land. New York: Library of America, n.d. (link). Murray, Pauli. Song in a Weary Throat: Memoir of an American Pilgrimage. New York: Liveright, 1987 (link). Reader, Ian. Pilgrimage: A Very Short Introduction. New York: Oxford University Press, 2015 (link). Twain, Mark. The Innocents Abroad. New York: Modern Library, 2003 (link). Scholarship Bell, Catherine. Ritual Theory, Ritual Practice. New York: Oxford University Press, 2009. Bloechl, Jeffrey, and André Brouillette, eds. Pilgrimage as Spiritual Practice: A Handbook for Teachers, Wayfarers, and Guides. Minneapolis, MN: Fortress Press, 2022. Frey, Nancy Louise Louise. Pilgrim Stories: On and Off the Road to Santiago, Journeys Along an Ancient Way in Modern Spain. First Edition. Berkeley: University of California Press, 1998. Lévi-Strauss, Claude Patterson, Sara M., “Traveling Zions: Pilgrimage in Modern Mormonism,” in Pioneers in the Attic: Place and Memory along the Mormon Trail. New York: Oxford University Press, 2020 (link). Pazos, Antón. Redefining Pilgrimage: New Perspectives on Historical and Contemporary Pilgrimages. London: Routledge, 2014 (link). Reader, Ian. Pilgrimage: A Very Short Introduction. New York: Oxford University Press, 2015 (link). Van Gennep, Arnold. The Rites of Passage. Translated by Monika B. Vizedom and Gabrielle L. Caffee. Chicago: The University of Chicago Press, 1960 (link)

Season 1, Episode 35, Release Date: 6-23-2024 Leslie Petruk and Parenting Through the Eyes of a Child   Leslie is a Licensed Clinical Mental Health Counselor and Director at the Stone Center for Counseling & Leadership, as well as a Clinical Supervisor. Find out more about the Stone Center here: www. thestonecenternc.com Leslie has expertise working with children, individuals, couples and families. She is an author, IFS trainer, presenter and therapist. She has written two chapters of Jenna Riemersma's book, "Altogether Us."   This is a special epsidoe, because Leslie was also my first IFS teacher, in my Level one training. I couldn't have asked for a better teacher :) We nerded out a little about poetry, and here are some of our favorite poets-- Rumi, Nikita Gill, N. Scott Momaday, Jeff Foster, David Whyte, John O'Donohue, and Matt Licata.   Here is some of the transcript that I wanted to highlight:   David. Leslie, how can we use sandtrays in our practice? Leslie. This is a way to help dive into unconscious realm with clients. I like to give clients choice, and allow them to pick objects. They create something, without relying on their "thinking brain." In a way, it is like their parts are being laid out in front of them.  David. Some people might have diffculty when given too much choice and freedom. This might even feel threatening. How do you handle this situation? Leslie. I hold the space. I focus on creating a welcoming and trusting space, and I also hold onto the truth that clients know inside what to do. I might reflect what they are doing, and what is happening, as I create this safe container for them. Although it could be more challenging for children with trauma to get started with sandtrays, once they are able to be part of this process, they tend to get lost in the sandtrays.   David. When you write about parenting skills, how do you differentiate between helping someone have good parenting skills, with overall good relationship and communication skills? Leslie. That is a good question, because healthy attachment applies to any relationship. I remember one time after I did an incredible piece of work with my IFS therapist. I found that I was so present to my children afterwards, and it was a very dramatic shift that had never happened in quite the same way before. I wanted to share this with every parent!   David. We have so much power over our children's lives. In some ways, they are all they really know. Leslie. As my child left for college, I worried if I had given her enough to be successful. Launching children is so hard, in many different ways. But, it is also a beautiful process.   Leslie. My hope with working with parents is to help them have clarity of their parts, and to understand their agendas.  David. It seems important to put our children's needs first.   Leslie. I think it is all about balance. If we are not there for ourselves, we can't be our best selves for our parents. We need to care for our needs-- so we can give our children guidance and a safe place.  David. I feel like as parents we want to helop our children be self-led. Leslie. Yes, and at the same tie, children are naturally filled with joy and curiosity. David. Basically, life is a sandbox for children. Leslie. The biggest message I would want to give to others is to have self-compassion. There is always something you can feel guilty about as a parent. Guilt can be a motivator to make a repair. But, it is not helpful to use this guilt as a bat to beat ourselves up with.  Being able to repair with ourselves as well as our children is so important.   Leslie shared that when we are activated, it is a reminder for us to get curious! 

Notes and Links to Chelsea Hicks' Work      For Episode 230, Pete welcomes Chelsea Hicks, and the two discuss, among other topics, her language journey and how she came to study and work to help revitalize the Osage language, her feelings about being named “5 Under 35,” mentors and inspirations like Louise Erdrich and N. Scott Momaday, her writing as alternately “MFA-ish” and experimental, her nuanced view of “The Movie,” and salient themes from her story collection, including identity, celebrations and traumas, rematriation, agency, and family ties.       Chelsea T. Hicks is a Wazhazhe writer with an MA from UC Davis and an MFA from the Institute of American Indian Arts. Her writing has been published in The Paris Review, Poetry, McSweeney's, and elsewhere. She was selected as a 5 Under 35 honoree by Louise Erdrich for the National Book Award, and her first book, A Calm and Normal Heart, was longlisted for the PEN America Robert W. Bingham Prize. Buy A Calm and Normal Heart: Stories     Review of A Calm and Normal Heart in The Southern Review of Books At about 1:30, Chelsea gives kudos to mentors at UCDavis for her MA At about 2:25, Chelsea discusses her mindset and joy in being named one of the “5 Under 35” by Louise Erdrich for the National Book Foundation   At about 7:15, Chelsea talks about her childhood relationship with language, and she provides a personal language background and a historical context for the loss and revitalization of the Osage language At about 11:55, Chelsea shouts out Inés Hernández-Ávila and a language challenge through Ines' connections in Oaxaca At about 14:50, Chelsea gives background on some teaching and mentoring and promoting of language acceleration that she's done  At about 17:40-20:10, Chelsea responds to Pete's question about innate connections to her Osage culture, particularly with regard to the language  At about 20:35, Chelsea provides interesting information about the Osage language, including “masculine” and “feminine” ways of speaking and gendered pronouns At about 22:40, The two discuss a cool phrase regarding the moon in Wažáže ie At about 23:50, The two commiserate over linguistics classes At about 24:45, Chelsea gives background on early favorite books and her literary journey, as well as how Peter Pan, other books, and her classmates and friends shone light on the way she and others in society saw her Native culture At about 28:35, Chelsea traces her path as a writer, including early, self-guided poetry  At about 30:25, Chelsea describes an “opening of [her] eyes” in reading N. Scott Momaday At about 32:30, Chelsea references some particular insights of Momdaday from House of Dawn and gives background on a Paris Review article she wrote about his work; Chelsea discusses “rematriation” and land care, while discussing important work by Natalie Diaz and Sogorea Te' Land Trust At about 35:50, Pete and Chelsea discuss the book's introduction and including indigenous language in the book, especially the titles; Pete shouts out a dynamic  At about 37:30, Chelsea responds to Pete's question about connections in the collection's opening story to Killers of The Flower Moon and how she sees the movie At about 43:10, Pete lays out some salient themes and plotlines covered in the story collection At about 44:25, Chelsea wants to clarify how her work comes off- “direct” and “experimental,” etc. At about 46:25, Chelsea talks about her writing philosophy, craft, love of poetry, and future academic work At about 47:30, Pete enumerates some creative methods used by Chelsea At about 49:50, Pete cites an important and poignant quote from the book         You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership! Check out my recent interview with Gina Chung on the website.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. Thanks to new Patreon member, Jessica Cuello, herself a talented poet and former podcast guest.     This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 231 with Jazmina Barrera Velasquez, who is a fellow at the Foundation for Mexican Letters. Her book of essays, Cuerpo extraño, was awarded the Latin American Voices prize from Literal Publishing in 2013, and she is the editor and co-founder of Ediciones Antílope, and author of, most recently, Cross-Stitch.     The episode will go live on April 16 or 17.

The panel reads three poems by N. Scott Momaday, including "The Delight Song of Tsoai-talee", "The Monoliths", and "Rings of Bone" with special attention to the usage of active and passive symbolism, and the function of time, stasis, and circularity.Continue reading

Jeff and Rebecca take a moment to mark the death of N. Scott Momaday, do a post-mortem on the Argylle 'intrigue," pitch a movie based on a secret banned bookshelf in Houston, and more. Subscribe to the podcast via RSS, Apple Podcasts, and Spotify. For more industry news, sign up for our Today in Books daily newsletter! 2024 is the tenth year of the Read Harder Challenge! Join us as we make our way through 24 tasks meant to expand our reading horizons and diversify our TBRs. To get book recommendations for each task, sign up for the Read Harder newsletter. We'll also keep you informed about other cool reading challenges, readathons, and more across the bookish internet. If you become a paid subscriber, you get even more recommendations plus community features, where you can connect with a community of passionate, like-minded readers in a cozy and supportive corner of the internet. Visit bookriot.com/readharder to sign up. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Discussed in this episode: Sign up for Better Living Through Books and the BR Pod newsletter First Edition! The Book Riot Podcast Patreon N. Scott Momaday Has Died Of course Constance Grady did the legwork on Argylle The Argylle movie reviews are rolling in, and they're…not great How not to pitch your book to BookTokers Hero of the Week: Texas teacher's clandestine library of banned books Some late-breaking info about Spotify's audiobook performance; Audible is concerned Martyr! by Kaveh Akbar Come and Get It by Kiley Reid The Fury by Alex Michaelides Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer Prize-winning Kiowa author N. Scott Momaday has died. In this interview from 1996, host Marcia Franklin talks with Momaday about his role in commentating on Native American culture in the recently released Ken Burns documentary ‘The West.' Momaday also talks about how to find your voice as an author, as well as the relationship between Native Americans and American society. Originally aired: 09/25/1996

Navarre Scott Momaday (Kiowa) introduced the world to Ben Benally and Abel in his first novel “House Made of Dawn”. He also established himself as a literary force with a distinctly Native American voice, winning the 1969 Pulitzer Prize for Fiction. He published some 20 other works of fiction, poetry, and essays, earning many more awards and accolades and will always be known as the artist who cleared a path for a new generation of Native writers. We'll remember Momaday with some of those who he knew and inspired. GUESTS Jill Momaday (Kiowa), writer, actor, and filmmaker Jacob Tsotigh (Kiowa), vice chairman of the Kiowa Tribe Louise Erdrich (Turtle Mountain Band of Chippewa), Author  Heid E. Erdrich (Turtle Mountain Band of Chippewa), Poet Jeffrey Palmer (Kiowa), associate professor of performing and media arts at Cornell University and director and producer of the PBS American Masters profile “Words From A Bear”

Navarre Scott Momaday (Kiowa) introduced the world to Ben Benally and Abel in his first novel “House Made of Dawn”. He also established himself as a literary force with a distinctly Native American voice, winning the 1969 Pulitzer Prize for Fiction. He published some 20 other works of fiction, poetry, and essays, earning many more awards and accolades and will always be known as the artist who cleared a path for a new generation of Native writers. We'll remember Momaday with some of those who he knew and inspired.

Mad at wife walk… Most Fast Food restaurants… DQ Meth… Eating in shower… Fried toothpicks... Amazon price hike… chewingthefat@theblaze.com Lotto / I'm a winner…   TRANSISTION: oc: here to help 23:05 ish…   Who Died Today: N. Scott Momaday 89… Recalled Sleep Apnea machines halt sales… Homeless man Clinton Dorsey killed… DJ Slick Rick decapitated at 59…   TRANSISTION: oc: this show 32:21 ish…   Apples new VR headsets on the way… www.blazetv.com/jeffy Promo code: Jeffy… Amelia Earhart's plane may have been found… Military issues in Middle East / Three Soldiers killed at least 47 wounded... Joke / Thought / Question of the Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

N. Scott Momaday, an internationally acclaimed poet, novelist, playwright, storyteller, artist and teacher, was born in Lawton, Oklahoma. He grew up in various communities in the Southwest. His parents, who were teachers, moved among reservation schools.He is enrolled in the Kiowa Tribe of Oklahoma but also has Cherokee heritage from his mother. Momaday's novel House Made of Dawn led to a writing renaissance for Native American literature and was awarded the Pulitzer Prize for Fiction in 1969.He is also the author of The Way to Rainy Mountain; The Ancient Child; The Names: A Memoir; In the Bear's House and other collections of poetry and articles. Momaday's poetry reflects his concern for Kiowa culture, history, song, ceremony and myth. In the Bear's House reveals his deep fascination with the bear figure and his watercolor illustrations are included in the book.He holds a Ph.D. from Stanford University and has taught at Stanford, UC-Berkeley and the University of Arizona. In 2007, he was awarded a National Medal of Arts by President George W. Bush. Momaday is the Oklahoma Centennial Poet Laureate.P.S. Billy the Kid was denied a pardon. Listen to Chapter 10.“I simply kept my goal in mind and persisted. Perseverance is a large part of writing.” ~ N. Scott Momaday

State lawmakers are discussing tax cuts.State Republicans are fighting over bipartisan efforts from Senator Lankford.We remember Native American author N. Scott Momaday.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Twitter and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

N. Scott Momaday war 1969 der erste indigene Autor, der den Pulitzer-Preis erhielt. Jetzt ist er mit 89 Jahren in New Mexiko gestorben. „Er war wegweisend für die Wahrnehmung der indigenen Literatur in den USA“, sagt die Amerikanistin Katja Sarkowsky. Ellmenreich, Majawww.deutschlandfunk.de, Kultur heute

In our news wrap Monday, Israel says it has killed more than 2,000 Palestinian gunmen in days of heavy fighting in Gaza, the Supreme Court of Pennsylvania ruled that access to abortion is a fundamental right under the state's constitution, a Japanese moon explorer is back in action after landing incorrectly and Pulitzer Prize-winning writer N. Scott Momaday has died at age 89. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Last Native American History Moment is about n Scott Momaday, a famous writer. Of course there are some stories from my childhood and other things. Thanks for listening and do your own research and enjoy.

A beloved music venue is celebrating 15 years. Plus, we revisit an interview with Native American author N. Scott Momaday. And the Coronado Island Film Festival is back.

In this interview from 1996, Marcia Franklin talks with Pulitzer Prize winning author N. Scott Momaday about his role in commentating on Native American culture in the recently released Ken Burns documentary ‘The West.' Momaday also talks about how to find your voice as an author and the relationship between Native Americans and American society. Originally aired: 09/25/1996

Last week it was Nikki & Artem, so this week, it's Brie & Bryan gracing you with their presence on The Nikki & Brie Show! Brie and Bryan are excited for school to start for different reasons, and Brie's considering some big changes for Buddy's school situation because the boy has endless amounts of energy and that leads Brie and Bryan to discuss routines, the need for structure and also wonder what the right age for children to start school should be. Bryan highlights spending time with the kids and parenting wins and fails this week, gratitude journals; Brie also delves into what she thought her parenting style would be before having kids and how the reality is far different now. Bryan loves books! Bryan rotates three books at a time, and Brie has him go through each book, why he picked it up, what he's learned from it, and what he values from reading them. This week Bryan is reading Earth Keeper by N. Scott Momaday, The Art of Impossible by Steven Kotler, and Black Sun by Rebecca Roanhorse. This week Brie opens it up to questions from the audience about Bryan's arm, favorite matches, the state of his career at the moment, dealing with depression as a parent, elements of himself that he sees in Buddy and Birdie, and planning dates for Brie. To close out the episode, Brie reads an Inspiration & Affirmation that ties into nature and children, something that has dominated her summer! Be sure to get tickets to see The Nikki & Brie Show live this Friday at Gila River Resorts & Casinos - Wild Horse Pass as they welcome special guests Artem & Gleb from DWTS and a few surprises in store that you won't want to miss. Tickets are available now! 

In this interview from 1996, Marcia Franklin talks with Pulitzer Prize winning author N. Scott Momaday about his role in commentating on Native American culture in the recently released Ken Burns documentary 'The West.' Momaday also talks about how to find your voice as an author and the relationship between Native Americans and American society. Originally aired: 09/25/1996

Poet, novelist and Native American scholar N. Scott Momaday has spent decades bringing his culture and the landscape alive through his writing. He received a Pulitzer Prize for his first novel, "House Made of Dawn." His books include "The Way to Rainy Mountain," "In the Bear's House," "In the Presence of the Sun: Stories and Poems, 1961-1991," and "The Gourd Dancer." He is also the editor of various anthologies and collections centered on his Kiowa heritage. As part of the Writer's Symposium By the Sea, host Dean Nelson sat down with Momaday at his home in Santa Fe, New Mexico, to talk about his life in literature. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 38122]

Poet, novelist and Native American scholar N. Scott Momaday has spent decades bringing his culture and the landscape alive through his writing. He received a Pulitzer Prize for his first novel, "House Made of Dawn." His books include "The Way to Rainy Mountain," "In the Bear's House," "In the Presence of the Sun: Stories and Poems, 1961-1991," and "The Gourd Dancer." He is also the editor of various anthologies and collections centered on his Kiowa heritage. As part of the Writer's Symposium By the Sea, host Dean Nelson sat down with Momaday at his home in Santa Fe, New Mexico, to talk about his life in literature. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 38122]

Poet, novelist and Native American scholar N. Scott Momaday has spent decades bringing his culture and the landscape alive through his writing. He received a Pulitzer Prize for his first novel, "House Made of Dawn." His books include "The Way to Rainy Mountain," "In the Bear's House," "In the Presence of the Sun: Stories and Poems, 1961-1991," and "The Gourd Dancer." He is also the editor of various anthologies and collections centered on his Kiowa heritage. As part of the Writer's Symposium By the Sea, host Dean Nelson sat down with Momaday at his home in Santa Fe, New Mexico, to talk about his life in literature. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 38122]

Poet, novelist and Native American scholar N. Scott Momaday has spent decades bringing his culture and the landscape alive through his writing. He received a Pulitzer Prize for his first novel, "House Made of Dawn." His books include "The Way to Rainy Mountain," "In the Bear's House," "In the Presence of the Sun: Stories and Poems, 1961-1991," and "The Gourd Dancer." He is also the editor of various anthologies and collections centered on his Kiowa heritage. As part of the Writer's Symposium By the Sea, host Dean Nelson sat down with Momaday at his home in Santa Fe, New Mexico, to talk about his life in literature. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 38122]

Poet, novelist and Native American scholar N. Scott Momaday has spent decades bringing his culture and the landscape alive through his writing. He received a Pulitzer Prize for his first novel, "House Made of Dawn." His books include "The Way to Rainy Mountain," "In the Bear's House," "In the Presence of the Sun: Stories and Poems, 1961-1991," and "The Gourd Dancer." He is also the editor of various anthologies and collections centered on his Kiowa heritage. As part of the Writer's Symposium By the Sea, host Dean Nelson sat down with Momaday at his home in Santa Fe, New Mexico, to talk about his life in literature. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 38122]

Poet, novelist and Native American scholar N. Scott Momaday has spent decades bringing his culture and the landscape alive through his writing. He received a Pulitzer Prize for his first novel, "House Made of Dawn." His books include "The Way to Rainy Mountain," "In the Bear's House," "In the Presence of the Sun: Stories and Poems, 1961-1991," and "The Gourd Dancer." He is also the editor of various anthologies and collections centered on his Kiowa heritage. As part of the Writer's Symposium By the Sea, host Dean Nelson sat down with Momaday at his home in Santa Fe, New Mexico, to talk about his life in literature. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 38122]

Poet, novelist and Native American scholar N. Scott Momaday has spent decades bringing his culture and the landscape alive through his writing. He received a Pulitzer Prize for his first novel, "House Made of Dawn." His books include "The Way to Rainy Mountain," "In the Bear's House," "In the Presence of the Sun: Stories and Poems, 1961-1991," and "The Gourd Dancer." He is also the editor of various anthologies and collections centered on his Kiowa heritage. As part of the Writer's Symposium By the Sea, host Dean Nelson sat down with Momaday at his home in Santa Fe, New Mexico, to talk about his life in literature. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 38122]

Greetings, all! This episode is dropping a bit later than anticipated, because it's our longest yet, but also one of our most important. Today we're talking about Changeling's version of the Nunnehi, the Indigenous fae of Concordia whose presentation has been a mixed bag over the editions. We're not focused on a particular book, since they appear throughout the line, but the 1st edition Player's Guide, the Werewolf supplement Rage Across Appalachia, and the 20th Anniversary Edition corebook all get some attention. We have three guest hosts for this installment, and technology was as much a bugbear as ever, so we ask that you bear with us through the remaining unresolved audio issues for an excellent discussion. Our usual candy-box of social media links: Discord: https://discord.gg/SAryjXGm5jEmail: podcast@changelingthepodcast.comFacebook: https://www.facebook.com/profile.php?id=100082973960699Mastodon: https://dice.camp/@ChangelingPodPatreon: https://www.patreon.com/changelingthepodcast The intermission track used in this episode is "Please Calm My Mind", by Oleksii Kaplunskyi. this episode's guests Wahde ᏩᏕ Galiswegi is an Indigenous gamer, Cherokee Language revitalizationist and traditionalist, with a background in Cherokee ceremonial Ian and spirituality. Wahde's website: https://sites.google.com/view/master-ct-898-mackey-wahde/home?pli=1 Liam ᎬᎮ McAlpin and Ia ᎪᎳᏄ Bull are both Cherokee language revitalizationists from the Cherokee Nation in Eastern Oklahoma. Liam is going for a BA in Cherokee Language Education and Creative Writing while Ia just started a PhD in Information Studies, with a background in archives. They are from Tahlequah, their family is from Adair County, and they are members of ᏌᎶᎵ ᎤᎾᏓᏢ ᏂᎦᏘᏲ, ᎦᏚᏩᎩ/Cherokee ceremonial community. Ia's Mastodon: https://dice.camp/@IaKholanBullLiam's Facebook: https://m.facebook.com/liam.mcalpin/ ... media and other resources Some works that might be inspirational and/or educational for you: Fiction and poetry: This Wound is a World (Billy-Ray Belcourt); Love Medicine, The Round House, and Tracks (Louise Erdrich); all of the work of Joy Harjo; The Way to Rainy Mountain (N. Scott Momaday); Almanac of the Dead and Ceremony (Leslie Marmon Silko), Winter in the Blood (James Welch)Non-fiction: Portrait of the Whiteman (Keith Basso); Custer Died for Your Sins (Vine Deloria Jr.); Braiding Sweetgrass (Robin Wall Kimmerer); The Sacred Formulas of the Cherokee and Myths of the Cherokee (James Mooney); Reclaiming Two-Spirits (Gregory D. Smithers)TV and film: Dance Me Outside, Reservation Dogs, Rutherford Falls, Smoke Signals, This May Be the Last Time, Winter in the BloodMusic: Anvdvnelisisgi (Performers), DJ Shub, The Halluci Nation, Maniac: the Siouxpernatural, Buffy Sainte-Marie, Tanya TagaqRPG Podcasts: Nunnehi episode from Walking Away from Arcadia, Creating Indigenous Stories episode from Werewolf: the PodcastVisual arts: Roy Boney Jr., Keli Gonzales This is just a quick handful of sources that came up in our discussions, both on-mic and off. But there is a wealth of media out there by Native American and First Nations creators to explore, and we strongly encourage you to go out looking for more (with the caveat to always be mindful about what you find, the context in which it was created, and how you engage with it). ... your hosts Josh Hillerup (any pronoun) was recording this episode from unceded territory in Anishinaabewaki. Pooka G (any pronoun/they) was recording this episode from unceded territory in Lenapehoking. That first cry opens the earth door. We join the ancestor road. With our pack of memories Slung slack on our backs We venture into the circle Of destruction, Which is the circle Of creation And make more— —Joy Harjo, "Memory Sack"

Episode 140 Notes and Links to Oscar Hokeah's Work        On Episode 140 of The Chills at Will Podcast, Pete welcomes Oscar Hokeah, and the two discuss, among other topics, Oscar's childhood and adulthood living in and being interested by the confluence of multiple languages, his early reading of Stephen King, his love of Alice Munro and N. Scott Momaday, discussions of decolonization through his work and in the outside world, and the myriad themes, symbols, and allusions contained in his dynamic and profound debut novel.      Oscar Hokeah is a regionalist Native American writer of literary fiction, interested in capturing intertribal, transnational, and multicultural aspects within two tribally specific communities: Tahlequah and Lawton, Oklahoma.  He was raised inside these tribal circles and continues to reside there today.       He is a citizen of Cherokee Nation and the Kiowa Tribe of Oklahoma from his mother (Hokeah and Stopp families), and he has Mexican heritage from his father (Chavez family) who emigrated from Aldama, Chihuahua, Mexico. You can find the Stopp family (Cherokee) in Tahlequah, Oklahoma and the Hokeah family (Kiowa) in Lawton, Oklahoma.  Family on his Kiowa side (Hokeah, and Tahsequah through marriage) organized the Oklahoma Gourd Dance Club for over a decade, and he has family members actively involved with the Kiowa Tia-Piah Society, Comanche War Scouts Society, and Comanche Little Ponies Society. Oscar has spent nearly 20 years empowering Native American communities.  From his work in Santa Fe, NM with Intermountain Youth Centers and the Santa Fe Mountain Center, he has worked with Pueblo, Apache, and Diné peoples.  Currently, living in his home town of Tahlequah, Oklahoma (in the heart of Cherokee Nation), he works with Indian Child Welfare, where he gives back to the community that nurtured and embedded the Indigenous values he passes along to his children. He is a recipient of the Truman Capote Scholarship Award through IAIA, and also a winner of the Native Writer Award through the Taos Summer Writers Conference. His writing can be found in World Literature Today, American Short Fiction, South Dakota Review, Yellow Medicine Review, Surreal South, and Red Ink Magazine. His highly-anticipated debut novel, Calling for a Blanket Dance, came out on July 26. Oscar Hokeah's Website   Buy Waiting for a Blanket Dance   New York Times Book Review by Antonia Angress for Waiting for a Blanket Dance   Oscar Gives a Sketch of his Book's Plot and Themes   Waiting for a Blanket Dance Review from Minnesota Star Tribune At about 3:00, Oscar talks about the blitz and fun accompanying the recent publication of his book   At about 6:00, Oscar describes emotional connections and favorite characters that readers have shared with him    At about 7:30, Kristin Apodaca is touted as having a “Salvador Dali-style” as Oscar describes the cover and its background   At about 10:20, Pete asks Oscar about growing up and his relationship with languages and the printed word, including his early work based on favorite writers like Stephen King   At about 15:50, Oscar continues to discuss intersections of language and how he has used Kiowa, Spanish, English, and Cherokee in his life and in his writing   At about 18:30, Oscar responds to Pete's questions about formative writers in life, including N. Scott Momaday, Kafka, Gabriel Garcia Marquez, and Alice Munro   At about 22:10, Pete and Oscar laugh about a cool book cameos by a “Hokeah” and an N. Scott Momaday shout out   At about 23:20, Oscar references the varied reading he has done in recent times, including Velorio by Xavier Navarro Aquino, and he also shouts out “an amazing time for Native writers'   At about 26:00, Pete highlights the recent NYT reviews for the book, and Oscar to Pete's question about the book's pitch   At about 27:50, Oscar describes his rationale in including an N. Scott Momaday quote as his epigraph   At about 30:00, Pete and Oscar discuss the book's POVs and how “telling someone else's story” serves as a successful craft piece; Oscar explains the power of this “peripheral narration”   At about 32:30, the two discuss a pivotal scene that starts the book and Oscar highlights “male-on-male violence” and the concept of “indigenous landscapes” with a shifting lense   At about 38:40, Pete and Oscar discuss ideas of “home” and Vincent's chapter and the importance of Vincent's redemption; Oscar highlights real-life connections    At about 43:00, The two chart Ever's development and setbacks while noting the significance of a gift given in the form of a booger mask   At about 44:30, Oscar captures moments of familial and community love   At about 45:10, The two discuss the implications of the phrase “Ni modo” and an incident with Ever and his father that was “too little, too late”   At about 46:20, the two discuss “per caps” and the chapter that focuses on them    At about 46:55, Pete and Oscar reflect on ideas of communication or lack thereof with regard to Lena Stopp and Sissy and Ever, as Oscar talks about a character based on his mom and parenting when one's children are in transition to maturity   At about 49:25, Oscar discusses ideas of addiction in the book and connections to his own communities, including how the character of Lonnie acts differently as a woman in the drug world   At about 50:45, The two discuss hearsay and its connections to perceptions of people, including how every character in the book is sketched so skillfully in order that they are all objects of sympathy/empathy   At about 52:45, Ever's surrogate son Leander and hope and his question of “How did I get here?” is discussed and ideas of breaking generational habits, too   At about 54:15, Oscar points out an important scene that involves Leander and his memories and art as an outlet   At about 55:50, Pete asks Oscar about the book's title in complimenting the chapter dealing with quilts and family legacy   At about 57:00, Oscar gives the real-life details that he experienced that gave rise to the book's powerful and moving last chapter that involved Cherokee housing   At about 58:10, Oscar connects an important series of quotes to the idea of community parenting in Cherokee     At about 58:10, Pete points out the last chapter's stand-alone and combined greatness that uses ideas of community and implementing ideas learned throughout Ever's life   At about 1:00:05, Oscar responds to Pete's questions about the title's larger implications   At about 1:01:55, Oscar highlights future projects    At about 1:03:20, Oscar does some casting for an aspirational movie/tv show based on the book   At about 1:04:15, Oscar gives contact info and social media info and shouts out Too Fond of Books in Tahlequah, OK        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.      This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 141 with Ingrid Rojas Contreras, whose first novel, Fruit of the Drunken Tree, was the silver medal winner in First Fiction from the California Book Awards, and a New York Times editor's choice. Her essays and short stories have appeared in the New York Times Magazine, Buzzfeed, Nylon, and Guernica, among others. Her latest, The Man Who Could Move Clouds, has been universally-beloved and covered on NPR and in The New York Times.      The episode will air on September 6.

N. Scott Momaday draws inspiration from his Native American heritage, the grandeur of the New Mexico landscape and his world travels. Novelist Oscar Hokeah shares the sentiment. He calls on the collective wisdom and voices of his Kiowa and Cherokee community in Oklahoma to bring to life a multi-generational family drama in his new book, “Calling for a Blanket Dance.” You'll hear Hokeah's conversation with Miller on this Friday's Big Books and Bold Ideas show. In the meantime, enjoy Miller's similarly themed discussion with Momaday, from the special 2021 Talking Volumes series that centered on race. Guest: N. Scott Momaday is an internationally renowned poet, novelist, artist, teacher, and storyteller whose works celebrate and preserve Native American heritage. To listen to the full conversation you can use the audio player above. Subscribe to the MPR News with Kerri Miller podcast on Apple Podcasts, Google Podcasts or RSS. Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations. 

N. Scott Momaday draws inspiration from his Native American heritage, the grandeur of the New Mexico landscape and his world travels. Novelist Oscar Hokeah shares the sentiment. He calls on the collective wisdom and voices of his Kiowa and Cherokee community in Oklahoma to bring to life a multi-generational family drama in his new book, “Calling for a Blanket Dance.” You'll hear Hokeah's conversation with Miller on this Friday's Big Books and Bold Ideas show. In the meantime, enjoy Miller's similarly themed discussion with Momaday, from the special 2021 Talking Volumes series that centered on race. Guest: N. Scott Momaday is an internationally renowned poet, novelist, artist, teacher, and storyteller whose works celebrate and preserve Native American heritage. To listen to the full conversation you can use the audio player above. Subscribe to the MPR News with Kerri Miller podcast on Apple Podcasts, Google Podcasts or RSS. Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations. 

Antonio Díaz, EL MAGO POP se despide de Madrid el próximo 3 de julio con su aclamado "Nada es imposible, BROADWAY EDITION", el espectáculo que superó todas las expectativas y con el que piensa deleitar al público estadounidense. Además tenemos una nueva propuesta de José Mª Pascual, la lectura del libro del Indio Kiowa, N. Scott Momaday, "El camino a Rainy Mountain", sobre la vida de los indios kiowas norteamericanos, que ha publicado editorial Nórdica. Escuchar audio

Jordan talks with N. Scott Momaday about the Stanford fellowship that changed his life, the importance of taking the natural world into your heart, and the genius of Emily Dickinson. MENTIONED: The Stanford Creative Writing Fellowship (now the Stegner Fellowship) "My Cricket" by Emily Dickinson The Pueblo of Jemez N. Scott Momaday is an internationally renowned poet, novelist, artist, teacher, and storyteller whose works celebrate and preserve Native American heritage. He won the Pulitzer Prize for his novel House Made of Dawn and he is the recipient of numerous awards and honors, including the Academy of American Poets Prize, the National Medal of Arts, the Ken Burns American Heritage Prize, the Dayton Literary Peace Prize Foundation's Richard C. Holbrooke Distinguished Achievement Award, and the 2021 Frost Medal for distinguished lifetime achievement in poetry. A longtime professor of English and American literature, Momaday earned his PhD from Stanford University and retired as Regents Professor at the University of Arizona. He lives in New Mexico and his latest book is Dream Drawings. For more Thresholds, visit us at www.thisisthresholds.com Be sure to rate/review/subscribe! Learn more about your ad choices. Visit megaphone.fm/adchoices

Simile: The entire poem is a simile. Line 2 contains the comparison "and we are like the deer" and the rest of the poem describes in what manner his people are like the deer.Analysis: Momaday writes of the fate of Native Americans, having himself grown up on the Kiawa Indian reservation. The deer is portrayed as submissive, yet noble, able to break forth without warning.LinksPoetry Collections at ELACommonCoreLessonPlans.comFigurative Language in Poetry Lesson Plan"Simile" Blog Post

Three poems from N. Scott Momaday's “Gourd Dancer” and three from Li-Young Lee's “Blossoms”

Two Native Americans took home Pulitzer Prizes this year and a third was a finalist. It's remarkable since the last time a Native American won a Pulitzer was Kiowa writer N. Scott Momaday for the “House Made of Dawn in 1969.” Louise Erdrich (Turtle Mountain Band of Chippewa) got top honors in fiction for her […]

Two Native Americans took home Pulitzer Prizes this year and a third was a finalist. It's remarkable since the last time a Native American won a Pulitzer was Kiowa writer N. Scott Momaday for the "House Made of Dawn in 1969." Louise Erdrich (Turtle Mountain Band of Chippewa) got top honors in fiction for her novel “The Night Watchman.” Natalie Diaz (Mojave) won for her work “Postcolonial Love Poem.” Cartoonist Marty Two Bulls (Lakota) was a finalist in the editorial cartooning category, but no award was given in that category. It's widely considered one of the top honors in the areas of literature and journalism. We'll revisit our previous shows with Diaz and Erdrich as well as talk with Two Bulls about his work.

For this Sunday it is the time of year once again for the Flower Communion service. Our Reading is “The Delight Song of Tsoai-talee” by N. Scott Momaday. This week Rev. Brian Chenowith was elated to be bringing us the sermon from within the church building. We return to remember the story of the Flower Communion service and why it is that we celebrate this unique service each year. If you are joining us on this audio only journey, you might feel greater connection in having or observing some flowers as some were presented as visual aids in this service.  If you would like to learn more about us, please visit https://www.uucl.org/ where you can find information about our grounds, staff, and upcoming events. You can also subscribe to our eNews there and learn about our virtual service offerings. Support the show (https://www.paypal.com/donate/?token=d-CcoL6oQgAQLay31fDlldX0lG4pPB-spBUmKaBZ51foVF7NWvq9Kt1J_o17tiIgZw9kpm&country.x=US&locale.x=US)

Renowned Author Esmeralda Santiago and I talk about There, There by Tommy Orange, and House Made Of Dawn by M. Scott Momaday.  We talk about what it means to "belong" to a culture and I relive a time where I embarrassed myself in front of 2,000 people. 

A special bonus episode of The Paris Review Podcast celebrating N. Scott Momaday, the winner of the Review’s 2021 Hadada Award, which recognizes a distinguished member of the writing community who has made a strong and unique contribution to literature. What you are about to hear is an exclusive excerpt of the first step in the process of conducting Momaday’s Writers at Work interview, a bit of the very first call between Momaday and his interviewer, the poet Layli Long Soldier. They discuss the importance of oral tradition to literature, especially to the Native American tradition. See omnystudio.com/listener for privacy information.

This episode is also available as a blog post: https://davidaolson.wordpress.com/2021/02/24/primitive-spirituality-deux/ The sacred is not a discipline. It is a dimension beyond the ordinary and beyond the mechanics of analysis. For those who come to sacred ground, it is a kind of mystical experience. A deep and singular encounter. ~N. Scott Momaday

Christmas has come early this year: filmmaker Jeffrey Palmer has made N. Scott Momaday: Words from a Bear a documentary about novelist, poet and painter N. Scott Momaday. Momaday is an artistic force of nature, and it's a nature embedded in Kiowa art, culture and history. He's received many awards; most notably the 1969 Pulitzer Prize for Literature--the first and only time it's been awarded to Native-American writer--and the 2007 National Medal of Arts. For his long career, N. Scott Momaday has been profoundly influential for Native artists and extremely significant for anyone interested in American culture. Although they are generations apart, Momaday was an influence on Jeffrey Palmer. Kiowa and born in the same area of Oklahoma as Scott, Jeffrey met him when he was a kid and while overwhelmed by his size and deep voice, (Jeffrey remembers it was like shaking hands with a catcher's mitt), he also was instantly inspired by him and the possibilities he represented. And thirty years later, he found himself making a documentary about M. Scott Momaday for American Masters. Jeff and I talk, of course, about Scott Momaday and his deep importance to American culture, as well as Jeff's decision to present Scott's story within the larger story of the Kiowa and add visual elements of magical realism. (It's a visually stunning film that partners beautifully with Scott's poems and stories.) We also have a couple of excerpts from the documentary, so you'll get to hear N. Scott Momaday distinctive voice and get a sense of his captivating presence. He is a national treasure.

N. Scott Momaday, a writer, teacher, artist and storyteller, has devoted much of his life to safeguarding oral tradition and other aspects of Native American culture. Author of 13 books, Momday won the Pulitzer Prize for Fiction in 1969 for House Made of Dawn, which is considered the first novel of the Native American Renaissance. In 2007, President George W. Bush awarded Momaday the National Medal of Arts. This year, he will be honored with the 2018 Anisfield-Wolf Book Award for Lifetime Achievement. N. Scott Momaday discusses his career.

Highlights of the Film: “More Than Bows And Arrows” This award-winning film has become the most popular film about Native Americans ever produced. It documents many of the invaluable, and often overlooked, contributions the American Indians have given to the United States and the rest of the world. Bows documents the contributions of Native Americans to the development of the United States and Canada, from net fishing on Northwest cliffs to prehistoric mounds, from medicine men to Arizona's ancient Hohokam irrigation canals. Narrated by Dr. N. Scott Momaday, the first Native American to win a Pulitzer Prize. The post Bay Native Circle – February 24, 2010 appeared first on KPFA.