Podcasts about art new york

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A conversation between artist Samia Halaby and Sanna Almajedi, recorded live following a performance at e-flux on September 10, 2024.  In the performance, Halaby used a computer program that she coded in the early '90s to generate abstract shapes. These were manipulated in real-time alongside sonic improvisation by musician Amir ElSaffar.  Samia Halaby is a trailblazer in contemporary abstract art internationally. In her distinctive painting style, Halaby draws inspiration from nature and historical movements such as early Islamic architecture and the Soviet avant-garde. Displaced from Palestine in 1948 with her family when she was eleven, Halaby was educated in the American Midwest at a time when abstract expressionism was popular but female abstract painters were marginalized. Halaby believes that new approaches to painting can transform our ways of seeing and thinking, not only within aesthetics, but also as a way to discover new perspectives for advances in teaching, technology, and society at large. This conviction has inspired her to pursue additional experiments in drawing, printmaking, computer-based kinetic art, and free-from-the-stretcher painting. Halaby's work is collected by many museums such as the Solomon R. Guggenheim Museum of Art (New York and Abu Dhabi); Cleveland Museum of Art; Institut du Monde Arabe; and Birzeit University (Ramallah).

Il est 16h, ce samedi 10 mars 2018, au Metropolitan Museum of Art à New York. Une centaine de personnes scandent "Honte aux Sackler !" dans l'aile nord, jetant des flacons d'OxyContin dans les douves entourant le Temple de Dendur. La célèbre photographe Nan Goldin, exposée au musée, dirige cette manifestation contre la famille Sackler, accusée d'être à l'origine de la crise des opiacés aux États-Unis. Nan Goldin exige le retrait du nom Sackler des murs du Met et appelle à un financement massif de traitements pour les victimes de l'OxyContin. Plongez dans l'Heure H, au cœur d'une protestation qui vise à dénoncer une philanthropie culturelle tachée de dépendance et de mort. Merci pour votre écoute Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/22750 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Voyage dans le cristalau musée de Cluny, musée national du Moyen Âge, Parisdu 26 septembre 2023 au 14 janvier 2024Interview de Isabelle Bardiès-Fronty, conservatrice générale du patrimoine au musée de Clunyet de Stéphane Pennec, archéologue, conservateur-restaurateur, commissaires de l'exposition,par Anne-Frédérique Fer, à Paris, le 22 septembre 2023, durée 17'27, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/02/3480_voyage-dans-le-cristal_musee-de-cluny/commissariatIsabelle Bardiès-Fronty, conservatrice générale du patrimoine au musée de Cluny – musée national du Moyen ÂgeStéphane Pennec, archéologue, conservateur-restaurateur, président d'AÏNU.#VoyageDansLeCristalDepuis toujours et dans toutes les civilisations, la transparence du cristal de roche fascine. Du 26 septembre 2023 au 14 janvier 2024, le musée de Cluny – musée national du Moyen Âge propose un « Voyage dans le cristal » au Moyen Âge et à travers l'histoire.À la période médiévale notamment, ce quartz transparent est utilisé dans les arts de la table, où il est prisé pour la vaisselle de luxe, mais aussi dans des objets décoratifs ou des bijoux. On lui attribue également une force symbolique renvoyant à la pureté qui s'exprime dans la production d'objets de la liturgie ou de reliquaires.Construite en six actes, l'exposition explore toutes les facettes de ce matériau mystérieux, qui ne se révèle qu'à celui qui l'observe avec attention. En guise d'introduction, le visiteur fait la rencontre du quartz et de ses spécificités géologiques, notamment grâce aux modèles du père de la cristallographie Romé de l'Isle. Puis, au fil d'un parcours à la fois chronologique et thématique, il se fait témoin de la façon dont l'humanité a utilisé le cristal de roche. OEuvres au pouvoir spirituel et magique, comme les reliquaires où le cristal de roche sert de loupe ; oeuvres pour les rois, tel le sceptre du British Museum ; objets de luxe et de plaisir, à l'exemple de l'aiguière du musée du Louvre ; outils scientifiques comme les mystérieuses lentilles de Visby : l'exposition présente plus de 200 pièces, dont une centaine du Moyen Âge. Elle guide le visiteur jusqu'à la période contemporaine et se conclue, à l'étage du musée, sur une installation de l'artiste Patrick Neu, créée sur mesure pour l'occasion, qui dialoguera avec des prêts d'objets anciens ou modernes en cristal de roche.Organisée par le musée de Cluny – musée national du Moyen Âge et la Réunion des Musées Nationaux – Grand Palais, avec la participation exceptionnelle du musée du Louvre, l'exposition rassemble des oeuvres du musée de Cluny et des prêts nationaux et internationaux d'institutions telles que le musée Schnütgen de Cologne, membre du réseau européen des musées du Moyen Âge dont le musée de Cluny est à l'origine, ainsi que d'autres institutions de la même ville, le musée national d'art moderne, le Muséum d'Histoire naturelle, le Kunsthistorisches Museum (Vienne), le British Museum, le Victoria and Albert Museum, la Tate Britain (Londres), le musée national du Danemark (Copenhague) ou le Metropolitan Museum of Art (New York). Le commissariat est assuré par Isabelle Bardiès-Fronty, conservatrice générale du patrimoine au musée de Cluny, et Stéphane Pennec, archéologue. L'exposition bénéficie du soutien de L'École des Arts Joailliers. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

On this episode I'm joined by Christine Kuan, President & Executive Director of Creative Capital. Before joining Creative Capital, Christine Kuan was CEO/Director of Sotheby's Institute of Art-New York. With twenty years of experience in both nonprofit and commercial sectors of the art world, Kuan has expertise in art education, museums, and digital strategy across cultural institutions and the art market. She was formerly Chief Curator and Director of Strategic Partnerships at Artsy, where she oversaw the organization's museum and institutional partnerships, digital collection strategy, open access policy, educational initiatives, and auctions.

Née en 1962 à Philadelphie, Lisa Yuskavage est diplômée d'un bachelor en beaux-arts de la Tyler School of Art (1984) et d'un master en beaux-arts de la Yale School of Art (1986). Elle est représentée depuis 2005 par la galerie David Zwirner.  Ces trois dernières décennies, Lisa Yuskavage s'est imposée comme l'une des peintres figuratives les plus originales : ses œuvres exaltent la singularité de la peinture en tant que médium et remettent en question les genres et la place traditionnelle du spectateur. Les personnages variés qui peuplent ses tableaux participent d'une atmosphère à la fois introspective et exhibitionniste. Ils s'insèrent dans des compositions dont le sens repose en grande partie sur la couleur, et où se mêlent de nombreux éléments réalistes ou abstraits. En 2015, l'exposition personnelle Lisa Yuskavage: The Brood s'est tenue au Rose Art Museum de l'université Brandeis (Waltham, Massachusetts), retraçant vingt-cinq ans de carrière. Cette exposition d'envergure a ensuite été présentée au Contemporary Art Museum de Saint Louis (Missouri) en 2016. Elle a également donné lieu à la publication d'une importante monographie grand format aux éditions Skira Rizzoli, réalisée en étroite collaboration avec Lisa Yuskavage, comportant des essais d'auteurs, historiens de l'art et critiques de renom, dont Christopher Bedford, Suzanne Hudson, Catherine Lord et Siddhartha Mukherjee, ainsi qu'un entretien avec l'artiste mené par Katy Siegel. L'exposition Lisa Yuskavage: Wilderness a été présentée au Aspen Art Museum (Colorado) en 2020 et au Baltimore Museum of Art (Maryland) en 2021. Le travail de Lisa Yuskavage a fait l'objet d'expositions personnelles dans de nombreuses institutions à travers le monde, dont l'Institute of Contemporary Art de l'université de Pennsylvanie à Philadelphie (2000), le Centre d'art contemporain de Genève (2001), le Museo Tamayo Arte Contemporáneo à Mexico (2006) et la Royal Hibernian Academy à Dublin (2011, dans le cadre du festival Dublin Contemporary). Les œuvres de l'artiste sont présentes dans plusieurs collections muséales, dont l'Art Institute de Chicago, le Hammer Museum à Los Angeles, le Hirshhorn Museum and Sculpture Garden à Washington, D.C., l'Institute of Contemporary Art de Boston, le Long Museum à Shanghai, le Metropolitan Museum of Art à New York, le Museum of Contemporary Art de Los Angeles, le Museum of Modern Art de New York, le Philadelphia Museum of Art, le Rubell Museum à Miami, le Museum of Modern Art de San Francisco, l'Art Museum de Seattle, le Walker Art Center de Minneapolis et le Whitney Museum of American Art à New York. Penser le Présent est réalisé avec le soutien de Société Générale. Amphithéâtre d'honneurMercredi 7 juin 2023 Crédit photo : Lisa Yuskavage © EJ Camp – Courtesy de l'artiste et David Zwirner

Debra Rapoport, a native New Yorker, has been curating her outfits from handmade elements since she was a girl.  Starring in Advanced Style the film and featured in three Advanced Style books, Debra is a creative force of non-traditional materials and reuse.  Her clothing and accessories are designed to be worn and displayed... and she work IS displayed in many museums. This is what the Museum of Arts and Design in NYC published about her: Debra Rapoport is a visual artist working with nontraditional and repurposed materials to create clothing and accessories that she wears with great panache. Her flamboyant embellishments and hats start with A/B/C: Assembling, Building, and Constructing for the body, incorporating color, texture, and layering. Embracing the idea that frugality is fun, she constantly re-invents and curates her closet without being a conspicuous consumer. Rapaport's work is in the collections of the Metropolitan Museum of Art (New York, NY), Museum of Arts and Design (New York, NY), LA County Museum of Art (Los Angeles, CA), Museum of Fine Arts (Houston, TX), Philadelphia Museum of Art (Philadelphia, PA), Ilias Lalaounis Jewelry Museum (Athens, Greece) and the Hermitage Museum (St. Petersburg, Russia) and the Helen Williams Drutt Collection.

Florian Reinhardt ist Künstler, auch wenn er sich selber diese Beschreibung nicht geben würde. Und doch hängen seine Bilder auf der ART New York, der ART Miami und in den Gallerien von Rudolf Budja. Florians Bilder sind über zwei Jahrzehnte entstandene, vordergründig beiläufige Schnappschüsse des Entfluchtungszeichens EXIT. Rudolf Budja hat diese kuratiert und kontextualisiert. Ein Gespräch über die Bedeutung von Details, die Notwendigkeit von Kreativität als impulsive Reaktion, über Freiheit, Flughäfen und eine tiefgreifende Philosophie, erwachsen aus etwas so banalem wie einem Brandschutzzeichen. „Wenn's brennt, da geht's raus.“ ~ EXIT LINKS ZUR FOLGE: https://exit.art https://www.instagram.com/exit.art.official https://www.instagram.com/rudolfbudja https://www.hatjecantz.de/florian-reinhardt-8031-0.html PODCAST - WEBSITE: http://skeleton-crew.de/na SOCIAL MEDIA: https://www.instagram.com/podcast_na/ https://www.facebook.com/natuerlicheausrede STEADY SUPPORT: https://steadyhq.com/de/napodcast 5G NEWSLETTER: https://napodcast.substack.com/welcom

This episode is also available as a blog post: https://thecitylife.org/2022/07/06/nycedc-and-dohmh-break-ground-on-state-of-the-art-new-york-city-public-health-laboratory/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Wendy Red Star discuss how making work that is meaningful, informative, and healing is not the same as making work that has to explain everything to the audience, especially when there may be expectations that you are a representative of a larger group of people. Wendy and Sasha also talk about the excitement of creating her first monograph, Delegation published by Aperture. https://www.wendyredstar.com https://aperture.org/books/wendy-red-star-delegation/ Paris Photo/Aperture Foundation PhotoBook Awards Entry Initiated in November 2012 by Aperture Foundation and Paris Photo, the Paris Photo–Aperture Foundation PhotoBook Awards celebrate the photobook's contribution to the evolving narrative of photography, with three major categories: First PhotoBook, PhotoBook of the Year, and Photography Catalogue of the Year. https://aperture.org/calls-for-entry/photobook-awards/ Wendy Red Star lives and works in Portland, OR. Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art (New York, NY), Brooklyn Museum (Brooklyn, NY), both of which have her works in their permanent collections; Fondation Cartier pour l'Art Contemporain (Paris, France), Domaine de Kerguéhennec (Bignan, France), Portland Art Museum (Portland, OR), Hood Art Museum (Hanover, NH), St. Louis Art Museum (St. Louis, MO), Minneapolis Institute of Art (Minneapolis, MN), the Frost Art Museum (Miami, FL), among others. Her work is in the permanent collections of the Museum of Modern Art (New York, NY), the Metropolitan Museum of Art (New York, NY), the Whitney Museum of American Art (New York, NY), the Amon Carter Museum of American Art (Fort Worth, TX), the Denver Art Museum (Denver, CO), the Ruth and Elmer Wellin Museum of Art at Hamilton College (Clinton, NY), the Baltimore Museum of Art (Baltimore, MD), the Fralin Museum of Art at the University of Virginia (Charlottesville, VA), the Nasher Museum of Art at Duke University (Durham, NC), the Birmingham Museum of Art (Birmingham, AL), the Williams College Museum of Art (Williamstown, MA), the Memorial Art Gallery of the University of Rochester (Rochester, NY), and the British Museum (London, UK), among others. She served a visiting lecturer at institutions including Yale University (New Haven, CT), the Figge Art Museum (Davenport, IA), the Banff Centre (Banff, Canada), National Gallery of Victoria in Melbourne (Melbourne, Australia), Dartmouth College (Hanover, NH), CalArts (Valencia, CA), Flagler College (St. Augustine, FL), and I.D.E.A. Space in Colorado Springs (Colorado Springs, CO). In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. Her first career survey exhibition “Wendy Red Star: A Scratch on the Earth” was on view at the Newark Museum in Newark, New Jersey through May 2019, concurrently with her first New York solo gallery exhibition at Sargent's Daughters. Red Star is currently exhibiting at the Museum of Contemporary Art Chicago (Chicago, IL), The Broad (Los Angeles, CA), Santa Cruz Museum of Art & History (Santa Cruz, NM), The Drawing Center (New York, NY), The Rockwell Museum (Corning, NY), amongst others. Her new solo exhibition American Progress is on view at the Anderson Collection at Stanford University (Stanford, CA) through August 2022. Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She is represented by Sargent's Daughters. Find out more at https://photowork.pinecast.co

With vocal impressions of famous Black historical leaders and the fusion of history, spoken word and hip-hop, author, scholar and orator Maurice Miles Martinez (MC Brotha Miles) speaks about African Art at the Metropolitan Museum of Art in New York City. He concludes with a powerful poem. --- Support this podcast: https://anchor.fm/maurice-miles-martinez/support

Artist Judy Cotton talks to Cheryl Akle about art, Tokyo and New York, and how she deals with the constant longing for Australia. Her memoir, Swimming Home, is out now. See acast.com/privacy for privacy and opt-out information.

Brad Kahlhamer's (b. 1956 Tucson, AZ) art lives at the crossroads of real and imaginary worlds. Born to Native parents and adopted by a German-American family, he was raised in Arizona and Wisconsin and spent his early adulthood as a musician living on the road before settling in New York City. Shaped by this nomadic history, Kahlhamer's work explores the particularities of the American landscape: the desert ecology of the Southwest, the parks and waterways of the upper Midwest, and the gritty streets of the urban Northeast—often fusing references to multiple regions within a single work of art. Similarly, Kahlhamer draws from a broad array of artistic sources, from Native American aesthetics and Abstract Expressionism, to graffiti and popular culture. Even his references to Native culture cut across tribal traditions, as Kahlhamer views himself and his art as “tribally ambiguous.” Kahlhamer's art explores notions of cultural hybridity and the experience of navigating multiple communities, as well as the representation and appropriation of Native culture. Kahlhamer lives and works in New York City and Mesa, Arizona. His work has been included in national and international group exhibitions, at institutions including the Madison Museum of Contemporary Art, the Aspen Art Museum, the Nelson-Atkins Museum of Art (Kansas City), and the Metropolitan Museum of Art (New York). His work has recently been shown in solo exhibitions at the Joslyn Museum, Omaha; Zidoun-Bossuyt Gallery, Luxembourg; Jack Shainman Gallery, New York; Aldrich Contemporary Art Museum, Ridgefield, Connecticut; and Andréhn-Schiptjenko Gallery, Stockholm, Sweden. Swap Meet at Scottsdale Contemporary Art Museum https://smoca.org/exhibition/brad-kahlhamer-swap-meet/ Brad Kahlhamer: 11:59 to Tuscon at the Tuscan Museum of Art https://www.tucsonmuseumofart.org/exhibition/brad-kahlhamer-1159-to-tucson/ Brad Kahlhamer: Fort Gotham USA at Garth Greenan Gallery https://www.garthgreenan.com/artists/brad-kahlhamer Brad Kahlhamer: A Nation of One at Plains Art Museum (2019) https://plainsart.org/exhibitions/brad-kahlhamer/

On this episode of Unruly Figures, I'm covering Jean-Michel Basquiat. He's remembered as one of the greatest artists of the 20th century, but also for dying suddenly at just 27-years-old. He was the first artist to make the jump from street art to fine art, and he paved the way for a whole new way of looking at and appreciating fine art. The Art New York interview I mention in the episode can be watched here: https://www.youtube.com/watch?v=Z2ytkFDzdbk&ab_channel=PaulTschinkel As always, you can get ad-free versions of the episode, and much much more on the Unruly Figures Substack: http://unrulyfigures.substack.com That's always where you can find transcripts of each episode, photos of each episode's subject, and behind-the-scenes goodies. So come join us! --- Send in a voice message: https://podcasters.spotify.com/pod/show/unruly-figures/message Support this podcast: https://podcasters.spotify.com/pod/show/unruly-figures/support

Before joining Creative Capital as President and Executive Director, Christine Kuan was CEO/Director of Sotheby's Institute of Art-New York. With twenty years of experience in both nonprofit and commercial sectors of the art world, Kuan has expertise in art education, museums, and digital strategy across cultural institutions and the art market. She was formerly Chief Curator and Director of Strategic Partnerships at Artsy, where she oversaw the organization's museum and institutional partnerships, digital collection strategy, open access policy, educational initiatives, and auctions. Prior to Artsy, Kuan was Chief Curatorial Officer and Vice President of External Affairs at Artstor, a nonprofit image library founded by The Andrew W. Mellon Foundation, and Editor-in-Chief of Oxford Art Online/Grove Art Online at Oxford University Press, where she significantly expanded access to scholarly information on women artists and artists of color. Kuan has also worked at The Metropolitan Museum of Art, and has taught at the University of Iowa, Peking University, Rutgers University, and Stanford University's pilot program of Arts Leadership. Kuan holds an MFA in Creative Writing Poetry from the University of Iowa Writers' Workshop, and a BA in Art History and English Literature from Rutgers University. Kuan serves on the History of Collecting Advisory Committee at the Frick Collection in New York and the Steering Committee of The Brooklyn Rail. The Jumpsuit Project by Sherrill Roland. Photo credit: Christian Carter Ross. Roland wears an orange prison jumpsuit and stands in front of the Capitol Building in Washington DC. Descent (Flying) by Alice Sheppard and Laurel Lawson of the ensemble Kinetic Light. Photo credit: Jay Newman/ MANCC. Sheppard and Lawson perform in wheelchairs on stage. Sheppard is on her back with Lawson balancing on her raised legs and wheels. On her belly, Lawson lifts her own wheels and arms towards the air.

I get lost in the Metropolitan Museum and Central Park. I also tell the story of artist Louise Nevelson.Support the show (https://www.patreon.com/touristintown)

这期请来了青年画家王敬宜来聊一聊绘画这个话题，节目里聊了很多影响敬宜绘画作品风格的艺术家们并对这些艺术家和其风格做了科普，比如克劳德·莫奈，安迪·沃霍尔，雷尼·马格利特， 和安东尼奥·高迪。敬宜为我们放上了文字和图片的详细描述，感兴趣的朋友千万不要错过。「关于嘉宾」王敬宜， 青年画家。2013年毕业于中央美术学院油画系，2016年毕业于纽约艺术学院，其作品曾展览于（Art New York) 艺术博览会, 纽约苏富比拍卖行，Time Arts画廊等艺术机构。并在纽约举办过3次个人展览。受到多家艺术媒体的关注及报道。现在生活和工作在纽约。「联系我们」微博「ARTsOUT艺术出圈」公众号「ARTsOUT艺术出圈」即刻「ARTsOUT-Lingzi」欢迎加入我们的听友群，添加微信号artsout_official 即可入群商业合作：artsoutofficial@gmail.com欢迎支持我们的创作，爱发电：https://afdian.net/@artsout「节目章节」00:00:18 嘉宾介绍00:01:29 绘画的启蒙00:02:45 莫奈以及印象派00:04:41 印象派对嘉宾的影响00:08:15 超现实主义绘画00:13:24 安迪沃霍与波普艺术00:20:22 建筑师高迪对绘画的灵感启发00:22:08 自然元素对嘉宾创作风格的影响「音乐侵删」ED｜Sunset Rollercoaster- My JinjiBGM｜Bach Prelude & Fugue 1 C Major BWV 846 Bach Prelude & Fugue 4 C Sharp Minor

这期请来了青年画家王敬宜来聊一聊绘画这个话题，节目里聊了很多影响敬宜绘画作品风格的艺术家们并对这些艺术家和其风格做了科普，比如克劳德·莫奈，安迪·沃霍尔，雷尼·马格利特， 和安东尼奥·高迪。敬宜为我们放上了文字和图片的详细描述，感兴趣的朋友千万不要错过。「关于嘉宾」王敬宜， 青年画家。2013年毕业于中央美术学院油画系，2016年毕业于纽约艺术学院，其作品曾展览于（Art New York) 艺术博览会, 纽约苏富比拍卖行，Time Arts画廊等艺术机构。并在纽约举办过3次个人展览。受到多家艺术媒体的关注及报道。现在生活和工作在纽约。「联系我们」微博「ARTsOUT艺术出圈」公众号「ARTsOUT艺术出圈」即刻「ARTsOUT-Lingzi」欢迎加入我们的听友群，添加微信号artsout_official 即可入群商业合作：artsoutofficial@gmail.com欢迎支持我们的创作，爱发电：https://afdian.net/@artsout「节目章节」00:00:18 嘉宾介绍00:01:29 绘画的启蒙00:02:45 莫奈以及印象派00:04:41 印象派对嘉宾的影响00:08:15 超现实主义绘画00:13:24 安迪沃霍与波普艺术00:20:22 建筑师高迪对绘画的灵感启发00:22:08 自然元素对嘉宾创作风格的影响「音乐侵删」ED｜Sunset Rollercoaster- My JinjiBGM｜Bach Prelude & Fugue 1 C Major BWV 846 Bach Prelude & Fugue 4 C Sharp Minor

这期请来了青年画家王敬宜来聊一聊绘画这个话题，节目里聊了很多影响敬宜绘画作品风格的艺术家们并对这些艺术家和其风格做了科普，比如克劳德·莫奈，安迪·沃霍尔，雷尼·马格利特， 和安东尼奥·高迪。敬宜为我们放上了文字和图片的详细描述，感兴趣的朋友千万不要错过。节目信息主播｜苏凌子 嘉宾｜王敬宜 ED｜Sunset Rollercoaster- My JinjiBGM｜Bach Prelude & Fugue 1 C Major BWV 846 Bach Prelude & Fugue 4 C Sharp Minor关于嘉宾王敬宜， 青年画家。2013年毕业于中央美术学院油画系，2016年毕业于纽约艺术学院，其作品曾展览于（Art New York) 艺术博览会, 纽约苏富比拍卖行，Time Arts画廊等艺术机构。并在纽约举办过3次个人展览。受到多家艺术媒体的关注及报道。现在生活和工作在纽约。节目章节00:00:18 嘉宾介绍00:01:29 绘画的启蒙00:02:45 莫奈以及印象派00:04:41 印象派对嘉宾的影响00:08:15 超现实主义绘画00:13:24 安迪沃霍与波普艺术00:20:22 建筑师高迪对绘画的灵感启发00:22:08 自然元素对嘉宾创作风格的影响大家有什么感兴趣的话题或者有任何疑问，也欢迎给我们留言。感谢你们的支持。

Like them or loathe them, social media platforms now play a prominent role in the art world – whether as marketing tools for businesses, museums and artists, playgrounds for self-promotion, or forums for the dissemination of images and debate. But how far do social media, and particularly Instagram, inform how the art market operates? Have they disrupted traditional sales methods or diversified business opportunities in this sector? And what effect have they had on the behaviour of art world professionals, in terms of decision-making or interpersonal relations? These are among the topics addressed by Paul Melton in a new Apollo sponsored by Sotheby's Institute of Art. Melton is a member of the faculty at Sotheby's Institute of Art New York, and an expert in strategy and communications in the culture sector. In the podcast, he argues that the art market's infatuation with Instagram brings it closer to financial markets, in terms of how value is assigned in an economy in which attention has increasingly become an asset in its own right. Be sure to share this podcast with your followers! Hosted by Thomas Marks

On hand in Miami from the stellar firm ICRAVE in NY, two designers make a quick drive-by visit before their flight back to NY. Their new project is going up near the BASS Museum on Miami Beach. Listen in on how hanging with friends can lead to a super successful career, about selecting artwork and baking designer cupcakes.

In this week’s episode, Wyndham, Jeremy, and Christian return to the Metropolitan Museum of Art (New York’s premier podcasting venue). This time, we’re joined by two rockstar guests to discuss the evolution of propaganda in the modern world. Josh Lieb is a writer and producer on shows that include The Simpsons, NewsRadio, Silicon Valley, and the Tonight Show. He has won seven Emmys as Executive Producer of the Daily Show with Jon Stewart, his work has appeared in the New York Times and the New Yorker, and he is the best-selling author of two novels for young adults, including I Am A Genius of Unspeakable Evil and I Want to Be Your Class President. E.V. Day is an acclaimed visual artist whose work has been featured in The Whitney Museum, The Museum of Modern Art, the SF Museum of Modern Art, the Brooklyn Museum, and just about every other reputable art museum on the planet. Her work explores the themes of sexuality and humor while employing gravity-defying suspension techniques. She was recently awarded the prestigious Rome Prize for Visual Arts by the American Academy in Rome.

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We kicked off this week's show getting a call from Israeli Guy. We spent a lot of time talking about the giant disaster that was the Fyre Festival. A Livecast fan shared a very interesting story about Chuck Berry which led us to go on a rant for a second week in a row about his infamous sex tape. Rob played some of his interview with Fronz from Attila and we discussed if we wanted to live like porn stars or fuck like them. At the end of the show, we welcomed legendary bassist Jason Newsted (Metallica, Flotsam and Jetsam, Voivod) to discuss his art being on display at an upcoming exhibit in NYC, at Art New York, which takes over Pier 94 in New York City beginning May 3 to 7, 2017. We talked to Jason about the show, how he got into visual art, Metallica's performance at the GRAMMYs with Lady Gaga, and some discussion about finances. As always, we'd love to hear your feedback on the episode, whether by leaving a comment below, on our Facebook, Twitter, emailing hatemail@metalinjection.net or leaving a voicemail by either Skyping "metalinjectionlivecast" or using the Speakpipe widget below. Please help support the show and pick up a brand new t-shirt. Click below for all the choices: Listen to the Metal Injection Livecast on Stitcher, Google Play or on iTunes (please leave a rating/review as well). Also, make sure to follow us on Facebook, Twitter and Youtube. Join us live on our new day, next Tuesday, starting at 7pm Eastern (4PM Pacific Time) and going until 9PM eastern time for an all new edition of the Livecast.  Leave a voicemail You can leave a voicemail by Skyping "metalinjectionlivecast" -or-

Abolala Soudavar completed his university education at the Ecole Polytechnique, Paris (1963-67), Stanford University (1967-68) and the Ecole des Hautes Etudes Pratiques, Paris (1980-81). As a businessman he was involved in Iran from 1969 to 1982, when he moved to the USA and established Mirak Inc. He was Assistant Professor of Mathematics at Tehran University from 1970 to 1977. He is/was a member of the Visiting Committee for Islamic Art, Metropolitan Museum of Art - New York (since 1983), of the Board of Trustees of the Museum of Fine Arts, Houston (1978 to 1994), Centre for Middle Eastern Studies, University of Chicago - Visiting Committee - (1995-7), Arthur M Sackler Gallery- Visiting Committee, Smithsonian Institution (1995-2003), Harvard University Museums-Collection Committee (1997- present). His publications include Art of the Persian Courts (1992), The Aura of Kings: Legitimacy and Devine Sanction in Iranian Kingship (2003),Decoding Old Masters: Patrons, Painters, and Enigmatic Paintings of the 15th Century (2008), Mithraic Societies: From Brotherhood to Religion’s Adversary” (2014)

Mary Rozell discusses the UBS Art Collection which holds 30,000 works of art in the bank's offices around the world. Rozell's team curates and conserves the art it owns and acquires on the primary market additional works from artists and dealers around the world. In this podcast, Rozell discusses the unique nature of UBS's art collection and her thoughts on guiding it into the future. Mary Rozell has been an advisor to collectors, artists and estates on legal and strategic issues relating to the acquisition, management and deaccessioning of private art collections. An art lawyer with a master’s degree in modern art from The Courtauld, she was until recently the Director of Art Business at Sotheby’s Institute of Art – New York. Rozell has also served as the director and/or consultant to several major private art collections, as well as Managing Director of the Swiss Institute – Contemporary Art in New York and Curator/Director of the European Studio Programme for the ACC Galerie in the city of Weimar, Germany. While living in Berlin for almost a decade, Rozell was also the German correspondent for The Art Newspaper, a curator of contemporary art and a consultant to galleries and Villa Grisebach Auctions. She has written and lectured extensively about Berlin’s emerging art scene and architectural landscape, and is the author of numerous journal articles, catalogue essays and translations.

In this audio podcast, produced in conjunction with the rare loan of Vermeer's Woman with a Lute, c. 1662-63, from Metropolitan Museum of Art, New York, Chief Curator Carol Togneri interviews the Met's Curator of European Paintings Walter Liedtke. A noted scholar of Dutch art, Liedtke discusses the enigmatic painting and its iconography, Vermeer's unique creative techniques, and why the artist's few remaining paintings are so popular today, more than 300 years since the artist's death.