Podcast appearances and mentions of edward teach

Join us for a few tales of famous pirates who haven't left us yet.Jean Lafitte, Black Beard aka Edward Teach to name a few. Jeff and I have been to Jean Lafitte's blacksmith shop in New Orleans. Yes, the original building is still standing after many a hurricane. His headquarters were near where I grew up. Of course, tales of buried treasure.Cocktail: Nut Blaster- ginger ale, Everclear, amoretta. Almost like a cream soda but dangerous

Join us for a few tales of famous pirates who haven't left us yet.Jean Lafitte, Black Beard aka Edward Teach to name a few. Jeff and I have been to Jean Lafitte's blacksmith shop in New Orleans. Yes, the original building is still standing after many a hurricane. His headquarters were near where I grew up. Of course, tales of buried treasure.Cocktail: Nut Blaster- ginger ale, Everclear, amoretta. Almost like a cream soda but dangerous

Avast, ye scurvy deck rats! Today we're talking about the most piratey pirate that ever did pirate, Blackbeard Edward Teach himself! Though in all honesty he really wasn't like the mythical portrayals of him. He was pretty tame as far as pirates go, and he didn't do it for very long. Still, hell of a life packed into those few years. And he went out like a man, gave his story a pretty epic ending. So dig the real story on this bearded badass, and enjoy!

Au XVII? siècle, les Caraïbes sont infestées de pirates. Henry Morgan, ancien flibustier passé au service de la Couronne anglaise, est chargé de rétablir l'ordre en mer. Dans le film de Raoul Walsh de 1952, Morgan se retrouve opposé à son ennemi juré, Edward Teach, alias Barbe Noire. Avec son intrigue rocambolesque, truffée d'anachronismes, Walsh signe, grâce à son interprète Robert Newton, un film d'aventure mémorable qui fige Barbe Noire comme l'archétype du pirate. À tel point qu'aujourd'hui, cette version hollywoodienne a éclipsé la réalité historique dans l'imaginaire collectif. Pour démêler les fils de cette représentation, le cinéaste Andreas Fontana a rencontré Vincent Fontana, historien et directeur du musée d'histoire d'Yverdon. Vincent Fontana, historien et directeur du Musée régional d'Yverdon.

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

“B” is for Blackbeard (d. 1718). Pirate. Most commonly known today as Edward Teach, Blackbeard surfaced in Jamaica in mid-1717. In eighteen months he carved an extraordinarily successful career as a pirate, creating an indelible image of “the fiercest pirate of them all” and making him a global icon.

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find the Pirates of the Caribbean: At World's End review here: https://www.podomatic.com/podcasts/maverick51411/episodes/2025-11-05T04_00_00-08_00 The review of Pirates of the Caribbean: On Stranger Tides delves into a critical analysis of character development in a film, highlighting how certain characters are perceived as inferior versions of their predecessors. The discussion emphasizes the lack of originality and depth in the new characters compared to the established ones, leading to a weaker narrative overall.----------Highlights:0:00 'Pirates of the Caribbean: On Stranger Tides' Introduction4:08 Opening Scene8:52 Jack Sparrow20:38 Themes & Messages28:15 Blackbeard & The Mermaids41:03 Angelica48:36 Lasting Impact#pirates #piratesofthecaribbean #piratesofthecaribbean5 #onstrangertides #jacksparrow #blackbeard #edwardteach #alostplot #film #filmthoughts #johnnydepp #characterarc #characterdevelopment #review #podcast 

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find the Pirates of the Caribbean: At World's End review here: https://www.podomatic.com/podcasts/maverick51411/episodes/2025-11-05T04_00_00-08_00 The review of Pirates of the Caribbean: On Stranger Tides delves into a critical analysis of character development in a film, highlighting how certain characters are perceived as inferior versions of their predecessors. The discussion emphasizes the lack of originality and depth in the new characters compared to the established ones, leading to a weaker narrative overall.----------Highlights:0:00 'Pirates of the Caribbean: On Stranger Tides' Introduction4:08 Opening Scene8:52 Jack Sparrow20:38 Themes & Messages28:15 Blackbeard & The Mermaids41:03 Angelica48:36 Lasting Impact#pirates #piratesofthecaribbean #piratesofthecaribbean5 #onstrangertides #jacksparrow #blackbeard #edwardteach #alostplot #film #filmthoughts #johnnydepp #characterarc #characterdevelopment #review #podcast 

El 22 de noviembre de 1718 falleció el famoso pirata inglés Edward Teach, más conocido como Barba Negra.

Music from: Hawke, Blackmore's Night, Water Street Bridge, Siler and Clarc, 3 Pints Gone, Rowan, Barleyjuice, Langer's Ball, The Pride of Ireland, Waking Guild, Hob the Troll, Far From Home, Boogie Knights, Pandora Celtica , Quarter Master Band, Marooned, Jenneth Tollin, Cantiga, Dregs, Withe & Stone, Alestorm, Majestic Reign   VISIT OUR SPONSORS Bawdy Podcast https://renfestbawdypodcast.libsyn.com/ Happy To Be Coloring Pages https://happytobecoloring.justonemore.website RESCU https://RESCU.org The 23 Patrons of the Podcast https://www.patreon.com/RenFestPodcast The Ren List http://www.therenlist.com   SONGS Song 01: Dark Lady [08] by Hawke from Out of the Nest www.BedlamBards.com Song 02: Dance of the Darkness by Blackmore's Night from Autumn Sky www.blackmoresnight.com Song 03: Witch Of Colibri by Water Street Bridge from Danse Macabre www.facebook.com/WaterStreetBridge/ Song 04: Finnegan's Wake [18] by Siler and Clarc from A Little Longer Song 05: Mingulay Boat Song [02] by 3 Pints Gone from It's About Bloody Time www.facebook.com/3PintsGone/ Song 06: Ar Sorserez (La Sorciere), Muneira De Chantada by Rowan from Tales Through Time[01] Song 07: Juice of the Barley [02] by Barleyjuice from One Shilling www.barleyjuice.com Song 08: Bottom of the Bottle by Langer's Ball from Hold Tight www.TheLangersBall.com Song 09: Witch of the Westmorland [04] by The Pride of Ireland from Water, Hops, and Grains www.theprideofireland.com/ Song 10: Death By Goat by Waking Guild from In the House of the Goat Song 11: How To Dance For When I'm Dead by Hob the Troll from Stop Making Songs www.hobthetroll.com Song 12: Witch's Reel by Far From Home from Why Not www.facebook.com/WeRFarFromHome/ Song 13: Put a Wooden Stake Through His Heart by Boogie Knights from Oh, The Horror! www.sites.google.com/site/boogieknightsmd/ Song 14: Isn't It Grand [06] by Pandora Celtica from Dog Party (In The Key Of Swinging Cats www.pandoraceltica.com Song 15: The Dance Of Death by Quarter Master Band from Quarter Master www.facebook.com/QuarterMasterBand/ Song 16: Fair Maiden's Ghost by Marooned from Better Than Live www.marooned.us Song 17: Witches Dance by Jenneth Tollin from The Bardic Wyrd www.youtube.com/playlist?list=OLAK5uy_k-P7A6YetaThhJ-0wlYUSQ10LQAo4Ik4I Song 18: Spooky Medley [01] by Cantiga from The Otter's Pool www.cantigamusic.com/ Song 19: Bawk Bawk Brains by Dregs from Angelina Farewell Concert www.the-dregs.net Song 20: Punkie Night by Withe & Stone from Holiday Traditions www.witheandstone.com Song 21: No Grave But The Sea by Alestorm from No Grave But The Sea www.alestorm.net/ Song 22: Ghost of Edward Teach [01] by Majestic Reign from Renaissance Steel www.matthughesmusic.com Song 23: The Witch Story by Side Tracked from Extraordinary Song 24: Skeleton Crew by Capt'n Black's Sea Dogs from Tales of the Black Dog www.facebook.com/seadogsmusic/   HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com   OTHER CREDITS Thee Bawdy Verson https://renfestbawdypodcast.libsyn.com/ The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/   HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Today on Murderhobos, Edward Teach, alias Blackbeard. Possibly the most famous pirate in history. Know primarily for his beard and his reputation for brutality and violence, he is in every way the pop culture exemplar of the golden age of piracy  But his real life and violent death are a fascinating case study for the reality of piracy, shipboard life, and class conflict in the early decades of the 18th century. Submit questions to murderhobospodcast@gmail.com or on our Patreon discord by November 4th 2025. We'll be hosting a year-end Q&A for all of our pirate episodes too - please submit questions for that by December 16th. Subscribe to the show on Patreon: bit.ly/murderhobospatreon. Donate to the show at bit.ly/donatetomurderhobos.

As a boy, I loved reading stories about pirates. How those adventures spurred my imagination! Now I live in an area where one of the most infamous of those pirates—Blackbeard (real name: Edward Teach)—had his headquarters. Shipwrecked in the waters off the coast here is Blackbeard’s ship, the Queen Anne’s Revenge. We can easily romanticize the wrecks and the high-sea adventures of history. The apostle Paul, however, wrote about a very different kind of shipwreck that provides us with a caution and an exhortation. In his first letter to Timothy, Paul warned his son in the faith to “[hold] on to faith and a good conscience, which some have rejected and so have suffered shipwreck with regard to the faith” (1 Timothy 1:19). What is this “shipwreck”? Two men, Hymenaeus and Alexander, had in some devastating way departed from the true faith, and the apostle turned them over to Satan “to be taught not to blaspheme” (v. 20). Paul desired them to repent, but the consequences of their actions were dire. Our faith isn’t static, nor can it exist in a vacuum. We must actively nurture and cultivate our relationship with God to grow strong and healthy in faith and good conscience. May we join with other believers, yield to God’s Spirit, and allow Him to work in us. We can avoid shipwreck.

Se la tua crush è una di quelle che romanticizza i pirati con eyeliner come Johnny Depp, falle un favore: toglile il rum di mano e raccontale di Edward Teach, meglio noto come Barbanera. Uno che, prima ancora di sparare, capì una cosa che oggi insegnano nei master di comunicazione aziendale: l'immagine è tutto.See omnystudio.com/listener for privacy information.

Music from: Captain Black Jack Murphy, Howl-O, Phoenyx, Gibbon the Troubador, Crimson Pirates, Dregs, Barleyjuice, 3 Pints Gone, The Jolly Rogers, The Dread Crew of Oddwood, The Bilge Pumps, Boom Pirates, Off Keel, Pyrates Royale, Bell Book & Canto, Library Bards, Wakefire, Voltaire, Water Street Bridge, Rum Runners, Rambling Sailors, Hawke VISIT OUR SPONSORS Happy To Be Coloring Pages https://happytobecoloring.justonemore.website RESCU https://RESCU.org The 23 Patrons of the Podcast https://www.patreon.com/RenFestPodcast The Ren List http://www.therenlist.com SONGS Song 01: PSA - Talk Like A Pirate Day by Captain Black Jack Murphy from Pogue Mahone Means Kiss My Arse www.irishsong.net/ Song 02: My Buccaneer Skullduggery by Howl-O from Where Legend Remains Song 03: Yo Ho by Phoenyx from Keepers of the Flame https://www.prometheus-music.com/product/keepers/ Song 04: Madman At the Helm by Gibbon the Troubador from Ode of the Troubadour www.gibbonthetroubadour.net/about Song 05: Drunken Sailor [05] by Crimson Pirates from Crimson Pirates www.crimsonpirates.com/ Song 06: Pirate Chantey by Dregs from Dregnado www.the-dregs.net Song 07: Juice of the Barley [02] by Barleyjuice from One Shilling www.barleyjuice.com Song 08: Mingulay Boat Song [02] by 3 Pints Gone from It's About Bloody Time www.facebook.com/3PintsGone/ Song 09: Haul Away to Botany Bay by The Jolly Rogers from Cutlass Cannon and Curves www.jollyrogerskc.com Song 10: Humours of Oddwood Isle by The Dread Crew of Oddwood from Lawful Evil www.thedreadcrewofoddwood.com/ Song 11: The Coast Of High Barbary by The Bilge Pumps from Planned Piratehood www.thebilgepumps.com/ Song 12: Hornpipe by Boom Pirates from Prepare To Be Boarded www.facebook.com/boompirates/ Song 13: Ghost of Edward Teach [02] by Off Keel from Running At A Slant Song 14: Being A Pirate by Pyrates Royale from Black Jack www.pyrates.com/ Song 15: Captain Smith by Bell Book & Canto from High Seananigans www.bellbookandcanto.com Song 16: Buccaneer by Library Bards from Bardcore www.librarybards.com Song 17: Smuggler's Song [05] by Wakefire from Meaning of Life www.wakefiremusic.com/ Song 18: The Beast Of Pirate's Bay by Voltaire from To the Bottom Of The Sea www.voltaire.net Song 19: The Victory by Water Street Bridge from Oh Death www.facebook.com/WaterStreetBridge/ Song 20: The Pirate And the Ninja by Rum Runners from Got Rum? Song 21: Pirate's Life [03] by Rambling Sailors from Bright Shining Clear www.facebook.com/RamblingSailors Song 22: Dark Lady [08] by Hawke from Out of the Nest www.BedlamBards.com Song 23: Raise the Jolly Roger by Angus McHugh, Scottish Pirate from Pyrate's Cove www.matthughesmusic.com Song 24: The Derelict [12] by Pair of Pirates from Not Playing with a Full Deck www.pairofpirates.com   HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS Thee Bawdy Verson https://renfestbawdypodcast.libsyn.com/ The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Jack Cockrell's youthful exploits gain him the favor of a friendly pirate. But could this friendship cause him more evil than good? Ralph D. Paine, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   The Audiobook Library Card is the perfect solution if you can't get enough classic audiobooks. Unlimited downloads and streaming of the entire Classic Tales Library for $9.99 a month. Use the coupon code CLASSICTALES2 and save $3 on your first month. You can also subscribe yearly at the lower price, if you like. Go to audiobooklibrarycard.com or follow the link in the show notes.   The Audiobook Library Card is an all-you-can-listen smorgasbord of classics I've been building for the last 18 years. Many have won awards! Only about a quarter of the library has been on the podcast. And with the Audiobook Library Card, you gain access to everything.   So head on over to audiobooklibrarycard.com and start listening.   I was so excited when I found today's story. Ralph Delahaye Paine was a journalist and novelist who flourished in the early 1900s. He attracted the attention of William Randolph Hearst when he covered the Cuban War for Independence from 1895-98. He continued as a war correspondent until 1903, when he retired from journalism and focused on writing history and fiction.   Blackbeard: Buccaneer tells a tale of Edward Teach, the famous pirate known as Blackbeard. Paine uses fictional characters to weave the tale together, but the details around Blackbeard himself are pretty reliable.     And now, Blackbeard: Buccaneer, Part 1 of 8, by Ralph D. Paine   Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every other Tuesday!   This week we're talking Stede's spank book and the REAL book depicted inside it!   CW: You're butt cause you're gonna have to hold on to it!   Episode Mentions:  Never Left Pateron   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"  

Edward Teach, alias Barbe Noire, a écumé les Caraïbes et l'Atlantique au début du 18ème siècle. Connu pour son apparence redoutable et ses abordages spectaculaires, Barbe Noire est devenu une légende vivante de la piraterie. Embarquez avec ce pilleur de navires et hissez le pavillon noir du flibustier sanglant dont le mythe a traversé les siècles. Crédits : Lorànt Deutsch, Eric Lange Du lundi au vendredi de 15h à 15h30, Lorànt Deutsch vous révèle les secrets des personnages historiques les plus captivants !

November 22, 1718. Royal Navy Lieutenant Robert Maynard attacks and boards a pirate ship off the coast of North Carolina, killing the vessel's captain Edward Teach, better known as "Blackbeard". This episode originally aired in 2022.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, Josh Mills and Wayne McCarty discuss the life and legend of Black Beard the Pirate.  Black Beard, also known as Edward Teach, terrorized the coast of Florida during the early 1700s.  The boys also cover your favorite Florida man headlines and share some hilarious listener submitted emails.    Each week, the Florida Men on Florida Man podcast uses comedy to discuss legends, lore, and history from the craziest state in the union, Florida.  To learn more about the show, visit our website. www.fmofm.com

Join the Thomas Brothers on a spine-chilling Halloween episode of the Brothers Creed podcast, where they delve into eerie legends and tales from history. In this special episode, Ethan and Jared each narrate a theatrical spooky story, weaving in elements of mystery and suspense to captivate listeners. First, Ethan recounts the legend of the Pale Rider, a ghostly figure haunting the desolate town of Willow Bend. Experience the haunting atmosphere as Eli Kincaid encounters this monster on the New Mexico frontier. Next, Jared brings to life the notorious pirate Blackbeard in a thrilling tale of his final battle. Discover the chilling legend of Edward Teach and the supernatural aura that surrounded his life and death. In addition to these stories, the brothers discuss mysterious disappearances and the historical intrigue of seances, exploring the fine line between reality and legend. This episode promises to keep you on the edge of your seat as they unravel spooky mysteries and historical curiosities.

“B” is for Blackbeard (d. 1718). Pirate. Most commonly known today as Edward Teach, Blackbeard surfaced in Jamaica in mid-1717. In eighteen months he carved an extraordinarily successful career as a pirate, creating an indelible image of “the fiercest pirate of them all” and making him a global icon.

In honor of Talk Like a Pirate Day today we have Edward Teach, also known as Blackbeard. This year I'll have History, Mystery, Murder and Mayhem tours of both Cornelia and Clarkesville.  Clarkesville with more history and ghosts, Cornelia will be more moonshine and true crime!  All are $10 each (Cash, Card, Venmo, Cashapp), and happen every weekend from September 13 through November 3. Clarkesville:  Meet at the theater on Washington St Friday at 7:00 or Sunday at 5:30 Cornelia:  Meet at the train depot Saturday at 7:00   More information at: https://sites.google.com/view/clarkesvilletour  

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we are diving even deeper into birds!   CW: just if you aren't a fan of birds   Episode Mentions:  Never Left Pateron  The Rime of the Ancient Mariner The Albatross   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Darkness Syndicate members get the ad-free version plus all of the artwork created for the YouTube and podcast thumbnails. Click here for the Darkness Syndicate version of this episode: https://weirddarkness.tiny.us/638hax9cIN THIS EPISODE: You've heard of the gunfight at the O.K Corral – but that was just men vs men. To get really exciting you need true stories of gunfights between men and extraterrestrials! (Alien Gun Fights) * On Ocracoke Island is a small channel of water known as Teach's Hole, named after Edward Teach and where it is said he met his end – and his ghost still lingers. If Edward Teach doesn't sound familiar to you, it could be that you know him better as Blackbeard. (Blackbeard's Ghost) * First, I'll share five stories of real-life horrors, reported by men on the battlefield. Not about the horrors of war, but about the supernatural monsters they found within it. (Horrors In Battle, Monsters In War) *** Moving in with your in-laws is already stressful enough.  Now imagine that their home is haunted! (“My Haunted In-Laws Place”) *** We've all heard of haunted houses, haunted hospitals, haunted prisons or jails… but have you ever heard of a haunted submarine sandwich shop? (“We Deliver, We Cater, We Scare”) *** The history, hauntings, and horrors of America's worst factory fire. (“Death In The Triangle”) *** The horrifying story of Theresa Knorr who, in the 1980s, brutally murdered her two daughters—with the help of her sons. (“The Mother Who Burned Her Daughter Alive”) CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Title Story Tease and Show Open00:02:13.138 = Horrors In Battle, Monsters In War00:26:02.130 = Alien Gun Fights00:30:37.496 = Blackbeard's Ghost00:37:44.370 = Death In The Triangle: The History, Hauntings, and Horrors of America's Worst Factory Fire01:00:33.039 = We Deliver, We Cater01:02:12.392 = My Haunted In-Laws Place01:05:31.694 = The Mother Who Burned Her Daughter Alive01:13:51.395 = Show CloseSOURCES AND REFERENCES FROM THE EPISODE…
“Horrors in Battle, Monsters in War”: https://tinyurl.com/y7cqkz49“Alien Gun Fights” by Nick Redfern: https://tinyurl.com/y6tvrvgk“Blackbeard's Ghost”: https://tinyurl.com/y7m8h4v7“My Haunted In-Laws Place” by Anna Olinick, submitted to WeirdDarkness.com“We Deliver, We Cater, We Scare” by Ian White, submitted to WeirdDarkness.com“Death In The Triangle: The History, Hauntings, and Horrors Of America's Worst Factory Fire” by Troy Taylor and Rene Cruse from the book “And Hell Followed With It”: https://amzn.to/2I9MB2G“The Mother Who Burned Her Daughter Alive” by Dennis McDougal from his book, “Mother's Day”: https://amzn.to/2pGHCA4Weird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: March 18, 2019CUSTOM LANDING PAGE: https://weirddarkness.com/horrorsinbattlemonstersinwar/

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week is part 4 of us talking about small motifs   CW:    Episode Mentions:  Never Left Pateron     Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we're diving deep to talking about Birds!    CW: mostly talking about Birds!   Episode Mentions:  Never Left Pateron Karl and Livy by The Leatherbound Books   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Then Esther answered, “My wish and my request is: If I have found favor in the sight of the king, and if it please the king to grant my wish and fulfill my request, let the king and Haman come to the feast that I will prepare for them, and tomorrow I will do as the king has said.” - Esther 5:7-8   This Episode's Links and Timestamps: 00:00 – Scripture Reading 03:01 – Thoughts on the Reading 33:58 - Kamala Blasted After Unveiling ‘Soviet' Style Price Controls To Stop Inflation: ‘Kamalanomics' – Ryan Saavedra, DW 40:21 - Opinion  The times demand serious economic ideas. Harris supplies gimmicks. – Editorial Board, The Washington Post 1:03:46 - Trump just dropped a new ad on X about Kamala's price control plan and it is devastating – Edward Teach, NTB 1:09:08 - NEW: Kamala Harris vows to get food prices back to what they were before she came to the White House – Edward Teach, NTB 1:09:08 - I honestly can't believe WaPo ran this opinion piece – Cardinal Pritchard, NTB 1:13:14 - AllSides Issues Open Letter to Google on Misleading Harris Campaign Ads – AllSides Staff 1:19:27 - The times demand serious economic ideas. Harris supplies gimmicks. – AllSides.com 1:27:56 - There's Never Been a Better Time to Be a Man in America – Aaron M. Renn

VISIT OUR SPONSORS The Louisiana Renaissance Festival https://www.larf.org/ The Ren List http://www.therenlist.com/ Happy To Be Coloring Pages https://happytobecoloring.justonemore.website/ RESCU https://rescu.org/ The Patrons of the Podcast https://www.patreon.com/RenFestPodcast SONGS The Poison Dwarf[1] performed by Fiddler's Tales from the album Waddles From The Sea Ghost of Edward Teach[1] performed by Majestic Reign from the album Renaissance Steel www.matthughesmusic.com All Around My Hat[10] performed by Shillelagh from the album Evening Pint www.shillelaghtexas.bandcamp.com/?fbclid=IwAR3mjZjDyr_7D4rwb4FW3k_EOqm-FNtvzXXLyYDfdQHq5_gGAKN9zkoLFX8 Wild Mountain Thyme[25] performed by Kilted Kings from the album Name On My Soul www.kiltedkings.com Minstrel Boy,Rowan Tree,Wings performed by Men of Thunda from the album Men Of Thunda Katy Cruel[1] performed by Abby Green from the album Why Should I www.AbbyGreen.com Pictish Battle Song performed by Pandora Celtica  from the album Dog Party (In The Key Of Swinging Cats www.pandoraceltica.com Pirate Ship the Bounty performed by Angus McHugh, Scottish Pirate from the album Rebels Pirates and Cutthroats www.matthughesmusic.com The Old Churchyard performed by Bardy Pardy from the album Bardy Pardy (Self-Titled) www.bardypardy.com Shady Grove[1] performed by Music the Gathering from the album LVL 1 www.musicthegathering.com Hobart's Transformation performed by Burly Minstrels from the album Go Merrily www.jimhancock.com The Merry Sisters of Fate performed by Sarah Marie Mullen from the album The Wild Woods www.facebook.com/sarah.m.rua Round Dance- Le Bastringue,St Anne's Reel by Friends of Tradition from Dance! performed by Friends of Tradition from the album Dance! Give the Land Back to the Trolls performed by Joni Minstrel from the album Joni Minstrel and the Revolution Against Monarchs www.store.cdbaby.com/Artist/JoniMinstrel The Road to Santiago[1] performed by Heather Dale from the album The Road to Santiago www.heatherdale.com Gypsy Wine[1] performed by Green Man Clan from the album We Go to Elevenses www.facebook.com/GreenManClan Mary Mac[2] performed by Blame Not the Bard from the album Soundcheck www.blamenotthebard.com/ The King Of Ballyhooley performed by Chuckawalla Rhythm Kings from the album No Bedrolls Or Backpacks www.chuckawallark.com Jilli Barleycorn performed by Dragon of Wortley from the album Silver in the Coffer www.facebook.com/Dragon-of-Wortley-1461861304050060 The Wild Rover[3] performed by Bell Book & Canto from the album Poor Life Choices www.bellbookandcanto.com I'll Tell Me Ma[4] performed by Éiníní from the album Taking Flight www.einini.yolasite.com The Worst Old Ship performed by Jesse Ferguson from the album Sea Shanties and Whaling Ballads www.jessefergusonmusic.com Wait for Me performed by Capt'n Black's Sea Dogs from the album Tales of the Black Dog www.facebook.com/seadogsmusic A Health to the Company[2] performed by Court Revelers from the album Revelers On The Rocks www.facebook.com/pg/courtrevelers/ HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora https://www.pandora.com/podcast/renaissance-festival-podcast/PC:1139 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week is part 3 of us talking about motifs in OFMD. This episode largely focuses on death imagery, who decides who lives and who dies, living wage, and yielding vs acting   CW: death imagery   Episode Mentions:  Never Left Pateron   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week is part 2 of us talking about flowers!   CW:     Episode Mentions:  Never Left Pateron o   https://www.gardeningknowhow.com/ornamental/vines/bower-vine/growing-bower-vine-plant.htm o    https://greg.app/bower-vine-benefits/#:~:text=%F0%9F%92%96%20Symbol%20of%20Love%20and,tales%20of%20love%20and%20desire. o   https://tooheyforesteec.eq.edu.au/support-and-resources/research/bower-of-beauty o   https://www.picturethisai.com/language-flower/Pandorea_jasminoides.html o   https://www.collinsdictionary.com/us/dictionary/english/bower o   https://bloominghaus.com/news/flowers-that-symbolise-peace-and-why/#:~:text=As%20well%20as%20beautiful%20and,blossom%20symbolises%20rebirth%20and%20fertility. o   https://www.sophiefelts.com/sophiefeltsfloraldesign/2017/4/14/botanical-journal-apple-blossoms o   http://thebotanicalemporium.com/themeaningofflowers/thelanguageofflowers.html o   https://www.palosverdespulse.com/blog/2023/6/11/the-symbolism-of-butterflies-transcendence-and-transformation o   https://www.mindbodygreen.com/articles/butterfly-symbolism o   https://www.mindbodygreen.com/articles/while-butterfly-meaning o   https://en.wikipedia.org/wiki/Orange_blossom o   https://www.salondecire.com/post/vintage-wax-flower-bridal-veils#:~:text=The%20influence%20became%20so%20enmeshed,and%20language%20of%20its%20own. o   https://interfluency.wordpress.com/2015/02/14/my-better-half-the-interesting-way-spanish-expresses-this-concept/ o   https://www.lovingly.com/flower-meanings/solidago o   https://www.lovingly.com/flower-meanings/statice https://greg.app/statice-flowers/ o   https://www.barbadoscarolinas.org/stede-bonnet-gentleman-pirate o   https://www.uniguide.com/hibiscus-flower-meaning-symbolism o   https://en.wikipedia.org/wiki/Bougainvillea o   https://greg.app/bougainvillea-benefits/ o   https://blog.exoticflowers.com/blog-0/bougainvilleasymbolsim o   https://fiftyflowers.com/blogs/flowers/rose-color-meanings?return_to=%2Fblogs%2Fflowers%2Frose-color-meanings o   https://rosaholics.com/blogs/rosaholics-bloggers/white-roses-meaning-in-relationship o   https://www.bloomeroo.com.au/blogs/guide/tiger-lily-flower-meaning o   https://greg.app/climbing-asparagus-fern-benefits/#:~:text=In%20the%20realm%20of%20Feng,fostering%20tranquility%20in%20living%20spaces. o   https://gardenofedenflowershop.com/blogs/garden-of-eden/the-hidden-meaning-behind-the-gorgeous-clematis-bloom#:~:text=The%20clematis%20flowers%20symbolize%20the,walls%20as%20well%20as%20trellises. o   https://www.daleharvey.com/in-the-garden/articles-of-interest/LANGUAGE+OF+FLOWERS/Meaning+of+Flowers.html#C o   https://www.uniguide.com/clematis-flower-meaning-symbolism o   https://www.gardensbythebay.com.sg/en/learn-with-us/explore-resources/whats-blooming/ghosts-foot-trevesia-burckii.html o   https://naturalhistory-notes.blogspot.com/2010/11/ghosts-foot.html   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we're talking about more motifs in ofmd! We'll be talking about Beast, amazing and fascinating, this is happening, soft and weak, hadn't thought about it like that, what makes ed happy, that's that, handling this so well, and bottles.   Episode Mentions:  Never Left Pateron   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we're talking about flowers!   CW: none really   Episode Mentions:  Never Left Pateron o   https://www.gardeningknowhow.com/ornamental/vines/bower-vine/growing-bower-vine-plant.htm o    https://greg.app/bower-vine-benefits/#:~:text=%F0%9F%92%96%20Symbol%20of%20Love%20and,tales%20of%20love%20and%20desire. o   https://tooheyforesteec.eq.edu.au/support-and-resources/research/bower-of-beauty o   https://www.picturethisai.com/language-flower/Pandorea_jasminoides.html o   https://www.collinsdictionary.com/us/dictionary/english/bower o   https://bloominghaus.com/news/flowers-that-symbolise-peace-and-why/#:~:text=As%20well%20as%20beautiful%20and,blossom%20symbolises%20rebirth%20and%20fertility. o   https://www.sophiefelts.com/sophiefeltsfloraldesign/2017/4/14/botanical-journal-apple-blossoms o   http://thebotanicalemporium.com/themeaningofflowers/thelanguageofflowers.html o   https://www.palosverdespulse.com/blog/2023/6/11/the-symbolism-of-butterflies-transcendence-and-transformation o   https://www.mindbodygreen.com/articles/butterfly-symbolism o   https://www.mindbodygreen.com/articles/while-butterfly-meaning o   https://en.wikipedia.org/wiki/Orange_blossom o   https://www.salondecire.com/post/vintage-wax-flower-bridal-veils#:~:text=The%20influence%20became%20so%20enmeshed,and%20language%20of%20its%20own. o   https://interfluency.wordpress.com/2015/02/14/my-better-half-the-interesting-way-spanish-expresses-this-concept/ o   https://www.lovingly.com/flower-meanings/solidago o   https://www.lovingly.com/flower-meanings/statice https://greg.app/statice-flowers/ o   https://www.barbadoscarolinas.org/stede-bonnet-gentleman-pirate o   https://www.uniguide.com/hibiscus-flower-meaning-symbolism o   https://en.wikipedia.org/wiki/Bougainvillea o   https://greg.app/bougainvillea-benefits/ o   https://blog.exoticflowers.com/blog-0/bougainvilleasymbolsim o   https://fiftyflowers.com/blogs/flowers/rose-color-meanings?return_to=%2Fblogs%2Fflowers%2Frose-color-meanings o   https://rosaholics.com/blogs/rosaholics-bloggers/white-roses-meaning-in-relationship o   https://www.bloomeroo.com.au/blogs/guide/tiger-lily-flower-meaning o   https://greg.app/climbing-asparagus-fern-benefits/#:~:text=In%20the%20realm%20of%20Feng,fostering%20tranquility%20in%20living%20spaces. o   https://gardenofedenflowershop.com/blogs/garden-of-eden/the-hidden-meaning-behind-the-gorgeous-clematis-bloom#:~:text=The%20clematis%20flowers%20symbolize%20the,walls%20as%20well%20as%20trellises. o   https://www.daleharvey.com/in-the-garden/articles-of-interest/LANGUAGE+OF+FLOWERS/Meaning+of+Flowers.html#C o   https://www.uniguide.com/clematis-flower-meaning-symbolism o   https://www.gardensbythebay.com.sg/en/learn-with-us/explore-resources/whats-blooming/ghosts-foot-trevesia-burckii.html o   https://naturalhistory-notes.blogspot.com/2010/11/ghosts-foot.html Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week  we're talking to Father Teach himself, Damien Gerard!   Episode Mentions:  Never Left Pateron   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

A travers le hors-série « La grande histoire des mers », Le Vif L'express rend hommage à l'or bleu. Source de vie et d'émerveillement, les mers et océans sont aussi le théâtre des grandes aventures fondatrices du monde actuel. Explorations, conquêtes, commerces… leur domination a été un enjeu majeur dans les luttes que se sont livrées les grandes puissances depuis l'Antiquité. On évoque ces moments clé de l'histoire avec Philippe Berkenbaum, journaliste et concepteur du hors série Sujets traités : bataille de Lépante, bataille du Jutland, Première Guerre Mondiale, guerres navales, Barbe Noire, pirate, corsaire, Edward Teach, Henry Morgan, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we are talking about Leitmotifs in Our Flag Means Death! We will be talking about Stede's library, rumors, toys, whims, humble wanderers, ambush, gouging, panic, fear, afraid, parties, intention, scoundrels, light houses, and coward.    CW: just whatever is in the show   Episode Mentions:  Never Left Pateron   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our new Pateron.. The links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Send us a Text Message.Discover the thrilling exploits of Blackbeard the Pirate, one of the most infamous and feared figures in maritime history. Explore his notorious reign of terror along the Atlantic coast, his strategic mastery in naval battles, and the mysterious circumstances surrounding his dramatic death. Unveil the secrets behind his legendary persona, from his striking appearance and fearsome tactics to his treasure-laden exploits that have inspired countless tales of piracy. This episode delves deep into the life of Edward Teach, better known as Blackbeard, illuminating the man behind the myth and his enduring impact on pirate lore.Watch the video version here: https://youtube.com/live/GV_gqtZUm8cDon't forget, you can watch us live on Tuesday nights at 8PM CST - U.S. on YouTube and Facebook! Support the Show: Patreon (Bonus Content)Follow us on Social Media: YouTube ChannelFacebook Fan PageInstagram Fan Page X (formerly Twitter)TikTok Fan Page"After Dark with EVP" (Use code "AFTERDARK25" for 25% off an annual subscription)https://bit.ly/46GOmAzSubmit Your Story, Comments, or Questions: theevppod@gmail.com

IN THIS EPISODE: A creepy true story from Weirdo family member Courtney Rondeau. (It Was The Light That Woke Me) *** The Wendigo. It appears in numerous areas of pop culture, like the TV shows “Supernatural” and “The X Files”, the movie “Ravenous”, and games such as “Dungeons and Dragons”, along with video games like “Final Fantasy” and “Until Dawn”. But the Wendigo isn't just a creature from someone's imagination.(Wendigo) *** 
I'lll share a collection of some of the creepiest, most unexplainable nightmare stories, collected from a handful of Reddit users whose friends and family either mostly or completely dismiss as fantasy, and nobody would believe. At times these creepy stories sound too bizarre to be real, but every last person swears it really happened. (Why Won't Anyone Believe Me?) *** You've heard of the gunfight at the O.K Corral – but that was just men vs men. To get really exciting you need true stories of gunfights between men and extraterrestrials! (Alien Gun Fights) *** On Ocracoke Island is a small channel of water known as Teach's Hole, named after Edward Teach and where it is said he met his end – and his ghost still lingers. If Edward Teach doesn't sound familiar to you, it could be that you know him better as Blackbeard. (Blackbeard's Ghost) *** First, I'll share five stories of real-life horrors, reported by men on the battlefield. Not about the horrors of war, but about the supernatural monsters they found within it. (Horrors In Battle, Monsters In War)YOUTUBE CHAPTERS & TIME STAMPS…00:00:00.000 = Show Open00:03:35.574 = Zero Hour, “The Fourth Forever” (September 24, 1973)00:31:03.274 = Weird Darkness, “It Was The Light That Woke Me”00:35:50.494 = ABC Mystery Time, “Four Time Loser” (Air Date Unknown)01:00:45.056 = Weird Darkness, “Wendigo” / “Why Won't Anyone Believe Me, Part 1”01:13:05.699 = Appointment With Fear, “Morning Glory” (Air Date Unknown)01:40:46.423 = Weird Darkness, “Why Won't Anyone Believe Me, Part 2”01:51:46.802 = Beyond The Green Door, “Harwell And The Matland India”01:57:05.184 = Weird Darkness, “Why Won't Anyone Believe Me, Part 3”02:06:06.442 = Beyond Midnight, “40th Birthday” (Air Date Unknown)02:37:27.509 = Weird Darkness, “Horrors in Battle, Monsters in War, Part 1”02:45:07.864 = The Black Mass, “Atrophy” (October 10, 1964)03:12:56.292 = Weird Darkness, “Horrors in Battle, Monsters in War, Part 2”03:22:33.800 = Box 13, “Insurance Fraud” (August 29, 1948)03:50:35.387 = Weird Darkness, “Horrors in Battle, Monsters in War, Part 3”04:00:26.366 = CBS Radio Mystery Theater, “A Scaffold For Two” (October 14, 1974)04:46:59.112 = Weird Darkness, “Alien Gun Fights” / “Blackbeard's Ghost”04:58:30.724 = The Chase, “Holdup” (May 17, 1953)05:28:31.734 = Show CloseSOURCES AND REFERENCES FROM THE EPISODE…“Wendigo” posted at The Scare Chamber: https://tinyurl.com/yb92upsn“It Was The Light That Woke Me” by Weirdo family member Courtney Rondeau “Why Won't Anyone Believe Me?” by Michael Choi for Ranker: https://tinyurl.com/ydg8sm27
“Horrors in Battle, Monsters in War”: https://tinyurl.com/y7cqkz49“Blackbeard's Ghost”: https://tinyurl.com/y7m8h4v7“Alien Gun Fights” by Nick Redfern: https://tinyurl.com/y6tvrvgkWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: June 16, 2024RETRO RADIO LANDING PAGE: https://weirddarkness.com/wdrr20240616

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we are talking about physical and emotional violence in OFMD   CW: We are talking about gun and knife violence today   Episode Mentions:  Never Left Pateron More guns more death the fundamental fact that supports a comprehensive approach to reducing gun violence in america Gun Violence Archive NAMI Helpline (10am-10pm): Call 1-800-950-NAMI (6264), text "HelpLine" to 62640 or email us at helpline@nami.org BE PREPARED TO WAIT AWHILE: Crisis TEXTline: Text HOME to 741741 National Crisis Lifeline: Dial 988   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), the links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we're talking about all the grifts in OFMD and the fandom inside and outside of OFMD!   CW: not much, mostly just Frenchie grifting!   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), the links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we are mainly talking about the songs High on a Rocky Ledge from the pilot episode of OFMD and This Woman's Work from episode 2x3   CW: Mostly referencing the end of 2x3 and squeeing a lot     Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), the links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we are talking about Parallels in the Gravy Basket episode (2x3) of OFMD   CW: We are talking about the Gravy Basket and all that entails   Episode Mentions:      Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), the links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we are talking about The Gravy Basket    CW: Everything that happens in the Gravy Basket and what that means. We do reference all the major events in the series   Episode Mentions:  Allegory of the Cave  Another Allegory of the Cave description Sea Glass Wikipedia Sea Glass Ferns   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), the links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Welcome aboard our Safe Space Ship!   Your Co- Captains, Ariana Perry and Amanda Catron, will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week we are talking about the names Ed, Stede and Izzy call Ed   CW: not much but we do briefly mention most of the big events in the series   Don't forget to follow us on social media (@NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), the links are in our linktree, as we prepare to dive in!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"    

Ep 198 is loose! And it's another swashbuckling tale with possibly the most fearsome pirate of them all…Blackbeard!Who was Edward Teach? How long was his reign on the high seas? And what ARE sea-going folk called?The secret ingredient is…cannon!Get cocktails, poisoning stories and historic true crime tales every week with The Poisoners' Cabinet. Listen to the Podcast on iTunes, Spotify and find us on Acast: https://shows.acast.com/thepoisonerscabinet Join us Patreon: https://www.patreon.com/thepoisonerscabinet Find us on TikTok: https://www.tiktok.com/@thepoisonerscabinet Follow us on Instagram: https://www.instagram.com/thepoisonerscabinet/ Find us on Facebook: https://www.facebook.com/ThePoisonersCabinet Hosted on Acast. See acast.com/privacy for more information.

Muscle memory is killing your marketing strategy. It's time to get off autopilot and take the helm.It's tempting to repeat marketing tactics that worked once. But if you do the same thing over and over, those tactics can lose effectiveness over time. So we're bringing you fresh marketing ideas inspired by a show that explores the benefits of navigating uncharted waters. In this episode, we're talking about Taika Waititi's hit romantic comedy, Our Flag Means Death, with the help of special guest, Director of Content & Communications at People.ai, Mariah Petrovic. Together, we chat about hiring a crew that's better than you, ditching muscle-memory marketing strategies, and humanizing your content. So all aboard for this episode of Remarkable.About our guest, Mariah PetrovicMariah Petrovic is Director of Content & Communications at People.ai. She joined the company in May 2023. Prior to her current role, she served as AI Messaging & Thought Leadership Lead for Infrastructure Solutions Group (ISG) at Dell Technologies. She has also worked as Senior Content Marketing Writer at Esri. Mariah is a B2B and B2C marketer with broad experience in developing and executing go-to market messaging and strategy for leading companies like Dell and Esri (location technology). She also excels in leading content marketing strategy including content audits, content optimization, and development of assets including ebooks, whitepapers, articles, blogs, social content, videos, podcasts, and targeted ABM assets. She spent five years working for a membership organization for C-Suite executives and helped plan and execute events ranging from intimate dinners to national conferences.About People.aiPeople.ai is an AI-powered revenue intelligence platform that helps customers win more revenue by providing sales, RevOps, marketing, enablement, and customer success teams with valuable insights. Companies such as Verizon, IBM Red Hat, Snowflake, Zoom, and Palo Alto Networks rely on their enterprise-grade, patented AI technology. Their unique dataset, consisting of 1 trillion+ sales activities, millions of deals, 160 million business contacts, and 69 approved patents related to AI-based business insights, sets us apart. They use this data to train their models and provide our customers with tailored business predictions and unique buyer insights. They've also received validation via Gartner Market Guide for Revenue Intelligence Platforms, the 5000 fastest-growing companies list, named a strong performer and the only enterprise-grade data management platform by Forrester Revenue Operations and Intelligence Wave, listed on the Y Combinator Top Companies List, and the Forbes AI 50 list in 2022.About Our Flag Means DeathOur Flag Means Death is a show about an aristocrat in the 18th century named Stede Bonnet who decides he's going to become a pirate. So he buys a ship named “Revenge”, hires a crew, and sails off on the high seas. So it's about him trying to hold together his crew who are constantly at the brink of mutiny. And in the meantime he runs into Captain Blackbeard and they fall in love. It stars Rhys Darby as Stede Bonnet and Taika Waititi as Blackbeard. The series was created by David Jenkins and premiered in 2022. It's now in its second season, and is available on HBOMax. Our Flag Means Death is loosely based on the true story of Stede Bonnet, who was called the “Gentleman Pirate.” He was born to a wealthy English family in Barbados and in 1717 he decided to become a pirate. He did meet Captain Blackbeard whose real name was Edward Teach in the Bahamas. And they did team up to pillage and plunder other ships along the eastern coast of the U.S. Whether he had a romantic relationship with Blackbeard or not is uncertain.David Jenkins, the creator, said that pirates weren't really his “bag” but the idea of someone in what he called “existential freefall” like Stede Bonnet was fascinating to him. The fact that Stede was a wealthy landowner in an unhappy marriage who just wanted to leave it all was really appealing.  About it being a love story, Jenkins said, “It's show about falling in love more than it's a show about people's reaction to gayness in that era.” And he added that so often, shows about gay romance are really about gay trauma. And Our Flag Means Death is more about romance.What B2B Companies Can Learn From Our Flag Means Death:Hire a crew that's better than you. Get people on board who have skills and knowledge your company needs. Even if - and especially if - they're better or more experienced than you. They will only be an asset to your growth. Mariah says, “Stede is completely incompetent as a pirate, and he hires a crew that is marginally better than him. But they all come together and they get the job done.”Muscle memory is killing your marketing strategy. Yes, it's good to market in a way that you know works. But after a while, it just gets stale. Mariah says, “So many times, we kind of get this muscle memory and do things the same way over and over again. It's hard to break out of that. Be brave and try new things. And if something's not working, it's okay to start over.” Though Stede Bonnet was not always brave, it's in starting his new life as a pirate that he goes on a journey of self-discovery. And that's pretty brave, in the end.Fly your human flag. Drop the high tech facade, and be human. Write like a human, and include pictures of your customers and employees. Mariah says, “Being vulnerable and authentic is something that we don't do enough of and B2B marketing in general. We don't humanize our companies. I'm in the AI space, and it's all these super high tech terms. We can talk about productivity and all this stuff, but really we're speaking to human beings. And so I think that that ability to be vulnerable and really speak to people is something that we can learn from this show.” Our Flag Means Death shows the vulnerable side of their male characters, which you would have never seen in something like Treasure Island, which was all swashbuckling machismo. In this show, the crew read each other stories and are encouraged to talk about their feelings. It sucks viewers into the story and results in their investment in the characters.Quotes*What are the stories we're telling that are building that trust? Where are we helping people right now when they really need it without asking anything else of them in that moment? And being patient and knowing that the efforts that we're putting into it right now are leading to that moment and of change, of making that purchase and influencing those decisions?” - Mariah Petrovic*”Messaging is the foundation of everything at a company. It's the way we talk about ourselves. It's consistency in storytelling. It's your website and your social and everything else. So getting it right, putting it out into the world, and really defining who we are as an organization is something that is really exciting.” - Mariah PetrovicTime Stamps[0:55] Meet Mariah Petrovic, Director of Content & Communications at People.ai[2:09] Why are we talking about Our Flag Means Death?[2:35] What does Mariah's work at People.ai entail?[3:00] What is Our Flag Means Death about?[7:30] What makes Our Flag Means Death remarkable?[21:03] What marketing lessons can we take from Our Flag Means Death?[25:21] How does Mariah think about content?[26:43] What's Mariah's content strategy? How does she prove the ROI of content?[29:22] What will Mariah be working on and investing in in the future?LinksWatch Our Flag Means DeathConnect with Mariah on LinkedInLearn more about People.aiAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both non-fiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Senior Producer). Remarkable was produced this week by Meredith Gooderham, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

Help spread the darkness! Vote Up This Episode at https://weirddarkness.tiny.us/mvjsnkbz – you can vote up to 3X per day! Find Weird Darkness in your favorite podcast app at https://weirddarkness.com/listen. Subscribers to the podcast get to hear the radio show immediately after it airs – including the Sudden Death Overtime content! And Darkness Syndicate members (https://WeirdDarkness.com/Syndicate) get the commercial-free version! HOUR ONE: A creepy true story from Weirdo family member Courtney Rondeau. (It Was The Light That Woke Me) *** The Wendigo. It appears in numerous areas of pop culture, like the TV shows “Supernatural” and “The X Files”, the movie “Ravenous”, and games such as “Dungeons and Dragons”, along with video games like “Final Fantasy” and “Until Dawn”. But the Wendigo isn't just a creature from someone's imagination.(Wendigo) *** 
I'lll share a collection of some of the creepiest, most unexplainable nightmare stories, collected from a handful of Reddit users whose friends and family either mostly or completely dismiss as fantasy, and nobody would believe. At times these creepy stories sound too bizarre to be real, but every last person swears it really happened. (Why Won't Anyone Believe Me?)SOURCES AND ESSENTIAL WEB LINKS…“Wendigo” posted at The Scare Chamber: https://tinyurl.com/yb92upsn “It Was The Light That Woke Me” by Weirdo family member Courtney Rondeau “Why Won't Anyone Believe Me?” by Michael Choi for Ranker: https://tinyurl.com/ydg8sm27 = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =HOUR TWO: You've heard of the gunfight at the O.K Corral – but that was just men vs men. To get really exciting you need true stories of gunfights between men and extraterrestrials! (Alien Gun Fights) *** On Ocracoke Island is a small channel of water known as Teach's Hole, named after Edward Teach and where it is said he met his end – and his ghost still lingers. If Edward Teach doesn't sound familiar to you, it could be that you know him better as Blackbeard. (Blackbeard's Ghost) *** First, I'll share five stories of real-life horrors, reported by men on the battlefield. Not about the horrors of war, but about the supernatural monsters they found within it. (Horrors In Battle, Monsters In War)SOURCES AND ESSENTIAL WEB LINKS…
“Horrors in Battle, Monsters in War”: https://tinyurl.com/y7cqkz49 “Blackbeard's Ghost”: https://tinyurl.com/y7m8h4v7 “Alien Gun Fights” by Nick Redfern: https://tinyurl.com/y6tvrvgk = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =SUDDEN DEATH OVERTIME: What began as a robbery turned into something far more horrific. July 14, 1966, an inebriated robber stumbled into a Chicago townhouse and took the lives of eight young women. (The Brutality of Richard Speck) *** A woman explains away odd happenings in her home – until she can no longer come up with explanations. (The Ghost I Know) *** Was journalist Danny Casolaro murdered after uncovering a vast global conspiracy called the Octopus? (Hunting The Octopus) *** The case was one of the most famous – and controversial – of the 1950s and went on to inspire the TV show and film of “The Fugitive”, as well as Stephen King's story and the film “The Shawshank Redemption”. It's the true story of Dr. Sam Shepard. (The Real-Life Fugitive)SOURCES AND ESSENTIAL WEB LINKS…“The Brutality of Richard Speck” by Catherine Phelan: http://ow.ly/f57l30o80r8 “The Ghost I Know” by Sonya Robinson from Ghost Attic: https://tinyurl.com/y8bksbuk “Hunting the Octopus” from The Unredacted: https://tinyurl.com/y9h3z764 “The Real-Life Fugitive” by Troy Taylor: http://ow.ly/ZKNE30o81bZ = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music, varying by episode, provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony: https://tinyurl.com/yyrv987t, Midnight Syndicate: http://amzn.to/2BYCoXZ, Kevin MacLeod: https://tinyurl.com/y2v7fgbu, Tony Longworth: https://tinyurl.com/y2nhnbt7, and/or Nicolas Gasparini/Myuu: https://tinyurl.com/lnqpfs8 is used with permission. 

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =WeirdDarkness™ - is a production and trademark of Marlar House Productions. Copyright, Weird Darkness, 2023.

Subscribers to the podcast get to hear the radio show immediately after it airs – including the Sudden Death Overtime content! And Darkness Syndicate members (https://WeirdDarkness.com/Syndicate) get the commercial-free version! HOUR ONE: A creepy true story from Weirdo family member Courtney Rondeau. (It Was The Light That Woke Me) *** The Wendigo. It appears in numerous areas of pop culture, like the TV shows “Supernatural” and “The X Files”, the movie “Ravenous”, and games such as “Dungeons and Dragons”, along with video games like “Final Fantasy” and “Until Dawn”. But the Wendigo isn't just a creature from someone's imagination.(Wendigo) *** 
I'lll share a collection of some of the creepiest, most unexplainable nightmare stories, collected from a handful of Reddit users whose friends and family either mostly or completely dismiss as fantasy, and nobody would believe. At times these creepy stories sound too bizarre to be real, but every last person swears it really happened. (Why Won't Anyone Believe Me?)SOURCES AND ESSENTIAL WEB LINKS…“Wendigo” posted at The Scare Chamber: https://tinyurl.com/yb92upsn “It Was The Light That Woke Me” by Weirdo family member Courtney Rondeau “Why Won't Anyone Believe Me?” by Michael Choi for Ranker: https://tinyurl.com/ydg8sm27= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =HOUR TWO: You've heard of the gunfight at the O.K Corral – but that was just men vs men. To get really exciting you need true stories of gunfights between men and extraterrestrials! (Alien Gun Fights) *** On Ocracoke Island is a small channel of water known as Teach's Hole, named after Edward Teach and where it is said he met his end – and his ghost still lingers. If Edward Teach doesn't sound familiar to you, it could be that you know him better as Blackbeard. (Blackbeard's Ghost) *** First, I'll share five stories of real-life horrors, reported by men on the battlefield. Not about the horrors of war, but about the supernatural monsters they found within it. (Horrors In Battle, Monsters In War)SOURCES AND ESSENTIAL WEB LINKS…
“Horrors in Battle, Monsters in War”: https://tinyurl.com/y7cqkz49 “Blackbeard's Ghost”: https://tinyurl.com/y7m8h4v7 “Alien Gun Fights” by Nick Redfern: https://tinyurl.com/y6tvrvgk = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music, varying by episode, provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony: https://tinyurl.com/yyrv987t, Midnight Syndicate: http://amzn.to/2BYCoXZ, Kevin MacLeod: https://tinyurl.com/y2v7fgbu, Tony Longworth: https://tinyurl.com/y2nhnbt7, and/or Nicolas Gasparini/Myuu: https://tinyurl.com/lnqpfs8 is used with permission.

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =WeirdDarkness™ - is a production and trademark of Marlar House Productions. Copyright, 2023

As we reach the end of our three part series on Blackbeard, Edward Teach has officially earned his reputation as the most notorious pirate sailing the seven seas, and just as he considers retirement, he finds himself in one final bloody stand-off with Lieutenant Robert Maynard.

It's History Time! The boys are back and they're diving headfirst into "the golden age of Piracy" with the story of legendary nautical criminal Edward Teach, better known as Blackbeard.