Podcast appearances and mentions of Kirk Wise

This week we have a fun episode comparing Stargate (1994) and Atlantis: The Lost Empire (2001) - two films about ancient language experts discovering a lost civilisation----------The Movies:Stargate (1994)Directed by Roland EmmerichWritten by Dean Devlin & Roland EmmerichiMDb Rating: 7.0Atlantis: The Lost Empire (2001)Directed by Gary Trousdale & Kirk WiseWritten by Kirk Wise, Gary Trousdale, Joss Whedon, Bryce Zabel, Jackie Zabel & Tab MurphyiMDB Rating: 6.9-----Find us on:Discord - https://discord.gg/dxgmcfj552Tumblr - @ItTakesTwoPodInstagram - @ItTakesTwo_podFacebook - @ItTakesTwoPodYoutube - @ittakestwonzBluesky - @ittakestwoOur website - ItTakesTwo.co.nz-----Content Warning: Discussions of violence, death, slavery, racist ideology

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Send us a textToday's episode is my conversation about the 1929 film Dyamite. I'm joined by Murray Mintz from the "CineVibez Fanzine" newsletter and we talk about what the going rate for "buying a husband" was in 1929, some wonderful twists and turns throughout the plot, and innovative uses of sound in director Cecil B. DeMille's first fully sound feature. You can watch Dynamite on YouTube and be sure to check out Murray's newsletter.Other films mentioned in this episode include:Babylon directed by Damien ChazelleThe Shawshank Redemption directed by Frank DarabontBeauty and the Beast directed by Kirk Wise and Gary TrousdaleThe Ten Commandments directed by Cecil B. DeMilleSunset Boulevard directed by Billy WilderHold Back the Dawn directed by Mitchell LeisenJohn Wick directed by Chad StahelskiGlorious Betsy directed by Alan Crosland and Gordon HollingsheadThe Hollywood Revue of 1929 directed by Charles F. ReisnerThe Ten Commandments (1923 silent version) directed by Cecil B. DeMilleThe Bridge of San Luis Rey (lost film) directed by Charles BrabinThe Substance directed by Coralie FargeatOther referenced topics:The Great Gatsby by F. Scott FitzgeraldMovieDiva article about the sound innovations produced for this filmLA Times reviewSupport the show

Send us a textIn today's episode, I interview Aaron Blaise, director of the animated short film "Snow Bear," a story of a lonely polar bear navigating a rapidly changing Arctic in search of connection. Listen to hear about how Aaron found his way into animation, what he learned from his many years as an animator at Disney, and the emotional inspiration for the story of this new film.Books mentioned in this episode include:Lullaby by Chuck PalahniukFight Club by Chuck PalahniukFilms and TV shows mentioned in this episode include:"Snow Bear" directed by Aaron BlaiseThe Lion King directed by Roger Allers and Rob MinkoffBeauty and the Beast directed by Kirk Wise and Gary TrousdaleMulan directed by Tony BancroftBrother Bear directed by Aaron Blaise and Robert WalkerBambi directed by David D. HandMoana directed by Ron Clements and John MuskerMoana 2 directed by David Derrick Jr.Mufasa: The Lion King directed by Barry JenkinsBack to the Future directed by Robert ZemeckisE.T. The Extra-Terrestrial directed by Steven SpielbergAladdin directed by John Musker and Ron ClementsOh Brother, Where Art Thou directed by Joel & Ethan CoenThe Big Lebowski directed by Joel CoenClose Encounters of the Third Kind directed by Steven SpielbergJaws directed by Steven SpielbergThe Little Mermaid directed by Ron Clements and John MuskerTarzan directed by Chris Buck and Kevin LimaPocahontas directed by Eric Goldberg and Mike Gabriel"Dear Basketball" directed by Glen KeaneThe Wild Robot directed by Chris SandersLilo & Stitch (2002) directed by Dean DeBlois and Chris SandersLilo & Stitch (2025) directed by Dean Fleischer CampHow to Train Your Dragon (2010) directed by Chris Sanders and Dean DeBloisHow to Train Your Dragon (2025) directed by Dean DeBloisPolar written by Aaron BlaiseThe Hidden written by Aaron BlaiseFollow Aaron on Instagram @aaronblaiseart, check out his work at www.creatureartteacher.com and be sure to check out the film at Tribeca this June.Support the show

Em Branca de Neve e os Sete Anões, Walt Disney e companhia contam a história de uma moça bela, recatada e do lar em um filme revolucionário na animação e conservador nos costumes. Bem-vindos à Locadora do Nicolas, a investigação ordenada e sazonal sobre o audiovisual internacional! Com PJ Brandão, Rudy e Jotapê. COLABORE COM NOSSO APOIA.SE! Indicações do episódio: Atlantis: O Reino Perdido (Gary Trousdale e Kirk Wise, 2001) Princess Arete (Sunao Katabuchi, 2001) Os Irmãos Grimm (Terry Gilliam, 2005) I'll Become a Villainess Who Goes Down in History (série, Yūji Yanase, 2024) Alvo Duplo (John Woo, 1986) Twisters (Lee Isaac Chung, 2024) E no próximo episódio... Mars Express, 2023. Nos encontre por aí: Grupo de ouvintes do Nicolas no Telegram Bluesky: @hqsemroteiro / @rudylonia / @jumbopaulo / @podcastnicolas Instagram: @hqsemroteiro / @ahistoriadacamisa / @roberto_rudiney / @jumbopaulo / @podcastnicolas Letterboxd: @rudylonia / @jp_martins TikTok: @hqsemroteiro / @rudyloniaa / @rudyball Créditos: Edição: Roberto Rudiney e JP Martins Arte: JP Martins Voz de veludo do início: Bruna Soares

The cast & crew of the "Atlantis: The Lost Empire" Fan Trailer join Tammy on The Tammy Tuckey Show to discuss the viral trailer!  Watch the fan trailer here: www.youtube.com/watch?v=66o3_HsjpyY Guests include: Felix Merback - Milo Thatch Jylian Noble - Princess Kida - www.instagram.com/jyl4real Pablo Milla - Mole - www.pablojmilla.com Christopher Karr - Rourke - www.instagram.com/christopherjohnkarr Andre Pelzer - Dr. Sweet December Cinturon - Audrey - www.instagram.com/waiting.for.december Perry Bruno - Vinny - www.instagram.com/perrybruno Aion Harrison-Boyd - Mr. Whitmore Bre Segars - Helga Sinclair - www.instagram.com/bresegars Isobel Roth - Mrs. Packard Jonathan Munoz - Director Ryan Silver - Producer Laura Leal - Producer - https://lauraleal.squarespace.com Tori Cerda - Casting Director/Associate Producer Will Underwood - 1st AD Brendan Boyle - Director of Photography/Producer Special guests include Marc Okrand (creator of the Atlantean language) Kirk Wise & Gary Trousdale (co-directors) and Tab Murphy (screenwriter) of the original 2001 Disney film! Follow me on:   Facebook - www.facebook.com/singertammytuckey  Twitter & Instagram - @TammyTuckey www.tammytuckey.com

Send us a textThe Dark Truth Behind Disney's Hunchback reveals fascinating untold stories from director Gary Trousdale about the groundbreaking 1996 animated film. In this candid interview, Trousdale shares how the project came together, including Jeffrey Katzenberg's clever casting tactics and the creative freedom the team gained after his departure from Disney.Gary Trousdale is an American animator, film director, screenwriter and storyboard artist. He is best known for directing films such as Beauty and the Beast, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. He frequently works with Kirk Wise and Don Hahn. http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

Producer Don Hahn and directors Kirk Wise and Gary Trousdale

Joe, Kyle, and Rick review the animated 1991 feature of Beauty and the Beast. Directed by Gary Trousdale and Kirk Wise, it stars Paige O'Hara, Robby Benson, Richard White, Jerry Orbach, and Angela Lansbury. We ranked 8 songs from the soundtrack, as well as picked our favorite lines, characters, performers, and scenes. Enjoy!

The author of Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023), Dr. Peter Kunze (Tulane University), is the special guest for Episode 136 of the podcast which looks at the impact of Walt Disney's Beauty and the Beast (Gary Trousdale & Kirk Wise, 1991) and both the industrial and stylistic stakes of the film's adoption of a Broadway style of musical arrangement. Topics include the film's place within the Disney Renaissance period of the studio's animated features and the role of key figures like Michael Eisner, Jeffrey Katzenberg, Howard Ashman, and Alan Menken; corporate synergy and the top-down reimagining of Disney's production strategies during the 1980s and 1990s; song, dance, and the film's casting of established Broadway voices; the application of emergent computer animation and digital VFX to the presentation and realisation of the film's musical numbers; and how Beauty and the Beast adapts both the original fairytale and the later fantasy La Belle et la Bête (Jean Cocteau, 1946) in ways that illustrated the contemporary state and status of the musical genre in Hollywood. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

Rose de Nuit by Serge Lutens (1993) + Gary Trousdale and Kirk Wise's Beauty and the Beast (1991) + Bill Condon's Beauty and the Beast (2017) + Jean Cocteau's Beauty and the Beast (1947) with Nick from Tokyo 07/17/22 S4E35

Blast from the past! On this one, we're taking a look at Disney's hidden gems: Gary Trousdale and Kirk Wise's “Atlantis: The Lost Empire” (2001) vs. John Musker and Ron Clements' “Treasure Planet” (2002). Which one aged well? Let's find out! Aftershow: – Blak gives a spoiler-free review of “The Ballad of Songbirds and Snakes” […]

Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the 1756 fairy tale of the same name by Jeanne-Marie Leprince de Beaumont (who was only credited in the French dub),[6] while also containing ideas from the 1946 French film of the same name directed by Jean Cocteau.[7] The film was directed by Gary Trousdale and Kirk Wise (in their feature directorial debuts) and produced by Don Hahn, from a screenplay by Linda Woolverton.   Beauty and the Beast is a 2017 American musical romantic fantasy film directed by Bill Condon from a screenplay by Stephen Chbosky and Evan Spiliotopoulos. Produced by Walt Disney Pictures and Mandeville Films, the film is a live-action adaptation of Disney's 1991 animated film of the same name, itself an adaptation of Jeanne-Marie Leprince de Beaumont's 1756 version of the fairy tale. Starring Emma Watson and Dan Stevens as the eponymous Belle and the Beast, the film features an ensemble and choir cast including Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ian McKellen, and Emma Thompson.   Opening Credits; Introduction (2.27); Background History (15.24); Beauty and the Beast (1991) Trailer (19.47); Original Thoughts (21.27); Let's Rate (49.53); Introducing a Remake (53.54); Beauty and the Beast (2017) Trailer (56.29); Lights, Camera, Action (58.48); How Many Stars (1:48.23); End Credits (1:55.29); Closing Credits (1:56.54)   Opening Credits– Beauty and the Beast Prologue by Alan Menken.  Copyright 1991 Disney Records. All rights reserved   Closing Credits:  Beauty and the Beast by Marilyn Martin.  Taken from the self titled album Marilyn Martin.  Copyright 1986 Atlantic Records.  ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

Welcome back to another magical episode of Not A Bomb. This is the podcast where we go back and reexamine some of the biggest bombs in cinematic history and see if they deserve a second chance. On this week's episode, the guys, once again, find themselves tackling an early 2000's Walt Disney animated film. This time, it's the 2001 adventure film- Atlantis: The Lost Empire. Both a financial and critical flop, Atlantis: The Lost Empire is noted for an amazing voice cast and its mixture of traditional animation and CGI. Does Atlantis: The Lost Empire. stand the test of time? Were the critics correct with their initial assessment? Listen and find out!Timestamps: Intro - (1:10), Box Office Results, Critical Response, and Movie Guide - (16:38), Behind the Camera - (27:24), Voice Cast - (30:31), Production and Development - (42:16), Commercial Break - (49:34), Atlantis Discussion - (51:34), Is it a Bomb? - 84:27, and Outro - (93:11)Atlantis: The Lost Empire is directed by Gary Trousdale and Kirk Wise and stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton, and Leonard Nimoy.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy

Beauty and the Beast with Directors Gary Trousdale and Kirk Wise 

For the first episode of 2023, Chris and Alex are back into the world of Disney Feature Animation, following up earlier discussions of The Emperor's New Groove (Mark Dindal, 2000) and Treasure Planet (Ron Clements & John Musker, 2002) with Episode 111, which looks at the studio's 2001 feature film Atlantis the Lost Empire (Gary Trousdale & Kirk Wise, 2001), a science-fiction adventure that draws inspiration from Jules Verne's Twenty Thousand Leagues Under the Sea (1870). Joining them as their very special guest is the film's co-director, Gary Trousdale, who was part of the celebrated Disney Renaissance and together with Kirk Wise also directed the Disney features Beauty and the Beast (1991) and The Hunchback of Notre Dame (1996). Gary was first hired by Walt Disney Feature Animation back in 1984 as an effects animator on The Black Cauldron (Ted Berman & Richard Rich, 1985). He then moved onto story for Oliver & Company (George Scribner, 1988) and worked as a Storyboard Artist for The Little Mermaid (Ron Clements & John Musker, 1989), before finally taking up directorial duties on Beauty and the Beast that was nominated for an Academy Award for Best Picture. Gary later moved to DreamWorks and, more recently, is credited as creative consultant for the 2017 reimagining of Beauty and the Beast (Bill Condon, 2017). Listen as they discuss the Disney Renaissance as a period of industrial and creative renewal via the studio's return to a Golden Age sensibility; the siting of Atlantis: The Lost Empire within Disney's post-2000 era of narrative and stylistic heterogeneity; the 1914 setting of the Verne-inspired film, and how its images of war bear the influence of advancements in early twentieth-century technology; the formal connection between animated musical numbers and action sequences; and what the adventure narrative of Atlantis: The Lost Empire and its application of CGI has to say about Hollywood animation's own technological frontier. **Fantasy/Animation theme tune composed by Francisca Araujo**

0:00 - Intro & Summary2:00 - Movie Discussion58:44 - Cast & Crew/Awards1:05:55 - Pop Culture1:24:47 -  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Today's guest is a multi-hyphenate animator, director, writer, and storyboard wizard. Gaining an early directing credit working on Disneyland's Cranium Command he was soon thrust into feature direction on historic classics such as The Hunchback of Notre Dame, Atlantis: The Lost Empire and of course, Beauty and the Beast, the first animated movie to ever be nominated for best picture. My guest is Mr Kirk Wise. 

Kirk Wise ~ Director; Beauty and the Beast and has played key creative roles on some of the most beloved family films of all time: The Hunchback of Notre Dame, THE LION KING & Atlantis: The Lost Empire. Thank you for listening and supporting the podcast :) https://www.buymeacoffee.com/sneakies or https://www.paypal.com/paypalme/anonymouscontent, https://enchantedbooks.godaddysites.com/ Other awesome podcasts: Girl's Guide To Investing, Enchanting Book Readings (Top 1%), Thrilling Stories and "Ghostly Stories & Strange Things." Please Subscribe to our YouTube:) https://www.youtube.com/user/Fellinijr/videos Subscribe & Support ;) https://tinyurl.com/5h6xkwp9 Zombie Diaries: https://youtu.be/tBmgi3k6r9A Buy our books :) Young Adult wizard book series: "Margaret Merlin's Journal" by A. A. Banks at Amazon! :) Margaret Merlin's Journal ~The Battle of the Black Witch ~Book I https://www.amazon.com/Margaret-Merlins-Journal-Battle-Black-ebook/dp/B01634G3CK Margaret Merlin's Journal ~ Unleashing the Dark One ~Book II Science fiction action adventure https://www.amazon.com/Margaret-Merlins-Journal-Unleashing-Dark-ebook/dp/B01J78YH6I Margaret Merlin's Journal ~ The Mask of the Parallel World ~Book III An Adventure in Italy https://www.amazon.com/Margaret-Merlins-Journal-Parallel-World-ebook/dp/B01KUGIZ8W/ Margaret Merlin's Journal ~The Quest for the Golden Key ~Book IV https://www.amazon.com/Margaret-Merlins-Journal-Quest-Golden-ebook/dp/B076FTTDQN Children's Books at Amazon: Jack the Bear and Golden Hair by Sir Herbert Sneakies Skip Boots Big Safari Adventure by Sir Herbert Sneakies Adventures of Mooch the Pooch by Sir Herbert Sneakies Blueber Goober the Monster In My Closet! by Sir Herbert Sneakies https://www.instagram.com/margaretmerlinsjournal/ TikTok: Sneakies Instagram: marylinartist If you would like to be a guest on the show email: jobsmh(@)live.com If you would like to sponsor the show email: mystuffmah(@)gmail.com Thank you for listening. --- Support this podcast: https://anchor.fm/filmaddicts/support

Kirk Wise ~ Director; Beauty and the Beast and has played key creative roles on some of the most beloved family films of all time: The Hunchback of Notre Dame, THE LION KING & Atlantis: The Lost Empire. Thank you for listening and supporting the podcast :) https://www.buymeacoffee.com/sneakies or https://www.paypal.com/paypalme/anonymouscontent, https://enchantedbooks.godaddysites.com/ Other awesome podcasts: Girl's Guide To Investing, Enchanting Book Readings (Top 1%), Thrilling Stories and "Ghostly Stories & Strange Things." Please Subscribe to our YouTube:) https://www.youtube.com/user/Fellinijr/videos Subscribe & Support ;) https://tinyurl.com/5h6xkwp9 Zombie Diaries: https://youtu.be/tBmgi3k6r9A Buy our books :) Young Adult wizard book series: "Margaret Merlin's Journal" by A. A. Banks at Amazon! :) Margaret Merlin's Journal ~The Battle of the Black Witch ~Book I https://www.amazon.com/Margaret-Merlins-Journal-Battle-Black-ebook/dp/B01634G3CK Margaret Merlin's Journal ~ Unleashing the Dark One ~Book II Science fiction action adventure https://www.amazon.com/Margaret-Merlins-Journal-Unleashing-Dark-ebook/dp/B01J78YH6I Margaret Merlin's Journal ~ The Mask of the Parallel World ~Book III An Adventure in Italy https://www.amazon.com/Margaret-Merlins-Journal-Parallel-World-ebook/dp/B01KUGIZ8W/ Margaret Merlin's Journal ~The Quest for the Golden Key ~Book IV https://www.amazon.com/Margaret-Merlins-Journal-Quest-Golden-ebook/dp/B076FTTDQN Children's Books at Amazon: Jack the Bear and Golden Hair by Sir Herbert Sneakies Skip Boots Big Safari Adventure by Sir Herbert Sneakies Adventures of Mooch the Pooch by Sir Herbert Sneakies Blueber Goober the Monster In My Closet! by Sir Herbert Sneakies https://www.instagram.com/margaretmerlinsjournal/ TikTok: Sneakies Instagram: marylinartist If you would like to be a guest on the show email: jobsmh(@)live.com If you would like to sponsor the show email: mystuffmah(@)gmail.com Thank you for listening. --- Support this podcast: https://anchor.fm/filmaddicts/support

Rose de Nuit by Serge Lutens (1993) + Gary Trousdale and Kirk Wise's Beauty and the Beast (1991) + Bill Condon's Beauty and the Beast (2017) + Jean Cocteau's Beauty and the Beast (1947)  with Nick from Tokyo To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 07/17/22 S04.169  

En este capitulo hablamos de La Bella y la Bestia de 1991, película animada dirigida por Kirk Wise y producida por Disney. Aquí hablaremos sobre la masculinidad toxica de Gastón y de Bestia, sobre el Síndrome de Estocolmo y los mitos del amor romántico. Nuevamente nos acompaña el amigo del podcast Jesús García. Espero que les guste el programa, tanto como nos gusto a nosotros grabarlo.

Book Vs. Movie: Beauty & the Beast The French Fairy Tale from the 1700s Vs the 1991 Animated Classic The Margos continue our month of Disney films with the 1991 classic Beauty and the Beast which is based on a fairy tale written in 1740 by Gabrielle-Suzanne Barbot de Villenenueva and then later abridged by Jeanne-Marie Leprince de Beaumont in 1756 for a collection of children's stories.   The simplest version is by de Beaumont. A French merchant has six children with “Beauty” being the youngest daughter. She is considered the most beautiful and has the nicest in temperament so she is her father's favorite. When he loses his fortunes and then has the opportunity to get it back, she only asks for a rose from him as they have not grown in over a year.  Her father tries to take a rose from a garden but is stopped by “The Beast” who runs the manor. The Beast asks the merchant to send his daughter to live with him as his fiance. He treats her well (though she is basically a captive) and she is kept company with a fairy (who wishes she would treat the Beast as more than just a  friend) and animated furniture who act as servants for the Beast.  Eventually, Beauty goes home and then comes back to find the Beast dying from her absence. She kisses him and he becomes a handsome Prince. They get married and live happily ever after.  Disney attempted to make this as an animated picture in the mid 20th Century but no one could figure how to adapt it. With the success of The Little Mermaid in 1989, a new team with Gary Trousdale, Kirk Wise, Linda Woolverton, Howard Ashman, and Alan Menken created a masterpiece that lives on to this day. (30 years after its release!)  So, between the fairy tale and the animated movie--which did we prefer?  In this ep the Margos discuss: The basics of the plot and the two women credited with the story The history of Disney musicals and how “Belle” changed the idea of a Disney “Princess” The main differences between the fairy tale & film.  Starring: Paige O'Hara (Belle,) Robby Benson (The Beast,) Richard White (Gaston,) Jerry Orbach (Lumiere,) David Ogden Stiers (Cogsworth,) Angela Landsbury (Mrs. Potts,) and Bradley Pierce as Chip.  Clips used: Belle meets “Mrs. Potts” and the crew Beauty and the Beast 1991 trailer Gaston proposes to Belle The Beast Presents the library Belle & Beast dance Belle comes back to rescue the beast Music & Lyrics by Alan Menken and Howard Ashman Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts .  Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: Beauty & the Beast The French Fairy Tale from the 1700s Vs the 1991 Animated Classic The Margos continue our month of Disney films with the 1991 classic Beauty and the Beast which is based on a fairy tale written in 1740 by Gabrielle-Suzanne Barbot de Villenenueva and then later abridged by Jeanne-Marie Leprince de Beaumont in 1756 for a collection of children's stories.   The simplest version is by de Beaumont. A French merchant has six children with “Beauty” being the youngest daughter. She is considered the most beautiful and has the nicest in temperament so she is her father's favorite. When he loses his fortunes and then has the opportunity to get it back, she only asks for a rose from him as they have not grown in over a year.  Her father tries to take a rose from a garden but is stopped by “The Beast” who runs the manor. The Beast asks the merchant to send his daughter to live with him as his fiance. He treats her well (though she is basically a captive) and she is kept company with a fairy (who wishes she would treat the Beast as more than just a  friend) and animated furniture who act as servants for the Beast.  Eventually, Beauty goes home and then comes back to find the Beast dying from her absence. She kisses him and he becomes a handsome Prince. They get married and live happily ever after.  Disney attempted to make this as an animated picture in the mid 20th Century but no one could figure how to adapt it. With the success of The Little Mermaid in 1989, a new team with Gary Trousdale, Kirk Wise, Linda Woolverton, Howard Ashman, and Alan Menken created a masterpiece that lives on to this day. (30 years after its release!)  So, between the fairy tale and the animated movie--which did we prefer?  In this ep the Margos discuss: The basics of the plot and the two women credited with the story The history of Disney musicals and how “Belle” changed the idea of a Disney “Princess” The main differences between the fairy tale & film.  Starring: Paige O'Hara (Belle,) Robby Benson (The Beast,) Richard White (Gaston,) Jerry Orbach (Lumiere,) David Ogden Stiers (Cogsworth,) Angela Landsbury (Mrs. Potts,) and Bradley Pierce as Chip.  Clips used: Belle meets “Mrs. Potts” and the crew Beauty and the Beast 1991 trailer Gaston proposes to Belle The Beast Presents the library Belle & Beast dance Belle comes back to rescue the beast Music & Lyrics by Alan Menken and Howard Ashman Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts .  Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

En este episodio de Back to the Movies! Gabriel, Rafa y El Watcher comienzan el mes de noviembre, mes en el que conversaran sobre películas que marcaron sus infancias, conversando sobre "Beauty and the Beast" (1991), película protagonizada por Paige O'Hara, Angela Lansbury, Richard White y Robby Benson, escrita por Linda Woolverton, Brenda Chapman y Chris Sanders y dirigida por Kirk Wise y Gary Trousdale. ¡Apoya nuestro contenido uniéndote a nuestro Patreon! Visita: https://www.patreon.com/CulturaSecuencial ¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial ¡Síguenos en Twitter! Visita: https://twitter.com/CultSecuencial ¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial ¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial ¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial --- Send in a voice message: https://anchor.fm/culturasecuencial/message Support this podcast: https://anchor.fm/culturasecuencial/support

¿Cómo puede ayudarte tu sistema digestivo a vivir mejor?Lo cierto es que lo que comemos (y, muy importante, cómo lo digerimos) tiene un impacto directo en cómo funciona nuestro cuerpo… y nuestro cerebro. Y, dentro de ese mecanismo, la microbiota se está revelando cada vez más como un elemento fundamental.Ese es el tema principal del programa de esta semana, donde aprenderás cómo mejorar la calidad de tu vida cuidando de todos esos bichitos que viven en tu interior con la doctora Silvia Gómez Senent.Silvia Gómez-Senent es médico e hija de médicos. Licenciada en medicina, especialista en aparato digestivo, desde 2007 es adjunta de la especialidad en el Hospital La Paz. Es profesora de un Máster de microbiota en la Universidad Europea de Madrid y directora y profesora del curso «Experto en Permeabilidad Intestinal en la Universidad Francisco de Vitoria». Y ha editado su libro «Universo microbiota», en el que nos enseña cómo gestionar esa fauna que habita en nuestro interior.Silvia destaca por su pasión por el trato con el paciente, y por abordar los problemas médicos desde una perspectiva global. Tanto es así que hoy, os dejará un regalo a uno de vosotros.Notas de programa(Las notas del programa están disponibles en https://kenso.es/episodio/170-silvia-gomez-senent-microbiota)Índice de la entrevista(00:00) Bienvenida a Silvia y cómo llegó al universo microbiota(10:07) ¿Qué es la microbiota?(13:46) Cómo nos afecta el estado de la microbiota(20:12) El eje intestino–cerebro(24:18) Es posible cambiar tu microbiota(33:56) Cómo cultivar aquello que nos conviene(43:12) La dieta mediterránea(49:59) El descanso y la gestión emocional(57:51) La autogestión(1:01:09) El futuro de la microbiota(1:06:35) El primer paso para cuidar nuestra microbiota(1:08:41) El momento en que Silvia ha metido la pata al máximo(1:12:15) Sugerencias de Silvia para ti(1:13:17) Un regalo de Silvia(1:13:49) Cuestionario KENSO(1:27:19) Resumen y despedidasRecursos mencionadosWeb: Dra. Gómez SenentTwitter: @silviagsenentLinkedIn: Silvia Gómez SenentLibro: Universo microbiota de Silvia Gómez SenentEpisodio 156: El arte de comunicar con Mónica GalanLibro: El regalo de Eloy MorenoPersona: Sol AguirreMúsica: BSO de La Bella y la BestiaCanción: Destino o casualidad de MelendiPelícula: La Bella y la Bestia de Kirk Wise y Gary TrousdaleLa página web de KENSOSuscríbete al boletín electrónico de KENSOÚnete a la comunidadPara más aprendizajes productivos: suscríbete a nuestro canal de YouTubeÚnete a KENSO | CírculoKENSO | Círculo es el club para personas centradas en mejorar su efectividad y vivir más felices.Un club a tu alcance porque a partir de 1€ al mes tendrás acceso prioritario a los episodios del podcast, recibirás cada mes un episodio especial donde haremos una reseña sobre un libro de efectividad, disfrutarás de descuentos en los servicios de KENSO y de nuestra eterna gratitud por ayudarnos a mejorar.Más información & InscripciónComparte tus sugerencias¿Qué te gustaría escuchar en futuros episodios del podcast?Déjanos tus sugerencias de personas a entrevistar o temas a tratar en los comentarios de las notas del programa o en la comunidad KENSO.

¿Cómo puede ayudarte tu sistema digestivo a vivir mejor?Lo cierto es que lo que comemos (y, muy importante, cómo lo digerimos) tiene un impacto directo en cómo funciona nuestro cuerpo… y nuestro cerebro. Y, dentro de ese mecanismo, la microbiota se está revelando cada vez más como un elemento fundamental.Ese es el tema principal del programa de esta semana, donde aprenderás cómo mejorar la calidad de tu vida cuidando de todos esos bichitos que viven en tu interior con la doctora Silvia Gómez Senent.Silvia Gómez-Senent es médico e hija de médicos. Licenciada en medicina, especialista en aparato digestivo, desde 2007 es adjunta de la especialidad en el Hospital La Paz. Es profesora de un Máster de microbiota en la Universidad Europea de Madrid y directora y profesora del curso «Experto en Permeabilidad Intestinal en la Universidad Francisco de Vitoria». Y ha editado su libro «Universo microbiota», en el que nos enseña cómo gestionar esa fauna que habita en nuestro interior.Silvia destaca por su pasión por el trato con el paciente, y por abordar los problemas médicos desde una perspectiva global. Tanto es así que hoy, os dejará un regalo a uno de vosotros.Notas de programa(Las notas del programa están disponibles en https://kenso.es/episodio/170-silvia-gomez-senent-microbiota)Índice de la entrevista(00:00) Bienvenida a Silvia y cómo llegó al universo microbiota(10:07) ¿Qué es la microbiota?(13:46) Cómo nos afecta el estado de la microbiota(20:12) El eje intestino–cerebro(24:18) Es posible cambiar tu microbiota(33:56) Cómo cultivar aquello que nos conviene(43:12) La dieta mediterránea(49:59) El descanso y la gestión emocional(57:51) La autogestión(1:01:09) El futuro de la microbiota(1:06:35) El primer paso para cuidar nuestra microbiota(1:08:41) El momento en que Silvia ha metido la pata al máximo(1:12:15) Sugerencias de Silvia para ti(1:13:17) Un regalo de Silvia(1:13:49) Cuestionario KENSO(1:27:19) Resumen y despedidasRecursos mencionadosWeb: Dra. Gómez SenentTwitter: @silviagsenentLinkedIn: Silvia Gómez SenentLibro: Universo microbiota de Silvia Gómez SenentEpisodio 156: El arte de comunicar con Mónica GalanLibro: El regalo de Eloy MorenoPersona: Sol AguirreMúsica: BSO de La Bella y la BestiaCanción: Destino o casualidad de MelendiPelícula: La Bella y la Bestia de Kirk Wise y Gary TrousdaleLa página web de KENSOSuscríbete al boletín electrónico de KENSOÚnete a la comunidadPara más aprendizajes productivos: suscríbete a nuestro canal de YouTubeÚnete a KENSO | CírculoKENSO | Círculo es el club para personas centradas en mejorar su efectividad y vivir más felices.Un club a tu alcance porque a partir de 1€ al mes tendrás acceso prioritario a los episodios del podcast, recibirás cada mes un episodio especial donde haremos una reseña sobre un libro de efectividad, disfrutarás de descuentos en los servicios de KENSO y de nuestra eterna gratitud por ayudarnos a mejorar.Más información & InscripciónComparte tus sugerencias¿Qué te gustaría escuchar en futuros episodios del podcast?Déjanos tus sugerencias de personas a entrevistar o temas a tratar en los comentarios de las notas del programa o en la comunidad KENSO.

AJ, Mike, and Chris are very pleased to bring a special episode to you this month. To celebrate the upcoming 30th anniversary of Beauty and the Beast, we are thrilled to welcome Kirk Wise and Gary Trousdale to the show! Kirk and Gary co-directed this Academy Award-nominated film. They graciously agreed to sit down with AJ to discuss their personal experiences while working on this film. We put internet rumors to rest, discover how far one can launch a donut with surgical tubing, and discover how a group of animators, writers, and artists came together to create one of the greatest animated films ever produced. Want to reach out? Email us at 90sDisneyPodcast@gmail.com! --- Send in a voice message: https://anchor.fm/90sdisney/message Support this podcast: https://anchor.fm/90sdisney/support

Welcome to Episode 234 of The Binge Boys Podcast, Presented by WatchDog Media, Hosted by Logan Lewis & Tanner Smith. Welcome to the Run Thru! This week, the duo tackles the 1996 hit, The Hunchback Of Notre Dame: Directed by Gary Trousdale & Kirk Wise, Starring Demi Moore, Jason Alexander & Tom Hulce & more. An animated Disney adventure follows disfigured Quasimodo (Tom Hulce), the bell-ringer of Notre Dame Cathedral, who bides his time locked away in a tower. With only gargoyles to keep him company, Quasimodo longs to be with other people, leading to his chance encounter with the enchanting Gypsy Esmeralda (Demi Moore). When the beautiful young woman catches the attention of Quasimodo's guardian, sinister Frollo (Tony Jay), Quasimodo must help to keep her out of his clutches. Follow Along on Instagram: @bingeboyspodcast Use Code "BINGE15" for 15% off your order at preppedreadymeals.com

Vocês pediram e o Papo Animado dessa semana está especial e traz os seus amigos Allan Wood (@AllanWood.mp4) e Léo Francisco (@cadeoleofrancisco) recebendo o jornalista e amigo Celbi Pegoraro (do podcast AnimaSom) para celebrar o aniversário de 25 anos de O CORCUNDA DE NOTRE DAME (The Hunchback of Notre Dame), o 34º clássico Disney Animation Studios, dirigido por Kirk Wise e Gary Trousdale e produzido por Don Hahn. Falamos do animado, sua produção, do lançamento e claro, nossas canções favoritas que foram criadas por Alan Menken e Stephen Schwartz. Ah, o episódio também conta com a participação especial de Diego Bargas (@diegobargas). Então, prepara uma pipoca, pega uma bebidinha, se acomoda no sofá e vem curtir com a gente esse especial incrível desta preciosidade da Disney da década de 90. ___ E-mail: papoanimadocast@gmail.com Instagram: https://www.instagram.com/papoanimado/ YouTube: https://www.youtube.com/papoanimado

Aaron and Josh Sarnecky are here for the June edition of their movie retrospectives. This month they're talking about Disney's The Hunchback of Notre Dame for its 25th anniversary. The Hunchback of Notre Dame opened in theaters on June 21, 1996. It is an animated musical directed by Gary Trousdale and Kirk Wise, based on the classic novel by Victor Hugo. Set in 1482 Paris, the film follows Quasimodo (Tom Hulce, Amadeus), who rings the bells atop the Notre Dame cathedral. Convinced by his master Judge Frollo (Tony Jay, Twins) that he is a monster due his hunched back and abnormal appearance, Quasimodo stays in the bell tower. However, one day he ventures outside. It's there he befriends a kind and beautiful dancer named Esmeralda (Demi Moore, Ghost). Quasimodo's only other friends are three talking gargoyles, Victor (Charles Kimbrough, Murphy Brown), Hugo (Jason Alexander, Seinfeld), and Laverne (Mary Wickes, Sister Act). Rounding out the cast is Captain Pheobus (Kevin Kline, The Road to El Dorado), who serves under Frollo but disapproves of his cruelty. The Hunchback of Notre Dame garnered a generally positive reception from critics and moviegoers, and the film earned an Oscar nomination for its score. Gene Siskel awarded the movie three and a half stars while Roger Ebert awarded it four out of four. However, there was controversy over the film's content, particularly with parents complaining that the religious themes and Frollo's lust for Esmeralda were inappropriate for young children. Regardless, Hunchback made $325 million on a $100 million budget and was the fifth highest grossing film of 1996. Josh and Aaron talk about how Hunchback factored into their childhood, plus all the movie's elements, including the plot, characters, music, and animation. The two also discuss the film's direct-to-video sequel and planned live action remake. For more Disney animated films, listen to Aaron and Josh talk about The Lion King and The Emperor's New Groove. The Hunchback of Notre Dame is streaming on Disney+.

This week we’re joined by the hosts of Poor Unfortunate Podcast, Conor Perkins and Caroline Aimetti, to break down the casting of Disney’s gorgeous The Hunchback of Notre Dame! Which Monty Python star almost landed a role? Whose audition for Quasimodo turned into a wall-shaking shouting match? And is “The Bells of Notre Dame” the one song you can’t option down at the end? Also – break out the cheesecake as we add the one thing this movie’s missing: The Golden Goyles!   The Hunchback of Notre Dame stars Tom Hulce, Demi Moore, Kevin Kline, Jason Alexander, Mary Wickes, Charles Kimbrough, Paul Kandel, and Tony Jay; directed by Gray Trousdale and Kirk Wise     Follow the Podcast: On Instagram: @andalmoststarring  On Facebook: @andalmoststarring Have a film you’d love for us to cover? E-mail us at andalmoststarring@gmail.com   www.andalmoststarring.com

This episode is dedicated to Disney's 1991 animated film titled Beauty and the Beast directed by Gary Trousdale and Kirk Wise. There will be spoilers!

Kirk Wise has directed or played key creative roles on some of the most beloved family films of all time, including BEAUTY AND THE BEAST (1991), HOMEWARD BOUND: THE INCREDIBLE JOURNEY (1993), THE LION KING (1994), THE HUNCHBACK OF NOTRE DAME (1996), and ATLANTIS: THE LOST EMPIRE (2001). Thank you for listening & supporting the podcast :) https://www.buymeacoffee.com/sneakies https://www.paypal.com/paypalme2/anonymouscontent Funds will go to sound and editing. Paypal (friends & family) petcarebuddies@gmail.com https://www.patreon.com/sneakies Instagram/TikTok @marylinartist LinkedIn: Marylin Hebert Please Subscribe to our YouTube:) https://www.youtube.com/user/Fellinijr/videos Zombie Diaries: https://youtu.be/tBmgi3k6r9A Our books :) Young Adult wizard book series: "Margaret Merlin's Journal" by A. A. Banks at Amazon! :) https://www.instagram.com/margaretmerlinsjournal/ MMJ Book I The Battle of the Black Witch https://www.amazon.com/Margaret-Merlins-Journal-Battle-Black-ebook/dp/B01634G3CK MMJ Book II Unleashing the Dark One Science fiction action adventure https://www.amazon.com/Margaret-Merlins-Journal-Unleashing-Dark-ebook/dp/B01J78YH6I MMJ Book III The Mask of the Parallel World An Adventure in Italy https://www.amazon.com/Margaret-Merlins-Journal-Parallel-World-ebook/dp/B01KUGIZ8W/ MMJ Book IV The Quest for the Golden Key https://www.amazon.com/Margaret-Merlins-Journal-Quest-Golden-ebook/dp/B076FTTDQN Top kids podcast: Enchanting Book Readings https://podcasts.apple.com/us/podcast/enchanting-book-readings-reviews/id1498296670 Other awesome podcasts: Thrilling Stories, Enchanting Book Readings, Girl's Guide To Investing, Legitimately Mallie & The Haunting Dairies of Emily Jane. Support this podcast: https://anchor.fm/girlmogul/support --- Support this podcast: https://anchor.fm/filmaddicts/support

Kirk Wise has directed or played key creative roles on some of the most beloved family films of all time, including BEAUTY AND THE BEAST (1991), HOMEWARD BOUND: THE INCREDIBLE JOURNEY (1993), THE LION KING (1994), THE HUNCHBACK OF NOTRE DAME (1996), and ATLANTIS: THE LOST EMPIRE (2001). Thank you for listening & supporting the podcast :) https://www.buymeacoffee.com/sneakies https://www.paypal.com/paypalme2/anonymouscontent Funds will go to sound and editing. Paypal (friends & family) petcarebuddies@gmail.com https://www.patreon.com/sneakies Instagram/TikTok @marylinartist LinkedIn: Marylin Hebert Please Subscribe to our YouTube:) https://www.youtube.com/user/Fellinijr/videos Zombie Diaries: https://youtu.be/tBmgi3k6r9A Our books :) Young Adult wizard book series: "Margaret Merlin's Journal" by A. A. Banks at Amazon! :) https://www.instagram.com/margaretmerlinsjournal/ MMJ Book I The Battle of the Black Witch https://www.amazon.com/Margaret-Merlins-Journal-Battle-Black-ebook/dp/B01634G3CK MMJ Book II Unleashing the Dark One Science fiction action adventure https://www.amazon.com/Margaret-Merlins-Journal-Unleashing-Dark-ebook/dp/B01J78YH6I MMJ Book III The Mask of the Parallel World An Adventure in Italy https://www.amazon.com/Margaret-Merlins-Journal-Parallel-World-ebook/dp/B01KUGIZ8W/ MMJ Book IV The Quest for the Golden Key https://www.amazon.com/Margaret-Merlins-Journal-Quest-Golden-ebook/dp/B076FTTDQN Top kids podcast: Enchanting Book Readings https://podcasts.apple.com/us/podcast/enchanting-book-readings-reviews/id1498296670 Other awesome podcasts: Thrilling Stories, Enchanting Book Readings, Girl's Guide To Investing, Legitimately Mallie & The Haunting Dairies of Emily Jane. Support this podcast: https://anchor.fm/girlmogul/support --- Support this podcast: https://anchor.fm/filmaddicts/support

Joining hosts Dave Bossert and Aljon Go this week is Director/Animator/Screenwriter Kirk Wise! Wise is known for directing Walt Disney Animation's Beauty and the Beast, The Hunchback of Notre Dame, and Atlantis: The Lost Empire (w/Gary Trousdale). Visit Skull Rock Podcast | Facebook. Purchase Dave Bossert's new award-winning book "3D Disneyland - Like You've Never Seen It Before at theoldmillpress.com. Email us: aljon@skullrockpodcast.com | dave@skullrockpodcast.com. Outro music "The Pirate King" composed by Jared Rehnquist/Untold Journey - Creative Commons Attribution 4.0 International License https://youtu.be/iTVxFPhbAtk. --- Send in a voice message: https://anchor.fm/skullrockpodcast/message Support this podcast: https://anchor.fm/skullrockpodcast/support

ON THE ELEVENTH EPISODE OF THE BOMB SQUAD PODCAST: Austin, Joe and Tim discuss Gary Trousdale & Kirk Wise's animated adventure film "Atlantis: The Lost Empire". We all grew up with Atlantis, so did it stand the test of time? Tune in to find out! Website: https://www.bombsquadproductions.com/ Like us on Facebook: https://www.facebook.com/bombsquadproductions Follow us on Instagram: https://www.instagram.com/bombsquad_productions/ Follow Us On Twitter: https://twitter.com/BombSquadProds Follow Us On Twitch: https://www.twitch.tv/bombsquadproductions LinkTree: https://linktr.ee/bombsquadproductions Listen to us on these platforms: Spotify: https://open.spotify.com/show/6VbdgPxf8efiAMph5tH6T8 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80YTM2ZWJkNC9wb2RjYXN0L3Jzcw Anchor: https://anchor.fm/bombsquadproductions PocketCast: https://pca.st/r54f4dsp RadioPublic: https://radiopublic.com/bomb-squad-productions-podcast-hu-Wol7V4 Breaker: https://www.breaker.audio/bomb-squad-productions-podcast-hub --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Jean Cocteau's visionary rendition of Madame de Beaumont's fairy tale "Beauty and the Beast," itself the retelling of a story that may be several millennia old, is the topic of this Weird Studies episode, which proposes a journey down lunar paths to the crossroads where love and death intersect. Drawing on Surrealism, myth, and the occult, Cocteau's 1946 film transcends the limitations of media to become a living poem, a thing that is also a place, a place that is also a mind. This conversation touches on the genius of the child, the mysteries of Eros, the monstrosity of consciousness, and the sorcery of cinema. Photo by Ivan Jevtic on Unsplash REFERENCES Jean Cocteau (dir.), La Belle et la Bête (https://www.imdb.com/title/tt0038348/) Jaques Maritain, Creative Intuition in Art and Poetry (https://bookshop.org/a/18799/9781944418762) Sergei Diaghilev (https://en.wikipedia.org/wiki/Sergei_Diaghilev), Russian impresario Gary Trousdale and Kirk Wise (dir.), Beauty and the Beast (https://www.imdb.com/title/tt0101414/) David Thomson, Have You Seen? (https://bookshop.org/books/have-you-seen-a-personal-introduction-to-1-000-films/9780375711343) Bram Stoker, Dracula (https://bookshop.org/a/18799/9780141439846) Johannes Vermeer (http://www.essentialvermeer.com/), Dutch painter Philip Glass, [La Belle et la Bête](https://philipglass.com/compositions/belleetlabete/)_ (opera) Game of Thrones (https://www.imdb.com/title/tt0944947/), Television series Weird Studies, Episode 84 on the Empress Card (https://www.weirdstudies.com/84) Weird Studies, Episode 94 on the Moon Card (https://www.weirdstudies.com/94)

What day is today? It's Malu's birthday! What a day for a birthday! Let's all have some cake/podcast! It's a party in class today, estudiantes! Your (debatably) favorite professor, Malu Mirones, turns the ripe old age of 21 and she's going to EDUCATE YOU ON ANIMATION, FOOLS. Professor Katie surfs the deluge of Malu's love for Disney (Fox) animation and she even brings a tailor-made game for Malu, just to watch her squirm. Your illuminating instructors drink wine and bourbon and discuss 1997's Anastasia (dir: Don Bluth and Gary Goldman), 1999's Tarzan (dir: Kevin Lima and Chris Buck), and finally, surprising no one, 2001's Atlantis: The Lost Empire (dir: Gary Trousdale and Kirk Wise). Plus, ice is broken by being dumped into booze because these teachers are thirstyyyyy. Please rate, review, and subscribe on your podcatcher of choice, you flying wildpeople in loincloths! Professor Katie's Short Films: Same Time Tomorrow Bloom Listen to Slow Readers wherever podcasts are found! Gabe's Instagram: @tldrswinton Instagram: @filmschoolprofessionals Professor Malu's Art Instagram: @malusdoodles Professor Katie's Instagram: @_katiee_kat

It's 1991, and the first Disney film to feature in this series! The team discuss 'Beauty and the Beast' directed by Gary Trousdale and Kirk Wise in this episode, so tune in to hear the conversation surrounding this nostalgic classic.

Da 5 Bloods (2020) R | 2h 34min | Adventure, Drama, War | 12 June 2020 (USA) Four African American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide. Director: Spike Lee Writers: Danny Bilson, Paul De Meo (as Paul Demeo) Stars: Delroy Lindo, Jonathan Majors, Clarke Peters, Chadwick Boseman Atlantis: The Lost Empire (2001) PG | 1h 35min | Animation, Action, Adventure | 15 June 2001 (USA) A young linguist named Milo Thatch joins an intrepid group of explorers to find the mysterious lost continent of Atlantis. Directors: Gary Trousdale, Kirk Wise Writers: Tab Murphy (screenplay by), Kirk Wise (story by) Stars: Michael J. Fox, Jim Varney, Corey Burton

Da 5 Bloods (2020) R | 2h 34min | Adventure, Drama, War | 12 June 2020 (USA) Four African American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide. Director: Spike Lee Writers: Danny Bilson, Paul De Meo (as Paul Demeo) Stars: Delroy Lindo, Jonathan Majors, Clarke Peters, Chadwick Boseman Atlantis: The Lost Empire (2001) PG | 1h 35min | Animation, Action, Adventure | 15 June 2001 (USA) A young linguist named Milo Thatch joins an intrepid group of explorers to find the mysterious lost continent of Atlantis. Directors: Gary Trousdale, Kirk Wise Writers: Tab Murphy (screenplay by), Kirk Wise (story by) Stars: Michael J. Fox, Jim Varney, Corey Burton

09/18/20 - In this episode, Michaels tells us about more of the panels he has attended as part of the Walt Disney Family Museum virtual series, including insight about Kirk Wise, Gary Trousdale, Brenda Chapman, Kevin Lima, and Dennis Muren!

Kirk Wise on the opening of local movie theaters, including Cinemark in Stephenville. Fine more like this by subscribing to the Tarleton Radio Special Report feed wherever you get your podcasts.

Music Blink 182 The Matt Skiba rumors are not true! Skiba is still the guitar player and vocalist for the band. As confirmed by Mark Hoppus on instagram. TV/Streaming Follow-ups/Corrections Fandome - DC Comics and HBO Max are both teasing Green Lantern info at the digital con. The schedule is now live, and you can build your own: https://schedule.dcfandome.com/ Supernatural - The brothers Winchester will be returning for their final 7 episodes on Oct. 8. https://tvline.com/2020/08/17/supernatural-season-15-final-episodes-premiere-return-date-cw/ The Boys Looks like Jensen Ackles will be joining the cast for season 3 as Soldier Boy, the very first superhero in the series’ mythos. Star Trek: Strange New Worlds Alex Kurtzman told Deadline that the new Trek series will see a return to more episodic content. There will still be longer form storytelling, but by-and-large it will be told in smaller episode to episode chunks like Trek of old. AnimeLog Thirty anime studios have teamed up to bring us a FREE anime streaming channel on YouTube. The channel is currently only available in Japan, but they will eventually open up to international (U.S. Included) audiences. They are rolling out content from the studios responsible for Doraemon, Astro-boy, Hunter x Hunter, Akira, One Piece, and Pokemon. By 2022 they plan to have over 3000 separate titles. All subbed apparently. Movies Follow-ups/Corrections Fandome - James Gunn has confirmed Suicide Squad footage for the event. James Wan teases some elucidation on the horror elements planned for Aquaman 2. Matrix 4 - Laurence Fishbourne will apparently NOT be in the movie. Atlantis: The Lost Empire The directors of the animated movie, Kirk Wise and Gary Trousdale, have shot down the rumor that their movie is on the list of live action adaptations. https://youtu.be/aEJd8oZt37E Gaming/Tech Follow-ups/Corrections Fandome - The OFFICIAL reveal of the Suicide Squad game comes from the scheduling app? The leak was legit, and it will be called Suicide Squad: Kill the Justice League. TikTok - Now Oracle has thrown their hat in the ring. Comic Books/Books DC Cancellations The inevitable has happened. Batgirl, Batman and The Outsiders, and Justice League Odyssey ends in October. Teen Titans, Young Justice, Suicide Squad, Hawkman, and John Constantine: Hellblazer, with The Batman's Grave and Metal Men limited series also reaching their planned end in November. ALSO, Jim Lee has squashed the rumor that Marvel might acquire DC Comics Ready Player Two Will Wheaton will read the audio book once again. Dracula Bela Lugosi ISN’T dead it would seem. There is a new Dracula book coming from Legendary Comics using the classic actor’s likeness with official approval from the Lugosi estate. Punchline The new Joker bae is getting her own one-off book giving us a more proper look at her origin. To be on shelves this November. Writers; James Tynion IV and Sam Johns, Art; Mirka Andolfo. Rumor Mill Star Wars Along with some of the other rumors we have discussed, now it sounds like there is a desire to bring Kylo Ren back for future movies or a Disney+ series. In Other Rumors… In spite of recent anti-rumor concerning the demise of the successor series following Rebels, it DOES seem that the series IS still in motion. Project Power Netflix is reportedly considering the superhero a la limitless movie for a series. It sounds like it could be either a proper series, OR a series of movies. Apex Legends Data miners have found text that seems to imply another new map in the game. This time it is going to be a tropical location… whatever that may mean. Fantastic Four Marvel just registered 2 new production companies, Grass-Fed Productions and Solve Everything Productions. One of which seems to imply Fantastic Four could be gearing up for production. IF it IS F4 that is being pushed forward, then the name could imply we might be seeing the council of Reeds from the comics, according to another rumor.

Tarleton Radio's Kirk Wise interviews Stephenville District Superintendent, Dr. Matt Underwood. They discuss Stephenville Independent School District's plans for the Fall semester including face-to-face instruction, optional virtual learning, and modified registration forms. For more information, visit the Stephenville ISD website at https://www.sville.us/

Harlly, Jeaun and Lawson never can run from nor hide what they’ve done from the eyes, the very eyes of Notre Dame. ALSO DISCUSSED* Antrum: The Deadliest Film Ever Made (2018)* The Hunchback of Notre Dame II: The Secret of the Bell (2002)* Independence Day (1996)* Independence Day: Resurgence (2016)* Lethal Weapon: Season 3 (2018-2019)* Queen Crab (2015)* Mr. Reliable (1996)* A Time to Kill (1996)* Trainspotting (1996)Reach us on Twitter at: https://twitter.com/IDontKnowWhyWe1Read Harlly and Jeaun's Blog at https://onthebrightsidemedia.home.blog/Read Lawson's Blog athttps://exitthroughthecandycounter.wordpress.com/

A lo mejor pensáis que soy una pesada por traer de nuevo al #baransupodcast a Patricia RosMar. ¡Pero es que tenemos un super temazo pendiente!!!! Las RELACIONES TÓXICAS. Patricia es psicóloga y coach experta en el empoderamiento de la mujer y, precisamente, en relaciones tóxicas. Pero, ¿qué es una relación tóxica? ¿Existen las personas tóxicas o solo se establecen relaciones de este tipo? ¿Tiene que ver el machismo con estas relaciones? ¿Cómo saber si estamos en una relación tóxica y ni nos hemos enterado?? Todas estas preguntas y muchas más las abordamos en una entrevista preciosa, sentida... Te recomiendo que te sirvas un té, te sientes en un lugar cómodo y agradable y disfrutes. Ya te digo que NO es un podcast para escuchar mientras corres o mientras cocinas. Porque vamos a tocar temas muy profundos, y me gustaría que estuvieras presente, y te permitas ESCUCHARTE mientras la escuchas. SENTIR lo que siente tu cuerpo al oír determinadas frases. Si sientes que cualquiera de tus relaciones no es como te gustaría, atrévete a escuchar este podcast y descubre si estás en una relación tóxica y qué papel intrepretas tú en ella. ¿Eres la que está por debajo? ¿O a lo mejor eres tú la que cree que está por encima? Ya me contarás... En esta ocasión, hemos hecho referencia a varias películas super conocidas (seguro que las has visto!!): - La Bella y la Bestia (Gary Trousdale y Kirk Wise, 1991). También está la versión de 2017, pero la que mola es la de dibujos. Punto. - Pretty Woman (Garry Marshall, 1990) - Saga Crepúsculo: - Crepúsculo (Catherine Hardwicke, 2008) - Luna nueva (Chris Weitz, 2009) - Eclipse (David Slade, 2010) - Amanecer (parte 1) (Bill Condon, 2011) - Amanecer (parte 2) (Bill Condon, 2012) La escena de Los Simpson la explico mal: es un tiburón, jejeje. Pero el concepto está ahí: https://www.youtube.com/watch?v=0O6ewRwvgSs En el post del blog (https://baransuorden.com/blog) tienes un resumen de los temas tratados con el minutaje, por si quieres recuperar algún tema en concreto más adelante. Dónde encontrar a Patricia: - Aquí puedes apuntarte a la masterclass gratuita de Patricia y ver toda la información sobre su programa de empoderamiento femenino: https://www.mujerenpoderhada.com/ - Web: http://www.patriciarosmar.com/ - Instagram: @patryciarosmar (https://www.instagram.com/patryciarosmar/) - Facebook: https://www.facebook.com/patriciarosmarmenpoderhada/ - Youtube: https://www.youtube.com/channel/UCB9HcZnN7fbxSfn97b9WK0g ******************************************** Dónde encontrarme: - Instagram: @baransuorden (https://www.instagram.com/baransuorden/) - Facebook: https://www.facebook.com/baransuorden/ - Web: http://baransuorden.com/ Espero que os guste y os empodere!!! Y la semana que viene volvemos a encontrarnos con una nuevo episodio del #baransupodcast!

Show Notes:  In this episode of The Tiara Talk Show, directors Kirk Wise, Gary Trousdale and screenwriter Tab Murphy chat with host Tammy Tuckey to celebrate the upcoming 20th anniversary of "Atlantis: The Lost Empire"! Read Roger Ebert's original review of the film here: www.rogerebert.com/reviews/atlantis-the-lost-empire-2001 Want to give us your thoughts on this episode? Call us at 1-407-413-9390 and leave us a voicemail! Thanks for listening! “The Tiara Talk Show” is edited, created and hosted by Tammy Tuckey. The Tiara Talk Show is Copyright © 2013-2020 by Tammy Tuckey. All rights reserved.

It's our first bonus episode! AJ was very fortunate to chat up the co-director of Atlantis: The Lost Empire and The Hunchback of Notre Dame, Kirk Wise! Learn about how the world of Atlantis was created, discover how Hellfire made it into the film, and find the answer to a nearly 19 year long grudge. Kirk and AJ spend over an hour diving deep into how animation is brought to life in two of Disney's most unique and groundbreaking animated films of the 90s(ish). --- Send in a voice message: https://anchor.fm/90sdisney/message Support this podcast: https://anchor.fm/90sdisney/support

Une histoire éternelle peut-elle être un FLAN ? Pas sûr, mais on se penche donc sur La Belle et La Bête avec Maxime, le gagnant de notre blindtest en live qu'on avait organisé pour Rien que d'y penser sur twitch.tv/elabete. Vous pouvez retrouver Maxime sur Twitter. Howard Ashman, Glen Keane, Valter Elias Disney, Jean Cocteau, Alan Menken, Linda Woolverton, Kirk Wise, Richard Williams, Richard Purdum, Trousdale... Plein de noms qui ne vous parlent peut-être pas tous, mais tous ont eu leur part dans la création du che-... du film d'animation La Belle et La Bête. Mais est-ce un brouillon pour le film live ? Est-ce une petite merveille qui a innové sur plein d'aspects et un peu lancé les années 90 chez Disney ? Est-ce que nagla va être un rageux en sortant des détails inutiles pour faire genre ? Ben faut écouter pour savoir, les cocos ! Dites-le-nous dans les coms (avec 5 étoiles c'est toujours cool). Au fait, on a sorti un FLAN sur Spirit, L'Étalon des plaines sur Patreon > patreon.fautlanimer.com, 5$, pas plus pour y accéder (entre autres). On remercie le camarade Alex de Secrets Disney qui nous accompagne une fois de plus après Nausicaä et Spirit (ouais, Spirit, ben ouais les gars.) et apporte plein de choses à ce bô podcast. Si vous aimez nos contenus et que vous voulez participer à leur création tout en vous faisant chouchouter en accédant à des récompenses diverses, direction notre Patreon : https://www.patreon.com/rienquedypenser Sinon, vous pouvez toujours suivre sur Twitter @FautLANimer, @Rienquedypenser, @naglaglasson, @eparcurien. Ou notre Instagram aussi  @Rienquedypenser. FLAN est un podcast du label Élabète, le réseau qui vous fait rêver, notamment de flans.

  Animé par Victoire Bocquillon, Laurent Armand-Zuniga, Franck Armand-Zuniga, Karl Derisson et Frédéric Julien Le Liard Marâtres, scélérats, gredins, bandits, mégères, usurpateurs et  sorcières : s'ils ne sont pas les personnages centraux des films d'animations Disney, les Méchants  sont indispensables à l'intrigue incontestablement. Pour évoquer ces personnages que le public adore détester, Victoire réunit autour de la table quelques membres de l'équipe pour que chacun rende hommage à son antagoniste préféré. Avant de commencer, et sans dévoiler son choix, chaque chroniqueur donne sa définition des caractéristiques d'un méchant réussi. Les traits de caractère, le charisme, l'animation, le design, le doublage, les intentions ou encore les numéros musicaux sont autant de composantes qui définissent le personnage parfait selon eux.  Des plus hautes tours de Notre-Dame aux profondeurs de l'océan, du désert d'Agrabah aux rives du Styx en passant par le Londres du milieu du XXème siècle, chacun expose celui ou celle qui l'effraie, le fait rire et tout simplement le fascine. Édile consumé par le pouvoir et le désir, dieu au débit d'enfer, hystérique accro à la fourrure, cecaelia rancunière,  ou vizir qu'Iznogoud n'aurait pas renié, chaque portrait est brossé à travers l'histoire et le contexte de la conception du personnage, de son animation, de ses voix françaises comme originales, de l'analyse de ses desseins et de son destin dans le long-métrage, mais aussi de ses apparitions dérivées dans les séries et les films en prises de vues réelles notamment. Enfin, dans une dernière partie, l'équipe commente les résultats du sondage réalisé sur Facebook et Instagram  sur les préférences du public pour ces icônes malfaisantes. Si chaque intervenant a déjà défendu son choix, c’est l’occasion pour chacun de revenir sur les confrères et consœurs de ces personnages mal-intentionnés qui n'ont pas encore été évoqués, dressant en conclusion dans une jovialité bon enfant un glossaire assez complet des Méchants de l'univers Disney. Crédits :  Extrait de Hocus Pocus - Les Trois Sorcières de Kenny Ortega © 1993 - Walt Disney Pictures - Tous droits réservés Kidnap the Sandy Claws (instrumental) par Danny Elfman - bande originale de L'Étrange Noël de Monsieur Jack  © 1993 - Walt Disney Records - Tous droits réservés Extrait de Le Bossu de Notre-Dame de Gary Trousdale et Kirk Wise © 1996 - Walt Disney Animation Studios - Tous droits réservés Extrait de Hercule de Ron Clements et John Musker © 1997 - Walt Disney Animation Studios - Tous droits réservés Extrait de Les 101 Dalmatiens de Wolfgang Reitherman © 1961 - Walt Disney Animation Studios - Tous droits réservés Extrait de La Petite Sirène de Ron Clements et John Musker © 1989 - Walt Disney Animation Studios - Tous droits réservés Extrait de Aladdin de Ron Clements et John Musker © 1992 - Walt Disney Animation Studios - Tous droits réservés Villain's Medley interprété par Jonathan Freeman et le Aladdin Broadway Musical Cast (Prince Ali (reprise) de Tim Rice et Alan Menken, Poor Unfortunate Souls de Howard Ashman et Alan Menken, Cruella De Vil de Mel Leven, Oogie Boogie's Song de Danny Elfman) @ 2015 - Oh my Disney et The Walt Disney Company - Tous droits réservés

Atlantis: The Lost Empire (2001) PG | 1h 35min | Animation, Action, Adventure | 15 June 2001 (USA) A young adventurer named Milo Thatch joins an intrepid group of explorers to find the mysterious lost continent of Atlantis. Directors: Gary Trousdale, Kirk Wise Writers: Tab Murphy (screenplay by), Kirk Wise (story by) Stars: Michael J. Fox, Jim Varney, Corey Burton Check us out on Facebook https://www.facebook.com/acoupleofaveragejoes Our Website https://www.acoupleofaveragejoes

Atlantis: The Lost Empire (2001) PG | 1h 35min | Animation, Action, Adventure | 15 June 2001 (USA) A young adventurer named Milo Thatch joins an intrepid group of explorers to find the mysterious lost continent of Atlantis. Directors: Gary Trousdale, Kirk Wise Writers: Tab Murphy (screenplay by), Kirk Wise (story by) Stars: Michael J. Fox, Jim Varney, Corey Burton Check us out on Facebook https://www.facebook.com/acoupleofaveragejoes Our Website https://www.acoupleofaveragejoes

Qu’elles se saisissent d’une croix réservée aux hommes, qu’elles survolent une course cyclistes ou qu’elles obtiennent n’importe quelle avancée un tant soit peu féministe, les femmes savent qu’elles peuvent s’attendre à des réactions hostiles, agressives, visant à les remettre à leur place. Parce que les hommes, plutôt que de s’interroger sur leur propre statut, préfèrent organiser des chasses aux sorcières et planifier les retours de bâton. Un mercredi sur deux, Mansplaining observe les masculinités à travers des œuvres culturelles et des faits d’actualité. Parce que la parole masculine est archi dominante, sauf lorsqu’il s’agit de remettre en question les privilèges des hommes. Si vous aimez Mansplaining, pensez à l’exprimer en lui donnant la note maximale sur iTunes et ailleurs, en en parlant autour de vous, et en laissant plein de commentaires bienveillants sur les réseaux sociaux. Références :Dieu existe, son nom est Petrunya (Teona Strugar Mitevska, 2018)Les Chiens de paille (Sam Peckinpah, 1971)La Belle et la Bête (Gary Trousdale & Kirk Wise, 1991)Mona Chollet, Sorcières, la puissance invaincue des femmes, éditions Zones / La Découverte)Susan Faludi, Backlash, la guerre froide contre les femmes, éditions des FemmesConférence de presse du film Dieu existe, son nom est Petrunya, 10 février 2019 Aude Lorriaux, «Sorcières», le livre de Mona Chollet qui donne envie d’en devenir une, Slate.fr Rebecca Amsellem, Une femme dépasse les hommes : on la force à s’arrêter, Newsletter Les Glorieuses Sky News, Female cyclist explains why race officials delayed her race Musique: Warm Sea, Savvier

El incendio que ha sufrido esta semana la parisina catedral de Notre Dame nos ha llenado el corazón de dolor por los daños en tan emblemática edificación, todo un símbolo religioso, artístico, arquitectónico... Si hubo un momento en la historia del cine en que recorrimos los rincones más icónicos de ese edificio fue con la producción Disney en que, mediante animación y con inolvidables canciones de fondo,. acompañábamos a Quasimodo.Esta semana repasamos la banda sonora original de "El jorobado de Notre Dame" (Gary Trousdale y Kirk Wise, 1996).

For episode 19, Chris and Alex revisit the Walt Disney Studio and its adaptation of Victor Hugo’s nineteenth-century Gothic novel for its cel-animated musical The Hunchback of Notre Dame (Gary Trousdale and Kirk Wise, 1996). A melodrama set against the backdrop of medieval Paris, the film reworks its classic source material and gives it the Mouse House treatment, bringing Hugo’s mature literary Gothicism together with Disney’s ‘cartoon’ principles. Discussion ranges from the film’s evocation of the ‘topsy turvy’ carnivalesque to specific elements of its character design, as Chris and Alex consider how Hunchback’s broader thematic concerns of suppressed sexuality and obsession, damnation, and grotesque horror reconfigure Disney’s (fairy) tale ‘as old as time’ formula.

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guest Andy Melhuish, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them. This time, Gary Trousdale & Kirk Wise's Beauty and the Beast. Once upon a time, a tired traveller came upon an isolated castle. Imprisoned by a foul-humoured beast, the man's daughter was forced to trade her father's freedom for her own. However, over time, the young woman comes to realise that there may something human lurking beneath the creature's monstrous exterior. At time of recording, it was ranked the 248th best movie of all time on the Internet Movie Database.

Dans ce troisième épisode de Sorociné, Pauline et Laura reviennent, à l'occasion du Festival International du Film d'Animation d'Annecy (du 11 au 16 juin 2018), sur des studios d'animations qui recouvrent plus de 80 ans d'histoire. À travers l'évolution de quelques héroïnes Disney-Pixar (hors univers Star Wars et Marvel), elles se sont questionnées sur leurs arcs narratifs, leurs personnalités et leurs rôles. De Blanche-Neige à Vaina en passant par Elsa, Tiana, Mérida ou encore Mulan, par où sont passées toutes ces héroïnes et où en sont-elles aujourd'hui? Participantes: @paulinemallet_ / @CookieTime_LE Montage et mixage son: Pauline Mallet Deuxième mixage son: Hadrien Langue Livre(s) mentionné(s): "Les Héroïnes Disney, incarnations et emblèmes de leur époque" aux éditions Huginn & Muninn (sortie prévue courant Octobre 2018) Références mentionnées (par ordre chronologique de sortie): Blanche-Neige - David Hand (1937) Cendrillon - Clyde Geronimi (1950) La Belle au bois dormant - Clyde Geronimi(1959) La Belle et la Bête - Gary Trousdale et Kirk Wise(1991) Pocahontas - Mike Gabriel et Eric Goldberg(1995) Mulan - Tony Bancroft, Barry Cook(1998) La Princesse et la Grenouille - John Musker et Ron Clements (2010) Raiponce - Byron Howard (2010) Rebelle - Mark Andrews et Brenda Chapman (2012) La Reine des Neiges - Jennifer Lee (2013) Maléfique - Robert Stromberg (2014) Vaina: La légende du bout du monde - Ron Clements(2016) Les Indestructibles 2 - Brad Bird (2018) Bao - Domee Shi (2018) Ralph 2.0 - Rich Moore et Phil Johnston (en salles le 23 janvier 2019) Suivez toute l'actualité de Sorociné sur Twitter: @sorocinepodcast

In Episode 34 of The Cinescope Podcast, Chad and Jesi Nelson talk about one of their favorite movies, The Hunchback of Notre Dame! The Cinescope Podcast on iTunes Show Notes PREVIEW - Excerpt from “Out There”, sung by Michael Arden in Original Cast Recording The Hunchback of Notre Dame on iTunes The Hunchback of Notre Dame soundtrack on iTunes The Hunchback of Notre Dame (Studio Cast Recording) on iTunes Stats Released June 21, 1996 Dir. Gary Trousdale & Kirk Wise (Beauty and the Beast, Atlantis: The Lost Empire) Written by Tab Murphy, Irene Mecchi, Bob Tzudiker, Noni White, Jonathan Roberts; based on The Hunchback of Notre Dame by Victor Hugo Music by Alan Menken (The Little Shop of Horrors, The Little Mermaid, Beauty and the Beast (1991 and 2017), Newsies, Aladdin, Pocahontas, Hercules, Enchanted, Tangled); songs by Menken and Stephen Schwartz (Godspell, lyrics for Pocahontas, Prince of Egypt, lyrics for Enchanted, Wicked) Starring Tom Hulce, Demi Moore, Tony Jay, Kevin Kline, Paul Kandel, Jason Alexander, Mary Wickes, Charles Kimbrough, David Ogden Stiers Contact Jesi Twitter Instagram Email Website Sideshow Sound Radio Chad Twitter Facebook Cinescope Facebook Twitter Anchor Station Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Jesi Nelson.

Nessa quinta-feira que o remake chega aos cinemas de todo o Brasil – e você pode ler a nossa crítica clicando aqui – voltamos a 1991 para revisitar o clássico da Disney A Bela e a Fera (Beauty and the Beast), animação da Disney dirigida por Gary Trousdale e Kirk Wise, roteirizada por Linda Woolverton e que conta no elenco de vozes com Paige O’Hara, Robby Benson, Jerry Orbach, David Ogden Stiers e Angela Lansbury. Tiago Lira (@tiagoplira), Marcelo Paradella (@bolapucc) e Matheus Des (@matheusdes) discutem a filmografia dos envolvidos, o transtorno de personalidade da dublagem brasileira, a questão da síndrome de Estocolmo, a qualidade da animação, signos simples e eficazes da história e por quê a Bela pode ser comparada com uma personagem de Chico Buarque.

Nessa quinta-feira que o remake chega aos cinemas de todo o Brasil – e você pode ler a nossa crítica clicando aqui – voltamos a 1991 para revisitar o clássico da Disney A Bela e a Fera (Beauty and the Beast), animação da Disney dirigida por Gary Trousdale e Kirk Wise, roteirizada por Linda Woolverton e que conta no elenco de vozes com Paige O’Hara, Robby Benson, Jerry Orbach, David Ogden Stiers e Angela Lansbury. Tiago Lira (@tiagoplira), Marcelo Paradella (@bolapucc) e Matheus Des (@matheusdes) discutem a filmografia dos envolvidos, o transtorno de personalidade da dublagem brasileira, a questão da síndrome de Estocolmo, a qualidade da animação, signos simples e eficazes da história e por quê a Bela pode ser comparada com uma personagem de Chico Buarque.

Den här gången är det Disney för hela slanten! Panelen pratar de tecknade långfilmerna, de tecknade tv-serierna, tidningarna, Kalle Ankas Pocket... ja allt som är tecknad helt enkelt. Alla talar svenska!   LÄNKLISTA Supergirl (tv-serie, Ali Adler, Greg Berlanti, Andrew Kreisberg, 2015-) https://en.wikipedia.org/wiki/Supergirl_(TV_series)   Dirk Gentlys Holistiska Detektivbyrå (tv-serie, Max Landis, 2016-) https://en.wikipedia.org/wiki/Dirk_Gently%27s_Holistic_Detective_Agency_(TV_series)   Stranger Things (tv-serie, The Duffer Brothers, 2016-) https://en.wikipedia.org/wiki/Stranger_Things_(TV_series)   The OA (tv-serie, Zal Batmanglij, Brit Marling, 2016-) https://en.wikipedia.org/wiki/The_OA   Arrow (tv-serie, Greg Berlanti, Marc Guggenheim, Andrew Kreisberg, 2012-) https://en.wikipedia.org/wiki/Arrow_(TV_series)   The Flash (tv-serie, Greg Berlanti, Geoff Johns, Andrew Kreisberg, 2014-) https://en.wikipedia.org/wiki/The_Flash_(2014_TV_series)   Djungelboken (film, Wolfgang Reitherman, 1967) https://en.wikipedia.org/wiki/The_Jungle_Book_(1967_film)   Disneydags (tv-program, SVT, 1991-) https://sv.wikipedia.org/wiki/Disneydags   Lejonkungen (film, Roger Allers, Rob Minkoff, 1994) https://en.wikipedia.org/wiki/The_Lion_King   Snövit och de sju dvärgarna (film, David Hand, 1937) https://en.wikipedia.org/wiki/Snow_White_and_the_Seven_Dwarfs_(1937_film)   Fantasia (film, Samuel Armstrong med flera, 1940) https://en.wikipedia.org/wiki/Fantasia_(1940_film)   Bambi (film, David Hand, 1942) https://en.wikipedia.org/wiki/Bambi   Askungen (film, Clyde Geronimi, Hamilton Luske, Wilfred Jackson, 1950) https://en.wikipedia.org/wiki/Cinderella_(1950_film)   Mästerdetektiven Basil Mus (film, Ron Clements, John Musker med flera, 1986) https://en.wikipedia.org/wiki/The_Great_Mouse_Detective   Oliver & gänget (film, George Scribner, 1988) https://en.wikipedia.org/wiki/Oliver_%26_Company   Musse Pigg på utflykt (bok, Jane Werner, 1959) http://libris.kb.se/bib/2244686   Kalle Anka & Co (serietidning, Egmont, 1948-) https://sv.wikipedia.org/wiki/Kalle_Anka_%26_C:o   Kalle Ankas Pocket (bokserie, 1968-) https://sv.wikipedia.org/wiki/Kalle_Ankas_Pocket   Floyd Gottfredson (serietecknare, 1905-1986) https://en.wikipedia.org/wiki/Floyd_Gottfredson   Musses mysterier (serietidning, Egmont, 1994-1996) https://sv.wikipedia.org/wiki/Farbror_Joakim#Musses_Mysterier   Bamse (serietidning, Egmont, 1973-) https://sv.wikipedia.org/wiki/Bamse   Carl Barks (serietecknare, 1901-2000) https://en.wikipedia.org/wiki/Carl_Barks   DuckTales (Ankliv) (tv-serie, Jymn Magon, 1987–1990) https://en.wikipedia.org/wiki/DuckTales   Don Rosa (serietecknare, 1951-) https://en.wikipedia.org/wiki/Don_Rosa   Disneytajm (tv-program, SVT, 1987-1988) https://sv.wikipedia.org/wiki/Disneytajm   Åbergs museum i Bålsta (med Disney-samling) https://sv.wikipedia.org/wiki/Åbergs_museum   Nalle Puhs nya äventyr (tv-serie, Mark Zaslove, 1988-1991) https://en.wikipedia.org/wiki/The_New_Adventures_of_Winnie_the_Pooh   Disneyklubben (tv-program, SVT, 1992-1993) https://sv.wikipedia.org/wiki/Disneyklubben   Disney Afternoon (tv-program, 1990-1997) https://en.wikipedia.org/wiki/The_Disney_Afternoon   Mickey Mouse Club (tv-program 1955-1996) https://en.wikipedia.org/wiki/The_Mickey_Mouse_Club   Disney Channel (tv-kanal) https://en.wikipedia.org/wiki/Disney_Channel   Hannah Montana (tv-serie, Michael Poryes, Richard Correll, Barry O’Brien, 2006-2011) https://en.wikipedia.org/wiki/Hannah_Montana   Kim Possible (tv-serie, Mark McCorkle, Bob Schooley, 2002-2005, 2007) https://en.wikipedia.org/wiki/Kim_Possible   The Mighty Ducks (film, Stephen Herek, 1992) https://en.wikipedia.org/wiki/The_Mighty_Ducks   Zorro (tv-serie, Bill Anderson, 1957-1959) https://en.wikipedia.org/wiki/Zorro_(1957_TV_series)   Goof Troop (tv-serie, Peter Montgomery, 1992-1993) https://en.wikipedia.org/wiki/Goof_Troop   A Goofy Movie (film, Kevin Lima, 1995) https://en.wikipedia.org/wiki/A_Goofy_Movie   Törnrosa (film, Clyde Geronimi, 1959) https://en.wikipedia.org/wiki/Sleeping_Beauty_(1959_film)   DuckTales the Movie: Treasure of the Lost Lamp (film, Bob Hathcock, 1990) https://en.wikipedia.org/wiki/DuckTales_the_Movie:_Treasure_of_the_Lost_Lamp   Herkules (tv-serie, Phil Weinstein, 1998-1999) https://en.wikipedia.org/wiki/Hercules_(1998_TV_series)   Herkules (film, Jon Musker och Ron Clements, 1997) https://en.wikipedia.org/wiki/Hercules_(1997_film)   Den lilla sjöjungfrun (tv-serie, Ed Ghertner, Ron Dias, 1992-1994) https://en.wikipedia.org/wiki/The_Little_Mermaid_(TV_series)   Aladdin (tv-serie, Alan Zaslove, Tad Stones, 1994-1995) https://en.wikipedia.org/wiki/Aladdin_(TV_series)   Hercules: The Legendary Journeys (tv-serie, Christian Williams, 1995-1999) https://en.wikipedia.org/wiki/Hercules:_The_Legendary_Journeys   Xena: Warrior Princess (tv-serie, John Schullian, Robert Tapert, 1995-2001) https://en.wikipedia.org/wiki/Xena:_Warrior_Princess   Herkules (datorspel, Disney Interactive, 1997) https://en.wikipedia.org/wiki/Disney's_Hercules_(video_game)   Aristocats (film, Wolfgang Reitherman, 1970) https://en.wikipedia.org/wiki/The_Aristocats   Robin Hood (film, Wolfgang Reitherman, 1973) https://en.wikipedia.org/wiki/Robin_Hood_(1973_film)   Micke och Molle (film, Ted Berman, Richard Rich, Art Stevens, 1981) https://en.wikipedia.org/wiki/The_Fox_and_the_Hound   Taran och den magiska kitteln (film, Ted Berman, Richard Rich, 1985) https://en.wikipedia.org/wiki/The_Black_Cauldron_(film)   Frost (film, Jennifer Lee, Chris Buck, 2013) https://en.wikipedia.org/wiki/Frozen_(2013_film)   Den lilla sjöjungfrun (film, Jon Musker och Ron Clements, 1989) https://en.wikipedia.org/wiki/The_Little_Mermaid_(1989_film)   Aladdin (film, Jon Musker och Ron Clements, 1992) https://en.wikipedia.org/wiki/Aladdin_(1992_Disney_film)   Skönheten och odjuret (film, Gary Trousdale och Kirk Wise, 1991) https://en.wikipedia.org/wiki/Beauty_and_the_Beast_(1991_film)   Tarzan (film, Kevin Lima, 1999) https://en.wikipedia.org/wiki/Tarzan_(1999_film)   Bernard och Bianca (film, John Lounsbery, Wolfgang Reitherman, Art Stevens, 1977) https://en.wikipedia.org/wiki/The_Rescuers   Dumbo (film, Ben Sharpsteen, 1941) https://en.wikipedia.org/wiki/Dumbo   Pochahontas (film, Mike Gabriel, Eric Goldberg, 1995) https://en.wikipedia.org/wiki/Pocahontas_(1995_film)   Channel Awesome: Disneycember (Youtube-kanal) http://channelawesome.com/tag/disneycember/   Kejsarens nya stil (film, Mark Dindal, 2000) https://en.wikipedia.org/wiki/The_Emperor%27s_New_Groove   Bumbibjörnarna (tv-serie, Michael Eisner, Art Vitello och Jymn Magon, 1985-1991) https://en.wikipedia.org/wiki/Disney%27s_Adventures_of_the_Gummi_Bears   Prinsessan och Grodan (film, Ron Clements, 2009) https://en.wikipedia.org/wiki/The_Princess_and_the_Frog   Vaiana (film, Ron Clements, John Musker, 2016) https://en.wikipedia.org/wiki/Moana_(2016_film)   Mulan (film, Barry Cook, 1998) https://en.wikipedia.org/wiki/Mulan_(1998_film)   Bernard och Bianca i Australien (film, Hendel Butoy och Mike Gabriel, 1990) https://en.wikipedia.org/wiki/The_Rescuers_Down_Under   Darkwing Duck (tv-serie, Tad Stones, 1991-1992) https://en.wikipedia.org/wiki/Darkwing_Duck   Piff och Puff - räddningspatrullen (tv-serie, Tad Stones och Alan Zaslove, 1988-1990) https://en.wikipedia.org/wiki/Chip_%27n_Dale:_Rescue_Rangers   Luftens hjältar (tv-serie, Jymn Magon och Mark Zaslove, 1990-1991) https://en.wikipedia.org/wiki/TaleSpin   Wuzzlarna (tv-serie, Michael Eisner, Mark Donald, 1985) https://en.wikipedia.org/wiki/The_Wuzzles   Quack Pack (tv-serie, Rob Humphrey, Jim Peterson, 1996) https://en.wikipedia.org/wiki/Quack_Pack   Timon & Pumbaa (tv-serie, Tedd Anasti, Patsy Cameron, 1995-1999) https://en.wikipedia.org/wiki/Timon_%26_Pumbaa_(TV_series)   Lejonkungen 2 (film, Darrell Rooney, 1998) https://en.wikipedia.org/wiki/The_Lion_King_II:_Simba%27s_Pride   Lejonkungen 1 1/2 (film, Bradley Raymond, 2004) https://en.wikipedia.org/wiki/The_Lion_King_1%C2%BD   Ringaren i Notre Dame (film, Gary Trousdale, Kirk Wise, 1996) https://en.wikipedia.org/wiki/The_Hunchback_of_Notre_Dame_(1996_film)   DuckTales (tv-spel, Capcom, 1989) https://en.wikipedia.org/wiki/DuckTales_(video_game)   DuckTales: Remastered (tv-spel, Capcom/Disney Interactive, 2013) https://en.wikipedia.org/wiki/DuckTales:_Remastered   Aladdin (tv-spel, Virgin Games, 1993) https://en.wikipedia.org/wiki/Disney%27s_Aladdin_(Virgin_Games)   The Lion King (tv-spel, Virgin Games, 1994) https://en.wikipedia.org/wiki/The_Lion_King_(video_game)   Epic Mickey (tv-spel, Disney Interactive, 2010) https://en.wikipedia.org/wiki/Epic_Mickey   Steamboat Willie (kortfilm, Ub Iwerks, 1928) https://en.wikipedia.org/wiki/Steamboat_Willie   Röjar-Ralf (film, Rich Moore, 2012) https://en.wikipedia.org/wiki/Wreck-It_Ralph   Big Hero 6 (film, Don Hall, Chris Williams, 2014) https://en.wikipedia.org/wiki/Big_Hero_6_(film)   Björnbröder (film, Aaron Blaise, 2003) https://en.wikipedia.org/wiki/Brother_Bear   Lilo & Stitch (film, Dean DeBlois, Chris Sanders, 2002) https://en.wikipedia.org/wiki/Lilo_%26_Stitch   The Sweatbox (dokumentärfilm, Trudie Styler, 2002) https://en.wikipedia.org/wiki/The_Sweatbox   Pongo och de 101 dalmatinerna (film, Wolfgang Reitherman, 1961) https://en.wikipedia.org/wiki/One_Hundred_and_One_Dalmatians   De 101 dalmatinerna 2 - Tuffs äventyr i London (film, Jim Kammerud, Brian Smith, 2003) https://en.wikipedia.org/wiki/101_Dalmatians_II:_Patch%27s_London_Adventure   101 Dalmatinerna (film, Stephen Herek, 1996) https://en.wikipedia.org/wiki/101_Dalmatians_(1996_film)   Lady och Lufsen (film, Clyde Geronimi, Wilfred Jackson, Hamilton Luske, 1955) https://en.wikipedia.org/wiki/Lady_and_the_Tramp   Trassel (film, Nathan Greno, 2010) https://en.wikipedia.org/wiki/Tangled   Skönheten och Odjuret (film, Bill Condon, 2017) https://en.wikipedia.org/wiki/Beauty_and_the_Beast_(2017_film)   Svärdet  i stenen (film, Wolfgang Reitherman, 1963) https://en.wikipedia.org/wiki/The_Sword_in_the_Stone_(film)   Dubbningshemsidan (webbplats) http://www.dubbningshemsidan.se

2017 bjuder på mängder av fulkultur, och vi kan såklart inte hålla oss från att guida er genom det allra bästa och mysigaste som vi hoppas på detta nya år. Det blir spel, film, tv-serier och böcker. Er redan digra måste-lista lär växa sig allt längre!   LÄNKLISTA Webhallenhttp://www.webhallen.com/se-sv/film/blu-ray/240845-star_wars-the_force_awakens&atcl=search:live Ivanhoe (film, Douglas Camfield, 1982) https://en.wikipedia.org/wiki/Ivanhoe_(1982_film) Kalle Anka och hans vänner önskar god jul (TV-program, SVT) https://sv.wikipedia.org/wiki/Kalle_Anka_och_hans_vänner_önskar_God_Jul Moana (film, Ron Clements, John Musker, 2016) https://en.wikipedia.org/wiki/Moana_(2016_film) Bilar (film, Pixar, 2006) https://en.wikipedia.org/wiki/Cars_(film) Bilar 3 (film, Pixar, 2017)https://en.wikipedia.org/wiki/Cars_3 Djungelboken (film, Wolfgang Reitherman, 1967) https://en.wikipedia.org/wiki/The_Jungle_Book_(1967_film) Djungelboken (film, Jon Favreau, 2016) https://en.wikipedia.org/wiki/The_Jungle_Book_(2016_film) Perdido Street Station (bok, China Mieville, 2000) https://en.wikipedia.org/wiki/Perdido_Street_Station The Crown (tv-serie, Peter Morgan, 2016) https://en.wikipedia.org/wiki/The_Crown_(TV_series) Alien: Covenant (film, Ridley Scott, 2017)https://en.wikipedia.org/wiki/Alien:_Covenant Blade Runner 2049 (film, Denis Villeneuve, 2017)https://en.wikipedia.org/wiki/Blade_Runner_2049 Cyberpunk 2077 (spel, CD Projekt Red, 2017(?) https://en.wikipedia.org/wiki/Cyberpunk_2077 The Legend of Zelda: Breath of the Wild (spel, Nintendo, 2017)https://en.wikipedia.org/wiki/The_Legend_of_Zelda:_Breath_of_the_Wild Nintendo Switch (spelkonsol, Nintendo, 2017)https://en.wikipedia.org/wiki/Nintendo_Switch Red Dead Redemption (spel, Rockstar, 2010) https://en.wikipedia.org/wiki/Red_Dead_Redemption Red Dead Redemption 2 (spel, Rockstar, 2017) https://en.wikipedia.org/wiki/Red_Dead_Redemption_2 Mass Effect: Andromeda (spel, Bioware, 2017)https://en.wikipedia.org/wiki/Mass_Effect:_Andromeda Detroit: Become Human (spel, Quantic Dream, 2017)https://en.wikipedia.org/wiki/Detroit:_Become_Human Beyond: Two Souls (spel, Quantic Dream, 2013) https://en.wikipedia.org/wiki/Beyond:_Two_Souls Heavy Rain (spel, Quantic Dream, 2010) https://en.wikipedia.org/wiki/Heavy_Rain Skönheten och Odjuret (film, Gary Trousdale, Kirk Wise, 1991) https://en.wikipedia.org/wiki/Beauty_and_the_Beast_(1991_film) Skönheten och Odjuret (film, Bill Condon, 2017)https://en.wikipedia.org/wiki/Beauty_and_the_Beast_(2017_film) Valerian and the City of a Thousand Planets (film, Luc Besson, 2017) https://en.wikipedia.org/wiki/Valerian_and_the_City_of_a_Thousand_Planets Star Wars: Episode VIII (film, Rian Johnson, 2017)https://en.wikipedia.org/wiki/Star_Wars:_Episode_VIII Star Trek: Discovery (TV-serie, Bryan Fuller, Alex Kurtzman, 2017)https://en.wikipedia.org/wiki/Star_Trek:_Discovery Pushing Daisies (tv-serie, Bryan Fuller, 2007) https://en.wikipedia.org/wiki/Pushing_Daisies Dead like me (tv-serie, Bryan Fuller, 2003) https://en.wikipedia.org/wiki/Dead_Like_Me Wonderfalls (tv-serie, Bryan Fuller, 2004) https://en.wikipedia.org/wiki/Wonderfalls Splods öga (barnbok, Neil Gaiman, 2015) http://www.bonniercarlsen.se/bocker/skonlitteratur-barnungdom/s/splods-oga-ett-galaktiskt-aventyr/ American Gods (TV-serie, Bryan Fuller, Michael Green, 2017)https://en.wikipedia.org/wiki/American_Gods_(TV_series) Norse Mythology (bok, Neil Gaiman, 2017) http://www.neilgaiman.com/works/Books/Norse+Mythology/ Guardians of the Galaxy Volume 2 (film, James Gunn, 2017)https://en.wikipedia.org/wiki/Guardians_of_the_Galaxy_Vol._2 Spider-man: Homecoming (film, Jon Watts, 2017)https://en.wikipedia.org/wiki/Spider-Man:_Homecoming Thor: Ragnarök (film, Taika Waititi, 2017)https://en.wikipedia.org/wiki/Thor:_Ragnarok Wonder Woman (film, Patty Jenkins, 2017)https://en.wikipedia.org/wiki/Wonder_Woman_(2017_film) Justice League (film, Zack Snyder, 2017)https://en.wikipedia.org/wiki/Justice_League_(film) Logan (film, James Mangold, 2017)https://en.wikipedia.org/wiki/Logan_(film) Pirates of the Caribbean: Dead Men Tell No Tales (film, Joachim Rønning, 2017)https://en.wikipedia.org/wiki/Pirates_of_the_Caribbean:_Dead_Men_Tell_No_Tales Power Rangers (film, Dean Israelite, 2017)https://en.wikipedia.org/wiki/Power_Rangers_(film) Welcome to Night Vale (Podcast, böcker) http://www.welcometonightvale.com/ Game of Thrones, säsong 7 (TV-serie, David Benioff, D.B. Weiss, 2017)https://en.wikipedia.org/wiki/Game_of_Thrones The Winds of Winter (bok, George R.R. Martin, 2017(?)https://en.wikipedia.org/wiki/The_Winds_of_Winter Twin Peaks (TV-serie, David Lynch, 2017)https://en.wikipedia.org/wiki/Twin_Peaks_(2017_TV_series) Fargo, säsong 3 (TV-serie, Noah Hawley, 2017)https://en.wikipedia.org/wiki/Fargo_(TV_series) T2 Trainspotting (film, Danny Boyle, 2017)https://en.wikipedia.org/wiki/T2_Trainspotting Baywatch (film, Seth Gordon, 2017)https://en.wikipedia.org/wiki/Baywatch_(film) Let the Right One In (TV-serie, Jeff Davis, 2017)https://en.wikipedia.org/wiki/Let_the_Right_One_In_(TV_series) Doors of Stone, The Kingkiller Chronicle Volume 3 (bok, Patrick Rothfuss, 2017(?)https://en.wikipedia.org/wiki/The_Kingkiller_Chronicle Rörelsen-trilogin (böcker, John Ajvide Linqvist 2014-) https://en.wikipedia.org/wiki/John_Ajvide_Lindqvist Tales from the Loop (rollspel, Fria Ligan, 2017) https://www.kickstarter.com/projects/1192053011/tales-from-the-loop-roleplaying-in-the-80s-that-ne Girls, säsong 6 (TV-serie, Lena Dunham, 2017)https://en.wikipedia.org/wiki/Girls_(TV_series) G.L.O.W. (TV-serie, Jenji Kohan, 2017)https://en.wikipedia.org/wiki/G.L.O.W._(TV_series) Vampyr (spel, Dontnod Entertainment, 2017)https://en.wikipedia.org/wiki/Vampyr_(video_game) Dunkirk (film, Christopher Nolan, 2017)https://en.wikipedia.org/wiki/Dunkirk_(2017_film) Snatched (film, Jonathan Levine, 2017)https://en.wikipedia.org/wiki/Snatched_(2017_film) Raka spåret till Chicago (film, John Hughes, 1987) https://en.wikipedia.org/wiki/Planes,_Trains_and_Automobiles

This week, we watch Disney's beloved animated classic, Beauty and the Beast (1991), directed by Gary Trousdale and Kirk Wise.  

Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation, released by Walt Disney Pictures, produced by Don Hahn, and directed by Gary Trousdale and Kirk Wise. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the 1756 French fairy tale of the same name.

In 1996 Walt Disney Pictures released the animated musical The Hunchback of Notre Dame, based on the Victor Hugo novel and directed by Gary Trousale and Kirk Wise. It remains one of the strangest and most distinctive films in Disney's history.This is the audio version of an essay first published at Fictionmachine.

Nesta edição aprendemos que temos ouvintes que prestam muita atenção no programa. Recebemos vários e-mails e mensagens cobrado um assunto que não conseguimos comentar na semana passada: o fechamento do site Megaupload. Muitos trailers bacanas esta semana. Tem terror, aventura, comédia, drama, gêneros para todos os gostos. Confira: O terror 7500, de Takashi Shimizu. A ação estilo Temperatura Máxima The Cold Light of Day, de Mabrouk El Mechri. A fantasia Espelho, Espelho Meu, de Tarsem Singh (Estréia aqui no Brasil em 06/04). A ficção-científica chuta-bundas Lockout, de James Mather e Stephen St. Leger. O drama extremamente interessante The Hunter, de Daniel Nettheim. As estréias deste final de semana também estão tão variadas quanto os nossos trailers. Temos a reestréia da animação A Bela e a Fera 3D, de Gray Trousdale e Kirk Wise; o drama com quatro indicações ao Oscar Histórias Cruzadas, de Tate Taylor; a ação À Beira do Abismo, de Asger Leth; o maior motivo para Júlio Verne se revirar no túmulo Viagem 2: A Ilha Misteriosa, de Brad Peyton; o terror Filha do Mal, de William Brent Bell; e o indicado da semana pelo Claquete O Homem que Mudou o Jogo, de Bennet Miller. Para encerrar o programa comentamos sobre o fechamento do site Megaupload, inclusive esclarecendo os motivos para isto ter acontecido. Confira tudo isso no nosso On Demand. A nossa campanha continua: Se você gosta do Claquete apresente o programa para um amigo. Se você não gosta apresente para três inimigos e mate todos de desgosto. Quer dar sugestões, dicas ou ajudar na pauta do próximo programa, caro ouvinte? Fácil! Comente logo abaixo ou mande um e-mail para claquete@bestradiobrasil.com.

Atlantis: The Lost Empire (2001) PG | 1h 35min | Animation, Action, Adventure | 15 June 2001 (USA) A young adventurer named Milo Thatch joins an intrepid group of explorers to find the mysterious lost continent of Atlantis. Directors: Gary Trousdale, Kirk Wise Writers: Tab Murphy (screenplay by), Kirk Wise (story by) Stars: Michael J. Fox, Jim Varney, Corey Burton Check us out on Facebook https://www.facebook.com/acoupleofaveragejoes Our Website https://www.acoupleofaveragejoes

Da 5 Bloods (2020) R | 2h 34min | Adventure, Drama, War | 12 June 2020 (USA) Four African American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide. Director: Spike Lee Writers: Danny Bilson, Paul De Meo (as Paul Demeo) Stars: Delroy Lindo, Jonathan Majors, Clarke Peters, Chadwick Boseman Atlantis: The Lost Empire (2001) PG | 1h 35min | Animation, Action, Adventure | 15 June 2001 (USA) A young linguist named Milo Thatch joins an intrepid group of explorers to find the mysterious lost continent of Atlantis. Directors: Gary Trousdale, Kirk Wise Writers: Tab Murphy (screenplay by), Kirk Wise (story by) Stars: Michael J. Fox, Jim Varney, Corey Burton