Podcasts about Gainax

The crew reviews the 1987 anime cult classic Royal Space Force: Wings of Honnêamise — a beautifully animated sci-fi film packed with political tension, religion, military conflict, and humanity's first journey into space.We break down:Gainax and the history behind the filmThe stunning 80s anime visualsCharacter development and controversial momentsThe movie's Cold War inspirationsWhy the soundtrack feels like a PS1 JRPGThe emotional final rocket launchThen the conversation spirals into:⚾ Mets baseball suffering

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

We're unpacking a week of huge news and big debates. First, we cover the major announcements: the Ruri Dragon anime find its home, the end of an era as Gainax closes, and Mayumi Tanaka's candid take on the One Piece remake. We also share our excitement for the new anime "Sentenced to be a Hero."Then, we shift to your wallet and your theories. We're debating the state of One Piece vs. Pokemon card games and whether it's time to switch. Plus, we share our predictions for OP-15 and our final verdict on the completed Egghead Island arc.Follow for your essential weekly mix of anime news and community discussion.Spotify Hashtags:#AnimeAlchemists #OnePiece #Gainax #TCG

Back in May of 2008 for our 5th episode of the OSMcast, we talked about the 2004 OVA Re: Cutie Honey from Hideaki Anno and pals. So for our 200th episode, we have decided to go back and do it again! And for a decent bit longer than last time. Thankfully since then Discotek and Media OCD continue to do the lord's work, and we have an amazing new Blu-ray release to talk about. The anime finally has a kick ass release, and more people need to know about it. Only took 20ish years to do it!OSMnotesWhile at the moment there is no easy to way to find a handy dandy streaming service to watch Re: Cutie Honey, the Blu-Ray of it is absolutely amazing!Re: Cutie Honey, How to Buy:Buy on Blu-Rayon Amazonon Crunchyroll StorePlus, Time Cues:We start the OSMcast!ing – 00:00General Gabbing (200+ Episodes and 17 Years of Podcasting) – 00:35Re: Cutie Honey – 09:34Re: Cutie Honey, Sans Spoilers (Mostly) – 10:08Re: Cutie Honey, Full of Spoilers – 33:49Questions from Listeners Like You About Re: Cutie Honey – 0:49:58OSMs Out of OSM and Final Thoughts – 1:02:26We also have YouTube Channels! Both for OSMcast proper and The Carbuncle Chronicle! Please subscribe, hit the bell, and share amongst your friends.And as always, feel free to leave us a review on Apple Podcasts! Oh, and if you still use Spotify, go ahead and get on that mobile device and throw us some five stars there too. Tell your friends! As well, just like we mentioned when we do the OSMplugs, you can also join the Discord and support us on Patreon! PS If you have ever wanted some OSMmerch, feel free to check out our TeePublic page! PPS We appreciate you.

We're keeping it casual with a few stories tonight, like how Santa Claus delivered Christmas presents to penguins, Gainax is now fully dissolved, turning a train platform into a sake bar, and the deal with KFC and Christmas in Japan! We also have fun Christmas questions for the hosts!

0:00: Justin talks about diving into the Kingdom experience while Helen’s just ready to talk about the news that happened over the past two weeks. A good amount of news happened! News 5:17: The two hosts discuss two pieces of AI dubbing news, one involving voice actors in Japan, and the other one intending to use AI in anime production and needless to say, it’s not looking great! 10:12: Both Helen and Justin wonder about TOHO and how big a player they’ll become in the anime industry following their acquisition of Anime Limited from PLAION PICTURES. 14:03: So yes, unless an actual acquisition happens, it’s safe to say TheOASG Podcast will not talk about Warner Bros. Discovery unless a deal actually goes through or is stopped after Paramount’s hostile bid was, in the end, rejected; If you’ve been watching certain anime for free with ads on Crunchyroll, you won’t be doing so anymore in 2026, as they’re going to end their free ad-supported service. 18:53: Ammitsu’s Gazing at the Star Next Door's on hiatus until Spring as the creator preps the new arc; Rumi Ichinohe’s I See Your Face, Turned Away recently seemed to come back after a long hiatus, and it’s gonna end in the next chapter; and Boichi’s The Marshal King will go on hiatus for an undisclosed reason. 22:17: Also sort of weird — after a long time, Yona of the Dawn, which just saw its manga end, announced there will be a sequel to the anime. Sure took its time! 26:05: And in final news of the episode, the two hosts send their condolences to the friends and family of long-time voice actor voice actor Tomomichi Nishimura, who died on November 29 at 79. Licenses 28:08: US companies had to end the year with some licenses, and we got a decent amount, starting with Yen Press: Chika Tōjō's Mobile Suit Gundam: The Witch From Mercury—Vanadis Heart Ema Okadachi, otori, & Kou Kusaka's A Timid Lady was Turned into an Ugly Cat, but on the Verge of Fainting Is Picked Up by the Most Fearsome Military Duke Chitose Kaido's Thank You for Taking Care of Our Boy Banri Yūya Sakamoto's The Daughter of the Demon Lord is Too Kind! Rocket Shokai, Natsumi Inoue, Gakuto Coda, &, MEPHISTO's Sentenced to Be a Hero manga Toshiya Miyata's Melody of the Boundary Honda's Skull-face Bookseller Honda-san released as a Complete Omnibus Konosuba – God’s Blessing on This Wonderful World! TRPG Advanced Rule Book tabletop companion book New Yen Audio titles: Asato Asato’s 86–EIGHTY-SIX Alter.1: The Reaper’s Occasional Adolescence and Akumi Agitogi’s The Bubble Love of the Mermaid 31:37: And then TOKYOPOP: cojomo's Kyo Aizawa Doesn’t Laugh Akiko Kawano's The Villainess' Bride Tōko Amekawa, Sora Gōto, & Meiji Anno's Reincarnated in a Mafia Dating Sim LN Nanae Chrono's Vassalord (2-in-1 omnibus paperback and hardcover edition) Will release Misaki & Momochi’s A Gentle Noble’s Vacation Recommendation in 3-in-1 omnibus volumes 33:36: And then Seven Seas, who concluded their Wonderful Wednesdays this year with the following announcements: Akari Tsuchihashi's Flirting with my Bear-like Boyfriend (Steamship) Aira Yao & Umashi's Slime Saint Sasami Nitori’s Wonder Cats Natsue Shiomi & Daichi Matsuse's I Wish I Could Meet You Again on the Hill Where That Flower Blooms manga Ei Tozaki's Follow that Kiss Tsukamu Yoriwake's Nemu the Corpse Bearer 35:37: Meanwhile, a couple exclusive announcements of the following Titan Manga series were on ANN: Yokusaru Shibata’s Tojima Wants to Be a Kamen Rider Yūnagi’s School for Wizards Old Enough to Learn Magic Paneguma’s The Assassin Laughs at Twilight Sakyuu Tottori’s Have Fun! It’s the End of the World!  rarutori, Ciavis, & Kō Narita’s High Elf with a Long Life manga Mizunomoto’s When I Was Reincarnated in Another World, I Was a Heroine and He Was a Hero The two then get into discussing which title they prefer that was translated into English: Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash or It’s a Little Hard to be a Villainess of an Otome Game in Modern Society. 39:23: We have One Peace Books announcing exclusively on Behind the Manga the following new titles: Senya Mihagi, jaguchi, & Sato Pote’s Lockdown Life with the Class Beauty, Teika, Waka Sanada, & Hamu’s The Delinquent Girl Beside Me Suddenly Dyed Her Hair Black?!, and tera, Hayate Asakura, & Tetta’s The Villainess Who Came to Marry Into the Frontier Noble’s Household Is an Exceptionally Capable Wife, Isn’t She?; Hanashi Media announced a brand new license for their LN line; and Inoue’s #Gal x Gal Yuri manga is now on VIZ Manga. Streaming News 41:16: Part 2 of Rivals of the Great Detective Collection will drop on New Year’s Day, which means Justin has to be hyped about more Detective Conan. He also gets into the final Conan Cinema Saturdays movies, which will end January 3 with the first movie in the long-running franchise. 45:29: Helen then goes out of her way to talk about the Hatsune Miku anime film being the final bit of streaming news this week, only for Justin to remind her that she didn’t talk about Magic Kaito 1412 getting a dub on an obscure service (45:45). Cue much discussion that leads to somehow bringing up Conan, Yaiba, and Kaito Kid in a Cinematic Universe! Weird News 47:27: Helen goes over the strange situation involving physical copies of Higurashi: When They Cry Hou – Hou + having malware, which had MangaGamer having to recall it from stores. 49:50: Now it’s officially official: GAINAX is dead; the Naruto franchise is getting a Konoha land theme park in France; meanwhile a burger chain in Texas now has a Spy x Family burger for people to eat. 56:31: And final weird news for 2025, manga getting an anime years after it ends is unusual but over the past couple years it hasn’t reached the levels of what Psyren and then Iron Wok Jan! have inspired now! Both hosts discuss this unusual trend and also go back in time as to how they each got into these manga respectively! Feel free to send questions or any comments you might have about this week's episode in the comments section below, to contact at theoasg dot com, or to our Twitter account (@TheOASG). TheOASG wishes everyone who celebrates it a Merry Christmas! The post TheOASG Podcast Episode 234: Conan Cinematic Universe appeared first on TheOASG.

Se acabó, vete al demonio 2025!! Cerramos el año con el análisis de los trailers de Supergirl, Disclosure Day, Sheep Detectives y Street Fighter, noticias de la compra de Warner por Netflix (y Paramount complicando todo) y el recast de Aragorn para Lord of the Rings: The Hunt for Gollum y el cierre de Gainax!Además charlamos sobre el resurgimiento del cine de terror y la buena taquilla que tuvo con Five Nights at Freddy´s 2 y el trailer de 28 Years Later: Temple of Bones!La parca estuvo haciendo horas extras en Diciembre, lo que significa... DARK MATT!! Se fueron de gira Héctor Alterio, Rob Reiner y Peter Greene - Matt te cuenta todo.No sería Toma 5 sin un poco de bizarreada, así que te contamos de la piba que viven despidiendo de diferentes laburos por monumentales metidas de pata y del nuevo trabajo de María Eugenia Ritó calificando lo lindo o feo que puede ser un p3n3.3 horas de programa, viejo. No se pueden quejar. Nos vemos en 2026!!*Suscriban! Likeen! Comenten! Campaniteen!! Cafecito: cafecito.app/toma5Patreon: patreon.com/rtoma5 WhatsApp: https://chat.whatsapp.com/ED5RnPX9H8Z1z8QGGlDTeVDiscord: www.revistatoma5.com.ar/discord Instagram: @rtoma5Tiktok: @toma5podcast

It shouldn't need to be said, but it'll be said anyway - we're not fans of AI slop as a means to replace people and actual art, and that stance isn't going to change any time soon. Nor are we fans of prolonged enshittification resulting in a select few people getting wealthier while everyone else suffers for their greed. It's not the most festive mood, but it's a mood that's going to keep remaining true as we head into 2026 - after yelling about Crunchyroll and Amazon and the Warner Bros. sale mess along with plenty of other things worth yelling about. But at least there are some cool things to be found, like some... *interesting(?)* Gundam projects, some cool Golden Globes nominations, excellent films worth watching on some platforms, and burying the last pound of dirt onto the casket of Gainax once and for all. Happy Honda Days, Merry Chrysler, and a joyous Toyotathon to all. P.S. Andrew sat out this show for personal reasons so our "replacement Andrew" showed up - you all should know Sketch by now. We'll all be back for Jump Festa, so look out for that show. intro - life after My Hero Academia 4:53 - SCREAMING INTO THE VOID (re: WBD, Crunchyroll, Amazon) 30:27 - Oricon 2025 manga sales 38:44 - some news stuff (Gainax is perma-dead, Golden Globes, various Gundam and Code Geass things) 1:08:40 - home video releases (Demon Slayer 4K, Castlevania Nocturne, MARS) Apple Podcasts – https://itunes.apple.com/us/podcast/podcastona/id1348141210?mt=2 Spotify – https://open.spotify.com/show/2JZLO3LfoeHepomejTw4TP iHeartRadio – https://www.iheart.com/podcast/256-podcastona-43099114/ TuneIn – https://tunein.com/podcasts/Podcasts/PodcastONA-p1249922/ As always, check out surrealresolution.com for more content, updates on the show, our continued news posts, reviews, and our fellow podcasts.

¡Bienvenidos a otra intro de Héroes! En esta oportunidad ¡tenemos noticias!: cerró el mítico estudio "Gainax", tuvimos el primer ¿teaser? trailer para "Supergirl", vuelve la edición original de Star Wars (1977) a los cines para su 50° aniversario, Disney firma contrato con Open IA a la vez que prometen volver a la animación 2D (?!), Paramount bloquea (por ahora) la compra de Warner Bros. por parte de Netflix, ¡y más! ▶ Encontranos en nuestras redes: IVOOX: https://bit.ly/3vKq8FE SPOTIFY: https://spoti.fi/3hJzh9g INSTAGRAM: https://www.instagram.com/heroes.radio Cafecito: https://cafecito.app/heroesradio Apple Podcast: https://bit.ly/3VkP3fV Google Podcast: https://bit.ly/3vgwM8U

[EPISODIO RESUBIDO] Fanmacia Popular vuelve a traer todo el entretenimiento de las tardes de los sábados a Modoradio. Las noticias del anime, los eventos de carácter otaku y las informaciones del entretenimiento para fans están desde las 18:00 hrs (6 PM GMT-4) por nuestro canal de YouTube oficial.Esta semana comentamos las películas nominadas en la categoría Mejor Largometraje Animado de los Golden Globes 2026 destacando Kimetsu No Yaiba y Kpop Demon Hunters, el nuevo especial que preparan para Kaguya Sama Love is War, el fin del Plan Gratuito de Crunchyroll, la llegada en formato digital de la película Chainsaw Man The Movie - Reze Arc y las breves de la semana, todo a cargo de Roque, También, Dani nos trae un nuevo tema de la semana, en esta oportunidad con la quiebra del estudio GAINAX, los Emprendimientos GKS, los eventos de la semana, los éxitos de Japón junto con Carlos en el Asian Top Chart y la mejor música para acompañar una tarde de llena de entretenimiento friki en el clásico de los sábados por la tarde.Pero para esta tarde, tenemos algo muy especial y es que en la cuarta sección de nuestro programa comentamos la ceremonia de los Game Awards 2025 la cual fue emitida en el canal de Youtube de Modoradio y en donde damos las impresiones de la ceremonia y por supuesto, comentar sobre la gran ganadora de la noche Clair Obscure Expedition 33. Todos los detalles de la gran ceremonia del año solo por nuestro programa.Programa emitido el día sábado 13 de diciembre de 2025.

In this episode we're continuing Imaishi October with a review of Panty & Stocking with Garterbelt. This anime might be the most vulgar display of vulgarity that we've ever seen, which is saying something. Listen in as we dissect the absolute insanity that is Hiroyuki Imaishi and PSG! The Anime Brothers expressly prohibit any entity from using this podcast for purposes of training AI technologies Support The Adventure!Patreon Join The Adventure!DiscordTwitter Instagram animexbrotherspodcast@gmail.com All The Links, On One Tree!https://linktr.ee/AnimeBrothersPodcast Intro Song: YungxHarm - No Cap Freestyle feat vacaationOutro Song: YungxHarm - Kept in the Dark Follow YungxHarm;Instagram: https://www.instagram.com/yungxharm/Twitter: @YungxHarmSoundcloud:https://soundcloud.com/yungxharm471 Follow vacaation;Instagram: https://instagram.com/vacaation?igshiTwitter: @vacaation_Soundcloud:https://soundcloud.com/vacaation86

Monte dans le podcast Shinji !Il y a 30 ans jour pour jour - au moment sort cet épisode - était diffusé sur TV Tokyo le premier épisode de Neon Genesis Evangelion. Etant fascinés par cet objet hors du commun, et par son créateur Hideaki Anno, nous avons souhaité consacrer un épisode à la série, avant peut être de revenir sur le rebuild un peu plus tard.Soyez prévenus, nous n'allons pas vous expliquer le plan de complémentarité de l'homme, ni même détailler le fonctionnement des AT fields ou de l'entry plug.Nous avons plutôt eu envie de vous parler du parcours de Anno, Gainax, de l'histoire de la production de la série et de la légende qui l'entoure. Nous revenons évidemment sur la trace laissée dans la pop culture de cette oeuvre d'animation assez unique en son genre, à la fois synthèse de 1000 influences reconnues et proposition radicale.Bref, on tente de faire un petit pas de côté pour vous parler de cette série qui mérite sa place au panthéon des oeuvres dédiées aux créatures géantes !

We're gonna show you the power of the human race. SUPER GALAXY GURREN LAGANN! Our friends' hopes and dreams are etched into its body, transforming the infinite darkness into light! Unmatched in Heaven and Earth, one machine equal to the gods! Mark my words! This drill will open a hole in the universe! And that hole will be a path for those behind us! The dreams of those who've fallen! The hopes of those who'll follow! Those two sets of dreams weave together into a double helix! Drilling a path towards tomorrow! And that's Tengen Toppa! That's Gurren Lagann!! My drill is the drill that creates the heavens!!!Our Links:Ian WolffeSend us a text

This is a story about overcoming the odds, pushing yourself past the limit, and believing in yourself even when you feel like you can't go on anymore. In these 9 episodes we experienced every bit of that. We made new friends, took down enemies, learned more about our horrible nemesis, fell in love along the way, and were betrayed by our friend. Let me see you grit those teeth.Our Links:Ian WolffeSend us a text

Once upon a time there were two young men that became soul brothers, who wanted to escape their boring life. One of them had the power to manifest anything into existence, and this is their story of friendship, trust, overcoming, and most importantly love. Let me see you grit those teeth, and believe in the you that I believe in!Our Links:Ian WolffeSend us a text

Before Anno Hideaki and the team at Studio Gainax changed the course of anime history with Neon Genesis Evangelion, they produced Gunbuster, aka Aim for the Top!, a 6-episode OVA with some of the era's most spectacular animation, and an overwhelming amount of personality. A mash-up of sports shows, mecha anime, high-concept sci-fi, and American 80s movies like Top Gun, there's nothing else quite like Gunbuster, and across its 6 episodes, the series showcases a huge range of ideas, themes, tones, and even styles, with the finale shifting to a truly astounding use of widescreen, black-and-white imagery. Join us as we dive into not only this great series, but the fascinating history of Anno and Gainax up to this point. Enjoy, and come back next week as we begin a two-week journey through the wild and wacky world of the 80s classic DIRTY PAIR! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 1:06:22Eyecatch Break: 1:06:22 – 1:07:07Gunbuster Review: 1:07:07 – 2:14:18End Theme: 2:14:18 – 2:15:49Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “ice” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku & Megurine Luka. https://www.thomaslack.com

Gundam is back, which means Weekly Suit Gundam returns once more, thanks to this weekend's release of Mobile Suit Gundam GQuuuuuuX -Beginning- in American theaters. The film, which collects the first few episodes of the upcoming GQuuuuuuX TV series, is the result of an exciting, long-awaited collaboration behind the Otaku madmen at Studio Khara, including Neon Genesis Evangelion creator Anno Hideaki and Gainax veterans Tsurumaki Kazuya and Enokido Yoji. The result is every bit as exciting as one would expect, a spectacular production that radically reworks Gundam history even as it forges a bold new path for the franchise. -Beginning- is a fantastic theatrical experience that bodes very well for the show to come, and after seeing these 80 minutes, we are extremely excited to see more in April. Enjoy, and be sure to join us for Season 5 of Japanimation Station, our anime ‘Grand Tour,' when it premieres on March 16th, 2025! Read Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vKSubscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastSupport the show at Ko-fi ☕️ https://ko-fi.com/weeklystuffOriginal Music by Thomas Lack https://www.thomaslack.com/

From 1988 to 1989, the anime studio Gainax gave us a six episode OAV(OVA?) series known as Gunbuster. It had it all: Giant robots, space aliens, ladies from an all-girls school training in giant robots to fight the space aliens, the whole nine yards! Then in 2023, Discotek Media gave an outstanding Blu-ray release of that show complete with a brand new English dub handled by Sound Cadence Studios. And then in 2024, the OSMcast! gave the world a podcast about Discotek Media's Blu-ray release of the anime Gunbuster by Gainax. But also joining us to talk about Gunbuster is Melissa Sternenberg, the voice of Kazumi Amano from the Sound Cadence Studios English dub production for the Discotek Media Blu-ray release of the anime Gunbuster by Gainax. We also talk about Glass Mask way more than expected, but not unappreciated.OSMnotesGunbuster! You should go watch it. There's a really good Blu-ray you can buy! Or stream it on Crunchyroll (as of this posting)! And big thanks to Melissa and Tobias for joining us on the show! But before we forget, Time Cues:We Start OSMcast!ing – 0:00OSMplugs (Discord, Patreon, TeePublic) – 02:30GunbusterGunbuster, Sans Spoilers – 03:34Gunbuster, Full of Spoilers – 55:55OSMs Out of OSM & Final Thoughts – 01:23:15We also have YouTube Channels! Both for OSMcast proper and The Carbuncle Chronicle! Please subscribe, hit the bell, and share amongst your friends.And as always, feel free to leave us a review on Apple Podcasts! Oh, and if you still use Spotify, go ahead and get on that mobile device and throw us some five stars there too. Tell your friends! As well, just like we mentioned when we do the OSMplugs, you can also join the Discord and support us on Patreon! PS If you have ever wanted some OSMmerch, feel free to check out our TeePublic page! PPS We appreciate you.

Check out Tokyo Treat for the best Japanese snacks! Use the promo code ANIMEBROTHERS to get $5 off your next snack box! https://team.tokyotreat.com/AnimeBrothers In this episode we keep the Anno Train rolling with a review of Nadia: The Secret of Blue Water! A particularly interesting series in the history of Hideaki Anno. Not only do we review the anime, but we take some time to talk about the interesting story behind its production. Support The Adventure!Patreon Join The Adventure!DiscordTwitter Instagram animexbrotherspodcast@gmail.com All The Links, On One Tree!https://linktr.ee/AnimeBrothersPodcast Intro Song: YungxHarm - No Cap Freestyle feat vacaationOutro Song: YungxHarm - Kept in the Dark Follow YungxHarm;Instagram: https://www.instagram.com/yungxharm/Twitter: @YungxHarmSoundcloud:https://soundcloud.com/yungxharm471 Follow vacaation;Instagram: https://instagram.com/vacaation?igshiTwitter: @vacaation_Soundcloud:https://soundcloud.com/vacaation86

It's an American cartoon extravaganza, as Anipro reviews Gainax's Panty and Stocking with Garterbelt, but with a twist! ...Maybe; you'll see! Also, Mike and Cole partied hard and drank harder, Jay forgot what was going on, and more! Vote for Listeners' Choice on Twitter, Instagram, Discord, Patreon, YouTube, this episode's poll, and at this link: https://forms.gle/mPLR5U6PE2Wgmoqa9 Support AniPro: Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/AniProPod Send us a Mailbag: ⁠⁠⁠⁠⁠⁠⁠⁠https://anipropod.com/mailbag Use code "ANIPRO" for $5 off your first #TokyoTreat box through our link: ⁠⁠⁠⁠⁠⁠https://tokyotreat.com/?rfsn=7695251.3317f Follow AniPro: ⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/AniProPod ⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/anipropod⁠⁠⁠ Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/dV5tMCWvM7 Next Reviews: Anime: Berserk (2016) → Listeners' Choice Manga: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dandadan (Chapters 1-23) Tracks: Opening theme: Shibuya Bumper Track: "Neon Nights", Mark Parr Music licensed by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠slip.stream Timestamps 00:00:00 - AniProPod #141 Intro 00:12:39 - Western Animation 00:22:54 - Late Night Cartoons 00:34:16 - Powerpuff Girls & Anime's Impact 00:42:28 - Mailbag: Flaws In Fave Anime 00:52:29 - Panty & Stocking Anime Review Intro 00:59:58 - Characters 01:15:13 - Production 01:33:58 - Comparisons & Ratings

Check out Tokyo Treat for the best Japanese snacks! Use the promo code ANIMEBROTHERS to get $5 off your next snack box! https://team.tokyotreat.com/AnimeBrothers In this episode we continue Anno August with a review of Gunbuster! Anno's first series directed and a forefather of modern day Super-Robot mecha, but does it hold up to today's standards?Main Topic - 23:50 Support The Adventure!Patreon Join The Adventure!DiscordTwitter Instagram animexbrotherspodcast@gmail.com All The Links, On One Tree!https://linktr.ee/AnimeBrothersPodcast Intro Song: YungxHarm - No Cap Freestyle feat vacaationOutro Song: YungxHarm - Kept in the Dark Follow YungxHarm;Instagram: https://www.instagram.com/yungxharm/Twitter: @YungxHarmSoundcloud:https://soundcloud.com/yungxharm471 Follow vacaation;Instagram: https://instagram.com/vacaation?igshiTwitter: @vacaation_Soundcloud:https://soundcloud.com/vacaation86

Check out Tokyo Treat for the best Japanese snacks! Use the promo code ANIMEBROTHERS to get $5 off your next snack box! https://team.tokyotreat.com/AnimeBrothers Welcome to the Anno-guration of Anno August! A month of reviewing the anime works of Hideaki Anno! In this episode we talk about Anno as a creator, DAICON III & IV, studio GAINAX, and Neon Genesis Evangelion.Main Topic - 22:13 Support The Adventure!Patreon Join The Adventure!DiscordTwitter Instagram animexbrotherspodcast@gmail.com All The Links, On One Tree!https://linktr.ee/AnimeBrothersPodcast Intro Song: YungxHarm - No Cap Freestyle feat vacaationOutro Song: YungxHarm - Kept in the Dark Follow YungxHarm;Instagram: https://www.instagram.com/yungxharm/Twitter: @YungxHarmSoundcloud:https://soundcloud.com/yungxharm471 Follow vacaation;Instagram: https://instagram.com/vacaation?igshiTwitter: @vacaation_Soundcloud:https://soundcloud.com/vacaation86

 Subscribers! Be sure to go to the blog to read the description easier & check out links for this episode!This episode is sponsored in part by Tokyo Treat! To get $5 your first box of delicious snacks & treats delivered from Japan straight to your door, AND to help support my little podcast, use code "NOSTALGIA" at my link here! This month's episode is another short ReView! What is a “ReView” episode, you might ask? Well, it's my highly-clever (ok not really) name for episodes where I go back and revisit an older title I haven't seen in a long time, and see if what I remember (and what my opinions on it) are still the same now that some time's gone by. It's Summertime, so why not kick back with an 80s cyberpunk action buddy-cop movie? That's right, this month, I'm revisiting the Gainax-made 1988 OVA based off of Masamune Shirow's Appleseed! Is this a great Summer popcorn flick, or does it belong at the bottom of the bargain bin? Let's find out together! Stream the episode above or [Direct Download]Subscribe on apple podcasts | Spotify Relevant links: Buy the Appleseed bluray with my affiliate link on Amazon or at The Crunchyroll StoreBuy the original Appleseed manga digitally on AmazonStream Appleseed (dubbed) in North America (free with ads) on Pluto TV or Tubi!Stream Appleseed with your paid RetroCrush subscription (dubbed or subbed)Video by Zimmerit: When Gainax Made Appleseed My theme song music was done by Kerobit! You can find more about them on their website! See how you can get access to behind-the-scenes stuff, early access to the podcast, and a BRAND NEW subscriber exclusive podcast with my new Ko-fi Subscriptions! As always, feel free to leave me your thoughts on this episode or ideas for future episodes here—or email me directly at AnimeNostalgiaPodcast@gmail.com. Thanks for listening!

This episode, Kyle and Kenny dive deep into the history of Studio Gainax – a beloved anime studio with over 40 years of history which sadly declared bankruptcy in 2024.Gainax was an anime studio established by fans and ultimately fell apart due to mismanagement and bad financial behaviour.So what were the origins of this studio and how did this historic studio go from the global recognition to law suits and administration?All this, plus the latest anime news, expired kitkat's and Durian ice cream?VIDEOS!Kawaii-Fi YouTube: https://www.youtube.com/KawaiiFiKyle's YouTube: https://www.youtube.com/@KyleinOrbitTifa's YouTube: https://www.youtube.com/thetkennedySUPPORT USPatreon: Patreon.com/KawaiiFiBuy us a Coffee: Ko-fi.com/kawaiifiJOIN THE KAWAII-FI COMMUNITYTikTok: https://www.tiktok.com/@kawaiifianimeInstagram: https://www.instagram.com/kawaiifianime/Facebook: https://www.facebook.com/KawaiiFiAnime/Twitter: https://twitter.com/kawaiifianimeDiscord: https://discord.gg/p9ccFx8vTQLISTEN ELSEWHERE?Smart Link: https://link.chtbl.com/KawaiiFiSpotify: https://bit.ly/Kawaii-FiSpotifyApple: https://bit.ly/Kawaii-FiAppleGoogle: https://bit.ly/Kawaii-FiGoogleEPISODE SEGMENTS00:00:00 – Show Opener00:04:08 – What We're Watching00:15:52 – Gainax: Studio In Focus01:16:16 – Anime Communique01:41:01 – Next Time, Volley ball and expired Kit KatsTags:anime,podcast,anime news,anime podcast,anime reviews,manga,anime recommendation,Gainax,Evangelion,Neon Genesis,Nadia,Secret of Blue Water,Royal Space Force,Gunbuster,FLCL,Gurren Lagann,Panty & Stocking

Check out Tokyo Treat for the best Japanese snacks! Use the promo code ANIMEBROTHERS to get $5 off your next snack box! https://team.tokyotreat.com/AnimeBrothersIn this episode we're talking about Space Patrol Luluco! The wild-wacky-action anime from the mind of Hiroyuki Imaishi and Studio Trigger that is one of the tastiest visual treats in animation. But does this short series bring more to the table than pretty colors and artful PNGs? We discuss! Support The Adventure!Patreon Join The Adventure!DiscordTwitter Instagram animexbrotherspodcast@gmail.com All The Links, On One Tree!https://linktr.ee/AnimeBrothersPodcast Intro Song: YungxHarm - No Cap Freestyle feat vacaationOutro Song: YungxHarm - Kept in the Dark Follow YungxHarm;Instagram: https://www.instagram.com/yungxharm/Twitter: @YungxHarmSoundcloud:https://soundcloud.com/yungxharm471 Follow vacaation;Instagram: https://instagram.com/vacaation?igshiTwitter: @vacaation_Soundcloud:https://soundcloud.com/vacaation86

This week on Anime Pulse we got the return of a long ended series, even more I Am Atomic, and a community send off to studio Gainax. Up first Joseph sells his Switch and eats a Blooming Onion, and Andrew shares another small story about his trip to Japan. And finally in the reviews Joseph fights vampires, dragons, and plays the piano in the moonlight. Meanwhile Andrew gets jazzy with it as he lays down a sound saxing.

This week Mackenzie explores the turbulent yet influential history of Studio Gainax, from its early days as a group of passionate university students creating fan films, through its meteoric rise with iconic works like 'Neon Genesis Evangelion,' to its struggles with financial mismanagement, legal troubles, and eventual bankruptcy in 2024. Join him as he delves into the creative highs and devastating lows of a studio that left an indelible mark on the anime industry. Olympia reference: https://www.zimmerit.moe/gainax-shelved-project-olympia/ Additional references: Wikipedia, Crunchyroll, MAL, IMDB, TV Tropes, IGN, Yahoo Japan, Japan Times. If you liked this episode please rate and leave a review. For frequent updates follow us on twitter ⁠⁠⁠@animeighties⁠⁠⁠! Get bonus content on our free Patreon: ⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/AnimEighties⁠⁠⁠⁠⁠⁠⁠ Find all of

Summer is here and a new anime season is knocking at the door!This Summer season is a mixed bag with returning big hitters, unexpected tales and another surge of isekai stories.We've picked 12 shows from this season the team is checking out, plus our favourites from the past season!All this plus the low down on the Gainax bankruptcy, changes at Studio 3hz, Anime Sequels and manga news!Oh - and a tip for cooking Chicken Katsu in this block buster episode!Are you in Perth or Sydney?Make sure to check out Hoshi Events two upcoming events for Australia's best anime night out!Hoshi's To the Moon event is on July 5th 2024 in Perth at the WA Museum: http://www.hoshievents.com.au/event-calendar/hoshi-to-the-moon/Hoshi's SMASH! Pre-Party is being held on July 19th 2024 at Home The Venue in Sydney: http://www.hoshievents.com.au/event-calendar/after-dark-sydney/We're not directly affiliated with Hoshi (though they are our friends) and don't receive anything from you attending these events - financial or otherwise.We just think they hold some of the best nights out for the anime and cosplay community with a safe and inclusive environment :)VIDEOS!Kawaii-Fi YouTube: https://www.youtube.com/KawaiiFiKyle's YouTube: https://www.youtube.com/@KyleinOrbitTifa's YouTube: https://www.youtube.com/thetkennedySUPPORT USPatreon: Patreon.com/KawaiiFiBuy us a Coffee: Ko-fi.com/kawaiifiJOIN THE KAWAII-FI COMMUNITYTikTok: https://www.tiktok.com/@kawaiifianimeInstagram: https://www.instagram.com/kawaiifianime/Facebook: https://www.facebook.com/KawaiiFiAnime/Twitter: https://twitter.com/kawaiifianimeDiscord: https://discord.gg/p9ccFx8vTQLISTEN ELSEWHERE?Smart Link: https://link.chtbl.com/KawaiiFiSpotify: https://bit.ly/Kawaii-FiSpotifyApple: https://bit.ly/Kawaii-FiAppleGoogle: https://bit.ly/Kawaii-FiGoogleEPISODE SEGMENTS00:00:00 – Show Opener00:04:43 – 2024 Summer Anime Season01:03:58 – Season in Review: 2024 Spring Picks!01:17:48 – Anime Communique01:50:03 – Next Time, Gainax, Minions and Katsu Curry?Tags:anime,podcast,anime news,anime podcast,anime reviews,anime recommendation,2024 Summer Anime,Summer Anime Season,Oshi no Ko,Sakuna: Of Rice and Ruin,The Elusive Samurai,Ramen Akaneko,My Deer Friend Nokotan,Pseudo Harem,Plus sized Elf,No longer Allowed in another world,Makeine: Too Many Losing Heroines!,Tasuuketsu - Fate of the majority,Twilight Out of Focus,Mayonaka Punch,Kaiju No 8,Wind Breaker,Re:Monster,Konosuba,Viral Hit,Go Go Loser Ranger,Gainax,Studio 3hz,A1 Pictures,One Piece,One Punch Man,Jujutsu Kaisen,Black Butler,Tokyo Revengers,Giji Harem, Shikanoko Nokonoko Koshitantan, Isekai Shikkaku,Make Heroine ga Oosugiru!,Elf-san wa Yaserarenai,Delico's Nursery,Tasogare Out Focus

We're catching up on a lot of news this week from Gainax to Tohru Furuya.

Check out Tokyo Treat for the best Japanese snacks! Use the promo code ANIMEBROTHERS to get $5 off your next snack box! https://team.tokyotreat.com/AnimeBrothers In this episode we cover the certified classic that is FLCL! If you grew up on Toonami and Adult Swim then you are very familiar with the wild wacky action anime that first met American eyes in 2003. We delve into themes, production, and overall impact that FLCL has left on the anime community. Support The Adventure!Patreon Join The Adventure!DiscordTwitter Instagram animexbrotherspodcast@gmail.com All The Links, On One Tree!https://linktr.ee/AnimeBrothersPodcast Intro Song: YungxHarm - No Cap Freestyle feat vacaationOutro Song: YungxHarm - Kept in the Dark Follow YungxHarm;Instagram: https://www.instagram.com/yungxharm/Twitter: @YungxHarmSoundcloud:https://soundcloud.com/yungxharm471 Follow vacaation;Instagram: https://instagram.com/vacaation?igshiTwitter: @vacaation_Soundcloud:https://soundcloud.com/vacaation86

We say goodbye to the legendary Gainax before diving into our Summer 2024 preview. Hopefully someone out there understands our inside jokes.

Updates on the Kadokawa cyber attack, the massive debt totals for Gainax bankruptcy, and Studio 3Hz transfers anime production to A1 pictures. Also, Optimus Prime was arrested for vehicular theft, and Sony bought out Alamo Drafthouse Cinema chain with plans for Crunchyroll and VA unit iRis to release a documentary film. Meanwhile in Japan, a drink that helps manage your hunger turns from liquid to solid in your stomach, and a man arrested for impersonating police to rob a woman while working?! --- Support this podcast: https://podcasters.spotify.com/pod/show/animejamsession/support

Welcome back to another action-packed episode of The Shonen Shojo Sho Show with your favorite hosts, Heidi and Pauly! In Episode #8, we dive into the latest and greatest in the world of anime. What We're WatchingPauly shares his current anime obsessions, filled with intense battles and heartwarming moments.   Heidi gives her take on the latest shoujo series that's captured her heart and discusses some hidden gems.Anime News   First-Ever Kaiju No. 8 Game Gets Stunning Trailer Reveal We break down the breathtaking trailer of the much-anticipated Kaiju No. 8 video game. Get ready for some monstrous action! [Check out the trailer here]    High-Quality Drone Footage Gives One Piece Fans a Better Look at Las Vegas SphereOne Piece fans rejoice! New drone footage gives an incredible view of the Las Vegas Sphere, bringing the world of One Piece to life in spectacular fashion. [Watch the footage here]Gainax Has Filed For Bankruptcy After 40 Years Of OperationIn a surprising turn of events, the legendary studio Gainax has filed for bankruptcy. We reflect on their contributions to the anime world and what this means for the future. [Read more about it here]Pauly's Pet PeevePauly goes off on his latest anime-related annoyance. You won't want to miss his fiery rant and Heidi's hilarious reactions!Join us for another thrilling episode filled with anime insights, breaking news, and plenty of laughs. Don't forget to subscribe, rate, and leave a review. Catch you on the flip side, anime fans!Listen now on your favorite podcast platform!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-shonen-shojo-shoshow-podcast--6091842/support.

️ ¡Bienvenidos a Animenkai Podcast! ️ En este episodio especial, exploramos el impactante tema de la bancarrota del legendario estudio de animación Gainax. Desde sus gloriosos días con Neon Genesis Evangelion hasta los problemas financieros que llevaron a su colapso, desentrañamos los detalles más intrigantes de esta historia en la industria del anime. Además, no te pierdas nuestras recomendaciones semanales de mangas y animes que no puedes perderte.

This week on Anime Pulse we got otaku bravery, damn good pizza, and degenerate community topics. Up first Joseph reports in on how his Blaze pizza turned out, and Andrew gets a little perverted with this week's community topic. Then in the industry news we got a full sandwich with the passing of a great, worrisome news about Gainax, and Himmel inspired actions. Lastly we're back to reviews as Joseph becomes a baby, is thrown out the window, and attracts a sexy wolf. Meanwhile Andrew is cursed with gender swapping while attempting to defend his thick thighed childhood friend.

The Anime Addicts discuss the death of GAINAX. We also play a LIVE game of Does Mitsugi's Mom Know? We also have Pancake join us to discuss the romance anime A Sign of Affection. You can support the podcast in the following ways: Merchandise Store: www.AAAShop.info Discord: www.AAADiscord.com Subscribe: www.aaapodcast.com/join Donations: www.aaapodcast.com/donate Patreon: www.patreon.com/AAAPodcast Thank you for your generosity and kindness

It is Episode 68 of the Nerdcast Empire and it is Anime Thursdays once again!This week, Matt and Mike break down the latest headlines in the world of anime, including an anime studio filing for bankruptcy and an upcoming local anime convention.Then, we'll talk anime music as we each play five more of our favorite themes from over the years.It is Anime Thursdays on the Nerdcast Empire. Tune in!

In this installment of the PURE TOKYOSCOPE Podcast, authors Matt Alt (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure Invention: How Japan Made the Modern World⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Patrick Macias (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mondo Tokyo: Dispatches from a Secret Japan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) chill out in the lobby of a luxury high-rise hotel and look over some recent news headlines from Japan! ⁠⁠⁠⁠FULL EPISODE SHOW NOTES ON SUBSTACK!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FULL SHOW EARLY EPISODE DROPS AT OUR PATREON!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ INFO ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure TokyoScope on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Matt Alt on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patrick Macias on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure TokyoScope on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.tokyoscope.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for merch The podcast is produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaPRESS LLC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠©, and engineered and edited by Patrick Macias Theme song by Marxy

The pair you are about to hear are not professionals. Their opinions and beliefs are not fact. They are just two idiots that are Spitting Nonsense. Hi, We are Jasmine and Zach here to present you with some nerdy news! We upload our news podcast on Wednesdays and our bonus episode on Saturdays! Support us by following us on Discord at: discord.gg/yjxsKww Give us feedback and let us know how you feel in our #questions-and-suggestions channel on the Discord listed above. --- Send in a voice message: https://podcasters.spotify.com/pod/show/spittingnonsense/message

This is a recap of the top 10 posts on Hacker News on June 10th, 2024.This podcast was generated by wondercraft.ai(00:38): Apple Intelligence for iPhone, iPad, and MacOriginal post: https://news.ycombinator.com/item?id=40636844&utm_source=wondercraft_ai(02:01): Apple's On-Device and Server Foundation ModelsOriginal post: https://news.ycombinator.com/item?id=40639506&utm_source=wondercraft_ai(04:05): OpenAI and Apple Announce PartnershipOriginal post: https://news.ycombinator.com/item?id=40636980&utm_source=wondercraft_ai(05:43): Private Cloud Compute: A new frontier for AI privacy in the cloudOriginal post: https://news.ycombinator.com/item?id=40639606&utm_source=wondercraft_ai(07:23): Apple blocks PC emulator in iOS App Store and third-party app storesOriginal post: https://news.ycombinator.com/item?id=40636331&utm_source=wondercraft_ai(09:04): macOS Sequoia PreviewOriginal post: https://news.ycombinator.com/item?id=40636854&utm_source=wondercraft_ai(10:48): 23words.comOriginal post: https://news.ycombinator.com/item?id=40634042&utm_source=wondercraft_ai(11:58): Understanding the neuroscience behind burnout (2022)Original post: https://news.ycombinator.com/item?id=40631663&utm_source=wondercraft_ai(13:42): Deterioration of local community a major driver of loss of play-based childhoodOriginal post: https://news.ycombinator.com/item?id=40637102&utm_source=wondercraft_ai(15:38): Gainax, known for 'Evangelion' anime production, goes bankruptOriginal post: https://news.ycombinator.com/item?id=40634465&utm_source=wondercraft_aiThis is a third-party project, independent from HN and YC. Text and audio generated using AI, by wondercraft.ai. Create your own studio quality podcast with text as the only input in seconds at app.wondercraft.ai. Issues or feedback? We'd love to hear from you: team@wondercraft.ai

A conversation with Sasha Kaplan about Jewish representation in comics (and more), NEW Alien: Romulus and Venom: Last Dance trailers, Kelly Thompson's Scarlett #1 CRUSHES G.I. Joe sales records, Gainax shuts down, and Kevin is BACK from ANOTHER DIMENSION!!

The third episode of More Than Headlines – your new go-to podcast for all things anime is here! Join hosts Brendan White and Courtney Borrett every week as they dive into the latest news, rumors, and must-know updates from the world of anime. Whether you're a seasoned otaku or just getting started, this spinoff is your ticket to staying informed and entertained. Don't miss out on the freshest insights and hottest gossip in anime – tune in to More Than Headlines now!Episode three sees Brendan discussing:Gainax goes bankruptTimothy Olyphant starring in Terminator ZeroThe American Manga AwardsSailor Moon and NetflixSpy x Family's third seasonThe latest episodes and releases from this season's heavyweightsPlease be sure to rate, review, like and subscribe to MTH as well as all the other podcasts you consume, it takes no time, costs you no money and means the world to us podcasters and content creators.Keep up to date with Brendan here or find him on Instagram | TikTok | TwitterKeep up to date with Courtney hereCheckout all the MTH content via our official websiteWatch all MTH content in glorious HD videoUpgrade your wardrobe via our merch storeCheck out all of the winners from the 2023 HENNIES, our entirely community driven anime awardsPlease support our fantastic sponsors:Audio-Technica, the best in audio equipmentDash Water, the best in sparkling waterJapan Crate, the best in Japanese inspired snacks and nik naks (use code ATEBIT15 at checkout)

On today's episode we chose to watch a "classic" anime, Gunbuster! The predecessor to Neon Genesis Evangelion and Gurren Lagann and first anime from studio Gainax! But the real question is, was it a good anime that holds up? Or just a good anime for its time?

We return to the mecha-zone, this time checking out a classic feature film: Mobile Suit Gundam: Char's Counterattack from 1988. We also talk about buttons on a microwave, never being satisfied with one's own work, Gainax's involvement in this film, and if we'll ever cover another Gundam work on this podcast. | Rate us nicely on Apple Podcasts | Support us on Patreon | Follow us on Twitter | Subscribe to us on YouTube | Join the fan Discord --- Send in a voice message: https://podcasters.spotify.com/pod/show/jjbpod/message

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://www.instagram.com/senornerdpodcast/⁠⁠⁠⁠⁠⁠ @senornerdpod on Twitter. The End of Evangelion[a] is a 1997 Japanese anime apocalyptic science fiction film written by Hideaki Anno, directed by Anno and Kazuya Tsurumaki, and animated by Gainax and Production I.G. It serves as an ending to the television series Neon Genesis Evangelion, which aired from 1995 to 1996 and whose final two episodes were controversial for their atypically abstract direction. The story follows the teenagers Shinji Ikari, Rei Ayanami and Asuka Langley Soryu, who pilot mechas called Evangelion to defeat enemies who threaten humanity named Angels. Shinji is subjected to the Human Instrumentality Project, a process in which human souls are merged into a single divine entity. The film features the voice actors of the original series, including Megumi Ogata as Shinji, Yuko Miyamura as Asuka, and Megumi Hayashibara as Rei. Shortly before The End of Evangelion's release, Anno and Gainax released another film, Neon Genesis Evangelion: Death and Rebirth, which summarizes the first twenty-four episodes of the series. Like Death & Rebirth, the creators conceived The End of Evangelion as a duology comprising "Episode 25: Love Is Destructive" and "Episode 26: I Need You", remakes of the last two episodes of the original television series. In 1998, the overlapping films were edited together and reissued as Revival of Evangelion. The End of Evangelion was a box-office success, grossing ¥2.47 billion. It was honoured at the Awards of the Japanese Academy, the Animation Kobe, and the 15th Golden Gloss Award. The movie also won the 1997 Animage Anime Grand Prix, and received critical acclaim for its animation, direction, editing, emotional power, and screenplay, though some reviewers criticized its oblique religious symbolism and abstraction. Since its release, the film has frequently been cited as one of the greatest animated films of all time.[2]

It's the sequel to our GUNBUSTER episode a year ago! GUNBUSTER 2, however was not directed by Hideaki Anno as the original was. Is this 6 ep series a sign of what was to come from studio Gainax (Gurren Lagann, Darling in the Franxx @ Trigger) or is it an absolute dud? Leave a comment/review or message us at badanimepod@gmail.com or DM us on insta @badanimepod to have your lovely words read out on the show!

On this episode, join hosts Dennis, Ed, Kate, & Garrett with speccial guests Patrick and Jennifer as we discuss the opening animations for Daicon III and Daicon IV. Before they founded Gainax, these two amateur animation shorts are still inspiring folks in the industry today after more than 40 years. Fandom crossovers and cameos, galore. It's the first anime bunny girl committed to film. And if you haven't heard ELO's "Twilight" yet, do yourself a favor and stream it. Still a banger.  0:00:00 - Intro & The Watchlist 0:30:24 - Some Anime News 0:47:33 - Production Notes 1:10:11 - Daicon III 1:28:24 - Daicon IV 1:51:55 - Final Thoughts & Kanpai Thanks to special guests Patrick (@Zagposting) & Jennifer (@spacepizzacos) for joining us once again! Support the show by donating to our Ko-Fi link below or by purchasing a title on a previous episode's Amazon affiliate link. Dennis: @ichnob | Ed: @ippennokuinashi | Garrett: @blkriku | Kate: @TaikoChan  Website | Email | Facebook | Bluesky | Twitter | Instagram | RSS | Ko-Fi

On this episode, join Diana, Sam, Kate, Dennis, Karen, & Ed as they discusss the 1988 OVA series Aim for the Top! Gunbuster, one of Gainax's earliest releases. How many parodies is too many parodies? Do the mechs have to take a fitness test too? And are those really regulation space suits? You'll have to mostly ignore some of the pseudo-science included in the show, even if the post episode science lessons are fun, but we'll get through this series thanks to hard work and guts! 0:00:00 - Introduction & The Watchlist 0:14:31 - Some Anime News 0:41:00 - Gunbuster Production Notes & Our History 0:54:15 - EP1 - Shock! Big-Sister and I are Going to be Pilots Together?! 1:20:23 - EP2 - Daring! The Girl Genius Challenger!! 1:43:46 - EP3 - First Love☆First Sortie 2:12:06 - Voices 2:25:06 - Final Thoughts & Kanpai Support the show by either donating to our Ko-Fi link below or by purchasing Gunbuster on Blu-ray through our Amazon affiliate link: https://amzn.to/47LaPgB Dennis: @ichnob | Diana: @binkxy | Ed: @ippennokuinashi | Karen: @RyaCosplay | Kate: @TaikoChan | Sam: @EssFive  Website | Email | Facebook | Bluesky | Twitter | Instagram | RSS | Ko-Fi

Download for Mobile | Podcast Preview | Full Timestamps Castle Super Beast Shirts: http://tinyurl.com/CSBshirts Go to http://StitchFix.com/SUPERBEAST to get 25% off when you keep everything in your Fix. -- Download the DoorDash app and enter code BEASTSUMMER to get 50% off when you spend $10 dollars or more on your next Dashpass order. -- Go to http://buyraycon.com/superbeast to get 15% off your Raycon order. -- Go to http://babbel.com/superbeast to get 55% off your Babbel subscription. Premium Listeners May Listen To 6000 Seconds of Podcast  FGC Tourney in a Church! The Lord Has Left This Place I Played Checkmate Showdown! New Anti Cheat Tech: HALLUCINATIONS Gundam Seed Lives Again So That I May Kill It Shmire Shmemblem Starring Barth Watch us record the podcast live on twitch.tv/castlesuperbeast COD introduces the new Anti-Cheat Ricochet method: Hallucinations Former RARE devs discuss the chances of Banjo-Kazooie 3 ever happening Baldur's Gate III release date moved up to August 3 for PC, delayed to September 6 for PS5 Avatar: The Last Airbender – Quest for Balance announced for PS5, Xbox Series, PS4, Xbox One, Switch, and PC Annapurna Interactive, uvula, and Keita Takahashi announce to a T for Xbox Series, Xbox One, and PC Gundam Seed: Freedom Movie to Air in 2024 During TRIGGER's main panel at Anime Expo 2023, the studio annnounced the official acquisition of the rights to "Panty&Stocking with Garterbelt" from GAINAX. Suicide Squad ISEKAI: Harley Quinn, Joker, and the Suicide Squad are starring in their own anime via WIT studio