Podcasts about Contax

Wedding season is kicking off! Join Pete, Laura, Liam, and Bee as they shake off the winter slumber (and recover from some intense DIY projects) and dive back into the world of weddings. This week, we tackle the hot topic: is 35mm film making a comeback? We discuss a client request, the pros and cons of shooting film today, the costs, the nostalgia factor, and whether digital can truly replicate the look. Plus, is Liam finally gearing up to actually try it!We contrast the analogue love with the rise of AI editing and culling tools – are they helpful or hindering authenticity? We also get real about the business side: handling unexpected cancellations, the ethics of contracts and refunds (including a tricky divorce scenario), and the changing landscape of referrals in industry groups. Hear about recent weddings in Scotland and the Lakes, dealing with tricky lighting, and our usual highs and lows. Grab a coffee and enjoy!Watch on YouTube: https://www.youtube.com/@OurCreativeCommuneTimestamps:(0:00) Intro & DIY Madness: Liam's plumbing adventures, Pete & Laura's new carpet/desk saga.(5:52) Wedding Season Begins!: Liam shoots a photographer's wedding in Scotland (The Byre at Inchyra), Pete films a local Lake District wedding. We chat portraits, marquees & avoiding downtime.(17:23) Is 35mm Film Back?!: Exploring the trend, the appeal (nostalgia vs digital), the costs, the logistics, and whether we should offer it. Liam volunteers as tribute to try it in Spain!(27:38) Camera Nerd Corner: Reminiscing about old film cameras (Contax 645, Mamiya) & finding undeveloped rolls!(29:42) Film vs. AI: The contrast! Discussing AI culling fails and new AI retouching tools – helpful or harmful to authenticity?(34:43) Business Real Talk: Handling a last-minute cancellation, contract ethics, deposit debates, and a tough scenario involving divorce & album refunds.(46:09) Shooting Challenges: How would you handle a church ceremony lit entirely pink?!(51:20) Referral Rant: Why are referrals drying up in big groups? The shift to WhatsApp cliques, and referral etiquette.(59:58) Highs & Lows: Running obsessions, DIY triumphs, pre-wedding nerves, expensive flights & listener love!Get a free 14 day trial of Musicbed: https://www.musicbed.com/invite/935CyLawson Film School: https://www.lawsonfilms.co.uk/lawson-film-schoolSay hi on Instagram @ourcreativecommuneliamandbee.comlawsonfilms.co.uklawsonphotography.co.ukWe'd love it if you could leave us a review on Apple Podcasts or Spotify – it really helps other creatives find us. You can also send us a message on Instagram with your thoughts on this week's topics. Hosted on Acast. See acast.com/privacy for more information.

En este episodio de Designaholic, Jorge Diego entrevista a Antonio Zaragoza, fundador de Liberal Youth Ministry, un creativo cuya marca ha roto paradigmas en la moda contemporánea. Criado en Guadalajara y con una infancia marcada por el aislamiento, encontró en la música y la contracultura una vía de expresión que lo llevó al diseño de ropa. Su trayectoria lo ha llevado a ser parte del selecto círculo de Dover Street Market y presentar una colección en París Fashion Week. Su enfoque ha sido tan disruptivo que su colaboración con Chivas en París se volvió un fenómeno mediático en México. Zaragoza reconoce la importancia de la paciencia y la disciplina en la construcción de una marca y no teme desafiar las estructuras establecidas. Con Liberal Youth Ministry, ha demostrado que la moda es más que ropa; es un vehículo para la rebeldía, la introspección y la narrativa personal. Antonio Zaragoza es un diseñador y director creativo mexicano, fundador de Liberal Youth Ministry, una marca de streetwear y vanguardia con una profunda exploración estética. Su trabajo ha sido reconocido internacionalmente, destacando en Dover Street Market y París Fashion Week. Su enfoque creativo está influenciado por la música, el cine y la contracultura, y ha colaborado con equipos como Juventus y Chivas. Actualmente, sigue expandiendo su visión artística y explorando nuevas formas de expresión dentro y fuera del mundo de la moda.Puedes Seguir a Antonio Zaragoza en Instagram:@antoniozaragozaa @liberalyouthministryShow Notes y Links relacionados a este episodioLibro: La muerte de Iván Ilich por León Tolstói. Película: Blue Velvet por David Lynch.Objeto preciado: Sus cámaras Contax y cartas de Pokémon.No te pierdas nuestros episodios, publicamos todos los Martes.Síguenos en: Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmx Suscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://bit.ly/30yyPD0Nuestra página web es: http://designaholic.mxTambién te dejo mi cuenta personal donde además de publicar sobre mi estudio y los proyectos que hacemos, comparto mucho más sobre Arte, Arquitectura y Diseño. Instagram https://www.instagram.com/jd_etienneTwitter https://www.twitter.com/jd_etienne Hosted on Acast. See acast.com/privacy for more information.

In yet another request from our listeners for topics you wanted to hear, for Episode 88, you can include me as someone whose been interested in hearing an episode about the Kodak Retina and other German Kodaks. For many years, whenever I needed to write something about the Retina, the person I always reached out to was Dr. David Jentz.  David is not only the founder of the Historical Society for Retina Cameras, but also has published multiple written works about the Retina and its history.  In addition to his knowledge about the Retina, David frequently collaborates with historian Klaus Schicht who has studied the man who created the Retina, Dr. August Nagel.  Although Klaus does not appear on the show, David was able to quote some information regarding topics we discussed on this show. If one Kodak historian was not enough, we also invited Todd Gustavson from the George Eastman Museum to be on the show to fill in the blanks for any other Kodak related questions which came up. This was a closed episode, so we did not have any callers, and both Paul and Theo weren't able to make it, but what we lacked in callers, we more than made up for in fascinating Kodak, Nagel, and Retina history. Listen to Episode 87 to get a background on who Dr. August Nagel was, how he became a doctor, brief histories of his time working for Contessa Nettel, Zeiss-Ikon, and Nagel Kamerwerke prior to joining Kodak.  Did you know that before Kodak AG made cameras, they made film in Germany? We discuss other German Kodaks such as the Recomar, Pupille, Kodak Duo Six-20, and the mysterious Kodak Regent.  We get into the differences between the use of "Nr." and "Type" when referring to prewar and postwar cameras, and finally solve the mystery of Paul's Retinette Angenieux lens. In addition to camera history, we also take a deep dive into Kodak's introduction to making 35mm film.  While Kodak's type 135 daylight loading cassette was their most notable contribution to 35mm film in the 1930s, did you know they made 35mm film for the Leica and Contax before that?  David shares with us information about Kodaks original 35mm film, along with some detailed patent information about the Retina, and much more! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are getting on a boat and heading on a "Three Hour Tour" for our second Desert Island episode.  If you were stranded on a desert island with only three cameras, which three would they be?  Will a high spec but fragile electronic camera make the cut, or will people choose less technically impressive models built to withstand a lot more abuse?  Let us know what you'd choose!  We will record Episode 88 on Monday, February 24th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode David's Origin Story / His First Camera was a Kodak Retina IIIS Kodak Used to Have a Camera Museum in Stuttgart David Jentz Formed with Peter Tosh the Historical Society of Retina Cameras HSRC Received Permission from Kodak and the Rights to use the Actual Retina Logo Are the Retinas Separated in the George Eastman Museum? / There Are 22,000 Items in the Eastman Museum Collection Who was Dr. August Nagel? / Nagel Started Contessa Nettel and Merged with Zeiss-Ikon in 1926 Nagel Worked for Zeiss-Ikon for About 18 Months and then Formed His Own Nagel Werke Nagels First Cameras were the Recomar, Vollenda, and Pupille Kodak Gave Nagel Very Little Direction, He Was Free to Do What He Wanted Kodak And Nagel Both Benefited from the Two Companies Working Together If You Ship a Camera and Lens Separately, There are No Tariffs Nagel was Most Famously Known as a Great Designer Kodak's Design of the New Daylight Loading 35mm Cassette Kodak Made 35mm Film for Leicas and Contaxes Before the Release of Type 135 Film Was the Retina an Immediate Success? / Why Were the Nr. 117, 118, and 119 Released So Quickly Kodak Duo Six-20 and Other Nagel Designed Cameras Mike Has Questions About Nagel's Role in Making the Kodak Regent / Kodak Regent II Kodak's Transition During World War II / Early Post War Retinas Used Steel in Their Construction Are Retinas with the f/2 Ektar Lenses Worth Paying a Premium / 47mm f/2 Kodak Ektars Were Also on the Premier Instrument Kardon Kodak's CAMEROSITY Date Codes / Many Retinas Were Sold through US PX Stores / Identifying PX Retinas David Jentz Dispels Some of the Myths Mike Got Wrong in His Reviews Dr. August Nagel Never Once Used the Word "Type" to Identify Different Cameras He Made The Mystery of Paul's Angenieux Lens / French Kodak Retinettes Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. David Jentz - https://www.blurb.com/user/hsrc028N The Historical Society for Retina Cameras - https://www.hsrcretina.org/ HSRC Publications - https://www.hsrcretina.org/hsrc-publications The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

The end of the year is almost here, and the guys and I were getting that itch to record something, so on a dreary Boxing Day, we all got together for a spontaneous episode to catch up on what we've been doing.  We did not post the join link this time, but we managed to coerce our friends Dan Cuny and Ray Nason to join us for some post-Christmas camera discussion. To help us find things to talk about, we decided to tackle a request made earlier this month in the Camerosity Facebook group, asking for more detail about Contax cameras which we were happy to do.  We get into some history, some real world reviews, advice, and other Contax nonsense.  Everything from the pre and post war  Contax rangefinders, the East German Contax SLRs, and the Yashica/Kyocera Contax cameras were discussed. In addition to Contax discussion, Mike gives an update on what became of the Detrola 400 he "borrowed" from Roberts Camera, Dan shares his thoughts on his most recent review of the Ansco Memo and we talk about Memo cameras.  Anthony shares his photographic adventures he went on traveling to New Zealand, and Paul confesses his love for adapting Contaflex 126 lenses! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We will welcome in the new year with Episode 84 in which we will be inviting Jeff and Gabe from I Dream of Cameras.  There is a high chance we will spend some time on Alpa SLRs, but there's no telling where the discussion will go with what will effectively two podcasts recording at the same time!  If you've ever wondered what it is like to have "too many cooks in the kitchen", this is the episode for you!  We will record on Monday, January 13th 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode Mike's Update on the Detrola 400 / Other Premium American Rangefinders / Ektra, Bell & Howell Foton, Clarus, Perfex Allen Wade is Ray, Paul, and Mike's Source for Camera Repair Mr Zhang Modifies Hasselblad Backs / Mike Didn't Like the Hasselblad SWC Paul Wishes for a 6x9 Mamiya 7 / Fuji 6x9s / Texas Leicas Dan Cuny Talks About His Review Process / Ansco Memo and Agfa Memo Cameras Dan is Curious About the Beier Beira / Voigtländer Prominent Paul's Friend Made a 240 Degree Panoramic Mamiya RB67 Tim Floyd is Contax Curious / Camerosity Presents: Everything You Ever Wanted to Know About Contax Cameras Pre-War Contax I Pre-War Contax II and III Post-War Contax IIa and IIIa East German Contax SLRs Yashica / Kyocera Contax SLRs and Other Cameras Comparing Shooting a Contax and Nikon Rangefinder / Dan Has Never Liked Shooting Contax Rangefinders What are the Differences Between a Contax / Pentacon / Hexacon SLRs Preset Lenses / Contarex Bullseye and non-Bullseye Contaflex 126 / Instamatic Cameras How Did Yashica Come to Use the Contax Name? Kyocera Made Great Knives and Golf Clubs / Contax T and G Series Cameras Theo is Shooting a Pentacon Six, KMZ Horizont, and Canon 7 Gallus Derlux and Foth Derby / Theo Has a Jolly Look from Antony Hands Mike Picks Up a Taron Supra V18 / Ray Picks Up an Exakta with an Ansco TLR Lens on It Anthony Just Got Back from New Zealand / Voigtländer Bessa and Perkeo II / Anthony Gets a Clip-On Meter Zeiss-Ikon Ikoflex TLRs / What's Next Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

At the end of Episode 80, we promised an entire show dedicated to Zeiss-Ikon.  Unfortunately, things got in the way of us being able to dedicate the necessary time to prepare to cover such a complex and important company, so we decided to pivot and do another GAS episode. Anthony and Theo were only able to make brief appearances, but joining Paul and Mike on this show was a well rounded cast of callers including AJ Gentile, Antony Hands, Fernando from Germany, Rafael E, Wannes Scheipers, Will Pinkham, and first time callers, Andrew Curley, Charles Lawson, and Jem! A large number of Zeiss-Ikon cameras were discussed including the Contax rangefinders, Contarex, folding Nettars, Contina, Contaflex, and the square format Tenax and Taxonas.  AJ shares his thoughts on his recent pickups of a Aires 35-V and Rolleiflex SL35, Wannes picks up an interesting book about the Kodak Vest Pocket, and Charles shares a story of how he gets his Kiev cameras repaired by a Ukrainian war hero. Mike talks about a very rare camera he was able to "borrow" from Used Photo Pro in Indianapolis, along with some recommendations on the most innovative and best user American rangefinders and medium format cameras, and a very well done book about the career of Heinz Waaske.  We also cover a very strange 1980s Fisher-Price video camera that records video onto standard audio cassettes, the I'm Back Digital Camera back, why auto focus lens adapters all suck, and Antony shares his love for the JollyLook foldable instant camera and pinhole camera. This was a wide ranging episode with a huge number of different cameras and topics covered, so rather than continue to promote it here, I recommend you hit the play button below, or on whatever your favorite podcast player is and enjoy! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For Episode 82 we are going back to digital....waaay back and going to attempt to cover some early digital cameras.  While everyone knows that digicams are seeing a resurgence of interest, what were some of the earlier models that are worth checking out!  Are there any undiscovered gems out there?  Even I don't know the answer to that one!  We will record Episode 82 on Monday, November 25th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode Mike Fell for GAS After the 80s Episode / Pentax ME-F with AF 35-70 f/2.8 Lens Mike Convinces Roberts Camera to Loan him a Detrola 400 / The Tamarkin Auction Was Last Saturday What Were the Best American Cameras Ever Made? / Bell & Howell Foton / Kodak Ektra / Kodak Signet Series Kodak 35 / Military Kodaks / All of the Signets are Good Except the Kodak Signet 80 Bridge Cameras / Ricoh Mirai / Olympus IS-Series / Canon Photura Wayne Picks Up a Book About the Kodak Vest Pocket Cameras in World War I Kameras für Millionen - Heinz Waaske, Konstrukteur / Will Gets a Ricoh 500 and Ricoh-Matic / Zorki 10 and 11 Fisher-Price PXL2000 Video Camera / Recording Videos of Punk Rock Shows on Cassette Tapes Zeiss-Ikon Contarex Bullseye / Zeiss-Ikon Taxona / Tenax Cameras / Contarex Lenses Rafael's Favorite Camera is the Zeiss-Ikon Contina / Contaflex and Magazine Film Backs Hasselblad XPan and SWCs / Converting Hassy 500 Backs to Shoot 35mm / Horseman 3D Folding Zeiss Nettars and Ikontas / Zeiss Made Great Triplets Paul Bought a Graflex XLSW From Tom Zoss / Steve Grimes Modified Cameras Is the Zeiss-Ikon Contax IIIa a Good User Camera? / Adapting Contax Lenses Charles Gets His Kiev and Contaxes Repaired by a Ukrainian War Hero AJ Shot Mike's Gifted Kodak Tourist and Picked up a Rolleiflex SL35 and an Aires 35-V Aires Made Lots of Good Cameras / Aires III-C Sending Cameras to Canada May Get Rejected if You say its a Camera on the Customs Form Kowa SW Wide Angle Camera / Kepler Telescope Viewfinders Why Did Nikon and Others Have Different Names for the Same Cameras? Minolta Dynax 7s Are Great, But.... / 3D Printing Replacement Camera Parts Jollylook Instant Camera / Jollylook Pinhole Camera Another Underappreciated American Camera is the Argus Argoflex Forty Canon P and IVS Rangefinders / Horseman Convertible / Viewfinder Photography I'm Back Digital Adapter for Film Cameras / Other Film to Digital Adapters Contax Rangefinder Adapters to Nikon Z Mount / Autofocus Adapters Suck Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Used Photo Pro (Robert's Camera) - https://usedphotopro.com/ JollyLook - https://jollylook.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

One of the benefits to having four hosts is that if something comes up and someone can't be on a recording, the show can go on.  For Episode 78, we were short Anthony, so what did the guys decide to talk about while he wasn't there?  One of Anthony's favorite cameras of course!  The Zeiss-Ikon Super Ikonta 532/16 is a medium format folding camera that shoots 6cm x 6cm images and is one of the very few medium format folding cameras with both a rangefinder and fast f/2.8 lens. In addition to it being one of Anthony's favorite cameras, it is also a favorite of professional photographer Johnny Martyr who, along with a stable of vintage Leicas, shoots his Super Ikonta professionally, offering medium format prints to his clientele.  On this episode, Johnny shares with us his motivation on why he incorporated medium format into his business and why he chose this specific camera. Episode 78 was light on guests as Paul, Theo, and Mike were also joined by returning callers AJ Gentile and Miles Libak, but we made up for it with a nice discussion of GAS!  The conversation eventually moved from 6x6 folders to 4.5x6 folders and Mike gave his recommendation on one of the best Japanese 4.5x6 folding rangefinder cameras, the Konica Pearl IV.  In addition, Mike also recommended an unlikely 6x9 folding camera as a value champion that still punches above its weight with a great lens. Paul shares some recent cameras he's dug out of his crypt and Theo talks about his recent adventures with a Nikon S2 and Olympus Pen FT and how he accidentally redscaled some film without knowing it.  We briefly discuss the merits of prism based viewfinders and what would happen if you purposely loaded black and white film backwards. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Episode 79 will be all about medium format SLRs.  If you're interested in Bronica, Mamiya, Kowa, Norita, Praktisix, (but hot Hasselblad) SLRs, this is the episode for you!  We will record on Monday, October 14th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Only Three Hosts / AJ Working on His New Blog / Paul is Still Doing Long Trips for Cameras Johnny Martyr is Exploring Medium Format / Voigtländer Perkeo Inspired Him Welta Weltur / Zeiss Super Ikonta B and Fast f/2.8 Lenses Paul's Loves the Plaubel Makina 6x7 Viewfinders Made with Prisms vs Beamsplitters / Kodak Medalist has a bright viewfinder Mike Randomly Sends Cameras to Johnny / Miles Had an Ensign Selfix 820 Special  Super Ikonta 6x4.5 / Strap Lugs / Paper Thickness Can Cause Transport Issues in Some Cameras Welta Weltini is Too Complex / Semi Leotax Konica Pearl II, III, or IV Are All Great 4.5x6 Cameras The Voigtlander Bessa 66 is Nice / Gallus Delux is a French Foth Derby / Voigtländer Perkeo 127 Kodak Tourist / Voigtländer Bessa III 667 /  Fujifilm GF670 Professional / Balda Super Baldax Theo has been shooting the Nikon S2 and the Olympus Pen FT Highlight is the Robot II which accidentally used to red scale film Does anyone know what happens in putting B&W film backwards? Very Easy to Put Film Backwards in a Mamiya RB67 Mike got a Zeiss-Ikon Hexacon / Pentacon FM The Mamiya 6 is Just As Good as the Mamiya 7 Mike Wants to Shoot Cameras to Just Enjoy Them Now Miles is Testing an Uncoated Biogon on a Prewar Contax A Brief History of the Contax and Why We've Never Done a Zeiss-Ikon Episode Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Johnny Martyr - https://johnnymartyr.wordpress.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Alex S.K. Brown is a Photographer. Alex centers his work around music, street, fashion & artists in the context of everyday life.  Alex has been published in Nylon, Hypebeast, TimeOut, and Greenpointers with clients stemming from TikTok to OnlyNY. I've seen Alex out in the field and it's always a treat because I know the photos are going to turn out so good. It's a Contax. What do you expect?  Please welcome Alex S.K. Brown to Wear Many Hats. ⁠⁠⁠⁠⁠⁠instagram.com/alexskbrown ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/wearmanyhatswmh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/rashadrastam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rashadrastam.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wearmanyhats.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Bringing It All Back Home returns with a follow up episode on what camera you should consider for the killer Zeiss c/y glass system. Today's podcast is all about the 1975 Contax RTS, the original classic, the first camera introduced by Zeiss, Yashica, and the Porsche design group. Included: its amazing metering, the LED display push button, competing with Leica's R system, the benefit of not having everything motorized, as well as the perfect balance between feel & function.

Ceci n'est pas un flim ..Parfois dans la vie rien ne se passe comme on le prévoit. Par exemple le Contax 17 sort ; on enregistre trois jours après avec un super invité et.. et... et la vie s'en mêle ; on ne sort cet épisode que trois mois après parce que l'invité et le caster courent partout ! Mais ce qui est chouette, c'est que trois mois après... c'est la rentrée !Bienvenue dans cet EP38, j'ai le plaisir de recevoir Baptiste "EMGK" pour plus de 2h30 de discussion. On parle d'argentique, de photographie de mariage, de youtube aussi.Baptiste prend le temps de revenir sur son parcours, les débuts de la box argentique ...Et si vous souhaitez savoir ce que mon invité m'a répondu quand je lui ai demandé quel futur il imaginait pour l'argentique ? Bah va falloir écouter ce photographe passionnantTrès content d'avoir pu enregistrer avec Baptiste dont je suis le travail comme bon nombre. Un épisode important dans ce dernier segment du podcast, puis qu'il ne reste que deux épisodes avant de baisser le rideau et de fermer boutique. Merci à mon invité pour sa gentillesse, et d'aborder sans filtres les affres de youtube, au moment ou sort un appareil qui se veut le renouveau pour beaucoup, d'une pratique que l'on pensait morte ...G.BAPTISTE "EMGK" | Instagram - Youtube - Box ArgentiqueSuivez l'actualité du podcast en cliquant ici ! Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Hello & welcome back to Season Five of Bringing It All Back Home. Today's episode is all about three SLR lenses that changed everything for me. From the incredibly affordable NIkkor-H Auto 1:2 50mm to the hidden gem that is the c/y Zaiss Planar 1,7/50 to the Walter Mandler brilliance that is the Summicron-R 50mm f/2. Also: why the Leicaflex SL is the ultimate alternative to going M-mount. Walter Mandler's Summicron-R 50mm f/2 Nikkor-H Auto 1:2 50mm Zeiss Planar 1,7/50 for Contax c/y https://lens-db.com/nikon-nikkor-h- https://phillipreeve.net/blog/review-carl-zeiss-planar-17-50-t-c-y/ https://lens-db.com/carl-zeiss-planar-t-50mm-f17-ae-mm-1979/#google_vignette https://en.wikipedia.org/wiki/Walter_Mandler

Contax Haters Club.."J'ai pas le temps !!" ... C'est une phrase que vous entendrez régulièrement tout au long de cet épisode. Sans doute une obscure référence au générique français d'une série se déroulant en prison, ou est-ce tout simplement que mon invité déborde de travail.Pour autant, HOSTOPHOTO m'a accordé une longue entrevue afin de pouvoir discuter en toute tranquillité et avec beaucoup de bonne humeur. Le temps pour nous d'échanger autour de son parcours, sa passion de la photographie et son amour de la mécanique de précision. Comment est-il passé de la photographie argentique à la réparation d'appareils photo argentique.Un épisode d'un peu plus de 2h35m où l'on fait bien attention de ne perdre aucune petite pièce ou ressort qui nous sera forcément utile pour remonter le matériel, tout en discutant photographie, pratique et pourquoi les Contax sont la plèbe de la photographie...ERRATUM ... Malheureusement la charge de travail qui est la mienne actuellement ne m'a pas permise de lancer comme je le souhaitais la chaîne youtube qui prendra au fur et à mesure le relais jusqu'à la fin du podcast, qui arrivera dans quelques mois. Patiente, patiente, je vous parle de tout cela très prochainement dans une capsuleG.HOSTOPHOTO | Instagram Pro - Instagram - SiteLivre Magnus Contact Sheets - AmazonPersonnes cités dans l'épisode@analog_repair | @camerarevival | @bobinette_photo | @clic_argentique | @valulea | @m250arles@olab | @labo_1000 | @Bastien EMKG | @Benber | @mariennte_vintage | @platyphoto | @paul_napo@Camera RescueSuivez l'actualité du podcast en cliquant ici ! 

The big news in Episode № 64 of I Dream of Cameras is the release of Harman Phoenix, a brand-new experimental color film from the company we insist on calling Ilford ‘cause they didn't give us free stuff. Also covered: notable cameras of 1959; fun with Lomochrome Turquoise; Gabe's recent five-camera all-film photo shoot; the growing cult of the Minolta P's; last-minute holiday gift ideas; and tons of blowback in the Prodigious Mailbag!Cameras of 1959:Leica M1Minolta SR-1Tele-Rolleiflexdebut of the Nikon Fthe original one-lug Olympus Pen (made not by Olympus, but Sanko Shoji)Asahi Pentax S2 / H2Zeiss Ikon Contaflex SuperThe Russian Mir (a simplified Zorki 4)Gabe went to The Darkroom for the exciting debut of Harman Phoenix, a brand-new film from a company we insist on calling Ilford ‘cause they didn't give us free stuffLabs working with this film are running smack into The Scannenberg Uncertainty PrincipleJeff had a blast shooting Lomochrome Turquoise with his rare and exotic Mamiya/Sekor 2000 DTLMeanwhile, Gabe's been shooting with his cheap 'n' cheerful Canon Rebel 2000 + 40mm f2.8 pancake lens — the results blew him away!He also recently did an all-film shoot with the Contax 645, Rolleiflex 2.8E2, Yashica T4, Leica M6… and Minolta P's! P's Mania rolls on! Directing NBC's new sitcom Extended Family, Jeff did some set photography with his beloved Olympus Pen EE-3. 78 shots on a roll!Holiday gift ideas! Jeff recently acquired some excellent photo books:Apollo VII - XVIIHasselblad - The Camera System 50 Years 1948-1998New York in PhotobooksWhy not our new Alan Daly t-shirt, or something else from our burgeoning merch page? Or Rachel's Brewster-Wright's Ultimate Film & Darkroom WorkbookA dip into our Prodigious Mailbag™, featuring:More Vivian Maier blowback from our 50th episode - as revenge, Viv will be getting a one-woman show at Fotografiska New York in May 2024An excellent photo club, The Slow Camera ExchangeA wonderful 1942 article from The Atlantic, The Dream Camera

Andy is excited to be speaking with Greg Finck on this episode of The Wedding Biz. Greg is a brilliant photographer based in Paris. He studied business in France then came to the U.S to get his MBA. Greg was a marketing executive for ten years with Proctor and Gamble and at first, was doing wedding photography on the side as a hobby.  Greg is now a major photographer even though he's technically only been doing it full-time for five years. Besides shooting significant weddings, he is doing fantastic work in the fashion world and has mastered marketing digitally in social media. He also gives master classes on photography and speaks at Engage. “Elegance is the only beauty that never fades,” a quote on his website from Audrey Hepburn summarizes the approach that Greg has to photography. Black and white photos are what he started out doing, giving him the ability to really focus on what he wanted to shoot in order to hone his eye. Greg talks to us about many things; his life in marketing, the catalyst for moving into photography professionally, and how glad he was that he took that leap of faith. He speaks about the niche he found with destination wedding photography, mostly taking place in Paris and other parts of Europe, doing fashion photography during the slow wedding season, and why he uses medium format film. Listen in as Greg shares with us his secrets to rapid success, how to manage your client's expectations and the tools to choose the right photographer. He discusses his tricks for calming the nerves of a bride and tells us what equipment he uses to get such fantastic shots. The knowledge Greg has acquired in his relatively short time as a full-time professional photographer is immense. His business acumen is on point, and his humility is second to none. If you want to learn how to build your business in any industry, this is a conversation you shouldn't miss.    Have you heard about Stop and Smell the Roses with Preston Bailey on The Wedding Biz Network? Listen as Preston shares the secrets, tools, and technologies behind his extraordinary ability to create a theatrical environment out of any space. Also, don't forget about Sean Low's podcast The Business of Being Creative, where Sean discusses the power of being niched, pricing strategies, metrics of success, and so much more. You can find both shows on The Wedding Biz Network.   SUPPORTING THE WEDDING BIZ Become a patron and support Andy and the show! If you are so inspired, contribute!   Time Stamps [02:02] - Andy welcomes Greg Finck to the show! [02:34] - Greg says that timeless elegance is what he wants to bring to his photography. [03:49] - Greg's childhood was spent in darkrooms developing film with his dad. [04:28] - Greg shot mostly black and white at first. [05:08] - Greg feels like he has always been a portrait photographer. [06:24] - When he was in college getting his MBA, photography was just a hobby for Greg. [06:56] - Greg went to work with Proctor and Gamble and is very grateful for what he learned. [07:58] - The most significant thing Greg learned from working for such a large company is how to be humble. [08:43] - Humility and hard work are fundamental values in this saturated market. [10:50] - Greg went to a workshop held by Feather and Stone out of California which changed his perspective on being a professional photographer. [15:26] - Was Greg financially prepared when he quit his job or did he take a leap of faith? [17:35] - Greg explains his initial marketing approach. [19:31] - Greg speaks about branding and shooting with film. [22:18] - Listen as Greg tells us what it means to have a European touch. [23:58] - Hear Greg define medium format. [26:32] - What percentage of Greg's business is related to fashion and editorials? [27:44] - The total expectations from clients are much higher today than in times past. [29:19] - Greg gives us his process when working with a client. [30:37] - Being direct with your clients is the key to managing expectations. [31:42] - Exuding confidence is how Greg helps dissipate a bride's nerves and anxiety. [33:45] - Greg chats about giving a master class. [35:58] - What are the qualities of a great photographer? [37:05] - Greg talks about his presentation topic at the next Engage Luxury Wedding Summit. [39:07] - If you want to learn directly from Greg, he gives workshops once a year in the spring. [39:51] - You can buy prints or gift cards on Greg's website. [40:21] - Greg's favorite equipment right now is a Contax 645 with an 80 mil lens. [41:35] - Andy gives us Greg's contact information.   LINKS AND RESOURCES Mentioned During the Interview: The Wedding Biz Episode 139 LAURIE ARONS: Fast-Tracking To The Lux Level Feather & Stone Photography - Website   Find Greg: Greg's Website Greg's Workshop Greg's Vimeo Page Greg's Instagram Page Greg's Facebook Page   Follow The Wedding Biz on Social: The Wedding Biz The Wedding Biz on Instagram: @theweddingbiz The Wedding Biz on Facebook: @theweddingbiz The Wedding Biz Network The Music Makers   Support The Wedding Biz by clicking here. Title Sponsor: This episode is sponsored by Kushner Entertainment.

Noel Mercado is an artist. Noel repurposes found objects giving it new life, more life. In order to have and to hold for many more generations to come. I first met Noel back in Philly with friend Zak Parsons from Four Finger Press and Kyle of Smalldosesdaily and vibed on streetwear, photography, and music. Then we caught up in Brooklyn. Always a good time when we ran into each other at a club and was talking about Contax pics. Fastforward years later, I spent the day in two of my not so secret favorite neighborhoods, the West Village and SoHo pretending that I'm someone I'm not but I ain't shit and I turned to my left and I see my favorite furniture company, USM Modular Furniture collaborated with a name I definitely know. I had to tell someone immediately and friend Ryan Gendron was right behind me and I broke the news. Went inside, made a TikTok and bought Noel's whole collection straight cash. Now my house is looking like a mansion, I told you I got it like that. No I don't got it like that but I do love that me and Noel also bond on USM and Contax Cameras. If you got that, the rest will follow. Please welcome Noel Mercado to Wear Many Hats. ⁠⁠⁠⁠instagram.com/noel.walletchain ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/wearmanyhatswmh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/rashadrastam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rashadrastam.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wearmanyhats.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dahsar.com⁠

Season 3 Episode 19 - Analog Combo: CONTAX Carl Zeiss Planar T* 50mm F/1.7 Lens w/ the CONTAX ST Another analog combo - this time featuring the legendary glass that is c/y mount Carl Zeiss. Luckily today's episode is not only about lens performance that will blow your mind - but it comes at a quite reasonable price. Yes, today will be all about the often maligned AEJ version of the Zeiss lineup, as well as their somewhat neglected SLRs from the 80s & 90s. Will this under $200 50mm Planar live up to the c/y lenses of renown? Are there any original 1975 era RTS cameras that still fully function? Is the viewfinder on the CONTAX ST a joy to behold? Tune in, turn on - grab a cup of tea - and listen in. Topics: Contax c/y lenses, Contax RTS, Contax 167 MT, Contax ST, CONTAX Carl Zeiss Planar T* 50mm F/1.7  AEJ, MMJ, Rodinal stand development, 50mm primes, Kodak TMAX, Acros 100. https://www.fredmiranda.com/forum/topic/1487249 https://camerapedia.fandom.com/wiki/Contax_RTS  https://cameragx.com/2020/04/04/contax-st-and-vario-sonnar-28-85-worth-the-hype/  --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

In a first for the Camerosity Podcast, we finally dive into the wonderful world of Graflex press cameras and other 4x5 cameras.  If you thought Camerosity only meant 35mm, medium format roll film, and subminis, this is the episode that will shake up everything you know about us! For episode 43, we had a packed house (although there was one significant omission).  Joining the gang on this show was first time caller, and owner of Graflex Parts, Graham Burnett, along with Andy Pham, Daniel Belmes, Eric J, Greg McCreash, Howard Sandler, Jess Hobbs, Marcy Merrill, Mario Piper and his wife Julianne Piper, Mark Faulkner, Nick Marshall, Patrick Casey, and Robert Rotoloni. Together, topics ranging far and wide from the history of Folmer & Schwing, the company who made the first Graphic cameras, to differences between all the models, where to start if you've never shot a Graflex before, development tips, and all sorts of information that people who love these cameras want you to know.  In addition to discussions about Graflex press cameras, we also get into a few other 4x5 cameras like the Busch Pressman and Burke & James versions.  Greg McCreash is back to talk about his massive Combat Graflex, and we even touch upon some of the 35mm Graflex cameras. If you've ever wanted to know something about these wonderful cameras, this is the episode you'll want to hear! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The guys and I have had a great time talking about Graflex, Argus, Contax, and Pentax, and for our next episode, we are going to divert a bit from our regular format and just discuss what we've been working on lately and some topics we'd like to share with you all, so there won't be any option to dial in for the next episode.  Maybe we'll still have a special guest for you, maybe not!  You'll just need to stay tuned for that one. We will resume our normal call in for episode 45 though, which we will record on Monday, March 20th.  We don't yet know what we'll talk about then, but be sure to stay tuned for the official announcement! This Week's Episode How Paul Ended Up with a Closet Full of Graflex / The Baffling Array of Variations Anthony Takes the Leap Into Press Cameras with His Graflex Super Graphic Differences Between the Speed vs Crown Graphic Graham Burnett of graflexparts.com Dives Deep into the Graflex Lineage What Does Graflex Parts Do for the Graflex Community? Folmer & Schwing and the Bicycle Graphic The Complicated Rise of the Single Lens Reflex Graflex The Many Sizes of Film for Graflex / The Evolution of Graflex Film Backs Eric J and his F&S / Bicycle Camera Bicycle Touring with Graflex Andy Pham and Concert Photography with his AutoGraflex 5x7 SLR Luis Mendez and Graflex Street Portraits in NYC Keeping Pre-war Graflex Cameras Up and Running Howard and his Graflex Monorail Graphic View Camera Julianne Piper, Shooting Paper Negatives in an Array of Graflex Cameras The LomoGraflock vs Polaroid backs Advantages of Crown vs Speed Graphic as a First Graflex Demystifying Graflex Lens Options Using Projector and Brass Lenses with Graflex Graflex at War / The Post-war Decline of Graflex Other Press Cameras / Busch Pressman / Burke & James Press Cameras Nick Marshall and His Series D 3x4 / Shooting Speed Graphic with Instax Developing 4x5 at Home Jess Hobbs and Adventures with 4x5 with Her Intrepid / 4x5 Film Options Daniel B and Shooting a Graflex Super D / Enlarging Graflex as 11x14 Large Format Greg McCreash and the Combat Graflex Mario Asks is Graflex is Making a Resurgence? / What is the Appeal of Shooting Large Format? Eric Mathy on the Appeal of Large Format to the Tinkerer and the Artist Mike Eckman and the Graflex Graphic 35 Jet Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Graham Burnett, Graflex Parts - https://www.graflexparts.com/ Jess Hobbs - https://www.youtube.com/c/JessHobbs Erik Mathy, All Through a Lens - https://allthroughalens.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

You know what they say, 'An apple a day, keeps the doctor away...' so for those of you with broken Contaxes, you better get rid of all your apples as the doctor is here! Okay, so maybe he hasn't quite gotten his PhD yet, but in this, the 41st episode of the Camerosity Podcast, we are happy to introduce you to Brandon Monroe, an aviation mechanics student who just so happens to really love the Zeiss-Ikon Contax rangefinders so much that he wanted to learn how to repair them himself.  Brandon reached out to other well known technicians who repair Contaxes like Henry Scherer and Mark Hansen and learned what he could from them.  For everything else, he rolled up his sleeves and got to work.  Tearing down several broken Contax rangefinders, and at least one that had been previously CLAd to see what was done, Brandon has recently become successful at full CLAs of both pre and postwar Contax IIs and IIIs.  Brandon has repaired several cameras for Paul and a few others, and according to Paul, the cameras are like new. Listen in as Brandon tells his story of how he got started and why he fell in love with Contax rangefinders.  He discusses differences between the pre and postwar shutters, what the shutters are made of, how the rangefinders work and how they're adjusted, who makes our favorite Contax lens adapters, using Contax lenses on Nikon rangefinders, plus a huge number of other things.  Mike can't help himself and goes into the history of the camera somewhat, explaining how the Contax I came to be, and what differences are between it and the later cameras. Joining us on this episode are returning guests Aidan Dean, Alex Dietrich, and first time callers Steve Wilcox and from all the way in Belgium, Eric Kaas Sluis, a self professed Contax addict who has one of the largest collections of working Contaxes and lenses in the world. In addition to repair of the Contax, we talk about what makes them special, who made the original Zeiss-Ikon Contax in 1926 (Hint: His name rhymes with 'Bagel'), postwar Jena Contaxes, and why you should consider a Kiev if you cannot afford a Contax.  Amazingly, the guys somehow manage to stay on topic for most of the show, but a small amount of time is spent on a few other cameras that we just can't stop talking about. As always, the topics we discuss on the Camerosity Podcast are influenced by you.  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. If you want to join us for our next episode, we will record Episode 42 on Monday, February 6th and we will talk American cameras like Argus, Clarus, Perfex, and many other brands you may or may not have heard of!  Be sure to stay tuned for the official announcement! This Week's Episode Introducing Brandon Monroe / Brandon Needs to Pressure Test His Nikonos Pentax Errata / The Pentax MX Does Have a Depth of Field Preview Lever and Some K1000s Do Have a Self Timer Of All Cameras to Fix, Why Did Brandon Want to Learn to Repair the Contax? / Brandon Talked to Henry Scherer and Mark Hansen For Help The Tension Screw For the Shutter Is Often Used to Over Tension the Shutter / If You Over Tension, It's Kaput A (Very) Brief Intro Into How the Contax Shutter Works / Where Brandon Gets Replacement Ribbons From The History of the Contax / The Contax I Was Released in 1932 and Had Many Revisions The Contax II and III Came Out in 1936, The Difference is In the Meter Differences Between Pre and Postwar Contaxes / The Mount is the Same, but Not All Pre-War Lenses Work on Post-War Bodies The Construction of the Contax Rangefinders / Brandon Also Loves the Zeiss-Ikon Contessa 35 / Adjusting the Contax Rangefinder Brandon Makes a Mask to Block off Fractures in Contax Rangefinders Paul is Brandon's Number 1 Customer / What Are Zeiss Bumps? Finding Contaxes in Europe Isn't Very Hard, But Getting Them Repaired Is / Eric Doesn't Like the Contax I How is Brandon Going to Handle the Immense Demand for People Wanting Their Contax Repaired? Does Brandon Intend to Train Others to Repair Contaxes? / Do Not Try to Use a Prewar Contax Without Servicing It What is it About the Contax That Makes Them Special? You Cannot Compare a CLA'd Contax to a non-CLA'd Contax, They Are So Much Better Zeiss Was a World Class Optics Company When They Made the First Contax, Leitz Made Microscopes Zeiss Cameras Were Always Solid, Even the Last Icarex SLRs / Some Early Zeiss Lenses Were Outsourced to American and British Firms The Very First Zeiss-Ikon Contax Was Made in 1926, What Was It, and Who Designed It? Anthony and Eric Both Prefer the Sonnar 50mm f/2 over the f/1.5 Eric and Paul Recommend the Zeiss Amedeo Adapter / Can you Adapt Nikon Lenses to Contax and Vice Versa? The Contax Claw / There's a Correct Way to Press the Shutter Release on a Contax Mike Defends the Kiev, They Are Not Contax Copies, They Are a Continuation / Early Kievs Can Be Very Good Jena Contaxes Were Made After the War By Former Contax Technicians With Nothing to Do Brandon's Tips for Identifying a Kiev with a German Shutter / If You Can't Afford a Contax, There's No Shame in Buying a Kiev There Are Many Ukrainian and Other Former Soviet Sellers Who Are Very Reputable, You Should Not Hesitate to Buy from Them Brandon Loves the Contessa 35 So Much It Killed His Internet Connection Lightning Round: What Other Unrepairable Camera Do You Wish Could Get Repaired? Paul - Zeiss-Ikon Contaflex TLR, Mike - Kodak Ektra, Eric - Leicaflex SL2, Alex - Olympus Stylus Epic, Brandon - Contax I, Theo - Petris, Anthony - Folding Kodak Bellows / Kodak Monitor Six-20 The Contax I Has a Unique Shutter from Any Other Contax / Different Ribbons / The Rangefinder is Coupled by a Cord Thank You to Brandon For Learning to Do This / We Need More Young People to Learn to Repair Cameras Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Brandon Monroe - https://www.facebook.com/mixedemulsionsbybrandon Eric Kaas Sluis - https://www.flickr.com/photos/129242869@N03/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

No Brasil, o setor de energia, no qual predominam fontes renováveis, responde por cerca de 35% das emissões de gases do efeito estufa - metade do percentual observado em nível global. Nem por isso o país e as empresas que aqui atuam estão isentas das pressões internas e externas em favor da transição energética, venham elas do mercado de capitais, de organizações multilaterais ou de ONGs. A transição energética é parte importante do zeitgeist expresso na sigla ESG. Para um país que precisa acelerar o crescimento da sua renda per capita - baixo nos últimos quarenta anos -, é preciso fazer da transição energética uma oportunidade para aumentar a oferta de energia no ritmo e com custos compatíveis com a ambição de fazer do Brasil um país desenvolvido. Ou seja, há de se trabalhar por uma renda per capita de pelo menos o dobro da atual e drástica redução da pobreza e da desigualdade. Para exemplificar, Portugal, com uma renda per capita de aproximadamente US$ 20 mil, consome, por habitante, uma quantidade de energia 65% maior do que o dado observado no Brasil. Este debate colocou em discussão os desafios para conciliar os objetivos de acelerar o crescimento da economia, o aumento da oferta de energia, a transição energética e a redução da pobreza e da desigualdade. O que esse desafio exige dos governos? O que requer das empresas? Como as afeta? Estas foram algumas das perguntas respondidas neste webinar com dois painéis. PALESTRANTES: - Painel 1: Os desafios de policy e regulação David Zylbersztajn Professor da Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio) e Coordenador do Master Of Business Economics (MBE) em Energia, é membro do Conselho Consultivo da Norte Energia. Foi presidente dos conselhos de administração da Eletropaulo, CESP, CPFL, Comgás, Varig e Light. Foi diretor-geral da Agência Nacional do Petróleo (ANP) e secretário de Energia do Estado de São Paulo. É engenheiro mecânico e mestre em Engenharia Mecânica pela PUC-Rio e doutor em Economia da Energia pela Université Grenoble Alpes. Jerson Kelman Engenheiro civil com mestrado pela Universidade Federal do Rio de Janeiro (UFRJ) e doutorado pela University of Colorado (EUA), foi professor do Instituto Alberto Luiz Coimbra de Pós-Graduação e Pesquisa de Engenharia (COPPE-UFRJ). Foi o principal dirigente da ANA, ANEEL, Light e Sabesp. Atualmente é conselheiro da Eneva, Evoltz, Iguá Saneamento e Orizon. - Painel 2: Os desafios das empresas Wilson Ferreira Jr Presidente da Vibra e ex-presidente da Eletrobras e da CPFL. Formado em Engenharia Elétrica e em Administração de Empresas pela Universidade Presbiteriana Mackenzie, foi escolhido por oito vezes consecutivas, pelo jornal Valor Econômico, para o prêmio "Executivo de Valor", na categoria "energia elétrica". Solange Ribeiro Presidente adjunta da Neoenergia e Vice Chair do Conselho do Pacto Global das Nações Unidas, é vice-presidente do Conselho do Operador Nacional do Sistema (ONS). É também vice-presidente do conselho da Associação Brasileira da Infraestrutura e Indústrias de Base (ABIDB) e membra do conselho da Associação Brasileira de Distribuidores de Energia Elétrica (ABRADEE). Clarissa Sadock Clarissa Sadock é presidente da AES Brasil. Graduada em Economia pela Faculdade Cândido Mendes, possui MBA em Finanças pela COPPEAD/UFRJ e curso de extensão em Finanças pela Darden School of Business - University of Virginia (EUA). Possui experiência de mais de 20 anos na área financeira em empresas como Claro, Contax e Aracruz Celulose. MEDIAÇÃO: Sergio Fausto Cientista político, é diretor geral da Fundação FHC e codiretor do projeto Plataforma Democrática e da coleção "O Estado da Democracia na América Latina".

We're back with another fascinating installment of the world's most popular open source film photography podcast!  For Episode 29, we dig into the vault and bring back a guest from the very first Cocaine and Waffles episode, mister "Sexy" himself, Cheyenne Morrison! As always, Cheyenne doesn't hold back with his unique blend of colorful commentary on recent pickups like his Nicca III-L, Texer SR, and AGFA Isoly IIIa.  Joining him are returning guests Mark Faulkner, James Allen, and Jess Ibarra and new guest Andrew Smith who discuss with us a number of interesting cameras.  We go deep into the world of early auto focus SLRs, cameras with bottom "trigger" film advances, and shooting very expired film. As always, many of the topics discussed on the Camerosity Podcast are not planned, and this time we go pretty deep into the world of repairing cameras, and how dire things have become with the number of skilled technicians who are either retiring or dying, leaving no one else to take their place.  Cheyenne makes a very plausible, yet very sad prediction that in 10 years, there will be no one left alive who can CLA a Contax rangefinder. Yes, we have new talent like Jess Ibarra to share her thoughts on learning camera repair, but there's only so many cameras one person can master, so if you have a camera you'd like to one day get repaired, NOW is the time! Be sure to mark your calendars for our next episode in which we will talk to a number of current and former camera store employees, who will share their stories of what it's like working in a film camera store now and in the past.  Good camera stores are like camera techs, they are getting harder and harder to find, so it should be an interesting episode hearing these stories.  If you'd like to join and ask some questions, be sure to look out for our next show announcement for Episode 30, which will be recorded on Monday, July 11th! This Week's Episode Mike Visits Dan Tamarkin at Tamarkin Camera and then Stops by Central Camera in Chicago Paul Sends His Alpa Makro-Switar and Alpa 11e to Radu / Radu Worked for Karl Heitz The Contax II and III Aren't Necessarily Better than the Contax I Just Because a Camera Has Had a CLA Doesn't Mean It's Perfect In 10 Years No One Will Repair Contax Anymore / Very Few People Will Repair Nikonos / 3D Printing O-Rings If You Need a CLA, Get It Done NOW! / We Are Losing Technicians Quickly / Radu is The Guy for Alpas, Tessinas, and Berning Robots Kilfitt Makro-Kilar and Makro Switar Alpa Lenses Komura 35mm f/2.8 Nikon Rangefinder Lens Nikon/Contax Digital Adapters / Amedeo Adapters Are the Best, but External Bayonet Nikon Adapters are a LOT Cheaper Mike and Cheyenne Both Love the Nicca III-L / Auto Resetting Exposure Counter / Bottom Loading with Leica M3 Style Door Sears Sold the Nicca III-L as the Tower 48 James Gets a Minolta X-600 / Manual Focus with Focus Confirmation Cameras / Mike Novak Is Going to Loan his X-600 To Me Nikon Took a Long Time to Embrace Auto Focus / Canon Did it Better / The Nikon 8008 Was the First Good AF Nikon SLR / Paul Hates the N70 Nikon and Minolta Had Different Model Numbers for Different Markets / Gray Market Cameras / Warranties Ricoh and Chinon Auto Focus Bodies and Lenses Mike Shoots a Roll of Kodak Verichrome Pan 620 Expired in 1948 / Kodak Duo Six-20 / Don't Forget to Replace the Tape! AGFA Isoly Was the Basis for the Diana Camera / Texer SR Is a Copy of the Seagull 203 Chinese Camera Mike Picks Up a KMZ Droug / Bottom Trigger Wind Cameras / Canon VT Deluxe / Canonet / Ricoh 519M / Super Paxette 35 Anthony Experiments with 116 and 616 / Zeiss Cocarette and Super Ikontas Theo Goes to Another Local Auction / Franka Rolfix II / Closter IIa / Mamiya U Anthony and Theo Have Bad Luck with 110 Cameras Jess is Working on an Ihagee Exakta Twin TL Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Radu Lesaru - Alpa, Tessina, Robot, and Zeiss Repair - http://www.3rcamera.com/ Andrew Smith - https://www.youtube.com/channel/UClXrAlbnU3gvdRrJ5gAR4mw Jess Ibarra - Viva La Film - https://www.vivalafilm.com/ Cheyenne Morrison - https://www.instagram.com/bigshotphotos/ Mark Faulkner – https://thegashaus.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Max Heinrich es el encargado que Analog Insights, un canal sobre fotografía análoga en YouTube, tenga vida y aporte cientos de contenidos para todo aquel que entre. Reside en Alemania y debido a eso, su acceso a equipo como Leica, Carl Zeiss o Contax está a un corto alcance pero sin duda el amor que tiene por Mamiya o Minolta no lo puede esconder. Una gran charla con Max que esperamos disfruten! #filmisnotdead​​ #cometeelfilm​​ #analoginsights Instagram: https://www.instagram.com/analog_insights/ YouTube: https://www.youtube.com/channel/UCEsIPHfiX6UpomrXTrdq67Q Comete el Film: https://www.instagram.com/comete_elfilm David García https://www.instagram.com/davgarci/​​ Beto Vázquez https://www.instagram.com/betovazquez/​​ Alquimica Film Lab: https://www.instagram.com/alquimicafilmlab

This is The Digital Story Podcast #787, April 20, 2021. Today's theme is "5 Useful Accessories for DIY Photo Projects" I'm Derrick Story. Opening Monologue When inspiration strikes for a "do it yourself" solution to a gear-related idea that comes to mind, I've found that certain items in my photo accessory drawer are helpful time after time. This week, I'll share five of my favorite DIY accessories, and a case study of putting some of them to use. I hope you enjoy the show. Digital Photography Podcast 787 Tune-In Via Your Favorite Podcast App! Apple Podcasts -- Spotify Podcasts -- Stitcher Podbean Podcasts -- Podbay FM -- Tune In 5 Useful Accessories for DIY Photo Projects In a recent Medium.com article, I wrote about the handiness of my photo accessory drawer. Some folks might call it a junk drawer, but nothing could be further from the truth. I have a number of items in there that have become essential components when I trying to come up with a DIY solution. Here are some of my favorites that I've reached for many times. Step-Up and Step-Down Rings - This is one of the items I reach for regularly. Not only do they help me adapt off-sized filters to lenses, they can connect just about anything that has threads. Lens Mount Adapters Over the years I've collected a set of affordable adapters that will mount practically any vintage lens to my MFT cameras, including Nikon, Canon, Pentax, Contax, and Minolta. Cold Shoe Adapters There are tons of accessories that can be mounted in a cold shoe, from bubble levels, to microphone, to LED lights, and of course, flashes themselves. And the list goes on from there. Old Filters - Way back when, I did a show discussing how I never throw a filter away, because some day it will have use. That includes practically every type in every diameter. Translucent Plastic Film Canisters - I've used these for everything from LED light diffusers to small parts containers. They're also handy for carrying around a set of coins that can serve as both super compact slotted screw drivers and emergency change, with room left over for tripod thread adapters and bolts. I have other things as well, such as a variety of brackets, gaffers tape, and oddball lenses. What are your favorite items in the photo accessory drawer? Stop by our Facebook page and share them. How to Adapt a 20-Year-Old Lens to an X100 (and save $300) As much as I love the 35mm lens on my Fujifilm X100V, sometimes I need a bit more elbow room. I looked at the WCL-X100 II Wide Conversion Lens, wanted it, but was reluctant to spend the $350 it costs. So I came up with another angle. I found a Canon Wide Converter WC-DC58 0.8X lens in my photo accessory drawer, and decided to try it on the X100V. I mean, why not! I already had the filter adapter for the X100V that used 49mm threads. The WC-DC58 had 58mm threads on its backside. I kept digging, found a couple step-up rings that I could cobble together, and made the connection. Peering through the electronic viewfinder, the world looked pretty good... and wider too. This had potential. I went to the menu on the Fujifilm and found the Conversion Lens option and set it to wide. This does two things. First, it correctly adjust the metadata to read at the wider focal length, and it removes the frame lines in the optical viewfinder presenting you with a more accurate view of the world. Very cool. After a bit of testing and reviewing the images at 100 percent on the laptop, I can confidently say that the lovely Canon Wide Converter works beautifully on the X100V. Sharpness was good at f/2.8 and great beyond f/5.6. Colors were deliciously Fuji, and it looks cool on the camera as well. Photos for macOS Big Sur and iPhone Essential Training This course was just released on LinkedIn Learning and lynda.com. It shows you how to leverage both the latest iPhone technology with Photos software, on both your Mac and mobile devices. "With the free Photos for macOS software from Apple, you can manage, enhance, and share photos in a variety of ways. In this course, photographer, author, and educator Derrick Story takes you on a detailed exploration of Photos for macOS. Derrick starts with a quick-start introduction to taking pictures on your phone, then editing them with Photos and sharing them. He walks you through how to use the options available to you when you're recording video. Derrick also covers several advanced iPhone camera techniques, such as switching among cameras, controlling the flash, working with ProRAW, and more. He covers each step of the process to edit pictures in Photos for macOS, then does the same for editing videos. Derrick offers some useful tips to enhance your experience using Photos, then concludes with resources to help you learn more." You can check out both the free movies and the entire course here. Did You Know You Can Archive Your Digital Photos on Analog Film? You can read the entire article on FStoppers. Bit rot, or the slow deterioration in the performance and integrity of data stored on various forms of digital storage media, is a real concern for photographers. Over time, digital photos degrade and some even become totally defective. The best insurance against this problem may actually be analog film. Digital photography offers a lot of advantages over the analog process. Namely, it's a lot cheaper and it allows a greater degree of freedom when shooting. Images are also more easily manipulated and with greater sophistication. But digital photography also has its disadvantages, too. One big one is bit rot. I have been shooting digital for about 15 years and, already, I have degraded or defective images. Now, this is certainly by no means a huge percentage of my files but imagine if one of those images was one of my "greatest shots." In some cases, the degradation is only slight, but it is still perceptible. I have some files that are totally gone, that is they won't open at all. Bit rot is not the only thing I have struggled with in the digital realm, though. I have also just plain lost images. This has happened when I have switched recording formats, computers, etc. Some photos I only had stored in clouds and then lost when I closed accounts (Facebook, for example). The point is many digital photographs I have made in my lifetime are simply gone in one way or another, from one thing or another. Others are degraded or defective. Yet, I have every single image I have ever shot on 35mm film. My negatives have followed me halfway around the world on every move and are still as good as the day they were developed. Now, to be clear, I am not saying that negatives cannot be damaged or lost, they can. I'm simply saying, in my experience, I have all of my analog images and I do not have all of my digital ones. So it goes. Your experience may be different. Virtual Camera Club News Inner Circle Members: A big thanks to those who support our podcast and our efforts! (And welcome to our new members.) My Writing on Medium.com: I now have more than 25 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me! EV Explorers for Those Who Are Interested in Electric Cars: I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures. If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us. Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation. And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs. See you next week! Product Links and Comments There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you. You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Salve galera, episódio novo no ar para falar sobre entrevista de emprego. A turma tem experiência no assunto, só não consegue passar, mas por faltas de tentativas não são. Várias histórias de entrevistas para padaria, gerência de multinacional, soldador de gps de caminhão (!!!) e até para Contax, que conseguimos ser reprovadas em todas. Foram destrinchados as nossas táticas e dicas, nossos poucos sucessos e várias histórias engraçadas em pouco mais de uma hora de episódio. É isso galera, escutem, compartilhem com os coleguinhas e até a próxima. Ps: Menino Cássio já está passando bem, a cara voltou ao tamanho normal e já deve estar ativo nos tinder da vida.

事情是这样的，Leon 一直都念念不忘想要做一期关于他家里 5 台胶片徕卡 M 机（JJ: 你就说这凡不凡吧……）、2 台数码 M 机、3 台巴纳克机，以及若干台其他各种品牌的 M 卡口、L39 卡口机机们的故事。可作为一家专注设计、生活、科技美学的播客节目，突然冷不防弄一起老古董器材安利好像怎么样都不太合适。所以嘛，灵机一动，那就讲讲相机的「用户界面」吧 :)P.S. 愚人节的「磁带」最近大规模发货了，如果觉得「货不对板」欢迎来信找我们退款，哈哈哈哈哈~# 内容提要00:01 · 关于愚人节周边产品「Anyway.MIX」磁带的说(dao)明(qian)13:00 · 说了很久终于开启的「摄影」系列初章还是打算从我们熟悉的 UI 入手29:00 · 姨夫的微笑篇36:32 · 听 Leon 详述徕卡的「改版」45:24 · 徕卡的激进、保守和 Leica T55:19 · 都聊了二十分钟徕卡了，他说他还么开始讲徕卡，你说他凡不凡？59:54 · 跑火车跑到现在的相机市场# 参考链接纪录片《武士时代：为统一日本而战》 6:26曝光三要素 10:57凡尔赛的玫瑰 12:34BGM: Take My Hand 12:40JJ 的第一台和最后一台单反 D80 17:20古早的浏览器 vs 现在的 Chrome 界面对比 20:37在本台录音室测试新视频背景的 Leon 23:04李淼老师的犯罪聊天室节目 23:21一些约定促成的汽车仪表盘图标 25:00「黑卡」上的快捷操作栏 26:27BGM: It Gets Better 28:38「黑卡」的菜单 UI 31:01奥卡姆剃刀 38:37徕卡 M9 相机 38:59iPod 的主菜单 UI 39:30徕卡 M9P 液晶屏旁边的 5 颗按键 39:48徕卡 M10R 的背面按键布置 41:11徕卡 M3 相机的机身设计 41:30徕卡 T 相机 46:13BGM: Take Care and Safe Home 47:22晴天十六法则 53:58BGM: All the Stars in the Sky Are Mine (Cinematic Joy Mix) 54:57蔡司 Contax 相机上的对焦齿轮 57:56尼康 S 相机 59:36CMOS vs. CCD 63:55# 特别感谢在此谢过 Leon 家的十几台相机友情出演本集内容# 会员计划在本台官网(Anyway.FM) 注册会员即可 14 天试用 X 轴播放器和催更功能~ 开启独特的播客互动体验，Pro 会员更可加入听众群参与节目讨(hua)论(shui)~

This week, Matthew and Katherine talk about tips for ordering custom pens or nib grinds, Retro51's continued existence, Matthew's holy grail film camera, and some favorite pen show memories!Primeval BrewingBradford Bounty EventMatthew's Leica M6 CameraHenri Cartier-Bresson PortfolioKatherine's Contax at the BreweryNakaya DF1 Ama Iro

Hoje Thiagão Mauá e Tauany Barbosa comentam sobre os atrasos de salários e 13º dos trabalhadores da empresa de call center LIQ, antiga Contax, as quase 800 mortes pela Covid-19 nas últimas 24h no Brasil e a luta pela legalização do aborto na Argentina.

En esta semana hablamos de todo lo que quieres saber de bites y bytes. Se puede ser bueno sin ser mamón? Clientes nefastos y la legendaria linea de lentes olvidada de Contax. Muchas gracias a todos por escucharnos esta semana. Recuerden que pueden dejarnos un voice message a travez de WhatsApp al +528114754888 con sus preguntas y/o sugerencias o escribirnos al mail a tantacosafm@gmail.com. Ya puedes aportar a que sigamos mejorando y a producir este programa donando la cantidad que gustes a : https://www.paypal.me/paylalovargas También pueden escucharnos en la version de audio en las siguientes plataformas: Apple Podcasts: https://podcasts.apple.com/mx/podcast... Anchor: https://anchor.fm/tantacosaynomealcanza Spotify: https://open.spotify.com/show/12gOe82... Google Podcast: https://www.google.com/podcasts?feed=... Breaker: https://www.breaker.audio/tanta-cosa-... #bitrate #tantacosaynomealcanza #codecs

For episode 62 we have a talented commercial photographer Christina Zen - who shoots film! Christina moved across to film after years of shooting weddings on digital to the world of film! She bought a Contax 6x4.5 and never looked back. She talks us through her experiences and provides insights about learning to use film stock effectively. Christina shoots a variety of food, lifestyle and other commercial related work. You can see lots of her lovely images on her website (the food images are especially mouth-watering). She also mentors with one on one sessions, so if you are looking for help, look no further. We discuss a number of topics including: choosing film Pushing Portra 800/Fuji 400 Shooting food + eating it! Shotkit.com Waist level shooting Food photography Mum + coping as wedding tog Need for marketing Less "posed" look Being creative Workshops + science lessons RANDOM QUESTIONS Christina goes through our random questions, so find out: what would Jesus's social media handle be? If she chooses Julia Roberts or Patrick Swayze LINKS Instagram - https://www.instagram.com/christina.zen/?hl=en Website - http://christinazen.com/ Other Links Shotkit website - https://shotkit.com/ Phlogger - https://phlogger.co.uk --- Send in a voice message: https://anchor.fm/photography-insights/message

Andy is excited to be speaking with Greg Finck on this episode of The Wedding Biz. Greg is a brilliant photographer based in Paris. He studied business in France then came to the U.S to get his MBA. Greg was a marketing executive for ten years with Proctor and Gamble and at first, was doing wedding photography on the side as a hobby.  Greg is now a major photographer even though he's technically only been doing it full-time for five years. Besides shooting significant weddings, he is doing fantastic work in the fashion world and has mastered marketing digitally in social media. He also gives master classes on photography and speaks at Engage. "Elegance is the only beauty that never fades," a quote on his website from Audrey Hepburn summarizes the approach that Greg has to photography. Black and white photos are what he started out doing, giving him the ability to really focus on what he wanted to shoot in order to hone his eye. Greg talks to us about many things; his life in marketing, the catalyst for moving into photography professionally, and how glad he was that he took that leap of faith. He speaks about the niche he found with destination wedding photography, mostly taking place in Paris and other parts of Europe, doing fashion photography during the slow wedding season, and why he uses medium format film. Listen in as Greg shares with us his secrets to rapid success, how to manage your client's expectations and the tools to choose the right photographer. He discusses his tricks for calming the nerves of a bride and tells us what equipment he uses to get such fantastic shots. The knowledge Greg has acquired in his relatively short time as a full-time professional photographer is immense. His business acumen is on point, and his humility is second to none. If you want to learn how to build your business in any industry, this is a conversation you shouldn’t miss.    Show Highlights: [02:57] Andy welcomes Greg to the show! [03:18] Greg says that timeless elegance is what he wants to bring to his photography. [04:43] Greg's childhood was spent in darkrooms developing film with his dad. [05:23] He shot mostly black and white, back at the beginning, which helped him hone h his eye for capturing images. [06:06] He feels like he has always been a portrait photographer. [07:18] When he was in college, getting his MBA, photography was just a hobby. His parents encouraged him to take the safe path. [08:20] He went to work with Proctor and Gamble, but was very grateful for what he learned. [08:53] Greg says the most significant thing he learned from working for such a large company is how to be humble. [10:14] Humility and hard work are fundamental values in this saturated market. [11:44] He discusses why he left a safe job at Proctor and Gamble to pursue his love of photography. [13:55] He went to a workshop held by Feather and Stone out of California, and it changed his perspective on being a professional photographer. [16:20] Were you financially prepared when you quit your job or did you take a leap of faith? [18:29] Why bring a photographer from the states to shoot your wedding in France when I am already here was Greg's marketing approach.  [20:32] Greg speaks about branding and shooting with film, which set him apart in Europe because not a lot of people were doing it. [22:20] Listen as Greg tells us what it means to have a European touch. [24:01] They discuss medium format film, which is the highest possible quality film you can find at this time. [24:56] Greg speaks about the use of hashtags to get noticed with social media. [26:34] What percentage of your business is related to fashion and editorials? [28:09] The total expectations from clients are much higher today than in times past. [29:21] Greg gives us his process when working with a client. [30:51] Being direct with your clients is the key to managing expectations. [31:44] Exuding confidence is how he helps dissipate a bride's nerves and anxiety. [33:46] Greg chats about giving a master class and telling his students that they need to get out of their comfort zone. [36:00] What are the qualities of a great photographer? [37:07] Greg’s presentation topic at the next Engage Luxury Wedding Summit. [39:09] If you want to learn directly from Greg, he gives workshops once a year in the spring. [39:53] You can buy prints or gift cards on his website. [40:23] His favorite equipment right now is a Contax 645 with an 80 mil lense. [41:27] Thank you, Greg, for being on our show, it has been a real pleasure. [42:01] Please tell your friends about our podcast and leave reviews if you like what you hear.   LINKS & RESOURCES Follow The Wedding Biz on Social:  The Wedding Biz The Wedding Biz on Instagram: @theweddingbiz The Wedding Biz on Facebook: @theweddingbiz   Title Sponsor: This episode is sponsored by Kushner Entertainment  www.KushnerEntertainment.com   Greg Finck Greg on Vimeo Greg’s Website Greg’s Workshop Greg@gregfinck on Instagram Greg@gregfinckphotographie on Facebook   Mentioned during the interview: Laurie Arons on The Wedding Biz Feather&Stone Photography

Our pal Contax stops by to help out Birds with some writer's block. Visit our Site  /  Discuss on Reddit Follow us on Twitter  /  Subscribe on RSS Edited by Andrew Gomez  

We went on a bit this week, or rather Simon and Perry did. Johnny went a way for a while to do some household chores, but sneaked back later hoping he had not been missed. He hadn't, because Simon was salivating over his friend's Contax and Zeiss collection that had been laid before him. So, a camera heavy episode, but with plenty of lots of Planar, Sonnar, and yes, Tessar talk to to keep you happy. ________ LISTEN TO THE PODCAST
 Pobean | iTunes | Stitcher  ________ EPISODE 76 LINKS & REFERENCES Contax RTS, RTS II and RTS III Series SLR cameras Contax AX Contax Aria Review by Cheyenne Morrison at casualphotophile.com Baby Rolleiflex Horizon 202 Designed by Porsche: The Samsung ECX1Rube Goldberg All About That Bass ________ SUPPORT THE PODCAST
 Donate on Ko-fi  ________ CONTACT Send ideas & questions for the podcast EMAIL LIST Sign-up to receive an email when each podcast goes live INSTAGRAM
 BestVintageLens | #classiclenses | #bestvintagelens ________ FOLLOW THE HOSTS
 Simon Forster Website | Ebay | Flickr | Facebook | Instagram | Twitter | LFPP Perry GeWebsite | Flickr | Instagram Johnny Sisson Instagram | Central Camera Company ________ BE LIKE KARL Karl Havens Flickr | Instagram ________ PODCAST THEME
 Octoblues Royalty Free Music by Kevin Macleod ________ #CLP76 #ContaxYashica

ARCADE STUDIO PODCAST va al Surf Sate Film Festival Milano! EP 1 ENRICO CEROVAC. Filmmaker, SSFF Skate & Art consultant, multi-tasker. @enripolli https://www.instagram.com/enripolli/ LinkedIn https://www.linkedin.com/in/enrico-cerovac-a0390917/ - Link ai temi discussi: Surf Skate FIlm Festival Milano https://www.ssff.it/ Zombies VIdeo https://vimeo.com/zombiesvideo Frank Ocean foto al MET Gala con Contax T3 https://hypebeast.com/2017/5/frank-ocean-met-gala-photos-contax-t3 Contax T2 https://cameralegend.com/2016/10/08/the-contax-t2-the-greatest-point-shoot-camera-of-all-time/ In Our Time http://www.enricocerovac.it/inourtime/ - CONTATTI @arcade_studio_mi http://www.instagram.com/arcade_studio_mi/ @andy_olive http://www.instagram.com/andy_olive/ @rinothechef http://www.instagram.com/rinothechef/ Arcade Studio http://www.arcadestudiomilano.com/

Contax Netball Club are going for an amazing three premierships in a row this year in the seniors and reserves of the Netball SA Premier League. Bevo had the joy of Chewing the Fat with three of their stars Charlee Hodges, Georgia Beaton and Gia Abernethy who have all played for the Adelaide Thunderbirds. We talked about their journeys so far, interests outside of netball, what makes Contax such a strong club and the play hard/party hard philosophy at the club. Thanks to the girls for their time and Darren Peters and Leanne Eichler with some great information about the girls. Thanks also to Ellis Gelios for filming and editing the video and to our sponsors Anytime Fitness and 90 Mile Wines: Wharf Barrel Shed. This episode was filmed under the name of Chewing the Fat, rebranded to Legends with Bevo in late 2019.

Leo's musings (the longest ones so far!) about his first proper pinhole camera, return to 35mm film after 8 'gap' years and some other stuff. And a rant about having to reseal old cameras.

Episode 22 of the Classic Lenses Podcast Dutch, Belgium based documentary photographer, Eric Sluis talks to Karl Johnny and Simon about using classic lenses for paid work as well as sharing some of his extensive knowledge of wartime Carl Zeiss Jena lenses including LTM39 versions of Contax bayonet lenses. Also worth noting, Karl & Johnny are still being influenced by Hamish Gill's appearance on the show and are continuing to get bleeped out...   LISTEN TO THE PODCAST
 Pobean | iTunes | Stitcher | Google ________ EPISODE LINKS _______ SUPPORT THE PODCAST
 Donate on Ko-fi CONTACT Send ideas & questions for the podcast EMAIL LIST Sign-up to receive an email when each podcast goes live INSTAGRAM
 BestVintageLens | #classiclenses | #bestvintagelens FOLLOW THE HOSTS
 Karl Havens Flickr | Instagram Johnny Sisson Instagram | Central Camera Company Simon Forster Website | Ebay | Flickr | Facebook | Instagram | Twitter PODCAST THEME
 Octoblues Royalty Free Music by Kevin Macleod

Film Photography Podcast – Episode 183 – April 15th, 2018 Topics on the table today are three awesome cameras, the Contax 167mt, Zeiss Ikon Contaflex Super BC, and the Canon T60. Joining Michael Raso in the studio today is Mark Dalzell and John Fedele! Also, we’re reading your letters and so much more! So grab your favourite

Neste episódio, Paulo e Rafael Barros, instrutor da Clavis, analisam uma boa ideia: A certificação EXIN Information Security Foundation baseada na ISO/IEC 27001. Esta certificação é a base para as demais certificações em Segurança da Informação, pois, apresenta os processos operacionais de SI listados nas ISO/IEC 27001 e ISO/IEC 27002. Eles analisam o conteúdo do curso, incluindo o livro recomendado pela EXIN e os benefícios da certificação para os profissionais da área, destacando: Diferenças entre as ISO e como elas se complementam; Foco na implantação dos controles sugeridos para um SGSI (Sistema de Gestão da SI); Uso de experiências reais para apresentação dos controles. Sobre o curso Rafael explica que durante o treinamento preparatório para a certificação Information Security Foundation (based on ISO/IEC 27002), o aluno vai se familiarizar com um conjunto de termos comuns à área de Segurança da Informação e que fazem parte do escopo do exame, além de receber capacitação em tópicos correspondentes aos requisitos do exame, como conceito e valor da informação, aspectos de confidencialidade, definição de ameaça e risco, e o relacionamento entre ameaças, riscos e confiabilidade da informação, entendimento sobre política de segurança e organização de segurança, gerenciamento de incidentes, medidas de segurança física, técnica e organizacional, leis e regulamentos. Qual é o público-alvo dessa certificação ? A certificação é indicada para todos os profissionais que trabalham com informações sensíveis, desde o pessoal administrativo até o CEO. Sendo esta certificação, portanto, um excelente ponto de partida para pessoas que queiram começar a atuar na área de Segurança da Informação. Sobre o entrevistado Rafael Luiz de Barros é tecnólogo em Gestão de TI, pós-graduado em Gestão de Negócios pelo IBMEC, certificado PMP desde 2012, profissional de segurança da informação desde 2006. Auditor Líder ISO 27001 pela Modulo Security. Instrutor ISO 27001, CoBIT 5 e ITIL V3.  Foi o analista responsável pela auditoria interna de segurança da informação da Contax de 2007 a 2009 e atuou nos planos de ação de diversos produtos, incluindo operações de bancos, cartões de crédito, planos de saúde e telefônicas. Como consultor e gerente de projetos na Cipher S/A atuou em projetos de mapeamento de riscos do programa KM de Vantagens da Ipiranga, em projetos de certificação PCI DSS e em projetos de implantação de tecnologias, incluindo Petrobras, Eletrobrás, MRS e CSN. Atuou também com projetos de Privacy e FATCA na Prudential do Brasil. Áreas de atuação: Gestão de Segurança, Continuidade de Negócios, Gestão de Riscos, Governança de TI e Gestão de Projetos.

The Maximalist guys gather to discuss the latest camera news, Russell's new mirrorless toy, and bring on special guest, Nicole Blumberg, to talk about bringing film in the fold.    Hosts Russell Edwards - http://www.RussLevi.com , Instagram: @russlevi  Duy Ho - http://www.duyhophotography.com , Instagram: @DuyHo_ Joseph Tan - http://www.JandALight.com , Instagram: @JandALight   Guest Nicole Blumberg - http://www.NicoleBlumberg.com , Instagram: @Nicole.Blumberg.Photography   Throw us a line and/or follow/subscribe to us: feedback to TheMaximalistPodcast@gmail.com like the facebook page http://www.facebook.com/themaximalistpodcast most importantly, subscribe/rate/review on itunes: https://goo.gl/9Iikvd News & Stuff DxOMark Reviews Sony a9 sensor performance Canon 6DII Leaks/Rumors Trio of Nikon Lenses (ultra wide zooms and Duy-approved 28mm f/1.4) Godox/Flashpoint TT350-F TTL/HSS 2.4Ghz Tx/Rx Speedlite (F is for Fuji) Shownotes Canon EOS-3 35mm Film Body Canon EOS 620 35mm Film Body Fujifilm X-T20 , X100T , X70 Olympus O-MD E-M10 II Fuji Portra 400 35mm Film Pentax 645 Medium Format Film Camera Contax 645 Medium Format Film Camera Jose Villa and his gear Richard Photo Lab Pentax 75mm f/2.8 Medium Format Lens Sekonic Light Meters

We have put in some serious research to find the best modern point and shoot film cameras, and both made different choices. We do deep analysis of the Fuji and Contax, with a nod to the Olympus XA.