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A ESTRUTURA DO PRÓXIMO BULL MARKET DA BOLSA | Nomes respeitados do mercado vão explicar o próximo grande ciclo de alta da B3 numa reunião a portas fechadas na Faria Lima. Garanta o seu acesso: https://lp.mmakers.com.br/mmprivate-estrutura-do-proximo-bull-market?xpromo=MI-ALM01-YT-DESCRICAO-X-DESCRICAOSOBREENCONTROPRIVATE-MM-X O Ibovespa vai continuar subindo ou essa alta já virou armadilha? Neste episódio do Market Makers, vamos receber Alexandre Silvério, CEO da TENAX Capital, para responder à pergunta que está na cabeça de todo investidor: a alta histórica do IBOVESPA será o início de um novo ciclo ou apenas um suspiro? Alexandre irá analisar os motores dessa valorização, avaliar se ainda dará tempo de entrar na bolsa e revelar como pretende se posicionar nesse momento de euforia.Na sequência, discutiremos a forte queda do dólar — que já encosta nos R$5,60. Será o real que está forte ou o mundo que está ficando mais fraco? Vamos entender os impactos disso para empresas exportadoras, investidores e para o cenário macroeconômico global.Também vamos debater a nova trégua tarifária entre Estados Unidos e China, que pode redesenhar o fluxo de capital internacional e impulsionar os mercados emergentes. Mas será que essa “paz” será duradoura? Por fim, entraremos no que mais interessa: quais serão as oportunidades que estarão no radar da TENAX? Alexandre irá abrir sua visão estratégica e apontar os setores com maior assimetria — além de compartilhar conselhos diretos para quem estiver começando a investir agora.Com tudo isso acontecendo ao mesmo tempo — bolsa em alta, dólar derretendo e trégua entre potências — qual deverá ser a sua estratégia como investidor?
At the end of Episode 80, we promised an entire show dedicated to Zeiss-Ikon. Unfortunately, things got in the way of us being able to dedicate the necessary time to prepare to cover such a complex and important company, so we decided to pivot and do another GAS episode. Anthony and Theo were only able to make brief appearances, but joining Paul and Mike on this show was a well rounded cast of callers including AJ Gentile, Antony Hands, Fernando from Germany, Rafael E, Wannes Scheipers, Will Pinkham, and first time callers, Andrew Curley, Charles Lawson, and Jem! A large number of Zeiss-Ikon cameras were discussed including the Contax rangefinders, Contarex, folding Nettars, Contina, Contaflex, and the square format Tenax and Taxonas. AJ shares his thoughts on his recent pickups of a Aires 35-V and Rolleiflex SL35, Wannes picks up an interesting book about the Kodak Vest Pocket, and Charles shares a story of how he gets his Kiev cameras repaired by a Ukrainian war hero. Mike talks about a very rare camera he was able to "borrow" from Used Photo Pro in Indianapolis, along with some recommendations on the most innovative and best user American rangefinders and medium format cameras, and a very well done book about the career of Heinz Waaske. We also cover a very strange 1980s Fisher-Price video camera that records video onto standard audio cassettes, the I'm Back Digital Camera back, why auto focus lens adapters all suck, and Antony shares his love for the JollyLook foldable instant camera and pinhole camera. This was a wide ranging episode with a huge number of different cameras and topics covered, so rather than continue to promote it here, I recommend you hit the play button below, or on whatever your favorite podcast player is and enjoy! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For Episode 82 we are going back to digital....waaay back and going to attempt to cover some early digital cameras. While everyone knows that digicams are seeing a resurgence of interest, what were some of the earlier models that are worth checking out! Are there any undiscovered gems out there? Even I don't know the answer to that one! We will record Episode 82 on Monday, November 25th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode Mike Fell for GAS After the 80s Episode / Pentax ME-F with AF 35-70 f/2.8 Lens Mike Convinces Roberts Camera to Loan him a Detrola 400 / The Tamarkin Auction Was Last Saturday What Were the Best American Cameras Ever Made? / Bell & Howell Foton / Kodak Ektra / Kodak Signet Series Kodak 35 / Military Kodaks / All of the Signets are Good Except the Kodak Signet 80 Bridge Cameras / Ricoh Mirai / Olympus IS-Series / Canon Photura Wayne Picks Up a Book About the Kodak Vest Pocket Cameras in World War I Kameras für Millionen - Heinz Waaske, Konstrukteur / Will Gets a Ricoh 500 and Ricoh-Matic / Zorki 10 and 11 Fisher-Price PXL2000 Video Camera / Recording Videos of Punk Rock Shows on Cassette Tapes Zeiss-Ikon Contarex Bullseye / Zeiss-Ikon Taxona / Tenax Cameras / Contarex Lenses Rafael's Favorite Camera is the Zeiss-Ikon Contina / Contaflex and Magazine Film Backs Hasselblad XPan and SWCs / Converting Hassy 500 Backs to Shoot 35mm / Horseman 3D Folding Zeiss Nettars and Ikontas / Zeiss Made Great Triplets Paul Bought a Graflex XLSW From Tom Zoss / Steve Grimes Modified Cameras Is the Zeiss-Ikon Contax IIIa a Good User Camera? / Adapting Contax Lenses Charles Gets His Kiev and Contaxes Repaired by a Ukrainian War Hero AJ Shot Mike's Gifted Kodak Tourist and Picked up a Rolleiflex SL35 and an Aires 35-V Aires Made Lots of Good Cameras / Aires III-C Sending Cameras to Canada May Get Rejected if You say its a Camera on the Customs Form Kowa SW Wide Angle Camera / Kepler Telescope Viewfinders Why Did Nikon and Others Have Different Names for the Same Cameras? Minolta Dynax 7s Are Great, But.... / 3D Printing Replacement Camera Parts Jollylook Instant Camera / Jollylook Pinhole Camera Another Underappreciated American Camera is the Argus Argoflex Forty Canon P and IVS Rangefinders / Horseman Convertible / Viewfinder Photography I'm Back Digital Adapter for Film Cameras / Other Film to Digital Adapters Contax Rangefinder Adapters to Nikon Z Mount / Autofocus Adapters Suck Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Used Photo Pro (Robert's Camera) - https://usedphotopro.com/ JollyLook - https://jollylook.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/
Those About to Die: Episode 9 "The Die Is Cast" Elia faces Scorpus in a head-to-head race for revenge; Tenax puts on a public execution for the Patricians; Cala finds evidence of Domitian's treachery and betrays Tenax to save Jula; Berenice and Antonia race to get proof to Titus in time. Those About to Die: Episode 10 "Let the Games Begin" Pitted against one another, Kwame and Viggo fight to the death to save their families; Tenax decides to spare Cala in exchange for her help; Domitian stops Titus from finding out the truth before it's too late. Feedback : blackgirlcouch@gmail.com (audio/written) Twitter: BlackGirl_Couch Tumblr: slowlandrogynousmiracle pirvlegage breeds more inner conflitct
No episódio de hoje, Alexandre Silverio, gestor da Tenax Capital, traz uma análise aprofundada sobre o cenário atual para investimentos em ações. Com o tema "É um Bom momento para investir em ações?", o vídeo explora as tendências e oportunidades do mercado, considerando fatores econômicos e geopolíticos que influenciam o comportamento das bolsas. Alexandre compartilha sua visão sobre setores promissores, os principais riscos e as estratégias para quem busca crescimento e segurança no longo prazo. Descubra se o momento é favorável para alocar seu capital em ações e quais elementos observar para tomar decisões de investimento mais seguras e assertivas.
Those About to Die: Episode 7 "Death's Bed" Tenax reveals his past to Cala as she tends to his wounds; Scorpus grows increasingly jealous as the elder Corsi brothers, Andria and Fonsoa, win races for the Gold Faction; Kwame faces Flamma in a rematch; Tenax and Cala face off with Ursus. Feedback : blackgirlcouch@gmail.com (audio/written) Twitter: BlackGirl_Couch Tumblr: slowlandrogynousmiracle
Those About to Die: Episode 6 "Blood Relation" A dark day looms over Rome with the eruption of Mount Vesuvius; Titus punishes Marsus and the Patricians involved in a planned coup; Domitian convinces Titus to reinstate the Gold Faction; Tenax is dangerously wounded in battle. Feedback : blackgirlcouch@gmail.com (audio/written) Twitter: BlackGirl_Couch Tumblr: slowlandrogynousmiracle
Those About to Die: Episode 5 "Betrayal" To save his image and cement his authority, Titus sends Berenice away and marries his cousin, a Roman; Tenax's dark past is finally revealed, and his chase for Ursus leaves someone dead; Kwame prepares for his fight with Flamma. Feedback : blackgirlcouch@gmail.com (audio/written) Twitter: BlackGirl_Couch Tumblr: slowlandrogynousmiracle
Those About to Die: Episode 4 "Fool's Bet" Titus shuts down the Gold Faction to appease the Patricians while Scorpus, suspicious of Tenax's plan, joins the White Faction; Domitian orchestrates a grisly spectacle to show his strength; Tenax meets Ursus, a dangerous man from his past. IMDB: 7.1/10 (622) Feedback : blackgirlcouch@gmail.com (audio/written) Twitter: BlackGirl_Couch Tumblr: slowlandrogynousmiracle
Those About to Die: Episode 2 "Trust None" Tenax and Domitian form a racing faction and recruit Scorpus; Antonia and Marsus undermine their efforts while Cala offers to help Tenax to protect her daughters; Emperor Vespasian ponders on his successor. Feedback : blackgirlcouch@gmail.com (audio/written) Twitter: BlackGirl_Couch Tumblr: slowlandrogynousmiracle
Ready your quardriga and place your bets as we race to the finish of Movies We Dig Season 4! We end the season with the most recent series depicting ancient Rome, Peacock's Those About to Die. Oddly enough, there's not a single Julio-Claudian in sight. That's right, new imperial family=new opportunities to plot and scheme your way to the top! And if anyone can pull it off, it's Ramsey Bol...excuse us, its Tenax and company. It's time to "Rise or Die!" (sigh). Anyone else getting a strong sense of déjà vu here?And whenever we see a gladiator, you know we have the call in our good friend and Roman spectacle specialist, Alexandra Sills! Does a show about Roman entertainment manage to entertain a modern audience? Let's find out!Want to learn more about gladiators in modern media? Then be sure to check out Alexandra's webpage, writing, social media, and much more at https://linktr.ee/alexandrasills. Hosted on Acast. See acast.com/privacy for more information.
Ready your quardriga and place your bets as we race to the finish of Movies We Dig Season 4! We end the season with the most recent series depicting ancient Rome, Peacock's Those About to Die. Oddly enough, there's not a single Julio-Claudian in sight. That's right, new imperial family=new opportunities to plot and scheme your way to the top! And if anyone can pull it off, it's Ramsey Bol...excuse us, its Tenax and company. It's time to "Rise or Die!" (sigh). Anyone else getting a strong sense of déjà vu here? And whenever we see a gladiator, you know we have the call in our good friend and Roman spectacle specialist, Alexandra Sills! Does a show about Roman entertainment manage to entertain a modern audience? Let's find out! Want to learn more about gladiators in modern media? Then be sure to check out Alexandra's webpage, writing, social media, and much more at https://linktr.ee/alexandrasills.
Die Serie spielt in der Zeit des antiken Roms. Es geht um Tenax, der in Armut aufgewachsen ist und nun mithilfe des integranten Sohn des Kaisers aufsteigen will.
Review of the 2024 Peacock TV series Those About TO Die a Roman Gladiator Drama with Anthony Hopkins as Emperor Vespasian and Ramsay Bolton (Iwan Rheon) as Tenax. Daniel P. Mannix
IREFUL [Thrash Metal; Sicily, Italy] - https://irefulthrash.bandcamp.com/ IRA TENAX [Death/Heavy Metal; Hanau, Germany] - https://open.spotify.com/artist/5dZQX1zxWjtJmD3AXoF5er MILLENNIAL REIGN [Christian Power Metal; Texas, USA] - https://millennialreign.bandcamp.com/ @ireful_thrash #ireful #thrashmetal #italianmetal @ira_tenax_official #iretenax #deathmetal #heavymetal #germanmetal @millennialreign #millenialreign #powermetal #texasmetal #usmetal PODCAST THEM DOWN - https://linktr.ee/pctd https://patreon.com/podcastthemdown
A Tenax Capital é uma gestora com R$ 1,3 bilhão sob gestão, divididos em três estratégias: macro, renda variável e crédito, todas com foco em geração de alpha. Atualmente, a gestora conta com mais de 30 profissionais e combina as análises fundamentalistas e macroeconômicas para a tomada de decisão.No episódio 131 do Outliers, Clara Sodré, analista de fundos de investimento da XP, e Rodrigo Sgavioli, head de alocação da XP, receberam Alexandre Silverio, CEO e portfolio manager na Tenax, e Rodrigo Mello, sócio e portfolio manager da gestora, que comentaram sobre as estratégias para superar a volatilidade da Bolsa e atingir bons resultados em fundos de renda variável.-----------------------------------------------------------------------------------------------------Investir com a XP Investimentos é fácil, basta criar o seu cadastro e em minutos você já pode começar a investir: https://t2m.io/youtube-aqsAcompanhe todos os conteúdos da XP em https://t2m.io/8cxPp6xInscreva-se para receber nossa newsletter Expert Drops - https://bit.ly/3uODi6lSiga nosso canal no WhatsApp: https://bit.ly/48njYL6Veja os relatórios também pelo Facebook: http://facebook.com.br/expertxp2Participe do canal do Telegram: https://t.me/xp_investimentosConfira nosso Instagram: https://www.instagram.com/expertxp/Glossário financeiro: https://conteudos.xpi.com.br/conteudos-gerais/glossario-financeiro/
L'émission du 17 juin 2024 avec 10 nouveautés Heavy & Power Metal + Black & Death Metal ! Podcasts sur killerontheloose.com/podcasts Suivez l'émission sur Facebook : facebook.com/killerontheloose Instagram : instagram.com/killeronthelooseofficiel Twitter : x.com/lemissionmetal
The story of a larva breathing through its elongated butt For scientific sources, credits and transcripts: http://www.strepsipzerg.com/podcast
Raffaele Girolamo aka Raphael è un Disk jokey italiano nato a Firenze. Spinto dalla passione trasmessa dai suoi genitori all età di 7 anni viene iscritto alla nota scuola di musica pratese "Verdi " dove imparerà a suonare pianoforte e sassofono. Comincia a muovere I primi passi da dj a 14 anni suonato in molti club toscani Nel 2015 si trasferisce a Ibiza e successivamente Londra e Barcellona dove suonerà in moltissimi club tra cui ricordiamo il Tantra Ibiza, Nomad London, Shoreditch Platform, Exit Bar, Club Aquarium. Nel suo percorso artistico Raphael ha aperto dj set per grandi artisti come De la Swing, Luca Agnelli, Dimmish, Artslaves, Ralf e molti altri e nel 2019 suona al prestigioso Mosterland Festival davanti a migliaia di persone. Molti i dj set in super club Italiani tra cui ricordiamo il Tenax , Amnesia Milano, Red Zone , Ambra Night, Vesper e molti altri .... #soloperchiamaballare Tracklist: Diego bustamante - Energy Heavy street - The funky Nico Rozas - Lick it Oscar Madrid - Dope on l.a. Derek Muller - kick back Jesse Bravo - Mendallo Campanile - Wtf Iglesias- Every ich Simon Ear - Hey buddy Danny Leblek - Bili bili New Tone - get your body pumpin Diego Sosa - Karma Chielina Manuhutu- freakiness Vito Beto - Lisa so far away Diego Sosa - Look at that Shephz - To the yard
Raffaele Girolamo aka Raphael è un Disk jokey italiano nato a Firenze. Spinto dalla passione trasmessa dai suoi genitori all età di 7 anni viene iscritto alla nota scuola di musica pratese "Verdi " dove imparerà a suonare pianoforte e sassofono. Comincia a muovere I primi passi da dj a 14 anni suonato in molti club toscani Nel 2015 si trasferisce a Ibiza e successivamente Londra e Barcellona dove suonerà in moltissimi club tra cui ricordiamo il Tantra Ibiza, Nomad London, Shoreditch Platform, Exit Bar, Club Aquarium. Nel suo percorso artistico Raphael ha aperto dj set per grandi artisti come De la Swing, Luca Agnelli, Dimmish, Artslaves, Ralf e molti altri e nel 2019 suona al prestigioso Mosterland Festival davanti a migliaia di persone. Molti i dj set in super club Italiani tra cui ricordiamo il Tenax , Amnesia Milano, Red Zone , Ambra Night, Vesper e molti altri .... #soloperchiamaballare Tracklist: Diego bustamante - Energy Heavy street - The funky Nico Rozas - Lick it Oscar Madrid - Dope on l.a. Derek Muller - kick back Jesse Bravo - Mendallo Campanile - Wtf Iglesias- Every ich Simon Ear - Hey buddy Danny Leblek - Bili bili New Tone - get your body pumpin Diego Sosa - Karma Chielina Manuhutu- freakiness Vito Beto - Lisa so far away Diego Sosa - Look at that Shephz - To the yard
Neste episódio, a analista de fundos do BTG Pactual, Juliana Machado, recebe o sócio e gestor da Tenax Capital, Alexandre Silvério, para uma conversa sobre a visão macro da casa, o efeito disso para as carteiras e, sobretudo, os setores da bolsa de valores que mais atraem a atenção da gestora no momento. Entre os temas de investimento explorados, Silvério explica por que ainda vê na bolsa um bom sinal de investimento e por que os setores de energia, varejo, bancos e agro são, neste momento, os grandes destaques do portfólio da casa.
Title: "Completely Cannabis: Licensing and Permiting" Guests: Peter and Greg D'Agostino - Tenax Strategies Interviewers: Jeffrey Davis - MAGE LLC, Chris Tenaglia - Valiant The post “In The Weeds: Navigating State Licensing in a Voter-led Changing Field” with Tenax Strategies appeared first on Radio Entrepreneurs.
Convidamos, mais uma vez, a gestora Tenax Capital para participar do nosso podcast. No episódio de hoje, trouxemos o Alexandre Silverio, CEO e Sócio, para discutirmos os melhores setores para investir na bolsa. Também contamos com a presença dos nossos analistas durante o bate-papo para trazer mais informações. Não perca! Acompanhe todas as terças e quintas, às 19h, as discussões e temas mais quentes do mercado. O programa, comandado por Bruno Rosolini, recebe analistas e especialistas para trazer todos os detalhes e pontos relevantes de cada assunto para você. Ative as notificações do programa e acompanhe ao vivo!
For more info: https://balancemusic.com.au @malandra-jr Malandra Jr.'s wealth of classical music experience makes him able to shape electronic music with an incredible result of melody, harmony, rhythm, with shades of bucolic, tradition and innovation. His sophisticated productions are on labels such as Diynamic, R&S Records, Stil vor Talent, Atlant, and of course Tenax recordings.
Intro: Sometimes the little guy just doesn't cut it.Let Me Run This By You: Time's a wastin' - giddyup, beggars and choosers.Interview: We talk to star of Parks and Recreation, Easter Sunday, and Barry - Rodney To about Chicago, Marquette University, Lane Tech, getting discovered while pursuing a Chemistry degree, The Blues Brothers, Dürrenmatt's The Physicists, playing children well into adulthood, interning at Milwaukee Rep, Lifeline Theatre, Steppenwolf, doing live industrials for Arthur Anderson, Asian American actors and their representation in the media, IAMA Theatre Company, Kate Burton, and faking a Singaporean accent.FULL TRANSCRIPT (UNEDITED):1 (8s):I'm Jen Bosworth RAMIREZ2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand2 (15s):It. 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (30s):How's your, how's your eighties decor going for your1 (35s):New house? Okay, well we closed yesterday. Well,2 (39s):Congratulations.1 (40s):Thank you. House buying is so weird. Like we close, we funded yesterday, but we can't record till today because my lender like totally dropped the ball. So like, here's the thing. Sometimes when you wanna support like a small, I mean small, I don't know, like a small bank, like I really liked the guy who is the mortgage guy and he has his own bank and all these things. I don't even, how know how this shit works. It's like, but anyway, they were so like, it was a real debacle. It was a real, real Shannon situation about how they, anyway, my money was in the bank in escrow on Friday.1 (1m 20s):Their money that they're lending us, which we're paying in fucking fuck load of interest on is they couldn't get it together. And I was like, Oh no.2 (1m 29s):They're like, We have to look through the couch cushions,1 (1m 31s):Right? That's what it felt like, Gina. It felt like these motherfuckers were like, Oh shit, we didn't actually think this was gonna happen or something. And so I talked to escrow, my friend Fran and escrow, you know, I make friends with the, with the older ladies and, and she was like, I don't wanna talk bad about your lender, but like, whoa. And I was like, Fran, Fran, I had to really lay down the law yesterday and I needed my office mate, Eileen to be witness to when I did because I didn't really wanna get too crazy, but I also needed to get a little crazy. And I was like, Listen, what you're asking for, and it was true, does not exist. They needed one. It was, it was like being in the, in the show severance mixed with the show succession, mixed with, it was like all the shows where you're just like, No, no, what you're asking for doesn't exist and you wanna document to look a certain way.1 (2m 25s):And Chase Bank doesn't do a document that way. And she's like, Well she said, I don't CH bank at Chase, so I don't know. And I said, Listen, I don't care where you bank ma'am, I don't care. But this is Chase Bank. It happens to be a very popular bank. So I'm assuming other people have checking accounts that you deal with at Chase. What I'm telling, she wanted me to get up and go to Chase Bank in person and get a printout of a certain statement period with an http on the bottom. She didn't know what she was talking about. She didn't know what she was talking about. And she was like, 18, 18. And I said, Oh ma'am, if you could get this loan funded in the next, cuz we have to do it by 11, that would be really, really dope.1 (3m 6s):I'm gonna hang up now before I say something very bad. And then I hung up.2 (3m 10s):Right, Right. Yeah. Oh my God, I know. It's the worst kind of help. And regarding like wanting to support smaller businesses, I what, that is such a horrible sadness. There's, there's no sadness. Like the sadness of really investing in the little guy and having it. That was my experience. My big experience with that was going, having a midwife, you know, with my first child. And I really, I was in that whole thing of that, that time was like, oh, birth is too medicalized. And you know, even though my husband was a doctor, like fuck the fuck the medical establishment we're just, but but didn't wanna, like, I didn't wanna go, as my daughter would say, I didn't wanna be one of those people who, what did she say?2 (3m 52s):You know, one of those people who carry rocks to make them feel better.1 (3m 57s):That's amazing. Super.2 (4m 0s):So I didn't wanna go so far as to be one of those rock carrying people to have the birth at my house, but at the same time I really wanted to have this midwife and then there was a problem and she wasn't equipped to deal with it. And it was,1 (4m 11s):I was there,2 (4m 13s):Fyi. Yes, you were1 (4m 15s):The first one, right? For your first one.2 (4m 16s):The first one.1 (4m 18s):Here's the thing you're talking about this, I don't even remember her ass. What I, she, I don't remember nothing about her. If you had told me you didn't have one, I'd be like, Yeah, you didn't have one. I remember the problem and I remember them having to get the big, the big doctor and I remember a lot of blood and I remember thinking, Oh thank God there's this doctor they got from down the hall to come or wherever the hell they were and take care of this problem because this gene is gonna bleed out right here. And none of us know what to do.2 (4m 50s):Yes. I will never forget the look on your face. You and Erin looking at each other trying to do that thing where you're like, It's fine, it's fine. But you're such a bad liar that, that I could, I just took one look at you. I'm like, Oh my God, I'm gonna fucking bleed out right here. And Aaron's going, No, no, no, it's cool, it's cool, it's cool. And then of course he was born on July 25th and all residents start their residency on July 1st. So you know, you really don't wanna have a baby or have surgery in July cuz you're getting at a teaching hospital cuz you're getting a lot of residents. And this woman comes in as I'm bleeding and everything is going crazy and I haven't even had a chance to hold my baby yet. And she comes up to me and she says, Oh cuz the, the midwife ran out of lidocaine. There was no lidocaine.2 (5m 30s):That's right. They were trying to sew me up without lidocaine. And so this nurse comes in, she puts her hand on my shoulder, she says, Hi, I'm Dr. Woo and I'm, and I said, Dr. W do you have any lidocaine? I need some lidocaine stat right up in there. Gimme some lidocaine baby. And she had to call her boss. You know who I could tell when he came in, of course he was a man and I could tell when he came in, he looks at my midwife and is like, Oh, this is what you did here. I see we have to come in and clean up. But sometimes that's the case. Sometimes it's really just true that, you know, it's that the, that the bigger kind of like more corporate option is better cuz it just works better.1 (6m 8s):Well, and they've done this before, like there is, they've done the job before in a way, and they've seen the problems. They know how to troubleshoot in a way because they just have the fucking experience. Now you could say that getting that experience is like super fucked up and patriarchal and, and all the isms, it's, and you'd be right, but when you are bleeding to death or when you know you are in a big financial negotiation that could go south at any moment and lead to not having a ho like a all feeling lost. You want someone who knows how to fucking troubleshoot, dude. Like, come on. And I, you know, and it is sad, it's heartbreaking when you like, fuck man.1 (6m 50s):I really wanted this, like Dr. Altman always said, and I have an update on Dr. Altman, my favorite psychiatrist mentor of mine. But he always said like, well when I was going through med titration, when they put this dingling at Highland Park Hospital, who tried her best but put me on lithium thinking I was bipolar and then I was and all the meds, right? All the meds. And he's like, well they could've worked2 (7m 15s):It could've worked it1 (7m 17s):All's. And I was like, you are right. So like, it could've worked, it could've gone differently, but it just didn't. So it's like, yeah, it's better to look at it like that because, or else it's just infuriating that it didn't work in the first place, Right? Like, you're like, well fucker, Well they tried.2 (7m 35s):Yeah. I use that all the time that it could have worked. Things that I got through you from Dr. Altman, you know, my husband is having like some major, you know, growth moments. Like come like those moments where all the puzzle pieces become clear and you go, Okay, my childhood isn't what I thought it was and this person has got this and this person has got that. Yes. You know? And, and whenever he's doing the thing that we all do, which is like lamenting the life, the family he wish he had had, I always say like, well, as Dr. Almond says, it could have worked. Yes, these parents could have been just fine for you if you were a different person, but you're you.2 (8m 16s):And so, and they're them and it wasn't a good match. And like that happens sometimes.1 (8m 21s):And I think it's really good with kids maybe too. Cause it's like, listen, like, like I say to my niece, like it could, this could have been whatever it is the thing or my nephew too that worked and like that you loved volleyball or that you loved this. Like you are just looking, and I think it's all about titration, right? Like it's all about figuring out where we fit in, where we belong, where we don't. And it's a fucking process, which is what he was saying and like, and that you don't, we don't get it right the first time. Even in medicine, even in it's maybe especially in medicine, maybe in especially in relationships, like, so it, it also opens the door for like, possibility, right? That like, it's an experiment and like, we don't know, even doctors don't know, Hey, run this by you, Miles did of course.1 (9m 14s):And done. What about you? What about you?2 (9m 17s):I'm gonna do it after this, after we're done recording today, I'm gonna go over and I always like to take one of my kids so they, you know, see that this is the process and you have to do it and it's everybody's responsibilities to do it. That doesn't mean that I didn't get all angry at my own party this week. You know, my mom has a great expression. I think it's her expression. She says it. In any case, all politics is local, right? Like where it really, where the really meets the road is what's happening in your backyard. And like, I have a lot of problems with my town,1 (9m 52s):So Right.2 (9m 53s):They don't wanna have, you know, they voted down this measure to put a a, like a sober living place, wanted to take up residence here. Couldn't think of a greater idea. Nobody wanted it. You know, it's a lot of nis not in my backyarders over here. And it really drives me crazy. And in the, in the paper this week, there was a big scandal because there's this particular like committee in our town, Okay. That was in charge of, there was gonna be this, what is it, like a prize maybe or an honor or not a scholarship Okay. But something where they were gonna have to name it.2 (10m 33s):Okay. And they were, you know, really looking around for names. They were trying to think up what names would be appropriate. And somebody put forward the name of this person who is already kind of a named figure in our town. Like, we had this beautiful fountain, it's named after him. He was, he was a somewhat of a big guy, you know, he was an architect, whatever. Sure. So this name gets put forward in this woman who's on this committee says, I don't think this is a great time to name something after an old white man. Now, to me couldn't be a more reasonable thing in the world to say everybody's calling for her resignation. And these, you know, the thing that I hate the most about, not just conservatives, but it seems like it's especially conservatives.2 (11m 20s):I hate this saying. And I remember, I think I've said this before on the podcast, I remember hearing some black activists saying a lot of white, you know, a lot of racism perpetrated by white people is like founded on pretending. Pretending like you don't see color pretending like, you know, saying things like, Oh, well why would you have had that experience, you know, walking down our street at night? Like, or why would you have had that difficulty getting that job? I don't understand. And pretending like they don't know that this person just got1 (11m 51s):That job because of2 (11m 52s):The color biscuit and that kind kind of a thing. So of course the way that people are coming down on this woman is to say, Well, I don't know about you, but I was taught that we have to look beyond race and we have to recognize the person before the color of their skin. And if you can't be, you know, representing the needs of white men, then I just don't really think that you, there's a place on this council. And of course, you know, somebody who I know and have in the past really respected was quoted in this article as saying, Oh, somebody who considers himself like a staunch liberal. Yeah. I mean, I just really can't think of any people of note from our town who weren't white men.2 (12m 34s):Sure. And this motherfucker let himself be quoted in our newspaper as saying this. Now maybe he feels fine about it. Maybe he doesn't think there's anything wrong with it. But I I I think it's completely, completely disgusting. Of course. So then I went and I just did this research of like all the people who have lived in our town historically, they're not just white men. We, there's other people to choose from. Needless1 (12m 58s):To say. Yeah. Well also, like, it's so interesting. I mean, it's just that that quote just is so problematic on so many levels. It like goes so deep. But like the other thing is like, maybe they miss, the only thing I can think of is that dude, did they miss the second half of your quote? Which was, and that's a problem. Like, like if, if you can't, if you can't finish that quote with, you know, I can't really think of like anyone of note in our being or anyone being recognized in our town in this way that wasn't a white dude and that's really crazy. We should really reevaluate how we're doing things here.1 (13m 39s):Period. You're so2 (13m 41s):To offer, you're so, you're so sweet to offer him this benefit of the doubt. Of course I don't offer that to him because this is a person who, you know, there's been a few people in my life who I've had the opportunity to, you know, know what they say privately and then know what they say publicly. Right? And I, and I know this, you know, I know this person personally. And no, it doesn't surprise me at all that, that that would've been the entirety of the quote. It would've been taken out of context. Now it might have been, and I don't know, and I'm not, I'm not gonna call him up to ask him, but you know, at a minimum you go on the local Facebook page and say, I was misquoting.1 (14m 20s):No, no, yeah. Chances are that this, this person just said this. And actually the true crime is not realizing if, if, if that's the case, that they, that that statement is problematic. So that's really fucked up. And also, like, think of all the native people that were on that land, on our land. Like, you're gonna tell me that just because you haven't done, they haven't done the research. They don't think that a native person from the northeast did something of greatness. Shut up, man. Excellent. Before it was rich.2 (14m 56s):Excellent point, Excellent point. Maybe when I write to my letter to the editor, maybe I'll quote you on that because Yeah, yeah. It's like, it's so, it's just, and I'm, by the way, I'm, I have been, I'm sure I'm still am guilty of the same thing too, of just being the laziness of like, well, I don't know, we'd love to, you know, hire a person of color, but none have applied. I mean, I have definitely said things like that and I just understand differently now I understand. No, no, no, they're not gonna be at the top of the pile of resumes that you're gonna get because historically these people haven't felt like there's a place for them at your table. So what you have to do is go above and beyond and say, we are specifically recruiting people of color for this position. I understand.1 (15m 35s):And how about even like, do some research online and find out who those people are and try to like, hire them away from wherever they are to and make them a great offer. You know what I mean? Like all those things. Well,2 (15m 48s):This experience did cause me to go on my little Wikipedia and look up, you know, people who have lived here and I was really like, surprised to learn how many people have known. Now it's true to say that, you know, when, when you're just looking up a list of famous people, it is gonna mostly be white men because that's who mostly, you know, sort of, she made, made history, made the news, whatever. But yeah, one of the very first things that come up, comes up when you look it up my town on Wikipedia, is that the fact that this was the Ramapo tribe that lived here. You know, this is who we took the land away from. I was also surprised to that.1 (16m 29s):I've never,2 (16m 30s):Yeah, Yeah. It was also interesting to learn, supposedly according to this, how many people of live here currently, including people like Harvey Firestein, who I have, I've never seen around town, but God I would really love to. And like some other, you know, sort of famous people. But anyway, That's1 (16m 50s):So cool.2 (16m 51s):Yeah. So, so I will be voting after this and I really, I don't have a great feeling about the election, but I'm, you know, I'm just like, what can you do? You can just sort of go forward and, you know, stick to your values. Yeah. I mean,1 (17m 7s):The thing is, stick to your values, move forward. And like my aunt, happy birthday, Tia, it's her birthday today, and she is like super depressed that, you know, she, she said, what she says is like, fascism is really, today is the day that we really something about fascism, it's like really dire and like really, Okay. So my, it's so interesting that I think boomers feel really bad because they had it so good, even though it wasn't really good, there was an illusion of goodness. Right? So I, I am depressed. But here's the thing, and I was, I was gonna bring this up to you.1 (17m 47s):It's like I, I had an experience last night where I went to this theater and saw the small theater, which I really wanna do my solo show in which is this famous theater called The Hayworth, which is, they show silent movies and all, but there's now it's like an improv sort of venue and, and it's really cute and throwbacky. But anyway, I went there and I just was thinking like, as I was watching these performers, like, oh, it is not even that, Like, it's literally that I spent 45 years thinking that I was worse than everybody else, right? And so now that I don't really think that, I actually don't have that much time left to accomplish what I would like to accomplish. So I, I spent all this time feeling like I couldn't do what she's doing.1 (18m 29s):I can't do what he's doing, can't do what theirs doing. They're, they are doing because I'm not good enough. Like literally. And now I'm like, Oh my God, I'm good enough. I have things to say. I really wanna leave a legacy. And literally the clock is ticking. Now, I'm not saying I'm running around like a nut, but what I'm saying is like, I, I, I do feel that I literally don't have the time left to participate in half-assed measures of art or whatever we're gonna do. We gotta make it purposeful because I w i, I spent all this time getting ready 45 years to not hate myself. And now the clock is ticking, I donate myself and there are things to do.1 (19m 13s):That's literally how I feel. So then when I see art or something where I'm like, Why are you using your platform this way? What are you talking about? What are you saying? Oh no, I can't, I even now I know why people leave movies early, plays early if it is, and some, for me anyway, like some people probably just assholes and like the, the person on stage doesn't look cute and they're out or whatever, but, or they're having panic attacks like I used to and I have to leave. But like, mostly I understand where it's like this is wasting my, my time, time I could be using to sort of plant seeds that may do something to be of service.1 (19m 53s):So I'm gonna jet and good luck to you. But yeah, it's the first, I just really feel like time is of the essence. And I always thought that was such a stupid thing that old people said, which was, you know, time is our most precious commodity. And I was always like, that is the dumbest thing I've ever heard. And now I'm like, oh shit. Yeah, it's really true Dude.2 (20m 15s):Yeah. Yeah. I actually had an experience some that I relate to with that, which is that, you know, I, I volunteered to be part of this festival of one act and you know, the thing we were supposed to do is read all of the submissions and then pick our top three. And then they were gonna do this rank order thing where they're attempting to put each director with one of their top three choices. Well, I read, it was like 10 plays I read them and I, I didn't have three, three ch choices. There was only one play that I felt frankly was worth my time.2 (20m 56s):And I felt really uncomfortable about having that feeling. And I was doing all of the like, who do you think you are? And you know, it's, you haven't directed something in three years and beggars can't be choosers in the whole thing. And I just thought, you know, I know what I'm gonna do if I don't stand up for whatever it is I think I can do here is I'm gonna resent the thing that I get, you know, pitted with and then I'm gonna do something self-destructive or I'm gonna kind of like blow up the relationship and I don't wanna do that. So I spend a lot of time thinking about how I was gonna write this email back saying basically like, I don't have three choices. I only have one choice. And I understand if you don't want to give that to me that this, I might not be a good fit for you.2 (21m 37s):You know? But I really, I really kind of sweated over it because when you don't, you know, when you're a very, if I was an extremely established theater director, you know, I wouldn't have thought twice about it. But I'm not, I'm trying to be established here and I, you know, so my, my, my go-to has always been well having opinions and choices and stuff like that is for people who, you know, have more than you do or have more to offer than you do. And it doesn't always work out that when you kind of say, This is me and take me or leave me. It doesn't always work out. But in this case it doesn't. They gave me my first choice. And so I'm, I'm happy about that, but there's a lot.2 (22m 18s):Thank you. Thank you. Yeah, there's a lot that just goes into the, it's all just work I have to do on myself. Like, I have this, a way of thinking about things is like, I have to do this work with this other person or I have to convince them why it has nothing to do with that. It's just that I have to do this.1 (22m 34s):Well that's what I'm realizing, like Gina, Absolutely. And good for you for like, coming at it from a place of like, okay, like this might not work, but I have to do it to see and put it out there and it may not work and they may say, go fuck yourself. But the alternative one is resentment, but also is like, hmm, not doing anybody else any favors either. If you aren't saying like, I actually don't have three choices here, I'm not gonna do justice. And I also, it brings me to my other thing, which I thought was so full of shit, which is so true. It's like most things are just not, it's about not being a right fit. It's not about you're bad and I'm good, I'm good and you're bad.1 (23m 15s):It's like, this is not a good match. And I, I think it just takes what it takes to learn that it is a not, it's about a matching situation. So like you knew that like those other two wouldn't be good matches and you wouldn't do a service to them or yourself. And it's not, And also like this thing about beggars can't be choosers. I fucking think it's so dumb because like most of us are beggars all the time and, and we, we settle for garbage. And it doesn't, like, I feel like we can, like beggars should be more choosy. And I also feel like, I'm not saying not be humble, but like, fuck you if you take away our choices, like we have to have choices.1 (23m 57s):That's the thing. It's like beggars have choices, whatever you call a beggar, we still have choices. Like how we're gonna interact and how and how we're gonna send emails and shit. I'm just like,2 (24m 9s):Yeah. Plus that whole phrase is so like, in a way rooted in this kind of like terrible supremacy structure that we're trying to fight against, which is like, we wanna tell, of course we wanna tell beggars that they can't be choosers cuz we just, we don't wanna think about them as people who have the same agency in life as we do.1 (24m 25s):Sure. And now I've started saying to people when I have this conversation about like, about unhoused, people like having tent encampments and I get it, like, you're going to school, you're walking your kid to Montessori and there's a fucking tent encampment in your front yard. You did not pay for that. You did not sign up for that. You are, I get it. And also my question is, what are we gonna do when the tents outnumber the people in homes? Because then it's a real fucking problem. So like, how are we gonna do that? You think it's uncomfortable? I think it's uncomfortable to walk by a tent encampment as I'm on my way to a coffee date with someone or whatever.1 (25m 8s):That's uncomfortable. But what are we gonna do when, like in India, the, the quote slums or whatever people, you know, whatever people choose to call it, outnumber the goddamn people in the towers. Then we, then it's gonna be a different problem.2 (25m 35s):Today on the podcast, we were talking to Rodney Toe. Rodney is an actor, you know him from Parks and Recreation, Barry good girls Rosewood. He was in a film this summer called Easter Sunday. Anyway, he's a delight. He's also a professor of theater at USC and he's charming and wonderful and we know you are going to love listening to him as much as we loved talking to him. So please enjoy our conversation with Rodney Toe.3 (26m 8s):Can you hear me? Can you hear me okay?2 (26m 11s):Yes, you sound great. You sound1 (26m 13s):Happy. No echo. You have beautiful art behind you. We can't ask for a2 (26m 17s):Better Easter Sunday. We were just talking about Easter Sunday, so we're gonna have to ask you Oh sure about it, Beth. But first I have to say congratulations, Rodney tell you survive theater school.3 (26m 28s):Oh, thank you. Yes, I did. I sure did. Was2 (26m 31s):It usc? Did you go to3 (26m 32s):Usc? No, I, I'm a professor. I'm currently a professor at usc. So1 (26m 36s):We just assumed you went there, but where did you go3 (26m 38s):To No, no, no, no, no. I, that, that came about like in a roundabout way, but no, I, I totally, I went, went to Marquette University. Oh, in Milwaukee?1 (26m 46s):In Milwaukee. Oh my gosh. Yeah. So3 (26m 48s):Everybody's reaction, everybody's reactions like, well1 (26m 53s):I actually love Mil, I'm from Chicago and Evanston you do and then you are,3 (26m 58s):Yeah, born and raised north side. My family's still there. What1 (27m 1s):The hell? How did I not know this? Yeah, I'm from Evanston, but lived in Rogers Park and went to, we went to DePaul.3 (27m 7s):Well I hear the park. Yes, yes. Born and raised. My family's still there. I am a Chicago, I'm an undying Chicago and through and through. Yeah.1 (27m 15s):Wait a minute. So, so, okay, okay, okay. So you grew up on the north, you grew up in, on the north side.3 (27m 20s):Yeah, I grew up in, I, I grew up and I went to Lane Tech. Oh1 (27m 24s):My gosh, that's where my niece goes right this very minute. She goes, Yeah,3 (27m 28s):It's1 (27m 28s):Quite the school. I dunno how it was when you went, but it went through a hard time and now it's like one of these3 (27m 34s):Go, I mean when I went it was, it was still considered a magnet school. And I I, you know, I think like in like it went maybe through a period of like, sort of like shifting, but then it's like now it's an incredible school. I'm September 17th is apparently Rodney to day at Lane 10. No, Yeah, it just happened. I mean it's, it's silly. It's Easter significance. No, cause of Easter Sunday they did like a bunch of, you know, I do a lot of advocacy for the Asian American for Asian-American representation. So sort like all together1 (28m 4s):That movie had broke so many, broke so many barriers and was, I mean it was a phenomenal, and also I just feel like it's so obviously so needed. Duh. When people say like, more representation is needed, I'm like, okay, no shit Sherlock. But it's true. It bears repeat again. Cause it still is true that we need more representation. But I am fascinated. Ok, so you went to Lane Tech and were you like, I'm gonna be a famous actor, comedian? No, what,3 (28m 34s):What anything about it? Didn't I, you know, it's called Lane Tech for a reason, right? It's a technical school. Correct. So like we didn't, you know, it didn't, I mean there were arts, but I, it never really, you know, it was one of those things that were like, you know, I guess like when you were a kid, it's all like, hey, you wanna learn how to like macrame. But there were theater arts in my, in my high school, but it wasn't like,1 (28m 54s):In fact, my mother did macrame. And let me tell you something, it has come back in style. And the shit she made, we could be selling for $199 at Urban Outfitters right now. I'm just,3 (29m 4s):Oh yeah, it's trendy now. Yeah. It's like, yeah, it's in style.1 (29m 7s):Anyway, side note, side note. Okay, so you were like, I'm not doing, there was no performing at Lane Tech. There was no like out there, there,3 (29m 13s):There was, and there was, but it wasn't, again, you know, in terms of representation, there was nothing that like, I mean there was nothing that that showed me any kind of like longevity in, in, you know, it didn't even really occur to me that this was a business that people sort of like, you know, pursued for themselves. So it wasn't until I went to Marquette that I discovered theater. And so it was one of those things that like, I was like, oh, there's something here. So it wasn't like, it wasn't fostered since I was a kid.1 (29m 43s):This,2 (29m 44s):And this is my favorite type of origin story because it means, you know, like there are people who grow up in LA or their, their parents are in the industry. And then, so it's always a question like, am I gonna go into this industry? But, but people like you and like me and like Boz, who, there's no artist in our family, you know,3 (30m 4s):You2 (30m 4s):Just have to come to it on your own. So I would love to hear this story about finding it at Marquette.3 (30m 10s):So like the, this, I, I've told this story several times, but the short version of it is, so I went to college for chemistry. And so again, because I came from, you know, that that was just sort of the path that, that particularly, you know, an Asian American follows. It's a very sort of stem, regimented sort of culture. And when I went to Marquette, my first, my sort of my first like quarter there, it was overwhelming, you know, I mean, college was, was a big transition for me. I was away from home and I, I was overwhelmed with all of the STEM courses that I was taking, the GE courses. And I, I went to my advisor and at the time, you know, this is pre-internet, like he, we sat down, I sat down with him and he pulled out the catalog.3 (30m 52s):Oh yeah, the catalog, right? I1 (30m 54s):Remember the catalog. Oh yeah.3 (30m 56s):And so he was like, let's take a class that has nothing to do with your major. Oh,1 (30m 60s):I love this. I love this advisor. I love this advisor. Do you know, can he you say his name3 (31m 7s):At the, was it Daniel? Dr. Daniel t Hayworth. I mean, it's been a while I went to college with Dahmer was arrested. So that's been a1 (31m 15s):While. Okay. Yeah's, same with us. Same with me. Yeah.3 (31m 18s):Yeah. So like, I think it was Daniel Daniel Hayworth. Yeah. Cuz he was a, he was a chemistry professor as well. So he opened up, he opened up the, the thing in the, the catalog and it said acting for non-majors. And I remember thinking, that sounds easy, let's do that. And then I went to the class, I got in and he, he, he was able to squeeze me in because already it was already in the earl middle of the semester. And so I, the, the, the, the teacher for that class was a Jesuit priest. His name is Father Gerald Walling. And you know, God rest his soul. And he, his claim to fame was he had like two or three lines on Blues Brothers, the movie.1 (31m 59s):Amazing. I mean like great to fame to have Yes. Get shot in Chicago. Yeah. And if you're a Jesuit priest that's not an actor by trade, like that is like huge. Like most people would like die to have two to three lines on Blues Brothers that are working anyway. So, Okay, so you're, so he, so how was that class?3 (32m 19s):So I took the class and he, after like the first week he asked me, Hey is, and it was at 8:00 AM like typical, like one of those like classes that I was like, Oh my gosh, I'm gonna go in here miserable. Yeah. But he said to me early on, he said, Do you have any interest in doing this professionally? And I said, no. And he's like, and he, he said, and he said, I was like, You're hilarious. You know,1 (32m 43s):You're a hilarious Jesuit.3 (32m 45s):Yeah. I'm like, Good luck with God. He, he then he was directing, he was directing the university production of, and he asked me to audition for it. And I was, I don't even know what an audition was. That's amazing. So like, it was one of those things that I didn't really know how to do it. I didn't know much about it. And so he's like, Can you come in and audition for it? And I did and I got it and it was, it was Monts the physicist,1 (33m 12s):What the fuck is that?3 (33m 14s):Oh man, I love that play. It's Amont, it's the same, you know, it's the same. He's, you know, Exactly. It's really, it's one of those like sort of rarely done plays and it's about fictitious Albert Einstein, the real, lemme see if I, it's been so long since I recall this play. The real, So Isaac Newton and what was the other Mobius? A fictitious, So the real, I'm sorry, The real Albert Einstein, The real, the real Albert Einstein, the real Isaac Isaac New and a fake, a fictitious play scientist named Mobius.3 (33m 55s):And they were, they were all in, in a mental institution. And I1 (33m 60s):Think that I have this play and my shelves and I just have never read it before. Okay, so3 (34m 4s):Who did you play? It's extraordinary. Extraordinary. And so I played, I played a child like I did up until my mid thirties. I played a child who had like one line, and I remember it took, it took place in Germany, I believe. And I remember he's like, Do you have a German accent? I was like, No. You're1 (34m 20s):Like, I I literally am doing chemistry 90.3 (34m 23s):Yeah. I was all like, you're hilarious. Yeah. Only children do accents, You know what I mean? Like, it was totally, I was like, whatever's happening, I don't even know what's happening. And, and then I made up a European accent. I mean, I, I, I pulled it on my ass. I was like, sure, don't even remember it. But I was like, one of,1 (34m 39s):I love when people, like, recently Gina showed me a video of her in college with an accent. Let me tell you something, anytime anyone does an accent, I'm like, go for it. I think that it's so3 (34m 51s):Great. Yeah. I've got stories about, about, I mean, I'm Asian, right? So like, I mean it's been one of those things that all my life I've had to sort of navigate people being like, Hey, try this on for Verizon. I was like, Oh gosh. And you know, anyway, I can go on forever. But I did that, I had a line and then somebody saw me in the production with one line and said, Hey, this is at the Milwaukee Repertory Theater, somebody from the Milwaukee Repertory Theater. It's huge1 (35m 18s):Theater. Fyi. Right,3 (35m 20s):Right. Again, it's, it's to this day. And so they asked if I would intern, if I would be considered interning while I was in school. And I said, I didn't even know what that was. So I met with them. And when I walked into that theater, it was one of those, it's one of the biggest, most extraordinary music theaters in the wor in the country. Right. Won the regional, Tony and I, again, I had no frame of reverence for it. So walking in, it was like this magical place. And so I started, I started interning right, right off the bat. And it was one of those like life changing experiences. I, I mean, to this day, the best acting I think I've ever seen, you know, face to face has been on that stage. It's, you know, many of those actors are still, I'm still in touch with to this day.3 (36m 3s):Some of them have passed away. However, it was the best training, right? I mean, I got thrown into the deep end. It was like working with some of the greats who never, no one ever knew. Right. So it really, it was really a wonderful experience. And that's when I sort of, you know, that's when I was like, Oh, I actually can do this for a living. So it was,1 (36m 21s):Oh yeah, Milwaukee rep. I've seen some amazing stuff there. And also what would've been great is, yeah, we like, I mean there's so many things that would've been great at DePaul at the theater school, but one of them would've been, Hey, there's all these regional theaters, like if you wanna make some dough, it was either like, you are gonna be doing storefront and Die of Hunger, or you're gonna be a star. Hilarious was no like, what about Milwaukee Rep? What about the Guthrie? Like all the things3 (36m 50s):Gut, Yeah. Never1 (36m 51s):Told at least. Or I didn't listen or I was like in a blackout drunk state. But like, I just feel like hilarious. I just feel like that is so amazing that you got to do that. So then, Wait, did you change3 (37m 2s):Your It wasn't, I did. I eventually did. Yes. So I have both. And so now it was one of those, like, it was, it was harrowing, but eventually, I mean, I did nothing with my chemistry degree. Nothing. Like literally nothing. That's,2 (37m 16s):Most people do nothing with their theater degree. So, so it all evens out. Wait, I have a question. Now. This is a question that would be difficult for me to answer. So I wouldn't fault to you if it's difficult for you. What do you think it was in you that this person saw and said, have you ever considered doing this professionally? I mean, just trying to be really objective about the, the asce the essence of you that you bring to the table. Always. How, what did that person identify, do you think, if you3 (37m 44s):Had to guess? You know, I'd like to say it was talent. I'd love to be that person and be like, you know, they recognized in me in one line that ordinary artist was going to emerge into the universe and play children into his thirties. I, I wish I could. It was that, I mean, honestly, I looked different than everybody else on that's a white school and Milwaukee rep, you know, God, forgive me for saying this, but it was a sensibly all white institution.1 (38m 12s):Super white. Super white. Yeah.3 (38m 14s):So in comes this little Asian guy who like they thought might have had potential and also is Asian. And I checked off a lot of boxes for them. And you know what I could easily say, like I, I could easily sort of, when, if you asked me like 20 years ago, I was like, Oh, I was talented, but now I'm like, no, I made my way in because of, because I, I checked boxes for people and, and1 (38m 37s):Talented,3 (38m 38s):You couldn't,1 (38m 39s):You3 (38m 39s):Couldn't have done it if you didn't have talent to thank you. And I can, I can, you know, whatever, I can own that now. But the, but the reality is like, I made it in and that's how I got in. And I'm okay with that. And I'm not saying that it's not taking anything away from talent, but the reality is it's like you gotta get in on the inside to work your way out. And if I didn't have that exposure early on, I certainly wouldn't have had the regional career that I did for a little while. You know? So like that credit, like you, like you said Jen, it's like, it's a, it's a huge credit. So like I would not have made it in any other way. Right. And I certainly,1 (39m 12s):Yeah, I just am like noticing also like my reaction to, Yeah, it's interesting too as other humans in this industry or any industry, it's like, it's like we have had to, especially those of us that are, you know, I'm 47 and like those of us who have made it in or sort of in for, in my, I'm just speaking for myself. Like I, I sort of, right, It could have been fucked up reasons or weird reasons that we got in the door or even filling someone's need or fantasy. But then it's like what we do with it once we're in the room, that really, really matters. And I think that yeah, regardless of how you ended up in Milwaukee rep, like I think it's smart and like I really like the idea of saying okay, like that's probably why I was there.1 (39m 58s):I checked, I've checked boxes, but Okay. But that's why a lot of people are a lot of places. And so like, let's, let's, let's, you could stop there and be like, that is some fucked up shit. Fuck them. Or you could say, Wait a second, I'm gonna still have a fucking career and be a dope actor. Okay, so you're there, you're, you're still, you graduate from Marquette with a double major, I'm assuming, right? Chemistry and, and was it theater, straight up theater or what was your degree?3 (40m 23s):It's, well, no, no, it's called, it's, it's, it's the, at the time it's called, they didn't have a theater degree. Right. It was called the, you graduated with a degree in Communications. Communications,1 (40m 32s):Right? Yes. Okay, okay. Yeah. My, my niece likes to say Tia, all the people in communications at UCLA are the dumbest people. I'm like, No, no, no, no, no. That would've been me. And she's like, Well, anyway, so okay, so, so you graduate and what happens? What happens to you?3 (40m 54s):So, you know, I, I went from there. I went to, I got my equity card pretty ear pretty early cuz I went for my, I think it was my final between my, the summer, my junior year and my senior year I went to, because of the Milwaukee rep, I got asked to do summer stock at, at ppa, which is the Pacific Conservatory, the performing Arts, which is kind of like an Urda contract out in the West Co on the west coast. And so I was able to get credits there, which got me my equity card very quickly after, during that time I didn't get it at the institution, but I got like enough, you know, whatever credit that I was able to get my equity card. And again, at the time I was like, eh, what are the equity? I didn't even know know what that was really.3 (41m 34s):I don't know if anybody truly knows it when they're, when they're younger. So I had it and I went, right, I had my card and I went right to Chicago because family's there. So I was in Chicago. I did a couple of shows, I did one at at Lifeline at the time. I did one at North. Yeah. So it was nice to sort of go back and, and, and, and then I, you know, right then I, it's my favorite story, one of my favorite stories. I, I got my, my my SAG card and my after card in Chicago that summer, because at the time the union was separate. That's how old I am. And I got my SAG card doing a Tenax commercial, and I got my after card doing, I'm not sure if they're still there.3 (42m 18s):I think they are actually. It is a company called Break Breakthrough Services and they did it live industrial. Oh yeah.1 (42m 24s):They, I think they still wait live. How does that work? Yeah,3 (42m 29s):Exactly. So it's a lot of like those training, you know, you see it a lot, like the people do it, like corporate training stuff. Right. So they used, at the time it was really new. So like they used a lot of actors and they paid well.1 (42m 42s):Well, I did an Arthur Anderson one that like paid my rent3 (42m 45s):Long time. Yeah, yeah, yeah. So exactly when Arthur Anderson was still a, I think I did one too. So like, they,1 (42m 53s):Rodney,3 (42m 55s):Were you in St. Charles, Illinois?1 (42m 57s):I don't know. I had to take the Amtrak. It could have been,3 (42m 59s):Yeah. In St. Charles. Right? That's where they were centered. Yes. Yeah.1 (43m 2s):Okay, go ahead. Go ahead. So you, okay, so you got your, I know our world. Do you live, Where do you live?3 (43m 8s):I'm in, I'm in LA right now. This is my home. Yeah.1 (43m 11s):Okay. Well I'm coming to your home. Okay, great. I'm in Pasadena right now. Okay. Anyway, go ahead. Oh yeah.3 (43m 17s):Okay. So we, yeah, I went to Chicago, got my cards, and then was there for, you know, a hot minute and then I moved to New York. Okay.1 (43m 25s):Wait, wait, wait. Moved. Did you have, what years were you working in Chicago? Like were we still, were Gina and I in school? What, what, what years were that were you were like, Tampa, a man Chicago.3 (43m 35s):I did God bless that commercial. Yeah, it was so good. I did, let's see here, I grad, I was there in 90, let's see, 97,1 (43m 47s):We were there. Well, Gina was graduating and I, I was, yeah. Anyway, we were there.3 (43m 52s):And then I moved to New York in 98 and then I moved to New in 98. So1 (43m 55s):You were only in Chicago a hot minute? Yeah, yeah, yeah.3 (43m 57s):Okay. Yeah. But then I came back, I came back in 2004 five to do a show at Victory Gardens. Oh. And then I did a show at Victory Gardens, and then I did a workshop at Stepin Wolf. So it was nice. Look at1 (44m 12s):Victory Gardens. Victory Gardens. That was a whole,3 (44m 15s):I'm sorry, what was that?1 (44m 16s):R i p, Victory Gardens.3 (44m 17s):Oh, yeah. I mean, well I was there pre-K. Yeah. And so, but it was, yeah, r i p I mean, r i it was truly one of the most magnificent, magnificent shows that I've been part, but I mean,1 (44m 30s):Okay, so wait, wait, wait. Okay, so why New York? Why weren't you like, I'm gonna bust out and go to LA and be a superstar on,3 (44m 38s):It's all about representation. I mean, I didn't see at the time, and you know, if you think about it, like there were people on television, but, you know, in terms of like the, the, the, it wasn't pervasive. It was like sort of every once in a while I'll turn on my TV and I'll see like Dante Bosco or I'll see like, you know what I mean? But it wasn't like I saw like, you know, I wasn't flooded with the image of an Asian American making it. However, at the time, you know, it was already Asian Americans were starting to sort of like flood the theater world, right? So I started, you know, through James c and, and Lisa Taro in Chicago, and like, people who are like, who are still friends of mine to this day, Asian American actors, they were doing theater. And so I was like, you know what, I'm gonna do theater. And so I, it was just one of those, like, I went to, and I already had these credits.3 (45m 19s):I had my equity card, I had some credits. My natural proclivity was then to go to, to, to first theater in New York. So it wasn't, I didn't even think about LA it wasn't like, oh, let me, let me like think about doing television and film. So I went1 (45m 32s):To York. I just feel like in LA it's so interesting. As an actor, writing is a little different, but as an actor, it, most of us, if we plan to go to LA as actors, we're gonna fail. I just feel like you have to end up here as an actor by accident because you do something else that you love and that people like, and then they're like, I just, it's not the most welcoming. Right. Medium film and tv. So like, it's so hard. So I think by accident is really sort of the only way, or if you're just already famous for something else, but like, anyway, So you're in New York. Did you, did you love it? Wait, can I,2 (46m 9s):Can I hang on Buzz, Can I do a timeout? Because I've been wanting to ask this just a little bit back to, you know, your undergrad experience. Did you wanna be, did you love chemistry or did you just do that because Oh, you did, Okay. So it wasn't, it wasn't like, oh, finally I found something that I, like you liked chemistry.3 (46m 29s):Yeah. To this day, to this day, I still like, it's still very much like, you know, the, the, the values of a stem field is still very much in how I teach, unfortunately. Right? Like, I'm very empirical. I, I, I need to know an, I need to have answers. Like, you know, it tends to, sometimes it tends to be a lot of it, like, you know, you know, sort of heady and I'm like, and now I need, I need, I'm pragmatic that way. I need to understand like why, Right? That2 (46m 53s):Doesn't seem unfortunate to me. That seems actually really fortunate because A, you're not the only artist who likes to think. I mean, you know, what about DaVinci? Like, a lot of people like to think about art in a, in a, I mean it's really, they're, they're, they're really kind of married art and science.3 (47m 8s):Yeah. They really are people. I, I think people would, It's so funny. Like people don't see it as such, but you're absolutely right. I agree. It's so more, Yeah. There's so much more in common.1 (47m 18s):The other thing that I'm glad Gina brought that up is cuz I'm questioning like, okay, so like, I don't know about at Marquette, but like at DePaul we had like, we had, like, we had these systems of, you got warnings if you, you weren't doing great and I bet like you probably didn't have the cut system cause that just is okay, good. But okay.3 (47m 36s):Well we were, we remember we were, we weren't a conservatory, right? So we were very much a, a liberal programming.1 (47m 42s):Yeah, I love it. Oh God, how I longed for that later, right? But anyway, so what would've helped is if someone with an empirical, like someone with more a stem mind sat down with me and said, okay, like, here are the things that aren't working in a practical way for you, and here are the things that you can do to fix it. Instead, it was literally this nebulous thing where my warning said, You're not living up to your star power now that's not actually a note. So that, that, that Rick Murphy gave me, and I don't, to this day, I'm like, that is actually, so I would love if I had someone like you, not that you'd be in that system, but like this to say like, okay, like here's the reasons why.1 (48m 25s):Like there was no why we were doing anything. It was like, you just do this in order to make it. And I said, Okay, I'll do it. But I was like, what the hell? Why are we doing this? That's,3 (48m 35s):That's like going to a doctor and a doctor being like, you're sick. You know what I mean? And you're like, but can, that's why I'm here is for you to help me get to the root of it and figure it out. Right. Being like, you're,1 (48m 46s):I think they didn't know, Here's the thing, I don't think it, it3 (48m 50s):Was because they're in.1 (48m 51s):Yeah. I I don't think it was because they were, I mean, they could have been rude in all the things. I literally, now that I'm 47, looking back on that experience, I'm like, Oh, these teachers didn't fucking know what they were, how to talk. And3 (49m 3s):This is how I came. Yeah, yeah. Which is how I came back to usc. So like that's,1 (49m 7s):Anyway, continue your New York adventure. I just wanted to know.3 (49m 11s):No, no, no. New York is was great. New York is New York was wonderful. I love it. I still love it. I I literally just got back with it. That's why, remember I was texting you, emailing you guys. I I just got back, Yes. The night before. Some amazing things. My husband would move back in a heartbeat if I, if I like texted him right now. And I was like, Hey, like let's move back. The house would be packed and we'd, he'd be ready to go. He loves, we both love it. You know, Am I in love with New York? I, that, that remains to be seen. I mean, you know, as I get older that life is, it's a hard life and I, I love it when there's no responsibilities when you can like, skip around and have tea and you know, walk around Central Park and like see shows.3 (49m 53s):But you know, that's obviously not the real, the reality of the day to day in New York. So I miss it. I love it. I've been back for work many times, but I, I I don't know that the life is there for me anymore. Right. I mean, you know, six fuller walkups. Oh no. Oh no. I just, yeah, I1 (50m 11s):Just like constantly sweating in Manhattan. Like I can't navigate, It's like a lot of rock walking really fast and3 (50m 20s):Yeah. And no one's wearing masks right now. I just, I just came back and I saw six shows when I was there. No one's wearing masks. It's like unnerving. And again, like, you know, you know, not throwing politics in it. I was like, you guys, like, how are you okay with it? I'm just like, how are you not unnerved by the fact that we're cramped in worse than an airplane? And everyone's like coughing around you and we're sitting here for three hours watching Death of a Salesman. I mean, like, how was that1 (50m 43s):Of an2 (50m 45s):Yeah know?3 (50m 46s):I mean,2 (50m 47s):So what about the, so at some point you, you pretty much, I mean, you don't do theater anymore, right? You transition to doing3 (50m 55s):Oh, I know, I do. Very much so, very much. I'm also the associate, Yeah. I'm the associate artistic director of, I am a theater company, so like I'm, I'm very much theater's. I will never let go. It's, it's just one of those things I will never as, as wonderful as television and film has been. It's, it's also like theater's, you know? It's the, it's my own, it's my first child. Yeah.2 (51m 19s):Yeah.1 (51m 20s):We have guests like Tina Parker was like that, right? Wasn't,2 (51m 23s):Yeah. Well a lot of, a lot of people. It's also Tina Wong said the same thing.3 (51m 26s):He and I are different. She's part, we're in the same theater company. So Yeah. Tina's.2 (51m 30s):That's right. That's right. That's right. Okay, now I'm remembering what that connection was. So I have a question too about like, when I love it, like I said, when people have no idea anything related to performing arts, and then they get kind of thrust into it. So was there any moment in sort of discovering all this where you were able to make sense of, or flesh out like the person that you were before you came to this? Like a lot of people have the experience of, of doing a first drama class in high school and saying, Oh my God, these are my people. And never knowing that their people existed. Right. Did you have anything like that where you felt like coming into this performing sphere validated or brought some to fullness?2 (52m 14s):Something about you that previously you hadn't been able to explore?3 (52m 18s):Yeah. I mean, coming out, you know what I mean? Like, it was the first time that people talk, you know? Of course, you know, you know, I was born to, you know, like was God, I said I was born this way. But that being said, like again, in the world in which I grew up in, in Chicago and Lane Tech, it's, and, and the, you know, the technical high school and, and just the, the, the, I grew up in a community of immigrants. It's not like it was laid out on the table for one to talk about all the time. Right. It wasn't, and even though I may have thought that in my head again, it wasn't like, it was like something that was in the universe and in the, in the air that I breathed. So I would say that like when I got to the theater, it was the first time, you know, the theater, you guys we're, we're theater kids, right?3 (53m 2s):We know like every, everything's dramatic. Everything's laid, you know, out to, you know, for everyone. Everyone's dramas laid out for everyone. A the, and you know, part of it was like sexuality and talking about it and being like, and having just like, just being like talking about somebody's like ethnic background. And so it was the first time that I learned how to talk about it. Even to even just like how you even des you know, you know how you even describe somebody, right? And how somebody like, cuz that again, it's not, it wasn't like, it wasn't language that I had for myself. So I developed the language and how to speak about people. So that's my first thing about theater that I was like, oh, thank God.3 (53m 43s):You know? And then, you know, even talking about, you know, like queer, like queer was such a crazy insult back when I was a kid. And then now all of a sudden queer is now this embraced sort of like, badge of honor, Right? And so like, it was just like that and understanding like Asian and Asian American breaking that down, right? And being Filipino very specifically breaking that down, that all came about from me being in theater. And so like, I, I'm, I owe my, my life to it if you, and, and because I've, yeah, I didn't, you know, it's so funny how the title of this is I Survived Theater School for me. It's, Yes, Yes.3 (54m 23s):And I also, it also allowed theater also gave, allowed me to survive. Yes.2 (54m 31s):Theater helped you survive. Yes. That's beautiful. So in this, in the, in this spectrum or the arc, whatever you wanna call it, of representation and adequate representation and you know, in all of our lifetimes, we're probably never gonna achieve what we think is sort of like a perfect representation in media. But like in the long arc of things, how, how do you feel Hollywood and theater are doing now in terms of representation of, of specifically maybe Filipino, but Asian American people. How, how do you think we're doing?3 (55m 3s):I think we, you know, I think that there's, there's certainly a shift. You know, obviously it, we'd like it to be quicker than faster than, than it has been. But that being said, there's certainly a shift. Look, I'm being, I'll be the first person to say there are many more opportunities that are available that weren't there when I started in this, in this business, people are starting to like diversify casts. And you know, I saw Haiti's Town, it was extraordinary, by the way. I saw six shows in New York in the span of six days out of, and this was not conscious of me. This is not something I was doing consciously. Out of the six shows, I saw every single show had 90% people of color.3 (55m 43s):And it wasn't, and I wasn't conscientious of it. I wasn't like, I'm going to go see the shows that like, it just happened that all I saw Hamilton, I saw K-pop, I saw, you know, a death of a Salesman I saw. And they all were people of color and it was beautiful. So there's definitely a shift. That said, I, for me, it's never, this may sound strange, it's not the people in front of the camera or on stage that I have a problem with. Like, that to me is a bandaid. And this is me speaking like an old person, right? I need, it needs to change from the top down. And for me, that's what where the shift needs to happen for me. Like all the people at top, the, the, the people who run the thing that needs to change. And until that changes, then I can expect to starter from1 (56m 25s):The low. It's so interesting cuz like, I, I, I feel like that is, that is, we're at a point where we'd love to like the bandaid thing. Like really people really think that's gonna work. It never holds. Like that's the thing about a bandaid. The longer the shit is on, it'll fall off eventually. And then you still have the fucking wound. So like, I, I, I, and what I'm also seeing, and I don't know if you guys are seeing it, but what I'm seeing is that like, so people got scared and they fucking started to promote execs within the company of color and othered folks and then didn't train them. And now are like, Oh, well we gave you a shot and you failed, so let's get the white kid back in that live, you know, my uncle's kid back in to, to be the assistant.1 (57m 6s):And I'm3 (57m 7s):Like, no people up for success is a huge thing. Yeah. They need to set people up for success. Yes, yes, for sure.2 (57m 12s):Yeah. So it's, it's performative right now. We're still in the performative phase of1 (57m 16s):Our, you3 (57m 17s):Know, I would say it feels, it, it can feel performative. I I'm, I'm definitely have been. I've experienced people who do get it, you know what I mean? It's just, Sunday's a perfect example of somebody who does get it. But that being said, like again, it needs to, we need more of those people who get it with a capital I like, you know, up at the top. Cause again, otherwise it's just performative, like you said. So it's,1 (57m 38s):Does it make you wanna be an exec and be at the top and making choices? Yeah,3 (57m 42s):You know, I've always, people have asked me, you know, people have asked me what is the next thing for me. I'd love to show run. I've, I just, again, this is the, this is the stem part of me, right? Like, of us, like is I'm great at putting out fires, I just have been that person. I'm good with people, I'm, I'm, you know, and I've, I, you know, it's, it's, it's just one of those things that like I, I see is a, is a natural fit. But until that happens, you know, I'm, I'm, I'm also, you know, a professor is very much a version of show learning. So I've been doing that every day.1 (58m 14s):We talk about how, cause you've mentioned it several times about playing children into your thirties. So a lot, we have never had anyone on the show that I'm aware of that has had that sort of thing or talked about that thing. They may have had it. Mostly it's the opposite of like, those of us who like, I'll speak for myself, like in college, were playing old people at age, you know, 16 because I was a plus size Latina lady. And like that's what what went down. So tell me what, what that's what that journey has been like for you. I'm just really curious mostly, cuz you mentioned it a couple times, so it must be something that is part of your psyche. Like what's that about? Like what the, I mean obviously you look quote young, but there's other stuff that goes into that.1 (58m 57s):So how has that been for you and to not be, It sounds like you're coming out of that.3 (59m 1s):Yeah, I mean, look, all my life I've always been, you know, I mean I'm, I'm 5, 5 6 on a good day and I've always just been, I've always just looked young. Like, I mean, I mean, and I don't mean that like, oh I look young. Like I don't mean that in any sort of self-aggrandizing way. I literally just am one of those and you're built, like me, my one of my dear friends Ko, God rest his soul, he was always like, Rodney, you're like a little man look, looks, you're like a man that looks like a boy. And I was like that, that's hilarious. Like, and look, I for growing up little in, in high school and, and it, it was one of those things that I was always like, you know, like I was always chummy with people, but I was never sort of like, like there's a look, let's face it.3 (59m 45s):Like we're, we're a a a body conscious society and when you're, whatever it is, you can't help. There's implicit bias, right? Implicit bias, right. Supremacy at it's most insidious. And so I am not all my life, I was like always trying to, you know, the Napoleon complex of always trying to sort of be like, prove that I was older than I was.1 (1h 0m 6s):How did you do it? How did you do, how were you, what kind of techniques did you use? For3 (1h 0m 10s):Me, it wasn't even my technique. It was about doing everything and anything I possibly could. I mean, I was like president or vice president, I a gajillion different clubs. So it1 (1h 0m 18s):Was doing, it was doing, it was not like appearance. Okay, okay. So you3 (1h 0m 23s):Was actually yeah, I couldn't do anything about this. Yeah.1 (1h 0m 25s):Right. So yeah, but like people try, you know, like people will do all kinds of things to their body to try to, But for you, it sounds like your way to combat that was to be a doer, like a super3 (1h 0m 36s):Duer. And I certainly, I certainly like worked out by the time I got to college I was like working out hardcore to try and masculinize like, or you know, this. And, and eventually I did a gig that sort of shifted that mentality for me. But that being said, I think the thing that really, that the thing that, that for me was the big sort of change in all of this was just honestly just maturity. At some point I was like, you know what? I can't do anything about my age. I can't do anything about my height, nor do I want to. And when that shifted for me, like it just ironically, that's when like the maturity set in, right? That's when people started to recognize me as an adult.3 (1h 1m 17s):It's when I got got rid of all of that, that this, this notion of what it is I need to do in order for people to give me some sort of authority or gimme some sort of like, to l
Born and raised in Venice, Gladis has always been passionate about electronic music and clubbing. Her music career started in 2009 when she traveled to different cities that were known for their nightclubs like Barcelona, London, Berlin, and Ibiza. These experiences expanded her mind and created a foundation for her musical education. Her sets are a mix of deep sounds of house and techno, perfect for her first residency at Tag Club Venice. During that time, she shared the mixer with many international DJs, gaining more experience and defining her sound into the new boundaries of avant-garde dance music. Gladis has been a regular guest at Tenax club in Florence since 2018. She has releases on Tenax Recordings, and on the dutch vinyl-only label Minimal Movement. She's releasing her next EP on InWave Records. Keep an eye on Gladis: https://soundcloud.com/gladis https://www.instagram.com/gladis_dj Listen to more electronic music on Intaresu https://intaresu.com
Chicken Inn consolidated their lead at the top of the Castle Lager Premier Soccer League standings with a come-from-behind victory over Cranborne Bullets and FC Platinum are hot on their heels as they continued with their impeccable run by dismissing Tenax at Sakubva Highlanders coach, Jose Brito, says his boys deserved their victory following their nervy 3-2 win over Black Rhinos in a 5-goal thriller at Barbourfields The Sables gave themselves a timely boost ahead of next week's Rugby Africa Cup after wrapping up their preparations with a dominant 30-7 win over the Netherlands at the Rugby Stadium Amsterdam Angel Di Maria has reportedly decided to join Juventus after he grew tired of waiting for Barcelona to make their move Arsenal have finalised the signing of Gabriel Jesus after agreeing personal terms with the Manchester City striker, Gareth Bale has agreed to join MLS side Los Angeles FC on a one-year deal Plus so much more…
A National Kitchen and Bath Association study shows industry optimism for the remainder of 2022; majority stake in TENAX S.p.A. acquired by European equity firm; Mosaic Companies expand U.S. East Coast operations; more. 00:00 Welcome to Radio Stone Update00:34 Industry Survey Shows Positive '22 Outlook03:18 Equity Firm Gets TENAX Stake05:11 A Word from Quantra06:27 Mosaic Companies Expand Operations07:46 Mitigation Needed at Colorado Marble Quarry09:20 Cosentino Reopens Manhattan City Center10:58 MSI Honored for Sustainable Growth11:58 ISFA 2022 Annual Conference in October12:42 November Set for Total Solutions Plus 202213:32 Arizona Tile Expands in Oregon
In this week's episode, we discuss the otherworldly looking flower, Beargrass! Join us in learning about this unique flower and the animals that utilize it in unexpected ways, while you cozy up in a big ole' pile of Beargrass leaves (hint). Thank you so much for listening, we love sharing what we learn with you! Please like, subscribe, and rate on whatever platform you are listening on. If you have any comments, questions, or would just like to say "hi", shoot us an email at: wildforwildflowerspod@gmail.com. Don't forget to get outside and smell the wildflowers (and tell a friend)!
When you're trying to get your business off the ground, the thought of protecting your data and systems against all the tech savvy bad actors out there may seem daunting. Making matters worse, a recent Forbes article reported that small businesses are targeted by cybercriminals over three times more often than larger companies. In protecting your company from cyber risks, when you don't know what to do but you know you have to do something, that's when you call Sheldon Speers. Sheldon is the Founder and CEO of Tenax Solutions, a security consulting firm based in Des Moines, Iowa created with the simple mission of protecting companies from cyber security threats in the modern world. In this episode, you'll learn how his persistence and confidence in his solutions turned 250 unresponsive cold calls in his first 13 months into a growing, trusted security firm serving clients of all sizes. We'll also talk about learning how to handle rejection, what it's like to work with investors, the future of cybersecurity, and transitioning your role in the company to position for growth. You can find more information on Tenax by visiting their website, https://www.tenaxsolutions.com/
Ho fatto "un giro" tra alcuni dei club e locali più influenti della storia. Luoghi che hanno cambiato il corso degli eventi anche se all'interno la musica si ascoltava, non si creava (o forse sì...?) Instagram: https://www.instagram.com/swing_out_faber/ Spotify: https://spoti.fi/2yxp5xC Apple: https://apple.co/2WAUcjK Spreaker: https://www.spreaker.com/show/suono-ma-nessuno-apre
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TRS 4491 -- // Undercatt //------------------------------------------------All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact us immediately by email: set@trip-records.com and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY!----------------► INSERT YOUR ADVERTISEMENT: http://www.trip-records.com/podcasts/index.html► Are You a Dj? Send Your Video or Dj Set: http://www.trip-records.com/Sets/index.html ► Subscribe to Trip Records Sets: http://www.youtube.com/c/TripRecordsSets -----Send Your Demo, Trip Records is looking for you ! (Send us a private Soundcloud link)► demo@trip-records.com-----Link Podcast► https://podcasts.apple.com/it/podcast/trip-records-sets/id1176106514 See acast.com/privacy for privacy and opt-out information.
Meg recounts the tragic events of the evening Yusuf Hawkins went to Bensonhurst. Jessica discusses Astor Place Hairstylists, Alphabet City, and Tenax hair gel.
This week's episode of the Camerosity Podcast is one for the ages. Michael Wescott Loder, Nikon historian and author of "The Nikon Camera in America 1946-1953", joins us to discuss a huge number of topics regarding Nikon's history along with the Zeiss-Ikon Tenax II and a huge number of other cameras that he is interested in. We go over everything from Nippon Kogaku's role in the post war Japanese camera industry, why they were successful and Canon wasn't, Nikon rangefinder prototypes, and a whole lot of other interesting topics. But wait there's more... Also joining in on the discussion is none other than president of the Nikon Historical Society, and fellow author, Robert Rotoloni jumps in to add his thoughts and ask some questions of his own. I'm not done yet.... Returning from episode 8, author of "Making Kodak Film", Robert Shanebrook surprises us with a visit to participate in the discussion and ask some questions. Rounding out our guests are Mark Faulkner, Nick Lyle, and Miles Libak! Next week, we will return with Episode 14, so look out for the Episode announcement this upcoming Sunday, November 28th! This Week's Episode Wes Bought a Nikon S2 to Photograph in Caves / How Wes Got Started Researching Nikon Tenax II / Akarette / Akarelle / AGFA Ambi Silette / Lordomat Why Was Nikon So Successful? Why Didn't Canon or Pentax Have the Same Level of Success? Why Did Zeiss-Ikon Make the Tenax II? / Which Came First, the Tenax or Robot? Hubert Nerwin, Zeiss-Ikon, the West German Camera Industry, and the Kodak Instamatic Why Didn't West Germany Have any Focal Plane SLRs like the Contax SLR? Zeiss-Ikon Stuttgart Had to Rebuild After the War / East Germany Was Winning For a While Nikon Saw the Best Success in the US East and West Coasts, Not the Midwest Hubert Nerwin and Operation Paperclip Many Camera Companies Went Out of Business Between 1958-1962 / Differences Between Germany and Japan Nippon Kogaku Developed the Nikon F at the Same Time as the Nikon SP German SLRs Were Hampered by Their Own Reliance on the Compur Leaf Shutter Nikon and Canon Had Different Approaches Toward Making Rangefinders The Nikon S2 Originally Had Knobs for Wind and Rewind / Only Black Dial S2s Can Be Motorized Canon Made 33 Different Rangefinders Between 1945 and 1958 Why Was the Nikon F So Successful? / Why the Canonflex Failed Nikon Model One Bellows Did Nippon Kogaku and Eastman Kodak Ever Collaborate On Anything? Tuberculosis Almost Killed Medium Format in Japan David Douglas Duncan's Role In Nikon's History / Jun Miki Nikkor 50mm f/1.4 and f/1.5 Lenses Nippon Kogaku Would Service Any Camera or Lens for Any Professional Photographer During the Korean War. The Nikon F Was So Successful, It Killed the Nikon Rangefinder / The Nikon SPX and SP2 Was Built But Never Released There Were More Canon 7 Rangefinders Made Than All Nikon Rangefinders Combined Nippon Kogaku Also Worked on a Medium Format SLR and a 16mm Subminiature, None Were Ever Released What Would the Japanese Camera Industry Look Like if Nippon Kogaku Never Existed? Japanese Optics Companies Helped Each Other Out Can Nikon Survive Today? Smartphones Are Killing the Camera Industry Color Film is Out of Stock Everywhere (Except for Theo) When Nikon Made the Millennium SP and S3 Rangefinders, They Used 80-Year old Retired Guys to Train People How to Make Them Robert Rotoloni Did the Foreward in Wes Loder's Book Show Notes If you would like to offer feedback or contact me with questions or ideas for future episodes, please email me at mike@mikeeckman.com The Official Camerosity Facebook Page - https://www.facebook.com/CamerosityPodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Wes Loder "The Nikon Camera in America 1946-1953" - https://www.amazon.com/Nikon-Camera-America-1946-1953/dp/0786432217 "The Tenax II: Zeiss Ikon's Precision, Fast-action Camera" - https://www.amazon.com/Tenax-II-Precision-Fast-action-Camera/dp/138987821X Wes's Blog - http://wesloderandnikon.blogspot.com/ Robert Rotoloni - http://www.nikonhistoricalsociety.com/p/rotoloni-book.html Mark Faulkner - https://thegashaus.com/ Theo Panagopoulos - https://www.photothinking.com/ Anthony Rue - https://www.instagram.com/kino_pravda/ Paul Rybolt - https://www.ebay.com/usr/paulkris
Christopher Giordano, MS, explains how an American English major studying at Oxford University lucked into marrying a Welsh girl he convinced to move to North Carolina's Research Triangle – a hotbed of literary studies. From that beginning – somehow – Giordano got a "real job" in drug development, rising through the ranks to become president of a business unit in healthcare giant, IQVIA, and eventually, CEO of Tenax. He tells me the Tenax name comes from the word "tenacity". Of this, I have no doubt. Now listen to him spin imatinib into gold for Pulmonary Arterial Hypertension (PAH).
James Mahon, CEO and co-manager of the Tenax Absolute Return Strategies Fund introduces his fund to Proactive Investors. Mahon explains their investment strategy which is to achieve 'regular, steady returns without the volatility one gets in the markets, the main objective of the fund is to achieve a positive level of returns at low levels of volatility'. This is achieved by targeting a broad diversification, looking right across asset classes from equity to property. Mahon adds that 'at any one time we'll have anything from 130-150 investments'.
Recorded live on December 30, 2020 Two people making music on the fly… Bugs In The Basement creates improvised musical journeys from an array of vintage and handmade instruments to modern technologies. Recorded live from our basement studio in the Pacific Northwest, each week we experiment in the process of making exploratory music and soundscapes. Unmixed, unedited and unapologetic. www.bugsinthebasement.com
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Italy’s Luca Bacchetti has in some shape or form been involved in the music industry since 1992. His experience is evident in the professionalism, and unique sound that he pushes. His earlier EP releases on labels like Tenax, Wagon Repair, and Ovum, have led to signings for other quality imprints that include Crosstown Rebels, All Day I Dream, and Bedrock. In 2013 Luca started his own label, and created the now highly respected ENDLESS Recordings, which boasts tracks from buzz artist like Trikk, Eagles & Butterflies, Love Over Entropy, and, of course, there are releases from Bacchetti himself. As a DJ, he is also a renowned selector, and has played in over 80 countries at the world’s best clubs, and festivals such as Burning Man, Panorama Bar, and fabric.This coming September Bacchetti will release his debut LP ‘Secret World’ on his own imprint, alongside several remixes, and two new EPs, with one of them being released on the Japanese label Endless Flight. On this mix for Balance, Bacchetti delivers a contemporary soundscape of house, and techno that takes in Damon Jee, Jimi Jules, Lauer and more. For more info: www.balancemusic.com.au
Milan is the author of Monday Morning Millionaire and the creator of the Monday Morning Millionaire Program. He practiced dentistry for over 50 years and has as much do-it-yourself investing experience. From that, he knew that you can make more money on a Monday morning before breakfast than you ever did in your best week at work. The Monday Morning Millionaire Program is his step-by-step process that will allow you to outperform the market and to become a confident and successful do-it-yourself (DIY) investor. In addition to Milan, his team has three self-made, multimillionaire do-it-yourself investors one of whom is on the advisory committee for a $US3 billion American state county portfolio. He also has a business background. In 1996 Milan, along with his son, B. Eng. & Mgt., MBA, created Tenax Implant Inc. They manufactured and distributed dental implants in Canada, South Korea, and the Caribbean. It took three years, four patents, ISO certification and a million dollars of investors’ money to reach that status. Only three other Canadian dentists have done so. With his staff of six capable assistants, he ran patient implant treatment courses in these countries to teach implant treatment to colleagues. They have launched the implant careers of some 500 dentists. In 2008, they bought out the 10 Tenax shareholders and changed the company from an implant manufacturing operation to a holding company. It now only invests in the stock market. About the same time that he started his career in dentistry, he befriended a lawyer who was an active investor. That sparked his interest in also becoming a DIY investor. He has invested in all sorts of securities and found the best results come from owning a US market index exchange-traded fund in his core and “explore” portfolios and occasionally selling derivatives in the “explore” portfolio. A high net worth friend whose portfolio is managed by others was so impressed with my results that she suggested that he make that system public. Following her suggestion, he launched the Monday Morning Millionaire Program to be able to share his knowledge with a broader audience.
Hertz Collision is a duo formed by Francesco Profeti and Pietro Franchini. They began to collaborate in 2009 due to their musical taste. They started to release music from 2014 on labels like Tono Limited, Serial Number 849, Concrete Music, Dynamic Refection. The duo was invited to Strasbourg by Crew to play next to Johanna Knutsson in 2015 and played also in Valencia and Naples. In 2016 they got the chance to release on Invite's Choice Records next to Wrong Assessment and Savas Pascalidis. During last months they released on Persistence, Uncage records, in a digital V/A for Pole group. In October the duo played at Radion for the Dynamic Refection showcase during the ADE. They started 2017 releasing a second digital EP on Dynamic Refection with a massive remix from Stranger, and with their frst complete EP on the well known underground label called Frozen Border. On the 7 of October, the duo started a collaboration with one of the most historical clubs in Florence, Tenax, for 2 events on during the same month with Marco Faraone and Marcel Fengler and the other one with Ben Klock. After that, they signed a release on the new label from Kwartz ( Order&Devotion ) with an outstanding remix from him. During the Christmas night, they supported an event in collaboration with the Meyer Hospital for a charity fund-raiser. In 2018 the Hertz collision released in V / A mode on Dynamic Refection and with a massive techno split with Marco Faraone on UNCAGE. The 21 of March were invited by Mario Berger to play in the legendary club Tresor and by Synoid’s crew at Griessmuehle on the 13 of April. The last release was on EartoGround Records ( July 2018 ). Follow HERTZ COLLISION here: Resident Advisor: https://www.residentadvisor.net/dj/hertzcollision Facebook: https://www.facebook.com/hertzcollisionofficial/ Instagram: https://www.instagram.com/hertzcollision/?hl=it Soundcloud: https://soundcloud.com/hertz-collision Beatport: http://classic.beatport.com/artist/hertz-collision/354333 Discogs: https://www.discogs.com/artist/4274108-Hertz-Collision
We are excited to have Ryan Cox, Principal at Founders Grove Capital, a real estate investment and advisory firm dedicated to helping clients select and manage real estate investments that work for them. Ryan is responsible for helping clients select and manage real estate investments so they can build a more secure financial portfolio. Ryan hosts The Real Estate Innovators Podcast and he is a real faculty for drawing out some of the inside baseball elements of the real estate tech world. When he is not hosting his podcast, he is the CEO of Founders Grove Capital! Tune in as we talk about... Multifamily Real Estate Investor Real Estate Technology or PropTech Design in Commercial Real Estate Block Chain Platform and much more! Learn more about Ryan Cox on The Real Estate Innovators Podcast and Founders Grove Capital VO: You’re listening to Raising Your Antenna, with host Keith Zakheim. Keith: Welcome to Raising Your Antenna. And I’m your host, Keith Zakheim. Today, we have a guest, Ryan Cox that wears many hats. Being that this is a podcast, and many of you, like me are podcast addicts, let me give you Ryan’s podcast bona fides first. Ryan hosts a real estate innovators podcast, in which he interviews some of the bigger founders and influencers in the real estate tech/proptech market. I guess Ryan, one of the things we can kinda talk about is what we call this industry because I’m hearing a lot of names for it: proptech, real estate tech, other things. But anyway, Ryan’s podcast is a great listen. And he’s a real faculty for drawing out some of the inside baseball elements of the real estate tech world. That I think is great gold or father for investors and professionals in the real estate and the real estate technology space. So anyway, definitely give a listen. But, when he’s not hosting his podcast, Ryan is a CEO of Founders Grove Capital, where he himself is a super successful investor and advisor to investors. So Ryan, before we get going and kinda get into the nitty gritty of our conversation today, maybe give my audience some of your background, professional background. And also specifically, you know, why you do the podcast. You know, is that kind of a personal passion. And also, how it helps your business from a marketing perspective. So anyway, welcome aboard and, yeah, it’s to you. Ryan: Well, Keith. Thanks so much for having me on the show. Excited to talk about a little commercial real estate tech, a little about my business. So, my background is, you know, I really, primarily, my primary business is to focus on multi-family value-added opportunities. So, my core business is as real estate investor and working with investors to buy multi-family assets here in the state of Texas. The podcast, as you said, is developed, I guess, primarily, out of a passion and some curiosity. So, I found it to be, you know as an investor, a really great avenue on a weekly basis to really dig in to all of the, you know commercial real estate tech that is developing around us. And the podcast has given me an opportunity, you know, really, a calling card to knock on any door and talk to founders about their background and unique insight that they had in their background to lead them to found a commercial real estate tech company. And on the podcast, I’m really just able to, you know, dig in what their background is, what unique insight, talk about the solution, how it benefits and impacts their users. And then try to suss out, really, just their insights from their work, about how they see the overall real estate market and that changing, and the impact of commercial real estate tech. I think the big driver for before the podcast is, you know, number one is I’m an advocate for my investors. So, I feel like it’s a priority for me to really be able to have a broad view of all of the technology that is, really, just starting to make an impact. But, I believe in the next three to five years, would dramatically shift the way that a lot of business in real estate gets done. So, I wanna make sure that I’m not flat-footed and that I’m being an advocate for my investors and paying attention to all the real estate tech that is transforming how we do business. I think.. Keith: You know, I, you’ve, again, being a listener to I think your last two episodes. I think you do a great job of listening that kind of feedback, and getting really down to the founder’s course to both your entrepreneurial side as well as your passion. Specifically, of this CRE-tech space. So anyway, I enjoy and I encourage my listeners to download it, become a subscriber, and listen cause it’s really, it’s a great listen. So, let’s dive in and my first question Ryan is that you know, where in, when I say we, I mean you and me from the marketing side are in the super-exciting space of what we call CRE-tech/prop tech. But, there are tons of applications found in the market. So, if that big data applications and, or you know spaces service as a business, virtual marketplaces and leasing tenant focus platforms, private management, augmented reality, and others. Clearly, some are getting more ink than others in space as a service comes to mind. But, as an investor and an advisor, I’m curious in your perspective. What are the exciting areas, that maybe somewhat under the radar right now. So you know, trying to bring somebody into a no-tell where we work. Okay, no big deal. Lots of money’s going there. That’s just aping what everybody else is doing. But, what are the areas, you know, applications that you think have the potential for real disruption, will attract early adopters, and in the next few years, where should the savvy investor who really wants to be part of the space looking to allocate money? Ryan: Well, first of all, I think that there are a ton of really interesting across, you know, like you said teantt project management. There’s a really, really quite a few interesting, you know spaces to play in CRE-tech. I think, as I think about the next two or three is we’re just so early. Especially regards to adoptions, it seems to me like the folks that are focused on data and that could be a cross-spaces as service, virtual marketplaces, leasing tenant project management and that stuff. The folks that are taken a data first enabled to monetize that early, enabled to give users actual data to make decision for that real estate investors, for lets space users, you know building owners. It seems to me like those folks are probably to the best start because there’s a value they can charge users afforded data. But, the collection of that data also gives them flexibility as they grow out, you know, the solutions that are provided to end-users. Keith: Yeah, we see for example both in CRE and also this residential real estate is, you know, a lot of these companies are multi-generational families that abound, you know, especially in the big cities, right. So, they own a lot of the office space, they own a lot of residential real estate, and they’ve been making money in this space for a long time. And as a result, the little more buttoned-up conservative, unless, willing to be early adopters. And we found with our clients, is that the case to be made at least initially, is surely an economic play, right. So, this is how you gonna be more efficient and save money. But, you know, how, what do you see is being the most partner-compelling arguments to, you know, CRE-tech as CRE-owners in order to get them to kinda take that first leap of faith into some of these, you know, applications and areas. And it could be, you know, big data which is maybe, there is some would have, you know, an easier, a leap of faith from data, the argument for efficiency and economic savings probably easier than making, also, I realized much more quickly. But, how do you advise your clients, or what do you see your founders in terms of being able to, you know, circumvent or achieve some of those obstacles? Ryan:Well, I think that from a founder’s perspective, you know, I think the venture community has great channels into, you know, big, you know, big brokerage. I would just definitely in avenue to get widespread adoption across a numbered users and geographies. I think that a lot of the bug development companies have their own adventure arm that you know, co-investing with the venture firms or looking to, you know, incubate and grow their own, you know, own kind of tech. So i do think that there are great opportunities with the right venture partner or being able to sit with the right investment or development company to help kinda scale the platform out. So. Keith: So, how are you looking for money for for example. It's not just about the money, but the strategic value that these investors can bring in terms of opening up new channels and helping with initial adaption? Rayna: Absolutely, the faster to market in adaption. I think is what you see in the re-work examples. They are just trying to raise the biggest, the best and have amass the monopoly. I think that the fastest routes to market, the more channels that you have to be able to deploy the product, the better your chances for success. Keith: Yeah that’s a great segue to the next topic I want to discuss, which is basis of service. And companies like re-work, and notel raising money on previously unthinkable valuations. I have a 2-part question. So, clearly, there is some type of bubble forming, and this not the first tech-vertical or general investment vertical to experience a bubble and there’s a lot of money-chasing deals and we work in (notel) just based on evaluations are clearly benefiting from all that money that’s on the sidelines looking to invest in this space. So, it’s 2 questions. You know, it’s not new what we work in (notel) are dealing, right. So, we just been around for a long time. Yet, we are left behind in the dust. These newer companies are gobbling up market share and their valuations are significantly higher. So, what’s been the drivers of their growth versus what we’ve seen in the past? And the 2nd question, Ryan, which I know comes up everywhere. Which is, you know, we work in (notel) have experienced, any other companies by the way just keep referring to these two, but they’ve experienced this growth in a real estate environment in which the market is just fantastic and also experiencing above all, right. What’s that gonna look like when there is an inevitable downturn. That’s what real estate is historically, so it’s not gonna continue and values are not gonna continue to appreciate and as I understand their business model which is, you know, leasing up a lot of space and being able to upsell that to tenants. What happens when, you know, values go down and their existing tenants can go lock in space for much cheaper prices. So, 2-part question: drivers of growth versus the history of the space as well as what it’s all gonna look like during an inevitable downturn? Ryan: Yeah, those are good questions. I don’t think anybody can accurately predict. But just some thoughts. I think, you know, running we were.. Keith: The beauty of being a podcast, of being a prognosticator, is that they only remember when you’re right and when you’re wrong, no one cares. So, that’s, you know, we can say whatever we want. Be Nostradamus, right? Ryan: Right. Well, if we were on video, everybody would be able to see me in my wizard hat. Keith: (Laughs). Exactly. Ryan: My answer here. I mean, (Ryan), we were cause undertaking the company’s taken a name as an approach to spending, investing heavily on growth, in hopes that profits will follow. I think, in the most likely scenario, is that, the thing that’s been driving growth in valuations for these companies will ultimately will come to roost. You know, right now, we’re in a growth at all cost negative gross margins. I think that we workers gotten so big that we’re seeing a lot more access to their data and, you know, right now, their focused on growth in a winner take all mode similar to some other tech companies we’ve seen at Silicon Valley. You know something , the ultimate challenge, so that goal is that if you can grow to a large size and create a market monopoly. Then, over time, you’re able to, you know, raise prices because you’ve got some sort of walk-in with those customers. I think the challenge right now in the current environment is that there’s so much private capital out there and so many entrepreneurs willing to take on big dogs. It would be a re-work at this case but people with. I think you need value proposition in a co-working space. So, on a venture capital people chasing, I don’t see right now that there is a monopoly in place. And then those companies are public, so you know valuations that can be tricky. Just a tricky area when we talk about private money. So, the question will be if there is a downturn and we’re not in a profitable place and that money dries up. How do you sustain growth or shift on a dime with your users to a profitable model. Keith: Yeah, for sure. I do, you know, so you mention Amazon and Amazon first of the 15-year run and they probably are the exception to the rule in terms of being able to early on stake-out they wouldn’t call a monopolistic position but certainly, 800-pound gorilla type of corporation. But, if you look at ride-sharing. So, a company like Uber tried to do that but the market was so large. The problems of executions are great and the amount of so much money on the sidelines willing to go into that space. Left has been able to significantly cut into their business over last few years with no one inside there. It seems to me also, the spaces service industry. The various entry are really just raising the capital. I mean, I don’t know there’s much secret sauce in doing that except for being able to sustain the losses initially and go gobble up property. So, it’ll be interesting to see how that shakes out and what it all looks like in a number of years but I know everybody in our industry is watching that closely and that will be interesting as we go forward. Ryan: Yeah, totally great I think. I definitely think the spaces services creating a value for large enterprise and small businesses alike. It’ll be up to those organizations to find a profitable, sustainable, long-term business model, which is yet to be proven. So, I think that there will be some, I think that there’ll be winners, I think that there’ll be losers. I think that there’ll probable even a few that rise to the top and are able to sustain there long-term. Keith: Alright. Moving on. Entrepreneurs and startups and certainly marketing agencies, we love the buzzwords. Alright, so, you can raise money and you can throw out terms like artificial intelligence or augmented reality or blockchain or cryptocurrency and figure out how to present your business plan and I think companies or startups are hoping that investors will follow that with investment. So, blockchain is a bit, is a buzzword that is being thrown around, our industry, the CRE-tech industry. We do a lot of work and energy and I thought blockchain is a fantastic application of blockchain platforms with application in the energy markets because energy in general’s becoming a lot more distributed and decentralized and blockchain is a fantastic application for industries that are going in that direction. We’ve seen a number of companies over the last 6 to 12 months that come to us and claim to have some type of blockchain application real estate whether that’s for raising money, whether that’s because it can cut out some of the soft-cost involved in transactions, whether it’s because of blockchain application will make shrink the timeline for these transactions. There’s a number of reasons why blockchain could be a good application in the real estate industry. Curious what your thoughts are as to what those applications are? Are you seeings things that right now are more substance and hype? Do you think at this point just more hype and people throwing around the word? What’s your take on all that? Ryan: I think there’s a lot of hype, I mean, blockchain is really just a lot of copies of a gigantic cell spreadsheet. So, I think that there’s some interesting possibilities for blockchain. Clearly, to the number of hands that have touched a transaction to potentially cut out intermediaries. I think that there are some regulatory things that need to happen as those boundaries get pushed. I think that it’s a move in the right direction but whether it’s blockchain, artificial intelligence, a machine learning, there’s a lot of entrepreneurs that are tackling that technology and trying to integrate it into their business and or their philosophy. When you talk to the technologist about where we are with those technologies and what they’re capable of doing, there’s somewhat of a sentiment that, yeah, the baseline is there but today they don’t function as they’re being promised or advertised as. So, I think that is commercial real estate technology is playing catch up to a lot of technology innovations from, maybe the past 15-20 years and that started to really grow inside of commercial real estate maybe in the past 5-6 years. I think that this group of entrepreneurs is in the right place and on pace or the slightly behind fintech or other spaces where they’re trying to develop the technology to truly make an impact. Keith: Yeah, we’ve spoken with a few companies recently who feel that blockchain and cryptocurrency solution will enable owners and CRE owners to have opportunities for liquidity and to bring in partners or investors in a way that they can’t with the current financial and legal infrastructure in real estate. So, that’s what, from what I understand from these companies, they think they can be deploying those solutions relatively quickly. It’s a proof in a pudding. Ryan: Yeah, I mean. Title company, all kinds of things, potentially make an impact or just we’re not there today. I think, we’ve got smart entrepreneurs that are working on solutions and are really trying to develop that technology to make it viable. And, where we are today versus where we’ll be in 5 years, is one of the reasons I have a podcast or I’m on this show, talking to you about it because I’m very interested in watching those developments and understanding how people are leveraging the technology and using that technology to change the way we work, live, play.. Keith: Yeah, so let’s talk about play. Another great segue, is Ryan, you’re a great host. So, when you’re the guest, you can do my work for me. That’s perfect. I wanna talk about apps and platforms and features that companies now are offering to enhance the tenant experience. It seems like a very millennial thing. So, in my company, we’re always kind of our executive team is always discussing. Alright, so, how do we make millennials happy, keep them productive, make sure that we’re able to retain them? And, I started my business 15 years ago, I wasn’t really having that conversation. It was more around, let’s just create professional development opportunities, make sure paying them fairly, and treating them with respect. But now, they want things that are gonna enhance their social experience, logistical experience. Work is now just not about work but it’s responsibility of companies and now it seems like maybe a building owner’s as well to provide a home-like experience or social experience, cultural experiences within the 4 walls of the workplace. Companies like Comfy, I've seen HQO, Office App, Equium. Again, they’re going out there and trying to convince owners and landowners that their responsibilities transcend just a physically-built environment. What’s been your experience in speaking either with your clients or with founders about the receptivity towards this? Who’re gonna be the early adapters? Is this just kind of like a fad right now but, we’re gonna eventually go back into haywork is work? What do you think on that? Ryan: I think that broader society is just moving towards more experiences whether that’s the bloomers who are moving out of houses then looking for less kind of ownership responsibilities to give them opportunities to travel, to go and do, to hop on an RV and go across America. Keith: I’ve got a 19-year old so we’re having these discussions which give me a little me more grey hair than I had prior. Ryan: (Laughs) And you know the 19-year olds in the same boat. How do I create more experiences, driven by a very different and very visual world with Instagram, Facebook, Social. It’s a ‘hey, what experiences are you having?’ And I think cause it’s less driven by the material. When I think about the specific applications that are going after a different experience in a work environment. I again think it comes back down to the channel. I think that the broad offering, well I guess, the appeal to many users will be more applicable if it serves out more as an amenity that people are able to choose from a la carte or a part of a package. Kinda like a TV dinner. Say ‘Hey, wanna be able to have access to all of these different applications to be able to create this experience in our work environment.’ I think that somebody’s applications are very niche. And so, if they’re not paying attention to the channel or how they’re partnering with other applications to create that experience could potentially be an uphill battle. But, yeah, I mean I think that experience-driven is what is driving re-work or notel or the other kind of space as a service. I think that when IBM is taking re-work space, it’s a very clear communication to the market that experience is valued and IBM’s one of all those technology companies out there so, it’s not just the startups, the millennials that are focused on creating that experience for their employees. Keith: Yeah, that’s a really good point. So, a lot of our listeners are themselves founders and entrepreneurs. I thought maybe, we’d just end, Ryan, with just your observations of the common denominators between the companies and founders that succeed, those that don’t. That really can be anything from leadership skills to how to manage money, to operations, to figuring out audience, marketing. Whatever the case, but I got a thought that your advice would be compelling to the people listening. Ryan: Yeah, I think that those with a good product and user experience. I think about some fintech apps, like Robinhood. When Robinhood comes to mind, it’s like very easy to use, it’s very visually appealing. So, I think that applications that are focused on great user-experience. I think that have some sort of data or value that they’re able to charge customers from Day 1 increase sustainable profitability. And I think that just have really low overhead, low volume kinda revenue targets to keep them accountable to grow. I think that they’re gonna have, those that start with that business model will have early adapters that are potentially more forgiving of the product, that are able to receive feedback, to really shape the product, to listen to customers’ demands and pay attention to their roadmap in a unique way that keeps them from over-building or steering the roadmap in a direction that is actually not a demand or want on their customer base. Which is, back to my earlier talk, was those that are due to a really good job of aggregating and creating actionable data, will be able to build off that data in a meaningful way, and create a roadmap that is really impactful for their users. Keith: That makes sense and I think for every founder and businessman and entrepreneur, what Churchill always said to his people, ‘Keep buggering on KBO.’ Just gotta stick with it, right? And, there’s gonna be lots of ups and downs and challenges. But, if you believe in your vision and you believe in your product and believe in your ability to execute, then you gotta keep going. Certainly, until the bank account says zero. So, with that Ryan, I think we’ll end there. Was there anything else that you wanted to add or tell our listeners? Ryan: I guess the one thing I would add is I am co-hosting a commercial real estate tech event in Austin on October 25th. We’ve got a great panel of tech founders that includes Michael Mandel with ComStak, Arie with WiredScore, Ryan Turner with Refinery, and Doug Shenkman with Tenax. As well as a panel of venture capitalists from Fifth Wall, Navitas, and Metaprop. So, it would be a great event downtown Austin with food and drinks and some great founders and venture capitalists to give you much of the same conversation about the state of the world of CRE Tech and the state of the market, and what’s coming up. Keith: And I will be there. So, if that’s, if you wanna scream that from the rooftops as well, enables you to add one more person to the event, feel free. Maybe, if you tell enough people, my mom will come as well, if I’m gonna be there. But, Ryan: We’d love to have your mom. Keith: It’s an exciting event, I will be there. I’m gonna be travelling from New York to Austin for it. And, goodluck with that. I guess, I’ll see you there, Ryan. So, thank you for being our guest today. And just again, for our listeners, Raising Your Antenna is a podcast dedicated to bringing on venture capitalists and founders who are transforming B2B technology spaces including today’s CRE (Commercial Real Estate) technology. Antenna Group which is the primary sponsor of Raising Your Antenna, is a digital marketing and public relations firm which services companies from startups all the way to Fortune 100 companies that are in the B2B technology space. So Ryan, thanks again and look forward to seeing you in Austin. Ryan: We all look forward to it. Thanks, Keith! Keith: And another episode of Raising Your Antenna is in the books. I hope you enjoyed today’s episode and look forward to connecting again next week. Raising Your Antenna is a weekly podcast hosted by yours truly, Keith Zakheim, that features the movers and shakers, and key influencers of the B2B technology industry. Our guests are leading revolutions and disruptions in the mobility, clean energy, healthcare, and real estate technology industries. Raising Your Antenna’s brought to you by Antenna Group, a full-service digital marketing and public relations agency that focuses on the B2B technology industry. Please be in touch with me on Twitter (@czakheim) with any feedback about this podcast. And check out Antenna Group at www.antennagroup.com if your organization is looking for really smart and good-looking marketing and public relations partner.
ABOUT: ⠀ We're excited to have Rob Wood on the podcast this week schooling us on how your music can elevate your food & theatrical experience. We discuss sound systems, poor music choices, how he approaches curating a brand playlist, and why it might be best to start thinking about your brand sound up to 18 months before you even open! LINKS: An article about using music to support destination dining experiences: The Sound of Success https://www.musicconcierge.co.uk/2018/01/background-music-for-restaurants/ A short film about the effect of music: Can Music Change The Taste of Your Coffee? https://www.musicconcierge.co.uk/clients/video/ ROB WOOD Rob is the Creative Director and Founder of Music Concierge. Rob was named by Arena magazine as a leading 'consultant of cool'. He has over 27 years in the music industry covering music journalism, DJing, and music consultancy. Formerly the editor of cutting-edge music bible Jockey Slut magazine which was founded in Manchester in 1993. It went on to give early front covers for countless credible artists such as Daft Punk, The Chemical Brothers, Fatboy Slim, DJ Shadow, The Streets, The Beta Band, and Dizzie Rascal. Rob joined an early digital music start up as Head Of Content before being asked by the band Groove Armada to be the Music Programme Director for their hugely successful Lovebox music festival in London for four years. Rob has DJed everywhere from radio stations to invite-only beach parties in Ibiza, to leading clubs across the globe such as Fabric, London and Tenax, Florence, to festivals such as Sonar, Miami Music Conference, The Big Chill, V, Lovebox, The Isle Of Wight Festival, and Homelands. He's the author of ‘Teach Yourself How To DJ' published by Headline Hodder, and has written about music in UK press such as Financial Times and Mixmag, and in US press such as cutting-edge music magazine XL8R. In 2007 Rob founded Music Concierge - a ground-breaking and award-winning music consultancy service. It designs, supplies and manages high-quality bespoke playlists for boutique hotels, luxury brands, leading F&B concepts, and high-end retailers, giving each its own unique audio identity or ‘musical DNA'. Music Concierge supervises music internationally for the likes of COMO Hotels, Per AQUUM, The Connaught, Swire Hotels. Rosewood, Park Hyatt, Mr & Mrs Smith, Heston Blumenthal, Dishoom, Sushisamba, The Arts Club, Mulberry, Harvey Nichols, Orlebar Brown, Cathay Pacific. Rob has been nominated for numerous business awards including winning BT's Essence of the Entrepreneur competition. He is a Fellow of The RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce). An expert on music and its role with brand positioning, atmosphere and customer experience. He gets regularly asked to write and talk about how brands can use music effectively. ⠀ FOLLOW US: ⠀ ⠀ Rob / Music Concierge https://twitter.com/MusicConcierge_ ⠀ www.linkedin.com/company/music-concierge ⠀ http://www.musicconcierge.co.uk ⠀ ⠀ Mark / WE ARE Spectacular⠀ https://twitter.com/spectacularmark ⠀ https://twitter.com/spectacularchat ⠀ https://www.instagram.com/spectacularmark/ ⠀ https://www.linkedin.com/in/markmcculloch/ Do you want to be on the next Spectacular Marketing Podcast? Email gabby@wearespectacular.com
dove si parla molto della discoteca Tenax di Firenze e della canzone conseguente.
dove si parla molto della discoteca Tenax di Firenze e della canzone conseguente. (terza parte)
dove si parla molto della discoteca Tenax di Firenze e della canzone conseguente. (terza parte)
Hit the [↻ Repost] button if you like it! #93 of our podcast row by @luca-guerrieri! ➡ https://www.facebook.com/djlucaguerrieri ➡ https://twitter.com/LucaGuerrieri ➡ https://www.youtube.com/lucaguerrieridj ➡ http://www.lucaguerrieri.com/ December 2014. After the Pete Tong World Exclusive First Play, Danny Howard presents ‘Harmony’ by Italian producer and DJ Luca Guerrieri as the latest Future Anthem of 2014 on his BBC Radio 1 Show. Emotional strings and beautiful piano arpeggios, dramatic, haunting bassline, and pressure beats packed with powerful peaks and drops are the elements that led the track to earn fans as diverse as Zane Lowe, Groove Armada, The Avener, Gorgon City, Rudimental, Avicii, Axwell and Steve Angello to name but a few. With rumors on the Internet fast becoming stellar, ‘Harmony’ was shortly after crowned the latest #No1 of the year and “the biggest tune of 2015!” in the DMC Buzz Chart, and the BBC Radio 1 Dance Chart #No1 for 2 weeks in a row. Yet another hit for the mighty Italian house label D:VISION that now welcome Luca to their impressive artist roster. Speaking of Luca Guerrieri as a newcomer would be an understatement though as he has been producing club hits such as ‘Strump’ with Federico Scavo and remixing classics for artist including Bob Sinclar, Crystal Waters, Jutty Ranx and Ruffneck since 2000. In the same year, Luca became resident DJ for Tartana in Tuscany, one of the most popular clubs in Italy, and he is also the resident DJ for another landmark club, Setai in Bergamo, with regular appearances at some of the best clubs in the country including Tenax in Florence and Setai in Bergamo. With the forthcoming release of the much anticipated ‘Harmony’ through major labels worldwide, and a string of new releases including remixes for Dirty Vegas, Relentless Records and Polydor Records lined up for 2015, the future is looking brighter than ever for Luca Guerrieri. Tracklist: 1. Mancodex - Downtown (Natura Viva) 2. Luca Guerrieri - Tears (Claps Records) 3. Moonwalk - Astralis (Suara) 4. Luca Guerrieri feat Rachel K Collier - Lighter_Instrumental (D:vision Records) 5. Ricky Gaddi - Here There Now (Claps Records) 6. Viola Martinsson - Made Of_Luca Guerrieri Remix (D:vision Records) 7. Ovidi Adlert - Freedom (Underground Audio) 8. 2 Sides Of Soul - Shine (Claps Records) 9. Luca Guerrieri - Lions (Natura Viva) 10. Rene Amesz & Ferreck Dawn - Rosie (Spinnin’ Records) 11. Max Jones feat. Raye - You Don’t Know Me (Polydor) 12. Just Kiddin - Won’t Let You Down (Spinnin’ Records) 13. Luca Guerrieri - Harmony (D:vision Records)
Roo is joined in studio by Kilk, Tenax, and Quynn as they read your emails about how you discovered the furry fandom! They discuss their own entries into the fandom (and how they varied across the years), what draws people to the fandom, and more. We also play the game, have fresh space news, Get […]
Mauro Picotto - Alchemy Podcast Episode 22 - Live from Tenax
For More Information Visit: http://www.djalpharomeo.com For Booking: book@djalpharomeo.com Skype: djalpharomeo Twitter: @DJAlphaRomeo For Corporate / Press: alpharomeo@me.com © 2014 DJ Alpha Romeo. All Right Reserved.
For More Information Visit: http://www.djalpharomeo.com For Booking: book@djalpharomeo.com Skype: djalpharomeo Twitter: @DJAlphaRomeo For Corporate / Press: alpharomeo@me.com © 2014 DJ Alpha Romeo. All Right Reserved.
Andrea Setti, artistically known as Gege, was born in 1985 and since he was child he cultivated the passion for the music at 360 degrees, especially thanks to his mother, who handed down her music culture, being a collector and lover of rare and unknown records. Since he was young, attracted by the world of night, started playing in some local clubs of his area. Vincenzo Auriemma and Mattia Zenoni, alias Virtual Boys, class 1984 and 1981, started at the same time organizing parties and afterwards to play music themselves, collecting from the beginning a good following, and imposing themselves in the best clubs of their area. In 2010 the turning point, the trio joined their forces, and in a few months Gege & Virtual Boys makes itself known by playing in the best clubs of the north and centre of Italy ( Docshow, Tenax, Moxa, Vox, Echoes,… just to name a few), in epic private parties and in their own after party called Snooze. In 2011 they gained residence in the historical event in Bologna, called Docshow, in 2012 at Moxa Club and in 2014 at the new party Anima in Carpi. Their 6 hands Dj sets is a trip into different music genres and styles, never granted and always unpredictable. Links SOUNDCLOUD & MIXCLOUD @gege-and-virtualboys @gegedj www.mixcloud.com/djgege/ RESIDENT ADVISOR & BEATPORT dj.beatport.com/gegeandvirtualboys www.residentadvisor.net/dj/gegevirtualboys dj.beatport.com/gege www.residentadvisor.net/dj/gege FACEBOOK FAN PAGE Gege & Virtual Boys-> www.facebook.com/pages/Gege-Virtu…95975931?fref=ts Gege-> www.facebook.com/pages/DJ-GEGE/20…27374676?fref=ts Virtual Boys-> www.facebook.com/pages/VIRTUAL-BO…02469327?fref=ts TRACKLIST 01 - KASSEN MOSSE & SIMONE WHITE - FLOWERS IN MAY (ORIGINAL MIX) 02 - GEIL - AMBIGUE (ORIGINAL MIX) 03 - CORRADO BUCCI - NO ONE CAN STOP ME (MARTIN PATINO RMX) 04 - CITIZEN - BE (HERCULES & LOVE AFFAIR RMX) 05 - MANUEL TUR - WILL BE MINE (IAN POOLEY RMX) 06 - RAMPA feat. AQUARIUS HEAVEN - GOOD TIMES (ORIGINAL MIX) 07 - ZK BUCKET - ISLE OF YOU (ORIGINAL MIX) 08 - ROMAN FLUGEL - SLICED AFRICA (ORIGINAL MIX) 09 - MARK HENNING - SWINGERS (ORIGINAL MIX) 10 - HOWLING - SIGNS (RODHAD RMX) 11 - EAGLES & BUTTERFLIES - TALES FROM NEVERLAND (ORIGINAL MIX) 12 - MAGIT CACOON - LOVE EXPRESS (RE.YOU RMX) 13 - AREA - YOU KNOW JUNO (ORIGINAL MIX) 14 - VERMONT - ABERSPRUNG (MANO LE TOUGH RMX) 15 - PRINCE - CONTROVERSY (MIGHTY MOUSE RE-EDIT)
A double Future Classic from KOMPAKT’s new signing DAMH, plus more music from Gomma, ALiVE, Tenax, and Compost Black Label. The post Turned On 042_: Lone, DAMH, Bonar Bradberry, Lane 8, The Emperor Machine appeared first on Turned On.
Track List: 01. Supernova Ft. Natalie Conway - Come with me(Original Mix) - Defected(Promo) 02. Audiowhores - Gonna be mine(Original Mix) - Lapsus Music(Promo) 03. Audiowhores - Facts(Noir's Raw Club Cut) - Lapsus Music 04. Audiojunkies - P3rf3ct l0v3(Original Mix) - Lapsus Music 05. Test Pressing(White) 06. Leftwing & Kody - Higher(Original Mix) Lapsus Music(Promo) 07. Pleasurekraft, Jaceo, Vedic - The most dangerous game(Weiss Rmx) - Kraftek 08. Full Intention Ft. Penny - Everlasting(Original Mix) - OFF(Promo) 09. CJ Bolland - Carmargue(Original Mix) - R&S Records 10. Michel De Hey, M.I.R.K.O. - Some change please(Pitto Rmx) - Hey! Records 11. Oliver $, Jimi Jules - Pushing on(Dub) - Defected(Promo) 12. Sona Vabos - Slippin(Original Mix) - Snatch 13. Matteo Matos - Afro circus(Mix 1) - Nite Grooves 14. Romanthony - Floorpiece(Claptone Rmx) - Glasgow Underground Biography: Supernova are Emiliano Nencioni and Giacomo Godi; an Italian DJ and production duo that have over the last decade made the transition from rising stars to established international talent, perhaps best known for their acclaimed and much-discussed collaboration with Kevin Saunderson on 2010’s ‘Beat Me Back’. They achieved their first notable success in 2007 when Sony BMG released their debut album ‘Downtown Underground, which included collaborations from the likes of GrandMaster and Melle Mel). Known for their distinctive DJ style their current set-up comprises live instruments, decks and Ableton to create an ever-evolving musical experience. Supernova have played at some of the most established venues and festivals on the planet, including ElRow (Barcelona), Monegros Desert Festival, Ministry Of Sound (London), Cavo Paradiso (Mykonos), Privilege (Ibiza), Kazantip Festival (Ukraine), Tenax and Magazzini Generali (Italy), Space (Miami) and many many more. House giant Defected Records has released a number of the duo’s productions including remixes of seminal records ‘Can You Feel It’ and ‘Strings of Life’ as well as the more recent Cassandra and The Light Goes On EPs. Other notable releases outside of the Defected stable include acclaimed remixes for Kerri Chandler on Bar A Thym and Hallelujah for King Street Sounds as well as their top-charted remix on Jakatta’s American Dream and highly respected Electronic Love EP on their own Lapsus Music. Their first major project of 2013 also comes from the Defected stable as they mix one third of the long-running and acclaimed Miami compilation series, along with fellow Italians Flashmob and Pirupa. This will be preceded by another EP on the label entitled The World is Crazy, a two-track EP which flirts with darker, deeper sounds while retaining their trademark dancefloor grooves and hooks. Looking ahead, 2013 marks the 10th anniversary of Supernova and perhaps the busiest year yet for the duo, which will include their third (as yet unsigned) studio album, as well as a ‘Best of Supernova’ compilation to be released on their own Lapsus Music
The fourth in Egg’s podcast series comes from a duo we’ve loved for a very long time. Having rocked the Terrace here with Sebastian Leger back in November, the duo have been busy putting together something very special for us to listen to. Sticking to the simple formula of matching the accessible with the credible, Doomwork offer up an emotive, immersive mix of subtle atmospheric sounds and rolling rhythms. Releasing their debut in 2012, the guys have largely concentrated on pulling together an impressive live set, but with a hotly awaiting follow up in the running, and releases on Tenax already having appeared online earlier this year – we wanted to see what direction the duo might be going to. Check out their formidable mix below for a flavour of what to expect. 1) Where, how and on what was the mix recorded? This set is a live recording, the first hour of our last gig in Berlin. We played a lot of tunes which have been released on vinyl only and some Doomwork's upcoming releases as well. 2) You rocked the Terrace for us on the 16th November with Sebastien Leger and Vanilla Ace, did you enjoy your return to Egg? Thank you! To be able to play back at Egg was very exciting for us! We love the venue and the feelings that the crowd give us. We played in the early hours of morning time and it was great cause we could play a trippy set. 3) Whats your thoughts on the infamous Flipside Soundsystem thats recently been installed on the Terrace? Yeah it's definitely awesome, Michele and Gabriele from Egg took us for dinner before the gig and told us of the new Soundsystem in the Terrace. We couldn't wait to play on it for our set! We was impressed, it was loud and clear at same time. The DJ booth was perfect too, the sub under the console brings it to the next level. 4) Looking back on 2013, what was your favourite tune of the year? Oh hard question, there are a lot of tunes that we played in 2013 but we choose "Crash Course In Science - Flying Turns (Villalobos Mac Hawking Remix)". Wherever we played it we've always shaked the dancefloor. 5) Anything else coming up that you'd like to shout about? We're working on something new, in particular a Doomwork vinyl limited series..It's gonna be a great project!
Track List: 1) MINILOGUE – WINDOWS 2) TJ – UNTITLED 3) KMA PRODUCTIONS – CAPE FEAR 4) MARCO FARAONE – EARLY MORNING 5) STOJCHE – TANG 03 6) HUGE - UNRELEASED 7) HENRIQUE - ISIDE 8) DARIO ZENKER – PORT DE LA DIMANCHE 9) FLOORPLAN – NEVER GREW OLD 10) CARLO LIO – A DUSTY HEART (MARCO FARAONE FLOORKILLER REMIX) 11) DJ OCTOBER – PLANET OF MINDS 12) TRUNCATE – SWITCH 13) PUSHMASTER – GROUNDZERO 14) METRICA Biography: A guy born and lived for clubs, who have dedicated their whole life to music and club culture. During the years, He has been able to closely observe the giants of the electronic music world, exchanging ideas and learning their secrets, in order to increase their knowledge and further develop their technique. Christiano and Saure, are the two members of this new and He played for the best clubs in Italy and abroad, just think of the DJ sets in Ibiza (Circoloco @Dc10 and Privilege), in Germany (Watergate, Berlin – Finca, Stuttgart etc.), in Switzerland (Nordstern, Basel), in England (The End, London), in Croatia (Jungle, Split) etc., and also in Italy (Cocorico', Riccione – Tenax, Florence – KamaKama, Viareggio – Bizzarro, Rome – Magazzini Generali, Milan – Kindergarten, Bologna – Elita Festival, Milan – Elettrowave Festival, Muv Festival and many more). And all performances has given him the opportunity to share the stage alongside various djs with the likes of Richie Hawtin, Luciano, Loco Dice, Ricardo Villalobos, Marco Carola, Mathias Kaden, Matthias Tanzmann, Raresh etc. . Furthermore, they have been recently chosen, among hundreds european djs, by David Guetta in person, the most influential and important DJ / Pop star in the world, as the special guest to open his concert in Italy in July 2013, in front of 10000 people! His DJ set is an emotional vortex of great class and quality, a continuous up and down of House & Tech-House, contaminated by techno atmospheres, basslines and overwhelming grooves. In terms of music production Christiano is very active with his aka HUGE, a new exciting duo of the European House / Techno panorama with his friend DJ Saure: they are already out with Irrational Repetition Ep on Waldliebe Familien (DE), which is receiving wide consent from various djs as Loco Dice, Richie Hawtin, Paco Osuna, Steve Lawler, Danny Tenaglia, Tim Green, Gel Abril, Flashmob, Mark Knight and many more! They are coming out soon on Natural Rhythm (DE) with Magnetic EP, and Som Underground (US label of Brothers Vibe) with Flexible Ep, which also includes the track "Flexible" over-played by Luciano, Martinez, Marco Faraone and many more. And in September finally HUGE will release also on the best italian label, Etruria Beat (Luca Agnelli & Marco Faraone's Label) with a "bomb track" called "Road Sign".
Longtime friends Joris Voorn and Matthias Tanzmann will be hosting a joint ADE show this year in one of Amsterdam's most amazing venues ROEST. The two areas of this raw and industrial warehouse space will be the perfect setting for two of the industry's biggest stars to play together with friends and label mates from rejected and Moon Harbour, such as Luna City Express, Dan Drastic, Kabale Und Liebe, Italoboyz, Sable Sheep, Scuba, Breach, Edwin Oosterwal and Alex Neri. The show takes place on Thursday, October 17th, and is supported by the infamous Italian club Tenax. Moon Harbour Room: Matthias Tanzmann (Moon Harbour, DE) Luna City Express (Moon Harbour, DE) Italoboyz (Moon Harbour, UK) Kabale Und Liebe (Soweso, NL) Sable Sheep (Moon Harbour, DE) Dan Drastic (Moon Harbour, DE) Joris Voorn presents Room: Joris Voorn (Rejected, NL) Scuba (Hotflush, NL) Breach (Naked Naked, NL) Edwin Oosterwal(Rejected, NL) Alex Neri (Tenax, IT) tickets: http://bit.ly/11Ooe25 facebook: http://on.fb.me/16kjIpX RA: http://bit.ly/1duMoT3 ◢ VENUE ◣ by day - http://bit.ly/1dovS8g by night - http://bit.ly/171trpa
Longtime friends Joris Voorn and Matthias Tanzmann will be hosting a joint ADE show this year in one of Amsterdam's most amazing venues ROEST. The two areas of this raw and industrial warehouse space will be the perfect setting for two of the industry's biggest stars to play together with friends and label mates from rejected and Moon Harbour, such as Luna City Express, Dan Drastic, Kabale Und Liebe, Italoboyz, Sable Sheep, Scuba, Breach, Edwin Oosterwal and Alex Neri. The show takes place on Thursday, October 17th, and is supported by the infamous Italian club Tenax. Moon Harbour Room: Matthias Tanzmann (Moon Harbour, DE) Luna City Express (Moon Harbour, DE) Italoboyz (Moon Harbour, UK) Kabale Und Liebe (Soweso, NL) Sable Sheep (Moon Harbour, DE) Dan Drastic (Moon Harbour, DE) Joris Voorn presents Room: Joris Voorn (Rejected, NL) Scuba (Hotflush, NL) Breach (Naked Naked, NL) Edwin Oosterwal(Rejected, NL) Alex Neri (Tenax, IT) tickets: http://bit.ly/11Ooe25 facebook: http://on.fb.me/16kjIpX RA: http://bit.ly/1duMoT3 ◢ VENUE ◣ by day - http://bit.ly/1dovS8g by night - http://bit.ly/171trpa
Longtime friends Joris Voorn and Matthias Tanzmann will be hosting a joint ADE show this year in one of Amsterdam's most amazing venues ROEST. The two areas of this raw and industrial warehouse space will be the perfect setting for two of the industry's biggest stars to play together with friends and label mates from rejected and Moon Harbour, such as Luna City Express, Dan Drastic, Kabale Und Liebe, Italoboyz, Sable Sheep, Scuba, Breach, Edwin Oosterwal and Alex Neri. The show takes place on Thursday, October 17th, and is supported by the infamous Italian club Tenax. Moon Harbour Room: Matthias Tanzmann (Moon Harbour, DE) Luna City Express (Moon Harbour, DE) Italoboyz (Moon Harbour, UK) Kabale Und Liebe (Soweso, NL) Sable Sheep (Moon Harbour, DE) Dan Drastic (Moon Harbour, DE) Joris Voorn presents Room: Joris Voorn (Rejected, NL) Scuba (Hotflush, NL) Breach (Naked Naked, NL) Edwin Oosterwal(Rejected, NL) Alex Neri (Tenax, IT) tickets: http://bit.ly/11Ooe25 facebook: http://on.fb.me/16kjIpX RA: http://bit.ly/1duMoT3 ◢ VENUE ◣ by day - http://bit.ly/1dovS8g by night - http://bit.ly/171trpa
Longtime friends Joris Voorn and Matthias Tanzmann will be hosting a joint ADE show this year in one of Amsterdam's most amazing venues ROEST. The two areas of this raw and industrial warehouse space will be the perfect setting for two of the industry's biggest stars to play together with friends and label mates from rejected and Moon Harbour, such as Luna City Express, Dan Drastic, Kabale Und Liebe, Italoboyz, Sable Sheep, Scuba, Breach, Edwin Oosterwal and Alex Neri. The show takes place on Thursday, October 17th, and is supported by the infamous Italian club Tenax. Moon Harbour Room: Matthias Tanzmann (Moon Harbour, DE) Luna City Express (Moon Harbour, DE) Italoboyz (Moon Harbour, UK) Kabale Und Liebe (Soweso, NL) Sable Sheep (Moon Harbour, DE) Dan Drastic (Moon Harbour, DE) Joris Voorn presents Room: Joris Voorn (Rejected, NL) Scuba (Hotflush, NL) Breach (Naked Naked, NL) Edwin Oosterwal(Rejected, NL) Alex Neri (Tenax, IT) tickets: http://bit.ly/11Ooe25 facebook: http://on.fb.me/16kjIpX RA: http://bit.ly/1duMoT3 ◢ VENUE ◣ by day - http://bit.ly/1dovS8g by night - http://bit.ly/171trpa
Track List: 1. Moodyman - Shades Of Jae [KDJ] 2. Hot Toddy - Mutha Sucka (Ron Basejam remix) [Smoke 'n Mirrors] 3. Global Communication - Maiden Voyage (Ripperton Edit) [Philomena] 4. Bicep - Stash [AUS Music] 5. Baby Prince & Navid Izadi - Last Song Of The Dance feat. PillowTalk [Soul Clap Records] 6. Soul Clap - Break 4 Life [Crosstown Rebels] 7. Lump - U Talkin' But U Ain't Walkin' [Amplified] 8. Oleg Poliakov - Hold Up [Composite Records] 9. Photek - Mine To Give feat. Robert Owens [Virgin UK] 10. Tale Of Us - Discochord [M-nus] 11. No Milk - Voice Of… [Rhapsody Records] 12. Svida - Hold It [Klap Klap] 13. Chaim - We Are feat. Meital Derazone [Supplement Facts] Biography: Simone Sinatti nasce ad Arezzo il 18 maggio del 1991. Intorno ai 13 anni inizia ad appassionarsi alla musica house e da li l'evoluzione musicale è stata molto veloce, giungendo rapidamente alla odierna House, Deep House e Disco Re-Edit. Dopo varie esibizioni in feste private riesce nella stagione invernale 2008/2009 ad entrare con residenza mensile nello staff Klang Club. Da qui la sua crescita non si è più fermata entrando nelle successive stagioni, sia estive che invernali, a far parte in pianta stabile dello staff di LeMirage, Dolceverde e Grace Club. Nel giugno 2010 crea insieme ai propri amici il gruppo Social Kids composto da Marco Pieschi, Monero Berneschi, Gianluca Farsetti, Gianluca Peruzzi, Lorenzo Latorraca e per l'appunto Simone Sinatti, che continuerà a lavorare stabilmente nei locali della provincia. Vanta release all'interno di prestigiose label come Etruria Beat in soggolo, nella sua LessConv fondata nel 2011 insieme all'amico e socio Andrea Arcangeli sotto l'alias di Social Kids, e Noir Music con l'alias Speaking Minds (progetto avviato insieme agli amici Marco Paladin e Filippo Carnio) con future release già programmate su My Favorite Robot Records, Manocalda ed altre ancora, con collaborazioni e featuring del calibro di Voytek (cantante di My Favorite Robot), Rap Lisa e Memoryman aka Uovo. Entra da qui a suonare nei locali più importanti del centro Italia sia in singolo che con il progetto Social Kids come Cocoricò, Tenax, Link, Arterìa e TPO per citarne alcuni, arrivando infine nel marzo 2012 a suonare ad Oslo in Norvegia, come prima data estera, ed inoltre a far parte della line up di alcuni festival come roBOt e Pulse (Bologna), Greentech (Pisa), Etruria Beat (Arezzo), Armonica (Riccione). Regolarmente presente anche sull'omonimo radioshow da cui è nata l'etichetta "Less Conversation" al fianco dei migliori artisti del panorama nazionale e di alcuni dei migliori talenti nella scena house come Matthias Tanzmann, Guillaume & The Coutu Dumonts, Frankie Knuckles, Guy Gerber, Mario Basanov e No Regular Play, non ha intenzione di fermarsi qui, vista la sua carriera in continua crescita con molti progetti in ballo di cui i più importanti Social Kids e Speaking Minds sul fronte produzioni, e LessConv sul fronte gestionale come etichetta. Stay Tuned
Recorded Live From East Ender Park @ Barcelona Luca Bacchetti : Not unhumorously hailing from the small Tuscan town of Lucca, Luca Bacchetti is one of the foremost proponents of the seminal swing sound coming from the peninsula and abroad. Currently residing in Barcelona, the DJ, producer and co-label head makes swift business of spreading his signature twists and musical turns through myriad productions and remixes released on Ovum Recordings, Wagon Repair, Supernature, Be As One, Tenax, Safari Electronique, Sci+Tec and of course, Hideout. Additionally, he's accrued a host of accolades including a nod for Beatport's Best Artist in 2008 that confirms Luca's status as an industry leader. As a DJ, Bacchetti's style is incomparable, showcasing his unique ear for selection and rare ‘voice' to which he adds a sexiness uncommon amongst his peers. Equally versed at moving a dark basement club to fits of revelry as he is to casting a deep shadow across a sunny beach party, the breadth and depth of sources from which Luca culls his sets astounds constantly. It is this duality of emotion that interests the DJ and inspires the work on many releases, specifically his last – The Endless Summer. The contrasting shades of Luca's sound have not been lost on the world's clubbing masses. International tours regularly bring his performances to the five continents and to the best clubs and festivals from Berlin to New York to Sydney, Ibiza and Tokyo.. www.theterracepodcast.com
------------------------------------- Pete Maguire - 30 Minute Mix ------------------------------------- David Amo, Julio Navas - Bama (Original Mix) {Toolroom Rec} Pete Maguire - Poniente (Original Mix) {CDR} Pete Maguire - Jungle Groove (Original Mix) {Playectra Rec} Carlo Lio -Let's Get Back (Original Mix) {SCI + TEC Digital Audio} Ilario Alicante - Vacaciones En Chile (2000 & One,Lauhaus & Kabale) {Tenax} Oliver Giacomotto & John Acquaviva - Mmh Hmm (Original Mix) {Definitive Rec} Pete Maguire - 5 Months Later (Original Mix) {Cutoff Rec} Pete Maguire - 5 Months Later (Original Mix) {Cutoff Rec} Glitter - Un Sueno (Original Mix) {Attary Records} Pete Maguire - Borrow This (Original Mix) {CDR} ------------------------------------- Dualtec - 30 Minute Guest Mix ------------------------------------- Carlo Lio - Giro Tondo (Original Mix) {Cr2 Records} D-Unity - Yoruba (Original Mix) {Toolroom Records} Dualtec - Want To Need {CDR} Dualtec - Fr.E.Q. {CDR} Carlo Lio - Seven Moods {Monique Musique} King Unique - Feniksas (Fergie Mix) {Bedrock Records} Secret Cinema - Glad Chord (Psycatron Mix) {Gem Records} ------------------------------------- Pete Maguire - Pick Of The Month ------------------------------------- Marcus Meinhardt - Drive it Mad Max (Super Flu Remix) {Digital Traffik} http://www.pete-maguire.com http://www.myspace.com/petemaguire2 http://www.facebook.com/petemaguire2 http://www.petemaguire.podOmatic.com
The Italian producer duo Sonotheque has submitted first time to Doxa - after releases on Tenax and Safari.
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