Podcast appearances and mentions of dustin o'halloran

In this Deutsche Grammophon podcast episode, Sarah's guest is Dustin O´Halloran, the Oscar-nominated pianist and composer. His new album “Silfur” was recorded in Iceland and in this podcast, Dustin talks to Sarah about his love for the piano as a truly expressive instrument, how he writes music and how the landscapes of Iceland influenced this album.

Our guests on this latest episode of Soundtracking are successful musicians in their own right who - not for the first time - have teamed up to deliver a stunning movie score. Dustin O'Halloran and Volker Bertelmann first worked together on Garth Edwards's Lion. They've since brought us the music to The Old Guard, The Art Of Racing In The Rain, A Christmas Carol and, most recently, Francis Lee's Ammonite - which is available digitally but will also have a selected cinema release in the UK from 17th May. They are properly lovely fellas, and exceedingly talented to boot. Enjoy!

Sometimes, less is more -- where some composers might look at Francis Lee's sumptuous queer romance Ammonite, with its period detail and bodies crashing against each other like waves against the rocky shores of England, and go for maximalism, Dustin O'Halloran and Volker Bertelmann (who also plays under the moniker Hauschka) are kings of restraint. That's an important quality to have, especially in something as transcendently dreamlike and wordless as Lee's latest film. Throughout Lee's delicate, brittle exploration of class, history, and queerness, the composer duo leans hard on simple, sparse counterpoints, pianos, and strings threatening to burst into the foreground but always holding back. It's a work of remarkable minimalism, existing in conversation with Kate Winslet and Saoirse Ronan's beautifully layered performances. It's not the first time the two have worked together, having met to build the score for 2016's Lion and working on several projects since. Together, they've built a clear sense of collaboration which bears out in Ammonite's intimate, complicated scoring -- which echoes the growing intimacy between Winslet and Ronan as, respectively, 19th-century paleontologist Mary Anning and a young woman she's tasked to care for. In the wake of Ammonite's arrival on VOD and select theaters, both O'Halloran and Hauschka stop by the podcast to talk about the way their collaboration has developed, the way their own sense of minimalism dovetails with Lee's, and the importance of score as a means to build texture and sound design.

Academy Award-nominated composer Hauschka lives two lives; as the solo artist known for his pioneering of the prepared piano and wildly succesful albums, and more recently as Volker Bertelmann (his given name), the film composer behind the scores of Lion, The Old Guard and Summerland. We talk pitting his eccentric artistry against a traditional upbringing in West Germany, his arduous journey to success, and his prolific film scoring partnership with Dustin O’Halloran.

Da Couch Tomato Podcast, Episode 27, discussing Netflix's The Old Guard, the awesome action sequences, and the start of direct-to-streaming franchises. Background music used is from The Old Guard musical score composed by Volker Bertelmann and Dustin O’Halloran. Hosts: Sting Lacson and Rachel

Previous DJ - "Brings up remote feed" Ken's Last Ever Radio Extravaganza - "Live stream feedback loop" Claude Debussy - "Clair De Lune" Ken's Last Ever Radio Extravaganza - "Live stream feedback loop" Ken's Last Ever Radio Extravaganza - "Live radio feedback loop" Ken - "All the loops need to work" Keith Holzman - "Small clock ticking" Daft Punk - "Outlands, part II" - TRON Legacy Soundtrack Ken - "Warming up loops" Sound effect - "Ringer" George Freeman - "Fully Fashioned" Alan Braden - "Starlight Revue (a.k.a. Curtain Raiser)" Ken - "Identification: In the next moment, it sounds a different way" Claude Debussy / Nintendo - "Untitled Goose Game" Gilbert Vinter - "Mists of Illusion" Camille Saint-Saens - "Aquarium" Ronald Hanmer - "Bits and Pieces" Four Tet - "Parks" Clint Mansell - "Together We Will Live Forever" - The Fountain soundtrack Chi-Lites - "Have You Seen Her? loops" Clem Leek - "Mystery Moor clock loop" Clem Leek - "Mystery Moor" Ifny - "Howdy is the Portal to the Future" Cowboy Junkies - "Sweet Jane loop" Dustin O'Halloran - "Opus 20" Ken - "You Have to Speak Truth" [Spontaneous monologue, over Dustin O'Halloran layers & Clem Leek clock loop. What happens if I stop being silent? Maybe they see me speaking and it gives them an idea. Other people are now realizing it's OK to speak, and we're a little crowd now, a whole lot of people, who are happy to finally start speaking some truth. And the crowd is growing, the crowd is growing... ] Full transcript of spontaneous monologue "You Have to Speak Truth" Some people speak as they think, and that's their method of thinking, is to speak. Some people never speak. Some people don't believe they have a voice. Some people have a history of having been asked to be silent. Some people are afraid of what happens when they speak, because once, maybe something happened when they spoke. Maybe it was something really bad. Maybe it just scared them a lot. Maybe they were very young when it happened. Maybe they saw something happen to somebody else. Maybe they saw an image on a screen, of something happening to somebody. And they believed that it was happening to them, because that's how our brains respond to images we see. And so forever they've been a little more silent. A little more silent, maybe a lot more silent, than they otherwise would've been. Maybe they've spent the rest of their lives being silent. Although, sometimes people start...sometimes people, they stick out a little bit. They want to see what happens. What happens if I stop being silent? I mean, I know that I'm not supposed to speak, and I know that everybody disagrees with me, and I know that even though some people agree with me, they're not going to stand up with me when I speak, because they're afraid, too. And they'd probably just like to let me go down. They're glad it's not happening to them. Maybe they're a little bit happy that I spoke and said something that was true, but they're a little bit...they're not... Maybe they, maybe they walk over next to me when I'm speaking. Maybe they see me speaking and it gives them an idea. Maybe they could, well, not quite speak, but maybe they could just stand next to me, and, well, they could... Yeah, they're just nodding their head, the person came up next to me, and they're not saying anything, but they're nodding their head. They look like they're agreeing. They're expressing some kind of support. It makes me a little less afraid to speak now. And there's someone, I can see someone off in the distance, and they, they, they're kind of, almost, it looks like they're laughing at me, and I feel scared again, I feel like maybe I shouldn't be speaking. Someone over there is taking notes. Someone over there is filming me, pointing a camera, and I don't know what's going to happen next. It makes me a little nervous that I'm speaking, that I'm saying the truth, and I, I remember, I've watched a lot of people start speaking the truth, and then find a way to start qualifying it, and checking, making sort of disclaimers, and retreating a bit. And I know I could do that, maybe I would be safe then, because I see a lot of people out there in the crowd who, well, maybe they'll leave me alone if I just do that. But, two more people have walked over next to me already, and they're shaking their heads, and, I look back at the crowd, and there's still that person who looks sort of mean and unhappy. But, I look more carefully, I start to be very methodical, and I look face by face, one by one, instead of looking where my emotion brings my eyes, and I look one by one at all the faces. And, most people aren't laughing. Most people, most people are looking, and they're...they don't have a threatening posture at all, and some of them are shaking their heads too. And, there's even someone who's smiling, someone who's nodding vigorously. And I decide to keep speaking. I decide to speak more truth. Although, I see there's a person sort of inching closer to me, and they, I can't tell what they have in their hands, but it looks like it might be something dangerous. But it, that makes me more... I start to get excited, and, although I'm scared, I realize it just, it wakes me up, and it makes things seem a little more pressing. It's a little more urgent that I say the things that are true, I say the things that I know. I realize that a lot of people also think these things, even if I don't usually hear speaking them, but, as I think about it, sometimes I do hear people speak the true things. Of course, that's why I'm so nervous about saying them, because I've seen those people get punished for speaking those things, and... but, it's going to be OK, it doesn't matter what's going to happen next, because the truth has to be said, we have to speak out what's real. Of course we do. And other people are starting to speak now. Other people are now realizing it's OK to speak, and we're sort of like a little... we're a little crowd now, a whole lot of people, who are happy to finally start speaking some truth. And the crowd is growing, the crowd is growing, because the truths that are being spoken, they're about almost everyone. The only people who stand to suffer from these truths coming out are... well, there are just a few of them. People who are taking advantage of a certain amount of power that they have, by keeping people afraid, by keeping people afraid to speak basic, obvious truths all the time. Keeping people afraid to trust their own feelings. Afraid they'll be lumped in with some or another ostracized group. They accidentally say something that overlaps with something that one of those groups says. And, wracking their brains, realizing that there's nothing really true that you could say that hasn't already been coopted by some ostracized group. That doesn't seem it make it any less true, what you're saying, and so you go on and you say it, you just, you just, you have to speak truth, because, what are you here for? And, to encourage others to know that they can accept and speak truth. And you say it, you say it passionately, but you say it with a gentleness that recognizes that what is your truth might not be everyone else's truth. You say it from your heart, as you intend for your truth to be beneficial to most people. You're able to feel, still, still carefully a judgment when you noticed that somebody is very obviously not speaking truth. You can be compassionate, and realize all the reasons why they aren't speaking truth. You can realize that somewhere along the chain, they, too, are afraid. Even if they're way up at the top, and they're exploiting the most power, even if they're very self-aware of this whole process - why wouldn't they be? There are entire books on the subject, seminars, teaching, entire courseworks, films... It's no secret how power operates. It's not a secret. It's one of those things that's sometimes just like a truth that you might be afraid to speak about, but everybody knows. And, still, you can find compassion for the people who are taking advantage of their positions of power, while also still continuing to feel judgment that that abuse of power, for whatever reason it's going on, even as you can find your heart about it, and you can imagine the heart that those people are trying to come from... You can still know that it is not the best thing for most people, and you can still stop that thing from happening. You can still stop that thing from happening. You don't have to become a bad person to stop bad things from happening - not at all. It's possible that doing nothing, and saying nothing, and just taking care of yourself, and staying really quiet, it's possible that this might be the problem, in the system of problems. The problem that you have to face right now. Not the only problem. It is a problem when somebody does something that's very harmful to many people. It's also a problem when most people who have the power to do something to stop that from happening aren't doing something. Aren't even recognizing that they are most people, and, most people - that's a lot of people. That's a lot of power. So, remember that power that you have, because you are not alone, if you try to act in the best interests of most people. You are in very massive company. And it may be scary, but you will be supported, and you will be helping the world be better for most people. Not just you, not just your friends, not just the people you aspire to be, but most people. And sometimes you have to think really hard to imagine most people, because that's a lot of people. You don't usually see most people. Sometimes you see simulated views of most people that are probably not representative of most people. Maybe go around the world and look carefully, with your eyes, not with your screens, and try to learn, what is it that most people would benefit from. And then, speak your truth. And you speak it as loud as you need to speak it, and you don't let people stop you from speaking. Not if they're doing it with force. Not if they're doing it with coersion. Not if they're doing it from a place that's so obviously not true. While there's still time... Dustin O'Halloran - "Opus 20" Keith Holzman - "Small clock ticking" Sound effect - "Cuckoo clock" Keith Holzman - "Grandmother clock strikes twelve" Boards of Canada - "Wildlife Analysis" Daft Punk - "Outlands, part II" - TRON Legacy Soundtrack Ken - "It isn't planned ahead. It's possible still to express free things" [ "Find your platforms to speak from. Eschew the technology. It's always going to be messy." ] Ken - "Identification" Boards of Canada - "Wildlife Analysis" Trent Reznor & Atticus Ross - "Complication with Optimistic Outcome" - The Social Network Soundtrack Ken - "I would invite your phone call" Trent Reznor & Atticus Ross - "Complication with Optimistic Outcome" - The Social Network Soundtrack Infinite Third - "fr ee f o rm" Peer Gynt - "Morning" - Incidental Music [The Royal Philharmonic Orchestra, Sir Thomas Beech. 1998 remastered] Ifny - "Howdy is the Portal to the Future" Bright Eyes - "Clairaudients" - Kill or Be Killed Frankie Valli and the Four Seasons - "Candy Girl" Tangerine Dream / State Azure - "Love On A Real Train" Pink Floyd - "It's What We Do" - The Endless River Malcolm X - "Police use statistics to make Harlem look crimnal" Malcolm X - "Police brutality speech" Daft Punk - "Outlands, part II" - TRON Legacy Soundtrack Malcolm X - "Encouraging police to take whatever measures necessary to hold negroes in check" Lullatone - "perfectly organized cleaning supplies" - The Sounds of Spring Malcolm X - "The police have infiltrated the black movement" Lullatone - "a little song about hail drops" - Room Loops Ken - "The middle of your hypnosis session, the nature of performance, illusion, a culture that doesn't value truth" Ken - "It's completely honest; you hear the mistakes the entire time" Ken - "Qualified immunity (if this exact show has never happened before, mistakes are not possible?)" [ Qualified Immunity (if this exact police misconduct has never been ruled against in court before, then it will not be ruled against in court in the future) ] Ken's Last Ever Radio Extravaganza - "Live stream feedback loop" Lullatone - "ambient sketch #1" - Room Loops Malcolm X - "My house was bombed" Malcolm X - "By Any Means Necessary" Malcolm X - "I speak as a victim of America's so-called democracy (We have only known hypocrisy)" Cranberries - "Dreams loops" Ken - "It can't just be the few speaking to the many, it can't just be like this anymore. And don't be fooled by the online media illusion." [ Don't look up to the top. Look next to you. ] Ken - "Identification: Might be recontextualized broadcast" Cranberries - "Dreams loops" Cowboy Junkies - "Brothers Under the Bridge loop" Cowboy Junkies - "Ring on the Sill loops" Ifny - "Howdy is the Portal to the Future" Random Rab - "Rain on the World" Ken's Last Ever Radio Extravaganza - "This must be the beginning (show opening)" - Show #717, from June 3, 2020 [Live stream feedback of GTDR song, Ken & newest co-host song loop "This must be the beginning," Philip Glass,"This must be the end"] Lou Reed - "Street Hassle loops" Ken - "You should take your chances. We are strong when we are many. This must be the beginning." [It took its chances. You've made it all the way back to the beginning.] Ken's Last Ever Radio Extravaganza - "This Must Be the Beginning (you have to speak truth)" - Show #719, from June 10, 2020 https://lastever.org/show/200610

Dustin O’Halloran is a composer based in Berlin and Los Angeles.He founded indie rock band Devics with singer Sara Lov, who he met while studying art at Santa Monica College.In 2004, he released his first record as a solo artist, Piano Solos. He has since released three more solo records, the latest of which is Lumiere (2011), which featured contributions by Peter Broderick and Adam Wiltzie (Stars of the Lid), and was mixed by the late Jóhann Jóhannsson.With A Winged Victory for the Sullen, his project with Adam Wiltzie, Dustin O’Halloran has released two albums, A Winged Victory for the Sullen (2011) and Atomos (2014).He has gone on to score a number of films and TV shows, including Sofia Coppola’s Marie Antoinette (2006), Drake Doremus’ Like Crazy (2011) and Jill Soloway’s Transparent (2014–). He was awarded a Primetime Emmy Award for his original Transparent theme.Dustin O’Halloran collaborated with Hauschka (Volker Bertelmann) to score Lion (2017), and they won an AACTA Award for their score and were nominated for an Academy Award, Golden Globe and BAFTA.The two collaborated again to score The Current War (2017), and soon after Dustin O’Halloran collaborated with Bryan Senti to score the TV show Save Me (2018–). His most recent score was for Marc Turtletaub’s Puzzle, which premiered at the Sundance Film Festival in 2018. dustinohalloran.com Join the newsletter and be part of the East Forest Council Community. Listen to East Forest guided meditations on Spotify & Apple. Check out the East Forest x Ram Dass album on (Spotify & Apple) + East Forest's Music For Mushrooms: A Soundtrack For The Psychedelic Practitioner 5hr album (Spotify & Apple). *****Please rate Ten Laws w/East Forest on iTunes.  It helps us get the guests you want to hear.  Stay in the East Forest flow:Mothership:  http://eastforest.org/IG:  https://www.instagram.com/eastforest/FB:  https://www.facebook.com/EastForestMusic/TW:  https://twitter.com/eastforestmusic 

********************************************************************* ...................#.100 (Special Edition)................... By Elder Almeida http://www.filefactory.com/file/252zn7q970jv/100.mp3 “Men are accomplices to that which leaves them indifferent.” George Steiner ********************************************************************* 01 – Felt – “Candles In A Church” (00:21) 02 – Bill Fay – “Salt Of The Earth” (05:35) 03 – Destroyer – “foolssong” (09:06) 04 – David Mourão-Ferreira/Teresa Coutinho (voice) – “E por vezes” (13:22) 05 – Alpha – “Sometimes” (14:33) 06 – Sufjan Stevens – “Visions of Gideon” (21:31) 07 – Francesco Berta – “Alone With You” (25:34) 08 – Hilary Woods – “Limbs” (28:49) 09 – Gem Club – “Red Arrow” (33:30) 10 – PJ Harvey and Harry Escott – “Na Acre Of Land” (36:15) 11 – Oliveray – “Dreamer” (39:41) 12 – Cat Power – “Wild Is The Wind” (44:00) 13 – Susanna and The Magical Orchestra – “Believer” (48:00) 14 – King Krule – “Baby Blue” (51:09) 15 – Billie Marten – “Cartoon People” (54:39) 16 – Adrianne Lenker – “Terminal Paradise” (57:59) 17 – Alice Phoebe Lou – “The Tiger” (01:04:09) 18 – Bersarin Quartett – “Nichts-Zu-Verlieren” (01:04:11) 19 – Rimbaud/José Maria Alves (voice) – “Operários” (01:04:14) 20 – Dustin O'Halloran – “Snow + Light” (01:09:23) 21 – Raz Ohara & The Odd Orchestra – “Where He At (Apparat Remix)” (01:14:39) 22 – Balmorhea – “Remembrance” (01:19:42) 23 – Lambchop – “My Blue Wave” (01:25:23) 24 – Jeff Buckley – “I Know It's Over” (01:33:04) 25 – James Blake – “Vincent” (01:39:12) 26 – Julian Zyklus – “The Peace On The Earth” (01:44:36) 27 – Soap & Skin – “Wonder” (01:49:26) 28 – Jon Hopkins – “Abandon Window” (01:52:34) 29 – Laura Gibson – “I Carry Water” (01:57:17) A photo by Eddie Duquenne Total Time: 02:01:28 ********************************************************************* Please visit my blog and podcast at: http://ondasdamusica.blogspot.com/ http://efmalmeida.podomatic.com/ My videos on YouTube: https://www.youtube.com/channel/UCyeuqR69vKfjn4W85cX3ohQ/videos phase 108.1: http://radioetiopia.phase108.net/ http://www.phase108.net/programs/ondasdamusica *********************************************************************

So honored and electrified to announce ⭐️Ginevra ⭐️is joining the Produced by a Girl Podcast !! Her compositions are out of this world and reminds me of Nils Frahm. P!2: GINEVRA’S NEW SINGLE OUT FEB 5th!! Read her bio and be sure to follow this rising star female producer’s music journey where she’s making waves around the world with her beautiful music! @ginevra.music GINEVRA (1994, Genoa, Italy) is an Italian electronic composer, songwriter and producer. Her research in electronic music is based on the timbre exploration by using different sound manipulation techniques. Her artistic publications include her solo project as songwriter and producer, and her works as score composer (films, short-films and documentaries) and original songwriter in different Tv series (Netflix Original and Amazon Prime video). She's currently working on her new album which includes international collaborations. P!2 is the new single, written and produced by Ginevra, mixed by Maurizio Borgna Maurizio Borgna (Nicholas Jaar, Johann Johannsson, Dustin O'Halloran and recently Grammy nominated for Sebastian Plano's record) and which has been mastered by Heba Kadry (Bjork, Sakamoto, Mica Levi, Slowdive...). Plans for the future: a promotional tour for her album in North and East Europe. Ginevra will be in Reykjavik for two concerts (end of April). P!2 is available on every digital platforms from Feb.5th --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/producedbyagirl/support

PLAYLIST MÚSICAS IMAGINADAS 10 DE FEBRERO DE 2020 - SCOTT COSSU & EUGENE FRIESEN. Sanibel (Reunion, 1986) - SCOTT COSSU & EUGENE FRIESEN. Gwenlaise (Reunion, 1986) - SCOTT COSSU. Wedding Lanterns (Memories of Water and Light, 2020) - SCOTT COSSU. Memories of Water and Light (Memories of Water and Light, 2020) - JAVIER ARNANZ. Risen (Barbacana, La Huella del Lobo, 2018) - JAVIER ARNANZ. Just on the Lair (Barbacana, La Huella del Lobo, 2018) - JAVIER ARNANZ. The Call of Barbacana (Barbacana, La Huella del Lobo, 2018) - IGOR BERIN. Diaphanous Dreams (Ad Libitum, 2019) - IGOR BERIN. Dance of Joy (Ad Libitum, 2019) - IGOR BERIN. Through an Open Door (Ad Libitum, 2019) - DUSTIN O’HALLORAN. Sundoor (Sundoor, 2019) - SONIC YOGI. Montana Skies (Be the Love you Seek, 2020) - SONIC YOGI. Ajna Meditation for Classical Guitar (Be the Love you Seek, 2020) - TIM STORY. The Lure of Silence (VV.AA. Soul of the Machine, 1987)

Dustin O’Halloran is a composer based in Los Angeles. He founded indie rock band Devics with singer Sara Lov, who he met while studying art at Santa Monica College. In 2004, he released his first record as a solo artist, Piano Solos. He has since released three more solo records, the latest of which is Lumiere (2011), which featured contributions by Peter Broderick and Adam Wiltzie (Stars of the Lid), and was mixed by the late Jóhann Jóhannsson. With A Winged Victory for the Sullen, his project with Adam Wiltzie, Dustin O’Halloran has released two albums, A Winged Victory for the Sullen (2011) and Atomos (2014). He has gone on to score a number of films and TV shows, including Sofia Coppola’s Marie Antoinette (2006), Drake Doremus’ Like Crazy (2011) and Jill Soloway’s Transparent (2014–). He was awarded a Primetime Emmy Award for his original Transparent theme. Dustin O’Halloran collaborated with Hauschka (Volker Bertelmann) to score Lion (2017), and they won an AACTA Award for their score and were nominated for an Academy Award, Golden Globe and BAFTA. Dustin has also composed music used in Nike commercials and worked with Katy Perry. Welcome the immensely talented, Dustin O'Halloran.  

HEROES............................... by tony justerini http://www.filefactory.com/file/1zykihgdighb/New%20project.mp3 01. Francesco Berta – The Golden Years, The Golden Years, 2019 02. Elbow – This World Blue, The Take Off and Landing of Everything, 2014 03. Francesco Berta – Étude No. 5, Étude No. 5 (The Passage Of Time), 2020 04. Orchestral Manoeuvres in the Dark - Almost, Electricity, 1979 05. The End of The Ocean – Docks, Calm Seas Don´t Male Sailors, 2009 06. Gary Numan –A Prayer For The Unborn, Pure, 2000 07. Dustin O'Halloran – Opus 23, Piano Solos Vol. 2, 2004 08. Bob Dylan –Blowin' In The Wind, The Freewheelin' Bob Dylan, 1963 09. Iggy Pop – Lust for Life (The Prodigy Remix), Trainspotting, 1977 10. Dakota Suite – Morning Heavy, Signal Hill, 2000 11. Dakota Suite– Signal Hill, Signal Hill, 2000 12. Orchestral Manoeuvres in the Dark – Messages, Orchestral Manoeuvres in the Dark, 2000 13. Gary Numan – Walking With Shadows, Pure, 2000 14. Max Richter – Sarajevo, Memoryhouse, 2002 15. Man'olo – Heroes, Single, 2017 16. Orchestral Manoeuvres in the Dark – Red Frame/White Light, Orchestral Manoeuvres in the Dark, 2000 17. The Gourds – Ziggy Stardust, Gogitchyershinebox, 1998 18. Olafur Arnalds - Lokaou Augunum, Variations of Static, 2008 19. Azure Ray – November, November, 2002 20. Azure Ray - I Will Do These Things, November, 2002 total time: 01:19:41 http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/ www.radioetiopia.com

A Winged Victory for the Sullen is the name of ambient, post rock and modern classical duo Dustin O'Halloran and Adam Wiltzie. In this Ninja Tune Podcast, Adam sits down at Rough Trade East with music journalist and broadcasting legend, Mary Anne Hobbs. They discuss everything from winning Wimbledon, the influence of John Peel to playing the BBC Proms with Nils Frahm. An extra special Q&A also features an inquisitive Marina Abramovic in the audience. A Winged Victory For The Sullen have previously released on Erased Tapes and Kranky. Their new record, The Undivided Five, is out now on Ninja Tune. If you enjoy this episode don’t forget to subscribe to the podcast.

Nos acercamos a las Navidades y en el hemisferio Norte empieza a hacer frío. Niebla, lluvias, viento, en algún sitio hasta nieve, una taza con un té caliente, un sofá, una manta y buena música. ¿Qué más se puede pedir? Pues, modestia aparte, creo que la de este episodio es una de las mejores selecciones musicales en la historia del programa. Esta semana escucharemos temas de George Winston, Trent Reznor & Atticus Ross, Lito Vitale, Gabriella Quevedo (x2), Dustin O'Halloran, Hélène Grimaud interpretando a Debussy, Alexis Ffrench, Karl Jenkins, Vaughan Williams, Ludovico Einaudi, Martin Kohlsted, Max Richter, Michael Nyman, Peter Kater & Tina Guo y Paul Winter Consort.

Stream A Winged Victory for the Sullen - The Undivided Five - The Rhythm Of A Dividing PairConor C. Ellis - Soft Earth - The HeronAna Roxanne - ~​~​~ - It's a Rainy Day on the Cosmic ShoreR Beny - Echo's Verse - Echo's VerseBersarin Quartett - Methoden und Maschinen - Wenn Wir Nur VollenEdouard Cheritel - Suite No1 - Movement 2PA Winged Victory for the Sullen - The Undivided Five - Sullen SonataN & Signals Under Tests - Disrupt / Construct - Construct IIIBersarin Quartett - Methoden und Maschinen - Nichts Zu VerlierenHammock - Silencia - When It Hurts to RememberDustin O'Halloran & Hauschka - Lion (OST) - ThemeStars of the Lid - And Their Refinement Of The Decline (Disc 1) - Even (Out) +"Guardar Link Como" - "Save Link As"Right Mouse Button Click For Save (Last Show November 10th)No desertonão dá como não fazer de vento junto à areiaa lama espalha-se num corpo suspeito de fomeas brasas teimam nos pésenquanto espreitamos a vertigemdos traços roídos nas dunasfixamos-nos num silêncio abissalas visões múltiplascomo certas palavras e vínculosque só germinam em finos horizontes.No desertonão dá como não acreditar em geometria existe uma ideia de simetria imperfeita que nos calacomo se as linhas retas fossem a fala do infinitoo sopro que acompanha e embala o gritoo vento quente da cidadee do mar uma hora transparente reflete a dignidade da memória.No desertonão dá como não esperar que um dia alguém nos devolveráa aridez enlouquecida que sepultaos corpos a póeis quando a terra se acenderá ao sol poente que rendido guia a nossa trajectória.Não dá como não contar o tempo no desertosete da manhã batem no céuum forte surto de um laranja incorrupto.Não dá como não acreditar em glória e em absoluto.Poema | Poem by - Ana Freitas Reis Fotografia | Photo by - Alípio Padilha

This week, we have Part 2 of what will now be a 3-part special (Part 3 will be at some point in the future and not the next episode), celebrating the wonderful work of the Late Night Tales/ Night Time Stories labels. Music from Garden City Movement, Boards Of Canada, Les Prospection, Roger Webb, Nina Simone, The Cinematic Orchestra, Sarah Davachi, William S Fischer, Nils Fraham, Last Days, Hellos, Nick Cave & Warren Ellis, J Saunders, Olafur Arnalds, Colin Stetson & Sarah Neufeld, Dustin O’Halloran, Matthew Bourne, Penguin Café Orchestra, Johann Johannsson, Sasha and Chaouche   In this part (and indeed in the upcoming Part 3), we are focusing on the chilled selection the Late Night Tales which has been such an influence to me and this podcast.   Show your love for the label by buying some of their music and show love for the podcast by giving us a review.   Have a good week, look after each other and as always, keep it on the one. Love Creamy xxx  

Albert Einstein asked that when he died, his body be cremated and his ashes be scattered in a secret location. He didn’t want his grave, or his body, becoming a shrine to his genius. When he passed away in the early morning hours of April, 18, 1955, his family knew his wishes. There was only one problem: the pathologist who did the autopsy had different plans. In the third episode of “G”, Radiolab’s miniseries on intelligence, we go on one of the strangest scavenger hunts for genius the world has ever seen. We follow Einstein’s stolen brain from that Princeton autopsy table, to a cider box in Wichita, Kansas, to labs all across the country. And eventually, beyond the brain itself entirely. All the while wondering, where exactly is the genius of a man who changed the way we view the world?    This episode was reported by Rachael Cusick and Pat Walters, and produced by Bethel Habte, Rachael Cusick, and Pat Walters. Music by Alex Overington and Jad Abumrad.  Special thanks to: Elanor Taylor, Claudia Kalb, Dustin O’Halloran, Tim Huson, The Einstein Papers Project, and all the physics for (us) dummies Youtube videos that accomplished the near-impossible feat of helping us understand relativity. Radiolab’s “G” is supported in part by Science Sandbox, a Simons Foundation initiative dedicated to engaging everyone with the process of science. Support Radiolab today at Radiolab.org/donate. 

Dice la previsión del tiempo que se avecina una nueva ola de frío en toda Europa. Sentado en mi sillón, tapado con una manta, con una infusión al lado, en la mesilla, un libro en las manos y música de fondo, me debato entre la nostalgia y la melancolía. Esta semana escucharemos piezas de Poppy Ackroyd, Ryuichi Sakamoto, Dustin O’Halloran, Omar Sosa & Paolo Fresu, Danny Mulhern, La pieza misteriosa, Eugene Friesen & Paul Halley, Paul Halley, Erutan, Pat Metheny, Oregon, Peter Broderick, Javier Quilis, Ludovico Einaudi, Max Richter y Kai-Anders Ryan

Novellen "Porten" handler om Ingunn Bast, som går rundt og venter på noe. Musikken er ved Dustin O'Halloran.

For today’s instalment, we welcome back Cedric, who has contributed two long Pianorama mixes back in 2013 and 2014, and just as last time, he’s sharing some of his favorite piano pieces with us, on this two-part podcast. There are plenty of amazing tracks on here, many of which, I know, you already love. So sit back, and come on a beautiful stroll with us, along with Otto A. Totland, Dustin O’Halloran, Nils Frahm, and Jóhann Jóhannsson. We’ll be back next week with Part Two. Enjoy! Thank you for listening! For a more detailed description, full track listing and more information about this mix, please visit headphonecommute.com

Avec les musiques de BIENVENUE A SUBURBICON par Alexandre Desplat, SANTA & CIE par Matthieu Gonet, PADDINGTON 2 par Dario Marianelli, ISOLA par Olaf Hund, SEULE LA TERRE par Dustin O'Halloran et Adam Wiltzie, MAKALA de Gaspar Claus

Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Retour sur 1 coup de coeur récent ("Coco" de Michael Giacchino). - Les B.O des films à l'affiche les 6 et 13 décembre, dont "Bienvenue à Suburbicon" de Alexandre Desplat, "Paddington 2" de Dario Marianelli, "Seule la terre" de Dustin O'Halloran et Adam Wiltzie, "Santa & Cie" de Matthieu Gonet, "Isola" de Olaf Hund, "Girls Trip" de David Newman, "Le Crime de l'Orient-Express" de Patrick Doyle, "Mariana" de Grégoire Auger, "La Deuxième étoile" de Erwann Kermorvant, "Drôles de petites bêtes" de Bruno Coulais, "Soleil Battant" de Giani Caserotto. - Invités : Fabianny Deschamps (réalisatrice), Olaf Hund (compositeur) pour ISOLA / Clara et Laura Laperrousaz (réalisatrices), Giani Caserotto (compositeur) pour SOLEIL BATTANT. - Avant-premières : "A quoi pense Mme Manet" de Hervé Le Roux (musique de Manuel Bleton) / "La Forme de l'eau" de Alexandre Desplat - Vintage Vinyle, les raretés B.O de Manuel Bleton(Hommage à Luis Bacalov)

LEAVE.HER.JOHNNY,.LEAVE.HER by tony justerini 01. Maria Callas – La Mamma Morta (Philadelphia OST, 1993)(00.10) 02. Alexei Lubimov - Freye Fantasie fis-Moll, Wq. 67 (Carl Philipp Emanuel Bach -Tangere (2017)(04.20) 03. Godspeed You! Black Emperor – Anthem For no State (Luciferian Towers (2017)(11.30) 04. Antony & Marc Almond – River of Sorow (Live BBC 4, 2006) (16.30) 05. Apparat – Escape (Devil’s Walk, 2011) (20.30) 06. Tenniscoats – One Swan Swim (Tan Tan Therapy, 2007) (26.00) 07. Scott Mathew – Surgery (Shortbus, 2006) (31.30) 08. Auburn Lull - Early Evening Reverie (Alone I Admire, 1999) (34.00) 09. Television – Guiding Light (Marquee Moon, 1977) (37.30) 10. Rickard Javerling – The Three Sisters (Two Times Lulaby. 2006) (43.00) 11. Nickelback - Far Away (All the Right Reasons, 2005 ) (46.40) 12. Dustin O'Halloran – Snow + Light (Lumiere, 2011) (50.30) 13. Nico – Femme Fatale(Live in Tokyo, 2003) (56.00) 14. Robin Trower – Bluebird(In City Dreams, 1977) (59.30) 15. Bono - Dying Sailor to His Shipmates (Rogues Gallery, 2006) (01.04.50) 16. Nick Cave – Fire Down Below (Rogues Gallery, 2006) (01.09.15) 17. Lou Reed – Leave her Johnny (Rogues Gallery, 2006) (01.09.50) 18. Antonymes – My Salvation (Beauty becames the Enemy of the Future, 2009) (01.16.55) total time: 1.20.00 h photo by Arturo Domingez www.radioetiopia.com http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/

...................ATOMOS...................... by tony justerini 01. The Echelon Effect – Goodbye Sierra (00.10) 02. Murcof & Vanessa Wagner – Spiegel on Spiegel (02.40) 03. A Whisper In The Noise-The Times They Are A- Changin (11.05) 04. Olafur Arnalds - Happiness Does Not Wait (16.00) 05. Nils Frahm – Says (19.50) 06. Sigur Ros-All Alright (28.20) 07. A Winged Victory For The Sullen – Atomos VII (34.00) 08. Craig Armstrong - Snowden Moscow Variation (41.15) 09. Beach House – Chariot (44.40) 10. Garth Stevenson – Flying (49.45) 11. Adam Bryanbaum Wiltzie - The Few Of Us (53.35) 12. The Dead Texan - Chronicles of Early Failures pt2 (56.25) 13. Stars of the Lid - Even If You're Never Awake (01.01.10) 14. Dustin O'Halloran – Opus 43 (feat. Adam Wiltzie) (01.09.35) 15. Sinead O'Connor - Song To The Siren (01.15.10) total time : 1.20.00 h photo by Yayoi Sakurai www.radioetiopia.com http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/

Puedes leer aquí el artículo de este programa: https://goo.gl/wjBuzQ En el programa de esta semana hemos hecho una selección de composiciones muy variadas, tanto en épocas como en estilos. Escucharemos temas de Yo-Yo Ma y Bobby McFerrin, Ryuichi Sakamoto y Youssou N'Dour, Nicholas Gunn, Vangelis, Fréderic Chopen, Ólafur Arnalds, Alice Sara Ott, Arto Tunçboyac?yan, Daigo Hanada, David Maxim Micic, Dustin O’Halloran y Wim Mertens. ¿Quieres hacer sugerencias o preguntar algo?: jaume@quedamosenhuesca.com

On this week’s episode of CINEMATIC SOUND RADIO, we’ll be featuring the five scores nominated for the BEST ORIGINAL SCORE Oscar at this year’s Academy Awards. The five scores are JACKIE by Mica Levi, LION by Dustin O’Halloran and Hauschka, MOONLIGHT by Nicholas Britell, PASSENGERS by Thomas Newman and LA LA LAND by Justin Hurwitz. During our second hour we will be playing music from previous Oscar winners including ANTHONY ADVERSE by Erich Wolfgang Korngold, THE LION IN WINTER by John Barry, LORD OF THE RINGS: THE RETURN OF THE KING by Howard Shore and much more. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

While the world wrings its wrists and the bookies sweat the odds, your good doctors dive deep – deep into the bottle – in search of Oscar gold. Who’ll get gypped? Who’ll win undeservedly? And who had no business being nominated? Fasten your headsets – it’s going to be a bumpy night! Cast your vote for this year’s best Oscar prediction show and drink along at home...   Tags:   Arrival; Fences; Hell or High Water (2016); Hacksaw Ridge; Hidden Figures; La La Land; Lion; Manchester by the Sea; Moonlight; Michelle Williams; Naomie Harris; Nicole Kidman; Viola Davis; Octavia Spencer; Taylor Sheridan; Damien Chazelle; The Lobster (?!?); Yorgos Lanthimos; Efthimis Filippou; Kenneth Lonergan; Mike Mills; 20th Century Women; Brie Larson; Room; Barry Jenkins; August Wilson; Fantastic Beasts and Where to Find Them; Deepwater Horizon; Hail, Caesar!; Jackie (2016); Mica Levi; Justin Hurwitz; Dustin O’Halloran; Hauschka; Nicholas Brittel; Thomas Newman; Passengers; Sully; Rogue One: A Star Wars Story; 13 Hours: The Secret Soldiers of Benghazi; Silence (2016); Trolls (2016); Jim: The James Foley Story; Moana; Kubo and the Two Strings; Land of Mine; A Man Called Ove; The Salesman (2016); Tanna; Toni Erdmann; Fire at Sea (2016); I Am Not Your Negro; Life, Animated; O.J.: Made in America; 13th; Allied; Florence Foster Jenkins; Doctor Strange (2016); The Jungle Book (2016); Mahershala Ali; Jeff Bridges; True Grit (2010); Lucas Hedges; Dev Patel; Michael Shannon; Nocturnal Animals; Denis Villanueve; Mel Gibson; Casey Affleck; Andrew Garfield; The Amazing Spider-Man (2012); Lee Daniels; The Butler; Terms of Endearment; Oprah Winfrey; Ryan Gosling; Viggo Mortensen; Captain Fantastic; Denzel Washington; Isabelle Huppert; Ruth Negga; Loving (2016); Natalie Portman; Emma Stone; Meryl Streep & Jackie Chan   Drunk questions or comments? Contact: Adam & Gregor at: show@hollywood.net Tweet us at @ hollywood_rx. Review us on iTunes... Like us on Facebook. Or both. Today!!

Composers Dustin O'Halloran and Hauschka discuss the unique challenges of crafting the emotional score for LION in eight weeks and collaborating from their studios in Los Angeles and Germany. We also explore the approach and inspiration behind four of the tracks from this incredible film. LION tells the story of Saroo Brierley who at the age of five got separated from his family in India, whilst he was waiting at a train station for his brother who never returned. After living on the streets of Calcutta for three weeks he was picked up by an orphanage and later adopted by an Australian couple. Based on the non-fiction book A Long Way Home by Saroo Brierley the film explores the dynamics of our hyper-connected world and how Saroo managed to track down his family using Google Earth. The film stars Dev Patel, Rooney Mara, David Wenham and Nicole Kidman.

On this week’s episode of CINEMATIC SOUND RADIO, we’ll be featuring music from 10 brand new albums. We open the program with music Abel Korzeniowski’s music from erotic thriller NOCTURNAL ANIMALS. Mica Levi scores only her second film with JACKIE. Dustin O’Halloran and Hauschka collaborate on the LION. Panu Aaltio provides an old school adventure score for ROLLI AND THE SECRET OF ALL TIME. Naoki Sato’s scores the Japanese animated feature RUDOLPH THE BLACK CAT. Lin-Manuel Miranda, Mark Mancina and Opetaia Foa’i bring the sounds of the south pacific to the silver screen with MOANA. Our video game selection of the week is Takeshi Furukawa’s THE LAST GUARDIAN. And we feature music from three Fernando Velázquez scores; A MONSTER CALLS, ZIP & ZAP AND THE CAPTAIN’S ISLAND and OZZY. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

This mix was put together by Dave Howell, who heads up FatCat’s pioneering 130701 imprint (which has been a home to Ian Willam Craig, Max Richter, Hauschka, Dustin O’Halloran, Johann Johannsson, set Fire To Flames amongst others). The mix features a number of tracks from 130701's archives well as some indication of the wider wellspring the label draws upon and sits alongside. For full track listing and more information about this mix, please visit headphonecommute.com

Transparent is an Amazon original series, created by Jill Soloway. The story centers on a family where the father, played by Jeffrey Tambor, comes out to his children and the to world at large as transgender. The first season was released in September 2014. It was critically acclaimed and won a lot of awards, including an Emmy for Outstanding Main Title Theme Music. In this episode, composer Dustin O’Halloran breaks down how he made the Transparent theme, using an 80-year old piano and channeling his own family nostalgia. This episode is sponsored by Hover, Lagunitas Brewing Company, and MeUndies.

After a fairly long break due to 'busy', we're back with an episode about 'Customer Care'. We talk about just how 'friendly' is appropriate when dealing with customers, and practically how might we draw a line. Our 'Toolstar' is Slack, the answer to IRC in the twenty-tens. We love it and use it: http://slack.com Mark's read of the week is 'A New Yorker walks into a San Francisco start up...' by Jennifer Daniel: https://medium.com/@jenniferdaniel/a-new-yorker-walks-into-a-san-francisco-start-up-6926651b8254 The tracks added are: – 'Pinnacles' by Four Tet. – 'We Float' by Dustin O'halloran, picked by Mark. Playlist: http://relativepaths.uk/playlist The music we use for various intro bits, stings and outro is 'Vitreous Detachment' by Origamibiro, used with kind permission. - Ben Subscribe and keep in touch iTunes - http://relativepaths.uk/it Stitcher - http://relativepaths.uk/st SoundCloud - http://relativepaths.uk/sc Twitter - http://twitter.com/relativepaths Facebook - http://facebook.com/relativepaths If you like the show, please leave a review or comment wherever you like to listen to us. We'd particularly love an iTunes review :)- http://relativepaths.uk/it

If you enjoy this story, please tell a friend about The Memory Palace.  Thank you kindly.   The music in this one: "An Ending, A Beginning" by Dustin O'Halloran. "I am Piano" by Peter Broderick. Two songs from the soundtrack to "With a Song in my Heart": American Medley, and That Old Feeling. The one at the end is "I'll Never be the Same." My version's on a collection called "Can't get out of this Mood." There are also a couple of other Jane things that I found on You Tube. The plane crash stuff is scored by a piece of Claudia Serne and Leopold Ross' soundtrack for "Broken City," called "Missing Pieces." Then there's a song by The Caretaker called "Stairway to the Stars." I read a lot about Jane for this but nothing was as useful as Ilene Stone's lovely book,"Jane Froman: Missouri's First Lady of Song."    

Au programme : Justice with Michael Sandel (cours de droit d'université, pour tous) Dustin o'Halloran - piano solo vol 2 (album pour tous) L'été de Kikujiro (film japonais, pour tous) Plus d'infos sur l'épisode : Les animateurs sont William Abisror, Jérôme Keinborg et Patrick Beja. Le générique est composé par Daniel Beja. La mise en ligne est assurée par Florent Berthelot. Commentez cet épisode et retrouvez d'autres émissions sur frenchspin.com !  See acast.com/privacy for privacy and opt-out information.

We approach the third and final installment in Cedric‘s Pianorama mix series, and it’s a fantastic conclusion to a four-and-a-half hour sonic trip! Featuring everyone from Nils Frahm to Otto A Totland to Dustin O’Halloran and Jóhann Jóhannsson, it seems that Cedric managed to compile a universe of contemporary musicians, showcasing some of their best works in one single swoop. We hope that you enjoyed this three-part piano exploration, and as always, encourage you to support the featured artists by purchasing their works! For full track listing and more information about this mix, please visit headphonecommute.com

Continuamos programando los artistas que presenta la 1ª edición de ECO. Encuentro de Nuevos Sonidos que se celebrará en el Matadero en Madrid los días 16,17 y 18 de marzo. La semana pasada hicimos nuestra primera incursión en sus propuestas y destacábamos la combinación de nombres consagrados con nuevas estrellas del underground sonoro. Hoy os traemos a Bj Nilsen o Mark Fell como artistas de ese primer grupo y a Conforce, Diamond Catalog o Kreng como proyectos de gran futuro. Cerramos nuestra playlist con Adam Wiltzie de Stars of the Lid y el genial pianista Dustin O'Halloran; juntos forman un gran proyecto llamado A Winged Victory for the Sullen. Playlist: Bj Nilsen - Gradient; Conforce - Stop Hold;Kreng - Wrak; Diamond Catalog - Valveneration; Mark Fell - Multistability 6B; A Winged Victory for the Sullen - A Symphony Pathetique. Escuchar audio