Podcasts about Embarkation

Marcus joins Doug to review a 7-night cruise aboard Marella Voyager, sailing roundtrip from Tenerife to the Canary Islands and Madeira. In this episode, he shares his experience aboard the former Celebrity Mercury, including an upgrade to an Executive Suite, dining at the ship's included and specialty restaurants, entertainment, and what it's like sailing on Marella Cruises for the first time. He also discusses visits to Gran Canaria, Lanzarote, Fuerteventura, Madeira, and La Palma, along with tips for embarking in Tenerife and navigating this port-intensive itinerary. Topics Discussed: Marella Voyager Executive Suite Dining and specialty restaurants The all-inclusive cruise experience Entertainment and onboard atmosphere Canary Islands ports of call Madeira highlights Embarkation and debarkation in Tenerife How Marella compares to Princess and Celebrity Cruise Sponsor Cruise line protection is designed to help if you can't take your cruise. Third-party travel insurance helps protect you during the trip. Including medical care, delays, and unexpected issues. Compare plans and save up to 30% at TripInsurance.com. About Cruise Radio: Cruise Radio has been delivering cruise news, ship reviews, and money-saving tips weekly since 2009. Share your thoughts: doug@cruiseradio.net  

5 Keys To A Smooth Disney Cruise Embarkation Day We're now within 30 days of our next journey on the high-seas. With that vacation being so close, it has us thinking a lot about that first day onboard. So, this week, we thought we'd share some of our favorite ways to make that day go as easily as possible. That's right! We're sharing 5 Keys To A Smooth Disney Cruise Embarkation Day. We'll tell you everything we've learned, including some past mistakes, so you can go into that first day with Captains Minnie & Mickey like a seasoned pro. Disney Stories of the Week Once we complete our 5 Keys To A Smooth Disney Cruise Embarkation Day portion of the show, it's time for our Disney Stories of the Week. There's a great big beautiful tomorrow coming to a classic Walt Disney World attraction. We tell you all about it and discuss our thoughts on the changes. We also share details of several Disney Cruise Line policy changes that might affect your next cruise. Certainly, that's not all. As always, we wrap it all up with tips that might help you on your next Disney vacation.   If you have any comments, questions, or requests to cover a particular topic, please feel free to Contact Us!   We also invite you to join the positive fun in our Hyperion Adventurers Facebook Group as well as our Hyperion Mornings on YouTube for a daily dose of live positive chat!   Thanks for listening! Cheers!

Send us Fan MailPlanning your first Disney Cruise Line vacation? Wondering what embarkation day actually looks like with kids? Trying to decide if your family would rather cruise than do the Disney parks? This episode is for you.After sailing on the Disney Dream for a 3-night cruise out of Fort Lauderdale, I finally understand why people become “cruise families.” My kids were genuinely mad we had to get off the ship and immediately started asking when we could go back. Honestly… I'm a little worried I created monsters because now they think every vacation should involve unlimited ice cream, kids clubs, Broadway-style shows, and room service.In this episode, I'm breaking down our full Disney Dream cruise recap, including embarkation day chaos, kids club registration, rotational dining, what worked for our family of six, and the things I would absolutely do differently next time.We talk about: • What embarkation day really looks like on Disney Cruise Line • Disney Dream embarkation tips and mistakes • Boarding the Disney Dream with kids • Oceaneer Club, Edge, and Vibe registration • How long kids club check-in actually took us • Why I don't think 3-night Disney cruises are long enough • Rotational dining and Disney cruise food • What my family loved most about Disney Cruise Line • Why Disney cruises feel so different from the parks • The stress level difference between Walt Disney World and cruising • Disney Cruise Line tips for first-time cruisers • Disney cruise planning advice for families • Disney cruise packing and travel logistics • Things I wish I knew before sailing on the Disney DreamI also share the emotional side of the trip as a mom and longtime Disney planner because cruising honestly surprised me. There was something about being on the ship that felt slower, easier, and more relaxing than a park vacation in a way I didn't expect.If you're researching: Disney Cruise Line for beginners, Disney Dream reviews, Disney cruise embarkation day, Disney Cruise Line with kids, Disney Cruise Line with teens, Disney cruise food, Disney cruise planning tips, first Disney cruise advice, Disney cruise family vacation ideas, or Disney Dream cruise recaps… this episode will help you know what to expect before you sail.And yes, we absolutely discuss the post-cruise depression of having to leave the ship after only three nights.For more tips on minimizing parental stress at the Disney parks and on Disney Cruise Line, follow @wellhellomagic.Support the showHey Welcome to Well Hello Magic!Well Hell Magic Website Instagram YouTube  Pinterest Amazon Shop LTK ShopReady to Plan your Disney Vacation?Free Planning GuideJoin The Newsletter

A Carnival passenger sues after a spinal injury on a Nassau shore excursion, testing cruise line liability for third-party tours. Norwegian Jewel departs Philadelphia with a hotel check-in workaround as the new cruise terminal isn't ready. And Royal Caribbean unveils Hero of the Seas, its fourth Icon Class ship debuting from Miami in August 2027.

Are you planning your very first Disney Cruise Line vacation? In this episode, we chat with Aramis about her family’s incredible surprise first sailing aboard the stunning Disney Wish! Aramis shares all the magical details of this 3-night Bahamian getaway, from surprising their kids after a Walt Disney World trip to exploring the ship’s unique Family Deluxe Oceanview Staterooms. We dive into reviews of the quick service at Mickey’s Festival of Foods, rotational dining at Arendelle and 1923, and experiencing Disney Castaway Cay for the first time. Whether you want tips on “Pixie Dusting,” navigating the kids’ clubs, or deciding if the unlimited photo package is worth it, this Disney Cruise Line review has everything you need to cruise a little smarter.Topics Discussed in the Main Segment:-The Ultimate Surprise: How Aramis’s husband surprised her for her 40th birthday, and how they pulled off an epic surprise for their kids by driving straight from Walt Disney World to the cruise port.-Embarkation & Staterooms: A seamless boarding process at Port Canaveral and a review of the Princess and the Frog-themed Family Deluxe Oceanview Stateroom with Verandah.-Kids’ Club Lessons: Touring the Oceaneer Club and learning a valuable tip for future cruisers: 10-year-olds can get an age waiver to access the “Edge” tween club!-Dining Reviews: Loving the fresh grilled burgers and tacos at Mickey’s Festival of Foods, eating fried rice for breakfast at Marceline Market, and praising the food and entertainment at Arendelle.-Activities & Entertainment: A magical cast member interaction during The Little Mermaid show, getting a Fire & Ice pedicure at the Untangled Salon, and a warning about how much time the “free” Diamonds International charm bracelet pitch actually takes.Want to be on the show? Fill out this form, and we'll be in contact with you real soon!https://dclpodcast.com/want-to-be-on-the-show/Support our show via Patreon:http://www.patreon.com/dclpodcastUse Christy's Travel Services:https://dclpodcast.com/book-with-christy/Follow the DCL Podcast via:http://www.facebook.com/dclpodcasthttp://www.instagram.com/dcl_podcastFollow Lake at:https://www.instagram.com/mouse.genhttps://www.youtube.com/@MouseGenFollow Christy at:http://www.packyourpixiedust.comhttps://www.instagram.com/packyourpixiedust

Ready to board your first cruise? In this episode of All Things Travel, hosts Ryan and Julie guide you through Cruising 102—everything you need to know from booking to embarkation and beyond. Whether you're sailing with Royal Caribbean, Disney Cruise Line, or another major cruise line, this comprehensive guide will help you navigate the entire pre-cruise and onboard experience with confidence.Pre-Cruise Planning Essentials: Learn the critical timeline for cruise preparation, including when to book pre-cruise hotels, secure shore excursions in destinations like Skagway and Juneau, and confirm dining reservations. Discover why arriving a day early at ports like Port Canaveral is essential and how to manage final payments, travel protection, and online check-in procedures three months before sailing.Embarkation Day Mastery: Get insider tips on what embarkation really means and how to board your ship smoothly. From printing luggage tags to tipping porters, avoiding crowded buffets, and touring the kids club, you'll learn strategies to start your cruise vacation stress-free. Find out when your stateroom will be ready and what to do while waiting for luggage to arrive.Onboard Experience Tips: Maximize your cruise vacation by exploring signature dining options beyond the main dining room, experiencing popular activities during off-peak times, and finding the perfect balance between FOMO (fear of missing out) and JOMO (joy of missing out). Learn about formal nights, dress codes, and when to disembark early at private islands for the best beach chairs and quieter pools.Important Reminders: Verify your passport expiration dates (must be valid six months beyond return), notify your bank about international travel, understand prohibited items lists, and pack cruise-specific essentials like magnetic hooks and lanyards. Don't forget to download your cruise line app for schedules, favorites, and alerts.Whether you're planning an Alaskan cruise, Caribbean getaway, or European voyage, this episode covers Royal Caribbean, Disney Cruise Line, and general cruising advice. Perfect for first-time cruisers and families looking to optimize their cruise vacation experience.Tune in next week for Cruising 103, where Ryan and Julie cover disembarkation procedures and final cruise tips!Support the showLove the podcast? Help us continue to create great travel content by supporting the show. You can do that here: https://www.buzzsprout.com/1197029/supporters/new Ready to plan your vacation? Most families are confused and overwhelmed when planning a vacation. We work with you to plan a trip perfect for your family. Saving you time, money, and stress! Visit our website www.allthingstravelpodcast.com and click on "Plan Your Next Vacation" Join the travel conversations and the fun in our Facebook Page and Instagram Page! Please share the show with your travel buddies!! Click this link and share the show! Never miss an episode and help us take you to the top with us by following and leaving a 5-Star review on your favorite podcasting app!

We praise Christ as King today.   Should we?  This is rather strange for us as Americans, who typically don't like kings.  The pilgrims, in fact, were fleeing England because they were upset with the king's interference in religion.Turns out the rest of the Bible also has some pretty negative things to say about human kings too.So why do we praise Jesus Christ as King?  It turns out that Jesus is not like other kings.  The way in which he revealed to us his kingship on the cross casts judgment on all other kings and teaches all of us something about power. The kings of this world use their power to create their own paradise, come what may for others.  Jesus uses his power to create a paradise for others, come at the cost of his own life.   And the power he uses to create that paradise, as it turns out, is mercy.  And for this mercy, we can give thanks!Art credit, Wikipedia, The Embarkation of the Pilgrims, an 1857 portrait by Robert Walter Weir now housed at Brooklyn Museum

Embarkation day can make or break your cruise experience — but with the right plan, you'll start your vacation stress-free and full of fun. Doug and Michelle share their best tips, tricks, and go-to routines for that all-important first day on board. What To Do (and Avoid) on Cruise Embarkation Day Welcome aboard another episode of Rope Drop On Deck! This week, Doug and Michelle dive into embarkation day strategy — the key to starting your cruise off right. From what to pack in your carry-on, to navigating lunch options, to can't-miss Day 1 activities, we'll walk you through our personal routines and highlight the common mistakes you'll want to avoid. Plus, we've got an Apple Podcast review from Lindsey 740, the word of the day “Steerage” (thanks to Back To The Mouse), and cruise news updates including storms rerouting itineraries, Portland's cheeky welcome sign, and new tropical ferries for Royal Caribbean's Beach Club. Whether you're a first-time cruiser or a seasoned sailor, this episode will help you maximize every moment of your first day at sea. VOTE FOR PLATTSMOUTH

Planning a Disney Cruise? Embarkation day can be one of the most exciting—but also overwhelming—parts of your vacation. In this episode, we share step-by-step Disney Cruise tips to make your first day at sea smooth, stress-free, and full of magic. From travel prep and port check-in to exploring the ship and disembarking at the end of your voyage, you'll learn how to make every moment count.What You'll Learn in This Episode:

On this episode of Marvelous Mouse Talk, we're sharing our favorite things to do on cruise embarkation day. We'll also share some of our favorite tips to help you start your vacation stress-free and full of fun! Whether you're a first-time cruiser or a seasoned sailor, these embarkation day hacks will help you make the most of day one at sea.To get in touch with the Travel Agents featured on this episode please email:Stacy: Stacy.Rollins@MarvelousMouseTravels.comChrissy: Chrissy@MarvelousMouseTravels.comMarcella: Marcella@MarvelousMouseTravels.comReady to book your next vacation? Visit our website to request a quote: www.MarvelousMouseTravels.com

Welcome to Part 1 of our magical journey aboard the Disney Fantasy! In this episode, we're diving into everything that happens from the moment you step on board—starting with embarkation day excitement, checking out our stateroom, exploring luxurious adult-only areas, indulging in the onboard spa, and of course… food!

Join us as we set sail on Embarkation Day on our first Halloween on the High Seas onboard the Disney Fantasy! 

Join me and my lovely wife Dawn as we kick off our Resort Loop group cruise aboard the brand-new Disney Treasure! We recorded this episode right from our stateroom and shared stories from our road trip down, a fun stop at a fabric store, tips from embarkation day, our first impressions of the ship, and an incredible surprise reunion with a familiar Disney Cruise Line face. It's the start of what's shaping up to be a magical voyage with an amazing group of cruisers! Thank you for downloading and listening to ResortLoop.com - The Gateway to the Magic! What to do if the air conditioning goes out?! Please Stand Clear of the Doors! To receive a free, no-obligation quote, visit us at Resort Loop Travel! Exclusive Resort Loop Gear is available at our TeePublic store! Join our Facebook group here! Thank you for downloading Episode 888 of The Resort Loop Podcast!  

Sun, sangria, and a brand-new adults-only cruise line—what more could you ask for?

In this episode, Jeremy is joined by Disney Cruise Line expert Chris from DCL Cruising Dad to kick off a two-part trip report from his recent 7-night Western Caribbean sailing aboard the Disney Treasure. Part 1 dives into the early stages of the journey—from pre-cruise planning and travel tips to embarkation day and the first full sea day aboard Disney's newest ship.Chris shares his experience flying into Orlando, staying at the Hyatt in MCO, and using Disney Cruise Line's ground transfers to Port Canaveral. You'll hear about first impressions of the Treasure, highlights from embarkation day, and early experiences like lunch, pool time, the AquaMouse, and dinner at 1923. Plus, they explore stateroom details, Cast Member magic, Palo brunch, Oceaneer Club, character meet-and-greets, and more.Whether you're new to Disney cruising or a seasoned sailor, this episode is packed with insider tips and expert insights to help you prepare for your next voyage!www.DCLCruisingDAD.comX (Twitter) @DCLcruisingDADInstagram @DCLcruisingDADTikTok @DCLcruisingDADYouTube @DCLcruisingDAD2022Email: DCLcruisingDAD@gmail.comThreads @DCLcruisingDADFacebook @DCLcruisingDadMEI-Travel – Expertise. Ease. Value.No matter where you want to go, our trusted partner MEI-Travel, will handle the planning so you can focus on the memories. They offer free vacation planning services and have nearly 20 years of experience creating memorable vacations. Visit MEI-Travel for a fee-free, no-obligation quote today!Follow Us on Social MediaFacebook GroupFacebook: @MainStMagicTwitter: @MainStMagicTikTok: @MSMPodcastInstagram: @MainStMagicVisit Us Onlinewww.MainStMagic.comwww.MainStreetShirts.comGet Dining Alerts!Find last-minute and hard-to-find Disney dining reservations with MouseDining.com! Get text and email alerts when popular theme park dining reservations open up. Get last-minute seating! Get the next table! Set your alerts now! Get the next reservation!Visit our Partnerswww.MSMFriends.comThanks to TFresh Productions for our theme song

This week, we expand on last week's topic of booking your cruise early and discuss tips for a smooth embarkation day! Do you follow any of these tips or have some of your own? Drop them in the comments below! Ready to book a cruise with Cruise Conversations?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fill out our form or send us a text at (704) 313-8556 for latest pricing!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Have a question or topic suggestions for a future episode? DM us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CruiseConversations⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or send us an email at cruiseconversations@gmail.com.Follow along on social media!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠

The economy is generally seen as being in pretty good shape as Americans choose their next leader, tips to make cruise embarkation day hassle-free and giant TVs are flying off the shelves.

The economy is generally seen as being in pretty good shape as Americans choose their next leader, tips to make cruise embarkation day hassle-free and giant TVs are flying off the shelves.

The economy is generally seen as being in pretty good shape as Americans choose their next leader, tips to make cruise embarkation day hassle-free and giant TVs are flying off the shelves.

The economy is generally seen as being in pretty good shape as Americans choose their next leader, tips to make cruise embarkation day hassle-free and giant TVs are flying off the shelves.

In this fun-packed episode of Carnival Cruising Podcastaways, the Golden Crew dive deep into embarkation day rituals, the first full day at sea, and some serious snooty snoot dilemmas! Should you start the party the minute you step on board, or is the real fun when you wake up on the ship? Join us as we break down our routines, talk burritos, brunch, and the best steakhouse secrets. Plus, hear about the infamous "Dudes Cruise" on Valentine's Day and the hilarious snooty snoot showdown. Don't miss out! Also, don't forget to check out the awesome swag at ccp.cruisingswag.com and leave us a message at speakpipe.com/carnivalcruisingpodcastaways for a chance to be featured on the show!

Ahoy, mateys! The Carnival Cruising Podcastaways crew is back with another laughter-filled episode, complete with pirate impressions and cruise wisdom. This week, the team dives into their personal embarkation day routines, sharing insider tips on packing, transportation to the port, and maximizing your first day onboard. From Trevor's last-minute packing to Gary's hotel parking hacks, there's something for every cruiser to learn. The episode kicks off with exciting cruise news, including Carnival Spirit's upcoming Panama Canal transits and changes to Bimini itineraries. The Golden Crew then takes listeners through their step-by-step embarkation processes, discussing everything from document organization to muster drill experiences. Whether you're a first-time cruiser or a seasoned sailor, this episode offers valuable insights to help you start your vacation off right. Plus, don't miss Trevor's mysterious countdown and the chance to win a special prize! Have a question or comment for the show? Leave a voice message at Speakpipe.com/carnivalCruisingPodcastaways and you might hear it on a future episode!

Today, Mike, Pam, and Rikki are here answering your Listener Questions! Today, we address a couple of Disney Cruise Line questions regarding linking reservations for dining and then making the most of that embarkation day! Next, we talk about getting the most out of the Extra Evening Hours for Deluxe Resort guests! We also give some itinerary advice for a Walt Disney World veteran visiting Disneyland for the first time who is wanting to maximize her chance at seeing the fireworks during her Halloween visit! This and much more on today's show! Please come join the BOGP Clubhouse on our Discord channel at www.beourguestpodcast.com/discord!  Thank you so much for your support of our podcast! Become a Patron of the show at www.Patreon.com/BeOurGuestPodcast.  Also, please follow the show on Twitter @BeOurGuestMike and on Facebook at www.facebook.com/beourguestpodcast.   Thanks to our friends at The Magic For Less Travel for sponsoring today's podcast!

Cian T. McMahon is an associate professor of history at University of Nevada-Las Vegas. His research focuses on the history and identity of the Irish Diaspora. In this interview, he discusses his new book The Coffin Ship: Life and Death at Sea during the Great Irish Famine (NYU Press, 2021), a social history of migration during the Great Irish Famine (1845-55). Drawing primarily on migrants' diaries and letters, The Coffin Ship reconstructs the experience of leaving Ireland by sea during the cataclysm of the Famine of the late 1840s and early 1850s, when approximately 2.2 million people left Ireland. With chapters examining “Preparation”, “Embarkation”, “Life”, “Death”, and “Arrival”, McMahon not only provides an intimate account of migrant experiences but also places this migration into its British imperial and Atlantic contexts, tracing maritime routes from Ireland to Liverpool and from there to Quebec, the United States and Australia. McMahon's book also investigates popular memories of the Famine, not least the assumption that the “coffin ships” that passed back and forth between Ireland and Eastern Canada were sites of mass death. The Coffin Ship is published by NYU Press as part of their new Glucksman Irish Diaspora Series. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cian T. McMahon is an associate professor of history at University of Nevada-Las Vegas. His research focuses on the history and identity of the Irish Diaspora. In this interview, he discusses his new book The Coffin Ship: Life and Death at Sea during the Great Irish Famine (NYU Press, 2021), a social history of migration during the Great Irish Famine (1845-55). Drawing primarily on migrants' diaries and letters, The Coffin Ship reconstructs the experience of leaving Ireland by sea during the cataclysm of the Famine of the late 1840s and early 1850s, when approximately 2.2 million people left Ireland. With chapters examining “Preparation”, “Embarkation”, “Life”, “Death”, and “Arrival”, McMahon not only provides an intimate account of migrant experiences but also places this migration into its British imperial and Atlantic contexts, tracing maritime routes from Ireland to Liverpool and from there to Quebec, the United States and Australia. McMahon's book also investigates popular memories of the Famine, not least the assumption that the “coffin ships” that passed back and forth between Ireland and Eastern Canada were sites of mass death. The Coffin Ship is published by NYU Press as part of their new Glucksman Irish Diaspora Series. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Cian T. McMahon is an associate professor of history at University of Nevada-Las Vegas. His research focuses on the history and identity of the Irish Diaspora. In this interview, he discusses his new book The Coffin Ship: Life and Death at Sea during the Great Irish Famine (NYU Press, 2021), a social history of migration during the Great Irish Famine (1845-55). Drawing primarily on migrants' diaries and letters, The Coffin Ship reconstructs the experience of leaving Ireland by sea during the cataclysm of the Famine of the late 1840s and early 1850s, when approximately 2.2 million people left Ireland. With chapters examining “Preparation”, “Embarkation”, “Life”, “Death”, and “Arrival”, McMahon not only provides an intimate account of migrant experiences but also places this migration into its British imperial and Atlantic contexts, tracing maritime routes from Ireland to Liverpool and from there to Quebec, the United States and Australia. McMahon's book also investigates popular memories of the Famine, not least the assumption that the “coffin ships” that passed back and forth between Ireland and Eastern Canada were sites of mass death. The Coffin Ship is published by NYU Press as part of their new Glucksman Irish Diaspora Series. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Cian T. McMahon is an associate professor of history at University of Nevada-Las Vegas. His research focuses on the history and identity of the Irish Diaspora. In this interview, he discusses his new book The Coffin Ship: Life and Death at Sea during the Great Irish Famine (NYU Press, 2021), a social history of migration during the Great Irish Famine (1845-55). Drawing primarily on migrants' diaries and letters, The Coffin Ship reconstructs the experience of leaving Ireland by sea during the cataclysm of the Famine of the late 1840s and early 1850s, when approximately 2.2 million people left Ireland. With chapters examining “Preparation”, “Embarkation”, “Life”, “Death”, and “Arrival”, McMahon not only provides an intimate account of migrant experiences but also places this migration into its British imperial and Atlantic contexts, tracing maritime routes from Ireland to Liverpool and from there to Quebec, the United States and Australia. McMahon's book also investigates popular memories of the Famine, not least the assumption that the “coffin ships” that passed back and forth between Ireland and Eastern Canada were sites of mass death. The Coffin Ship is published by NYU Press as part of their new Glucksman Irish Diaspora Series. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Cian T. McMahon is an associate professor of history at University of Nevada-Las Vegas. His research focuses on the history and identity of the Irish Diaspora. In this interview, he discusses his new book The Coffin Ship: Life and Death at Sea during the Great Irish Famine (NYU Press, 2021), a social history of migration during the Great Irish Famine (1845-55). Drawing primarily on migrants' diaries and letters, The Coffin Ship reconstructs the experience of leaving Ireland by sea during the cataclysm of the Famine of the late 1840s and early 1850s, when approximately 2.2 million people left Ireland. With chapters examining “Preparation”, “Embarkation”, “Life”, “Death”, and “Arrival”, McMahon not only provides an intimate account of migrant experiences but also places this migration into its British imperial and Atlantic contexts, tracing maritime routes from Ireland to Liverpool and from there to Quebec, the United States and Australia. McMahon's book also investigates popular memories of the Famine, not least the assumption that the “coffin ships” that passed back and forth between Ireland and Eastern Canada were sites of mass death. The Coffin Ship is published by NYU Press as part of their new Glucksman Irish Diaspora Series. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Things don't always go as planned. You forget gear. You drop gear. No problem...hear about other options for descending or ascending a rope when you have limited gear. Also learn how to get your rope back when you're out of pull cord and how to backup rappels safely. --- Support this podcast: https://podcasters.spotify.com/pod/show/wayne-myers5/support

80TH D-DAY: POINTE DU HOC:  8/8:  Dog Company: The Boys of Pointe du Hoc — the Rangers Who Landed at D-Day and Fought Across Europe,by Patrick K. O'Donnell, with John Pruden as narrator.  Blackstone Audio, Inc.  Audible Audiobook – Unabridged https://www.amazon.com/Dog-Company-Patrick-K-O-Donnell-audiobook/dp/B00A2ATV1W/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr= It is said that the right man in the right place at the right time can mean the difference between victory and defeat. This is the dramatic story of 68 soldiers in the US Army's Second Ranger Battalion, Company D — "Dog Company" — who made that difference, time and again. From D-day, when German guns atop Pointe du Hoc threatened the Allied landings and the men of Dog Company scaled the sheer 90-foot cliffs to destroy them; to the slopes of Hill 400, in Germany's Hürtgen Forest, where the Rangers launched a desperate bayonet charge across an open field; to a "quiet" section of the Ardennes, where Dog Company suddenly found itself on the tip of the spear at the Battle of the Bulge; the men of Dog Company made the difference.  1944 EMBARKATION

Daydreaming of a Disney Cruise Line voyage or have one planned? Listen as we help you navigate all the ins and outs of embarkation and disembarkation.    Links: How to do embarkation day on Disney Cruise Line How to do disembarkation on Disney Cruise Line Quicksilver Tours and Transportation Walt Disney World Crowd Calendar 6 Step Disney World Planning Process   Leave me a message (including trip report submissions) Please use the SpeakPipe link below to leave us a message with your first name, location, and trip info. Be sure to include your exact trip dates, who is in your party, where you will stay, and anything unique about the trip. You can do that using your computer or phone at https://www.speakpipe.com/WDWPrepToGo   Subscribe to get new episodes There are a few ways to get new episodes of WDW Prep to Go (if you're used to listening on the website, subscribe so you can take new episodes with you on your phone) Subscribe in iTunes  (and please leave a review!) Subscribe in Google Podcasts   Follow on social media Instagram Facebook Pinterest TikTok YouTube   Ways to support us Become a Patron Get a quote request for a future trip from Small World Vacations Subscribe to the WDW Prep School weekly newsletter Podcast Episode Finder WDW Prep Merch Visit the site Things we recommend     Affiliate Links: Amazon DVC Rentals Quicksilver Tours and Transportation Small World Vacations Designer Park Co - Use code “WDWPrep” to save 10%

This is the Live Call-in Show from this past Sunday night, February 4, 2024!  During this show, Mike and Scott took your calls on a bunch of Disney topics!  We discussed some of Scott's favorite places to get pizza (since he wasn't on Friday's show and he LOVES pizza!) including Pizza Rizzo, Primo Piatto, and California Grill, and then we took calls about an awesome Disneyland Paris trip, making the most of your embarkation day on the Disney Wish, tipping (and giving additional tips) with Disney Cruise Line, celebrating a 10th birthday at Walt Disney World next month, and much more!  We hope you enjoy today's show! Please visit our website at www.beourguestpodcast.com.  Thank you so much for your support of our podcast! Also, please follow the show on Twitter @BeOurGuestMike and on Facebook at www.facebook.com/beourguestpodcast.  Become a patron of the Be Our Guest Podcast over at www.patreon.com/BeOurGuestPodcast.  Thanks to our friends at The Magic For Less Travel for sponsoring today's podcast!

The excitement builds as we officially embark on the MV Ushuaia

Today, we're exploring the top 10 embarkation ports in the WORLD, according to our audience. Some may surprise you! Here's where they are, and why you love them so much! Download our shore day bag checklist and more cruise packing and planning checklists & videos by joining the CruiseTipsTV Academy at https://academy.cruisetipstv.com

Hear about a cruise to Greenland as the Amateur Traveler talks to Rebecca Merrell from manopause.com about this rugged and rapidly changing country. https://amateurtraveler.com/cruise-to-greenland/ Why should someone do a cruise to Greenland? Rebecca succinctly says, “Someone should do a cruise to Greenland if they're looking to go somewhere remote without a lot of people and if they have an interest in the Arctic.” The cruise itinerary is: Day 1: Departure from Iceland Travelers fly from Iceland or Denmark to Greenland. Arriving in Greenland, travelers land at Kingirlasuak, a former U.S. base that now serves as a large airport in Greenland. Embarkation on the “Ocean Albatross,” the cruise ship operated by Albatross Expeditions. Day 2: Sisimiut The cruise reaches its first destination, Sisimiut, the second-largest city in Greenland after Nuuk (the capital). Sisimiut, which means “foxhole,” has a rich history dating back thousands of years, including various indigenous cultures and traditions. Travelers have the opportunity to explore the town, its colorful buildings, and visit local museums showcasing Greenlandic history and culture. Day 3: Qeqertarsuaq, Disko Island The cruise continues to Qeqertarsuaq, a former capital of North Greenland located on Disko Island. Travelers have the chance to explore this picturesque town, famous for its abundance of icebergs in Disco Bay.  Day 4: Uummannaq The cruise heads further north, reaching Uummannaq, north of the Arctic Circle. Uummannaq Island is known for its heart-shaped mountain and offers unique cultural experiences. Activities include hiking to the Santa Claus house. Day 5: Eqip Sermia Glacier The ship sails to the Eqip Sermia Glacier (“The Glacier at the end of the fjord”), a breathtaking location known for its massive ice formations. Travelers witness the natural spectacle of ice calving, where chunks of ice break off and plunge into the sea. The changing hues of blue in the ice, caused by varying oxygen levels, create stunning visual displays. Day 6: Ilulissat The cruise arrives at Ilulissat, the third-largest town in Greenland. Ilulissat is known as ‘the Iceberg Capital of the World'. The town is famous for its UNESCO World Heritage Site, the Ilulissat Icefjord, where enormous icebergs calve from the Sermeq Kujalleq Glacier at an astonishing rate (100 feet per day or 20 million tons of icebergs). Travelers have the option to explore the icefjord by small boat and marvel at the towering ice formations. Day 7: Sarfannguit The cruise reaches Sarfannguit (“the place with the little stream:), a very small settlement with approximately 40 residents. Travelers visit the community center, where they can purchase local crafts, such as beadwork, paintings, and other products. The unique monument, a modern glass igloo, is also worth a visit. Day 8: Return to Kangerlussuaq The cruise returns to Kangerlussuaq, the point of embarkation, where travelers disembark. This marks the end of the expedition. Throughout the cruise, travelers have the opportunity to hear lectures on Arctic topics, hike, museum visits, and interact with local communities. The stunning Arctic landscapes, icebergs, glaciers, and wildlife, including birds and marine mammals, provide a constant backdrop to this unforgettable Greenlandic adventure.

This episode carries content warnings for body horror, mass death/genocide, mind control, and extreme heat.  For months, even before the sun bulged red, the only way to think about events on Palisade was with large numbers. Troop maneuvers. Logistical networks. Centuries of oppression. A continent of power. But now all of that has collapsed. Now it is minutes, not hours. Meters, not miles. Guards, not battalions. A set of hallways. A set of doors. A set of people trying to breach them. And beyond them, a question: Tomorrow, will there be any events on Palisade at all? I step all around the pieces on the floor / Wires and cords, and records, and tapes Dossier People Stargrave Elcessor (she/her): Leader of the Bilateral Interecession's occupation of Palisade, assigned personally by Cynosure Whitestar-Kesh. As a Stargrave, she has been granted the means and “right” to detonate the star at the center of Palisade's star system if she determines that those here are an existential threat to the Principality. Connadine (he/him): Commander of the BIS on Palisade. An expert in psychological operations and folklore. As a composer, his opus is the Adagio, a plan to get everyone on Palisade operating in ways not only predictable, but scripted. As a conductor, his orchestra now turns towards the second movement. Routine Rennari (he/him): Half-Apostolsian, scion of a minor Kesh noble house, and the Blue Channel's heavy.  Mustard Red (she/her): A cyborg who once served as a member of Brink Proxy, with a speciality in surveillance. Joined the Cause during the Devotees expansion onto Palisade. Midnite Matinee (she/her): Leporine scout and member of the Blue Channel. She and her trusty Pack-model light AutoHollow Popcorn used to run a repo company, but now are tentatively committed to the Cause and Millennium Break. Factions STEREOMA: Pact truebeliver Cor'rina Corrine (cor/cors, they/them) and cor rival Misericorde (he/they) have begun building a surgical, anti-Bilat hit squad on Paliade.  The Pact of Free States: One of the two factions vying for leadership of the Principality, a joint operation by Stels Columnar and Apostolos. The New Asterism: What was once a schism between Received and Progressive Asterism has now been healed by the false prophet Gur Sevraq (he/they), or at least someone in his name and face. The New Asterism claims that to be a citizen of the Principality is to have an obligation to "better the world," in the sense that one invests in property or in the way that a settler “rehabilitates” or “improves” the places they claim by violence.  Places Chimera's Lantern: The second moon of Palisade, shaped oddly like a wasp's nest or paper lantern. New arrivals to the world find its occasional glow unnatural and frightening. Thisbe and the Figure found evidence that it could be tied to driving the bulk of ancient Divine Principality forces off of Palisade. Home to the Chimeric Cadent (they/them, it/its), an amalgam of the ancient Excerpt ⸢Signet⸣, the mysterious Waking Cadent, and the Divine Belgard. As one being, they protect the corpses of a number of Divines, including Sagacity, Dissent, Felicity, Barricade, and Bounty—its newest resident. Objects Gambeson: The Gambeson is only about 10 meters tall (less than half an Altar), but it is nevertheless a terrifying scourge of the battlefield. Modeled after an iron maiden, except with it's tortorous doors attached to its back serving as wings. Its head features a metalworked face, twisted into extreme and offputting smile.  Its skeletal frame serves not only as body, but cage: pilots are criminal conscripts forced to pay off their “debt” to Kesh by the Divine Plight, earning their freedom through combat achievements. Paramerion: Cori's new Altar, as designed by her brother Formido. Constantly twitching and rippling underneath the regal embellishments of its filigreed armor. Massive metallic wings stay folded on its back, a smaller pair cover its eyes like a visor and the sickles jut out from its forearms when stowed. A halo shaped like a crown rotates above its skull-like head. The Stellar Combustor: A weapon of immense destruction, capable of destroying countless star systems if deployed without a firebreak. Has been used in some form or another since the time of the earliest Divines. In current form they take the form of a twirling, 3-ringed space station that rotates around a system's sun.  BAC Secateurs: Designed and built on Chimera's Lantern by the Blessed Armory of Consecration, an Altar who holds itself in the form of a tortured saint, with sharp, crystaline “holy expressions” emerging from its body, like wounds in reverse. As it pulls these from its body, its form glows like heated glass, then reverberates back into place.  Divines The Divine, Arbitrage (it/its): The amoral machine turned de facto treasurer keeps the Frontier Syndicate a step ahead in all matters of commerce. Sole minter of “glint,” a newly popular currency on Palisade. The Divine Plight (she/her): Plight is a 40 meter tall, humanoid Divine cast in black metal armor, and wearing the of a judge or inquisitor. She conscripts the guilty into her army as Gambeson pilots, compelling their loyalty with terrible, Divine feelings of guilt. Hemlock, whose interest is fundamentally in punishment and not justice, was born heir to a mid-tier Kesh House, but jumped at the chance to become an Elect. The Divine Consecration: Though humanoid in shape, like most Nideo Divines, its chest is a vacuous cavity that serves a living forge. This open wound burns brightly, and Consecration can reach inside of it to produce a range of objects, or a sort of Divine molten metal which rapidly hardens as it is shaped by the Divine. But this is only half of its fearsome nature. Guided by the hand of its elect, a Sovereign Immunity devoutly committed to his role as armorer, Consecration also operates as Nideo's chief weaponsmith, Altar designer, and forge.  The Divine Souciance: When the burgeoning Divine Principality left Palisade behind, the Divine Souciance carried doubts about the project. So bloody was the Embarkation, so strenuous the objection of those who opposed the Glass Duchy's rule, that Souciance—ever committed to careful consideration and compassionate concern—never found their place in the Empire, however grand the vision Nideo had presented before his death was. But, devoted to steady study, Souciance played their part for generations. It was not until the Divine Clash that they came to their decision: They could not be part of an empire so vast, so terrible, so cruel. And so they sought out a place where they could do what Divines no longer could. They sought out a grave. Mysteries The Iconoclasts: Something beyond the human, desperate to eradicate subjectivity itself. After their messenger, the Usher of Truth, was delivered to The Witch in Glass, they have found themselves serving a new master. Axioms: Once, these beings were made by a so-called "Post-Divine" as embodiments of particular ideals, supposedly detached from mortal perspective or subjectivity. Now, they are the emanation of one woman's ideals, given perfect, violent form. In this way, The Ingrate is the first of its kind. Perennial (she/her):  The Principality's so-called 'adversary,' who lives at the center of the galaxy and whose chaotic whims spread through her "Perennial Wave," an ever-present nanoparticle that has recently bonded with Kalmeria. Hosted by Austin Walker (@austin_walker) Featuring Janine Hawkins (@bleatingheart) Sylvi Bullet (@sylvibullet), Ali Acampora (@ali_west), Art Martinez-Tebbel (@atebbel), Jack de Quidt (@notquitereal), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora  Music by Jack de Quidt (available on bandcamp) Text by Austin Walker Cover Art by by aurahack (aurahack.jp) With thanks to Arthur B., chocoube, DB, deepFlaw, Edwin Adelsberger, Emrys, Greg Cobb, huw, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, K. Morris, Katie Diekhaus, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mike & Ruby, Nich Maragos, Olive Perry, Patrick Murray, Robert Lasica, Shawn Hall, TeganEden, Thomas Whitney, viviridian, and Voi for their support We are playing Armour Astir: Advent with additional playbooks from Strangers in the Night and 106th Astir Squadron. If you enjoy the show, consider supporting the TTRPG.  This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.

This episode carries content warnings for vomiting, mass death/genocide, mind control, manipulation, body horror, forced body modification, and extreme heat.  They arrive in the long rings of the Stellar Combustor to no greeting, and this they are thankful for. The path to their objective is known, but what lies on it (and what they'll find at its end) are not. As they travel the length of the arc, spanning half the circumference of the sun, they wonder: How are their friends, now traveling through lunar shadow, far across the solar system? How are their comrades? Might they find freedom in the dark as we search for it in the searing light? Futures tricked by the past / Spectre, how he laughs Dossier People Stargrave Elcessor (she/her): Leader of the Bilateral Interecession's occupation of Palisade, assigned personally by Cynosure Whitestar-Kesh. As a Stargrave, she has been granted the means and “right” to detonate the star at the center of Palisade's star system if she determines that those here are an existential threat to the Principality. Connadine (he/him): Commander of the BIS on Palisade. An expert in psychological operations and folklore. As a composer, his opus is the Adagio, a plan to get everyone on Palisade operating in ways not only predictable, but scripted. As a conductor, his orchestra now turns towards the second movement. Routine Rennari (he/him): Half-Apostolsian, scion of a minor Kesh noble house, and the Blue Channel's heavy.  Mustard Red (she/her): A cyborg who once served as a member of Brink Proxy, with a speciality in surveillance. Joined the Cause during the Devotees expansion onto Palisade. Midnite Matinee (she/her): Leporine scout and member of the Blue Channel. She and her trusty Pack-model light AutoHollow Popcorn used to run a repo company, but now are tentatively committed to the Cause and Millennium Break. Places Chimera's Lantern: The second moon of Palisade, shaped oddly like a wasp's nest or paper lantern. New arrivals to the world find its occasional glow unnatural and frightening. Thisbe and the Figure found evidence that it could be tied to driving the bulk of ancient Divine Principality forces off of Palisade. Home to the Chimeric Cadent (they/them, it/its), along with the warded corpses of a number of Divines, including Sagacity, Dissent, Felicity, Barricade, and Bounty—its newest resident. Objects Gambeson: The Gambeson is only about 10 meters tall (less than half an Altar), but it is nevertheless a terrifying scourge of the battlefield. Modeled after an iron maiden, except with it's tortorous doors attached to its back serving as wings. Its head features a metalworked face, twisted into extreme and offputting smile.  Its skeletal frame serves not only as body, but cage: pilots are criminal conscripts forced to pay off their “debt” to Kesh by the Divine Plight, earning their freedom through combat achievements. Paramerion: Cori's new Altar, as designed by her brother Formido. Constantly twitching and rippling underneath the regal embellishments of its filigreed armor. Massive metallic wings stay folded on its back, a smaller pair cover its eyes like a visor and the sickles jut out from its forearms when stowed. A halo shaped like a crown rotates above its skull-like head. The Stellar Combustor: A weapon of immense destruction, capable of destroying countless star systems if deployed without a firebreak. Has been used in some form or another since the time of the earliest Divines. In current form they take the form of a twirling, 3-ringed space station that rotates around a system's sun.  BAC Secateurs: Designed and built on Chimera's Lantern by the Blessed Armory of Consecration, an Altar who holds itself in the form of a tortured saint, with sharp, crystaline “holy expressions” emerging from its body, like wounds in reverse. As it pulls these from its body, its form glows like heated glass, then reverberates back into place.  Divines The Divine, Arbitrage (it/its): The amoral machine turned de facto treasurer keeps the Frontier Syndicate a step ahead in all matters of commerce. Sole minter of “glint,” a newly popular currency on Palisade. The Divine Plight (she/her): Plight is a 40 meter tall, humanoid Divine cast in black metal armor, and wearing the of a judge or inquisitor. She conscripts the guilty into her army as Gambeson pilots, compelling their loyalty with terrible, Divine feelings of guilt. Hemlock, whose interest is fundamentally in punishment and not justice, was born heir to a mid-tier Kesh House, but jumped at the chance to become an Elect. The Divine Consecration: Though humanoid in shape, like most Nideo Divines, its chest is a vacuous cavity that serves a living forge. This open wound burns brightly, and Consecration can reach inside of it to produce a range of objects, or a sort of Divine molten metal which rapidly hardens as it is shaped by the Divine. But this is only half of its fearsome nature. Guided by the hand of its elect, a Sovereign Immunity devoutly committed to his role as armorer, Consecration also operates as Nideo's chief weaponsmith, Altar designer, and forge.  The Divine Souciance: When the burgeoning Divine Principality left Palisade behind, the Divine Souciance carried doubts about the project. So bloody was the Embarkation, so strenuous the objection of those who opposed the Glass Duchy's rule, that Souciance—ever committed to careful consideration and compassionate concern—never found their place in the Empire, however grand the vision Nideo had presented before his death was. But, devoted to steady study, Souciance played their part for generations. It was not until the Divine Clash that they came to their decision: They could not be part of an empire so vast, so terrible, so cruel. And so they sought out a place where they could do what Divines no longer could. They sought out a grave. Mysteries The Iconoclasts: Something beyond the human, desperate to eradicate subjectivity itself. After their messenger, the Usher of Truth, was delivered to The Witch in Glass, they have found themselves serving a new master. Perennial (she/her):  The Principality's so-called 'adversary,' who lives at the center of the galaxy and whose chaotic whims spread through her "Perennial Wave," an ever-present nanoparticle that has recently bonded with Kalmeria. Hosted by Austin Walker (@austin_walker) Featuring Janine Hawkins (@bleatingheart) Sylvi Bullet (@sylvibullet), Ali Acampora (@ali_west), Art Martinez-Tebbel (@atebbel), Jack de Quidt (@notquitereal), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (@swandre3000) Produced by Ali Acampora  Music by Jack de Quidt (available on bandcamp) Text by Austin Walker Cover Art by by aurahack (aurahack.jp) With thanks to Arthur B., chocoube, DB, deepFlaw, Edwin Adelsberger, Emrys, Greg Cobb, huw, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, K. Morris, Katie Diekhaus, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mike & Ruby, Nich Maragos, Olive Perry, Patrick Murray, Robert Lasica, Shawn Hall, TeganEden, Thomas Whitney, viviridian, and Voi for their support We are playing Armour Astir: Advent with additional playbooks from Strangers in the Night and 106th Astir Squadron. If you enjoy the show, consider supporting the TTRPG.  This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.  

In s2e29, Platemark hosts Ann Shafer and Tru Ludwig talk about Claude Lorrain, the arbiter of landscape painting in the 17th century. He worked most of his life in Rome and elevated landscape as a subject up the academic hierarchy by including small figural groups and naming the compositions with mythological or biblical subjects. He's known by various names that can be confusing. He was born Claude Gelée in the independent duchy of Lorraine, which is why the French call him le Lorrain. The English, who collected his works assiduously and even now have the highest number of his works (by country), refer to him simple as Claude. He created an amazing cache of ink and wash drawings of each of his painted compositions in a first catalogue raisonné of sorts. He dubbed this book the Liber Veritatis («the book of truth»). Claude told his biographer Filippo Baldinucci that he kept the record as a defense against others passing off his work as theirs. This bound group of drawings was collected and owned by the Dukes of Devonshire from the 1720s until 1957 when it was given to the British Museum (in lieu of estate taxes upon the death of Victor Christian William Cavendish, the 9th Duke of Devonshire). While Claude died in 1682, his renown in England was enough to prompt the print publisher John Boydell to hire artist Richard Earlom to create prints after the drawings nearly one hundred years after Claude's death. Two hundred etchings with mezzotint were created between 1774 and 1777, and were published in two volumes as Liber Veritatis. Or, A Collection of Two Hundred Prints, After the Original Designs of Claude le Lorrain, in the Collection of His Grace the Duke of Devonshire, Executed by Richard Earlom, in the Manner and Taste of the Drawings.... Later, a third volume of an additional 100 prints was published in 1819. Earlom used etching to mimic Claude's ink lines and mezzotint for the wash areas. They were printed in brown ink to mimic iron gall ink. Hugely influential in England, the books were popular with collectors and were used by artists as models for copying. The Liber Veritatis also inspired J.M.W. Turner to produce a similar project of 71 prints after Turner's painted compositions, which he called Liber Studiorum. They may appear old fashioned to contemporary viewers, but rest assured, landscape was just getting its legs under it. Boring imagery? Maybe. But important for our story of the history of prints in the West. Episode image: Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, c. 1644. Pen and brown ink with brown and blue wash, heightened with white on blue paper. 19.8 x 26.2 cm. British Museum, London.   Gian Lorenzo Bernini (Italian, 1598–1680). Bust of Louis XIV, 1665. Marble. Palace of Versailles. Hyacinth Rigaud (French, 1659–1743). Louis VIX, 1700–01. Oil on canvas. 277 x 194 cm. (109 x 76 3/8 in.) The Louvre, Paris. Claude Mellan (French, 1598–1688). Louis XIV as a Child, 1618–1688. Engraving. Sheet (trimmed to platemark): 13 9/16 x 9 1/2 in. (34.5 x 24.2 cm.). Metropolitan Museum of Art, New York. Federico Barocci (Italian, 1528–1612). The Stigmatization of St. Francis, after the painting in the Church of the Capuccines, Urbino, c. 1575. Etching, engraving, and drypoint. Plate: 228 x 145 mm. (9 x 5 ¾ in.). Achenbach Foundation for Graphic Arts, Fine Arts Museum of San Francisco. Federico Barocci (Italian, 1528–1612). The Annunciation, c. 1585. Etching and engraving. Sheet (trimmed within platemark): 17 3/8 × 12 5/16 in. (441 × 312 mm.). Metropolitan Museum of Art, New York. Rembrandt (Dutch, 1606–1669). Christ Crucified between the Two Thieves: The Three Crosses (iv/iv state), c. 1660. Drypoint. Sheet (trimmed to platemark): 15 1/16 x 17 1/2 in. (382 x 444 mm.). Metropolitan Museum of Art, New York. Annibale Carracci (Italian, c. 1557–c. 1642). St. Jerome in the Wilderness, c. 1591. Etching and engraving. Sheet (trimmed to platemark) : 24.8 x 19.2 cm. (9 ¾ x 7 9/16 in.). Metropolitan Museum of Art, New York. Guido Reni (Italian, 1575–1642). The Holy Family, c. 1595–1600. Etching and engraving. Sheet (trimmed to platemark): 20 x 14 cm. (7 7/8 x 5 12 in.). Metropolitan Museum of Art, New York. Jusepe de Ribera (Spanish, 1591–1652). The Penitence of St. Peter. 1621. Etching and engraving. Sheet (trimmed to platemark): 31.8 x 24.2 cm. (12 ½ x 9 ½ in.). Metropolitan Museum of Art, New York. Salvator Rosa (Italian, 1615–1673). Jason and the Dragon, 1663–64. Etching and drypoint. Plate: 13 5/16 × 8 9/16 in. (33.8 × 21.8 cm.); sheet: 14 5/16 × 9 15/16 in. (36.4 × 25.3 cm.). Metropolitan Museum of Art, New York. Gian Lorenzo Bernini (Italian, 1598–1680). The Ecstasy of Saint Teresa, 1647-52.  White marble set in an elevated aedicule in the Cornaro Chapel, Santa Maria della Vittoria, Rome. Caravaggio (Italian, 1571–1610). Conversion of Saint Paul on the Way to Damascus, 1600–01. Oil on canvas. 230 × 175 cm. (91 × 69 in.). Santa Maria del Popolo, Rome. Andrea Pozzo (Italian, 1642–1709). Assumption of St. Francis, c. 1685. Sant'Ignazio, Rome. Pietro Testa (Italian, 1612–1650). The Martyrdom of St. Erasmus, c. 1630. Etching. Sheet: (trimmed to platemark): 27.9 x 18.9 cm. (11 7 7/16 in.). Metropolitan Museum of Art, New York. Jacques Callot (French, 1592–1635). Plate eleven: The Hanging from the series The Large Miseries and Misfortunes of War, 1633. Etching. Sheet: 4 1/8 x 8 1/4 in. (10.5 x 21 cm.); plate: 3 1/4 x 7 5/16 in. (8.2 x 18.6 cm.). Metropolitan Museum of Art, New York. Peter Paul Rubens (Flemish, 1577–1640). The Consequences of War, 1637–38. Oil on canvas mounted to panel. 206 x 342 cm. (81 x 134 ½ in.). Palazzo Pitti, Florence. Diego Velasquez (Spanish, 1599–1660). Surrender at Breda, 1634–35. Oil on canvas. 307 x 367 cm. (121 x 144 in.) Museo del Prado, Madrid. Callot's Hanging Tree spreads word of the facts of the attack on Nancy, whereas paintings can only be in one place (Rubens' Consequences of War and Velasquez's Surrender at Breda). Jean Marot (French, 1619–1679), after Gian Lorenzo Bernini (Italian, 1598–1680). The Louvre in Paris, elevation of the principal facade facing Saint-Germain l'Auxerrois. Plate 8 from Jacques-François Blondel's Architecture françoise, volume 4, book 6. Nicolas Poussin (French, 1594–1665). Et in Arcadia ego, 1637–38. Oil on canvas. 85 × 121 cm. (34 1/4 × 47 1/4 in.). Louvre, Paris. Nicolas Poussin (French, 1594–1665). Landscape with St. John Patmos, 1640. Oil on canvas. 100.3 × 136.4 cm (39 1/2 × 53 5/8 in.). Art Institute of Chicago, Chicago. Nicolas Poussin (French, 1594–1665). The Abduction of the Sabine Women, c. 1633–34. Oil on canvas. 60 7/8 x 82 5/8 in. (154.6 x 209.9 cm.). Metropolitan Museum of Art, New York. Rembrandt van Rijn (Dutch, 1606–1669). Landscape with the Good Samaritan, 1638. Oil on oak panel. 46.2 × 65.5 cm. (18 × 25 3/4 in.). Czartorynski Museum, Kraków. Jacob van Ruisdael (Dutch, 1628/1629–1682). View of Haarlem with Bleaching Fields, c. 1670–75. Oil on canvas. 62.2 x 55.2 cm. (24 ½ x 21 ¾ in.). Kunsthaus Zurich, Zurich. Thomas Cole (American, born England, 1801–1848). Catskill Mountains Landscape, c. 1826. Oil on panel. 15 15/16 x 21 7/8 in. Sheldon Museum, University of Nebraska-Lincoln. Tru's diagrams of Poussin's Et in Arcadia Ego. Claude Lorrain (French, c. 1600–1682). Self-Portrait. Oil on canvas. Musée des Beaux-Arts de Tours. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682). Frontispiece for the Liber Studiorum, 1777. Plate: 7 x 5 in. New York Public Library. Claude Lorrain (French, c. 1600–1682). Seaport with the Embarkation of the Queen of Sheba, 1648. Oil on canvas. 149.1 × 196.7 cm. (58 3/4 × 77 1/2 in.). National Gallery, London. One of many Claude Lorrain paintings with its corresponding diagram. Several diagrams showing compositional plans according to the Golden Ratio. Claude Lorrain (French, c. 1600–1682). Rustic Dance, 1637. Oil on canvas. Galleria degli Uffizi, Florence. Claude Lorrain (French, c. 1600–1682). The Village Boerendans Dance, c. 1637. Etching. 29.7 x 24.1 cm. (11 ¾ x 9 ½ in.). Alamy Stock Photo. Claude Lorrain (French, c. 1600–1682). Harbor Scene with Rising, 1634. Etching. Sheet: 5 9/16 x 8 1/4 in. (14.1 x 21 cm.); plate: 5 1/8 x 7 13/16 in. (13 x 19.8 cm.). Metropolitan Museum of Art, New York. Claude Lorrain (French, c. 1600–1682). Harbor Scene with Rising Sun, c. 1649. Oil on canvas. 97 x 119 cm. (38 x 46 ¾ in.). Hermitage Museum, St. Petersburg. Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, c. 1644. Pen and brown ink with brown and blue wash, heightened with white on blue paper. 19.8 x 26.2 cm. British Museum, London. Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, 1650s. Oil on canvas. 119 x 150 cm (46 ¾ x 59 in.). Louvre, Paris. Claude Lorrain (French, c. 1600–1682). Landscape wirth Aeneas at Delos, c. 1672. Pen and brown ink and brown wash, with gray-brown wash. 19.3 x 25.6 cm. British Museum, London. Claude Lorrain (French, c. 1600–1682). Landscape with Aeneas at Delos, 1672. Oil on canvas. 99.6 x 134.3 cm. National Gallery, London. Claude Lorrain (French, c. 1600–1682). Index of owners of Claude's paintings in the Liber Veritatis. British Museum, London. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682). Holy Family, from the Liber Veritatis, 1776. Etching and aquatint. Sheet : 23 x 29.4 cm.; plate: 20.8 x 26.3 cm. Pushkin State Museum of Fine Arts, Moscow. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. John Boydell (British, 1719–1804), publisher. Dedication from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. James Mallord William Turner (British, 1775–1851). Fifth Plague of Egypt, from the Liber Studiorum, part III, plate 16), 1808. Etching only (before first state). Plate: 7 x 10 in. (17.8 x 25.4 cm.); sheet: 8 1/8 x 25 in. (20.6 x 63.5 cm.). Metropolitan Museum of Art, New York. James Mallord William Turner (British, 1775–1851) and Charles Turner (British, 1774–1857). Fifth Plague of Egypt, from the Liber Studiorum, part III, plate 16), 1808. Etching and mezzotint (first state of three). Plate: 7 1/16 x 10 1/4 in. (17.9 x 26 cm.); sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm.). Metropolitan Museum of Art, New York. Claude Glass. Science Museum, London. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 154 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 1 and 2 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 3 and 4 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York.  Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 13 and 14 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Claude Mellan (French, 1598–1688). Moses Before the Burning Bush, 1663. Engraving. Sheet (trimmed to platemark): 9 7/16 x 13 3/16 in. (24 x 33.5 cm.). Metropolitan Museum of Art, New York. Golden mean diagram, https://blog.artsper.com/en/a-closer-look/golden-ratio-in-art/.  

This week, headlines and I talk about Embarkation Day. What to expect, how to prepare and some valuable tips. I mentioned in this episode sleeves for your cruise luggage tags. Click the link below to see options available from Amazon. Amazon Store Link for Luggage Tag Holders For any of your travel needs, please reach out to my email below or visit my website and complete the travel inquiry form. Michael Miller Freedom to Roam Travel mike@freedomtoroamtravel.com www.freedomtoroamtravel.com

On this episode of Big Blend Radio's Vacation Station "Hey Wanna Go" Travel Show, travel advisor Cheryl Ogle shares the various reasons why River Cruising is an ideal option for adult travelers who want a more intimate and luxurious experience. WATCH THIS PODCAST ON YOUTUBE: https://youtu.be/msv-7m_sk4QOriginally started with barges to transport goods through Europe's rivers, River Cruises have grown in popularity over the past 50 years and only have between 150-300 passengers on board. Embarkation and disembarkation is much simpler than cruising on massive ocean cruises with thousands of passengers. You receive more personalized service, and with smaller ships, you are able to visit lesser known ports. Read her blog about river cruising here: https://heywannago.wordpress.com/2023/03/22/river-cruising/On Big Blend Radio every third Wednesday, Cheryl is a world traveler, accredited travel advisor, and owner of Hey Wanna Go that specializes in travel to Europe and the UK, as well as river and ocean cruises. More: https://heywannago.com/ Hosted on Acast. See acast.com/privacy for more information.

This week on the podcast we address the question - Is cruising better or worse in 2023? We cover crowds, food, service, embarkation, debarkation, and more. Download our shore day bag checklist and more cruise packing and planning checklists & videos by joining the CruiseTipsTV Academy at https://academy.cruisetipstv.com

After discovering the secret in the Temple of Kikanuti, the party now knows that they need thee mysterious ship the Genoa to continue the hunt for the Assassin's blade. Little did they know that they would be sharing a ship with a very "hot" cleric. Like hot hot. Actually flaming hot.Intro and Outro music - Brass Orchid by Bobby RichardsLinktreeFacebookInstagramTwitterSupport the showDirect Show Support

Nomad Futurist is delighted to welcome Emma Grace Myers, sales representative for Honeywell Building Technologies in the Data Center Vertical, for a podcast episode focused on navigating the data center industry through the lens of the younger generation.Nomad Futurist had the pleasure of meeting Myers in Texas at a conference, and when we learned her story, we felt it fit in perfectly with what we've been trying to share with the world. In her own words: "I like to say this industry found me rather than the other way around.""I had the opportunity to intern with Honeywell in the summer of 2021, and I showed up on my first day to find out my assignment and what group I would be in, and they told me I'd be in the data center group. So my first question was great, what's a data center??"And so from that point on, Myers spent time learning about data centers and the ins and outs of Honeywell, including the players in the space, as well as the administrative side of things that come with any new job. When she first signed up for the internship, her goals were to gain experience with an organization with a broad reach."If I got to Honeywell, I figured I would have the opportunity to move around and find what my interests really were. And lo and behold, I find the data center industry very interesting. So I'm still here!"Myers is the youngest guest to join the Nomad Futurist podcast, so Phil and Nabeel asked her where she felt the significant gap is between younger audiences and this industry."There is a gap because it's not talked about. I had not heard the word data center before that first day at my internship, and if the word were out and people talked about it, I think that would gain interest in itself."Myers also opens up about what it's like being a minority in this industry."Being a young female in this industry, I found that really most every conversation that I have, I have to prove that I know what I'm talking about and work harder to gain someone's confidence in me."Myers says she's keeping an open mind for the future and is excited about the many industry opportunities ahead for her. The timing of this podcast also couldn't be any better, with Carrie Goetz launching her book- Jumpstart Your Career in Data Centers, which Myers has been using on her journey."Her book really explains things in a very simple way and gives definitions simple enough for me to start to connect all of the pieces."Emma Grace Myers is a sales representative for Honeywell Building Technologies in the Data Center Vertical and holds a B.S. in Industrial Distribution and a Business minor from Texas A&M University. Before joining Honeywell in January 2022, Emma Grace spent time in the roofing distribution industry, where she realized her passion lies in solution-based selling.

Discover the things that smart and experienced cruise travellers have found works best to make for a stress-free, smooth and successful embarkation day. What you should do before, on the day, as soon as you are on board and on that first night to get the most of your first day boarding a cruise.

After taking a break following the events of part I, Lexman and Daniel return to the trenches of polypary. Neither of them are sure if they're making any real progress, but they soldier on in their valiant quest to eradicate the malignant growths from Lexman's body.

In Episode 72 we're joined by Jersey Reenactor Ricky to discuss Armour & Embarkation, age appropriate impressions and if it really matters, 'retiring' from the hobby and much more!

Discover the things that smart and experienced cruise travellers have found works best to make for a stress-free, smooth and successful embarkation day. What you should do before, on the day, as soon as you are on board and on that first night to get the most of your first day boarding a cruise. ABOUT TIPS FOR TRAVELLERS: If you want to get cruising right, Tips For Travellers makes it easy to plan and have the incredible cruise experiences you dream of every time. All my Tips For Travellers advice, tips and tricks tips draw on everything that I have learnt on the 90 cruises I have done to date.

This episode concludes The Silver King's letters, "Dearest Ones," from Barksdale Army Air Base in Shreveport, Louisiana. The flying hours are intense as the bombardiers push to complete their work before shipment to their Port of Embarkation in New York harbor.  Stanley is ready for his role in the European Theater of Operations. First, however, the big city awaits our hero.

A new MP3 sermon from The Narrated Puritan is now available on SermonAudio with the following details: Title: George Whitefield's Autobiography - (5) First Embarkation to Georgia Subtitle: History of American Revivals Speaker: George Whitefield Broadcaster: The Narrated Puritan Event: Audio Book Date: 2/3/2022 Length: 26 min.

Cian T. McMahon is an associate professor of history at University of Nevada-Las Vegas. His research focuses on the history and identity of the Irish Diaspora. In this interview, he discusses his new book The Coffin Ship: Life and Death at Sea during the Great Irish Famine (NYU Press, 2021), a social history of migration during the Great Irish Famine (1845-55). Drawing primarily on migrants' diaries and letters, The Coffin Ship reconstructs the experience of leaving Ireland by sea during the cataclysm of the Famine of the late 1840s and early 1850s, when approximately 2.2 million people left Ireland. With chapters examining “Preparation”, “Embarkation”, “Life”, “Death”, and “Arrival”, McMahon not only provides an intimate account of migrant experiences but also places this migration into its British imperial and Atlantic contexts, tracing maritime routes from Ireland to Liverpool and from there to Quebec, the United States and Australia. McMahon's book also investigates popular memories of the Famine, not least the assumption that the “coffin ships” that passed back and forth between Ireland and Eastern Canada were sites of mass death. The Coffin Ship is published by NYU Press as part of their new Glucksman Irish Diaspora Series. Aidan Beatty is a historian at the Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices