Podcasts about All You Need Is Kill

In this episode of ScreenTone Club Elliot and Andy strap into their mech suits -sorry, Jackets- and prepare for their most harrowing mission of all: getting 100 confessions of love.Series Discussed: The 100 Girlfriends Who Really, Really, Really, Really, Really Love You, All You Need is Kill (Manga),Assignments for next Episode: Rozen Maiden (Collectors Edition), Mujina into the DeepTIMECODES:0:02:00 - Andy's Pick: The 100 Girlfriends Who Really, Really, Really, Really, Really Love You0:04:00 - Seven Seas Imprint Shenanigans0:10:30 - A Nice Guy vs “Nice Guy”0:16:45 - “Chaste Polycule”0:27:00 - “List of Lasses” is the new “Binders of Women”  0:30:00 - Elliot's Pick: All You Need is Kill (Manga)0:34:30 - “We Got a Time Loop Here!”0:39:45 - “Snappy”  0:45:15 - Elliot has a filthy mind :

This week the Buddies discuss how often their minds hit autopilot, Joker (2019) featuring Joaquin Phoenix TM Whatever Equire First Class, The Godfather, All You Need Is Kill, and what to do when someone jiggles the locked door to your bathroom stall. Share with a friend! Recommendations: The Godfather (movie), Brooklyn Nine-Nine (Season 8), Sinbad: Legend of the Seven Seas (2003), Edge of Tomorrow (movie) Contact us: Facebook X Instagram Email Youtube

**THIS EPISODE CONTAINS FULL SPOILERS**What do you get when you mash up Groundhog Day, Starship Troopers, and Mission: Impossible? A sci-fi action banger, that's what! This week, frequent guests Tim Gaylord and Ryan Burns are back to break down Edge of Tomorrow (2014), the high-octane Tom Cruise flick based on Hiroshi Sakurazaka's mind-bending light novel All You Need Is Kill (seriously, what a title). How does the film stack up against the book? And is either one so good we'd gladly relive it again and again? Hit play and find out.#EdgeofTomorrow #TomCruise #EmilyBlunt #TimGaylord #RyanBurns #DougLiman #HiroshiSakurazaka #AllYouNeedIsKill #LightNovel #BrendanGleeson #BillPaxton #ScienceFiction #TimeLoop #FilmisLitPod #DannyGaylord #Moviereview #Movieadaptation #BookvMovie

AnimeJapan has come and gone... a while ago, with how late this show is, but with it comes a lot of big announcements of a VERY big summer season coming up, and we're going to lay out the details for what's poised to be a rom-com-heavy July along with the usual updates and menageries that the strange and bizarre anime industry has on offer, like a weird pseudo-incestuous corporate offspring, HiDive losing and gaining some shows this month, Netflix viewer data, a new paid 'adult' platform, and most importantly of all: GAY ANGEL TWINKS. Thanks for your patience with this show. We'll be back in May. intro - The Day The Earth Blew Up deserves the world 7:57 - main stories 45:17 - AnimeJapan 2025 1:27:13 - other announcements 1:59:42 - home video releases 7:57 - Crunchyroll and Aniplex form production venture Hayate Inc. 15:05 - Gachiakuta set for Crunchyroll in July 18:24 - TRIGUN STARGAZE coming in 2026 20:22 - SK8 the Infinity OVA now on Crunchyroll (and an old Bones show too) 24:27 - the “final movie” for Sound! Euphonium coming in 2026 25:22 - All You Need Is Kill anime film in production at Studio 4*C 27:25 - Digimon Beatbreak anime set for October 29:23 - another Netflix anime info breakdown (c/o Miles Atherton) 40:26 - Matt Owens stepping down from Netflix One Piece 43:26 - Shinsuke Nakamura joining Kinnikuman anime cast 44:10 - HiDive losing a lot of shows in April 45:17 - the annual AnimeJapan “make this anime” list 51:37 - all the major AnimeJapan announcements and reveals (Panty & Stocking, Chainsaw Man, Twisted-Wonderland, CITY) 1:27:13 - Watari-kun's [BLEEP] is About to Collapse anime premiering in July 1:30:08 - Chained Soldier season 2 coming in 2026 1:31:02 - Classroom of the Elite season 4 coming in 2026 1:32:52 - HiDive adding Made in Abyss season 1 and more on April 22 1:33:46 - Cute High Earth season 4 (or 5?) confirmed 1:37:15 - GKIDS releasing three Mamoru Hosoda movies in theaters later in 2025 1:37:58 - Witch Watch dub additions and premiere date 1:42:41 - Claymore live-action project added to the pile 1:45:40 - Sentai gets Yandere Dark Elf 1:47:42 - Devil May Cry gets an Evanescence insert song 1:49:19 - Disney+: Bullet/Bullet and Cat's Eye (2025) details 1:51:58 - every chapter of Detective Conan now on the Viz Manga app and platform 1:54:05 - OceanVeil paid *adult* anime platform launches 1:59:42 - a potpouri of upcoming Anime Limited US releases 2:02:51 - Sentai June releases (Dungeon People, Yamishibai) 2:06:45 - Crunchyroll June releases (Log Horizon, My Hero Academia) 2:09:55 - DANDADAN season 1 collector's edition coming in June 10 Apple Podcasts – https://itunes.apple.com/us/podcast/podcastona/id1348141210?mt=2 Spotify – https://open.spotify.com/show/2JZLO3LfoeHepomejTw4TP iHeartRadio – https://www.iheart.com/podcast/256-podcastona-43099114/ TuneIn – https://tunein.com/podcasts/Podcasts/PodcastONA-p1249922/ As always, check out surrealresolution.com for more content, updates on the show, our continued news posts, reviews, and our fellow podcasts.

House of the Dragon Updates, A Knight of the Seven Kingdoms Updates, A Cujo Adaptation, All You Need Is Kill. Hosted on Acast. See acast.com/privacy for more information.

The anime headlines are NOT missing! This week, hosts Nicholas Friedman, LeAlec Murray, and Leah President are talking about the upcoming Gachiakuta anime, Kaiju No. 8: Mission Recon film coming to theaters, the long-awaited All You Need Is Kill anime adaptation, a KONOSUBA's Misadventures sequel, and the manga that fans want to see adapted into anime the most. THEN, we're recommending anime card games and discussing the universal trauma inflicted by the “It's Tough to be a Bug!” ride at Disney. Have a question for The Anime Effect? Ask it here. Want to enter our Assassin's Creed giveaway? Answer the question, "Who is the best anime assassin?" using our question form. To bring your brand to life in this podcast, email podcastadsales@sonymusic.com. Gachiakuta Anime Premieres in July 2025, Will Stream on Crunchyroll Kaiju No. 8: Mission Recon Anime Movie North America Release Dates Announced Award-Winning All You Need Is Kill Light Novel Gets Anime Film Tokyo Ghoul Dead by Daylight Crossover Introduces Ken Kaneki as New Killer Nue's Exorcist Tops AnimeJapan's 'Manga We Want To See Animated Ranking' Poll for 2025 KONOSUBA's Misadventures Will Continue in New Anime Sequel Learn more about your ad choices. Visit podcastchoices.com/adchoices

Burnie and Ashley discuss McDonald's hangovers, portion sizes, awful recipe sites, I Love Bees, viral marketing, sharing the misery of a tech problem, crab bucket, known but unsolved issues, Finn's computer adventures, FTL, iPhone 16's big promises, the dismal weekend box office, if A24 made a Looney Tunes movies, The Day The Earth Blew Up, and All You Need Is Kill. Support our podcast at: https://www.patreon.com/morningsomewhereFor the link dump visit: http://www.morningsomewhere.comFor merch, check out: http://store.morningsomewhere.com

Isma y nuestro invitado, creador de cómics de Sadhaka Studio ("The Fearless Zombie Hunters" y "Rainbow Warriors"), cineasta, y crítico de cine, Manuel Ríos Sarabia, platican sobre 'Mickey 17'

TRIGGER WARNING: This episode covers content around war, death, violence, and body gore. Please be advised.   Welcome back to another episode of Did You Read The Book? ! Join me and my lovely guest, Monica Chen, for her debut episode (yay!) as we go real deep into the beauty of manga, incredibly depicted mech suits, and have some strong thoughts around alien design dos and don'ts in All You Need Is Kill illustrated by Takeshi Obata.   Our Recommendations All You Need Is Kill written by Hiroshi Sakurazaka & Illustrated by Yoshitoshi Abe The Women by Kristin Hannah   Find Me Online If you like Did You Read The Book?, don't be shy and share with your family, friends, neighbors, and anyone else you see fit! You can also follow me on Twitter (@DYRTBPodcast), Threads, Facebook, Google Podcasts, Amazon Music, iTunes, Tune In/Alexa, Spotify, and Pandora!   About The Show Music composed and produced by Abek Cover art created by Jared Stokes Banner art and background design by IndigoLink Podcast production by Erin Palmer

Fall back in time with Legends Podcast! All month long, we're talking about time travel, paradoxes, and resetting the day with your demise. When PR officer William Cage (played by Tom Cruise) is unwillingly sent into combat against an invading alien army, he unwittingly gains the power to rewind time… but only if he dies. He teams up with war hero Rita Vrataski (played by Emily Blunt), who previously had the same power, to attempt to defeat an alien horde that uses time as a weapon - by living, dying, and repeating. Directed by Bourne Identity helmer Doug Liman, this 2014 sci-fi actioner based on the Japanese novel All You Need Is Kill was a box office hit and established Blunt's status as an action hero. Ten years later, we're reviewing Edge of Tomorrow as our 700th episode and the kickoff to our annual tradition of watching time travel movies in November. This is Chronovember! For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

¡Vótame en los Premios iVoox 2024! Hoy La Órbita de Endor se introduce en un bucle de ciencia-ficción militar con la novela ALL YOU NEED IS KILL de Hiroshi Sakurazaka, su adaptación al manga de la mano de Takeshi Obata y su versión cinematográfica titulada AL FILO DEL MAÑANA (Edge of tomorrow) con Tom Cruise y Emily Blunt en los papeles principales. Un auténtico triplete Libro + Cómic + Película, con Jaime Angulo y Antonio Runa como principales combatientes en un campo de batalla plagado de enemigos de otro planeta. En el segundo bloque nos espera un dossier sobre JUEGOS DE MESA DE STAR WARS, en donde Fran Gómez, especialista en la materia, nos comentará qué se puede esperar de X-Wing, Armada, Imperial Assault y muchos más juegos de tablero en esa galaxia muy, muy lejana que tanto nos gusta. Además, volverá Gafapastas al Poder. ¡Qué más se puede pedir! Pues sólo escuchar el programa A por ello. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Couch Potato Theater: Edge of Tomorrow (2014) Live. Die. Repeat. Watch the video version of this Couch Potato Theater episode on the Fandom Podcast Network YouTube Channel: https://www.youtube.com/@FandomPodcastNetwork Welcome to Couch Potato Theater, where we celebrate our favorite movies on the Fandom Podcast Network! One this episode we celebrate the 10th Anniversary of Tom Cruise's time loop masterpiece, Edge of Tomorrow (2014) Live. Die. Repeat. Edge of Tomorrow is a 2014 American science fiction action film directed by Doug Liman and written by Christopher McQuarrie and the writing team of Jez and John-Henry Butterworth, loosely based on the Japanese novel All You Need Is Kill by Hiroshi Sakurazaka. Starring Tom Cruise and Emily Blunt, the film takes place in a future where most of Europe is occupied by an alien race. Major William Cage (Cruise), a public relations officer with limited combat experience, is forced by his superiors to join a landing operation against the aliens, only to find himself experiencing a time loop as he tries to find a way to defeat the invaders. Bill Paxton and Brendan Gleeson also cast as supporting roles.  Fandom Podcast Network Contact Information -  - Fandom Podcast Network YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork  - Master feed for all FPNet Audio Podcasts:  http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed:  https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Facebook: True Believers A Marvel & MCU Fandom Group: https://www.facebook.com/groups/143313841014405/ - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - X: @fanpodnetwork / https://twitter.com/fanpodnetwork  Host & Guest Contact Info: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix  - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd - Lacee Aderhold on X: @LaceePants / Instagram: @thelaceepants / Letterboxd: @Laceepants. #CouchPotatoTheater #TrueBelievers #FandomPodcastNetwork #FPNet #FPN #EdgeOfTomorrow #EdgeOfTomorrow2014 #EdgeOfTomorrowMovie #LiveDieRepeat #AllYouNeedIsKill  #Tom Cruise  #EmilyBlunt  #BillPaxton  #BrendanGleeson #NoahTaylor  #KickGurry  #DragomirMrsic  #CharlotteRiley #JonasArmstrong  #FranzDrameh  #MasayoshiHaneda #TonyWay #DougLiman  #ChristopherMcQuarrie  #KevinReitzel #KyleWagner #laceeAderhold

Directed by Doug Liman, Edge of Tomorrow is the science fiction action film starring Tom Cruise and Emily Blunt, which is loosely based on the Japanese novel All You Need Is Kill by Horoshi Sakurazaka. Luke and Jae live, die, and repeat their way back to 2014 to revisit this time loop movie a decade on since its release. When Earth falls under attack from invincible aliens, no military unit in the world is able to beat them. Major William Cage (Tom Cruise), an officer who has never seen combat, is assigned to a suicide mission. Killed within moments, Cage finds himself thrown into a time loop, in which he relives the same brutal fight - and his death - over and over again. However, Cage's fighting skills improve with each encore, bringing him and a comrade (Emily Blunt) ever closer to defeating the aliens.

PENALTY LOOP ist ein Zeitschleifenfilm mit Rache-Motiv. Bei diesem Genre hat man das Gefühl, man hätte bereits alles gesehen. Also stellt sich die Frage: Gibt es neue Ansätze, gibt es neue Ideen? Hier ist das Besondere: (ACHTUNG SPOILER!) Nicht nur der Rächer, sondern auch das Opfer seiner Rache wissen, dass sie in einer Zeitschleife hängen und das führt dazu, dass die beiden ungewollt eine eigenartige Beziehung eingehen. Im Podcast reden wir über den starken Darsteller des Auftragskillers, den sehr gelungenen Tonschnitt, um den Loop zu definieren und die sehr gut ausgesuchten Locations. Im letzten Drittel bringt der Film einen überraschenden Twist, der nicht alle überzeugt. Am Mikrofon habe ich als Gäste direkt nach dem Film: Daniel vom Altstadtkino, Rene von den Abspannguckern und Andras. Am Ende der Folge habe ich nach den Lieblingszeitschleifenfilm gefragt – folgende Filme wurden genannt: GROUNDHOG DAY, LIVE DIE REPEAT (aka EDGE OF TOMORROW aka ALL YOU NEED IS KILL), PALM SPRINGS und HAPPY DEATHDAY. Und als Mentions: BOSS LEVEL und ENDLESS EIGHT.

All You Need Is Kill - Chapter 1 Welcome to "Read with Me Light Novel"! In today's episode, we embark on an exhilarating journey through Chapter 1 of "All You Need Is Kill" by Hiroshi Sakurazaka. Join us as we dive into the gripping world of this action-packed light novel. In Chapter 1, we explore: Introduction to the World: Discover the futuristic setting and the backdrop against which the story unfolds. Dive into the world-building elements that set the stage for the events to come. Character Introduction: Meet the protagonist and other key characters introduced in this chapter. Analyze their motivations, personalities, and roles within the story. Conflict and Tension: Uncover the conflicts and challenges faced by the characters right from the start. Discuss the tension-building techniques employed by the author to engage the reader. Mystery and Intrigue: Encounter the mysterious elements that pique curiosity and drive the narrative forward. Speculate on the mysteries presented in this chapter and their significance to the overarching plot. Discussion Points: Reflect on the themes introduced in Chapter 1 and their potential significance throughout the novel. Analyze the writing style and narrative techniques employed by Hiroshi Sakurazaka. Predict potential plot developments and character arcs based on the events of this chapter. Share initial impressions and reactions to the story, characters, and setting. Whether you're a fan of sci-fi thrillers or new to the genre, this episode promises an exciting exploration of "All You Need Is Kill." Stay Connected: Email: read.with.me.light.novels@gmail.com Facebook: Read with Me Light Novels Instagram: @ReadWithMeLightNovels YouTube: Read with Me Light Novels Spotify: Read with Me Light Novel Podcast Apple Podcasts: Read with Me Light Novel Don't miss out on this thrilling adventure! Tune in to Chapter 1 of "All You Need Is Kill" and join us as we uncover the mysteries of this captivating light novel.

Chapter 3 of "All You Need Is Kill" continues the thrilling saga with even more action, intrigue, and character development. Here's what you can expect: Character Evolution: Dive deeper into the psyche of our protagonist as they grapple with the consequences of their actions and the weight of their newfound responsibilities. Explore how their motivations and beliefs shift in response to the ever-changing circumstances. Plot Twists and Turns: Brace yourself for unexpected twists and turns as the story takes unforeseen directions. Unravel the mysteries surrounding the enigmatic adversaries and uncover hidden truths that will challenge everything you thought you knew. World-Building: Delve further into the intricacies of the novel's richly imagined world as new realms, cultures, and technologies are unveiled. Marvel at the author's vivid descriptions and immersive storytelling that transport you to a realm beyond imagination. Themes and Symbolism: Reflect on the deeper themes and symbolism woven throughout the narrative. Contemplate the existential questions raised by the characters' struggles and the allegorical significance of their journey. Action and Suspense: Hold onto the edge of your seat as pulse-pounding action sequences and heart-stopping moments of suspense propel the story forward. Experience the adrenaline rush of battle and the thrill of victory against all odds. Join us as we delve into Chapter 3 of "All You Need Is Kill" and embark on an unforgettable journey of discovery, danger, and destiny. Don't miss out on this electrifying installment that will leave you craving for more! Stay tuned for our next episode as we continue to explore the captivating world of light novels and immerse ourselves in the magic of storytelling. Follow us on Instagram | Subscribe on YouTube | Listen on Spotify | Join us on Facebook

All You Need Is Kill - Chapter 2 Welcome back to "Read with Me Light Novel"! In today's episode, we delve deeper into the thrilling world of "All You Need Is Kill" by Hiroshi Sakurazaka as we explore Chapter 2. In Chapter 2, we continue our journey with: Character Development: Witness the evolution of key characters as they navigate the challenges presented in this chapter. Explore their motivations, fears, and aspirations as they confront the unknown. World-Building and Lore: Gain further insights into the intricacies of the futuristic world crafted by the author. Uncover hidden details and lore that enrich the reader's understanding of the setting. Action and Suspense: Experience heart-pounding action sequences and pulse-pounding moments of suspense. Analyze the pacing and tension-building techniques that keep readers on the edge of their seats. Themes and Symbolism: Delve into the underlying themes and symbolism woven throughout the narrative. Discuss the deeper meanings behind the events and interactions portrayed in this chapter. Discussion Points: Reflect on the character dynamics and relationships established in Chapter 2. Analyze the author's use of imagery and symbolism to enhance the storytelling experience. Discuss the implications of the events unfolding in this chapter and their impact on the overarching plot. Share personal insights, theories, and interpretations of the story's themes and motifs. Join us as we uncover the secrets and revelations hidden within the pages of Chapter 2 of "All You Need Is Kill." Stay Connected: Email: read.with.me.light.novels@gmail.com Facebook: Read with Me Light Novels Instagram: @ReadWithMeLightNovels YouTube: Read with Me Light Novels Spotify: Read with Me Light Novel Podcast Apple Podcasts: Read with Me Light Novel Don't miss out on the excitement! Tune in to Chapter 2 of "All You Need Is Kill" and join us as we journey deeper into the heart of this captivating light novel.

All You Need Is Kill - Chapter 4 Welcome back to "Read with Me Light Novel"! In this episode, we journey further into Hiroshi Sakurazaka's gripping tale, "All You Need Is Kill," as we delve into the intricacies of Chapter 4. Chapter 4 Highlights: Character Development: Explore the growth and evolution of key characters as they confront new challenges and revelations. Analyze the motivations and inner conflicts driving their actions, deepening our understanding of their personalities. Plot Twists and Turns: Follow the twists and turns of the plot as unexpected developments unravel, keeping listeners on the edge of their seats. Discuss the impact of these plot twists on the overarching narrative and character arcs. Themes and Symbolism: Uncover the underlying themes and symbolism woven throughout Chapter 4, shedding light on the deeper layers of the story. Reflect on the significance of recurring motifs and imagery, considering their implications for the characters and the world they inhabit. Worldbuilding and Atmosphere: Immerse yourself in the richly detailed world of "All You Need Is Kill," from its vibrant landscapes to its atmospheric settings. Discuss the role of worldbuilding in shaping the mood and atmosphere of the story, enhancing the reader's sense of immersion. Discussion Points: Reflect on the character dynamics and relationships portrayed in Chapter 4, examining the bonds forged and tested amidst the chaos of war. Analyze the narrative structure and pacing of the chapter, evaluating its effectiveness in building tension and suspense. Share your interpretations of the thematic elements explored in Chapter 4, exploring topics such as fate, redemption, and the nature of heroism. Join us as we unravel the mysteries of Chapter 4 of "All You Need Is Kill" and embark on an unforgettable literary journey together! Stay Connected: Email: read.with.me.light.novels@gmail.com Facebook: Read with Me Light Novels Instagram: @ReadWithMeLightNovels YouTube: Read with Me Light Novels Spotify: Read with Me Light Novel Podcast

Welcome back to "Read with Me Light Novel"! In this episode, we journey further into Hiroshi Sakurazaka's gripping tale, "All You Need Is Kill," as we delve into the intricacies . Chapter Highlights: Character Development: Explore the growth and evolution of key characters as they confront new challenges and revelations. Analyze the motivations and inner conflicts driving their actions, deepening our understanding of their personalities. Plot Twists and Turns: Follow the twists and turns of the plot as unexpected developments unravel, keeping listeners on the edge of their seats. Discuss the impact of these plot twists on the overarching narrative and character arcs. Themes and Symbolism: Uncover the underlying themes and symbolism woven throughout Chapter 4, shedding light on the deeper layers of the story. Reflect on the significance of recurring motifs and imagery, considering their implications for the characters and the world they inhabit. Worldbuilding and Atmosphere: Immerse yourself in the richly detailed world of "All You Need Is Kill," from its vibrant landscapes to its atmospheric settings. Discuss the role of worldbuilding in shaping the mood and atmosphere of the story, enhancing the reader's sense of immersion. Discussion Points: Reflect on the character dynamics and relationships portrayed in Chapter 4, examining the bonds forged and tested amidst the chaos of war. Analyze the narrative structure and pacing of the chapter, evaluating its effectiveness in building tension and suspense. Share your interpretations of the thematic elements explored in Chapter 4, exploring topics such as fate, redemption, and the nature of heroism. Join us as we unravel the mysteries of Chapter 4 of "All You Need Is Kill" and embark on an unforgettable literary journey together! Stay Connected: Email: read.with.me.light.novels@gmail.com Facebook: Read with Me Light Novels Instagram: @ReadWithMeLightNovels YouTube: Read with Me Light Novels Spotify: Read with Me Light Novel Podcast

Stew and Ana from PopPrismPower podcast discuss the Tom Cruise science fiction romp, Edge Of Tomorrow, which is based on the Japanese light novel / manga, All You Need Is Kill!

This week on PodQuest we talk about the new reality gameshow Squid Game The Challenge on Netflix, Walnut watched All You Need Is Kill, the source material for the Tom Cruise and Emily blunt sci-fi action film Live. Die. Repeat. - The Edge of Tomorrow. And Chris read Naomi Novik's 2006 Alternate History Fantasy novel His Majesty's Dragon, the first in the Temeraire series. We also chat about the new season of Loki and the general state of the film industry, Walnut's thoughts on Critical Roles Mighty Nein origin comics, and Chris does a quick check in on Persona 5 Tactica. With the entertainment strikes mostly over, we're going back to movies for our next book club and picking back up with Groundhogs Day, the 1993 comedy starring Bill Murray. We'll be talking about it on our December 7th episode. Timestamps 00:00:00 - Intro 00:08:17 - Agenda 00:09:00 - Loki S2 and the state of the film industry 00:32:29 - *SPOILERS* for the end of The Marvel's 00:35:26 - Squid Game The Challenge 00:58:59 - Critical Role's Mighty Nein Origins Comics 01:06:03 - All You Need Is Kill (2004 Novel) 01:26:17 - His Majesty's Dragon (2006 Novel) 01:32:46 - Persona 5 Tactica 01:37:49 - Outro Support One-Quest https://www.Patreon.com/OneQuest Follow Us Email - Social@one-quest.com Twitter - @One_Quest Instagram - @One_Quest Facebook - OneQuestOnline Follow Chris on Twitter - @Just_Cobb Follow Richie on Twitter - @B_Walnuts Follow Drootin on Twitter - @IamDroot Check out Richie's streaming and videos! Twitch b_walnuts YouTube BWalnuts TikTok b_walnuts Intro and Outro music Mega Man 2 'Project X2 - Title Screen' OC ReMix courtesy of Project X over at OCRemix

This week on PodQuest we talk about the new reality gameshow Squid Game The Challenge on Netflix, Walnut watched All You Need Is Kill, the source material for the Tom Cruise and Emily blunt sci-fi action film Live. Die. Repeat. - The Edge of Tomorrow. And Chris read Naomi Novik's 2006 Alternate History Fantasy novel His Majesty's Dragon, the first in the Temeraire series. We also chat about the new season of Loki and the general state of the film industry, Walnut's thoughts on Critical Roles Mighty Nein origin comics, and Chris does a quick check in on Persona 5 Tactica.

Today we're reviewing Edge of Tomorrow (2014) starring Tom Cruise and Emily Blunt. Our guest Brit Sigh (ig: @midnightrunstudio) came on the show to remind us how excellent this movie is with its stunning practical effects and charismatic characters. And we have to give an extra spoiler warning for this episode--we heavily compare this movie to the book "All You Need Is Kill" that it's adapted from. So if you were planning to read that and don't want the ending ruined, you may wanna check out this episode later.

On today's show, we step back into the world of the time-loop-films-starring-Emily-Blunt to discuss 2014's EDGE OF TOMORROW / LIVE DIE REPEAT, as well as the manga ALL YOU NEED IS KILL, all of which were based on a Japanese novella that neither of us read (35:42)! We discuss the confusion surrounding the multiple titles for this story, the designs and naming of the aliens, differences in telling the time loop story in film versus the manga's approach, Tom Cruise's many deaths, Emily Blunt's arms, the joy of Bill Paxton, and so much more! We also talk about the voice cast for 'Teenage Mutant Ninja Turtles: Mutant Mayhem', the passing of Tom Sizemore, the 1995 film 'Strange Days', taglines for movies becoming the titles, & one of us experiences a manga mishap that ROCKS US TO OUR VERY CORE. —————————————————————— Go here to get some LTAS Merch: http://tee.pub/lic/huI4z_d Go here to get some LTAS Merch: http://tee.pub/lic/huI4z_dwRsI Email: LetsTalkAboutStuffPodcast@gmail.com Follow LTAS on social media: Twitter: https://twitter.com/LTASpod Instagram: https://www.instagram.com/ltaspod/?hl=en Follow Steven on Letterboxd: https://letterboxd.com/stevenfisher22/ Follow Brent on social media: Twitter - https://twitter.com/BrentHibbard Instagram - https://www.instagram.com/brenthibbard/?hl=en A 5-Star rating on your podcast app is appreciated! And if you like our show, share it with your friends! LOOPS WE DID IT AGAIN.

久しぶりのカタルシス英文法です。「”All You Need Is Kill”のkillって原形でいいの？」「不定詞の変遷は八ツ橋と同じ」「be動詞＋to doの5つの意味はtoの本質で憶える」など準動詞について詳しく見ていきます 【補足】 8:31 準動詞の発生に関する水野の説明について、不定詞については当てはまるが、分詞については当てはまらないのでは？という指摘が監修者からありました。 【目次】 00:00 久しぶりのカタルシス英文法。今回は準動詞編 02:43 本編前の言い訳タイム 03:53 そもそも「準動詞」って何？ 07:52 「不定詞」は何が不定なの？ 12:44 原形不定詞は八ツ橋と同じ 19:07 八ツ橋屋の悲しみを感じる書き換え問題 22:34 to不定詞はtoの本質から理解できる 【参考文献のリンク】 ◯大学入試 世界一わかりやすい 英文法・語法の特別講座 https://amzn.to/3w9HABS ◯サバイバル英文法 「読み解く力」を呼び覚ます (NHK出版新書) https://amzn.to/3wjZvpx 人気英語講師、関正生氏の著書。当ラジオ的には常連な本。 〇英文法のカラクリがわかる本 https://amzn.to/3yqG0hO 〇英語の不思議再発見 https://amzn.to/3wh0V4h 英文法のうんちくネタ本著者として、個人的に一番好きな人。切り口の作り方がうまかったり、例えが上手で読ませる。高校生の時に読めて本当に良かったと思っています。いずれも絶版なのが玉に瑕。 〇英語の「なぜ?」に答える はじめての英語史 https://amzn.to/3wAQcC7 慶應の堀田隆一先生の本。VoicyやYouTube、ブログでも積極的に発信をされています。 〇英語の歴史から考える 英文法の「なぜ」 https://amzn.to/3vVcDTb こちらも英語史の本。初学者、それこそ高校生にとっても読みやすく、第2弾も出ている人気の書。 〇斜めからの学校英文法 https://amzn.to/3vXNMy4 学校英文法で「例外」と教わった事例を拾い上げ、暗記に頼らない説明を試みる本。第8章は「動名詞と現在分詞はどう違うのか？」、第10章は「不定詞に共通した意味があるのか」。今回の内容からもっと踏み込みたい方はどうぞ。 〇謎解きの英文法　動詞 https://amzn.to/3kWlqOE 安心と安全の「謎解きの英文法」シリーズ。第3章では、スワンの発言を引きつつも、アレコレ仮説を立てながら「不定詞（現在分詞）しかとらない動詞に共通する法則は？」を検証していく。 【サポーターコミュニティへの加入はこちらから！】 https://yurugengo.com/support 【姉妹チャンネル：ゆるコンピュータ科学ラジオ】 https://www.youtube.com/channel/UCpLu0KjNy616-E95gPx7LZg 【Twitterあるよ！】 ゆる言語学ラジオのTwitterアカウントがあるので、是非フォローしてください！面白語源ネタなどが流れてきてあなたの知識欲が満たされます。 →https://twitter.com/yuru_gengo 【おたよりフォーム】 https://forms.gle/mTGM7A9QNqgjZMgN7 ※皆様からの楽しいおたよりをお待ちしています！ 【お仕事依頼はこちら！】 yurugengo@gmail.com 【堀元見プロフィール】 慶應義塾大学理工学部卒。専門は情報工学。WEBにコンテンツを作り散らかすことで生計を立てている。現在の主な収入源は「アカデミックに人の悪口を書くnote有料マガジン」。 Twitter→https://twitter.com/kenhori2 noteマガジン→https://note.com/kenhori2/m/m125fc4524aca 個人YouTube→https://www.youtube.com/channel/UCYJ335HO_qLZDr7TywpI0Gg 【水野太貴プロフィール】 名古屋大学文学部卒。専門は言語学。 某大手出版社で編集者として勤務。言語学の知識が本業に活きてるかと思いきや、そうでもない。 【BGM提供】 ・フリーBGM・音楽素材MusMus様 https://musmus.main.jp ・OtoLogic様 https://otologic.jp/ #カタルシス英文法 #ゆる言語学ラジオ_カタルシス英文法

Mitchell Beaupre (Letterboxd, The Film Stage) joins us to chat about one of the finest action blockbusters of the 2010s in Doug Liman's Edge of Tomorrow. We unpack why the movie failed to make a sequel, Emily Blunt's career and the film's actual title, Live Die Repeat (should have been All You Need Is Kill all along) --- Send in a voice message: https://anchor.fm/exitingthroughthe2010s/message Support this podcast: https://anchor.fm/exitingthroughthe2010s/support

Hello again, it looks like you've started listening to this episode again. That's very fitting since you seem to be stuck in a time loop, much like the movie "Edge of Tomorrow". Since you've already listened to this episode you know that, Eric questions the military's commitment. Richard shows that computers are stupidly smart. And John debates how much blood a person really needs. So grab your high powered rifle, get into the power armor, and listen to Plot Spackle!Music: TheFatRat - Epic https://lnk.to/ftrepic

On this episode of the Japan Station podcast, we're talking about translation, learning Japanese and more with translator/podcaster Jenn O'Donnell. About Anna Lughezzani Jenn O'Donnell is a Japanese to English translator and podcaster. She lives in Osaka where she works as a Localization Director for a video game company. She also produces the podcasts The Translation Chat and Otafu Susume. Topics Discussed About how it was that Jenn began learning Japanese Working on farms in Fukuoka Learning Japanese as someone with dyslexia On the struggle to get work as a Japanese-English translator On becoming a freelance Japanese to English translator About some of the pitfalls often seen in media translation False friends in Japanese/English Denotation vs connotation Examples of some Japanese to English translations Jenn enjoys About the Miracles at the Namie General Store translation About the English translation of The Miracles at the Namiya General Store About the English translation of the All You Need Is Kill  novel About translating a novel vs manga/anime/light novels About The Translation Chat podcast About the Recommendation from My Otaku Spouse (Otafu Susume) podcast About The Faraway Paladin (Saihate no Paradin) And much more! Support on Patreon & Ko-fi If you enjoy Japan Station and want to ensure that we're able to produce more episodes, then please consider becoming a patron on Patreon.com. For a minimum pledge of $1 a month you'll get early access to all JapanKyo podcasts, bonus content, and more. And for $3 a month, you'll get access to Japanese Plus Alpha, a podcast produced by me (Tony Vega) that focuses on the Japanese language and all of its fascinating quirks. Also, all pledges get a shout-out on the show and my undying gratitude. Thank you in advance! Support Japan Station on Patreon You can also do a one time donation via Ko-fi. Support us on Ko-fi Links, Videos, Etc. To keep up to date with Jenn and her projects, make sure to follow her on Twitter. @JENTranslations Check out the list below for links to the websites, podcats, and articles mentioned in this episode. Japanese Talk Online Where Jenn writes about learning Japanese J-EN Translations Where Jenn writes about translation An article about Jenn's experiences participating in WOOF/working in farms in Japan An article about the English translation of the All You Need Is Kill novel The Translation Chat Podcast Recommendation from My Otaku Spouse (Otafu Susume) Check out the episode of Japan Station featuring Dr. Wesley Robertson. A Wonderful Mess: About the Japanese Writing System w. Dr. Wes Robertson | Japan Station 80 Don't forget to listen to the latest episodes of Ichimon Japan. What katakana words do you hate? (Funny/confusing/annoying katakana words) | Ichimon Japan 56 Why is Argentina “Aruzenchin” in Japanese? | Ichimon Japan 57 If you would like to support the show by picking up some merchandise, make sure to visit KimitoDesigns.com. KimitoDesigns.com Special Thanks Opening/Closing song: Oedo Controller (大江戸コントローラー) by Yunomi featuring Toriena (Used with permission from Yunomi) To listen to more of Yunomi's music, check out his Soundcloud page or YouTube channel. Japan Station cover art: Provided by Erik R. Featured image: Courtesy of Jenn O'Donnell Follow Japankyo on Social Media Facebook (@JapankyoNews) Twitter (@JapankyoNews) Instagram (@JapanKyoNews) Full Show Notes Get the full version of show notes at https://www.japankyo.com/category/podcasts/japanstation/

This week we Live Die Repeat with one of the best science fiction/action movies of the last decade: Edge of Tomorrow starring the beautiful, smart, funny, and extraordinarily talented Emily Blunt... and some other guy. He isn't really important.   Based on the Japanese novel All You Need Is Kill by Hiroshi Sakurazaka and released in 2014, the film was considered a failure at the box office, but thanks to the positive critical response and word-of-mouth became a hit on home release and streaming. Support the Show & get access to exclusive episodes at https://www.patreon.com./DisasterArtists   Find us at all these other places: https://linktr.ee/DisasterArtists

Edge of Tomorrow Edge of Tomorrow is a 2014 American science fiction action film starring Tom Cruise and Emily Blunt. Doug Liman directed the film based on a screenplay adapted from the 2004 Japanese light novel All You Need Is Kill by Hiroshi Sakurazaka. The Space Brains discuss plot, pacing, all the major story elements and . To Hear the Episode: https://spacebrains.com.au/episode-62-edge-of-tomorrow For all other Space Brains Episodes: https://gravityundone.net/space-brains/ https://spacebrains.com.au/ Contact us: Space Brains Podcast (@spacebrainspodcast) Space Brains Podcast - Home spacebrains@spacebrains.com.au Space Brains is recorded in Mandurah, Western Australia. Visit: https://gravityundone.net/ https://www.markregan.com.au/  https://spacebrains.com.au/

Saudações, robôs, mutantes e alienígenas! A nave-mãe Omniverso se meteu numa guerra infernal contra o mimetizadores e os cosmonautas Reginaldo, Jamerson e Dãozinho se alistam para comentar All You Need Is Kill, mangá cuja história foi escrita por Hiroshi Sakurazaka, storyboards de Ryosuke […]

Tom Cruise and Manga?!? This week we talk about 2 (Count it) 2 topics for Jelly Jam Spam! The fantastic short story manga All You Need Is Kill and it's movie adaptation The Edge of Tomorrow. Join us as we go on another time loop and compare and contrast these great works!

February's Book Club episode see's the boys looking to the East for their book this time - one of Rooney's perennial favourites - All You Need Is Kill, by Hiroshi Sakurazaka. However, before they can get onto their discussion of writing styles, coffee, and who did or didn't fornicate with a Grey, they first get waylaid by social media, "bringing back the fun", yet more talk about sex, and a brief musical interlude! There's also another mention of their merch, which - should anyone be interested - can now be found here: https://www.redbubble.com/people/TUTJIG/shopEDIT: Seems like there was an issue with the original version of this episode - it's since been re-edited to include the missing sections/out of sequence stuff. Apologies for that folks! Intro music is taken from Discovery by Scott Buckley (CC BY 4.0)

All You Need Is Kill, identifying with awful characters, gen x rom coms, Popeye, rewatchability, Dark Star, and confident filmmaking.

Bo speedruns the movie Edge of Tomorrow (marketed as Live Die Repeat: Edge of Tomorrow on home media, or simply Live Die Repeat)[4][nb 1] is a 2014 American science fiction action film starring Tom Cruise and Emily Blunt. Doug Liman directed the film based on a screenplay adapted from the 2004 Japanese light novel All You Need Is Kill by Hiroshi Sakurazaka. The film takes place in a future where most of Europe is invaded by an alien race. Major William Cage (Cruise), a public relations officer with no combat experience, is forced by his superiors to join a landing operation against the aliens.

Happy Halloween!  In this episode of Ka-Pow the Pop Cultured Podcast, we learn which movie scientists have proven to be the scariest of all time instead of curing covid, catch up with our favorite Kazakhstani journalist, realize we don't know much about Ethan Hawke, relive history with both a popular manga title and a Best Picture contender and much more.Length - 01:21:16Language - PG-13.  (Contains mild adult language.)-0:12:06 - THE TIME WARPSampling the source material adapted into Tom Cruise's "Edge of Tomorrow" with the manga "All You Need Is Kill."-0:15:01 - ONE JOBTrying to figure out whether anyone involved has a strong opinion about Ethan Hawke one way or the other.-0:37:10 - MOVIE NEWS"The Science of Scare" tries to mathematically prove the most frightening horror film of all time, Carla Gugino's narration entices us to watch "The Haunting of Bly Manor," Sacha Baron Cohen returns after 14 years for "Borat Subsequent Moviefilm," disturbing true crime tale "American Murder: The Family Next Door," timely Aaron Sorkin period piece "The Trial of the Chicago 7," Netflix's "The Babysitter: Killer Queen" is a fun schlocky sequel, "Terminator: Dark Fate" arrives on Prime and the 2020 documentary "Feels Good Man" traces the evolution of an infamous meme from indie cartoon to hate symbol.

Nigel and Tazziii are joined by Gary Swaby and Lara Callaghan, co-host of The Manga Forum to talk about the awesome manga, All You Need Is Kill! Adapted from the light novel of the same name, the story also inspired the Hollywood film Edge of Tomorrow, which we discussed with Gary on episode 6. We had a couple of technical difficulties in this episode so if there are any irregular pauses this is why! Send us questions and feedback on feedback@mayamada.com Find mayamada online: https://mayamada.com https://twitter.com/mayamada https://www.facebook.com/mayamada/ https://www.instagram.com/mayamadatees Gamepad.events Hot Lunch Kickstarter: https://kickstarter.com/projects/mayamada/hot-lunch-vol-1-a-culinary-heist-manga-for-all-age Find Tazziii online: https://www.twitch.tv/tazziiix https://twitter.com/tazziii https://linktr.ee/tazziii Find Gary Swaby online: twitter.com/garyswaby thekoalition.com Descendant of the Elders: Realm Blender Book 1 https://www.reditalgroup.com/publishing/descendantoftheelders.html Find The Manga Forum online: https://twitter.com/themangaforum https://mangaforum.art.blog instagram.com/themangaforum https://www.youtube.com/channel/UCNOzgmG7UBfWSbMGpfg6zdQ Music by Fisayo Karunwi: https://soundcloud.com/fisayokarunwi Artwork by Aly Graphix : https://alygraphix.wixsite.com/designer

Annie revisits the 2014 sci-fi film, Edge of Tomorrow, which she first reviewed when it originally came out in the cinema. For added completism, she also reviews the original Japanese novel, All You Need Is Kill, and the manga adaptation of the same name. Thanks, as ever, to Cambo for our theme music. You can find us at: willyoustillloveit@gmail.com @loveittomorrow  

Join the hosts of the Otaku Spirit Animecast as they dive into the recent news surrounding our beloved world of anime! Kitsune, Dragon Ball Z, Aoi Yuuki, and more! Topics this episode: Chihayafuru, Strike Witches 501, Fire Force, Asteroid of Love, Souichirou Yamamoto, Shield Hero, Edge of Tomorrow, Funimation Subs, My Youth Romanic Comedy, Ultraman Anime, Cop Craft, Tsugumomo, Demon Slayers Kimetsu no Yaiba, Ascendance of a Bookworm, Psycho-Pass, Doga Kobo Kitsune Anime, Isekai Quartet, Grisaia PV, The Girl from the Other Side, Granblue Fantasy, and much more! The opening for this episode is the OP for Skilled Teaser Takagi-san called “Iwanai kedo ne.” by Yuiko Oohara. The closing for this episode is the OP for The Rising of the Shield Hero called “RISE” by MADKID which is available on iTunes.

Today on our amazing podcast we talk about and compare the differences between Edge of Tomorrow and All You Need Is Kill!

出演アーティスト | COUNTDOWN JAPAN 18/19 BiSH 奥田民生　『イージュー★ライダー』 - YouTube 2018年買ってよかったもの｜Hiroki Tani｜note #strobofm ep.1 散財 (@hiloki) ROUTE END (7 冊) Kindle版 百万畳ラビリンス (2 冊) Kindle版 All You Need Is Kill (2 冊) Kindle版 マイホームヒーロー (6 冊) Kindle版 Amazon.co.jp: ウォーキング・デッド シーズン1 (字幕版)を観る | Prime Video TVアニメ「ペルソナ５」年末特番アニメーション「Dark Sun…」 | 【AbemaTV】国内最大の無料アニメチャンネル Amazon | シャドウ オブ ザ トゥームレイダー 【CEROレーティング「Z」】 - PS4 | ゲーム SAKE100｜100年誇れる1本を。 鷲掴みされたような痛み｜Hiroki Tani｜note

The Hiroshi Sakurazaka novel that inspired the manga and American Live Action Edge of Tomorrow is the target of this manga and novel review by the hosts of the Animecast. Join them as they explore All You Need Is Kill Novel, Manga, and its inspired Edge of Tomorrow. In this episode, we start with a spoiler free review of the All You Need Is Kill Manga and Novel. Following that spoiler free review (15:36 and beyond), we get into the spoiler differences between All You Need Is Kill and the American Live Action adaptation, Edge of Tomorrow. The opening for this episode is called “E of S” by Sawano Hiroyuki. The closing for this episode is the ED for Knights of Sidonia called “show” by Eri Kitamura.

Live. Die. Repeat. Military Sci-Fi meets anime in this popular light novel by Hiroshi Sakurazaka, ALL YOU NEED IS KILL, which formed the basis for the English language film “Edge of Tomorrow.” The novel follows Keiji Kiriya as he experiences multiple time loops and uses them to become a better warrior with each reset, as well as get to know and eventually fall in love with the legendary soldier Rita Vrataski, a.k.a. the Full Metal Bitch. The story ends in a dramatically different fashion than the film by Doug Limon (featuring Tom Cruise and Emily Blount). Topics include: Anime tropes & archetypes, the tit update, video game influence, the author’s bio, similarities to learning to write, the Stephen King of killing mimics, a pair of POV shifts, the story behind the mimics NOT provided in the movie, and the huge twist that leads to an ending very different from the film. Ink to Film is now on Patreon! (Learn how to access bonus content) Sign up for Ink to Film’s Newsletter Follow Ink to Film on Twitter, Facebook, Instagram Home Base: inktofilm.com Ink to Film Book Club on Goodreads Sign up and get a free audio book: audibletrial.com/inktofilm Buy All You Need is Kill Intro Music: Ross Bugden

CAPÍTULO #162… ¡Hemos vuelto! Y lo hacemos por todo lo alto con el anuncio de nuestra nueva revista que saldrá a venta en octubre. Pero volvemos a los micros y volvemos con algo que nos pedísteis muchos, 100 Balas. La ópera de género negro de Azzarello y Risso que se extendió durante 100 números en el sello Vertigo. Además os traeremos un resumen de las cosas más importantes que han pasado este verano y os acercaremos de forma especial muchas de las novedades que han sonado fuerte estos meses, que no han sido pocas. Como siempre, es un placer volver a juntarnos para vosotros, nos oímos! NOTICIAS [00:11:08] Se hace oficial, Netflix cierra 10 episodios de Locke and Key Saga continuará tras un “intermedio” de un año Novedades Panini Cómics para Octubre 2018 Marvel anuncia el equipo creativo de la nueva serie de Conan Nuevos detalles sobre el regreso de Marvel Knights Fallecen Marie Severin y Gary Friedrich, co-creadores de Spider-Woman y Ghost Rider NOVEDADES [00:34:10] El Sheriff de Babilonia: Edición Integral (00:35) El Hombre Garabateado (00:41) Ojo de Halcón y Soldado de Invierno: La búsqueda de la Viuda Negra (00:43) Colección Vertigo (00:47) Caballero Luna #7 (00:51) Marvel Saga. El Inmortal Puño de Hierro (00:58) Nivawa y Saitô (01:03) Moriarty el patriota (01:06) DC Comics Bombshells (01:10) Rayo Negro: La colección completa. 100% Marvel (01:18) All You Need Is Kill (01:26) Maximum Gantz (01:32) The Crow (01:36) Veneno: Protector letal. 100% Marvel HC (01:41) Green Lantern: Tierra Uno (01:48) Sex Story. La primera historia de la sexualidad en cómic (01:54) Warlock y la Guardia del Infinito (01:59) La Patrulla-X: Dios ama, el Hombre mata (02:03) Secret Weapons (02:06) ANÁLISIS: 100 BALAS [02:12:10] Creada por Brian Azzarello y el dibujante Eduardo Risso, 100 Balas es una de las series más longevas del sello Vertigo acumulando 100 números que se publicaron a lo largo de 10 años. En 100 Balas se nos presenta un tipo con un maletín que ofrece una pistola 100 Balas y pruebas de alguien que merece venganza por parte de quién recibe este regalo. De forma pausada y jugando con los códigos del género negro, las piezas van encajando mientras vemos varios de estos casos, alguien anda detrás de todo esto. Una serie sólida que mantiene la intriga a lo largo de su trayectoria. Una obra maestra del género. OYENTES [02:52:24] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, Habla pueblo Habla! Muchas gracias por escucharnos y todo vuestro apoyo y participación! ______________________________________ Tomos y Grapas es un medio de comunicación donde hablamos de todo lo referente sobre el mundo del cómic, novela gráfica e ilustración. ? Te recordamos que puedes escuchar nuestro PROGRAMA de radio siempre que quieras, escuchándolo online o descargándolo en mp3 desde cualquiera de estas plataformas: Web: https://goo.gl/HwC3bi Ivoox: https://goo.gl/HBrWdM iTunes: https://goo.gl/qyruds Spotify: https://goo.gl/tWEcb4 TuneIn: https://goo.gl/TTjFBr Spreaker: https://goo.gl/stg1em ? SUSCRÍBETE a nuestro canal y no te pierdas nada! https://www.youtube.com/c/tomosygrapascomics?sub_confirmation=1 ? Apoya nuestro trabajo a través de PATREON y obtén ventajas y contenidos exclusivos: https://www.patreon.com/tomosygrapas ? Web: http://www.tomosygrapas.com ? Facebook: https://www.facebook.com/tomosygrapas ? Twitter: https://www.twitter.com/tomosygrapas ? Instagram: https://www.instagram.com/tomosygrapas ? Contacto: hola@tomosygrapas.com Pues anda que no hay cosas...

CAPÍTULO #162… ¡Hemos vuelto! Y lo hacemos por todo lo alto con el anuncio de nuestra nueva revista que saldrá a venta en octubre. Pero volvemos a los micros y volvemos con algo que nos pedísteis muchos, 100 Balas. La ópera de género negro de Azzarello y Risso que se extendió durante 100 números en el sello Vertigo. Además os traeremos un resumen de las cosas más importantes que han pasado este verano y os acercaremos de forma especial muchas de las novedades que han sonado fuerte estos meses, que no han sido pocas. Como siempre, es un placer volver a juntarnos para vosotros, nos oímos! NOTICIAS [00:11:08] Se hace oficial, Netflix cierra 10 episodios de Locke and Key Saga continuará tras un “intermedio” de un año Novedades Panini Cómics para Octubre 2018 Marvel anuncia el equipo creativo de la nueva serie de Conan Nuevos detalles sobre el regreso de Marvel Knights Fallecen Marie Severin y Gary Friedrich, co-creadores de Spider-Woman y Ghost Rider NOVEDADES [00:34:10] El Sheriff de Babilonia: Edición Integral (00:35) El Hombre Garabateado (00:41) Ojo de Halcón y Soldado de Invierno: La búsqueda de la Viuda Negra (00:43) Colección Vertigo (00:47) Caballero Luna #7 (00:51) Marvel Saga. El Inmortal Puño de Hierro (00:58) Nivawa y Saitô (01:03) Moriarty el patriota (01:06) DC Comics Bombshells (01:10) Rayo Negro: La colección completa. 100% Marvel (01:18) All You Need Is Kill (01:26) Maximum Gantz (01:32) The Crow (01:36) Veneno: Protector letal. 100% Marvel HC (01:41) Green Lantern: Tierra Uno (01:48) Sex Story. La primera historia de la sexualidad en cómic (01:54) Warlock y la Guardia del Infinito (01:59) La Patrulla-X: Dios ama, el Hombre mata (02:03) Secret Weapons (02:06) ANÁLISIS: 100 BALAS [02:12:10] Creada por Brian Azzarello y el dibujante Eduardo Risso, 100 Balas es una de las series más longevas del sello Vertigo acumulando 100 números que se publicaron a lo largo de 10 años. En 100 Balas se nos presenta un tipo con un maletín que ofrece una pistola 100 Balas y pruebas de alguien que merece venganza por parte de quién recibe este regalo. De forma pausada y jugando con los códigos del género negro, las piezas van encajando mientras vemos varios de estos casos, alguien anda detrás de todo esto. Una serie sólida que mantiene la intriga a lo largo de su trayectoria. Una obra maestra del género. OYENTES [02:52:24] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, Habla pueblo Habla! Muchas gracias por escucharnos y todo vuestro apoyo y participación! ______________________________________ Tomos y Grapas es un medio de comunicación donde hablamos de todo lo referente sobre el mundo del cómic, novela gráfica e ilustración. ? Te recordamos que puedes escuchar nuestro PROGRAMA de radio siempre que quieras, escuchándolo online o descargándolo en mp3 desde cualquiera de estas plataformas: Web: https://goo.gl/HwC3bi Ivoox: https://goo.gl/HBrWdM iTunes: https://goo.gl/qyruds Spotify: https://goo.gl/tWEcb4 TuneIn: https://goo.gl/TTjFBr Spreaker: https://goo.gl/stg1em ? SUSCRÍBETE a nuestro canal y no te pierdas nada! https://www.youtube.com/c/tomosygrapascomics?sub_confirmation=1 ? Apoya nuestro trabajo a través de PATREON y obtén ventajas y contenidos exclusivos: https://www.patreon.com/tomosygrapas ? Web: http://www.tomosygrapas.com ? Facebook: https://www.facebook.com/tomosygrapas ? Twitter: https://www.twitter.com/tomosygrapas ? Instagram: https://www.instagram.com/tomosygrapas ? Contacto: hola@tomosygrapas.com Pues anda que no hay cosas...

This episode of Zack’s Film Talks at SDSU is hosted by Libsyn. My guest is Michael Green, who wrote Blade Runner 2049 with Hampton Fancher.   Michael was raised in Mamaroneck, NY, and went to Stanford University. He wrote for Sex and the City and is the co-creator of American Gods. In this episode, Michael talks about: the importance of reading why it's good to go to the movies, as opposed to just watching them how he once made two stacks of film scripts—ones he felt were better than his, and those he felt he could do better than—and spent time studying and learning “by dissection” from the best JohnAugust.com—a screenwriting website/podcast he highly recommends Green Lantern and his early fascination with comics the “constant battle” he undergoes between creating original projects and working on adaptations  To prep for Blade Runner 2049, Michael read the great noir novels. We collected a few lists here: https://www.amazon.com/Hardboiled-America-Lurid-Paperbacks-Masters/dp/0306807734, http://www.mensjournal.com/expert-advice/best-old-school-noir-novels-20160217, https://www.barnesandnoble.com/blog/50-must-read-noir-detective-novels/.   Full interview transcription: Hello, and welcome to Zack’s Film Talks at SDSU, a film podcast featuring interviews with screenwriters, directors, cinematographers, and more. This is Episode 1. My guest today is screenwriter Michael Green, who co-wrote Blade Runner 2049. Michael talks about the importance of structure in a screenplay, and he warns writers not to become paralyzed by research. Our conversation was recorded November 9, 2017.   ZS: Hey, Michael, how are you? MG: Hey, great. ZS: Thank you so much for doing this, by the way. So was there a particular moment in your life when you knew you wanted to be in the film industry or just screenwriting in general? MG: … That question comes up from time to time, because people will often look for creation myths in writers and writing. Unfortunately, writers and writing tends to be a much less romantic profession—much more a slog. But what I can definitely track in myself is a persistent love of television and film. Even times when I wanted to be a doctor or a comedian or carpenter or doctor or any of the other things that seemed appealing, I did all that fantasizing while watching way too much TV and wanting to go to the movies. That’s where my passion lay. And I just got very fortunate that I had a moment of brain connection that perhaps I should do what I loved, and also even more fortunate that I was given the opportunities to do so.     ZS: Great. So is there anything in particular that gives you inspiration as a screenwriter? MG: I think any screenwriter that doesn’t read a lot is probably not tapping into their best potential or inspiration. Reading has always been what makes for more writing—and going to the movies, and watching television shows that are great and wonderful. These days going to the movies as opposed to just watching them at home—they’re very different experiences. … [I]n television, [watch] the show on-air the way the audience would see it. So if it’s a network show … watch it on the air with commercials. … ZS: Yeah, I definitely agree. I think going to the movies is probably just the best way to watch anything. It gives you a completely different experience than just watching it in your own home. MG: Absolutely. It’s an indulgence. But one should indulge, especially if that’s your art. What’s the last movie you saw in a theater? ZS: It was actually Blade Runner. MG: Oh! Good answer! I will take that! ZS: It was great, by the way. MG: I strongly recommend that the next movie you see be Murder on the Orient Express. … ZS: So you mentioned reading in one of your answers. I saw that you—I read the Hollywood Reporter interview where you said that when you started writing you made two stacks of scripts: one that you thought your work was better than and work that you thought was better than yours. How did you differentiate that? MG: You’re asking the right question because it was an incredibly arrogant statement I made—that I’m able to look at a stack and … determine with any accuracy whether I’m better or worse. … What that really means is that I started to have an opinion about what I thought was good— ZS: Okay. MG: —and applied that to my own writing. You might be wrong, but at least you’re starting to develop your own metronome that you’re going to start keeping time to. The more you read, the more you know what works, what doesn’t—what works for you, what doesn’t work for you, and how to approximate that. When I was starting—it was twenty years ago exactly, and that makes me a very old person, especially compared to you ...—but scripts were very elusive then. It was like, “Oh my God, you got a copy of the script of Tim Burton's Batman…? How? They were these secret things—you could only get them if you knew someone . …  People sold them on the streets in New York for five bucks. They were these magic things. You could go to Sam French and read every play in the world—which you should. But screenplays now are generally available on the Internet, and every TV show—you can read all the scripts. You can read the scripts and reverse-engineer: how did they do that? How did they get that image on the page? … How did they—was that dialogue on the page, or was it adapted by the actor … or was that word-for-word what was written? How did they structure it?—secretly the hardest thing in screenwriting. And you can start to learn by dissection. So I was fortunate that I lucked my way into a job where I had access to scripts. …And now they’re all PDFs. Get ’em all! Read them and understand. This person has a fancy reputation … but they’re terrible! Oh my gosh! I can have that job. Or: holy crap, this person wrote something that makes me think I suck. I want to be as good as that. … Get your ego invested, either positive or negative … because that’s your profession. … See how you feel about other people's work. ZS: I totally agree. Since I’ve been recently getting into screenwriting, I go on those websites that have all those PDFs, all the files. It’s great to look at it—especially with actions and sequences. If it’s a movie I’ve seen, like, five times, I go look at the screenplay and I can actually see it as it’s happening. MG: Yeah! …There are a few screenwriters of note who have dedicated enormous amounts of time and energy to  websites, especially John August—JohnAugust.com. John August is an incredible screenwriter, a very nice guy. … Anytime people ask me starting-out questions, I always refer them to his website, or [Javier Grillo-Marxuach and Jose Molina's] Children of Tendu, because they’ve done all these wonderful podcasts with really, really smart answers to questions that everyone has. John August started an FAQ about screenwriting twelve years, ten years ago. And if you just started reading backwards from his recent posts back to the original, you would know a lifetime of screenwriting advice. It’s incredible. All of this stuff used to be so esoteric—you couldn’t get answers to that. You didn’t have access to. … So it’s an incredible time to be an aspiring screenwriter— ZS: Yeah. MG: —because it’s all there for you to learn. The only thing is on top of that make sure to read things that aren’t just screenplays. … You still need to be someone who has something to write about, which means you have to cultivate interests. … No one wants a film about people who want to make films. … Not that there isn’t a good version of it, but there are a lot of them out there. Sometimes that’s the only experience people have. So make sure to have other experiences in your life. … ZS: So I saw in another interview that you— MG: —It’s a fancy way of saying: make sure to goof off! ZS: Yeah. That’s a good way to put it. So I saw in another interview that you were very into comics growing up. Is that one way—one platform of reading that you kind of got motivated off of, since you’ve obviously written a few superhero-oriented movies? MG: Ah, definitely, I mean, any reading is good reading. Anything that you gravitate to is worth doing. … I read a lot of comics growing up, but I wasn’t very thoughtful about it or reflective about why I liked these things, or didn’t even have a really strong sense of what I liked. I just wanted to consume it all. But I can look back on those experiences and see what my brain remembers from all that reading all these years later. And then there’s something very self-indulgent about writing. You’re taking time out of what could be an experience [to] put words down that you're certain other people should hear, and sometimes you do it for other people in your life, and sometimes you do it for yourself, and sometimes you write for your bar mitzvah self—for the 12-year-old- or 13-year-old version of yourself. … ZS: So all the films that you’ve made have been adaptation projects, whether it be from a series, like Logan, or adapting Blade Runner. … Is that something that you want to stick with doing, or are you trying to come up with original concepts? MG: You know, it’s a constant battle. If I’m not adapting things, then I’m coming up with originals. It happens to be that in the last few years, things were brought my way that were too irresistible to say no to. ... We’re definitely in a time in the entertainment industry where studios feel most comfortable with developing properties that are known. Adaptations just happen more. It has a lot to do with what the audiences are willing to show up for. There was a really pivotal moment a couple of years ago when this wonderful movie called Edge of Tomorrow came out, starring Tom Cruise. It’s a Warner Bros. film, directed by Doug Liman. It was an original film, but it actually was based on [Hiroshi Sakurazaka's] manga comic [All You Need Is Kill]. ... [Website here.] This was a new, fresh thing. It was such a great film. And there was ... a lot of Monday-morning quarterbacking about why it didn’t do well. People didn’t show up! You had audiences looking for familiar things. … It became a cult film later, but that was the day Warner Bros. said, We might not want to do original stuff for a very long time. At studios you can see the reverberations of that. … you could see the business seismic shift after things like that happened. As a working screenwriter, you get offered things … as opposed to when you say I want to do something original and you have to create time where you essentially say no to jobs. If I want to do something original, on spec … I’ll have to take as many weeks or months as that’ll take, not getting paid to do something else, to take a chance on something original. That’s a big lottery ticket. If it works well, you’ve now created something that you can enjoy, and that’s yours from the ground up. But if it doesn’t, you’ve now not worked during that slot of writing.… If you're not interested in high-risk kind of reward, don't be a screenwriter. I'm not saying anything fresh or original in the adaptation-versus-original conversation. People spend a lot of time looking at the finances of [this]. ZS: So when adapting an existing project or a previous movie, how much research goes into it—how much time went into researching Blade Runner, and rereading the original script and watching the movie? MG: Research is an important part of writing—you need to fill your mind with things of and around the piece, and internalize it. And it can mean different things on different projects. ...With Blade Runner, you certainly need to know that film. But there’s also a point that comes in every project where you have to stop. I’ve known writers who’ve paralyzed themselves ... using research as the excuse to not start. At some point you have to say, I’ve read enough; I know enough. … For Blade Runner ... I obviously knew the film very well ... but I did put myself through Noir Writing School—which was nothing more than, I just hadn’t read a lot of the great noir novels, and I gave myself the license to take some time to read them. ZS: Cool. MG: Pure joy. And then I would have them as the occasional tuning fork, till I felt I had a new voice in my head, or my version of all that. And then from time to time I might, while taking a lunch break, eating my … salad, pick up one of those [novels] and read a few pages to keep my mind occupied with those words and those cadences. Research is very important and it’s very useful—to a point. At some point you have to trust yourself as a writer and say, Okay, I got it—or at least me right now has a version of this. And you can only be the writer you are at that moment. In a year’s time, you might pick up what you wrote and say, Oh, I can improve on that. Hopefully you’ll have that opportunity. But you do have to do your job as a writer and let go of the fear of not being comprehensive. You don’t have to give yourself a PhD in Civil War history before you write [a] Civil War [film]. You have to read some, to find your way around it. Don’t paralyze yourself with that—but don’t be lazy, either! ZS: I know a lot of screenwriters like to direct and/or produce their own projects that they’ve written. Is there a reason that you haven’t really stepped into that? Or would you ever consider it? MG: Well, I came out of television, where I am a producer—where I do produce. Features is the director-driven job. ...In television, one of the nice things about it, from my perspective, is the writer and show runner is in charge of the show—produces it, top to bottom, every last detail, almost to the point where it can produce a terrible job, because it's too much control over everything. I’ve been very fortunate that I’ve been able to write features but I'm also able to stay in television, where I do run a show. … I can have an insane amount of control over every detail, or decide for myself what I want to delegate and what I don't, and [keep to] a form of direction in that way, while still writing. And [I can] work on features in the margins of that time. I've enjoyed that a lot. As far as directing, it’s an ambition I have. Depending on how a few things go this year, I may direct an episode of American Gods. ZS: Cool. MG: Put my toe in those waters and dive on in. It’s something I’ve wanted to do for a while and just kept saying, I’ll do it next year; I'll do it on the next show. So it depends on how a few things shake out this year. … ZS: Cool. So it sounds like you’re on set and involved in production for American Gods. Are you ever on set for the features that you write? MG: Yes. For American Gods I’m on set as much as I’m able to be, with my good friend Bryan Fuller. Toronto, Los Angeles. … On the features, it’s sort of “as able”: Logan I was not on the set for. I didn’t finish out the writing on that. That was James Mangold and Scott Frank. They were more on the ground there. Blade Runner and Orient Express, I was very fortunate. Both directors were extremely inviting and just said, "Be here as much as you want to be here." I was very much a part of that process. … After a few weeks I felt like. Well, I might have a contribution here, but I also felt ... I had to get back to American Gods—you can’t run a show from Europe. I would check in and out—spend a couple of weeks. Orient Express I was there the first week or two. Interestingly enough, it was essentially a year ago now, so I was there Election Day, when America shut down. Very strange thing to be there [for that]. … And then I came back later on in the production—trying to be helpful. It was also fortunate that I trusted both directors and enjoyed—I was able to watch dailies every day on both of them [Blade Runner and Orient Express] and feel like this was going really very well. … ZS: What was it like being on the Blade Runner set? Because clearly a lot went into that movie’s production. MG: Walking on the Blade Runner set was one of the silliest, funniest things I’ve ever done. It was so BIG. … I felt dwarfed, I felt … I felt like it was one of my first times on a set. … ZS: Yeah. MG: I’d never been on anything that scale. … A driver brought us into this campus. I looked up and I see these twelve buildings, each one a giant warehouse. ... I said, Which one’s ours? And he said, All of them. … In Budapest ... it was like an airplane hangar. … [You’re looking at] better versions of what you’d imagined. And you kind of have this weird gravitational shift in your brain, where you let go of how you’d imagined it. And you see the reality and sometimes certainly the reality is better. It was silly and hilarious. I just kept laughing. I couldn’t believe the gorgeousness of everything. ZS: Definitely paid off. Because it looked amazing on screen. MG: Thank you. I’m incredibly proud of it. … It was like a four-and-a-half, five-year job and I enjoyed every minute of it. … I just never stopped feeling grateful to be a part of it. And the fact that it turned out to be a movie people really enjoyed is beyond expectation. The whole thing was always beyond expectation. I couldn’t believe I was writing it, I couldn’t believe they liked what I was writing, I couldn’t believe they shot it, and I couldn’t believe it turned out great. Not surprised it turned out great, because of all the people involved. ZS: Star-studded cast, great director. MG: I’m sorry to have kept you waiting for weeks. ZS: Thanks so much for doing this. MG: Got everything you need? ZS: I’ve got everything I need. Thanks so much. MG: All right. ZS: Bye.   That’s Episode 1 of Zack’s Film Talks at SDSU. Thanks for listening. Episode edited by Chris Burke.            

The news flow strikes back up in the previous weeks offering plenty to discuss. Not only that, but a certain expo that the hosts like to dabble in now and then. Listen in to get the host’s thoughts on how everything is going down. Topics this episode: Kemono Friends Sales, Spice and Wolf Manga Ending, Just Because Anime, Record of Grancrest War Anime, Studio Ghibli Park, Kyoto Animation Awards, Yuki Yuna Manga, J-Novel gets Clockwork Planet, Speed Racer Release Debacle, Erased Writer To New Work, Funimation Subpoena, Sound Euphonium Movies and Novels, Edge of Tomorrow Sequel, Mappa New Studio, New Project for Show By Rock, Denki-Ga Concludes, Lord Marksman and Vanadis Concludes, Unbreakable Machine Doll Concludes, Sunrise Co-Producing Cowboy Bebop Live-Action, Gurren Lagann New Release, Fate Grand Order Release Date, Sunrise Training Project, Shaft and Fireworks Movie, Irresponsible Galaxy Tylor, New Crowdfunding in Japan, New Licenses, E3 2017 Thoughts, and much more! E3 2017 discussion runs from 56:56 to 1:51:05. If you’re not interested in Video Game Discussion, please skip accordingly! Thanks to Hachimaki for the great questions featured in this episode! The intro music for this episode is the OP for Fruit of Grisaia called “Rakuen no Tsubasa” by Maon Kurosaki. The outro is the ED for Kemono Friends called “Boku no Friend” by Mewhan.

Estamos a unos días del segundo aniversario del Podcast, invitamos a todos a mandar un audio de saludos o felicitación al correo freaknoobnews@gmail.com antes del 11 de septiembre, todos los audios serán publicados en el #Podcast especial de aniversario. En este programa reseñamos de manera corta el manga de "All You Need Is Kill" en la primera parte del podcast, mas todas las noticias del mundo del cine, los cómics y la televisión, tu dosis semanal de cultura geek. Recuerda seguirnos en: https://www.facebook.com/FreakNoobNews https://twitter.com/FreakNoobNews https://www.youtube.com/c/freaknoobnewschannel http://freaknoobnews.tumblr.com/

Estamos a unos días del segundo aniversario del Podcast, invitamos a todos a mandar un audio de saludos o felicitación al correo freaknoobnews@gmail.com antes del 11 de septiembre, todos los audios serán publicados en el #Podcast especial de aniversario. En este programa reseñamos de manera corta el manga de "All You Need Is Kill" en la primera parte del podcast, mas todas las noticias del mundo del cine, los cómics y la televisión, tu dosis semanal de cultura geek. Recuerda seguirnos en: https://www.facebook.com/FreakNoobNews https://twitter.com/FreakNoobNews https://www.youtube.com/c/freaknoobnewschannel http://freaknoobnews.tumblr.com/

Action Movie Anatomy hosts Ben Bateman,Andrew Ghai and guest host Roxy Striar break down Live.Die.Repeat. (Edge Of Tomorrow)! Edge of Tomorrow (also marketed with the tagline Live. Die. Repeat.)[nb 1] is a 2014 American science fiction action film starring Tom Cruise and Emily Blunt. Doug Liman directed the film based on a screenplay adapted from the 2004 Japanese light novel All You Need Is Kill by Hiroshi Sakurazaka. The film takes place in a future where Earth is invaded by an alien race. Major William Cage (Cruise), a public relations officer inexperienced in combat, is forced by his superiors to join a landing operation against the aliens. Though Cage is killed in combat, he finds himself in a time loop that sends him back to the day preceding the battle every time he dies. Cage teams up with Special Forces warrior Rita Vrataski (Blunt) to improve his fighting skills through the repeated days, seeking a way to defeat the extraterrestrial invaders. In late 2009, 3 Arts Production --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Chris and Brian take to the couch once more, as they have done many many times before. In fact, it’s starting to feel a little like deja view. The guys review Live Die Repeat (aka Edge of Tomorrow, aka All You Need Is Kill), Brian spits vitriol at Seth MacFarlane, a number of documentaries are… Read More »Digital Noise Episode 64: Watch, Record, Repeat

Voltando sempre ao início, Júlio César, Vinicius Kiss, Charlie e o convidado de honra, Filipe Kiss, destrincharão o filme Edge of Tomorrow ( 2014 – PT-BR No Limite do Amanhã). Embarque nessa viagem temporal repleta de SPOILERS do filme e da sua obra de origem, a light novel “All You Need is Kill”. ---------- Atenção este episódio contém spoilers dos filmes: • No Limite do Amanhã (2014)

Voltando sempre ao início, Júlio César, Vinicius Kiss, Charlie e o convidado de honra, Filipe Kiss, destrincharão o filme Edge of Tomorrow ( 2014 – PT-BR No Limite do Amanhã). Embarque nessa viagem temporal repleta de SPOILERS do filme e da sua obra de origem, a light novel “All You Need is Kill”. ---------- Atenção este episódio contém spoilers dos filmes: • No Limite do Amanhã (2014)

In Episode #9, the Pounders discuss Edge of Tomorrow, adapted from Hiroshi Sakurazaka’s much more interestingly-titled light novel All You Need is Kill. In a twist that’s perhaps ironic and perhaps moronic, Seth didn’t notice his mic was unplugged until the discussion was well underway.  Fortunately, he’d been splattered with Alpha blood and was able to time … Continue reading TMTYR Episode #9: Groundhog D-Day (Edge of Tomorrow) →

In Episode #9, the Pounders discuss Edge of Tomorrow, adapted from Hiroshi Sakurazaka’s much more interestingly-titled light novel All You Need is Kill. In a twist that’s perhaps ironic and perhaps moronic, Seth didn’t notice his mic was unplugged until the discussion was well underway.  Fortunately, he’d been splattered with Alpha blood and was able to time … Continue reading TMTYR Episode #9: Groundhog D-Day (Edge of Tomorrow) →

This week, Adam, Will, and Norm discuss the Tom Cruise/Emily Blunt film Edge of Tomorrow, which is based on the Japanese novel All You Need Is Kill, by Hiroshi Sakurazaka. We talk about the differences between the book and the film adaptation, the Trinity problem in action movies, and time-travel plotholes. WARNING: Spoilers abound!

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. Who is Doug Liman? He's a director that everyone seems to forget yet is as important and talented as many of his contemporaries like Christopher Nolan, David Fincher, or Quentin Tarantino (among others). A list of his best achievements include Swingers, Go, The Bourne Ultimatum, The Bourne Identity, Fair Game, and Mr. and Mrs. Smith. Now with the new sci-fi thriller Edge of Tomorrow, starring Tom Cruise and Emily Blunt, Doug Liman continues his string of some pretty intense cinema. A few years in the future, a meteor carrying some sort of alien entity, crashes into Western Europe. It grows and becomes a sentient enemy to Earth. When Tom Cruise's character is forced to fight in a D-Day type of invasion to stop the invaders, he is suddenly stuck within a time loop created by the extraterrestrial which actual allows him to have an advantage in the war to save Earth. Dark Discussions talks about this well received film that surprising has been very lukewarm at the box office. Discussions include Tom Cruise and his power (or lack thereof) at the box office, the time loop concept within the film, and the screenplay written by Academy Award winner Christopher McQuarrie based off the Japanese novel All You Need Is Kill written by Hiroshi Sakurazaka. To conclude, did your co-hosts enjoy the film? Listen to find out. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

It has been a tough road for Marvel Studio's the last few weeks but Ant Man has a new director and we chat about the choice and what it means for the overall direction of the MCU. We also construct our dream comic shop, give our philosophy on review writing, and what long lost character we want back.  Nailbiter, Earth 2, Magneto, Southern Bastards, The Superannuated Man, Peculiar Children, Green Arrow, Loki: Agent of Asgard, All You Need Is Kill, Black Widow, Big Guy and more in our Book of the Week segment!

ATENÇÃO: Esta edição tem SPOILERS do filme. O gênero ficção cientifica sempre viveu seus altos e baixos. Nos últimos anos, Hollywood redescobriu a paixão do público por sci-fi e decidiu fazer várias produções que encaixaram no gosto popular. Filmes como Transformers, Gravidade, Distrito 9, Ela, Lunar, Círculo de Fogo, Looper e Dredd acabaram funcionando, mesmo com toda a desconfiança. O que podemos comentar sobre essa nova era da ficção cientifica? Aliás, o que diabos é ficção cientifica? Jurandir Filho (@jurandirfilho), Raphael Santos (@phsantos), Thiago Siqueira (@thiagosiqueiraf), Giovane Araújo (@giovanearaujoj) e Raphael Draccon (@raphaeldraccon) discutiram sobre o gênero e No Limite do Amanhã. O filme dirigido por Doug Liman, tem Tom Cruise e Emily Blunt como protagonistas. A adaptação do livro/mangá All You Need Is Kill funcionou? O ocidente finalmente descobriu o mundo dos mangás/animes? Por que estamos vendo tantas produções com referências a clássicos do RPG (como Final Fantasy), Evangelion, Akira e outros? O final prejudicou o filme?

ATENÇÃO: Esta edição tem SPOILERS do filme. O gênero ficção cientifica sempre viveu seus altos e baixos. Nos últimos anos, Hollywood redescobriu a paixão do público por sci-fi e decidiu fazer várias produções que encaixaram no gosto popular. Filmes como Transformers, Gravidade, Distrito 9, Ela, Lunar, Círculo de Fogo, Looper e Dredd acabaram funcionando, mesmo com toda a desconfiança. O que podemos comentar sobre essa nova era da ficção cientifica? Aliás, o que diabos é ficção cientifica? Jurandir Filho (@jurandirfilho), Raphael Santos (@phsantos), Thiago Siqueira (@thiagosiqueiraf), Giovane Araújo (@giovanearaujoj) e Raphael Draccon (@raphaeldraccon) discutiram sobre o gênero e No Limite do Amanhã. O filme dirigido por Doug Liman, tem Tom Cruise e Emily Blunt como protagonistas. A adaptação do livro/mangá All You Need Is Kill funcionou? O ocidente finalmente descobriu o mundo dos mangás/animes? Por que estamos vendo tantas produções com referências a clássicos do RPG (como Final Fantasy), Evangelion, Akira e outros? O final prejudicou o filme?

In part 1 of episode 131, we share the following: the winner of the Star Trek Comic Book Give Away; New Trivia with a chance to win Kristen Bauer AND Emelie Ullerup; Reasons we love Fringe; All You Need Is Kill; and The International Spiderman Trailer. In This Week in Star trek , Miles shares how you can have breakfast with Gowron & Martok at Bayou Con; and Walter Koenig will get his star on the Hollywood walk of fame. We end with the SciFi Five in Five: Top Quickest Ways To Get Around the Universe from Colin.

In part 1 of episode 131, we share the following: the winner of the Star Trek Comic Book Give Away; New Trivia with a chance to win Kristen Bauer AND Emelie Ullerup; Reasons we love Fringe; All You Need Is Kill; and The International Spiderman Trailer. In This Week in Star trek , Miles shares how you can have breakfast with Gowron & Martok at Bayou Con; and Walter Koenig will get his star on the Hollywood walk of fame. We end with the SciFi Five in Five: Top Quickest Ways To Get Around the Universe from Colin.

Podcast novel review of All You Need Is Kill by Hiroshi Sakurazaka. Translated by Alexander O. Smith. Originally published in Japan by Shueisha. Published in US by Viz Haikasoru, $13.99. From the back cover: When the alien mimics invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally-- the female soldier known as the Full Metal Bitch. Is she the key to Keiji's escape or his final death?   My Grade: B   Read an excerpt from the book and get more info at: http://www.haikasoru.com/all-you-need-is-kill/