Podcasts about keiji

Fluent Fiction - Japanese: Finding Strength in Friendship on Snowy Kyoto Steps Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-12-01-08-38-20-ja Story Transcript:Ja: 雪の降る寺の境内は、冬のイルミネーションで美しく輝いていました。En: The temple grounds, covered in snow, were beautifully illuminated with winter lights.Ja: そこは京都の静かで古い神社。En: This was a quiet, old shrine in Kyoto.Ja: 新しい年を迎えるために、準備が進んでいました。En: Preparations were underway to welcome the new year.Ja: ハルトはゆっくりと階段を登っていました。En: Harto was slowly climbing the stairs.Ja: 彼の心は、仕事の忙しさと家族からの期待に押しつぶされそうになっていました。En: His heart felt like it was about to be crushed by the busyness of work and the expectations from his family.Ja: でも、今日だけはそれを忘れて、家族の伝統を果たすためにこの神社を訪れていました。En: But today, he decided to forget all that and visited this shrine to fulfill his family's tradition.Ja: 彼の隣には、幼なじみのアイコと職場の先輩であるケイジがいました。En: Next to him were his childhood friend Aiko and Keiji, his senior at work.Ja: アイコは、ハルトの健康が心配でした。En: Aiko was worried about Harto's health.Ja: 彼の顔は普段よりも青白く見えました。En: His face looked paler than usual.Ja: 「大丈夫？En: "Are you okay?"Ja: 」と何度も聞きますが、ハルトは小さく笑って、「大丈夫だよ」と答えるだけでした。En: she asked repeatedly, but Harto only responded with a small smile, saying, "I'm fine."Ja: 彼の心には弱みを見せたくないという強い思いがありました。En: He had a strong desire not to show any weakness in his heart.Ja: しかし、階段の中ほどでハルトは急に目まいを感じました。En: However, midway up the stairs, Harto suddenly felt dizzy.Ja: 「地面が揺れている…」彼は頭を押さえました。En: "The ground is shaking..." he pressed his head.Ja: でも、彼はなんとか立ち直ろうとしました。En: Still, he tried to pull himself together.Ja: その時、ケイジの声が聞こえました。En: At that moment, he heard Keiji's voice, "Let's move forward; it's just a little bit further."Ja: 「前に進もう、もう少しだ。En: Harto nodded desperately, trying to move forward, but his body wouldn't listen.Ja: 」ハルトは必死に頷いて前へ進もうとしましたが、体は言うことを聞きませんでした。En: The dizziness hit him again.Ja: 目まいが再び襲ってきます。En: Aiko supported him and gently said, "Don't push yourself."Ja: アイコは彼を支え、「無理しないで」と優しく言いました。En: At that moment, Harto finally made up his mind.Ja: その時、ハルトはついに決心しました。En: "Aiko, could you give me a hand...?"Ja: 「アイコ、ちょっと手伝ってくれないか…」ハルトはついに素直に頼みました。En: Harto finally asked honestly.Ja: アイコは安堵の表情で、ハルトの腕を取ります。En: Aiko looked relieved and took Harto's arm.Ja: 最後の階段の前で、ハルトの目まいはさらに強くなりました。En: Before the last step, Harto's dizziness became even stronger.Ja: それでも、アイコとケイジが両側から支えてくれました。En: Nevertheless, both Aiko and Keiji supported him from both sides.Ja: みんなで一緒に一歩ずつ、一歩ずつ上がります。En: Together, they climbed one step at a time.Ja: そして、ついに頂上にたどり着きました。En: Finally, they reached the top.Ja: そこには美しい雪景色が広がり、ランタンの光が幻想的に輝いていました。En: There, a beautiful snowy landscape spread out, and the lanterns' lights shone fantastically.Ja: ハルトは静かに願いを込めて目を閉じました。En: Harto quietly closed his eyes with a wish in mind.Ja: そして、ここにいることの幸せを感じました。En: And he felt the happiness of being here.Ja: 今、彼は一人ではない。En: Now, he realized he was not alone.Ja: 支えてくれる友達がいることに気づきました。En: He had friends who supported him.Ja: アイコとハルトは微笑み合い、ケイジは満足げに「良くやったな」と肩を叩きました。En: Aiko and Harto smiled at each other, and Keiji patted him on the shoulder, saying, "Well done."Ja: そして、ハルトは自分の中にあった重い石が少し軽くなったことを感じました。En: And Harto felt that the heavy stone inside him had become a bit lighter.Ja: この冬、ハルトは弱みを見せることと、誰かを信じることの大切さを学んだのです。En: This winter, Harto learned the importance of showing weakness and trusting someone.Ja: 新しい年の始まりに、彼は心からの感謝の気持ちを神社での一歩一歩に込めて、新たな気持ちで歩み出しました。En: At the beginning of the new year, he entrusted his heartfelt gratitude to each step at the shrine and set out with a renewed spirit. Vocabulary Words:grounds: 境内illuminated: 輝いてshrine: 神社preparations: 準備tradition: 伝統expectations: 期待paler: 青白くdizzy: 目まいdesperately: 必死にsupported: 支えentrusted: 込めてrenewed: 新たなbeautifully: 美しくlandscape: 雪景色fantastically: 幻想的にhappiness: 幸せweakness: 弱みtrusting: 信じるgratitude: 感謝crushed: 押しつぶされそうchildhood: 幼なじみfulfill: 果たすsenior: 先輩responded: 答えるstrong: 強いshaking: 揺れてfinally: ついにstep: 一歩renewed spirit: 新たな気持ちpatience: 忍耐

durée : 00:04:08 - Bulles de BD - par : Laetitia Gayet - Les éditions Le Tripode réédite une oeuvre majeure dans l'univers des mangas. "Gen aux pieds nus" ou le traumatisme d'Hiroshima et de Nagasaki, récit quasi autobiographique pour Keiji Nakazawa. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:08 - Bulles de BD - par : Laetitia Gayet - Les éditions Le Tripode réédite une oeuvre majeure dans l'univers des mangas. "Gen aux pieds nus" ou le traumatisme d'Hiroshima et de Nagasaki, récit quasi autobiographique pour Keiji Nakazawa. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:18:44 - Les Midis de Culture - par : Marie Labory - Crée entre 1973 et 1985 par le japonais Keiji Nakazawa, ces dix tomes sont réédités par les éditions du Tripode. Avec "Gen aux pieds nus", Keiji Nakazawa signe un témoignage sidérant sur les survivants de la bombe d'Hiroshima. - réalisation : Laurence Malonda - invités : Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro; Catherine Robin Grand reporter et critique de BD à Elle

durée : 00:27:27 - Les Midis de Culture - par : Marie Labory - Au menu de notre débat critique aujourd'hui, trois bandes dessinées avec la réédition de "Gen aux pieds nus" du japonais Keiji Nakazawa, un récit sur la vieillesse féminine avec "Vieille" de Delphine Panique et l'exercice de style de l'auteur américain Charles Burns avec "Funestes amours" - réalisation : Laurence Malonda - invités : Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro; Catherine Robin Grand reporter et critique de BD à Elle

Welcome to Wrestling Recommendations! Your hosts Eddy and Travis dive in with a deep retrospective and watch along to some of their favorite wrestling matches. Chosen at random by the Wheel of Destiny! On this episode, we travel back to New Japan Pro Wrestling's G1 Climax from 1991. As we see Big Van Vader take on Keiji Muto aka The Great Muta in the Semi Finals of the G1 Tournament. Taking place via fan cam footage from August 10th, 1991. Listen and watch along, as they continue to bring you their Wrestling Recommendations!

SummaryIn this week's episode of Startup Junkies, the team welcomes Keiji Tsuchiya, founder of CaminoSake, for a fascinating conversation about bringing Japanese craft sake and its rich culture to new audiences in Northwest Arkansas and beyond.Keiji's journey is anything but ordinary. With roots in Kobe, Japan, and a background spanning venture capital and the foodtech sector, he has a unique vision of supporting small Japanese brewers and local specialty sake shops by expanding their reach into global markets. His story intertwines entrepreneurial grit with a passion for sharing sake's true essence, not just as an alcoholic drink, but as a mindful, enjoyable experience.Listeners get a taste of Keiji's philosophy as he discusses the traditional art of sake, the nuances of hot sake preparation, and innovative food pairings that break cultural boundaries, think Arkansas fried chicken or spicy Moroccan tagine with sake! Keiji's collaborations with local chefs, Brightwater Culinary School, and Arkansas' own Origami Sake brewery highlight his drive to foster community and cross-cultural culinary adventures.Bootstrapping his venture, Keiji offers honest insight into the challenges and joys of entrepreneurship, advocating for enjoying each moment and learning along the way. For food lovers, sake enthusiasts, and aspiring entrepreneurs, this episode delivers inspiration and practical wisdom. Keiji reminds us that every meal and every venture can be a little happier, one mindful sip at a time!Show Notes(00:00) Introduction(05:59) Improving Hot Sake Quality Education(08:44) Keiji's Role in Sake Brewing(11:47) Cross-Cultural Culinary Ventures(14:59) Bootstrapping Challenges and Strategies(16:45) Expanding Japanese Sake Globally(21:39) Closing ThoughtsLinksDaniel KoonceCaleb TalleyStartup JunkieStartup Junkie YouTubeKeiji TsuchiyaCaminoSake

Joseph Turner is a PhD student in the English Department at the University of Wisconsin-Madison, specializing in the dialogue between continental and Japanese philosophical traditions. His dissertation explores the development of a political ontology that bridges Nishitani Keiji's concept of emptiness with Jean-Luc Nancy's shared ontology of "being-with."He holds an MA in Literary Studies from the University of Nebraska-Lincoln and has published on Jean Baudrillard's work. Joseph has presented at numerous academic conferences on philosophers, including Baudrillard, Giorgio Agamben, Nishitani Keiji, and Jean-Luc Nancy. His research contributes to cross-cultural philosophical dialogue and offers new perspectives on political ontology that transcend frameworks of predetermined political antagonisms. Based in Madison, Wisconsin, Joseph works at the intersection of Eastern and Western philosophical traditions, bringing attention to underexplored thinkers and fostering promising theoretical frameworks.He also works with Incite Seminars, where he is currently co-teaching a seminar on cybernetics with his friend and colleague Matthew Stanley and will be organizing a class on an introduction to political ontologies soon after.---Become part of the Hermitix community:Hermitix Twitter - ⁠⁠ / hermitixpodcast⁠⁠ Hermitix Discord - ⁠⁠ / discord Support Hermitix:Hermitix Subscription - ⁠⁠https://hermitix.net/subscribe/⁠⁠ Patreon - ⁠⁠ www.patreon.com/hermitix⁠⁠ Donations: - ⁠⁠https://www.paypal.me/hermitixpod⁠⁠Hermitix Merchandise - ⁠⁠http://teespring.com/stores/hermitix-2⁠⁠Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0xfd2bbe86d6070004b9Cbf682aB2F25170046A996

In this powerful episode of Nah, Not All Hood, Dr. Keiji Fukuda—former Assistant Director-General of the World Health Organization and globally respected epidemiologist—joins Malcolm-Jamal Warner and Candace Kelley for an eye-opening conversation. From his global travels to frontline pandemic response, Dr. Fukuda unpacks the social and environmental roots of health inequity, particularly within Black communities. They explore vaccine skepticism, mask mandates, why some illnesses never seem to disappear in certain populations, and how public health has been politicized. Dr. Fukuda opens up about his creative passions like cello and filmmaking, and how spirituality and balance keep him grounded. The episode also digs deep into pandemic preparedness, why pulling out of WHO would devastate global safety nets, and what's really at stake when science, politics, and personal freedom collide. This episode is a masterclass in clarity, compassion, and cultural awareness from someone who has been in the room where the world's biggest health decisions are made. #notallhood #malcolmjamalwarner #candacekelley #nahmorethanamonth #companyx #publichealthcrisis #blackhealthmatters----------------------------------------------------------------------------------------------------- Not All Hood (NAH) podcast takes a look at the lived experiences and identities of Black people in America. Infused with pop culture, music, and headlining news, the show addresses the evolution, exhilaration, and triumphs of being rooted in a myriad of versions of Black America.   Hosted by Malcolm-Jamal Warner, and Candace O.Kelley   Executive Producer: Layne Fontes Producer & Creative Director: Troy W. Harris, Jr.

Curious about the illusions and realities of corporate culture? Join us as we chat with Keiji Adedeji, an experienced product leadership coach with deep insights into the world of product management. Keiji shares her fascinating journey from software tester to product manager, driven by a relentless curiosity and a knack for problem-solving. With over 18 years in tech and extensive experience in B2B sectors, including her recent work with the International Baccalaureate Organization, Keiji brings to light the humorous and perplexing behaviors of large companies and the illusion of control that often drives their decisions.In our conversation, we unpack the common pitfalls of adopting agile methodologies without truly grasping their essence, drawing from Keiji's firsthand experience with teams attempting to mirror Spotify's squad model. We highlight unusual practices, like the need to move physical cards, emphasizing the necessity of trust and focusing on outcomes rather than getting lost in the process. As our world shifts towards virtual and hybrid work environments, Keiji questions the relevance of traditional tools and underscores the importance of adaptable, outcome-driven work practices.We also explore the challenges that come with setting strategic goals and how organizations can sometimes lose sight of their brand and mission in pursuit of metrics and revenue. By discussing the value of clear boundaries and the dangers of excessive bureaucracy, we aim to equip listeners with strategies to empower teams and drive meaningful change. From setting effective guardrails to navigating organizational complexity, Keiji offers a wealth of knowledge on building a culture of experimentation and tackling inefficiencies to enhance productivity and engagement.Featured Links: Follow Keji on LinkedIn | Watch Keji's talk at #mtpcon 2023 | The Spotify Squad ModelOur HostsLily Smith enjoys working as a consultant product manager with early-stage and growing startups and as a mentor to other product managers. She's currently Chief Product Officer at BBC Maestro, and has spent 13 years in the tech industry working with startups in the SaaS and mobile space. She's worked on a diverse range of products – leading the product teams through discovery, prototyping, testing and delivery. Lily also founded ProductTank Bristol and runs ProductCamp in Bristol and Bath. Randy Silver is a Leadership & Product Coach and Consultant. He gets teams unstuck, helping you to supercharge your results. Randy's held interim CPO and Leadership roles at scale-ups and SMEs, advised start-ups, and been Head of Product at HSBC and Sainsbury's. He participated in Silicon Valley Product Group's Coaching the Coaches forum, and speaks frequently at conferences and events. You can join one of communities he runs for CPOs (CPO Circles), Product Managers (Product In the {A}ether) and Product Coaches. He's the author of What Do We Do Now? A Product Manager's Guide to Strategy in the Time of COVID-19. A recovering music journalist and editor, Randy also launched Amazon's music stores in the US & UK.

Shane sits down at a media round table for the upcoming expansion "Mortal Kombat 1: Kaos Reigns". We explore aspects of the voice acting approach, art design and workflow, and of course chat with Ed Boon about what goes into developing content for Mortal Kombat! Ed Boon, Chief Creative Officer at NetherRealm Studios and Co-Creator of Mortal Kombat Erika Ishii (Starfield, Fallout 76)  Kaiji Tang (Jujutsu Kaisen, Detective Pikachu videogames) NetherRealm Cinematic Director Marty Stoltz NetherRealm Principal Cinematic Artist Joshua Slingerland Learn more about your ad choices. Visit megaphone.fm/adchoices

This lecture discusses key ideas from the 20th century philosopher and head of the Japanese Kyoto school, Nishitani Keiji's book, The Self-Overcoming Of Nihilism Specifically it examines the Appendix to the work, titled "The Problem of Atheism". He analyses two main philosophical atheistic approaches to religion, that of Marxist humanism and that of Sartrean existentialism, and points out inadequacies to both of these positions, particularly when examined in relation to Mahayana Buddhism. Nishitani also suggests that a reappropriated and reinterpreted Buddhism can offer a position that engages with nihilism but also goes beyond it in manners that also go beyond Western self-overcomings of nihilism To support my ongoing work, go to my Patreon site - www.patreon.com/sadler or Buy Me A Coffee - https://buymeacoffee.com/a4quydwom If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase The Self-Overcoming Of Nihilism - https://amzn.to/3wgyCqz

This lecture discusses key ideas from the 20th century philosopher and head of the Japanese Kyoto school, Nishitani Keiji's book, The Self-Overcoming Of Nihilism Specifically it examines chapter 9, "The Meaning of Nihilism for Japan". Nishitani claims that nihilism has become a significant cultural problem in post-World War II Japan, and that merely returning to a previously robust tradition undergirded by (Mahayana) Buddhism and Confucianism will not be by itself sufficient. Instead, that tradition has to be reappropriated and reinterpreted from the point of view of the present and the future in order for it to possess any genuine potentiality To support my ongoing work, go to my Patreon site - www.patreon.com/sadler or Buy Me A Coffee - https://buymeacoffee.com/a4quydwom If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase The Self-Overcoming Of Nihilism - https://amzn.to/3wgyCqz

This lecture discusses key ideas from the 20th century philosopher and head of the Japanese Kyoto school, Nishitani Keiji's book, The Self-Overcoming Of Nihilism Specifically it examines chapter 9, "The Meaning of Nihilism for Japan". This one examines his discussion of how Japan opened itself up to a crisis of nihilism precisely through modernization and westernization, and what the possibilities for post-World War II are. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler or Buy Me A Coffee - https://buymeacoffee.com/a4quydwom If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase The Self-Overcoming Of Nihilism - https://amzn.to/3wgyCqz

This lecture discusses key ideas from the 20th century philosopher and head of the Japanese Kyoto school, Nishitani Keiji's book, The Self-Overcoming Of Nihilism Specifically it examines his discussion in chapter 1 "Nihilism As Existence", of what he terms "European nihilism". Although nihilism remains in part a trans-cultural and trans-historical phenomenon, it arises in a complex and active way within the ongoing development of modern European culture. A nihilims that overcomes nihilism also arises out of that as well. None of this means that nihilism can be put off as a merely European problem, however, particularly for Japanese culture. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler or Buy Me A Coffee - https://buymeacoffee.com/a4quydwom If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase The Self-Overcoming Of Nihilism - https://amzn.to/3wgyCqz

This lecture discusses key ideas from the 20th century philosopher and head of the Japanese Kyoto school, Nishitani Keiji's book, The Self-Overcoming Of Nihilism Specifically it examines his discussion in chapter 1 "Nihilism As Existence", focused on how human beings are situated in history, and how nihilism arises not just as a trans-historical possibility, but within a particular historical context, that of modern Europe. This requires that not only does nihilism need to be understood from within a philosophy of history, but that it must also enter into and inform that philosophy of history itself, transforming it in the process. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler or Buy Me A Coffee - https://buymeacoffee.com/a4quydwom If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase The Self-Overcoming Of Nihilism - https://amzn.to/3wgyCqz

This lecture discusses key ideas from the 20th century philosopher and head of the Japanese Kyoto school, Nishitani Keiji's book, The Self-Overcoming Of Nihilism Specifically it examines his discussion in chapter 1 "Nihilism As Existence", which distinguishes several unproductive and inadequate approaches to nihilism, and then frames nihilism as a problem of the self. He notes that the self can be broken into two selves, one which observes and questions, the other which is observed and questioned, but that this bifurcation remains a problem, which then calls to be resolved through actual existence and passionate thinking. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler or Buy Me A Coffee - https://buymeacoffee.com/a4quydwom If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3,000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase The Self-Overcoming Of Nihilism - https://amzn.to/3wgyCqz

On the 381st episode of Wrestling With the Dawg Podcast, Joe Drilling and Eric Allen of OnTheStick.com joins the Dirty Dawg Darsie to review the IWGP World Heavyweight Champion Keiji Muto v. Stunning Steve Austin from NJPW on May 26th, 1995!  The cats talk about the WCW plans for the TV title for Arn Anderson, Dustin Rhodes having talks with Titan Sports, what would the wrestling world look like if Eric Bischoff didn't fire Steve Austin from WCW, and so much more! Please support WhenItWasCool.com! Patreon.com/WIWCool/ Patreon.com/DirtyDawgMES/ Shoutout to INNESX for the Hollywood Blonde's "Satan's Sister" theme.  Check out his work at: https://www.youtube.com/@innesx_/videos

The Milan-based designer shares some of the principles central to his design process. See omnystudio.com/listener for privacy information.

Do you hear that sound? Can you feel it? The cool ocean breeze in your hair, the salt on your tongue. It's the smooth crash of KVGM "The Last Wave", with your host, Hammock. A biweekly VGM podcast bringing you the jammiest video game music from all your favorite composers and consoles. Sit back, relax, and get ready to catch...the Last Wave. We're already in March, my mom's birthday already happened, my wife's birthday is at the end of the month, lots of moms and dads got busy in the summer, apparently. And as a special treat for all the March birthdays, we've got some real special jams picked out...like always. Playlist Track 5 - MUSE (Custom Mate 2, FM Towns) Next to You - Naotoshi Nishino (C' ~can't live without you~, PC) Garage - Daichi Hasemi (Inuwashi: Urabure Tantei to Ojou-sama Keiji no Ikebukuro Jiken File, Nintendo Switch) ZENKYO - Unknown (Chou Kousoku Igo, Sony PlayStation 2) Life in Love - Sound AMS (Suto Mani ~Strobe☆Mania~, Sony PlayStation Portable) SNOW LIGHT - Tadayuki Itou (Love Escalator, PC-98) District Select - Masafumi Ogata (Simple 1500 Series Vol. 12: The Quiz, Sony PlayStation) Menu - Unknown (Mahjong Kaigan Monogatari: Mahjong-kyou Jidai Sexy Idol-hen, Sega Saturn) BGM 18 - Nash Studio (Seikan Chiryou Massage, PC) Flying to Horizon - Takeshi Abo (Yume no Tsubasa: Fate of the Heart, Sony PlayStation) Special Request GT Mode 5 - Isamu Ohira (Gran Turismo 4, Sony PlayStation 2)

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

Available to buy on Irodori Sakura website: https://affiliate.irodoricomics.com/affiliate.php?id=105&url=86 Listen to My Father-In-Law review 1 on episode 165: https://spotify.link/MFTZgrgtjCb The story got more wilder. This is the second volume of My Father In Law has more bedrooms and action scenes and get to see more of Keiji dark personality. Keiji has abandoned issues. In the first two pages, the daughter is fed up with Keiji calling her too many times. And think his behaviour is unacceptable. Then Chiyo tells her father she is going away for a trip with her friends. Chiyo mentioned Keiji and why has her father been avoiding him.  Announcement: it's A Yaoi Recipe Podcast is now part of the affiliation program with Irodori Comics.  Click on the affiliate link and you be directed to the Irodori website page. Every Successful purchase through the link, Yaoi Recipe podcast will receive a 10% commission.  Irodori Sakura website: https://affiliate.irodoricomics.com/affiliate.php?id=105   I am on Instagram, I will be posting some photos and small clips on what I have been reading and daily videos clip on what I have been doing including behind the scene.  My account  @Yaoi_Recip   YAOI RECIPE SHOP OPEN ON Ko-FI!: Check out my Ko0fi shop, I am selling my own Yaoi Manga and artbook (ebook PDF) for everyone to enjoy. Listener to the podcast can get 5% off on the Manga category, Use the Code at the checkout: YAOIRECIPE

For this episode we read the first two volumes of "Barefoot Gen," Keiji Nakazawa's semi-autobiographical account of surviving the bombing of Hiroshima when he was six years old. "Barefoot Gen" is the best book about the worst thing. Be prepared for it to be super traumatic, but no other book is doing what this one does. Music by Sleuth For a complete change of pace, our next book will be the first two volumes of "Witch Hat Atelier" by Kamome Shirahama.

Follow King and Jones into the feathery world of Rooster Fighter! Keiji the rooster embarks on his quest to destroy all demons with an entourage of warrior chickens!Support the showSupport the showDiscordTwitter

The Boys: Richie, Daniel, & Jose are back to bring you an action packed episode featuring Keiji the Rooster Fighter taking down Demons one at a time! --- Support this podcast: https://podcasters.spotify.com/pod/show/right2leftpod/support

Join SP3 and J-News for our Keiji Muto Grand Final Pro Wrestling "Last Love" Review breaking down the show from top to bottom including Kazuchika Okada vs Kaito Kiyomiya and Keiji Muto vs Tetsuya Naito. Welcome to the Tru Heel Heat Wrestling YouTube channel where we cover the sport of professional wrestling including all WWE TV shows (Raw, Smackdown, & NXT), AEW Dynamite/Dark, IMPACT Wrestling, NJPW, ROH, Dark Side of the Ring and more. Our weekly podcast hosted by SP3, Top Guy JJ & Miss Krssi Luv breaking down the weekly wrestling news and present unfiltered, honest thoughts and opinions for wrestling fans by wrestling fans, drops every Saturday. We also include PPV reviews, countdowns, and exclusive interviews with wrestlers from all promotions hosted by a wide range of personalities such as Romeo, Chris G, Ness, StatKing, Drunk Guy JJ, J-News and more. Subscribe and enable ALL notifications to stay posted for the latest wrestling WWE news, highlights, commentary, updates and more. Become a member of Tru Heels Facebook community: www.facebook.com/groups/1336177103130224/ Subscribe to Tru Heel Heat on YouTube: www.youtube.com/channel/UC0AmFQmsRyQYPKyRm5hDwNg Follow Tru Heels on Twitter: twitter.com/truheelheat Follow Tru Heels on Instagram: www.instagram.com/truheelheat/ Music composed by JPM

Today, we are bringing you a very special episode: a review, or "companion piece", to Keiji Muto's Last Love Hold Out, a retirement spectacle that saw many, as Katsuhiko Nakajima put it, "endings, beginnings, and reunions". Captain Lou and Justin Knipper joined us for a match-by-match discussion on our favorite moments and storylines from the show, and what we hope to see for the future as wrestling bids the Hesei era goodbye. Follow Captain Lou @CaptainLouJapan and read his review of Keiji Muto's Last Love Hold Out and many others at Happy Wrestling Land. Follow Justin Knipper @justinmknipper and listen to his podcast Write That Down! with Fumi Saito via the Fight Game Media Network (subscribe to get all their episodes wherever you listen to your podcasts). Consider making a gift to our ko-fi to help support our work. Follow us at @kickout299 on Twitter, email us with questions and feedback at kickoutat299@gmail.com, and check out our blog at kickout299.wordpress.com. As always, please rate and follow/subscribe to us on Spotify, Apple, or your preferred podcast platform. Thank you so much for your support!

The end of the road for one of wrestling's true greats in the Tokyo Dome as another tries to build her legend in a new arena. James is joined by Chelsea Spollen to talk about NJPW Battle in the Valley and Anna to talk about NOAH Keiji Muto Grand Final Pro-Wrestling Last Love Hold Out.

Recebemos a filósofa e professora Amanda Fernandes para uma conversa sobre o Nishitani Keiji, escola de Kyoto, filosofia intercultural e muito mais. Leia mais → O post 174 – Nishitani Keiji, com Amanda Fernandes apareceu primeiro em filosofia pop.

Ryan and Scotty are back talking about another week in the world of pro wrestling! They talk about NOAH Keiji Muto Last Love, Impact No Surrender, Ring of Honor's start, Jeff Hardy, AEW All-Access & so much more!Join the Count Out! DiscordSupport this podcast by becoming a member today!Get some merch!Support this podcast at — https://redcircle.com/hit-the-books-realistic-wwe-fantasy-booking/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ryan and Scotty are back talking about another week in the world of pro wrestling! They talk about NOAH Keiji Muto Last Love, Impact No Surrender, Ring of Honor's start, Jeff Hardy, AEW All-Access & so much more!Join the Count Out! DiscordSupport this podcast by becoming a member today!Get some merch!Support this podcast at — https://redcircle.com/ring-post-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What a spectacle it was. Keiji Muto retired on unquestionably the biggest show in japanese pro-wrestling in decades. The Eastern Lariat looks back at the entire show with discussions about Keiji Muto vs. Tetsuya Naito and Kazuchika Okada vs. Kaito Kiyomiya and their implications for the future taking center stage. With Muto presenting this huge event, two questions seem crucial: Can japanese pro-wrestling present something bigger or anything close to this? Who gained the most from this event? Besides that, STRIGGA & Dylan also put every match on the card into perspective and highlight current developments in the respective companies. 

Jeremy Finestone and Steven Conway are back with a new episode of Speaking of Strong Style! Steven and Jeremy talked about the Keiji Muto retirement card and how the New Japan crew of Kazuchika Okada, Tetsuya Naito, Hiromu Takahashi and Taiji Ishimori swept the top matches. Was this card actually good for NOAH, or did it make it look minor league? Or is there a long-term plan in mind? They also broke down Battle in the Valley, including Mercedes Mone's debut against Kairi, Okada's match with Hiroshi Tanahashi and why it was an honor just to see it in person, David Finlay's heel turn, Jay White's New Japan good-bye against Eddie Kingston, Zack Sabre Jr.'s title defense against Clark Connors and KENTA's NJPW Strong title win. The pair also previewed Fantastica Mania and the upcoming anniversary show, and plunged into the history of Keiji Muto with a look at his early days in NJPW. It's one-stop shopping for all you need to know about New Japan! Join the Patreon for just $5.00 per month: https://www.patreon.com/fightgamemedia Follow us on Twitter: https://twitter.com/fightgamemedia Subscribe to our YouTube Page: https://www.youtube.com/c/FightGameMedia Follow us on Instagram: https://www.instagram.com/fightgamemedia Join the Discord: https://discord.gg/TE68gq4emB Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jeremy Finestone and Steven Conway are back with a new episode of Speaking of Strong Style! Steven and Jeremy talked about the Keiji Muto retirement card and how the New Japan crew of Kazuchika Okada, Tetsuya Naito, Hiromu Takahashi and Taiji Ishimori swept the top matches. Was this card actually good for NOAH, or did it make it look minor league? Or is there a long-term plan in mind? They also broke down Battle in the Valley, including Mercedes Mone's debut against Kairi, Okada's match with Hiroshi Tanahashi and why it was an honor just to see it in person, David Finlay's heel turn, Jay White's New Japan good-bye against Eddie Kingston, Zack Sabre Jr.'s title defense against Clark Connors and KENTA's NJPW Strong title win. The pair also previewed FantasticaMania and the upcoming anniversary show, and plunged into the history of Keiji Muto with a look at his early days in NJPW. It's one-stop shopping for all you need to know about New Japan!  

Ryan and Scotty are back talking about another week in the world of pro wrestling! They talk about WWE Elimination Chamber, NJPW Battle in the Valley, NOAH Keiji Muto Last Love & so much more!Join the Count Out! DiscordSupport this podcast by becoming a member today!Get some merch!Support this podcast at — https://redcircle.com/hit-the-books-realistic-wwe-fantasy-booking/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ryan and Scotty are back talking about another week in the world of pro wrestling! They talk about WWE Elimination Chamber, NJPW Battle in the Valley, NOAH Keiji Muto Last Love & so much more!Join the Count Out! DiscordSupport this podcast by becoming a member today!Get some merch!Support this podcast at — https://redcircle.com/ring-post-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Was able to sit down with Dr Jonathan Foye to talk about primarily the AJPW run of Keiji Muto both in front and behind the camera. As well as some tips from his W-1 run from Smiley, and a brief overviewing of his NOAH run.

Presentacion Sinoptica de la Obra Capital de la Filodsofia Oriente-Occidente "La Religion y La Nada", del maestro de la Escuela de Kioto Keiji Nishitani, uno de los mas elocuentes analisis sobre religiosidad y las trampas del sujeto en el pensamiento cartesiano y kantiano --- Send in a voice message: https://anchor.fm/nova-forma/message

Scott E is back to preview the final show of the great Keiji Muto taking place in Tokyo Dome.

Write That Down! is back with a classic edition focused on the latter half of Keiji Muto's career! Spanning from roughly 1987–2021, Fumi Saito & Justin Knipper covered a dense amount of detail on Muto in their third and fourth installments of their series on Muto. Download the full Muto miniseries on the Fight Game Media Patreon page http://www.patreon.com/FightGameMedia. Join the Patreon for just $5.00 per month here: https://www.patreon.com/fightgamemedia Follow us on Twitter: https://twitter.com/fightgamemedia Join our Facebook Group: https://www.facebook.com/groups/1958473677605950 Follow our Facebook Page: https://www.facebook.com/fightgamemedia Subscribe to our YouTube Page: https://www.youtube.com/c/FightGameMedia Follow us on Instagram: https://www.instagram.com/fightgamemedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since starting out in 1996, Keiji Ashizawa has become one of Japan's leading contemporary architects. In 2005 he founded his own studio, Keiji Ashizawa Design, and in 2014 helped found Ishinomaki Laboratory with the goal of supporting the recovery from the Great East Japan Earthquake In this episode, Ashizawa sits down with Suzy Annetta for a conversation about the way he thinks, lives and works.The Design Dialogues is presented in partnership with Fifth Black.

Der japanische Zeichner Keiji Nakazawa verarbeitete in dem Manga "Barfuß durch Hiroshima" sein Leben nach dem Abwurf der Atombombe auf seine Heimatstadt Hiroshima.

Der Manga "Barfuß durch Hiroshima" hat die Welt der Comics revolutioniert. Der japanische Zeichner Keiji Nakazawa verarbeitet darin sein Leben nach dem Abwurf der Atombombe auf seine Heimatstadt Hiroshima. Das Werk gilt als einer der bewegendsten Comics aller Zeiten. Autorin: Barbara Geschwinde Von Barbara Geschwinde.

Season 2 - Episode 5/10 Alexander O. Smith—who goes by Alex—is a translator, writer, and photographer living in Kamakura, Japan. As a translator, he's worked on games like Final Fantasy 12, novels in the fantasy, sci-fi, and mystery genres, and manga. He's written for Magic: The Gathering, DeNA mobile games, Ori and the Will of the Wisps, and is currently writing at game studio Camouflaj on an unannounced VR title. Alex chose to chat about the sci-fi novel—which later became a blockbuster movie staring Tom Cruise and Emily Blunt, Edge of Tomorrow—All You Need Is Kill, by Hiroshi Sakurazaka and translated from Japanese by Joseph Reeder and edited by Alexander O. Smith. "When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armor and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the Bitch of War. Is the Bitch the key to Keiji's escape, or to his final death?" Additional J-EN Translations translation review of All You Need Is Kill Alexander O. Smith Website: Kajiya Productions Twitter: @aokajiya Translation Chat A podcast where professional Japanese to English translators and editors chat about their favorite translations. Hosted and edited by Jennifer O'Donnell Music by Alex Valles Logo by Katherine Soldevilla

Steven and James return to talk about Takeshi Obata's vision of ‘All You Need is Kill', and in turn compare the changes to the original light novel as well as the Tom Cruise and Emily Blunt movie adaptation, ‘The Edge of Tomorrow' a.k.a. ‘Live, Die, Repeat'. Both measuring the pros and cons of the differing plot points. Skip synopsis @ 5:00 Email: WeAppreciateManga@Gmail.com   087: All You Need is Kill vol .2 Original Story by Hiroshi Sakurazaka Art by Takeshi Obata With Storyboards by Ryosuke Takeuchi And additional illustrations by Yoshitoshi Abe Translation by Tetsuichiro Miyaki Lettering and touch up art by Evan Walldinger   Rita Vratsky joins the war against the alien invaders, the mimics, so to avenge the deaths of her parents. In one battle she is helped out by first lieutenant Arthur Hendricks, she kills a mimic that has an antenna. By killing it she is thrown into a loop that resets time before the battle starts. Through a conversation with Shasta, Rita discovers her data is separate from the main sever and is specifically backed up for the war effort. It's here Rita develops the epiphany that the antenna mimic she kills is not enough to prevent the time loop, she must factor in the whole network and kill them in a specific sequence. A mimic with an antenna is able to send signals to the mimics in the past, this one strategy is why the mimics are so incredibly threatening. Yet it is through some glitch of sorts that a human mind can be caught in the radius of their signals. On her 211 try she succeeds in winning the battle and breaks through the loop. Hendricks however did not survive the battle.   Rita takes this news to heart, not only because she can't loop back now, but since in every loop she experienced Hendricks was never killed. Rita determines his sacrifice as a sombre inevitability of war. On arriving at the Boso peninsula Rita makes the effort to prepare seemingly arbitrary questions, a tactic so to deduce if someone is going through a loop as she did. If someone answered her question before she asked it, then that's how she would know they were looping through time. She finds him, Kiriya Keiji, who pre-emptively answers two of her questions, one being the number of times he has looped. The conversation is enough to move Rita to tears and the two spend the entire day together. Now the stage is set for the final battle, both Rita and Keiji understand the rules of the time loop. As with a network they must prevent the mimic recording the battle, and destroy the back-ups before they kill the main server. Making the mimics unable to telegraph to the past. And the mimics themselves are getting desperate seeing Rita and Keiji as anomalies in their battle. Yet there is one final twist in the tale, defeating the mimics is easy now that Keiji is with Rita, but what about that unaccounted for feedback loop?   Trivia:   The nicknames and titles that Rita has in all forms of English translated media are as follows: The Full Metal Bitch, The Valkyrie, The Angel of Verdun, Mad Margherita   About Tachyon Signals: Tachyon signals are a big part of the story. But what is a Tachyon signal? First one must understand that time and space travel are scientifically synonymous. If you draw a graph, you can divide space and time along an X and Y line but the two can't exist without the other. You need space to measure time. The Speed of light is a Z line that runs on a 45 degree angle through time and space. When you look at the stars in the night sky you are already seeing into the past of that star's life. By the time the light travels to earth and you see it twinkle that star may already be dying or be dead. Stars are massive balls of energy but when we see them, we may as well call them ghosts or after-images. Consider that the observable universe is expanding it indeed takes a very, very long time for light to travel to us. And anything that has mass, can't travel faster than light, which essentially means nothing is faster than light. Now when scientists talk about the theory of time travel, they are not talking hypothetically but more of suppositions. Now suppose there are particles that can travel faster than the speed of light. If you could travel faster than light then you could travel to the ends of the universe, land on some distant planet that may be a match for earth, get your telescope out and look in the same direction of earth and what you would see is the dinosaurs living and breathing. You need space to “time travel”, the more space means more you can see through time. Specifically seeing the past. Keiji and Rita do not actually travel through time, they get visions from a tachyon signal to their brains, which are traveling from space. Now I explained how you can see visions of the past, but how do these people see visions of the future? This is where we get timey whimey loopy doopy, and leads to the paradox. One is Rita and Keiji did die, and what we are seeing is ghosts. They are ghosts, they are already dead and they just don't know it. They either exist on another dimension, the universe is broken and so we got the glitch that is this story. That's what happens when aliens use cheat codes lie time travel signals. You break the universe, but if you believe in the holographic universe theory then you know it's not a stretch. If such a thing was to happen it would create the concept of anti-time, as with something like anti-matter. The Christopher Nolan movie ‘Tenet' illustrates this well by having the universe contain a reverse entropy, with the values of time running through the negatives. Realistically Keiji and Rita would never know where the signal is coming from, and that's scary. Because the mimics are on earth, they themselves are too close to the action to send a clear signal. It would be some other being that is sending the signal, which supports the theory that somewhere, out there in space, they are being watched by mysterious aliens who the mimics themselves are agents of. What they succeed in doing is cutting off their antennas so that they never receive the signal (experience the loop again). But Rita figures out she's emitting tachyon signals, which is the most implausible part of the story. Not only because she's human but because there would only be a short distance to emit the signal. After all it's only one day before the battle, that's a full rotation of the earth. Regardless it's enough space for the signal to travel and we never find out how many tachyon signals are being sent, it's not impossible if an unseen force is using signals faster than the ones Rita and Keiji receive. One thing to keep in mind, as of the upload date there is no proof of tachyons or such particles to have existed or ever exist.   Differences between the 2004 Light Novel and the manga: For the most part the manga is an incredibly accurate adaptation of the novel, but the differences are listed here… Mimics appear as short and stout creatures that resemble barrels or the “bloated carcass of a dead frog” on a detailed biological level they are most like star fish. They shoot javelins from vents on their bodies. In the manga they appear as spherical shaped levitating beings with gaping mouths. This is most likely because Takeshi Obata would have found it easier to draw the creatures with such a design, especially from multiple angles. A scene omitted in the manga has Shasta show off the Gachapon toys she bought. Shasta is an avid collector of Gachapon and is keen to show Rita that a toy was made of her, The Rita toy does not actually resemble her but the actor who is playing her in a movie. A glamourous curly hair blonde, at least her suit is painted red. Rachel Kisaragi the cook dies where as in the manga there is no such scene. One wouldn't be able to tell from reading the manga but Shasta is a mix of native American lineage. (James does not know the details of her ancestry, and it is not an important subject in the story) In the manga most of Keiji's squad survives, Jin Yonabaru flees the base at one point and Ferrell survives too even if he does get killed once during one of Keiji's loops.   Differences between the 2014 American movie and the manga:   Mimics appear as dark tentacled monsters with glowing faces. Very much reminiscent to the hunter killer machines in the 1999 movie, ‘The Matrix'. During P.T. Keiji and his squad are doing isometric push-ups, the exercise more or less describes that of “planking”, where you hold your position for a specific time. In the movie they do push-ups. The Japanese Kiriya Keji is named William Cage and played by Tom Cruise. Cage is an older and more cowardly American character, played like an anti-hero for comedic effect but goes towards a more redemptive arc. Jin Yonabaru makes no appearance, instead we get the J-Squad characters who fulfil that role. Rita is played by the British Emily Blunt. She's a much more stoic character than in the manga. She is never seen crying and never shown seeking any looper, of all the questions she could ask Cage, it's merely the “Have I got something on my face” line, at one point she even takes Cage's battery without asking him a single question. Rita is also very quick to kill Cage (in order to reset the time loop) if she deems his efforts a failure. Rita has blonde hair in the movie, in the manga and like the novel Rita has red hair. Rita has the distinct characteristic of carrying a sword to battle (similar to the buster sword of Cloud Strife in the Final Fantasy 7 games). In the manga she carries an axe, Keiji himself acquires a similar axe weapon. The explanation given is that they don't need ammo to fight. No explanation is given in the movie. Rita and Cage join forces before Cage has properly trained. Instead of being trained by Ferrell it is Rita who trains Cage. The character Arthur Hendricks is mentioned by name, but makes no appearance in the movie. Unlike the manga, Rita experiences Hendrik's death 300 times through all of her looping, both the manga and the movie are similar in that his death affects Rita. Rachel Kisaragi makes no appearance. Unlike the Manga, Cage has what appears to be visions of the future and is clued in on how to defeat the Mimics. Later in the movie this turns out to be a red herring. The mimics are sending Cage mixed and jumbled up messages so to throw him off the battle. The manga keeps it vague as to how the time loop is triggered, simply killing a mimic with an antenna is enough to experience a loop. The movie has it caused by blood contamination with a mimic. Rita and Cage exit the time loop through receiving a medical blood transfusion. This vastly changes the climax of the story, creating higher stakes but also gives the ending more of an upbeat note. The effects of the tachyon particles are not permanent. The word “Tachyon” is never mentioned in the movie. In one particularly tense scene, a mimic can tell the difference between someone who is looping and not looping through observing their blood. In the manga they rely on just experience to deduce Keiji and Rita's looping and have no strategy on how to prevent Rita and keiji's loops. The romantic aspects of the story are underplayed to say the least, but unlike the manga, Rita does passionately kiss Cage during the climax of the movie. Cage never earns the nickname Killer Cage, nor does he paint his suit sky blue. The movie ends with the mimics resetting the time loop further back and retreating from their invasion of earth. The record of the movie's events is shared only between Cage and the mimics. Cage is able to meet Rita after her loops, but relatively for Rita it is their first meeting. Other references: “Kiri Oboeru” – “strike your enemy down and learn” Hagakure, samurai Shogi – Is the Japanese variant of chess, “Jitterbugging” - The Executioner's style book - Coffee – Facebook Instagram Twitter   Email

April Vollmer is one of the most important mokuhanga printmakers and authors working today. Her book, Japanese Woodblock Print Workshop, is a must have for any person interested in mokuhanga. its process, history, and the artists making it.  On this epsiode of The Unfinished Print, I speak with April Vollmer about her travels throughout the mokuhanga landscape. Her time at Nagasawa Art Park, and then onto MI Lab. How she got into becoming an author, writing Japanese Woodblock Print Workshop, her influences and her process.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com  Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. April Vollmer -website, Instagram, Facebook. April was recently a part of the mokuhanga exhibition at the Kentler International Drawing Space, in Red Hook, Brooklyn, New York. This show was curated by the Mokuhanga Sisters collective and is called Between Worlds from, June 17 - July 31st, 2022. Rochester, New York - is a city located in Upstate New York. It was originally inhabited by the Seneca peoples. Shaped by the Genesee River, Rochester was once a flour making city as well as a city famous for its horticulture. More information can be found, here. Hunter College - Is a public college located in Manhattan, New York, and was founded in 1870 as a college for women. More info, here.  abstract art - is an art type which moved away from a 19th Century artistic idea of perspective.  Abstract art was a rebellion of colour, shape, and experience, for both the viewer and the maker. It corresponds to the modernism of the industrial world, with science, technology, and architecture. More info can be found, here.  colour field - is a term in painting associated with the abstract painters of the 1950's and 1960's using large swaths of flat colour. Mark Rothko (1903-1970) is one such painter associated with colour field. More info, here.  Vincent Longo (1923-2017) -  was a painter, printmaker and teacher based in New York City. He was a part of the New York School of artist's of the 1950's and 1960's. His work was based in geometry. You can find more information about Vinnie, here. 4 Blocks (1985) Bill Paden (1930-2004) - was a woodblock printmaker and artist who studied under the American expat Clifton Karhu (1927-2007) in Kyoto. More info, here. Beppu Beach Water Bay Mountain (ca. 1970's) hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen, by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Tetsuya Noda (b 1940) - is a contemporary print artist, photographer and professor emeritus at Tokyo University of the Arts (Tōkyō Geidai).  His process uses photographs through a mimeograph machine, then woodblock and silk screen. Considered one of Japan's most famous living artists, Noda's work is a wonderful representation of what can be done with the print medium. More info, with video, can be found, here.  The LeRoy Neiman Center for Print Studies - is a not for profit centre at the Columbia University School of the Arts, which provides an atmosphere of print education for students and invited guests.  Tōkyō v Kyōto (Ōsaka) school of mokuhanga - Tōkyō and Kyōto have, historically, been culturally different throughout Japanese history. Even today, especially with foreign expats, which side of the border you pledge allegiance to can make or break a pleasant conversation. Regarding woodblock printing, it was the moving of the capital to Edo from Kyōto by Tokugawa Ieyasu (1542-1616), officially in 1603, which centred the world for an entire nation. Edo became the business, and cultural district in which most people found themselves. The sankin kōtai system, where daimyō from the entire country, were obligated to spend alternating years in the capital, allowed the merchant classes to grow prosperous, spending their time and money on entertainments such as ukiyo-e, kabuki, and sumo.  This didn't mean that Kyōto and Ōsaka didn't have ukiyo-e, it simply meant that it was overshadowed by Edo. This is because many publishers and artists lived and worked in Edo's environs. Kabuki from Edo and kabuki from Kyōto thrived, therefore there were many prints published for the plays performed in both cities. Stylistically the prints are different, with Ōsaka ukiyo-e being called Kamigata-e, the region where Ōsaka, and Kyōto are situated. For instance, the work of Ōsaka artist, and painter Shunkōsai Hokushū (active 1802-1832) is famous in Ōsaka for his kabuki prints, but is relatively unknown today, as compared to Katsushika Hokusai (1760-1849) who lived and worked around the same time in Edo. Comparing the two is perhaps comparing Brad Pitt (b. 1963), with Steve Buscemi (b. 1957), but I feel that it shows what both artists, successful in their fields, can accomplish for the genre. More information on Ōsaka ukiyo-e, can be found, here.  Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. Minimalism - is an art movement based on simplicity and geometry. Generally connected to 1960's New York City. More info, here. Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Yakult  (2018) Katie Baldwin -  is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama.  Her work can be found, here. The Dance (2015) Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California.  Her work can be found, here. Mariko, Katie, and Yoonmi are also a part of the collective, wood+paper+box, which can be found, here.  Summer Flowers (2021) Daniel Heyman (b. 1963) - is a painter and printmaker based in Rhode Island at the Rhode Island School of Design, where he is Assistant Professor. His work can be found, here. Janus (2019/2020) IMPACT Conference - started by The Center for Print Research, IMPACT stands for "International Multi-discipinary Printmaking, Artists, Concepts and Techniques'. Based in Europe, it is an academic conference discussing printmaking and how it fits into this world. More info about the most recent conference can be found, here.  Kari Laitinen (b. 1952) - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. Secret Space II (2014) Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989-2012,  where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937-2019). Her work can be found, here. Clear Day Fuji (2014) Arches - is a brand of Western watercolour paper that is acid-free. BFK - also knowns as Rives BFK, is a Western printmaking paper, made in France. Like Arches, it is 100% cotton. Lower East Side Print Shop - founded in 1968, and is a not-for- profit printmaking studio located in New York City. More information can be found, here.  Jennifer Mack-Watkins -  is a contemporary mokuhanga printmaker, and serigrapher based in New York City and New Jersey. Her work explores American culture through a personal lens. Her work has been featured  in Vogue and the New York Times. More information can be found, here.  What To Do (2013) Andrew Stone - is based in Florence, Italy. Andrew is a wine maker and former full-time doctor who has been making mokuhanga and baren, for years. His blog can be found, here. his interview with The Unfinished Print can be found, here.  Mons Veneris (2016) Frogman's Print Workshop - is a print space, opened in 1979,  in South Dakota. In 2016 the space moved to the University of Nebraska. More info can be found, here.  The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Ansei Uchima (1921-2000) - was a mokuhanga printmaker in the sōsaku hanga style of Japanese printmaking. He was the translator for Japanologist Oliver Statler (1915-2002). In Memoriam (1958) Keiji Shinohara (b. 1955) - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Twilight (2012) Ursula Schneider - is a painter, woodblock printmaker and teacher at Sarah Lawrence College in Yonkers, New York. More info about her work can be found, here. Leaf and Wood (2018) Jackie Battenfield - is a painter, printmaker, collagist, author, and motivational speaker. April alludes to Jackie's  book, “The Artist's Guide: How to Make a Living Doing What You Love,” (2009). More information about Jackie's work can be found, here. Soundings (1999) International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.  Tōhoku Earthquake and Tsunami 2011 - (東北地方太平洋沖地震) was a massive earthquake and subsequent tsunami which struck the coast of North East Japan on March, 11, 2011. The earthquake was 9.0 - 9.1 on the Richter scale. Watson-Guptill - is an American publishing house, starting business in 1937. It is now a part of Ten Speed Press.  Mina Takahashi - is the editor of Hand Papermaking magazine dedicated to the production and preservation of handmade paper. Was the editor of Dieu Donné in New York City from 1990-2004. She is also a curator. Printmaking Today - is a magazine published by Cello Press in England, and is published quarterly. The magazine focuses on printmaking themes and artists. More info, here. Mid-America Print Council - promotes the art of printmaking of all types. It was started in 1990 in Des Moines, Iowa. It publishes an annual journal with essays and articles about printmaking. More information can be found, here. Edvard Munch (1863-1944) - was a Norwegian artist, who at the time of his death in 1944 had amassed thousands of his own works, including 15,391 prints of all types. Munch loved printmaking, using various mediums. The National Gallery of Art in Washington D.C. has an excellent exploration of his prints, here.  Mokuhanga books in English -  Here is a list of books for those interested in studying and understanding mokuhanga, that I am aware of. This list is by no means exhaustive, so if you believe I've missed one please message me. If the book is in print (or even out of print and there are PDF's) you will see the authors name hyper-linked so you can get the books : April Vollmer - Japanese Woodblock Printshop: A Modern Guide to the Ancient Art of Mokuhanga. (2015) Watson-Guptill Publications Tuula Moilanen, Kari Laitinen, and Antti Tanttu - The Art and Craft of Woodblock Printmaking. (2013) Aalto Books Laura Boswell - Making Japanese Woodblock Prints. (2020) The Crowood Press. Hiroshi Yoshida - Japanese Woodblock Printing. (1939) Sanseido Company, Ltd. Walter J. Phillips -  The Technique of the Colour Woodcut. (1926) Brown-Robertson, New York. Rebecca Salter - Japanese Woodblock Printing. (2001) A&C Black. Tōshi Yoshida & Rei Yuki - Japanese Print Making: A Handbook of Traditional and Modern Techniques. (1966) Tuttle Publishing. Marilyn Chesterton and Rod Nelson - Making Woodblock Prints. (2015) Crowood Press  Terry McKenna - Terry has written two excellent woodblock primers for the beginner and the intermediate practitioner. The first is Mokuhanga Fundamentals: Core Skills... & the second book is, Creative Print. Both can be purchased directly from here, and other fine establishments in e-book or physical form. Self Published.  Fabiola Gil Alares - her book, Mokuhanga: Manual Ilustrado de Xilografía Japonesa, is one of the finest books on the subject of mokuhanga. This book is in Spanish. Her interview with The Unfinished Print can be found, here.  Keiko Hara (b.1942) - is a painter, printmaker in mokuhanga, lithograph, and stencil. She is also a sculptor, and collagist. More info can be found, here. Verse R - Black and White (2017) floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block; blotting, and very clean borders are one of the positives of using this method of registration. It is an "L" shape.  baren - is a Japanese word to describe the flat, round shaped disc which is predominantly used in the creation of Japanese woodblock prints. It is traditionally made of cord of various types, and a bamboo sheath, although baren come in many variations.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  Endi Poskovich - is a printmaker and artist who focuses on symbols, and language for his work. More info about his work can be found, here.  Two (Hälftberg) (2004-2017) Holbein - is a pigment company with offices in Japan, Canada, and the United States. More info, here Benjamin Selby - is an artist who works in mokuhanga, as well as touching on serigraphy and installations. More information about Benjamin's work can be found, here.  Turbulent Waters (2020) Auto Mach Reciprocating Wood Carver -  is an automatic chisel that is made in Japan. It is plugged into an outlet. It comes with a variety of bits for carving. It makes carving large areas of hard wood a breeze. More information can be found, here.  acetate - is a plant based, non-petroleum product. It is made from wood pulp and cotton. It is bendable, and stiff enough to use for getting into your kentō registration if you decide to use it for key block transfer. Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Started with painter Yoshida Kasaburō (1861-1894), and made famous by Yoshida Hiroshi (1876-1950) and his work with the shin-hanga movement and woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here. Generation by April Vollmer (2002) © Popular Wheat Productions opening and closing credit - Anyone Can Have a Good Time by OWLS (2001). From their self-titled album, and released on Jade Tree.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Ryan and Scotty are back with a brand new episode of Ring Post Radio! They talk about ROH Death Before Dishonor, NOAH Destination, Kenny Omega, Michael Elgin, G1 Climax and so much more!Join the Count Out! DiscordBuy a Ring Post Radio Sticker!Support this podcast by becoming a member today!Support this podcast at — https://redcircle.com/hit-the-books-realistic-wwe-fantasy-booking/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ryan and Scotty are back with a brand new episode of Ring Post Radio! They talk about ROH Death Before Dishonor, NOAH Destination, Kenny Omega, Michael Elgin, G1 Climax and so much more!Join the Count Out! DiscordBuy a Ring Post Radio Sticker!Support this podcast by becoming a member today!Support this podcast at — https://redcircle.com/ring-post-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

James is joined by Darragh O'Connor of the Wrestling Rewind to talk about the life and times of Keiji Muto and his alter ego The Great Muta.

In this bonus episode Adam is joined by Brian Miller from the Play Your Way podcast to discuss our play through of the 'Honey, I Shrunk the Kids' set in Hyrule: Zelda Minish Cap. We chat all things Zelda and off topic such as: the Spaceworld 2000 and 2001 Wind Waker controversy, relying on walkthroughs, people who insult the things you love, gamer entitlement, Nintendo Directs, and the Mass Effect 3 ending (of all things). So put on your cap, shrink down to our level, and let's talk.