Podcasts about Walerian Borowczyk

The horror genre exists to probe our latent fears, and the so-called "Duality of Man" has been a huge theme across so much film and literature. This week, writer and video artist Graham Williamson joins us to discuss a couple of interesting meditations on transformation and duality: Ginger Snaps (2000) directed by John Fawcett and The Strange Case of Dr Jekyll and Miss Osbourne (1981), directed by Walerian Borowczyk. Forget Duality of Man: what about the Duality of Woman? Or the Duality of Man and Woman and anything else we can be? We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Ginger Snaps by skipping ahead to the 1:00:09 mark, and for The Strange Case of Dr Jekyll and Miss Osbourne by skipping ahead to 1:52:51. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Happy horny Halloween! With his first feature Verona opening theatrically in Toronto this Friday, November 3rd, and screening in Landmark theaters across Canada on Monday the 6th, writer-director Sebastian Back tackles Walerian Borowczyk's 1975 art-house erotic fantasy horror film La Bete. Your genial host Norm Wilner strongly advises listener discretion. 

Venezia 2023: I denne fjerde episoden fra årets filmfestival i Venezia snakker vi om vinneren av Gulløven – Yorgos Lanthimos' elleville erotiske eventyr Poor Things, med Emma Stone i hovedrollen. Poor Things er basert på Alasdair Grays roman ved samme navn, og forteller om Bella Baxters coming of age-opplevelser. Bella er en voksen kropp med barnehjerne, et eksperiment signert den geniale legen og oppfinneren Godwin aka God (Willem Dafoe). Når hun oppdager sin seksualitet og entrer en opprørsk ungdomsfase, stiller hun spørsmål ved alle vedtatte sannheter og kulturelle normer på sin ferd ut i verden. Slikt blir det gøyal film av, og som erotisk eventyr kan Poor Things minne om kreasjonene til Walerian Borowczyk og Peter Greenaway. Den visuelle utformingen sender tankene til Terry Gilliam og Jeunet & Caro. Dette er en film man bør vite minst mulig om før man ser den, så panelet holder kortene tett til brystet og unngår spoilere. Det gjør at vi også får tid til å sneie innom noen av andre rariteter fra festivalløypa på Lido, som Luc Bessons DogMan og Harmony Korines Aggro Dr1ft. Ved mikrofonene sitter Karsten Meinich, Lars Ole Kristiansen, Truls Foss og Andrea Skotland. God lytting!

Conversamos sobre: o submarino dos bilionários que implodiu em busca do Titanic, Léo Lins, Censura, Filmes e livros cancelados e muito mais em nosso boteco do podcast Sem Freio, em que bebemos e falamos sobre qualquer assunto que vier na cabeça ou o pessoal sugerir. Vem com a gente! SEJA MEMBRO DO CANAL E RECEBA BENEFÍCIOS ► https://www.youtube.com/channel/UCpVW4P0TGhGUMPUgH4y1fXw/joinINSCREVA-SE NO CANAL ► https://www.youtube.com/user/dimitrikozma?sub_confirmation=1   PARTICIPANTES DESSE EPISÓDIO: Dimitri Kozma, Dimitri Kozma Pai   CONTEÚDO DESTE EPISÓDIO: 00:00 – Intro 11:00 – Jogo do submarino dos bilionários visitando o Titanic 15:00 – Degustação 19:00 – “O horror máximo” do Submarino dos bilionários visitando o Titanic * 31:00 – Pessoal no twitter tirando sarro da morte dos bilionários? / Dimitri Hipócrita * 42:00 – Comentários 44:00 – Super Visa 47:00 – Submarino 53:00 – Ser rico, burro e infeliz; pobre, sábio e infeliz, ou pobre, burro e feliz. 01:03:00 – A magia de se entrevistar 01:12:00 – "fracasso" do novo The Flash? É o fim da era dos filmes de super-heróis? 01:18:00 – Quais as expectativas do Dimitri pai para o lançamento de Barbie 01:22:00 – Oppenheimer 01:25:00 – Livro: O Paciente 01:29:00 – Finais Deus Ex Machina 01:36:00 – O Exorcista de 73 01:38:00 – Possessão (1981) 01:41:00 – Sexta-Feira 13 01:43:00 – O Exorcista vs. O Bebê de Rosemary? 01:49:00 – Comentários 01:54:00 – O Último Tango e Rio Babilônia 02:06:00 – Apagar a história e cancelar autores 02:03:00 – Humor e censura – Leo Lins - Porchat 02:54:00 – ​Dimitri pai, quais livros seriam censurados hj? 03:08:00 – Dicas de Livros: Submissão, de Michel Houellebecq (o Dimitri filho iria amar Houellebecq), A marca humana, de Philip Roth, Ruído branco, de Don DeLillo e ​Desonra, de Coetzee. Pelo que conheço do Dimitri filho tenho certeza que iria gostar desses, três deles são bem polêmicos. Da para ler até o fim do ano, Dimitri, pelo amoor, leia 03:16:00 – inteligencia artificial na industria do cinema e séries a marvel lancou a série invasao secreta a abertura e feita totalmente por ia 03:23:00 – Clint Eastwood 03:25:00 – letterboxd 03:25:00 – Filme: Decameron * 03:35:00 – Pasolini 03:38:00 – The Devils (1971) 03:39:00 – Jeanne Dielman 03:42:00 – Comentarios 03:49:00 – O Globo de Prata - 1988 03:54:00 – Quais filmes mais seriam cancelados? 04:04:00 – Dimitri pai tá lendo o que atualmente? 04:06:00 – Walerian Borowczyk, Contos Imorais (1973) 04:09:00 – Filmes que traumatizaram * 04:17:00 – A24 04:17:00 – Comentários 04:27:00 – Leo Lins 04:36:00 – Navalha na Carne * 04:47:00 – Encerramento   PATRONÍNIO: Game Surrealidade Edição Definitiva na Steam - https://store.steampowered.com/app/2198650/Surrealidade__Definitive_Edition/   Curso – Como conseguir sua independência Financeira aplicando o método “A Árvore do Dinheiro” COM DESCONTO EXCLUSIVO - https://cursos.canadadiario.com.br/curso-de-educacao-financeira-a-arvore-do-dinheiro   ACOMPANHE A GENTE: SEJA MEMBRO DO CANAL E RECEBA BENEFÍCIOS ► https://www.youtube.com/channel/UCpVW4P0TGhGUMPUgH4y1fXw/join INSCREVA-SE NO CANAL DIMITRI KOZMA SEM FREIO ► https://www.youtube.com/user/dimitrikozma?sub_confirmation=1 Sem Freio Podcast Cortes [OFICIAL] ► https://www.youtube.com/channel/UCRCf-4jaZfgt9JEjhTICKEQ?sub_confirmation=1 CANAL DIMITRI KOZMA ART ► https://www.youtube.com/channel/UC65XKZ1QSlCpLmNUmw3Dy0g?sub_confirmation=1 CANAL É A VIDA, MEUS QUERIDOS ► https://www.youtube.com/eavidameusqueridos?sub_confirmation=1 CANAL KOZMA GAMES ► https://www.youtube.com/kozmagames?sub_confirmation=1 CANADÁ DIÁRIO YOUTUBE ► https://youtube.com/canadadiario?sub_confirmation=1 --- Send in a voice message: https://podcasters.spotify.com/pod/show/dimitrikozma/message

In this episode host Kat Ellinger explores the intersections between Polish director Walerian Borowczyk and British feminist author Angela Carter; especially their shared interest in shapeshifting, fairy tale, eroticism, and female empowerment through embracing the animal within. The main focus of the episode is a discussion of Borowczyk's 1975 film The Beast and Neil Jordan's filmic adaptation of Carter's The Company of Wolves (1984) — the latter co-scripted by the author herself.

A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol.  Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey. A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank & Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well. Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics' releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy. Jeremy's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol.  Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey. A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank & Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well. Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics' releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy. Jeremy's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol.  Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey. A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank & Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well. Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics' releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy. Jeremy's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol.  Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey. A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank & Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well. Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics' releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy. Jeremy's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol.  Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey. A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank & Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well. Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics' releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy. Jeremy's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol.  Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey. A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank & Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well. Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics' releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy. Jeremy's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

La Bête est un film d'horreur érotique français, scénarisé, édité et réalisé par Walerian Borowczyk, sorti en 1975. Il s'agit d'une adaptation libre de la nouvelle Lokis de Prosper Mérimée. ça c'est ce qu'en dit Wikipedia. Mais fondamentalement c'est un film avec une bète lubrique.   Et Sylvain l'a regardé. En entier. Il partage avec vous ce trauma. Enjoy !

Tonight I'm examining the film “On the Silver Globe.” Where to start? The Polish science fiction film is a stunning, mind-bending and unique work of pure cinema. But its backstory is almost as intriguing as the film itself "On the Silver Globe" began multiple locations in the Soviet bloc in the mid 1970s, with the film crew traveling from Mongolia to the shores of the Baltic Sea and plumbing the depths of a disused salt mine which stood in for an alien underground temple. An adaptation of the landmark Polish science fiction series The Lunar Trilogy by Jerzy Żuławski, the grand uncle of “On the Silver Globe” director Andrzej Żuławski, was funded by the communist Polish government and planned to be a showcase for the possibilities of Polish cinema. However, officials shut down production about 70 percent through the shooting citing budget issues. Years after filming ended, when the sets were destroyed and the costumes had rotted away, Żuławski edited the footage together, filming unrelated street scenes with narration describing the parts of the story that went unfilmed and premiered the film at the 1988 Canne film festival. Since a 2016 restoration, appreciation for the film has grown, illustrated by the recent release of the European behind-the-scenes documentary “Escape to the Silver Globe.” Vice magazine called "On the Silver Globe" the greatest science fiction movie never made. While the final result is not the film Żuławski set out to make, the film is a visually striking and elusive work of art. It's a one of a kind movie that defies not just categorization but description. East European film scholar Daniel Bird joins me to explore "On the Silver Globe," "The Lunar Trilogy" and Zurawski's unique and expressive approach to filmmaking. Daniel Bird is co-founder of the post-production and production company Acid Pictures, through which he has co-produced restorations of Jane Campion's "Peel (https://www.festival-lumiere.org/manifestations/peel-exercice-de-discipline.html)," Stephen Sayadian's "Dr. Caligari (https://fantasiafestival.com/en/film/dr-caligari)" and Peter Weir's "Picnic at Hanging Rock (https://2020.festival-lumiere.org/en/lecture-zen/horror.html)." He directs the Hamo Bek-Nazarov Project (http://hamobeknazarov.com/), through which he has produced Temple of Cinema, an installation featuring outtakes from Sergei Parajanov's "The Colour of Pomegranates," Parajanov Triptych (a programme of restored shorts from Armenia, Ukraine and Georgia), and a restoration of Maria Saakyan's "Mayak." He is also the co-founder of Friends of Walerian Borowczyk, which recently worked with MUBI to distribute a restoration of "Brief von Paris."

In an excessively long and pointed episode, we take on true love, what constitutes a large “weapon”, the efficacy of the poison arrow throw, and 2nd amendment rights. Strap on your strap-ons and join us for a look into the dreamy and the macabre. 

Cel mai lung episod al Eropedia are atâtea recomandări de filme bune, că vacanța asta în izolare va trece de parcă nici nu a fost! Vorbim cu Diana, de la Pisica din alcov, și găsim cele mai bune filme! Queer? Avem! Despre sexualitate? Avem! Cu relații complicate și inspiraționale? Avem! Nu puteți rata cele mai out of the box recomandări ale noastre! Diana a menționat, printre altele: Filmele lui Walerian Borowczyk pe care le găsiți pe Mubi My Mad Fat Diary Bridgerton Thirst Your name engraved herein Disobedience Portrait of a Lady on Fire BPM Lust Caution Girls Night Out George a fost marcat de serialele: Normal People Feel Good Work in Progress I May Destroy You ...și a plâns la documentarul Me and My Penis Iar Kitty râs la: Grace and Frankie The Kominsky Method Ai sub 18 ani, îți recomandăm https://www.sexulvsbarza.ro Toate locurile unde o găsiți pe Kitty Tema muzicală: Dorroo

Udo Kier was born October 14, 1944 in Cologne, Germany, during World War II. His entrance was just as dramatic as some of his roles. On the evening of his birth Udo's mother requested extra time with her new baby. The nurses had gathered all of the other babies and returned them to the nursery when the hospital was bombed. He and his mother were rescued from underneath the rubble. Udo didn't know much about his father. When Udo was 18 he moved to Britain in order to learn the English language. While there he took a few acting courses. He was eventually offered a role by director Michael Sarne as a gigolo in the film Road to Saint Tropez (1966). While the role was small, it was the beginning of his career in films. His first "hit" film was Mark of the Devil (1970) (Mark of the Devil). The film was rated "V" for violence and ticket buyers were offered vomit bags before the film started. It was banned in 31 countries but spawned two sequels (both without Kier). The film is notorious for its exploitation of sex and violence (the uncut version was remastered and re-released on video in 1997). Kier met director Paul Morrissey on an airplane trip. Morrissey offered him the lead role in the 3-D Flesh for Frankenstein (1973). It was this film, along with its sister film Blood for Dracula (1974), that made Udo a cult figure. Both Morrissey films are also known as Andy Warhol's Frankenstein and Dracula; however, Andy Warhol was not involved in the production or creation of the films. Both were rated X when released. One of Kier's most vivid memories from "Flesh for Frankenstein" was the infamous "internal organ" scene. Real animal organs were used that were left unrefrigerated on the set for several hours. Udo had to pull the organs out of a prop dummy with his bare hands and hold them up to his face. He has said he will never forget that smell. When this film was finished the cast and crew began immediately filming "Blood for Dracula". Udo remembers both of these films fondly and regards "Dracula" over "Frankenstein" as his favorite of the two (in 1996 both films were released by Criterion on DVD totally uncut). In the 1970s some of Kier's work included The Salzburg Connection (1972), The Story of O (1975) (The Story of O), Spermula (1976) and Trauma (1976) (House on Straw Hill). Much of his work has been dubbed with someone else's voice. In Suspiria (1977) there were some technical difficulties with the sound while his scene was shot. In the 1980s some of his work included Lulu (1980), The Strange Case of Dr. Jekyll and Miss Osbourne (1981) (The Blood of Dr Jekyll), The Island of the Bloody Plantation (1983) (Escape from Blood Plantation) and Seduction: The Cruel Woman (1985) (Seduction: The Cruel Woman). In the 1980s Kier did very little work outside of Europe. In the 1990s he had a lot more visibility in America and his breakthrough role was as Hans in My Own Private Idaho (1991) (the soundtrack includes the song that Udo performs in the film). Even Cowgirls Get the Blues (1993) reunited Kier with his friend Keanu Reeves yet again. Udo was cast as Pamela Anderson's sidekick in Barb Wire (1996) and played Ron Camp in Ace Ventura: Pet Detective (1994) opposite Jim Carrey. In the 1990s some of the films he was in included The Kingdom (1994), For Love or Money (1993), Breaking the Waves (1996), The Adventures of Pinocchio (1996), Blade (1998) and Armageddon (1998). Over his 30-year career Udo has worked with several brilliant directors: Paul Morrissey, Charles Matton, Dario Argento, Gus Van Sant and Walerian Borowczyk. he continues to work often with Lars von Trier and is the godfather of Van Trier's child as well as a good friend. Von Trier is currently working on a film entitled Dimension which is a project that spans 30 years. Every year the cast and crew (including Udo) meet to shoot footage. The film will show the actors age 30 years without make-up or special effects. Approximately seen years of footage has already been shot. The premiere will take place in 2024! Kier's acting career ranges from art house films (Europa (1991)) to gore fests (Blackest Heart (1990) (German Chainsaw Massacre)) to television commercials. He says he loves horror films and wants to do more of them. He enjoys playing villains, as he feels it is more interesting because evil has no limits. Currently Udo lives in California and spends much of his time working in Europe, where he receives larger roles and more recognition.

Udo Kier was born October 14, 1944 in Cologne, Germany, during World War II. His entrance was just as dramatic as some of his roles. On the evening of his birth Udo's mother requested extra time with her new baby. The nurses had gathered all of the other babies and returned them to the nursery when the hospital was bombed. He and his mother were rescued from underneath the rubble. Udo didn't know much about his father. When Udo was 18 he moved to Britain in order to learn the English language. While there he took a few acting courses. He was eventually offered a role by director Michael Sarne as a gigolo in the film Road to Saint Tropez (1966). While the role was small, it was the beginning of his career in films. His first "hit" film was Mark of the Devil (1970) (Mark of the Devil). The film was rated "V" for violence and ticket buyers were offered vomit bags before the film started. It was banned in 31 countries but spawned two sequels (both without Kier). The film is notorious for its exploitation of sex and violence (the uncut version was remastered and re-released on video in 1997). Kier met director Paul Morrissey on an airplane trip. Morrissey offered him the lead role in the 3-D Flesh for Frankenstein (1973). It was this film, along with its sister film Blood for Dracula (1974), that made Udo a cult figure. Both Morrissey films are also known as Andy Warhol's Frankenstein and Dracula; however, Andy Warhol was not involved in the production or creation of the films. Both were rated X when released. One of Kier's most vivid memories from "Flesh for Frankenstein" was the infamous "internal organ" scene. Real animal organs were used that were left unrefrigerated on the set for several hours. Udo had to pull the organs out of a prop dummy with his bare hands and hold them up to his face. He has said he will never forget that smell. When this film was finished the cast and crew began immediately filming "Blood for Dracula". Udo remembers both of these films fondly and regards "Dracula" over "Frankenstein" as his favorite of the two (in 1996 both films were released by Criterion on DVD totally uncut). In the 1970s some of Kier's work included The Salzburg Connection (1972), The Story of O (1975) (The Story of O), Spermula (1976) and Trauma (1976) (House on Straw Hill). Much of his work has been dubbed with someone else's voice. In Suspiria (1977) there were some technical difficulties with the sound while his scene was shot. In the 1980s some of his work included Lulu (1980), The Strange Case of Dr. Jekyll and Miss Osbourne (1981) (The Blood of Dr Jekyll), The Island of the Bloody Plantation (1983) (Escape from Blood Plantation) and Seduction: The Cruel Woman (1985) (Seduction: The Cruel Woman). In the 1980s Kier did very little work outside of Europe. In the 1990s he had a lot more visibility in America and his breakthrough role was as Hans in My Own Private Idaho (1991) (the soundtrack includes the song that Udo performs in the film). Even Cowgirls Get the Blues (1993) reunited Kier with his friend Keanu Reeves yet again. Udo was cast as Pamela Anderson's sidekick in Barb Wire (1996) and played Ron Camp in Ace Ventura: Pet Detective (1994) opposite Jim Carrey. In the 1990s some of the films he was in included The Kingdom (1994), For Love or Money (1993), Breaking the Waves (1996), The Adventures of Pinocchio (1996), Blade (1998) and Armageddon (1998). Over his 30-year career Udo has worked with several brilliant directors: Paul Morrissey, Charles Matton, Dario Argento, Gus Van Sant and Walerian Borowczyk. he continues to work often with Lars von Trier and is the godfather of Van Trier's child as well as a good friend. Von Trier is currently working on a film entitled Dimension which is a project that spans 30 years. Every year the cast and crew (including Udo) meet to shoot footage. The film will show the actors age 30 years without make-up or special effects. Approximately seen years of footage has already been shot. The premiere will take place in 2024! Kier's acting career ranges from art house films (Europa (1991)) to gore fests (Blackest Heart (1990) (German Chainsaw Massacre)) to television commercials. He says he loves horror films and wants to do more of them. He enjoys playing villains, as he feels it is more interesting because evil has no limits. Currently Udo lives in California and spends much of his time working in Europe, where he receives larger roles and more recognition.

Kat and Samm return to talk about Walerian Borowczyk's transgressive take on Robert Louis Stevenson's classic Gothic tale of duality, The Strange Case of Dr Jekyll and Mr Hyde, exploring one of the most perverse and empowering adaptations of the tale.

Polish month continues with a look at Walerian Borowczyk's Goto, Island of Love. Released in that magical year of 1969, the film tells the tale of a thief (Guy Saint-Jean) on the Island of Goto which is ruled over by Governor Goto III (Pierre Brasseur). After being pitted in armed combat and somehow surviving he is put in charge of the Governor's dogs, boots, and the killing of flies.Daniel Bird (Camera Obscura: The Walerian Borowczyk Collection) and Kat Ellinger join Mike to discuss Borowczyk's live action feature debut as well as his early shorts.Learn more about your ad choices. Visit megaphone.fm/adchoices

Polish month continues with a look at Walerian Borowczyk's Goto, Island of Love. Released in that magical year of 1969, the film tells the tale of a thief (Guy Saint-Jean) on the Island of Goto which is ruled over by Governor Goto III (Pierre Brasseur). After being pitted in armed combat and somehow surviving he is put in charge of the Governor’s dogs, boots, and the killing of flies.Daniel Bird (Camera Obscura: The Walerian Borowczyk Collection) and Kat Ellinger join Mike to discuss Borowczyk's live action feature debut as well as his early shorts.

Martin Kessler (Flixwise Canada) and Dave Eves return to the show to help us navigate the taboo-shattering cinema of Walerian Borowczyk. Follow Martin Kessler on Twitter: https://twitter.com/MovieKessler Follow Dave Eves on Twitter: https://twitter.com/CinemaVsDave Follow James Hancock on Twitter: https://twitter.com/colebrax

Vi byter avsnitt med kollegorna på From Beyond som tar sig an ett av skräckfilmens mest arketypiska monster. Richard och David kommer på kollisionskurs kring huruvida Ginger Snaps är en intressant eller bra film, men förenas i jämförelsen att om Vargtimmen är vampyrer så är From Beyond - varulvar! Aaoouuh. De pratar också om: Besökarna (men alldeles för lite), Universal Pictures, Dracula, Frankenstein, Boris Karloff, The Wolf Man, Zeus, Lykaon, Fenrisulven, Ragnarök, Diablo II: Lord of Destruction, Wendigo, Kitsune, Peter Stumpp, Porfyri, lykantropi, Richard Chase, The Vampire of Sacramento, The White Wolf, Le Loup Garou, Wolfblood, Werewolf of London, Warren Zevon, Lon Chaney Jr., Lon Chaney, London After Midnight, The Unknown, Phantom of the Opera, John Landis, An American Werewolf in London, Rick Baker, Joe Dante, Dee Wallace, E.T., Cujo, The Hills Have Eyes, John Carradine, Rob Bottin, Dick Miller, Whitley Strieber, The Howling II: Your Sister Is a Werewolf, Christopher Lee, An American Werewolf in Paris, Julie Delpy, Cursed, Wes Craven, Christina Ricci, Jesse Eisenberg, Joshua Jackson, Milo Ventimiglia, Bad Moon, Paul Naschy, Waldemar Daninsky, The Hombre Lobo, Curse of the Werewolf, Oliver Reed, Hammer Films, Terence Fisher, Wolfen, Skinwalkers, Albert Finney, Arkiv X, Supernatural, Skinwalker Ranch, Wolf, Jack Nicholson, Michelle Pfeiffer, James Spader, The Wolfman, Benicio del Toro, Dog Soldiers, Neil Marshall, Assault on Precint 13, The Descent, Peter Cushing, The Beast Must Die, Amicus Productions, Van Helsing, Hugh Jackman, Silver Bullet, Stephen King, Cycle of the Werewolf, Corey Haim, Gary Busey, Corey Feldman, The Monster Squad, Wolfman's Got Nards, John Gries, Napoleon Dynamite, Fright Night Part 2, Late Phases, Teen Wolf, Michael J. Fox, Teen Wolf Too, Jason Bateman, Full Moon High, The Craft, Den onda cirkeln, May, Angela Bettis, Lucky McKee, Orphan Black, Når dyrene drømmer, Låt den rätte komma in, Neil Jordan, The Company of the Wolves, Rob Zombie, Werewolf Women of the S.S., Nicolas Cage, Angela Carter, Rödluvan, Gothic, Ken Russell, La Bête, Walerian Borowczyk, Werewolf Woman, Letterboxd, Jess Franco, The Erotic Rites of Frankenstein, House of Dracula, Frankenstein Meets the Wolfman, Abbott och Costello, Santo & Blue Demon vs. Dracula & the Wolfman, Stephenie Meyer, Twilight, White Wolf, Vampire: The Masquerade, Werewolf: The Apocalypse, Underworld, What We Do in the Shadows, Taika Waititi, Mario Bava, Black Sabbath, Boris Karloff, Wurdalak, The Night of the Devils, Frostbiten, Cat People, Val Lewton, Paul Schrader, Nastassja Kinski, Jacques Tourneur, Mick Garris, Sleepwalkers, Mädchen Amick, The Howling III: The Marsupials, The Beast Within, Dario Argento, Dracula 3D, Conquest, Lucio Fulci, Mortal Kombat: Annihilation, Project: Metalbeast, Werewolves on Wheels, Monster Dog, Claudio Fragasso, Alice Cooper, Eclipse Total, Anthony Hickox, Mario Van Peebles, Wolf Guy, Sonny Chiba, WolfCop, Robert R. McCammon, Carnivorous Lunar Activities, Ulver, Nattens Madrigal - Aatte Hymne til Ulven i Manden och Buffy the Vampire Slayer. Nostalgi, löst tyckande och akademisk analys i en salig röra.

Bathtime for Udo Last week Rob and Graham received a mystery phone call asking them to review Hideo Nakata's "Ring". They're not dead yet, and although the news that this is a twentieth anniversary reissue is making them feel incredibly old they still have to find out if the film still holds up. After that it's Off the Shelf, which sees Graham challenging Rob to watch the Victorian phallic lunacy of Walerian Borowczyk's "The Strange Case of Dr Jekyll and Miss Osbourne", then Graham gets acquainted with Richard Billingham's "Ray & Liz" before looking ahead to next week's releases.  Stay tuned for news of Indiana Jones's drunkest adventure yet! If you like the podcast, send us some support by visiting The Geek Show (http://thegeekshow.co.uk) and clicking on The Geek Shop tab. Alternatively, we'd massively appreciate it if you gave us a star rating or review wherever you get your podcasts from, or check out some of the other podcasts that make up The Geek Show Podcast Family (https://audioboom.com/channel/the-geek-show) .  #Podcast #Reviews #Movies #Films #CinemaEclectica #Eclectica #TheGeekShow #Ring #Ringu #Tartan #AsiaExtreme #ArrowAcademy #TheStrangeCaseOfDrJekyllAndMissOsbourne #Horror #RichardBillingham #RayAndLiz #Serenity #IndianaJones #WalerianBorowczyk #HideoNakata #Adaptations #Books #KoujiSuzuki // PATREON (https://www.patreon.com/thegeekshow)

"Ich weiß nicht, warum ich mir das antue." So oder so ähnlich raunte es seitens Daniel durch die digitale Leitung, bevor er und Patrick die Aufnahme ihres Filmgesprächs zu Das Biest (La Bête, 1975) begannen. Aber was genau brachte Herrn Gramsch so aus der Fassung? Und was ließ die Liebe des ollen Lohmis zu Walerian Borowczyks explizitem Monstertiersexhorrorklassiker in so kurzer Zeit deutlich schmelzen? (Spoiler: Er mag den Film dennoch!) Und warum ist Craig S. Zahlers gefeierter Bone Tomahawk (2015) zu gleichen Teilen grandios und möglicherweise komplett bösartig? Nicht nur die Filme in dieser Woche sind ziemlich erwachsen und kontrovers - die Rezension ist es ebenso. Viel Spaß!

In this episode of the horror review/discussion show 'Screams After Midnight,' we discuss the the French art house take on Jekyll and Hyde 'The Strange Case of Dr Jekyll and Miss Osbourne.' The film is Directed by Walerian Borowczyk and stars Udo Kier and Marina Pierro. This episode is part of our Octoberthon to celebrate Halloween! patreon: https://www.patreon.com/mildfuzztvtwitter: https://twitter.com/Mild_Fuzzfacebook: https://www.facebook.com/mildfuzznetwork

Also known as The Streetwalker, The Margin, and sometimes even as Emmanuel 77, La Marge film stars Joe Dallesandro as Sigismond, a loving husband who leaves his wife and child to head to Paris. While there he learns of the sudden, unexpected death of his aforementioned family and spends a few days living in fringes of society, spending most of his time with Diana, played by Sylvia Kristel, a prostitute. The 1976 film is one of several adaptations of André Pieyre de Mandiargues by director Walerian Borowczyk.Samm Deighan and Daniel Bird school Mike in the work of Walerian Borowczyk with the help of Jeremy Richey (author of the upcoming Sylvia Kristel in the Seventies: From Emmanuelle to Chabrol), cinematographer and cameraman Noël Véry, and Walerian Borowczyk's assistant, Michael Levy.Learn more about your ad choices. Visit megaphone.fm/adchoices

Special Guests: Jeremy Richey, Noël Véry, Michael LevyGuest Co-Hosts: Daniel Bird, Samm DeighanAlso known as The Streetwalker, The Margin, and sometimes even as Emmanuel 77, La Marge film stars Joe Dallesandro as Sigismond, a loving husband who leaves his wife and child to head to Paris. While there he learns of the sudden, unexpected death of his aforementioned family and spends a few days living in fringes of society, spending most of his time with Diana, played by Sylvia Kristel, a prostitute. The 1976 film is one of several adaptations of André Pieyre de Mandiargues by director Walerian Borowczyk.Samm Deighan and Daniel Bird school Mike in the work of Walerian Borowczyk with the help of Jeremy Richey (author of the upcoming Sylvia Kristel in the Seventies: From Emmanuelle to Chabrol), cinematographer and cameraman Noël Véry, and Walerian Borowczyk's assistant, Michael Levy.

This week, we begin the show with a giveaway and a tribute to a rockstar. Then Megan and our Dutch daughter joins me for a review of Jordan Peele's debut film Get Out. I mean, you need to know what three white people on a podcast have to think about that one, right? Also, Rich the Monster Movie Kid reviews The Devil's Candy. Finally, I go solo on a review of Walerian Borowczyk's arthouse sleazefest, The Beast. Also, tunes: "Get the Fuck Outta Dodge" by Public Enemy, "Hypnotize" by System of A Down, "The Devil in I" by Slipknot, "The Beast and the Harlot" by Avenged Sevenfold, and "4th of July" by Soundgarden. RIP Chris Cornell. Send feedback to: feedback@dreadmedia.net, or 206.278.5257. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

This week, we begin the show with a giveaway and a tribute to a rockstar. Then Megan and our Dutch daughter joins me for a review of Jordan Peele's debut film Get Out. I mean, you need to know what three white people on a podcast have to think about that one, right? Also, Rich the Monster Movie Kid reviews The Devil's Candy. Finally, I go solo on a review of Walerian Borowczyk's arthouse sleazefest, The Beast. Also, tunes: "Get the Fuck Outta Dodge" by Public Enemy, "Hypnotize" by System of A Down, "The Devil in I" by Slipknot, "The Beast and the Harlot" by Avenged Sevenfold, and "4th of July" by Soundgarden. RIP Chris Cornell. Send feedback to: feedback@dreadmedia.net, or 206.278.5257. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

This week, we begin the show with a giveaway and a tribute to a rockstar. Then Megan and our Dutch daughter joins me for a review of Jordan Peele's debut film Get Out. I mean, you need to know what three white people on a podcast have to think about that one, right? Also, Rich the Monster Movie Kid reviews The Devil's Candy. Finally, I go solo on a review of Walerian Borowczyk's arthouse sleazefest, The Beast. Also, tunes: "Get the Fuck Outta Dodge" by Public Enemy, "Hypnotize" by System of A Down, "The Devil in I" by Slipknot, "The Beast and the Harlot" by Avenged Sevenfold, and "4th of July" by Soundgarden. RIP Chris Cornell. Send feedback to: feedback@dreadmedia.net, or 206.278.5257. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

This week, we begin the show with a giveaway and a tribute to a rockstar. Then Megan and our Dutch daughter joins me for a review of Jordan Peele's debut film Get Out. I mean, you need to know what three white people on a podcast have to think about that one, right? Also, Rich the Monster Movie Kid reviews The Devil's Candy. Finally, I go solo on a review of Walerian Borowczyk's arthouse sleazefest, The Beast. Also, tunes: "Get the Fuck Outta Dodge" by Public Enemy, "Hypnotize" by System of A Down, "The Devil in I" by Slipknot, "The Beast and the Harlot" by Avenged Sevenfold, and "4th of July" by Soundgarden. RIP Chris Cornell. Send feedback to: feedback@dreadmedia.net, or 206.278.5257. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com and www.dreadmedia.bandcamp.com.

This week Bill speaks with the film critic Violet Lucca, Digital Editor of Film Comment Magazine and host of The Film Comment Podcast, about her experiences in film culture. Some of the topics discussed include: hybrid documentaries, Vine filmmakers, Nate Parker, DCPs and New York repertory cinemas, identity politics in film criticism, Rotten Tomatoes, prestige television, Film Comment’s relationship to The Film Society Of Lincoln Center, torrents and the myth of availability, the difference between Marvel and DC comic book adaptations, David Lynch, Violet’s forays into filmmaking, protests against animal testing and the potential for violence at Yasujiro Ozu screenings.   Read Violet Lucca in Film Comment: http://www.filmcomment.com/author/vlucca/   Read Violet Lucca in The Village Voice: http://www.villagevoice.com/authors/violet-lucca-6355083   Watch Violet Lucca’s video essay on Walerian Borowczyk: https://vimeo.com/124045120   Read Violet Lucca’s Top 10 list for the 2012 Sight & Sound poll: http://www.bfi.org.uk/films-tv-people/sightandsoundpoll2012/voter/23   Hear Violet Lucca on the Film Comment Podcast: https://itunes.apple.com/us/podcast/the-film-comment-podcast/id1051091555?mt=2

In episode thirteen, Kat and Samm return to discuss Miklós Jancsó’s neglected 1976 film, Vizi privati, pubbliche virtù aka Private Vices, Public Virtues, which has recently been restored and will soon be released on Blu-ray by Mondo Macabro. Based on the Mayerling Affair from 1889, when the Crown Prince Rudolf, heir to the Austro-Hungarian Empire, committed suicide with his mistress, Jancsó’s film ponders what could have transpired if Rudolf did not kill himself, but was murdered. Here, Rudolf (the beautiful Lajos Balazsovits) is a rebel and is determined to fill his days with sex, partying, scandal, and blackmail in an attempt to embarrass his father and eventually overthrow the government. The episode explores how this explicit, visually sumptuous film — which includes everything from orgies and incest to anal sex and bestiality, among other surprises — has been unfairly neglected for too long. But a discussion of Private Vices, Public Virtues is just the tip of the iceberg, and Kat and Samm also offer a retrospective of Jancsó’s catalogue in general, particularly his earlier Hungarian films and his time in Italy, and explore the themes that recurred throughout his career: sadism, nudity, horses, political repression, folk singing, candles, and men in uniform, among others. Also discussed are other sexually explicit films from 1976 — like Walerian Borowczyk’s La marge and Serge Gainsbourg’s Je t’aime moi non plus — and films with similarly transgressive content, like Tinto Brass’s Salon Kitty and Caligula.

In the second episode of Daughters of Darkness, Kat and Samm continue their three-part discussion of lesbian vampire films, this time with a focus on European cult directors like Jess Franco, Jean Rollin, and Walerian Borowczyk. They begin their discussion with the career of the prolific Jess Franco, who produced a number of films with lesbian vampire themes, namely Vampyros Lesbos (1971). This starred his first muse, Soledad Miranda, as the mysterious Countess Carody, who sunbathes by day but thirsts for blood at night. Franco also adapted Bram Stoker’s novel with the relatively traditional Count Dracula (1970), but continued to explore his own perverse variations on vampire mythology in Dracula’s Daughter (1972) and the explicit Female Vampire (1975), with his longtime partner Lina Romay. Also explored is the work of French director Jean Rollin, known for his dreamlike, often surreal vampire films such as The Rape of the Vampire (1968), The Nude Vampire (1970), The Shiver of the Vampires (1971), and Requiem for a Vampire (1973). While these films infrequently use overt depictions of lesbianism, they are generally concerned with pairs or groups of female vampires banded together against the world. In films like Fascination (1979), about blood-drinking socialites, and The Living Dead Girl (1982), the tragic tale of a love that survives beyond death, Rollin expanded on his early themes. The episode concludes with a discussion of a few films that touch upon the legend of historical murderer and alleged blood-drinker Elizabeth Bathory. Most importantly is Belgian film Daughters of Darkness (1971), the podcast’s namesake, which follows a newly married couple who encounter an elegant and possibly ageless woman at a seaside hotel.

Matthew Sweet talks to Iain Sinclair and New Generation Thinker Dr Greg Tate about a walk to mark John Clare's death 150 years ago. Wikipedia founder Jimmy Wales and Viktor Mayer-Schönberger, Professor of Internet Governance and Regulation at the Oxford Internet Institute, discuss how privacy vs expression and remembering vs forgetting clash in the internet age. Plus Cherry Potter and Daniel Bird give us an assessment of Polish filmmaker Walerian Borowczyk.

Focus sur un aspect essentiel du cinéma d’animation polonais : sa modernité, sa post-modernité. Ainsi s’esquissent entre autres les démarches de Walerian Borowczyk, Jan Lenica, Kazimierz Urbanski, Witold Giersz, Zbigniew Rybczynski, Jerzy Kucia, Jozef Piwkowski, Piotr Dumala ou Hieronim Neumann. (Pascal Vimenet) Réalisateur, enseignant et spécialiste du cinéma d’animation, Pascal Vimenet est l’auteur et le coordinateur de plusieurs ouvrages aux Éditions de L’OEil dont “Bouche à bouche, E. & J. Svankmajer” (2001), “Émile Cohl” (2008) et “Walerian Borowczyk” (2008).

Welcome to another glorious episode of the GGtMC!!! This week we have a listener programmed episode from our Kickstarter campaign and listerner Bernie de la Pez. Bernie chose Dr. Jekyll and his Women AKA The Bloodbath of Dr. Jekyll (1981) directed by Walerian Borowczyk and The Hidden (1987) directed by Jack Sholder. We hope you all enjoy and we also go over, by request, how we met up and give you a history of the podcast. Much chatter and fond memories... Emails to midnitecinema@gmail.com Voicemails to 206-666-5207 Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message