Italian film director
POPULARITY
2 episodes with Tinto Brass
2 episodes with Tinto Brass
2 episodes with Tinto Brass
2 episodes with Tinto Brass
3 episodes with Tinto Brass
2 episodes with Tinto Brass
2 episodes with Tinto Brass
2 episodes with Tinto Brass
6 episodes with Tinto Brass
Venezia, epoca fascista.Una coppia, sposata da circa un ventennio, ha perso la passione e cerca di ricostruire un delicato equilibrio sessuale. Lei avrà un'infatuazione, ricambiata, per il giovane fidanzato della figlia e la cosa ecciterà il marito, che annoterà emozioni e perversioni su un diario...Un capolavoro del maestro dell'erotismo italiano, Tinto Brass, che qui ricostruisce minuziosamente un fetta storica italiana mai dimenticata, senza trascurare l'erotismo elegante, incarnato in una splendida e seducente Stefania Sandrelli, cui fa da contraltare un magnifico Frank Finlay.Un grande esempio di cinema italiano trasgressivo, ma mai volgare e intelligentemente ironico, che vale la pena riscoprire.
Questa volta, una piacevolissima puntata Special, che mi vede chiacchierare con uno dei registi del documentario propostovi nella puntata precedente.Massimiliano Zanin, regista e produttore, dialoga in libertà con il sottoscritto. Torniamo a parlare di Joe D'Amato, ma non solo.Spaziando da Tinto Brass al cinema di oggi e inquietanti riflessioni sulla società moderna, un'ora di chiacchierata è stata tanto piacevole quanto fin troppo breve.Spero ci saranno altre occasioni, ma intanto eccovela anche a voi!
Alina Rizzi"Una vita all'istante"Calibano Editorewww.calibanoeditore.comAlice, poco più di vent'anni, è alla fine di una relazione appassionata con un uomo molto più grande di lei, che torna a cercarla quando tutto è cambiato. La ritroviamo a trent'anni, abbattuta da un amore malato per un uomo che appare e scompare, isolandola e facendola perdere tra fantasie letterarie. A quarant'anni è ansiosa di bilanci. Ha voluto un bambino per amore, ma l'esperienza della maternità la trascina indietro, all'infanzia dolorosa, mentre cerca di convivere con un figlio problematico. Ma proprio occupandosi di lui affronterà il vuoto che la tormenta da sempre…Il racconto di una donna colta in tre momenti fondamentali della sua vita, accompagnata da un doloroso senso di vuoto che trova origine in un trauma infantile.Alina Rizzi è nata a Erba (CO). Giornalista e scrittrice, si dedica da sempre a valorizzare il mondo femminile. Ha curato e partecipato a diverse antologie, tra cui quella americana "La dolce vita" (Running Press, 2013). Ha pubblicato il romanzo "Amare Leon", da cui il regista Tinto Brass ha tratto il suo ultimo film, "Monamour", e in seguito "Passione sospesa", "Donne di cuori", "Come Bovary" e "Scrivimi d'amore". Successivamente, la drammaturgia "Natasha e il lupo", i volumi di racconti "Bambino mio", "Pelle di donna" e "Dell'amore non si sa niente". Come poetessa, ha pubblicato in versi: "Rossofuoco" (2002), "Il frutto sillabato" (2004), "La danza matta" (2011), "Aritmie" (2016), "Gente che se ne va" (2020).Il blog di Alina Rizzi è www.costruzionivariabili.blogspot.itIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
On this week's episode, I'm joined by Thomas Negovan, who oversaw the reconstruction of Caligula: The Ultimate Cut. Combing through 96 hours of the original negatives, Tom rebuilt the film from the ground up in order to bring it closer in line with the vision of writer Gore Vidal, director Tinto Brass, and star Malcolm McDowell. We discussed some of the technical challenges of tracking down source materials, the challenge of reconstructing a film that felt entirely different from every version previously known, and how McDowell and costar Helen Mirren responded to the reconstituted picture. The Ultimate Cut debuted at Cannes last year and is available now via streaming, Blu-ray, and 4K from Drafthouse Films and Unobstructed View. (The Blu-ray and 4K sets also include a previous cut of the film; for more on that cut and its odd provenance, I'd recommend reading this note at Diabolik DVD.) And if you enjoyed this episode, please share it with a friend!
Here's an idea: Bobby, Dan, and returning guest/friend of the pod/ co-host of Take Us to the Pilot, JJ Focaraccio, embark to see a recut of the 1979 Tinto Brass erotic historical drama, Caligula, titled Caligula: The Ultimate Cut (2023). Imagine our high hopes and anticipations. Imagine those being dashed, and replaced with all types of bad stuff. Imagine that we couldn't be bothered with the frivolity of cards for one week, and we all had to sit down and talk through the flesh-filled fright of a film that we had all seen, together. Stop imagining. No seriously, your eyes are not completely closed and they're doing that darting-around thing. Why do you do that? Why are you like this? Enjoy us trying to cope with having seen this film and also having paid for it! Bonus points if you tell us how many times we said "Lawnmower Wall", cuz it felt like a bunch!
We take on the notorious Caligula, the story of the third Roman emperor who murdered his way to the throne and married his sister, in two forms--the original Bob Guccione cut with its hardore sex scenes, and the restored Gore Vidal/Tinto Brass version with its more measured editing, and find in the restoration a surprisingly decent film--the original theatrical version, however, lives up to its reputation. Starring Malcolm McDowell, Helen Mrren, Teresa Ann Savoy, Peter O'Toole, John Gielgud, John Steiner, and Guido Manarri. Written by Gore Vidal. Directed by Tinto Brass.
One of cinema's most infamous disasters, Caligula was conceived by producer Bob Guccione, the founder of Penthouse magazine, as an explicit, expensively-made adult film, about the rise and fall of the titular Roman emperor. In pursuing this, Guccione removed director Tinto Brass during post-production, so that he could have hardcore pornography shot and inserted into the film. On its release in 1979, Caligula was critically savaged on both moral and cinematic grounds, confiscated by police in some countries, banned in others, and the cause of lines that stretched around the block. It has remained an artifact of cult interest ever since, and the subject of occasional attempts to reconstruct it in a form that reflects something approaching its creators' original visions - to whatever extent their visions agreed with each other. Caligula: The Ultimate Cut is the most thorough of these reconstructions by far, benefitting from the rediscovery of 96 hours of original material, which had been rushed out of Italy and hidden during the film's release. Opening intertitles claim that every frame of art historian Thomas Negovan's cut is previously unseen. It's long been wondered whether there's a great film within Caligula; although we don't think The Ultimate Cut demonstrates that there is, it's entertaining and striking, and offers an idea of what might have been. Recorded on 18th August 2024.
In this episode of the I Hate Critics Movie Review Podcast, we dive into a diverse lineup of films ranging from the provocative to the nostalgic. First up is Caligula: The Ultimate Cut, the notorious historical drama directed by Tinto Brass, starring Malcolm McDowell, Helen Mirren, and Peter O'Toole. This new cut offers a fresh perspective on the controversial classic. Next, we discuss Skincare, a 2024 crime thriller directed by Austin Peters and starring Elizabeth Banks and Nathan Fillion. This tense and stylish film brings a gripping narrative that will keep you on the edge of your seat. We also review Jackpot!, a 2024 action comedy directed by Paul Feig. The film stars Awkwafina and John Cena in a wild tale of a former child star who wins a $3.6 billion lottery, only to find herself targeted by a host of dangerous adversaries in a futuristic California. Alien: Romulus, the latest installment in the iconic Alien franchise, is up next. Directed by Fede Álvarez, this 2024 sci-fi horror thriller brings us back to the terrifying world of xenomorphs with a new cast led by Cailee Spaeny and Isabela Merced. This film is set between the events of the original Alien and Aliens and promises to deliver the tension and horror fans have come to expect. Finally, we take a trip back to the '80s with a look at Purple Rain, the 1984 romantic rock musical drama starring Prince. Directed by Albert Magnoli, this film is a showcase of Prince's immense talent, blending music, drama, and romance into a cult classic that continues to resonate today. Don't forget to follow us on social media and support the podcast through our Patreon and TeePublic store. You can also check out Jeff's art and Sean's reviews through the links below. Social Media Links: Website: I Hate Critics Facebook: Everyone's a Critic Podcast X (Twitter): @criticspod Instagram: @criticspod Patreon: Support Us on Patreon TeePublic: Critics Pod Merch YouTube: Critics Pod Channel Jeff's Art: Jeff Lassiter Art Sean's Reviews: Sean at the Movies Tune in to hear our thoughts on these films and more!
We're celebrating our 700th episode of The Projection Booth with what may be the first time we've discussed a movie for a third time as we continue to document the troubled history of the 1980 film Caligula.We first spoke about the film almost 10 years ago where we were joined by Maitland McDonagh to discuss the movie while Ranjit Sandhu gave us the sordid history behind the production and talked about his book 200 Degrees of Failure and filmmaker Alexander Tuschinski discussed the career of Tinto Brass and the original intentions Brass had for the finished film.We came back together in 2018 to discuss the re-discovery of the original footage of Caligula and the plans Penthouse and Alexander had to restore the film to Tinto Brass's original vision.Now Rob and Mike are joined by Heather Drain to talk about the version of Caligula that played at Cannes in 2023. Once referred to as Caligula MMXX, it's now called Caligula: The Ultimate Cut and it was produced by a person named Thomas Negovan.We'll be discussing the film as well as what's happened to this project over the last six years along with President of Penthouse Global Licensing, Caroline Kirkendoll, and director of Mission: Caligula, Alexander Tuschinski.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
We're celebrating our 700th episode of The Projection Booth with what may be the first time we've discussed a movie for a third time as we continue to document the troubled history of the 1980 film Caligula.We first spoke about the film almost 10 years ago where we were joined by Maitland McDonagh to discuss the movie while Ranjit Sandhu gave us the sordid history behind the production and talked about his book 200 Degrees of Failure and filmmaker Alexander Tuschinski discussed the career of Tinto Brass and the original intentions Brass had for the finished film.We came back together in 2018 to discuss the re-discovery of the original footage of Caligula and the plans Penthouse and Alexander had to restore the film to Tinto Brass's original vision.Now Rob and Mike are joined by Heather Drain to talk about the version of Caligula that played at Cannes in 2023. Once referred to as Caligula MMXX, it's now called Caligula: The Ultimate Cut and it was produced by a person named Thomas Negovan.We'll be discussing the film as well as what's happened to this project over the last six years along with President of Penthouse Global Licensing, Caroline Kirkendoll, and director of Mission: Caligula, Alexander Tuschinski.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Few kids in the 1990s would have believed that Trent Reznor would go on to become an Oscar winning film composer. For some of us, it is even more surprising that Nine Inch Nails will be providing the soundtrack for the next Tron movie. We also talk about a recent casting announcement for Soulm8te.Where to even begin when talking about Caligula? The stories behind the constantly changing screenplay are interesting. How actors refused huge paydays based on moral grounds is also ironic considering how fast and loose people are willing to play with their principles in Hollywood. The pornography, aftermath, and critical reevaluation are all important parts of the film's mythos.Caligula: The Ultimate Cut is an attempt to release the movie as original writer Gore Vidal intended. There is also an additional animated opening sequence and added importance to Helen Mirren's character. Almost 100 hours of footage were used to give audiences what was intended. How well does it work?The first red flag is that Vidal's vision does not exist. As soon as director Tinto Brass was brought on, Caligula went through heavy rewrites. Which means the new release is more of the same. Just a whole lot longer. Whether this is a good or bad thing will depend on your initial opinion of the movie. In other words, the latest cut adds nothing.Just because something is pointless, does that mean it is bad? We once again talk about how even necessary nudity can be superfluous, sex carnivals in ancient Rome, gorgeous set pieces, and over the top performances. Caligula: The Ultimate Cut is something else, but is that something worth watching? Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com
good morning, friends. I am presuming you've read of James Dolan's plans to bring a digitally restored version of "The Wizard of Oz" to his monument of greed and avarice known as THE SPHERE at a cost of some $80 million dollars. It's a ghastly idea to be sure, but let's OPEN THE PHONES and mull over some other cinematic options that might succeed in immersive form? Perhaps the original cut of Tinto Brass' "Caligula"? How about "Troll 2"? Any fans of "Santa With Muscles"? Really? None? But really, let's hear your suggestions, my call-screener had to pick up his kids from camp.
durée : 00:59:07 - Mauvais genres - par : François Angelier - Péplum sanglant, bordel nazi et hantise érotique : Mauvais genres dans la folie du pouvoir.
durée : 00:59:07 - Mauvais genres - par : François Angelier - Péplum sanglant, bordel nazi et hantise érotique : Mauvais genres dans la folie du pouvoir.
Bientôt l'été, forcément la saison des chaleurs, donc moment propice pour aller à la plage se débrailler un peu. Demos, le personnage central de The summer with Carmen, passe beaucoup de temps sur celles d'Athènes. C'est là-bas qu'il cherche l'inspiration avec un ami de longue date pour écrire un scénario lui permettant de faire le deuil de sa dernière rupture amoureuse. Sur les rochers alentours, les hommes se dénudent très facilement, lui lutte pour se mettre psychologiquement à poil. The summer with Carmen réinvente la comédie romantique queer pour y ajouter de multiples tiroirs, où viendraient se ranger les cinémas de Xavier Dolan, Pedro Almodóvar ou Éric Rohmer. Le tout sans devenir une auberge espagnole, plutôt une salade grecque aux ingrédients idéalement dosés. L'identité gay en ressort solaire, d'un érotisme assumé à un discours déculpabilisant, plus dans une idée de déconstruction des clichés, y compris dans son alliance de fantaisie débridée et d'introspection existentielle. En 1979, l'ambition de Bob Guccione et Tinto Brass était tout autre quand ils se lancent dans Caligula. L'alliance d'un patron de la presse porno américaine et du plus érotomane des cinéastes italiens aura accouché d'un film monstre. Autant dans son idée folle d'un péplum de luxe ultra-désinhibé, excessif jusque dans son casting haut de gamme, réunissant autour de Malcolm Mc Dowell la crème de la crème britannique que dans sa Genèse des plus tumultueuses. Aux deux versions précédemment exploitées, celle de Brass déjà pas piquée des hannetons, et celle de Guccione encore plus dépravée, s'ajoute désormais une troisième, baptisée The ultimate cut. Elle est conçue à partir d'une centaine d'heures de rushes qui n'avaient pas été utilisées. Les scènes les plus trash des deux versions précédentes, qu'elles soient gores ou pornographiques en sont excisées, mais Caligula : the ultimate cut n'en est pas moins fou dans sa peinture d'un empire Romain en pleine dégénérescence. La décadence pointée du doigt par Brass et Guccione fait place à une vision quasi putride des enjeux de pouvoir autour d'un empereur aveuglé par l'amour incestueux pour sa sœur, retrouvant sa part de tragédie shakespearienne. Le stupre des films de départ s'est quelque peu dissout dans cet Ultimate cut, pas la démesure. Mieux que d'éviter à cette version-là un statut de curiosité, elle démontre la vertu principale du projet initial : transformer l'exploration d'un des plus grands cas de folie de l'histoire en monument de cinéma. The summer with Carmen et Caligula : the ultimate cut, en salles le 19 juin.
You all are in for a treat! This conversation was such an honor to have and Nico has been around since basically the early days of home video. Make sure you check out some of the releases from Cult Epics if you never have!-Cult Epics website: https://www.cultepics.com/Cult Epics Facebook: https://www.facebook.com/cultepicsCult Epics Instagram: https://www.instagram.com/cultepics/Cult Epics Twitter: https://twitter.com/CultEpics-Buy The Physical Media Advocate (zine) on Amazon: https://l.linklyhq.com/l/1utJN-Follow Someone's Favorite Productions on Instagram: https://www.instagram.com/someonesfavoriteproductions/Follow Someone's Favorite Productions on Twitter: https://twitter.com/somefaveprodFollow Someone's Favorite Productions on Facebook: https://www.facebook.com/SomeonesFavoriteProductions-Follow Shelf Shock Rewind on Twitter: https://twitter.com/Shelf_ShockFollow Shelf Shock Rewind on Instagram: https://www.instagram.com/shelfshockrewind/Follow Shelf Shock Rewind on Facebook: https://www.facebook.com/ShelfShockRewindFollow Shelf Shock Rewind on YouTube: https://www.youtube.com/@shelfshockrewind1231-Become a patron here: https://www.patreon.com/DiscConnected-Like the page and follow on Facebook here: https://www.facebook.com/TheDiscConnected-Join me on Instagram at: https://www.instagram.com/thediscconnected/-Or on Twitter: https://twitter.com/disc_connected-Email: DiscConnectedMedia@gmail.com--Merch: https://www.teepublic.com/user/the-disc-connected-Podcast: https://www.spreaker.com/show/the-disc-connected-If you happen to be shopping on Amazon for something and would like to share some of Lord Bezos' profits with my channel at no additional cost to you, please consider shopping through my link: https://amzn.to/39mcX1t-Tip Jar: https://www.paypal.com/donate?hosted_button_id=TDEVSPJZ9EFCWorpaypal.me/RVinls (friends and family only)or Amazon wish list: https://www.amazon.com/hz/wishlist/ls/20CR2ZN456P1B?ref_=wl_share-Music is by Michael J. LeRose- michaelxcreates@gmail.com.Outro is K(NO)W by Crusoe via a Creative Commons Attribution License and verbal/written permission from the artist.-Links above may be affiliate/promotional links that provide me a tiny commission to support the sight and do not charge the consumer anything extra.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-disc-connected--6024210/support.
On this edition of Parallax Views, Simon Matthews, author of Free Your Mind!: Giovanni 'Tinto' Brass, 'Swinging London' and the 60s Pop Culture Scene, joins the show to discuss the life and career of European filmmaker Tinto Brass. Brass is perhaps most well-known today for his erotic/softcore features as well as the epic, star-studded effort Caligula (starring Malcolm McDowell and Helen Mirren among others), that was re-edited at the behest of Penthouse's Bob Guccione to the point of butchering Brass' original vision. Matthews, however, hones in on the works of Brass as they relate to the the era of mod culture in the days of London's swinging 60s. With a foreward by the legendary actor Franco Nero, Free Your Mind! explores such Brass efforts as Nerosubianco (aka Attraction), The Howl, The Vacation, and The Dropout and their relation to 60s pop culture and counterculture. We'll also be discussing such Tinto Brass movies as the controversial Salon Kitty about Nazi Germany (part of the Nazi chic boom of the 60s/70s film industry), the spaghetti Western Yankee, and Brass in relation to contemporaries like Russ Meyer and John Waters. We'll look at the politics of Tinto Brass and why his filmography, especially in Britain, has been overlooked. If you're unfamiliar with Tinto Brass this will fill you in on an interesting auteur in the world of filmmaking who hasn't gotten his proper due despite working with heavyweight actors like Vanessa Redgrave and the aforementioned Franco Nero. We'll also discuss the unmade films of Tinto Brass including the adaptation of Anthony Burgess' A Clockwork Orange that he almost made and a project that never materialized with Jim Morrison of the legendary rock 'n' roll band The Doors. All that and more on this edition of Parallax Views.
THIS WEEK: Salon Kitty AKA Madam Kitty (1976), All Ladies Do It (1992), Cheeky (2000)We're crankin' our nut knob higher this week and checking out the films of brilliant butt enthusiast and Italian ass-teur, Tinto Brass. Producers may have hacked apart his cut of Caligula, but they can never take away the weird bread scene in Salon Kitty.Donate to Palestinian Medical Aid Support Optimism Vaccine on Patreon
In this - the first half of a two-parter discussing what makes certain films 'the worst movies ever made', Rupert and Britt first cover Christopher Nolan's Oppenheimer, and The Flash before briefly talking about the work of Tinto Brass and baaaaad films. Also, Moving Rhyming Stephen Lang returns, and the inevitable ArkinZ'Dar results are in!
What are unloved movie masterpieces? Well, they are the films that get rated the lowest by critics and audiences. Sometimes they can be downright bad, other times they are simply very challenging. Who better to join this very first English movie draft on Thumb Wrestling, than two avid defenders of movies that have received too little praise in the past. Veteran podguests Theodoor Steen and Ashley Walker return, to shine a new bright light on titles that can use all the love they can get. You can find the lists and vote on: http://www.thumbwrestling.nl To get to these lists, we played a movie draft! The game: three candidates pick a movie one by one. Six categories must be filled, and each movie can be selected only once in the whole game. Also, after every round of picks, we reverse the order in which we can choose a movie. The objective is to get the best list together of six movies. Who do you think made the best picks? Hey, you want to support this podcast? Visit our Patreon page! Links: IMDb Bottom 100: https://www.imdb.com/chart/bottom 0% on RottenTomatoes: https://editorial.rottentomatoes.com/guide/worst-movies-of-all-time/ F Cinema Score: https://collider.com/cinemascore-f-movies/ Roger Ebert gave zero stars: https://letterboxd.com/shellofsnail/list/rated-zero-stars-by-roger-ebert/ Booed at the Cannes Film Festival: https://www.indiewire.com/gallery/films-booed-at-cannes-posters/ Extra links: Patrick (H) Willems on Batman & Robin: https://www.youtube.com/watch?v=zKnGolObx0k Chu Chu and the Philly Flash: https://www.youtube.com/watch?v=7lBcW1DNXGI Freddie as F.R.0.7.: https://www.youtube.com/watch?v=FaH1j_5Ke48 Theodoor on Twin Peaks: Fire Walk With Me in Schokkend Nieuws: https://www.schokkendnieuws.nl/specials/4739-hoe-fire-walk-with-me-trauma-simuleert Variety reports on director Tinto Brass slamming Caligula – The Ultimate Cut: https://variety.com/2023/film/global/caligula-director-tinto-brass-slams-caligula-the-ultimate-cut-cannes-legal-action-penthouse-films-1235617481/
In 2001, they started out as simple street racing highway robbers. Since then, they've loved, they've died, they've come back to life, they've saved the world probably. At long last, their story comes to and end...er...hold up...it's not the end? It doesn't even know the meaning of the WORD "end?" In any case, it's Fast X, and our engines are suitably revved for Dom and them (and some new faces) to race back into our lives.What's GoodAlonso - Guinevere Turner, When the World Didn't EndDrea - Emo PhillipsMyq - Tom King's Batman comics Ify - Vidiots updates, cleaning out storageITIDICDavid Zaslav Gets Booed at BU Commencement‘Once Upon a Time in Hollywood' Character Rick Dalton Has Apparently Died“Ultimate Cut” of Cult Classic CALIGULA Screened at CannesEditor talking about the new edit of Caligula: https://www.youtube.com/watch?v=McuM46YHSSM&t=1sStaff PicksDrea - You Hurt My FeelingsAlonso - MonicaMyq - The Boy, the Mole, the Fox and the HorseIfy - Fastlane TV seriesKeep up with Myq Kaplan's shows and albums at myqkaplan.comWith:Drea ClarkAlonso DuraldeIfy NwadiweMyq KaplanProduced by Marissa FlaxbartSr. Producer Laura Swisher
Mången snuskgubbe har avhandlats genom poddens historia, men frågan är om någon når Tinto Brass nivåer? Om detta talar vi i detta avsnitt, där vi sömlöst rör oss mellan flörtiga tjejer på den italienska landsbygden och av makt korrumperade romerska kejsare som styr med både sex och skräck. En salig blandning av allt man kan önska sig från en man som aldrig nöjt sig med att vara lagom. The post #204 – Tinto Time! appeared first on FromBeyond.se.
System Olympia - "Falling in Love" from the 2023 album New Erotica Collection on Okay Nature Over the past few years, London-based producer, DJ, and vocalist System Olympia (real name: Francesca Macri) has been releasing a series of sultry stand-along singles, including today's Song of the Day, featuring guest vocals from South London artist P Nut. Earlier this year, she compiled nine of these tracks into the LP New Erotica Collection, With an album title like that, you won't be surprised that System Olympia finds inspiration in Tinto Brass films and Anaïs Nin's Delta of Venus short story collection. (In fact, Macri's 2020 LP of the same title is an ode to those literary works.) On her Bandcamp page, she cites "night rides in my Mercedes Benz." Check out the video for today's Song of the Day, and climb into the passenger seat. Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
CW: Sexual content, pornography, incest, violence, consent, sex work, frank discussion of human anatomy, murder, matricide, urine We conclude our coverage of 1979's Caligula with special guest Antonio Palacios of The Cultworthy Cinema Podcast! We hear more about the wild world of 5-star Amazon reviews, beg for you to sign Joe's petition to get Caligula into Kingdom Hearts instead of the one to get a 4K release of this film, allow Jack to continue his awareness campaign for Plague Dogs, explore why it's important to make sure everyone on your set is aware of and consenting to what is happening and to know when/when not to invite family to set, touch on the work of Gore Vidal (giving Joe a chance to reference The Venture Bros), look into more of Tinto Brass's history and works, get into the nitty gritty on Bob "The Gooch" Guccione and Penthouse Magazine, manifest one of Jack's Grant Morrison references to bring up The Filth, discuss the importance of extras that really stick out, pitch Santa Sangre but with sex carnies, cover some of Caligula's actual history and acknowledge the issues with that scholarship, reinforce the importance of having breakfast, briefly cover the trouble Nero got into on tour, emphasize the importance of letting artists be artists, and continue our bewilderment at the utter lack of professionalism on spy job sites in 19 CE. And, of course, we try to fix this decidedly unsexy mess of a film. Strap in and enjoy. #pissbae Podcasts Plugged In This Episode: Doom Generation (@DoomGenPod on Twitter); The Cultworthy Cinema Podcast, The Cultworthy Classic, and The Milf & Me (@thecultworthy on Twitter) Things mentioned in this episode: Caligula, Tiberius, Nero, Rome, Malcolm McDowell, Helen Mirren, Tinto Brass, Gore Vidal, Bob Guccione, Penthouse Magazine, Penthouse Publishing, Kingdom Hearts, Goofy, Madam Kitty (1976), The Venture Bros., Grant Morrison, The Filth, Santa Sangre (1989), Golden Hour, Jeffrey Toobin, Zoom, Pulp Fiction (1994), Leon The Professional (1994), Paul Verhoeven, Phil Tippett, Final Draft, Goldschlager, Joe D'Amato, Erotic Nights of the Living Dead (1980) --- Support this podcast: https://podcasters.spotify.com/pod/show/derazzled/support
One of the new features we wanted for season 2 is for us to pick something we want to cover regardless of it being a Razzie movie. Jack picked 1979's Caligula, which should be completely unsurprising if you've been listening to our show. To help us with this herculean task, we enlisted (perhaps conscripted) our friend Antonio Palacios (The Cultworthy Cinema Podcast, The Cultworthy Classic Podcast, and The Milf & Me Podcast), which probably counts as torture because we're somehow the second show to ask him to cover this. We take a surprise detour into the WILD world of Amazon movie reviews, learn the story of how Antonio first discovered this film (or, "How To Ruin Porn For Teenage Boys"), consider whether Tiberian punishments would be a good thing for some of today's politicians, ponder just how many penises it takes to destroy a film's messaging, get lost in the weeds over which pornographic scenes were added in post, hypothesize over inconsistencies in the production resulting from differences between director Tinto Brass's work and producer Bob Guccione's, take a moment to appreciate this film's poor editor, learn the secret origins of John Madden's teleprompter technique, cover the pitfalls of casting and dubbing over inexperienced non-English speaking actors for an English-language film, empathize with Helen Mirren's clear desire to be literally anywhere else on Earth, discuss the unsimulated sex in this film, address the ways historical inaccuracies can make for poor cinematic choices, and marvel at the weird ways this movie is reminiscent of certain Square-Enix RPGs. This one's not for the faint of heart. Get comfortable and prepare to never find anything sexy again. CW: sexual content, discussion of depictions of unsimulated sex/pornography, incest, violence, consent, sex work, frank discussion of human anatomy and cameras getting awfully close to things, horses with human jobs Podcasts Plugged In This Episode: The Cultworthy Cinema Podcast, Cultworthy Classic Podcast, and The Milf & Me Podcast (@thecultworthy on Twitter, or visit thecultworthy.com); Making a Martini (@MartiniMaking on Twitter) --- Support this podcast: https://podcasters.spotify.com/pod/show/derazzled/support
El viaje cinematográfico de esta semana tiene distintas paradas. Comenzamos visitando el Hollywood de los primeros años del cine para hablar de Lillian Gish, una de las grandes actrices de la historia del cine. Después viajamos al antiguo Egipto para repasar con nuestra “Enciclopedia curiosa del cine” un personaje que hemos visto en muchas películas: La momia. Pararemos un rato en el cine español para charlar con el director Alfonso Albacete y por último nos trasladaremos a la Roma Imperial para recordar la que alguien definió una vez como la primera superproducción pornográfica de la historia del cine: “Calígula” de Tinto Brass.
Nivea Creme by Nivea (1911) + Tinto Brass's Salon Kitty (1976) + The Kindly Ones by Jonathan Littell (2006) with Kurt To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.
For episode 4 of our Erotic Cinema series, Mary and Sarah review two soft-core classics, Just Jaeckin's directorial debut Emmanuelle (1974) and Tinto Brass' gorgeous Paprika (1991). Digressions include Mary's favourite porn stars and Sarah's greatest ambition...
Alina Rizzi"Dell'amore non si sa niente"Calibano Editorettps://www.calibanoeditore.com/"L'amore pretende un ideale di perfezione che non può appartenere alla vita.""Fai del tuo lamento un canto d'amore per dimenticare che stai soffrendo."Proverbio TuaregI racconti che compongono questo libro rientrano nella più classica tradizione delle short stories anglosassoni. I protagonisti, per lo più donne, vengono colti in un preciso istante della loro vita, in cui l'idea dell'amore che avevano, o credevano di avere, sembra disgregarsi. A volte, il dubbio che ne scaturisce è lo spiraglio da cui ripartiranno nuove considerazioni e nuovi tentativi di ottenere un sentimento corrisposto. Altre volte, invece, non è altro che la conferma dell'inutilità dello sforzo di teorizzare su un argomento così poco razionale come l'amore.Dell'amore non si sa niente, sembrano concludere i personaggi del libro, qualche volta con rassegnazione, qualche altra con una disincantata, ma salvifica, presa di coscienza.Alina Rizzi è nata a Erba (CO). Giornalista e scrittrice, si dedica da sempre a valorizzare il mondo femminile. Ha curato e partecipato a diverse antologie, tra cui quella americana "La dolce vita" (Running Press, 2013). Ha pubblicato il romanzo "Amare Leon", da cui il regista Tinto Brass ha tratto il suo ultimo film, "Monamour", e in seguito "Passione sospesa", "Donne di cuori", "Come Bovary" e "Scrivimi d'amore". Successivamente, la drammaturgia "Natasha e il lupo", i volumi di racconti "Bambino mio" e "Pelle di donna". Come poetessa, ha pubblicato in versi: "Rossofuoco" (2002), "Il frutto sillabato" (2004), "La danza matta" (2011), "Aritmie" (2016), "Gente che se ne va" (2020). Il blog di Alina Rizzi è www.costruzionivariabili.blogspot.it.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
"I chose to do the project because it was an irresistible mix of art and genitals." - Helen Mirren winner of an Academy Award, a British Academy Award and a Tony Award. None of which were for Caligula.Join your host Chris and his special guest Antonio from the Cultworthy Podcast as they take an interesting look at a historical docu-drama/porno Caligula, kind of directed by Tinto Brass and also by some people at Penthouse magazine.Follow Antonio on Twitter @thecultworthy▪︎ Down and use Newsly today at www.newsly.me ▪︎ Please use the promo code CULTF1LM for a month FREE of their premium service!Check out all the fine creators at www.blindknowledge.com Title Cards by paolino Contact him at paolinoArtworks@gmail.com Hosted on Acast. See acast.com/privacy for more information.
"I chose to do the project because it was an irresistible mix of art and genitals." - Helen Mirren winner of an Academy Award, a British Academy Award and a Tony Award. None of which were for Caligula.Join your host Chris and his special guest Antonio from the Cultworthy Podcast as they take an interesting look at a historical docu-drama/porno Caligula, kind of directed by Tinto Brass and also by some people at Penthouse magazine.Follow Antonio on Twitter @thecultworthy▪︎ Down and use Newsly today at www.newsly.me ▪︎ Please use the promo code CULTF1LM for a month FREE of their premium service!Check out all the fine creators at www.blindknowledge.com Title Cards by paolino Contact him at paolinoArtworks@gmail.com Hosted on Acast. See acast.com/privacy for more information.
Comment les réalisateurs du film « Caligula et Messaline » s'inspirent de l'Histoire antique pour créer une adaptation érotique ? Messaline, troisième femme de l'empereur romain Claude, mérite-t-elle sa réputation de « Putain Impériale » ?Mina et Jade s'intéressent au film érotique « Caligula et Messaline » de Bruno Mattei et Jean-Jacques Renon sorti en 1981 où il sera question d'une certaine vision de l'Histoire, de jeux d'acteurs.rices approximatifs, d'orgies royales et de beaucoup trop de complots…Pour plus de contenu exclusif et chaud comme la braise, viens suivre le N'importe cul sur InstagramSi tu es curieuse·x...Attention ! Certaines de ces pages internet hébergent des contenus non adaptés à un public de -18 ansL'extrait : Les Petites écolières réalisé par Frédéric Lansac (1980). Extrait disponible sur notre InstagramLa fiche IMDB de Caligula et Messaline de Bruno Mattei et Jean-Jacques Renon (1981)La fiche Allociné de Caligula de Tinto Brass (1979)Une vidéo sur Messaline par la chaîne Youtube On se laisse la nuitL'article Qui était vraiment Caligula, l'empereur pervers ? de GEO FranceCréditsCréé et animé par Mina et Jade. Produit par Mauvaises Ondes. Générique par Maxence Moogin. Musique de Stefano Mastronardi. Illustration d'Amandine Jonniaux. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
This episode begins an irregular series that will take a look back at a minor cinematic phenomenon that happened more often in the 1980s than in any other decade: a one-time-only distribution company. ----more---- We talk about the 1980 Tinto Brass erotic historical drama Caligula, starring Malcolm McDowell, Helen Mirren, and Peter O'Toole, and the 1985 Bud Yorkin family drama Twice in a Lifetime, featuring Gene Hackman, Ellen Burstyn, Ann-Margret, Amy Madigan, Ally Sheedy, and Brian Dennehy.
This episode begins an irregular series that will take a look back at a minor cinematic phenomenon that happened more often in the 1980s than in any other decade: a one-time-only distribution company. ----more---- We talk about the 1980 Tinto Brass erotic historical drama Caligula, starring Malcolm McDowell, Helen Mirren, and Peter O'Toole, and the 1985 Bud Yorkin family drama Twice in a Lifetime, featuring Gene Hackman, Ellen Burstyn, Ann-Margret, Amy Madigan, Ally Sheedy, and Brian Dennehy.
Über "Salon Kitty" und "Salò oder die 120 Tage von Sodom". Sie wurden verleumdet, zensiert und verboten. Aber ein schlechter Ruf macht noch keinen schlechten Streifen! Ralf und Fabian durchqueren das Inferno des italienischen Kinos der Siebziger Jahre und machen dabei Halt im sagenumwobenen Nazi-Puff von Tinto Brass und in der faschistoiden Garda-Villa von Pier Paolo Pasolini. Was ist tiefgründig, was abgründig? Wo sprüht die Erotik, was bleibt banal? Wer meint, hier nur Grauen um des Grauens willen vorzufinden, wird schnell ins eigene Spiegelbild blicken. Skandaaaaaal im Filmbezirk!
Story: Die leidenschaftliche Diana ist glücklich mit dem zurückhaltenden Intellektuellen Paolo verheiratet. Trotzdem leistet sie sich Seitensprünge und erlebt sexuelle Abenteuer in einem Liebesnest über den Dächern von Venedig. Sie erzählt Paolo davon, den die Untreue seiner begehrenswerten Frau erregt. Als sich Diana aber eines Tages erneut mit einem ihrer Liebhaber trifft, verliert Paolo die Geduld und verlangt die Trennung. Kurzerhand arrangieren Diana und ihre Freundinnen ein erotisches Fest, das Paolo versöhnlich stimmen soll.
Sleazy Queenz returns to the bottom of the barrel with our old pal Joe D’Amato! Ancient Rome never felt so dirty as it does in Caligula 2: The Untold Story. D’Amato’s riff on the Tinto Brass epic has everything we’ve come to expect. The beautiful Laura Gemser, lashings of sex both soft and hardcore… and ANOTHER scene with a horse. But it’s also surprisingly queer in places. Find out why as Jonny Larkin is joined by Andy Roberts and Chris Brown to dive headfirst into an orgy of depravity that is NOT for the eagerly offended.
Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este segundo episodio, nos ocupamos de Una mujer poseída (Possession, 1981) del querido Andrej Zulawski, una película francesa dirigida por un polaco y filmada en Alemania, y terminamos hablando de todas estas otras: La mujer pública (La femme publique, 1984) de Andrzej Zulawski, El diablo en el cuerpo (Diavolo in corpo, 1986) de Marco Bellochio, Gracias tía (Grazie zia, 1968) de Salvatore Samperi, Garganta profunda (Deep Throat, 1972) de Gerard Damiano, Detrás de la puerta verde (Behind the Green Door, 1972) de Artie y Jim Mitchell, La fuente de la doncella (Jungfrukallan, 1959) de Ingmar Bergman, Thriller: A Cruel Picture (Thriller - en grym film, 1973) de Bo Arne Vibenius, Portero de noche (Il portiere di notte, 1974) de Liliana Cavani, Asignatura pendiente (1977) de José Luis Garci, Los santos inocentes (1984) de Mario Camus, El crimen de Cuenca (1980) de Pilar Miró, Salon Kitty (1976) y Calígula (1979) de Tinto Brass, Kamikaze 89 (1982) de Wolf Gremm, Spring (2014) de Justin Benson y Aaron Moorhead, Lace Crater (2015) de Harrison Atkins, A Ghost Story (2017) de David Lowery, The Lighthouse (2019) de David Eggers, ET (E.T. the Extra-Terrestrial, 1982) de Steven Spielberg, King Kong (1976) de John Guillermin, Maridos (Husbands, 1970) de John Cassavetes, Alien, el octavo pasajero (Alien, 1979) de Ridley Scott, El ente (The Entity, 1982) de Sidney J. Furie, El hombre invisible (The Invisible Man, 2020) de Leigh Whannell, La bruja (The VVitch, 2015) de Robert Eggers, La última profecía (The Final Conflict, 1981) de Graham Baker, Jurassic Park (1993) de Steven Spielberg, En la boca del miedo (1994) de John Carpenter, Midsommar (2019) y El legado del diablo (Hereditary, 2018) de Ari Aster, El exorcista (The Exorcist, 1973) de William Friedkin, La profecía (The Omen, 1976) de Richard Donner, El resplandor (The Shining, 1980) de Stanley Kubrick, Persona (1966) y El huevo de la serpiente (The Serpent's Egg, 1977) de Ingmar Bergman, Cosmos (2015) de Andrzej Zulawski, La fiesta de Babette (Babettes gæstebud, 1987) de Gabriel Axel, Jean de Florette (1986) y Manon de manantial (Manon des sources, 1986) de Claude Berri, Farinelli (1994) de Gérard Corbiau, Cristo se detuvo en Eboli (Cristo si è fermato a Eboli, 1979) de Francesco Rosi, Amanece que no es poco (1989) de José Luis Cuerda, Jesús de Montreal (Jésus de Montréal, 1989) de Denys Arcand, Onibaba (1964) y Kuroneko (Yabu no naka no kuroneko, 1968) de Kaneto Shindô y The Void (2016) de Jeremy Gillespie y Steven Kostanski... ... por si justo te dio paja anotar. Podés comentar este episodio usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.
Sie platzt aus allen Nähten. Die 46. Show ist mal wieder maximal stimmgewaltig. Nach einer vielthemigen Einleitung zu fünft beginnen wir gleich mit einem von mehreren Duetten. Benedikt und Max begutachten traditionell den aktuellen Dresden-Tatort RETTUNG SO NAH. Die jenensischen Damen – Julia und Lisa – besprechen im Anschluss John Carpenters DIE KLAPPERSCHLANGE und geben sich einmal mehr einem Klassiker hin. Das nächste Gespann – Benedikt und Stefan – beschäftigt sich mit dem Schluck-Drama SWALLOW und später, im Wicked-Vision-Media-Slot, auch noch mit COSI FAN TUTE von Tinto Brass, dem sie den deutschen Verleihtitel EINE UNMORALISCHE FRAU aberkennen. Dazwischen darf Benedikt allein über den Sinn und das Sein von Steven Seagal in ALARMSTUFE ROT grübeln und Julia beschäftigt sich mit der (künstlichen) Intelligenz in EX MACHINA. Tobe führt uns dabei alle souverän durch das Programm und passt auf, dass alle zur richtigen Zeit an der Reihe sind. Und wenn ihr dann ganz am Ende seid, kommt es noch gewaltig zum Schluss. Stefan interviewt Benedikt zu seinem aufkeimenden Filmliebhaberleben mit einem besonderen Bezug zum frühen persönlichen Heimkino und dem entstehen einer Sammlung. Diese Kategorie soll in Zukunft unregelmäßig weitergeführt werden, mit sich verändernden Themen, der Entwicklung über die Jahre und natürlich auch mit neuen Gesprächspartnern. Die erste Ausgabe von DEEP TALK RADIO bekommt ihr in dieser schönen, dicken und runden Infotainment-Erfahrung.
Na. Hát ennyi volt erre az évre. Pali beszámol a Wonder Woman 1984-ről, Bandi fanyalog a Call of Duty: Black Ops - Cold War-ról, én pedig mesélek arról a nehéz időszakról, mikor kiléptem a Szeberényi Lajos citerazenekarból. De ezen kívül azért szilveszterezünk is:-) Linkek (András): Les Patterson Saves the World: https://www.imdb.com/title/tt0093406/ Már megint ugyanaz a vacsora: https://www.youtube.com/watch?v=YR8taFqmaLA Vörös cipellők: https://www.imdb.com/title/tt0103522/?ref_=nv_sr_srsg_0 Az én kis barátnőm: https://www.imdb.com/title/tt0095860/ Forró rágógumi: https://www.imdb.com/title/tt0079118/?ref_=fn_al_tt_1 Tudom, hogy tudod, hogy tudom https://www.imdb.com/title/tt0084150/ Folytassa, Kleo! https://www.imdb.com/title/tt0057918/?ref_=nv_sr_srsg_0 Estély habfürdővel https://www.imdb.com/title/tt0063415/?ref_=nv_sr_srsg_0 Sándor György https://youtu.be/AjUfIqG_-6s, https://youtu.be/KZBqNa3gxdg, https://youtu.be/04NHZhfv7go Hofi a Szomszédokban: https://youtu.be/gBP7mhWiqK0?t=1300 Linkek (Pali) Szuperbola főcímzene - https://www.youtube.com/watch?v=JP_31Lsl7Rg Még ez is: https://www.youtube.com/watch?v=W8c04XHCF8k Ők is a fejükre estek (Leon Schuster): https://www.youtube.com/watch?v=RwTPN-SGBwk Charles G. Booth: Caviar for His Excellency - https://www.amazon.com/General-died-dawn-Charles-Booth/dp/B00BMVHGCG Linkek (Ákos) Tinto Brass:https://www.imdb.com/name/nm0000972/ A dicső 11-es: https://www.imdb.com/title/tt0054135/?ref_=fn_al_tt_2 Brilliáns csapda: https://www.imdb.com/title/tt0137494/?ref_=fn_al_tt_1 Az Harc mestere: https://www.imdb.com/title/tt0160009/?ref_=fn_al_tt_1 Most szólok, hogy a film 2000-es! És egy kis bónusz: https://nlc.hu/magyarorszagkul/20181231/szilveszter-buek-atkos-retro-hofi-december31/ Ezekkel a filmekkel indítsátok az ÚJÉVET: Bandi:https://port.hu/adatlap/film/tv/a-foldi-lanyok-csabitoak-earth-girls-are-easy/movie-42144 Pali:https://www.netflix.com/hu/title/81117189 Ákos:https://www.filmtett.ro/filmek/meg-egy-kort-mindenkinek/ Találkozzunk jövőre a Második évadban! Addig is: https://www.facebook.com/groups/639936843364460 https://discord.gg/CXNx6fM
Bellezza e bizzarria - il cinema insolito secondo Goffredo Fofi
Goffredo Fofi racconta "Il disco volante" (1964) di Tinto Brass.
Secondo capitolo dedicato ai piaceri della vita, questa volta parliamo di SESSO. In una puntata decisamente vietata ai minori, Houssy e Carfa si divertono ad esplorare il cinema scollacciato, in una puntata parecchio goliardica, tutta da sentire.Elenco dei film citati:9 settimane e ½ (Adrian Lyne, 1986)Ultimo tango a Parigi (Bernardo Bertolucci, 1972)Secretary (Steven Shainberg, 2002)Il postino suona sempre due volte (Bob Rafelson, 1981)Le età di Lulù (Bigas Luna, 1990)Basic instinct (Paul Verhoeven, 1992)Sliver (Philip Noyce, 1993)Jade (William Friedkin, 1995)Seduzione pericolosa (Harold Becker, 1989)Eyes wide shut (Stanley Kubrick, 1999)The dreamers (Bernardo Bertolucci, 2003)Il danno (Louis Malle, 1992)Shame (Steve McQueen, 2011)Di ruggine e ossa (Jacques Audiard, 2012)Il miele del diavolo (Lucio Fulci, 1986)Malizia (Salvatore Samperi, 1973)La chiave (Tinto Brass, 1983)Viol@ (Donatella Maiorca, 1998)Gola profonda (Gerard Damiano, 1972)Boogie Nights (Paul Thomas Anderson, 1997)A History of violence (David Cronenberg, 2005)Antichrist (Lars von Trier, 2009)Monster Ball (Marc Forster, 2001)
Aflevering 120 bulkt van de unicums: niet alleen komt Jan Verheyen aan onze digitale tafel zitten, we hebben iets te melden over de nakende 13e editie van het Razor Reel Fantastic Film Festival. We staan stil bij de release van Jan zijn boek ‘Alle Remmen Los’ en bespreken samen met hem twee films die daarin vermeld worden: Venom (1981) en Caligula (1979). Sven kan bijna niet wachten om het over Oliver Reed en Klaus Kinski te hebben terwijl Bart en Jan gefascineerd zijn over een grasmachine voor hoofden. Maarten pijnigt zijn hersenen over de combo Peter O’Toole en Tinto Brass maar kan even later alweer glimlachen wanneer het over Walter Matthau gaat.
Sexy, deranged, and a little bit, er, romantic. This week, the boys go eyeballs deep into Tinto Brass’s 1976 Nazispolitation soft core extravaganza, Salon Kitty. Does something serious stir beneath the covers, or was it just a limp attempt to shock us into submission?
Here's a flashback for you. It's an old BBandBC Mamorial Day Special. This episode originally aired on May 29, 2017 and features Mike Murphy, Mark Sering and Vanessa McEnery as your hosts. The films include Salon Kitty (1976) directed by Tinto Brass and Devil Hunter (1980) directed by Jesus Franco. All websites, promotions and call to actions you'll hear during this episode are no longer available.
Domiciano fue emperador de Roma entre el 81 y el 96 DC y según los Historiadores Contemporáneos a su época -como Suetonio-, uno de los más crueles q se tenga memoria; de modo tal q tras su muerte se dicto el decreto senatorial denominado Damnatio Memoriae q se encargo de borrar su recuerdo en el vasto Imperio Romano. La Historia más reciente ha tratado de rescatarlo y se planteo la pregunta: “Era Domiciano tan temible o es que su enfrentamiento con los Senadores Romanos llevo a la tergiversación de la Historia?” En este podcast, algunas cuestiones para analizar... Película La Biblia: Apocalipsis (2002) de Rafael Mertes para LUBE Musica Romana Anonima Película La Caída del Imperio Romano (1964) de Anthony Mann para Samuel Bronston Production Película Caligula (1979) de Tinto Brass para Bob Guccione y Franco Rossellini Película Gladiador (2000) de Riddley Scott para Scott Free Productions Tema Etruria por Synaulia en Music From Ancient Rome Vol 1 BBMedia Music/ The Orchard Music Tema Risus Sativus por Musica Romana en Album Pugnate Obra Teatral “Los Asesinos del Emperador” de Santiago Posteguillo pp 936 a 937 Tomo1 con Locución Teatralizada en www.arwuehistoria.com
To kick off our Caligula series, we are doing a commentary on the 1979 epic film, CALIGULA. Written by Gore Vidal, directed by Tinto Brass, produced by Bob Guccione, starring Malcolm McDowell, Hellen Mirren, Peter O’Toole, John Gielgud, Teresa Ann Savoy, fucking, sucking, anal fisting, disembowelling, beheading, and more dicks and pussies than you can count. It’s truly a masterpiece that you need to give a second chance. The post Caligula Caesar #1 – The Movie (Part 1) appeared first on Life Of The Caesars.
Story: Rom im Jahre 37 n. Chr: Kaiser Tiberius, ein 77-jähriger tyrannischer Alkoholiker, der schwer von Syphilis gekennzeichnet ist, will seine Nachfolge regeln. Seine Wahl fällt auf Gaius, auch genannt Caligula – das „Stiefelchen“. Zunächst gewinnt der neue Imperator die Gunst der öffentlichen Meinung, doch schon bald zeigt er sein wahres Gesicht. Die meiste Zeit verbringt er mit ausschweifenden Affären und grausamen Gladiatorenkämpfen. Rom verkommt zu einem gewaltigen Sündenpfuhl, in dem Perversion, Gewalt und Willkür herrschen. Als Caligula sich zum Gott proglamiert und beginnt seine Senatoren selbst zu liquidieren, ist sein Ende besiegelt.
Story: Rom im Jahre 37 n. Chr: Kaiser Tiberius, ein 77-jähriger tyrannischer Alkoholiker, der schwer von Syphilis gekennzeichnet ist, will seine Nachfolge regeln. Seine Wahl fällt auf Gaius, auch genannt Caligula – das „Stiefelchen“. Zunächst gewinnt der neue Imperator die Gunst der öffentlichen Meinung, doch schon bald zeigt er sein wahres Gesicht. Die meiste Zeit verbringt er mit ausschweifenden Affären und grausamen Gladiatorenkämpfen. Rom verkommt zu einem gewaltigen Sündenpfuhl, in dem Perversion, Gewalt und Willkür herrschen. Als Caligula sich zum Gott proglamiert und beginnt seine Senatoren selbst zu liquidieren, ist sein Ende besiegelt.
Wir haben gelogen. Einstündige Sommersendungen sollten es werden, doch siehe da: es sind aktuell nun doch wieder satte 120 Minuten geworden und das bei gerade einmal 3 Reviews. Diese allerdings sind dafür recht ausführlich und - im positiven Sinne - ausschweifend. Patrick und Stefan lassen sich ordentlich Wein einschenken von CALIGULA und dessen wildem Treiben, beschrieben von Tinto Brass, wonach dieser Film anno 1980 hierzulande erstmals offiziell ungekürzt fürs Heimkino vorliegt. Benedikt und Tobe verstricken sich in "US" bzw. "WIR" von Jordan Peele und kommen mit ihren geplanten 15 Minuten bei Weitem nicht hin (die beiden sind nun schuld an der 2-Stunden-Sendung). Es geht in die Tiefe der Meta-Ebene und die Anerkennung afroamerikanischer Künstler in Amerika wird dabei ausgewertet. Als Drittes im Programm sinnieren Max und Benedikt über die Michael Crichton-Adaption "DIE WIEGE DER SONNE" mit Wesley Snipes und Sean Connery. Auch hier begibt man sich auf Tauchfahrt in die Gesellschaft der entsprechenden Epoche und schaut hinter die Medienfassade der späten 1980er Jahre, wo sich ein Ausverkauf des US-Business entwickelte, der den Krimi möglicherweise beeinflusste. So lang sind wir selten, vor allem nicht konzentriert in einer Show. Zur Auflockerung schenken wir Euch noch einen Backstreet-Boys-Moment, dann ist aber wieder Filmanalyse-Zeit.
Wir haben gelogen. Einstündige Sommersendungen sollten es werden, doch siehe da: es sind aktuell nun doch wieder satte 120 Minuten geworden und das bei gerade einmal 3 Reviews. Diese allerdings sind dafür recht ausführlich und - im positiven Sinne - ausschweifend. Patrick und Stefan lassen sich ordentlich Wein einschenken von CALIGULA und dessen wildem Treiben, beschrieben von Tinto Brass, wonach dieser Film anno 1980 hierzulande erstmals offiziell ungekürzt fürs Heimkino vorliegt. Benedikt und Tobe verstricken sich in "US" bzw. "WIR" von Jordan Peele und kommen mit ihren geplanten 15 Minuten bei Weitem nicht hin (die beiden sind nun schuld an der 2-Stunden-Sendung). Es geht in die Tiefe der Meta-Ebene und die Anerkennung afroamerikanischer Künstler in Amerika wird dabei ausgewertet. Als Drittes im Programm sinnieren Max und Benedikt über die Michael Crichton-Adaption "DIE WIEGE DER SONNE" mit Wesley Snipes und Sean Connery. Auch hier begibt man sich auf Tauchfahrt in die Gesellschaft der entsprechenden Epoche und schaut hinter die Medienfassade der späten 1980er Jahre, wo sich ein Ausverkauf des US-Business entwickelte, der den Krimi möglicherweise beeinflusste. So lang sind wir selten, vor allem nicht konzentriert in einer Show. Zur Auflockerung schenken wir Euch noch einen Backstreet-Boys-Moment, dann ist aber wieder Filmanalyse-Zeit.
Tinto Brass: regista veneziano, maestro del cinema erotico, ha diretto Stefania Sandrelli ne La Chiave, il suo film più famoso. Il suo linguaggio è spesso diretto, spudorato, volutamente esplicito. Nella sua carriera, ha fatto arrabbiare molte donne (femministe soprattutto), moralisti, perbenisti, cattolici, censori e rappresentanti delle istituzioni. Ma ha anche diretto - negli anni 60 e 70, periodo dei suo film impegnati e anarchici - attori come Silvana Mangano, Alberto Sordi, Gigi Proietti, Helmut Berger, Vanessa Redgrave, Franco Nero. Con gli anni 80 dà il via al suo ciclo erotico, con commedie sensuali dal sapore goliardico e trasgressivo. La donna che vuole rappresentare sullo schermo è libera, gioiosa, intraprendente: soggetto, più che oggetto, di piacere. Nella vita ha amato soprattutto Tinta, sua moglie per 50 anni, ma anche musa, collaboratrice, sceneggiatrice di molti suoi film, fino alla morte di lei avvenuta nel 2006. Autore: Anita Panizza Playlist Rebel yell - Billy IdolWhat Ruthy said - Cockney RebelLes bigotes - Jacques BrelLussuria - Enrico RuggeriThe lady is lingering - SparksBaby - Iggy PopKiss & tell - Bryan FerryThe pleasure song - Marianne Faithfull
Mi nuevo reportaje de Cine sobre PELÍCULAS POLÉMICAS EN EL CINE. Películas transgresoras o simplemente escandalosas. Entre otras: Calígula de Tinto Brass, El último tango en Paris, Los rompepelotas, La última tentación de Cristo, Holocausto caníbal, La naranja mecánica, Lolita (1962 y 1997), Los olvidados, El crimen de Cuenca, Salò o los 120 Días de Sodoma, Welcome to New York, A Serbian Film, etc.
Mi nuevo reportaje de Cine sobre PELÍCULAS POLÉMICAS EN EL CINE. Películas transgresoras o simplemente escandalosas. Entre otras: Calígula de Tinto Brass, El último tango en Paris, Los rompepelotas, La última tentación de Cristo, Holocausto caníbal, La naranja mecánica, Lolita (1962 y 1997), Los olvidados, El crimen de Cuenca, Salò o los 120 Días de Sodoma, Welcome to New York, A Serbian Film, etc.
Aprovechando que Rusia está en las noticias internacionales, comentamos esta película prohibida en Rusia, que habla de los días alrededor de la muerte de Stalin y que, contra todo pronóstico, es una comedia de muy fina manufactura. ¿Qué tanta risa puede dar un estado de terror? ¿Es acaso parte de una conjura occidental contra la historia de Rusia? ¿Podrá encontrar Toma Tres a un digno sucesor? En efemérides, felicitamos a una actriz británica, un director irlandés-británico y un director italiano. En noticias, más sobre la (tal vez imaginaria) disputa Spielberg-Netflix y los planes de Disney para Fox. Menú: 03:21 - Toma Tres comenta: La muerte de Stalin 46:20 - Toma Tres recuerda: Keira Knightley, Martin McDonagh y Tinto Brass. 49:22 - Toma Tres informa Para el título de este episodio, seguimos las recomendaciones del gran Liniers: https://365cine.wordpress.com/2010/09/21/el-humor-cinefilo-de-liniers/
Aprovechando que Rusia está en las noticias internacionales, comentamos esta película prohibida en Rusia, que habla de los días alrededor de la muerte de Stalin y que, contra todo pronóstico, es una comedia de muy fina manufactura. ¿Qué tanta risa puede dar un estado de terror? ¿Es acaso parte de una conjura occidental contra la historia de Rusia? ¿Podrá encontrar Toma Tres a un digno sucesor? En efemérides, felicitamos a una actriz británica, un director irlandés-británico y un director italiano. En noticias, más sobre la (tal vez imaginaria) disputa Spielberg-Netflix y los planes de Disney para Fox. Menú: 03:21 - Toma Tres comenta: La muerte de Stalin 46:20 - Toma Tres recuerda: Keira Knightley, Martin McDonagh y Tinto Brass. 49:22 - Toma Tres informa Para el título de este episodio, seguimos las recomendaciones del gran Liniers: https://365cine.wordpress.com/2010/09/21/el-humor-cinefilo-de-liniers/
On the November 2, 2018 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film writers Hoai-Tran Bui and Chris Evangelista to talk about the latest film and tv news, including Avatar, Inside Man 2, Doctor Who, Gladiator, The Time Machine and Penny Dreadful. And a new edition of Advice Corner with Chris Evangelista, he'll answer a question about parenting. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). In The News: HT: Are These The Avatar Sequel Titles (And Is It Too Late to Change Them?) Chris: ‘Inside Man 2' Casts Aml Ameen Cast in the Lead, Sounds More Like a Remake Than a Sequel HT: ‘It' Director Andy Muschietti Adapting H.G. Wells Classic ‘The Time Machine', Leonardo DiCaprio Producing Chris: ‘Gladiator' Sequel Moving Forward With Ridley Scott Directing HT: ‘Doctor Who' Christmas Special Scrapped for the First Time in 13 Years Chris: ‘Penny Dreadful: City of Angels' Will Continue the ‘Penny Dreadful' Saga in 1930s Los Angeles In Advice Corner with Chris Evangelista: Yerbolat Yeskaliyev (pronounced Your ball) from Bay Area of California writes in: “Hello Peter and the gang.. This is probably 3rd time I feel the need in interacting with slashfilm daily. First 2 times were via itunes review and Twitter. I would like to say it again, I really enjoy both podcasts and becoming somewhat addicted to daily dose =), so thank you all for your very nice work, it is appreciated!!!! I gotta be honest, I am not a website article reader that much, I stick with podcasts. My most favorite is when Daily has full crew with 2 of my faves Chris and HT!! This genius new segment "Life Advice with Chris" is amazing, funny and maybe even helpful, so far it's a big Maybe :):):) Ok got with that out of the way... Here is my question. I'm an immigrant from a country with a much more relaxed age rating system and I grew up watching hard R even NC-17 rated films such as "shocking asia" at age 12. Hollywood R rated movies were acceptable in our household with no problems. After coming to US I have encountered this new to me system of age restriction and parental control. To me, at the time it didn't make much sense and I saw it as a dumb thing. However, time went by and I am a father now, although my child is not yet old enough to watch movies. I have drastically changed my views towards parental control and movie age ratings.... I am definitely not going to show my son a Tinto Brass film at age 10, but I also don't want to be so strict that not watching some R rated films at a young age can turn him into fragile scaredy cat. Where does Chris stand on this subject and how should I proceed with my dilemma? Should I censor the media for my kid and let him decide later in life if he likes that type of entertainment? Or should I take my own experience as an example and allow him to watch whatever interests him (within moral boundaries) of course. Thank you in advance. Keep up good work. Best regards!! Name: Yerbol (pronounced as who's ball? YOUR BALL) =) location: Bay Area California. Ps. To make ur podcast better, try making episodes twice a day and twice as long... Lol” The Advice Corner theme song was created by Love you Wally. Other articles mentioned: Gremlins and the Time Machine All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.
Mi reportaje sobre el SEXO EN EL CINE, huyendo del morbo gratuito y con muchos hallazgos. Entre otras: La vida de Adèle, El Imperio de los Sentidos, Moana, La lozana andaluza, Infidels, Sexo en Nueva York, ¿Y si vivimos todos juntos?, Brokeback Mountain, El último tango en Paris, Calígula de Tinto Brass, etc.
Mi reportaje sobre el SEXO EN EL CINE, huyendo del morbo gratuito y con muchos hallazgos. Entre otras: La vida de Adèle, El Imperio de los Sentidos, Moana, La lozana andaluza, Infidels, Sexo en Nueva York, ¿Y si vivimos todos juntos?, Brokeback Mountain, El último tango en Paris, Calígula de Tinto Brass, etc.
Parte 3 - Gianfranco Rotondi dice di essere l'ultimo democristiano, lo 'youtuber' Gordon è il mito della figlia di Rotondi , Tinto Brass ci parla del caso Weinstein e Flavio Tosi ci dice se è vero o no che Renzi gli propose un posto di governo.....
Parte 1 - Gianfranco Rotondi dice di essere l'ultimo democristiano, lo 'youtuber' Gordon è il mito della figlia di Rotondi , Tinto Brass ci parla del caso Weinstein e Flavio Tosi ci dice se è vero o no che Renzi gli propose un posto di governo.....
Parte 2 - Gianfranco Rotondi dice di essere l'ultimo democristiano, lo 'youtuber' Gordon è il mito della figlia di Rotondi , Tinto Brass ci parla del caso Weinstein e Flavio Tosi ci dice se è vero o no che Renzi gli propose un posto di governo.....
Gli ospiti di oggi: Yuri Sterrore (Gordon); Gianfranco Rotondi; Tinto Brass; Anna Falchi; Flavio Tosi
Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. Welcome to the newest edition of Halloween Boutique Psychotronic Reviews – a podcast that reviews and critiques films released by boutique labels that have taken old and sometimes forgotten midnight movies and re-releases them in special editions where the quality of the picture is fully remastered, usually from onetime lost or privately owned negatives or prints. This month I review four films and one television show. The movies include the 2002 French erotic thriller Secret Things directed by Jean-Claude Brisseau; the 1983 slasher film Double Exposure (released by Vinegar Syndrome); Tinto Brass’s 1991 classic erotic comedy, Paprika (released by Cult Epics); and the new Blue Underground release of the 1972 horror film Deathline (also known as Raw Meat). Lastly, the 12 episode Funimation blu-ray release of the recent anime Prison School is reviewed. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM
Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. Welcome to the newest edition of Halloween Boutique Psychotronic Reviews – a podcast that reviews and critiques films released by boutique labels that have taken old and sometimes forgotten midnight movies and re-releases them in special editions where the quality of the picture is fully remastered, usually from onetime lost or privately owned negatives or prints. This month I review four films and one television show. The movies include the 2002 French erotic thriller Secret Things directed by Jean-Claude Brisseau; the 1983 slasher film Double Exposure (released by Vinegar Syndrome); Tinto Brass’s 1991 classic erotic comedy, Paprika (released by Cult Epics); and the new Blue Underground release of the 1972 horror film Deathline (also known as Raw Meat). Lastly, the 12 episode Funimation blu-ray release of the recent anime Prison School is reviewed. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM
In episode fourteen, Kat and Samm begin a three-part look at the art giallo film, the more unconventional cousin to everyone’s favorite Italian horror genre, popularized by directors like Mario Bava and Dario Argento. This episode begins with a look at Tinto Brass’s Deadly Sweet (1967), with Jean-Louis Trintignant and Ewa Aulin as two young lovers trying to outrun a killer in swinging London. Trintignant and Aulin return for what is probably the only chicken-themed giallo, the totally bonkers Death Laid an Egg (1968), about murder and backstabbing in a poultry factory. Also explored is Elio Petri’s gloomy, beautiful A Quiet Place in the Country (1968), starring the great Franco Nero as a painter who rents an abandoned villa that might be haunted by the ghost of a nymphomaniac countess who died during WWII. War themes also trickle into the completely insane In the Folds of the Flesh (1970), about a family living in a mansion on top of an Etruscan burial ground. They have a nasty habit of gruesomely dispatching anyone who tries to visit them. Finally, Kat and Samm also explore one of the only Soviet-set giallo films, Aldo Lado’s grim Short Night of the Glass Dolls (1971), about a man who wakes up paralyzed, on a slab at the morgue and must try to remember how he got there before it’s too late.
Grand retour des Oubliettes! Ce soir nous parlons du réalisateur Tinto Brass et deux de ses réalisations. Le classique de nazi aux accents érotique, Salon Kitty (1976), et son film suivant, le porn epique "Caligula" (1979)... qui s'est fait un en quelque sorte volé puis démolis par le producteur... Et un bref retour sur l'adaptation québecoise de "Célibataires et nus", où la régression de l'industrie du divertissement! Bonne écoute! Bien heureux d'être de retour en onde!
Grand retour des Oubliettes! Ce soir nous parlons du réalisateur Tinto Brass et deux de ses réalisations. Le classique de nazi aux accents érotique, Salon Kitty (1976), et son film suivant, le porn epique "Caligula" (1979)... qui s'est fait un en quelque sorte volé puis démolis par le producteur... Et un bref retour sur l'adaptation québecoise de "Célibataires et nus", où la régression de l'industrie du divertissement! Bonne écoute! Bien heureux d'être de retour en onde!
In episode thirteen, Kat and Samm return to discuss Miklós Jancsó’s neglected 1976 film, Vizi privati, pubbliche virtù aka Private Vices, Public Virtues, which has recently been restored and will soon be released on Blu-ray by Mondo Macabro. Based on the Mayerling Affair from 1889, when the Crown Prince Rudolf, heir to the Austro-Hungarian Empire, committed suicide with his mistress, Jancsó’s film ponders what could have transpired if Rudolf did not kill himself, but was murdered. Here, Rudolf (the beautiful Lajos Balazsovits) is a rebel and is determined to fill his days with sex, partying, scandal, and blackmail in an attempt to embarrass his father and eventually overthrow the government. The episode explores how this explicit, visually sumptuous film — which includes everything from orgies and incest to anal sex and bestiality, among other surprises — has been unfairly neglected for too long. But a discussion of Private Vices, Public Virtues is just the tip of the iceberg, and Kat and Samm also offer a retrospective of Jancsó’s catalogue in general, particularly his earlier Hungarian films and his time in Italy, and explore the themes that recurred throughout his career: sadism, nudity, horses, political repression, folk singing, candles, and men in uniform, among others. Also discussed are other sexually explicit films from 1976 — like Walerian Borowczyk’s La marge and Serge Gainsbourg’s Je t’aime moi non plus — and films with similarly transgressive content, like Tinto Brass’s Salon Kitty and Caligula.
la Mostra Tinto Brass , uno sguardo libero e Legend con Tom Hardy
la Mostra Tinto Brass , uno sguardo libero e Legend con Tom Hardy
The 1979 film Caligula is a biopic about one of the most-wicked rulers of Rome. Directed by Tinto Brass, written by Gore Vidal and produced by Bob Guccione of Penthouse magazine.Learn more about your ad choices. Visit megaphone.fm/adchoices
The 1979 film Caligula is a biopic about one of the most-wicked rulers of Rome. Directed by Tinto Brass, written by Gore Vidal and produced by Bob Guccione of Penthouse magazine.
Interviste a Patty Pravo, Tinto Brass, Giovanni Coda.
Interviste a Patty Pravo, Tinto Brass, Giovanni Coda.
Interviste a Patty Pravo, Tinto Brass, Giovanni Coda.
Interviste a Patty Pravo, Tinto Brass, Giovanni Coda.
Interviste a Patty Pravo, Tinto Brass, Giovanni Coda.
Interviste a Patty Pravo, Tinto Brass, Giovanni Coda.
This week, Desmond takes off his glasses and rips open his shirt to a themed episode based on comics and comic book-influenced material! First up, Desmond and Darryll review the Tinto Brass-directed thriller influenced by Italian comic artist Guido Crepax: Deadly Sweet. Then Devil Dinosaur Jr. stays scary discussing the Italian comic adaptation Dylan Dog: Dead of Night. Desmond reviews a truly unique superhero novel from Canadian author Rio Youers: Westlake Soul before diving in to review the following comics: Night Force #3, Dial H #1, and the trade collection of The Strange Talent of Luther Strode. There's plenty of super-tunes as well: "I Don't Wanna Be (a Superhero)" by Roadrunner United featuring Michael Graves, "Sweet Jane" by Cowboy Junkies, "Cry of the Banshee" by Brocas Helm, "Surfin' Dead" by The Cramps, "Superhero" by Anthrax, and "Supernaut" by Black Sabbath. Turn on the Dread-Signal or do the following to get in touch with us: feedback@dreadmedia.net, 206.203.1213, follow @dreadmedia and @DevilDinosaurJr on Twitter, and join the Dread Media Facebook group!
This week, Desmond takes off his glasses and rips open his shirt to a themed episode based on comics and comic book-influenced material! First up, Desmond and Darryll review the Tinto Brass-directed thriller influenced by Italian comic artist Guido Crepax: Deadly Sweet. Then Devil Dinosaur Jr. stays scary discussing the Italian comic adaptation Dylan Dog: Dead of Night. Desmond reviews a truly unique superhero novel from Canadian author Rio Youers: Westlake Soul before diving in to review the following comics: Night Force #3, Dial H #1, and the trade collection of The Strange Talent of Luther Strode. There's plenty of super-tunes as well: "I Don't Wanna Be (a Superhero)" by Roadrunner United featuring Michael Graves, "Sweet Jane" by Cowboy Junkies, "Cry of the Banshee" by Brocas Helm, "Surfin' Dead" by The Cramps, "Superhero" by Anthrax, and "Supernaut" by Black Sabbath. Turn on the Dread-Signal or do the following to get in touch with us: feedback@dreadmedia.net, 206.203.1213, follow @dreadmedia and @DevilDinosaurJr on Twitter, and join the Dread Media Facebook group!
This week, Desmond takes off his glasses and rips open his shirt to a themed episode based on comics and comic book-influenced material! First up, Desmond and Darryll review the Tinto Brass-directed thriller influenced by Italian comic artist Guido Crepax: Deadly Sweet. Then Devil Dinosaur Jr. stays scary discussing the Italian comic adaptation Dylan Dog: Dead of Night. Desmond reviews a truly unique superhero novel from Canadian author Rio Youers: Westlake Soul before diving in to review the following comics: Night Force #3, Dial H #1, and the trade collection of The Strange Talent of Luther Strode. There's plenty of super-tunes as well: "I Don't Wanna Be (a Superhero)" by Roadrunner United featuring Michael Graves, "Sweet Jane" by Cowboy Junkies, "Cry of the Banshee" by Brocas Helm, "Surfin' Dead" by The Cramps, "Superhero" by Anthrax, and "Supernaut" by Black Sabbath. Turn on the Dread-Signal or do the following to get in touch with us: feedback@dreadmedia.net, 206.203.1213, follow @dreadmedia and @DevilDinosaurJr on Twitter, and join the Dread Media Facebook group!
This week, Desmond takes off his glasses and rips open his shirt to a themed episode based on comics and comic book-influenced material! First up, Desmond and Darryll review the Tinto Brass-directed thriller influenced by Italian comic artist Guido Crepax: Deadly Sweet. Then Devil Dinosaur Jr. stays scary discussing the Italian comic adaptation Dylan Dog: Dead of Night. Desmond reviews a truly unique superhero novel from Canadian author Rio Youers: Westlake Soul before diving in to review the following comics: Night Force #3, Dial H #1, and the trade collection of The Strange Talent of Luther Strode. There's plenty of super-tunes as well: "I Don't Wanna Be (a Superhero)" by Roadrunner United featuring Michael Graves, "Sweet Jane" by Cowboy Junkies, "Cry of the Banshee" by Brocas Helm, "Surfin' Dead" by The Cramps, "Superhero" by Anthrax, and "Supernaut" by Black Sabbath. Turn on the Dread-Signal or do the following to get in touch with us: feedback@dreadmedia.net, 206.203.1213, follow @dreadmedia and @DevilDinosaurJr on Twitter, and join the Dread Media Facebook group!
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