Podcast appearances and mentions of Ernst Reijseger

THIS WEEK's BIRDS: Bembeya Jazz National (vintage); expoerimental Yugoslav folk-jazz from vocalist Vesna Pisarović;  Gabriel Zucker; Uyghur Musicians from  Xinjiang; new music from  Joe Fonda Quartet w. Wadada Leo Smith et al.; Kovász; Nour Symon; Phelimuncasi (experiemtnal hip-hop from Africa); Wadada Leo Smith salutes Angela Davis; Landaeus - de Heney - Osgood; Ernst Reijseger w. Harmen Fraanje & Mola Sylla; M'ma Sylla (vintage) with Le Rossignol de Guinée, from Guinea ; cha'abi from Amar al Achab; Thelonious Monk; Ngabaka Group as well as Martin Kayo (from Central African Republic); Rai from Chaba Zohra; and, as always, so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/20429139/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

durée : 00:58:28 - Werner Herzog, à la recherche de la sensation - par : Thierry Jousse - Aventurier de l'extrême, l'allemand Werner Herzog est aussi un cinéaste profondément habité par la musique, depuis ses expériences planantes avec le groupe Popol Vuh, jusqu'aux bandes-son du violoncelliste Ernst Reijseger…

The Pulitzer Prize and National Book Award finalist Joy Williams reads entries from “Concerning the Future of Souls” (issue no. 247, Spring 2024), a collection of stories following Azrael, the angel of death and transporter of souls. This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: https://www.theparisreview.org/fiction/8252/concerning-the-future-of-souls-joy-williams Subscribe to the Paris Review

In Zach Williams's “Trial Run” (issue no. 239, Spring 2022), an employee is subjected to two coworkers' conspiracy theories when their office is targeted by an anonymous white supremacist hacker. The story is read by Michael Chernus, Danny Mastrogiorgio, and Gabriel Marin. This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links:  www.theparisreview.org/fiction/7873/trial-run-zach-williams Subscribe to the Paris Review

“We were thirteen and conspiratorial and what was said is now out of reach. As it should be.” Jim Fletcher reads Peter Orner's “Foley's Pond” (Issue No. 202, Fall 2012), a quietly devastating short story about the effects of a tragic accident. This episode was produced by John DeLore and Helena de Groot, and was mixed and sound designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: https://www.theparisreview.org/fiction/6173/foleys-pond-peter-orner Subscribe to the Paris Review

The legendary actor George Takei reads one of the oldest stories in the Review's archive.  Published by the magazine in 1957, “The Victim” is Ivan Morris's English translation of the Japanese author Jun'ichirō Tanizaki's 1910 literary debut.  This episode was produced by John DeLore and Helena de Groot, and was mixed and sound designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links:  theparisreview.org/fiction/4872/the-victim-junichiro-tanizaki Subscribe to the Paris Review The Japanese American Museum: https://www.janm.org/ 

Sean Thor Conroe shares entries from “The Walk Book”—his meticulous, funny travelogue about his 2014 attempt to walk across the United States—including some rain-soaked field recordings. This episode was produced and sound designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links:  theparisreview.org/letters-essays/8039/the-walk-book-sean-thor-conroe Subscribe to the Paris Review

Nobel Prize–winning Polish writer Olga Tokarczuk discusses the souls of animals, discovering feminism, and her home in the village of Krajanów where she was once neighbors with “three different translators of William Blake in an excerpt from her Art of Fiction interview with Marta Figlerowicz. This episode was produced and sound designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links:  theparisreview.org/interviews/7968/the-art-of-fiction-no-258-olga-tokarczuk Subscribe to the Paris Review

“We needed erotic touch to tell us what we were.” Robert Glück reads from About Ed, a memoir about his relationship with his former partner Ed Aulerich-Sugai. The performance is paired with excerpts from his Art of Fiction interview with Lucy Ives.  This episode was produced by Helena de Groot and John DeLore, and was mixed and sound designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links:  https://www.theparisreview.org/interviews/8016/the-art-of-fiction-no-260-robert-gluck https://theparisreview.org/miscellaneous/7896/about-ed-robert-gluck Subscribe to the Paris Review

“Nothing reifies a romance like proximate disaster.” Seated at her kitchen table, Jean Garnett reads her essay, “Scenes from an Open Marriage,” and chats with the Review's Deputy Editor, Lidija Haas, and Senior Producer of the podcast, Helena de Groot.  This episode was produced, sound-designed and mixed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links:  theparisreview.org/blog/2022/06/29/scenes-from-an-open-marriage/ Subscribe to the Paris Review

“The only colors we're going to use will be blacker than most blacks. Mm-kay.” Terrance Hayes reads his poem, “Bob Ross Paints Your Portrait.” An homage to the iconic host of the PBS show The Joy of Painting, and an exploration of Blackness: “deep-space black, black-hole black … lampblack and ink black, boot black and blackjack and blacker.” This episode was produced by Helena de Groot and John DeLore. It was sound-designed, mixed, and features original scoring by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/poetry/7883/bob-ross-paints-your-portrait-terrance-hayes https://www.penguin.co.uk/books/457422/so-to-speak-by-hayes-terrance Subscribe to the Paris Review

Pulitzer Prize winner Sharon Olds discusses sex, religion, and writing poems that "women were definitely not supposed to write,” in an excerpt from her Art of Poetry interview with Jessica Laser. Olds also reads three of her poems: “Sisters of Sexual Treasure” (Issue No. 74, Fall–Winter 1978), “True Love,” and “The Easel.” This episode was produced and sound designed by John DeLore. Audio recording of “Sisters of Sexual Treasure” is courtesy of the Woodberry Poetry Room, Harvard University. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/interviews/8000/the-art-of-poetry-no-114-sharon-olds theparisreview.org/poetry/3462/the-sisters-of-sexual-treasure-sharon-olds Subscribe to the Paris Review

Actor, producer, and screenwriter Lena Waithe reads Rivers Solomon's “This Is Everything There Will Ever Be,” which was published in issue no. 243 of the Review. The story, dark and uplifting by turns, is a portrait of “just another late-forties dyke entirely too into basketball, dogs, and memes.” This episode was produced and sound designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/fiction/7963/this-is-everything-there-will-ever-be-rivers-solomon rivers-solomon.com/ Subscribe to the Paris Review

A stealth poetry reading inside a bustling IKEA. Poet Maggie Millner reads her own poem (Issue no. 239, Spring 2022), as well as two more from the archive: Toi Dericotte's “Bird” (Issue No. 124, Fall 1992) and Rainer Maria Rilke's “Death” (Issue No. 82, Winter 1981). This episode was produced by Helena de Groot and John DeLore, and was sound designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/poetry/7855/from-couplets-maggie-millner theparisreview.org/poetry/6855/death-rainer-maria-rilke theparisreview.org/poetry/2039/two-poems-toi-derricotte maggiemillner.com/ Subscribe to the Paris Review

When should guitar teachers start working on composition and creativity with students and how can you teach it? How can you get published and market your business or book? These are just some of the interesting questions that Gilbert Isbin, guitarist and composer, answers in this week's podcast. If you're looking to get published or just wanting to learn how you can teach composition and creativity to your students, listen to this episode and find out what Gilbert's tips are for guitar teachers like you. Gilbert gives us a rundown on his story so far, from performing and creativity and composition, right up to what he's doing now in the education space. How he got published by one of the biggest publishers, Malbay. The advantage of publishing with Kindle and selling on Amazon. He shares what a loot is and how it differs to a classical guitar. Tips for marketing your music and business. Gilbert tells us more about his book, The Composing Guitarist: An Easy Approach. His thoughts on creativity and when teachers should start working on composition and creativity with their students. Sample activities and exercises teachers can do to start nurturing creativity within their students. Why singing with your guitar is important. Guest Links Mentioned Gilbert Isbin Website Gilbert Isbin Facebook Page YouTube Channel Guitar Teaching Resources Mentioned Free Guitar E-book Resources Today's Guest ‘Belgian guitarist Gilbert Isbin is one of the most interesting, dynamic and poetic composers writing for the guitar today.' (Mel Bay) Isbin's compositional and performing style defies genre, blending elements of contemporary classical, jazz, early music, world music and improvisation. In favorable comparisons with the likes of Ralph Towner and Egberto Gismonti, his music has been described as “oblique, subtle, and hauntingly beautiful.” His compositions, more than 400, for guitar, lute, ukulele, theorbo, renaissance guitar, baroque guitar, bass and ensemble, songs, are published by Mel Bay, Edizioni Curci (Berben), The UK Lute Society, Lantro Music, Golden River Music, Kameleon Editions  Auurk Ed, VRT Publishing.   He has performed on festivals and major venues throughout Europe and the US with Cameron Brown, Joe Fonda, Scott Walton, Hugh Hopper, Jeff Gauthier, Vinny Golia, Ernst Reijseger, Michel Godard, Sandro Di Stefano Bruce Arnold, Jie Ma, Alex Cline, Wolfgang Reisinger. Thank you for tuning in! Consider implementing the ideas from this podcast by writing several actionable steps for your teaching practice if it's inspired you. If you enjoyed today's show, please leave us a review on Apple Podcasts, which helps other teachers find our show. Stay updated by subscribing to this show, and get automatic delivery to your device every time a new episode goes live! We publish on Fridays weekly.   Click here to find out more about TopMusicGuitar Membership

foto: J. Sacks Harmen Fraanje (1976, Roosendaal) is pianist en componist. Hij speelt in diverse formaties, zoals zijn solo project, een trio met Ernst Reijseger en Mola Sylla, een duo met de Noorse trompettist Arve Henriksen, een trio met de Finse musici Aino Peltomaa (zang, harp) en Mikko Perkola (Viola da gamba en effecten), een […]

In this conversation with the really inspiring cellist, Rachel Mercer, we discuss the arc of her career so far as a chamber musician, soloist, principal cellist, the late Yehonatan Berick, an amazing violinist and pedagogue, who was her life partner, "Our Strength, Our Song" with her sister, the wonderful violinist Akemi Mercer-Niewöhner and many other chamber music collaborations and unique projects, as well as her way of approaching music. Rachel very generously made a special recording of the Prelude from J.S. Bach's fifth solo suite in C minor BWV 1011, and her heartfelt introduction to the power of this music is right after our conversation, so please keep listening till the end! There are timestamps below, and the Bach with her introduction is also a separate bonus episode. The video version of this episode is here, linked on my website with the transcript: https://www.leahroseman.com/episodes/e9-s2-rachel-mercer To learn more about Rachel, her recordings and current projects: http://www.rachelmercercellist.com/ Help me with a tip? https://ko-fi.com/leahroseman This podcast costs me a lot of time and money, and I could really use the help and encouragement. Thanks! Photo credit: David Leyes (00:00) Introduction (02:24) Bonjour Strad and other cellos through Canada Council (06:19) Baroque performance practice influences and Anner Bylsma (11:41) Vriendenkrans competition and playing in the Concertgebouw (13:44) debut solo record “Room” (15:13) Ernst Reijseger (16:10) Rachel's studies with different teachers including Shauna Rolston, Laurence Lesser,Dmitri Ferschtman (21:10) Aviv Quartet, experiences in South Africa and Israel (24:49) Yehonatan Berick (28:38) the influences of many different teachers (30:13) Ilona Feher, Yehonatan's teacher (31:34) Rachel's obaasan and the experience of Japanese Canadian families internment during the Second World War (34:18) Rachel's sister violinist Akemi Mercer-Niewöhner (36:05) Return to Canada and a career as a chamber musician (37:59) “Mosaïque Project” with Ensemble Made in Canada (40:18) Playing orchestral auditions (43:58) Pre-concert routine and mindfulness (46:22) Dream journals and realizing projects (47:34) album “Our Strength, Our Song” with sister Akemi Mercer-Niewöhner (50:06) Rachel's way of practicing and learning music (55:08) Advice and inspiration from the younger generations of musicians (57:10) Rachel's introduction to the Bach (59:03) Prelude from J.S. Bach's fifth solo suite in C minor BWV 1011 --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

This time we'll let music do all the talking because it's hard to find words that can channel what's going on. If anything it's in times like this that we are reminded about the power of music. If anything it's in times like these that we are reminded about the power of music. And jazz, in particular, has a long history of being inspired by challenging events and human struggles, distilling beauty out of the harshest circumstances. The playlist features Bill Evans; Dave Douglas; Charles Lloyd; Shai Maestro; Marianne Faithfull, Chris Spedding; Ivano Fossati; Hypnotic Brass Ensemble; Tino Tracanna, Giovanni Falzone, Paolino Dalla Porta, Vittorio Marinoni; Don Cherry; Duck Baker; Ernst Reijseger; Misha Alperin, Arkady Shilkloper, Anja Lechner. Detailed playlist at https://spinitron.com/RFB/pl/15450990/Mondo-Jazz (from "Peace Piece" onwards). Photo credit: Brian McMillen

Jazz Ahead 151 - Playlist: 1. Respirar, Maria Grand, Respirar, Autoproduzione, 2021..2. Killing the Sword, Ghost Horse, Live at Area Sismica, Hora Records, 2021..3. Shades Of Flu 2, Kassa Overall, Flu Note, 2021..4. Tessera, James Brandon Lewis Quartet, Code Of Being, Intakt Records, 2021..5. Inner Game, Nubya Garcia (Blvck Spvde Remix), Inner Game, Concord Jazz, 2021..6. Yo Soy El Tiempo, Simone Alessandrini, Mania Hotel, Parco Della Musica Records, 2021..7. Petroleo, Maria Portugal, Erosão, Fun In The Church, 2021..8. Shades Of Flu 2, Kassa Overall, Flu Note, 2021..9. 01, ofclouds and Ernst Reijseger, From the Oosterkerk, Rous Records, 2021..10. Is Me a Star, Nappy Nina, Double Down, LucidHaus, 2021..11. Science-based, Son Of, The Claudia Quintet feat. Eileen Myles, Evidence-Based, Flexatonic Records, 2021..12. Storm Came Twice, Irreversible Entanglements, Open The Gate, International Anthem, 2021..13. Shades Of Flu 2, Kassa Overall, Flu Note, 2021

Jazz Ahead 151 - Playlist: 1. Respirar, Maria Grand, Respirar, Autoproduzione, 2021..2. Killing the Sword, Ghost Horse, Live at Area Sismica, Hora Records, 2021..3. Shades Of Flu 2, Kassa Overall, Flu Note, 2021..4. Tessera, James Brandon Lewis Quartet, Code Of Being, Intakt Records, 2021..5. Inner Game, Nubya Garcia (Blvck Spvde Remix), Inner Game, Concord Jazz, 2021..6. Yo Soy El Tiempo, Simone Alessandrini, Mania Hotel, Parco Della Musica Records, 2021..7. Petroleo, Maria Portugal, Erosão, Fun In The Church, 2021..8. Shades Of Flu 2, Kassa Overall, Flu Note, 2021..9. 01, ofclouds and Ernst Reijseger, From the Oosterkerk, Rous Records, 2021..10. Is Me a Star, Nappy Nina, Double Down, LucidHaus, 2021..11. Science-based, Son Of, The Claudia Quintet feat. Eileen Myles, Evidence-Based, Flexatonic Records, 2021..12. Storm Came Twice, Irreversible Entanglements, Open The Gate, International Anthem, 2021..13. Shades Of Flu 2, Kassa Overall, Flu Note, 2021

Cellist extraordinaire Ernst Reijseger bracht het afgelopen jaar een belangrijk deel van zijn werk onder bij een nieuw, eigen label: Spring Music. Alles gepresenteerd op een nieuwe, imposante website. Reden genoeg om hem uit te nodigen in de studio met een aantal door hem gekozen voorbeelden van zijn rijke en gevarieerde oeuvre. CD Goldberg Variations (MDG 903 2210-6) Johann Sebastian Bach; Peter Vigh: Goldberg Variations BWV 988 - Aria Berlage Saxophone Quartet 3'57” CD Chronicle, Ernst Reijseger & Werner Herzog film scores (Spring Music / Caldera Records C6042) Ernst Reijseger: Shadow, from Cave of Forgotten Dreams Harmen Fraanje [Strobel organ]; Ernst Reijseger [5-string cello] 9:18 CD Chronicle, Ernst Reijseger & Werner Herzog film scores (Spring Music / Caldera Records C6042) Ernst Reijseger: Ave Maria, from Fireball Tenore e Cuncordu de Orosei; Ernst Reijseger [5-string cello, shruti boxes] 5:41 CD Double Live (Spring Music z.nr.) Ernst Reijseger: Concert for 5-string cello and wind ensemble (live) Part 1 Gathering Part 3 Child's Footprint Ernst Reijseger [5-string cello]; Nederlands Blazers Ensemble 14'29” CD Chronicle, Ernst Reijseger & Werner Herzog film scores (Spring Music / Caldera Records C6042) Ernst Reijseger: Too Soon, from Salt & Fire Ernst Reijseger [5-string cello] Erik Bosgraaf [recorder] Luciano Biondini [accordion] Harmen Fraanje [piano] 4'41” CD Chronicle, Ernst Reijseger & Werner Herzog film scores (Spring Music / Caldera Records C6042) Ernst Reijseger: Ombra, from Nomad, in the Footsteps of Bruce Chatwin Ernst Reijseger [5-string cello] Harmen Fraanje [piano, organ] Erik Bosgraaf [recorders] Wei Hung [recorders] Jeffrey Bruinsma [violin] Lonneke van Straalen [violin] Geneviève Verhage [cello] Djoeke Klijzing [cello] Lucija Gregov [cello] 2:13

Werner Herzog, Clive Oppenheimer and Face2Face host David Peck talk about their new film Fireball: Visitors From Darker Worlds, curiosity, mystery wonder and friendships, serendipity and deep cultural impact, micro meteorites and the oldest thing in the universe.TrailerNow Available On Apple TV+Synopsis:Following their Academy Award-nominated work on “Encounters at the End of the World” and Emmy-nominated “Into the Inferno,” Werner Herzog and Clive Oppenheimer’s new film “Fireball: Visitors From Darker Worlds” takes viewers on an extraordinary journey to discover how shooting stars, meteorites and deep impacts have focused the human imagination on other realms and worlds, and on our past and our future.An Apple Original Film, Sandbox Films presents, in association with Dogwoof and Hot Docs Partners, a Spring Films and Werner Herzog Film co-production, “Fireball: Visitors From Darker Worlds.” The film is directed by Herzog and Oppenheimer and written and narrated by Herzog. The producers are André Singer and Lucki Stipetic, and executive producers are Richard Melman, Greg Boustead, Jessica Harrop, Anna Godas and Oli Harbottle. The directors of photography are Peter Zeitlinger and Richard Blanshard. The editor is Marco Capalbo and music is by Ernst Reijseger.Director, Writer, Narrator: Werner Herzog was born in Munich. He has written, produced, and directed more than 70 films, published books of prose, staged several operas, acted in films and TV - Jack Reacher, The Mandalorian, and founded the Rogue Film School.His features include Lessons of Darkness, Grizzly Man, Encounters at the End of the World, Cave of Forgotten Dreams, Into the Abyss, Into the Inferno, Meeting Gorbachev and most recently Family Romance, LLC.Director: Clive Oppenheimer is a Professor of Volcanology at the University of Cambridge, with wide interests spanning volcanic processes, hazards and impacts, geoarchaeology and cultural heritage. He has participated in over thirty film and TV productions in assorted roles including narrator, presenter, cinematographer and director.He made thirteen research trips to Antarctica. On one, he discovered campsites on Mt. Erebus left by members of Captain Scott’s last Antarctic expedition. They are now inscribed as Historic Sites and Monuments by the Antarctic Treaty System.He has given many public appearances (radio and TV broadcasts, museum, and festival talks, etc.) and was a jury member for the international prize at the BIOGRAFILM festival. He received the Leif Erikson Award for ‘a lifetime achievement in exploration’ in 2018 and the Royal Geographical Society’s Murchison Award ‘for publications enhancing the understanding of volcanic processes and impacts’ in 2005.He is author of Eruptions That Shook The World, which inspired Into the Inferno, the film he made with Werner Herzog. Fireball is his second major documentary feature.Image Copyright and Credit: Sandbox Films and Apple TV+.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

This week joining our new Awesome host and Filmmaker Mia Mullarkey for a very special chat is Filmmaker Myles O'Reilly. Fni Wrapchat is mixed by Bedford, Produced by the Headstuff Podcast Network and Sponsored by Film Equipment hire and Wildcard Distribution. Myles O'Reilly is a musician, composer and filmmaker from Dublin, Ireland. Since first lifting a camera in 2010, multi tasking O'Reilly has filmed, directed and edited over 100 music video promo's and 20+ music documentaries of Irish musicians at home and abroad, some of which include Glen Hansard, Villagers, Imelda May, Lisa O'Neill, Ye Vagabonds, Sinead O'Connor and Lisa Hannigan alongside other International artists such as Hollywood sound track virtuoso Ernst Reijseger, Icelandic artists Soléy, Múm and Amiina, US soul phenomenon Janelle Monae and UK folk trio The Staves. Early life as a working musician began for Myles in 2003 with the band Juno Falls. Signed for two albums by Sony UK and then V2 records,  Juno Falls disbanded in 2010. Ten years later and in a global pandemic lockdown, Myles returned to making music and has since composed, recorded and released a plethora of works in the ‘ambient' music genre under the moniker Indistinct chatter. Since beginning a Pateron account in 2018 enabling followers to fund his film projects, O'Reilly's camera lens is increasingly more focused on discovering and supporting little-known emerging artists, to help “represent some of the most talented but hard to pigeonhole musical visionaries in Ireland today”. Now almost a full time vocation, his efforts to seek out and endorse new music extends to the curation of an annual rising-artist stage at the renown Body&Soul festival, and the production of a critically acclaimed web series This Ain't No Disco, co-created with eminent Irish broadcaster Donal Dineen of ‘No Disco' fame. Become a patron/Supporter of Fni on: https://www.buymeacoffee.com/fni #WeAreFni #YouAreFNI #StaySafe #StayInformed #StayPositive WWW.WEAREFNI.COM for all things FNI Learn more about your ad choices. Visit megaphone.fm/adchoices

This week joining our new Awesome host and Filmmaker Mia Mullarkey for a very special chat is Filmmaker Myles O’Reilly. Fni Wrapchat is mixed by Bedford, Produced by the Headstuff Podcast Network and Sponsored by Film Equipment hire and Wildcard Distribution. Myles O’Reilly is a musician, composer and filmmaker from Dublin, Ireland. Since first lifting a camera in 2010, multi tasking O’Reilly has filmed, directed and edited over 100 music video promo’s and 20+ music documentaries of Irish musicians at home and abroad, some of which include Glen Hansard, Villagers, Imelda May, Lisa O’Neill, Ye Vagabonds, Sinead O’Connor and Lisa Hannigan alongside other International artists such as Hollywood sound track virtuoso Ernst Reijseger, Icelandic artists Soléy, Múm and Amiina, US soul phenomenon Janelle Monae and UK folk trio The Staves. Early life as a working musician began for Myles in 2003 with the band Juno Falls. Signed for two albums by Sony UK and then V2 records,  Juno Falls disbanded in 2010. Ten years later and in a global pandemic lockdown, Myles returned to making music and has since composed, recorded and released a plethora of works in the ‘ambient’ music genre under the moniker Indistinct chatter. Since beginning a Pateron account in 2018 enabling followers to fund his film projects, O’Reilly’s camera lens is increasingly more focused on discovering and supporting little-known emerging artists, to help “represent some of the most talented but hard to pigeonhole musical visionaries in Ireland today”. Now almost a full time vocation, his efforts to seek out and endorse new music extends to the curation of an annual rising-artist stage at the renown Body&Soul festival, and the production of a critically acclaimed web series This Ain’t No Disco, co-created with eminent Irish broadcaster Donal Dineen of ‘No Disco’ fame. Become a patron/Supporter of Fni on: https://www.buymeacoffee.com/fni (https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.buymeacoffee.com%2Ffni%3Ffbclid%3DIwAR0kD26R2Tl0YB1WDhfTcIk2kaxFGtra86l3Xn0H5jRead4ww-duXIwz0CY&h=AT3uA2oZ5jDFvi92seoFmEO8IoWlVgC2C8FDMiyt456_btk9OP4WtC3wseLJ8RyjRZdhdZ9U4BZ_E6jetVxgHrB_W1KlESGGuASgTO8wH2H9mpPIRPoC6JA4ijDM22CznS1Vx2QZ1CSwue35GUMSNrqZPSyL) #WeAreFni (https://www.facebook.com/hashtag/wearefni?source=feed_text&epa=HASHTAG) #YouAreFNI (https://www.facebook.com/hashtag/youarefni?source=feed_text&epa=HASHTAG) #StaySafe (https://www.facebook.com/hashtag/staysafe?source=feed_text&epa=HASHTAG) #StayInformed (https://www.facebook.com/hashtag/stayinformed?source=feed_text&epa=HASHTAG) #StayPositive (https://www.facebook.com/hashtag/staypositive?source=feed_text&epa=HASHTAG) WWW.WEAREFNI.COM (https://l.facebook.com/l.php?u=http%3A%2F%2FWWW.WEAREFNI.COM%2F%3Ffbclid%3DIwAR3O86-JGARQ-lEhbDk1tI4iPs-IveYXswBmtrbLFxlCQR87TtNfcUt7IEU&h=AT3aoqXPN-Ji0hWcR7b1U8F1WKOD6ksGhmepWBN4J4fN1fd4U_ZxOnvRmBah-5hEK2uiv1f-OEJzyYl4lIqzYHUv3plISZZxaS3s6YeRNhnBStz1ainqVe67it4j8FxV7BrNOVGO6U51IWACerTgSVYiAaU9)  for all things FNI

Con la misma fascinación con la que Bill Frisell descubrió la historia de Mike Disfarmer, redescubrimos nosotros "Disfarmer", proyecto publicado en 2009 por el guitarrista en el que trató de trasladar en música la vida de este peculiar fotógrafo que cambió su apellido familiar para marcar distancias con las labores agrícolas de su familia. El guitarrista y mandolinista Greg Leisz, la violinista Jenny Scheinman y el contrabajista Viktor Krauss le acompañaron en este viaje por el sur de Estados Unidos. Para John Scofield, el bajista Steve Swallow sigue siendo "un mentor". Llevan tocando juntos más de 40 años y ahora el guitarrista dedica un trabajo a su repertorio, que grabaron en un mediodía con el método de "la vieja escuela". En "Swallow tales" lo comparten con el baterista Bill Stewart. Dice el cineasta Werner Herzog que "lo que ha sido extraño se convierte en algo familiar. Y lo que ha sido familiar adquiere la aureola del misterio". Es su descripción de la música de un trío que le es muy familiar: el conformado por el chelista Ernst Reijseger (autor de varias de sus bandas sonoras), el pianista Harmen Fraanje y el cantante Mola Sylla. Toda la información y derechos: http://www.elclubdejazz.com

Con la misma fascinación con la que Bill Frisell descubrió la historia de Mike Disfarmer, redescubrimos nosotros "Disfarmer", proyecto publicado en 2009 por el guitarrista en el que trató de trasladar en música la vida de este peculiar fotógrafo que cambió su apellido familiar para marcar distancias con las labores agrícolas de su familia. El guitarrista y mandolinista Greg Leisz, la violinista Jenny Scheinman y el contrabajista Viktor Krauss le acompañaron en este viaje por el sur de Estados Unidos. Para John Scofield, el bajista Steve Swallow sigue siendo "un mentor". Llevan tocando juntos más de 40 años y ahora el guitarrista dedica un trabajo a su repertorio, que grabaron en un mediodía con el método de "la vieja escuela". En "Swallow tales" lo comparten con el baterista Bill Stewart. Dice el cineasta Werner Herzog que "lo que ha sido extraño se convierte en algo familiar. Y lo que ha sido familiar adquiere la aureola del misterio". Es su descripción de la música de un trío que le es muy familiar: el conformado por el chelista Ernst Reijseger (autor de varias de sus bandas sonoras), el pianista Harmen Fraanje y el cantante Mola Sylla. Toda la información y derechos: http://www.elclubdejazz.com

Ernst Reijseger is a Dutch cellist and is one of the judges of this years (2020) Seifert Competition. To watch this years competition or find out more info about the semi finalists follow this link https://seifertcompetition.com/en/   Patreon   You can become a patron of the podcast on Patreon by following this link   https://www.patreon.com/Jazzviolinpodcast   Becoming a patron of the podcast means that you are directly helping the podcast continue. This is a chance for you to help out with the running costs of the podcast, if you feel like you get a lot out of my interviews you can be a part of it by donating a small amount of money.   I will be creating one extra monthly show specifically for my patrons. This is either an interview with a musician I know from the jazz scene or I also create episodes where I listen back to previous shows and chat about some key points that my guests bring up. There are so many great ideas and concepts that these amazing musicians bring up and I would like to share with you some of my favourites! Jazz Violin Classes I am running some very successful and busy zoom sessions at the moment to help people get into playing jazz, its a great thing to get yourself stuck into whilst you wait for your gigs to start again. If you want and info on these sessions email bookings@mattholborn.com      

Tips zijn er niet helaas, maar de initiatieven om muziek toch bij je thuis te bezorgen, via social media, Facebook, Youtube, websites en streams, zijn prachtig. Bijvoorbeeld de dagelijkse video's van Podium Splendor in Amsterdam: elke dag een video van één van de Splendor-musici, speciaal opgenomen voor deze barre tijden. Eén van die musici is Martin Fondse, en hij heeft juist een nieuwe CD uit. Met muziek van Hoagy Carmichael, arr. Dave Kutz & Brandt Attema, Wilmar de Visser, Martin Fondse, Wiek Hijmans, Ernst Reijseger en Harmen Fraanje.

Fijne tips, nieuwe CD's en een blik vooruit op de voorlopig laatste keer dat je live het bijzondere project 'How To Play The Triangle' van slagwerkster Tatiana Koleva kan meemaken. Inspiratie is de muziek en de persoonlijkheid van Leonard Bernstein, die wel raad wist met de triangel, en in het bijzonder zijn meesterwerk West Side Story. Voor het programma met de Youth Percussion Pool heeft Tatiana Koleva vier Amerikaanse componisten uitgenodigd die al jaren in Nederland wonen. De triangel is hierbij een metafoor voor de underdogsituatie van buitenlanders en kunstenaars in het algemeen. Met muziek van Henry Purcell, John Blow, Jacob TV, Max Steiner en Ernst Reijseger.

Thelonious Monk once said "play what you want and let the public pick up on what you are doing even if it does take them 15, 20 years". Luckily, he lived long enough to become fully embraced and celebrated before his passing. However, it's after his death that his music has really become central to the jazz canon. To mark the thirty-seventh anniversary of his demise, on 17 February 1982, this week we feature a very diverse range of renditions of his masterpieces. The playlist includes Cootie Williams, Paul Motian, Carmen McRae, Georg Gräwe, Duck Baker, Allen Toussaint, Charlie Haden, Jim Hall, Gianluca Petrella, Lindsey Horner, Brad Mehldau, Jason Moran, Vijay Iyer, Gary Thomas, Quincy Jones, Miles Okazaki, Frank Kimbrough, Thomas Chapin, Ran Blake, Jeanne Lee, Tronzo Trio, Steve Lacy, Charlie Rouse, Barry Harris, Ernst Reijseger, Thelonious Monk. Detailed playlist available at https://spinitron.com/m/playlist/view/4095369. Photo credit: Jim Marshall

Aad van Nieuwkerk verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Gemaakt in nauwe samenwerking met het televisieprogramma Vrije Geluiden. Met muziek van Paul Taffanel en Georges Barrère, gespeeld door Egbert Jan Louwerse [fluit], Henry Kelder [piano]; Léa Freire en Heitor Villa-Lobos door Francesca Anderegg [viool] en Erika Ribeiro [piano]; George Frideric Handel door Emma Kirkby; Olivier Messiaen door Pierre-Laurent Aimard; Arnold Schönberg door het Eric Ericson Chamber Choir; en Ernst Reijseger.

The compositions that we refer to as "jazz standards" were the pop songs of their time, before gradually developing into mainstays of the jazz repertoire. This week we focus on jazz interpretations of today's popular music, with renditions of the songs of artists ranging from Marvin Gaye to Sonic Youth, from Prince to Led Zeppelin, from Ray Charles to Paul Simon, from Donald Fagen to Bob Dylan and more. The playlist includes: John Scofield, Paul Desmond, Cannonball Adderley, Erik Friedlander, Sidsel Endresen & Bugge Wesseltoft, The New York Composers Orchestra, Joe Pass, Donald Byrd, Bill Frisell, Malcom Braff, Jewels and Binoculars, Vincent Peirani, Chris Lightcap, Bill Evans, Stefano Bollani, Júlio Resende, Nels Cline, Ernst Reijseger & Franco D'Andrea, Etienne Charles. Detailed playlist available at https://spinitron.com/radio/index.php?station=rfb&playlist=8093#here

One episode was not enough, so we needed more time to cover the South African scene. This week we look back at an earlier phase of the history of jazz in South Africa, focusing on some foundational bands and musicians, and the musicians they inspired both in South African and elsewhere. The playlist includes music by Winston Mankunku Ngozi, The Manhattan Brothers, Hugh Masekela & The Zulus, Johnny Fourie, The Musical "King Kong", The Jazz Epistles, Dollar Brand, Ernst Reijseger, McCoy Mrubata & Greg Hadjiyorki Georgiades, Hotep Idris Galeta, Mario Pavone, Bheki Mseleku, Jean Toussaint, Alan Skidmore featuring Amampondo, Julian Arguelles feat. the Frankfurt Radio Big Band, Django Bates & Steve Argüelles, Loose Tubes. The detailed playlist is available at: https://spinitron.com/radio/playlist.php?station=rfb&month=Jun&year=2018&playlist=6899#here Photo credit: Jürgen Schadeberg

The Memory Palace is a proud member of Radiotopia. Music We start with Waveland by Norm Pikelny. Then a smidge of N.Y.C. from the original Broadway cast recording of Annie. The Stars vs. Creatures by Colleen. Wiese by Roedelius & Arnold Kasar. Then there's some chaos built out of Missing Piece from the score to Broken City, Fog Tropes by Ingram Marshall, Spindrift by Colin Stetson, and Longing for a Frozen Sky by Ernst Reijseger. That heads into Wake by Aaron Martin & Machinfabriek. Galaxies Like Grains of Sand by Hampshire & Foat. Finishing on Minuet for Cheap Piano by Winged Victory for the Sullen

2018 album previews; Swiss, Finnish, and French approaches to quintessentially United Statesian music genres like Hip-Hop, Jazz and Americana, which traveled to Europe and got local; tributes to Martin Luther King and a preview of the Ned Rothenberg, Erik Friedlander, Ami Yamasaki trio. PLAYLISTS INCLUDES Raoul Bjorkenheim, Adam Nussbaum, Danny Fox, Yellow Bird, Sylvie Courvoisier, Weird Beard, Nicole Jo, Porta Palace Collective & Rob Mazurek, Joshua Gerowitz, Ned Rothenberg with Ernst Reijseger & Ami Yamasaki, Claudio Fasoli, Dave Douglas & Frank Woeste, MC Solaar, Thiefs, Darrell Grant, Herbie Hancock

Holidays are the season of gift-giving. And music makes the perfect gift. So here’s the first of a two part series featuring some of my favorite tunes as my holiday gift to end a challenging year on a positive note. PLAYLISTS INCLUDES Donald Fagen, Sonny Rollins, George Benson, Kresten Osgood, Jaga Jazzist, Don Byron, Krystle Warren, Marisa Monte, Jimmie Rowles, Tony Bennett, Marc Ribot, Ernst Reijseger, Georg Gräwe, Paul Motian, Eddie Jobson, Evan Ziporyn, Susie Ibarra Trio, Frank Zappa, Geri Allen, Sidsel Endresen, Bugge Wesseltotft, Mary Margaret O'Hara, New American Orchestra, John Bahler, Vangelis, Peggy Lee.

Séptimo capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este podcast escuchamos: "Down deep", de Ernst Reijseger, Harmen Fraanje y Mola Sylla; Amanké dionti", de Ablaye Cissoko y Volker Goetze; "Kalimba", de Joachim Kühn, Majid Bekkas y Ramón López; "Suite africaine", de Aldo Romano, Louis Sclavis y Henri Texier. Toda la información y derechos: http://www.elclubdejazz.com

Séptimo capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este podcast escuchamos: "Down deep", de Ernst Reijseger, Harmen Fraanje y Mola Sylla; Amanké dionti", de Ablaye Cissoko y Volker Goetze; "Kalimba", de Joachim Kühn, Majid Bekkas y Ramón López; "Suite africaine", de Aldo Romano, Louis Sclavis y Henri Texier. Toda la información y derechos: http://www.elclubdejazz.com

Quinto capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este quinto programa suenan: "Luys i Luso" de Tigran Hamasyan; "Colla Voche" de Ernst Reijseger & Tenore e Concurdu de Orosei y "Athens Concert" de Charles Lloyd y Maria Farantouri. Toda la información y derechos: http://www.elclubdejazz.com

Quinto capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este quinto programa suenan: "Luys i Luso" de Tigran Hamasyan; "Colla Voche" de Ernst Reijseger & Tenore e Concurdu de Orosei y "Athens Concert" de Charles Lloyd y Maria Farantouri. Toda la información y derechos: http://www.elclubdejazz.com

El flautista Juan Saiz se internó en una cueva para jugar con acústicas y espacios en "The sound of caves". En esta edición de 'Club de Jazz' del 16 de agosto de 2016 le escuchamos además como integrante del cuarteto Pindio, junto a Marco Mezquida (piano), Álex Reviriego (contrabajo) y Genís Bagés (batería). Quien también entró en la cueva (aunque de otra manera) fue el chelista holandés Ernst Reijseger para poner BSO a "The cave of forgotten dreams" de Werner Herzog. En la primera hora de programa escuchamos "Ashé", disco del baterista cubano Michael Olivera. Además, "Behind the mask" del contrabajista Enrique Tejado y "Es hora de caminar", del baterista Guillermo McGill. Tiempo también para una versión de música de Charlie Haden a cargo del trío del contrabajista Marcelo Escrich. Toda la información y derechos: http://www.elclubdejazz.com

El flautista Juan Saiz se internó en una cueva para jugar con acústicas y espacios en "The sound of caves". En esta edición de 'Club de Jazz' del 16 de agosto de 2016 le escuchamos además como integrante del cuarteto Pindio, junto a Marco Mezquida (piano), Álex Reviriego (contrabajo) y Genís Bagés (batería). Quien también entró en la cueva (aunque de otra manera) fue el chelista holandés Ernst Reijseger para poner BSO a "The cave of forgotten dreams" de Werner Herzog. En la primera hora de programa escuchamos "Ashé", disco del baterista cubano Michael Olivera. Además, "Behind the mask" del contrabajista Enrique Tejado y "Es hora de caminar", del baterista Guillermo McGill. Tiempo también para una versión de música de Charlie Haden a cargo del trío del contrabajista Marcelo Escrich. Toda la información y derechos: http://www.elclubdejazz.com

De Vlaamse miljonair Luc du Pre raakt bezeten van het idee dat de planeten muziek maken, en laat zich lanceren in een afgedankte Russische raket. “Sommige mensen hebben de neiging omhoog te vallen in plaats van naar beneden.” ‘Een geval van omgekeerde zwaartekracht’ gaat over de verleidingskracht van geluid; het is een reis door donkere gehoorgangen tot in het diepste, oudste deel van ons brein. De muziek werd gemaakt door cellist Ernst Reijseger, huiscomponist van Werner Herzog, en pianist Harmen Fraanje. Planeten suizen, een radio-DJ orakelt en een zingende sirene lokt stervelingen voorbij de dampkring. “Waarom denk je dat je je ogen kan sluiten terwijl je je oren nooit dichtdoet? Nooit. Zelfs niet als je slaapt.” Tekst, regie, sound design Bente Hamel / Muziek Ernst Reijseger en Harmen Fraanje / Stemmen Hendrik Aerts, Erik van Muiswinkel, Stephanie Pan, Bart Slegers, Lucas de Man / Dramaturgie Nienke Rooijakkers, Nyk de Vries / Opname Frans de Rond / Mastering Huibert Boon / Eindredactie Frans van Gurp Een NTR / Radiomakers Desmet productie met steun van het Mediafonds 2013. email: radioparel@gmail.com twitter:@parelradio

Saludamos el otoño con la "Autumn music" del trío del pianista ruso Simon Nabatov en una grabación de 2004 junto al chelista Ernst Reijseger y el baterista Michael Vatcher. En esta edición de 'Club de Jazz' del 28 de septiembre de 2015 estrenamos "Desalambrado", el dúo entre la baterista Lucía Martínez y el pianista Agustí Fernández. En "La duda permanente", Ferran Esteve nos acerca "Solo", el trabajo con el que el pianista Fred Hersch celebra sus 60 años. El pianista asturiano César Latorre vuelve con su trío junto a Petros Klampanis (cb) y Artis Orubs (bt) con "Collage". Toda la información y derechos: http://www.elclubdejazz.com

Saludamos el otoño con la "Autumn music" del trío del pianista ruso Simon Nabatov en una grabación de 2004 junto al chelista Ernst Reijseger y el baterista Michael Vatcher. En esta edición de 'Club de Jazz' del 28 de septiembre de 2015 estrenamos "Desalambrado", el dúo entre la baterista Lucía Martínez y el pianista Agustí Fernández. En "La duda permanente", Ferran Esteve nos acerca "Solo", el trabajo con el que el pianista Fred Hersch celebra sus 60 años. El pianista asturiano César Latorre vuelve con su trío junto a Petros Klampanis (cb) y Artis Orubs (bt) con "Collage". Toda la información y derechos: http://www.elclubdejazz.com

“Sommige mensen hebben de neiging omhoog te vallen in plaats van naar beneden. Zo iemand was Luc." De Vlaamse miljonair Luc du Pre raakt bezeten van het idee dat de planeten muziek maken. Op zoek naar de hemelse symfonie, de meest adembenemende muziek die er is, laat hij zich lanceren in een afgedankte Russische raket. Een hachelijke onderneming, die rampzalig afloopt. Hoewel je ook kunt zeggen dat het niet beter had kunnen gaan. ‘Een geval van omgekeerde zwaartekracht’ is een wonderlijk verhaal over de verleidingskracht van geluid. Een reis door donkere gehoorgangen tot in het diepste, oudste deel van het brein. Planeten suizen, een radio-DJ orakelt en een zingende sirene lokt stervelingen voorbij de dampkring. “Waarom denk je dat je je ogen kan sluiten terwijl je je oren nooit dichtdoet? Nooit. Zelfs niet als je slaapt.” Een hoorspel van Bente Hamel. Met muziek van cellist Ernst Reijseger en spel van Hendrik Aerts, Erik van Muiswinkel, Stephanie Pan, Bart Slegers en Lucas de Man. Op piano Harmen Fraanje. Dramaturgie Nienke Rooijakkers. Geluidstechniek Frans de Rond, eindmix Huibert Boon. Een geval van omgekeerde zwaartekracht werd origineel uitgezonden in het NTR-programma De Bedding in 2013 en kwam tot stand met steun van het Mediafonds. Het hoorspel werd in 2014 bewerkt voor een vertoning in de Sterrewacht in Leiden. Die bewerking hoort u hier.

Saltamos la valla de cuchillas de Melilla y abrimos las aguas del Mediterráneo para llegar a Lampedusa. En esta edición de "Club de Jazz" del 13 de noviembre de 2013 rendimos un tributo musical a los africanos con la música de Marco Zurzolo, Mola Sylla & Ernst Reijseger, Omar Sosa & Paolo Fresu, Beñat Achiary - Ramón López - Philippe de Ezcurra, con el trío de Joachim Kühn, Majid Bekkas y Ramón López, con Manu Dibango, Archie Shepp & Dar Gnawa y con Béla Fleck. Además, "desde mi cadiera" Jesús Moreno presenta "Rocket science", directo en el Vortex de Londres de Peter Evans (tp), Evan Parker (sx), Craig Taborn (p) y Sam Pluta (elec). El "Jazz Porteño" de Alberto Varela da muestra de los "Tongos" del pianista Diego Schissi. En los "Ritmos Latinos" de Anxo, recientes grabaciones de músicos cubanos con Tamara Castañeda y con Lázaro Valdés & Son Jazz. En el "Tren Azul" de Luis Díaz García, viajamos en el tiempo al encuentro de la corneta de Bix Beiderbecke. Toda la información y derechos: http://www.elclubdejazz.com

Saltamos la valla de cuchillas de Melilla y abrimos las aguas del Mediterráneo para llegar a Lampedusa. En esta edición de "Club de Jazz" del 13 de noviembre de 2013 rendimos un tributo musical a los africanos con la música de Marco Zurzolo, Mola Sylla & Ernst Reijseger, Omar Sosa & Paolo Fresu, Beñat Achiary - Ramón López - Philippe de Ezcurra, con el trío de Joachim Kühn, Majid Bekkas y Ramón López, con Manu Dibango, Archie Shepp & Dar Gnawa y con Béla Fleck. Además, "desde mi cadiera" Jesús Moreno presenta "Rocket science", directo en el Vortex de Londres de Peter Evans (tp), Evan Parker (sx), Craig Taborn (p) y Sam Pluta (elec). El "Jazz Porteño" de Alberto Varela da muestra de los "Tongos" del pianista Diego Schissi. En los "Ritmos Latinos" de Anxo, recientes grabaciones de músicos cubanos con Tamara Castañeda y con Lázaro Valdés & Son Jazz. En el "Tren Azul" de Luis Díaz García, viajamos en el tiempo al encuentro de la corneta de Bix Beiderbecke. Toda la información y derechos: http://www.elclubdejazz.com

La Barry Guy New Orchestra se volatilizó en el club Alchemia de Cracovia (Polonia) para dar lugar a las Small Formations que recoge el disco "Mad dogs". Un festín de improvisación con músicos como Agustí Fernández, Mats Gustafsson, Johannes Bauer y más. En esta edición de "Club de Jazz" del 1 de mayo de 2013 tejemos una fascinante conexión operística entre "Experiencing Tosca" del trío Tethered Moon (con Paul Motian, Masabumi Kikuchi y Gary Peacock) y "Down deep" de Harmen Fraanje, Mola Sylla y Ernst Reijseger. De este último escuchamos también su encuentro con el grupo de Islas Reunión Groove Lélé en "Zembrocal musical". En el "Jazz Porteño" de Alberto Varela seguimos escuchando la actuación de Carlos Carli en la pasada edición del Festival de Jazz de Punta del Este (Uruguay) y en "desde mi cadiera", con Jesús Moreno, descubrimos "What it is!", el nuevo trabajo del percusionista Kahil El´Zabar. Los "Ritmos Latinos" de Anxo son los del changüí cubano de Topete y Cambrón Jr. El saxofonista portugués Rodrigo Amado se reúne al trombonista Jeb Bishop junto a su Motion Trio en "The flame alphabet". Desde León llega el quinteto de la vocalista Cova Villegas con "Free Space". Y en el "Tren Azul" de Luis Díaz García, celebración del 114º aniversario del nacimiento de Duke Ellington. Toda la información y derechos: http://www.elclubdejazz.com

La Barry Guy New Orchestra se volatilizó en el club Alchemia de Cracovia (Polonia) para dar lugar a las Small Formations que recoge el disco "Mad dogs". Un festín de improvisación con músicos como Agustí Fernández, Mats Gustafsson, Johannes Bauer y más. En esta edición de "Club de Jazz" del 1 de mayo de 2013 tejemos una fascinante conexión operística entre "Experiencing Tosca" del trío Tethered Moon (con Paul Motian, Masabumi Kikuchi y Gary Peacock) y "Down deep" de Harmen Fraanje, Mola Sylla y Ernst Reijseger. De este último escuchamos también su encuentro con el grupo de Islas Reunión Groove Lélé en "Zembrocal musical". En el "Jazz Porteño" de Alberto Varela seguimos escuchando la actuación de Carlos Carli en la pasada edición del Festival de Jazz de Punta del Este (Uruguay) y en "desde mi cadiera", con Jesús Moreno, descubrimos "What it is!", el nuevo trabajo del percusionista Kahil El´Zabar. Los "Ritmos Latinos" de Anxo son los del changüí cubano de Topete y Cambrón Jr. El saxofonista portugués Rodrigo Amado se reúne al trombonista Jeb Bishop junto a su Motion Trio en "The flame alphabet". Desde León llega el quinteto de la vocalista Cova Villegas con "Free Space". Y en el "Tren Azul" de Luis Díaz García, celebración del 114º aniversario del nacimiento de Duke Ellington. Toda la información y derechos: http://www.elclubdejazz.com

¡ZAS! Trío presenta disco y en "Club de Jazz" lo hacemos de la mano de su contrabajista Baldo Martínez. En esta edición del 17 de abril de 2013 escuchamos la música del trío que conforma Baldo junto a Carlos González, 'Sir Charles' (batería) y Marcelo Peralta (saxos). Indagamos en la conexión marciana de Patti Smith en su "Banga" con la música de Sun Ra y también con el trío que forman el chelista Ernst Reijseger, el pianista Harmen Fraanje y el cantante Mola Sylla y que debuta con "Deep down". Jesús Moreno presenta "desde mi cadiera" el último trabajo del contrabajista William Parker junto a su cuarteto "live in Wrotslove". En los "Rtimos Latinos" de Anxo, la poesía de Fernando Pessoa inspira a Fernando Lameirinhas y Mafalda Arnauth. Además, pioneros del jazz en España en el tiempo de "Tren Azul" con Luis Díaz García y las grabaciones pretéritas de Azarola y Aza y la orquesta Chocolate Kiddies de Sam Wooding. Toda la información y derechos: http://www.elclubdejazz.com

¡ZAS! Trío presenta disco y en "Club de Jazz" lo hacemos de la mano de su contrabajista Baldo Martínez. En esta edición del 17 de abril de 2013 escuchamos la música del trío que conforma Baldo junto a Carlos González, 'Sir Charles' (batería) y Marcelo Peralta (saxos). Indagamos en la conexión marciana de Patti Smith en su "Banga" con la música de Sun Ra y también con el trío que forman el chelista Ernst Reijseger, el pianista Harmen Fraanje y el cantante Mola Sylla y que debuta con "Deep down". Jesús Moreno presenta "desde mi cadiera" el último trabajo del contrabajista William Parker junto a su cuarteto "live in Wrotslove". En los "Rtimos Latinos" de Anxo, la poesía de Fernando Pessoa inspira a Fernando Lameirinhas y Mafalda Arnauth. Además, pioneros del jazz en España en el tiempo de "Tren Azul" con Luis Díaz García y las grabaciones pretéritas de Azarola y Aza y la orquesta Chocolate Kiddies de Sam Wooding. Toda la información y derechos: http://www.elclubdejazz.com

  Cinquième de la vingt-et-unième session !   Cette semaine, retour de Marie-Eve Boulanger avec ses plus récentes découvertes, du vieux jazz, du jazz-rock et du free jazz   En musique:   Rolf Kühn sur l'album Rolf Kühn and His Sound of Jazz (Fresh Sound, 1960);   Lucas Haneman sur l'album This is what's up (Indépendant, 2011);   Yoel Diaz sur l'album Origen (Artic, 2012);   Samir Zarif;   Coyote Bill sur l'album Coyote Bill (2012, L-A Be) ;   Get The Blessing sur l'album All is Yes (Candid, 2008);   Get The Blessing sur l'album  OC DC (Naim Jazz, 2012);   Simon Nabatov, Ernst Reijseger, Matthias Schubert sur l'album Square Down (Leo, 2011)...

  Cinquième de la vingt-et-unième session !   Cette semaine, retour de Marie-Eve Boulanger avec ses plus récentes découvertes, du vieux jazz, du jazz-rock et du free jazz   En musique:   Rolf Kühn sur l'album Rolf Kühn and His Sound of Jazz (Fresh Sound, 1960);   Lucas Haneman sur l'album This is what's up (Indépendant, 2011);   Yoel Diaz sur l'album Origen (Artic, 2012);   Samir Zarif;   Coyote Bill sur l'album Coyote Bill (2012, L-A Be) ;   Get The Blessing sur l'album All is Yes (Candid, 2008);   Get The Blessing sur l'album  OC DC (Naim Jazz, 2012);   Simon Nabatov, Ernst Reijseger, Matthias Schubert sur l'album Square Down (Leo, 2011)...

Especial Ernst Reijseger en el 'Día Internacional del Jazz'. Esta edición de "Club de Jazz" del 30 de abril de 2012 está dedicada de forma monográfica a algunos de los proyectos y colaboraciones del chelista holandés Ernst Reijseger. Escuchamos "Janna" (junto a los senegaleses Mola Sylla y Serigne C.M. Gueye), "Uwaí" (proyecto del grupo Boi Akih), "Colla Voche" (junto a Tenore e Concurdu de Orosei), "Roundup" y "A few incidences" (del pianista Simon Nabatov), "Et on ne parle pas du temps" (dúo con Louis Sclavis), "Taiming" (a solo y a trío con Han Bennink y Michael Moore) y "Requiem for a dying planet" (sus partituras para el cine de Werner Herzog). Toda la información y derechos: http://www.elclubdejazz.com

Especial Ernst Reijseger en el 'Día Internacional del Jazz'. Esta edición de "Club de Jazz" del 30 de abril de 2012 está dedicada de forma monográfica a algunos de los proyectos y colaboraciones del chelista holandés Ernst Reijseger. Escuchamos "Janna" (junto a los senegaleses Mola Sylla y Serigne C.M. Gueye), "Uwaí" (proyecto del grupo Boi Akih), "Colla Voche" (junto a Tenore e Concurdu de Orosei), "Roundup" y "A few incidences" (del pianista Simon Nabatov), "Et on ne parle pas du temps" (dúo con Louis Sclavis), "Taiming" (a solo y a trío con Han Bennink y Michael Moore) y "Requiem for a dying planet" (sus partituras para el cine de Werner Herzog). Toda la información y derechos: http://www.elclubdejazz.com

¡11 años de "Club de Jazz"! Los celebramos en esta edición del 15 de febrero de 2012 con el regalo que la pianista jiennense Irene Aranda nos hace con el adelanto de la música de su próximo proyecto, "Yetzer". Además ponemos en órbita nuestro satélite radiofónico con "From the ghosts within" de Robert Wyatt, Gilad Atzmon y Ros Stephen, con el proyecto "Colla Voche" del chelista holandés Ernst Reijseger junto a Tenore e Concurdu de Orosei y con el octeto del pianista Simon Nabatov en "A few incidences". Jesús Moreno se suma "desde mi cadiera" a la fiesta con un directo inédito del dúo Assif Tsahar (saxo) y Cooper-Moore (percusiones) en Tarbes (Francia) en 2003. Los "Ritmos Latinos" de Anxo suenan "Live Paris" con Ben L´Oncle Soul. Roberto Barahona llega con un "PuroJazz" de resonancias clásicas con The Soft Winds. Alberto Varela nos regala una muy especial grabación: desde el año 1920 nos llegan los sonidos del saxofonista brasileño Pixinguinha. Culmina "La duda permanente" de Ferran Esteve con "The case of Charles Dexter Ward", la música literaria de Lovecraft´s Aunts. Toda la información y derechos: http://www.elclubdejazz.com

¡11 años de "Club de Jazz"! Los celebramos en esta edición del 15 de febrero de 2012 con el regalo que la pianista jiennense Irene Aranda nos hace con el adelanto de la música de su próximo proyecto, "Yetzer". Además ponemos en órbita nuestro satélite radiofónico con "From the ghosts within" de Robert Wyatt, Gilad Atzmon y Ros Stephen, con el proyecto "Colla Voche" del chelista holandés Ernst Reijseger junto a Tenore e Concurdu de Orosei y con el octeto del pianista Simon Nabatov en "A few incidences". Jesús Moreno se suma "desde mi cadiera" a la fiesta con un directo inédito del dúo Assif Tsahar (saxo) y Cooper-Moore (percusiones) en Tarbes (Francia) en 2003. Los "Ritmos Latinos" de Anxo suenan "Live Paris" con Ben L´Oncle Soul. Roberto Barahona llega con un "PuroJazz" de resonancias clásicas con The Soft Winds. Alberto Varela nos regala una muy especial grabación: desde el año 1920 nos llegan los sonidos del saxofonista brasileño Pixinguinha. Culmina "La duda permanente" de Ferran Esteve con "The case of Charles Dexter Ward", la música literaria de Lovecraft´s Aunts. Toda la información y derechos: http://www.elclubdejazz.com

In deze uitzending o.a.: -begin uitzending, waarin Plafond de nieuwe medewerker Broekema voorstelt; -telefoon van Jaap Knasterhuis vanuit Napels over Corrienola dat hoog in de Italiaanse hitlijsten staat; -’Oh Corrienola’ door Jaap Knasterhuis; -’When love breaks down’ door Prefab Sprout; -’De post’, met luisteraarster en veelvuldig briefschrijfster Rose; -muziek van Ernst Reijseger en Alan ‘Gunga’ [...]