Podcasts about Howe Gelb

Celebriamo un venerdi carico di belle uscite approfondendo il lavoro di Kim Deal, artista della settimana, "Nobody Loves You More" e presentando i nuovi dischi di Michael Kiwanuka e Father John Misty, ci colleghiamo telefonicamente con Howe Gelb che suona live a Milano stasera e parliamo del premio Ciampi con un escursus su i vincitori e l'annuncio del ricchissimo disco postumo di inediti in uscita

Episodio 6.11 de Las Cosas Que Hay Que Escuchar, en el cual combatimos demonios internos con un especial de covers mientras escuchamos la música de Thee Headcotees, Aluminum Babe, Howe Gelb and Scout Niblett, The Breeders, The Danielson Famile, Deerhoof, The Shaggs, Primus, The Puppini Sisters, Camera Obscura, Last Town Chorus, Dean & Britta, Devics, Charlotte Martin y Melvins. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 12 de mayo de 2024 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 13 de mayo de 2024 en Radio Asamblea FM 94.1, CABA, y el 14 y 18 de mayo de 2024 en Radio de la Calle, FM 87.9, Bahía Blanca

Entre playlists inacabables i prestatgeries plenes de vinils, busquem nous diamants amagats. Un cap

The daughter of two preacher's kids, Pieta Brown's early upbringing in Iowa was in a rural outpost with no furnace, running water, or TV. There, she was exposed to traditional and rural folk music through her father, Greg Brown, the now beloved Midwestern folk singer. Later, while living with her mother in Birmingham, Alabama during her formative years, Pieta drew on and expanded these influences and began writing poems and composing instrumental songs on piano. By the time she left home at 18 she had lived in at least 19 different houses and apartments between Iowa and Alabama.In her early 20's, after experiencing what she describes as "the songs calling,” Pieta started experimenting with the banjo and eventually picked up a 1930's Maybell arch-top guitar during a visit to her father's place and never looked back. Emerging from a disjointed and distinctly 'bohemian' upbringing, Pieta began performing live and making independent recordings soon after teaching herself how to play guitar. "I grew up around a lot of musicians and artists living on the fringe, and have always felt most at home among them," Pieta says.Continually revealing new layers as both a songwriter and performer, Pieta is being recognized as one of modern Americana's true gems. In recent years Pieta has released multiple highly critically acclaimed albums, with much attention being paid not only to her distinct sound and style, but also the power of her singing and songwriting, including fan favorite Paradise Outlaw (2014 Red House, which Bon Iver master mind, Justin Vernon, called his “favorite recording made at our studio.”) Pieta has toured North America with Mark Knopfler, and toured various regions of the U.S., Australia and Canada with John Prine, Amos Lee, Brandi Carlisle, JJ Cale, Ani Difranco, Mavis Staples, and Calexico among others. She has co-written songs with and made recent guest appearances on albums by Calexico, Amos Lee, and Iris Dement, whose latest masterpiece Workin' On A World (2023) Pieta co-produced. Pieta's songs and music have been heard in various TV Shows and indie films including Everything Will Be Fine (Wim Wenders). With the release of her most recent album Freeway (September 2019, Righteous Babe) co-produced by Bon Iver drummer, S. Carey, followed by multiple experimental collaborations since with various artists including JT Bates, S.Carey, and Howe Gelb & The Colorist Orchestra, as well as a new instrumental based side-project she calls Sylvee & The Sea, Pieta's music and artistry continue to rise.~ "...a style and a sensuality that's all her own...."- Pop Matters~ "Among the top tier of songwriters today..." - FAME (Folk and Acoustic Music Exchange)~ "...a gifted singer-songwriter whose lyrics are pieces of polished poetry" - Huffington PostPieta's WebsiteSRTN Website

I 1999 lærte alle med et radioapparat nærmest fra den ene dag til den anden Marie Frank at kende. Sange som "Symptom of My Time", først og fremmest, "Save a Little Love", "Worth it" (2001) og "Under the Water" i et remix blev spillet igen og igen. Også i udlandet. Nu, 24 år senere udsender Marie Frank en EP med titler som "Det bedste ud af alting", "Hvem ved hvad vej det går" og "Stenslag". POV Mediano Musics Jan Eriksen har besøgt Marie Frank i Langå, hvor hun med en fantastisk udsigt til Langå sø bor sammen med sin mand, musikeren Anders Pedersen og deres to børn. I podcasten taler de om alt det, der skete dengang, hvor hun rejste rundt i verden, og bl.a. øvede sit håndværk i New York – og hvad der er sket siden og, hvor de nyeste sange kommer fra. ”Måske havde Danmark brug for en pige med en guitar dengang,” siger hun selv som en mulig forklaring på det pludselige gennembrud. I USA havde de Sheryl Crow, Suzanne Vega og Joni Mitchell. Det handler om tilfældige møder som blaffer bl.a. med bossen for Spot Festivalen og en DR radiovært, der skulle komme til at hjælpe hende videre. Indspilningen af debut-albummet ”Ancient Pleasures” i et studie i New York med det funky navn Dan's House of Love. Det handler om en turne, som Marie måtte gennemføre i en kørestol og på krykker. Efter et par hektiske år i begyndelsen af 0'erne blev Marie Frank selvstændig – hverken hun eller det tidligere pladeselskabet havde særlig travlt med at forhandle ny kontrakt – og selvstændig har hun været siden. Så det er også historien om kampen for at bevare sin integritet i en branche hvor alle flår i en. ”Jeg følte, at jeg blev modarbejdet af mit pladeselskab, der gerne ville flytte rundt med mig. Du bliver hele tiden stillet overfor det spørgsmål: hvis du bare vil det og vil det. Det konstante pres. Der var så mange, der havde en holdning, vi synes du skal gøre det og det. Jeg synes på en måde det er en barsk måde at henslæbe sine tyvere på.” Det handler om et gedigent benspænd, da festivalen Wig Wam krakkede med et brag og efterlod en række uskyldige musikere uden penge. Men det handler Ikke mindst om mødet med Howe Gelb, lederen af et af første markante alt-country bands, Giant Sand, og andre amerikanske musikere som Grant Lee Phillips og legenden Lucinda Williams. Møder som naturligt har påvirket hendes sangskrivning og betydet en masse gode oplevelser og rejser. Albummene "Where the Wind Turns the Skin to Leather" og "Kontinua", Franks første dansksprogede album, er ganske udmærkede danske americana-album. Og selvfølgelig taler Marie og Jan om arbejdet med at etablere et musikmiljø i Langå. "Det er en lille smule mere hillbilly-agtigt herude i Langå," som hun siger. Dette og meget mere i denne podcast.

I 1999 lærte alle med et radioapparat nærmest fra den ene dag til den anden Marie Frank at kende. Sange som "Symptom of My Time", først og fremmest, "Save a Little Love", "Worth it" (2001) og "Under the Water" i et remix blev spillet igen og igen. Også i udlandet. Nu, 24 år senere udsender Marie Frank en EP med titler som "Det bedste ud af alting", "Hvem ved hvad vej det går" og "Stenslag". POV Mediano Musics Jan Eriksen har besøgt Marie Frank i Langå, hvor hun med en fantastisk udsigt til Langå sø bor sammen med sin mand, musikeren Anders Pedersen og deres to børn. I podcasten taler de om alt det, der skete dengang, hvor hun rejste rundt i verden, og bl.a. øvede sit håndværk i New York – og hvad der er sket siden og, hvor de nyeste sange kommer fra. ”Måske havde Danmark brug for en pige med en guitar dengang,” siger hun selv som en mulig forklaring på det pludselige gennembrud. I USA havde de Sheryl Crow, Suzanne Vega og Joni Mitchell. Det handler om tilfældige møder som blaffer bl.a. med bossen for Spot Festivalen og en DR radiovært, der skulle komme til at hjælpe hende videre. Indspilningen af debut-albummet ”Ancient Pleasures” i et studie i New York med det funky navn Dan's House of Love. Det handler om en turne, som Marie måtte gennemføre i en kørestol og på krykker. Efter et par hektiske år i begyndelsen af 0'erne blev Marie Frank selvstændig – hverken hun eller det tidligere pladeselskabet havde særlig travlt med at forhandle ny kontrakt – og selvstændig har hun været siden. Så det er også historien om kampen for at bevare sin integritet i en branche hvor alle flår i en. ”Jeg følte, at jeg blev modarbejdet af mit pladeselskab, der gerne ville flytte rundt med mig. Du bliver hele tiden stillet overfor det spørgsmål: hvis du bare vil det og vil det. Det konstante pres. Der var så mange, der havde en holdning, vi synes du skal gøre det og det. Jeg synes på en måde det er en barsk måde at henslæbe sine tyvere på.” Det handler om et gedigent benspænd, da festivalen Wig Wam krakkede med et brag og efterlod en række uskyldige musikere uden penge. Men det handler Ikke mindst om mødet med Howe Gelb, lederen af et af første markante alt-country bands, Giant Sand, og andre amerikanske musikere som Grant Lee Phillips og legenden Lucinda Williams. Møder som naturligt har påvirket hendes sangskrivning og betydet en masse gode oplevelser og rejser. Albummene "Where the Wind Turns the Skin to Leather" og "Kontinua", Franks første dansksprogede album, er ganske udmærkede danske americana-album. Og selvfølgelig taler Marie og Jan om arbejdet med at etablere et musikmiljø i Langå. "Det er en lille smule mere hillbilly-agtigt herude i Langå," som hun siger. Dette og meget mere i denne podcast.

Why is it that well-off famous people want to appear normal? The Captain has had enough of it! He revisits a classic album from 2006, Howe Gelb's Sno Angel Like You. We listen to friend of the podcast Katie's new music show, and discuss how two more listeners would Downsize.El Tele finishes off lots of TV series, and touts the new album by Lottery Winners, featuring many special guests, and completes John Cooper Clarke's autobiography. We talk briefly (geddit) about men's pants and regrettably say goodbye to some giants : Smiths bassist Andy Rourke, Martin Amis and Tina Turner.Show notes and links at https://www.onlyapodcast.com/episode-35-we-are-normal-and-we-want-our-freedom/https://linktr.ee/onlyapodcast

GRÆNSER & NATIONER Siden menneskets ankomst og dominans på jorden er 'grænser' en af de mest afgørende og skæbnesvangre udviklinger. De grænser vi (de få) selv har sat og som har medført opståelsen og skabelsen af 'nationer'. Dem betragter vi nu som helt indlysende og naturlige og rummer da også spændende og eksotiske sider såsom rejser og besøg mellem forskellige kulturer og lande. Men udover menneskets indbyggede aggression og ondskab er grænser og nationer også en stor del af årsagen til de utallige konflikter og ufattelige krige. Læg hertil de 'skjulte' konflikter og krige i form af almen ubalance og uretfærdighed i verden. For grænser er jo ikke en naturlov men bare streger sat på et kort som resultat af magt, styrke og kynisme. Et kort med lange skygger og kolossale konsekvenser. Tænk hvis grænser og nationer ikke fandtes? Big Country, David Bridie, Clap Your Hands, Del Amitri, Den Fjerde Væg, Peter Gabriel, Howe Gelb, Fiona Grey, Icehouse, Elton John, Laleh, Daniel Lanois, Love Shop, Martha & The Muffins, Gary Numan, Spoons, Sej Tankian, Genevieve Toupin og Kim Wilde leverer musikalske og især lyriske bud på disse temaer med (indre) variationer.

El nord-americ

Repasamos algunos de los artistas anunciados esta semana en la Suma Flamenca y después escucharemos letras que hablan de bandoleros, forajidos, arapahoes -y otras tribus aflamencadas- de la mano de Tomasito, G5 o Pata Negra. Terminamos entre Arizona y Córdoba de la mano de Howe Gelb and a band of gypsies. Escuchar audio

durée : 00:54:58 - Et je remets le son - par : Matthieu Conquet - Comment résonne encore Led Zeppelin IV 50 ans après sa sortie ? Et il est comment le nouveau ROSALÍA et The Weeknd ? Et le Silk Sonic de Bruno Mars, Anderson. Paak ? Vous saurez tout sur ces nouveautés et aussi Léonie Pernet, Mac Miller, Dowdelin et Howe Gelb,.. du beau monde dans l'escalier.

Solénoïde (06.09.2021) - Sur leur 10e album, "Désarroi", les allemands du KAMMERFLIMMER KOLLEKTIEF nous plongeront dans une étrange saga sonore mêlant culture "free", esprit psychédélique et racines krautrock... Une partition inspirée à la croisée des visions hallucinées d'Ummaguma de Pink Floyd et de certains thèmes filmiques de Ry Cooder. Le duo cosmopolite ALCALICA (Berlin/Grèce) nous gratifiera ensuite de séduisantes contorsions musicales pouvant associer poésie antique et audace urbaine. Puis, c'est une invitation envoyée de Suède, aux frontières de l'electronica et de la pop avant-gardiste, qui nous attendra. A pas de loup, le duo féminin MIDAIRCONDO nous fera ainsi avancer à la jonction des mondes de Björk, Biosphere et Spunk. Et enfin, le trio autrichien (clavier, basse, batterie) RADIAN s'efforcera de bousculer nos repères musicaux usuels, pour délivrer un post-rock à nette coloration électronique.

Growing up in the melting pot of Tucson primed guitarist and singer Brian Lopez for absorbing the cultural music of other countries. Graduating from college with a background in classical guitar, Brian made a name for himself in the band Mostly Bears before striking out as both a solo artist and an acclaimed sideman. With his band Xixa, Brian has channeled his many influences into the new album "Genesis", a collection of songs that reflect the concerns of our Covid-rattled world. Pour yourself a big mug of chicha and kick back as Nick and Brian talk about touring in Europe, how an artist's political slant informs their art, and the rise of today's Seinfeld hipsters. HIGHLIGHTS: [01:09] Brian describes his new band, Xixa, and how they got started as a Peruvian chicha cover band [05:09] Xixa recorded their new album "Genesis" as a group, before the pandemic lockdown [06:33] The song "Land Where We Lie" was a blatant mix of South American cumbia music and 80s New Wave vibes [07:10] Brian explores the various themes touched on by the songs, and how the album's title has multiple meanings [09:55] Brian explains that not touring and being home has given him a deeper love of the craft of songwriting [11:34] Brian is a multi-instrumentalist with a classical guitar background, but he loves piano [13:03] Brian's band Mostly Bears survived their tours thanks to Wal-Mart's deli meats [16:09] Howe Gelb of Giant Sand became a mentor and "path finder" for Brian's career [17:43] Brian tries to find a balance between collaborations and his own personal projects [20:14] Brian appreciates the break from the business side of music that being a sideman provides [21:35] Brian has toured more overseas than here in the US because there were more opportunities [23:20] Xixa and "Genesis" are becoming very popular in South America, prompting a possible tour [24:14] Brian and Nick rave about the beauty and art culture of Mexico City [26:03] Brian participated in the Kennedy Center "Arts Across America" program during the lockdown [28:58] Brian feels more politically activated these days, and it's reflected in his art at times [29:58] Brian's musical influences range from pop of The Beatles to the thrash of Nirvana [32:10] It's official: the early 90s are back in fashion, both musically and stylistically [33:19] Brian can't stand the way the term "psychedelic" is applied so broadly to various styles of music [36:03] Brian loves being immersed in the blended cultures that make up the Tucson experience [38:13] Maintaining a studio during the pandemic has been tricky [39:37] Brian's opinions on certain artists have changed over time, as he comes to appreciate their art   Thanks for listening! Tune in next week and don't forget to take a minute to review the podcast. In this incredibly competitive podcasting world, every piece of feedback helps. Follow our social media channels for last-minute announcements and guest reveals @theradicalpod on Instagram and Facebook. Find out more about today's guest, Brian Lopez Find out more about your host, Nick Terzo   MENTIONED IN THIS EPISODE: @XIXA_tuxon @giantsand @howegelb_ [of the band Giant Sand] @casadecalexico [the band Calexico] @KTTunstall @vivaelatino [Music festival] @kencen [The Kennedy Center] @thebeatles cPearlJam @soundgarden @Nirvana @ladygaga

Ya se puede ver un trailer. Esa película ("Shoplifters of the world") que se llama como una canción de The Smiths (de hecho la banda de Morrissey y Marr son base del argumento de la cinta) y que cuenta las aventuras de ese fan trastornado que ocupa una radio local y obliga al DJ a poner sólo canciones de su banda favorita cuando se entera que se ha disuelto. Nick Cave ha revelado que su disco "Carnage" con Warren Ellis nace de la necesidad de ayudar a un amigo que se encontraba en delicada situación anímica. Le pidió al pintor y escultor Thomas Houseago que le hiciera una obra de arte y él a cambio le regalaba una canción. Un intercambio cultural que alivió a su colega envuelto en una crisis nerviosa. Noticia del día es también que Alice Cooper cuenta qué único amigo músico (Keith Richards) le sigue llamando por su nombre en diminutivo (Vinnie) y no por el de Alice Cooper que es el que adoptó (el de la banda) en los tiempos de "Welcome to my nightmare". Pasado el día de la mujer ahí queda la elección de 47 canciones y 47 nombres (entre ellas Sleater-Kinney) elegidos por Shirley Manson Garbage. Novedad de aquí es la reedición, etiqueta Eureka, con dos inéditos del disco que hizo Howe Gelb con Band of Gypsies, con Fernando Flow dirigiendo; un avance del que será el quinto disco de Joana Serrat; Yorch con el apoyo de un montón de amigos (Miguel Maga, Dani Llamas...); también con apoyo, en este caso de Nat Simons, lo nuevo de Staytons, el fichaje de Casa Maracas del dúo Nueve Desconocidos y asimismo nuevo tema de Dreyma, proyecto que fue pasado ganador de "artista emergente" del programa. Novedades internacionales son el disco de uno de los veteranos y grandes del soul (Robert Finley) producido por Dan de Black Keys y que Brittany Howard elija a Jackie Wilson para hacer una versión de un hit del 67. El recuerdo al aniversario redondo del programa en unos días vino con el supergrupo Manassas creado por Stephen Stills en su torno. Escuchar audio

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia, estrenamos nuevo formato con la incorporación de Terminal Pop, y aumentamos la duración a dos horas (orm.es; 00'00h) para que puedas disfrutar de toda la actualidad musical de la jornada. Recordamos a Oti. M Clan comunicaban la noche del sábado, a través de su cuenta oficial de Instagram, el fallecimiento del que fue su primer batería Juan Antonio Otero "Oti". El 14 de mayo Paul Weller lanza su decimosexto disco en solitario, desde su debut homónimo en 1992, que sale a la venta solo 12 meses desde la edición en junio de 2020 del magnífico On Sunset. No sería exagerado decir que el nuevo disco Fat Pop (Volume 1), es uno de sus trabajos más convincentes. Carnage es un nuevo álbum por Nick Cave & Warren Ellis, grabado en unas semanas durante el confinamiento. A pesar de que el dúo ya ha compuesto y grabado varias bandas sonoras, y de que Ellis sea miembro de The Bad Seeds desde hace mucho tiempo, esta es la primera vez que publican un álbum completo como dúo. Trent Reznor & Atticus Ross ganan un Globo de Oro por ‘Soul’. Hace pocas semanas conocíamos la rockera “Reaching out to you” en la que se hacía acompañar del músico Howe Gelb, en lo que era su primer material en cinco años. Ahora llega “I Live In A Boat”, que según la propia Maika Makovski escribió "cuando dejar estar aislado del mundo era una decisión personal y no una cuestión de salud pública".Le Ren y Buck Meek reivindican la belleza de la sencillez en su versión a dúo del "early morning rain'" de Gordon Lightfoot. Andrés Calamaro toma uno de los primeros éxitos de la banda mexicana Zoé para transformarla en un sueño lúcido y poético, lleno de las exploraciones sonoras. Un nuevo hito para el álbum ‘Reversiones’, tributo a Zoé. El Murcia Jazz Festival, organizado por el Ayuntamiento de Murcia, regresa del 5 al 28 de marzo con diez conciertos en los teatros y auditorios municipales, que recibirán a destacadas figuras del jazz nacional e internacional como Raynald Colom, Clarence Bekker, Eli Degibri, Hetty Kate y Patxi Valverde.A medio camino entre el Funk y la música electrónica (y como siempre bañado de neopsicodelia), Done es el tema elegido por Ruto Neón para cerrar su EP y despedirse del inglés. En los últimos meses Kiko Veneno ha presentado "Hambre" y "Días raros", dos adelantos del disco que sacará en la primavera. Pero justo una semana antes de estrenar "Luna nueva", el tercer avance de ese álbum que está a punto de publicar, nos lo encontramos colaborando con El madrileño ( C.Tangana) en la canción "Los tontos", rumbita fresca, divertida. El tercer single de la nueva etapa de PORRETAS PAGINA OFICIALPorretas, tras "Bla Bla Bla" y "La Cuadrilla" es "¡Jake Mate!" , una canción reivindicativa que pide justicia para los desenfrenos cotidianos. Con su acidez característica MccroskeyY nos avanza su nuevo album, El consul de Abanilla”.Esta primavera se cumplen 25 años de la grabación de "Los Marañones", disco en directo, donde colaboraron Josele Santiago y Hendrik Roever. Reunimos a Miguel Bañón, Román García Albertos y Mariano Tejera Marco para recordar esta grabación antológica de Los Maraño

Hope you're enjoying the new season of Aquarium Drunkard's Transmissions. Here's a good one from the archives, a favorite of Timothy Showalter of Strand of Oaks a roundtable talk with three lifers: Howe Gelb, Robyn Hitchcock, and Steve Wynn. The three share similar paths through scenes and the industry, their paths are shared but divergent, and there’s a spiritual unity at work even in their differences. With his band Giant Sand, Howe Gelb pens strange, dusty songs about love and the desert. Both solo and with his Paisley Underground pioneering band the Dream Syndicate, Wynn composes driving minimalist rock sagas (a recent 11-disc boxset documents much of his range) . And after emerging from the UK punk scene with the Soft Boys, Robyn Hitchcock has embarked on a career full of wry and funny songs that skewer pop conventions. We spoke in August of 2018 when they performed at HOCO Fest in Tucson, Arizona, a place where they all share considerable history. This interview was recorded at the KXCI studio at the historic Hotel Congress. Please enjoy this one from the vault.

Episode 25: Rhett Miller of roots rockers Old 97's reveals all the tales of woe behind their rocking new album Twelfth. Journalist and musician Sylvie Simmons talks about her own lovely new album Blue On Blue, working with Howe Gelb, and writing I'm Your Man, the definitive biography of Leonard Cohen. In our record store feature, Matthew Farrington of Biscuits & Vinyl explains how he plans to rebuild after the fire that decimated his store and most of his town of Talent, Oregon. As always, Carrie Colliton from RSD HQ calls in and compares wish lists with Paul in anticipation of RSD Drops #2 (Sept 26). Sponsored as always by Dogfish Head Craft Brewery and Tito's Handmade Vodka. Go to RecordStoreDay.com for the latest news from Record Store Day. Rate, Review, and Subscribe wherever you get podcasts. If you are an eligible voter in the USA, make sure you're registered at Vote.org and don't forget to vote.

Deze aflevering muziek van Howe Gelb, Kraftwerk, Trio, Tom Waits en Spoon. Luister ook de podcast om als toegift de nieuwe single Mr. Smile van Hans te horen.

Jens Folmer Jepsen dykker ned i det lille instrument i store mængde af instrumenter og undersøger, hvilken betydning og funktion et rytmeæg egentlig har, når det kommer til samspil. Medvirkende: Peter Dombernowsky, underviser i percussion ved Det Jyske Musikkonservatorium, og Howe Gelb, amerikansk singer-songwriter og pladeproducent. Medvirkende: Peter Dombernowsky og Howe Gelb. Vært: Jens Folmer Jepsen

Jens Folmer Jepsen dykker ned i det lille instrument i store mængde af instrumenter og undersøger, hvilken betydning og funktion et rytmeæg egentlig har, når det kommer til samspil. Medvirkende: Peter Dombernowsky, underviser i percussion ved Det Jyske Musikkonservatorium, og Howe Gelb, amerikansk singer-songwriter og pladeproducent. Medvirkende: Peter Dombernowsky og Howe Gelb. Vært: Jens Folmer Jepsen See omnystudio.com/listener for privacy information.

..............Strange.Fruits.............................................. By Anatoly Brooks http://www.filefactory.com/file/6pkcw5ad7n1r/strange2.mp3 01. José Afonso – Senhor Arcanjo 02. Hammock – We try to make sense of it all 03. Tindersticks – For the beauty 04. Leonard Cohen – Thanks for the dance 05. Luca Argel – Queixa das almas jovens censuradas 06. Cindy Kat – Miúdo 07. Phoebe Bridgers – Georgia Lee 08. Stafraenn Hakon – Hann bognar 09. Angie McMahon – Take it with me 10. Roger Webb – Moonbird 11. Eluvium – Paper autumnalia 12. Tim – Tejo que levas as águas 13. Calexico – The guns of Brixton 14. Message to Bears – Mountains 15. Howe Gelb – Bottom line man 16. Low – Dancing and fire 17. Ola Podrida – Pour me another 18. Collections Of Colonies Of Bees – For ghost 19. Siouxie And The Banshees – Strange fruit 20. Old Jerusalem – Magna 21. Willard Grant Conspiracy – Margaret on the porch Total time – 1.23:26 A photo by Anatoly Brooks Sultry voice of Radio Etiopia – Ana Ribeiro www.radioetiopia.com Phase 108.1: http://www.phase108.net/Show.aspx?podcastId=13 https://radiolisboa.pt/

1) “Moon River”, Audrey Hepburn 2’01”2) “Charade”, Sarah Vaughan 2’50”3) “A Slow Hot Wind”, Johnny Hartman 3’20” 4) “Peter Gunn”, Shelly Manne & His Men 2’12” 5) “Peter Gunn”, Poison Ivy 3’10”6) “Moon River”, Howe Gelb 2’54”7) “Lonesome”, Friends Of Dean Martinez 2’46”8) “The Pink Panther Theme”, Ludovic Navarre (St. Germain) 3’51”9) “The Inspector Clouseau Theme”, Oranj Symphonette 2’58” 10) “Days Of Wine And Roses”, Bill Frisell 3’35”11) “Moon River”, Frank Ocean 3’08”12) “Baby Elephant Walk”, Bad Manners 2’02”13) “Medley: Kojak – S.W.A.T.”, Henry Mancini 4’47”14) “Touch Of Evil” The Big Latin Band Of Henry Mancini 2’44”15) “Moon River Cha Cha”, Henry Mancini 2’35”

Yo La Tengo, Pixies, My Bloody Valentine, No Age, Fugazi, Assalti Frontali, Mano Negra, Vinicio Capossela, Howe Gelb, Miko Cantù, Glen Hansard, Cass McCombs, Beth Gibbons & the Polish national radio symphony orchestra, Karen O & Danger Mouse, Low, Marc Ribot & Tom Waits

Yo La Tengo, Pixies, My Bloody Valentine, No Age, Fugazi, Assalti Frontali, Mano Negra, Vinicio Capossela, Howe Gelb, Miko Cantù, Glen Hansard, Cass McCombs, Beth Gibbons & the Polish national radio symphony orchestra, Karen O & Danger Mouse, Low, Marc Ribot & Tom Waits

con Paola De Angelis

Portada grande para el nuevo trabajo del intenso músico Howe Gelb. 'Gathered' es una obra de orfebre que atiende exclusivamente al hedonismo musical de su autor, un álbum maravilloso. Además, vislumbramos la seda que hay en el interior de bestias pardas como Zakk Wylde o Greg Graffin (Bad Religion) a través de sus discos en solitario. Nos ponemos stoners con los fabulosos The Niftys y para la recta final, estrenamos el último sencillo de la banda de Jay Farrar, Son Volt. Y cerramos con la última entrega en solitario de Jeff Tweedy. Gracias por escuchar y compartir.

Portada grande para el nuevo trabajo del intenso músico Howe Gelb. 'Gathered' es una obra de orfebre que atiende exclusivamente al hedonismo musical de su autor, un álbum maravilloso. Además, vislumbramos la seda que hay en el interior de bestias pardas como Zakk Wylde o Greg Graffin (Bad Religion) a través de sus discos en solitario. Nos ponemos stoners con los fabulosos The Niftys y para la recta final, estrenamos el último sencillo de la banda de Jay Farrar, Son Volt. Y cerramos con la última entrega en solitario de Jeff Tweedy. Gracias por escuchar y compartir.

Capítulo que tiene como portada a los troublemakers Vintage Trouble, analizamos los cambios estéticos en la música de la banda del vocalista Ty Tyler. Además, escuchamos los últimos álbumes del bluesman holandés Robbert Duijf y del maestro de la guitarra J.D. Simo. También el blues con ascendentes punk de Mission Brown, las magníficas armónicas de la The Liam Ward Band. Descubrimos el último sencillo de Aurora & The Betrayers y cerramos con el fantástico último disco de Howe Gelb. Gracias por escuchar y compartir.

Capítulo que tiene como portada a los troublemakers Vintage Trouble, analizamos los cambios estéticos en la música de la banda del vocalista Ty Tyler. Además, escuchamos los últimos álbumes del bluesman holandés Robbert Duijf y del maestro de la guitarra J.D. Simo. También el blues con ascendentes punk de Mission Brown, las magníficas armónicas de la The Liam Ward Band. Descubrimos el último sencillo de Aurora & The Betrayers y cerramos con el fantástico último disco de Howe Gelb. Gracias por escuchar y compartir.

Songwriters Guild Live is a weekly radioshow in Amsterdam, focussed on artists who write their own songs. This week your host was Ro Halfhide. Bubblegum Slut/ UK: « A paradoxical mix of a Yorkshire man’s Northern bluntness that tells it like it is and a “continental poetic tongue which educates and stirs…! » - Stylusmag/ Canada: « Berry has a keen intellect, a disdain for those buffered from reality, and an internalized anger that fuels the vitriol in every adjective. It is real life undecorated, and smoulders like the everyday pressures. This is fucking brilliant. Clean glass please, and leave the bottle! » With the aid of an acoustic guitar or piano he sits centre-stage and recounts with his powerful seducing voice the tales of his life on the back streets of Leeds/England, his touring years through to his crippling road accident in Brighton/ England. In the 80s he was the guitarist & founding member to the successful Rock/Goth band, The Rose of Avalanche, which produced many great albums and singles. Eventually enough was enough and he broke up the band in the 90s and embarked on a solo career under his own name. He played in every possible venue in the UK and Europe. 3 solo albums later (PJB, Ginnel and Nations) which saw him support giants of the songwriting genre such as Frank Black, Vic Chestnutt, Kevin Coyne, David Bowie, Howe Gelb, Townes Van Zandt, he is now back. After rehabilitating from his accident, he has a new album ‘Spitfire Jukebox 1’. It’s mainly one instrument and voice that give a beautiful raw insight to the human soul. It reveals a personal account of the last few years. Touches on a cathartic necessity to get through the nightmare of his road accident to the celebration of life itself. Recorded in Berlin in the vast hall of the famous UFO-Studios, an old brewery which doubled-up as a bunker in the second world war. «when I arrived at the studio in Berlin, there was this colossal old hall that just had ‘something’ that moved me. So, I said to the man, get me a chair, put it in the middle of the hall and record me bleeding….» «the whole point of this album was to be in control and do everything myself - for good or bad - no rules and no bull shit! Just me and my demons>>

We’re back. The weather is beginning to turn. We’re almost there. Welcome to the September edition of the Transmissions podcast. On this episode, we sit down with three legends of independent music: psychedelic singer/songwriter Robyn Hitchcock, Giant Sand leader Howe Gelb, and Steve Wynn of the Dream Syndicate. Since emerging in the ‘80s, they’ve amassed incredible catalogs, and they’re all still making vital and poetic records. We spoke earlier this month at HOCO Fest, a multi-day festival in Tucson, Arizona. Sitting down at the KXCI studio at Hotel Congress, the three riffed on their years making music, how their sounds have evolved over the years, and what a lifelong commitment to making art looks like. But first, our conversation with Matt Sullivan of Light in the Attic Records, one of our longtime favorite reissue labels. We spoke live at Gold Diggers in East Hollywood as part of our Talk Show series – a set of live conversations centered around the worlds of music, art, film and beyond. LITA has released records by Rodriguez, Betty Davis, Lee Hazlewood, Jim Sullivan, Serge Gainsbourg, and has launched expansive archives like the Native North America and Japan Archival projects. How did Light in the Attic get started? Live on stage at Gold Diggers, Sullivan explained it all.

Billy O'Connell interviews musician Howe Gelb. Howe Gelb riffs on his long career as an artist, how to make a living without necessarily making it big in the music world. ----- Links: Four Sigmatic - get 10% off your order with promo code scavtruffle at checkout at https://us.foursigmatic.com

Este programa declara su objeción de conciencia ante cualquier iniciativa que aliente un clima de tensión en torno al arte y los artistas por el motivo que fuere (regional, de raza, sexo o religión). Estrenamos el disco de Pepe Bao Andebass y el de la ópera A través de la luz que es el proyecto De Fernando Vacas al que le estaremos eternamente agradecidos por producir a Remedios Amaya con Rompiendo el silencio. Remedios Amaya aparece en ese disco al lado de un montón de estrellas como Naike Ponce, Lín Cortes, Panky, Lee Ranaldo, Howe Gelb, Niño de Elche... Aquí escuchamos a Rosalía con José Antonio Rodríguez. Vacas ha hecho una ópera flamenca, yo estoy tranquilo con algunas cosas que no me gustan, porque prefiero concentrarme en las que me gustan. Estarán en Madrid en Junio... Y sí, repasamos algunos temas de Niño de Elche; y sí, desvanecemos la Seguiriya del silogismo cuando pierde el compás y la gracia. Habla Niño de Elche sobre ortodoxias y heterodoxias y sobre cómo los flamencos se inventan las tradiciones. Nos relajamos con el percusionista Ralph Santos que ha hecho una versión “flamenca” del Whats going on de Marvin Gaye, una canción que sirvió en su momento para avisar del movimiento de los derechos civiles.Refree aparece con el de Elche y como productor de Rocío Márquez y el Proyecto Lorca en Firmamentos. Escuchamos en su voz los versos de Teresa de Ávila, de José Agustín Goytisolo y de Eduardo Galeano. Entremedias de Naike & Paquete y Rycardo Moreno & Sandra Carrasco escuchamos al poeta del compás con otro del Puerto (Javier Ruibal). La coda la ponen la Tremendita y su fabuloso disco Delirium Tremens y un cacho del Aleluyah de Cohen por Morente.

Musica Inaudita: Desert Rock, l'albero genealogico di Howe Gelb. Con Silvia Boschero

Chill! Our old friend Howe Gelb is on Made of Things for the first time. Howe takes Antonio down to his preferred energy level. They speak about “Future Standards”, but also food, DNA testing, North vs South, Glastonbury vs Primavera Sound, options in moving to Portugal, the core of existence with Leslie Feist and understanding… Continue reading 59 Howe Gelb & absence

VALPARAISO. RISING TIDES (feat. Phoebe Killdeer & Howe Gelb) – 4:25Broken Homeland, Zamora, 2017 SHANNON WRIGHT. SOFT NOISE – 5:45Division, Vicious Circle, 2017 ELIAS DRIS. WILD HORSE – 3:30Gold In The Ashes, Vicious Circle, 2017 ALELA DIANE & ALINA HARDIN. MATTY GROVES – 4:40Alela & Alina, Names records, 2009 TOWNES VAN ZANDT. RAKE – 4:05Delta […] Cet article Errance #95 : De Valparaiso à Spain est apparu en premier sur Eldorado.

Howe Gelb's multiple-decade catalog is hard to pin down, but the one current that runs through it all is the Tucson, Arizona musician's warm-burning songwriting. The sometime Giant Sand leader pares down to a piano for his latest record, Future Standards, and accompanied only by a bassist, Gelb doubles down on the songwriting skills he's honed over his decades in this incandescent session with DJ Morgan. Recorded 2/4/2017 - 4 songs: Irresponsible Lovers, Sweet Confusion, A Book You've Read Before, Impossible ThingSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Tanika Charles, Franco Baggiani, Classica Orchestra Afrobeat, Han Bennink Trio, Howe Gelb, John Greaves, Bill Brovold & Jamie Saft, Eraldo Bernocchi / Prakash Sontakke, Hugo Race / Catherine Graindorge, Ben Glover, Martin Denny, Yo La Tengo, Pere Ubu, John Greaves

Bob Dylan, Howe Gelb. Lambchop, His Clancyness

My guest this week is the very creative and grooving drummer, John Convertino. Along with Joey Burns, John started Calexico in the mid-90's after a long stint playing and touring with the seminal group, Giant Sand. His work with Howe Gelb in Giant Sand brought him from LA to Tucson, where he's been living for many years, and has helped to develop a creative and nurturing music scene. Calexico has released a series of amazing albums, and John's unique approach to the drums is always a highlight. The group successfully mixes folk, rock, twang, mariachi, and avant-garde music into their sound, and it was great to discuss all of those elements with John, as well as his history playing in his family band, how he met Howe Gelb and started playing in LA, his move to the desert of Tucson, and his experiences recording and working in the studio. Enjoy my conversation with John Convertino!

This month Mark Cosgrove, Cinema Curator at Watershed and Phil Johnson, Senior Programme Producer at St Georges Bristol delve deeper into our Folk Noir strand of screenings and performances that looks at the darker side of folk music and film.

All new music from:
Eszter Balint, Howe Gelb, Don Piper, Victoria Williams, Peter Holsapple, Kate Jacobs, Dave Schramm, Franklin Bruno, Chris Cochrane, Amy Allison and Freedy Johnston Presented by: Nicholas Hill The Radio Free All Stars: Konrad Meissner, JD Foster, Don Piper, Franklin Bruno, Chris Cochrane, Dave Schramm and Eszter Balint We recorded this show [...]

It was early June 2013 and we were back at Gary’s Chop Shop. Richard Buckner was our guest. Jon Graboff was an All Star for the first time. Summer was about to begin. All new music from:
 Richard Buckner, Victoria Williams, Howe Gelb, Jennie Lowe Stearns, Timothy Hill, Dave Schramm, Kate Jacobs, Peter Holsapple [...]

Howe Gelb is an immensely prolific and well-respected musician, singer, songwriter, and producer based in Tucson, Arizona. In the mid-1980s, Gelb founded a music collective called Giant Sand, which began a vast slew of collaborations that he continues to this day. Aside from Giant Sand, he’s operated under Arizona Amp and Alternator, The Band of […]