Podcasts about hyde street studios

Step into the pulse of San Francisco's music scene with the Music City San Francisco Podcast, presented by Pantheon Media. Broadcasting from the heart of the city on the corner of Polk and Bush, this podcast captures the pulse of a city steeped in musical history and alive with a modern-day revolution. From the legendary Hyde Street Studios, where artists like Tupac Shakur and Green Day crafted their magic, to the electrifying stages of Music City SF, each episode delves into the artistry, stories, and innovations shaping the Bay Area's vibrant culture. Explore themes of resilience and creativity as we spotlight local talent, industry pioneers, and the enduring legacy of San Francisco's sound. Whether you're revisiting the Summer of Love, tuning into contemporary music movements, or celebrating the transformative power of live performance, this podcast is your backstage pass to a world of melody, history, and inspiration. Featuring intimate interviews with musicians, producers, and visionaries, the Music City San Francisco Podcast delivers rich narratives and exclusive insights into the ever-evolving soundscape of the city by the bay. Tune in weekly for an immersive auditory experience that celebrates music's power to unite, heal, and inspire. Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into the pulse of San Francisco's music scene with the Music City San Francisco Podcast, presented by Pantheon Media. Broadcasting from the heart of the city on the corner of Polk and Bush, this podcast captures the pulse of a city steeped in musical history and alive with a modern-day revolution. From the legendary Hyde Street Studios, where artists like Tupac Shakur and Green Day crafted their magic, to the electrifying stages of Music City SF, each episode delves into the artistry, stories, and innovations shaping the Bay Area's vibrant culture. Explore themes of resilience and creativity as we spotlight local talent, industry pioneers, and the enduring legacy of San Francisco's sound. Whether you're revisiting the Summer of Love, tuning into contemporary music movements, or celebrating the transformative power of live performance, this podcast is your backstage pass to a world of melody, history, and inspiration. Featuring intimate interviews with musicians, producers, and visionaries, the Music City San Francisco Podcast delivers rich narratives and exclusive insights into the ever-evolving soundscape of the city by the bay. Tune in weekly for an immersive auditory experience that celebrates music's power to unite, heal, and inspire. Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into the pulse of San Francisco's music scene with the Music City San Francisco Podcast, presented by Pantheon Media. Broadcasting from the heart of the city on the corner of Polk and Bush, this podcast captures the pulse of a city steeped in musical history and alive with a modern-day revolution. From the legendary Hyde Street Studios, where artists like Tupac Shakur and Green Day crafted their magic, to the electrifying stages of Music City SF, each episode delves into the artistry, stories, and innovations shaping the Bay Area's vibrant culture. Explore themes of resilience and creativity as we spotlight local talent, industry pioneers, and the enduring legacy of San Francisco's sound. Whether you're revisiting the Summer of Love, tuning into contemporary music movements, or celebrating the transformative power of live performance, this podcast is your backstage pass to a world of melody, history, and inspiration. Featuring intimate interviews with musicians, producers, and visionaries, the Music City San Francisco Podcast delivers rich narratives and exclusive insights into the ever-evolving soundscape of the city by the bay. Tune in weekly for an immersive auditory experience that celebrates music's power to unite, heal, and inspire. Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into the pulse of San Francisco's music scene with the Music City San Francisco Podcast, presented by Pantheon Media. Broadcasting from the heart of the city on the corner of Polk and Bush, this podcast captures the pulse of a city steeped in musical history and alive with a modern-day revolution. From the legendary Hyde Street Studios, where artists like Tupac Shakur and Green Day crafted their magic, to the electrifying stages of Music City SF, each episode delves into the artistry, stories, and innovations shaping the Bay Area's vibrant culture. Explore themes of resilience and creativity as we spotlight local talent, industry pioneers, and the enduring legacy of San Francisco's sound. Whether you're revisiting the Summer of Love, tuning into contemporary music movements, or celebrating the transformative power of live performance, this podcast is your backstage pass to a world of melody, history, and inspiration. Featuring intimate interviews with musicians, producers, and visionaries, the Music City San Francisco Podcast delivers rich narratives and exclusive insights into the ever-evolving soundscape of the city by the bay. Tune in weekly for an immersive auditory experience that celebrates music's power to unite, heal, and inspire. Learn more about your ad choices. Visit megaphone.fm/adchoices

You've got to feel the plugin. Case talked about going from bartending to the recording studio, why people skills are the first skills you need, how to compare all your plugin options for the best mix, being vulnerable in the studio, and compressors. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Case Newcomb, a recording and mix engineer/producer and winner of the Music Expo Mix Critique for his live remixing who is currently working out of the historic Hyde Street Studios in San Francisco. After seizing the opportunity to go back to school and switch careers, Case's audio career has been consistently on the rise. In the studio he turned Intern to staff engineer at Hyde Street Studios in just 6 months.  Case rose up the ranks in live sound astonishingly quickly as well. From mixing in small clubs to mixing at 1000+ capacity venues within his first year of doing monitors and FOH. He has recently put live sound on hold to focus on a full time studio career. We met at NAMM at our Recording Studio Rockstars, Working Class Audio, Mixdown Online, Audio-Issues meetup which was a blast! Case has a great energy and is making some awesome records including artists like Nvrman, Möndo Freaks, Diablo Muerto, and Manos Lindas. Thank you to Matt Boudreau for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins! https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels! https://www.soundporter.com/ Get a free mix review and mastering demo! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1hiUPC84ajky2N2aKRIpY6?si=9faa5fcf93ba469c If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/482

He cut his teeth doing landmark recordings for artists including Dead Kennedys and Joe Satriani, designed multiple Bay Area recording studios, created the art of reamping, and has captured multiple artists with his One Mic series. We finally got to sit down for a chat with the mad genius himself.

The 312th episode of Hangover Sessions features one of Oakland's hottest new bands, The Westones!For this show, we welcome Brendan, Chris & Kisura for a live interview, where they introduce 3 brand-spanking new songs by the entire 8-piece band, hot off the press from a recording studio session at Hyde Street Studios, SF, just a few weeks ago.Brendan, Chris & Kisura also talk us through their carefully crafted desert island disc compilation as well as telling us about how this amazing new band came to pass!Very excited to see where the band take this next ~ go see them live when ya can, they really are quite something to behold

The progressive rock band Michael Ward with Dogs and Fishes. This stellar lineup of world-class musicians (who have played just about every classic rock artist under the sun including Steely Dan, Todd Rundgren, Journey, George Harrison, Etta James, Earth Wind and Fire, David Byrne, Donald Fagan, Tom Waits +) has been creating music that blends elements of blues, folk, and classic Americana to create a rich instrumental interplay since the early 2000s. The San Francisco based singer, songwriter, multi-instrumentalist, producer and owner of the renowned Hyde Street Studios (previously Wally Heider Recordings home of iconic records from The Grateful Dead, Jefferson Airplane, Crosby Stills Nash and Young, Santana, and Creedence Clearwater Revival +) Michael Ward will be releasing his own new music.Having spent six years as a full-time, anti-war worker with three of them on the staff at Joan Baez's Institute for the Study of Non Violence, Michael Ward has been using his musical platform to address the mechanics of fascism while fighting for democracy for decades. The politically charged tune "Big Bite" questions how to diffuse this politically charged climate and challenges the current Trumpian model. The raucous speech in the bridge is Mussolini bloviating to a massive rally crowd, an experience which shares an uncomfortable resonance with those of Trump.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Michael Ward with Dogs and Fishes. This stellar lineup of world-class musicians (who have played just about every classic rock artist under the sun including Steely Dan, Todd Rundgren, Journey, George Harrison, Etta James, Earth Wind and Fire, David Byrne, Donald Fagan, Tom Waits +) has been creating music that blends elements of blues, folk, and classic Americana to create a rich instrumental interplay since the early 2000s. The San Francisco based singer, songwriter, multi-instrumentalist, producer and owner of the renowned Hyde Street Studios (previously Wally Heider Recordings home of iconic records from The Grateful Dead, Jefferson Airplane, Crosby Stills Nash and Young, Santana, and Creedence Clearwater Revival +) Michael Ward will be releasing his own new music next Friday, July 26 with single “Big Bite" listen early HERE. Having spent six years as a full-time, anti-war worker with three of them on the staff at Joan Baez's Institute for the Study of Non Violence, Michael Ward has been using his musical platform to address the mechanics of fascism while fighting for democracy for decades. The politically charged tune "Big Bite" questions how to diffuse this politically charged climate and challenges the current Trumpian model. The raucous speech in the bridge is Mussolini bloviating to a massive rally crowd, an experience which shares an uncomfortable resonance with those of Trump.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

We're joined by Dino McCord, Vocalist & Songwriter of Red Voodoo (Sacramento, CA), to discuss their self-titled debut EP & videos. Dino talks about leading a young & up and coming Hard Rock band in their early 20s, re-creating a retro sound, & joining the emerging Classic Rock renaissance. Also, he shares about being mentored by Frank Hannon of Tesla as a High School teenager, drawing inspiration from Montrose, Van Halen, & Sammy Hagar, and performing onstage with the Red Rocker at his Cabo Wabo birthday bash. Additionally, he reveals insights to Sammy's commitment to support Red Voodoo's career, working with veteran Producer Jaimeson Durr, & recording at the legendary Hyde Street Studios in San Francisco. Plus, he shares the humbling experiences of performing on the Monsters Of Rock Cruise, & landing opening slots for Lit, Y&T & Slaughter. Metal Mayhem ROC SOCIALS: https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemR https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Red Voodoo SOCIALS: https://www.redvoodooband.com https://www.facebook.com/RedVoodooband/ https://www.instagram.com/redvoodooband/ https://www.tiktok.com/@redvoodooband Learn more about your ad choices. Visit megaphone.fm/adchoices

We're joined by Dino McCord, Vocalist & Songwriter of Red Voodoo (Sacramento, CA), to discuss their self-titled debut EP & videos. Dino talks about leading a young & up and coming Hard Rock band in their early 20s, re-creating a retro sound, & joining the emerging Classic Rock renaissance. Also, he shares about being mentored by Frank Hannon of Tesla as a High School teenager, drawing inspiration from Montrose, Van Halen, & Sammy Hagar, and performing onstage with the Red Rocker at his Cabo Wabo birthday bash. Additionally, he reveals insights to Sammy's commitment to support Red Voodoo's career, working with veteran Producer Jaimeson Durr, & recording at the legendary Hyde Street Studios in San Francisco. Plus, he shares the humbling experiences of performing on the Monsters Of Rock Cruise, & landing opening slots for Lit, Y&T & Slaughter. Metal Mayhem ROC SOCIALS: https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemR https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Red Voodoo SOCIALS: https://www.redvoodooband.com https://www.facebook.com/RedVoodooband/ https://www.instagram.com/redvoodooband/ https://www.tiktok.com/@redvoodooband Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is artist, producer, engineer, mixing, and mastering engineer Joe Bagale, AKA Otis McDonald, who has worked with Aloe Blacc, DJ Jazzy Jeff, Eric Krasno, King Canyon, Nicholas Payton, Son Little, Nigel Hall, and Adam Deitch. In this episode, we discuss Growing up in Rochester Music Teacher Dad Attic Studio Music with Family Playing Drums Bill Clinton on Sax Recording Lessons from Dad Home Recording Steve Gadd Eastman School of Music Moving to San Francisco Intro to Pro Tools Coast Recorders Jazz Mafia Connecting the Dots Becoming a Producer Micky Hart Band YouTube Library Identity Crisis The Creation of Otis McDonald Facebook Sound Collection Pandemic Royalties Song a Week Hyde Street Studios Working 9-5 The New Music Industry Financial Philosophy Pandemic Recording Matt's Rant: Another Habit Talk Links and Show Notes From Matt's Rant Mike Seniors Multitracks Joe's Site Sebastian Richard on WCA Michael Romanowski on WCA Alberto Hernandez on WCA Alan Evans on WCA Nino Moschella on WCA Pedal mentioned in interview Credits Guest:  Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith       

In this laid-back episode of the GRANTASTIC podcast, we had the pleasure of hosting the incredibly talented Otis McDonald. If you haven't heard of him yet, Otis is known for his eclectic mix of funk, jazz, electronic, and hip-hop music, which has found a special place in the hearts of many, especially on platforms like YouTube. Join us as we unwind and chat about Otis's journey into music, his ingenious approach to creating tunes using nothing but reel-to-reel tape, and his musings on where the music industry might be headed. And let's not forget the cozy vibes of Hyde Street Studios, where Otis works his magic, weaving together soulful melodies. #podcast #musiclearning #grantastic Otis McDonald Links: Simple Man - Aloe Blacc & Otis McDonald: https://www.youtube.com/watch?v=bmvptp3Mol8 Otis McDonald - I Wish I Knew (feat. Joni Inez): https://www.youtube.com/watch?v=EKMqpkI8guA → WEBSITE: http://www.otismacmusic.com → LABEL: http://www.tracktribe.com Follow me INSTAGRAM: / grantevansmusic WEBSITE: https://www.grantevansmusic.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/grantastic/message

Award winning film maker, John Montoya discusses the 10 part docuseries entitled When the Sound hits the Walls which he is producing . It will feature the Hyde Street Studios, where Rock and Roll Greats like Herbie Hancock, the Headhunters, Creedence Clearwater, Janis Joplin, Jimi Hendrix, the Grateful Dead, Crosby, Stills and Nash and Jefferson Airplane produced iconic hits in the late 1960s and early 1970s. --- Send in a voice message: https://podcasters.spotify.com/pod/show/james-herlihy/message

From Chasing Leads And Tailing Cheaters, This Artist Returned To His Musical Roots#donovanplant #newmusic #ep #davidbowie #thecars #jacksonbrowne  Former San Francisco private detective Donovan Plant spent nearly two decades chasing leads and tailing cheaters before returning to his musical roots in 2011. Since then, he has released two solo records, and now with the band he formed in 2018, DONOVAN PLANT & THE LEAFS are set to release their new 3-song EP NIGHT FEEL GOOD on June 23, 2023! Donovan Plant blends rock, country, and pop with lyrics inspired by the city. Citing influences such as David Bowie, The Cars, and Jackson Brown, Donovan's keen ear for hooks and melody is on full display with NIGHT FEEL GOOD, recorded inside the world-famous Hyde Street Studios at Dreamrack Studios by producer and engineer Trent Berry.Purchase/Stream: https://lnk.to/NightFeelGoodWebsite: https://www.donovanplantmusic.com/Instagram: https://www.instagram.com/donovanplant/Facebook: https://www.facebook.com/DonPlant/Bandsintown: https://www.bandsintown.com/a/1910965https://BreadandRoses.orgThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

My guest is Producer, Engineer & Funk Rock Artist Pamela Parker, based in San Francisco. Pamela has worked with Flor De Toloache, Iman Shumpert, and Shock-G and is also a staff engineer at the famed Hyde Street Studios.  In this episode, we discuss Growing Up In DC Oklahoma Stop Penny Loafers with Dimes Playing Numerous Instruments Soul Searching Reliving Critical Moments Music School Exposure to Studios One World Studios Electric Lady Studios Citizen Cope Managing Avalon Studios Color and Music Side Hustles Rehearsal Studio/Studio Combo Jam Cruise Michael Franti Maestro Curtis East Coast  Hyde Street Studios Singing and Engineering Occupying Multiple Lanes Vocal Coaching Challenging Clients Collaboration Surviving Matt's Rant: Speaking to the Right Audience Links and Show Notes Pamela's Site Pamela's Vocal Academy Credits Guest: Pamela Parker Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith

In this episode of GRANTASTIC, I had the pleasure of speaking to Jack Kertzman, the studio manager at Hyde Street Studios. Jack and I discussed his upbringing, how he got into music, where he attended college, what it takes to be a studio manager and many other exciting topics. --- Send in a voice message: https://podcasters.spotify.com/pod/show/grantastic/message

We had the pleasure of interviewing Eric Krasno over Zoom video!The idea of “losing yourself” may seem negative, but to Grammy-award winning guitarist Eric Krasno, the phrase has a deeper meaning. Featuring head-nodding handclaps, horns from Jazz Mafia, and a funkified bass line drive, Krasno's new single “Lost Myself”. Featured on his new solo album, ‘Always' is filled with songs like “Lost Myself,” which consecrate, commend, and celebrates the permanence of family.On ‘Always' – across ten tracks with inimitable instrumentation, eloquent songcraft, and raw honesty – the Soulive and Lettuce co-founder, singer, multi-instrumentalist, and two-time GRAMMY® Award-winning songwriter-producer defines himself as not only an artist, but also as a husband, father, and man. “Lost Myself” follows the release of recent singles like “Silence,” about the emotional havoc that a lack of communication can wreak on the human psyche, and “Alone Together,” about the beauty that can be created between two people in solitude.Something of a musical journeyman, Krasno's extensive catalog comprises three solo albums, four Lettuce albums, twelve Soulive albums, and production and/or songwriting for Norah Jones, Robert Randolph, Pretty Lights, Talib Kweli, 50 Cent, Aaron Neville, and Allen Stone. As a dynamic performer, he's shared stages with Rolling Stones, Dave Matthews Band, John Mayer, and The Roots. Out of seven nominations, he picked up two GRAMMY® Awards for his role as a songwriter and guitarist on Tedeschi Trucks Band's ‘Revelator' and guitarist on Derek Trucks Band's ‘Already Free.' But as the Global Pandemic changed the world's plans, he found himself thinking a lot and writing just as much. At the suggestion of old Lettuce bandmate Adam Deitch, he connected with musician and producer Otis McDonald and collaborated on a version of Bob Dylan's “The Man In Me,” a song that had taken on a deeper significance for Krasno in recent years. Recording first virtually and then at the Bay Area's legendary Hyde Street Studios, famous for 2Pac, Grateful Dead, and Digital Underground, Krasno and McDonald tapped into a shared spirit as co-producers, ultimately forming Eric Krasno & The Assembly with Otis on bass, Wil Blades on keys and organ, Curtis Kelly on drums, and James VIII on guitar and vocals. In the end, Krasno welcomes everyone to be a part of his family on ‘AlwaysWe want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #EricKrasno #Soulive #Lettuce #NewMusic #zoom Listen & Subscribe to BiB https://link.chtbl.com/BiB Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

“... when I listened back to “The Man In Me,” I was like okay we created this via “satellite” … but it really felt live, and it had a feel ... It felt like we were a band.” -- Eric Krasno For the first episode of 2022, Eric Krasno returns to sit down with Otis McDonald to celebrate the release of their new album, Always! In this conversation, you'll hear an in-depth rundown of the making of the record, including the story of how the two met through Adam Deitch in the beginning of the pandemic, the genesis of the Otis McDonald project, and using demo vocals for final mixes on the album. They also talk about Otis' home base at Hyde Street Studios, which gave birth to classic albums by artists including the Grateful Dead and Herbie Hancock, using technology to work together remotely, and take a look inside of Kraz's musical headspace when he talks about the writing process for the album. Joe Bagale, also known as Otis McDonald, lives by the philosophy that there are only two kinds of music; good music and bad music. He was born in upstate New York, but his tenure in San Francisco was where he definitively honed his craft, releasing three albums under his name from 2008 to 2014. Following the success of his early releases, Joe was commissioned by YouTube to write and record 30 new tracks for their audio library, which was the beginning of a new project he calls Otis McDonald. Playing all the instruments, writing, producing, mixing, and mastering 30 songs in a 3 month period, it proves to be his funkiest and most interesting music to date. Joe has shared the stage with the likes of Stevie Wonder, Bob Weir and Mickey Hart, Mike Gordon, and many other legendary artists, and by the end of this episode, you'll know why he's had the success that he's had in recent years. Listen to Always on Spotify or Apple Music. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!Eric Krasno Plus One is presented by Osiris Media. All original music by Eric Krasno. Executive Producers are RJ Bee and Christina Collins. Audio Production by Matt Dwyer. Produced by Ben Baruch of 11E1even Group.Visit SunsetlakeCBD.com and use the promo code PLUSONE for 20% off premium CBD products See acast.com/privacy for privacy and opt-out information.

In this episode, Andrew picks up where he left off in Part 1. He starts with the different bands and music projects he took part in during high school. He got a guitar and started writing solo songs when he was 16. Andrew shares the story of how he got his stage name. (Surprise! Andrew St. James isn't his real name.) It involves being totally smitten with a woman way, way older than he was at the time. After high school, he moved to Boston to go to Berklee School of Music. The twist—he got in on the wrong instrument. Turns out, he didn't dig college life too much. He had just released a record, Doldrums, and it got wide critical praise. He went to New York to play a show and was immediately awestruck by the city. It all led to Andrew quitting college and recording another album: The Shakes. In 2014, The Killers' manager called him and had him do a residency in North Beach. But San Francisco had changed so much in his short absence that Andrew moved to LA, a town that had been luring him. It turned out to be a wild but pretty brief stay, as the pull of San Francisco and family brought him back. Once he returned to The City, Andrew started playing with a friend and touring. He hooked up with a producer to start putting on shows at Amnesia, and with that, the Fast Times Presents series was born. For Andrew, the aim was to bring together San Francisco's many segregated music cliques. He's the first to admit the messiness of the music events. They eventually relocated to The Chapel to accommodate a bigger audience, but then the pandemic hit and Andrew took his show to the streets, literally. Starting in September this year, Fast Times Presents events have moved to Make-Out Room. The next show is tonight (Nov. 18). We end this podcast with Andrew reflecting on our Season 4 theme: We're still here. We recorded this podcast at Hyde Street Studios in the Tenderloin in November 2021. Photography by Michelle Kilfeather

Andrew St. James's birth mom was a tour caterer for the Rolling Stones. In this episode, the musician traces his lineage back to his being adopted by a young San Francisco couple. Carol moved to San Francisco in 1971. She worked at the Gap and what used to be Live 105 and KMEL. Nathan was born in Brooklyn to Holocaust survivor parents. After his New York marriage fizzled, he hopped on a motorcycle and rode to San Francisco in 1978. Nathan and some friends opened the original Captain Video stores. The two met when Nathan went to buy radio advertising from Carol. The couple lived in Glen Park when they adopted Andrew, then they all moved to the Sunset District, where Andrew was raised. Andrew shares early memories from both neighborhoods. He sang in the San Francisco Boys Choir for a number of years before getting jaded at a young age. He decided to branch out more on his own, and so he bought an organ. He soon began playing rock music with friends roughly his age—12. Andrew got into Urban High School, which he shares the background and philosophy of for us. Andrew says that by the time he entered high school, in the late-2000s, that philosophy had more or less gone by the wayside. Check back Thursday for Part 2 and the continuation of Andrew's life story. Shout out to Ashley Graham for connecting us with Andrew. ​ We recorded this podcast at Hyde Street Studios in the Tenderloin in November 2021. Photography by Michelle Kilfeather

David Crosby and Steve Silberman continue their in-depth conversation about David's iconic album, If I Could Only Remember My Name, in Freak Flag Flying's final episode of season two. To begin, Steve takes you on a musical journey that features classic Croz songs that you know and love, along with rare, previously unheard tracks and demos. Whether you're a hardcore Crosby fanatic or just a fan of creative, innovative, soul-soothing music, you'll love what Steve has in store. The episode continues by rejoining David at Hyde Street Studios (formerly Wally Heider's, where the album was recorded 50 years ago), to hear more stories about the recording of this all-time classic album, as well as tales of meeting the Beatles as a member of the Byrds and turning George Harrison onto the music of Ravi Shankar, Jerry Garcia's distinctive gift to one of David's greatest tracks, “Laughing,” how hard it is to sit in successfully with the Grateful Dead, and meeting acid king and sonic alchemist Owsley Stanley in LAX. You'll also hear David talk about the essence of what music means to him.Freak Flag Flying is brought to you by Osiris Media. Interview and editing by Steve Silberman. Produced by Tom Marshall and Zach Brogan. Art by Mark Dowd. Photo of Croz by Matt Bueby. Sales/Sponsorships by Greg Stangel and Christina Collins. Media by Nick Cejas. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.comThis is an Osiris Media production, all rights reserved 2021 See acast.com/privacy for privacy and opt-out information.

Welcome back to season two of Freak Flag Flying! Over the course of the next two episodes, music legend David Crosby and his friend and bestselling author Steve Silberman will take you inside the studio (literally) for an all-encompassing look at David's timeless masterpiece, If I Could Only Remember My Name, with their conversations taking place in the very building that it was recorded in over 50 years ago, Hyde Street Studios (formerly Wally Heider's). Along with their in-depth discussion, listeners will have the opportunity to hear some Crosby tracks that have never been heard by the public before!Today's episode features David taking Steve through the journey of making the album and collaborating with his friends and musical geniuses like Joni Mitchell, members of the Grateful Dead, and Jefferson Airplane co-founders Paul Kantner, and Grace Slick. David goes on to explain his friendship and profound musical connection with Jerry Garcia, discovering Joni Mitchell and bringing her to Los Angeles, and the tragedy that struck just prior to the IICORMN sessions -- a loss that can still be felt deeply in the words and melodies of the album. David also expounds upon his affinity with open tunings and tuning by ear rather than digitally, which contributed immensely to the distinctively luminous sound of the album, as recorded by Wally Heider's brilliant in-house engineer Stephen Barncard.Freak Flag Flying is brought to you by Osiris Media. Interview and editing by Steve Silberman. Produced by Tom Marshall and Zach Brogan. Art by Mark Dowd. Photo of Croz by Matt Bueby. Sales/Sponsorships by Greg Stangel and Christina Collins. Media by Nick Cejas. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.comThis is an Osiris Media production, all rights reserved 2021 See acast.com/privacy for privacy and opt-out information.

Kendra Muecke is a singer/songwriter, writer, actress, and published author from Houston, TX based now in Los Angeles, CA. She performs under the stage name “Kendra & the Bunnies”, as a psychedelic folk rock Americana and spoken word artist. “Kendra & the Bunnies” performs both as a full band and as a solo acoustic act. Her style heavily utilizes the element of storytelling through song, painting a creative experience for the listener. She has released four albums, charted globally at #8 on the digital radio charts (between Dua Lipa at #7 & Miley Cyrus at #9), published two books, writes for several online music magazines, is SAG-Aftra Eligible, and tours nationally. In 2021, Kendra was invited to join the GRAMMYS Recording Academy as a voting member, and she was nominated for 3 indie Josie Awards including: Best Artist of the Year (Multi-Genre), Best Song of the Year (Self Love Proclamation), and Best Music Video of the Year (Self Love). She was also nominated for a 2021 International Singer-Songwriter Association Award. You can read more about Kendra's music and writing in over 100 publications such as JamBase, Relix Magazine, Live for Live Music, Denver Westword, Houston CityBook, Grateful Web, Getty Images, Shakedown News, The Hollywood Digest, Indie Pulse Music, and more.​​Kendra has graced many famous stages, including:The Viper Room, House of Blues Anaheim, The Mint LA,Quixote's True Blue Denver, Molly Malone's, Music Inn NYC,TRiP Santa Monica, The Resident DTLA, Millennium Music Conference,Hollywood Post 43 American Legion, and more. Thus far,she has played as Kendra & the Bunnies in: California, Colorado,Oregon, Pennsylvania, Texas, Arizona, New York, and counting!Kendra also performs on a continually basis as a professional signed live-streamer for Pococha USA app and Hago app. Kendra has also worked under contract with The Orchard (Sony Music Group) for the distribution of her single, “Silent Sleeper”, and in 2020, Kendra signed a non-exclusive sync licensing deal with SoStereo. Kendra's next album release is a 15 track album titled “of Consideration”. It was recorded at the infamous Hyde Street Studios in San Francisco with Trent Berry at Dreamrack Studios. The Grateful Dead, CCR, Jefferson Airplane (Kendra's fav), Tupac & more have recorded at Hyde Street. The artists featured on this album are: Kendra Muecke (lead vocals, guitar, piano, songwriting), Trent Berry (lead electric, acoustic guitar, bass, synth, production), Troy Berry (drums), Giuseppe Pinto (keyboard), Blake Ritterman (drums), Bob Menacho (bass), and Hermann Lara (alto saxophone, bass clarinet).​In May 2021, Kendra & the Bunnies plans to record with producer, songwriter, artist, and Grammy Recording Academy member Justine Blazer at Ten7Teen Studios in Nashville, TN. Featured in Kendra's current music catalog are notable artists: Evan Hutchings (Drums, Keith Urban), Brian Allen (Bass, Dave Cobb), Tim Galloway (Acoustic Guitar, Chris Janson), Justin Ostrander (Electric Guitar, Sam Hunt), Billy Justineau (Keys, Eric Church), Smith Curry (Pedal Steel, Taylor Swift), Marcus Rezak (Electric Guitar, Shred is Dead, Supernatural Beings), Garret Morris (Drums, Universe Peoples, former The Higgs), Jes Music (Electric Guitar, Jes Music), All Shapes (Production, Nervous Vulpis), Gene Freeman (Production, The Machine Shop ATX), Caleb Fisher (Production, Farmland Studios), Travis Humbert (Editing, Production), Matt Dolan, Untrue Sounds (Producer from Hungary), Lou Molitch (Electric Guitar & Bass), and Justine Blazer (Production, Backup Vox, Ten7Teen Studios).​She likes to volunteer with organizations benefiting community inclusion, addiction/recovery, and arts for children including: Strings For Hope (Nashville), Artists For Trauma (Los Angeles), Camp Winnarainbow (Northern California), Rex Foundation (National), and Smoke-free Music Cities (National). In 2020, following the spirit of transformation, Kendra launched the ‘We Are One Benefit' via her indie record label and promotions company, ‘New Age Wasteland Productions'. The event raises money and awareness for current causes including ‘NIVA – National Independent Venue Association', #WeMakeEvents, the NAACP, and more. She also hosts the twice monthly podcast “The Politics of Kendra” and publishes music & writing through her own publishing entity “The Politics of Publishing”. She graduated from Pepperdine University with a BFA in Theatre Arts in 2015, attended the Musicians Institute in the Independent Artists Program (2019), and studied at Vanderbilt University's Blair School of Music in the Hit Songwriters Series (Spring 2021). Kendra additionally is an initiated healer, sharing her experience through workshops and personal coaching via “The Politics of You: Acting in Dimensional Alignment” which she led at Sonic Bloom Music Festival in 2017 and Spring Frequency 2016. Kendra is passionate about the music festival scene and has worked in production and artist relations for Arise Music Festival 2014, Lightning in a Bottle 2016, and Sonic Bloom Music Festival 2017. Her mission is founded on peaceful collaborative experience and shared understanding.​“Kendra & the Bunnies” is available for full band bookings and solo acoustic shows. The full band includes: Kendra Muecke (vocals, rhythm guitar, piano), Trent Berry (lead guitar), Troy Berry (drums), Blake Ritterman (drums alternate), Giuseppe Pinto (keyboard), and Bob Menacho (bass). For bigger bookings, a horns section is included. Solo acoustic shows are lead by Kendra Muecke on guitar, vocals, and piano. “Kendra & the Bunnies” is known across the country with major roots in: Southern California, San Francisco/Bay Area, Denver/Rocky Mountains Colorado, Portland/Bend Oregon, Texas, NYC, Nashville, Phoenix Arizona, Chicago, London, Ireland, and India.https://www.kendraandthebunnies.com/about​http://youtube.com/user/thepoliticsofkendrahttp://twitter.com/kenbunnyhttp://facebook.com/kendraandthebunnieshttp://instagram.com/kenbunnyhttps://kenbunny.bandcamp.com/https://soundcloud.com/kenbunnyFor bookings contact: BSquaredMGMTBookings@gmail.com​For press inquiries contact: KendraAndTheBunniesMGMT@gmail.com

We had the pleasure of interviewing Kendra & the Bunnies over Zoom video! Kendra Muecke of Kendra & the Bunnies Music is a freestyle folk and pop rock artist, singer, and multi-instrumentalist. Her style heavily utilizes the element of storytelling through song, painting a creative experience for the listener. Atop her numerous releases, she is a Grammy voting member.​Kendra Muecke is a singer/songwriter, writer, actress, and published author from Houston, TX based now in Los Angeles, CA. She performs under the stage name “Kendra & the Bunnies”, as a psychedelic folk rock Americana and spoken word artist. “Kendra & the Bunnies” performs both as a full band and as a solo acoustic act. Her style heavily utilizes the element of storytelling through song, painting a creative experience for the listener. She has released four albums, charted globally at #8 on the digital radio charts (between Dua Lipa at #7 & Miley Cyrus at #9), published two books, writes for several online music magazines, is SAG-Aftra Eligible, and tours nationally. In 2021, Kendra was invited to join the GRAMMYS Recording Academy as a voting member, and she was nominated for 3 indie Josie Awards including: Best Artist of the Year (Multi-Genre), Best Song of the Year (Self Love Proclamation), and Best Music Video of the Year (Self Love). She was also nominated for a 2021 International Singer-Songwriter Association Award. You can read more about Kendra's music and writing in over 100 publications such as JamBase, Relix Magazine, Live for Live Music, Denver Westword, Houston CityBook, Grateful Web, Getty Images, Shakedown News, The Hollywood Digest, Indie Pulse Music, and more.​ Kendra has also worked under contract with The Orchard (Sony Music Group) for the distribution of her single, “Silent Sleeper”, and in 2020, Kendra signed a non-exclusive sync licensing deal with SoStereo. Kendra's next album release is a 15 track album titled “of Consideration”. It was recorded at the infamous Hyde Street Studios in San Francisco with Trent Berry at Dreamrack Studios. The Grateful Dead, CCR, Jefferson Airplane (Kendra's fav), Tupac & more have recorded at Hyde Street. The artists featured on this album are: Kendra Muecke (lead vocals, guitar, piano, songwriting), Trent Berry (lead electric, acoustic guitar, bass, synth, production), Troy Berry (drums), Giuseppe Pinto (keyboard), Blake Ritterman (drums), Bob Menacho (bass), and Hermann Lara (alto saxophone, bass clarinet).​In May 2021, Kendra & the Bunnies plans to record with producer, songwriter, artist, and Grammy Recording Academy member Justine Blazer at Ten7Teen Studios in Nashville, TN. Featured in Kendra's current music catalog are notable artists: Evan Hutchings (Drums, Keith Urban), Brian Allen (Bass, Dave Cobb), Tim Galloway (Acoustic Guitar, Chris Janson), Justin Ostrander (Electric Guitar, Sam Hunt), Billy Justineau (Keys, Eric Church), Smith Curry (Pedal Steel, Taylor Swift), Marcus Rezak (Electric Guitar, Shred is Dead, Supernatural Beings), Garret Morris (Drums, Universe Peoples, former The Higgs), Jes Music (Electric Guitar, Jes Music), All Shapes (Production, Nervous Vulpis), Gene Freeman (Production, The Machine Shop ATX), Caleb Fisher (Production, Farmland Studios), Travis Humbert (Editing, Production), Matt Dolan, Untrue Sounds (Producer from Hungary), Lou Molitch (Electric Guitar & Bass), and Justine Blazer (Production, Backup Vox, Ten7Teen Studios).We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #Kendra&TheBunnies #zoom #aspn #americansongwriter #americansongwriterpodcastnetworkListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

Hello Freak Flag Faithful! We couldn't be more excited to bring you a second season of Freak Flag Flying with music legend David Crosby and his longtime friend and best-selling author, Steve Silberman. Their conversations took place at Hyde Street Studios, formerly Wally Heider Studios, where David's classic album If I Could Only Remember My Name was recorded. This episode begins with David and Steve talking about collaborating with other musicians and how the swingin' Stephen Stills made him realize his love for musical collaboration. David's son and frequent musical collaborator James Raymond then joins the conversation, beginning with the story of how he came to realize that David Crosby was his biological father. The episode continues with a deep look at two songs from David's new album For Free as well as the first song David and James wrote together about Jim Morrison. Songs featured in this episode (with Spotify links where available):Music Is LoveVagrants of VeniceYvette in EnglishThe Lee ShoreRodriguez For A NightMorrisonCurved AirRiver RiseFreak Flag Flying is brought to you by Osiris Media. Interview and editing by Steve Silberman. Produced by Zach Brogan and Tom Marshall. Art by Mark Dowd. Sales/Sponsorships by Greg Stangel and Christina Collins. Media by Nick Cejas. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.comThis is an Osiris Media production, all rights reserved 2021 See acast.com/privacy for privacy and opt-out information.

For RE:WARM 006 we present a collection of music from one of San Francisco's best kept secrets, Dr Robert Blackman. "The Unimaginable DreamWorks" is a collection of five tracks from three musical masterpieces he put out between 1983-1985 on his own Riverwinds imprint. A practising chiropractor by day with his own holistic health centre in San Francisco, these songs became his love, passion and focus. Together with Michael Pluznick, a very accomplished percussionist they painstakingly put together an ensemble of musicians to bring the tracks to life. The melting pot for this body of work was Hyde Street Studios which still today is based in deepest San Francisco and has seen names such as Neil Young, Earth Wind & Fire and John Waters to name a few grace its studio space. Singers and musicians alike came together from all over the world to bring Robert’s vision to reality. This included an Australian didgeridoo player, an electric violin and piano player from Paraguay as well as singers and a choir from the surrounding local churches. Together through Dr Robert Blackman's eyes they created a fabulous sound of twisted disco punk funk like no other that still sounds relevant today as it did back in the eighties. The energy and the stories are clear to hear throughout the five tracks which make up "The Unimaginable DreamWorks” of Dr. Robert Blackman 1983-1985. Artwork was key to the releases and the “Peace Is Alive” painting incorporated on the label of the release appeared in TIME magazine in 1984 when Dr Robert Blackman was treating combat vets, suffering from PTSD and this was the name of the job fair for veterans he set up. To promote the album at the time Dr Robert Blackman flew up over San Francisco in a single engine prop airplane loaded with 50,000 leaflets. Strapped in at 500 feet the leaflets were dropped on the city of San Francisco! The following day, the media descended on his holistic health centre, called Riverwinds and in turn he was fined $1,000 for the cleanup! Dr Robert Blackman's "The Unimaginable DreamWorks" is out on Friday May 28th both digitally and physically.

For RE:WARM 006 we present a collection of music from one of San Francisco's best kept secrets, Dr Robert Blackman. "The Unimaginable DreamWorks" is a collection of five tracks from three musical masterpieces he put out between 1983-1985 on his own Riverwinds imprint. A practising chiropractor by day with his own holistic health centre in San Francisco, these songs became his love, passion and focus. Together with Michael Pluznick, a very accomplished percussionist they painstakingly put together an ensemble of musicians to bring the tracks to life. The melting pot for this body of work was Hyde Street Studios which still today is based in deepest San Francisco and has seen names such as Neil Young, Earth Wind & Fire and John Waters to name a few grace its studio space. Singers and musicians alike came together from all over the world to bring Robert’s vision to reality. This included an Australian didgeridoo player, an electric violin and piano player from Paraguay as well as singers and a choir from the surrounding local churches. Together through Dr Robert Blackman's eyes they created a fabulous sound of twisted disco punk funk like no other that still sounds relevant today as it did back in the eighties. The energy and the stories are clear to hear throughout the five tracks which make up "The Unimaginable DreamWorks” of Dr. Robert Blackman 1983-1985. Artwork was key to the releases and the “Peace Is Alive” painting incorporated on the label of the release appeared in TIME magazine in 1984 when Dr Robert Blackman was treating combat vets, suffering from PTSD and this was the name of the job fair for veterans he set up. To promote the album at the time Dr Robert Blackman flew up over San Francisco in a single engine prop airplane loaded with 50,000 leaflets. Strapped in at 500 feet the leaflets were dropped on the city of San Francisco! The following day, the media descended on his holistic health centre, called Riverwinds and in turn he was fined $1,000 for the cleanup! Dr Robert Blackman's "The Unimaginable DreamWorks" is out on Friday May 28th both digitally and physically.

For RE:WARM 006 we present a collection of music from one of San Francisco's best kept secrets, Dr Robert Blackman. "The Unimaginable DreamWorks" is a collection of five tracks from three musical masterpieces he put out between 1983-1985 on his own Riverwinds imprint. A practising chiropractor by day with his own holistic health centre in San Francisco, these songs became his love, passion and focus. Together with Michael Pluznick, a very accomplished percussionist they painstakingly put together an ensemble of musicians to bring the tracks to life. The melting pot for this body of work was Hyde Street Studios which still today is based in deepest San Francisco and has seen names such as Neil Young, Earth Wind & Fire and John Waters to name a few grace its studio space. Singers and musicians alike came together from all over the world to bring Robert’s vision to reality. This included an Australian didgeridoo player, an electric violin and piano player from Paraguay as well as singers and a choir from the surrounding local churches. Together through Dr Robert Blackman's eyes they created a fabulous sound of twisted disco punk funk like no other that still sounds relevant today as it did back in the eighties. The energy and the stories are clear to hear throughout the five tracks which make up "The Unimaginable DreamWorks” of Dr. Robert Blackman 1983-1985. Artwork was key to the releases and the “Peace Is Alive” painting incorporated on the label of the release appeared in TIME magazine in 1984 when Dr Robert Blackman was treating combat vets, suffering from PTSD and this was the name of the job fair for veterans he set up. To promote the album at the time Dr Robert Blackman flew up over San Francisco in a single engine prop airplane loaded with 50,000 leaflets. Strapped in at 500 feet the leaflets were dropped on the city of San Francisco! The following day, the media descended on his holistic health centre, called Riverwinds and in turn he was fined $1,000 for the cleanup! Dr Robert Blackman's "The Unimaginable DreamWorks" is out on Friday May 28th both digitally and physically.

For RE:WARM 006 we present a collection of music from one of San Francisco's best kept secrets, Dr Robert Blackman. "The Unimaginable DreamWorks" is a collection of five tracks from three musical masterpieces he put out between 1983-1985 on his own Riverwinds imprint. A practising chiropractor by day with his own holistic health centre in San Francisco, these songs became his love, passion and focus. Together with Michael Pluznick, a very accomplished percussionist they painstakingly put together an ensemble of musicians to bring the tracks to life. The melting pot for this body of work was Hyde Street Studios which still today is based in deepest San Francisco and has seen names such as Neil Young, Earth Wind & Fire and John Waters to name a few grace its studio space. Singers and musicians alike came together from all over the world to bring Robert’s vision to reality. This included an Australian didgeridoo player, an electric violin and piano player from Paraguay as well as singers and a choir from the surrounding local churches. Together through Dr Robert Blackman's eyes they created a fabulous sound of twisted disco punk funk like no other that still sounds relevant today as it did back in the eighties. The energy and the stories are clear to hear throughout the five tracks which make up "The Unimaginable DreamWorks” of Dr. Robert Blackman 1983-1985. Artwork was key to the releases and the “Peace Is Alive” painting incorporated on the label of the release appeared in TIME magazine in 1984 when Dr Robert Blackman was treating combat vets, suffering from PTSD and this was the name of the job fair for veterans he set up. To promote the album at the time Dr Robert Blackman flew up over San Francisco in a single engine prop airplane loaded with 50,000 leaflets. Strapped in at 500 feet the leaflets were dropped on the city of San Francisco! The following day, the media descended on his holistic health centre, called Riverwinds and in turn he was fined $1,000 for the cleanup! Dr Robert Blackman's "The Unimaginable DreamWorks" is out on Friday May 28th both digitally and physically.

For RE:WARM 006 we present a collection of music from one of San Francisco's best kept secrets, Dr Robert Blackman. "The Unimaginable DreamWorks" is a collection of five tracks from three musical masterpieces he put out between 1983-1985 on his own Riverwinds imprint. A practising chiropractor by day with his own holistic health centre in San Francisco, these songs became his love, passion and focus. Together with Michael Pluznick, a very accomplished percussionist they painstakingly put together an ensemble of musicians to bring the tracks to life. The melting pot for this body of work was Hyde Street Studios which still today is based in deepest San Francisco and has seen names such as Neil Young, Earth Wind & Fire and John Waters to name a few grace its studio space. Singers and musicians alike came together from all over the world to bring Robert’s vision to reality. This included an Australian didgeridoo player, an electric violin and piano player from Paraguay as well as singers and a choir from the surrounding local churches. Together through Dr Robert Blackman's eyes they created a fabulous sound of twisted disco punk funk like no other that still sounds relevant today as it did back in the eighties. The energy and the stories are clear to hear throughout the five tracks which make up "The Unimaginable DreamWorks” of Dr. Robert Blackman 1983-1985. Artwork was key to the releases and the “Peace Is Alive” painting incorporated on the label of the release appeared in TIME magazine in 1984 when Dr Robert Blackman was treating combat vets, suffering from PTSD and this was the name of the job fair for veterans he set up. To promote the album at the time Dr Robert Blackman flew up over San Francisco in a single engine prop airplane loaded with 50,000 leaflets. Strapped in at 500 feet the leaflets were dropped on the city of San Francisco! The following day, the media descended on his holistic health centre, called Riverwinds and in turn he was fined $1,000 for the cleanup! Dr Robert Blackman's "The Unimaginable DreamWorks" is out on Friday May 28th both digitally and physically.

The first of a short two-part series featuring the music of cities where Dylan did not record his studio albums. Part one emphasizes important recording centers in the United States and part two will emphasize important recording centers throughout the world. We start with Sun Records and then stay in Memphis for some Stax recordings. From there we go to Chicago and the Chess Recording Studio, before moving to Wally Heider Studios (now Hyde Street Studios) in San Francisco, to Detroit with Hitsville, USA and Third Man Studios, and then finally to Seattle where Nirvana and many other bands recorded at Reciprocal Recording. In "Who Did It Better?" we ask you who did "Train of Love" better: Johnny Cash, as recorded at Sun Studio in Memphis, or Bob Dylan?

Together with American Songwriter, we had the pleasure of interviewing The Neverlutionaries' over Zoom video/audio! The Neverlutionaries' self-titled debut LP album is an unfiltered expression of the heart that seamlessly straddles moods and genres. The brainchild of multi-instrumentalist songwriter Christopher Harold Wells and bound by his distinctively soulful timbre, the eponymous eight-song release tints hook-laden alternative rock with psychedelia, shoegaze-y jazz, and subtle funk.Having originally made his name in the vibrant North Carolina music scene (notably with Peasants of the Apocalypse), Wells has been performing, recording and producing in San Francisco for the last few years. As well as songwriter, he‟s also an exceptional melodic rock vocalist, bassist and guitarist. Wells currently divides his time between SF and Nashville.Testament to Wells‟ stylistic versatility and open-mindedness is a resume that includes playing in The All Time Low Stars with Peter Keys of Lynyrd Skynyrd; working with everyone from Lauryn Hill to Bubba Sparxxx; and opening for the diverse likes of Metallica, Aquarium Rescue Unit and Def Leppard. Not one to chase trends, his music has always been hard to pigeonhole.His influences include everything from the church choirs of his youth, to Rush and Tool; Kaskade and The Cure, to The Mars Volta, Massive Attack, and even Joy Division. But he reserves perhaps most respect for artists like Prince and Jimmy Page, who‟ve mingled multiple genres while maintaining the essence of their expression.The Neverlutionaries comprises a core line-up of regulars at San Fran‟s legendary Hyde Street Studios, augmented by an all-star cast of guest players. Constants are SF staple and frequent Wells collaborator Chris McGrew of Pamela Parker‟s Fantastic Machine on drums; fellow Fantastic Machiner Ryan Hickey on keys; and former Psychefunkapus guitarist Jonnie Axtell. For future touring, blazing Nashville six-stringer Kenny Olson (Bootsy Collins, Sheryl Crow etc.) and original Brian Jonestown Massacre member Ricky Maymi are tapped to join them.Helmed by #1 Billboard charting producer Jaimeson Durr (Sammy Hagar, Joe Satriani etc.), The Neverlutionaries was recorded in Hyde Street‟s storied Studio C, where classic albums by the Grateful Dead, Santana, and Creedence Clearwater Revival were cut. The LP is preceded by otherworldly balladin-waiting, “Ariana”.In a modern music landscape choked with bands making music to match commercial expectations, The Neverlutionaries mark a refreshing return to simply, yet expertly, just doing what feels and sounds right, free of creative margins.“Ariana” will be accompanied by a music video in late October, with Neverlutionaries live-stream events and – once safe to do so – touring planned to further support their debut LP. The Neverlutionaries‟ selftitled debut was just released by Polychromatic Records on January 21, 2021We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod  #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetworkListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

In this episode of The Beeswax, the boys sit down with Scott McDowell, the engineer who runs Studio C at San Francisco's Hyde Street Studios. Scott, who ran the Brokedown sessions, shares his stories of working with the Drops, and just how many weird sounds got mixed into what may be the quintessential Honeydrops anthem.

On this week's show, Chris Pellissier and Brandon West have a colorful conversation around proposed legislation to deal with racially motivated police calls and this week's small business feature. Also, Chris shares the importance of supporting music spaces, such as Hyde Street Studios, while Brandon puts an emphasis on the importance of mental health during this time.

Hyde Street Studios - the legendary San Francisco recording space where so many iconic albums were created - is struggling to stay alive in the wake of the coronavirus pandemic. Our fifth and final episode of Season 1 with guest selector Otis McDonald gives you all the reasons why it’s important to keep this crucial landmark in music history alive. Otis, aka Joe Bagale, is a multi-talented music maker whose personal recording space is Studio D, the same room where Herbie Hancock, the Pointer Sisters, Betty Davis, and so many other amazing artists made music. Hear Joe wax poetic about five of his favorite funky tunes recorded in the space he now calls his own. Listen to Otis McDonald's latest album "People Music" on vinyl or online: https://www.otismacmusic.com/ Follow the Select Five playlist on Spotify or Pandora to hear the songs discussed in this episode: https://tinyurl.com/uvpxa59 https://pandora.app.link/fAy59i4Mo4 Follow Bar Shiru's Instagram @BarShiruOakland to see how you can support them during the COVID-19 closure.

Did we mention Chris also helps run a legendary studio? (Hyde Street Studios in San Francisco) Love this cat!! --- Send in a voice message: https://anchor.fm/undetermined-podcast/message Support this podcast: https://anchor.fm/undetermined-podcast/support

Music used in this podcast:“Satch Boogie”: by Joe Satriani; Courtesy of Strange Beautiful Music/ASCAP Publishing“Ice 9”: by Joe Satriani; Courtesy of Strange Beautiful Music/ASCAP Publishing Be sure to WATCH this and every episode at Sharkey's Treehouse. John Cuniberti’s own site says his music career began as a 70’s rock drummer playing in Eddie Money’s first rock band, The Rockets. When the group disbanded in 1973, John turned his attention to live sound engineering. In 1975 John helped design and build a touring sound reinforcement company and soon found himself mixing on-stage monitors for Stevie Wonder.   In the early 80’s John became chief engineer at Hyde Street Studios in San Francisco. There he recorded three Dead Kennedys albums and dozens of other punk, metal, and alternative bands of the era.   By the early 1990s, John received both platinum and gold records for co-producing and engineering six Joe Satriani records, including Satriani’s ground-breaking 1988 “Surfing with the Alien.” Also throughout the 90’s, John continued to produce and engineer hundreds of albums both in the US and abroad. It was during this time that John designed, manufactured and sold the first commercially available reamping device called the Reamp. He also helped design and build three Bay Area recording studios.   In 2000 John opened a CD mastering suite at the world-famous Plant Recording Studios in Sausalito. For the next eight years, John crafted his skills in the art of mastering. During his time there, John mastered over one thousand CDs for both major and independent record labels including Tracy Chapman, Sound Tribe Sector 9, Thomas Dolby, Aaron Neville, Jesse Colin Young and the Grateful Dead. In 2008 John won a Grammy for his mastering work on “Global Drum Project” by Mickey Hart and Zakir Hussain.   After leaving The Plant in 2008, John built a mixing and mastering studio in his home. In this studio, he continues to work on projects for Joe Satriani, Sammy Hagar, PJ Harvey, Chickenfoot, Kevin Gilbert, the Neville Brothers, the Funky Meters, jazz guitarist George Cole and many others.   In In 2016 John began work on his YouTube channel entitled “OneMic the minimalist recording series.” In this series of eleven videos, John demonstrates how he records an entire band around one stereo microphone with remarkable results. The series has been so successful that a new set of eight videos will be recorded and filmed at Sun Studios in Memphis and Muscle Shoals in the spring of 2018.   Links https://sharkeystreehouse.com/ http://www.johncuniberti.com/ OneMic - the minimalist recording series    

  John Cuniberti’s own site says his music career began as a 70’s rock drummer playing in Eddie Money’s first rock band, The Rockets. When the group disbanded in 1973, John turned his attention to live sound engineering. In 1975 John helped design and build a touring sound reinforcement company and soon found himself mixing on-stage monitors for Stevie Wonder. In the early 80’s John became chief engineer at Hyde Street Studios in San Francisco. There he recorded three Dead Kennedys albums and dozens of other punk, metal, and alternative bands of the era. By the early 1990s, John received both platinum and gold records for co-producing and engineering six Joe Satriani records, including Satriani’s ground-breaking 1988 “Surfing with the Alien.” Also throughout the 90’s, John continued to produce and engineer hundreds of albums both in the US and abroad. It was during this time that John designed, manufactured and sold the first commercially available reamping device called the Reamp. He also helped design and build three Bay Area recording studios. In 2000 John opened a CD mastering suite at the world-famous Plant Recording Studios in Sausalito. For the next eight years, John crafted his skills in the art of mastering. During his time there, John mastered over one thousand CDs for both major and independent record labels including Tracy Chapman, Sound Tribe Sector 9, Thomas Dolby, Aaron Neville, Jesse Colin Young and the Grateful Dead. In 2008 John won a Grammy for his mastering work on “Global Drum Project” by Mickey Hart and Zakir Hussain. After leaving The Plant in 2008, John built a mixing and mastering studio in his home. In this studio, he continues to work on projects for Joe Satriani, Sammy Hagar, PJ Harvey, Chickenfoot, Kevin Gilbert, the Neville Brothers, the Funky Meters, jazz guitarist George Cole and many others. In In 2016 John began work on hbio pic bis YouTube channel entitled “OneMic the minimalist recording series.” In this series of eleven videos, John demonstrates how he records an entire band around one stereo microphone with remarkable results. The series has been so successful that a new set of eight videos will be recorded and filmed at Sun Studios in Memphis and Muscle Shoals in the spring of 2018. Links Sharkey's Treehouse John Cuniberti Home Page    

If you are used to our usual theme song, do not adjust your iPod at the beginning of this episode. This week, we open music from this week's guest conversationalist, Micropixie. It is the title track to her latest album, Dark Sight of the Moon, and yes she does realize that sounds like another album you may have heard of. Throughout this episode, you will hear a few other songs sprinkled into the mix, including “Nocturnal Concrete Mountaineering” from her first album, Alice In Stevie Wonderland, as well as “New Year's Day” and “Back To Our Future” from the new one. Micropixie is one alter ego of musician, artist, and self-identifying intergalactic pop tart Neshma Friend. Micropixie is an alien come to Earth to study humans, perplexed at our behavior towards one another. She is not alone. Friend's other alter ego, Single Beige Female, isn't having a good go of it, either. Through the eyes of these characters, Friend is both pointed and playful, taking on weightier topics like gender politics and global conflict. And she does all of that over instrumental tracks that are laidback and groovy. As I say later on in this interview, this is definitely headphone music, ideal for a good set of old fashioned cans on a home stereo. Or these days, some noise-cancelling headphones Bose or Beats. Either way, this music demands your attention. We start the conversation talking about one of Friend's earlier jobs, exchanging currency for tourists in Paris, which she did not enjoy nearly as much as making music. You can find out more about what she's up to at micropixie.com, and search for her on Facebook and Twitter. She's be hosting an album release party at Hyde Street Studios in San Francisco on April 9. Dark Sight of the Moon will be available as a BandCamp exclusive on April 12 and will get a wider release on April 26. Our featured track this week comes from comedian Jess Salomon, whom you may remember as our guest on episode 54 of the Department of Tangents Podcast. Salomon has an interesting back story. Before she started comedy, she studied law and worked for a U.N. tribunal on war crimes. A Canadian transplant, she now lives in New York, where she recorded this album in November at the New York Comedy Club. Her comedy can be political, but also a bit silly, as you'll hear on this track, “Duels.” The album is called All the Best Choices, and it was released earlier this week. Find out more about Jess at www.jesssalomon.com, and look for her on Facebook, Twitter, and Instagram.

This show is listener supported through Patreon at bit.ly/CAPodPtrn and by leaving a rating and review on iTunes at bit.ly/CAPod. Leave a message for the show here: bit.ly/CASPEAK More information can be found at podcast.cameronadair.com. Brian DeLizza is a a recording and mix engineer, musician, and works in music education.  He co-owned a studio in Hyde Street Studios in San Francisco where we worked together for many years, and has been an administrator at SAE music school for six years. He has degrees in audio engineering and music business and is working on a masters in music business.  Brian also just released another album of his own music. We met up at my studio in Echo Park. We talked about SAE, nerded out on synthesizers and recording, his new record, computer programming, the studio world, and our old days in SF. Brian is on social media at @briandelizza and @hollywoodstreetmattress and his records are available on digital platforms. This show is now at podcast.cameronadair.com, where you can find links to Patreon and everywhere else it exists.  If you enjoyed the show, throw a dollar down at patreon.com/cameron_adair.  We can't make the show without all the support on there and we really appreciate you guys. Thanks for listening.

John talked about recording the Dead Kennedys, Joe Satriani, Thomas Dolby, and One Mic (the minimalist recording series) My guest today is John Cuniberti, and engineer who started at Hyde Street Studios in San Francisco recording punk, metal, and alternative bands like The Dead Kennedys, Flipper, Forbidden, Xentrix and Crome. John received both platinum and gold records for co-producing and engineering six Joe Satriani records, including Satriani's ground-breaking 1988 "Surfing with the Alien.” In 1994 John designed, manufactured and sold the first commercially available reamping device called the Reamp.  In 2000 John opened a CD mastering suite at the world-famous Plant Recording Studios in Sausalito mastering over one thousand CDs for artists like Tracy Chapman, Sound Tribe Sector 9, Thomas Dolby, Aaron Neville, Fela Kuti and the Grateful Dead. In 2008 John won a Grammy for his mastering work on "Global Drum Project" by Mickey Hart and Zakir Hussain. In 2016 John began work on his YouTube channel OneMic (the minimalist recording series) In the series of over 20 videos, John demonstrates how he records an entire band around one stereo microphone with remarkable results.   Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Hear more on Youtube If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/150

Mike Wells is a mastering engineer.  He opened Mike Wells Mastering fifteen years ago in a room at Hyde Street Studios in the San Francisco Tenderloin, where Cameron also worked later on.  He now runs Mike Wells Mastering out of North Hollywood. His credits include Green Day, Prince, Tommy Guerrero, Google, Apple, and many others.  He served on the board for the Recording Academy, and also as President of the LA chapter of AES.  Mike and Cameron talked about audio, music, and survival. Thanks to Mike.  You can find him at mikewellsmastering.com, and on Facebook. This show is available on iTunes and at cameronadair.com/podcast. This episode is brought to you by Audible, Amazon, and Media Temple.

Working Class Audio Session #012 with Michael Starita!!! Michael Starita is a lifelong musician with over 17 years experience as an engineer, producer and remixer. His career started at the famous Hyde Street Studios in the late 90s learning from many of the  Bay Area greats. Moving to EDNET, Starita had the pleasure of being […] The post WCA #012 with Michael Starita appeared first on Working Class Audio.

Working Class Audio Session #011 with Gabriel Shepard!!! For the past 20 years Gabriel Shepard  has been an engineer working at various Bay Area studios including the historic Hyde Street Studios where he earned a platinum and gold record with the band Cake. Other artists he’s worked with  include Sun Kil Moon, Black Francis,  Zigaboo […] The post WCA #011 with Gabriel Shepard appeared first on Working Class Audio.

Michael Starita is a lifelong musician with over 15 years of experience as an engineer and producer. He started his career at the famous Hyde Street Studios in the late 90s learning from many of the  Bay Area greats. Moving to EDNET, Starita had the pleasure of being the ISDN engineer for clients such as Rick Rubin, […]