Podcasts about Hypermedia

Carson Gross, creator of HTMX, talks about its evolution from intercooler.js, its viral rise on social media, and its philosophy of simplicity and stability. They dive into how HTMX fits into the modern web dev ecosystem, the idea of building 100-year web services, and why older technologies like jQuery and server-side rendering still have staying power. Carson also shares insights on open-source marketing, progressive enhancement, and the future of web development. Links https://bigsky.software https://www.linkedin.com/in/1cg https://github.com/bigskysoftware https://x.com/htmx_org https://htmx.org https://htmx.org/discord https://hypermedia.systems https://github.com/surrealdb/surrealdb.js https://unpoly.com https://ui.shadcn.com We want to hear from you! How did you find us? Did you see us on Twitter? In a newsletter? Or maybe we were recommended by a friend? Let us know by sending an email to our producer, Emily, at emily.kochanekketner@logrocket.com (mailto:emily.kochanekketner@logrocket.com), or tweet at us at PodRocketPod (https://twitter.com/PodRocketpod). Follow us. Get free stickers. Follow us on Apple Podcasts, fill out this form (https://podrocket.logrocket.com/get-podrocket-stickers), and we'll send you free PodRocket stickers! What does LogRocket do? LogRocket provides AI-first session replay and analytics that surfaces the UX and technical issues impacting user experiences. Start understand where your users are struggling by trying it for free at [LogRocket.com]. Try LogRocket for free today.(https://logrocket.com/signup/?pdr) Special Guest: Carson Gross.

This week I talk with Delaney Gillilan, the creator of Datastar, a framework that helps building web applications with the reactivity of a single page app but with the programming model of a good old server-rendered page from the backend. Datastar combines the power of HTMX and Alpine.js in a simple and lightweight way.Links:Datastar websiteThe best way to support the show at this time is by talking about the pod and if you can, purchase my courses, which are at 50% discount for listeners of the show: Build SaaS apps in Go and Build a Google Analytics in Go.

In this episode, Carson Gross joins Carter and Nathan to discuss his book Hypermedia Systems Join them as Carson reflects on the process of publishing the book, the development of HTMX, and how to deal with setbacks!-- Books Mentioned in this Episode --Note: As an Amazon Associate, we earn from qualifying purchases.----------------------------------------------------------Hypermedia Systemshttps://amzn.to/4iou43T (Paid Link)----------------Spotify: https://open.spotify.com/show/5kj6DLCEWR5nHShlSYJI5LApple Podcasts: https://podcasts.apple.com/us/podcast/book-overflow/id1745257325X: https://x.com/bookoverflowpodCarter on X: https://x.com/cartermorganNathan's Functionally Imperative: www.functionallyimperative.com----------------Book Overflow is a podcast for software engineers, by software engineers dedicated to improving our craft by reading the best technical books in the world. Join Carter Morgan and Nathan Toups as they read and discuss a new technical book each week!The full book schedule and links to every major podcast player can be found at https://www.bookoverflow.io

In this episode of Book Overflow, Carter and Nathan discuss the back half of Hypermedia Systems by Carson Gross, Adam Stepinski, and Deniz Akşimşek. Join them as they discuss the pros and cons of HTMX, whether or not you should choose it over a more popular framework like React, and more!-- Books Mentioned in this Episode --Note: As an Amazon Associate, we earn from qualifying purchases.----------------------------------------------------------Hypermedia Systems by Carson Gross, Adam Stepinski, and Deniz Akşimşekhttps://amzn.to/3C503GQ (https://amzn.to/4aDjFyD)----------------Spotify: https://open.spotify.com/show/5kj6DLCEWR5nHShlSYJI5LApple Podcasts: https://podcasts.apple.com/us/podcast/book-overflow/id1745257325X: https://x.com/bookoverflowpodCarter on X: https://x.com/cartermorganNathan's Functionally Imperative: www.functionallyimperative.com----------------Book Overflow is a podcast for software engineers, by software engineers dedicated to improving our craft by reading the best technical books in the world. Join Carter Morgan and Nathan Toups as they read and discuss a new technical book each week!The full book schedule and links to every major podcast player can be found at https://www.bookoverflow.io

In this episode of Book Overflow, Carter and Nathan discuss the first 200 pages of Hypermedia Systems by Carson Gross, Adam Stepinski, and Deniz Akşimşek. Join them as they discuss HTMX, an alternative to modern JavaScript front-end frameworks, and the philosophies that made Web 1.0 so powerful! -- Books Mentioned in this Episode -- Note: As an Amazon Associate, we earn from qualifying purchases. ---------------------------------------------------------- Hypermedia Systems by Carson Gross, Adam Stepinski, and Deniz Akşimşek https://amzn.to/3C503GQ (https://amzn.to/4aDjFyD) ---------------- Spotify: https://open.spotify.com/show/5kj6DLCEWR5nHShlSYJI5L Apple Podcasts: https://podcasts.apple.com/us/podcast/book-overflow/id1745257325 X: https://x.com/bookoverflowpod Carter on X: https://x.com/cartermorgan Nathan's Functionally Imperative: www.functionallyimperative.com ---------------- Book Overflow is a podcast for software engineers, by software engineers dedicated to improving our craft by reading the best technical books in the world. Join Carter Morgan and Nathan Toups as they read and discuss a new technical book each week! The full book schedule and links to every major podcast player can be found at https://www.bookoverflow.io

Jakob Nielsen addresses some of the criticism he's faced, calls on UXers to urgently adopt AI, and shares why he believes the commoditisation of UX is a good thing. Highlights include: Are you surprised by how much you've offended some people? Why do UXers need a greater sense of urgency about adopting AI? Were the hiring practices at your previous company elitist? What is the state of UX today and where is the growth potential? Will AI impede our ability to develop our professional judgement? ====== Who is Jakob Nielsen, PhD? Jakob is the founder of UX Tigers, the website and associated substack he uses to bring his 41 years of UX knowledge and experience to the world, in what he has described as a plainspoken, hard-hitting and not bowing to orthodoxy kind-of-way. Before founding UX Tigers, Jakob was the co-founder and principal - for 25 years - of a rather well known UX consultancy, the Nielsen Norman Group. His other notable roles include being a distinguished engineer at Sun Microsystems, and a member of the research staff at Bell Communications Research - one of the world's top three HCI labs in the 1990s. Jakob is known for many other things, among which are being the founder of the discount usability movement, the foundational 10 usability heuristics for user interface design, and the eponymously named Jakob's Law of Internet User Experience.  He is the holder of no less than 79 United States patents and the author of 8 books, including the best-selling “Designing Web Usability: The Practice of Simplicity”, “Usability Engineering”, and the pioneering “Hypertext and Hypermedia”. In 2013, Jakob received the Lifetime Achievement Award for HCI Practice from ACM SIGCHI and in 2024 he was named a “Titan of Human Factors” by the Human Factors and Ergonomics Society. ====== Find Jakob here: LinkedIn: https://www.linkedin.com/in/jakobnielsenphd/ Website: https://www.uxtigers.com/ ====== Liked what you heard and want to hear more? Subscribe and support the show by leaving a review on Apple Podcasts (or wherever you listen). Follow us on our other social channels for more great Brave UX content! YouTube: https://www.youtube.com/TheSpaceInBetween/ LinkedIn: https://www.linkedin.com/company/the-space-in-between/ Instagram: https://www.instagram.com/thespaceinbetw__n/ ====== Hosted by Brendan Jarvis: LinkedIn: https://www.linkedin.com/in/brendanjarvis/ Website: https://thespaceinbetween.co.nz/ Twitter: https://twitter.com/brendanjarvis/

Avalonia XPF This episode of The Modern .NET Show is supported, in part, by Avalonia XPF, a binary-compatible cross-platform fork of WPF, enables WPF apps to run on new platforms with minimal effort and maximum compatibility. Show Notes Hateos allows you to add links to the actions you can perform with the data you're returning. So imagine a tweet and imagine, for example, just a links. It's just an object with some arrays. And one of the links could be a retweet link or like a favourite link or like a delete link. And each link contains a type, which is like the HTTP type, it contains the URL to where you perform this action, and it also contains like a name. So kind of human readable kind of name. So like like retweet, delete, stuff like that. —Sander ten Brinke Welcome to The Modern .NET Show! Formerly known as The .NET Core Podcast, we are the go-to podcast for all .NET developers worldwide and I am your host Jamie "GaProgMan" Taylor. In this episode, I spoke with Sander ten Brinke about HATEOAS and HTMX. These are two separate but complementary technologies which help to build reactive web applications. In fact, as Irina pointed out back in episode 2 of the current season (released on Sept 22nd, 2023), you're likely not building RESTful services if you're not doing HATEOAS. And HTMX is something, as you'll find out, which aims to simplify building HTML-based apps that utilise web-based APIs by taking care of the boilerplate JavaScript code that you might need to include, using a series of attributes that you can place on elements. So HTMX is in the principle, it's a JavaScript library, which you can use. So you can use it in your application to write a whole lot less JavaScript. Let's think back to the good old days, right, where we were writing, like, Web 1.0 applications and our servers were simply like, we're using HTML templating engines, which they still do. It worked and it worked fine, but it wasn't very interactive because then we kind of got to the point where we were like, we want to do some cool clients application, but we don't want to reload the page the entire time. And that is kind of where the SPA movement came along. We want to be able to have a rich interactive application where clicking a button or clicking multiple buttons, just a bit of the page refreshes, right? That's kind of the Web 2.0, I suppose. —Sander ten Brinke So let's sit back, open up a terminal, type in dotnet new podcast and we'll dive into the core of Modern .NET. Supporting the Show If you find this episode useful in any way, please consider supporting the show by either leaving a review (check our review page for ways to do that), sharing the episode with a friend or colleague, buying the host a coffee, or considering becoming a Patron of the show. Full Show Notes The full show notes, including links to some of the things we discussed and a full transcription of this episode, can be found at: https://dotnetcore.show/season-6/navigating-the-web-of-hateoas-and-htmx-unleashing-the-power-of-hypermedia-and-simplified-front-end-wizardry-with-sander-ten-brinke/ Useful Links HATEOS Chapter 5 Representational State Transfer (REST) of Roy Thomas Fielding's paper which introduced REST in 2000 HTMX munisio - Sander's HATEOS NuGet library riskfirst.hateoas Sander's blog post introducing munisio HTMX.NET HTMX for ASP.NET Core Developers Getting in touch with Sander: on Twitter: @SanderTenBrinke on LinkedIn his website Everything you need to know about configuration and secret management in .NET Supporting the show: Leave a rating or review Buy the show a coffee Become a patron Getting in touch: via the contact page joining the Discord Music created by Mono Memory Music, licensed to RJJ Software for use in The Modern .NET Show Remember to rate and review the show on Apple Podcasts, Podchaser, or wherever you find your podcasts, this will help the show's audience grow. Or you can just share the show with a friend. And don't forget to reach out via our Contact page. We're very interested in your opinion of the show, so please get in touch. You can support the show by making a monthly donation on the show's Patreon page at: https://www.patreon.com/TheDotNetCorePodcast.

Richard talks with HTMX creator Carson Gross about some of the ways in which modern web development has arguably regressed over the past 15 or so years, as well as Hypertext, Hypermedia, HyperCard, HyperView, HyperScript, and even some other topics that don't have hyper in the name.

Jakob Nielsen, Ph.D., is a usability pioneer with 41 years of experience in UX and the Founder of UX Tigers. He founded the discount usability movement for fast and cheap iterative design, including the heuristic evaluation and the 10 usability heuristics. He formulated the eponymous Jakob's Law of the Internet User Experience. Named “the king of usability” by Internet Magazine, “the guru of Web page usability” by The New York Times, and “the next best thing to a true time machine” by USA Today. Previously, Dr. Nielsen was a Sun Microsystems Distinguished Engineer and a Member of Research Staff at Bell Communications Research, the branch of Bell Labs owned by the Regional Bell Operating Companies. He is the author of 8 books, including the best-selling Designing Web Usability: The Practice of Simplicity (published in 22 languages), Usability Engineering (26,439 citations in Google Scholar), and the pioneering Hypertext and Hypermedia (published two years before the Web launched). Dr. Nielsen holds 79 United States patents, mainly on making the Internet easier to use. He received the Lifetime Achievement Award for Human–Computer Interaction Practice from ACM SIGCHI. Buckle up, designers! In this episode, we crack open the UX vault: From humble beginnings to shaping the digital world, dive into Nielsen's inspiring journey. Heed the master's voice! Get actionable tips to launch your UX career. Prepare for the future! Discover how usability evolves with AI and tech's rapid shift. Demystify heuristic evaluation, Nielsen's groundbreaking method that still rocks the design world. Shatter usability testing myths and learn how to integrate it for optimal outcomes. Conquer mobile design across diverse platforms and devices. Master the art of balancing beauty and function – a design that delights and works! Plus, a peek into Nielsen's day, and the heroes who inspire him. Ready to unlock the secrets of user-centered design? Hit play and join the Nodes of Design revolution! subscribe to Jakob Nielsen, newsletter: https://jakobnielsenphd.substack.com/ Follow him on LinkedIn: https://www.linkedin.com/in/jakobnielsenphd/  And check his website: www.uxtigers.com Thank you for listening to this episode of Nodes of Design. We hope you enjoy the Nodes of Design Podcast on your favourite podcast platforms- Apple Podcast, Spotify, Google Podcasts, Amazon Music, and many more. If this episode helped you understand and learn something new, please share and join the knowledge-sharing community Spreadknowledge. This podcast aims to make design education accessible to all. Nodes of Design is a non-profit and self-sponsored initiative by Tejj.

This is a podcast about backend development, so I couldn't miss the chance to chat with Carson Cross, the creator of HTMX and author of the book Hypermedia Systems. HTMX is all about giving backend developers the power to build modern webapps, without needing to write a line of frontend JavaScript. In a way, it's a return to the way the web used to work pre-React.Find more about HTMX below!https://htmx.org/https://hypermedia.systems/https://bigsky.software/https://twitter.com/htmx_org

What do we mean by ‘evidence-based leadership development'? Development of evidence-based leaders? Or an evidence-based approach to leadership development? Well, both. In this week's episode of The Mind Tools L&D Podcast, Ross G and Nahdia are joined by Helen Bailey, Head of Learning and Development at Strategi Solutions, to discuss: ·       what ‘evidence-based' leadership development looks like ·       what we mean by ‘evidence' ·       how to measure leadership. During the discussion, Helen referenced the Centre for Evidence Based Management. For more on this topic, see: Beech, D.2018. Effective Leadership in Uncertain Times. Wisbech, UK: Cambridge Leadership Development. Also Michelle Parry-Slater's book, The Learning and Development Handbook, and Michelle Ockers' interview with Laura Overton for the Learning Uncut podcast. For more from Helen, check out strategisolutions.co.uk In ‘What I Learned This Week', Helen referenced the CIPD Learning Work Survey Report 2023 and Evidence Based Practice Factsheet. For an excellent intro to scaffolding in a digital learning context, see: Shapiro, A. M. (2008). Hypermedia design as learner scaffolding. Educational technology research and development, 56, 29-44. This paper is behind a paywall, so you can also see this advice from Wiley. Ross discussed realistic AI avatars from HeyGen. For more from Mind Tools, including access to our back catalogue of podcasts, visit mindtoolsbusiness.com. There, you'll also find details of our award-winning performance support toolkit, our off-the-shelf e-learning, and our custom work.  You can also contact rgarner@mindtools.com. And finally, Ross promised some case studies of the kind of work that Mind Tools do. You can find these at: mindtoolsbusiness.com/case-studies Connect with our speakers  If you'd like to share your thoughts on this episode, connect with our speakers: ·       Ross Garner ·       Nahdia Khan ·       Helen Bailey

What is your tech stack of choice these days? Have you tried the HOWL stack? Do you have front end clients that are bloated, have huge bundle sizes and have complicated tooling? Are you having to write business logic on the server AND the front end? The HOWL stack might be just for you. The HOWL stack is Hypermedia On Whatever (backend) you'd Like. Hypertext you say? Yeah you know like text displayed on a computer screen that has references to other text. Sound familiar? It should, the most popular way to view hypertext today is via the World Wide Web which is itself the canonical hypermedia system. Today we are joined by Carson Gross to discuss what Hypermedia systems are, concepts like Representational State Transfer (REST), Hypermedia As The Engine of Application State (HATEOS), and his library, HTMX, which is in direct response to how complicated web development has become. Carson has been the software industry for over 20 years and has his Masters of Computer Science from Stanford. He started programming in grade school in Apple Basic and then, later, with HyperCard and has worked in many languages like Java, Ruby on Rails and Python. He is very active in the open source community responsible for projects like intercooler.js, hyperscript and the main library of discussion today, HTMX. He also teaches part time at Montana State University, is writing a book on Hypermedia systems, and currently runs his own software development shop, Big Sky Software, which finds hot, new industry trends and then builds the opposite of that. Connect with Carson: Big Sky Software About LinkedIn Twitter Show notes and helpful resources: HTMX Library Hypermedia.Systems book Hateoas Essay Two states of every programmer meme Components of a Hypermedia System How Did REST Come To Mean The Opposite of REST? Uniform Interface of REST Mother of All HTMX code bases → real world HTMX port html.org/examples → active search Locality of behavior The Grug Brained Developer Hyperview - server driven mobile app framework - by Adam Stepinski Building something cool or solving interesting problems? Want to be on this show? Send me an email at jointhepodcast@unfilteredbuild.com Podcast produced by Unfiltered Build - dream.design.develop.

Eric, Wendy, and Shinjini discuss some excellent questions at length. If you want to pick and choose questions and answers to listen to, consult the timestamps below. Question Timestamps: Jonathan: What's so great specifically about the Gabler edition? (16:01-41:42) Terry: Can you sympathize with Stephen if you don't know A Portrait? (41:42-59:57) Terry: Tell me, why do I enjoy hearing you talk about the book more than reading it? It stymies me! I would love to hear you all talk about how the  novice reader can best reap the benefits of this almost-impossible book. (59:57-1:18:56) Jonathan: If you could go back and tell yourself one thing prior to first reading Ulysses to help you navigate the text, what would it be? (1:18:56-1:28:05) Terry: Why is "Oxen" like that? I loved what Wendy said about it being like the gestation. More on that? (1:28:05-1:35:17) Rick: Lacking a specific love/hate/don't-get passage, I'll share what I may like  most about the episode: that it brings all of Bloom's characteristics to their utmost. Here, he is most defensive of perceived quirks and faults; most expansive of his proposals to improve society; and, of course, most  immersed in his sexual and other idiosyncrasies. (1:35:17-1:42:09) Mentions: Michael Groden, “Perplex in the Pen-and in the Pixels: Reflections on ‘The James Joyce Archive,' Hans Walter Gabler's ‘Ulysses,' and ‘James Joyce's ‘Ulysses' in Hypermedia.' Journal of Modern Literature, 1998, vol. 22, no. 2, pp. 225-44. JSTOR, jstor.org/3831733. Various editions of Ulysses: the Gabler, Jeri Johnson's OUP 1922 Text, Catherine Flynn's The Cambridge Centenary Ulysses, and Sam Slote, Mark A. Mamigonian, and John Turner's Ulysses: Annotated Edition Joyce's Ulysses: Philosophical Perspectives (especially Wendy's chapter!) Margot Norris, Virgin and Veteran Readings of Ulysses Ulysses in 80 online reading group (@Ulysses80 on Twitter) Terence Killeen, Ulysses Unbound: A Reader's Companion to James Joyce's Ulysses Joseph Heller, Catch-22 Billy Collins, "Introduction to Poetry" Libations: Eric: Movie Snacks Sour (TrimTab Brewing Company, Birmingham, AL) Wendy: Stella Artois (pilsner, Leuven, Belgium) Shinjini: Earl Grey tea See our website and contact us on Twitter or at tipsyturvyulysses@gmail.com. Theme song: “Come on Over” by Scalcairn, via Blue Dot Sessions Special thanks to Carin Goldberg, whose cover design for the Gabler edition of Ulysses inspired our logo.

En este episodio converso con María Matienzo Puerto sobre Desmembrar el cuerpo frío, jugar con Virgilio Piñera (Puente a la Vista, 2021), libro donde reflexiona sobre el famoso volumen Cuentos fríos, de uno de los grandes de la literatura cubana, Virgilio Piñera (1912-1979). Por supuesto, conversar sobre cómo llega a ser un libro es repasar el camino de quien lo firma, con sus altas y bajas: la vida de María Matienzo Puerto es toda una aventura. Desafió las expectativas que su género, su color de piel y clase social le marcaban cuando llegó a la adultez en la Cuba de los noventa: no se buscó un buen marido ni se hizo prostituta, sino que se graduó de maestra y acabó siendo una escritora perseguida por el gobierno cubano por la denuncia constante de sus abusos y malas gestiones. En su reseña sobre Desmembrar… en Yuca Byte, Ulises Padrón comenta: Matienzo además se coloca en un punto de enunciación –«yo, mujer, escritora»–, desde donde entabla un diálogo, antes que cualquier presunción erudita de su obra. De este modo, prefiere la evocación que la certeza académica, y confiere libre acceso a la lectura crítica (…) para conversar con Piñera y adentrarse en los resortes de su poética. En ese sentido, este libro es un ensayo en el sentido hispanoamericano del término, no en el académico anglosajón: no faltan las citas y el análisis textual, pero antes que metodología ordenada hay especulación subjetiva. Matienzo Puerto se hace centro de la lectura, no pretende universalismos, sino compartir una reflexión apreciativa. De este modo, Desmembrar el cuerpo frío… es también un ejercicio político. No es solo porque Matienzo Puerto subvierte las jerarquías enunciativas de la crítica literaria tradicional, sino porque a través de su lectura vemos el efecto mortal de las políticas del gobierno cubano en los procesos culturales del país. Así, su libro juega con uno de los nombres sagrados de la literatura cubana en un divertimento intelectual que señala las continuidades de los absurdos políticos y sociales en la Cuba de Piñera y la suya -la actual- y también cómo eso impacta en la educación sentimental y la expresión artística de sus habitantes. María Matienzo Puerto (La Habana, Cuba, 1979) se recibió como licenciada en Educación en la especialidad de Español Literatura. De oficio es editora, periodista y escritora. Le fascinan la fotografía y el cine, pero todavía no realiza ese sueño. Fue editora-redactora de la Editorial Letras Cubanas y colaboradora de revistas como Cubaliteraria, Esquife, El Mar y la Montaña, Isliada y Papeles de la Mancuspia. De esa época son el ensayo “MM se divierte mientras juega con Virgilio Piñera” (El caimán barbudo, 2012) y el relato “A Elizabeth siempre le gustó el circo” Papeles de Mancuspia, 2012) y su inclusión en la antología Isla en Negro: Historias de crimen y enigma (Editorial Abril, 2014) con el relato “Mientras recuerdo al Secretario del Partido”. En 2013 dejó de trabajar para entidades gubernamentales cubanas, comenzó a escribir noticias, reportajes de investigación e informes para Havana Times, Diario de Cuba, El Tiempo de Colombia, Hypermedia, Programa Cuba y Connectas. Aunque no se considera especialmente valiente fue reconocida por la Fundación Internacional para las Mujeres en los Medios (IWMF) como Women Journo Heroes por vivir en Cuba y enfrentarse a la dictadura. Sus reportes sobre la vida cotidiana de Cuba se pueden encontrar en Cubanet News. Obras: Apocalipsis La Habana (americans are coming) (Editorial Sarmancanda, 2019), compilación de reportajes Havana Times y Diario de Cuba. Elizabeth aún juega a las muñecas (Hurón Azul, 2020) Orquesta Hermanos Castro. La escuelita (Unos y Otros, 2020) Formas de sobrevivencia en Cuba: "Resistencias cotidianas" en La Habana, Matanzas y Sagua La Grande (Universidad Sergio Arboleda, 2020) Entrevista realizada por Yasmín Portales-Machado escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio converso con María Matienzo Puerto sobre Desmembrar el cuerpo frío, jugar con Virgilio Piñera (Puente a la Vista, 2021), libro donde reflexiona sobre el famoso volumen Cuentos fríos, de uno de los grandes de la literatura cubana, Virgilio Piñera (1912-1979). Por supuesto, conversar sobre cómo llega a ser un libro es repasar el camino de quien lo firma, con sus altas y bajas: la vida de María Matienzo Puerto es toda una aventura. Desafió las expectativas que su género, su color de piel y clase social le marcaban cuando llegó a la adultez en la Cuba de los noventa: no se buscó un buen marido ni se hizo prostituta, sino que se graduó de maestra y acabó siendo una escritora perseguida por el gobierno cubano por la denuncia constante de sus abusos y malas gestiones. En su reseña sobre Desmembrar… en Yuca Byte, Ulises Padrón comenta: Matienzo además se coloca en un punto de enunciación –«yo, mujer, escritora»–, desde donde entabla un diálogo, antes que cualquier presunción erudita de su obra. De este modo, prefiere la evocación que la certeza académica, y confiere libre acceso a la lectura crítica (…) para conversar con Piñera y adentrarse en los resortes de su poética. En ese sentido, este libro es un ensayo en el sentido hispanoamericano del término, no en el académico anglosajón: no faltan las citas y el análisis textual, pero antes que metodología ordenada hay especulación subjetiva. Matienzo Puerto se hace centro de la lectura, no pretende universalismos, sino compartir una reflexión apreciativa. De este modo, Desmembrar el cuerpo frío… es también un ejercicio político. No es solo porque Matienzo Puerto subvierte las jerarquías enunciativas de la crítica literaria tradicional, sino porque a través de su lectura vemos el efecto mortal de las políticas del gobierno cubano en los procesos culturales del país. Así, su libro juega con uno de los nombres sagrados de la literatura cubana en un divertimento intelectual que señala las continuidades de los absurdos políticos y sociales en la Cuba de Piñera y la suya -la actual- y también cómo eso impacta en la educación sentimental y la expresión artística de sus habitantes. María Matienzo Puerto (La Habana, Cuba, 1979) se recibió como licenciada en Educación en la especialidad de Español Literatura. De oficio es editora, periodista y escritora. Le fascinan la fotografía y el cine, pero todavía no realiza ese sueño. Fue editora-redactora de la Editorial Letras Cubanas y colaboradora de revistas como Cubaliteraria, Esquife, El Mar y la Montaña, Isliada y Papeles de la Mancuspia. De esa época son el ensayo “MM se divierte mientras juega con Virgilio Piñera” (El caimán barbudo, 2012) y el relato “A Elizabeth siempre le gustó el circo” Papeles de Mancuspia, 2012) y su inclusión en la antología Isla en Negro: Historias de crimen y enigma (Editorial Abril, 2014) con el relato “Mientras recuerdo al Secretario del Partido”. En 2013 dejó de trabajar para entidades gubernamentales cubanas, comenzó a escribir noticias, reportajes de investigación e informes para Havana Times, Diario de Cuba, El Tiempo de Colombia, Hypermedia, Programa Cuba y Connectas. Aunque no se considera especialmente valiente fue reconocida por la Fundación Internacional para las Mujeres en los Medios (IWMF) como Women Journo Heroes por vivir en Cuba y enfrentarse a la dictadura. Sus reportes sobre la vida cotidiana de Cuba se pueden encontrar en Cubanet News. Obras: Apocalipsis La Habana (americans are coming) (Editorial Sarmancanda, 2019), compilación de reportajes Havana Times y Diario de Cuba. Elizabeth aún juega a las muñecas (Hurón Azul, 2020) Orquesta Hermanos Castro. La escuelita (Unos y Otros, 2020) Formas de sobrevivencia en Cuba: "Resistencias cotidianas" en La Habana, Matanzas y Sagua La Grande (Universidad Sergio Arboleda, 2020) Entrevista realizada por Yasmín Portales-Machado escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio converso con María Matienzo Puerto sobre Desmembrar el cuerpo frío, jugar con Virgilio Piñera (Puente a la Vista, 2021), libro donde reflexiona sobre el famoso volumen Cuentos fríos, de uno de los grandes de la literatura cubana, Virgilio Piñera (1912-1979). Por supuesto, conversar sobre cómo llega a ser un libro es repasar el camino de quien lo firma, con sus altas y bajas: la vida de María Matienzo Puerto es toda una aventura. Desafió las expectativas que su género, su color de piel y clase social le marcaban cuando llegó a la adultez en la Cuba de los noventa: no se buscó un buen marido ni se hizo prostituta, sino que se graduó de maestra y acabó siendo una escritora perseguida por el gobierno cubano por la denuncia constante de sus abusos y malas gestiones. En su reseña sobre Desmembrar… en Yuca Byte, Ulises Padrón comenta: Matienzo además se coloca en un punto de enunciación –«yo, mujer, escritora»–, desde donde entabla un diálogo, antes que cualquier presunción erudita de su obra. De este modo, prefiere la evocación que la certeza académica, y confiere libre acceso a la lectura crítica (…) para conversar con Piñera y adentrarse en los resortes de su poética. En ese sentido, este libro es un ensayo en el sentido hispanoamericano del término, no en el académico anglosajón: no faltan las citas y el análisis textual, pero antes que metodología ordenada hay especulación subjetiva. Matienzo Puerto se hace centro de la lectura, no pretende universalismos, sino compartir una reflexión apreciativa. De este modo, Desmembrar el cuerpo frío… es también un ejercicio político. No es solo porque Matienzo Puerto subvierte las jerarquías enunciativas de la crítica literaria tradicional, sino porque a través de su lectura vemos el efecto mortal de las políticas del gobierno cubano en los procesos culturales del país. Así, su libro juega con uno de los nombres sagrados de la literatura cubana en un divertimento intelectual que señala las continuidades de los absurdos políticos y sociales en la Cuba de Piñera y la suya -la actual- y también cómo eso impacta en la educación sentimental y la expresión artística de sus habitantes. María Matienzo Puerto (La Habana, Cuba, 1979) se recibió como licenciada en Educación en la especialidad de Español Literatura. De oficio es editora, periodista y escritora. Le fascinan la fotografía y el cine, pero todavía no realiza ese sueño. Fue editora-redactora de la Editorial Letras Cubanas y colaboradora de revistas como Cubaliteraria, Esquife, El Mar y la Montaña, Isliada y Papeles de la Mancuspia. De esa época son el ensayo “MM se divierte mientras juega con Virgilio Piñera” (El caimán barbudo, 2012) y el relato “A Elizabeth siempre le gustó el circo” Papeles de Mancuspia, 2012) y su inclusión en la antología Isla en Negro: Historias de crimen y enigma (Editorial Abril, 2014) con el relato “Mientras recuerdo al Secretario del Partido”. En 2013 dejó de trabajar para entidades gubernamentales cubanas, comenzó a escribir noticias, reportajes de investigación e informes para Havana Times, Diario de Cuba, El Tiempo de Colombia, Hypermedia, Programa Cuba y Connectas. Aunque no se considera especialmente valiente fue reconocida por la Fundación Internacional para las Mujeres en los Medios (IWMF) como Women Journo Heroes por vivir en Cuba y enfrentarse a la dictadura. Sus reportes sobre la vida cotidiana de Cuba se pueden encontrar en Cubanet News. Obras: Apocalipsis La Habana (americans are coming) (Editorial Sarmancanda, 2019), compilación de reportajes Havana Times y Diario de Cuba. Elizabeth aún juega a las muñecas (Hurón Azul, 2020) Orquesta Hermanos Castro. La escuelita (Unos y Otros, 2020) Formas de sobrevivencia en Cuba: "Resistencias cotidianas" en La Habana, Matanzas y Sagua La Grande (Universidad Sergio Arboleda, 2020) Entrevista realizada por Yasmín Portales-Machado escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba Learn more about your ad choices. Visit megaphone.fm/adchoices

Xanadu was the first hypertext project founded in 1960 by Ted Nelson. It aims to facilitate a type of media called hypermedia, which is non-sequential writing in which the reader can choose their own path through an electronic document.Links/Resources:http://www.rheingold.com/texts/tft/14.htmlhttps://en.wikipedia.org/wiki/Project_Xanaduhttps://mimix.io/en/blog/xanaduhttps://sentido-labs.com/en/library/201904240732/Xanadu%20Hypertext%20Documents.htmlhttps://www.notion.so/blog/ted-nelsonhttps://www.wired.com/1995/06/xanadu/https://xanadu.com.au/ararathttps://www.youtube.com/watch?v=-_-5cGEU9S0https://www.youtube.com/watch?v=hMKy52Intachttps://www.youtube.com/watch?v=1gPM3GqjMR4https://www.youtube.com/watch?v=hGKbRcvIZT8https://www.youtube.com/watch?v=qyzgoeeloJAhttps://www.youtube.com/watch?v=_xYwgJW7T8ohttps://jasoncrawford.org/the-lessons-of-xanaduhttps://blockprotocol.org/https://github.com/subconsciousnetwork/noosphere/blob/main/design/explainer.mdhttps://maggieappleton.com/xanadu-patternshttps://aaronzlewis.com/blog/2019/05/01/spreading-threading/https://www.zombo.com/https://stratechery.com/concept/aggregation-theory/https://maggieappleton.com/tools-for-thoughthttps://cdixon.org/2015/01/31/come-for-the-tool-stay-for-the-networkChapters:[00:00:00] Intros[00:03:22] What is Xanadu?[00:15:49] Transclusion and Bidirectionality[00:26:32] Versioning[00:29:47] Vision divorced from implementation[00:35:13] Baked in Payments[00:46:15] Hypermedia as Envisioned[00:56:20] Tiktok as Hypermedia[01:01:52] Alternative business model for the web[01:16:19] Failure to Launch[01:26:15] Linearization as a forge[01:31:51] Success of Xanadu's Vision[01:37:04] Passing the torch===== About “The Technium” =====The Technium is a weekly podcast discussing the edge of technology and what we can build with it. Each week, Sri and Wil introduce a big idea in the future of computing and extrapolate the effect it will have on the world.Follow us for new videos every week on web3, cryptocurrency, programming languages, machine learning, artificial intelligence, and more!===== Socials =====WEBSITE: https://technium.transistor.fm/SPOTIFY: https://open.spotify.com/show/1ljTFMgTeRQJ69KRWAkBy7APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-technium/id1608747545

En esta entrevista hablo con el narrador cubano Orlando Luis Pardo Lazo de qué significa escribir la cubanía, de qué manera la política, específicamente la revolución cubana, marca su escritura y la de nuestra generación y qué te lleva a convertirte en un personaje desesperado por atrapar todas las voces alrededor para que lleguen a tu público. Si alguna duda quedaba de que el autor ha muerto, este libro sirve como evidencia perfecta. Espantado de todo me refugio en Trump (Madrid: Editorial Hypermedia, 2019) es una novela autobiográfica o colección de crónicas semi ficcionales -depende de a quién se le pregunte- en la que Orlando Luis Pardo Lazo reflexiona sobre su experiencia como escritor migrante / exiliado en USA y cómo su idiosincrasia choca con las convenciones sociales de la academia norteamericana. En términos geográficos, el texto se mueve fundamentalmente entre su hogar de Lawton (un barrio de La Habana) y su nueva residencia en Saint Louis (Missouri) cerca del Saint Louis Chess Club, donde juega cerca de un retrato de José Raúl Capablanca, aunque su ELO es muy malo. La novela está llena de citas y re-escrituras: OLPL reescribe un famoso poema de Kavafis, “Ítaca”, o el inicio de “La edad de oro” de José Martí. En el libro también se usa de modo creativo el “lenguaje soez” y lo imbrica con términos muy sofisticados es sistemáticos juegos de asonancias que impiden una lectura relajada de la historia al construir relaciones inesperadas, como “Gnosis, génesis, gentrificación, genitalia”, el encabezado de la página 14. Orlando Luis Pardo Lazo (La Habana, 1971). Escritor y fotógrafo de La Habana. En Cuba, publicó los libros Collage Karaoke (2001), Empezar de cero (2001), Ipatrías (2005) y Mi nombre es William Saroyan (2006). En el exilio, ha sido profesor en Brown University y en Washington University de Saint Louis. Es autor del libro de relatos Boring Home (2014), la antología de narrativa Cuba in Splinters (2014) y el fotolibro digital La Habana abandonada (2014). En Hypermedia ha publicado los volúmenes de crónicas Del clarín escuchad el silencio (2016) y Espantado de todo me refugio en Trump (2018). Entrevista realizada por Yasmín S. Portales Machado escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba.

En esta entrevista hablo con el narrador cubano Orlando Luis Pardo Lazo de qué significa escribir la cubanía, de qué manera la política, específicamente la Revolución Cubana, marca su escritura, y la de nuestra generación, y qué te lleva a convertirte en un personaje desesperado por atrapar todas las voces alrededor para que lleguen a tu público. Si alguna duda quedaba de que el autor ha muerto, este libro sirve como evidencia perfecta. Espantado de todo me refugio en Trump (Madrid, Editorial Hypermedia, 2019) es una novela autobiográfica o colección de crónicas semi ficcionales -depende de a quién se le pregunte- en la que Orlando Luis Pardo Lazo reflexiona sobre su experiencia como escritor migrante / exiliado en USA y cómo su idiosincrasia choca con las convenciones sociales de la academia norteamericana. En términos geográficos, el texto se mueve fundamentalmente entre su hogar de Lawton (un barrio de La Habana), y su nueva residencia en en Saint Louis (Missouri) cerca del Saint Louis Chess Club, donde juega cerca de un retrato de José Raúl Capablanca, aunque su ELO es muy malo. La novela está llena de citas y re-escrituras: OLPL reescribe un famoso poema de Kavafis, “Ítaca”, o el inicio de “La edad de oro” de José Martí. En el libro también se usa de modo creativo el “lenguaje soez”, y lo imbrica con términos muy sofisticados es sistemáticos juegos de asonancias que impiden una lectura relajada de la historia al construir relaciones inesperadas, como “Gnosis, génesis, gentrificación, genitalia”, el encabezado de la página catorce. Orlando Luis Pardo Lazo (La Habana, 1971). Escritor y fotógrafo de La Habana. En Cuba, publicó los libros Collage Karaoke (2001), Empezar de cero (2001), Ipatrías (2005) y Mi nombre es William Saroyan (2006). En el exilio, ha sido profesor en Brown University y en Washington University de Saint Louis. Es autor del libro de relatos Boring Home (2014), la antología de narrativa Cuba in Splinters (2014) y el fotolibro digital La Habana abandonada (2014). En Hypermedia ha publicado los volúmenes de crónicas Del clarín escuchad el silencio (2016) y Espantado de todo me refugio en Trump (2018). Entrevista realizada por Yasmín S. Portales Machado escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba.

Michael Hibay has moved between huge companies with complex needs, and others that are just starting out. He says that some key lessons of API design are true for organizations of all sizes.Between September 2020 and April 2021, Michael was the Senior Engineering Manager at Capital One. He's now CTO of startup Vesti, a social network and chat app for investors. Michael believes that however big or small a company is, they should start designing APIs from the outside in. By that, he means design for the end user, and leave room for future additional complexity. This will save your developers time and effort creating APIs that ultimately don't serve a business-centric purpose, and limit the issues you encounter as you scale.On this episode of API Intersection, Michael talks about the pros and cons of hypermedia, why developers and the business side benefit from working together, and how to create a shared vocabulary that becomes the foundation of your organization's API design.Do you have a question you'd like answered, or a topic you want to see in a future episode? Let us know here:https://stoplight.io/question/

Esta es una conversación con el escritor de ciencia ficción y fantasía cubano Erick Mota sobre "Habana Underguater, Completa (Novelas y Cuentos)" (Atom Press, 2010). Mayormente hablamos de su universo Habana Underguater, del que ha publicado varios relatos y una novela desde 2007. En esta entrevista hablamos del “neo-ciber-punk cubano”, la ciencia ficción como ejercicio de optimismo histórico, el legado de la esclavitud y las maneras de vivir la fe en Cuba. Entre fines de 2021 y 2022 el sello Hypermedia publicará la primera trilogía del universo Habana Underguater, integrada por las novelas Desconectados, Los propios rusos y Un dólar para la Virgen. Sobre Habana underguater, completa (Novela y cuentos): En una línea temporal donde la guerra fría tuvo un resultado que llevó a Norteamérica al tercer mundo y a la URSS a vivir en el espacio, La Habana continúa en el mismo sitio frente al mar. Con una revolución ya olvidada y abandonada a su suerte por los rusos, con crisis de balseros provenientes de los antiguos Estados Unidos y un lago interior, en medio de la ciudad, que recibe el nombre de Underguater. La ciudad se debate entre aseres, hackers, asesinos de la fundación Charles Manson, ejecutores abakuás, piratas que buscan el oro de los rusos y soldados de la Fuerza Unida de La Habana Autónoma (FULHA). Muchos escogen el sueño soviético y hacen largas colas para subir a un cohete y despegar hacia las plataformas orbitales rusas, otros viajan a la tumba del Santo Guerrillero en Santa Clara Autónoma o prueban suerte conectados todo el tiempo a la Red Global, la tierra donde viven los Orishas. Pero en su gran mayoría, todos luchan día a día por sobrevivir y garantizar un día más. Erick J. Mota Pérez (La Habana, 1975), licenciado en Física (Universidad de La Habana), título de Escritura Creativa del Centro de Formación Literaria Onelio Jorge Cardoso. Escritor de ciencia ficción y fantasía. Ha publicado, entre otros textos, Bajo Presión (Editorial Gente Nueva, 2008); Algunos recuerdos que valen la pena (Casa Editora Abril, 2010); Habana Underguater (Editorial Atom Press, 2010), Memorias del cosmos cercano (2016) y El colapso de las Habanas infinitas (2017). Entrevista por Yasmín S. Portales Machado, escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba.

Esta es una conversación con el escritor de ciencia ficción y fantasía cubano Erick Mota sobre "Habana Underguater, Completa (Novelas y Cuentos)" (Atom Press, 2010). Mayormente hablamos de su universo Habana Underguater, del que ha publicado varios relatos y una novela desde 2007. En esta entrevista hablamos del “neo-ciber-punk cubano”, la ciencia ficción como ejercicio de optimismo histórico, el legado de la esclavitud y las maneras de vivir la fe en Cuba. Entre fines de 2021 y 2022 el sello Hypermedia publicará la primera trilogía del universo Habana Underguater, integrada por las novelas Desconectados, Los propios rusos y Un dólar para la Virgen. Sobre Habana underguater, completa (Novela y cuentos): En una línea temporal donde la guerra fría tuvo un resultado que llevó a Norteamérica al tercer mundo y a la URSS a vivir en el espacio, La Habana continúa en el mismo sitio frente al mar. Con una revolución ya olvidada y abandonada a su suerte por los rusos, con crisis de balseros provenientes de los antiguos Estados Unidos y un lago interior, en medio de la ciudad, que recibe el nombre de Underguater. La ciudad se debate entre aseres, hackers, asesinos de la fundación Charles Manson, ejecutores abakuás, piratas que buscan el oro de los rusos y soldados de la Fuerza Unida de La Habana Autónoma (FULHA). Muchos escogen el sueño soviético y hacen largas colas para subir a un cohete y despegar hacia las plataformas orbitales rusas, otros viajan a la tumba del Santo Guerrillero en Santa Clara Autónoma o prueban suerte conectados todo el tiempo a la Red Global, la tierra donde viven los Orishas. Pero en su gran mayoría, todos luchan día a día por sobrevivir y garantizar un día más. Erick J. Mota Pérez (La Habana, 1975), licenciado en Física (Universidad de La Habana), título de Escritura Creativa del Centro de Formación Literaria Onelio Jorge Cardoso. Escritor de ciencia ficción y fantasía. Ha publicado, entre otros textos, Bajo Presión (Editorial Gente Nueva, 2008); Algunos recuerdos que valen la pena (Casa Editora Abril, 2010); Habana Underguater (Editorial Atom Press, 2010), Memorias del cosmos cercano (2016) y El colapso de las Habanas infinitas (2017). Entrevista por Yasmín S. Portales Machado, escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba.

Esta es una conversación con el escritor de ciencia ficción y fantasía cubano Erick Mota sobre "Habana Underguater, Completa (Novelas y Cuentos)" (Atom Press, 2010). Mayormente hablamos de su universo Habana Underguater, del que ha publicado varios relatos y una novela desde 2007. En esta entrevista hablamos del “neo-ciber-punk cubano”, la ciencia ficción como ejercicio de optimismo histórico, el legado de la esclavitud y las maneras de vivir la fe en Cuba. Entre fines de 2021 y 2022 el sello Hypermedia publicará la primera trilogía del universo Habana Underguater, integrada por las novelas Desconectados, Los propios rusos y Un dólar para la Virgen. Sobre Habana underguater, completa (Novela y cuentos): En una línea temporal donde la guerra fría tuvo un resultado que llevó a Norteamérica al tercer mundo y a la URSS a vivir en el espacio, La Habana continúa en el mismo sitio frente al mar. Con una revolución ya olvidada y abandonada a su suerte por los rusos, con crisis de balseros provenientes de los antiguos Estados Unidos y un lago interior, en medio de la ciudad, que recibe el nombre de Underguater. La ciudad se debate entre aseres, hackers, asesinos de la fundación Charles Manson, ejecutores abakuás, piratas que buscan el oro de los rusos y soldados de la Fuerza Unida de La Habana Autónoma (FULHA). Muchos escogen el sueño soviético y hacen largas colas para subir a un cohete y despegar hacia las plataformas orbitales rusas, otros viajan a la tumba del Santo Guerrillero en Santa Clara Autónoma o prueban suerte conectados todo el tiempo a la Red Global, la tierra donde viven los Orishas. Pero en su gran mayoría, todos luchan día a día por sobrevivir y garantizar un día más. Erick J. Mota Pérez (La Habana, 1975), licenciado en Física (Universidad de La Habana), título de Escritura Creativa del Centro de Formación Literaria Onelio Jorge Cardoso. Escritor de ciencia ficción y fantasía. Ha publicado, entre otros textos, Bajo Presión (Editorial Gente Nueva, 2008); Algunos recuerdos que valen la pena (Casa Editora Abril, 2010); Habana Underguater (Editorial Atom Press, 2010), Memorias del cosmos cercano (2016) y El colapso de las Habanas infinitas (2017). Entrevista por Yasmín S. Portales Machado, escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba.

Esta es una conversación con el escritor de ciencia ficción y fantasía cubano Erick Mota sobre "Habana Underguater, Completa (Novelas y Cuentos)" (Atom Press, 2010). Mayormente hablamos de su universo Habana Underguater, del que ha publicado varios relatos y una novela desde 2007. En esta entrevista hablamos del “neo-ciber-punk cubano”, la ciencia ficción como ejercicio de optimismo histórico, el legado de la esclavitud y las maneras de vivir la fe en Cuba. Entre fines de 2021 y 2022 el sello Hypermedia publicará la primera trilogía del universo Habana Underguater, integrada por las novelas Desconectados, Los propios rusos y Un dólar para la Virgen. Sobre Habana underguater, completa (Novela y cuentos): En una línea temporal donde la guerra fría tuvo un resultado que llevó a Norteamérica al tercer mundo y a la URSS a vivir en el espacio, La Habana continúa en el mismo sitio frente al mar. Con una revolución ya olvidada y abandonada a su suerte por los rusos, con crisis de balseros provenientes de los antiguos Estados Unidos y un lago interior, en medio de la ciudad, que recibe el nombre de Underguater. La ciudad se debate entre aseres, hackers, asesinos de la fundación Charles Manson, ejecutores abakuás, piratas que buscan el oro de los rusos y soldados de la Fuerza Unida de La Habana Autónoma (FULHA). Muchos escogen el sueño soviético y hacen largas colas para subir a un cohete y despegar hacia las plataformas orbitales rusas, otros viajan a la tumba del Santo Guerrillero en Santa Clara Autónoma o prueban suerte conectados todo el tiempo a la Red Global, la tierra donde viven los Orishas. Pero en su gran mayoría, todos luchan día a día por sobrevivir y garantizar un día más. Erick J. Mota Pérez (La Habana, 1975), licenciado en Física (Universidad de La Habana), título de Escritura Creativa del Centro de Formación Literaria Onelio Jorge Cardoso. Escritor de ciencia ficción y fantasía. Ha publicado, entre otros textos, Bajo Presión (Editorial Gente Nueva, 2008); Algunos recuerdos que valen la pena (Casa Editora Abril, 2010); Habana Underguater (Editorial Atom Press, 2010), Memorias del cosmos cercano (2016) y El colapso de las Habanas infinitas (2017). Entrevista por Yasmín S. Portales Machado, escritora de ciencia ficción, activista LGBTQ, curiosa sobre las relaciones entre consumo cultural y política en Cuba.

This week on the podcast, Jeffrey Palermo is virtually sitting down with Derek Comartin to discuss migrating to .NET Core!   Derek Comartin is a software developer with two decades of professional software development experience. He has written software for a variety of business domains such as distribution, transportation, manufacturing, and accounting. He is also the Director of Engineering at Full Circle TMS., where he develops transportation management software using a variety of technologies, including .NET. Derek has also founded and currently leads the Windsor-Essex .NET Developers Group, where they explore the use of .NET for building and deploying applications on any platform. On top of all of this, Derek also has a very active blog (CodeOpinion.com) that focuses on CQRS, Event Sourcing, HTTP APIs, and Hypermedia.   In their conversation, Derek tells his migration story and offers pro tips to other developers getting started on theirs.   Topics of Discussion: [:38] Be sure to visit AzureDevOps.Show for past episodes and show notes. [:46] About The Azure DevOps Podcast and Jeffrey’s offer to speak at virtual user groups. [1:49] About today’s episode with Derek Comartin! [3:03] Jeffrey welcomes Derek to the podcast. [3:16] Derek shares some highlights of his career as well as what he’s currently up to on a daily basis. [4:38] Discussing the new generation of developers. [5:47] What makes migrating to .NET Core different? And what do developers need to think about if they’re contemplating migrating? [8:13] Derek details how they migrated their ASP.NET app to .NET Core. [9:57] Derek gives an overview of the system’s starting point in 2015. [11:32] Derek shares which .NET Framework version they migrated from. [11:55] Why they decided to do all of their prep work while on .NET Framework prior to their migration. [15:59] Derek shares about some of the dependencies that served as challenges during migration and how their team overcame them. [18:08] A word from Azure DevOps Podcast’s sponsor: Clear Measure. [18:41] Derek continues to share the route that they took with migration. [19:24] Derek shares what their hosting model was at the time vs. what it is right now. [20:15] Are they doing anything currently with Kubernetes? [20:41] About the recent Azure DevOps’ episode with Mike Sigsworth on Kubernetes implementation. [21:38] Is .NET Framework 4.8 all we’re going to get from Framework? Derek elaborates on their deployment strategy and shares some advice. [26:50] Derek explains why Noda Time should be the standard for communicating over different timezones. [30:32] What levels of test suites did Derek find to be the most helpful with migration? [32:30] Which version of .NET Core are they on now? [32:50] Will they planning a move to .NET 5.0 in a few months or are they going to wait a little while? [33:46] How much CPU, memory, or resources are they using now? [34:51] Derek shares where to find him online as well as some additional resources to check out. [35:46] Jeffrey thanks Derek for sharing his migration story!   Mentioned in this Episode: Azure DevOps Clear Measure (Sponsor) .NET DevOps for Azure: A Developer's Guide to DevOps Architecture the Right Way, by Jeffrey Palermo — Available on Amazon! bit.ly/dotnetdevopsebook — Click here to download the .NET DevOps for Azure ebook! Jeffrey Palermo’s Youtube Jeffrey Palermo’s Twitter — Follow to stay informed about future events! The Azure DevOps Podcast’s Twitter: @AzureDevOpsShow Derek Comartin’s LinkedInDerek’s Twitter: WENetDevelopers Windsor-Essex .NET Developers Group Derek’s Blog: CodeOpinion.com Entity Framework Entity Framework Classic AWS Amazon ECS Kubernetes The Azure DevOps Podcast: “Mike Sigsworth on a Containerized Journey Using .NET Core - Episode 101” The .NET Portability Analyzer Dotnet/Roslyn-Analyzers Async Await Noda Time Docs.Microsoft.com   Want to Learn More? Visit AzureDevOps.Show for show notes and additional episodes.

We're back, starting with a short conversation with Tel Aviv based programmer and designer Ariel Malka, who develops experimental interactive projects. Next we hear TJB's audio performance, expressing the artist’s non-binary self as 40 droplets of water impacting a heated sheet of steel. Following that, we have our monthly conversation, which is about “Utopia,” the elusive and idyllic no-place of a happier and more just society. The idea of utopia has had many consequences throughout history, and much has been built and unbuilt around it. Participants in this conversation include a diverse group of researchers, artists and designers composed by Susana Delahante Matienzo (Cuban, based in Amsterdam), Giuliana Visco (based in Rome), and Ou Ning (based in China). Finally, our host Sylvain Souklaye chats with KMRU to introduce the work of Sarah Badr (FRKTL), whose new, untitled sound art piece closes the episode. This podcast series is produced by Sylvain Souklaye, with Dalida María Benfield and Chris Bratton. Ariel Malkahttp://ariel.chronotext.org/ TJB TJB, is a non-binary artist-philosopher whose work focuses upon the conception of the body, Being and the idea of a multiplicity of Self/s in performance. This work can be located within the framework of performance art and philosophical/phenomenological investigations that look to de/construct and challenge perception, alongside the assumed liminal barriers of body-based art. Xe is known for creating artworks that capture an altered space, environment, or period of time that regardless of scale, will often make intense, sometimes visceral, beautiful pieces that place the body in extremis. Living and working in the UK, TJB has been exhibiting work since 2001 and internationally since 2009 particularly through Europe and East coast USA. TJB is also the artistic director of Tempting Failure, which produces the London Biennial of International Performance Art, and curates a wide range of transgressive performance art practices. You can find out more about TJB at tjb.org.uk and they’d like to extend an invitation to all listeners to engage with their unique ongoing project In/Visible Exchange where TJB expands conversations away from social media via unique electronic zines based entirely on the questions sent to them.https://www.temptingfailure.com/ FRKTL is the solo experimental project of British-Egyptian audiovisual artist Sarah Badr. A classically trained multi-instrumentalist utilizing live sampling and improvisation, vocal manipulation, field recordings, and generative rhythms, she composes immersive, hypnotic, and haunting explorations of sound. For the past decade, Badr’sinterdisciplinary art practice has expounded on world creation in four dimensions, augmenting photography and footage with computer-generated imagery and sound design. Her mixes and DJ sets seamlessly blend disparate genres, challenging preconceptions of spaces real and virtual. Badr studied Creative Computing (BSc) at Goldsmiths, University of London; and International Relations (BSc)and Law (LLB)at the London School of Economics. Raised between London, Cairo, New York, and Manama, Badr now lives and works between Riga, Cairo, Berlin, and London.FRKTL releases include Prose Edda (EP,2017); Qualia (LP, 2016); Descent / Fjäder(double single, 2013); Atom (LP, 2011);and B-Sides (mini-album, 2011). Her sixth release and third full-length solo album, Excision After Love Collapses, is due out later in 2020FRKTL.COM Ou Ning Ou Ning is a multi-disciplinary practitioner from China. He is an artist and filmmaker, who produced the documentary projects San Yuan Li (2003) and Meishi Street (2006). As a curator, Ou Ning initiated the biennial art and design exhibition “Get It Louder” (2005, 2007, 2010), and was the chief curator of the 2009 Shenzhen & Hong Kong Bi-city Biennale of Urbanism and Architecture in 2009. From 2011–2014, Ou Ning wrote and edited a literary bimonthly journal Chutzpah! His activism has involved living in a small village in Anhui Province and founding the Bishan Commune (2011–2016) and the School of Tillers (2015–2016). As a visiting professor, he has taught at the GSAPP, Graduate School of Architecture, Planning, and Preservation of Columbia University (2016–2017). He is a frequent contributor to various magazines and books and has lectured around the world. Giuliana ViscoGiuliana Visco received a degree in art history in 2002, obtained a DEA in HyperMedia, and a PhD in sociology at Università della Calabria. Visco’s heterogeneous academic career reflects the belief that multidisciplinary tools are pivotal for the understanding of today’s society, trends, and dynamics. Her professional life has had a continuous red thread: social and political activism focused in defense of young people’s, migrants’ and women’s rights. Visco has worked as a tutor on an AMIF project for unaccompanied young migrants. She now works with the not-for-profit, search and rescue ship “Mediterranea” located on the Mediterranean Central Sea. “Mediterranea” is an effort that assists people trying to enter Europe from Libya. Susana Pilar Delahante MatienzoSusana Pilar Delahante Matienzo was born in Cuba in 1984. From 1999–2008, she studied at the Fine Arts Academy “San Alejandro” and the Instituto Superior of Arts (ISA) in Havana, Cuba. She did postgraduate studies in New Media at Karlsruhe University of Arts and Design (HfG), Germany (2011-2013). Matienzo has participated in residency programs in Canada, Holland, Reunion Island, United States, Italy, Sweden, Austria, etc. She has had solo shows in Havana, Cuba, Venice, Italy, Skövde, Sweden, Fort de France, Martinique and Enschede, Netherlands. Susana took part in the 13th Havana Biennale; 56th Venice Biennale; 1st Biennale of Contemporary Art, Martinique; III Biennale at Reunion Island; and the 7th Gwangju Biennale, South Korea. See acast.com/privacy for privacy and opt-out information.

Matt Trask and Ben Edmunds are joined by Adam Culp to discuss the recent changes with Zend (the company), Zend (the framework), and the transition from Zend Framework to Laminas Framework. Links Laminas Nexmo Releated Stuff Beachcasts Video on Hypermedia Video on automating Hypermedia

Goro Fuji さんをゲストに迎えて、Discord, Slack, GraphQL, RESTful API, Pixel 2, Kotlin, React Native などについて話しました。 Show Notes ISUCON Fastly Yamagoya Meetup 2017 fastly #yamagoya2017 - Togetterまとめ Discord Reactiflux is moving to Discord - React Blog Gitter Slack日本語版、年内に登場へ Introducing Shared Channels: Where you can work with anyone in Slack GraphQL | A query language for your API GraphQL: A data query language The GitHub GraphQL API Hypermedia Swagger rmosolgo/graphql-ruby: Ruby implementation of GraphQL Node.js + GraphQLでBFFを作った話 PromQL | Prometheus Apollo GraphQL Caching of GraphQL servers with Fastly / Varnish JSON API SSKDs and LSUDs Kibela Bloke takes over every .io domain by snapping up crucial name servers Is using an .ly domain right - or wrong? Google Pixel 2 How Google Built the Pixel 2 Camera 「Pixel 2」日本投入なくアプリ開発者が困惑 Pixel 2 and Pixel 2 XL are the first phones to support eSIM for Project Fi users Latest Chrome Beta Update Drops the Address Bar to the Bottom by Default Bottom navigation - Components - Material Design 507SH, Android One Kotlinのスキルを持たないAndroid開発者は恐竜のようになるリスクに直面 Jake Wharton Microsoft/reactxp necolas/react-native-web: React Native for Web If you use Twitter Lite you're now using a web app rendered by React Native for Web Relay

Hypermedia researcher and author Konrad Becker talks about algorithms from hell, the madness of rationality, media seances, and the martial art of freedom. http://world-information.net/en/

On this weeks episode we are lucky to finally be in the same room recording the podcast in person, apologies for the low volume. We start off discussion with the Drobo, BeyondRAID, how hard giving estimates is, ‘bad’ code and impostor syndrome. Following on from this is a brief history behind the Mozilla name and Netscape, along with how bullish Microsoft was in the 90’s. This leads us on to talk about TDD coding katas, the current state of testing in JavaScript and Android fragmentation. Finally, we finish up the show with Hypermedia endpoints (HAL), and epic Microsoft Office - El Capitan bugs.

In dieser Folge spricht Stefan Tilkov mit seinen neuen Co-Autoren Martin Eigenbrodt, Silvia Schreier und Oliver Wolf anlässlich der kürzlich erschienenen dritten Auflage von „REST und HTTP“ über die Grundlagen von REST und Hypermedia und die Frage, wie man gute Web-Anwendungen baut.

Our guest in this episode is the one and only Mike Amundsen from API Academy. 0:00-4:19 The usual waste of time talking about the rules, the exceptions to the rules, and our never-ending quest for questions 4:20-15:17 API Academy, trends in API and microservices adoption 15:18-23:55 Contemporary culture of software development and new ways of interacting 23:36-38:30 Topic of the day! Hypermedia! 38:31-39:20 The stuff we should have edited out :-) 39:21-52:10 Favorite News Stories (Tinder, Opera, MSFT Azure) Resources: API Academy (http://www.apiacademy.co/) Tinder API hack (http://www.theverge.com/2015/3/25/8277743/tinder-hack-bros-swiping-bros) Demo Opera (http://abc7news.com/technology/historic-tech-demo-turned-into-an-opera-at-stanford/606725/) Microsoft Azure and Swagger (http://blogs.msdn.com/b/webdev/archive/2015/03/24/introducing-azure-api-apps.aspx)

The panelists discuss mobile backend services, API design & hypermedia with Stewart Gleadow.

The panelists discuss mobile backend services, API design & hypermedia with Stewart Gleadow.

Kerry and Rinat welcome guest Glenn Block to discuss hypermedia Web APIs, and the new book he co-authored on the subject. They get into some of the differences between systems that are designed to take advantage of the constraints of the REST architecture style, with those that are not. What is hypermedia? Should you always adhere to REST constraints and use hypermedia when building a Web API? What are some ways to implement these concepts on the client and server and how do they interact? What are some common implementation mistakes? API security? What can your book help me with? UCWA? And much more.

The panelists discuss hypermedia APIs with Steve Klabnik

The panelists discuss hypermedia APIs with Steve Klabnik

The panelists discuss hypermedia APIs with Steve Klabnik

PodLuolan satelliittiyhteys tarjoilee tällä kertaa tarinaa Hypermedia rajapinnoista. Tommin ja Ollin kysymyksiin vastailee asiasta enemmän tietävä Vesa Vänskä. Linkkejä Video: Hypermedia APIs Linkkilista: Hypermedia API reading list Sovellus: Swagger Kirja: Building Hypermedia APIs with HTML5 and Node Kirja: RESTful Web APIs Vesan speakerdeck PayPal:n rajapintakuvaukset https://speakerdeck.com/maratk/what-is-hypermedia-api Bret Victorin video Heroku platform api - ja blogiposti siitä

A new Podcast giving you the latest news and views for Games, Film, TV, Music and more. Today's Topics include: Halo 4 DLC VGA's DayZ Bourne Legacy Cineworld Silver Linings Playbook Walking Dead X-Factor An Idiot Abroad 3 Kesha Bridge To Grace Maroon 5

A new Podcast giving you the latest news and views for Games, Film, TV, Music and more. Today's Topics include: Halo 4 Far Cry 3 Walking Dead Gambit Epic Wreck-it Ralph Merlin Smash Misfits Girls Aloud Rihanna

A new Podcast giving you the latest news and views for Games, Film, TV, Music and more. Today's Topics include: Halo 4 GTA V CoD Black Ops 2 Skyfall Silent Hill 2 Lockout Shield Misfits An Idiot Abroad 3 Adelitas Way Christina Aguilera EMA Awards

A new Podcast giving you the latest news and views for Games, Film, TV, Music and more. Today's Topics include: Halo 4 Happy Wars Medal of Honour Warfighter Skyfall Lucas Films/Star Wars The Bay Arrow Downton Abbey Misfits Nicki Minaj

A new Podcast giving you the latest news and views for Games, Film, TV, Music and more. Today's Topics include: Looper Taken 2 Paranormal Activity 4 Silent Hill Revelations Skyfall Borderlands 2 Medal of Honour Warfighter Forza Horizon Walking Dead Escape Plan The Walking Dead Arrow American Horror Story Asylum Merlin Spartacus Steps Girls Aloud Three Days Grace

Новости Бесплатные рускоязычные скринкасты по Ruby Новые свежие рельсы 3.2.6, 3.1.6 и 3.0.14 Новый инструмент для быстрого деплоя — mina Вышел gem RubyMass, который позволяет смотреть, какие объекты есть в текущем процессе Evan Phoenix о RubyMass Grocer и urbanairship Evented Ruby vs Node.js Techniques to Secure Your Website with Ruby On Rails: part1 and part2 RSpec's New Expectation Syntax Вышла web-книжка Стива Клабника по конструированию Hypermedia (formerly AKA REST) APIs. Близится выход 2.0.0 гема Couchrest::Model. Сейчас в “репе” проекта на GitHub'е доступна вполне рабочая бета. Специальный гость Алексей Васильев Блог Алексея Twitter Алексея Аккаунт на GitHub Книга Алексея по PostgreSQL Поиск похожих обьектов в PostgreSQL Caphub smtrails & shtrails gems demo MongodbLogger for Rails 3 Skypekit Статья о проблемах SPDY и вольный перевод на хабре Chrome клиент для PivotalTracker Послесловие Свежий Brainwashing 14 и 15 июля Переработка «Звездных Войн»

According to the article on Hypermedia in Wikipedia, Ted Nelson coined the term in 1963 and published it in 1965. The definition in the article states that “hypermedia is used as a logical extension of the term hypertext in which graphics, audio, video, plain text and hyperlinks intertwine to create a generally non-linear medium of information” and the World Wide Web is presented as a classical example. But it can be argued that the characteristics of hypermedia and their use in global collaborations go back much further in time. At the beginning of the 20th century the Belgian pioneer of knowledge organization Paul Otlet (1868–1944) began exploring “substitutes for the book” and to find new technologies to order and to link fragments of texts, images, sound, etc., for scholarly collaborations on a global level. Otlet sketched and commissioned hundreds of drawings of what we would call nowadays interfaces to synthesize global knowledge. It will be argued that Paul Otlet’s views and visualizations on substitutes for the codex book, interfaces, infrastructures and protocols for collective annotating by scholars might be relevant for recent discussions on the provenance and evidence of information in Web 2.0 and Semantic Web solutions for e-research, in particular in the digital humanities.

A CEES faculty lecture by TODD PRESNER, UCLA Germanic Languages