Podcasts about Kuru

Send us Fan MailYour brain is way more flexible than your body. We start with a wild virtual reality study that asks a simple sci-fi question: could humans learn to fly if we had wings? After a week of VR training with motion tracking, participants don't just get better at flying through rings and hovering over cliffs, their brains begin responding to wings the way they respond to arms. We unpack what that says about neuroplasticity, body perception, and why “embodiment” is the real magic behind great human-tech interfaces.Then we shift to something you can try today with zero equipment: play with your dog for five extra minutes. A Royal Society study suggests short, focused interactive play like tug, chase, hide and seek, and rough-and-tumble can strengthen emotional closeness even more than adding extra training time. We share our own household chaos, the games that hype the dogs up, and why tiny daily interactions can matter more than you think.Our guest, Melly Byrd (Melly The Science Geek), brings the big energy and the big brains. We talk about building a science communication audience on TikTok and Instagram, choosing topics that genuinely spark curiosity, and going deep on the biology of cannibalism, prion diseases like Kuru and Creutzfeldt-Jakob, and what mad cow disease taught the world about the food chain. We also get real about generational divides, phones in schools, and the growing push to limit generative AI so students can actually learn the skills they're outsourcing.Melly on InstagramMelly's WebsiteAll our social links are here!Support the showFor Science, Empathy, and Cuteness!Being Kind is a Superpower.All our social links are here!

Stāsta Latvijas Mākslas akadēmijas Mākslas vēstures institūta vadošā pētniece un direktore Kristiāna Ābele. Pārraides producente: Inta Zēgnere. Atbildi uz virsrakstā uzdoto jautājumu droši vien zinās vai uzminēs daudzi – vislielākais plaukts šobrīd būtu vajadzīgs daudzveidīgiem izdevumiem par Jani Rozentālu (1866–1916). Tā saturs aptver vairāk nekā gadsimtu. Lai gan jau mākslinieka dzīves laikā līdz Pirmajam pasaules karam viņa vārds bija lasāms dažu sīkiespieddarbu – izstāžu katalogu – titullapās, 1925. gadā apritēja simt gadu, kopš nāca klajā pirmā monogrāfija par Rozentālu. Grāmatu sarakstīja gleznotājs, mākslas kritiķis un Rozentāla studijas audzēknis Roberts Šterns (1884–1943), aizsākot Neatkarīgo mākslinieku vienības izdevumu virkni par latviešu māksliniekiem. Sagaidot Rozentāla septiņdesmitgadi, lasītāji 1936. gadā saņēma ar Kārļa Dziļlejas (1891–1963) biogrāfisko romānu par gleznotāju. Ar pseidonīmu “K. Lejnieks” publicētais darbs 60 gadus vēlāk pieredzēja atkārtotu izdevumu. Padomju Latvijā pēc Otrā pasaules kara Rozentāla dzīves un mākslas pētniecībai pievērsās erudītais mākslinieks un mākslas kritiķis Uga Skulme (1895–1963). Viņa sadarbībā ar padomisko autoru Arturu Lapiņu (1911–1983) tapa monogrāfija “Janis Rozentāls” (Latvijas Valsts izdevniecība, 1954), kurā Lapiņa ieguldījums, pēc Skulmes atmiņām, galvenokārt izpaudies manuskripta īsināšanā. Rozentāla simtgades atceri izdevniecībā “Liesma” iezīmēja gan gleznotāja Kārļa Sūniņa (1907–1979) sastādītais albums “Janis Rozentāls” (1966), gan gleznotāja un mākslas zinātnieka Jurģa Skulmes (1928–2015) veidotais ceļvedis “Jaņa Rozentāla dzīves un darba vietas” (1966). Gleznotāja Augusta Annusa (1893–1984) un vairāku citu autoru sadarbībā Rozentāla piemiņas izdevumu radīja arī trimdas apgāds “Latvju grāmata” Ņujorkā (1. izd., 1967). 1981. gadā Latvijas lasītāju iecienītajā sērijā “Ievērojamu cilvēku dzīve” iznāca kultūrvēsturisku biogrāfisku romānu autora Antona Stankeviča (1928–2017) darbs “Pēc pirmajiem cīruļiem (stāsts par Jaņa Rozentāla dzīvi)”. Grāmatas metiens bija 60 000 eksemplāru, un to skolas gaitu sākumā 80. gados par dāvanu saņēma arī Jaņa Rozentāla Rīgas mākslas vidusskolas (tag. NMV Rozentāla mākslas skolas) jaunie audzēkņi. Šādā ceļā tā kļuva par pirmo sējumu manam “Rozentāla plauktam”. Nozīmīgs pavērsiens Rozentāla jaunrades izzināšanā un izcils mākslas grāmatniecības sasniegums ir mākslas zinātnieces Intas Pujātes (1957–2025) sastādītā monogrāfiskā albuma “Janis Rozentāls” (Liesma, 1991) iznākšana. Grāmatas autore kļuva par  ievērojamāko un daudzpusīgāko Rozentāla personības un mākslas pētnieci. 1997. gadā izdevniecība “Pils” publicēja Rozentāla sarakstes krājumu “Dzīves palete”, ko Inta Pujāte sagatavoja kopā ar Jaņa Rozentāla un Rūdolfa Blaumaņa memoriālā muzeja toreizējo vadītāju filoloģi Anitu Putniņu-Niedru. Šo izdevumu 19. gadsimta beigu un 20. gadsimta sākuma kultūras un mākslas pētnieki turpina izmantot kā neatsveramu avotu, kas vienlaikus ir arī aizraujoša lasāmviela. Divus saistošus gleznotāja mākslas ceļvežus Inta Pujāte izveidoja Jaņa Rozentāla Saldus vēstures un mākslas muzejam (2008, 2016). 21. gadsimta otrajā desmitgadē Rozentāla mākslas popularizēšanā daudz paveica izdevniecība “Neputns”, 2014. gadā savā sērijā “Latvijas mākslas klasika” publicējot Intas Pujātes mazo monogrāfiju “Janis Rozentāls” un 2017. gadā, jau pēc mākslinieka vērienīgās jubilejas izstādes, laižot klajā mākslas zinātnieču Aijas Brasliņas un Laimas Slavas sastādīto monogrāfisko albumu, kas vizuālā aptvēruma ziņā pašlaik ir pilnīgākais un bagātīgākais mākslinieka veikuma apkopojums. Ar oriģinālpētījumiem to papildināja Aija Brasliņa, Valdis Villerušs un Inta Pujāte, kuras uzmanības centrā šajā un citos pēdējo gadu darbos bija Rozentāla fotogrāfiskais mantojums. Tomēr bibliotēku izsniegumu statistika rāda, ka pētnieku darbus lasītāju intereses ziņā pašlaik daudzkārt pārspēj cits “Rozentāla plauktam” radīts “Neputna” izdevums – pirmo reizi 2015. gadā un atkārtoti 2024. gadā izdotais rakstnieces Luīzes Pastores un ilustratores Elīnas Brasliņas kopdarbs “Pazudušais pērtiķis”, aizsākot sēriju “Mākslas detektīvi” ar mazo varoņu Teo un Pogas gaitām Rozentāla gleznas “Princese ar pērtiķi” dzīvnieciņa meklējumos.

Denilmiştir ve bilinmiştir ki dünya dediğin şey sonludur ve sonunu düşünenin kahraman olduğu bir köhne gezegendir.

Haftalık programında Fatma İnce ve Mert Büyükkarabacak geçtiğimiz haftanın politik gelişmelerini değerlendiriyor:→ Hürmüz'e barış mı geliyor?→ AB'nin Ermenistan çıkartması → Bahçeli'den bir kez daha tarihi çıkış. Bitmeyen butlan tehdidi.→ Merkez Bankası kuru ne kadar daha tutabilir? → 1 Mayıs tartışmaları → Bosch reklamı neden askıda?→ Okuma ve izleme önerileri

Rumble Video Link:https://rumble.com/v7931km-architects-of-inversion-hijacking-medical-science.htmlMy site:https://SemperFryLLC.comJoin Us and Make Dr. Glidden Your Doctorhttps://leavebigpharmabehind.com/?via=pgndhealth⁠Code: baalbusters for 25% OFF Annual MembershipThe 90 Essential Nutrients we need to function in the manner God intended have been removed, replaced, and the knowledge hidden and stolen from the soil, and from the food we eat.  Fortunately there is a whole-food source for the vital nutrients and minerals we are otherwise deprived of.Get you 90 Essential Nutrients with supplements designed by Dr. Monzo.Use Code BB5 here:https://www.azurestandard.com/shop/brand/azurewell/2326The Azure 90 Essentials are as follows: 1. Whole Food Multivitamin, 2. Alaskan Cod Liver Oil, 3. Fulvic-Humic Energy Blend, 4. IP6 Supreme. Use code BB5 for your discount.The Rothschilds backed the fraudster Pasteur promoting false scientific claims that lead to very deadly and incorrect beliefs in the cause, the mechanism, and the remedy for illnesses. This was done deliberately to implelent a genocidal Eugenics program hiding in plain sight, disguised as your modern healthcare.  The information I bring you is for educational purposes and out of sincere care for you, so that you may break the spell of false Scientism prevalent in the destructive therapies of allopathic medicine. There is an alternative and the healing begins with supplying yourself with vital nutrients.  The medical cult denies the healing powers of minerals, nutrients of food, replaces them with chemicals, and prescribes harmful drugs who's purpose isn't to cure the condition. They simply suppress the symptoms which leads to further degradation and poisoning of your body. Become a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

Nigerian Bishop on Christian Persecution, Kidnappings, and the Spread of Islamist Violence Host Larry Alex Sta welcomes Lawrence Fox and Nigerian Anglican Bishop Juwan Zumba of Kuru to discuss alleged persecution of Christians in Nigeria and Islam's growing influence in Britain. Zumba recounts how Christians and Muslims once lived peacefully in Nigeria but says rising fundamentalism has led to Fulani militia attacks, land seizures, and church communities being wiped out, including a night raid that killed 43 in his diocese and later attacks killing 33 on Palm Sunday and about 200 near Christmas 2023. He describes weekly truckloads of Muslim youths moved south, and says kidnappings target Christians, including a failed attempt to kidnap him on Nov. 2, 2024, followed by his neighbor's abduction for ransom. The group responds to a Tucker Carlson clip dismissing targeted Christian persecution as propaganda.

Konuklarımız Yeşim Ustaoğlu'nun yazıp yönettiği ve Selen Heinz'ın ortak yönetmenliğini ve görüntü yönetmenliğini üstlendiği Kuru Taşın Başı adlı belgesel filmi konuşuyoruz. Yeşim Ustaoğlu ve Selen Heinz'a deli Çoruh nehrinin kenarında yemyeşil bir cennet parçasında kuşaklardır yaşayan, üreten Yusufelilerin ve civar köylerden insanların baraj yapımı ertesinde yükselen su ile birlikte karşı karşıya kaldığı travmatik süreci nasıl filme almaya karar verdiklerini ve çekim sürecinde nelere tanıklık ettiklerini konuşuyoruz. 

Konuklarımız Yeşim Ustaoğlu'nun yazıp yönettiği ve Selen Heinz'ın ortak yönetmenliğini ve görüntü yönetmenliğini üstlendiği Kuru Taşın Başı adlı belgesel filmi konuşuyoruz. Yeşim Ustaoğlu ve Selen Heinz'a deli Çoruh nehrinin kenarında yemyeşil bir cennet parçasında kuşaklardır yaşayan, üreten Yusufelilerin ve civar köylerden insanların baraj yapımı ertesinde yükselen su ile birlikte karşı karşıya kaldığı travmatik süreci nasıl filme almaya karar verdiklerini ve çekim sürecinde nelere tanıklık ettiklerini konuşuyoruz. 

Enerji ve teknoloji alanlarında iş yönetimi danışmanlığı faaliyetlerinde bulunan, multidisipliner kamu politikaları üreten Glocal Grup Danışmanlık'ın sunduğu Yerden Yüksek'te Dr. Bahadır Çelebi, San Diego Üniversitesi Siyaset Bilimi bölümünden Prof. Dr. Ahmet Kuru ile "İslam Otoriterlik ve Geri Kalmışlık: Küresel ve Tarihsel Bir Karşılaştırma" kitabı üzerine konuşuyor.https://groupglocal.com/contact/ #reklam #işbirliği00:00 Giriş00:30 Neden bu kitabı konuşuyoruz?02:00 Hocam neden otoriterlik, geri kalmışlık çalıştınız; kişisel bir nedeni var mı?04:20 Ulema-devlet ittifakı nedir, ne işe yaramaz? İslam terakkiye mâni midir?09:45 Esere değil müellife saldırmak (evrensel bir olgu olarak)16:15 Nihayet: Ulema-devlet ittifakı nedir; güncel versiyonları neler?18:05 Tech bro'ları, askerleri, filozofları devletle ittifak yapmaktan nasıl alıkoyacağız?24:10 İslam'da din ve devlet birbirinden ayrılamaz mı? Tarihte ayrıldı mı?32:40 Batı'nın 11 Eylül sonrası İslamofibisi ve ılımlı İslam'ı birbirini dışlamaz: Islam is Peace*35:50 Anayasa gerekirse değişir; Kur'an-ı Kerim anayasa olursa ve gerekirse bile değişmez. Ne yapacağız?39:05 İslam'da muhalefet imkan ve ihtimali var mı?43:45 Ulemanın bertaraf olmamak için devlete yanlaması İslam ülkelerini geri bıraktı mı?46:35 Bazı ilahiyatçılar neden "siyasal İslam" tanımına karşı çıkıyor?48:45 İbn Haldun'un asabiye kavramına nispetle bugün İslam dünyasında zayıf olan ne? Kurumsal yapı? Toplumsal dayanışma?52:20 Hocam kitabınızda Arap kabileciliğini göremedim?55:40 Son 50 yılda İslamcılık güçlendi diyorsunuz da acaba öyle mi?01:01:05 Kendimizi kandırmayalım: Türkiye'de laiklik hiç olmadı01:02:05 Bektaşi-Yeniçeri-Devlet ilişkisi: Yeniçeri ulema değil sanki, ilmiye ile de rekabette değiller01:04:55 ABD'yi yeniden demokrasi yapacağız :)* https://georgewbush-whitehouse.archives.gov/news/releases/2001/09/20010917-11.html⌨️━━━━━━━DAKTİLO1984 AİLESİNİN BİR PARÇASI OLUN!━━━━━━━⌨️

Orta Sınıf, Ara Seçim, Döviz Kuru

On Day 4 of The Ancient Architecture of Calm, we move into the essential emotional arc of Protect. After landing, resting, and grounding, we now learn to define our boundaries. We explore the fourth pillar of the Sumerian morning—the Consecration of the Threshold—and the history of the Gipar, the sacred residence that no chaos was permitted to enter. In today's episode: Ancient Insight: The Sumerian concept of Kuru (protection) and the "Seven Gates" of the ancient city. The Emotional Arc: The Protect. Transitioning from being a "sponge" for the world's stress to being a sanctuary of your own. The Anchor: Mastering the Prithvi (Earth) Mudra to physically seal your energy. This is day 4 of a 7-day meditation series, "Morning Anxiety Rituals for a Calm Start to Your Day," episodes 3486-3492 THIS WEEK'S CHALLENGE -  THE ARTIFACT HUNT Each day, find one physical object in your home that has "weight" and "texture"—a stone, a heavy book, a piece of wood—and hold it for 60 seconds to anchor your senses. THIS WEEK'S MEDITATION JOURNEY Day 1: VISUALIZATION: Ground yourself in peace. Day 2: AFFIRMATION:  "I am the steady ground upon which my life is built." Day 3: EARTH INHALE BREATH Inhale. Inhale for 4, imagining breath rising from the soles of your feet; hold for 4, feeling the weight of your hips; exhale for 8, sighing out the future. Day 4: PRITHVI EARTH MUDRA Touch the tip of the ring finger to the thumb. This encourages stability and physical healing. Day 5: CHAKRA FOCUS: First chake to feel grounded. Color is red. Element is earth Day 6: ANXIETY RELEASE FLOW MEDITATION: Combining the week's techniques Day 7: WEEKLY REVIEW MEDITATION: Closure with a review of the week's highs and lows. SHARE YOUR MEDITATION JOURNEY WITH YOUR FELLOW MEDITATORS Let's connect and inspire each other! Please share a little about how meditation has helped you by reaching out to me at Mary@SipandOm.com or better yet -- direct message me on https://www.instagram.com/sip.and.om. We'd love to hear about your meditation ritual! WAYS TO SUPPORT THE DAILY MEDITATION PODCAST SUBSCRIBE so you don't miss a single episode. Consistency is the KEY to a successful meditation ritual. SHARE the podcast with someone who could use a little extra support. I'd be honored if you left me a podcast review. If you do, please email me at Mary@sipandom.com and let me know a little about yourself and how meditation has helped you. I'd love to share your journey to inspire fellow meditators on the podcast! All meditations are created by Mary Meckley and are her original content. Please request permission to use any of Mary's content by sending an email to Mary@sipandom.com. FOR DAILY EXTRA SUPPORT OUTSIDE THE PODCAST Each day's meditation techniques are shared at: sip.and.om Instagram https://www.instagram.com/sip.and.om/ sip and om Facebook https://www.facebook.com/SipandOm/ SIP AND OM MEDITATION APP Looking for a little more support? If you're ready for a more in-depth meditation experience, allow Mary to guide you in daily 30-minute guided meditations on the Sip and Om meditation app. Give it a whirl for 7-days free! Receive access to 3,000+ 30-minute guided meditations customized around a weekly theme to help you manage emotions. Receive a Clarity Journal and a Slow Down Guide customized for each weekly theme. 2-Week's Free Access on iOS https://itunes.apple.com/us/app/sip-and-om/id1216664612?platform=iphone&preserveScrollPosition=true#platform/iphone All meditations are created by Mary Meckley and are her original content. Please request permission to use any of Mary's content by sending an email to Mary@sipandom.com.Let go of repetitive negative thoughts. Music composed by Christopher Lloyd Clark licensed by RoyaltyFreeMusic.com, and also by musician Greg Keller.

Murat Muratoğlu ile siyaset ve ekonomideki gidişatı, kur stratejisini ve yakın gelecekteki siyasi riskleri konuştuk. İyi seyirler...

Por qué no se puede comer carne del prójimo? El canibalismo genera una enfermedad que nadie logra salir de esta.

Bayram sofrasında meyveli tatlarKaymaklı kayısı tatlısıAyva tatlısıyla kışa vedaKabak tatlısının sırrıFırında elma dolması  Ramazan'ın sonuna yaklaşırken, şerbetli tatlıların ardından bayram sofralarının daha hafif ama köklü lezzetlerine dönüyoruz.Aylin Öney Tan bu özel derlemede Türk mutfağının meyveli tatlı geleneğini anlatıyor:kaymaklı kuru kayısı tatlısı, ayva tatlısının püf noktaları, doğru kabak seçimiyle yapılan kabak tatlısı ve eski usul fırında elma dolması…Ayva tatlısının rengini veren küçük mutfak sırlarından, kaymak yerine kullanılabilecek alternatiflere kadar pek çok ipucu bu bölümde.Kuru meyveler, baharatlar ve Anadolu'nun eski tatlı geleneği…Bayram sofralarına ilham verecek tarifler ve hikâyelerle dolu bir kayıt.Bir tutam tarih, biraz da tarif. 

Latvijas Nacionālā teātra aktieris Normunds Laizāns teātrī strādā vairāk nekā trīsdesmit gadus. Viņa jaunākais darbs – monoizrāde "Zīda čūska" – ir personisks stāsts par vīrieša sevis meklējumiem. Sarunā aktieris stāsta par ideju, kas nobrieda vairāku gadu garumā, par darbu vienatnē uz skatuves un par to, kā mainās teātris un aktiera profesija. Liene Jakovļeva: Ir aktieri, kuriem konkrētu teātri līdzās nemaz tik droši nevar likt, bet tev Latvijas Nacionālais teātris ir tavs īstais un vienīgais. Lai gan skatuves gaitas esi sācis citur, tomēr šis teātris ar zaļo jumtu ir kļuvis par tavām mājām? Normunds Laizāns: Jā, un nu jau daudzus gadus – kopš 1992. gada. Pirms tam gan pamētājos šur un tur. Kad pēc Konservatorijas beigšanas man piedāvāja izvēlēties starp diviem teātriem, lepni pateicu "nē" Nacionālajam teātrim, kas tolaik bija Drāmas teātris. Toreiz tika dibināts tāds Jaunais Mazais latviešu teātris, un es teicu – kopā ar saviem kursabiedriem strādāšu tur. Bet liktenis ir liktenis – beigās tomēr nonācu Nacionālajā. Mans pedagogs Edmunds Freibergs vēl ilgi pēc tam teica: "Es to nekad neaizmirsīšu, kā tu atteicies no Nacionālā teātra!" Ideja, kas briedusi vairākus gadus Jaunākā izrāde, kurā tu spēlē, ir "Zīda čūska", kas pirmizrādi piedzīvoja februāra beigās Aktieru zālē. Saprotu, ka ideja par to, ka vajadzētu vienam stāties publikas priekšā, tevī dzīvoja diezgan ilgi? Izlasījis Gunta Bojāra "Zīda čūsku", juti, ka tam nevajadzētu palikt grāmatas lapās vien? Ideja neradās tāpēc, ka man vienam gribējās kaut ko darīt. Kad pirmoreiz izlasīju Gunta Bojāra grāmatu "Zīda čūska" ar Vilipsōna brīnišķīgajām ilustrācijām, tā manī kaut kā ļoti dziļi iesēdās. Ar šo materiālu staigāju apkārt kādus sešus vai septiņus gadus, piedāvāju režisoriem. Kāds izlasīja, kāds ne, kāds teica – nezina, ko ar to darīt. Beigās zvaigznes sakrita, un viss notika. Bet jūs jau neiestudējāt grāmatu, bet gan lugu. Pa vidu vēl ir starpposms – Artūrs Dīcis, kurš veidojis dramatizējumu.  Jā, jo pats autors šo grāmatu uzrakstījis no tādām mazām miniatūrām, un tur to tēmu ir ļoti daudz. Un patiesībā man bija diezgan grūti saprast, kā to baudāmā veidā varētu uzlikt uz skatuves. Man bija doma, ka režisorei jābūt sievietei, jo varētu sanākt laba mijiedarbība – vīrišķais un sievišķais. Jo – ja vīrietis ar vīrieti taisītu lugu par vīrieti un viņa sajūtām, būtu citādāk. Un bija ļoti jauki, jo mēs ar Lauru ļoti bieži "strīdējāmies" – katrs mēģināja pierādīt savu taisnību gan no vīrieša, gan sievietes pozīcijām. Un tas pirmsākums bija tāds, ka Laura par Gunta Bojāra grāmatu nezināja. Kad satikāmies pirmoreiz, ieteicu viņai to izlasīt, un ja grāmata viņu uzrunā, tad strādājam. Jo ļoti bieži ir tā, ka režisoram iedod darbu un saka – "Taisi!" Man tā negribējās. Bija man arī doma, ka uz skatuves varētu būt kāda sieviete – bet ne tādā versijā, kā tas ir izrādē. Savām izrādes meitenēm joprojām ik pa brīdim atvainojos par to, ka nebiju domājis, ka arī viņām visu laiku jābūt uz skatuves. Tiem, kas izrādi vēl nav redzējuši, pateiksim, ka visas izrādes gaitā uz skatuves ir arī otrais plāns, kur tava partnere ir vai nu Jana Ļisova, vai arī Līga Zeļģe. Viņām aiz stikla sienas rit sava dzīve.  Tur ir divas dažādas dzīves. Daži saka, ka viņiem vajadzētu satikties, bet principā viņiem nevajag satikties, jo dzīvē viņi pa īstam nesatiekas. Kā ļoti bieži dzīvē arī notiek. Ko teica Guntis Bojārs, kad uzzināja, ka viņa grāmata tiks iestudēta? Mums bija ļoti jauks radošais process. Sākumā satikāmies trijatā – Artūrs Dīcis, Laura un es. Runājām par šo projektu, visu ko pārspriedām un stāstījām dažādus atgadījumus no savas dzīves. Un tad satikāmies ar Gunti Bojāru: mums ļoti interesēja, kā un kāpēc viņam šis darbs radās, un Guntis teica – dariet ar manu grāmatu, ko gribat, tikai viņa vēlme bija, lai finālā sanāk darbs par to, ka arī vīrietim gribas parunāt. Iespēja pašam paņemt materiālu un izveidot izrādi ir diezgan ekskluzīva Monoizrāde aktierim tomēr ir liela uzdrošināšanās. Teātrī ļoti reti gadās, ka aktieris pats saka: "Es gribu šo darbu un tagad to taisīšu." Tas ir ekskluzīvi, un paldies Ievai Strukai, ka tas viss notika! Parasti tu pieej pie sienas, kur izlikts jauno iestudējumu saraksts, un ieraugi – spēlēsi vai nespēlēsi. Tāpēc iespēja pašam paņemt materiālu un izveidot izrādi ir diezgan ekskluzīva. Mums gan likās – mēs taisām izrādi vīriešiem par vīriešiem, bet esam trāpījuši desmitniekā virzienā uz sievietēm. Ir tik ļoti daudz atsauksmju no sievietēm! (..)  Šajā izrādē tev ir saspēle ar skatītājiem. Tev gan šai ziņā ir pamatīga pieredze – esi vadījis daudzus un dažādus pasākumus. "Zīda čūskas" sakarā vienubrīd kāds teica, ka varbūt ar skatītājiem vajag komunicēt mazāk. Bet nu – izrādes vide ir kafejnīca, uz kuru atnācis vīrietis. Cilvēki sēž pie galdiņiem, un tad ar viņiem arī viņš komunicē.  Protams, katrā izrādē skatītāji ir citādi – vieni labprāt iesaistās, citi ir atturīgāki. Bet tas katru izrādi padara citādu. Izrādē viscaur skan mūzika – Šopēns. Vai tu pats šo mūziku dzirdi? Vai tā tev palīdz, vai šajā gadījumā tā ir tikai fons?  Es nedzirdu šo mūziku – varbūt dažās vietās, kad pats nerunāju. Bet ar to Šopēnu, stikla būri un meiteni tajā ir ļoti interesanti: es taču vispār nezināju, kas tur notiek! Jo visu laiku dzīvoju savu dzīvi, un viņa dzīvo savu dzīvi. Un tad bija viena fotosesija, kur fotografēja Līgu. Apsēdos skatītāju zālē un skatījos, ko Līga tur dara, un biju vienkārši šokā. Domāju – ak, Dievs, un kā lai es paņemu skatītāju uzmanību?! (Smejas.) Spēles laukumā tu ierodies kā īstens mačo – uz motorollera. Tāds diezgan stereotipisks aksesuārs, lai parādītu – sak', es te atbraucu! Jā un nē. Jo – ja vīrietis 60 gados pārvietojas ar motorolleru, tur Freidam arī būtu ko teikt. Tur ir zināmi zemūdens akmeņi. Ārpus Aktieru zāles nepārvietojies ar motorolleru? Teicu, ka gribētu to darīt vasarā, kad sezona beigsies – paņemt motorolleru un pabraukāt, bet man atbildēja, ka tas nav reģistrēts CSDD. (Smejas.) Toties tev ir traktorista tiesības!  Jā, man ir A, B, C un traktorista tiesības – trešā klase. Es gan visiem lielos, bet – ja būtu jābrauc ar traktoru, diezin vai varētu. Varu braukt ar tiem, ar kuriem noliku tiesības.  Pareizi, tu taču esi lauku puika! Jā, esmu no Jumurdas, no Ērgļu puses. Kad pēc Tautas kinoaktieru studijas atnācu uz Konservatoriju, pedagogs Imants Adermanis pēc pirmajiem tekstiem man uzreiz teica: "Jūs no Vidzemes, ja?"  Trīsdesmit gadi teātrī: kas mainījies? Teātrī esi vairāk nekā trīsdesmit gadus. Kas šajā laikā ir mainījies? Mēs kļūstam viedāki, gudrāki, sudrabaināki... (Smaida.) Kas mainījies? Lielās līnijās nav mainījusies tā sajūta, ka tad, kad jauns aktieris ienāk teātrī, viņam liekas, ka visas durvis ir vaļā. Un tad nu kā kuram... Ar laiku saproti, ka pie profesijas jāstrādā visu mūžu. Protams, mainījusies arī vide. Bohēma aizkulisēs vairs nav tik izteikta kā agrāk. Teātrī, tāpat kā pasaulē un sabiedrībā, viss mainās – teātris jau ir sabiedrības spogulis. Tomēr man gribas, lai klasiskās teātra vērtības paliek tādas, kādas tās ir. Es teātrī esmu vēl aizvien, jo – kaut reti, tomēr joprojām ir tie brīži, kad saproti – šī sajūta ir tā, kāpēc vispār ir vērts būt šajā profesijā. Par paaudzēm runājot – teātrī atkal ienāk jauna paaudze, parādās jauni aktieri. Nupat skatījos "Ugunī" – tur jau atkal ir jaunas sejas. Lomas bieži tiek piešķirtas arī atbilstoši vecumam – diez vai tu, būsim objektīvi, vēl spēlēsi Romeo? Bet kāpēc nē? Varētu būt izrāde "Romeo pēc četrdesmit". Starp citu, savulaik Dailes teātrī jau arī bija izrāde "Romeo un Džuljeta pēc piecdesmit", kur satikās mūsu meistari Eduards Pāvuls un Vija Artmane. Jā, bet tas jau ir pilnīgi cits stāsts. "Zīda čūskā" ir viens ļoti labs teikums par to, kas dzīvē notiek ar vīrieti un sievieti. Galvenais varonis saka: "Tagad saprotu, kāpēc Romeo un Džuljeta ir tik jauni. Tikai tāds var būt stāsts par mūžīgu mīlestību – jauni, vēl nesalauzti, iemīlas un laicīgi nomirst, kamēr nav sākušies sūdi..." Vienam uz skatuves cīnīties grūtāk "Zīda čūska" ir viena no tavām jaunākajām lomām, bet tavā repertuārā ir arī lielās izrādes Lielajā zālē – "Viss par Ievu", gan "Nacionālais kanāls". Pavisam cits formāts.  Jā, tie ir pilnīgi atšķirīgi formāti. Lielajā zālē tev ir partneri – kolēģi, ar kuriem spēlē kopā, un tās ir acis, kurās ieskatīties. Monoizrādē tu esi viens. Un vienam uz skatuves cīnīties patiešām ir grūtāk, nekā diviem, trijiem vai četriem. Starp citu, izrāde "Ezeriņš". Pirmizrāde bija jau 2014. gadā, bet izrāde joprojām dzīvo. Tā mainās? Jā. Pirmkārt, kolēģi ir pamainījušies. Kad kādu jaunu aktieri ievadām izrādē, paskatāmies arī vecos ierakstus no pirmā gada. Tad brīžiem liekas – pag, mēs tiešām šādi spēlējām? Izrāde ar laiku apaug, attīstās. Bet tas, ka tā joprojām ir repertuārā un izpārdota, liecina, ka izrāde ir laba. Līdzās izrādēm Nacionālajā teātrī ir, piemēram, arī komēdija "Uz visu banku", ko iestudējis Intars Rešetins. Tā tiek spēlēta reģionos, kultūras namos. Ir skatītāji, kuri par šādām izrādēm mēdz mazliet vīpsnāt. Šajā gadījumā noteikti nevajadzētu vīpsnāt! Jo Intaram ir viena ļoti laba īpašība – viņš meklē labu materiālu. Un, ja materiāls ir labs, tad tur īsti nav par ko vīpsnāt. Tā ir komēdija, bet daudzi skatītāji saka – sākumā smejies, smejies, bet pēc tam sāc domāt: kā tad man pašam tur ir? Kā man ir ar attiecībām? Protams, Latvijā ir daudz izrāžu, kas braukā pa kultūras namiem, un kvalitāte mēdz būt dažāda. Bet pats princips – ka teātris aizbrauc pie skatītāja – tas arī ir svarīgs. Balss, filmēšanās kā svētki un čūska sieviešu dzimtē Tevi mīl arī kamera un mikrofons – esi daudz strādājis filmu dublēšanā. Ar to saistās viens smieklīgs gadījums. Reiz pēc slēpošanas Žagarkalnā iegājām bārā sasildīties. Tur bija milzīga rinda pie letes. Divas mūsu kompānijas skaistākās meitenes aizsūtījām pasūtīt dzērienus. Viņas atnāk atpakaļ un saka: bārmenis mūs apkalpos bez rindas, ja es ierakstīšu disku ar savu balsi, jo viņš vakaros skatoties filmas ar manu balsi un pie tām ļoti labi aizmiegot. Dzērienus dabūjām. Bet bārmenim joprojām esmu parādā to disku. (Smejas.) Filmēšanās ir pavisam cita pasaule nekā teātris? Jā, tie ir svētki! Nupat beidzās mana epopeja seriālā "Nemīlētie". Man ļoti patika darbs arī projektā "Slepkavības lietas" kopā ar Andreju Ēķi – pirmajā sezonā, kur mēs ar Madaru Botmani filmējāmies stāstā "Lapsenes". Ja ir piedāvājums, ar rokām un kājām esmu par. Daži aktieri kādā brīdī no teātra aiziet. Vai tev pašam kādreiz bijusi tāda doma? Vienreiz esmu aizgājis – no štata uz ārštatu. Bet pēc tam Edmunds Freibergs mani aicināja atpakaļ, un es atgriezos. Protams, ik pa brīdim rodas jautājums: ja esi teātrī, bet sezonā tev ir trīs jauniestudējumi un tikai vienā no tiem ir nopietns uzdevums, tad brīžiem domā – vai vērts kavēt savu dzīves laiku tikai tāpēc, lai būtu teātrī un saņemtu to nelielo algu. Ar gadiem jau arī lomu klāsts mainās. Sešdesmitgadīgs aktieris nespēlēs visas lomas. Cik no tavas paaudzes aktieriem šobrīd esat Nacionālajā teātrī? Nav daudz. Mans kursabiedrs Juris Hiršs, mīļais kolēģis Ivars Puga, un tālāk jau ir drusku vecāki: piemēram, Voldemārs Šoriņš, kurš ir vecākais. Pasaules dramaturģijā jau nemaz nav tik daudz lomu aktieriem šajā vecumā. Bet tās, kas ir – tās ir interesantas. Un es jau vēl arī mīlnieku varētu spēlēt, ja kas! (Smejas.) Ko tu patiesībā arī dari izrādē "Zīda čūska". Starp citu, kur tur bija čūska?  Tas katram pašam jāizdomā.  Pirms sarunas spriedām par to, kāpēc čūska latviešu valodā ir sieviešu dzimtē. Jā, tas ir interesanti. Lai gan dažos gadījumos čūska var būt arī vīriešu dzimtē – piemēram, zalktis. Bet visas lielās, milzīgās čūskas tomēr ir sieviešu dzimtē.

#AcıTatlıMayhoş 

"Tā kā mēs esam brīvi, mēs varam izmantot savu brīvību arī ļaunprātīgi. Par to mēs nedrīkstam vainot Dievu" (bīsk. Fultons Šīns) Dienas impulss: Kuru no visiem Dieva likumiem Tev ir visgrūtāk pieņemt? Kādi, Tavuprāt, tam ir iemesli? Vai spēj uzticēties, ka šis likums nav pret Tevi, bet Tavam labumam? Parunā par to ar Dievu! Godināmais bīskaps Fultons Šīns (1895 - 1979) — viens no izcilākajiem 20. gadsimta sludinātājiem, viens no pirmajiem, kurš radio un televīziju izmantoja, lai sludinātu Kristu, ar Evaņģēlija vēsti aizsniedzot miljonus.

5-3 CHAOS!

Scott Kuru from Freedom Property Investors on the state of the property market. See omnystudio.com/listener for privacy information.

Aylin Öney Tan'ın 10 Şubat Dünya Baklagil Günü vesilesiyle hazırladığı özel seri şimdi tek kayıtta.Kuru fasulyeden mercimeğe, bakladan börülceye…Anadolu'dan Amerika'ya, Afrika'dan Hindistan'a uzanan baklagillerin göç hikâyeleri, milli yemeklerimiz, az bilinen çeşitler ve atıştırmalık kültürü bu dosyada.Nuh'un ambarındaki gambilya, Antik Mısır'dan gelen tirmis, Manyas Kazak fasulyesi, İspir ve Çandır fasulyeleri…Çorbadan makarnaya, favadan dondurmaya uzanan tarifler ve mutfak kültürü.İklim krizini düşündüğümüzde bitkisel proteinin önemi daha da artarken, baklagiller hem tarih hem beslenme hem de sürdürülebilirlik açısından yeniden masada.

In this week's little liter we're talking about the latest news pertaining to sicko Jeffrey Epstein from his potential link to JonBenet Ramsey, his interactions with Lifetouch photography and his attempt at buying a fellow rapists house. Watch this episode on YouTube: youtube.com/@cultliter Call the Hotline: 747-322-0273 Buy my book: prh.com/obitchuary Come see me on tour: obitchuarypodcast.com Write me: spencer@cultliter.com Follow along online: instagram.com/cultliterpodcastinstagram.com/spencerhenry Join our patreon: Patreon.com/cultliter Check out my other show OBITCHUARY wherever you're listening now!  Sources:https://allthatsinteresting.com/kuruhttps://en.wikipedia.org/wiki/Kuru_(disease)https://www.healthline.com/health/kuru#causeshttps://en.wikipedia.org/wiki/John_Bennett_Ramseyhttps://www.instagram.com/lifetouch/?hl=enhttps://en.wikipedia.org/wiki/Prominent_individuals_mentioned_in_the_Epstein_fileshttps://www.thetimes.com/us/news-today/article/epstein-files-release-documents-pictures-2c0pscr5w?gaa_at=eafs&gaa_n=AWEtsqdUFRV9ILlrWLmpbnzu7dSXRBS4B6kLj-YWdBC09Q7VVQLFwtNw1R2UNPe2_Xs%3D&gaa_ts=698b4792&gaa_sig=_RwMSHy1dnGUzMzZuTjmc1DUOzJ5mnajpuPUcVpjMT4hEx9eLyzIPWfZDgNP4-sJk-UlawfJMbCi9mGZDfigug%3D%3D Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

#acıtatlımayhoşKuru fasulye için İspir fasulyesi, piyaz için Çandır fasulyesi ararız. Peki ya Manyas Kazak fasulyesini biliyor musunuz? Yer fıstığı da bir bakliyat! Aylin Öney Tan favori baklagilinin mercimek olduğunu söylüyor. Mercimek kelimesini Farsça'dan almışız; marcumak, mardumak  "göz bebeği, lens" demek. Latincesi de "lens". This podcast is powered by Podcastics, the easiest platform to create and publish your podcast.

Çiğdem Aydoğdu'nun hazırlayıp sunduğu Turizm Gündemi programına Bursa SKAL Başkanı, Ramada Çekirge Genel Müdürü Ismail Kuru konuk oldu.

Çiğdem Aydoğdu'nun hazırlayıp sunduğu Turizm Gündemi programına Bursa SKAL Başkanı, Ramada Çekirge Genel Müdürü Ismail Kuru konuk oldu.

#acıtatlımayhoşKuru bakladan fava gibi, Antalya'da mercimekten dondurma yapılır. Bodrum usulü fava isi, gambilyadan yapılır. Çorbası da, favası da olan bir bezelye çeşidi. Türkiye'de az bilinen gambilya, İtalya'da "Nuh'un ambarı" listesinde olan bir yiyecek. Aylin Öney Tan tarifini de veriyor. This podcast is powered by Podcastics, the easiest platform to create and publish your podcast.

En este episodio de Podcast Paranormal, junto a Mariana Portillo, analizamos los últimos documentos vinculados a Jeffrey Epstein y su relación con élites mundiales.Exploramos desde el testimonio de Gabriela Rico Jiménez sobre fiestas de alto poder, hasta reportes del FBI en el que son mencionados actos de antropofagia y la conexión de figuras públicas con el campamento Bohemian Grove.Analizaremos la enfermedad de Kuru, vinculada al consumo de tejido humano detrás del culto a Moloch y las inconsistencias en la muerte oficial de Epstein que sugieren una posible fuga.

#acıtatlımayhoşBaklanın anavatanı Anadolu. Kuru fasulye Amerika, börülce Afrika kökenli. Gaziantep mutfağının maş fasulyesi de Hindistan'dan gelmiş. Çin'de ise çorbadan tatlıya her şeyde kullanılan kırmızı fasulye ezmesi var. Aylin Öney Tan anlatıyor. This podcast is powered by Podcastics, the easiest platform to create and publish your podcast.

A version of this essay was published by firstpost.com at https://www.firstpost.com/opinion/india-us-trade-deal-trump-skepticism-13977047.htmlI am beginning to feel quite like ‘The Boy Who Cried Wolf', who was destined to be ignored. Or maybe I am the boy who cried ‘The Emperor Has No Clothes'. For, I was skeptical last week about the India-EU FTA, which I called a triumph of hope over experience. Now I am equally skeptical about the so-called India-US trade ‘deal', which in fact is not a deal at all, but a sort-of statement of direction about the way to an actual deal.I expressed my caution on a Malayalam TV program where the host was a retired Ambassador. He was less skeptical than me, but he understood where I was coming from: after all, a diplomat's job is to put the best spin on the news (good or bad) from his country's perspective. And I spent much of my professional career in marketing: I can tell spin when I see it. Reason No. 1: Trump is famous for exaggeration and U-turns.The very first reason for the scepticism about the Indo-US lovefest is that it was announced by President Trump, who, in the past six months, has, in his whimsical way, executed any number of U-turns, as well as Z-turns, and various other pretzel-logic twists, so much so that anything he says, and its opposite, can be equally true, in a quantum Schrodinger's Cat sort of way. It is prudent not to take him at face value when he swears eternal allegiance to India. Again.Quoth he: “It was an Honor to speak with Prime Minister Modi, of India, this morning. He is one of my greatest friends, and a Powerful and Respected Leader of his Country. We spoke about many things, including Trade, and ending the War with Russia and Ukraine. He agreed to stop buying Russian Oil, and to buy much more from the United States and, potentially, Venezuela. This will help END THE WAR in Ukraine, which is taking place right now, with thousands of people dying each and every week! Out of friendship and respect for Prime Minister Modi and, as per his request, effective immediately, we agreed to a Trade Deal between the United States and India, whereby the United States will charge a reduced Reciprocal Tariff, lowering it from 25% to 18%. They will likewise move forward to reduce their Tariffs and Non Tariff Barriers against the United States, to ZERO. The Prime Minister also committed to “BUY AMERICAN,” at a much higher level, in addition to over $500 BILLION DOLLARS of U.S. Energy, Technology, Agricultural, Coal, and many other products. Our amazing relationship with India will be even stronger going forward. Prime Minister Modi and I are two people that GET THINGS DONE, something that cannot be said for most. Thank you for your attention to this matter!”Okay. Very interesting. There has been no Indian readout corroborating a number of these claims, especially on agriculture, which I imagine is a redline, a no-go, for India.Besides, these are supposed to be ‘reciprocal' tariffs. If Indian tariffs go to zero on US products, why is the US imposing 18% on Indian products?Reason No. 2: Desperation of ‘jilted lovers'The ‘shotgun wedding' vibe was present in the India-EU FTA as well: a sort of desperation. There is not much choice: you simply have to do this. I am not the only one saying this. Here is a tweet from a senior EU leader, former PM of Sweden and co-chair of the EU Council for foreign relations. Of course you could say that he would say this, wouldn't he? But it happens to be true. The number of suitors is declining rapidly, so you compromise. But that is not a recipe for the longevity of the relationship, nor for faithfulness. You can expect er… adultery (early and often). The roving eye roveth.Reason No. 3: Agriculture and dairy red-linesWe really don't know much about the fine print. I am aware that sales and marketing people tend to promise anything (even things they are completely aware are impossible) just to get the sale. Thus, when India diversifies away from the US market, and its Q3 numbers are not badly affected by the Trump tariffs, it is incumbent upon Trump and Navarro, Bessent, Lutnick et al to reverse their previous abuse, and be all milk and honey.The problem here, as always, is the agriculture and dairy product front. It is an absolute red line for India: no government can afford to piss off its farmers, nor to open up the country, home of much of the world's genetic diversity, to Genetically Modified Organisms (GMO) including Terminator Seeds (that would forever put farmers at the mercy of Cargill and friends).Not only that, non-veg milk (that is, milk from cows that have been fed, among other things, ground-up animal bodies) is abhorrent to a large number of Indians. Not to mention the risk of things like Creuzfeldt-Jakob Disease or mad-cow disease (transmitted via feed that includes the ground-up brains of diseased cattle: see also the fatal brain disease Kuru, transmitted between cannibals in Papua New Guinea).The US rather urgently needs to get rid of its soybean and corn mountains and milk lakes (in contrast with the EU's butter mountain and wine lakes) and in both, exporters salivate at the prospect of the proverbial billion-customer market. (The Chinese expertly used this rather illusory meme to attract foreign makers of consumer goods. That didn't end well).In the case of India, there is no demand for soybeans, and the one place where I can see demand for corn is in ethanol, especially for blending into petrol. That would be a win-win, because it would reduce the need for India to grow highly thirsty sugarcane, thus drawing down the already alarmingly depleted water-table.Reason No. 4: Russian oil and energy in generalThe unseemly pressure over Russian oil raises hackles on the Indian side. After all, this is not the only time India has been pushed to the wall by American sanctions: there was the post-'Buddha is smiling' period, and the prevention of the sale of ex-Soviet cryogenic rocket technology, as immortalized in Nambi Narayanan's story in “Rocketry: The Nambi Effect”. Earlier, there was the embargo on supercomputers.In each of these cases, India rode out the sanctions and denials. But the question arises: why should India not use Russian oil if it makes commercial sense to India? Just because there is a conflict between Russia and Ukraine? That is really not India's problem: India does not have a dog in that fight.Now there is the allegedly impending US attack on Iran. India has been denied Iranian oil for some time, and now under US pressure, it is being forced to ramp down its involvement in Chabahar Port in Iran that India built, and views as a gateway to Central Asia. Notably, China continues to import Iranian crude. Is India getting some relief there?It is not realistic to imagine that large amounts of Venezuelan crude will now flow to India if it abjures the Russian stuff. For one, even though Reliance's Jamnagar refiner can process the heavy, sour Venezuelan oil, it is said that Venezuela will take some time and a lot of money to ramp up its output because of years of neglect, lack of naphtha to dilute and pump out the crude, and so on.Reason No. 5: Non-tariff barriers and subsidies.The US claims that India will drop all its non-tariff barriers, but what is the guarantee that the US will not raise an impenetrable wall on their side? It is a simple matter to impose difficult-to-comply-with rules that basically say “Your products are not welcome”. These may include environmental, carbon tax, quality, and various other demands.For example, there is the Merchant Marine Act of 1920 that insists that only American owned/built/crewed ships can transport goods between US ports. Then there are Buy American Act procurement restrictions that handicap foreign-origin products. Furthermore, quality standards e.g. on hormone-treated meat products, and on certification that seafood is tuna-safe have been used to keep out imported products.The US Farm Bill provides gigantic subsidies for five major crops – corn, soy, wheat, rice and cotton – amounting to $9.3 billion in 2024. Reports suggest that crop insurance and new benefits from the ‘bridge payments' announced in 2025 may add another $10 billion+ to this sum. That is an enormous subsidy, pricing competitors out of the market.Reason No. 6: Loss of trustFinally, there is a sixth and critical reason: the loss of trust. For the longest time, India had convinced itself that it was an essential strategic partner to the US, if for nothing else to contain China. But that illusion is now gone, quite possibly because the US has decided to create a G2 condominium with China and retreat into Fortress America. The US administration now considers India, at best, a transactional vassal, and at worst, a potential rival to apply the Thucydides Trap to: and what better than to do war by economic means? India has to adjust.On the other hand, there are indeed positives. In the interest of fairness, here are the immediate views of Citibank and Bank of America, who both considered it a net positive for India.If you accept the tariff reductions by the US at face value, then India at 18% is doing marginally better than several other nations, including Vietnam, Thailand and Bangladesh. Ironically, Trump's recent best-friend-forever Pakistan is hit with 19%. There was a video circulating showing Raghuram Rajan, the economist who wants to be to Rahul Gandhi who Manmohan Singh was to his mother, gloating earlier that India was suffering from 50% tariffs compared to Pakistan's 19%.That brings up one more observation: the Opposition in India is screaming bloody murder about this supposed India-US ‘deal' not because they claim India is getting a bad deal, but apparently because they think India is getting a good deal. They should see Trump's latest triumph.Opposition, fear not: Trump is making even more entertaining claims about his ‘deal' with Xi. The sum and substance: “Please buy my soybeans”. This, despite the fact that China is the biggest buyer of oil from both Russia (48% of exports) and Iran (80%). Clearly, there is a lot of marketing going on, and it's too early to tell what the reality is. The devil is in the details.1750 words, 5 Feb 2026 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe

İMAMOĞLU'NUN UÇKURU ve RÖVANŞ

Zyrga godu suocam ar latgalīšu postfolklorys grupu „Rikši”, kuri muzykā rikšoj jau 15 godu i tradicionaluos dzīsmis īlīk myusu dīnu skaniejumā – ar ritmu, ironeju i dzeivu koncertenergeju. „Folklora ir kai draudzeiba, kuru vajag kūpt, tod byus i dzeivisziņa, i gudreiba, i vierteibys pareizi sasaliks,” tai soka poši „Rikši”. Leluokuo daļa „Rikšu” sasatyka i izauga Rēzeknis bārnu i jaunīšu folklorys draugu kūpā „Vīteri”. Grupā ir 5 daleibnīki – Ēriks Zeps, Madara Broliša, Ivars Utāns, Mārcis Lipskis i Jurgis Lipskis, vysmoz 5 instrumenti i „Rikšu” jubilejis koncerts ari saucās „Vīns – pīci”. Saruna, kai poši muziki soka, ar „vacajim” „Rikšim”, kuri grupā muzicej nu pyrmsuokumu – Ēriku Zepu, Madaru Brolišu i Ivaru Utānu par dzīsmem, koncertim, kuriozim, izaicynuojumim „Rikšu” pīredzē 15 godu guojumā, i kas niu nūteik taišni postfolklorys nūzarē. Grupys nūsaukums maklāts tautysdzīsmēs. Ēriks stuosta: „Škūrsteisim tautysdzīšmu gruomotu, kaids soka stop, iz kuru vuordu truopa, tys byus. Tai liktiņs īmete, ka tei dzīsme beja „Rikšiem bērīt' es palaidu”, mes izlosom – „rikši” – jā. Tys ir koč kaids dzeivis piersts, ka tai ari vajadzēja byut.” Postfolklorys grupa „Rikši” izdavuši treis albumus: „Pa pyrmam” (2014), „Sieju sovu” (2016) i „trīp!” (2020), niu struodoj pi jauna albuma. Stuosta Madara: „Catūrtais byus taišni bārnu dzīsmis, par tū ka atguoja laiks, kod suoce dzimt bārni. Prioritatis dzeivē pasamaina, pleiliste pasamaina, suoc skanēt vysaidys bārnim interesejūšys dzīsmis, i tod saprūti, parkū mes navarim, parkū myusu bārni navarātu myusu dzīsmis klauseitīs, i tai pa druskai aizguoja.” Poši muziki palykuši nūpītnuoki, dziļuoki sovuos vierteibuos i ari humorā, soka Ivars: „Mes suocam dūmuot, tys ir mainejīs pa pīcpadsmit godim. Niu mes ejam ar pruotu ap styuri, cytaiž var sasasist.”  Runojūt kūpumā par postfolkloru Latgolā i Latvejā, Ēriks izceļ faktu, „ka Rēzeknē niu ir Tradicionaluos muzykys nūdaļa muzykys vydsškolā, tu vari vuiceitīs itū muzyku. Mums vēļ vajadzātu tautys muzykys izpiļdeišonā augstuokū izgleiteibu, kurys, dīvamžāļ, Latvejā nav. Leidz ar tū spieceiguokī jaunīši brauc iz uorzemem, i jī ir tik spieceigi, ka tur jim byus cīši daudz īspieju.  Lai kai mums ruodeitūs, ka tautysdzīsme ir koč kur Dainu skapeitī īlykta, jei ir itepat. Folklora ir dzeivisziņa, dzeivis uzskotu kūpums, latvīšu skatejums iz pasauli, iz lītom apleik, iz dobu, kaida mums ir pietate, kai mes sasarunojam vīns ar ūtru, kas ir myusu vierteibys, kas godu symtim taišni caur folkloru zeists vydā caur muotis pīnu, dzierdāts vysapleik. Mes poši naapsazynojam, ka mes asam itūs vysu vacvacmameņu i vacvactieteņu uzskotu produkts, i mes naaizbēgsim nu tuo.”  

Hayatın her alanında yapay zekayı görüyoruz. En kritik sektörlerden biri bankacılık. Bu alanda bankacılıkta yapay zeka ne seviyede kullanıyor? Yapay zeka ile kendimizi nasıl daha donanımlı hale getiririz? Konuğum Garanti Bankası BBVA GMY İlker Kuruöz ile konuştuk. #bankacılık #yapayzeka #garantibbva

Volume 11 of the Community Chronicles is here, and your stories are darker than ever! This week, we're diving into listener submissions that prove DayZ is the best narrative generator in gaming. Get ready for accounts of near-fatal ambushes, the terrifying effects of the brain disease Kuru, and the unique challenges of trying to survive on the deadly map, Livonia.We highlight the moments of panic, hilarity, and pure survival instinct that make this community so incredible!

Grab your blankets and settle in for another Spooky Sleepover with Nikki and Cheryl on Killers, Cults & Queens! This week we catch up on all things winter fashion, our Comic Con adventures, and the strange world of quirky documentaries—including a completely fictional shark bakery that Nikki is far too enthusiastic about.Speaking of which… Nikki is thinking of changing career to start making documentaries, but she might face some difficulty as it's a scenario that doesn't exist — and yes, she's pitching it to you anyway.We also explore the eerie true story of Kuru, the disease historically linked to cannibalistic rituals, before rounding things off with a joyful rant about the sudden boom in orange wristwatch straps worn by middle-aged men. Fashion statement? Midlife crisis? We're not sure, but we have thoughts.This episode is a mix of cosy chaos, queer humour, weird history, and spooky storytelling — the perfect blend for your weekly wind-down.Got a theory? Been lost in a rabbit hole? We want to hear from YOU!Email killerscultsqueens@gmail.com or DM us on Instagram @killerscultsqueens.✨ Support the show on Patreon for bonus content and early AD FREE access: patreon.com/killerscultsqueens

Aqui começa o Oitavo Parva, chamado Karna Parva que contará a jornada de Radheya como General em Chefe do exército Kuru.

Sağduyu'nun bu bölümünde Prof. Dr. Ahmet Kuru, İslam dünyasının geri kalmışlığının kökenlerini, ulema-devlet ilişkisini ve çağdaş çözümleri Tarık Çelenkk'e anlatıyor. Kuru'ya göre sorun İslam'da değil, otoriter siyasal yapılar ve düşünsel durgunlukta. Peki, neden 12. yüzyıldan sonra İslam dünyasında özgür düşünce zayıfladı? Neden bilim ve felsefe gelişemedi? Müslüman toplumlar için çıkış yolu ne olabilir? Tarık Çelenk soruyor, Ahmet Kuru yanıtlıyor. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Blake Smith and Karen Stollznow are joined by clinical psychologist Dr. Brian A. Sharpless, author of Monsters on the Couch, to discuss cannibalism—what it is, why humans have done it, and how the taboo shows up in archaeology, medicine, psychology, and horror cinema. They cover definitions (endocannibalism vs. survival cannibalism), prion diseases such as Kuru, criminal and paraphilic cases, and pop-culture touchpoints from Ravenous to The Texas Chain Saw Massacre, plus legend-tripping at Lovelock Cave and the “giants” folklore around the Mound Builder myth.Don't forget to grab Karen's latest: Bitch: The Journey of a Word

Emine'nin İstanbul'dan Sivas'a doğru yaptığı yolculuğun lezzet duraklarını konuşuyoruz. Karabük'ten Sinop'a, Samsun'dan Amasya ve Sivas'a kadar hangi yemekleri denediğinden bahsediyoruz. Aynı isimli yemeklerin farklı şehirlerde bambaşka tatlara dönüşmesinden, Türkiye mutfağının dünyadaki eşsiz yerine kadar uzanan keyifli bir sohbet sizleri bekliyor. Interactive Transcript and Vocab Helper Support Easy Turkish and get interactive transcripts and live vocabulary for all our episodes: easyturkish.fm/membership Show Notes Yolculukta denediğim lezzetlerden birkaç kare (https://drive.google.com/drive/folders/1iDZUsXpbiwMULUriK7HZjIMdp1k3DsSb?usp=sharing) Transcript Intro 1- Emin: [0:15] Herkese merhaba. Easy Turkish Podcast'in yeni bölümüne hepiniz hoş geldiniz. Ben Emin, bugünkü bölümümüzde Emine ablamla beraberiz. Nasılsın Emine abla? 2- Emine: [0:25] İyiyim Emin, sen nasılsın? 1- Emin: [0:27] Ben de iyiyim. Nerede kalmıştık? 2- Emine: [0:30] Lezzetli bir yerde kalmıştık. 1- Emin: [0:32] Evet, bir önceki bölümü dinlemeyenler varsa, Emine ablam yakın zamanda bir Batı Karadeniz, Orta Karadeniz ve Sivas gezisine gitti. Orada geçen bölümümüzde gezdiği yerleri anlattı bize. Şimdi bu bölümde çok daha önemli bir şey, yediği şeylerden bahsedecek bize. 2- Emine: [0:52] Gelelim asıl konuya. 1- Emin: [0:53] Aynen. Gelelim önemli konuya. Dedik yani bu bölüm apayrı bir bölüm olmalı. Bunu öyle kestirip atamayız yani kısa bir bölümde bunu bitiremeyiz. Evet en son bölümün sonunda en beğendiğin şeyin Sinop mantısı olduğunu söylemiştin. Bu hâlâ geçerli mi? 2- Emine: [1:10] Geçerli sanırım. Böyle ana yemek olarak Sinop mantısını çok beğendim. Bir de Sivas'ta bir Divriği pilavı diye bir pilav denedim. Pilav da şahaneydi ya dışarıda yediğim en iyi pilavlardandı. Ama pilav bizde biliyorsun böyle ana yemek gibi geçmiyor. Bir de ben ekstra sevdiğim için pilavı... O da çok ağır basıyor. 1- Emin: [1:30] Nasıl bir pilavdı? 2- Emine: [1:32] Nasıl bir pilavdı... İçinde bolca kuru meyve vardı. Kuru üzüm falan... Üstünde de haşlanmış et gibi bir et vardı. Ama ikisi beraber pişiyorlarmış galiba. 1- Emin: [1:41] Bayağı ana yemek bu ya. 2- Emine: [1:44] Ya ben pilav kısmını daha çok beğendim. O yüzden oraya odaklanıyorum. Evet eti de düşününce doğru diyorsun. Ana yemek gibi. O çok güzeldi. Böyle et suyuyla pişen pilav zaten çok lezzetli oluyor. O şekilde... O ikisini diyorum. 1- Emin: [1:57] Evet. Peki o zaman gezinin başından başlayalım. İlk gittiğin yer Karabük'tü herhâlde. Support Easy Turkish and get interactive transcripts and live vocabulary for all our episodes: easyturkish.fm/membership

On this episode of Marketing People Love, I sat down with Blake Brown—marketing leader behind standout footwear brands like Kizik and Kuru—to explore what it really takes to make content that connects. From long-form ads like Nike's “Trial of Luka Doncic” to scrappy TikToks shot on an iPhone, Blake shares how emotion, authenticity, and iteration are the real differentiators in a world flooded with AI tools and goldfish-attention-span myths. We jam on storytelling, creative risk-taking, and why brands need to stop trying to be perfect—and just start being real. Another must-listen episode on Marketing People Love!

Nuri Çetin, Alper Çelik ve Ömür Okumuş ile varyantlı hususlara yolculuk. https://www.instagram.com/alper_celik_https://www.instagram.com/omurokumus_https://www.instagram.com/nuri.cetin

You Have to try the Sauce: https://SemperFryLLC.comGo to my site for the direct link to Dr. Monzo's formulated AZURE WELL whole food supplements. Use code BB5 for a discount!Pods & Exclusives AD-FREE! Just $5/mo https://patreon.com/c/DisguisetheLimits Project Fund:https://givesendgo.com/BaalBusters Check out these other links!SUBSCRIBE HERE: https://www.instagram.com/drgliddenclips/ https://www.tiktok.com/@dr.glidden.clips https://www.youtube.com/@baalbusters https://rumble.com/c/BaalBusters https://www.brighteon.com/channels/baalbusters/videos/allBecome a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

#KöşedekiKitapçı'da

If you're struggling, consider therapy with our sponsor. Visit https://betterhelp.com/almanac for a discount on your first month of therapy.If you have questions about the brand relating to how the therapists are credentialed, their privacy policy, or therapist compensation, here is an overview written by the YouTube creators behind the channel Cinema Therapy that goes into these topics: https://www.reddit.com/r/cinema_therapy/comments/1dpriql/addressing_the_betterhelp_concerns_headon_deep/ Hello Poison Friends! We are back with part two of Prion Diseases or Transmissible Spongiform Encephalopathies. Kuru is a TSE/Prion disease that has affected the native people's of Papua New Guinea during the last century or so. I don't want to spoil just how it came about, but it does involve some taboo--and thankfully no longer practiced--funerary rites. The Australians who were observing and studying them just after WWI discovered the Fore people there were dying out quickly (the women and children especially) of some strange illness that led them to shake and tremble violently, become confused, and even laugh deliriously before dying. There native peoples had long believed it to come from sorcery, but the Australians and an American physician with many a flaw to discuss here were not content with such an answer. Creutzfeldt-Jakob Disease (CJD) was identified in patients in the early 20th century and the symptoms were similar to other diseases now known to be prion diseases: dementia, hallucinations, stumbling, falling, loss of coordination, death. This seemed to be spontaneous and that was that. Then Europe's cattle began to show signs and symptoms that were alarming. They too loss their coordination, became agitated, held their heads strangely, fell over, and died. Cows who were ill were slaughtered and their meat and tissues made it into the food chain. In Cows, the illness was identified as Bovine Spongiform Encephalopathy (BSE), though some journalists referred to it as "mad cow" disease. While the government agencies tried to keep it a secret to avoid the meat economy from going under, humans became infected via the ingestion of BSE infected meat. This illness in humans was identified as variant Creutzfeldt-Jacob Disease and it caused chaos and panic among those who had been buying and eating beef. America would face a similar battle with similar government agency actions and there are some (scientists included) who have begun to believe that CJD is never sporadic but likely always related in some way to infected meat. Let's see why they think as much. Finally, we need to discuss what is happening to deer, especially here in North America. Chronic Wasting Disease showed up in Colorado in deer in the late 1900s (1970 onward) and it has since spread to elk, moose, reindeer and other such animals throughout the US and Canada. These animals are dying of a prion disease that likely jumped from sheep as Scrapie into deer as CWD. How could this have happened and what could it mean for the future?Thank you to all of our listeners and supporters! Please feel free to leave a comment or send us a DM for any questions, suggestions, or just to say, "hi."Support us on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thepoisonersalmanac⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch-⁠⁠https://poisonersalmanac.com/⁠⁠Follow us on socials:The Poisoner's Almanac on IG-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/poisoners_almanac?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube-⁠⁠https://youtube.com/@thepoisonersalmanac-m5q?si=16JV_ZKhpGaLyM73⁠⁠Also, look for the Poisoner's Almanac TikTok- ⁠⁠⁠https://www.tiktok.com/@poisonersalmanacp?_t=ZT-8wdYQyXhKbm&_r=1⁠⁠⁠Adam-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@studiesshow?is_from_webapp=1&sender_device=pc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Becca-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@yobec0?is_from_webapp=1&sender_device=pc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

A little-known trade provision is ending, and it will likely upend business for e-commerce companies and raise prices for consumers. De minimis has allowed companies to avoid duties on shipments to the U.S. that are worth $800 or less. It's a program that many companies, especially e-commerce giants, Shein and Temu, have taken advantage of to keep prices low. WSJ's Shen Lu explains how President Donald Trump has now ended that program for products from China and Hong Kong. We also speak with the CFO of shoe company Kuru about how the new rules could change their business. Jessica Mendoza hosts.    Further Listening: -Shein: Fast Fashion, Slow IPO  -The Billionaire Caught Between Trump and China  -China Unleashes a Trade War Arsenal  Sign up for WSJ's free What's News newsletter.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Shawna opens up about her ongoing health struggles, sharing her journey through weeks of uncertainty, endless tests, and the importance of advocating for yourself in today's ever-changing medical field. The girls reflect on how the healthcare system has evolved and why speaking up for your own well-being has never been more crucial.With Mother's Day just around the corner, Shawna and LaLa share their top gift ideas for the moms in your life.  LaLa is gearing up for her upcoming vacation and gives listeners a peek into her suitcase! She's raving about her Cupshe collection, Jessica Simpson jeans, and her trusted Kuru sandals – perfect for comfort and style on the go. Plus, she reveals how her new nightly routine with Goodness Lover's Magbiotic and Clear Light Red Light tower has transformed her sleep.  And for a dose of laughter, LaLa recounts her hilarious squirrel rescue mission gone wrong, with a surprise twist involving her daughter Giulina and a very unsuspecting husband.Shawna and LaLa have a 10% discount code for listeners for Clear Light: SHAWNALALA10 

Hey Podtimists,This week David makes a meal out of appetizers and plays a whole bunch of games. Then Chase talks about that hot new-new called Blue Prince. Is it good? The internet seems to be undecided!We also took a look at one of the most brutal games of all time, Kuru Kuru Kururin. This was suggested to us by listeners Guardian and also Sam. Thanks to you both!---Timestamps:(0:00) - Intro(4:50) - What David has been playing(7:51) - Star Wars Episode 1 The Phantom Menace(14:51) - Persona 3 Reload(19:37) - Cat Quest 3(20:56) - Harvest Moon Back to Nature(27:04) - Indiana Jones and the Great Circle(30:06) - What Chase has been playing(30:30) - Witching Stone(34:38) - Blue Prince(48:08) - Chase's Podtimistic thing of the week(51:06) - David's Podtimistic thing of the week(53:01) - Good Games! Featuring Kuru Kuru Kururin(1:11:50) - Outro---Games mentioned:Cat Quest 3Star Wars Episode 1 The Phantom Menace Persona 3 ReloadHarvest Moon Back to NatureIndiana Jones and the Great CircleWitching StoneBlue PrinceKuru Kuru Kururin

借你1分鐘↓憑直覺選字，測看看你的投資風格↓ https://fstry.pse.is/7czky9 2025/4/30前領取酷聖石冰淇淋優惠，還有限量Food panda優惠碼可以拿。廣告內容由元大證券提供 ——以上廣告由 Firstory 與【月城南廣告】共同執行—— 位在紐幾內亞東部高地的原始部落「富雷」，曾經出現可怕的傳染病「Kuru」。感染Kuru的患者，臉上會不由自主地出現一種怪異、詭笑般的表情，伴隨著身體不停地顫抖，走起路來東倒西歪，看起來就像是被什麼邪靈附身一樣… -聊聊清明掃墓 -投稿人/留言 -鬼故事/ 不間斷的惡夢 by 泡泡 -科普/ 狂笑致死的傳染病Kuru -研究發現病源：朊病毒 -富雷人的「食人儀式」 -存在於文明世界的致病因 -諾貝爾獎背後駭人聽聞的醜聞 -感謝乾爸乾媽們的熱情贊助

Our guest on this week's episode is Brian Lynch, EY Americas Transportation Sector Leader and an Executive Director in the Transaction Strategy and Execution practice at EY-Parthenon. With the ratification earlier this week of the new 6-year agreement between dock workers and ports on the East and Gulf Coasts, it seems like we will have some labor peace that will last a while. Our guest discusses what that bit of certainty means to both shippers and carriers. Mobile robots in the warehouse—such as autonomous mobile robots (AMRs), goods-to-person systems, and automated storage and retrieval systems—have now been accepted as mature technologies. Susan Lacefield, executive editor of Supply Chain Xchange, joins us to talk about the industry acceptance of these technologies and to preview the latest issue of SCX that focuses on robotics and automation.Supply chains are among those industries where workers face a higher level of risk of injury, according to new research released by manufacturer Kuru. The study analyzed data from the Bureau of Labor Statistics to identify where supply chain jobs rank among jobs from other industries for the potential for on-the-job injuries.Supply Chain Xchange  also offers a podcast series called Supply Chain in the Fast Lane.  It is co-produced with the Council of Supply Chain Management Professionals. A series of ten episodes is now available on the "State of Logistics." The episodes provide in-depth looks into the current states of key transportation modes, such as trucking, rail, air, and ocean. It also looks at inventory management, 3PLs and more.  All ten episodes are available to stream now. Go to your favorite podcast platform to subscribe and to listen to past and future episodes. The podcast is also available at www.thescxchange.com.Articles and resources mentioned in this episode:EY AmericasSupply Chain XchangeReport: Transportation and warehousing top list of most injury-prone industriesVisit Supply Chain XchangeListen to CSCMP and Supply Chain Xchange's Supply Chain in the Fast Lane podcastSend feedback about this podcast to podcast@agilebme.comPodcast is sponsored by: Zebra Robotics AutomationOther linksAbout DC VELOCITYSubscribe to DC VELOCITYSign up for our FREE newslettersAdvertise with DC VELOCITY

Welcome to Episode 109 of the Nintendo Therapy Podcast—a show about the latest Nintendo news and rumors as well as a celebration of all things Nintendo!  In today's episode, we dive into some exciting Nintendo news, including: The recent announcement of the next Pokémon Presents and what we can expect from it! Metroid rumors—what's the latest on Samus and the future of the series? A deep dive into the best Nintendo home consoles—what makes them stand out and which one reigns supreme? And finally, our spotlight game of the week: Kuru Kuru Kururin for Game Boy! Kuru Kuru Kururin is a quirky puzzle game where you control a spinning stick through obstacle-filled mazes. Sounds simple, right? But it gets trickier as the game progresses, requiring perfect timing and precision to succeed. It's a hidden gem that's sure to keep you hooked! Check out our Linktree for all the latest updates, social links, and more: https://linktr.ee/nintendotherapyDon't forget to like, comment, and subscribe for more Nintendo goodness!#NintendoTherapyPodcast #Nintendo #PokemonPresents #MetroidRumors #GameBoy #KuruKuruKururin #NintendoPodcast #RetroGames #GamingCommunity #NintendoSwitch

The Pandavas visit the grieving King Dhritarashtra and queen Gandhari. Krishna saves Bheem from being crushed by Dhritarashtra. Gandhari curses Krishna for his role in destroying the Kuru family. Kunti reveals the true identity of Karna to her sons who mourn the death of their brother. Yudhistir ascends the throne of Hastinapur, but doesn't find any joy. When the sun moves to the northern hemisphere, Bhishma leaves his body and ascends to the heavens.Find us on:Twitter: @MahabharatAudioFacebook: https://www.facebook.com/MahabharataPodcastPatreon: https://www.patreon.com/mahabharata Hosted on Acast. See acast.com/privacy for more information.