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Richard Rushfield sits down with Winnie Holzman, creator of the beloved but short-lived teen drama My So-Called Life, which ran for one 19-episode season from 1994-95 and later became a cross-generational cult hit. The show that launched Claire Danes and Jared Leto also captured adolescent angst onscreen in a totally new way — “School is a battlefield for your heart,” anyone? — that made ABC execs “deeply nervous,” says Holzman, though she was fiercely protected by her EPs and mentors, Marshall Herskovitz and Ed Zwick. A student of poetry and the Stanislavski system, Holzman, in a candid, hilarious and nostalgic conversation, unpacks the emotion and humor that propelled her through multiple 1990s TV successes to the Broadway hit Wicked (she wrote the book of the musical) and its two-part film adaptation, whose first installment is in the Oscar hunt. Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode originally aired on Feb. 14, 2023 “I moved on to the next thing I was going to write,” says the noted dramatist and television writer Winnie Holzman, recalling the cancellation of her critically-acclaimed series “My So-Called Life,” after just one season. “That's what we do as writers. We move on to the next thing.” Indeed. In Winnie Holzman's case, one of those “next things” turned out to be the book for the hit Broadway musical “Wicked,” with music and lyrics by Stephen Schwartz—one of the longest running shows in Broadway history. The collaboration earned her a prestigious Drama Desk Award for Outstanding Book of a Musical, as well as a Tony nomination for Best Book of a Musical. Prior to her Emmy-nominated work on “My So-Called Life,” which she created for executive producers Ed Zwick and Marshall Herskovitz, Winnie wrote several scripts for the Zwick-Herskovitz drama “Thirtysomething,” and she would go on to serve as executive producer of “Roadies,” created by Cameron Crowe, and as co-creator of the series “Huge,” with her daughter Savannah Dooley. Join us as Winnie reflects on her wickedly successful career writing for the stage and the small screen, the many ways writers measure their successes, and the give-and-take that has fueled her collaborations with some of the most creative minds in theater and television. Please support the sponsors who support our show: Gotham Ghostwriters/ASJA “Andy Awards” Guidelines Ritani Jewelers Chelsea Devantez's I Shouldn't Be Telling You This Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount
What do, an ambitious Irishman climbing his way to high society, and a beautiful courtesan with a mind to match wits with anyone, have in common? This week on THE MOVIE CONNNECTION: KC Watched: "BARRY LYNDON" (3:50) (Directed by, Stanley Kubrick. Starring, Ryan O'Neal, Marissa Berenson, Leon Vitali...) Jacob Watched: "DANGEROUS BEAUTY" (30:10) (Directed by, Marshall Herskovitz. Starring, Catherine McCormack, Rufus Sewell, Oliver Platt...) Talking points include: 90's Period pieces The best and worst of the Kubrick mystique A brief bit of boob talk and more!! Send us an email to let us know how we're doing: movieconnectionpodcast@gmail.com Follow us on Instagram Rate and Review on Apple Podcasts Check out more reviews from Jacob on Letterboxd Cover art by Austin Hillebrecht, Letters by KC Schwartz
Winnie Holzman's so-called writing career began innocently enough, writing and performing sketch material with the comedy group “Serious Bizness.” Next came an MFA from NYU in musical theatre, as well as a musical: “Birds of Paradise,” which was produced Off-Broadway and directed by her teacher, Arthur Laurents. She soon shifted gears, (and coasts) joining the writing staff of the ground-breaking television series “thirtysomething” and then creating theseries, “My So-Called Life,” which starred Claire Danes and which, thanks to MTV (and now HULU) has been seen all over the world. She collaborated “once and again” with her mentors Ed Zwick and Marshall Herskovitz on their critically acclaimed series “Once and Again;” and later collaborated with her daughter Savannah Dooley on their one hour drama series “Huge;” as well as with Cameron Crowe on the Showtime series “Roadies.” She is the book writer of the international hit musical Wicked, which has a score by the acclaimed composer/lyricist Stephen Schwartz. Wicked celebrated 20 years on Broadway this past fall. She recently completed both screenplays for the film adaptation of Wicked. Her play Choice, an early version of which had its world premiere at the Huntington Theatre in Boston, in 2016, will be produced this spring at the McCarter Theatre in Princeton, New Jersey. She is a proud member of the Writers Guild of America West, and the Dramatists Guild, and has been married to the wonderful character actor Paul Dooley for only 39 years. Paul Dooley is an actor, writer, and comedian, and has appeared in hundreds of movies, TV shows, and plays. His films include Breaking Away, Sixteen Candles, Runaway Bride, Popeye, Insom-nia, Waiting for Guffman, and the Cars franchise. His television appearances include roles in Curb Your Enthusiasm, My So-Called Life, Star Trek, Dream On (Emmy-nominated), and The Practice (Emmy-nominated). He lives in Burbank, California, with his wife Winnie Holzman Learn more about your ad choices. Visit podcastchoices.com/adchoices
A NEW YORK TIMES BESTSELLER * LOS ANGELES TIMES BESTSELLER * USA TODAY BESTSELLERThis heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood.“I'll be dropping a few names,” Ed Zwick confesses in the introduction to his book. “Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints.”He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he's known to have a special talent for bringing out the best in the people he's worked with, especially the actors. In those intense collaborations, he's sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full.Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love—and won. He shares personal stories about all these people, and more.Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries—as well as the unsightly, often comic truths—of crafting film and television won't want to miss it.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.
On this week's episode of You Are What You Read, we are joined by Academy Award and Emmy-Award winning director, producer, and writer Ed Zwick with his instant New York Times bestselling autobiography, Hits, Flops and Other Illusions. Ed directed some of the greatest movies of our time: Glory, Legends of the Fall, Blood Diamond, The Last Samurai, Courage Under Fire, Love & Other Drugs, and Defiance; and produced Steven Soderbergh's Traffic and Shakespeare in Love. With his longtime creative partner, Marshall Herskovitz, Ed co-created Emmy-award winning television shows, thirtysomething and Once Again. He's directed Hollywood's biggest stars from Denzel Washington to Julia Roberts, and in this conversation, Ed unpacks his intimate memoir about his career behind the movie camera. We'd also like to thank our sponsor Book of the Month. Head over to bookofthemonth.com and use Promo Code ADRI to get your first book for just $9.99. Thank you for listening, and thank you for reading.
SciFi Movies & Edward Zwick Hollywood Director AZ TRT S05 EP09 (224) 3-3-2024 What We Learned This Week Ed Zwick Hollywood Director & Producer with 40 years in the industry ILM - Industrial Light & Magic is the premiere special fx company created by George Lucas SciFi Movies predicted the Future – what has become reality? The Internet & Choice – How the Martix movie showed us a new reality of virtual worlds that seem too real AI Man vs Machine – Blade Runner and The Terminator movies give terrifying scenarios of AI run amok Guest: Edward Zwick, Hollywood Director ED ZWICK BIO (FROM TRIBUNE.CA) More Bio Info from IMDB: HERE Ed Zwick first hit the Hollywood radar screen as the producer/writer/director of the award-winning drama series Family, starring James Broderick (Matthew Broderick's father). Zwick landed the job after his short film, Timothy and the Angel, won first place in the student film competition at the 1976 Chicago Film Festival, catching the attention of the Family producers. He began as a story editor, then moved on to become a director and producer of the show, which ran from 1976 to 1980. Zwick went on to work on other critically-acclaimed series, including thirtysomething (for which he won an Emmy), My So-Called Life and Once and Again. In 1984, he won an "Outstanding Directorial Achievement in Dramatic Specials" Directors Guild of America award for the TV movie Special Bulletin. His first venture into feature film directing came with About Last Night (1986), starring Demi Moore and Rob Lowe, then received a Golden Globe nomination for "Best Director -- Motion Picture" for the Academy-Award® winning Glory (1989) starring Matthew Broderick and Denzel Washington. He has also directed the major motion pictures Leaving Normal (1992), Legends of the Fall(1994) starring Brad Pitt and Courage Under Fire (1996) starring Meg Ryan and Denzel Washington. Zwick worked with Washington yet again in The Siege (1998), then directed The Last Samurai (2003), starring Tom Cruise. In 2006, Ed directed the Oscar-nominated Blood Diamond and followed that up with the 2008 drama Defiance, which also earned an Oscar nomination. Two years later, he helmed Love and Other Drugs. In 2014, Ed brought the story of American chess prodigy Bobby Fischer to the screen in Pawn Sacrifice. Ed's latest film reunited him with Tom Cruise. The men worked together on Jack Reacher: Never Go Back (2016). Ed was also executive producer of the TV series Nashville from 2016-2018. As a producer of the 1999 Best Picture winner Shakespeare in Love, Zwick won an Academy Award®. He is also the recipient of the American Film Institute's Franklin J. Schaffner Award, a Lone Star Film & Television Award Best Director award, the Humanitas Award and a Writers Guild of America award. ABOUT ED ZWICK AND HITS, FLOPS AND OTHER ILLUSIONS: My Fortysomething Years in Hollywood This heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood. "I'll be dropping a few names," Ed Zwick confesses in the introduction to his book. "Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints." He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he's known to have a special talent for bringing out the best in the people he's worked with, especially the actors. In those intense collaborations, he's sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full. Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love-and won. He shares personal stories about all these people, and more. Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries-as well as the unsightly, often comic truths-of crafting film and television won't want to miss it. Notes: Seg 1 Special FX ILM George Lucas Company, industrial light and magic Built the company with money made from Star Wars, on Skywalker Ranch Revolutionized, special effects, and movies first with Star Wars, then beyond, use of green screen and practical effects with models miniature creatures Disney bought Lucas film and ILM Studios in 2012 long history for special effects with many famous directors using IM from George Lucas to Ron Howard to Steven Spielberg to James Cameron Digital effects and computer graphics On famous movies like the abyss, Jurassic Park, Star Wars movies, Conan, ET, Star Trek movies, poltergeist, Indiana Jones, movies, back to the future, Spaceballs, ghost, and for October, T2, etc. TV Amazing stories, the Mandalorian, Big Bang theory, Star Trek, the next generation, tales from the crypt Animation Wall E Many famous special effects, people, and even some future directors like Joe Johnson, started at industrial light and magic studios, also much of the cast of MythBusters worked there Eras of Special Effects Practical Effects Wizard of Oz SciFi movies in 1950s 2001: A Space Odyssey in 1969 Star Wars in 1977 ILM Studios of 1980s to 1990s T2 in 1991 Jurassic Park in 1993 The Matrix in 1999 Modern Marvel Movies – computer digital effects / green screen movies More on ILM from Wikipedia: HERE Seg 2 Interview w/ Hollywood Director Ed Zwick Ed joins the show to promote his Hollywood book on his 40 year career as a writer, producer and director in both movies and TV. Seg 3 & 4 Did Sci Fi Movies predict the Future? Talking AI, Internet and Choice Guest: Eric Almassy LinkedIn: HERE Eric is a regional sales director, & also a part time Actor Eric joins the show to discuss sci-fi movies, and what predictions about the future have come true. Seg 3 - Internet & Choice The Internet has created a connected world through cyberspace. Now virtual reality and relationships online exist through dating websites and social media. The irony is people may be less social, as they still have trouble connecting despite more access to technology. An example is people text more than they talk. The Internet has added new types of addictions, like just staying home and being online all the time, pornography & gaming addictions, where people get lost in virtual world. The Matrix - virtual reality & the internet People in the movie choose a fantasy ‘comfortable' world (blue pill) vs a harsh and tough reality world. They would rather just plug into the Matrix and be in denial. The problem of choice, as there are consequences with choices in the real world. The Matrix world provides all of your needs. Matrix in the current modern world, a world where people would not leave their house and just build an entire alternate life online. You can work from home, and get anything you need delivered. Another movie about tech and internet connection is Minority Report. This is government surveillance to extremes. It also discusses the choices we make, and control of our lives. Freedom vs danger is another theme. All themes that apply in a dangerous modern world. Totalitarian governments like China are literally spying on their people, through what they search for on the Internet, their social media, and surveillance of cameras Many western governments use surveillance through drone, satellites, and cameras. Also, sometimes protecting people, and sometimes intruding on their rights. Seg 4 - AI Man vs. Machine Blade Runner - staying human in AI & tech dependent world. Blade Runner is a movie about androids and what constitutes being a human. The android characters seem to have more soul than the humans, as the world of Blade Runner is cold and depressing. Androids or AI life forms have been created to do the dirty work, mining, prostitution and fighting wars, then, when not needed they are terminated. The Terminator - AI and drones Terminator movie came out in the 1980s and was an allegory about the fear of nuclear war. Will advanced weapons kill everybody? Cyberdyne Systems uses sentient AI machines who take over and build robots who try to exterminate the human race. The irony is the humans initially created the AI to have more technology and better weapons, and it winds up wiping them out. Raises questions about - just because we can, should we be building the weapons. With the same themes, as Jurassic Park, Wargames, or any biological type movie, basically science run amok. Modern armies, have drown and surveillance equipment, and can hunt down people and kill them from a great distance. An operator of a drone could literally be on the other side of the world. The morality of these weapons is an issue today. People choose technology out of laziness, and often give little thought to how it affects their lives. They do not want to do the task, make it easier. Past AZ TRT Shows on AI: Software Delivered AI w/ Brian Stevens of Neural Magic AZ TRT S05 EP08 (223) 2-25-2024 Full Show: HERE Artificial Intelligence (AI) – how the Algorithm Connects Us All - BRT S02 EP43 (90) 10-24-2021 Full Show: HERE Tech Themed Show: HERE If you enjoyed this show, you may like: BRT Sports: HERE BRT Hollywood: HERE BRT Marketing: HERE BRT Business: HERE More - BRT Best of: https://brt-show.libsyn.com/category/Best+Of Thanks for Listening. 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Today on What's My Frame I'm joined by Casting Director and Casting Fairy, Stacey Pianko. Stacey began her career in the Feature Film department at Disney/Touchstone Pictures, working on projects like Cool Runnings, Significant Other, The Three Musketeers, A Far Off Place and The Mighty Ducks. During her stint as Director of Casting at Disney Channel, stars such as Shia LaBeouf, Hilary Duff, Lindsay Lohan and Kaley Cuoco found their launching pad early in their careers. Stacey entered the independent casting world with her partner Orly Sitowitz, CSA and has cast many Independent Feature Films, including VIOLET which premiered at TIFF. Stacey has worked with prominent directors/producers like Troy Miller, Adam Shankman, Jada Pinkett Smith, Marshall Herskovitz, Ed Zwick, Ed Harris, Matthew Carnahan and Howard Gordon. One very notable collaboration was working with James Cameron on AVATAR: THE WAY OF WATER. Where Stacey coordinated a Worldwide Young Actor Search for the film. Now let's get to the conversation! Learn more about: The Casting Fairy Casting Fairy on IG Adam Driver's GIRLS Audition ----- What's My Frame, hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: @whatsmyframe TikTok: @whatsmyframe IMDb What's My Frame? official site Join our monthly newsletter! What's My Frame? merch --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support
This heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood."I'll be dropping a few names," Ed Zwick confesses in the introduction to his book. "Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints." He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he's known to have a special talent for bringing out the best in the people he's worked with, especially the actors. In those intense collaborations, he's sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full.Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love-and won. He shares personal stories about all these people, and more. Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries-as well as the unsightly, often comic truths-of crafting film and television won't want to miss it.
This week, award winning filmmaker Ed Zwick discusses his memoir Hits, Flops, and Other Illusions: My Fortysomething Years in Hollywood, a heartfelt and wry career memoir that gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood. Zwick is interviewed by Carey Cranston, President of the American Writers Museum. This conversation originally took place February 8, 2024 and was recorded live at the American Writers Museum. AWM PODCAST NETWORK HOME More about Hits, Flops, and Other Illusions: "I'll be dropping a few names," Ed Zwick confesses in the introduction to his book. "Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints." He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he's known to have a special talent for bringing out the best in the people he's worked with, especially the actors. In those intense collaborations, he's sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full. Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love—and won. He shares personal stories about all these people, and more. Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries—as well as the unsightly, often comic truths—of crafting film and television won't want to miss it.
"My intention was to write about my experiences, obviously, but also I felt that there was a little bit of a counterintuitive approach, which is to talk about some of the inner experiences of the creative process and being a director, being a writer, and I felt that that would open the window a little bit wider. I liked that it wasn't just a behind-the-scenes look. It is that, and I think it's full of fun anecdotes and little reveals, but it is to be a real book. It presumes to be a memoir, like many of the memoirs that I have loved of creative people in the past."Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. "My intention was to write about my experiences, obviously, but also I felt that there was a little bit of a counterintuitive approach, which is to talk about some of the inner experiences of the creative process and being a director, being a writer, and I felt that that would open the window a little bit wider. I liked that it wasn't just a behind-the-scenes look. It is that, and I think it's full of fun anecdotes and little reveals, but it is to be a real book. It presumes to be a memoir, like many of the memoirs that I have loved of creative people in the past."www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage Courtesy of Dick Thomas JohnsonCreative Commons 2.0
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. "Actors are remarkable teachers. They are often brilliant in their unique way, often not in a way that is schooled necessarily. They often don't have the language some of us who are more academically inclined have, but you underestimate their brilliance at your peril. And, in fact, you are missing an opportunity if you presume that they are just reading words. They are performing a very particular kind of magic in their process when they are great. And they save you constantly. They find solutions to your weaknesses in the words. They help you make implausible situations more plausible in your staging.""I've, like anyone, always had a fascination with movie stars, an attraction to the romance of who they are, men and women. So I wasn't immune, but what I realized very quickly is that I could acknowledge that and try to take those things that had always drawn me to the movies and provide them to the audience and have them really lift up these stories that I wanted to tell because finally, it was the stories themselves that I was trying to serve. There were ideas in those stories. Some of the ideas were about the characters and personal, but some of the ideas were a larger canvas. They were often about subjects. And the subjects could have been historical, they could have been political, they could have been social, cultural subjects, but they had some other agenda in them. And yet, that's not why people go to the movies. They go to the movies because they want to see relationships. They want to see - whether it's beautiful people or powerful people - they're drawn to relationships. In some sense, you're creating a kind of stew where you're doing more than one thing at a time."www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage Courtesy of Dick Thomas JohnsonCreative Commons 2.0
"Actors are remarkable teachers. They are often brilliant in their unique way, often not in a way that is schooled necessarily. They often don't have the language some of us who are more academically inclined have, but you underestimate their brilliance at your peril. And, in fact, you are missing an opportunity if you presume that they are just reading words. They are performing a very particular kind of magic in their process when they are great. And they save you constantly. They find solutions to your weaknesses in the words. They help you make implausible situations more plausible in your staging.""I've, like anyone, always had a fascination with movie stars, an attraction to the romance of who they are, men and women. So I wasn't immune, but what I realized very quickly is that I could acknowledge that and try to take those things that had always drawn me to the movies and provide them to the audience and have them really lift up these stories that I wanted to tell because finally, it was the stories themselves that I was trying to serve. There were ideas in those stories. Some of the ideas were about the characters and personal, but some of the ideas were a larger canvas. They were often about subjects. And the subjects could have been historical, they could have been political, they could have been social, cultural subjects, but they had some other agenda in them. And yet, that's not why people go to the movies. They go to the movies because they want to see relationships. They want to see - whether it's beautiful people or powerful people - they're drawn to relationships. In some sense, you're creating a kind of stew where you're doing more than one thing at a time."Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"My intention was to write about my experiences, obviously, but also I felt that there was a little bit of a counterintuitive approach, which is to talk about some of the inner experiences of the creative process and being a director, being a writer, and I felt that that would open the window a little bit wider. I liked that it wasn't just a behind-the-scenes look. It is that, and I think it's full of fun anecdotes and little reveals, but it is to be a real book. It presumes to be a memoir, like many of the memoirs that I have loved of creative people in the past."Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. "We often talk in our work about the octane of truth, when you're at the gas station and they say, do you want low octane, middle octane, or high octane, and it's a very interesting set of decisions that one makes because it's actually not hard to know the truth of any circumstance or the truth of any story, but to actually partake of it, to actually come closer to it, and still be respectful of the audience's experience. Because obviously, 100 percent octane, we would fall asleep within five minutes because nothing happens. You know, it's about trying to reconcile the compression of drama, the reductionist nature, how things stand in for other things. And in that regard, screenwriting and film are much more like poetry than they are like prose.Things stand in for other things. A close-up, as someone looks at someone and things change, could have been three pages of an introspective narrative in Proust. A little bit of action that takes place in three minutes could have stood in for a war in Tolstoy. So some of it is sleight of hand, but it becomes about trying to understand how to use compression so as to give the simulacrum of real life, so as to give an approximation of verisimilitude.And often that's something you learn because audiences do want to feel that they're seeing something that's real because when it's just pow, pow, pow, pow, pow, then it's comic books without exposition, without introspection, without internal sense. So it's trying to find some middle space between those, some liminal space."www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage Courtesy of Dick Thomas JohnsonCreative Commons 2.0
"I went to film school, But at the end of two years, I think you've only begun the learning. I think it's very hard in school, and particularly in graduate school, to take in all that's coming at you because you're being barraged with information, and you're trying to listen, and you're trying to internalize. At the same time, you're very anxious, and you're very fervent, but you're also furtive about what can I do and how do I get ahead and how do I do this?And I think those things are in contradiction, and what happens After you get out of school, as you begin to try to put into practice some of those things that they've been talking about, especially as you try and fail, unbelievably important to have somebody there with you or on off whom you can bounce ideas.And notions or with whom you can analyze the thing that someone else has done, or you can analyze your own failures. It's a kind of continuing education that happens with a collaborator that as you grow, he grows. You grow together, and you have an observation about something, or he does, and you begin to work, and then you. It was never our intention to work. Our intention was just as friends. It never became about my idea or his idea, but it was the creation of a third idea that somehow evolved."Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. "I went to film school, But at the end of two years, I think you've only begun the learning. I think it's very hard in school, and particularly in graduate school, to take in all that's coming at you because you're being barraged with information, and you're trying to listen, and you're trying to internalize. At the same time, you're very anxious, and you're very fervent, but you're also furtive about what can I do and how do I get ahead and how do I do this?And I think those things are in contradiction, and what happens After you get out of school, as you begin to try to put into practice some of those things that they've been talking about, especially as you try and fail, unbelievably important to have somebody there with you or on off whom you can bounce ideas.And notions or with whom you can analyze the thing that someone else has done, or you can analyze your own failures. It's a kind of continuing education that happens with a collaborator that as you grow, he grows. You grow together, and you have an observation about something, or he does, and you begin to work, and then you. It was never our intention to work. Our intention was just as friends. It never became about my idea or his idea, but it was the creation of a third idea that somehow evolved."www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage Courtesy of Dick Thomas JohnsonCreative Commons 2.0
The Creative Process in 10 minutes or less · Arts, Culture & Society
"My intention was to write about my experiences, obviously, but also I felt that there was a little bit of a counterintuitive approach, which is to talk about some of the inner experiences of the creative process and being a director, being a writer, and I felt that that would open the window a little bit wider. I liked that it wasn't just a behind-the-scenes look. It is that, and I think it's full of fun anecdotes and little reveals, but it is to be a real book. It presumes to be a memoir, like many of the memoirs that I have loved of creative people in the past."Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Ed Zwick is a writer, director, and producer who's been active in the film industry for over 40 years. He has been nominated for two Golden Globes for directing the films Glory and Legends of the Fall and received an Academy Award as one of the producers of Shakespeare in Love. Zwick continues to work with his longtime friend and partner, Marshall Herskovitz, at their company Bedford Falls, where they created the widely loved TV show Thirtysomething. His memoir Hits, Flops, and Other Illusions details many of his greatest experiences in the film industry. www.simonandschuster.com/authors/Ed-Zwick/212290077https://www.imdb.com/name/nm0001880/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastImage Courtesy of Dick Thomas JohnsonCreative Commons 2.0
Marshall Herskovitz Live on Game Changers With Vicki Abelson Masterclass! I've had many stimulating, fascinating, brilliant, talented, fun guests. None more so than writer, director, and producer, Marshall Herskovitz. There's a reason this human has won more Emmy, Golden Globe, Writers Guild, Directors Guild, Peabody, and Humanitas Awards than I can count… not to mention an Academy Award nomination. Wow, just wow! You don't get all those awards for writing, creating, and making great television and movies without being a great storyteller, and boy is Marshall that! From his eighth-grade short story to his first attempt at filmmaking, AFI––miracle-ing his way in, meeting Ed Zwick the very first day––a partnership that would change both their lives and all of ours… Snuffy's specifically and significantly. We talked thirtysomething from throw-away lack of interest to the cataclysmic creative shift in what was possible on series TV. From Day 1 to the present commitment to the reboot usurped by the pandemic. Marshall and Ed are still passionately committed to seeing it through to air and I don't doubt with these two at the helm it will come to pass. Marshall talked about My So-Called Life, Claire Danes, Special Bulletin, and the NBC backlash on his Emmy-winning debut, Jack the Bear, Dangerous Beauty, The Last Samurai, and Tom Cruise––wonderful inside scoop there. Likewise, DiCaprio and Blood Diamond. We talked Marshall's environmental activism and seemingly sensible solution and concluded with the political race and what 2024 may hold. A rare guest I didn't know going in, Marshall quickly felt like a dear treasured friend. The conversation was effortless, exciting, insightful, and inspiring. Loved it!Can't wait for more… on and off the screen. Marshall Herskovitz Live on Game Changers with Vicki Abelson Wednesday, November 8, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/40yB9aE
Carrie Gillogly, PhD, MSCL and television writer Richard Monahan join us this week to explore the inadequacies of the Pittsburgh school system and the general act of being annoying in the 90s.
Lauren Flans watched My So-Called Life for us and now we have to pay for her therapy. singleseasonrecord@gmail.com
Christine Coffey and Hilary Woodward watched My So-Called Life together in 1994 so we're making them do it again for us. And you, I guess. But mostly for us. The Justin Tanner article. @DerickArmijo @SingleSeasonTV singleseasonrecord@gmail.com
Whether you watched it at 18 or 8 or never watched it at all, My So-Called Life was a part of yours. So how could it have only lasted one season? You may not believe us that it did. But that's just you making assumptions and we don't have time for your preconcieved notions around here. Whitney Powell Sulia Altenberg DerickArmijo @SingleSeasonTV singleseasonrecord@gmail.com
Our guest today is producer, director and screenwriter Marshall Herskovitz. Many of his production projects have been in partnership with his long-time filmmaking collaborator, Edward Zwick whose films, he's produced and written half of. Their decades-long filmmaking partnership was launched as co-creators of the 1987 TV show, ThirtySomething. Now, Marshall had already written for the TV show, Family, in 1976. So his understanding of TV was pivotal in the success of ThirtySomething.Other projects he's credited for executive producing or creating include Traffic (2000), The Last Samurai (2003), Nashville (TV show 2016), Blood Diamond, and Women Walks Ahead(2017), starring the incomparable, Jessica Chastain.Marshall show, ThirtySomething, which only ran for four-season was quite successful. Co-created with Zwick, the follows the stories and journeys of seven thirtysomethings living in Philadelphia who struggle with everyday adult angst.[presto_player id=41018]The show's success earned over a dozen Primetime Emmy and Golden Globe awards, and personal honors for Marshall from the Writers Guild and a Directors Guild.Herskovitz's filmography is pretty adventurous. We discussed as many as we could in this interview and he was totally down for the ride. But if we are to highlight some must-mentions, Traffic will get the spot. Herskovitz co-produced Traffic in 2000 alongside esteem producer, Laura Bickford and directed by Zwick.The film holds a constant 93% approval rating on Rotten Tomatoes and won numerous Oscars BAFTA, Screen Actors Guild, and Golden Globes awards in 2001.It followed through grossing a total of $207.5 million on its $46 million budgetThe President appoints a conservative judge to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.Another classic of his is the 1999 TV show, Once and Again. A divorced father and a soon-to-be-divorced mother meet and begin a romantic courtship which is always complicated by their respective children and their own life problems.Marshall dropped all sorts of knowledge bombs on the tribe this week. You have to listen to the episode to hear all those extra deets he shared with us about the attempts at rebooting ThirtySomething and many more.Enjoy this conversation with Marshall Herskovitz.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement
On this episode of OBH we welcome Scott Saccoccio to the show! Scott lives in LA and is a writer. He has written several episodes of the television show Nashville, he's worked with directors Marshall Herskovitz and Ed Zwick on various projects, and is a fellow lover of punk rock. Scott talks about the writer's strike going on right now in Hollywood, some of the projects he's worked, and much more. Come hang out!Scott IMDb: https://www.imdb.com/name/nm4609514/Show links:Our Brains Hurt Website: https://www.ourbrainshurt.com/Our Brains Hurt on Facebook: https://www.facebook.com/OurBrainsHurtRon on Twitter @thecaffeinepunk: https://twitter.com/TheCaffeinePunkMatt on Twitter @MattAlive13: https://twitter.com/MattAlive13Punk Rock Joe: https://punkrockjoe.comPunkBox:Punk Box Website: https://punkboxrox.com/Punk Box Facebook: https://www.facebook.com/punkboxroxPunk Box Instagram: https://www.instagram.com/punkboxrox/MerchSlut links:MerchSlut Store: https://merchslut.com/MerchSlut Facebook: https://www.facebook.com/MerchSlut-103064031228978Support the show
“I moved on to the next thing I was going to write,” says the noted dramatist and television writer Winnie Holzman, recalling the cancellation of her critically-acclaimed series “My So-Called Life,” after just one season. “That's what we do as writers. We move on to the next thing.” Indeed. In Winnie Holzman's case, one of those “next things” turned out to be the book for the hit Broadway musical “Wicked,” with music and lyrics by Stephen Schwartz—one of the longest running shows in Broadway history. The collaboration earned her a prestigious Drama Desk Award for Outstanding Book of a Musical, as well as a Tony nomination for Best Book of a Musical. Prior to her Emmy-nominated work on “My So-Called Life,” which she created for executive producers Ed Zwick and Marshall Herskovitz, Winnie wrote several scripts for the Zwick-Herskovitz drama “Thirtysomething,” and she would go on to serve as executive producer of “Roadies,” created by Cameron Crowe, and as co-creator of the series “Huge,” with her daughter Savannah Dooley. Join us as Winnie reflects on her wickedly successful career writing for the stage and the small screen, the many ways writers measure their successes, and the give-and-take that has fueled her collaborations with some of the most creative minds in theater and television. Please support the sponsors who support our show. Daniel Paisner's Balloon Dog Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership The Thoughtful Bro podcast, hosted by Mark Cecil Pop Literacy, hosted by Jennifer Keishin Armstrong and Kimberly Potts Writer's Bone, hosted by Daniel Ford
Director: Steven Soderbergh Producers: Laura Bickford, Marshall Herskovitz, Edward Zwick Screenplay: Stephen Gaghan Photography: Steven Soderbergh Music: Cliff Martinez Cast: Michael Douglas, Benicio Del Toro, Catherine Zeta-Jones, Luis Guzman, Don Cheadle Rotten Tomatoes: Critics: 92%/Audience: 85%
Eternity by Calvin Klein (1988) + Edward Zwick and Marshall Herskovitz's Thirtysomething (1987-91) with Brendan of Tales from the Mall To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.
This week Val and Rachel sit down with our friend Nicole Restaino for an innovative new format: we'll be contrasting and comparing 90s TV show My So-Called Life with current HBO show Euphoria. Both shows depict teenagers with complexity and have passionate fan bases. We also finally break the one-hour mark, so hold onto your hats, dear listeners! My So-Called Life is an American teen drama television series created by Winnie Holzman and produced by Edward Zwick and Marshall Herskovitz. It originally aired on ABC from August 25, 1994, to January 26, 1995. Set at the fictional Liberty High School in a fictional suburb near Pittsburgh, Pennsylvania called Three Rivers, it follows the emotional travails of several teenagers in the social circle of main character Angela Chase, played by Claire Danes. The show was officially canceled on May 15, 1995, despite being critically praised for its portrayal of adolescence and the commentary of its central character, Angela, and for receiving several major awards nominations, including Danes winning the Golden Globe for her acting work on the series. Besides Danes, the show also launched the careers of several other major actors of her generation, including Jared Leto and Wilson Cruz. Euphoria is an American teen drama television series created and written by Sam Levinson for HBO. It is based on the Israeli television miniseries of the same name created by Ron Leshem and Daphna Levin. The series follows a group of high school students through their experiences of identity, trauma, drugs, family, friendships, love, and sex. The show is the second most watched show in HBO history, behind Game of Thrones, and it was just renewed for a 3rd season. My So-Called Life is available on Hulu, Euphoria is on HBO Max. Hot Topics: 1.) What is "America Online"? 2.) The Alicia Silverstone connection 3.) Unfair comparisons: prestige TV vs. network television, style vs. realism, dyeing your hair vs. doing fentanyl 4.) Overuse of music and the ensuing emotional manipulation 5.) Antiheros, moral ambiguity, and unreliable narrators 6.) Voiceovers and getting teenage dialogue right 7.) Focusing on the MSCL episode "Other People's Mothers": drugs, teenagers, and traditional vs. permissive parenting styles 8.) Very Special Episodes(TM) 9.) The crazy Rainbow-style fashion aesthetic of Euphoria 10.) Friend crushes and moral stances https://en.wikipedia.org/wiki/My_So-Called_Life https://en.wikipedia.org/wiki/Euphoria_(American_TV_series)
Welcome to OTTplay Sizzling Samachar of the day, I'm your host NikhilSizzling news first up, Jamie Dornan joins Gal Gadot for Netflix film Heart of StoneThe upcoming Netflix spy thriller, Heart of Stone, has cast Jamie Dornan who recently played a pivotal role in Kenneth Branagh's critically acclaimed film Belfast. Dornan, who shot to fame with the divisive film 50 Shades of Grey, will be joined by Wonder Woman star Gal Gadot in the film directed by Tom Harper.Amitabh Bachchan film Jhund announces release dateThe upcoming biopic, Jhund, about social worker Vijay Barse starring Amitabh Bachchan is set to hit theatres on March 4 later this year. Directed by Nagraj Manjule, the story revolves around Barse who forms an organization called Slum Soccer, to help children living on the streets. Through football, the retired PE teacher shows them a new path, away from crime and drug addiction.Ali Wong to feature in Netflix stand-up specialAli Wong will have a new Netflix stand-up special, the streaming platform recently announced. Titled Don Wong, it will premiere on Valentine's Day, February 14. This is the comedienne turned actress' third stand-up routine after Ali Wong: Baby Cobra (2016) and 2018's Ali Wong: Hard Knock Wife. Wong was also the lead in Netflix's 2019 romantic comedy Always Be My Maybe, and will also feature in the soon-to-released show Beef.Mohan Babu, Srikanth's political thriller Son of India to release on February 18Son of India, Mohan Babu's political thriller, is scheduled to hit theatres on February 18, the makers announced on social media. A Diamond Ratna Babu directorial, The film has been backed by Vishnu Manchu. The cast includes actors like Srikanth, Pragya Jaiswal, Vennela Kishore, Ravi Prakash among others.Dear Edward series at works at Apple TVApple TV has greenlit a new series based on Ann Napolitano's novel Dear Edward, which will be helmed by Jason Katims. The show of the same name will center around a young boy named Edward who is the only survivor of a devastating plane crash that claimed the life of his family members. It's roped in The White Lotus actor Connie Britton, Orange is the New Black star Taylor Schilling and Wonka's Colin O'Brien.Stephen King's Billy Summers to get series adaptationStephen King's bestselling novel Billy Summers is getting a limited series adaptation from JJ Abrams; Bad Robot. The series is likely to have 10 episodes and will be directed by Ed Zwick. Zwick will also adapt the novel along with Marshall Herskovitz. The novel recounts the story of a hitman called Billy Summers who is planning to take up one last project before retiring from the life of contract killing. Well, that's the OTTplay Sizzling Samachar of the day, I shall be back again with more news from the world of movies and entertainment. Until then it's your host Nikhil signing out. Aaj kya dekhoge OTTplay se poocho.
MARSHALL HERSKOVITZ is a writer, producer, and director who has won numerous awards for his work in television and film. Born in Philadelphia, he attended Brandeis University, then moved to Los Angeles in 1975, where he attended the American Film Institute. One of his classmates was Edward Zwick, and there the two created what is currently the longest-surviving creative partnership in Hollywood: The Bedford Falls Company, named for the town in Frank Capra's It's A Wonderful Life. In the ensuing decades they created such TV series as thirtysomething, My So-Called Life, and Once and Again; and Herskovitz variously produced and/or wrote many films with Zwick, including Legends of the Fall, Traffic, The Last Samurai, and Blood Diamond. Herskovitz also directed Jack the Bear and the cult-favorite Dangerous Beauty. In 2007, Herskovitz created the groundbreaking online series and social network quarterlife, which at the time was the internet's most successful scripted series, and the first online series to transition to network television. A longtime environmentalist, Herskovitz has served on the board of several organizations dedicated to fighting climate change. He is a past president of the Producers Guild of America. In this episode, we talk about: • The Last Samurai and working with Tom Cruise • His first role in the Entertainment industry and his first job while still at film school. • If AFI (American Film Institute) prepared him for the industry and what he took from it • The transition from writer to Showrunner and the birth of the hit show thirtysomething • Working with his partner Edward Zwick and their initial different strengths and weaknesses. • How he and Ed work together now; who directs and who writes. • Working on some of his biggest projects • Tips for aspiring actors About the Guest: Twitter Wikipedia IMDb Host: Instagram: @MentorsontheMic @MichelleSimoneMiller Twitter: @MentorsontheMic @MichelleSimoneM Facebook page: https://www.facebook.com/mentorsonthemic Website: www.michellesimonemiller.com Youtube: https://www.youtube.com/user/24mmichelle
Join the filmmakers behind Better Left Unsaid. Curt Jaimungal and Desh Amila are joined by a host of special guests, including Michael Shermer, Rick Smith, Vesper Stamper, and Marshall Herskovitz.
Join the filmmakers behind Better Left Unsaid for a Q&A session on thinkspot. Curt Jaimungal and Desh Amila will be joined by Michael Shermer, Rick Smith, Vesper Stamper, and Marshall Herskovitz.
Our guest today is the former president of the producers Guild of America, established producer, writer, and director, Marshall Herskovitz. Much of his production projects have been in partnership with his long-time filmmaking friend, Edward Zwick whose films, he’s produced and written half of. Their decades-long filmmaking partnership was launched as co-creators of the 1987 TV show, ThirtySomething. Now, Marshall had already written for the TV show, Family, in 1976. So his understanding of TV was pivotal in the success of 30 Something. Other projects he’s credited for executive producing or creating include Traffic (2000), The Last Samurai (2003), Nashville (TV show 2016), Blood Diamond, and Women Walks Ahead(2017), starring the incomparable, Jessica Chastain.Marshall show, ThirtySomething, which only ran for four-season was quite successful. Co-created with Zwick, the follows the stories and journeys of seven thirtysomethings living in Philadelphia who struggle with everyday adult angst.The show's success earned over a dozen Primetime Emmy and Golden Globe awards, and personal honors for Marshall from the Writers Guild and a Directors Guild.Herskovitz's filmography is pretty adventurous. We discussed as many as we could in this interview and he was totally down for the ride. But if we are to highlight some must-mentions, Traffic will get the spot. Herskovitz co-produced Traffic in 2000 alongside esteem producer, Laura Bickford and directed by Zwick. The film holds a constant 93% approval rating on Rotten Tomatoes and won numerous Oscars BAFTA, Screen Actors Guild, and Golden Globes awards in 2001. It followed through grossing a total of $207.5 million on its $46 million budgetThe President appoints a conservative judge to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.Another classic of his is the 1999 TV show, Once and Again. A divorced father and a soon-to-be-divorced mother meet and begin a romantic courtship which is always complicated by their respective children and their own life problems.Marshall was the absolute best and an excellent guest. You have to listen to the episode to hear all those extra deets he shared with us about the attempts at rebooting ThirtySomething and many more.Enjoy this conversation with Marshall Herskovitz.
Join Rick Smith and Marshall Herskovitz for a Q&A with our thinkspot members.
Marshall Herskovitz and Graham Walker return for the second edition of their conversation series, this time tackling the seeds of the American political divide and how they have been sown by institutional failure and media narratives. Herskovitz's perspective and analysis on the Democrats' abandonment of the working class is particularly insightful.
Writer and film producer Marshall Herskovitz is joined by the Independent Institute's Graham Walker for a discussion on the psychology of trauma and its relationship to the left's current strain of woke-ism. Herskovitz draws on his experience as an artist and political consultant to theorize on the dynamics that underpin this ideology, offering an insightful and compassionate approach to interpreting this phenomenon.
MARSHALL HERSKOVITZ is a writer, producer, and director who has won numerous awards for his work in television and film. Born in Philadelphia, he attended Brandeis University, then moved to Los Angeles in 1975, where he attended the American Film Institute. One of his classmates was Edward Zwick, and there the two created what is currently the longest-surviving creative partnership in Hollywood: The Bedford Falls Company, named for the town in Frank Capra’s It’s A Wonderful Life. In the ensuing decades they created such TV series as thirtysomething, My So-Called Life, and Once and Again; and Herskovitz variously produced and/or wrote many films with Zwick, including Legends of the Fall, Traffic, The Last Samurai, and Blood Diamond. Herskovitz also directed Jack the Bear and the cult-favorite Dangerous Beauty. In 2007, Herskovitz created the groundbreaking online series and social network quarterlife, which at the time was the internet’s most successful scripted series, and the first online series to transition to network television. A longtime environmentalist, Herskovitz has served on the board of several organizations dedicated to fighting climate change. He is a past president of the Producers Guild of America.
I had the pleasure of meeting Marshall a few years before this interview and was so honored when he decided to be a part of the show. You may not recognize the name but I guarantee you know his work. Marshall is a writer, producer, and director in Los Angeles. His credits include such films as Legends of the Fall and The Last Samurai, and the television series thirtysomething and My So-Called Life. p.s. Take our FREE Assessment. Our Intimacy Blindspot Assessment is a quick, simple yet effective assessment so you can discover how to have the sexual freedom, healthy communication and deep connection you deserve - https://allanapratt.com/quiz Gentlemen…End the Fear of Rejection. Enjoy your "How To Be A Noble Badass" Complementary Training at www.GetHerToSayYes.com Ladies…Be irresistible. Feel sacred. Attract him now.Enjoy your "Vulnerability is the New Sexy" Complementary Training at http://allanapratt.com/vulnerability
Critically-acclaimed director Marshall Herskovitz and best-selling author Gregg Hurwitz discuss the current political divide while joined by writer, broadcaster, and comedian Bridget Phetasy.
Marshall Herskovitz, writer, director and producer (thirtysomething, My So-Called Life, Dangerous Beauty), drops by to talk about how he got his start in Hollywood, when he decided he’d rather fail and leave the business than keep writing things that didn’t feel like him, the TV movie that kick-started his and partner Ed Zwick’s careers into high gear, and what kind of reboot he would do for thirtysomething if the opportunity arose. Learn why he, Ed, and Winnie Holzman wound up sobbing when they had to do the DVD commentary for the My So-Called Life pilot, why they were terrified of Claire Danes, and why the way we define risk is so destructive in our society. Marshall shares how making Dangerous Beauty (one of Bridget’s all-time favorite films) was his all-time favorite experience in the business, what the film meant to him, and the reason for its incredible longevity after initially bombing at the box office. They discuss everything from the extreme the changes in the movie and television industry in the last 10 years, to the truth about climate change, how Democrats are getting the messaging wrong, the difference between investment and cost, and how the economy is like a bottle of wine. Don’t miss Bridget’s story about Jared Leto and Marshall’s story about Brad Pitt.
Marshall Herskovitz, writer, director and producer (thirtysomething, My So-Called Life, Dangerous Beauty), drops by to talk about how he got his start in Hollywood, when he decided he’d rather fail and leave the business than keep writing things that didn’t feel like him, the TV movie that kick-started his and partner Ed Zwick’s careers into […]Sponsored by Ritual, Calm Join the conversation and comment on this podcast episode: https://ricochet.com/podcast/walk-ins-welcome-bridget-phetasy/marshall-herskovitz-and-the-importance-of-betting-on-yourself/.Now become a Ricochet member for only $5.00 a month! Join and see what you’ve been missing: https://ricochet.com/membership/.Subscribe to Walk-Ins Welcome w/ Bridget Phetasy in Apple Podcasts (and leave a 5-star review, please!), or by RSS feed. For all our podcasts in one place, subscribe to the Ricochet Audio Network Superfeed in Apple Podcasts or by RSS feed.
Prior to a television landscape that favors realism over idyllic life, where major characters face the risk of "being killed off," and daily life is portrayed somewhat accurately, thirtysomething did all that and more. The show that was an early experiment that quickly became a phenomenon, rewriting the rules for dramatic series in more ways than one. Helmed by creators Edward Zwick and Marshall Herskovitz, thirtysomething not only drew viewers into the lives of its characters and tested the boundaries of conventional storytelling, it thrived with a multi-hyphenate cast, many of whom stepped into the role of director during the series run -- then stayed there for the next 30 years. ATX reunites these dynamic creatives as they look back at the series that re-wrote the book on TV dramas, and paved the way for a new direction in their careers.Episode Guests: Marshall Herskovitz, Edward Zwick, Timothy Busfield, Melanie Mayron, Peter Horton, David Clennon, Polly DraperModerator: Bill Keith (Entertainment Weekly)ATX Season 8 | June 6-9, 2019 | atxfestival.comWHERE TO FIND USFOLLOW us at @ATXFestival on Twitter, Instagram, and Facebook, and let us know your thoughts on this episode (or any episode!) using #TheTVCampfire!WATCH full panels and Q&As from past seasons of ATX at atvxp.com and on our YouTube channel.BUY A BADGE at atxfestival.com and join us next June for ATX Season 8!-----Get 20% off your new favorite pair of jeans @ DSTLD.com with promo code: TVCAMPFIRE
This week, we’re throwing it back to one of our most popular releases: My So-Called Life, the series by Winnie Holzman, Ed Zwick and Marshall Herskovitz, starring Claire Danes in her breakout role as Angela Chase; the 15-year old who was head-over-heels in love with the high school’s relatively bad boy, Jordan Catalano; played by Jared Leto. The show was a cult hit, but mostly after it had already been cancelled by ABC and was in reruns on MTV. In this episode, we learn about Claire's history with acting; that she was even younger than her 15-year-old character; and all about those make-out scenes with Jared Leto!
Take a crash course in Japanese history with Chris and Owen as they seek to correct both the inaccuracy and the intense tedium of Tom Cruise's creatively bankrupt/financially lucrative bid as the white savior of Imperial Japan. The Last Samurai is directed by Edward Zwick, written by John Logan, Edward Zwick, and Marshall Herskovitz, and stars Tom Cruise, Ken Watanabe, and an entire village of Japanese stereotypes whose main role is to distract you from the fact this movie was filmed in New Zealand. Let us know what you think! Comments, suggested movies, alternative fixes, we love to hear from you all! E-mail: JustEnjoyTheMovie@gmail.com Facebook: facebook.com/justenjoythemovie Twitter: twitter.com/JEtMPodcast Or put your money where your mouth is, and then give us the money. We really appreciate it: Patreon: www.patreon.com/JustEnjoytheMovie
País Estados Unidos Dirección Edward Zwick Guion Richard Wenk, Marshall Herskovitz, Edward Zwick (Novela: Lee Child) Música Henry Jackman Fotografía Oliver Wood Reparto Tom Cruise, Cobie Smulders, Danika Yarosh, Aldis Hodge, Sue-Lynn Ansari, Teri Wyble, Holt McCallany, Robert Knepper, Tilton Lipoma, Madalyn Horcher, Michael Papajohn, Patrick Heusinger Sinopsis La Mayor Susan Turner, líder de la antigua unidad militar de Reacher, es falsamente acusada de traición. Jack Reacher tendrá que sacarla de prisión y descubrir la verdad detrás de una conspiración gubernamental para limpiar sus nombres y salvar sus vidas. Durante el escape, Reacher descubrirá un secreto de su pasado que podría cambiar su vida para siempre. Secuela de "Jack Reacher" (2012).
Story: Nach dem tödlichen Attentat auf seine Verlobte sinnt Mitch Rapp auf Rache. Beim CIA lässt er sich von dem berüchtigten Kriegs-Veteranen Stan Hurley zum Elite-Agenten ausbilden. Schnell erhalten die beiden ihren ersten, folgenschweren Auftrag: Es gilt, die Hintergründe einer Reihe scheinbar willkürlicher Anschläge auf sowohl militärische als auch zivile Ziele zu überprüfen. Bald entdecken sie, dass alle Attentate Parallelen aufweisen. Gemeinsam mit einer geheimen Spezialeinheit begeben sie sich auf eine hochriskante Mission: Es gilt, den äußerst gefährlichen Drahtzieher hinter einer großangelegten Verschwörung zu stoppen. Doch dieser hat nicht vor, sich von seinen todbringenden Plänen abbringen zu lassen und scheint stets einen Schritt voraus. Eine erbarmungslose Jagd beginnt... DVD/Blu Ray-Release: 22.02.2018 (STUDIOCANAL) American Assassin Genre: Thriller, Action Land: USA 2017 Laufzeit: ca. 112 min. FSK: 16 Regie: Michael Cuesta Drehbuch: Michael Finch, Marshall Herskovitz, Stephen Schiff, Edward Zwick Buch: Vince Flynn Kamera: Enrique Chediak Musik: Steven Price Produzenten: Lorenzo di Bonaventura, Aidan Elliott Mit Taylor Kitsch, Dylan O'Brien, Michael Keaton, Sanaa Lathan, Scott Adkins, David Suchet, Trevor White, ... https://youtu.be/QEoPrfh8q0c
Story: Nach dem tödlichen Attentat auf seine Verlobte sinnt Mitch Rapp auf Rache. Beim CIA lässt er sich von dem berüchtigten Kriegs-Veteranen Stan Hurley zum Elite-Agenten ausbilden. Schnell erhalten die beiden ihren ersten, folgenschweren Auftrag: Es gilt, die Hintergründe einer Reihe scheinbar willkürlicher Anschläge auf sowohl militärische als auch zivile Ziele zu überprüfen. Bald entdecken sie, dass alle Attentate Parallelen aufweisen. Gemeinsam mit einer geheimen Spezialeinheit begeben sie sich auf eine hochriskante Mission: Es gilt, den äußerst gefährlichen Drahtzieher hinter einer großangelegten Verschwörung zu stoppen. Doch dieser hat nicht vor, sich von seinen todbringenden Plänen abbringen zu lassen und scheint stets einen Schritt voraus. Eine erbarmungslose Jagd beginnt... DVD/Blu Ray-Release: 22.02.2018 (STUDIOCANAL) American Assassin Genre: Thriller, Action Land: USA 2017 Laufzeit: ca. 112 min. FSK: 16 Regie: Michael Cuesta Drehbuch: Michael Finch, Marshall Herskovitz, Stephen Schiff, Edward Zwick Buch: Vince Flynn Kamera: Enrique Chediak Musik: Steven Price Produzenten: Lorenzo di Bonaventura, Aidan Elliott Mit Taylor Kitsch, Dylan O'Brien, Michael Keaton, Sanaa Lathan, Scott Adkins, David Suchet, Trevor White, ... https://youtu.be/QEoPrfh8q0c
(Theme: Religion) Ruby was brought up Catholic AND as a Jehovah's Witness. Has religion affected her attitude to sex? Ruby updates us on her shenanigans with the Brit, including a wild night of DIY bondage. Yep, actual DIY. She also drops a bombshell about her sexuality and tells us about her very first sexual encounter. Books and extras referenced in the episode: 'The Five Love Languages: How to Express Heartfelt Commitment to Your Mate' is a 1995 book by Gary Chapman. It outlines five ways to express and experience love that Chapman calls "love languages": receiving gifts, quality time, words of affirmation, acts of service (devotion), and physical touch. My So-Called Life is an American teen drama television series created by Winnie Holzman and produced by Edward Zwick and Marshall Herskovitz. Check it out on YouTube to find out who ‘Brian’ is.
On today's podcast I talk about thirtysomething, My fave tv show of all time! Thirtysomething (stylized as thirtysomething) is an American drama television series created by Ed Zwick and Marshall Herskovitz for ABC that aired from 1987 to 1991. It tells of baby boomers living in their thirties who reside in Philadelphia, Pennsylvania, and examines how this group of friends learn to negotiate their prior involvement with the early 1970s counterculture as young adults, in contrast to the yuppie lifestyle which dominated American culture during the 1980s.The title of the show was designed as thirtysomething (with a lowercase "t") by Kathie Broyles, who combined the words of the original title, Thirty Something. It premiered in the United States on September 29, 1987, and lasted four seasons until it was cancelled in May 1991 because the ratings had dropped and the executive producers Ed Zwick and Marshall Herskovitz moved on to other projects. The series earned 13 out of its total 41 nominated Primetime Emmy Awards, and received 2 Golden Globe Awards.I discuss this show with the co-host of the thritysomething podcast Scott Ryan. "After 2 years and 18 episodes, we present you the final episode of the thirtysomething podcast. We have been so lucky to interview just about everyone. If they weren't on the podcast, we got them for the book, thirtysomething at thirty: an oral history.September 29th, 2017 thirtysomething turns thirty. We were so lucky to be able to celebrate our favorite television show and help bring it to its own age. For our final episode Scott reads a bit of his introduction from his new book about the show, Carolyn and Scott read brand new statements from some of the cast and crew about the show turning 30. We even have a new one from an actor who was never on the podcast or the book! Then we say goodbye to all our fans of the podcast" Here is the link to his website, podcast and more here: http://www.scottryanproductions.com/tag/thirtysomething/ It is fantastic! Plus part 1 of the first episode of Thirtysomething https://www.youtube.com/watch?v=9XUpRZq2A2I
On today's podcast I talk about thirtysomething, My fave tv show of all time! Thirtysomething (stylized as thirtysomething) is an American drama television series created by Ed Zwick and Marshall Herskovitz for ABC that aired from 1987 to 1991. It tells of baby boomers living in their thirties who reside in Philadelphia, Pennsylvania, and examines how this group of friends learn to negotiate their prior involvement with the early 1970s counterculture as young adults, in contrast to the yuppie lifestyle which dominated American culture during the 1980s. The title of the show was designed as thirtysomething (with a lowercase "t") by Kathie Broyles, who combined the words of the original title, Thirty Something. It premiered in the United States on September 29, 1987, and lasted four seasons until it was cancelled in May 1991 because the ratings had dropped and the executive producers Ed Zwick and Marshall Herskovitz moved on to other projects. The series earned 13 out of its total 41 nominated Primetime Emmy Awards, and received 2 Golden Globe Awards. I discuss this show with the co-host of the thritysomething podcast Scott Ryan. "After 2 years and 18 episodes, we present you the final episode of the thirtysomething podcast. We have been so lucky to interview just about everyone. If they weren’t on the podcast, we got them for the book, thirtysomething at thirty: an oral history. September 29th, 2017 thirtysomething turns thirty. We were so lucky to be able to celebrate our favorite television show and help bring it to its own age. For our final episode Scott reads a bit of his introduction from his new book about the show, Carolyn and Scott read brand new statements from some of the cast and crew about the show turning 30. We even have a new one from an actor who was never on the podcast or the book! Then we say goodbye to all our fans of the podcast" Here is the link to his website, podcast and more here: http://www.scottryanproductions.com/tag/thirtysomething/ It is fantastic! Plus part 1 of the first episode of Thirtysomething https://www.youtube.com/watch?v=9XUpRZq2A2I
Peter Horton (Thirtysomething, Grey's Anatomy) talks about his journey from musician to actor to a director and writer/producer of film and television. We Talk About Finally agreeing to act in "Thirtysomething" Writing and producing "American Odyssey" for Netflix Directing the pilot for "Grey's Anatomy" and producing the first three seasons The best kind of actors out there A new project for Cinemax set in the future Quotes from the Show “(As a director,) you can never ask for an effect because you’re just sabotaging your actor. You have to be able to say, “It feels like the stakes aren’t as high as they need to be here. Can you find a way to make the stakes higher?” So, then you’re giving it back to them, and they can give you what you need.” “I find the best actors have a real ego about what they’re doing. The they have a real take on it, too. They come in having really done their homework, having really embodied this character, so that they know them better than I do... they go deep with their work.” “There are so many great shows out there that don’t necessarily immediately suggest story. I think with the advent of serialized shows, it’s a little harder to identify that as something that obviously has legs. You can always make anything have legs if you’re a good enough writer these days.”
Action Movie Anatomy hosts Ben Bateman and Andrew Ghai break down 2016's Jack Reacher: Never Go Back! Jack Reacher: Never Go Back is a 2016 American action thriller film directed by Edward Zwick and written by Zwick, Richard Wenk and Marshall Herskovitz. A sequel to 2012 film Jack Reacher, the film stars Tom Cruise, Cobie Smulders, Patrick Heusinger, Aldis Hodge, Danika Yarosh and Holt McCallany. The plot follows Reacher going on-the-run with an Army Major who has been wrongly framed for espionage. Principal photography began on October 20, 2015 in New Orleans and the film was released on October 21, 2016 in IMAX and conventional formats. It received mixed reviews and has grossed $53 million. Make sure to subscribe to Popcorn Talk! - http://youtube.com/popcorntalknetwork --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Writer/Director Marshall Herskovitz talks with us about creating Thirtysomething. He tells how he sees the show as being political, explains the major themes and back story of the show and My So Called Life. He is a very thoughtful person. Get ready for some great conversation. @30somethingpod.
Love and Other Drugs is a new comedy-drama set in the late 1990s about a charming pharmaceutical rep (Jake Gyllenhaal) who falls an artist (Anne Hathaway) suffering from Parkinson’s disease. Directed by Ed Zwick, it is loosely based on the book Hard Sell: The Evolution of a Viagra Salesman by Jamie Reidy and co-stars Oliver Platt, Hank Azaria and Josh Gad. Zwick’s previous films have included Glory (1989), Legends of the Fall (1994), The Siege (1998), The Last Samurai (2003), Blood Diamond (2006), and Defiance (2008). Along with his producing partner Marshall Herskovitz, he also created the TV shows Thirtysomething and My So-Called Life. I recently spoke with Ed in London about his latest film which opnes in the UK on December 29th.File Download (0:00 min / 8 MB)
In a surprise move, the Academy of Motion Picture Arts and Sciences announced that next year there will be ten Best Picture Oscar nominees, instead of five. AMPAS President Sid Ganis explains why. Kind of. Plus, producers stand up and say, "I am somebody!" at their guild's new Produced By conference. We speak with motion picture and TV producer and guild president Marshall Herskovitz.
Episode 2 is part 2 of the interview with Colleen Wainwright, except owing to a mixup, Episode 1 actually featured part 2 of the interview, so ep 2 really features part 1.Also, some opinion on how digital downloads may in fact be a really powerful thing for writers, a way to empower independent productions, based on the example of Marshall Herskovitz and Ed Zwick's new series Quarterlife, and more specifically, based on an awesome piece Mr. Herskovitz wrote for the LA Times about it. (Full disclosure: I'm currently working for the LA Times.)Anyway, after I recorded the podcast, a ton of links showed up on the WGA strike blog United Hollywood, all from people better-informed than me who seemed to think the same thing. It's always cool when that happens.Enjoy!Download the podcast for insight and experience from Colleen, a former working actor, and some random thoughts of my own.