Podcasts about myung whun chung

Greetings! Many new things, then, a digression in Phase 2 focused on the influence of gamelan in Western music. Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Blue Sky:  https://bsky.app/profile/envpusher1.bsky.social    3-15-25 PTE Playlist   G's Sabbath - Double Bass: Roberto Cassani / Guitar: Graeme Stephen - Pictish Spaghetti - 577 Records (2025) https://577records.bandcamp.com/album/pictish-spaghetti     Lands End - composer: Luciano Chessa / piano: Claudio Sanna - Lands End - Col Legno (2025) https://col-legno.com/de/shop/15030-lands-end    Pillows - electronics: Simon Grab / drums: David Meier - Porœs - OUS (2025) https://simongrab.bandcamp.com/album/por-s    Strawberry Festival In Louisiana - Stereo Minus One - Dead Petals At The Other - Machine Records (2025) https://stereominusone.bandcamp.com/album/dead-petals-at-the-other    After The Flood - Jeff Greinke - Late Rain - Projekt Records (2025) https://projektrecords.bandcamp.com/album/late-rain    Testing Area - Thomas Poken - digital single (2025) https://thomaspoken.bandcamp.com/album/testing-area    Universe Emerging (10 minute) - Gallanitte - Universe Emerging - digital release (2025) https://gallanitte.bandcamp.com/album/universe-emerging    Intro / Farfisa for Polly Peachum / Sure As Me - Petridisch - Horse Sense: Live at DUALITYFEST - self-release (2023) https://petridisch.bandcamp.com/album/horse-sense-live-at-dualityfest    Parlando I/II/III - percussion: Christopher Clarino / composer: Igor Santos - Parlando - Neuma Records (2025) https://christopherclarino.bandcamp.com/album/parlando    Estampes 1: Pagode - piano: Aldo Ciccolini / composer: Claude Debussy -  L'Œuvre Pour Piano, Vol. I - EMI (1992) https://symposium.music.org/52/item/22-claude-debussys-gamelan.html    "The Joy of the Blood of the Stars" from Turangalila Symphony - Orchestre De L'Opéra Bastille, cond. Myung-Whun Chung / composer: Olivier Messiaen - Mystic (The Musical Visions Of Olivier Messiaen) - Deutsche Grammaphon (1996) https://www.britannica.com/biography/Olivier-Messiaen#ref54011    Sleeping Braid - Gamelan Son of Lion / composer: Barbara Benary - The Complete Gamelan in the New World - Locust Music (2004)  https://www.soundohm.com/product/the-complete-gamelan-in-t    Lamentation & Fantasia Gamelantronique - Discus - 1st - Mellow (1999)  https://mellowlabelproductions.bandcamp.com/album/1st    Poem for Bali - Wendy Carlos - Beauty In The Beast - Audion (1986) https://www.wendycarlos.com/+bitb.html 

durée : 01:28:08 - Myung-Whun Chung, la spiritualité d'un chef accompli - par : Aurélie Moreau - Myung-Whun Chung, prestigieux chef d'orchestre, très aimé des formations dont il a été directeur musical, est entre autres, chef émérite du Philharmonique de la Scala de Milan depuis 2023. Aujourd'hui : Dvořák, Rossini, Mozart, Ravel, Messiaen…

Clive Oppenheimer is a volcanologist, filmmaker and Professor of Volcanology at the University of Cambridge. His research has taken him on expeditions across the world, from Antarctica, where he discovered the camp of Captain Scott's attempt to reach the South Pole, to Ethiopia where he was held at gunpoint by rebels. Clive was born in London, and fell in love with rocks and the stories they tell on visits to what is now the Natural History Museum. His mother survived the Blitz in London and his father escaped persecution by the Nazis in Germany in the 1930s. On a gap year trip to Indonesia, Clive saw his first volcanoes and realised both their natural power and their significance in human lives. He studied at the University of Cambridge, and completed a PhD at the Open University.He has taken part in and led expeditions to volcanoes all over the world, including Indonesia, Italy and Ethiopia. He is one of few Westerners to have worked in North Korea, where he was invited by the government to study volcanic activity at the culturally significant Mount Baekdu. He has also made three documentaries with filmmaker Werner Herzog about volcanoes and their scientific, cultural and spiritual significance. DISC ONE: Blue Rondo a la Turk - Dave Brubeck Quartet DISC TWO: Love Hangover - Diana Ross DISC THREE: Autobahn - Kraftwerk DISC FOUR: Lava - The B-52's DISC FIVE: Debaser - Pixies DISC SIX: Turangalîla-symphonie, Part VI Jardin du sommeil d'amour. Composed by Olivier Messiaen and performed by the Orchestre de l'Opéra Bastille, cond Myung-Whun Chung, with Yvonne Loriod (piano) and Jeanne Loriod (ondes martenot) DISC SEVEN: T'zeta - Bezawork Asfew DISC EIGHT: Hymn for the Dormition of the Mother of God - The Sixteen and Harry ChristophersBOOK CHOICE: The Vivisector by Patrick White LUXURY ITEM: A seismometer CASTAWAY'S FAVOURITE: Debaser – PixiesPresenter Lauren Laverne Producers Sarah Taylor and Tim Bano

The second episode from world flute capital Paris features another (very) special guest; this week I'm joined by Principal Flute of the Orchestre Philharmonique de Radio France, Sony Classical Recording Artist, award-winning Chamber Musician, former ARD Competition winner, CRR de Paris Professor and my former teacher; Magali Mosnier. I sat down with Magali to chat everything from playing under the great Myung-Whun Chung and winning the ARD International Music Competition, to her teaching philosophies and favourite cocktails. It's another milestone moment for this podcast to have a musician of Magali's stature on, and I'd like to thank each and every one of you for watching/listening over the last 7 months, it means the world to me x If you'd like to support the podcast, you can buy me a beer or a Dr Pepper with my PayPal link below (also in my Instagram bio!)Inline G will ALWAYS be free of charge, but small donations of a few euro/pounds/dollars help keep the lights on round here, if you can afford it xwww.paypal.me/garethhouston92Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xChapters: 0:00:00 - Introduction0:03:35 - Interview with Magali Mosnier0:04:45 - Franck Edouard and José-Daniel Castellon0:11:30 - Playing under Myung-whun Chung0:17:05 - First Tour with Radio France Philharmonic0:19:25 - Debussy and Ravel flute solos0:26:56 - Solo Career0:38:99 - Contemporary Concertos0:45:45 - The French Flute School 0:51:35 - The Future of Magali Mosnier0:55:38 - Quick Fire Questions Hosted on Acast. See acast.com/privacy for more information.

Welcome to Season 03 Episode 09 - the "Frozen Pipes" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include Mr. Tim Kennedy, founder and Artistic Director Emeritus of Buffalo Opera Unlimited, discussing the Live at the Met production of Carmen; Mr. Barry Kilpatrick offering an overview of the spring semester offerings from the SUNY Fredonia School of Music; and Dr. Tom Janik, whose photography exhibit "Scenes from Where You Live" is now on display at the Darwin R. Barker Library in Fredonia. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps: Tim Kennedy/Carmen - 2:30 Barry Kilpatrick/School of Music - 20:40 Arts Calendar - 38:45 Tom Janik/"Scenes from Where You Live" - 41:08 Media: "Looks Like A Cold, Cold Winter", written by Jack Fulton, Al Goering, Caeser Petrillo; performed by Georgia Gibbs, September 1950 "L'amour est un oiseau rebelle", from the opera Carmen; George Bizet, composer; Henri Meilhac and Ludovic Halvéy, libretto; performed by Aigul Akhmetshina, mezzo-soprano; from the Metropolitan production of January, 2024 "Toréador, en garde!", from the opera Carmen; George Bizet, composer; Henri Meilhac and Ludovic Halvéy, libretto; performed by Kyle Ketelsen, baritone; from the Metropolitan production of January, 2024 Scherzo from A Midsummer Night's Dream; Frederick Mendelssohn, composer; performed by Seraph Brass, from the album Asteria, April 2018. Toccata in D Minor; J.S. Bach, composer; performed by the United States Naval Academy Band Trombone Quartet, October 2019 Carmen Overture, composed by George Bizet, 1875; performed by Orchestre Philharmonique de Radio France conducted by Myung-Whun Chung, December 2017 Artist Links: Tim Kennedy Metropolitan Opera House Barry Kilpatrick Visual and Performing Arts Calendar SUNY Fredonia Tom Janik Darwin R. Barker Library BECOME A MEMBER!    

durée : 00:25:13 - François Rabbath, contrebassiste (3/5) - par : Laurent Valero - Interprète et compositeur éclectique, François Rabbath a créé une méthode d'apprentissage de la contrebasse qui a su élargir et renouveler le répertoire de la contrebasse moderne. Ces Grands Entretiens reviendront sur le parcours riche et atypique de ce musicien hors du commun. - réalisé par : Françoise Cordey

durée : 00:20:37 - Disques de légende du jeudi 30 novembre 2023 - Le pianiste est chef d'orchestre Myung-Whun Chun naît à Séoul en 1953. Ancien directeur musical de l'Orchestre Philharmonique de Radio France (2000-2015), il est l'un des plus grands chefs de notre temps. En octobre 1990, il interprète Messiaen avec l'Orchestre de l'Opéra de Paris.

Synopsis On today's date in 1865, the hottest ticket in Paris was for the premiere of Giacomo Meyerbeer's long-awaited grand opera L'Africaine, or The African Maid, at the Paris Opera. And when I say “long-awaited,” I mean long-awaited! Meyerbeer had begun work on “L'Africaine” some 25 years earlier. It had become a standing joke in the French press to rib Meyerbeer about the “imminent” completion of his opera. There were many reasons for the delay. Meyerbeer was a slow-worker, a perfectionist; he was sidelined by ill-health; he was waiting for better singers, more sympathetic management at the Opera, etc. etc. Opera fans back then must have given up hope Meyerbeer would ever finish L'Africaine, but – surprise! – he did and the work was slotted for production at the Paris Opera. At that point, ironically, Meyerbeer died, and his widow entrusted another composer to supervise the rehearsals for its 1865 premiere. Meyerbeer's operas were the 19th century equivalent of the sweeping costume epic movies of Cecil B. DeMille. In L'Africaine, the hero is the explorer Vasco da Gama, and one of the opera's more spectacular stage effects involved a Portuguese ship running aground on an exotic reef and being taken over by a swarm of natives. Music Played in Today's Program Giacomo Meyerbeer (1791 – 1864) O paradis, from L'Africaine Ben Heppner, tenor; London Symphony; Myung-Whun Chung, conductor. DG 471 372

durée : 01:28:39 - La violoniste Kyung Wha Chung (2/2) - par : François-Xavier Szymczak - Accompagnée par Lupu, Giulini, Galway, Muti, Rattle, Solti, Dutoit, Paul Tortelier, Krystian Zimerman ou par son frère Myung Whun Chung, la violoniste Kyung-Wha Chung s'est imposée comme une des grands stars du violon.

durée : 01:27:45 - La violoniste Kyung Wha Chung (1/2) - par : François-Xavier Szymczak - Accompagnée par Lupu, Giulini, Galway, Muti, Rattle, Solti, Dutoit, Paul Tortelier, Krystian Zimerman ou par son frère Myung Whun Chung, la violoniste Kyung-Wha Chung s'est imposée comme une des grands stars du violon.

A casual discussion about Shostakovich by two Bruckner enthusiasts (Jason and Sébastien). A graduate from the Royal Conservatory of Liège in Belgium (1st prize organ, 1st prize harmony, 1st prize history of music, 1st prize musical analysis); Sébastien Letocart is a self-taught composer, who has built his musical equally by studying ancient music (i.e. Josquin Desprez, William Byrd, Tomas Luis Vitoria, Roland de Lassus, Jan Pieterszoon Sweelinck, Claudio Monteverdi, Dietrich Buxtehude, Johann Sebastian Bach), practicing it (organ, harpsichord and singing) as well as analyzing the great scores of the Classical Symphony (Haydn, Mozart), the Romantic (Beethoven, Schumann, Brahms, Dvořák, Bruckner), the Post-romantic (Debussy, Roussel, R.Strauss, Mahler, Sibelius, Nielsen) and the symphonic repertoire of the first half of the 20th century (Bartók, Hindemith, Stravinsky, Shostakovich, Bax, Vaughan Williams, Holst, Walton, Honegger, Martinu, Varèse). He is also highly interested in the music of the last sixty years, his preferences are going from György Ligeti, Iannis Xenakis or Esa-Pekka Salonen to Einar Englund, Aulis Sallinen, Emil Tabakov, Kalevi Aho, Vagn Holmboe, John Adams, Sir Malcolm Arnold or Sir Andrzej Panufnik. He is also greatly attracted by chamber music, especially by the refined writing that the string quartet demands and by Béla Bartók's six String Quartets which are the nec plus ultra of the genre. More info about Letocart here: https://www.sites.google.com/site/letocartsebastien/Home-english Lecture/Rehearsal of Shostakovich 8 that Letocart brought up: https://www.youtube.com/watch?v=snpK0q47YgA First music excerpt is Shostakovich 4, last moments of the finale, conducted by Myung-Whun Chung with the Philadelphia Orchestra: https://www.youtube.com/watch?v=pXXiB0Lce5g Second music excerpt is the ending of the finale of Shostakovich 5, conducted by Mariss Jansons at the Wiener Philharmoniker: https://www.youtube.com/watch?v=dKeFOij6J7A&t=2641s Third music excerpt is the most popular movement of Shostakovich 8, conducted by Gergiev at the Mariinsky Orchestra and Chorus: https://www.youtube.com/watch?v=9jFesZ-jxRw Fourth music excerpt is the Scherzo from Shostakovich 10, conducted by Haitink at the London Philharmonic Orchestra: https://www.youtube.com/watch?v=5FRH22KRsU0 Final music at the end of the episode is Shostakovich's 5th string quartet performed by Dudok Kwartet in Zuiderkerk in Amsterdam: https://www.youtube.com/watch?v=zsWTDiPixcU

durée : 01:28:36 - La pianiste Beatrice Rana (1/5) - par : François-Xavier Szymczak - Après une première série de quatre émissions sur Myung Whun Chung de ses débuts à l'Orchestre Philharmonique de Radio-France, nous écoutons aujourd'hui ses tout derniers enregistrements, notamment avec cet orchestre coréen dont il fut le directeur musical pendant dix ans.

durée : 01:28:35 - Myung-Whun Chung, pianiste et chef d'orchestre (5/5) - par : François-Xavier Szymczak - Depuis son deuxième prix au Concours de piano Tchaïkovski en 1974, Myung Whun Chung s'est imposé comme un des grands musiciens de notre temps. Nous suivons quelques grands enregistrements du chef d'orchestre de Séoul à l'Opéra Bastille, en passant par l'Orchestre Philharmonique de Radio-France.

durée : 01:28:34 - Myung-Whun Chung, pianiste et chef d'orchestre (3/5) - par : François-Xavier Szymczak - Depuis son deuxième prix au Concours de piano Tchaïkovski en 1974, Myung Whun Chung s'est imposé comme un des grands musiciens de notre temps. Nous suivons quelques grands enregistrements du chef d'orchestre de Séoul à l'Opéra Bastille, en passant par l'Orchestre Philharmonique de Radio-France.

durée : 01:28:36 - Myung-Whun Chung, pianiste et chef d'orchestre (2/5) - par : François-Xavier Szymczak - Depuis son deuxième prix au Concours de piano Tchaïkovski en 1974, Myung Whun Chung s'est imposé comme un des grands musiciens de notre temps. Nous suivons quelques grands enregistrements du chef d'orchestre de Séoul à l'Opéra Bastille, en passant par l'Orchestre Philharmonique de Radio-France.

durée : 01:28:18 - Myung-Whun Chung, pianiste et chef d'orchestre (1/5) - par : François-Xavier Szymczak - Depuis son deuxième prix au Concours de piano Tchaïkovski en 1974, Myung Whun Chung s'est imposé comme un des grands musiciens de notre temps. Nous suivons quelques grands enregistrements du chef d'orchestre de Séoul à l'Opéra Bastille, en passant par l'Orchestre Philharmonique de Radio-France.

Saint-Saëns' grand French opera, not heard in Seattle since 1965, returns January 2023 in a concert production showcasing the breathtaking music of this powerful Old Testament epic. Seattle Opera Dramaturg Jonathan Dean introduces Samson et Dalila, with musical examples drawn from recordings conducted by Louis Fourestier, starring Hélène Bouvier and Paul Cabanel; George Prêtre, starring Rita Gorr, Ernest Blanc, and the René Duclos Chorus; Daniel Barenboim, starring the Orchestre de Paris; Myung-Whun Chung, starring Placido Domingo and the orchestra and chorus of Opéra-Bastille; plus solo recital albums starring Maria Callas and Georges Thill.

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Bursting full of life, Ravel's music for this everyday love story of shepherd meets goatherd meets Greek god of nature is dreamy, sensual, and downright thrilling, all delivered in glorious orchestral technicolor. Meet Daphnis & Chloé! Listening time: 25 mins (podcast 9', music 16 Complete music is here on Spotify or Apple Music played by the Orchestre Philharmonique de Radio France conducted by Myung-Whun Chung. (Start at Track 16 on Apple Music.) Music here on Youtube with pictures but (no choir) played by the London Symphony Orchestra with conductor Simon Rattle. There is a video of a great performance conducted by Mr Chung, but the sound is a bit dodgy. It's on Youtube here   What do you think? Let me know with an easy voicemail or comment at Cacophonyonline.com, Facebook or Twitter.   If you'd like to support Cacophony there are easy, great, ways: - share this episode - share the 100 second trailer - buy us a cuppa at ko-fi.com - subscribe/ review and keep listening!   Thanks for listening!

Översättning: Werner Aspenström Önskad av: Birgitta Brobeck DIKTSAMLING: :  Oas i öknen (FiB:s lyrikklubb, 1976)MUSIK Georges Bizet: Adagietto ur L Arlésienne-svit nr 1EXEKUTÖR Bastilleoperan orkester, Myung-Whun Chung, dirigent

Zoe Challenor, co-founder of B'Opera, a company bringing music to young children, talks to Frances about her own opera-filled childhood, how she believes opera can be for everyone, and her mission to deliver 'beautiful music to tiny ears'. B'Opera links:website:https://www.bopera.co.uk/Facebook:https://www.facebook.com/BoperaBabyOperaInstagram:@boperababyoperaPatreon page, for subscribing to online events:https://www.patreon.com/boperazoe?fan_landing=trueZoe's 'entry-level' opera picks:Carmen, BizetLa Traviata, Verdi Anything by Puccini: e.g. Madama Butterfly, La Bohème or ToscaTurn of the Screw, BrittenOnline tasters:Duet, Au Fond du Temple Saint from The Pearl Fishers (Bizet) Jonas Kaufmann, tenor, Dmitri Hvorostovsky, baritone https://youtu.be/XFL5CE4j4VsSous le dôme épais - Flower Duet from Lakme (Delibes) (yes, the British Airways one) Anna Netrebko, soprano, Elina Garanča, mezzo-sopranohttps://youtu.be/8hEPvslCWMIWilliam Tell Overture (Rossini) Tokyo Philharmonic, conductor Myung-Whun Chung https://youtu.be/j3T8-aeOrbgO Mio Babbino Caro from Gianni Schicchi (Puccini) Sissel Kyrkjebø, soprano https://youtu.be/4N6_eu3yBDALascia Ch'io Pianga from Rinaldo (Handel) Marilyn Horne, soprano https://youtu.be/5aRiv-GSLR4Duet, Barcarolle from Les Contes d'Hoffman (Offenbach) Anna Netrebko, soprano, Elina Graranča mezzo-soprano https://youtu.be/0u0M4CMq7uIFour Sea Interludes from Peter Grimes (Britten) BBC Symphony Orchestra, conductor Sakari Oramo https://youtu.be/ht9mQE6X0C0---Recorded June 2021Music, Frances

L'Orchestre de la Suisse Romande se fait un plaisir de revenir sur la scène du Victoria Hall, les 9 et 10 juin prochains, et propose deux concerts-tests pour  recevoir du public ainsi que l'un des plus grands chef d'orchestre : le coréen Myung-Whun Chung. Le vendredi 11 juin, le Centre d'art contemporain de Genève présente une pièce sonore et textuelle réalisée par Oélia Gouret et Gaspard Hers qui se déroulera au sein même des espaces d'exposition au 3e étage à 18.00.  

durée : 00:17:20 - Beethoven : les trois dernières sonates - Sunwook Kim - Le pianiste Sunwook Kim est sud-coréen et il a 33 ans. Vainqueur du concours Clara Haskil et du concours de Leeds à tout juste 18 ans, on a déjà pu l'entendre dans les concertos de Beethoven avec Myung Whun Chung mais aussi dans la sonate Hammerklavier.

Today I am talking to pianist Peter Jablonski. We discuss piano repertoire in and outside the canon, how careers take time to develop, and wonder about the influence of social media on the longevity of a career in music.Peter Jablonski is an award-winning internationally acclaimed Swedish pianist. Discovered by Claudio Abbado and Vladimir Ashkenazy, and signed by Decca in his seventeenth year, Jablonski went on to perform, collaborate, and record with many of the world's leading orchestras and conductors, including the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Leipzig Gewandhaus, Kirov (now Mariinsky), La Scala Philharmonic, Tonhalle Zürich, Orchestre National de France, NHK Tokyo, DSO Berlin, Warsaw Philharmonic, Philadelphia, Los Angeles Philharmonic, and Cleveland Orchestra; Vladimir Ashkenazy, Valery Gergiev, Andris Nelsons, Daniel Harding, Kurt Sanderling, Esa-Pekka Salonen, Riccardo Chailly, Daniele Gatti, and Myung-Whun Chung. Jablonski has performed and recorded the complete piano concertos of Beethoven, Tchaikovsky, Rachmaninoff, and Bartók, and all ten piano sonatas by Prokofiev. Hailed an ‘unconventional virtuoso' (Present Arts), during his three-decade-long career, Jablonski developed a diverse repertoire that includes works by Barber, Gershwin, Szymanowski, Lutosławski, Copland, Stenhammar, with most recent additions of such Scandinavian and European composers as Valborg Aulin, Elfrida Andrée, Laura Netzel, Johanna Müller-Hermann, Grażyna Bacewicz, and Alexey Stanchinsky.  Composers with whom Jablonski worked include Witold Lutosławski and Arvo Pärt, and he has had a number of works composed for, and dedicated to him, including Wojciech Kilar's Piano Concerto, for which he won the Orpheus award for the world premiere performance at the Warsaw Autumn Festival. Jablonski remains a supporter of today's composers and regularly gives world premieres of new works, together with those that have been neglected by music history. Jablonski's extensive discography includes recordings he has made for labels such as Decca, Deutsche Grammophon, Philips, Altara, Octavia, and Ondine. He received numerous accolades for his recordings, which include the Edison and the Grammophone Classical Music Award.Peter Jablonski is the recipient of the Litteris et Artibus medal for his services to culture, granted to him by the King of Sweden, Carl XVI Gustaf. He is also the winner of the prestigious prize Årets Svensk i Världen (International Swedish Personality of the Year), receiving it before ABBA and Astrid Lindgren. www.peterjablonski.comTwitter: @Jablonski_Phttps://www.ondine.net/?lid=en&cid=2.2&oid=6707

Bizet's bright and dazzling suites for orchestra (Carmen, L'Arlesienne, and Jeux d'enfants) are full of energy, the spirit of Provence and Spain. Here, they are played by the Orchestre de la Bastille (orchestra of the Paris opera) with their chief conductor at the time, Myung-Whun Chung.   We tell about the circumstances when the works were created, in the last years of the composer's life, and also mention Gounod, Liszt, Lully, Berlioz, and many other great names. A short review of the scandal surrounding the opening of the Opera Bastille in 1989 is also part of this episode. https://spoti.fi/2ZfNDoK

durée : 00:17:24 - Le Disque classique du jour du mardi 03 novembre 2020 - Le pianiste coréen Sunwook Kim a déjà un répertoire impressionnant et un son majestueux. Son dernier disque comprend le premier concerto de Brahms, qu'il enregistre ici pour la seconde fois, en version de concert avec la Staatskapelle de Dresde sous la direction de Myung-Whun Chung.

The Sonnet Sessions continue.... Please get in touch any time: podcastshakespeare@gmail.com.   William Shakespeare, Sonnet XVWhen I consider every thing that grows Holds in perfection but a little moment, That this huge stage presenteth nought but shows Whereon the stars in secret influence comment; When I perceive that men as plants increase, Cheered and checked even by the self-same sky, Vaunt in their youthful sap, at height decrease, And wear their brave state out of memory; Then the conceit of this inconstant stay Sets you most rich in youth before my sight, Where wasteful Time debateth with decay To change your day of youth to sullied night, And all in war with Time for love of you,As he takes from you, I engraft you new.   Music: Ralph Vaughan Williams, “Fantasia on Greensleeves“, from Sir John in Love, opera adapted from William Shakespeare’s The Merry Wives of Windsor, 1928 Hector Berlioz, La Mort d' Ophélie, Cecilia Bartoli (soprano), Myung-Whun Chung (piano)

Les carnets de Gautier Capuçon - Myung-Whun Chung

Die verflixte Neunte – davon könnten bekanntlich etliche Komponisten ein Lied singen. Beethoven, Bruckner und auch Gustav Mahler, dessen 9. Sinfonie den letzten vollständig erhaltenen sinfonischen Schlusspunkt seiner Laufbahn bildet. Und diese Neunte hätten wir hören können mit dem Concertgebouworkest unter Myung-Whun Chung in der Kölner Philharmonie, doch Corona-Zeiten lassen das nicht zu. Foto: Concertgebouworkest ©Simon van Boxtel

durée : 00:05:28 - Classique info du mardi 03 mars 2020 - par : Sofia Anastasio - L'Opéra de Paris continue son mouvement de grève suite à l'utilisation du 49-3. Egalement, la nouvelle directrice du CNSM présente son projet pour l'institution. Nous apprenons que le chef Myung Whun Chung fait une pause de 14 jours suite au Coronavirus. Enfin l'office de Kanye West fait polémique.

Today, I'm very excited to have the brilliant violinist, violist, and conductor Julian Rachlin on the show! At the end of this very busy week, playing with and conducting the Chicago Symphony, Julian graciously took the time to sit with me and discuss meticulous practicing, mindful music-making, and his deep love of the art form! He covers many topics, including studying with Boris Kuschnir and Mr. Kuschnir's thorough approach to mastering the instrument, his views on the lifelong path that is growing as an artist, his daily practice regimen, and how playing the viola and conducting have allowed him to explore music from different angles. Julian elaborates on: How he believes we are never done learning How the fact that his parents never made him practiced helped foster his deep love of music His daily practice regimen Why the responsibility to grow as an artist lies with the student How musicians are a community How playing the viola and conducting allow him to explore music from different angles Why we should brush our taste as often as we brush our teeth Finding the right balance between being completely open-minded and fully convinced (and when to be which)   MORE ABOUT JULIAN RACHLIN: Website: http://www.julianrachlin.com/ YouTube channel: https://www.youtube.com/channel/UCm_Eyb3YAt3m7_ic4VTA84A Facebook: https://www.facebook.com/julianrachlin/ Instagram: https://www.instagram.com/julianrachlin/ Elisabeth Gilels: Daily Exercises for the Violinist Boris Kuschnir: http://www.boriskuschnir.com/   Violinist, violist and conductor Julian Rachlin is one of the most exciting and respected musicians of our time. In the first thirty years of his career, he has performed as soloist with the world's leading conductors and orchestras. Mr. Rachlin is Principal Guest Conductor of the Royal Northern Sinfonia, Turku Philharmonic Orchestra and Kristiansand Symphony Orchestra. He also leads the "Julian Rachlin & Friends Festival" in Palma de Mallorca. Highlights of Mr. Rachlin's 2018/19 season include performances with the St. Petersburg Philharmonic and Mariss Jansons, Montreal Symphony Orchestra and Christoph Eschenbach, Boston Symphony Orchestra and Juanjo Mena, Pittsburgh Symphony Orchestra and Manfred Honeck, as well as the KBS Symphony Orchestra and Myung-Whun Chung. Alongside soloist Sarah McElravy and the Royal Northern Sinfonia, he will perform the UK premiere of Penderecki's Double Concerto for Violin and Viola, which is dedicated to him. Additionally, Mr. Rachlin will conduct among others the Vienna Symphony Orchestra, Berlin Konzerthaus Orchestra, Naples Philharmonic, Moscow Philharmonic, St. Petersburg Symphony, Essen Philharmonic, Strasbourg Philharmonic, Slovenian Philharmonic, Zagreb Philharmonic and Trondheim Symphony Orchestra. Julian Rachlin's recent highlights include a residency at the Prague Spring Festival and his own cycle at the Vienna Musikverein. He also performed with the St. Petersburg Philharmonic Orchestra and Yuri Temirkanov, Filarmonica della Scala and Riccardo Chailly, Munich Philharmonic and Zubin Mehta, Philharmonia Orchestra and Jakub Hrůša, Orchestra del Maggio Musicale and Vladimir Ashkenazy, as well as the Vienna Symphony Orchestra and Lahav Shani. As conductor, he toured Europe with the English Chamber Orchestra, and led the Royal Northern Sinfonia across South America and Japan. Additionally, he conducted the State Academic Symphony Orchestra of Russia, Hungarian National Philharmonic, Royal Liverpool Philharmonic Orchestra, Orchestra della Svizzera Italiana, National Taiwan Symphony Orchestra, Prague Philharmonia, and made his USA conducting debut at the Grand Teton Music Festival. In recital and chamber music, Mr. Rachlin performs regularly with Itamar Golan, Denis Kozhukhin, Denis Matsuev, Mischa Maisky, Sarah McElravy, Vilde Frang and Janine Jansen. Born in Lithuania, Mr. Rachlin immigrated to Vienna in 1978. He studied violin with Boris Kuschnir at the Vienna Conservatory and with Pinchas Zukerman. After winning the "Young Musician of the Year" Award at the Eurovision Competition in 1988, he became the youngest soloist ever to play with the Vienna Philharmonic, debuting under Riccardo Muti. At the recommendation of Mariss Jansons, Mr. Rachlin studied conducting with Sophie Rachlin. Since September 1999, he is on the violin faculty at the Music and Arts University of Vienna. His recordings for Sony Classical, Warner Classics and Deutsche Grammophon have been met with great acclaim. Mr. Rachlin, a UNICEF Goodwill Ambassador, is committed to educational outreach and charity work. Julian Rachlin plays the 1704 "ex Liebig" Stradivari and a 1785 Lorenzo Storioni viola, on loan to him courtesy of the Dkfm. Angelika Prokopp Privatstiftung. His strings are kindly sponsored by Thomastik-Infeld.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

I met Claudia at her beautiful renovated Victorian house where we talked about her early years in Devon and training, particularly in America, winning the Metropolitan Opera National Council Auditions. We discussed the opportunities being a contralto presents such as repertoire, and her role as the Omniscient Mussel in Strauss's Die Ägyptische Helena at La Scala next month. We also talked about performing on big and small stages, leading Claudia to recall her experiences of contemporary opera. Many thanks to Claudia for taking the time on her off day to talk to me and her hospitality, and the team at Maxine Robertson Management for putting me in touch with her! Interview published on 25th October 2019; recorded on 5th October 2019. British contralto Claudia Huckle studied at the Royal College of Music in London, the New England Conservatory and the Curtis Institute of Music. She was the 2004 Grand Final Winner of the Metropolitan Opera National Council Auditions and is a graduate of the prestigious Domingo-Cafritz Young Artist Program at Washington National Opera. She was the 2013 winner of the Birgit Nilsson Remembrance Award at Plácido Domingo’s Operalia competition at Verona - the first female, and first British recipient. She was a member of the ensemble at Leipzig Opera for four seasons from 2009. Plans this season and beyond include her début at Teatro alla Scala Milan singing Die allwissende Muschel in Strauss Die Ägyptische Helena, conducted by Franz Welser-Möst, and her début at Opéra National de Paris, singing Flosshilde in the Ring Cycle. Other concert plans include Schwertleite Die Walküre, with the LPO conducted by Vladimir Jurowski; Handel Messiah with the Freiburg Baroque Orchestra and Trevor Pinnock; Mahler Kindertotenlieder with the BBCSSO and Michael Sanderling; Mendelssohn Elijah with the BBCSO and Sakari Oramo; Mahler Symphony No 8 on tour with the Gustav Mahler Jugendorchester and Daniel Harding; Bach St Matthew Passion with the Orchestra dell’Accademia Nazionale di Santa Cecilia under Antonio Pappano; and Beethoven Symphony No 9 with the Orchestra of La Scala Milan under Riccardo Chailly. She will appear in recital with pianist Simon Lepper at Nottingham University. Opera roles include Erda Das Rheingold / Siegfried for Grand Théâtre de Genève, Opera North and Oper Leipzig; Flosshilde Das Rheingold for Teatro Real, Madrid; Suzuki Madam Butterfly for Zurich Opera and Glyndebourne on Tour, for whom she also sang the title role in Britten The Rape of Lucretia; Hippolyta in Britten A Midsummer Night’s Dream for Glyndebourne Festival Opera; Marfa in Mussorgsky Khovanshchina for Birmingham Opera Company; Mérope Oedipe, First Norn Götterdämmerung and Schwertleite Die Walküre at the Royal Opera House, where she also appeared as Third Lady Zauberflöte, a role she has sung at the Festival d’Aix en Provence and for Dresden Semperoper; Hänsel Hänsel und Gretel for Garsington Opera; Olga, Hänsel, Third Lady for Leipzig Opera; Smeton Anna Bolena for Washington National Opera; and Dalila in Saint-Saëns Samson et Dalila for the Chelsea Opera Group. In concert she has also sung Anna in Berlioz Les Troyens with Valery Gergiev and Maxwell Davies’ Hogboon under Sir Simon Rattle, both with the LSO. Recent concert highlights include Flosshilde Götterdämmerung with Sir Andrew Davis at the 2019 Edinburgh Festival, Brahms Alto Rhapsody with the Northern Sinfonia and Lars Vogt; Mahler Symphony No 2 at the Festival de Saint-Denis with the Orchestre Philharmonique de Radio France and Myung-Whun Chung; Schwertleite with the Bayerische Rundfunk Symphony Orchestra and Sir Simon Rattle; and Elgar Dream of Gerontius and Sea Pictures with Hallé Orchestra. Other past concerts include Schubert Mass in A flat and Beethoven Choral Fantasy with Kent Nagano and the Deutsches Symphonie Orchester; Mahler Symphony No 3 with Real Filharmonía de Galicia and Paul Daniel; and Missa Solemnis and Verdi Requiem at King’s College Cambridge.

durée : 00:04:31 - Myung Whun Chung et l'Orchestre Philharmonique de Radio France - Extrait d'un concert donné le 10 décembre 2000 à l'auditorium Stravinski de Montreux.

Ha format part de la Jove Orquestra de la Uni

Myung Whun Chung, Svetlin Roussev, Eric Levionnois

Myung Whun Chung, Svetlin Roussev, Eric Levionnois