Podcasts about riyaz

In today's podcast I talk about: One of my best Vishu day in my life. Friends, food, fun and loads of abundance. Gayathri, Girish sir, Sudha mam, Riyaz, Shivika, Pranav all celebrating Vishu at our place. Evening run with fresh jamun plucking and eating at Canara Bank training centre.

In today's podcast I talk about: Long run to Hoode beach with Girish sir, Riyaz and co. Shopping for Vishu, Lunch with Appu, Seema at Ocean Pearl. Reviews and connects.

In today's podcast I talk about: Jumbo circus with Jithin, Rashmi, Riyaz and Seema. Reliving childhood memories. 31k run with MRC runners. Focusing on recovery.

In today's podcast I talk about: Easy hill repeats. Iftar party by Riyaz. Chakra meditation and mantra clarity. Staying away from overload whatsapp group. Reviews and connects.

In today's podcast I talk about: How to be mindful and not forget things. Open water swimming lessons. My experience with organising the evening beach run at Kodi beach. Reviews and connects. Drive with Riyaz. Finding solutions rather than venting emotions.

In today's podcast I talk about: 25k run with Girish sir and Riyaz to celebrate Christmas. Brunch at Fortune Inn with Seema and Appus. Creating the project plan for Ironman 70.3 Goa for Prerana. Christmas celebrations at home.

Q&A Session (0:00) Intro(0:11) Surah Mominoon mein Ehl-e-Iman aur Ehl-e-Jannat ki sifaat?(3:46) Qabristan mein dakhil hotay waqt salam kyun kaha jata hai?Deobandis, Karamat, and Related Discussions(4:24) Ehl-e-Hadith ke mutabiq Deobandiyon ki kitab Fazail-e-Aamaal shirk se bhari hui hai? + Ye log karamat par yaqeen rakhte hain.(9:35) Hazrat Sulaiman (AS) aur Esa (AS) ke mojizat ki hikmat(11:16) Mufti sb ke clip par tanz ka jawab(13:52) Sulaiman (AS) ke takhat ka waqia: Karamat hona mumkin(14:42) Shaheed ke khoon ki khushbu(17:00) Shaikh-ul-Hadith Maulana Zakariyya (RA) ki bayan kardah karamat ka saboot(19:30) Deobandiyon se chirrhnay wale(21:24) Deobandi aur Barelvi naam kaise paray?(21:56) Maulana Ashraf Ali Thanvi (RA) par ilzam ka jawab(26:05) Karamat aur tauheed(27:04) Ehl-e-Hadith ka aitraz?(27:52) Karamat ke waqiaat mein fraud(30:48) Fazail-e-Aamaal ki jagah Riyaz-us-Saliheen kitab ka mashwaraUlama-e-Deoband and Religious Questions(34:18) Ulama-e-Deoband ke basic aqaaid?(35:27) Makkah se zyada Madina mutabarik hai?(38:26) Q: Roza-e-Rasool ﷺ agar Baitullah se afzal hai, to wahan tawaf kyun nahi?(39:05) Allah ne Khanah-e-Kaaba kyun banaya?(43:53) Makkah mein 1 namaz = 1 lakh, Madina mein 1 namaz = 50 hazarAqeedah and Personal Questions(44:22) Kya sare Qadiyani kafir hain?(44:49) Jin logon tak deen ki dawat nahi pohanchi, kya woh jahannum mein jayenge?(45:33) Ek shakhs ne apni biwi se doosri shadi na karne ka wada kiya, to poora karna zaruri hai?(50:19) Aur bhi gham hain zamane mein mohabbat ke siwa;Rahatain aur bhi hain wasl ki rahat ke siwaMarriage and Family Matters(50:57) Pasand ki ladki umar mein 2 ½ saal bari, khandan wale shadi mein rukawat?(53:05) Mufti sb ki pasandeeda bhindi recipe(Mufti sb ko tamatar ke beej aur chilkon se allergy hai)(54:38) Hazrat Ayesha (RA) ke alfaaz, Hazrat Khadija (RA) ke bare mein(55:24) Tension: A viral disorder(56:28) Society standard: Biwi Aishwarya Rai jaisi(58:23) Nabi ﷺ ka farman(58:47) Liking is naturalLife, Faith, and Tawakkul(1:00:42) Walidain ko Hajj karana?(1:00:50) Kaam kiye baghair ghaib se rozi milne ka tawakkul?(1:01:10) Ghar wale mazaaq urate hon to hijrat karna?(1:01:34) Nan-nafqa, nikah farz hone ki shart mein shamil hai?(1:02:36) Dil ke armaan aansuon mein beh gayeCredit for the timestamps goes to @mrs.masroor8476 Hosted on Acast. See acast.com/privacy for more information.

Born in Kenya, and of Indian ancestry, Riyaz came to North America when he was ten years old (growing up in Canada, and then moving to the United States as an adult). Each of these lands, peoples, and cultures has informed and shaped his expression and sensibilities. He is a product of both East and West. Most of his adult life has been devoted to the study and practice of both psychotherapy and spirituality. And both of these disciplines have been integral to a path of healing and awakening. Professionally, his life's work has been to bring together Eastern wisdom with Western science and psychology in a synergistic alliance. After 26 years of mainly practicing as a psychotherapist, and many years of teaching and supervising students and interns in a transpersonally oriented graduate school (CIIS in San Francisco), he has shifted his work in a more explicitly spiritual direction. He now leads individuals and groups in spiritual work through groups, and day-long and multi-day retreats. In April 2023, he received dharma transmission and the blessing of his teacher, Adyashanti. Website: riyazmotan.com Discussion of this interview in the BatGap Community Facebook Group Summary and transcript of this interview Interview recorded November 26, 2024   YouTube Video Chapters: 00:00:00 Embracing Vulnerability in Teaching    00:03:24 Transition to Spiritual Teaching    00:06:25 The Unexpected Lung Cancer Diagnosis  00:10:10 Embracing Life's Challenges as Spiritual Lessons  00:13:24 Philosophy of Evolution and Suffering    00:17:23 Embracing Mortality and Living Fully  00:20:23 Wisdom from Sri Ramakrishna: Always Be Learning  00:23:25 Navigating Cancer Treatment Challenges  00:26:34 Embracing Alternative Healing Methods    00:29:41 Embracing Non-Western Healing Approaches    00:33:01 The Profound Experience of Near-Death and Out-of-Body Events     00:36:32 Personal Transformations Through Marriage    00:40:30 Embracing Earthly Spirituality  00:45:53 The Impact of Spirituality as an Escape Mechanism  00:49:46 Cultivating Presence for Emotional Healing  00:53:54 The Power of Group Consciousness  00:57:45 The Toll of Being a Spiritual Teacher    01:01:07 Embracing Vulnerability in Teaching  01:05:08 The Evolution of Spiritual Teaching Methodologies  01:08:57 Evolution of Teacher-Student Dynamics in Education    01:12:51 Importance of Preparatory Spiritual Practices    01:16:26 Lack of Spiritual Development and Global Issues  01:19:34 Humanity's Crisis and Opportunity for Change    01:22:26 Awakening of a New Consciousness  01:26:27 Exploring Neurodivergence and Enhanced Perception  01:30:28 Transformative Power of Psychedelics and Nature    01:33:46 Ayahuasca Experience: A Catalyst for Awakening    01:36:57 Spiritual Awakening through Nature and Retreats    01:40:52 Exploring the Hero Dose: Insights from Adyashanti    01:43:41 Transition from One-to-One Work to Spiritual Mentoring  01:47:33 Upcoming Guests and Spiritual Experiences

Born in Kenya, and of Indian ancestry, Riyaz came to North America when he was ten years old (growing up in Canada, and then moving to the United States as an adult). Each of these lands, peoples, and cultures has informed and shaped his expression and sensibilities. He is a product of both East and West. Most of his adult life has been devoted to the study and practice of both psychotherapy and spirituality. And both of these disciplines have been integral to a path of healing and awakening. Professionally, his life's work has been to bring together Eastern wisdom with Western science and psychology in a synergistic alliance. After 26 years of mainly practicing as a psychotherapist, and many years of teaching and supervising students and interns in a transpersonally oriented graduate school (CIIS in San Francisco), he has shifted his work in a more explicitly spiritual direction. He now leads individuals and groups in spiritual work through groups, and day-long and multi-day retreats. In April 2023, he received dharma transmission and the blessing of his teacher, Adyashanti. Website: riyazmotan.com Discussion of this interview in the BatGap Community Facebook Group Interview recorded November 26, 2024

Brandend zand, verschroeiende passie... Na zestien jaar in de kerker van zijn eigen paleis te hebben doorgebracht, is kroonprins Riyaz al Haid eindelijk vrij. Uitgegeven door Harlequin Spreker: Helena Pinto Caubet

In this episode we chat with Riyaz Kanji, widely considered the leading trial and appellate litigator on behalf of Indian Nations and tribes across the country. He takes us on a journey through his storied career, from his beginnings in Indian law and the battles of the “Fish Wars” in the Pacific Northwest, to his monumental arguments before the United States Supreme Court on behalf of the Muscogee Nation in McGirt v. Oklahoma. You do not want to miss this “Conversation from our Reservation.” Pertinent Links:https://www.seattletimes.com/seattle-news/the-fish-wars-a-timeline-of-the-origins-and-effects-of-the-boldt-decision/https://www.supremecourt.gov/opinions/19pdf/18-9526_9okb.pdfhttps://harvardlawreview.org/print/vol-134/mcgirt-v-oklahoma/https://www.motherjones.com/criminal-justice/2020/08/how-native-tribes-started-winning-at-the-supreme-court/

Cody reflects on his conversation with last week's guest, Riyaz, and the meaning of the words "life happens for me, not to me." 

In today's podcast I talk about: Vande Bharat journey to Madgaon. Enjoyed the train journey and company of Riyaz. Goan fish thali and Goan desserts. Collecting our bibs. Dinner at Navtara. Friends of Riyas.

As a therapist, spiritual teacher, and member of a deeply supportive community of friends, Riyaz might seem well-equipped to handle a terminal diagnosis. And in so many ways, he is. He's also just like any of us. He's human. And when he was diagnosed with advanced stage lung cancer, it shook his world to its core, as it would for any of us.  Riyaz shares his wonderfully moving experience and insights with Cody in this illuminating conversation on how we can see illness and death not as mistakes of life, but integral parts of it.

In today's podcast I talk about: A perfect day. Easy morning, creative work and an awesome bike ride with Riyaz. Lovely run in the rains through the village routes along with Gayathri and Riyaz. Beer session with Riyaz.

In today's podcast I talk about: Spontaneous decision to go to an offbeat run location with Riyaz. Easy morning run. Run destination Karkala. Two pegs of Old Monk rum and conversations.

In today's podcast I talk about: Early morning run with Riyaz at Karkala. Focusing on being a good listener while running. Relationship becomes stronger when you do things others like. Reviews and connects. Drive back to Manipal.

In today's podcast I talk about: Track and swim workout. Breakfast with Riyaz and his son. Seema and family in Mookambika. Upset stomach. Easy evening run.

In today's podcast I talk about: My run experience along Muzhuppilangad beach with Riyaz. Toddy and breakfast at a Thattakada in Penarai. Walk along the Mondal backwaters. Meeting relatives on the eve of a wedding.

In today's podcast I talk about: Champions don't give excuses they walk the talk. Easy bike ride with Riyaz. Dietary changes. Easy run around End point. Trying different types of supplements.

Episode 002 | Farhaad Riyaz, MD on Medicine, Business, and the Value of StorytellingDr. Farhaad Riyaz, MD, FAAD, is a distinguished dermatologist and Mohs micrographic & reconstructive surgeon. He excelled in his medical studies at the Medical College of Virginia, securing first place in his class and serving as President of the Alpha Omega Alpha honor society. Dr. Riyaz's expertise includes skin cancer, Mohs surgery, complex facial reconstruction, cosmetics, hair disorders, and clinical trials. His training included internships and residencies in Michigan, a fellowship at Northwestern University, and business school at the University of Chicago. In 2023, Dr. Riyaz founded a direct care dermatology practice in Michigan, focused on commitment to patient care and medical excellence.

Lex chats with Nassim Eddequiouaq and Riyaz Faizullabhoy - Co-Founders of Bastion - a transaction and Web 3 orchestration company that aims to provide infrastructure for businesses to build user-friendly experiences on top of blockchain technology. The founders, Nas and Riyaz, have a background in security and have worked together for several years at companies like Docker, Anchorage, and Facebook. They believe that custodial wallets offer the best user experience and are focused on building a platform that allows businesses to issue wallets seamlessly to their users. Bastion also offers a smart transaction routing system that optimizes transactions and reduces costs. Both Nas and Riyaz see custodial services as a starting point for users, with the goal of eventually allowing them to graduate to self-custody. They emphasize the importance of security, compliance, and user experience in their platform. MENTIONED IN THE CONVERSATION Bastion's Website: https://bit.ly/3M8B6wbNassim's LinkedIn profile: https://bit.ly/46UYe9gRiyaz's LinkedIn profile: https://bit.ly/3M5UGJi Topics: crypto, payments, custody, Web3, Web2, cybersecurity, decentralization, wallets, user experience, security Companies: Bastion, Libra, Meta, Andreessen Horowitz, a16z, Docker, Anchorage Digital, Facebook ABOUT THE FINTECH BLUEPRINT 

Arianna Simpson, Riyaz Faizullabhoy and Nass Eddequiouaq join us to discuss how crypto needs to shift its focus back to the user experience. We cover crypto's friction points, the application vs infrastructure phase, how Bastion can enable simple onboarding and a Web2-like user experience, crypto's misplaced defaults, over-indexing on decentralization and more! - - Timestamps: (00:00) Introduction (00:26) What Problem Is Bastion Solving? (06:57) Have We Over-Indexed on Decentralization? (10:04) Building Infrastructure vs Consumer-Facing Products (14:26) How Transaction Routing Works (18:18) Why Should Consumers Care? (21:49) Unique Use Cases Enabled by Web3 (28:24) The Infrastructure vs Application Phase (30:34) Will Users Self-Custody in the Future? (32:00) How Crypto Can Rebuild Trust (35:54) Interoperability and Bridge Risk (40:38) How Developers Choose Where to Build (44:34) Crypto's Misplaced Defaults (49:36) The Insane Challenge of NFT Projects - - Follow Arianna: https://twitter.com/AriannaSimpson Follow Nass: https://twitter.com/nassyweazy Follow Riyaz: https://twitter.com/riyazdf Follow Mert: https://twitter.com/0xMert_ Follow Garrett: https://twitter.com/GarrettHarper_ Follow Lightspeed: https://twitter.com/Lightspeedpodhq Subscribe on YouTube: https://bit.ly/43o3Syk Subscribe on Apple: https://apple.co/3OhiXgV Subscribe on Spotify: https://spoti.fi/3OkF7PD Get top market insights and the latest in crypto news. Subscribe to Blockworks Daily Newsletter: https://blockworks.co/newsletter/ - -  Resources Bastion https://www.bastion.com/ https://twitter.com/BastionPlatform a16z https://a16zcrypto.com/ https://twitter.com/a16zcrypto - -  Disclaimers: Lightspeed was kickstarted by a grant from the Solana Foundation. Nothing said on Lightspeed is a recommendation to buy or sell securities or tokens. This podcast is for informational purposes only, and any views expressed by anyone on the show are solely our opinions, not financial advice. Mert, Garrett and our guests may hold positions in the companies, funds, or projects discussed.

Science & British Muslim Religious Leadership Overview | Stephen Jones Saleema Burney Riyaz Timol #muslim #leadership #religious #british

In this podcast, I interview a dear friend and colleague, Riyaz Motan, about his path of rewiring his avoidant attachment. We cover the early beginnings and childhood experiences that influenced his attachment style as well as the pivotal moments in his marriage that helped him connect with his true feelings and needs.In addition we discuss why even work on avoidant attachment, what it takes and what to do if your partner is avoidant.To receive free support with this, available exclusively to our Podcast listeners, just visit empowerlove.us/loveJoin the Rewire Your Attachment Style Facebook group for women here:https://www.facebook.com/groups/maptolastinglove/Follow Maya on Instagram: @mayadiamond.empowerloveOpening song by Tara Divina - Click here for Spotify

In this episode, Toria talks to Humera about enquiry/ inquiry based learning. Humera believes that for teachers to effectively teach in this way, they need to develop a mindset in which they are also enquiry driven. She feels that in order to do this, professional development should allow for a level of freedom, allowing educators to follow their fields of interest. Tune in to hear her talk about how she has embedded this approach at her school and continues to find new ways to develop both the staff and children. Humera is a Primary Years Programme (PYP) coordinator at the Indian Public school. Connect with her on LinkedIn More about the Primary Years ProgrammeThe PYP offers a transdisciplinary, inquiry-based and student-centered education with responsible action at its core, enabling students to learn between, across and beyond traditional subject boundaries.The framework serves as the curriculum organizer and offers an in-depth guide to achieve authentic conceptual inquiry-based learning that is engaging, significant, challenging and relevant for PYP students.Through the programme of inquiry and by reflecting on their learning, PYP students develop knowledge, conceptual understandings, skills and the attributes of the IB Learner profile. Informed by constructivist and social-constructivist learning theories, the emphasis on collaborative inquiry and integrative learning honours the curiosity, voice, and contribution of the students,You can find out more about the IB Primary Years Programme (PYP) here.Support the showIf you enjoyed this episode please share it with others and I would love it if you would leave a review on Apple, Spotify or anywhere else.The Tiny Voices Talk book is out now . To get 30% off go to www.crownhouse.co.uk or www.independentthinkingpress.com and use the code TINY30.

Why to call ambulance in case of emergency? What's Golden-Hour? How important is Pre Hospital care? Listen to Dr Nahida to get the answers, and know her incredible story exclusively on Mashq Talks Podcast

Episode Notes Parul Purohitvats – * Kathak Exponent * Choreographer and Guru * Educator * Artistic Director of "PARUL's Kathak Nritya Sansthan " * Rajasthan Sangeet Natak Academy "YUVA PURUSKAAR" awardee * (0:02:07) The highlight of Parul's week (0:02:53) The myth of the struggling artist (0:07:05) Career Planning in performing arts (0:13:12) The meaning of the word professional (0:21:20) The humungous difference between a diploma and degree (0:24:18) Finding bliss through Riyaz (0:29:30) The beauty in stillness (0:31:51) The importance of practicing in the slowest speed (0:41:58) Working with artists as an Organizer (0:44:49) The issue of punctuality (0:48:17) Careers in Kathak if you don't want to be a performer* (0:57:02) Career options at the World University of Design, Sonepat (1:02:27) The importance of giving time to people Bio The divinely conferred talent that she holds of dance leaves a stupendous impression on one & all. A talented Kathak danseuse, choreographer and drama instructor Dr. Ms.Parul Purohit Vats has an impressive record for her age. This is evident by her three laudable accomplishments till date, being awarded the”VEER DURGA DAS MATRI SHAKTI AWARD 2017” for her contribution in field of Kathak in Rajasthan, “YUVA PURUSKAAR - 2002” by Rajasthan Sangeet Natak Academy, and having been conferred with a Ph.D Music degree for her thesis on Dance in 2008 by Jai Narain Vyas University Jodhpur.She was also awarded the Sur Sangam 2019 Excellence award for Performing Arts.   Parul has been in the education field for since 2006.She started as a personality development teacher and choreographer.Slowly and steadily she entered the field of developing curriculam and child centric teaching approach for the institutions she worked for.She has not only studied the pedagogical approach required to be a complete teacher, has also developed in class strategies to felicitate personalized learning keeping the students at the core.   She has worked with many prestigious educational institutions. She was the Cultural coordinator at a Swedish school, Kunskapsskolan Gurgaon where she worked very closely with the teachers in developing children through dance, as a teacher trainer and also imparted training of the KED methodology. She is also an examiner for Prayaag Sangeet Samiti,Allahbad.   Parul is a registered member of International Dance Council, Paris. She was recently invited to present a lecture and perform a self-choreographed dance drama piece at the 51st World Dance Congress on Research, in Athens, Greece.   She was the Principal of Sri Ram Bharatiya Kala KENDRA,an internationally reknowned colloge of music and dance in New Delhi.  Parul cleared her grade 8 in performance arts from Trinity College London, with a distinction. She has been taking dance and drama workshops at the British council, New Delhi since 2011.   Parul was invited by noted filmmaker Mr.Muzaffar Ali,in2016, for a performance on the death anniversary of famous Persian poet “Rumi”. Presently Dr.Parul is the Dean of School of Performing Arts in the World University of Design,Sonepat.Apart from this she is also busy giving lecture-demonstrations,workshops and performances around the globe.

Meet, Riyaz Ahmad wani, best known as Riyaz Ahmad Riyaz a Kashmiri-language poet based in a small Hamlet of South Kashmir's Anantnag. Listen to his inspirational story exclusively on #MashqTalksPodcast. We encourage you to share your views and feedback with us. You can write to themashq@gmail dot com or reach out to @RjUmarNisar on the Meta universe and Twitter. || Donate to Mashq Talks at https://rzp.io/l/mashqtalkspodcast ||

Make It Your Own: Amruta Paranjape Home | Amruta Paranjape (0:02:03) The meaning of riyaz (0:05:10) The importance of emptying your mind before riyaz (0:13:21) Learning Kathak as a hobby vs taking it up professionally (0:16:12) Preventing student attrition in Kathak (0:19:09) Handling parents (0:21:08) How do you teach differently (0:30:43) Mastering Microbeats in Kathak (0:33:43) The importance of being innovative (0:41:25) Caged: A new choreography by Amruta (0:44:55) Being inspired by Haruki Murakami (1:04:27) What to do when you aren't motivated internally? (1:13:09) Doing a Riyaz retreat in India (1:18:28) Getting students off their phones in the riyaz (1:20:44) What Amruta taught in her retreat: Teaching beyond what's in the syllabus Amruta Paranjape is the founder and artistic director of Abhivyakti School of Kathak. She is a Kathak performer, choreographer and teacher. Amruta has always been a performer, mesmerizing the audience with her command over intricate Laya-taal (rhythm) and captivating Abhinaya. She is a senior disciple of Guru Shambhavi Dandekar and is currently undergoing advanced training in Laya-taal from Guru Taalyogi Pt. Suresh Talwalkar ji. She has completed her master's degree in Kathak from Lalit Kala Kendra, Pune University and also has achieved 'Nritya-Alankar' degree from Akhil Bharatiya Gandharva Mahavidyalaya Mandal. She believes in rigorous and consistent training and extensive Riyaz. She has presented her work as a soloist and has also conducted workshops in India and abroad in USA, UK, Nairobi and Portugal. Her approach towards choreography is traditional as well as contemporary. She has choreographed many projects with pure traditional approach. Many of her projects are based on contemporary themes. She believes in originality, creativity and perfection when it comes to choreography. Amruta has received prestigious awards, namely the Golden Talent award received at the hands of Pt. Birju Maharajji and the Pandita Rohini Bhate puraskar given by Pune Municipal Corporation. Amruta is an ICCR empanelled artist and is also empanelled as a Guru in the Centre for Performing arts, Pune University and Bharati vidyapeeth deemed University.

Padma Khanna Sidana As the founder and principal of Indianica Academy, Mrs. Padma Khanna Sidana continues her pursuit of reaching out to the youth and members of the Indian community in the United States and beyond. Every year since its inception Indianica Academy presents their annual cultural show titled Chamakte Sitaaray (Shining Stars) where the students showcase their knowledge of Kathak and folk dances of India. Her history making endeavors have been fruitful and reaped benefits for everyone involved. Hailing from the cultural city of Varanasi (Banaras) Mrs. Padma Khanna Sidana began her journey as a student of Kathak at the tender age of 7. As an exponent of Kathak at a very young age she performed on stage as one of the youngest known stage artists of her time. Her mother once revealed that in her deep sleep PADMA'S feet used to tap and keep moving in dance rhythm. She learnt Advanced KATHAK DANCE from Padmashri Gopi Krishna, whose talent of KATHAK is acclaimed and appreciated like Pundit Ravi Shankar's in Sitar. Padmaji's arrival to Mumbai (Bombay) she was welcomed with open arms by Indian Movie Industry (Bollywood). For more than one decade, she was known as “Dancing Queen Of Indian Cinema”. She acted in more than 300 movies in all regional languages of India. Few to mention are “‘Saaz Aur Awaaz, Biwi Aur Makaan, Johnny Mera Naam, Raahgeer, Baharon Ke Sapne, Anhonee, Dastan, Rampur Ka Lakshman, Saudagar, Maaie, Hamaar-Bhauji' and many more. One of her most popular TV series is ‘RAMAYAN”, in which she played the pivotal, outstanding and memorable role of “Kaikeyi”. It is a matter of great pleasure for us today to have a versatile and veteran artist like Padmaji among us. Show Highlights (0:04:19) Learning with Pt Gopi Krishna (0:11:06) Beginnings of Indianica Academy in the US (0:18:33) Support systems in the US (0:22:27) Teaching at Indianica Academy (0:26:18) When do students start taking dance seriously (0:30:33) The mindset of a dancer (0:31:40) The sequence of Riyaz (0:35:36) Adding variations to Tatkaar for longer riyaz sessions (0:39:12) Memorable performances (0:43:31) Story of how a student stayed in touch (0:45:43) Portrayal of kathak in bollywood over the years (0:48:52) Padmja ji's take on what is Kathak and what is semi-classical (0:50:42) On stage vs on screen personalities (0:53:23) Acting in Movies, and Kathak Abhinaya (0:55:19) Future projects

Episode Notes Deepali Vichare (@deepalivichare) • Instagram photos and videos Bio Deepali Vichare is the founder/director of Aarat Dance Academy, which completes 25 years in 2022. Furthermore, With two decades of experience in dance choreography for over 85+ films & numerous events, her vision is to spread the dance art worldwide & grow together Show Highlights (0:06:15) The value of putting in time into classical arts (0:01:54) Setting boundaries for yourself (0:14:41) Starting online classes with new students (0:19:39) What goes on behind the scenes in a choreography (0:22:27) How do you teach differently than how you were taught (0:34:55) Recent Creations: Staging Frames and Tridhaara (0:42:29) Learning and compartmentalizing different dance forms (0:51:00) Insights into doing effective Riyaz (0:53:38) The need to appreciate and offer feedback to fellow artists (0:56:16) The importance of trying (1:00:59) Future Projects Intro Music Credit: Bansure Raga | Doug Maxwell

Meet, Adeba Riyaz, an 11 years old youngest author, She recently made her name in #IndiaBookOfRecords for her book ‘Zeal of Pen'. | Link to her book: Zeal of pen https://www.amazon.in/dp/819529863X/ref=cm_sw_r_apan_glt_i_03E39BR5BQX2S9CV9S4N

Your 24x7 singing buddy! Today my guest is Gopal Krishna Koduri  CEO & co-founder of Riyaz.   A  music learning app that  offers an easy and convenient way for aspiring singers to practise their music lessons anywhere, anytime make music learning accessible and affordable. He talks about his love of classical indian music which  inspired him to build this app.  How the app works. He talks about building a venture-funded, steadily growing music learning app that is used around the world (2million downloads, 4k paid users) Talks about UI & UX design challenges, talks about how they deal with feature requests. Talks about pricing and subscription models. Talks technology stacks , how they use data to improve the product. How they get users to download the app.   Dealing with positive and negative feedback. Talks about the EdTech scene in india. Building an MVP in 2017. Thoughts on building an edtech and finally he talks about his fav singers, pays tribute to Lata Mangeshkar, one of India's most beloved singers, who passed recently and he gives you some singing tips for the next time your in the shower! & much more!In this conversation we also talk about:organic growthWhat problem they are solving?4,000 paid users18-35 category not being served.Killing featuresKeeping track of OKRsBeing a hands on founderhow long does it take to be a great singer?And much morelinkshttps://riyazapp.com/P.Sif you need something to do during these challenging and difficult times and want some inspiration and need some creativity. check out Skillshare. Skillshare is an online learning community with thousands of classes in design, business, tech, and more. Anyone can join the millions of members in our community to learn cutting-edge skills, network with peers and discover new opportunities.Try Premium free for 2 months and access all my classes!https://www.skillshare.com/r/user/neilpatelmusic by Punch Deck. https://open.spotify.com/artist/7kdduxAVaFnbHJyNxl7FWV 

Episode Notes EPISODE LINKS Cyenthia Vijayakumar (@cyenthia.kathak) • Instagram photos and videos Cyenthia Vijayakumar - YouTube BIO Cyenthia Vijayakumar is a Kathak dancer from Milwaukee. She has undergone her training in Lucknow gharana from Guru Murari Sharan Gupta and Guru Hari and Chetna. She is currently undergoing her training under Guru Sujata Banerjee from London. She founded Aarambh Kathak Dance School in 2019 in Milwaukee to spread this art form to a diverse group of people in Milwaukee. She believes that Riyaz/practice is a key to make progress in any kind of Indian Classical artform be it dance or music. Practice is a continuous process that should not stop at any point in time. Practice evolves you as a dancer and as an individual helping you move towards the path of perfection and progress. Anything can be achieved if a dancer has the right kind of guidance from a Guru and the right practice techniques. “Never ever give up on whatever you love to do! Good dancers are not born talented. They have been taught and trained and pursued practicing without giving up” is what she believes in. SHOW HIGHLIGHTS (0:01:51) Creative Process (0:08:46) The importance of making movements your own (0:13:13) Becoming the characters you portray (0:17:49) Who do you go to for feedback? (0:19:53) How do take the audience into account for performances (0:27:14) Community support in Wisconsin (0:34:37) Most memorable performance (0:38:41) Teaching at Aarambh (0:43:55) How do you teach differently from how you've been taught? (0:46:39) the consequences of being strict (0:49:29) Improving over time (0:54:37) When is something considered good to showcase (0:57:35) Teaching and Lecture Demonstrations (1:03:21) When dancers from another style start learning Kathak

My City My Heart is a podcast where we take our listeners to a place selected by each one of our guests as their happy place. In this episode, Riyaz takes us to Nairobi, Kenya --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Show Highlights (0:01:35) Aparimita Production (0:02:51) The importance of Powada in Maharashtra (0:04:25) Providing Opportunities for Students (0:05:55) Riyaz with Students (0:07:53) Injury Prevention (0:10:33) How does Maneesha Tai teach differently from how she was taught (0:14:30) Hastasoundarya: What makes movements beautiful: (0:20:58) Sangatkalar: The importance of accompanying artists (0:25:07) Accompanying Artists in Maneesha Nrityala (0:27:53) Teaching students the essentials of music and rhythm (0:30:43) Process of creation (0:32:06) Raag Maala (0:35:40) DIfference in students since 1975 (0:38:52) changes in teaching over time (0:42:56) The evolution of audiences (0:47:34) When and how Tai's family members got into Kathak (0:51:34) Overcoming Major life miltestones (0:57:06) The importance of support systems for performing artists (1:01:34) Memorable performances and anecdotes (1:03:01) Doing 60 performances in two years before 60th birthday (1:08:48) Performing with Kishan Maharaj ji (1:14:23) Feelings about the future Mrs. Maneesha Sathe, one of the senior Kathak exponents of India, has been trained initially with Pandit Balasaheb Gokhale in Pune and later with none other than Kathak Maestro Nataraj Pandit Gopi Krishna ji in Mumbai. For the last 45 years, she has been running Maneesha Nrityalaya Trust in Pune, an institute dedicated to the field of Kathak dance. She has performed Kathak in many conferences and dance festivals in different parts of India, including the most renowned Sawai Gandharva Sangeet Mahotsav, Shaniwarwada Dance Festival, Khajuraho Dance Festival, Lucknow Dance Festival, Kamakhya Festival - Guwahati, Nehru Centre - Mumbai, Tata Theatre - Mumbai, Dancejathre Bangalore etc. She has also performed in many countries including USA, Japan, China, Bahrain, Sweden etc., individually and also with her troupe. Her choreographies in Classical and Contemporary Kathak dance form have been revered by one and all in dance festivals of high esteem. She has won great renown for presenting Kathak along with Japanese Music. Maneesha Sathe and Mr. Yasuhito Takimoto- a Japanese musician and Taiko player- have given the most unforgettable fusion concerts over the last 25 years. “World Peace Art Festival”, “Divine Confluence” have been some of the recent programs presented through this international collaboration. Her collaborative choreographies are a wonderful blend of traditional Kathak, contemporary music and energetic Taiko playing. More than a hundred Indians, Chinese and Japanese artists have been a part of these events in India, Japan and China. She has also choreographed for Marathi Films like “Sarkarnama” and “Vaarsa Lakshmicha” and others. She has been awarded the Best Dance Director's awards (Maharashtra State award and Alpha TV award), while one has been record breaking hit in the history of Marathi Cinema. She is the recipient of many accolades like the Maharashtra State Cultural Award for the year 2006, Citadel Excellence award, Gaanvardhan's Vijaya Bhalerao Puraskar, Rashtriya Swayamsevak Sangh's Shri Golwalkar Guruji Puraskar, Ajit Soman Smruti Puraskar, Shri Ashok Paranjape Puraskar, Pune Municipal Corporation's Shrimati Rohini Bhate Puraskar, to name just a few. Several of her students have been awarded scholarships and fellowships by CCRT and Ministry of Cultural Affairs, Govt. Of India. She is a guide for Ph.D. students in Pune University. Under her guidance, Mrs. Madhuri Apte has been awarded the first Ph.D in Kathak from Pune University. She is a visiting faculty and honorary Guru in institutions like the Centre for Performing Arts (Lalit Kala Kendra) - Pune University, Bharati Vidyapeeth School of Performing Arts Pune. She has recently curated and created an online course on Kathak for SWAYAM, the online education portal for Govt. of India. This unique syllabus-based course has been produced by EMMRC, Pune and Savitribai Phule Pune University. Maneesha Tai is known to be a highly sympathetic and generous teacher. She has given many young dancers to the Indian Dance field, several of whom are now performers and teachers in their own respect and settled in various parts of India as well as abroad. In 2018, Maneesha Tai presented a very unique production - Nritya Dhaara. It is a Kathak performance by four dancers of the Sathe family - Maneesha tai herself, her daughter Shambhavi Dandekar, her daughter-in-law Tejaswini and her granddaughter Sarveshwari. It is an extremely unique performance in the Kathak world and was performed in India and the USA. Her perseverance and dedication to the art is reflected in the success in this field, and her growing family of disciples all over the globe. She has been instrumental in keeping our ancient heritage alive and inspiring several generations to take forward this legacy of classical art. Title Track Audio Credit: Doug Maxwell | Bansure Raga

This episode, I chat with a new teacher of mine, from a course called “Healing from Presence,” Riyaz Motan. We talk about relating from an embodied, being-at-home place, and the many wonders and pitfalls of working, and ultimately being, with others. Find Riyaz's work, and sign up for his newsletter, at his website here. I also allude to this interview with Pico Iyer and Elizabeth Gilbert.

Episode Notes I'm Meher Kriti Nigam, a Kathak artist and a final year student of engineering. I study Electronics and Communication with a specialization in Biomedical field. Apart from my technical education, I've also attended 2 diplomas, in Kathak and Hindustani Vocals. I've fortunate enough to get trained under Smt. Leena Malakar (Jaipur Gharana) and Guru Pandit Divyang Vakil ji. My journey with Kathak when I was just 3-years-old. Over the years I've performed at various events across the country, from Indywood Film Festival in Hyderabad to performing for MNCs like NIIT Technologies Ltd. I've also won a number of competitions at both school and college level. The world has been nice to me and in the past 2 years I've got the opportunity to hold fundraising dance workshops for NGOs. I've also been a dance instructor at various NGOs and taught their children for free. I wish to pursue Arts and Cultural Management for my masters. With the world progressing, I believe Art, Technology and Commerce are no longer separate fields. We can advance so much by attaining knowledge in all fields and create masterpieces. Show Highlights (0:04:21) Working with Spicmacay (0:09:28) Running a Kathak club in VIT University (0:16:02) Auditioning process for the Dance Club (0:19:10) Brinigng about uniformity in movements (0:21:03) how a choregraphy comes together*- (0:26:03) What audiences like? (0:27:34) Performing in college fests/competitions (0:29:43) how Meher started dancing? (0:30:35) earliest memory (0:32:32) Kathak Training Smt Leena Malakar ji (0:34:43) Cultivating a habit of Riyaz (0:40:25) What is Meher leanring in Kathak at the moment (0:44:35) Taalvidya Classess (0:49:19) Getting over fear (0:51:24) Kathak on Reels (0:53:37) Gender Expression in Kathak (0:57:31) Future plans Title Track Audio Credit: Doug Maxwell | Bansure Raga

Episode Notes Founder and director of Nrityam - The Kathak Studio and a founding member of the Layom Institute of Kathak, Nirajkumar Solanki is an MA in Kathak (Alankaar) and and his Gurus include Pt Rajendra Gangani ji, Bode Gurji, and Rahim Sheikh ji. His major performances include Parush in Pune and Pryaas in Akola, Thane, and Pune. He's also a Senior Verbal Faculty and CRT (soft skills) trainer, equipped with a Master of Arts Degree in English Literature. (0:01:16) Coming back to Kathak (0:05:46) The logistics of returning to Kathak after a long break (0:09:53) Keeping a prolonged interest in Riyaz (0:12:53) Nrityam Kathak (0:16:57) Different Teaching (0:23:44) Finding time for Kathak for busy professionals (0:28:58) Interest in English Language and Kathak (0:34:44) Favorite Kathak books (0:39:27) Tips for getting into reading (0:42:50) The positve impact of reading (0:44:07) The highs and lows of being a male dancer (0:52:59) How to handle bullying (0:56:24) Progressive Ideas in Kathak (0:58:57) How does Kathak thrive in Pune? (1:02:52) Most memorable performance (1:07:02) The practicalities of making a full time career out of Kathak (1:12:19) Costume selection and design (1:16:53) Future Plans Title Track Audio Credit: Doug Maxwell | Bansure Raga

10.Riyazüs Salihin (Hadisi Şerifler) - İmam Nevevi-Sesli Kitap

9.Riyazüs Salihin (Hadisi Şerifler) - İmam Nevevi-Sesli Kitap

6.Riyazüs Salihin (Hadisi Şerifler) - İmam Nevevi-Sesli Kitap

5.Riyazüs Salihin (Hadisi Şerifler) - İmam Nevevi-Sesli Kitap

3.Riyazüs Salihin (Hadisi Şerifler) - İmam Nevevi-Sesli Kitap

2.Riyazüs Salihin (Hadisi Şerifler) - İmam Nevevi-Sesli Kitap

1.Riyazüs Salihin (Hadisi Şerifler) - İmam Nevevi-Sesli Kitap 

Episode Notes Dr. Sarika Persaud (@doctor.samosa) is a student of Abha Bhatnagar Roy, and assists with teaching at Srijan Dance Center (NYC). She is a psychologist at Fordham University (Lincoln Center), and an adjunct professor at City University of New York - John Jay College. Sarika's research and clinical work focuses on relationship, sex, and body image issues for the South Asian diaspora, youth suicide prevention, and mental healthcare for artists. Sarika identifies as a bisexual Indo-Caribbean woman, and was recently published in an anthology of South Asian LGBTQAI+ essays, “I Hope You'll Still Love Me.” She has also published a collection of poetry, “Poems About a Song,” in addition to various academic publications on community-based interventions for South Asian diaspora groups in the International Journal of Psychology, School Psychology International, and in a forthcoming book published by the American Psychological Association, Division of South Asian-American Psychology. https://www.instagram.com/kathaksamosa/ https://www.instagram.com/doctor.samosa/ https://www.instagram.com/srijandance/ Show Highlights (0:02:00) Being Indo-Carribean (0:11:31) Significance of Rangmanch (0:13:36) What causes people to quit kathak (0:14:40) Rangmanch (0:16:13) music in indocarribean (0:18:22) Mental Health Practice around dance (0:20:04) Common issues faced by dancers (0:22:09) From surface to deeper issues (0:25:17) how is therapy different for dancers (0:27:26) Red flags for dancers to watch out (0:31:36) The concept of giving space (0:34:36) How stopping things helps you shape your identity (0:35:48) What to focus on when teaching children (0:37:03) Ashtamangal Taal (0:37:30) Foundations of kathak (0:42:28) Separating Psychology from Life (0:45:25) Srijan dance enter (0:48:44) Relationship between Sarika di and Abha Bhatnagar ji (0:53:32) How do dancers perceive choreographies (0:56:58) Getting to love Riyaz (1:00:50) Kathak Meetup NYC (1:02:33) Love for Tagore

Welcome to the Sangu Stories. The Ritz-Carlton Maldives, Fari Islands embraces the Maldives, delving into the little written history and culture. One of the famed topics is Aris Meeha, your island butler, a role inspired by the royal courts of the Maldives. We are delighted to invite Riyaz, our Guest Relations Manager, Riyaz, to talk about how the concept came to life and connects with The Ladies and Gentlemen of The Ritz-Carlton brand. For any further questions, please contact Aminath.Haadhee@ritzcarlton.com - Marketing Communications Manager. Share with us your feedback by leaving a review and rating. For more information about The Ritz-Carlton Maldives, Fari Islands, visit our websiteFollow us on InstagramFacebookTwitter 

Episode Notes Links to Social Media and Website https://www.instagram.com/tarikanath/?hl=en https://www.facebook.com/shivanginiclasses https://www.youtube.com/watch?v=sbBdQuYTEj0 https://www.linkedin.com/in/tarika-nath/ Tarika Nath is a 23-year old dancer from Houston, Texas. She is a financial planner by day is an assistant instructor to her own mother and Guru, Smt. Shiva Mathur for the past 17 years. Smt. Shiva Mathur founded her own school for Kathak, dholak, and tabla 20 years ago called the Shivangini Academy of Perfoming Arts. Known for her unique style of teaching with an emphasis on bhaav nritya, she has trained over 300 students in the Houston area. In addition to learning with her mother, Tarika frequently travels to India to train with the esteemed Padma Vibhushan Pt. Birju Maharaj and Vidushi Saswati Sen to further her knowledge and dedication in Kathak. In this episode, Tarika ji talks about Dancing privilege, the importance of warmups and physical therapy and the importance of being kind to yourself when it comes to Riyaz. She was also gracious enough to edit her own epsiode and I am immensely grateful to her for being one of my first guests. Timestamps 0:00:46 Story of Meeting 0:01:34 Warmups and Jumping jacks 0:03:15 Taking breaks in Riyaaz 0:04:11 Pandemic Effects on Riyaaz 0:04:58 Effects of Social Media on Riyaaz practice 0:06:13 Dealing with mental stress  0:08:09 Giving the power to yourself 0:09:15 Contemplation  0:11:00 Physical Barriers 0:11:13 Effects of Femoral Antiversoin 0:15:28 Overcoming Physical Conditions 0:18:03 Influences 0:20:04 Differences in Training 0:22:17 Language, religious barriers 0:23:41 The Kathak Meetup 0:26:42 NYKF Performance 0:28:57 End of Rupak and Dhamar 0:30:52 Dancing in front of Kathakars 0:33:36 Shivangani Academy of Performing Arts 0:37:34 Smt Shiva Mathur (Tarika's Mother) 0:41:48 Dancing Privilege 0:59:35 The value of patience