Podcasts about cultural management

Play Episode Listen Later Oct 24, 2022 55:33

In this dialogue Prof Christo Doherty of ARA speaks to Prof Brett Pyper, the Principal Investigator on the ARA project and the leader of a major interdisciplinary research project based on popular manifestations of jazz culture in South Africa. Currently called the Cosmopolitan Collective, the project has evolved over the last 17 years from an initial study of township jazz appreciation societies in urban Gauteng, through a creative engagement with jazz cosmopolitanism in Accra in Ghana, to become a multi-facetted research project that is using a range of creative methodologies to explore and expand the status of jazz as heritage in South Africa. Currently an Associate Professor in the History of Art department in the Wits School of Arts, Brett is a cultural practitioner, arts administrator, festival director, music researcher and academic. He grew up in Pretoria, now Tswane, and completed an interdisciplinary BA in music and cultural studies at the University of South Africa. He began his career as a facilitator of developmental music projects during the transition from apartheid, before taking up a Fulbright scholarship to study in the US, where he was based for six years. He holds a Master's degree in Public Culture from Emory University in Atlanta, and a PhD in Ethnomusicology and Popular Music Studies from New York University. Between 2005 and 2007 he headed the Division of Heritage Studies and Cultural Management in the Wits School of Arts, incorporating the Centre for Cultural Policy and Management. From 2008 to 2013, he was CEO of the Klein Karoo National Arts Festival (Absa KKNK), one of South Africa's major festivals of art, popular and vernacular culture, which takes place annually at Easter time in the town of Oudtshoorn in the rural Western Cape. He returned to the Wits in 2014 to take up the headship of the School of Arts, which he led until 2021. In this discussion we cover the influence of Prof Steven Feld's "Jazz Cosmopolitanism" project in Accra, and the ways in which the South African project was a response to Feld's work with Ghanian musicians. We look at the impact of the Covid-19 restrictions which scuppered the planned collaboration between Accra and the Johannesburg and the reasons for the choice of Cosmologies as the working title for the South African project. We examine the ways that the project managed the Covid restrictions for their ground-breaking 2020 live concert at Wits, involving creative contributions from staff and students together with South African jazz musicians. We discuss the contribution made to the concert by the local “diga” dance improvisors and significance of such embodied responses for the post-apartheid cultural project in South Africa. We then unpack the surprising motivation for renaming the project as the Cosmopolitan Collective and look more closely at the four distinct streams of practice that have come to be featured in the research collaboration of the Collective. Useful links: Prof Steven Feld's book - https://www.dukeupress.edu/jazz-cosmopolitanism-in-accra Brett Pyper's paper, Jazz Festivals and the Post-Apartheid Public Sphere: Historical Precedents and the Contemporary Limits of Freedom https://www.jstor.org/stable/44651151 Gwenn Ansell's review of the historic 2020 Cosmologies concert at Wits University - https://www.newframe.com/life-in-jazz-notes-and-rhythm/ Wadee Ranoto's video clip of "diga" performance at the Cosmologies concert - https://youtu.be/_sK7XqnNzyA

Brett Pyper: From Jazz Cosmologies to the Cosmopolitan Collective

The Institute of World Politics

Play Episode Listen Later Oct 24, 2022 55:33

In this dialogue Prof Christo Doherty of ARA speaks to Prof Brett Pyper, the Principal Investigator on the ARA project and the leader of a major interdisciplinary research project based on popular manifestations of jazz culture in South Africa. Currently called the Cosmopolitan Collective, the project has evolved over the last 17 years from an initial study of township jazz appreciation societies in urban Gauteng, through a creative engagement with jazz cosmopolitanism in Accra in Ghana, to become a multi-facetted research project that is using a range of creative methodologies to explore and expand the status of jazz as heritage in South Africa. Currently an Associate Professor in the History of Art department in the Wits School of Arts, Brett is a cultural practitioner, arts administrator, festival director, music researcher and academic. He grew up in Pretoria, now Tswane, and completed an interdisciplinary BA in music and cultural studies at the University of South Africa. He began his career as a facilitator of developmental music projects during the transition from apartheid, before taking up a Fulbright scholarship to study in the US, where he was based for six years. He holds a Master's degree in Public Culture from Emory University in Atlanta, and a PhD in Ethnomusicology and Popular Music Studies from New York University. Between 2005 and 2007 he headed the Division of Heritage Studies and Cultural Management in the Wits School of Arts, incorporating the Centre for Cultural Policy and Management. From 2008 to 2013, he was CEO of the Klein Karoo National Arts Festival (Absa KKNK), one of South Africa's major festivals of art, popular and vernacular culture, which takes place annually at Easter time in the town of Oudtshoorn in the rural Western Cape. He returned to the Wits in 2014 to take up the headship of the School of Arts, which he led until 2021. In this discussion we cover the influence of Prof Steven Feld's "Jazz Cosmopolitanism" project in Accra, and the ways in which the South African project was a response to Feld's work with Ghanian musicians. We look at the impact of the Covid-19 restrictions which scuppered the planned collaboration between Accra and the Johannesburg and the reasons for the choice of Cosmologies as the working title for the South African project. We examine the ways that the project managed the Covid restrictions for their ground-breaking 2020 live concert at Wits, involving creative contributions from staff and students together with South African jazz musicians. We discuss the contribution made to the concert by the local “diga” dance improvisors and significance of such embodied responses for the post-apartheid cultural project in South Africa. We then unpack the surprising motivation for renaming the project as the Cosmopolitan Collective and look more closely at the four distinct streams of practice that have come to be featured in the research collaboration of the Collective. Useful links: Prof Steven Feld's book - https://www.dukeupress.edu/jazz-cosmopolitanism-in-accra Brett Pyper's paper, Jazz Festivals and the Post-Apartheid Public Sphere: Historical Precedents and the Contemporary Limits of Freedom https://www.jstor.org/stable/44651151 Gwenn Ansell's review of the historic 2020 Cosmologies concert at Wits University - https://www.newframe.com/life-in-jazz-notes-and-rhythm/ Wadee Ranoto's video clip of "diga" performance at the Cosmologies concert - https://youtu.be/_sK7XqnNzyA

The Evolution of North Korean Espionage

Play Episode Listen Later Oct 23, 2022 74:55

This event was streamed live at The Institute of World Politics, D.C. on Thursday, October 13, 2022. About the Lecture In the world of espionage, North Korea remains one of the hardest targets as it remains the most reclusive and enigmatic communist regime on the planet. The question remains, then, how did North Korea develop its Modus Operandi (M.O.) in order to achieve its ultimate foreign policy goal? – which is the “revolutionization” of South Korea through reunification under Kim Jong Un. In this lecture, first, North Korea's exploitation of its unique Juche ideology as a tool of indoctrination will be discussed – specifically, North Korea's totalitarian and monolithic dictatorial system, known as suryong, meaning Supreme Leader, will be assessed. Second, the evolution of North Korea's conduct of espionage during and after the Cold-War will be highlighted, including traditional espionage operations – recruitment of South Koreans – as well as special operations, such as terrorist attacks. Third, several cases of North Korea's exploitation of its intelligence officers will be addressed – those who were brainwashed to sacrifice their lives for the sake of the regime until their defection to the U.S. or South Korea to pursue their life of freedom. About the Speaker Dr. Amanda Jihyun Won recently graduated from The Institute of World Politics' (IWP) Doctor of Statecraft and National Security (DSNS) program, and has been serving as Director of the China Asia Program at IWP since September 2022. Amanda is also the founder of IWP's Asia Initiative Lecture Series (AILS) through which diverse scholar-practitioners have presented their expertise on Asia. Amanda also holds an M.P.S. in Arts and Cultural Management from the Pratt Institute in New York and an M.A. in Government (with a specialization in National Security Studies) from Johns Hopkins University. Her professional experience includes having worked in both the NGO and government sectors, serving as a legislative assistant at the New York City Council and as a Diplomatic & Consular Affairs and Partnership intern at the New York City Mayor's Office for International Affairs. She has also worked at the U.S. Committee for Human Rights in North Korea (HRNK) where she was a contributor to that organization's publication: The Parallel Gulag: North Korea's “An-Jeon-Bu” Prison Camps. Dr. Won will also be teaching a course at IWP on the topic of North Korean Espionage starting in the Spring Semester of 2023. IWP Admissions https://www.iwp.edu/admissions/ Support IWP https://interland3.donorperfect.net/weblink/WebLink.aspx?name=E231090&id=3

TOO Episode 140- The Directors Lab Mediterranean Conversations, Part 2. Paolo Costantini, Maria Varnakkidou, and Marta Mari

The Theatre of Others Podcast

Play Episode Listen Later Oct 10, 2022 104:21

In this episode, Adam speaks with directors Paolo Costantini, Maria Varnakkidou, and Marta Mari. Berlin-based Italian director Paolo Costantini is a graduate of the Silvio d'Amico National Dramatic Academy. He joined the Interkulturelles Theaterzentrum, a Fabulamundi partner, in Berlin, before collaborating with Italian-German company Barletti/Waas. He is a trusted Assistant Director to Antonio Latella whose current production of Hamlet won the Ubu Award for best show of the year. In 2021, Paolo won the Venice Biennale Teatro's Under 30 Directors competition with the project "Uno Sguardo Estraneo", still touring across Italy today. He was recently selected for a project “Il Fondo” led by the Santarcangelo Festival, supporting non-conventional artistic research. Maria Varnakkidou is a Cypriot theatre director who studied at Brunel University and completed her master's degree in Theatre Directing at Royal Holloway University in the UK. She has worked in the theatre and film world for the past ten years across various projects. Her interests include devised, immersive, and community theatre, creating work for social change and critical thinking. She was a creative director of the Buffer Fringe Festival 2020-21, and this year she is one of the artistic curators. Edinburgh-based Polish director Marta Mari, is a graduate of Columbia College Chicago, & has an MA in Arts and Cultural Management from Queen Margaret University in Edinburgh. Marta is a director, producer, & teacher and was an artistic director of Asylon Theatre for 9 years creating new writing, site-specific, devised as well as classic works. Her work as a director for young audiences and as a producer and arts manager has been presented at Edinburgh Festival Fringe, Edinburgh International Science Festival, Puppet Animation Festival, Edinburgh Mela Festival, and Universal Arts.Mentioned in this episode-HamletAntonioniTarkovskyBela TarrThom LuzFranko BForced EntertainmentApitchatpongBoal Sheldon PatinkinMrozekSupport the show

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YBY ep 323: Joe Thompson on finding the tools to create your own worlds.

Yes But Why Podcast

Play Episode Listen Later Sep 26, 2022 102:11

This week on Yes But Why, I chatted with Joe Thompson, an improv performer and teacher based out of Sheffield, UK. Joe Thompson started his improv career 9 years ago at the University of Sheffield, where he joined and later became Artistic Director of the university improv society ‘The Shrimps'. Since then, he has been featured in the Leicester Comedy Award nominated long form group ‘Scriptless in Seattle' and performed at the Y-Not Festival with Sturike Comedy. Joe's interest in improv is academic as well – he got his Masters in Arts and Cultural Management and his thesis examined hierarchies within improv communities! (I've got to read that paper!) These days, you can find Joe running monthly nights with his production company Little Chicago as well as teaching and performing at various venues throughout the UK. Joe Thompson currently co-runs and teaches improv with the Spontaneity and Sheffield Steel (SASS Improv) theater group alongside improv colleague, Owen Scrivens.In our conversation, we first explored different styles of storytelling. We did a particular deep dive on JJ Abrams, who I really love! (oh hey, watch out because there are How I Met Your Mother spoilers in the opening discussion). Joe told me how the Pokemon shows he watched as a kid inspired him to create his own storylines at home when playing with his toys. We talk about immersive games and “playing narratively not competitively.” Joe and I connected on so many levels; this was a great conversation about creating art in our current cultural landscape. A big topic that came up multiple times was how sometimes making money with your art can affect the art that you create. We discussed how to find your own voice as an artist. If you live close to Sheffield, you can support Joe Thompson by performing with or attending the shows of Spontaneity and Sheffield Steel (SASS Improv)! Connect with them on Facebook at facebook.com/sassimprov !Yes But Why Podcast is a proud member of the HC Universal Network family of podcasts. Visit us at HCUniversalNetwork.com to join in on the fun. #YesButWhy #Podcast #HCUniversalNetworkThis episode of Yes But Why podcast is sponsored by audible - get your FREE audiobook download and your 30 day free trial at http://www.audibletrial.com/YESBUTWHY. (production notes: recorded zoom meeting via Rodecaster on 9/22/2022; posted on 9/26/2022)

YBY ep 323: Joe Thompson on finding the tools to create your own worlds.

HC Universal Network

Play Episode Listen Later Sep 26, 2022 102:11

This week on Yes But Why, I chatted with Joe Thompson, an improv performer and teacher based out of Sheffield, UK. Joe Thompson started his improv career 9 years ago at the University of Sheffield, where he joined and later became Artistic Director of the university improv society ‘The Shrimps'. Since then, he has been featured in the Leicester Comedy Award nominated long form group ‘Scriptless in Seattle' and performed at the Y-Not Festival with Sturike Comedy. Joe's interest in improv is academic as well – he got his Masters in Arts and Cultural Management and his thesis examined hierarchies within improv communities! (I've got to read that paper!) These days, you can find Joe running monthly nights with his production company Little Chicago as well as teaching and performing at various venues throughout the UK. Joe Thompson currently co-runs and teaches improv with the Spontaneity and Sheffield Steel (SASS Improv) theater group alongside improv colleague, Owen Scrivens. In our conversation, we first explored different styles of storytelling. We did a particular deep dive on JJ Abrams, who I really love! (oh hey, watch out because there are How I Met Your Mother spoilers in the opening discussion). Joe told me how the Pokemon shows he watched as a kid inspired him to create his own storylines at home when playing with his toys. We talk about immersive games and “playing narratively not competitively.” Joe and I connected on so many levels; this was a great conversation about creating art in our current cultural landscape. A big topic that came up multiple times was how sometimes making money with your art can affect the art that you create. We discussed how to find your own voice as an artist. If you live close to Sheffield, you can support Joe Thompson by performing with or attending the shows of Spontaneity and Sheffield Steel (SASS Improv)! Connect with them on Facebook at facebook.com/sassimprov ! Yes But Why Podcast is a proud member of the HC Universal Network family of podcasts. Visit us at HCUniversalNetwork.com to join in on the fun. #YesButWhy #Podcast #HCUniversalNetwork This episode of Yes But Why podcast is sponsored by audible - get your FREE audiobook download and your 30 day free trial at http://www.audibletrial.com/YESBUTWHY. (production notes: recorded zoom meeting via Rodecaster on 9/22/2022; posted on 9/26/2022)

YBY ep 323: Joe Thompson on finding the tools to create your own worlds.

HC Universal Network

Play Episode Listen Later Sep 26, 2022 102:11

This week on Yes But Why, I chatted with Joe Thompson, an improv performer and teacher based out of Sheffield, UK. Joe Thompson started his improv career 9 years ago at the University of Sheffield, where he joined and later became Artistic Director of the university improv society ‘The Shrimps'. Since then, he has been featured in the Leicester Comedy Award nominated long form group ‘Scriptless in Seattle' and performed at the Y-Not Festival with Sturike Comedy. Joe's interest in improv is academic as well – he got his Masters in Arts and Cultural Management and his thesis examined hierarchies within improv communities! (I've got to read that paper!) These days, you can find Joe running monthly nights with his production company Little Chicago as well as teaching and performing at various venues throughout the UK. Joe Thompson currently co-runs and teaches improv with the Spontaneity and Sheffield Steel (SASS Improv) theater group alongside improv colleague, Owen Scrivens. In our conversation, we first explored different styles of storytelling. We did a particular deep dive on JJ Abrams, who I really love! (oh hey, watch out because there are How I Met Your Mother spoilers in the opening discussion). Joe told me how the Pokemon shows he watched as a kid inspired him to create his own storylines at home when playing with his toys. We talk about immersive games and “playing narratively not competitively.” Joe and I connected on so many levels; this was a great conversation about creating art in our current cultural landscape. A big topic that came up multiple times was how sometimes making money with your art can affect the art that you create. We discussed how to find your own voice as an artist. If you live close to Sheffield, you can support Joe Thompson by performing with or attending the shows of Spontaneity and Sheffield Steel (SASS Improv)! Connect with them on Facebook at facebook.com/sassimprov ! Yes But Why Podcast is a proud member of the HC Universal Network family of podcasts. Visit us at HCUniversalNetwork.com to join in on the fun. #YesButWhy #Podcast #HCUniversalNetwork This episode of Yes But Why podcast is sponsored by audible - get your FREE audiobook download and your 30 day free trial at http://www.audibletrial.com/YESBUTWHY. (production notes: recorded zoom meeting via Rodecaster on 9/22/2022; posted on 9/26/2022)

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YBY ep 323: Joe Thompson on finding the tools to create your own worlds.

HC Universal Network

Play Episode Listen Later Sep 26, 2022 102:11

This week on Yes But Why, I chatted with Joe Thompson, an improv performer and teacher based out of Sheffield, UK. Joe Thompson started his improv career 9 years ago at the University of Sheffield, where he joined and later became Artistic Director of the university improv society ‘The Shrimps'. Since then, he has been featured in the Leicester Comedy Award nominated long form group ‘Scriptless in Seattle' and performed at the Y-Not Festival with Sturike Comedy. Joe's interest in improv is academic as well – he got his Masters in Arts and Cultural Management and his thesis examined hierarchies within improv communities! (I've got to read that paper!) These days, you can find Joe running monthly nights with his production company Little Chicago as well as teaching and performing at various venues throughout the UK. Joe Thompson currently co-runs and teaches improv with the Spontaneity and Sheffield Steel (SASS Improv) theater group alongside improv colleague, Owen Scrivens. In our conversation, we first explored different styles of storytelling. We did a particular deep dive on JJ Abrams, who I really love! (oh hey, watch out because there are How I Met Your Mother spoilers in the opening discussion). Joe told me how the Pokemon shows he watched as a kid inspired him to create his own storylines at home when playing with his toys. We talk about immersive games and “playing narratively not competitively.” Joe and I connected on so many levels; this was a great conversation about creating art in our current cultural landscape. A big topic that came up multiple times was how sometimes making money with your art can affect the art that you create. We discussed how to find your own voice as an artist. If you live close to Sheffield, you can support Joe Thompson by performing with or attending the shows of Spontaneity and Sheffield Steel (SASS Improv)! Connect with them on Facebook at facebook.com/sassimprov ! Yes But Why Podcast is a proud member of the HC Universal Network family of podcasts. Visit us at HCUniversalNetwork.com to join in on the fun. #YesButWhy #Podcast #HCUniversalNetwork This episode of Yes But Why podcast is sponsored by audible - get your FREE audiobook download and your 30 day free trial at http://www.audibletrial.com/YESBUTWHY. (production notes: recorded zoom meeting via Rodecaster on 9/22/2022; posted on 9/26/2022)

Keynote for Global Business Environments MBA Class on Cross-Cultural Management in China

China Leadership Dilemma Podcast

Play Episode Listen Later Sep 15, 2022 60:47

September 14, 2022 - Another amazing opportunity to help our future leaders develop a healthy mindset for China business as a keynote speaker at Scheller College of Business in Atlanta. We explored media bias and our cultural biases in the context of our objectives in China, with Chinese companies, and cooperating with Chinese people.We introduced a framework to develop greater 'Awareness' to create a new China reality and more favorable 'Outcomes.'00:00 Introduction03:35 Preparing your mindset07:05 My promise11:11 Cultural dichotomies13:30 Time dichotomy as an example28:20 Creating a new reality in China36:46 Framework of Awareness, Action, Outcomes44:33 Q1 What advice for doing business in China today?48:45 Q2 What's the #1 Cross-cultural challenge facing foreigners in China today?53:32 Q3 Can you explain the importance of Guanxi?56:14 Q4: Can Guanxi be developed in a short amount of time?#chinabusiness #chineseculture #guanxi #crossculture #mindset #culturalawareness #selfawarenesshttps://www.genejhsu.com/

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What is Cross-Cultural Management And How Does It Intersect With DEI?

Becoming Inclusive From The Kaleidoscope Group

Play Episode Listen Later Aug 31, 2022 36:04

To understand organizational culture, consider this analogy from the late author and novelist David Foster Wallace. Here's how it goes: A big fish meets a little fish and asks “how's the water?” In response, the little fish say's “what's water?” The water is like organizational culture, which is slightly different than how we talk about culture in a broader sense. So in the fish and water analogy, organizational culture is the water we swim in. If we apply this to the workplace, it's common that we don't truly appreciate or understand our organizational cultures until we leave them and enter a new job with an entirely different workplace environment with unfamiliar work styles, values, and systems. Quite simply, workplace cultures matter greatly for organizations that want a competitive advantage. We've come to understand that 360-degree perspective provided by people from different backgrounds and walks of life stoke innovation. When organizations are homogenous, the perspectives tend to be homogenous as well.We invite you to listen to this episode of Becoming Inclusive with special guests DEI experts Gradiola Kapaj and Trisha Carter now. You can also subscribe to the podcast, which airs weekly, and offers a wide array of diverse voices and perspectives offered by leading-edge DEI subject matter experts. To join the conversation, leave a comment and share the link with colleagues who might also enjoy learning more about this and other timely topics.

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# 45 What I Ask Of People I Ask Of Myself Featuring Sonia Clarke

Baila Room

Play Episode Listen Later Apr 14, 2022 75:14

Sonia Clarke is a Producer, choreographer, dancer and teacher, Sonia has been working in the show business sector for over 25 years. With a background in classical ballet, jazz, modern, Afro-Caribbean and street dance, her career has given her the opportunity to work for dance companies in Quebec and Europe, as well as in the commercial sector such as television and corporate events. Working backstage as a stage manager, both locally and on tour, she quickly developed her management skills. As a choreographer, Sonia has created for dance companies in Europe, commercial events, films and festivals, as well as for Cirque du Soleil. In 2021, she will complete a Master's degree in Arts and Cultural Management, which she will immediately put to use in the development of the National Dance School of Canada project.

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S6: E7: Audition advice for performers with Kahlia Davis, singer, dancer, actor and songwriter, Melbourne Australia

The Artist’s House International Podcast

Play Episode Listen Later Apr 10, 2022 31:26

Enjoying the AHI podcast? We invite you to support this Podcast by visiting Patreon - In this episode, host Lara chats to guest Kahlia Davis who is currently performing in the Australian cast of Moulin Rouge. They chat about auditioning advice, as well as leaving home to train in NYC, overcoming mistakes and injuries in auditions and shows, overcoming rejection and life outside the stage. - About today's guest Kahlia Davis: Kahlia trained extensively in performing arts at Patrick Studios Australia before gaining her Diploma of Musical Theatre at the American Musical and Dramatic Academy (AMDA) in New York City. Upon graduating, Kahlia continued to train at Steps on Broadway and Broadway Dance Centre and performed on Manhattan's cabaret scene. Career performance highlights include the US, Japan and Shanghai tours of A Chorus Line (Sheila & Dance Captain), The US National tour of 42nd Street (Anytime Annie) and regional production at North Shore Music Theatre MA (Phyllis), Mamma Mia! (Lisa) at the Arts Center of Coastal Carolina SC, White Christmas (Rita) at the Ogunquit Playhouse ME, the US national tour of A Christmas Story (Swing) and West Side Story (Consuela) at the New Bedford Festival Theatre MA. In 2019 Kahlia released her debut EP titled The First One before embarking on the Regent Seven Seas Mariner as a production vocalist on their luxury world cruise. Upon return, Kahlia released a single Miss You Much in early 2020 and has recently graduated with a Master of Business (Arts and Cultural Management) at Deakin University. Kahlia is currently performing as a swing in the Australian company of Moulin Rouge! The Musical. www.kahlia.net - About Artist's House International - Lara Bianca Pilcher, the host of the Artist's House International Podcast (AHI), is an experienced show host and international speaker. Her career in the arts industry spans over 20 years. Artist's House International is a not-for-profit that uses the tool of creativity to help transform lives, form a global community, and capture the global voice of believer artists. AHI founders, Andrew and Lara Pilcher have been married for 15 years and have two awesome kids. - We invite you to subscribe to this Podcast and share it with others! - To find out more about AHI visit: artistshouseinternational.com Lara: www.larabiancapilcher.com Andrew: www.performerspt.com - ALL LINKS: LINKTREE linktr.ee/artistshouseinternational - Website: artistshouseinternational.com

EP 178: Maureen O'Donoghue Franco-Irish singer and musician shares her Paris Story

La Vie Creative

Play Episode Listen Later Jan 5, 2022 42:19

Maureen O'Donoghue is a 24-year-old Franco-Irish singer and musician. Born in Paris in a musical family to an Irish father and French mother, she has been involved in various artistic projects including rock bands (Hobe, Silène and Black Alice), acting (music videos as well as a punk drummer in Microbe et Gasoil, Michel Gondry, 2014), and guest singing on a progressive jazz album, focusing more on her Irish heritage over the last few months with new folk duo Saelkie Folk and regular performances at the Paris Hootenanny with a flute player and guitarist Michel Sikiotakis. She has also participated in the production of the upcoming TG4 documentary on Irish composer Sean O Riada. Maureen recently completed a Master's degree in Cultural Management and Trilingual communication at the Sorbonne Nouvelle University in Paris, where she currently lives.https://www.facebook.com/saelkiefolk/Support the show (https://www.patreon.com/join/Laviecreative)

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TKP 064: Meher Kriti Nigam

The Kathak Podcast : Kathak Ka Chakkar

Play Episode Listen Later Jan 3, 2022 63:53

Episode Notes I'm Meher Kriti Nigam, a Kathak artist and a final year student of engineering. I study Electronics and Communication with a specialization in Biomedical field. Apart from my technical education, I've also attended 2 diplomas, in Kathak and Hindustani Vocals. I've fortunate enough to get trained under Smt. Leena Malakar (Jaipur Gharana) and Guru Pandit Divyang Vakil ji. My journey with Kathak when I was just 3-years-old. Over the years I've performed at various events across the country, from Indywood Film Festival in Hyderabad to performing for MNCs like NIIT Technologies Ltd. I've also won a number of competitions at both school and college level. The world has been nice to me and in the past 2 years I've got the opportunity to hold fundraising dance workshops for NGOs. I've also been a dance instructor at various NGOs and taught their children for free. I wish to pursue Arts and Cultural Management for my masters. With the world progressing, I believe Art, Technology and Commerce are no longer separate fields. We can advance so much by attaining knowledge in all fields and create masterpieces. Show Highlights (0:04:21) Working with Spicmacay (0:09:28) Running a Kathak club in VIT University (0:16:02) Auditioning process for the Dance Club (0:19:10) Brinigng about uniformity in movements (0:21:03) how a choregraphy comes together*- (0:26:03) What audiences like? (0:27:34) Performing in college fests/competitions (0:29:43) how Meher started dancing? (0:30:35) earliest memory (0:32:32) Kathak Training Smt Leena Malakar ji (0:34:43) Cultivating a habit of Riyaz (0:40:25) What is Meher leanring in Kathak at the moment (0:44:35) Taalvidya Classess (0:49:19) Getting over fear (0:51:24) Kathak on Reels (0:53:37) Gender Expression in Kathak (0:57:31) Future plans Title Track Audio Credit: Doug Maxwell | Bansure Raga

#482 Ask A Talent Agent

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Play Episode Listen Later Dec 26, 2021 10:43

Strategizing Sunday Ask A Talent Agent Source: https://www.danceplug.com/article/ask-a-talent-agent-commercial-dance-industry-in-2020-and-beyond Author: Khayla Jordan Golucke A native of El Paso, TX, Khayla began dancing at a young age in ballet and Folklorico classes, eventually moving to LA to earn her BA in dance and English from Loyola Marymount University in Los Angeles. She went on to earn her MA in Arts & Cultural Management from Kings College London before moving back to LA, where she currently works as a commercial dancer. When she's not dancing, you can find her teaching Pilates and freelance writing about the intersection of dance, fitness, and wellness. More on Khayla can be found at khaylajordan.com and Instagram (@khayla_jordan). DancePlug is Dance Plug is YOUR connection to dance. It the go-to digital hub for online classes, auditions, and articles on all things dance! Check them out on Instagram @danceplug or at danceplug.com. Are you practicing your tip for the day? Share with us on social media and tag @dancetipsdaily to be shared on our platform! Don't forget to follow us on IG and Facebook @dancetipsdaily! Stay up to date with DTD & Subscribe to the once a month newsletter at www.dancetipsdaily.com Like what you heard? Give us a 5 star rating or share with a friend to help us keep bringing well rounded & grounded dance content to you! --- Support this podcast: https://anchor.fm/dance-tips-daily/support

#475 How to Prep for Those Post-Pandemic Commercial Job Opportunities

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Play Episode Listen Later Dec 19, 2021 10:40

Strategizing Sunday How to Prep for Those Post-Pandemic Commercial Job Opportunities Source: https://www.danceplug.com/article/how-to-prep-for-those-post-pandemic-commercial-job-opportunities DancePlug is Dance Plug is YOUR connection to dance. It the go-to digital hub for online classes, auditions, and articles on all things dance! Check them out on Instagram @danceplug or at danceplug.com. Author: Khayla Jordan Golucke A native of El Paso, TX, Khayla began dancing at a young age in ballet and Folklorico classes, eventually moving to LA to earn her BA in dance and English from Loyola Marymount University in Los Angeles. She went on to earn her MA in Arts & Cultural Management from Kings College London before moving back to LA, where she currently works as a commercial dancer. When she's not dancing, you can find her teaching Pilates and freelance writing about the intersection of dance, fitness, and wellness. More on Khayla can be found at khaylajordan.com and Instagram (@khayla_jordan). Are you practicing your tip for the day? Share with us on social media and tag @dancetipsdaily to be shared on our platform! Don't forget to follow us on IG and Facebook @dancetipsdaily! Stay up to date with DTD & Subscribe to the once a month newsletter at www.dancetipsdaily.com Like what you heard? Give us a 5 star rating or share with a friend to help us keep bringing well rounded & grounded dance content to you! --- Support this podcast: https://anchor.fm/dance-tips-daily/support

#468 The Edge Bowing Out

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Play Episode Listen Later Dec 12, 2021 10:45

Strategizing Sunday The Edge Bowing Out Source: https://www.danceplug.com/article/the-edge-is-bowing-out-what-this-studio-meant-to-the-dance-community Author: Khayla Jordan Golucke A native of El Paso, TX, Khayla began dancing at a young age in ballet and Folklorico classes, eventually moving to LA to earn her BA in dance and English from Loyola Marymount University in Los Angeles. She went on to earn her MA in Arts & Cultural Management from Kings College London before moving back to LA, where she currently works as a commercial dancer. When she's not dancing, you can find her teaching Pilates and freelance writing about the intersection of dance, fitness, and wellness. More on Khayla can be found at khaylajordan.com and Instagram (@khayla_jordan). DancePlug is Dance Plug is YOUR connection to dance. It the go-to digital hub for online classes, auditions, and articles on all things dance! Check them out on Instagram @danceplug or at danceplug.com. Are you practicing your tip for the day? Share with us on social media and tag @dancetipsdaily to be shared on our platform! Don't forget to follow us on IG and Facebook @dancetipsdaily! Stay up to date with DTD & Subscribe to the once a month newsletter at www.dancetipsdaily.com Like what you heard? Give us a 5 star rating or share with a friend to help us keep bringing well rounded & grounded dance content to you! --- Support this podcast: https://anchor.fm/dance-tips-daily/support

#459 Dancers Get Creative With These Small Business Ideas

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Play Episode Listen Later Dec 3, 2021 14:56

Finance Friday Tip Dancers Get Creative With These Small Business Ideas Source: https://www.danceplug.com/article/dancers-get-creative-with-these-small-business-ideas DancePlug is Dance Plug is YOUR connection to dance. It the go-to digital hub for online classes, auditions, and articles on all things dance! Check them out on Instagram @danceplug or at danceplug.com. Author: Khayla Jordan Golucke A native of El Paso, TX, Khayla began dancing at a young age in ballet and Folklorico classes, eventually moving to LA to earn her BA in dance and English from Loyola Marymount University in Los Angeles. She went on to earn her MA in Arts & Cultural Management from Kings College London before moving back to LA, where she currently works as a commercial dancer. When she's not dancing, you can find her teaching Pilates and freelance writing about the intersection of dance, fitness, and wellness. More on Khayla can be found at khaylajordan.com and Instagram (@khayla_jordan). Are you practicing your tip for the day? Share with us on social media and tag @dancetipsdaily to be shared on our platform! Don't forget to follow us on IG and Facebook @dancetipsdaily! Stay up to date with DTD & Subscribe to the once a month newsletter at www.dancetipsdaily.com Like what you heard? Give us a 5 star rating or share with a friend to help us keep bringing well rounded & grounded dance content to you! --- Support this podcast: https://anchor.fm/dance-tips-daily/support

#124 Allan Wong

THE REEL DEBATERS PODCAST

Play Episode Listen Later Dec 2, 2021 106:27

This week on The Reel Debaters Micheal Talks to Allan Wong about his career in music and how he transitioned into film, festival management, the sound department, their shared love of Westworld and lots more! Allan , thank you for your time, stories and love of the Man in Black , we're better for it sir! Alan Wong is a producer, writer-director, actor, vocalist, and the festival manager of the Gimli Film Festival. As a filmmaker, Alan has made several award-winning short films and worn many different crew hats on numerous productions. He holds a degree in Music from Brandon University, and a certificate in Arts & Cultural Management from the University of Winnipeg. For three years, he was on staff at Buffalo Gal Pictures, where he was fortunate to be mentored by Manitoba industry veteran, Phyllis Laing. Alan is the Vice-President of ACTRA Manitoba and is a strong advocate for diverse and accurate representation in media and a founding member of the FascinAsian film festival…and scene https://fascinasian.ca/ (FascinAsian) https://www.google.com/search?q=gimli+film+festival&rlz=1C5CHFA_enCA761CA761&oq=gimli+film+festival&aqs=chrome..69i57j0i512j0i22i30l4j69i60j69i61.3000j0j7&sourceid=chrome&ie=UTF-8#:~:text=https%3A//gimlifilm.com/ (Gimli Film Festival) Housekeeping Have you heard about our Prop Shop? This is our merch stand that has 3 different logos to choose from and a plethora of items to put them on. Skateboards, sweaters and sacks all quality made by Threadless.com. Click on the link below to know more! Find Us Online https://twitter.com/reeldebaters?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor (Twitter) Facebook https://www.instagram.com/reeldebaters/?hl=en (Instagram) https://thepropshop.threadless.com/ (Merch) https://www.tiktok.com/@thereeldebaters? (Tik Tok) Cast & Crew - Executive Producer, Editor, Mixer Captain of the USS Debater Micheal Petrow - Co-Host/Co-Producer and Comedian Commander Martin Navarro - Co-Host/Co-Producer and Comedian Lieutenant Commander Jimmy Skinner - Co-Host/Co-Producer Pop Culture Officer Mark Cowell -Co-Host/Co-Producer Visual Arts Officer Rob Strachan -Co-Host and Nerd/Geekdom Officer Charles Fernandes -Co-Host and Entertainment Officer Ian Bawa - Art by Arron Doel and Micheal Petrow About Us Could James Bond be a Chef? Should The Ghostbusters have their own restaurant? What would Indiana Jones and Laura Crofts wedding look like? Maybe you wanna find out if Conan The Barbarian could teach Sex Ed? We have the answers if you're curious... Welcome to The Reel Debaters, where real life meets reel life Micheal Petrow and Martin Navarro with their best good friends have gone too many sleepless nights while these and more questions like them continue to go unanswered. Each week you'll hear 4 debaters sit down as they come up with a new tussle with a variety of patented and proven formats where we compare, contrast and insult each other with our takes for your listening pleasure. We'll either insert ourselves into the movie or tv show and see how we fare or bring the characters into real life scenarios and see how they hold water and as a bonus give you access and interviews in the Canadian film industry.

#457 Breaking the Silence on the Dance Industry's Power Problem

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Play Episode Listen Later Nov 30, 2021 11:28

Wellness Wednesday Breaking the Silence on the Dance Industry's Power Problem DancePlug is Dance Plug is YOUR connection to dance. It the go-to digital hub for online classes, auditions, and articles on all things dance! Check them out on Instagram @danceplug or at danceplug.com. Source: https://www.danceplug.com/article/breaking-the-silence-on-the-dance-industrys-power-problem Author: Khayla Jordan Golucke A native of El Paso, TX, Khayla began dancing at a young age in ballet and Folklorico classes, eventually moving to LA to earn her BA in dance and English from Loyola Marymount University in Los Angeles. She went on to earn her MA in Arts & Cultural Management from Kings College London before moving back to LA, where she currently works as a commercial dancer. When she's not dancing, you can find her teaching Pilates and freelance writing about the intersection of dance, fitness, and wellness. More on Khayla can be found at khaylajordan.com and Instagram (@khayla_jordan). Are you practicing your tip for the day? Share with us on social media and tag @dancetipsdaily to be shared on our platform! Don't forget to follow us on IG and Facebook @dancetipsdaily! Stay up to date with DTD & Subscribe to the once a month newsletter at www.dancetipsdaily.com Like what you heard? Give us a 5 star rating or share with a friend to help us keep bringing well rounded & grounded dance content to you! --- Support this podcast: https://anchor.fm/dance-tips-daily/support

#456 Unlock Your Flexibility With This Mobility Training

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Play Episode Listen Later Nov 30, 2021 10:59

Technique Tuesday Unlock Your Flexibility With This Mobility Training DancePlug is Dance Plug is YOUR connection to dance. It the go-to digital hub for online classes, auditions, and articles on all things dance! Check them out on Instagram @danceplug or at danceplug.com. Source: https://www.danceplug.com/article/unlock-your-flexibility-with-this-mobility-training-method Author: Khayla Jordan Golucke A native of El Paso, TX, Khayla began dancing at a young age in ballet and Folklorico classes, eventually moving to LA to earn her BA in dance and English from Loyola Marymount University in Los Angeles. She went on to earn her MA in Arts & Cultural Management from Kings College London before moving back to LA, where she currently works as a commercial dancer. When she's not dancing, you can find her teaching Pilates and freelance writing about the intersection of dance, fitness, and wellness. More on Khayla can be found at khaylajordan.com and Instagram (@khayla_jordan). Are you practicing your tip for the day? Share with us on social media and tag @dancetipsdaily to be shared on our platform! Don't forget to follow us on IG and Facebook @dancetipsdaily! Stay up to date with DTD & Subscribe to the once a month newsletter at www.dancetipsdaily.com Like what you heard? Give us a 5 star rating or share with a friend to help us keep bringing well rounded & grounded dance content to you! --- Support this podcast: https://anchor.fm/dance-tips-daily/support

Remembering Etel Adnan

Showcase

Play Episode Listen Later Nov 17, 2021 8:38

Famed artist Etel Adnan was born in Beirut, studied and taught in the United States, and lived and died in France at the age of 96. But she wrote that she and her family mostly saw themselves as Ottomans. Serhan Ada, Associate Professor of Arts and Cultural Management 00:39 #EtelAdnan #Artist #Painter

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Remembering Etel Adnan | The French Dispatch | 'Hogarth and Europe'

Showcase

Play Episode Listen Later Nov 17, 2021 26:11

On this episode of Showcase; Remembering Etel Adnan 00:02 Serhan Ada, Associate Professor of Arts and Cultural Management 00:38 When Images Speak: Highlights from the Dubai Collection 08:45 Lebanon's Musical Struggle 11:21 The French Dispatch 14:16 Shortcuts 19:47 Les Siecles's Historic Instruments 20:57 'Hogarth and Europe' Exhibition 23:47 #EtelAdnan #TheFrenchDispatch #TheLesSiecles

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New(ish) to Organizational Anti-Racism Work (EP.46)

Work. Shouldnt. Suck.

Play Episode Listen Later Oct 23, 2021 41:57

This conversation was recorded as part of Work Shouldn't Suck's https://www.workshouldntsuck.co/ethical-reopening-summit-2021 (Ethical Re-Opening Summit) that took place on April 27, 2021. This unprecedented time has become a time of learning (and relearning) for many. But what is the process for turning knowledge into action in and out of our organizations? Thinking about organizational anti-racism work begins with a clear understanding of what “the work” is. Task forces, caucuses, book clubs, consultants? So many options. Our guests discuss different approaches to doing "the work" in our organizations. Resources mentioned during episode: Change.org's https://www.change.org/reset/index.html (Reflect & Reset) “https://blog.fracturedatlas.org/what-does-it-mean-when-we-say-doing-the-work (What Does It Mean When We Say Doing ‘The Work'?)” by Nina Berman “https://blog.fracturedatlas.org/working-apart-so-we-can-work-together-eea424bc5112 (Working Apart So We Can Work Together)” by Courtney Harge & Tiffany Wilhelm “https://blog.fracturedatlas.org/resources-for-white-people-to-learn-and-talk-about-race-and-racism-5b207fff4fc7 (Resources for White People to Learn and Talk About Race and Racism)” by Nina Berman & Nicola Carpenter https://www.instagram.com/thenapministry/?hl=en (The Nap Ministry) on Instagram https://www.artequity.org/ (artEquity) & Carmen Morgan Fractured Atlas's https://blog.fracturedatlas.org/a-welcoming-environment-next-steps-in-our-anti-racism-and-anti-oppression-work-c47a5a0f7b0b (negative interactions document) ANSA EDIM (she/her) is the Vice President and Chair of the Staff Board at Change.org and sits on Change.org's C-team. With over a decade of experience in brand, marketing, and communications, Ansa is a proud member of Change.org's Black community resource group, Change.Noire. Before joining Change.org, Ansa spent several years working in tech, government consulting, non-profit, and education industries and most recently ran her own brand consulting firm, working specifically with elderly-, women-, and minority-owned businesses. Ansa lives in Washington, D.C. with her two boxers, Big Mac and Kiss, and spends her time enjoying the city, traveling, and lifting heavy things. COURTNEY HARGE (she/her) is a producer, director, and professional arts administrator originally from Saginaw, MI. She is the CEO ofhttps://www.ofbyforall.org/ ( Of/By/For All), and is the Founder and Artistic Director of Colloquy Collective, a theater company based out of Bedford-Stuyvesant, Brooklyn. She has worked for the Elaine Kaufman Cultural Center, Theater for the New City, The Public Theater, Gibney Dance, the New York Foundation for the Arts, and, most recently, Fractured Atlas where she led the design and implementation of anti-racist practices, like race-based caucusing and an equity-informed customer service strategy. She holds a Masters of Professional Studies, with Distinction, in Arts and Cultural Management from Pratt Institute and a Bachelors of Fine Arts with Honors from the University of Michigan in Theater Performance. Her credo (#HustlingKeepsYouSexy) is not merely a hashtag; it's a way of life. TIFFANY WILHELM (she/they) is a Program Officer at the https://www.theopportunityfund.org/ (Opportunity Fund) in Pittsburgh, a foundation that supports the arts and social & economic justice. Previously, she was Deputy Director of the Greater Pittsburgh Arts Council where she raised funds, oversaw programming, and co-led initiatives on accessibility for people with disabilities and racial equity. Tiffany has been involved with several collectives focused on educating and organizing for racial justice, both in Pittsburgh and in the national arts field. Prior to Pittsburgh, she was Executive Director of the Central Wisconsin Children's Museum and taught in an undergraduate arts management program. Tiffany is a facilitator for https://www.artequity.org/ (artEquity) and...

#305 – Keshia Palm & Julia Dickson of The Paprika Theatre Festival

Stageworthy

Play Episode Listen Later Sep 14, 2021 60:42

Keshia Palm (she/they) is a Toronto-based Filipinx-Canadian settler from Treaty 6 Territory who seeks to expose, challenge and dismantle systems of oppression by creating thoughtful and inclusive art/spaces. Her creative practice includes dramaturgy, direction, performance, writing and producing. Keshia has developed and performed new works with theatre companies across Canada and is the dramaturge for a number of works in development by IBPOC, queer, women and trans artists. Her digital community arts project Make Me An Alleycat (created with wheels from Claren Grosz) invites people to connect over stories and destinations while social distancing by going for a bike ride. Keshia is a playwright in the 20/21 Hot House Lab at Cahoots Theatre, and a former Factory Foreman. She has been the Online Content Producer for ArtistProducerResource.com at Generator since 2018. Julia Dickson (she/her) is an arts manager, educator, and producer currently based in Toronto. She currently works as the General Manager of the Paprika Festival, with Young People's Theatre as an Artist Educator, and with Single Thread Theatre Company as their Artistic Producer. Previously, Julia worked with Studio 180 Theatre, Theatre Passe Muraille, and the Festival Players of Prince Edward County. Julia has a post-graduate certificate in Arts Administration and Cultural Management from Humber College, and a Bachelor of Education with a focus on Artist in the Community Education from Queen's University. About Paprika Paprika Festival is a youth-led professional performing arts organization. Paprika runs year round professional training and mentorship programs that culminate in a performing arts festival of new work by young artists. Paprika generates opportunities for young artists to lead their own creative process with the support of their peers and professional mentors. paprikafestival.com Instagram: @paprikafestival Twitter: @paprikafestival Support Stageworthy Tip Jar: https://tips.pinecast.com/jar/stageworthy Merch: https://shop.stageworthyproductions.com/

Studio Stories: CANDY BOX Dance Festival special with Danielle Ricci - Season 4, Episode 54

STUDIO STORIES: REMINISCING ON TWIN CITIES DANCE HISTORY

Play Episode Listen Later Jun 17, 2021 24:15

Danielle Ricci is an educator, choreographer, director, and dancer. She received her BFA in Dance Performance from University of California, Irvine in 2006 under direction of Donald McKayle. In 2014 she graduated with an MA in Arts and Cultural Management from St. Mary's University of Minnesota and earned an MFA in Choreography from Jacksonville University in 2018. She has studied at The Ailey School in New York City as part of their Certificate in Dance Program studying with Milton Myers, Tracy Inman, Nancy Turano, and Sharon Wong. Danielle has danced professionally in California, Texas, and Minnesota performing with Loretta Livingston and Dancers, Austin Classical Ballet, and Austin City Ballet. Danielle is the Founding Artistic Director of Borealis Dance Theatre- a professional modern dance company based in Minneapolis. She is also the director of Dance Camera North- an annual international dance film festival. She is currently a dance specialist for Minneapolis Public Schools. Her choreography has been recognized as "Best of the Festival" at the Frontera Fringe Festival in Austin, TX in 2010 and 2012.

117. Glodeane Brown

The Todd Donald Show

Play Episode Listen Later Jun 16, 2021 57:32

I'm overwhelmed to think of all (“Culture Fancier” aka) Glodeane Brown's done/is doing, for art and to the artist's benefit, to the whole art community's benefit. 5 years ago in March, Culture Fancier was born. It's an amazing art blog for the Waterloo Region; spotlighting, showcasing and chatting with the artists (and others) behind every museum, gallery, novel, painting, installation, album, independent film and more, in the region & beyond.. Way to get your weekly output dwarfed, EVERY built-in art section in the region's press, COMBINED! In fact, Culture Fancier has led to professional column gigs, as well as opportunities to cover art outside of the region.. it's certainly gained Glodeane much deserved admiration among hundreds of artists whose work was turned on to people through the blog, and hundreds more who seek to have their work ‘culture-fancied'.. I just riffed that, it might catch on. In the time that the blog's started and built itself into what it is now and always has been (fantastic), Glodeane completed a post-grad at Humber College for Arts Administration & Cultural Management, taken on various roles in CAFKA's biennial (with all that's involved between events and behind the scenes); CAFKA (Contemporary Art Forum Kitchener and Area) being a huge art exhibit spread across WR's public space (I've seen it, it's intense and amazing). Now that I've scratched the surface.. Did I mention that I'm lucky enough to know Glodeane, because I was also lucky enough to regularly share the stage with lovely singer/songwriters Christen Latham and Matt Lees at the dive-iest dive, the early-mid 2000s Circus Room? Did I mention she's found a way to offer moral support and followed everything I've done creatively over the years since? Did I mention she once got debilitatingly anti-social (then) me on to the dance floor at a friend's wedding back in the day - cause she's that cool? Not to make it about the past, but as I wrap up TDS, I can't go without shouting about how awesome my brilliant and hard-working friend is and always has been.. with all the gratitude I feel while typing it. Now you can listen to me say it all on iTunes or whatever and even more inarticulate! TUNES: “(D)HMU” by Ley Vara https://music.apple.com/ca/album/d-hmu/1569236782?i=1569236783 “Living In Between” by Matthew Ryan Jacobs https://music.apple.com/ca/album/living-in-between-ep/1555899038 “Liqour” by Paige Warner https://music.apple.com/ca/album/liquor/1556957159?i=1556957161 “Nitpicker” by Kali Kazoo https://kalikazoo.bandcamp.com/album/bleed-darker-deeper-than-the-seas-of-hell “Heart Attack” by The Stars Here CREDITS: Produced, edited and hosted by Todd. V/O by Milo Axelrod. Theme music is excerpts of “Makie Elkino” (Live) by William Chernoff. Piano outro music by JP Sunga. Cover photo by Daniel Hodgeson. Presented in part by Afternoon Tea - Artist Collective + Record Label. Born of the Shun Club. Shunned since 2012. afternoontealabel.com --- Send in a voice message: https://anchor.fm/todddonaldshow/message

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Empowering Art — Expressing Your Inner Voice

A Quest for Well-Being

Play Episode Listen Later Jun 5, 2021 45:43

— “By making their inner world visible women get in touch with their inner authenticity and develop personal artistic voice.” Valeria Teles interviews Annette Luycx — the author of the “From Art to Empowerment: How Women Can Develop Artistic Voice.” Annette Luycx, MEd, MSc, is an artist, author and freelance art educator and coach from the Netherlands living and working in Greece. She has taught collage, mixed media, ceramics and art and personal development, in Athens for the past twenty years at schools (middle school and high school) and cultural centers (adults). She is the author of “From Art to Empowerment: How Women Can Develop Artistic Voice” an art workbook for women. The book is available on Amazon, Archway and Barnes & Noble as a print copy and as an e-book. Annette holds a Master's Degree in Sociology and Women's Studies of the University of Amsterdam, a post-doctorate degree in Cultural Management of Paris Dauphine University and a Master's Degree in Art Education from the Maryland Institute College of Art (MICA) in Baltimore. Annette has specialized in art coaching and artistic talent development. The purpose of her teaching practice is to support artists, art students and creatives in gaining increased self-awareness and understanding of their individual creative process, as well as to promote their personal and artistic growth: the development of their artistic voice. She has been studying and exploring the link between artistic expression and self-discovery in the visual arts, dance, and theater her whole life. In 2014 she created the IRIS ART CENTRE, a center for adult art education specialized in the development of personal artistic voice. Here, she organizes summer art workshops and artist coaching residencies, in the Greek countryside about twenty miles north from the center of Athens. Now due to Corona, she also coaches artists online. To learn more about Annette Luycx and her work, please visit: https://www.www.annetteluycx.com/ — This podcast is a quest for well-being, a quest for a meaningful life through the exploration of fundamental truths, enlightening ideas, insights on physical, mental, and spiritual health. The inspiration is Love. The aspiration is to awaken new ways of thinking that can lead us to a new way of being, being well.

Anna Ruddick on the JUMP Music Podcast SE2-EP21

JUMP Music Initiative Podcast

Play Episode Listen Later Jun 4, 2021 37:39

Anna Ruddick on the JUMP Music Podcast SE2-EP21 @AnnaRuddick https://youtu.be/QrgcTFkiwx8 Anna Ruddick is a graduate of McGill university's Jazz Performance program and postgraduate studies in Arts Administration and Cultural Management at Humber College. In her young career, Anna has risen to become one of the most in-demand and versatile bassists in Canada. She has performed on more than forty-five studio albums spanning across many genres. Some of her notable recording work includes Randy Bachman's power trio album ‘Heavy Blues' (2015), Bry Webb's critically acclaimed studio album ‘Free Will' (2014) and live album ‘Live at Massey Hall' (2015), Paul Reddick's 2017 Juno Award-winning album ‘Ride The One' (2016) and Lee Harvey Osmond's 2020 Juno Award-winning album “Mohawk” (2019). In addition to her session work, Anna has performed live and toured with a who's-who of Canadian and international artists, most notably City and Colour, Fefe Dobson, Erin Costelo, and Ian Blurton's quartet Future Now. After years as a performer, Anna is passionate about advocating for the financial and emotional wellbeing of Canadian Music Industry workers and has been working with The Unison Fund, Canada's Music Charity since 2020, as Administration and Allocations coordinator. JUMP Music Initiative @jumpmusicinitiative is a not-for-profit that hosts music industry workshops and live original music showcases for young artists. These events are generally held in a central location for easy access and open to all ages. JUMP Music Initiative - Empowering Young Musicians! Education, Mentorship & Opportunities to Play Live @jumpmusicinitiative

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Hamburg hOERt ein HOOU! stARTcamp meets HOOU

Hamburg hOERt ein HOOU!

Play Episode Listen Later Jun 4, 2021 55:15

Hamburg hOERt ein HOOU: stARTcamp meets HOOU Aufzeichnungsdatum:: 26. Mai 2021 mit: Katrin Schröder, Multimedia Kontor Hamburg, HOOU Christian Holst, Studiengangskoordinator an der Leuphana Universität Lüneburg, Mitbegründer und Vorstandsmitglied des stARTconference e.V. Katrin Schröder hat Sprachen, Wirtschaft- und Kulturraumstudien an der Universität Passau studiert. Sie war von 2006 bis 2017 als Leiterin der Öffentlichkeitsarbeit mit Schwerpunkt Digitale Kommunikation/Marketing an verschiedenen Theatern und Museen tätig. Dort baute sie Social-Media-Accounts auf und setzte vielfältige digitale Events um. So initiierte sie unter anderem den ersten Tweetup an einem deutschsprachigen Stadttheater, rief InstaContests und InstaWalks ins Leben und baute intensive Blogger-Relations auf. Seit 2017 betreut sie übergreifend am Multimedia Kontor Hamburg die digitalen Auftritte der diversen HOOU-Projekte an den Hamburger Hochschulen und gibt regelmäßig Vorträge sowie Seminare zur Online-Kommunikation in Bildungs- und Kultureinrichtungen. Zusammen mit Christian Holst ist sie seit fünf Jahren für das Hamburger stARTcamp verantwortlich. Katrin bei Twitter und Instagram @schroederkatrin Christian Holst ist Studiengangskoordinator des Masters Arts and Cultural Management an der Professional School der Leuphana Universität Lüneburg. Er unterrichtet zudem als Lehrbeauftragter an verschiedenen Hochschulen, darunter die HAW Hamburg und die Hochschule für Musik und Theater Hamburg. Holst ist Mitbegründer und Vorstandsmitglied des stARTconference e.V., der sich mit der digitalen Transformation des Kulturbetriebs beschäftigt. Frühere berufliche Stationen waren die Zürcher Hochschule der Künste, das Opernhaus Zürich sowie das Oldenburgische Staatstheater. Christian bei Twitter und Instagram: @culturelab Am 11. Juni 2021 findet im digitalen Raum über ZOOM das Hamburger stARTcamp meets HOOU 2021 statt: #scHH21. Auch in diesem Jahr wird die Veranstaltung als Kooperation des Multimedia Kontor Hamburg mit dem stARTconference e.V. organisiert, mit Unterstützung durch die Hamburg Open Online University, gefördert durch die Nordmetall Stiftung. Wir sprechen in dieser Episode über die Tradition der stARTcamps, die Möglichkeiten, als Teilgebende dabei zu sein, das aktuelle Schwerpunkt-Thema „Herausforderung angenommen? Wie Wissenschaft und Kultur soziale Verantwortung und Digitalisierung leben“, wir hören von den vergangenen stARTcamps und erfahren, was in Zukunft noch geplant ist. Shownotes: Nähere Informationen zum stARTcamp meets HOOU #scHH21: https://www.hoou.de/teams/startcamp-hamburg-meets-hoou Anmeldung: https://www.mmkh.de/digitale-lehre/startcamp-meets-hoou.html Un-Podcast zum stARTcamp meets HOOU 2019, erschienen bei Hamburg hOERt ein HOOU: https://soundcloud.com/hamburghoerteinhoou/unpodcast-und-auftakt-startcamp-meets-hoou Ausführliche Dokumentation des stARTcamp meets HOOU 2019 mit Texten und Videos: Sessionbeiträge mit Videointerviews #schh19 Feedback und Fragen zum Podcast per Mail oder über Socia Media: team_hoou@haw-hamburg.de Social Media Kanäle: Die HAW_HOOU bei Twitter: @HOOU_HAW Das Multimedia Kontor Hamburg bei Twitter: @mmkhde Die HOOU bei Twitter und Instagram: @HOOUHamburg Musik: Jakob Kopczynski, HAW-HOOU Foto Christian Holst: Nicolas Büchi Foto Katrin Schröder: Multimediakontor Hamburg

stARTcamp meets HOOU

Hamburg hOERt ein HOOU!

Play Episode Listen Later May 29, 2021 55:15

stARTcamp meets HOOU 26. Mai 2021 mit: Katrin Schröder, Multimedia Kontor Hamburg, HOOU Christian Holst, Studiengangskoordinator an der Leuphana Universität Lüneburg, Mitbegründer und Vorstandsmitglied des stARTconference e.V Moderation: Nicola Wessinghage Katrin Schröder hat Sprachen, Wirtschaft- und Kulturraumstudien an der Universität Passau studiert. Sie war von 2006 bis 2017 als Leiterin der Öffentlichkeitsarbeit mit Schwerpunkt Digitale Kommunikation/Marketing an verschiedenen Theatern und Museen tätig. Dort baute sie Social-Media-Accounts auf und setzte vielfältige digitale Events um. So initiierte sie unter anderem den ersten Tweetup an einem deutschsprachigen Stadttheater, rief InstaContests und InstaWalks ins Leben und baute intensive Blogger-Relations auf. Seit 2017 betreut sie übergreifend am Multimedia Kontor Hamburg die digitalen Auftritte der diversen HOOU-Projekte an den Hamburger Hochschulen und gibt regelmäßig Vorträge sowie Seminare zur Online-Kommunikation in Bildungs- und Kultureinrichtungen. Zusammen mit Christian Holst ist sie seit fünf Jahren für das Hamburger stARTcamp verantwortlich. Katrin bei Twitter und Instagram @schroederkatrin Christian Holst ist Studiengangskoordinator des Masters Arts and Cultural Management an der Professional School der Leuphana Universität Lüneburg. Er unterrichtet zudem als Lehrbeauftragter an verschiedenen Hochschulen, darunter die HAW Hamburg und die Hochschule für Musik und Theater Hamburg. Holst ist Mitbegründer und Vorstandsmitglied des stARTconference e.V., der sich mit der digitalen Transformation des Kulturbetriebs beschäftigt. Frühere berufliche Stationen waren die Zürcher Hochschule der Künste, das Opernhaus Zürich sowie das Oldenburgische Staatstheater. Christian bei Twitter und Instagram: @culturelab Am 11. Juni 2021 findet im digitalen Raum über ZOOM das Hamburger stARTcamp meets HOOU 2021 statt: #scHH21. Auch in diesem Jahr wird die Veranstaltung als Kooperation des Multimedia Kontor Hamburg mit dem stARTconference e.V. organisiert, mit Unterstützung durch die Hamburg Open Online University, gefördert durch die Nordmetall Stiftung. Wir sprechen in dieser Episode über die Tradition der stARTcamps, die Möglichkeiten, als Teilgebende dabei zu sein, das aktuelle Schwerpunkt-Thema „Herausforderung angenommen? Wie Wissenschaft und Kultur soziale Verantwortung und Digitalisierung leben“, wir hören von den vergangenen stARTcamps und erfahren, was in Zukunft noch geplant ist. Links: Nähere Informationen zum stARTcamp meets HOOU #scHH21: https://www.hoou.de/teams/startcamp-hamburg-meets-hoou Anmeldung: https://www.mmkh.de/digitale-lehre/startcamp-meets-hoou.html Un-Podcast zum stARTcamp meets HOOU 2019, erschienen bei Hamburg hOERt ein HOOU: https://soundcloud.com/hamburghoerteinhoou/unpodcast-und-auftakt-startcamp-meets-hoou Ausführliche Dokumentation des stARTcamp meets HOOU 2019 mit Texten und Videos: https://blogs.hoou.de/startcamp/sessionbeitraege-mit-videointerviews/ Feedback und Fragen zum Podcast per Mail oder über Socia Media: team_hoou@haw-hamburg.de Social Media Kanäle: Die HAW_HOOU bei Twitter: @HOOU_HAW Das Multimedia Kontor Hamburg bei Twitter: @mmkhde Die HOOU bei Twitter und Instagram: @HOOUHamburg Musik: Jakob Kopczynski, HAW-HOOU Foto Christian Holst: Nicolas Büchi Foto Katrin Schröder: Multimediakontor Hamburg

Ep 11: Caitlin Crews

DEEP in the Work

Play Episode Listen Later May 17, 2021 75:36

In this episode we’re talking to Caitlin Crews, who I met through Fatima Jones at a Black Art Futures Fund friendraiser, and we became fast friends, and neighbors in Bedstuy Brooklyn. Then over the course of the interview, we learned — it turns out— Caitlin is related to one of my closest poetry friends from my days in college at UNC Chapel Hill! What a small world, and truly, we’re all connected. Caitlin has volunteered her time with Black Art Futures Fund and encouraged her colleagues at Adobe to support the work as well. Of course, we love that! Caitlin Crews is originally from Uniontown, PA and has called Brooklyn, NY home for the past 11 years. Currently, Caitlin is the Design Templates, Lead at Adobe. Her focus is on the advancement of creatives through design on the Adobe Stock Team. At Adobe, Caitlin is the lead for Black Employee Network in NYC for Adobe (BEN), served on the Community Grant Panel Decision Committee for Adobe New York, Adobe for All site lead and is a member of the Taking Action Task Force for Advocacy and Responsibility. Previously, she worked as a Curatorial Assistant at the Brooklyn Museum. At Nautica she was a still life photographer and retoucher. She was also a design and photo coordinator at Lord & Taylor and Victoria’s Secret. Her curatorial and community projects include Art 4 World Trade Center (2017) Northside Festival Block Party (2013-2018), Brooklyn Public at World Trade Center Gallery (2015), and Curatorial Assistant for Art in Odd Places RECALLed (2015). Caitlin has written for Got a Girl Crush Magazine, as well as a current member of the ISCP Young Patrons Committee. She received her M.P.S in Arts and Cultural Management from Pratt Institute and her B.S. in Photography from Kent State University. This episode was recorded on February 5, 2021 Produced by Lauren Francis Music by audionautix.com

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Episode 3: Laura Scales Ashlock

Waiting for Places

Play Episode Listen Later Apr 23, 2021 55:50

Waiting for Places is a podcast highlighting stage managers in the flyover states. Episode 3 features Laura Scales Ashlock of Michigan. Laura has been Stage and Production Managing professionally for the past 17 years. She studied Stage Management at DePaul University's The Theatre School. She is currently a Faculty member with The Department of Theatre and Arts & Cultural Management at Michigan State University.

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Episode #27 - Rebecca Davison-Mora

IntoThis

Play Episode Listen Later Apr 12, 2021 68:32

In Episode #27 Rebecca Davison-Mora shares with Marx her non-traditional path to arts management. Rebecca is an Arts Manager and emerging researcher with a focus on cultural relations and de colonial institutional practice. Interested in hybridity and crossing of boundaries/borders, her work originates from her interrogation of the self and position as a mixed researcher and arts worker. She holds a BA from York University and is currently completing her MA in Arts and Cultural Management at King’s College London. Previous positions include Gallery Manager at Patel Brown, and Director of Samuel J Zacks Gallery at York University, both in Toronto. She is currently based in London UK and is working on research using the British Museum’s archives and holdings of Mexican objects to reveal insights into constructions of Mexican national identity in the European context.Thanks for listening!

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S2E3 - Macewan University Arts & Cultural Management & Rosza Foundation Students

Artful Conversations

Play Episode Listen Later Mar 8, 2021 42:12

Episode Notes Join Katrina as she chats with four emerging arts managers who have participated in arts management education programs at the Rozsa Foundation or MacEwan University.

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Life without limits with Leah Ison | Flutter by Cerebral Palsy Alberta

The Passion Pod

Play Episode Listen Later Feb 21, 2021 16:33

Welcome to The Passion Pod, a podcast by The Collective, powered by Disciple. In this show, we interview Disciple customers and community enthusiasts from all industries as we discuss building and scaling communities. Tune in to learn all about the passion economy, how you can create your own private community, and much more. I'm Valentina your host for this episode and today I'm talking to Leah Ison, Communications and Community Engagement Specialist at Flutter by Cerebral Palsy Alberta Let's get to it. About Leah Leah holds a certificate in Arts and Cultural Management from Grant MacEwan University where she discovered a passion for Public Relations and promoting events. This passion eventually turned into Communications and Community Engagement which is her current role with Cerebral Palsy Alberta, a non-profit that offers support services and recreational and leisure programs for individuals with cerebral palsy and other disabilities in the province of Alberta. She has worked in nonprofit for over 10 years and has held a steady career in Social Media Management, including her own freelance business, for just as long. Leah is a wife, mom, to one and stepmom to 4 which keep her busy and entertained. When not working she is an avid bookworm, knitter and true crime podcast listener. Follow Flutter on Instagram: @flutterappcommunity Cerebral Palsy Alberta on Instagram: @cpalberta Download the app for IOS and Android Check out www.cpalberta.com

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How to Speak the Language of Business with Mary McBride

The Artist Business Plan

Play Episode Listen Later Feb 4, 2021 33:02

In this episode of The Artist Business Plan we sit down with Mary McBride, a professor and expert in business strategy for artists. She gives an informative masterclass on how you perspective artrepreneurs can use the language of business to find success and financial independence. She gives the run down on traits that make a successful art entrepreneur and the mindset of success. Define your work, set your intentions, and define your value. "Be a valorous internal explorer so that you're always looking at the territory of you, and the other person does not get to be your primary mirror."- Mary McBride Guest: Professor Mary McBride is Chair of the Arts and Cultural Management and Design Management graduate programs in Pratt's School of Art. She is also Executive Editor of Catalyst and author of behavioral simulations, case studies and articles. She received her MA and PhD from NYU. Dr. McBride is a well-known executive coach, Mary coaches and consults on innovation and leadership with major organizations worldwide. For more about Mary, her upcoming work and the Creative Enterprise programs just email her at mmcb1033@pratt.edu https://www.catalystreview.net/ (https://www.catalystreview.net/) For more information on applying to Superfine Art Fair as well as recordings of this and all of our past podcasts, just visit http://www.superfine.world/ (www.superfine.world ) IG: https://www.instagram.com/pratt_dm_acm/ (@pratt_dm_acm) IG: https://www.instagram.com/superfineartfair/?hl=en (@superfineartfair) Hosted and Executive Produced by James Miille and Alexander Mitow Executive Producer/Producer : Kelsey Susino Written by: Kelsey Susino, Alexander Mitow, and James Miille Audio Edited by: Federico Soler Fernandez

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Ep. 259 El Cross-cultural Management en las organizaciones

Podcast and Business

Play Episode Listen Later Jan 12, 2021 38:26

Qué tan importante es el Cross-cultural management en las organizaciones? En este episodio contamos como invitada desde Milán, Italia a Valeria Rodriguez Brondo, para abordar este interesante tema y que tiene experiencia en este campo de los negocios y organizaciones internacionales, ha vivido y trabajado en varios países por más de diez años coordinando equipos multiculturales.

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Ep. 259 El Cross-cultural Management en las organizaciones

Podcast and Business

Play Episode Listen Later Jan 12, 2021 38:26

Qué tan importante es el Cross-cultural management en las organizaciones? En este episodio contamos como invitada desde Milán, Italia a Valeria Rodriguez Brondo, para abordar este interesante tema y que tiene experiencia en este campo de los negocios y organizaciones internacionales, ha vivido y trabajado en varios países por más de diez años coordinando equipos multiculturales.

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Making Remote Work Work at TIFF

WorkInCulture Success Stories

Play Episode Listen Later Nov 30, 2020 20:51

Toronto International Film Festival (TIFF) appeals to many looking for work in the arts and culture sector. Aside from getting invites to social events and celebrations and post-festival wrap up parties, TIFF is committed to “ fostering an inclusive and accessible environment where employees feel valued and respected, and where every employee has the opportunity to realize their potential.” It’s no wonder they were selected as Greater Toronto Area’s Top Employers 2020. In this episode of Success Stories, we spoke with TIFF’s Talent Acquisition Specialist, Melina Sevilla to find out how their hiring process has changed during the pandemic and how candidates can prepare for an interview at TIFF. Melina Sevilla is a cultural worker and visual artist, with a background in arts education and community outreach. She is currently part of the Toronto International Film Festival's People and Culture department, specializing in Talent Acquisition, after 5 years of experience working in volunteer management. In her current role, Melina is focusing on building and delivering an inclusive and accessible recruitment experience for job seekers of all backgrounds and abilities. Melina holds a BA in Art and Art History from the University of Toronto, and a post-graduate certificate in Arts Administration and Cultural Management from Humber College. If you are looking for additional resources to help you along your journey in the cultural sector - visit https://my.captivate.fm/www.WorkInCulture.ca (WorkInCulture.ca )to access the #1 job board for artists, creatives and cultural workers in Ontario and more!

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ARA Podcast - Transversing the Rural - a conversation with Dr Same Mdluli

Play Episode Listen Later Nov 14, 2020 41:35

In this dialogue I speak to Dr Same Mdluli, who was the recipient of a 2020 ARA grant for her book project: Transversing the Rural: Revisiting the works of South African artist Johannes Mashego Segogela. Dr Mdluli is the Manager and Chief Curator of the Standard Bank Gallery in Johannesburg and an Associate Researcher in the Wits School of Arts. She is an artist, art historian and writer, and holds a PhD in History of Art, and an MA in Arts and Cultural Management, both from Wits University, and a B-Tech degree in Fine Arts (cum laude) from the University of Johannesburg. She has worked as an administrator at the Goodman Gallery in Johannesburg and other art projects, and has also participated in a number of international residencies including at the Getty Research Institute in Los Angeles and the INHA in Paris. Her research interests are in contemporary African art, black expressive modes and aesthetics as well as the conversations between jazz and visual art. Dr Mdluli also serves as an advisory council member for the South African Arts Council. When Dr Mdluli was appointed to manage the Standard Bank Gallery in 2018, the Bank’s Head of Brand, Sponsorships and Events announced that “Dr Mdluli brings a visionary energy to the role.” She went on to say that “We are convinced that Dr Mdluli will help us take the gallery to a new level of leadership as a stakeholder institution of the art industry in the country and beyond. Her leadership as a respected creative and academic, along with her easy accessibility will surely help to open the doors to more people to fall in love and support art in our country.” All those qualities were very much in evidence during our conversation which ranged from her work as curator, in particular her first major exhibition for the gallery - "A Black Aesthetic" of 2019 - to her engagement with the rural-urban divide in South African art, to her analysis of the obstacles to real transformation in the South African art industry.

ARA Podcast - Transversing the Rural - a conversation with Dr Same Mdluli

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Play Episode Listen Later Nov 14, 2020 41:35

In this dialogue I speak to Dr Same Mdluli, who was the recipient of a 2020 ARA grant for her book project: Transversing the Rural: Revisiting the works of South African artist Johannes Mashego Segogela. Dr Mdluli is the Manager and Chief Curator of the Standard Bank Gallery in Johannesburg and an Associate Researcher in the Wits School of Arts. She is an artist, art historian and writer, and holds a PhD in History of Art, and an MA in Arts and Cultural Management, both from Wits University, and a B-Tech degree in Fine Arts (cum laude) from the University of Johannesburg. She has worked as an administrator at the Goodman Gallery in Johannesburg and other art projects, and has also participated in a number of international residencies including at the Getty Research Institute in Los Angeles and the INHA in Paris. Her research interests are in contemporary African art, black expressive modes and aesthetics as well as the conversations between jazz and visual art. Dr Mdluli also serves as an advisory council member for the South African Arts Council. When Dr Mdluli was appointed to manage the Standard Bank Gallery in 2018, the Bank's Head of Brand, Sponsorships and Events announced that “Dr Mdluli brings a visionary energy to the role.” She went on to say that “We are convinced that Dr Mdluli will help us take the gallery to a new level of leadership as a stakeholder institution of the art industry in the country and beyond. Her leadership as a respected creative and academic, along with her easy accessibility will surely help to open the doors to more people to fall in love and support art in our country.” All those qualities were very much in evidence during our conversation which ranged from her work as curator, in particular her first major exhibition for the gallery - "A Black Aesthetic" of 2019 - to her engagement with the rural-urban divide in South African art, to her analysis of the obstacles to real transformation in the South African art industry.

#33: Natasha Rivett-Carnac: Words & Pictures

Teaching Artist Podcast

Play Episode Listen Later Nov 8, 2020 63:34

Natasha Rivett-Carnac is a curator and writer with a focus on arts & culture, and education. She runs a blog that supports writers and other creatives to find practical and artistic resources about motherhood. She is a home educator. Until COVID, her family split their school year between Costa Rica and the UK. Her family also participated in The Greenhouse, an outdoor education project The Daily Mail called “Britain’s most hipster school”. I loved how Natasha talked about how words and pictures split for her and for most people, but how she’s bringing them back together. She thinks of drawing as language and uses words as drawing, combining them in her visual artwork and bouncing between visual art-making and writing as creative pursuits. Her focus on personalized education as a primary reason for homeschooling really resonated. We talked about the overlap in theory of TAB (Teaching for Artistic Behavior) and this method of letting children initiate their own questions as a way of learning. She articulated so well the idea of curating the learning experience - creating the environment for learning to happen and occasionally adding new and exciting materials or ideas into it. I’m excited to see how the workshops she’s thinking about and nurturing come into being. She is published in The International Journal of the Arts in Society, Edinburgh University’s Dangerous Woman Project, Resurgence magazine, and elsewhere. Her project Doing Nothing, a collaboration with London-based photographer Grace Gelder, documents Natasha’s experience of early motherhood in Bonn, Germany. It was presented at Carlyle University’s Visualising the Home conference, and is archived at Goldsmith University’s Women’s Library. Natasha supported Chief Curator Jane Trowell at Platform London on the exhibition C Words: Climate, Capital, Culture at Arnolfini in Bristol (UK), one of the leading contemporary art centres in Europe. The exhibition also included a programme of over 80 events and workshops. She has an MA in Arts & Cultural Management from Dartington College of Arts in the UK, and a BA in Interdisciplinary Art: Violin Performance, Visual Art, and Creative Writing from the University of Minnesota. Natasha is originally from Minneapolis and currently lives in Somerset in the UK with her husband and two children. Blog post with images and links www.natasharivettcarnac.com @natasharivettcarnac on Instagram . . . Featured Artist: @lauraanncolussi . . . Submit to our Open Call! Register for Call to Art 2: Un-Conference for Art Educators! Follow: @teachingartistpodcast @pottsart Support this podcast. Subscribe, leave a review, or see more ways to support here. We also offer opportunities for artists! --- Send in a voice message: https://anchor.fm/teachingartistpodcast/message Support this podcast: https://anchor.fm/teachingartistpodcast/support

The Work Towards Anti-Racism (EP.41)

Work. Shouldnt. Suck.

Play Episode Listen Later Oct 21, 2020 38:25

In the journey towards becoming an anti-racist organization, the team at Fractured Atlas talk a lot about doing the work. But what exactly do they mean by "the work?" Is reading part of the work? Are workshops in diversity, equity, and inclusion part of the work? In this episode we sit down with three members of the team who are deeply engaged in the work personally and professional to discuss this question. We're joined by Nina Berman, Courtney Harge, and everyone's favorite podcasting co-host, Lauren Ruffin. Read more about Fractured Atlas's journey towards anti-racism at www.workshouldntsuck.co/antiracism. NINA BERMAN lives in New York City and holds an MA in English from Loyola University Chicago. Before joining Fractured Atlas, she covered the publishing industry for an audience of publishers at NetGalley Insights. When she's not interviewing artists or sharing tips for navigating the art world on the Fractured Atlas blog, Nina makes ceramics at Center Point Ceramics Studio, hosts Planet Clambake on Newtown Radio, and is a member of the New Sanctuary Coalition pro-se legal clinic. Find her on Instagram @nnbrmn. COURTNEY HARGE is an arts administrator, director, and writer originally from Saginaw, MI who has been working in the service of artists for the last fifteen years. She is the founder and Producing Artistic Director of Colloquy Collective, an emerging theater company in Brooklyn, NY. Courtney is also a proud member of Women of Color in the Arts, and a 2016 alum of both APAP’s Emerging Leaders Institute and artEquity’s Facilitator Training. She holds a Masters of Professional Studies, with Distinction, in Arts and Cultural Management from Pratt Institute. You can find more information about her at www.courtneyharge.com (http://www.courtneyharge.com/) and find her on Instagram and Twitter at @Arts_Courtney. Her credo (#HustlingKeepsYouSexy) is not merely a hashtag; it’s a way of life. LAUREN RUFFIN is a thinker, designer, & leader interested in building strong, sustainable, anti-racist systems & organizations. She frequently explores how we can leverage new technologies to combat racial and economic injustice. Lauren is the co-founder of Crux (https://www.crux.black/), an international network & for-profit cooperative of Black artists creating stories in XR that hosts an online community & will launch VR distribution platform in 2020. Since 2016, she has served as Co-CEO & Chief External Relations Officer for Fractured Atlas, the nation's largest association of artists & creators. She is also the founder of Artist Campaign School, an educational program that has trained more than 70 artists to run for political office. Lauren graduated from Mount Holyoke College with a degree in Political Science & obtained a J.D. from Howard University. She has served on the governing board of Black Girls Code & is on the advisory boards of ArtUp & Black Girl Ventures.

MLOps Meetup #17 // The Challenges of ML Operations & How Hermione Helps Along the Way // Neylson Crepalde

MLOps.community

Play Episode Listen Later Jun 11, 2020 61:29

MLOps.community meetup #17 a deep dive into the open source ML framework Hermoine built on top of MLflow with Neylson Crepalde Key takeaways for attendees: MLOps problems are dealt with tools but also with processes Open-source framework Hermione can help in a lot of parts of the operations process Abstract: In Neylson's experience with Machine Learning projects, he has encountered a series of challenges regarding agile processes to build and deploy ML models in a professional cooperative environment that fosters teamwork. While on this journey, Neylson and his team developed some of our their own solutions for these challenges. Out of this was the open-source project Hermoine born . Hermoine is a collection of solutions for these specific MLOps problems that were packaged into a library, an ML project structure framework called Hermione. In this meetup we talk about these challenges, what they did to overcome them and how Hermione helped address these different issues along the way. We will also do a demo on how to build an ML project with Hermione. Check out Hermoine here: https://github.com/a3data/hermione Neylson Crepalde is a partner and MLOps Tech Lead at A3Data. He holds a PhD in Economic Sociology, a masters in Sociology of Culture, an MBA in Cultural Management and a bachelor degree in Music/Conducting. He is professor of Machine Learning and Head of Data Science Department at Izabela Hendrix Methodist Technological University. His main research interests are Machine Learning processes, Politics and Deliberation, Economic Sociology and Sociology of Education. In his PhD he has worked with Multilevel Social Network Analysis and Exponential Random Graph Models to understand the social construction of quality in an orchestras’ market. Join our slack community: https://join.slack.com/t/mlops-community/shared_invite/zt-391hcpnl-aSwNf_X5RyYSh40MiRe9Lw Follow us on twitter:@mlopscommunity Sign up for the next meetup: https://zoom.us/webinar/register/WN_a_nuYR1xT86TGIB2wp9B1g Connect with Demetrios on LinkedIn: https://www.linkedin.com/in/dpbrinkm/ Connect with Neyslon on LinkedIn: https://www.linkedin.com/in/neylsoncrepalde/

Advocating For Athletes Series - Episode 24

Loving This Life

Play Episode Listen Later May 27, 2020 75:28

In episode 1 of the Advocating for Athletes series, Abbie Hillis is hosted by Meghan Romere, who was also a co-founder of the 12th Woman. In this episode, Abbie Hillis specifically shares her experience at Capital Gymnastics in Austin, TX as both an athlete and as a coach. She describes her experiences as the subject of emotional abuse by different coaches throughout her gymnastics career, and describes stories of abuse she witnessed as an adult and coach. The series then dives into a coach’s perspective on the culture with gymnastics and high-level sports and how, as a coach, it is hard to be an advocate when so many still treat athletes the wrong way. Abbie then transitions to share her story of her assault and how reporting it to Texas A&M University and College Station Police Department did nothing. She shares the issues that still exist within the administration at Texas A&M and how even though there has been change, there can still be more. Ultimately, Abbie is an example of an everyday athlete and college student and wants to share her story to show other's that you don't need to be famous for your story to be heard. Sharing and demanding change in numbers creates change and that is Abbie's hope. Learn more about Abbie: Abbie is an experienced event planner and marketing professional committed to helping others live the life they are capable of living by creating work and business that is driven by passion and investing in others. She is the owner of an event and marketing firm, Gro Group, and its sister company, ACH Events, a wedding planning business. Abbie firmly believes that an event is a place for people to come together in a community, and whether it is business or personal, Abbie manages the vendor team through compassion and leadership, in order to facilitate remarkable events. Abbie has over 10 years of event planning experience and holds a BS in Sport Management from Texas A&M University with a focus on International and Cultural Management and a minor in Communication. Abbie is the creator of the Loving This Life Podcast, and co-founder of the 12th Woman, an advocacy group for sexual assault survivors at universities in the United States. Abbie lives in Austin, Texas with her husband, Kieran and son, KJ. To learn more about TAP visit www.texasadvocacyproject.org. To learn share your story visit: www.lovingthislife.org/shareyourstory To donate to TAP visit: https://www.texasadvocacyproject.org/LovingThisLife

Cultural Producer, Nevena Jankovic, BLOCKFREI (Vienna, Austria)

The Wise Fool

Play Episode Listen Later Jan 9, 2020

During our evening conversation we discuss: the association she founded, BlockFrei, her connection with Serbia, the connection of Politics and art, The need for beauty in art, Fostering a new (younger) generation of art collectors, The importance of context for the appreciation of art, You can can catch more flies with honey, International curatorial residencies, Corporate Art Collections, Funding for NGO's, The need to find partners and make relationships, Intensive study visits for curator and critics, Creative funding, Running an NGO, The difficulty of small organisations in finding appropriate funding, All of the 'strings attached' to funding, The need for a standardised vocabulary for grants, The need to adjust your project to the funders objectives, The rise of independent curators, The desire for a sustainable income in the arts, and Art market vs art scene vs art industry. http://blockfrei.org Mentions: Creative Europe programme Kontakt Collection - The Art Collection of Erste Group and ERSTE Foundation Marina Abramović Deutsche Bank Art Collection Europe for Citizens i-Portunus Walk Through Walls: A Memoir by Marina Abramovic About Based in Vienna since January 2013, where in May 2013 she co - founded BLOCKFREI organization. Upon completion of her undergraduate studies at the Faculty of Philology at the University of Belgrade (Department of Albanology), she gained an MA degree on the Cultural Policy and Cultural Management at the University of Arts in Belgrade. In 2009 she started working in an independent cultural centre - The Cultural Center GRAD (2009 - 2012). Currently, she is working on the projects in three different cities, Vienna, Belgrade (Serbia) and Korčula (Croatia), where with her activities she seeks to contribute and enrich their cultural content. While working in The Cultural Center GRAD she was in charge for project management and coordination of more than 30 projects, exhibitions, debate programs, educative seminars and conferences, such as Beyond the Wall (2009), A Soul for Europe – Forum Belgrade (2012), AiR Serbia – Artist in Residence platform (2012), Summer school in Entrepreneurship in the Arts and Culture (2009, 2010, 2011). She initiated and co-produced a regional literary project Gradska knjižnica, which was on the regular program for 6 years. She actively participated in the creation of Association of Independent Cultural Scene in Serbia and coordinated its festival project called Self Powered (2012). She is one of the co-founders and organisers of Korčula summer festival ŠUŠUR! Festival od riči (ŠUŠUR! Festival of Words), which is annually being realised since the year 2012. The festival gathers literary authors from ex-Yugoslav region and has the aim to overcome the cultural gap that exists among the post-conflict countries. With the establishment of BLOCKFREI, a project run association, she had created, co-created, produced and co-produced projects in the field of contemporary art, (public discussions, exhibitions, residency program, etc.) as well as projects which focus on the topics of migration and social inclusion of the refugees (workshops, conferences, exhibitions, etc.). Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

Cultural Producer, Nevena Jankovic, BLOCKFREI (Vienna, Austria)

The Wise Fool

Play Episode Listen Later Jan 9, 2020 90:47

During our evening conversation we discuss: the association she founded, BlockFrei, her connection with Serbia, the connection of Politics and art, The need for beauty in art, Fostering a new (younger) generation of art collectors, The importance of context for the appreciation of art, You can can catch more flies with honey, International curatorial residencies, Corporate Art Collections, Funding for NGO's, The need to find partners and make relationships, Intensive study visits for curator and critics, Creative funding, Running an NGO, The difficulty of small organisations in finding appropriate funding, All of the 'strings attached' to funding, The need for a standardised vocabulary for grants, The need to adjust your project to the funders objectives, The rise of independent curators, The desire for a sustainable income in the arts, and Art market vs art scene vs art industry. http://blockfrei.org Mentions: Creative Europe programme Kontakt Collection - The Art Collection of Erste Group and ERSTE Foundation Marina Abramović Deutsche Bank Art Collection Europe for Citizens i-Portunus Walk Through Walls: A Memoir by Marina Abramovic About Based in Vienna since January 2013, where in May 2013 she co - founded BLOCKFREI organization. Upon completion of her undergraduate studies at the Faculty of Philology at the University of Belgrade (Department of Albanology), she gained an MA degree on the Cultural Policy and Cultural Management at the University of Arts in Belgrade. In 2009 she started working in an independent cultural centre - The Cultural Center GRAD (2009 - 2012). Currently, she is working on the projects in three different cities, Vienna, Belgrade (Serbia) and Korčula (Croatia), where with her activities she seeks to contribute and enrich their cultural content. While working in The Cultural Center GRAD she was in charge for project management and coordination of more than 30 projects, exhibitions, debate programs, educative seminars and conferences, such as Beyond the Wall (2009), A Soul for Europe – Forum Belgrade (2012), AiR Serbia – Artist in Residence platform (2012), Summer school in Entrepreneurship in the Arts and Culture (2009, 2010, 2011). She initiated and co-produced a regional literary project Gradska knjižnica, which was on the regular program for 6 years. She actively participated in the creation of Association of Independent Cultural Scene in Serbia and coordinated its festival project called Self Powered (2012). She is one of the co-founders and organisers of Korčula summer festival ŠUŠUR! Festival od riči (ŠUŠUR! Festival of Words), which is annually being realised since the year 2012. The festival gathers literary authors from ex-Yugoslav region and has the aim to overcome the cultural gap that exists among the post-conflict countries. With the establishment of BLOCKFREI, a project run association, she had created, co-created, produced and co-produced projects in the field of contemporary art, (public discussions, exhibitions, residency program, etc.) as well as projects which focus on the topics of migration and social inclusion of the refugees (workshops, conferences, exhibitions, etc.). Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

Osa 32 - Kokoaan isompi kulttuuripolitiikka, vieraana erikoistutkija, YTT Minna Ruusuvirta

#puhettataiteesta-podcast

Play Episode Listen Later Jan 2, 2020 29:25

Politiikassa on pitkään puhuttu tarpeesta tutkittuun tietoon perustuvalle päätöksenteolle. Näin myös kulttuuripolitiikassa. Tutkittua tietoa on jo olemassa paljon ja monet tutkijat ja tahot tuottavat sitä lisää. Cuporen erikoistutkijan, Yhteiskuntatieteiden tohtori, Kulttuuripolitiikan tutkimuksen vuosikirjan päätoimittaja Minna Ruusuvirran mielestä tutkimuseettinen kysymys on, miten tuo tieto tutkimuksista saadaan leviämään päättäjille ja alan toimijoille. Aina kyse ei ole vain puuttuvasta tiedosta, vaan myös asenteista ja päättäjäorganisaation sisällä syntyneistä kulttuurin siiloon kohdistuvista lasikatoista. Minnan mukaan sekä valtion että kuntien tasolla kulttuuripolitiikan näkökulman on vaikea päästä läpi kulttuurin toimintakentän ulkopuolelle. Tämä on kuitenkin tällä hetkellä hänen mukaansa monissa kaupungeissa tärkeä kysymys, koska kulttuurin rooli laajemmin kaupunkikehityksessä ja paikalliskehityksessä kasvaa koko ajan. Minna on tehnyt pitkään kulttuuripoliittista tutkimusta Kulttuuripolitiikan tutkimuskeskus Cuporessa. Tutkijana häntä kiinnostavat taiteen ja kulttuurin rakenteet ja rahoitus, kolmas sektori, kuntien kulttuuritoiminta sekä taide- ja kulttuurilaitokset. Does sector matter? Plural characteristics and logics in third sector festival organisations -väitöskirjassaan Minna tutki kolmannen sektorin festivaaliorganisaatioiden markkinoistumista ja ammattimaistumista. Puhumme Minnan kanssa siiloista, tutkijan arjesta, Cuporesta, kulttuuripolitiikasta ja sen asemasta, kulttuuripolitiikan tutkimuksen tärkeydestä, festivaaleista sekä yhteistyön ja verkostojen tarpeesta. Foto ©MinnaSirnö Lisätietoja Minnasta https://www.cupore.fi/fi/tutkija/minna-ruusuvirta The ENCATC Research Award on Cultural Policy and Cultural Management -palkinnosta https://www.encatcresearchaward.org Minnan väitöskirjasta https://www.jyu.fi/fi/ajankohtaista/arkisto/2019/01/23-3-2019-ytm-minna-ruusuvirta-humanistis-yhteiskuntatieteellinen-tiedekunta-yhteiskuntapolitiikka-kulttuuripolitiikka Cuporesta https://www.cupore.fi/fi/ Kulttuuripolitiikan tutkimuksen vuosikirjasta https://journal.fi/kultpol

plural aina vieraana cultural policy cultural management minnan politiikassa

Workplace Journey in Anti-Racism & Anti-Oppression (EP.04)

Work. Shouldnt. Suck.

Play Episode Listen Later Dec 28, 2019 55:58

Fractured Atlas is a non-profit organization dedicated to assisting artists, creatives, and makers with the things they need to succeed and thrive. About five years ago, the organization committed itself to a journey of becoming an anti-racist, anti-oppressive organization. In this episode, we chat with Courtney Harge and Nicola Carpenter, two people who have been deeply involved in that work. We’ll explore some frequently asked questions they receive about the work and journey. We'll also discuss how unlimited vacation days, shared leadership, and fully virtual organizations can further this work, while at the same time creating new and different challenges. Lauren and Tim then reflect on how the ARAO work intersects with their three years together working as part of the organization's four-person, shared, non-hierarchical leadership team and the personal journey of their coworkers. Then, in a seemingly random yet related tangent, Lauren discusses why Celine Dion is the only brand to back. 01:07 Courtney Harge & Nicola Carpenter 47:34 Lauren Ruffin COURTNEY HARGE is an arts administrator, director, and writer originally from Saginaw, MI who has been working in the service of artists for the last fifteen years. She is the founder and Producing Artistic Director of Colloquy Collective, an emerging theater company in Brooklyn, NY. Courtney is also a proud member of Women of Color in the Arts, and a 2016 alum of both APAP’s Emerging Leaders Institute and artEquity’s Facilitator Training. She holds a Masters of Professional Studies, with Distinction, in Arts and Cultural Management from Pratt Institute. You can find more information about her at www.courtneyharge.com (http://www.courtneyharge.com/) and find her on Instagram and Twitter at @Arts_Courtney. Her credo (#HustlingKeepsYouSexy) is not merely a hashtag; it’s a way of life. NICOLA CARPENTER works on the People team at Fractured Atlas, where she finds ways for tools and processes to better align with the organization’s purpose. She believes in tools so much that she sets personal OKRs every quarter. Prior to joining Fractured Atlas, Nicola worked for a variety of arts organizations including MoMA PS1, Walker Art Center, and Heidelberger Kunstverein, and she still has a particular love for museums. Originally from Minneapolis, she received a BFA in Art from the University of Minnesota and continues to stay creative through knitting and sewing clothes. She is currently in too many book clubs, but still somehow finds time to read books about organizational culture for fun. You can find her on Instagram and Twitter at @colacarp. Interested in exploring the topic further? Check out Nicola’s collection of Resources for White People to Learn and Talk about Race and Racism (https://blog.fracturedatlas.org/resources-for-white-people-to-learn-and-talk-about-race-and-racism-5b207fff4fc7) .

Episode 5 with Tom Higham

Behind the Design

Play Episode Listen Later Sep 22, 2019 40:54

It’s one thing to understand the potential of art to impact our everyday lives, its quite another to provide the drive to make it happen. As an Arts Professional, Tom Higham facilitates festivals, art projects and events. His role is to link us, the audience, with the art. It’s an arts organisation’s job, he says, to find something that we can connect to.By his own admission, he coasted through education until the combination of dead-end job and volunteering at film festivals provided the lightbulb moment. After a Masters in Cultural Management, his career rapidly evolved as he worked with artists, developers, designers, arts organisations and policy makers all over the world to curate and produce ambitious artworks and creative projects. Most recently, and closer to home for us, he’s taking on the role of Creative Director at York Mediale. He says: ‘’I am interested in the enabling power of digital technology, and inspired by well-considered, simple and effective ideas and artworks.’’ Ideal, then, for the Mediale with its strapline ‘’Art, Meet the Future.’’It’s through York’s 2018 Mediale that Tom’s and Stage One’s paths first crossed. Sitting between us and the artists whose work we help to create, we were interested to find out more about his role, perspective and thoughts on working in the creative industries. We’re joined in this episode by Mediale Chair, Tim Leigh, who also happens to be Stage One’s Sales and Marketing Director. LinksTom Higham York Mediale 2018York, UNESCO City of Media Arts York Guild of Media Arts Elliot Woods – Kimchi and Chips Memo Akten Jeremy Dellar

Making Meaning With Mary McBride

Positive Turbulence Podcast

Play Episode Listen Later Sep 5, 2019 61:33

Meet the designer and leader of the Design Management and Arts and Cultural Management programs at the Pratt Institute, Mary McBride. She describes herself as Person, Poet, Professor.

professor arts poet mcbride pratt institute making meaning design management cultural management

Michael Uebersax - Swissport International - BGM Umsetzung im internationalen Grosskonzern

BGM Podcast Schweiz

Play Episode Listen Later Jul 15, 2019 25:59

Michael Uebersax ist bei Swissport International Ltd. als Head of Engagement & Development DACH für die Bereiche Talent Management, Performance Management, Health Management und Cultural Management zuständig. Im Rahmen einer Reorganisation bei Swissport wurde diese Funktion im HR neu geschaffen. Michael Uebersax war zuvor bei der Swiss International Air Lines Ltd. als Senior Manager im Bereich Health Management tätig. Swissport beschäftigt weltweit 65.000 Mitarbeiter.

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Paolo Baratta: "L'uniformità è la morte della cultura".

#fattiperconoscere

Play Episode Listen Later Jun 24, 2019 4:51

"La cultura ha il diritto di sfidare il mondo".A margine della quindicesima edizione di AIMAC - International Conference on Arts and Cultural Management - abbiamo incontrato Paolo Baratta, presidente della Biennale di Venezia.Gli abbiamo chiesto qual è la missione di chi lavora in ambito culturale, qual è la sua etica e come si deve rapportare col mercato.Le sue risposte non sono banali, e ci ricordano una cosa importante: al centro ci devono essere sempre l'arte e la voglia di creare cultura per davvero.

management arts arte cultura paolo gli venezia mercato biennale la morte innovazione istituzioni baratta cultural management

EP20 - Pieta Farrell (Producer)

Run the Show Podcast

Play Episode Listen Later Aug 20, 2018 51:18

Pieta has been performer all her life and recently moved into producing live performance events. With a history in dance and physical theatre Pieta has a passion for all forms of live performance from Comedy to Circus, Burlesque to Ballet, Music, Mime and everything in between. A former Go Go Dancer and Burlesque Performer, Pieta has oftened dabbled in creative producing live shows and events in Sydney and Melbourne, before moving into independent producing a few years ago. Armed with a Masters in Arts and Cultural Management, a Bachelor in Performance Studies and Gender Studies, and experience working for locally run community arts organisations to Melbourne Theatre Company and Arts Centre Melbourne, Pieta enjoys supporting and advocating for artists pushing the boundaries on mainstream representations of gender, sexuality, politics and empowerment. Pieta currently works for the Melbourne International Comedy Festival as the Artists and Program Administrator, and has recently worked with Don't Be Lonely production and Briefs Factory. Pieta is continuing to produce independent artists at various fringe festivals around the world including Edinburgh Festival Fringe, working with the likes of Trygve Wakenshaw, Betty Grumble, Yummy, Garry Starr, Wild Dandelions, The Listies, and Miss Venezuela (Andrea Spisto). In this epsiode: We chat about what an artists manager does within a major festival context. The importance of having a good image. What it’s like producing shows in Edinburgh Festival and the importance of relationships buildign with perforemrs, prodcuers and venues.

Countercultural seekers, Slum tourism

Thinking Allowed

Play Episode Listen Later Jan 24, 2018 27:56

Counter cultural seekers: Laurie Taylor talks to Mark Liechty, Professor of Anthropology at the University of Illinois, Chicago, and author of a new book exploring the origins and meaning of the hippy trail to Kathmandu. Also, slum tourism in Mumbai. Does it de-politicise poverty? Melissa Nisbett, Senior Lecturer in Arts and Cultural Management at Kings College, London, found that many white westerners viewed such visits as personally enriching but saw no need for structural change. Producer: Jayne Egerton.

university chicago professor arts illinois tourism counter anthropology mumbai senior lecturer seekers kathmandu slums king's college countercultural cultural management laurie taylor mark liechty

Season 1, Episode 3: Arts and Cultural Management Program with Director Bruce Mackh

Liberal Arts Endeavor

Play Episode Listen Later Nov 15, 2016 23:33

Season 1, Episode 3: Arts and Cultural Management Program with Director Bruce Mackh by College of Arts & Letters - Michigan State University

director college arts management program cultural management

Qing Gao presents Transformation and Development: Cultural Management in China

Guest Speakers and the World

Play Episode Listen Later Sep 4, 2014 65:24

Guest speaker Qing Gao is Managing Director of the Confucius Institute at George Mason University and Assistant Professor of Arts Management. In China, creating a vibrant and artistic landscape requires effective management at national and organizational levels. At this event, the film industry in China, its marketing and distribution strategies, managerial and financing support structures, will be explained. This event is sponsored with the UAA Confucius Institute.

china transformation development managing directors assistant professor george mason university qing confucius institutes arts management cultural management

NTIM_20110123A1 - Cultural Management (Audio)

Play Episode Listen Later Jun 21, 2012 21:51

Episode: NTIM_20110123A1 | Host: Prof. Andrew Chan, Ms. Melissa Cheung | Guest Host: Prof. Wong Kin Yuen, Mr. Oscar Ho | Topic: Cultural Management

NTIM_20110123A2 - Cultural Management (Audio)

Play Episode Listen Later Jun 21, 2012 22:13

Episode: NTIM_20110123A2 | Host: Prof. Andrew Chan, Ms. Melissa Cheung | Guest Host: Prof. Wong Kin Yuen, Mr. Oscar Ho | Topic: Cultural Management

NTIM_20110123B1 - Cultural Management (Audio)

Play Episode Listen Later Jun 21, 2012 21:45

Episode: NTIM_20110123B1 | Host: Prof. Andrew Chan, Ms. Melissa Cheung | Guest Host: Prof. Wong Kin Yuen, Mr. Oscar Ho | Topic: Cultural Management

NTIM_20110123B2 - Cultural Management (Audio)

Play Episode Listen Later Jun 21, 2012 21:25

Episode: NTIM_20110123B2 | Host: Prof. Andrew Chan, Ms. Melissa Cheung | Guest Host: Prof. Wong Kin Yuen, Mr. Oscar Ho | Topic: Cultural Management