Podcasts about ryuichi

fashionあいうえおの「し」でジーンズという事でPysen Moritaをお迎えして解説して頂きました。fashion news/FILSONリセールサイトについて マルディメクルディ代官山に直営店オープン my essential/radio player RYUICHI

RYUICHIさんがお店を出しました。今回はそちらのスピンオフ版です。店名はSQUEAKです。代々木上原、代々木八幡エリアにあります。是非行ってみて下さいね！※エンボカさんは2022年に移転されました。

The Elephant’s Foot – solidified melted fuel core at Chernobyl in Ukraine. Still highly radioactive, still dangerous. SPECIAL: Chernobyl Nuclear Disaster 38th Anniversary – Stories of its Deadly Legacy This Week's Featured Interviews: The Chernobyl nuclear disaster began on April 26, 1986 – another of those dates that will live in infamy. Here is a...

We recap the earth shattering action from World Figure Skating Championships 2024 in Montreal, including Ilia Malinin's historic 6-Quad winning free skate, the 3-peat gold for Kaori Sakamoto, and Canada's own Stellato-Dudek & Deschamps finally ascending to the Pairs throne.   The 2024 World Figure Skating Championships in Montreal gave us several moments we expected, others we wished for, and whole lot we never could have predicted. Most of all, it gave us countless extraordinary skating moments we won't soon forget. Men's Competition The formal coronation of the Quad God, Ilia Malinin, as the biggest rockstar in men's figure skating happened here—with a program that literally had us screaming in our living room in disbelief. Coming into the free skate a close third behind reigning World Champion, Shoma Uno, and returning Olympic silver medalist, Yuma Kagiyama, Malinin closed the event with a World Record-breaking free skate that started with a quad axel, ended with a boggling triple lutz-triple axel combination, and found room in the middle for 5 other quads. At the end of it, Malinin collapsed while the arena went bonkers — knowing they had seen something extraordinary. His first world title is certainly one to remember. In the silver slot, the utterly brilliant Yuma Kagiyama skated in a way that would have won him any other title on any other night. His continued growth as an artist as much as an athlete is glorious to watch, and while this year gold may not have been his, do not underestimate his potential to win the Olympic gold medal. He's on a path that could definitely get him there. In third, with the biggest comeback ever seen in ISU competition, was Adam Siao Him Fa from France. As if jumping from 19th to 3rd with an incredibly powerful free skate wasn't enough, he was second in the free program only to Ilia — and did that while also including an illegal backflip that cost his 2 points. It was bold, intense, and one of the best stories to come out of the championship. In fourth, Shoma Uno — who led after the short — had a rougher free skate than we've seen from him in quite a long time and couldn't hold onto a podium position. That said, he was still Shoma — meaning he was still brilliant and amongst the class of the field. Rounding out the top 5 was Jason Brown — who again competed very little internationally this season, only to come to Worlds with no quads and still skate SO BEAUTIFULLY that he landed amongst the top men in the world. Fingers crossed we see him again next year as the sport is always better for having him still competing in it.  Pairs Competition All season long, we've been watching Deanna Stellato-Dudek & Maxime Deschamps look like they were ready to take that step into being World Champions — but a few moments during the season had us worried the title may not happen this year. Our worries were wasted, thankfully, as Deanna and Maxime put down two dazzling programs that led to their history-making win on home soil in Canada. To say this moment was emotional is a massive understatement. As the oldest woman to ever win a figure skating world title in any discipline at 40 years old, Deanna becomes, not only a legend in the sport, but even more of an inspiration than she'd already proved herself to be. An extraordinary moment for this exceptionally talented team and fans everywhere to share. Riku Muira & Ryuchi Kihara came to Montreal with a lot of question marks. As the reigning World Champs, they were certainly not to be discounted — but injury had kept them from most competitions this season and it was unclear how they would perform. With a win in the free skate and a silver medal overall, they silenced all of those who doubted them and shined like the champions they are. In a scary moment, Ryuichi had to be helped by EMTs directly following their free skate — unfortunately meaning they missed the medal ceremony. Thankfully, he bounced back quickly and the organizing committee redid the medal ceremony on Saturday night to allow them to participate. Taking the bronze medal were the surprise pair of the season, Germany's Minerva Fabienne Hase & Nikita Volodin. After their misstep at the European Championships, this team came here and showed why they went undefeated in the first part of this season, with two very strong programs that defy their short time together. We cannot wait to see how this team evolves and gets even better with time.  Women's Competition Kaori Sakamoto proved again why she's in a league of her own right now in the women's division, coming back from a 4th place finish in the short program to win her third gold medal. This third world title makes her the first woman since Peggy Flemming in the 1960's to win three consecutive world championships. Taking a bit of a surprise silver, Isabeau Levito came back from a rough US Nationals to skate two exceptional programs and earn her first World medal. This is the first silver medal the US has taken in the women's event since Ashley Wagner in 2016.  In third for the bronze was Chaeyeon Kim from South Korea — who skated a near flawless free skate to move up from 6th to 3rd. This 17 year-old skater has only been on the ice for 7 years and is already a world medalist — it will be very interesting to see how far she can go! In a disappointing placement, Loena Hendrickx — who won the short program — ended up in fourth overall after a sluggish, error-laden free skate.  Ice Dance Competition The most predictable of the disciplines provided some excellent performances—but stayed to the script in terms of the medals. Madison Chock & Evan Bates decimated the rhythm dance, earning a sizable lead that they needed after a small mistake in the free dance—which was still absolutely gorgeous and enough to earn them their second world title. The silver went to the hometown heroes, Canda's Piper Gilles & Paul Poirier, who won the free dance with the best performance of their Wuthering Heights program of the season. Their rhythm dance again seemed just a bit less impactful and held them back from taking the title. In the bronze position was Italy's Charlene Guignard & Marco Fabbri, who turned in two extraodiary performances that may have been the most technically sound of the event. However, a few small issues in their free dance — and a larger one with a scary costume malfunction — dropped them from 2nd in the short to 3rd overall. Follow Scoreography: Website — https://scoreography.show Instagram — https://www.instagram.com/scoreography Threads — https://www.threads.net/@scoreography BlueSky — https://bsky.app/profile/scoreography.show  

Our latest guest on Soundtracking is Neo Sora, son of Ryuichi Sakamoto and director of a final gift to the Japanese composer's fans, Opus. Recorded in late 2022, with just Ryuichi and a Yamaha grand, Opus sees him perform his most haunting, and delicate melodies in equally haunting and delicate black and white. It is a wonderfully tender, meditative and moving film, which we recommend you all to go and see.

Un mese fa circa mi è arrivata una email dal mio domain registrar per diversi domini: Aruba, che mi annunciava che uno dei miei domini, il più importante e storico (masternewmedia.org) sarebbe andato in scadenza ed era da rinnovare.Bene, come annualmente succede - visto che fino a poco fa non ero riuscito mai a capire come impostare il rinnovo del pagamento per più anni - ho cliccato sul link nella email e ho inserito le mie credenziali per loggarmi nel mio account Aruba.Password errata mi risponde il sistema.Re-inserisco la password, che è memorizzata nella mia app di gestione credenziali, ma niente da fare. La password mi dice che non è quella corretta. Provo la vecchia, riprovo la nuova. Nulla. Non posso loggarmi e non posso rinnovare il dominio del mio sito.Decido quindi di contattare l'assistenza per farmi dare una mano, ma con mia enorme sorpresa scopro che - se non sono loggato - non ho modo di contattare l'assistenza.Non posso aprire ticket, non posso inviare email in risposta al messaggio di sollecito rinnovo che ho ricevuto, non trovo nessun numero o contatto per avere assistenza al di fuori delle guide e della documentazione accessibile sul sito.Decido allora di chiedere aiuto ai miei amici fidati e più esperti di me su cose tecniche.Ryuichi mi consiglia di provare a ritrovare un link diretto al mio pannello di controllo cercando nelle vecchie email ricevute da Aruba. Lo trovo, ma non funziona.Nel frattempo provo a cercare altre maniere di contattare Aruba per avere assistenza, ma riesco solo a trovare un numero verde che contatto subito ma che non riconosce le mie credenziali e non mi da assistenza. Trovo allora una assistenza via chat che mi prende in carico, e dopo aver verificato le mie credenziali non solo mi dice “Ma lei non è un nostro cliente!” mi chiude in faccia senza mezzi termini la comunicazione. (Scoprirò solo più tardi che Aruba e ArubaBusiness sono due entità legalmente diverse e che evidentemente non sono state progettate per essere di aiuto a chi come me capita dal lato sbagliato).A questo punto, frustrato per non poter accedere al mio account, non poter pagare e rinnovare il mio dominio, non poter aver accesso ad alcun tipo di assistenza, decido di fare un'ultima mossa disperata, più per rassegnazione che non nella speranza che possa risolvere qualcosa: scrivere una pubblica recensione.Cosa, senza pensarci su più di tanto, vado su Trustpilot (edizione Italiana), e scrivo per filo e per segno quello che mi è successo sotto il titolo: Assistenza inesistente (pessima) - Impossibile accedere al mio account.Non passano neanche 48 ore che ricevo una email, firmata finalmente con un nome e cognome, che dice: “Buongiorno, la contatto in seguito ad una segnalazione ricevuta su Trustpilot in merito al mancato accesso all'area utente, mi rincresce abbia avuto delle difficoltà che spero sia riuscito a superare. Nel caso il problema persista mi sono attivato per farle ricevere il link per il recupero password all'indirizzo “robin.good@masternewmedia.org” confido che quando leggerà questa comunicazione l'abbia già ricevuto.Naturalmente qualora ritenga utile un confronto telefonico le chiedo di indicarmi la sua disponibilità e sarà mia cura contattarla.”Il link funziona, ma il resto della procedura - che coinvolge l'uso del codice OTP auto-generato - no, o quanto meno io non riesco a venirne a capo. A questo punto mi viene messa a disposizione una persona disposta a chiamarmi telefonicamente e a seguirmi passo-passo nel ristabilire il mio accesso. La persona è gentile, squisita, paziente e cordiale. Non potrei trovarmi meglio assistito. Infatti dopo un po' di smanettamenti e cambi di rotta troviamo una strada e io riesco nuovamente ad accedere al mio account. Problema risolto.Ma a che prezzo?.Considerazioni:C'è bisogno di gestire le cose così male al punto che un vecchio cliente pagante (non uno qualsiasi) per avere attenzione e assistenza deve scrivere una recensione negativa pubblicamente?Come è mai possibile che non ci sia un modo di contattare l'assistenza se rimango tagliato fuori come in questo caso?Mi sarei aspettato dopo aver ricevuto l'ottima assistenza personalizzata, una richiesta di rivedere o modificare o aggiornare la mia recensione su Trustpilot. Ma no, non l'ho ricevuta.Mi sarei aspettato delle scuse un po' più sentite e un intento a risolvere questo problema non solo per me, ma anche per altri, ma non ho avvertito alcunché in questo senso. Anzi, ho dovuto insistere io nel sottolineare l'assurdità di questa situazione e la necessità di vedere oltre la mia situazione specifica.Mi sarei aspettato di essere compensato per il tempo (=denaro) perso appresso a problemi di altri. Avrò pure il diritto di perdere o sbagliare la password… Che ne so' - pagami il rinnovo per cui ho perso tutto questo tempo. Pagamelo a vita, e mandami delle belle scuse, sincere, genuine e firmate - magari con un chiaro proposito di che cosa intendi fare perché questo non ri-accada - e stai tranquillo che io vado a rivedere la mia recensione più veloce che una lepre, senza che nessuno me lo debba venire a chiedere. Ciò che mi ha sorpreso è che l'assistenza è sembrata avere come solo chiaro obiettivo quello di risolvere il problema del cliente, non quello strutturale. Tant'è che quando ho chiesto chiarimenti sul come mai non ci fosse un numero contattabile da chi è tagliato fuori come me, mi è stato risposto che sì c'era quel numero, e che era scritto in alto a destra nella propria pagina di account una volta loggati (!). (Ma se io non riesco a loggarmi come faccio a vederlo?.Morale della Favola / Che ho appreso / Cosa c'è di utile per teL'assistenza più del tuo prodotto o servizio può determinare la percezione di qualità e professionalità che i clienti hanno di te.Priorità numero uno fare in modo che tu o la tua attività siate facilmente contattabili, attraverso più canali, e che anche se non in tempo reale, ci sia qualcuno dedicato a rispondere alle richieste dei clienti in tempi relativamente rapidi. Risolvere solo il problema, senza ri-compensare il cliente + fare le proprie scuse personali autentiche + chiari propositi su come risolvere il problema per il futuro non porta a molto, se non a risolvere il problema momentaneo di quella persona.Riparando ogni buco che si apre, la reputazione e la qualità del servizio offerto non cambiano specialmente se non si da chiara dimostrazione di reale sensibilità, attenzione e desiderio di far meglio. Anzi (come la mia recensione dimostra), la reputazione - nonostante il buon lavoro fatto dal team che mi ha assistito - non va migliorando.Trattare i clienti in maniera personale con nome e cognome, con attenzione, educazione e cortesia fa tantissima differenza e aiuta a creare una vera e propria relazione fra l'azienda e i suoi clienti. L'assistenza è una vera e propria opportunità per creare e coltivare relazioni.Recensione:https://it.trustpilot.com/submitted/review?correlationid=5ec957e1-cafc-40a9-b728-9af0fd935e16 ._______________Info Utili• Sostieni questo podcast:Ottieni feedback, ricevi consigli sul tuo progetto onlineEntra nella comunità di imprenditori indipendenti di Robin Goodhttps://Patreon.com/Robin_Good• Musica di questa puntata:"Let's Go Surfing" by Joakim Karud - disponibile su Bandcamphttps://joakimkarud.bandcamp.com/track/lets-go-surfing• Nella foto di copertina:Roberto Gal. e Andrea Gen. Roma. Apx 2008.• Dammi feedback:Critiche, commenti, suggerimenti, idee e domande unendoti al gruppo Telegram https://t.me/@RobinGoodPodcastFeedback• Ascolta e condividi questo podcast:https://www.spreaker.com/show/dabrandafriend• NUOVO! Archivio completo organizzato per temi:https://start.me/p/kxENzk/da-brand-a-friend-archivio-podcast• Seguimi su Telegram:https://t.me/RobinGoodItalia.

Ryuichiさんのバケーショントークです。アルゼンチン

ジェニのピカピカ日本語へようこそ。 今日は、ジェニ、クリンにRYuichiが加わって、日本でのビジネスEmailの書き方についてRyoichiに説明してもらいます。 日本のビジネスでのメールの始めには独特な言い回しがあります。 例えば 「いつもおせわになっております」 「宜しくお願い致します」 どうですか？ 何か役に立つことがありましたか？ ぜひご感想をお聞かせください。 じゃあ、またね。 Welcome to Jenni's Shiny Japanese. Today, Jenni, Krin, and RYuichi join Ryoichi to explain how to write business emails in Japan. The beginning of a Japanese business email has a unique wording. For example Thank you for your continued patronage. I look forward to working with you. How are you doing? Did you find something useful? Please let us know what you think. See you soon. Bienvenidos a Jenni's Shiny Japanese. Hoy, Jenni, Krin y RYuichi se unen a Ryoichi para explicar cómo se escriben los correos electrónicos de negocios en Japón. El comienzo de un correo electrónico de negocios japonés tiene una redacción única. Por ejemplo. Gracias por su continuo patrocinio. Por favor, cuide de mí. ¿Cómo le va? ¿Ha encontrado algo útil? Por favor, háganos saber lo que piensa. Hasta pronto.

Marco e Paolo continuano a parlarci delle loro visioni al Far East Film Festival di Udine. Argomenti: 00:00 Retrospettiva Ryuichi Hiroki 10:02 Mad Fate (Soy Cheang) 17:16 Egoist (Daishi Matsunaga) Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatari Partecipanti: Marco Grifò Paolo Torino Anchor: https://anchor.fm/salotto-monogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo

Last month, we lost Ryuichi Sakamoto, who was an absolute monster of an artist and since hearing the news I've been going back and listening to a bunch of his catalog, which is not only massive, but it's also incredibly diverse.There are certain artists whose work allows you to see the world differently. If they're really good, they might even allow you to feel it differently. Ryuichi Sakamoto was one of those artists. He worked across multiple musical genres and he was able to tap into and even affect different aspects of the human experience. I think the first piece of Ryuichi's music I heard was Forbidden Colors, which is a vocal version of the theme to a film he scored and acted in alongside David Bowie called Merry Christmas, Mr. Lawrence. It was also the first of what would be decades of brilliant collaborations with former Japan frontman David Sylvian. A friend in college had reintroduced me to David, who I was familiar with from Japan, but it was his solo record Secrets of the Beehive, which featured Forbidden Colors as a bonus track, that introduced me to Ryuichi and I've been a fan ever since.LINKSYellow Magic OrchestraBrandon StosuyDocumentary about the piano that was damaged by the 2011 tsunamiasyncAsiaRoger DeanTales From Topographic OceansHugh SymeStorm Thorgerson Mick RockEric MeolaHipgnosisReid MilesCONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Last month, we lost Ryuichi Sakamoto, who was an absolute monster of an artist and since hearing the news I've been going back and listening to a bunch of his catalog, which is not only massive, but it's also incredibly diverse.There are certain artists whose work allows you to see the world differently. If they're really good, they might even allow you to feel it differently. Ryuichi Sakamoto was one of those artists. He worked across multiple musical genres and he was able to tap into and even affect different aspects of the human experience. I think the first piece of Ryuichi's music I heard was Forbidden Colors, which is a vocal version of the theme to a film he scored and acted in alongside David Bowie called Merry Christmas, Mr. Lawrence. It was also the first of what would be decades of brilliant collaborations with former Japan frontman David Sylvian. A friend in college had reintroduced me to David, who I was familiar with from Japan, but it was his solo record Secrets of the Beehive, which featured Forbidden Colors as a bonus track, that introduced me to Ryuichi and I've been a fan ever since.LINKSYellow Magic OrchestraBrandon StosuyDocumentary about the piano that was damaged by the 2011 tsunamiasyncAsiaRoger DeanTales From Topographic OceansHugh SymeStorm Thorgerson Mick RockEric MeolaHipgnosisReid MilesCONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Last month, we lost Ryuichi Sakamoto, who was an absolute monster of an artist and since hearing the news I've been going back and listening to a bunch of his catalog, which is not only massive, but it's also incredibly diverse.There are certain artists whose work allows you to see the world differently. If they're really good, they might even allow you to feel it differently. Ryuichi Sakamoto was one of those artists. He worked across multiple musical genres and he was able to tap into and even affect different aspects of the human experience. I think the first piece of Ryuichi's music I heard was Forbidden Colors, which is a vocal version of the theme to a film he scored and acted in alongside David Bowie called Merry Christmas, Mr. Lawrence. It was also the first of what would be decades of brilliant collaborations with former Japan frontman David Sylvian. A friend in college had reintroduced me to David, who I was familiar with from Japan, but it was his solo record Secrets of the Beehive, which featured Forbidden Colors as a bonus track, that introduced me to Ryuichi and I've been a fan ever since.LINKSYellow Magic OrchestraBrandon StosuyDocumentary about the piano that was damaged by the 2011 tsunamiasyncAsiaRoger DeanTales From Topographic OceansHugh SymeStorm Thorgerson Mick RockEric MeolaHipgnosisReid MilesCONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can also find a written version of Iterations on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Esta noche nuestra Atmósfera rinde homenaje a uno de los compositores más prolíficos e influyentes del último medio siglo. El músico, compositor, productor, escritor, cantante, pianista y actor japonés Ryuichi Sakamoto nos dejó este pasado 28 de marzo después de una larga lucha contra el cáncer en su ciudad natal, Tokio donde vivía compartiendo residencia con Nueva York. En el programa de esta semana guardaremos silencio, escuchando su música, que es su mejor legado. Siempre estará con nosotros como lo lleva estando desde que comenzara su carrera en 1978 como miembro de la banda pionera de música electrónica Yellow Magic Orchestra. Ryuichi se ha ido, pero su música sigue con nosotros. Esta noche, Atmósfera respira el último aliento de Ryuichi SakaEscuchar audio

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Vinse l'Oscar per il film pluripremiato di Bertolucci. Aveva 71 anni

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Episode 90 The Electronic Music of Ryuichi Sakamoto Playlist Ryuichi Sakamoto and Alva Noto, “Second Dream” from The Revenant (Original Motion Picture Soundtrack) (2015 new regency Music). Composed, performed, and produced by Alva Noto, Ryuichi Sakamoto. 1:13 Ryuichi Sakamoto and Taylor Deupree, “Jyaku” from Disappearance (2013 Commons). Piano, Electronics, Ryuichi Sakamoto; Synthesizer, Tapes, Loops, Acoustic Guitar, Mixer, Taylor Deupree. 9:59 Alva Noto and Ryuichi Sakamoto, “Avaol” from Insen (2005 Raster-Noton). German release featuring Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 2:50 Alva Noto and Ryuichi Sakamoto, “ax Mr. L.” from revep (2006 Raster-Noton). German release. Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 4:20 Alva Noto and Ryuichi Sakamoto, “mur” from revep (2006 Raster-Noton). German release. Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 8:14 Ryuichi Sakamoto, “Solari” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 3:52 Fennesz and Sakamoto “0322” from Flumina (2011 Touch). Guitar, Laptop, Christian Fennesz; Piano, Laptop, Ryuichi Sakamoto. Recorded at Amann Studios, Vienna and KA+B Studios, NY and Japan. 5:35 Ryuichi Sakamoto, “Sunset” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. This album is listed as one of his special projects consisting of diary sketches in sound. Described as “an ambient oriented compilation of Sakamoto's music journal from 2001 after eye-witnessing 9/11 from his home NYC.” This one of his most moving essays in sound, consisting of his piano sketches treated with electronics. The progression of the album is presented in the order of the day and concludes with “Radical Fashion.” 8:47 Ryuichi Sakamoto, “Night” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. 7:37 Ryuichi Sakamoto, “Radical Fashion” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. 5:07 Ryuichi Sakamoto, “Zure” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 5:12 Ryuichi Sakamoto, “Out of Horse” from The Revenant (Original Motion Picture Soundtrack) (2015 new regency Music). Composed, performed, and produced by Ryuichi Sakamoto; Ondes Martenot, Motoko Oya. 3:57 Ryuichi Sakamoto, “Borom Gal” from Heartbeat (1991 Virgin). Concertmaster, strings, David Nadien; Lead vocal and words, Youssou N'Dour; Music by Ryuichi Sakamoto, Youssou N'Dour; Programmed, Performed, and mixed by Ryuichi Sakamoto. This is one of those star-studded albums that had pop appeal. Still, the electronics and digital editing of this track, especially in 1991, make this track stand out. 3:57 Ryuichi Sakamoto, “Fullmoon” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 5:13 Ryuichi Sakamoto, “Nuages” from Heartbeat (1991 Virgin). Lead Vocals, Houria Aichi; traditional song; Programmed, Performed, and mixed by Ryuichi Sakamoto. This little work from Heartbeat always reminded me of something you would have expected to hear in the movie Blade Runner. 2:15 Ryuichi Sakamoto, “Island of Woods” from Thousand Knives Of (1978 Better Days). On this album, not necessarily this track, Sakamoto plays Ryuichi Sakamoto plays: Moog III-C w. Roland MC-8 Micro Composer; Polymoog; Minimoog; Micro Moog; Oberheim Eight Voice Polyphonic w. Digital Programmer; ARP Odyssey; KORG PS-3100 Polyphonic; KORG VC-10 Vocoder; KORG SQ-10 Analog Sequencer; Syn-Drums; Acoustic Piano;Marimba. Recorded from 4/10 to 7/27, 1978 at Columbia Studio No.1, No.2, & No.4, Tokyo. 9:51 Ryuichi Sakamoto, “Stakra” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 3:41 Ryuichi Sakamoto, “Tokyo Story” from Sweet Revenge (1994 Elektra). Produced, composed, keyboards, computer programming, Ryuichi Sakamoto. Recorded at 11-K Studios, NYC, Clindton Studios, NYC, Paradise Studios, Tokyo, Unique Studios, NYC, Sedic Studios, Tokyo, Metropolis Studios, London, Westside Studios, London, Skyline Studios, NYC, Right Track Studios, NYC. 1:17 Ryuichi Sakamoto, “Plankton” (excerpt) from Plankton (Music For An Installation By Christian Sardet And Shiro Takatani) (2016 Milan). French recording of an installation piece by Sakamoto. The entire work is nearly an hour long; this is an excerpt from the beginning of that work. Mixed, produced, composed by Ryuichi Sakamoto; Producer, Lucille Reyboz, Yusuke Nakanishi; Sound programming, Satoshi Hama; Video programming, Ken Furudate, Ryo Shiraki. 7:47 Ryuichi Sakamoto, “Undercooled (Alva Noto Remodel)” from Bricolages (2006 Warner Music Japan). Rap, MC Sniper; Remix, Alva Noto. This is an interesting album of Sakamoto remixes with a rap track reimagined by the mixing of Carsten Nicolai. 4:44 Ryuichi Sakamoto, “A Wongga Dance Song” from Esperanto (1985 School). Composed, Arranged, and performed by, Ryuichi Sakamoto. This is one of Sakamoto's early explorations of the power of the digital sampler and editing. Music created for a dance performance by the company Molissa Fenley and Dancers. 10:06 Ryuichi Sakamoto, “20220214” from 12 (2023 Commons). Composed, produced, performed by Ryuichi Sakamoto. In answer to a question about how these recordings were done, Sakamoto replied: “They were all recorded in the small studio that was in my temporary abode in Tokyo. Depending on the piece, two or four mics were used to record the piano.” More answers to questions by Sakamoto are found here. 9:10 Ryuichi Sakamoto, “20220304” from 12 (2023 Commons). Composed, produced, performedby Ryuichi Sakamoto using sounding objects such as stones, chimes, and fragments of pottery. 1:09 Ryuichi Sakamoto, “Life, Life” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. Sho, Ko Ishikawa; Vocals, Luca; Spoken Word, David Sylvian; Words by, Arseny Tarkovsky. 4:24   Opening background tracks: Ryuichi Sakamoto, “Before Long” from Neo Geo (1987 CBS). Piano, Ryuichi Sakamoto. 1:20 Ryuichi Sakamoto, “Ulu Watu” from Esperanto (1985 School). Composed, Arranged, and performed by, Ryuichi Sakamoto. Music created for a dance performance by the company Molissa Fenley and Dancers. 3:57 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations. SiteSakamoto can be found here. The recent story about Ryuichi Sakamoto on NPR can be found here.

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I was compelled to record this after watching the latest solo piano recital of Ryuichi's. It felt like now or never! Here I talk about my history, experiences and recommendations as it pertains to the goat Ryuichi Sakamoto. Save a bunch of the albums I mentioned after listening to this, and please, take your time to enjoy his discography! Follow me TikTok: https://tiktok.com/@gee_derrick Instagram: https://www.instagram.com/gee_derrick/ Newsletter: https://derrickgee.substack.com/ Spotify: https://open.spotify.com/user/derrickgee?si=c0a0d965f56b4be5 About Me: Hi there! My name is Derrick Gee - radio host, DJ and creator who likes to talk about music, hifi and ideas. Thanks for reading this - you really didn't have to. Much love! #tiktok #hifi #spotify

We have a bouldering-heavy news show this week as Ryuichi Murai CRUSHES another 8C+ boulder, and even Matt gets in on the action. We update you on the 9a's climbed this week, as well as heading to Canada for FA big mountain climbs.

durée : 00:58:32 - Ryuichi Sakamoto, un Japonais très international (2/2) - par : Thierry Jousse - Deuxième volet de notre diptyque dédié au grand compositeur Ryuichi Sakamoto. Un épisode qui nous fera traverser les années 2000-2010, entre musique ambiant et musique de chambre. - réalisé par : Anne-Lise Assada

durée : 00:58:33 - Ryuichi Sakamoto, un Japonais très international (1/2) - par : Thierry Jousse - Dans une série de deux émissions, Ciné Tempo se plonge dans la création protéiforme de Ryuichi Sakamoto, musicien emblématique de son temps, qui puisent dans des registres variés, ses splendides mélodies, en explorant comme personne les expressions musicales de l'époque. - réalisé par : Anne-Lise Assada

Ryuichi Fujimura is an independent dance artist and joins Regina to talk about this trilogy of shows based on his life.  Two, How Did I Get Here and How Do I Practice My Religion have toured internationally and the final part (Fall! Falter!! Dance!!!) is his premier performance, taken from his experience at a story telling event where he came second and tells the tale of a dance improv performance that failed.  "I really want to show this work to people in all walks of life. Even though I tell my stories as a dancer, I believe that my stories of failures and disappointment are relatable and hope that my dance is enjoyable to my audience."

Conversation with Sydney-based dancer and choreographer Ryuichi Fujimura about his HER NOW trilogy; a series of three auto-biographical dance solos that address ageing and body memory; stage fright and the addiction to the audience-connection; professional set-backs and humour as a tool for recovery... The conversation was recorded on 27 July 2022 via a zoom call from Zagreb to Sydney, and it aired on Sydney's Eastside Radio 89.7FM on 1 August 2022. For more about Ryuichi Fujimura: https://www.ryuichifujimura.com/ Sympoiesis radio show is produced on the Gadigal land of the Eora nation, traditional custodians of this land. We pay our respect and gratitude to the elders past, present, and yet to come. Facebook: www.facebook.com/sympoiesisradioshow Instagram: www.instagram.com/sympoiesis_radio_show PRESENTER/INTERVIEWER: Ira Ferris (www.instagram.com/artemisprojects)

こんにちは。 Today is the day for you to listen to a sample of our Japanese learning package. Kling and Ryuichi are working hard on it, so it will be completed by the end of this year. Please look forward to seeing it completed! Today is an exercise. Please give it a try. じゃあ、またね。

Something has to be done about Ryuichi's head, it's a top priority for Sano and the crew do their best to help. After such an intense time in the badlands everyone is feeling stressed but luckily Retro has a way for them all to blow off a little steam: E-Van, Sano and Retro's Landlord has a job for them... How long will it take to work on a head in a box? What's the penthouse at Sovoil Apt Building 16 actually like? Will they ever brief Joy on how to deal with probing questions? Only the dice will tell. A Cyberpunk adventure continues... If you'd like to support us, We now have a Patreon! Patreon.com/nolatency More information and MERCH (on Sale till Dec 4th) is on our website! www.nolatencypodcast.com Twitter: @nolatencypod Instagram: nolatency_podcast Find @skullorjade, @chronicjoy and @binary_drgaon on twitch, for live D&D and more.

Retro is worried about is mother, but now that Sano has found his brother and failed to convince him to give up his ways... The time for talking is over, Sano and Ryuichi are finally going to cross blades. All the while someone is holding on for dear life off the edge of a cliff. Will they be able to save them in time? Can the crew take down a trained assassin? Is Retro's Mom really a witch? And what is she doing out here in the badlands? Only the dice will tell. A Cyberpunk adventure continues... If you'd like to support us, We now have a Patreon! Patreon.com/nolatency More information is on our website! www.nolatencypodcast.com Twitter: @nolatencypod Instagram: nolatency_podcast Find @skullorjade, @chronicjoy and @binary_drgaon on twitch, for live D&D and more.

La Storia di Marco Ronco (aka Ryuichi Sakuma) di Metaline / PosizionamentoMotoridiRicercaHo conosciuto Marco Ronco online, quando da lettore mi ha contattato per capire come riuscire a replicare il mio successo con le pubblicità di Google (più di un milione di dollari fatturato a Google) sul suo sito dedicato ai Manga Giapponesi (fumetti). Gli ho dato qualche consiglio e suggerimento sulla filosofia di marketing e business che io avrei utilizzato e poi, l'ho visto decollare. Prima con la sua agenzia di web design Metaline, e poi con i suoi progetti indipendenti, primo fra tutti PosizionamentoMotoridiRicerca.com, un video corso online per non-tecnici, che spiega ed illustra in maniera semplice e comprensibile a tutti, cosa fare esattamente per essere tra i primi risultati nelle pagine dei risultati di Google. Marco, come me è una persona che se non si fida di ciò che dicono gli altri. Ama verificare, testare, toccare con mano e sperimentare sulla sua pelle per vedere davvero quali sono i metodi che funzionano e quali no. Marco è anche una grande persona umanamente. Non è presuntuoso, non fa cadere le cose dall'alto, è curioso, cordiale, educato e discreto, insieme all'essere estremamente generoso e disponibile. Raramente nella mia vita ho incontrato persone come lui.Io lo considero "un punto di riferimento" a tutti gli effetti. In primis come amico e consigliere, in secundis come grande esperto di SEO, e di come fare imprenditoria di nicchia, condividendo valore, ascoltando e coltivando relazioni in maniera efficace online. Link e riferimenti per Marco Ronco:https://www.posizionamentomotoridiricerca.com/ https://metaline.it/ -------------Info Utili• Musica di questa puntata: "The Future Is Now" by Joystockhttps://www.joystock.org/royalty-free-music/track/future-is-now• Dammi feedback:critiche, commenti, suggerimenti, idee e domande unendoti al gruppo Telegram https://t.me/@RobinGoodPodcastFeedback• Ascolta e condividi questo podcast:https://gopod.me/RobinGood• Diventa sostenitore:sostieni il lavoro di Robin Good e tutti i contenuti e risorse utili che condivide costantementehttps://robingood.com/patreon-sharewood-community-campus https://Patreon.com/Robin_Good • Seguimi su Telegram:https://t.me/RobinGoodItalia (tutti i miei contenuti, immagini, audio e video in un solo canale)oppurehttps://facebook.com/RobinGoodItalia/ (Pagina Facebook ufficiale)• Newsletter:http://robingood.it/toptools-newsletter • Per info e richieste:mailto: Ludovica.Scarfiotti@robingood.it

What does it take to develop a professional mindset? Hows your preparation, discipline, and action like? Growing up in Japan, Cyrus played in the J-league youth Academy program wanting to become a Pro. Through many struggles and setbacks, He learn what it takes to have a high level of professionalism and the commitment it takes to get there. At the point of wanting to give up and quit, he started coached kids in Hawaii and was inspired again to pursue soccer and is once again on the path to pro. Sit back and relax as we hear Cyrus story and journey toward achieving his greatness!

In 1991 I was 22 years old, and had moved to New York City to be a professional musician. I had a little home studio, and was doing some random gigs around town. My roommate, Hoover Li, was an assistant engineer at a huge recording studio in midtown. Ryuichi Sakamoto was there recording his new album “Heartbeat”. Ryuichi mentioned to Hoover that he was looking for a guitarist for his next tour of Japan. Manu Katché on drums and Victor Bailey on bass. But no guitarist chosen yet. Hoover said, “My roommate is a great guitarist.” Ryuichi said, “But what does he look like?” Hoover came home around midnight, and told me the big news. I was already a fan, since I loved his album “Beauty”, and thought this would be a dream gig. Hoover gave me a tape of the new (unreleased) Heartbeat album, but told me he needed it back in the morning. I listened to the whole album carefully. There was no guitar on it. I was already imagining parts. I started playing along with it. I stayed up all night writing guitar parts for his album, recording them in my home studio, then mixing together his album — now with my guitar — back into a new master. In the morning, as Hoover was waking up to go into the studio, I gave him his tape back, but also a 2nd tape of the whole album, now with my guitar, for him to give to Ryuichi. I only slept a few hours, but woke up with the feeling like that wasn’t enough. I had to do more to prove I really wanted this gig. I bought six of his older CDs, and listened to them all day. One had a particularly hard cello part in the middle. I decided to transcribe it and write out the transcription in perfect bass-clef notation in pencil on staff paper, just to show him I could read and write music. Again, I asked Hoover to deliver it to Ryuichi, telling him I really wanted this gig. The next day I got a call from his manager, giving me the dates, asking if I was available! A month in Japan. Two weeks of rehearsal in Tokyo, then two weeks touring the country. I said yes, but the manager said they were undecided, and would get back to me. (Oh no! Are they changing their mind?) Hoover said Ryuichi wanted me to come down to the studio to meet him. I did. We barely spoke. He’s very quiet. But at one point I said, “Your manager said they’re undecided,” and Ryuichi just smiled and said, “I decide. Not them. I’ve decided. Don’t worry.” Whoo-hoo! Got the gig! When we were rehearsing in Tokyo, all the other band members were given very specific charts, but Ryuichi would say to me, “Just do what you did before.” Dream gig. 22 years old. In Japan. Playing to the famous 10,000 seat Tokyo Budokan concert hall, and more. Awesome. I did OK, but as the youngest, I was definitely the punching bag of the other band members. It was rough. Later that year, we got hired back to play the World Expo in Seville, Spain, this time with Darryl Jones on bass. I made the fatal mistake of thinking they were providing the outfits for us, like they had done in Japan. So just 30 minutes before showtime, (televised and all), I’m in shorts and a t-shirt, asking where everyone else got their nice outfits, and found out we were supposed to bring back the ones they gave us in Japan. Ooops! They tossed some other clothes on me, but were gravely disappointed, and I never heard from them again. (I’ll never know if it was because of the clothes or my playing.) Oh except a year later, I was living on the Oregon Coast, and got a little happy birthday postcard from Ryuichi himself. My personal lessons learned from this story: Being in the middle of things increases your chances for opportunities. Everything great that happens in your career starts with someone you know. When you hear of an opportunity you want, you have to go for it completely, over-the-top, not casual, and work your ass off to get it. The tiniest detail can derail everything. In this picture, from left to right, is translator Mei Fang, Everton Nelson, Satoshi Tomiie, Vivian Sessoms, Victor Bailey, Manu Katché, and me at the bottom.

In 1991 I was 22 years old, and had moved to New York City to be a professional musician. I had a little home studio, and was doing some random gigs around town. My roommate, Hoover Li, was an assistant engineer at a huge recording studio in midtown. Ryuichi Sakamoto was there recording his new album “Heartbeat”. Ryuichi mentioned to Hoover that he was looking for a guitarist for his next tour of Japan. Manu Katché on drums and Victor Bailey on bass. But no guitarist chosen yet. Hoover said, “My roommate is a great guitarist.” Ryuichi said, “But what does he look like?” Hoover came home around midnight, and told me the big news. I was already a fan, since I loved his album “Beauty”, and thought this would be a dream gig. Hoover gave me a tape of the new (unreleased) Heartbeat album, but told me he needed it back in the morning. I listened to the whole album carefully. There was no guitar on it. I was already imagining parts. I started playing along with it. I stayed up all night writing guitar parts for his album, recording them in my home studio, then mixing together his album — now with my guitar — back into a new master. In the morning, as Hoover was waking up to go into the studio, I gave him his tape back, but also a 2nd tape of the whole album, now with my guitar, for him to give to Ryuichi. I only slept a few hours, but woke up with the feeling like that wasn’t enough. I had to do more to prove I really wanted this gig. I bought six of his older CDs, and listened to them all day. One had a particularly hard cello part in the middle. I decided to transcribe it and write out the transcription in perfect bass-clef notation in pencil on staff paper, just to show him I could read and write music. Again, I asked Hoover to deliver it to Ryuichi, telling him I really wanted this gig. The next day I got a call from his manager, giving me the dates, asking if I was available! A month in Japan. Two weeks of rehearsal in Tokyo, then two weeks touring the country. I said yes, but the manager said they were undecided, and would get back to me. (Oh no! Are they changing their mind?) Hoover said Ryuichi wanted me to come down to the studio to meet him. I did. We barely spoke. He’s very quiet. But at one point I said, “Your manager said they’re undecided,” and Ryuichi just smiled and said, “I decide. Not them. I’ve decided. Don’t worry.” Whoo-hoo! Got the gig! When we were rehearsing in Tokyo, all the other band members were given very specific charts, but Ryuichi would say to me, “Just do what you did before.” Dream gig. 22 years old. In Japan. Playing to the famous 10,000 seat Tokyo Budokan concert hall, and more. Awesome. I did OK, but as the youngest, I was definitely the punching bag of the other band members. It was rough. Later that year, we got hired back to play the World Expo in Seville, Spain, this time with Darryl Jones on bass. I made the fatal mistake of thinking they were providing the outfits for us, like they had done in Japan. So just 30 minutes before showtime, (televised and all), I’m in shorts and a t-shirt, asking where everyone else got their nice outfits, and found out we were supposed to bring back the ones they gave us in Japan. Ooops! They tossed some other clothes on me, but were gravely disappointed, and I never heard from them again. (I’ll never know if it was because of the clothes or my playing.) Oh except a year later, I was living on the Oregon Coast, and got a little happy birthday postcard from Ryuichi himself. My personal lessons learned from this story: Being in the middle of things increases your chances for opportunities. Everything great that happens in your career starts with someone you know. When you hear of an opportunity you want, you have to go for it completely, over-the-top, not casual, and work your ass off to get it. The tiniest detail can derail everything. In this picture, from left to right, is translator Mei Fang, Everton Nelson, Satoshi Tomiie, Vivian Sessoms, Victor Bailey, Manu Katché, and me at the bottom.

This week we watched the first 3 episodes of School Babysitters Synopsis: Ryuichi and Kotaro are brothers who lost their parents in an airplane crash. They're taken in by the chairman of Morinomiya Academy, who lost her son and daughter-in-law in the same crash, on one condition: Ryuichi has to babysit the kids at the daycare room in the school! This room was opened to help the school's teachers who had kids to take care of, but it suffers from a lack of staff until Ryuichi becomes the first member of the babysitter club formed to solve that problem. You can stream it on Crunchyroll.com or VRV.co Artwork by Ben Coombs Music: Draaikolk by Brazzmatazz

日本人としてオーストラリアに生まれ、オーストラリアで育ったRyuichiくん。 「自分はオーストラリア人じゃないのかな」 幼少期から周りとの違いを感じ、十代の頃に自分のアイデンティティに疑問を持ったこと -  大人になって初めて日本に住み、そこでやっと自分のアイデンティティを見つめることができた時の話など、たくさんのことを話してくれました。

日本人としてオーストラリアで生まれ、オーストラリアで育ったRyuihciくん 去年ワーキングホリデーでロンドンに来て、現在は日本食品メーカーで営業をしています。 大人になってから初めて日本に住んだ時のカルチャーショック - 日本ともイギリスとも違うオーストラリアの話 - 日本、オーストラリア、イギリスで経験してきた教員のことや、ロンドンでの営業の話など、沢山のことを話してくれました。

Martin is joined by returning guests Zachary Curl and Leanne Kubicz to discuss Nagisa Oshima's atypical war film, Merry Christmas, Mr. Lawrence. They talk in-depth about the film's four leads: Tom Conti, Ryuichi Sakamoto, David Bowie, and Takeshi Kitano. They examine Oshima's themes and dream-like style, look at the films flashback structure, and talk about how they connect personally to it.

Ryuichi Sakamoto came to fame with Yellow Magic Orchestra, along with solo work and collaborations with the likes of David Byrne, Thomas Dolby, Iggy Pop and Berlin-based electronic artist Alva Noto AKA Carsten Nicolai. The pair met when Carsten was performing in Tokyo, and together they formed their own sound, with Sakamoto’s minimal piano complementing Nicolai’s glowing digital tapestry. Here, they discuss their musical backgrounds, their approach to collaboration and live performance.

Guys I think Yuu might be evil but I'm not quite sure?Linkdump: http://lostintranslationmon.co.vu/post/177353003582/ep152Segments:Intro: 0.00.00-0.01.10DigiNews / Lost in NewsLatelymon: 0.01.11-0.05.24Obnoxious Synopsis: 0.05.25-0.14.28Episode 37 Discussion: 0.14.29-0.42.39Episode 37 Opinions: 0.42.40-0.47.09Episode 38 and 39 Discussion: 0.47.10-1.10.43Episode 38 and 39 Opinions: 1.10.44-1.14.44Overall Opinions: 1.14.45-1.18.25Postmon Pat: 1.18.26-1.24.50Outro: 1.24.51-1.28.15Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@FightFenghuang on twitter), Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Quinn, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Nicholas, Anthony Z, Harrison, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/9a17jg/digimon_podcast_episode_152_ken_v30_covering/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

Is Xros Wars going to continue actually better better than mediocre? Is this the saddest moment in all of the Digimon anime? Does Kiriha bounce back fast? Will Xros Heart get a Cease and Desist from the WWE? Find out the answer to these questions and more in this week's episode!Linkdump: http://lostintranslationmon.co.vu/post/176856984317/ep151Segments:Intro: 0.00.00-0.00.56DigiNews / Lost in NewsLatelymon: 0.00.57-0.12.21Obnoxious Synopsis: 0.12.22-0.18.03Episode 34 Discussion: 0.18.04-0.47.01Episode 34 Opinions: 0.47.02-0.51.50Episode 35 and 36 Discussion: 0.51.51-1.11.50Episode 35 and 36 Opinions: 1.11.51-1.14.27Overall Opinions: 1.14.28-1.17.13Postmon Pat: 1.17.14-1.23.05Outro: 1.23.06-1.26.40Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@FightFenghuang on twitter), Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Quinn, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Nicholas, Anthony Z, Harrison, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/96bp12/digimon_podcast_episode_151_shoutmon_xd_lawl/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

Happy Odaiba Day!To celebrate May and Brady are going to watch Episode 21 of Adventure (Home Away From Home)and Episode 17 of 02 (Ghost of a Chance)!Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@FightFenghuang on twitter), Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Quinn, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Nicholas, Anthony Z, Harrison, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://old.reddit.com/r/digimon/comments/93ikv9/digimon_podcast_special_37_what_is_odaiba_day/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

May and Jay start the second part of Xros Wars and talk about dragons, flowers, and ohana!Linkdump: http://lostintranslationmon.co.vu/post/176347854757/ep150Segments:Intro: 0.00.00-0.00.49DigiNews / Lost in NewsLatelymon: 0.00.50-0.08.31Obnoxious Synopsis: 0.08.32-0.17.56Episode 31 and 32 Discussion: 0.17.57-0.52.56Episode 31 and 32 Opinions: 0.52.57-0.56.33Episode 33 Discussion: 0.56.34-1.08.59Episode 33 Opinions: 1.09.00-1.11.05Overall Opinions: 1.11.06-1.14.38Postmon Pat: 1.14.39-1.20.22Outro: 1.20.23-1.24.20Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@FightFenghuang on twitter), Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Quinn, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Nicholas, Anthony Z, Harrison, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/92g4tg/digimon_podcast_episode_150_oflower_means_nobody/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades. From techno-pop stardom to Oscar-winning film composer, the evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following a cancer diagnosis, his haunting awareness of life crises leads to a resounding new masterpiece. RYUICHI SAKAMOTO: CODA is an intimate portrait of both the artist and the man. Director and writer Stephen Norma Schible joins us for a conversation on his own journey into the internal and external world of Ryuichi’s inspiring spiritual and musical journey. For news and updates go to: coda.mubi.com

May and Jay discuss the end of the first part of Xros Wars and try to ignore the constant appearances of the script and a new prophecy.Linkdump: http://lostintranslationmon.co.vu/post/175861285977/ep149Segments:Intro: 0.00.00-0.02.35Obnoxious Synopsis: 0.02.36-0.06.55Episode 29 and 30 Discussion: 0.06.56-0.55.11Episode 29 and 30 Opinions: 0.55.12-1.03.16Overall Opinions: 1.03.17-1.08.12Outro: 1.08.13-1.11.18Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@FightFenghuang on twitter), Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Quinn, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Nicholas, Anthony V, Harrison, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/8yogpw/digimon_podcast_episode_149_brads_new_journey/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

May wants deaths to remain deathly and Jay thinks May needs to calm down.Segments:Intro: 00.00-03.14Obnoxious Synopsis: 03.15-08.03Episode 26 Discussion: 08.04-24.06Episode 26 Opinions: 24.07-26.47Episode 27 and 28 Discussion: 26.48-42.45Episode 27 and 28 Opinions: 42.46-49.34Postmon Pat: 49.35-54.32Outro: 54.33-57.59Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, MetalMamemon, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@FightFenghuang on twitter), Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Azrael McCool, genehackmon (who hosts "New World Sonata - a sci-fi/fantasy audio drama podcast), Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Sporky, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Harvey, Nicholas, Anthony V, Harrison, Michael, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/8ux1lz/digimon_podcast_episode_148_iron_chef_digital/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

A Japanese-themed edition of Front Row as the Oscar-winning composer Ryuichi Sakamoto, whose scores include Merry Christmas Mr Lawrence and The Last Emperor, talks to Stig about being inspired by nature, and how he came back from treatment for throat cancer to write the music for The Revenant.The editor of The Penguin Book of Japanese Short Stories, Jay Rubin, tells how he curated the selection and reflects on his career as one of Haruki Murakami's main translators. And Junko Takekawa, Senior Arts Programme Officer at the Japan Foundation and a guest curator at this year's Cheltenham Festival of Literature, selects some of her favourite Japanese novels. The architect Sou Fujimoto describes how the boundaries between nature and buildings, inside and outside, inspire his work - and reveals the artistic potential of a pile of crisps!Presenter: Stig Abell Producer: Sarah Johnson.

This week, both May and Jay want more attention to non-main characters and May talks about a crucial moment that could have changed history...and this podcast...Linkdump: http://lostintranslationmon.co.vu/post/174926062432/ep147Segments:Intro: 0.00.00-0.00.53DigiNews / Lost in NewsLatelymon: 0.00.54-0.02.43Obnoxious Synopsis: 0.02.44-0.10.49Episode 23 and 24 Discussion: 0.10.50-0.47.48Episode 23 and 24 Opinions: 0.47.49-0.51.44Episode 25 Discussion: 0.51.45-1.01.23Episode 25 Opinions: 1.01.24-1.08.07Overall Opinions: 1.08.08-1.12.32Postmon Pat: 1.12.33-1.16.35Outro: 1.16.36-1.19.47Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, MetalMamemon, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@FightFenghuang on twitter), Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Azrael McCool, genehackmon (who hosts "New World Sonata - a sci-fi/fantasy audio drama podcast), Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Sporky, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Harvey, Nicholas, Anthony V, Harrison, Michael, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/8revlx/digimon_podcast_episode_147_shinobi_zones/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

2/3 of Team Homostasis are here to discuss the final volume of Digimon Next!We made a blog post about how we'll be covering the next Digimon Manga - Digimon Chronicle! Check it out here: https://lostintranslationmon.wordpress.com/2018/06/05/digimon-chronicle-manga-coverage-on-the-podcast/Segments:Intro: 00.00-01.30Synopsis: 01.31-21.45Thoughts: 21.46-32.01Outro: 32.02-35.10Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, MetalMamemon, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@FightFenghuang on twitter), Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Azrael McCool, genehackmon (who hosts "New World Sonata - a sci-fi/fantasy audio drama podcast), Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Sporky, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Harvey, Nicholas, Anthony V, Harrison, Michael, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/8oufzc/podcast_digimon_manga_special_13_i_have_99_dramon/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

A classic from 1994, Fist of Legend. Chinese martial arts student Chen Zhen (Jet Li) is studying in Kyoto, Japan, when he learns his mentor has died in a match against Ryuichi Akutagawa (Jackson Liu). Returning home to the Japanese-occupied Shanghai of 1937, Chen challenges Ryuichi to a fight and easily defeats him. Concluding his master was set up, Chen has an autopsy performed. Meanwhile, word of his martial arts skill entices new students hoping to study with him, making his teacher's son, Huo Ting-An (Chin Siu Ho), jealous.

May is still in love with Sparrowmon and Jay appreciates Taiki's character and is very overwhelmed by Arkadimon popping up randomly.Both May and Jay are annoyed by Jeremy's existence and X5's head is canonically in Sparrowmon's bottom.Linkdump: http://lostintranslationmon.co.vu/post/174477349137/ep146Segments:Intro: 0.00.00-00.01.41DigiNews / Lost in NewsLatelymon: 0.01.42-0.10.09Obnoxious Synopsis: 0.10.10-0.16.16Episode 20 and 21 Discussion: 0.16.17-0.53.32Episode 20 and 21 Opinions: 0.53.33-0.57.54Episode 22 Discussion: 0.57.55-1.11.38Episode 22 Opinions: 1.11.39-1.14.58Overall Opinions: 1.14.59-1.18.40Postmon Pat: 1.18.41-1.29.37Outro: 1.29.38-1.32.49Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, MetalMamemon, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@HiroAlato on twitter, Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Azrael McCool, genehackmon (who hosts "New World Sonata - a sci-fi/fantasy audio drama podcast), Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Sporky, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Harvey, Nicholas, Anthony V, Harrison, Michael, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/8nvgl3/digimon_podcast_episode_146_mega_kabootie_erimon/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

May and Jay finish with Lain and try to expLAIN some things.May talks about other anime and manga titles and Jay tries to piece everything together.Alice is best girl.Linkdump: http://lostintranslationmon.co.vu/post/174250627107/lain13Segments:Intro and Recap: 00.00-01.27Synopsis Experiments Lain: 01.31-19.18Serial Opinions Lain: 19.22-43.56Outro: 44.00-48.35Check out our Website for information about the show: www.lostintranslationmon.comCheck out our Redbubble!: https://www.redbubble.com/people/airdraThank you to our supporters on Patreon; Sam Krieger, Stevie SteviePatamon on Tumblr and takes commissions, MetalMamemon, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Hiro Alato (@HiroAlato on twitter, Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own and inkitt.com/rydenallen), Steven Reeves (WildWing64 on Archive of Our Own), Kaida Washi, Mac, Noam, Riku, Chisai (Who you can follow on tumblr at chisai236), Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), Tom, GlitchGoat, Azrael McCool, genehackmon (who hosts "New World Sonata - a sci-fi/fantasy audio drama podcast), Matthew, Anthony (antoclassic on twitter), Lizmet (Elecmon on tumblr), Sporky, Sithobi, Meagan, Kyliek, Neoboo, The Time Optimist, SilverHairedFreak25 (@SHF25Tweets on Twitter), Harvey, Nicholas, Anthony V, Harrison, Michael, and Michael C!Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/Lain/comments/8m51iy/podcast_serial_episodes_lain_13_please_somebody/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmonPlayerFM: https://player.fm/series/lost-in-translationmon-a-digimon-anime-podcastPodBean: https://www.podbean.com/podcast-detail/b86i7-428ef/Lost+in+Translationmon+-+A+Digimon+Anime+Podcast

Listen Here: [powerpress] This week’s Nuclear Hotseat marks the 32nd Anniversary of the Chernobyl nuclear disaster with highlights from past interviews.  It bring Ukraine’s devastating 1986 nuclear accident — and its consequences — into sharp, terrifying focus. This Week's Special Interviews: Bonnie Kouneva was a 16-year-old living in Bulgaria when the Chernobyl accident started on...