Podcasts about Waltz with Bashir

Waltz With Bashir, Milk, Synecdoche, New York, The Dark Knight, among others.

Waltz With Bashir (2008) by Bob Sham & Friends

In which our fellas head back to Lebanon this time without the steel armour. Ari Folman was there in 1982 as a young man in the Israeli Defense Forces. His memories are fragmented, however sometimes crystal clear, others bits and pieces and some blank altogether. He knows he was present at the infamous Sabra and Shatila massacre but he remembers only a few images. Through conversations with memory experts and wartime comrades, rendered in a distinct animated style, Ari begins to reveal a bigger picture of what he experienced in those years. Next week: the final days of a monster. Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Waltz with Bashir is directed by Ari Folman. Learn more about your ad choices. Visit megaphone.fm/adchoices

In der heutigen Podcast-Episode tauchen wir wieder in die Welt des Films und der Serien ein. Wir diskutieren über “Problemista”, "Arthur der Große", “Atlas”, “Waltz with Bashir” und “The 8 Show”. Lass uns einen kurzen Blick auf manche von ihnen werfen: “Problemista” von A24:  Ein surrealistischer Comedy-Film aus dem Jahr 2023, geschrieben, inszeniert und mitproduziert von Julio Torres in seinem Spielfilmdebüt. Die Besetzung umfasst Tilda Swinton, Julio Torres, RZA, Greta Lee, Catalina Saavedra, James Scully und Isabella Rossellini. Die Handlung folgt einem ehrgeizigen Spielzeugdesigner aus El Salvador, der in New York City für einen exzentrischen Künstler arbeitet. Der Film verspricht eine einzigartige Mischung aus Humor und Surrealismus1. “Atlas”: Die Geschichte dreht sich um eine Frau (Jeniffer Lopez) , die mit einem Roboter interagiert, der beginnt, sich mit ihrer Persönlichkeit zu verschmelzen. Ein interessanter Mix aus Sci-Fi und menschlichen Beziehungen, der sicherlich für Gesprächsstoff sorgen wird. “Waltz with Bashir”: Ein animierter Dokumentarfilm aus dem Jahr 2008, der die persönliche Reise des Regisseurs Ari zur Wiedererlangung seiner verlorenen Erinnerungen an den ersten Libanonkrieg erkundet. Ari interviewt alte Freunde und Kameraden, die am Krieg beteiligt waren, um die Wahrheit über das Geschehene herauszufinden. Der Film verwendet Animationen, um die surrealen und traumatischen Bilder darzustellen, die Ari und seine Mitkämpfer verfolgen234.  “The 8 Show”: Eine Netflix-Serie, bei der die Teilnehmer in einem Hochhaus auf dem Weg zu einem stattlichen Preispool ein “Squid Game”-ähnliches Spiel spielen. Spannung, Intrigen und hohe Einsätze erwarten die Charaktere in dieser Show. Viel Spaß beim Hören und vergesst nicht zu liken und zu kommentieren!

Größer, breiter, anders: FURIOSA: A MAD MAX SAGA ist am Start und wir wollen nun klären, ob sie wirklich das Zeug dazu hat, es episch werden zu lassen. Dafür treffen mit Yves von Moviepilot, Timo, Andi und Schröck vier Reiter der Apokalypse zusammen, die George Millers Endzeit-Rache-Drama auf Herz, Nieren oder Kolben prüfen und natürlich auch auf alle anderen Filme der Reihe eingehen wollen. Wo steht FURIOSA im Vergleich zu FURY ROAD? Wie viel MAD MAX ist noch enthalten? Kann die Action auch mit MAD MAX 2 - DER VOLLSTRECKER oder eben ROAD WARRIOR mithalten oder geht es mehr in Richtung MAD MAX: JENSEITS DER DONNERKUPPEL und dessen Überübermorgenland? All dies und mehr werden die Vier in fast einer Stunde bequatschen, um Euch dann noch schnell ein paar Streaming- und Mediatheken-Tipps mit auf den Weg zu geben. Dabei werden vor allem AXIOM und INGLORIOUS BASTERDS hervorgehoben, aber auch zu THE BEACH BOYS, WALTZ WITH BASHIR, LAKE PLACID, ANANAS EXPRESS oder TITANE wird das eine oder andere Wort verloren. Kein Wort dürfen wir derweil zu ATLAS verlieren, denn der hat leider noch ein Embargo von dem wir erst zu spät erfahren haben. Aber so bleibt dann eben noch etwas mehr Zeit für alles, was die Vier zuletzt gesehen haben, so dass es zum Beispiel auch noch um THE VILLAGE - DAS DORF und THE FANATIC geht. Oder um MISSING und EINHUNDERTVIER. Oder um DARK MATTER und HOLLYWOOD CON QUEEN. Abgerundet durch Schröck, der noch mal von seinem Rewatch zu WILD AT HEART - DIE GESCHICHTE VON SAILOR UND LULA berichtet und dann sogar noch eine kleine Überraschung in Videoform am Start hat. Genauer gesagt zwei. Zum einen einen Teaser für unser Interview mit GEORGE MILLER zu FURIOSA, das am Sonntag kommt. Zum anderen eine kleine Grußbotschaft, an die ein Gewinnspiel und eben auch ein neues Screening zu THE ROOM geknüpft sind. Den Link findet Ihr hier in der Beschreibung und ansonsten findet Ihr diese Folge hoffentlich auch so dufte wie wir. In diesem Sinne: habt einen lovely day, bleibt gesund und gut drauf und viel Spaß im Kino, auf der Couch oder eben mit den vier Warboys hier. À bientôt. Rocket Beans wird unterstützt von Radio Bob! Learn more about your ad choices. Visit megaphone.fm/adchoices

For those of you watching the mass killings in Gaza (nearly 14,000 dead in seven weeks, over 2/3 of them women and children) you might find it helpful to think back to an earlier time when Israel was once again implicated in a mass killing.  This was what happened in September, 1982 during the Israeli invasion of Lebanon.  The Israelis are quick to point out that they did not themseslves do the killing, but neither were they free of  responsibility.  This podcast has two purposes:  to describe what happened in those terrible three days, and to tell you what the Israeli Kahan Commission subsequently concluded.  It is very clear that there will be a post-war commission to study why the Israeli security system failed to detect the extensive planning for this attack.  What is less clear is whether there will be an Israeli commission to study the response.  We can be certain that international bodies will conduct such investigations. Notice:  This is not easy listening.  (Below is my original introduction) In September, 1982, during the Israeli invasion of Lebanon,  the Israeli army took control  of West Beirut and the Palestinian refugee camps of Sabra and Chatillah.  Bashir Gemayel, the leader of the Phalangist movement (Kataeb in Arabic), had just been assassinated.  He had supported the Israelis in their invasion, hoping to free his land of the PLO and of Syrian domination.  The individual convicted of the assassination was a Christian.  He claimed he had acted because of Gemayel's support of Israel.  Many people think Syria was behind the attack. Gemayel's followers were bent on revenge.  The visible target was the Palestinian refugee camps.  The PLO forces had been evacuated to Tunis by an American-brokered agreement.  Part of that agreement was that the U. S. agreed to protect the Palestinian civilians who would be left without security.  President Reagan's personal representative, Ambassador Phillip Habib, had negotiated the withdrawal of Palestinian forces and had guaranteed the security of the civilian refugees left behind in the camps.  But there was extremely bad blood between the Phalangists and the PLO and this was an opportunity to get revenge for past offenses.  The Israelis controlled access to those camps and allowed military units to enter.  The killing went on for three days.   There was a story in the Jerusalem Post as the massacres were going on.  The sun was setting and a  military rabbi was leading an outdoor religious service.  There were sounds of shooting and screams in the distance.  The Jerusalem Post said this will go down in history as the “Rosh Hashana of Shame.” Under domestic and international (i.e., U.S.) pressure, the Israelis set up a three-person commission headed by a very respected member of their high court, Justice Kahan.  This is the story of that report. There are two award-winning films that might be of interest.  One is an Israeli film called Waltz With Bashir, a graphic-novel type film.  An officer is having nightmares of wild dogs.  He starts talking to others in his unit.  They are also having nightmares.  It turns out they were all present during the massacres but they have suppressed what happened on their watch.  The other film is The Insult, a Lebanese film.  It starts with a simple confrontation between two men in which one calls the other a name. This happens many times every day without consequence so why does this incident escalate?  It turns out the two parties are connected personally to these massacres. Even though this is decades later, the wounds are still there.  People:  Bashir Gemayel, Amin Gemayel, Raphael Eitan, Shimon Peres, Menachem Begin

Not strictly machinima, but something we've named mAIchinima! This week, we discuss two films using generative AI to create narrative works.  In both cases, the techniques employed emphasize the sound - music or voice acting - but whilst one is intentional, the other is not.  We share our thoughts on these works and discuss some of the current limitations and benefits observed, which leads us into a timely discussion about style in filmmaking.  We also discuss some recent developments in AI for creatives, such as the role of Glaze masking and Nightshade corrupting tools.1:36 Glaze and Nightshade generative AI tools discussion12:42 New games with machinima potential14:48 USB microphone by J Lab14:46 Nina | Denver Pluto discussion33:33 Prelude to Dust discussion43:00 Style and its use in filmmaking, Waltz With Bashir and GigerCredits -Speakers: Ricky Grove, Phil Rice, Tracy Harwood, Damien ValentineProducer: Ricky GroveEditor: Phil RiceMusic: Anno Domini Beats

Daniel and Harry are joined by Elan Golod, director of "Nathan-ism," to discuss the 2008 film "Waltz with Bashir" directed by Ari Folman.They cover the film's exploration of memory and its malleability, dive deep into the distinction between historical truth vs story truth (and its relation to Jewish Midrash and the Seder), and make the case for why this film might be more Israeli than strictly Jewish.As always, they close out the episode by ranking the film's "Jewishness" in terms of its cast & crew, content, and themes._____________________Waltz with Bashir TrailerWaltz with Bashir on IMDb_____________________Nathan-ism websiteNathan-ism on Instagram_____________________Connect with Jews on Film online:Instagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

Hey, everybody! In this week's episode, Wickham and Colleen are discussing animated non-fiction films in the context of their recommendations of "Waltz with Bashir" (2008, dir. Ari Folman) and "Persepolis" (2007, dir. Marjane Satrapi & Vincent Paronnaud).

Zeichentrickfilme - das ist doch nur was für Kinder. So die weit verbreitete Meinung, dabei kann das Medium Zeichentrickfilm so viel mehr und es gibt viele Farben und die unterschiedlichsten Filme und Geschichten zu entdecken. Eine Reise von den späten 20er Jahren bis hin in die 2000er Jahre und immer geht es um gezeichnete, phantstische Filme

The Alchemist shift through a memory battlefield in Waltz with Bashir. Key Elements: Bullet Dance, Patchouli, Water Giant Join the Patreon: https://www.patreon.com/filmalchemistpod  

This week's Empire Podcast sees Chris Hewitt have two fascinating natters with two very different directors: first, Jordan Peele talks about his mysterious third movie, Nope (which gets a big Yep from us), and anoints Chris as the new Oprah Winfrey (you'll have to listen for it to make some kind of sense), and then Ari Folman, the director of Waltz With Bashir and new animated movie Where Is Anne Frank, talks about the state of animation, why it took him eight years to make it, and Liverpool Football Club. Yes, fair warning to non-Reds, but this time it wasn't Chris' fault! Then, in the podbooth, Chris is joined by Helen O'Hara, James Dyer, and Neel Bhatt, making his pod-debut proper and marking the occasion with a box of freshly-baked cookies. Together, our intrepid quartet discuss a freshly-baked listener question about the DCEU, discuss the week's movie news, and review Nope, Eiffel, and Where Is Anne Frank. Enjoy!

Host Felicity Beckett talks to director Ari Folman (Waltz With Bashir) about his new film, Where is Anne Frank.  As a violent storm rages in modern day Amsterdam, fiery teenager Kitty – the imaginary friend that Anne Frank's famous diary is addressed to – comes magically to life in the house where Anne took refuge with her family. Believing Anne to still be alive, Kitty embarks on a journey to find Anne, and finds herself both shocked by the modern world and amazed by Anne's vast legacy.​ From the director of Waltz With Bashir. Where Is Anne Frank is a heartfelt, visually stunning animated film that retells the famous story for a new generation. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive La Cinema.  

Im direkten Vergleich zur ersten Episode dieser Woche, wo wir extremes Hirn aus-Programm propagiert haben, gibt es heute den direkten Gegenentwurf. Wir reden mit Classic Dave und erstmalig Konny, der ein ernstes Herzensprojekt mitgebracht hat, und auch der heutige Auftragsfilm hat nicht gerade Partypotenzial. Banausen-Diversity, es geht auch anders - auf schlechte Wortspiele, billige Scherze, und ein historisches Punkteraten müsst ihr trotzdem nicht verzichten.

Episode Seven - This week were headed to the Middle East as we review Ari Folman's 2008 First Lebanon war epic - Waltz with Bashir.Facebook - https://www.facebook.com/ScuttlebuttMovieReviewsInstagram- https://www.instagram.com/scuttlebuttreviews/?hl=enYoutube -https://www.youtube.com/channel/UCwbgZzUyQc--6MUwA_CtFvQPatreon -https://www.patreon.com/Scuttlebuttpodcast

This week the dudes watch the fully animated 2008 documentary Waltz With Bashir. Recounting the Lebanon War in 1982 and the memories that surround it --- Send in a voice message: https://anchor.fm/threedudespod/message

Regular host Michael Leader is back this week with film critics Ella Kemp and Kambole Campbell to discuss the recently Oscar-nominated animated documentary Flee, and Wheel of Fortune and Fantasy, by Oscar-nominated director Ryusuke Hamaguchi. And in Film Club, the 2008 animated war documentary, Waltz With Bashir.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by Little Dot Studios See acast.com/privacy for privacy and opt-out information.

This episode is also available as a blog post: https://allenwatcheseverything.wordpress.com/2011/09/25/vals-im-bashir-waltz-with-bashir-2008-3-55/ --- Send in a voice message: https://anchor.fm/al625/message

In September, 1982, during the Israeli invasion of Lebanon,  the Israeli army took control  of West Beirut and the Palestinian refugee camps of Sabra and Chatillah.  Bashir Gemayel, the leader of the Phalangist movement (Kataeb in Arabic), had just been assassinated.  He had supported the Israelis in their invasion, hoping to free his land of the PLO and of Syrian domination.  The individual convicted of the assassination was a Christian.  He claimed he had acted because of Gemayel's support of Israel.  Many people think Syria was behind the attack. Gemayel's followers were bent on revenge.  The visible target was the Palestinian refugee camps.  The PLO forces had been evacuated to Tunis by an American-brokered agreement.  Part of that agreement was that the U. S. agreed to protect the Palestinian civilians who would be left without security.  President Reagan's personal representative, Ambassador Phillip Habib, had negotiated the withdrawal of Palestinian forces and had guaranteed the security of the civilian refugees left behind in the camps.  But there was extremely bad blood between the Phalangists and the PLO and this was an opportunity to get revenge for past offenses.  The Israelis controlled access to those camps and allowed military units to enter.  The killing went on for three days.   There was a story in the Jerusalem Post as the massacres were going on.  The sun was setting and a  military rabbi was leading an outdoor religious service.  There were sounds of shooting and screams in the distance.  The Jerusalem Post said this will go down in history as the “Rosh Hashana of Shame.” Under domestic and international (i.e., U.S.) pressure, the Israelis set up a three-person commission headed by a very respected member of their high court, Justice Kahan.  This is the story of that report. There are two award-winning films that might be of interest.  One is an Israeli film called Waltz With Bashir, a graphic-novel type film.  An officer is having nightmares of wild dogs.  He starts talking to others in his unit.  They are also having nightmares.  It turns out they were all present during the massacres but they have suppressed what happened on their watch.  The other film is The Insult, a Lebanese film.  It starts with a simple confrontation between two men in which one calls the other a name. This happens many times every day without consequence so why does this incident escalate?  It turns out the two parties are connected personally to these massacres. Even though this is decades later, the wounds are still there.  People:  Bashir Gemayel, Amin Gemayel, Raphael Eitan, Shimon Peres, Menachem Begin, Yitzhak Shamir, Ariel Sharon, Shimon Peres, Elie Hobeika, Yaron, Major Saad Haddad,  Terms: pogrom, blood libel, Phalange, Lebanese Forces, Damour Vengeance Brigade, “The Comprehensive Solution,” i.e., the Reagan Plan, Eretz Israel, Appendix B, Blood Libel, Knesset, Tunis. 

Today’s guest is the amazing Max Richter. I'm a huge fan of his music (and you are likely to be too).Max stands as one of the most prodigious figures on the contemporary music scene. From synthesizers and computers to a full symphony orchestra, Max’s innovative work encompasses solo albums, ballets, concert hall performances, film and TV series, video art installations and theatre works.He writes beautifully crafted, intelligent work that is disarming in its honesty; his music, despite its underlying sophistication, remains accessible to all. His enduring appeal has led him to surpass a billion streams and a million album sales. Although long a part of the avant-garde, through his influential solo albums, Max has become an influential composer in film and television, creating the brilliant score for Golden Globe and European Film Academy Award-winner Waltz with Bashir, HBO’s cult drama The Leftovers, Miss Sloane with Jessica Chastain, Hostiles starring Christian Bale, Charlie Brooker’s Black Mirror, and Tom Hardy’s Taboo, for example.Numerous directors, including Martin Scorsese, have dipped into Richter’s catalogue when they need something special.Ten years in the making, Max’s latest work is Voices, which which brings together recordings of people in over 70 countries reading the the Universal Declaration of Human Rights, with a massive and very unusual orchestra. It’s second part, Voices 2, is releasing this month.Listen as we discuss:Max's story, and how and early love of music guided is future without hesitationHis partner, Yulia Mahr, who he's been with for 30 years (and some relationship advice)His 8.5 hour masterpiece, Sleep, which served as a statement against living life on the hamster wheelHow Max's native language is music, and mine is math, and where those overlap.Slowing down (of course)The creative process behind composing his hit film soundtrack for Waltz with BashirHis newest project, Voices, and Voices 2, dedicated to readings of the Universal Declaration of Human RightsThe power of hearing the declaration in languages you don't understandVoices 2, releasing this week, and why its structure leads us to dream of a better futureThe difference between recording on tape vs. digital, and why tape feels 'alive.'Instagram: @mo_gawdatFacebook: @mo.gawdat.officialTwitter: @mgawdatLinkedIn: /in/mogawdatWebsite: mogawdat.com/podcastConnect with Max Richter on Facebook @maxrichtermusic, Instagram @maxrichtermusic, Twitter @maxrichtermusic, and his website, maxrichtermusic.com Don't forget to subscribe to Slo Mo for new episodes every Sunday and Thursday. Only with your help can we reach One Billion Happy #onebillionhappy.

Film: Waltz With Bashir - Réalisation: Ari Folman - Équipe du Podcast: Capo, Sam & Joël - Invité: Alex - Prochain Film: A Ghost Story (2017) - Merci pour votre écoute!

In this episode we discuss an animation double bill: WOLFWALKERS and WALTZ WITH BASHIR. I am joined by regular contributor Mansi Tiwari. WOLFWAKERS is a beautiful hand-drawn 2D animation that retells an Irish myth, grounded in historical events. We discuss the effects of shifting perspectives, just how scary the wolves are and whether Mebh's animated hair is up there with Merida's and Moana's. WALTZ WITH BASHIR is an unusual choice for an animation, as it is a documentary. Mansi and I try to figure out the advantage of this medium for an exploration of trauma and the collective nature of memory, as the director Ari Folman tries to remember what atrocities he might have committed during the 1982 Lebanon war. ------------------------------------------------------------------------------------------------ The short stories we talk about are Tim O'Brien's THE THINGS THEY CARRIED, who writes about his experiences during the Vietnam War. The other films by studio Cartoon Saloon, the makers of WOLFWALKERS, are THE SECRET OF KELLS, SONG OF THE SEA and BREADWINNER.

It’s almost Halloween, so that means it’s time to get back into Killing Floor 2 for their seasonal events. Deep Rock Galactic adds two new mission types and Bobby plays the original Pokemon game from Game Boy while Emilio picks up the new Dead Cells DLC, Bad Seed. Deep Rock Galactic, Dwarfheim, UFC 254, Killing...

October is a very important month in human history. On October 13, 1990, the long and complicated Lebanese Civil War came to an end. Listen to find out what film a special guest and I are talking about this month! --- Send in a voice message: https://anchor.fm/the-formal-review/message Support this podcast: https://anchor.fm/the-formal-review/support

Connor & Riley take a look at a film unlike any other: Waltz with Bashir. This one of a kind animated/documentary/autobiographical pic has both an intriguing storytelling style and animation style. Listen in as they discuss what it takes to make an animated film like this and how a movie like this would be almost impossible to make in the U.S.WARNING: Major spoilers for Waltz with Bashir & James and the Giant PeachFollow us:Facebook: https://www.facebook.com/rulesoftheframe/Instagram: https://www.instagram.com/rulesoftheframeTwitter: https://twitter.com/RulesOfTheFrameFilms mentioned in this episode:--------------------------------Waltz with Bashir (2008) | Dir. Ari FolmanThey Shall Not Grow Old (2018) | Dir. Peter JacksonA Scanner Darkly (2006) | Dir. Richard LinklaterThe Congress (2013)| Dir. Ari FolmanThe Princess Bride (1987) | Dir. Rob ReinerThe Triplets of Belleville (2003) | Dir. Sylvain ChometThe Adventures of Prince Achmed (1926) | Dir. Lotte Reiniger, Carl KochThe Lord of the Rings Trilogy (2001-2003) | Dir. Peter JacksonBlacKkKlansman (2018) | Dir. Spike LeeToy Story 3 (2010) | Dir. Lee UnkrichBeauty and the Beast (1991) | Dir. Gary Trousdale, Kirk WiseUp (2009) | Dir. Pete DocterWALL-E (2008)| Dir. Andrew StantonKung Fu Panda (2008) | Dir. Mark Osborne, John StevensonBolt (2008) | Dir. Byron Howard, Chris WilliamsChicken Little (2005) | Dir. Mark DindalMeet the Robinsons (2007)| Dir. Stephen J. AndersonTangled (2010) | Dir. Nathan Greno, Byron HowardFrozen II (2019)| Dir. Chris Buck, Jennifer LeeToy Story 4 (2019)| Dir. Josh CooleyI Lost My Body (2019)| Dir. Jeremy ClapinThe Missing Link (2019)| Dir. Chris ButlerParaNorman (2012)| Dir. Chris Butler, Sam FellCoraline (2009) | Dir. Henry SelickBoxtrolls (2014) | Dir. Graham Annable, Anthony StacchiKubo and the Two Strings (2016) | Dir. Travis KnightJames and the Giant Peach (1996) } Dir. Henry Selick

The first of a two-part series. Mario and Tom engage in a discussion about what they think are the best 20 films of the century, so far. This week they discuss films 20 through 11. Mario: 20. Edge of Tomorrow (6:59), 19. In the Loop (16:28), 18. Spider-man: Into the Spiderverse (32:29), 17. White Material (36:03), 16. City of God (49:43), 15. Phantom Thread (52:43), 14. A History of Violence (1:06:40), 13. Closer (1:12:34), 12. 12 Years a Slave (1:20:45), 11. Mystic River (1:38:30). Tom: 20. 35 Shots of Rum (11:23), 24 Frames (21:34), 18. Inside Llewyn Davis (28:19), 17. Faces Places (38:46), 16. The Master (44:44), 15. Spider-man: Into the Spiderverse (55:23), 14. Morvern Callar (1:00:03), 13. Widows (1:18:29), 12. Ladybird (1:25:40), 11. Waltz With Bashir (1:33:05). On Tap! Something slightly lighter the next two weeks. From Still Hill Brewing in Rocky Hill, CT: The Nut on the Hill, a brown ale (1:31:25) https://www.stillhillbrewery.com/items/still-hill-the-nut-on-the-hill Music Credits: “Her Eyes Play Tricks on the Camera” – Robert Pollard (arranged and performed by Tom Nolan), “Ghost” – Neutral Milk Hotel.

Abe and Michael do their dance with the 2008 Israeli animated documentary film, its inspection of how we're hardwired to design our own past memories, and its thoughts on the nature of war. Tons of jokes in this one, folks. Shout out to Zac Schwartz for this month's Pick The Flick tier! You're a real M.V.Bean. Warning: Michael's recording software went a little haywire. It's not too bad and we had our top people on it, but there's some audio clicking at times. Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans SB Merch: https://smallbeans.bigcartel.com

Our latest episode of Soundtracking has been some time in the making - so busy is the composer in question. But, boy, was it worth the wait. Max Richter is a name that's come up on numerous occasions on our film music podcast, with Joe Wright, Denis Villeneuve, Yann Demange and John Ridley among those who have either enlisted his services or used his original compositions in their work. So we were truly humbled when Max agreed to join us on stage at London's BFI for one of our live events recorded in front of an audience.  Though we barely scratched the surface of his extraordinary back catalogue in the hour or so we had with him, we still covered a lot of ground, including his contributions to Waltz With Bashir, Mary Queen Of Scots, White Boy Rick, Black Mirror and Arrival.

"Waltz with Bashir" von Regisseur Ari Folman ist Immos Lieblingsfilm 2008. Die gezeichnete Dokumentation handelt von Folmans persönlicher Suche nach Erinnerungen über seine Zeit als israelischer Soldat im Libanonkrieg. Wir reden über die Stilentscheidung, die Dokumentation als Trickfilm zu inszenieren, und wie diese die Subjektivität der Berichte in den Vordergrund stellt. Dabei besprechen wir Schuldgefühle und Traumabewältigung. Wir diskutieren die Themen Vergessen und Erinnerung, auf persönlicher Ebene des Regisseurs, wie auf kollektiver Ebene.

Episode 24 takes a walk through the terrain of animated documentary, with Chris and Alex joined by Dr Bella Honess Roe (Senior Lecturer and Programme Director for Film Studies, University of Surrey) to discuss the relationship between truth, authenticity and animation in Waltz with Bashir (Ari Folman, 2008). Documenting his own personalised account of the Lebanon war, Folman’s feature film provides a useful test case to think about how fantasy and animation might be applied within a non-fiction context. Topics for discussion include the ability of animation to represent trauma (including its depiction of the 1982 Sabra and Shatila massacre); the veracity of animating dreams and memory; and the medium’s veiling properties as a mode of historical or personal distraction. The result is both the framing of Waltz with Bashir as a crucible moment that reignited scholarly interest in animated documentary, and a reflection on how Folman’s film crystallises memory as itself as a combination of the factual and fantastical.

Ari Folman's animated documentary is different from many other films about trauma. But it is only in its final moments that it reveal its most telling truth. The post 360. Waltz with Bashir appeared first on Steven Benedict.

Ron & Ben discuss a film about a massacre during the Lebanese War, but try to remain relatively cheerful. MMW theme by Mike Powell. Outro music: The Haunted Ocean 1 by Max Richter (from the Waltz with Bashir OST). We are also on iTunes (honest, don't laugh).

Our second WTF podcast of the year is about WTF war films, and Kevin's picked a psychotropic trip through a Miltonian hellscape with JACOB'S LADDER (1990), featuring an early dramatic turn from Tim Robbins. Next up Patrick's chosen the Israeli animated war documentary (you know, one of those), WALTZ WITH BASHIR (2008). At the end we look forward to going green. --- Support this podcast: https://anchor.fm/buried-cinema/support

Drew returns to the podcast and hes packing this emotional bomb. Beautifully drawn and written, Waltz with Bashir sucks you in immediately and might quickly become one of your favorite war movies. Waltz with Bashir (2008) Directed by: Ari Folman Written by: Ari Folman Starring: Ari Folman, Ron Ben-Yishai and Ronny Dayag *******SPOILERS******** ******EXPLICIT********** Follow us on Twitter! @IWYTWT Dennis @TheDBux Cullen @CullenMunch Craig @Catharticus Facebook.com/groups/IWYTWT

Hosts Mike and Dustin return with another episode of All Things Considered, the open review show where we cover anything and everything that catches our interest on the cinema landscape. For this episode the discussion revolves around Sony's 2016 Ghostbusters revival, Yūdai Yamaguchi's 2003 Baseball Battlefield, Ari Folman's 2008 Lebanon war memoir/documentary, Waltz With Bashir, and Peter Jackson's infamous 1989 puppet fiasco, Meet the Feebles.

Matt and Mark continue to review documentaries this week with the 2008 Lebanon War animated film Waltz with Bashir. Not so much a reconstruction of events leading up to the infamous Sabra and Shatila Massacre, as it is the personal exploration of an Israeli soldier who 20 years on finally comes to terms with his complicity in the atrocity. Such horror is endemic to human history it seems, and in away, no human being is truly innocent of crimes done in their name, despite the paper thin facade of nationalism. An amazing movie and one of kind, Waltz with Bashir is an important film.Download: 240 Waltz with Bashir

Coming up we’ve got Jake Winter’s Snoverated. This week he reviews the film A Waltz With Bashir. As per usual, Nick brings you his Modest Mouth Review. This week he reviewed the album Super Low by Warehouse. Hunter Ives brings you his first piece. This week he looks at the Angelina-Brad divorce Brooke Yanayon brings you Arts Afternoons. This week she interviews Zachary Lunn, his Masters in Fine Arts in Creative Writing. But first, Marissa brings you a look at Michelle Obama’s advice at the NC State Rally and voting.

Coming up we’ve got Jake Winter’s Snoverated. This week he reviews the film A Waltz With Bashir. As per usual, Nick brings you his Modest Mouth Review. This week he reviewed the album Super Low by Warehouse. Hunter Ives brings you his first piece. This week he looks at the Angelina-Brad divorce Brooke Yanayon brings you Arts Afternoons. This week she interviews Zachary Lunn, his Masters in Fine Arts in Creative Writing. But first, Marissa brings you a look at Michelle Obama’s advice at the NC State Rally and voting.

*Originally uploaded to YouTube June 8, 2015 Button Masher discusses the animated documentary, Waltz with Bashir, and ends up in some movie related tangents!

Join the Auteurs as they discuss "Waltz with Bashir". Will the first foreign film of the show prove too much to handle? Listen in to find out

After the 1982 invasion of Lebanon, I lost my memory. Now in order to remember, I am looking for those who can never forget. This week, we get into animated films about war. We start with 2008's documentary animation Waltz With Bashir. Next, the fourth installment of the You Should See This fest, Grave Of The Fireflies. Finally, our Top 5 Characters That Could Only Be Animated. Thanks for listening!

In 2004, Yoni worked as an animation director for Ari Folman's documentary series, The material that love is made of. Their collaboration continued with Yoni as an animation director in Ari Folman's Academy Award nominated Waltz with Bashir. Yoni also developed the Adobe Flash Cutout technique for the film.In 2009, he made several short films for human rights organizations, notably the short film Closed Zone, protesting against the Gaza blockade. Yoni also worked as an animation director in the short film The Gift, and The Story of Cholera.More recently, Yoni worked as the Animation Director for Ari Folman's feature The Congress, based on a novel by Stanislaw Lem. 

WALTZ WITH BASHIR er en animations/dokumentarfilm der skildrer hændelserne under Israels invasion af Libanon 1982. Vi diskuterer om en dokumentar kan være en animationsfilm og hvor ligger grænsen for hvad dokumentarister kan tillade sig. Ugens B film er den sort satiriske MARY AND MAX, en australsk ler-animationsfilm fra 2009. Den har bla. stemme af Philip Seymour Hoffman og vi vender i den forbindelse kort de bedste film af den nu afdøde skuespiller.  Film også nævnt i denne episode: REPO MEN, CABIN IN THE WOODS, THE FOLLOWING S1, SMALL ENGINE REPAIR, THE KID STAYS IN THE PICTURE, REPO MAN, BREAKING AWAY, MAN OF MARBLE, LEGO THE MOVIE, THE CURSE OF THE WERE-RABBIT, THE WRONG TROUSERS og mange flere!

Sight Unseen speaks with artists of all different mediums looking at the underbelly of their work, exploring what drives them to make such public works about private curiosities and how their work reflects the human condition. In this show, the voice of Academy Award nominated director Ari Folman speaking about his groundbreaking film Waltz With Bashir which explores and uncovers his memories of his experience as a soldier in the Israeli Army during Israel's invasion of Lebanon.

Asaf Hanuka is an Israeli illustrator and comic book artist, notable for his collaborations with his identical twin brother Tomer and his work with Etgar Keret in both Hebrew and English.Asaf and Tomer co-created Bipolar, an experimental comic book series which gained them nominations for the Eisner, Harvey, and Ignatz awards.Asaf and Tomer were artists on Ari Folman’s haunting animated documentary, Waltz with Bashir, about the connection with the current Israeli Army and the 1982 Lebanon War.Waltz with Bashir has toured film festivals worldwide; garnering many awards, and is in limited theatrical release.  It has won 6 Israeli Academy Awards.  It was also named Best Film of 2008 by the National Society of Film Critics in the United States and has won the Golden Globe for Best Foreign Film.

Paul and Jon discuss the new Clint Eastwood-directed Changeling, starring Angelina Jolie, as well as sharing views on Kiss Kiss Bang Bang, Sweeney Todd, Waz (or W Delta Z), Day Watch, and Waltz With Bashir. Plus they somehow go off on a tangent about Steve Guttenberg, and wonder why subtitled movies put some people off. The "Desert Island Flicks" category this week is musicals, and there's a guest appearance by Paul's housemate Jenny.

Today we saw Waltz With Bashir at the Landmark Embarcadero as the final film in the 3rd Annual SF International Animation Festival. It took us even longer to get home this time but, after some food, we talked on digital tape again. Last week's podcast saw us working through a very common reaction to Kaufman's film. This week we were more hesitant and disparate, largely because of Waltz With Bashir's traumatic ending. Juxtaposed with stunning animation, we struggled to account for the shock of its ultimate loss. Or at least, some of us did....